=========================================================================
Date: Wed, 7 Jun 1995 20:33:48 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: otr film
I've
heard rumors that Francis Ford Coppola is casting Sean Penn as Dean
and
Brad Pitt as Sal Paradise. Kerouac said
that he thought Marlon
Brando
should have played Dean and Montgomery Clift Sal. Just to get
the
ball rolling on this discussion group, what do you think? What pair
of
actors would you cast as the ideal Dean Moriarty and Sal Paradise?
=========================================================================
Date: Thu, 8 Jun 1995 08:28:01 EDT
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From: "Stedman, Jim"
<JSTEDMAN@NMU.EDU>
Subject: Re: otr film
In-Reply-To: In reply to your message of WED 07 JUN 1995
20:33:48 EDT
>I've
heard rumors that Francis Ford Coppola is casting Sean Penn as Dean
>and
Brad Pitt as Sal Paradise. Kerouac said
that he thought Marlon
>Brando
should have played Dean and Montgomery Clift Sal. Just to get
>the
ball rolling on this discussion group, what do you think? What pair
>of
actors would you cast as the ideal Dean Moriarty and Sal Paradise?
If the
above rumour is true, then it substantiates the rumour that
Mr. Coppola
is in the biz for the bucks.
Sean
Penn and Brad Pitt are fine kid actors... cutey pies. I don't
think
that's what's needed for OTR, though. Actually, I don't think the
lead
characters need to be necessarily be kids (or those faces we
automatically
relate-to as kids'... Michael J Fox, for instance).
Wouldn't
it be great to see Lyle Lovett play Dean?
Just
like when OTR was announced as a books-on-tape, I'm eagerly
awaiting
the product, but I don't expect to be enchanted by the
thing.
Besides, I think Dharma Bums and Subteranneans would make
better
films.
Jim
=========================================================================
Date: Thu, 8 Jun 1995 09:28:45 EDT
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<BEAT-L@CUNYVM.BITNET>
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: otr film
In-Reply-To: Message of Thu, 8 Jun 1995 08:28:01 EDT from
<JSTEDMAN@NMU.EDU>
On Thu,
8 Jun 1995 08:28:01 EDT Stedman, Jim said:
>>I've
heard rumors that Francis Ford Coppola is casting Sean Penn as Dean
>>and
Brad Pitt as Sal Paradise. Kerouac said
that he thought Marlon
>>Brando
should have played Dean and Montgomery Clift Sal. Just to get
>>the
ball rolling on this discussion group, what do you think? What pair
>>of
actors would you cast as the ideal Dean Moriarty and Sal Paradise?
>If
the above rumour is true, then it substantiates the rumour that
>Mr.
Coppola is in the biz for the bucks.
>Sean
Penn and Brad Pitt are fine kid actors... cutey pies. I don't
>think
that's what's needed for OTR, though. Actually, I don't think the
>lead
characters need to be necessarily be kids (or those faces we
>automatically
relate-to as kids'... Michael J Fox, for instance).
>Wouldn't
it be great to see Lyle Lovett play Dean?
>Just
like when OTR was announced as a books-on-tape, I'm eagerly
>awaiting
the product, but I don't expect to be enchanted by the
>thing.
Besides, I think Dharma Bums and Subteranneans would make
>better
films.
>Jim
The
Subterraneans was made into a movie in 1960.
George Peppard played
Leo
Percepied and Leslie Caron played Mardou Fox.
It was full of
gratuitious
violence. Kerouac was furious about it.
=========================================================================
Date: Thu, 8 Jun 1995 10:11:34 -0400
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From: "Mark S. Gordon"
<ab797@OSFN.RHILINET.GOV>
Subject: Re: otr film
I'd
rather see Penn and Pitt reverse roles, Penn as Paradise, Pitt as Moriarty.
Pitt is beautiful, no doubt, but he is
something of a dunderhead who excels at
"noble
savage" type roles. Penn could
better carry off the portrayal of the
sensitive and intelligent Sal Paradise,
alter-ego of Jack himself. Especially
if Coppola uses a 1st person voiceover
narration, I think Pitt would be
disastrous.
I'd
like to see Gary Oldman as Paradise and Val Kilmer as Moriarty, but I'm not
picking.
--
Mark S.
Gordon
"He
not busy being born is busy dying."
"Then
he was told: Remember all you have seen, because everything forgotten
=========================================================================
Date: Thu, 8 Jun 1995 16:25:56 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
I
haven't been able to get to alt.books.beat generation through my
netnews
group. Can anyone give me a specific
address so that I can try
to
subscribe directly? Thanks.
=========================================================================
Date: Thu, 8 Jun 1995 15:32:18 -0700
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From: "Patrick M. Mirucki"
<Patriick@IX.NETCOM.COM>
>I
haven't been able to get to alt.books.beat generation through my
>netnews
group. Can anyone give me a specific
address so that I can try
>to
subscribe directly? Thanks.
>
>
Well..It
looks as though your alreaady subscribed to it. I'm currently
subscribed
to the Beat Generation List and received your message.
=========================================================================
Date: Fri, 9 Jun 1995 11:16:41 +1000
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From: Brian Lynch
<Brian_Lynch@MUWAYF.UNIMELB.EDU.AU>
Subject: OTR casting
I
thought the following message was great advice on possible casting for the
film
version of On the Road:
***
I'd
rather see Penn and Pitt reverse roles, Penn as Paradise, Pitt as
Moriarty.
Pitt is beautiful, no doubt, but he is
something of a dunderhead who excels
at
"noble
savage" type roles. Penn could
better carry off the portrayal of the
sensitive and intelligent Sal Paradise,
alter-ego of Jack himself.
Especially
if Coppola uses a 1st person voiceover
narration, I think Pitt would be
disastrous.
I'd
like to see Gary Oldman as Paradise and Val Kilmer as Moriarty, but I'm
not
picking.
-
Mark S.
Gordon
***
Let's
not forget that Dean Moriarty was the alter-ego representation for Neil
Cassady,
who was very handsome, as well as rugged--Pitt might work well
indeed
(I agree that he'd be better off as Dean rather than Sal). Val Kilmer
as
Moriarty crossed my mind, too, but I wouldn't want to see the Sal/Kerouac
character
come off as less physical than Moriarty--Kerouac, in addition to
vying
with Cassady in the handsomeness department, was a good-sized, rugged
guy
himself (football at Columbia).
Someone else suggested Lyle Lovett for
Moriarty--that would definitely be
interesting,
although Lyle would really have to stretch to capture the
speed-rapping
manic brilliance of Cassady.
Let's keep those casting suggestions
coming! Perhaps we can inspire an
alternative,
low-budget counterproposal to the Coppola project!
Brian
K. Lynch
=========================================================================
Date: Fri, 9 Jun 1995 11:32:43 +1000
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From: Brian Lynch
<Brian_Lynch@MUWAYF.UNIMELB.EDU.AU>
Subject: a previous message
In case
this didn't make it to the List. I was
responding to the original
call
which mentioned that Kerouac had thought Brando would make a good Dean
and
Montgomery Cliff would be the best Sal for the film version of On the
Road:
"I
think Kerouac had it about right. If we
try to find those of the
appropriate
age in the present time, I'd be interested in seeing Johnny Depp
have a
go at Sal and let Anthony Kiedis (have to cut his hair) of the Red Hot
Chili
Peppers try on Dean."
=========================================================================
Date: Fri, 9 Jun 1995 14:22:27 -0400
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From: "Mark S. Gordon"
<ab797@OSFN.RHILINET.GOV>
Subject: Kerouac Conference at NYU
Did
anyone else attend the Kerouac conference at NYU, held earlier this week.
Here
are some snapshot observations:
1. I
came away with a heightened appreciation for Kerouac as a poet. In fact,
I think
it may be fair to say that he was a poet FIRST, and a fiction writer
second.
2.
Gregory Corso is in deep, deep trouble personally and I hope the people who
know
and love him (Ginsberg, Ferlinghetti, etc.) are trying to save him.
3.
Kerouac left an incredible crush of material behind: books, journals, poems,
paintings,
drawings, letters, notes. It may be that most of what he wrote hasn't
even
been released yet. Not only was this a
revelation to me, but it served as
a
reminder that writers (which I am) and artists need to be creating all the
time in
as many mediums as they can. Never again will I leave my house without a
notebook
and pen and not feel a twinge of guilt.
Kerouac may have had failings
as a
person - we all do - but his writer's discipline has to be considered the
standard.
Mark
Gordon
"He
not busy being born is busy dying."
=========================================================================
Date: Fri, 9 Jun 1995 14:24:24 -0400
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List" <BEAT-L@CUNYVM.BITNET>
From: "Mark S. Gordon"
<ab797@OSFN.RHILINET.GOV>
Subject: Re: OTR casting
In
addition to difficulties recreating the breakneck pace of Dean Moriarty's
style,
Lyle Lovett would have problems with Dean's overwhelming physicality.
=========================================================================
Date: Fri, 9 Jun 1995 17:18:19 EDT
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From: "Tracey L. Milton"
<milton_t@APOLLO.HP.COM>
Subject: Ann Charters in Framingham, MA 6/17
Ann
Charters in Framingham, MA
Ann
Charters, Kerouac biographer, and editor of the recently published
Collected
Letters and Portable Kerouac will speak at Border's Bookstore,
85
Worcester Rd (Rte 9), Framingham, MA at 2:00 PM, Saturday, June 17. For
information
call (508)875-2321.
posted
by tracey on behalf of Lowell appreciates Kerouac!
=========================================================================
Date: Tue, 13 Jun 1995 12:43:15 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Road Movie
I came
upon this professional note in the May issue of PMLA which I
thought
I'd pass on: "Steven Cohan and Ina
Rae Hark seek submissions
for a
collection of essays on the road movie.
The book seeks to look at
the
road movie historically and culturally from a variety of critical
and
theoretical perspectives. Consideration
of the road move's
relations
to questions of nationalism, sexuality, technology, and genre
are
especially welcome; papers examining connections between road films,
road
literature (e.g. Kerouac), and television (e.g. Route 66) are also
invited. Contributors should send 2-page proposals
and vitae by 15
August
1995 to both Cohan, Dept. of English, Syracuse Univ., Syracuse,
NY
13244 (fax 315 443-5390), and Hark, Dept. of English, Univ. of South
Carolina,
Columbia 29208 (fax 803 777-1302) Preliminary inquiries may be
sent to
smcohan@mailbox.syr.edu and hark@hsscls.hssc.scarolina.edu
=========================================================================
Date: Wed, 14 Jun 1995 23:42:38 -0500
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From: "ALAN C. REESE"
<S72UREE@TOWSONVX.BITNET>
Subject: Uncle Bill
What's
the concensus of opinion out there on WB's appearance in the
Nike
commercial?
Does
anyone know the physical, mental status of Gregory Corso? Heard he was
doing
poorly.
I'm
reading Kerouac's letters and find the Charters explanatory interludes
a bit
unnecessary, slightly intrusive. and somewhat repetitive. The last
letter
from Sebastian Sampas really foretells the coming of Dean Moriarty.
Anyone
else out there perusing same?
Alan C. Reese
Baltimore
=========================================================================
Date: Thu, 15 Jun 1995 11:21:47 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: Uncle Bill
In-Reply-To: Message of Wed, 14 Jun 1995 23:42:38 -0500
from <S72UREE@TOWSONVX>
At
first, I thought some of Charters' footnotes were obvious. Is there
really
a need to identify G.B. Shaw as an Irish dramatist? Given the
wide
audience of the Selected Letters, however, maybe it is necessary.
Teaching
freshman at Brooklyn College, it often surprises me how little
they
know of literature or history.
=========================================================================
Date: Thu, 15 Jun 1995 12:23:09 -0500
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From: "ALAN C. REESE"
<S72UREE@TOWSONVX.BITNET>
Subject: Re: Uncle Bill
Shouldn't
a footnote not only be informative, but relevant? For example,
the
Shaw note as a case in point. Is it going to help a freshman or any
other
ignorant lout who is bothering to read K.'s letters to know that
Shaw
was an Irish dramatist? Shouldn't there be something more to
connect
the reference to K.'s state of mind, themes, characters, or
whatever?
I think by eliminating the unnecessary and redundant in Charters'
footnotes
and explanatory notes, the collection of letters could have included
more
kerouac letters.
ACR
=========================================================================
Date: Thu, 15 Jun 1995 17:33:17 EDT
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From: "Tracey L. Milton"
<milton_t@APOLLO.HP.COM>
Subject: Ann Charters Visit (fwd)
>
Ann Charters in Framingham, MA
>
>
Ann Charters, Kerouac biographer, and editor of the recently published
>
Collected Letters and Portable Kerouac will speak at Border's Bookstore,
> 85
Worcester Rd (Rte 9), Framingham, MA at 2:00 PM, Saturday, June 17. For
>
information call (508)875-2321.
>
=========================================================================
Date: Fri, 16 Jun 1995 09:36:21 -0700
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From: Michael Bertsch
<mbertsch@ECST.CSUCHICO.EDU>
Subject: Re: Uncle Bill
In-Reply-To: <01HRQGJWYDBM8Y6V76@TOE.TOWSON.EDU>
I found
it useful to know that Oscar Wilde had been imprisoned for
homosexuality--found
it in a footnote in the Kerouac letters book by
Charters.
Michael
Bertsch
=========================================================================
Date: Tue, 20 Jun 1995 09:44:36 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: kerouac jack's
Does
anybody know of a restaurant in the Chicago area called Kerouac Jack's? I
f
anyone has been there, I'd like to know what you thought of it. I'm heading
for
Chicago and am wondering if it's worth a visit.
=========================================================================
Date: Tue, 20 Jun 1995 10:43:25 -0500
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From: William Baker
<c60wxb1@CORN.CSO.NIU.EDU>
Subject: Re: kerouac jack's
In-Reply-To:
<BEAT-L%95062009470883@CUNYVM.CUNY.EDU>
No but
look forward to seeing you in the windy city.Bill BakerOn Tue, 20 Jun
1995,
Bill Gargan wrote:
>
Does anybody know of a restaurant in the Chicago area called Kerouac Jack's?
I
> f
anyone has been there, I'd like to know what you thought of it. I'm heading
>
for Chicago and am wondering if it's worth a visit.
>
=========================================================================
Date: Tue, 20 Jun 1995 15:40:08 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: kerouac jack's
In-Reply-To: Message of Tue, 20 Jun 1995 10:43:25 -0500
from
<c60wxb1@CORN.CSO.NIU.EDU>
Got
your new e-mail address. See you at the
EALS mtg.
=========================================================================
Date: Tue, 20 Jun 1995 16:38:02 EDT
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From: Win Mattingly
<GMATT1@UKCC.UKY.EDU>
Subject: What's Burroughs up to?
Does
anybody have any information about what William S. Burroughs has been up
to
recently? I've read (I forget where)
that he isn't traveling much but I
don't
know if that means he no longer makes public appearances or reads,
teaches,
etc. I've wanted to hear him
speak/perform for most of my adult life
and
would greatly appreciate any info anyone might have on the subject, also
anything
on recent or upcoming publications.
thanks,
Win Mattingly
gmatt1@ukcc.uky.edu
=========================================================================
Date: Wed, 21 Jun 1995 09:49:25 EDT
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From: mARK hEMENWAY <mhemenway@S1.DRC.COM>
Subject: Re: What's Burroughs up to?
Win,
You are
right. My info is that WSB does not travel and really doesn't make
public
appearances, although he has done telephone hook-ups for the 94 NYU
Conference
and one or two others.
A book
of his letters is being published this year, or is already out. I
don't
have the details at hand, but the bookstroe should be able to help
out.
You can also call 1-800-KEROUAC for an excellent catalog of current
beat
stuff, they may have it. Let me also reccommend "Beat Scene"
Magazine.
It's a British publication that does a great job of covering the
beats
past and present. The issue before last (I think) featured WSB.
Write:
Kevin Ring, 27 Court Leet, Binley Woods, NR, Coventry,
Warwickshire,
CV3 2JQ, England.
I am
co-publisher of "Dharma beat" magazine. We aim to help publicize
Kerouac
and sometimes beat related activities, publications and
organizations.
Spring 95 included articles on Desolation Peak, Mexico City
Blues,
Big Sur and events around the country. Send me your snail mail
address
and I will send you a sample if you are interested.
Mark
Hemenway
mhemenway@s1.drc.com
=========================================================================
Date: Wed, 21 Jun 1995 15:08:49 +0100
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From: RADLEY-FASCIONE M D
<M.D.Radley-fascione@CITY.AC.UK>
Subject: WSB
Win
Don't
know if you've heard, but Uncle Bill has had a new work recently
published,
by Viking in States I think, called My Education (A Book of
Dreams).
It's great and covers old Tangier days up to relatively recent
times
in Lawrence...Highly recommended, buy it now, you won't regret it.
Also, I
assume you know about the recordings Bill made with the Disposable
Heroes
of Hipophrasy (sp?), Spare Ass Annie, a couple of years ago now
(course
you do!)
Daniel
P.S.
Does anyone have, or know where I can get, a definitive list of WSB
works
post Western Lands? Any help appreciated.
Thanks
=========================================================================
Date: Wed, 21 Jun 1995 10:44:54 -0400
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From: Richard Centing
<rcenting@MAGNUS.ACS.OHIO-STATE.EDU>
Subject: Re: kerouac jack's
In-Reply-To: Your message of Tue, 20 Jun 1995 09:44:36 -0400
(EDT)
BEAT-L:what
would Kerouac Jack's serve:apple pie and coffee?
=========================================================================
Date: Thu, 22 Jun 1995 14:14:39 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: WSB letters
Someone
wanted a citation for Burroughs' letters the other day. It's
*The
Letters of William S. Burroughs 1945-1959.* NY: Viking, 1993.
=========================================================================
Date: Thu, 22 Jun 1995 12:12:44 -0700
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From: Jim Harrod <jaharrod@UCI.EDU>
Subject: Burroughs Sighting
Andrei
Condrescu's new book - "The Blood Countess" - has an endorsement on
the
back of the dust jacket by William S. Burroughs - he calls the book "a
page
turner".....
Jim
Harrod
jaharrod@uci.edu
url =
http://bookweb.cwis.uci.edu:8042/
ph =
(714) 824-7878
fx =
(714) 824-8545
=========================================================================
Date: Fri, 23 Jun 1995 13:48:50 EST
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From: "Holden, Lindel"
<lholden%smtplink@RELAY.NSWC.NAVY.MIL>
Subject: Fire Watcher
So are there any openings for fire watchers
up there in the
Cascades? by the Skagit with a view of
Hozomeen?
samsara sam
=========================================================================
Date: Wed, 28 Jun 1995 12:31:03 -0500
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From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Kerouac
This
may seem impertinent coming from a young person who has been thrown
into
the Category: Generation X, but my husband told me about BEAT-L
because
I recently read "Visions of Gerard" and was moved by Kerouac's
sincere
yet fictionalized perception of his
brother. I, too, had an older
brother
who died when I was 8 years old...and I have found that
losing
someone that I loved so dearly at such a young age was one of the
most
difficult events in my life. I never
had a chance to know my brother,
and so
he became a "saintly" image in my past. Kerouac's honest approach to
immortalize
his brother brought tears to my eyes.
I've
started to read "On the Road" and I am up to his arrival in
Denver.
It reminds me somewhat of Pirsig's travels in "Zen and the Art..." I
can't
wait to hear what Kerouac's perceptions are of the people he will meet
and the
places he will go. I am only 25, and a
far cry from a Beatnik, but in
my
heart I feel connected somewhat to the ideas and experiences that Kerouac
writes
about. Forgive me if this note is not
what this Mailing list is looking
for;
sometimes I just need to know that maybe there is someone who can
understand
why I feel close to a certain writer, and since I haven't yet
seen a
Vonnegut mailing list, I thought I would give this a try. :)
Go in
peace.
Kristen
=========================================================================
Date: Wed, 28 Jun 1995 11:58:57 -0500
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From: Nick Weir-Williams
<nweir-w@NWU.EDU>
Subject: Re: Kerouac
As
another new member of the list, I'm glad to see it works! Personally I
feel
Kerouac takes his place as one of the great writers because of what
Kirsten
says here. He meant a lot to me when I was growing up for completely
different
yet equally intense and personal reasons. As a young Brit growing
up in
gloomy ealy 70's London, he made me get on a Greyhound and explore
America
for three months as soon as I could at age 17, and as I explored his
works
he spoke to me again and again. That was before I went into
publishing,
discovered a lot more about what his style meant and how
important
all of that was to the future of writing. For that matter he also
got me
into jazz, and is probably a good proportion of the reason I'm now
living
here in the States twenty years later. I think that both his honesty
and his
writing style do get into people's souls in a way few if any others
do, and
that's what stands out. And of course looking back some of it seems
naive
now, but there's always plenty more in the writing to explore. So
maybe
others feel the same way?
Nick
W-W
>This
may seem impertinent coming from a young person who has been thrown
>into
the Category: Generation X, but my husband told me about BEAT-L
>because
I recently read "Visions of Gerard" and was moved by Kerouac's
>sincere
yet fictionalized perception of his
brother. I, too, had an older
>brother
who died when I was 8 years old...and I have found that
>losing
someone that I loved so dearly at such a young age was one of the
>most
difficult events in my life. I never
had a chance to know my brother,
>and
so he became a "saintly" image in my past. Kerouac's honest approach to
>immortalize
his brother brought tears to my eyes.
>
>I've
started to read "On the Road" and I am up to his arrival in
>Denver.
It reminds me somewhat of Pirsig's travels in "Zen and the Art..." I
>can't
wait to hear what Kerouac's perceptions are of the people he will meet
>and
the places he will go. I am only 25,
and a far cry from a Beatnik, but in
>my
heart I feel connected somewhat to the ideas and experiences that Kerouac
>writes
about. Forgive me if this note is not
what this Mailing list is looking
>for;
sometimes I just need to know that maybe there is someone who can
>understand
why I feel close to a certain writer, and since I haven't yet
>seen
a Vonnegut mailing list, I thought I would give this a try. :)
>
>Go
in peace.
>Kristen
>
>
=========================================================================
Date: Wed, 28 Jun 1995 13:05:24 -0500
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From: DAVIS ALAN
<davisa@MHD1.MOORHEAD.MSUS.EDU>
Subject: Re: Kerouac
In-Reply-To:
<9506281631.AA02001@imageek.york.cuny.edu>
Right
on, Kristen. It's why we read, and it's
who we are. Al
On Wed,
28 Jun 1995, Kristen VanRiper wrote:
>
This may seem impertinent coming from a young person who has been thrown
>
into the Category: Generation X, but my husband told me about BEAT-L
>
because I recently read "Visions of Gerard" and was moved by
Kerouac's
> sincere
yet fictionalized perception of his
brother. I, too, had an older
>
brother who died when I was 8 years old...and I have found that
>
losing someone that I loved so dearly at such a young age was one of the
>
most difficult events in my life. I
never had a chance to know my brother,
>
and so he became a "saintly" image in my past. Kerouac's honest approach to
>
immortalize his brother brought tears to my eyes.
>
>
I've started to read "On the Road" and I am up to his arrival in
>
Denver. It reminds me somewhat of Pirsig's travels in "Zen and the
Art..." I
>
can't wait to hear what Kerouac's perceptions are of the people he will meet
>
and the places he will go. I am only
25, and a far cry from a Beatnik, but in
> my
heart I feel connected somewhat to the ideas and experiences that Kerouac
>
writes about. Forgive me if this note
is not what this Mailing list is
looking
>
for; sometimes I just need to know that maybe there is someone who can
>
understand why I feel close to a certain writer, and since I haven't yet
>
seen a Vonnegut mailing list, I thought I would give this a try. :)
>
> Go
in peace.
>
Kristen
>
=========================================================================
Date: Wed, 28 Jun 1995 21:18:14 +0300
Reply-To: jrodrigue@VNET.IBM.COM
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Joseph Rodrigue
<jrodrigue@VNET.IBM.COM>
Subject: Re: Kerouac
Comments:
To: pooh@IMAGEEK.YORK.CUNY.EDU
In-Reply-To: <9506281631.AA02001@imageek.york.cuny.edu>
(message from Kristen
VanRiper on Wed, 28 Jun 1995
12:31:03 -0500)
Very
interesting post. Funny that you read
`Visions of Gerard' before OTR; I
don't
think I've gotten around to reading Gerard, though I think I've looked
at
it. It's not the first title that comes
to mind when you mention Kerouac.
I
wondered reading your post about how you would react to OTR; perhaps I was
thinking
more of Neal Cassady's `First Third'. I
had a friend once who
couldn't
stand OTR, while I couldn't stand her favorite book, `Been down so
long...'
by Richard Farina. I dumped her, of
course. As for Pirsig's book, I
absolutely
can't stand that either. I wondered if
liking one of these books
automatically
means you won't like certain others.
Somehow
I find I can relate very well to the Beats and their writing, while I
simply
cannot relate to so-called classical English and American literature
(before
Joyce, say). I just fail to see what's
so good about it. It is
_much_
too verbose and almost unrelievedly dull.
About
`First Third', I gave a copy to an old friend of mine who read one of
the
more sexist passages aloud and threw it on the floor in disgust. I picked
it up
and kept it, so it was a great present from my point of view. As for
the
(ex-) friend, he went from being a misogynist with great promise to a
pussy-whipped
puppet who can't think for himself.
It's really a shame. Hate
to see
a good man go bad like that. But
remember, folks, it just goes to show
that
Cassady is a great barometer for these things.
And if that fails to
please,
try Bukowski.
(Sorry,
Vonnegut's just a little too cute and clever for me. As Jack would
say,
his stuff is `just fiction').
=========================================================================
Date: Wed, 28 Jun 1995 14:35:46 -0600
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From: Martin Taylor
<mtaylor@GPU.SRV.UALBERTA.CA>
Subject: Re: Kerouac
In-Reply-To:
<9506281631.AA02001@imageek.york.cuny.edu>
On Wed,
28 Jun 1995, Kristen VanRiper wrote:
>
understand why I feel close to a certain writer, and since I haven't yet
>
seen a Vonnegut mailing list, I thought I would give this a try. :)
Hello
Kristen, try the newsgroup:
alt.books.kurt-vonnegut
martin
=========================================================================
Date: Wed, 28 Jun 1995 13:57:16 -0700
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From: "Frank Beacham (via
RadioMail)" <beacham@RADIOMAIL.NET>
Subject: Re: Kerouac
To
Kristen:
To me
your comments are just what this mailing list is about. Thanks for
the
best reason I've heard lately on why to read Kerouac.
Frank
Beacham
163
Amsterdam Ave. #361
New
York, NY 10023
(212)
873-9349
=========================================================================
Date: Wed, 28 Jun 1995 17:00:54 -0500
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From: Willard Goodwin <wgoodwin@MAIL.UTEXAS.EDU>
Subject: Classic English lit
Joseph
Rodrigue wrote:
>Somehow
I find I can relate very well to the Beats and their writing, while I
>simply
cannot relate to so-called classical English and American literature
>(before
Joyce, say). I just fail to see what's
so good about it. It is
>_much_
too verbose and almost unrelievedly dull.
And yet
the Beats themselves had very great reverence for the English
Romantics
(see my favorite Ginsberg poem, "Wales Visitation," an explicit
allusion
to Wordsworth), Blake especially, and much of the ancient sacred
literature;
and in American literature for Melville at least, of the
"classics."
Of course Joseph, de gustibus non disputandum est.
P.S. At
this Center we have deep archival research collections in Beats
(even
if Stanford recently acquired the great Ginsberg archive).
Willard
Goodwin, Bibliographer
Harry
Ransom Humanities Research Center
University
of Texas at Austin
P.O.
Box 7219
Austin,
TX 78713-7219
(512)
471-9113; FAX (512) 471-9646
=========================================================================
Date: Wed, 28 Jun 1995 17:18:12 CST
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From: GUITAR GOD
<SGUNTER@BVILLE.NWSC.K12.AR.US>
Organization:
Bentonville High School
Subject: Re: Kerouac
I, too, am new to the list but found your
post enlightening. How
good it
is to find this list, to find other seekers.
Yes, go in
peace,
and may you stay forever young....thanks.... (PS im sure i
will
find out how but is it possible to digest Beat-l?)
############
Steve
Gunter
BHS/NWACC
Bentonville,AR
72712
####################
=========================================================================
Date: Thu, 29 Jun 1995 01:38:08 -0400
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From: Julie Hulvey <JHulvey@AOL.COM>
Subject: Re: Kerouac
>because
I recently read "Visions of Gerard" and was moved by Kerouac's
>sincere
yet fictionalized perception of his
brother.
Coolness,
Kristen....Yours is the first post I've received since starting
this
list and you love my favorite Kerouac book.
The connection I've made to Kerouac's writings
has always been through the
heart.
To this day I remember the way I felt the first time I read Visions of
G about
20 years ago - as if I had stumbled upon a well of unashamed
sweetness
and tenderness. You could send me running back to the book right
now,
except that I'm just starting on William Vollmann's long "Fathers and
Crows". There is something about Vollmann that
reminds me of Kerouac.
Perhaps
they are both just the kind of sensitive bad boys that some women
love
(on paper at least).
Glad to
hear from all of you!
Julie
Hulvey
=========================================================================
Date: Thu, 29 Jun 1995 08:30:52 +0100
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From: "Andy Petrie... 01473
224001" <petrie_a@SVHDEV.BT.CO.UK>
Subject: Re: Kerouac
Hello
from sunny England...
First
of all, greetings to all on this list. :)
I signed up a few days ago, and
things
were quiet at first, before Kirsten's post.
Now more and more of us seem
to be
crawling out from under our respective stones... Did I just happen to sign
on at a
quiet period?
Well,
like I say, I'm new to the list, and relatively new to the Beat. My first
great
love was poetry of all kinds, which of course led to "Leaves of
Grass",
"Howl"
etc. I'm now immersed in "On the
Road", which I figured was as good a
place
to start as any. Do correct me if I'm
wrong - suggestions always welcome!
Love
and Peace,
Andy
=========================================================================
Date: Thu, 29 Jun 1995 07:00:27 -0400
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From: Gene Simakowicz
<Genebard@AOL.COM>
Subject: Re: Kerouac
Wow!
I just
signed on the list a few days ago also. It's great to be here. As for
the
Kerouac reading list, I agree, ON THE ROAD is probably the Bible. How
about a
question to kick off some newsgroup discussion?
Do you
think On The Road would make a good movie?
If so,
whom would you cast in the two main roles?
Gene
=========================================================================
Date: Thu, 29 Jun 1995 07:41:36 EDT
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From: "Stedman, Jim"
<JSTEDMAN@NMU.EDU>
Subject: Re[2]: Kerouac
In-Reply-To: In reply to your message of WED 28 JUN 1995
23:00:27 EDT
>Wow!
>I
just signed on the list a few days ago also. It's great to be here. As for
>the
Kerouac reading list, I agree, ON THE ROAD is probably the Bible. How
>about
a question to kick off some newsgroup discussion?
>
>Do
you think On The Road would make a good movie?
>If
so, whom would you cast in the two main roles?
>
>Gene
OTR is
one of FF Cop.'s projects, even as we speak, but I don't think
it's
been announced who is appearing in the leading roles. I wouldn't
mind
getting into a discussion about how _we_ would try and treat the
production,
were it ours to treat.
This
will probably be the one film that folks will have to hang Jack's
raincoat
on... and I think my treatment would include more than the OTR
narrative.
It would be interesting to have the action presented (through
flashback
or whatever) by a 1967 Jack. The film would then include not
only
the story of OTR, but also the fall-out of OTR.
=========================================================================
Date: Thu, 29 Jun 1995 08:54:32 -0500
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<BEAT-L@CUNYVM.BITNET>
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From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Re: Kerouac
In-Reply-To:
<Pine.A32.3.91.950628143322.97629A-100000@gpu2.srv.ualberta.ca>
from "Martin Taylor"
at Jun 28, 95 02:35:46 pm
>
Hello Kristen, try the newsgroup:
>
>
alt.books.kurt-vonnegut
>
>
martin
thank
you! :)
=========================================================================
Date: Thu, 29 Jun 1995 09:07:48 -0500
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From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Re: Kerouac
>
>
Joseph Rodrigue wrote:
>
>
>Somehow I find I can relate very well to the Beats and their writing, while
I
>
>simply cannot relate to so-called classical English and American literature
>
>(before Joyce, say). I just fail to
see what's so good about it. It is
>
>_much_ too verbose and almost unrelievedly dull.
>
>
And yet the Beats themselves had very great reverence for the English
>
Romantics (see my favorite Ginsberg poem, "Wales Visitation," an
explicit
>
allusion to Wordsworth), Blake especially, and much of the ancient sacred
>
literature; and in American literature for Melville at least, of the
>
"classics." Of course Joseph, de gustibus non disputandum est.
I was
thinking about this comment yesterday, and I realize why it is that
I am
not always impressed with "classical" literature... I think it's
because
I'm impetuous, for the most part, and Kerouac does offer that
spontaneous,
from-the-gut, sort of writing that appeals to my impetuous
nature. I don't want to say that my youth is the
only reason for being
this
way...I've met many impatient people of all ages :).. and even
though
I find it to be my biggest fault, it is part of what makes me the
person
that I am. I guess it's all about what you are willing to accept in
your
mind and your soul. :) There will come
a time when I will be more
accepting.
In some ways, I am. Joe talked about how others would
recommend
books to him that he found deplorable.
I know of so many
writers
that I can relate to that have nothing in common, really,
other
than my personal connection. I always
try to keep an
open
mind. :)
=========================================================================
Date: Thu, 29 Jun 1995 09:24:04 -0500
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From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Re: Kerouac
In-Reply-To: <950629013806_80620634@aol.com> from
"Julie Hulvey" at Jun 29,
95 01:38:08 am
>
>
>because I recently read "Visions of Gerard" and was moved by
Kerouac's
>
>sincere yet fictionalized
perception of his brother.
>
>
Coolness, Kristen....Yours is the first post I've received since starting
>
this list and you love my favorite Kerouac book.
>
The connection I've made to Kerouac's
writings has always been through the
>
heart. To this day I remember the way I felt the first time I read Visions of
> G
about 20 years ago - as if I had stumbled upon a well of unashamed
>
sweetness and tenderness. You could send me running back to the book right
>
now, except that I'm just starting on William Vollmann's long "Fathers and
>
Crows". There is something about
Vollmann that reminds me of Kerouac.
>
Perhaps they are both just the kind of sensitive bad boys that some women
>
love (on paper at least).
I was
wondering how other women feel about Kerouac. :) This morning, I
got to
thinking about the women I've read about so far in OTR. Granted,
it is
only a perception, and I'm only in San Francisco right now, but it
reminds
me of my mother and the sadness I feel when I think of all that
she
expected out of life and how disappointed and disallusioned she
became. I think there is a "sensitive bad
boy" in me. Pete Townsend
said,
"I am a man and a woman," and I believe that he meant sexuality to
be a
perception and not a gonad. :) Jack's
perception of women may
sadden
me, but it was his reality. It's a
reality that exists today.
I also
got to thinking about "Visions of Gerard" and Jack's mother; how she
lived
with the abuse of an alcoholic husband who could not face
death.
My mother, to this day, will not accept and chooses to live in a
"drunken
stupor" of her own. Jack shows
that gender is not a factor when
one
chooses to deny life.
Nice to
hear from you. :) Peace.
Kristen
=========================================================================
Date: Thu, 29 Jun 1995 09:30:23 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
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From: cyberJack <jackb@MSI.NET>
Subject: Re: Kerouac
> I, too, am new to the list but found your
post enlightening. How
>good
it is to find this list, to find other seekers.
I am
always encouraged that one can find seekers everywhere.
=========================================================================
Date: Thu, 29 Jun 1995 08:43:02 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
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From: JoAnn Ruvoli
<jruvoli@ORION.IT.LUC.EDU>
Subject: Re: Kerouac
In-Reply-To: <9506291307.AA25229@imageek.york.cuny.edu>
On Thu,
29 Jun 1995, Kristen VanRiper wrote:
>
because I'm impetuous, for the most part, and Kerouac does offer that
>
spontaneous, from-the-gut, sort of writing that appeals to my impetuous
>
nature.
Kerouac thought of writing as a performance,
like a jazz musician who
has
only one chance to perform a night, Kerouac wrote (performed)
straight
through. You can't change or revise a improv jazz solo, and
Kerouac
believed the same about writing.
JoAnne
=========================================================================
Date: Thu, 29 Jun 1995 09:49:42 EDT
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From: "Stedman, Jim"
<JSTEDMAN@NMU.EDU>
Subject: First Reading of On The Road
In-Reply-To: In reply to your message of THU 29 JUN 1995
00:24:04 EDT
Date:
Summer, 1973
Place:
Guest room at Helen Forbes' house, a few miles out of Nairobi
Circumstances:
Our family grew up in Kenya (my dad was in the United
Nations).
Hell of a party melted into my having to spend the night at
the
Forbes' place, rather than motorcycling home (20 miles). I woke up,
and the
place was empty. The headboard of the guest bed doubled as a
book
case, and I tipped my head back to scan the titles. _On The Road_
was the
first and only book I pulled from the collection.
I
recognized the author's name from readings about Dylan (Anthony
Scaduto's
book, mostly), and from the liner notes off of "Blood On The
Tracks"
(I think).
Once I
started reading, I knew I was in trouble. My travelling feet had
long
been itching... and I only stayed in one place long enough to
finish
the book (one sitting).
I
turned the last page, ran outside, hopped on my Norton 750, and tore
off for
Mombasa (300-some miles away) (where I was certain that Kim was
waiting
for me).
As it
turned out, the book has remained faithful. Kim had found a new
guy,
the bike led me into a bad wreck, and Scaduto's biography has been
poo-pooed.
Yeah, OTR remains faithful to that first (and all subsequent)
readings...
and I suppose Dylan has as well.
Jim
Stedman
=========================================================================
Date: Thu, 29 Jun 1995 09:54:33 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
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From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Re: First Reading of On The Road
In-Reply-To: <29JUN95.10614910.0010.MUSIC@NMU.EDU>
from "Stedman,
Jim" at Jun 29, 95 09:49:42
am
>
readings... and I suppose Dylan has as well.
>
Jim Stedman
How
true.
Kristen
VanRiper
=========================================================================
Date: Thu, 29 Jun 1995 10:03:45 -0400
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From: Stan Bernstein <sbernst@PANIX.COM>
Subject: Kerouac audio tape
In-Reply-To: <29JUN95.08308993.0076.MUSIC@NMU.EDU>
At a
Street Fair on Carmine Street in Greenwich Village, New York City
about
five years ago, a vender had set up his table with "Spoken
Arts"-type
tape casettes. I purchased one called "Jack Kerouac & Neal
Cassady--a
private recording 1953--1954." The notice within the casette
case
reads: "Jack & Neal together 1953-54 @ Cassady's house, San Jose,
CA.
Neal reads Proust; Jack tries to correct his pronunciation of
'Gilberte';
Jack sings and reads from Dr. Sax. Neal approves, Neal
discusses
Burroughs, Comment by Carolyn; 1967,8(?) reading from Vanity of
Dulouz
and talking." Publisher of the casette is listed as Cassette
Gazette,
83 rue de la Tombe Issoire 75014 Paris, France.
Listened
to this casette during a long bus trip and really enjoyed it.
Wonder
if other such tapes are floating around and if so where do you get
them?
Thanks
to whoever started this list--a truly great idea.
All
best wishes/SB
sbernst@panix.com
=========================================================================
Date: Thu, 29 Jun 1995 10:21:22 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
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From: Andrew J Schwartz
<schwrtz@MAGICNET.NET>
Subject: Re: Kerouac audio tape
>sbernst@panix.com
said:::
>Listened
to this casette during a long bus trip and really enjoyed it.
>Wonder
if other such tapes are floating around and if so where do you get
>them?
>
Ryko
Disc came out with a box set of beat spoken performances a few years
ago
that seems to have some similar material.
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Date: Thu, 29 Jun 1995 15:58:32 BST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: James Douglas Jack - Tartan Warrior!
<jjack@MPC-UK.COM>
Subject: The tongue of angels
Salutations and halos,
Great to hear such rapturous appreciation
of writing. Anyone else out
there into Gregory Corso as well ? And
Vonnegut ? And Thomas Wolfe...
I know I'm probably pushing the definition
of 'beat' here, but what the
forceps, if it's cool it's cool. I
like that idea of writing being a one
off performance - reminds me of the
debate in 'Naked Lunch'.
A confession to end : I've never read
any Kerouac. Is his prose as
alive as Ginsbergs songs ? Which one
should I start with ?
Peace and Pirhanas,
JJ
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Date: Thu, 29 Jun 1995 11:05:19 EDT
Reply-To:
"BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
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From: Win Mattingly
<GMATT1@UKCC.UKY.EDU>
Subject: Re: Kerouac
In-Reply-To: Message of Thu, 29 Jun 1995 01:38:08 -0400
from <JHulvey@AOL.COM>
I just
discovered Vollman, myself! In the past
week I've read Whores for
Gloria
and The Rainbow Stories. Both are
*fantastic* and definitely Kerouac-
esque,
in subject matter (S.F. counterculture and Tenderloin street scene) and
flowing,
seemingly spontaneous prose style. In
White Knights, an autobiograph-
ical
account of Vollman's experiences hanging out with S.F. skinheads, one of
the
skinheads remarks on Vollman's story (while loading a bong-hit): "Dee says
you need
work on your grammar, you use too many run-on sentences. She should
know,
she went to college." What a
perfect comment on education, on how often
we kill
what is good and natural and real in language, the forces Kerouac and
the
other beats wrote against! I think
Vollman owes much to Kerouac (and
Burroughs,
to whom he is often compared as an explorer of the dark seamy
underbelly
of the city.) What do the rest of you
think about Vollman? Is he a
direct
descendent of the beats? How does his
vision of the Tenderloin compare
with
Kerouac's? I'm not sure if a this list
is even the place to talk about a
gen.
x'er like Vollman, but this is the first contact I've had with others who
have
even heard of him, so I thought I'd speak up...
--Win Mattingly
Also,
what about Bukowski? Again, not
strictly a beat but definitely some con-
nection. Does anybody know about any Bukowski
lists? I'd also like to join in
some
dialogue about H. Selby, esp. Requiem for a Dream and whatever he's doing
these
days (I heard he teaches at USC, what about recent writing and confer-
ences?)
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Date: Thu, 29 Jun 1995 11:33:58 EDT
Reply-To: "BEAT-L: Beat Generation List"
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From: Ron Morrow
<MORROW@ADMIN.HUMBERC.ON.CA>
Subject: First Reading Of "On The Road"
The
first time I read "On The Road" was in 1974. It was the
Summertime
and I was scheduled to start at University in
the
Fall. So, I decided to do some travelling. My brother
had
given me the book and I read it as I hitchhiked from
Toronto
to Vancouver and then north to Alaska. I was 17 at
the
time and had an opportunity to expand my horizons in
many
different ways. Reading "On The Road" and being on the
road at
the same time is an experience that I will always
remember.
Hope
those of you who haven't read it yet will enjoy it as
much as
I did that Summer.
Ron
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