t's
happening!
=========================================================================
Date: Tue, 24 Oct 1995 12:55:28 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: InfoSeek Net Search Results: ALT-X
http://www2.infoseek.com/Titles?qt=ALT-X
did a
netsearch...got this page....
tried
to open http://www.altx.com
but had
some network trouble....
=========================================================================
Date: Tue, 24 Oct 1995 14:34:27 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda
<Quetzal666@AOL.COM>
Subject: Re: Commercials
please
don't refer to rollins in the same breath as kerouac and
burroughs............
=========================================================================
Date: Tue, 24 Oct 1995 14:41:29 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda <Quetzal666@AOL.COM>
Subject: Re: Commercials
new
bataille cologne by the house of 'de postmoderne' if you can't be a
writer
at least you can smell like one......rene
=========================================================================
Date: Tue, 24 Oct 1995 14:47:51 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda
<Quetzal666@AOL.COM>
Subject: Re: Volvo commercial
to
gusto.........
...........who
cares indeed............i wonder, could kathy acker be used
for a
prozac commercial?...............baudelaire for
evian?..............imagine.........................rene...................it'
s just
a
commercial..............................................commerce..............
...s........ho...........r..........t.........atten..........tion...........s.
........p.........a.........n..........s........
=========================================================================
Date: Tue, 24 Oct 1995 14:53:03 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda <Quetzal666@AOL.COM>
Subject: Re: TV, Volvos, Dreams, & Jack
mac or
pc?............probably a smith-corona...........at 100 words per
minute....................
=========================================================================
Date: Tue, 24 Oct 1995 14:57:16 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda
<Quetzal666@AOL.COM>
Subject: Re: America
hey all,
i'm
doin' a zine with a 'colonialism' theme anything and everything: rants,
poetry
prose, articles, creature feature..................e-mail for more
info............deadline
nov. 10............the more experimental the
better/worse.........up
to y'all...................getting submissions from
all
over................ciao for niao...........rene
=========================================================================
Date: Tue, 24 Oct 1995 20:23:33 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: new Snyder book
I'm
reading Gary Snyder's new book, *A Place in Space*, new and selected
essays,
published by Counterpoint, a new press headed up by Jack Shoemaker,
formerly
of North Point and Pantheon. I am very favorably impressed so far
(to
about page 125). Snyder seems to me to just keep getting wiser and
funnier,
with lots of great tidbits of lore and witty zen sayings. He's the
prime
example of McClure's assertion that beat lit. is the literary wing of
the
environmental movement. Snyder writes a bit about the beat generation in
this
book, never capitalizes it or makes it a Big Deal but treats it as
another
of many manifestations of the Great Subculture or "third force" that
runs
throughout history. He writes on a solar powered Mac, by the way.
Dan B.
=========================================================================
Date: Tue, 24 Oct 1995 12:48:04 PDT
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: One breath
RZZ>please
don't refer to rollins in the same breath as kerouac and
>burroughs............
Deep
breath, Kerouac Burroughs and Rollins, exhale.
Henry
was talked about here for a bit a while ago as I recall. I brought him
up recently
because he advertises Macs in the ads "What's on my Powerbook".
I used
to play in a band that played with Black Flag and always will remember
what
Henry did one night. I saw there was an
alt.fan.henryrollins group so
I
posted this true story there. Maybe
some people here would be intersted
as
well.
Here it
is:
I saw
this newsgroup so I thought I'd tell you all a story. I think you'd be
interested
in hearing it if anyone is. It concerns
why I am a fan of Henry
Rollins.
I am
not a fan of Henry's singing.
Personally I don't think it was very good.
I'm not
a fan of his writing. I don't really know anything about it so I
couldn't
say if it's good or bad. I did look at
Get In The Van a little bit
in the
store. I looked at the San Francisco
passages in the early 80's. I
noticed
that he made a mistake. When he was
talking about Flipper and how
those
guys freaked him out he got it wrong when he called Ted Falconi Flipper's
bass
player. Ted played guitar. Will Shatter (Russell Wilkinson R.I.P) was
the
bass player. My being a fan has nothing
to do with his "artistic"
endeavors. I do think it is impressive what he has done
in publishing so much
stuff,
he certainly is prolific.
But I
am a fan of Henry for something that took place in San Francisco in the
early
80's ('81 maybe?) outside the Mabuhay Gardens.
It was a friday or
saturday
night and Black Flag was headling at the Mabuhay, which they might
have
been calling the Fab Mab at the time. My band was the opening band, then
was
Husker Du (this was their first San Fran show), then the great Minutemen
followed
by the headliner Black Flag. This was
Black Flag's first show in SF
with
their new singer Henry. Dez had moved
on to guitar after Henry jumped
ship
from his DC band. Henry was kind of
psycho back then. Psycho in that he
didn't
ever talk. He had a totally shaved
head, smooth no nubs, and crazy
eyes. Like I said he never seemed to talk. During the Minutemen's set he
stood
at the side of the stage and played air drums throughout the whole set.
Now
here's why I am a fan of Henry's.
During the course of the night, a bunch
of us
were hanging out outside in the front of the Mab. The Mabuhay was (is?)
on
Broadway in San Francisco. On weekend
nights there was always a lot of
traffic
so the cars were stop and go with more stop than go. I don't remember
how it
began but two guys in the middle of the street among the stalled traffic
(not
punk rock guys from the Mab, just regular weekend partyer types), these
two
guys started arguing and yelling at each other. Their argument escalated
and
their voices got louder and they got closer to each other until they
were
face to face in the middle of Broadway.
It was very clear they were about
to
begin fighting. Who knows what would
happen after that. When what do I see
but
Henry snaking his way through the cars, coming up behind the one guy about
to
fight with the other guy. Henry quietly
and quickly snuck up behind him
and
grabbed him in what was probably a wrestling hold of some sort. He pinned
back
his arms immobilizing him, lifted him off his feet and walked backward
with
him, effectivley separating the two combatants. This broke up the
altercation
and the two guys went on their respective ways without any damage
or
bloodshed. Needless to say this was one
of the coolest and bravest things
I've
ever seen.
This is
why I'll always be a fan of Henry Rollins.
I don't think much of him
artistically,
but then again I don't know that much about his writings. Maybe
I'll go
read something by him to see what he writes.
I have
always remembered this and wanted to tell people about this event. I
figured
a newsgroup called alt.fan.henryrollins would be a good place to tell
it.
=========================================================================
Date: Tue, 24 Oct 1995 17:17:45 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Rene Zamora Zepeda
<Quetzal666@AOL.COM>
Subject: Re: One breath
yeah
well,
my
brother partied with him in los angeles back in the black flag days....ho
hum
......he's now dead......an' had a lot more to say say than that
poseur..........rene....even
now......too bad my brother didn't have the
money
to publish his own words, aye?.......
=========================================================================
Date: Tue, 24 Oct 1995 19:56:35 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: w.britton1@GENIE.COM
Subject: QUERY
As a new subscriber to Beat Gen, I'm not
sure who the readership is,
but I thought I'd post the following queries
and see what comes out of =
the
ether:
1. I have completed the MS of a book,
Whimtans=1B[D=1B[D=1B[D=1B[D=1B[D=7F=
=7F=7F=7F=1B[D=1B[C=7Ftman's
Shadow: Music, Media, and M=1B[D=1B[D
=1B[C=1B[C=1B[DMulticulturalism. It traces the Whitman tradition throu=
gh
Pound and Williams
and
then deeply into the Beats, primarilly Ginsberg, Kerouac, Burroughs, =
and
Snyder,
although I touch on Corso, Ferlinghetti, Anne Waldman and others.
It examines how these authors use music,
recording technology, and inte=
rests
in cross cultural
influences.
The book then examines the Whitman/Beat
tradition in Native American =
and
African American
literatue,
examines this tradion in the poetry of Bob Dylan and Jim
Morrison,
and then branches off into works by writers such as Charles Buk=
owski,
performance artist
Laouie
Landerson, and others. What I need is
potential publishers; most =
seem to
think
such a project is not marketable. Any ideas?
2. Part of this book discusses the recorded
projects of the Beats,
and I'm trying to be comprehensive. I'm hopefull I know of all Kerouc
recordings,
both sound and visual, and most of Tinsberg's.
I know of som=
e
Burroughs
but
very little else. Any listings you can
post would be helpful.
I too very much like Snyder's new book, A
Place in Space,
especially the latter two thirds which are
both deeper and look to the =
future.
He's as
important an essayist as poet, worthy of comparison to Ralph Wald=
o
Emerson.
I highly
reccomend it. It's a positive voice in
a cynical culture.
Can write me here or at W.
B=1B[D=1B[D=7F=1B[CRITTON1!=1B[D=7F@GENIE.C=
OM
[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B=
[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[C=1B[A=1B[A=1B[B=1B[B=1B=
[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B[B=1B=
[B=1B[B=1B[B=1B[B=1B[B=1B[K=1B[C=1B[C
=========================================================================
Date: Tue, 24 Oct 1995 17:36:49 PDT
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "Bruce Greeley (Echo News
Service)" <v-bgree@MICROSOFT.COM>
Subject: FW: other recordings, spoken or sung
(fwd)
Comments:
cc: CLV100U@MOZART.FPA.ODU.EDU
>
From: CLAY VAUGHAN <CLV100U@MOZART.FPA.ODU.EDU>
>
I'd like to think I keep up with recordings that are out there,
>
>
There's that Phillip Glass thing, HYDROGEN JUKEBOX, Steve Swallow's
>
record of music set to the words of Robt Creeley (I forget the name
> of
the voice, is it Carla Bley?)
***
Sheila Jordan actually
that old
>
Mark Murphy jazz thing, BOP FOR KEROUAC (old, and I'm not sure it's
>
weathered well, I haven't given it a listen in a long while)...
***Mark
Murphy has a second disc with "Kerouac" in the title too,
relevant
songs there
I just
put together a cassette for Levi of beat related music by a
whole
bunch of folks,
including
the originals,
and,
Clay, you mentioned a Terry riley disc: can you give us more specifics?,
cheers,
Greeley
not Creeley
=========================================================================
Date: Wed, 25 Oct 1995 00:05:03 -0400
Reply-To: "BEAT-L: Beat Generation List"
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From: Howard Park <Hpark4@AOL.COM>
Subject: Re: One breath
Oh, for
heaven's sake.
Is
there anyone in the world except Jack, Bill, Allen and Gary (and they
ain't/were
not perfect) that can be brought up without someone flaming?
Why are
so many people so judgemental?
Jack
even liked Ike. I'm no saint but if
I've gotten anything from beatdom
it's
that everyone is beat, as in beatific - beauty within, beauty as a
child,
beauty in the soul. Of course, some
people get twisted and lose the
light,
Hitler for example, Nixon was never high on my list, or Stalin. But
why
flame anyone unless there is a reason, unless they have really done
something
to lose thier humanity - and I don't mean making a quick buck on
some ad
for the Gap or Apple.
I got
flamed on another newsgroup for lamenting the death of Jerry Garcia and
pointing
out his kinship to many beats. It
didn't ruin my day (the day was
already
ruined) but why? Aren't we all
beautiful, at least in part?
I'm not
a particular Henry Rollins fan although I'd love to see him sometime.
=========================================================================
Date: Wed, 25 Oct 1995 10:05:31 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Kristen VanRiper
<pooh@IMAGEEK.YORK.CUNY.EDU>
Subject: Re: One breath
In-Reply-To:
<951025000502_132224616@emout05.mail.aol.com> from "Howard
Park"
at Oct 25, 95 00:05:03 am
hmmm....i
sort of liked this one...
>
Oh, for heaven's sake.
>
> Is
there anyone in the world except Jack, Bill, Allen and Gary (and they
>
ain't/were not perfect) that can be brought up without someone flaming?
there
are so many beautiful people....if we choose to open our minds and
our
eyes..... i think that's why i like neal..... he sure did like people....
>
Why are so many people so judgemental?
wow..that's
a tough one... i think people judge because they are afraid..
... so
they get real nasty, you know... start hurting others because it's
easy to
do.... it's real hard to sit back...and open one's mind.....
>
Jack even liked Ike. I'm no saint but
if I've gotten anything from beatdom
>
it's that everyone is beat, as in beatific - beauty within, beauty as a
>
child, beauty in the soul.
saints
are highly overrated.... *smile*... i mean, it's like we
put
beautiful and kind people up on this pedestal...like jesus, you know...
and he
was just as human as the next guy...he just knew how to love....
but
then they made him a god...and took away that human aspect..... why
should
anyone think they can be like jesus or any other god when they are
only
human? so they punish themselves for
not being gods...and they
punish
others for not believing in these gods....and so few
even
try to be this way...to be kind.... to give.....to love....
> Of
course, some people get twisted and lose the
>
light, Hitler for example, Nixon was never high on my list, or Stalin. But
>
why flame anyone unless there is a reason, unless they have really done
>
something to lose thier humanity - and I don't mean making a quick buck on
>
some ad for the Gap or Apple.
flaming
never changed perspective.... it usually irritates the one being
flamed....
you piss off a guy like hitler...do you really think he's
going
to look in the mirror and say..."hmm...maybe they are right"
so let
it go....can't control it...so don't try...
> I
got flamed on another newsgroup for lamenting the death of Jerry Garcia and
>
pointing out his kinship to many beats.
It didn't ruin my day (the day was
>
already ruined) but why? Aren't we all
beautiful, at least in part?
i feel
for you man....never listened to the dead......but there are lots
of
angry people in this world.... jerry wasn't one of them... that's all
i need
to know....keep the spirit alive....
peace
=========================================================================
Date: Wed, 25 Oct 1995 16:31:56 CDT
Reply-To: i12bent@hum.auc.dk
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: bs at AUC <i12bent@HUM.AUC.DK>
Subject: Ginsberg on talk show
Last
night AG was a featured guest on the "Selina Scott Show" which is
broadcast
on NBC/Superchannel here in Europe. It was about twenty minutes
of chat
plus a performance by AG of a rap he referred to as one he had
performed
together with Paul McCartney at the RAH a few days earlier. The
chat
was semi-interesting, including some historical remarks about banned
books
trial (Burroughs etc) and some of AG's family history. European
subscribers
might want to on the alert for re-runs of the show, probably
late-night,
weekends, on NBC/Superchannel via cable or satellite...
Regards,
bs@AUC
Dept.
of Languages and Intercultural Studies
Aalborg
University, Denmark
=========================================================================
Date: Wed, 25 Oct 1995 12:11:36 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Jeremy Ocean <JeremyO@SMTP.IX.NETCOM.COM>
Subject: Pull My Daisy (Robert Frank)
-- [
From: Jeremy Ocean * EMC.Ver #2.5.02 ] --
All:
First
off, just wondering if this mailing list is available in a Digest form
(big
bunch 'o messages in a single e-mail to me), i didn't see anything
refering
to it. About how much traffic does the
list get <messages per day?
>.
If
anyone is interested in seeing 'Pull my Daisy', the Robert Frank film
with
the beats in it e-mail me, oh yea, you have to be in the New Jersey
area, specifically
S.Jersey. It's possible that I will be
holding a showing
of it
at a college down here. Any info on the
movie or Robert Frank in
perticular
would be much appreciated. I'm just
started getting into Frank
this
week, and I'm hungry for info. Take
care...
JeremyO
<JeremyO@ix.netcom.com>
=========================================================================
Date: Wed, 25 Oct 1995 16:20:28 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Laurie Syrek
<HamOnRye5@AOL.COM>
Subject: Re: Pull My Daisy (Robert Frank)
Debra
Parr had a showing, last spring, at Webster University in St. Louis. It
was
quite a grand event. I never realized how goofy everyone looked!!
=========================================================================
Date: Wed, 25 Oct 1995 19:40:19 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Carl A Biancucci
<carl@WORLD.STD.COM>
Subject: Re: America
In-Reply-To:
<951024145716_131728562@mail04.mail.aol.com> from "Rene
Zamora
Zepeda" at Oct 24, 95
02:57:16 pm
rene...send
more info re:zine\
carl@world.std.com
=========================================================================
Date: Wed, 25 Oct 1995 19:48:40 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Howard Park <Hpark4@AOL.COM>
Subject: Re: QUERY
>From
everything I have heard, the beats are white-hot in publishing circles
although
only titles like On The Road truely mass-market. The Beats have
been
adopted by influential segments of "Gereration X" as Time magazine
might
describe
it.
Contact
some more publishers!
=========================================================================
Date: Wed, 25 Oct 1995 21:21:33 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Jeffrey Weinberg
<Waterrow@AOL.COM>
Subject: The Commerce of Kerouac
In the
latest issue of Time magazine that I received in the mail today -
there
is an insert from Volvo that ties in with their TV campaign. The front
of the
ad booklet shows scenes from the ads - the third scene shows the guy
holding
an "old" copy of On The Road.
The
text inside reads: "Always the romantic, John remembered to bring ON THE
ROAD.
Not one of those new printings he'd seen in the bookstore at the mall,
but the
original one that he had stored away in the attic."
The
only problem here is that the picture of the book is bogus - there never
was an
edition of ON THE ROAD that looked like that - with those graphics
ande
colored covers - the artwork of this supposed "original" edition was
made up
by some ad guy a few months ago!
Couldn't
a big agency like the one that created this On The Road Volvo ad
find a
true first edition of On The Road to use in the commercials? What were
they up
to? And then I remembered:
This
recent spurt of Kerouac in commercials is not new - before Kerouac
wearing
levis and this Volvo ad, there was an interesting case of Kerouac
commercialism
- In 1986 (almost 10 years ago already!), the Banana Republic
clothing
company, based in San Francisco, started marketing a leather "On The
Road"
jacket for $239.00 in their mail-order catalogue. The catalogue page
not
only highlighted the leather jacket but dedicated it "for Jack
Kerouac"
and
there was ad copy written in the style of an On The Road passage
describing
the hipness of the jacket. The following comment appeared after
the
Kerouacesque copy: "When our
writer slipped on this jacket and sat
behind
the wheel of his typewriter, the spirit of Jack Kerouac hitched a
ride-Ed."
To top
it all off - next to the jacket picture was a reproduction of the
first
edition of On The Road published by Viking Press in 1957.
Some
heads must of rolled at the ad agency since the dust jacket of On The
Road
was copyrighted material. and could it be that it was used without
permission
of the publisher in the mail-order catalogue?
When
the next issue of Banana Republic's catalogue came out -
not
surprisingly, the picture of the Viking On The Road first edition was
absent
from the page. Instead, there was an endorsement from none other than
Lawrence
Ferlinghetti who in a facsimile signed paragraph called this leather
On The
Road jacket
a
"dream raiment" and said that with the jacket on, "I feel like
Jack Kerouac
himself
being driven like a king in a 1950s limousine
by Neal
Cassady through the Great American night." YUK!!!
Come
on, Larry! What a bunch of crap!!
If we
as a group are getting sick of seeing all the Beats in these ads -
don't
worry. Soon enough, Madison Avenue will realize that these commercials
are not
effective and do not sell the advertised products - the only sales
that
may increase because of increased public awareness are the sales of the
authors'
books.
Any
comments?
Jeffrey
Weinberg
=========================================================================
Date: Wed, 25 Oct 1995 23:29:08 -0400
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Douglas Karpp
<GustoEater@AOL.COM>
Subject: Re: The Commerce of Kerouac
If I
were an ad executive, I am sure I would have read the beats at some
point
in my life, (after all executives are not stupid nor uneducated) and
would
be real proud to display something from my youth in my campaigns to
sell
things. No matter what I do in my life,
I hope to bring some awareness
to the
people around me of the beats, these guys on Madison avenue as
everyone
keeps saying just have a far greater circulation than I ever will.
Thanks for listening to me again. Does anyone agree with me?
gustoeater
=========================================================================
Date: Wed, 25 Oct 1995 23:47:57 EDT
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From: Peter McGahey
<PRM95003@UCONNVM.UCONN.EDU>
What's
the address for Levi's website - litkicks?
=========================================================================
Date: Thu, 26 Oct 1995 08:50:54 EST
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From: "Stedman, Jim"
<JSTEDMAN@NMU.EDU>
Subject: Re: The Commerce of Kerouac
In-Reply-To: In reply to your message of Wed, 25 Oct 1995
20:21:33 EST
What a
great memory, Jeff W.!
I've
always been a bit suspicious of Ferlinghetti... after all, _he_ was
making
money off these cats! I never liked his "stumble bum" assessment
of
Kerouac-on-the-scene. I didn't feel right about him. The blurb for
bananas
fits the picture I have in mind.
By the
way, Jeff... any chance that Water Row had/has a first edition
(signed,
of course) of OTR that could have been leased to Volvo???
Just
wonderin'
Jim
Stedman
=========================================================================
Date: Thu, 26 Oct 1995 10:05:19 -0400
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From: Jeffrey Weinberg
<Waterrow@AOL.COM>
Subject: Re: The Commerce of Kerouac
Jim -
Thanks for the reply -
We
don't have a signed first edition in stock at this time but we do have a
fabulous
facsimile reprint that Volvo could have ordered.
It
looks exactly like the real thing, dust jacket and all (except for a line
on the
copyright page). A great Xmas gift!
But
Volvo probably inquired about using the real book as an ad image and
didn't
want to pay the fee to Viking? (conjecture, only)
The one
they used in the ad appears to have been produced on a color HP
printer.
Jeffrey
=========================================================================
Date: Thu, 26 Oct 1995 07:16:30 -0700
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From: Levi Asher
<brooklyn@NETCOM.COM>
Subject: Re: The Commerce of Kerouac
In-Reply-To:
<951025232906_77703428@emout05.mail.aol.com> from "Douglas
Karpp"
at Oct 25, 95 11:29:08 pm
> If
I were an ad executive, I am sure I would have read the beats at some
>
point in my life, (after all executives are not stupid nor uneducated) and
In my
work on Wall Street I've met some executives who are very stupid (though,
unfortunately,
highly educated) but REGARDLESS OF THAT ... I couldn't help
bringing
up the interesting factoid that several beat writers were involved
in the
ad business. I can't remember (I'm at
work, don't have books with
me)
what position he held exactly, but Allen Ginsberg was doing something
in the
advertising business (I think he was a marketing researcher?) before
he
become a famous poet, and I remember being amused by hearing that he'd
worked
on the "brush-a brush-a brush-a" ad campaign for Ipana Toothpaste,
which
was featured in the movie version of "Grease."
The
poet Lew Welch was working in advertising in Chicago when his college
friends
Philip Whalen and Gary Snyder read at the famous 1955 Six Gallery
poetry
reading. He quit and left for San
Francisco as soon as he heard that
"something
was happening" out there. It's
been said that he came up with the
line
"Raid kills bugs dead." Can
anyone verify this?
Just as
college graduates gravitate towards software and multimedia these days,
I think
they gravitated towards the ad business, and related fields, back
in the
fifties. Anyway, just more trivia ...
For the
person who asked for the URL for my website, it's in my .sig below.
Thanks
for asking.
-----------------------------------------------------------------------
Levi Asher =
brooklyn@netcom.com
Literary Kicks:
http://www.charm.net/~brooklyn/LitKicks.html
(the beat literature web
site)
Queensboro Ballads:
http://www.levity.com/brooklyn/
(my fantasy folk-rock
album)
* * * * * * * * * * * * * *
* * *
"Should I pursue a path
so twisted?
Or should I crawl, defeated
and gifted?"
-- Patti Smith
-----------------------------------------------------------------------
=========================================================================
Date: Thu, 26 Oct 1995 10:26:25 EDT
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: otr dust jacket
While
I'm not lucky enough to have a first edition of OTR, I did manage to come
upon a
tattered dust jacket. I can let Volvo
have it at a very reasonable pric
e
should they be interested.
=========================================================================
Date: Thu, 26 Oct 1995 10:26:49 -0400
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From: "Kirsten A. Hirsch"
<Kirsten=A.=Hirsch%Commons%USC@COMNET.USC.VCU.EDU>
Subject: The COmmerce of Kerouac
Forwarded
to:
smtp[BEAT-L%CUNYVM.BITNET@Gems.VCU.EDU]
cc:
Comments
by: Kirsten A. Hirsch@Commons@USC
-------------------------- [Original
Message] -------------------------
What
edition of the Banana Republic catalog are you referring to? I have all
of 86
in my office (don't ask why) and I can't seem to find the LF
endorsement
or the picture of the ON THE ROAD jacket cover. I found the
jacket
though...
=========================================================================
Date: Thu, 26 Oct 1995 11:27:46 -0500
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From: Chris Ellis <ellisc_1@TYSON.COM>
Subject: New Guy Query
Hello,
I'm new here and was wondering if anyone ever discusses the likes of
Alan
Watts, Gary Snyder, or the oldest of the Beats, Chuang Tsu?
-
ellisc
=========================================================================
Date: Thu, 26 Oct 1995 09:30:55 -0700
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From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Re: New Guy Query
>Hello,
I'm new here and was wondering if anyone ever discusses the likes of
>Alan
Watts, Gary Snyder, or the oldest of the Beats, Chuang Tsu?
>
>-
ellisc
There
was a guy on this list who used to try and discuss Chuang Tzu. I
think
his name was Frank. He lives in
Taiwan. He hasn't been around
lately. For some reason when he tried to talk about
Chuang Tzu or write
poems,
people here told him to shut up.
=========================================================================
Date: Thu, 26 Oct 1995 12:38:50 -0400
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From: John Dinsmore
<DinsmoreJ@AOL.COM>
Subject: Literary Kicks
Comments:
cc: brooklyn@netcom.com
Levi
Asher,
When I
saw your post this am, it reminded me to get a post off to you
regarding
Literary Kicks:
http://www.charm.net/~brooklyn/LitKicks.html
(the beat literature web
site)
This is
an outstanding piece of work on the net, and fills me with beaucoup
d'info
every time I'm in it. Thanks for your
excellent work.
E me
your snail address and I'll send you something of possible interest.
JD
John
Dinsmore & Associates, Booksellers
1037
Castleton Way South
Lexington,
KY 40517-2724 USA
(606)
271-8042 Daily 9:00 AM to 7:00 PM
Eastern Time
email: dinsmorej@aol.com
Modern
First Editions and Fine Art
"So
many books, so little time."
=========================================================================
Date: Thu, 26 Oct 1995 11:44:00 -0500
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From: Chris Ellis
<ellisc_1@TYSON.COM>
Subject: Re: New Guy Query
>>There
was a guy on this list who used to try and discuss Chuang Tzu. I
>think
his name was Frank. He lives in
Taiwan. He hasn't been around
>lately. For some reason when he tried to talk about
Chuang Tzu or write
>poems,
people here told him to shut up.
>
That's
too bad. I think the Lacquer Garden man
had influence on many
Beat-minded
folks.
Frank,
you still around?
- ellisc
=========================================================================
Date: Thu, 26 Oct 1995 12:58:30 -0400
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From: Jeffrey Weinberg
<Waterrow@AOL.COM>
Subject: Re: The COmmerce of Kerouac
The BR
catalogue with Ferlinghetti is Catalogue number 27. Spring 1986. Page
11.
The BR
catalogue with Viking OTR picture should have been issue number 26,
although
I do not have the whole catalogue, just the page numbered 17.
Hope
this is helpful.
Jeffrey
=========================================================================
Date: Thu, 26 Oct 1995 13:01:16 -0400
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From: Jeffrey Weinberg
<Waterrow@AOL.COM>
Subject: Re: otr dust jacket
The
point of the dust jacket substitute in the ad, I'm pretty sure, must be
that
the ad agency for Volvo did not want to pay for the right to show the
real
jacket (o they were flatly refused by the publisher, perhaps?)This is a
very
important point since the decision to use a bogus book jacket must have
been
based solely on money.
Jeffrey
=========================================================================
Date: Thu, 26 Oct 1995 13:02:05 -0400
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From: "Karen L. Becker"
<DustyJ437@AOL.COM>
Subject: Re: Kerouac: rolling in Grave?
I made
the original post and I must say that digust at the comercialization
of Art
was not my only reaction.
I know
who Kerouac was, and have read (sevearl times, in fact) _OTR_. But As
I
watched the commercial over & over again, I placed myself in the position
of the
average American with an 8th grade (sorry to say) reading level who
didn't
know Jack Kerouac from a Jack O' Lantern.
Then I was just confused?
How does this rambling albeit beautiful
soliloquy convince anyone to buy
this
car?
What
were the ad execs thinking? Where's the
selling point here? What do
these
words, no matter whose they are, have to do with an automobile?
Thoughts?
DustyJade
-- Always dream & drive
=========================================================================
Date: Thu, 26 Oct 1995 14:56:33 -0400
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From: "Kirsten A. Hirsch"
<Kirsten=A.=Hirsch%Commons%USC@COMNET.USC.VCU.EDU>
Subject: Re: Kerouac: rolling in Grave?
You are
right that the Volvo marketing ad will not work, and I thought I
would
give my two bits as to why...
Why
does Volvo even attempt this plan?
Well, I
may get flamed for this but I think it's been said before. Generation
X
(whether you feel it's dead, alive, plain stupid or plain brilliant) has
built
it's heroes out of tv, movie, music, and general pop culture characters
much
more than it has leaders, politicians, etc. The target audience that
Volvo
is trying to reach is Gen X...get out of college and have your rich
parents
buy you a Volvo so you can get out on the road of life, wear flannel,
be wild
and crazy...before you settle. And when you do settle, hey, you'll
have
this great old Volvo to cart the kids around in...
I'm an
X-er and I am damn proud of it. You know why? Because WE KNOW we are
being
marketed too..we can smell it a mile away. We know that they think that
we
think that Kerouac was this cool hip guy and if you paste his name and his
words
and his voice on a car than we will want to have that car because
that'll
mean we are just as cool and just as hip as Kerouac himself...and
that in
itself, we find laughable. So what do we do? We buy something
completely
different than a Volvo, or better yet HITCH A RIDE and know that
NOW we
are as cool and hip as Kerouac...(just for the record, I market
products
to x-ers at a university,so I have this real twisted "both sides of
the
tracks" view on things...not that I'm an expert, I'm just enveloped by
this
stuff and these arguements all the time)
What
kills me, is that somebody came into the meeting for this ad campaign
and
said something to the effect of "Okay, here's my angle. From my research
I am
seeing that Kerouac and beat lit. is going through a resurrection of
sorts
with the Gen x-ers and I may have my facts wrong here, but didn't
Kerouac
write a book called ON THE ROAD? Get it? On the road...in a
volvo...anybody
following me here?"
-Kirsten
=========================================================================
Date: Thu, 26 Oct 1995 16:10:32 -0500
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From: Chris Ellis
<ellisc_1@TYSON.COM>
Subject: Re: New Guy Poem
Hey Frank,
We were
meant to be happy, whatever our faces show,
If we
remove the skin, and observe the skull, it is smiling.
=========================================================================
Date: Thu, 26 Oct 1995 21:03:13 -0400
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From: Bernard Moore
<UnderToad2@AOL.COM>
Subject: Re: The Commerce of Kerouac
This is
my first posting. Hope it is done correctly.
Regarding the use of Kerouac and the target
market for the Volvo ad
campaign,
I think the advertisers may be approaching things from a
"psychographic"
or "values" point of view.
It may
not be that Kerouac, per se, is at all what the advertisers are
interested
in, but rather what he is perceived to stand for: freedom,
self-expression,
individuality, etc. And the targeted audience is probably
not
Gen-X, (how can they afford a $33K car?) but affluent Baby-Boomers now
facing
something of a mid-life crisis.......and want to find and experience
"values"
they deem important, (i.e. individuality and freedom) NOW in a way
THEY can now afford. Kerouac's
"Road" is an apt metaphor
(since they are
selling cars) to make the transition between
perceived "values" and targeted
market.
If I
was making the ad campaign pitch, this would have been my spin on it.
Besides,
I've driven an 850 Turbo (but wouldn't buy one) and it IS a rocket
ship!
Also,
regarding the dust jackets and covers on 1st edition OTR.......is the
photo
on page 163 of Tom Clark's bio of Kerouac what it should look like in
the
commerical?
Enjoying
the postings and points of view.
Ben
=========================================================================
Date: Thu, 26 Oct 1995 21:26:01 -0400
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From: Jeffrey Weinberg
<Waterrow@AOL.COM>
Subject: Re: The Commerce of Kerouac
Ben:
Yes, the dust jacket pictured in Tom Clark's bio is the first edition of
OTR.
Jeffrey
=========================================================================
Date: Thu, 26 Oct 1995 22:20:07 -0500
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From: Jeremy Ocean
<JeremyO@SMTP.IX.NETCOM.COM>
Subject: set beat-l digest
-- [
From: Jeremy Ocean * EMC.Ver #2.5.02 ] --
set
beat-l digest
=========================================================================
Date: Fri, 27 Oct 1995 06:44:02 -0400
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From: Rene Zamora Zepeda
<Quetzal666@AOL.COM>
Subject: Re: otr dust jacket
can't
afford a volvo....however i do remember reading 'on the road' in a
glorious
thunder shower in berlin.............the combo of the two led to a
skinny
dipping session and (gasp) riding the s-bahn w/o paying the
fare..........................................................................
..........................rene
=========================================================================
Date: Fri, 27 Oct 1995 20:29:39 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: Re: The Commerce of Kerouac
Yeah,
Levi, there's a real tradition of literary men working in advertising in
the U.
S. I believe it was an advertising job that Sherwood Anderson walked
away
from when he began writing, and F. Scott Fitzgerald is author of the
famous
line: "We keep you clean in Muscatine." Hey, everybody's got to pay
the
rent.
Dan B.
=========================================================================
Date: Sat, 28 Oct 1995 08:09:55 -0700
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From: Ralph Virgo
<rvirgo@IX.NETCOM.COM>
Subject: Re: otr dust jacket
You
wrote:
>
>The
point of the dust jacket substitute in the ad, I'm pretty sure,
must be
>that
the ad agency for Volvo did not want to pay for the right to show
the
>real
jacket (o they were flatly refused by the publisher,
perhaps?)This
is a
>very
important point since the decision to use a bogus book jacket
must
have
>been
based solely on money.
>Jeffrey
>
Maybe. Perhaps, instead, they were on a tight
timeframe and (real or
imagined)
there was not enough time to get permission.
After all,
getting
permission involves working with outside people and processes,
while
something like the HP printer version could be knocked out
in-house
pretty fast.
Ralph
=========================================================================
Date: Mon, 30 Oct 1995 18:23:37 PST
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From: Bill Mundt
<bmundt@MUNDT.SC.TI.COM>
Subject: Re: America
Rene,
Can you
send some more details on your request.
Thanks,
Bill
Mundt
-------------------------------------
E-mail:
bmundt@MUNDT.sc.ti.com
Date:
08/11/94
Time:
12:45:52
This
message was sent by Chameleon
-------------------------------------
=========================================================================
Date: Tue, 31 Oct 1995 07:10:11 -0800
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From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Terry Southern
According
to the Times, erstwhile 60's writer and Beat comrade Terry Southern
just
died at the age of 71, while on the way to the screenwriting course he
taught
at Columbia.
Any
Southern remembrances out there? My favorite
book of his was Red-Dirt
Marijuana
and Other Tales, mostly a collection of magazine pieces. He
also
wrote the screenplays for "Dr. Strangelove" and "Easy
Rider."
-----------------------------------------------------------------------
Levi Asher = brooklyn@netcom.com
Literary Kicks:
http://www.charm.net/~brooklyn/LitKicks.html
(the beat literature web
site)
Queensboro Ballads:
http://www.levity.com/brooklyn/
(my fantasy folk-rock
album)
* * * * * * * * * * * * * *
* * *
"Should I pursue a path
so twisted?
Or should I crawl, defeated
and gifted?"
-- Patti Smith
-----------------------------------------------------------------------
=========================================================================
Date: Tue, 31 Oct 1995 10:56:42 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
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From: Julie Hulvey <JHulvey@AOL.COM>
Subject: Re: Terry Southern
>Any
Southern remembrances out there?
As for
memories of Southern, I'm a bit too young. But I've been steeped in Ed
Sanders'
work this fall, and two days ago read the Terry Southern chapter in
Sanders' hilarious _Shards of God_, which takes place at the 68 Demo
convention
in Chicago. As to Southern's activities in that chapter, I'll but
point
you to the text,
saying
only that he admirably maintains the novel's high moral tone.
This
morning I remembered that I have the issue of Esquire featuring
convention
reportage by Southern, Burroughs, Jean Genet
and
John Sack. I dug it out and read the Southern first. It was his assigned
task to
cover the absurdity of the event; he was described as the "American
author
most capable of handling frenzy on a gigantic scale," yet the violence
level
sickened ( and fascinated) him. In the last paragraphs of the article,
Southern
is sitting in a bar with William Styron, John Marquand Jr. and a
middle
aged man in a Hubert Humphrey banded straw hat, watching cops club
kids:
"Those
damn kids, he ( Humphrey man) muttered, "I haven't seen a clean one
yet.
Then he looked back out into the street where, at that moment, a flying
squad
of blue helmets and gas masks, clubs swinging, charged straight into a
crowd
obviously of bystanders.
"Hell,"
he grunted, "I'd just as soon live in one of those damn police states
as put up
with that kind of thing".
=========================================================================
Date: Tue, 31 Oct 1995 12:02:13 EST
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<BEAT-L@CUNYVM.BITNET>
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Terry Southern
If I
remember correctly, Terry Southern has some nice scenes in "Burroughs
The
Movie." Maybe I'll take a look at
them tonight.
=========================================================================
Date: Tue, 31 Oct 1995 10:36:41 -0800
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From: Gene Dinielli <gene_dinielli@QMBRIDGE.CALSTATE.EDU>
Subject: Beat LitServe
Subject: Time:11:34 AM
OFFICE MEMO Beat LitServe Date:10/31/95
I would
like to subscribe to your list on Beat Literature.
Gene
Dinielli
gene_dinielli@qmbridge.calstate.edu
=========================================================================
Date: Tue, 31 Oct 1995 13:54:15 EST
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: Beat LitServe
In-Reply-To: Message of Tue, 31 Oct 1995 10:36:41 -0800
from
<gene_dinielli@QMBRIDGE.CALSTATE.EDU>
To
subscribe to Beat-l, send mail to listserv@cunyvm.cuny.edu. In the
body of
your mail type: subscribe beat-l first
name last name.
=========================================================================
Date: Tue, 31 Oct 1995 14:11:10 -0500
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From: "J. Darren Bishop"
<URJTVAB@IUP.BITNET>
Organization:
Indiana University of Pennsylvania
Subject: Re: Terry Southern
Can
anyone give me more information on "Burroughs the Movie?" I would
appreciate
anything that would lead me to it.
Thank you
=========================================================================
Date: Tue, 31 Oct 1995 14:42:11 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: Terry Southern
In-Reply-To: Message of Tue, 31 Oct 1995 14:11:10 -0500
from <URJTVAB@IUP>
On Tue,
31 Oct 1995 14:11:10 -0500 J. Darren Bishop said:
>Can
anyone give me more information on "Burroughs the Movie?" I would
>appreciate
anything that would lead me to it.
Thank you
Burroughs:
the Movie. Giorno Poetry Systems
Institute, c1985. 87 minutes.
=========================================================================
Date: Tue, 31 Oct 1995 12:00:53 -0800
Reply-To: "BEAT-L: Beat Generation List"
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From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Re: Terry Southern
I must
say when I saw Levi's message about Southern dying the song "If you
want
it, here it is. I can get it" immediately began to run through my
mind. I had read in the paper that Southern died
but that didn't kick in
the
Badfinger association.
This
song was the "theme song" of a movie called the Magic Christian that
starred
Ringo Starr. It was based on a Southern
book and the screenplay
was
also probably written by Southern (I don't know though). Starr was in
another
Southern movie called Candy. I remember
a scene from Magic
Christian
with John Cleese pre-Monty Python.
Cleese played a snooty art
dealer
and Ringo Starr as the richest man alive bought an old painting.
After
he bought it he took a pair of scissors and cut out a face in the
painting
and discarded the rest of it to the apoplectic gasp of Cleese--cue
Badfinger
theme music (written by Paul McCartney).
=========================================================================
Date: Tue, 31 Oct 1995 20:36:58 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
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From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: Re: Terry Southern
Southern
read at the NYU Beat Lit. conference in May of '94. David Amram and
his
quintet were playing and some old guy was sitting on the piano bench
doing
nothing. I was wondering who the old guy was. Then he got up to read.
It was
Southern, looking like the ghost of Paris past. He had already had one
stroke
I believe. He read a story from *Red Dirt Marijuana and Other Tastes.*
It was great to see a living legend in the
flesh and hear him read, like
seeing
Fats Domino in New Orleans and hearing him sing "Blueberry Hill."
Dan B.
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Date: Tue, 31 Oct 1995 19:00:27 -0500
Reply-To: "BEAT-L: Beat Generation List"
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From: SangreToro@AOL.COM
Subject: alan watts
I had
been trying to get a discussion going about Alan Watts in some other
list (i
now unsubscribed fro almost all of them).
I'd be interested in
discussing
him and his works. Paul