On Wed,
21 Feb 1996, Carl Luoma wrote:
> In
a message dated 96-02-15 13:10:12 EST, you write:
>
>
>"All those writers were terribly dull," he said. I don't believe
it.
>
>
>
>
>
> I
could believe it. They may seem dull to
strangers and people who weren't
>
close to them, but I also agree, I
think burroughs would make the best
>
grandfather.
>
Visits to grandpa's house would just
fuck you up :)
=========================================================================
Date: Wed, 21 Feb 1996 21:43:48 -0500
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<BEAT-L@CUNYVM.BITNET>
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From: Ben Moore <ARoadToad@AOL.COM>
Subject: On the Road again...
I am
going out to San Francisco in about a month. I am interested in
suggestions
of beat-related places (besides City Lights) to visit. Also good
used
bookstores and jazz clubs. I suggest you e-mail me directly to avoid
cluttering
up mailboxes of non-interested list members.
Thanks.
Ben
=========================================================================
Date: Wed, 21 Feb 1996 22:24:25 -0500
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From: "Ritter, Chris D"
<rittec@UH2297P01.DAYTONOH.ATTGIS.COM>
Subject: Re: On the Road again...
Comments:
To: "BEAT-L%CUNYVM.BITNET"
<BEAT-L%CUNYVM.BITNET@cunyvm.cuny.edu>
>I
am going out to San Francisco in about a month. I am interested in
>suggestions
of beat-related places (besides City Lights) to visit. Also
good
>used
bookstores and jazz clubs. I suggest you e-mail me directly to avoid
>cluttering
up mailboxes of non-interested list members.
>Thanks.
>Ben
Actually
I plan on doing this myself one day and I wouldn't mind a copy
myself.
You can post it here since it really does sound like an interesting
conversation,
or just double-mail it to Ben and I.
..Critter
(Critter@mail.serve.com)
=========================================================================
Date: Wed, 21 Feb 1996 22:35:25 -0500
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From: Carl Luoma <Filosipher@AOL.COM>
6-02-21
16:33:29 EST, you write:
>>In
tune with all the priest stuff -
>>
>>Wasn't
Bill's character in _Drugstore Cowboy_ a junkie priest?
>
>Yes,
ex-junkie.. but that's knit-picking.
>
>
actually
he was an ex-junkie that tended to go off the wagon from time to
time.
But
that's knit-picking
=========================================================================
Date: Wed, 21 Feb 1996 20:55:37 -0800
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From: Thomas McNamee
<mcnamet@EOSC.OSSHE.EDU>
Subject: Re: On the Road again...
In-Reply-To: <960221214343_228153477@emout06.mail.aol.com>
from "Ben Moore" at
Feb 21, 96 09:43:48 pm
Ah! The Hotel Du Midi, the San Remo, Coit Tower,
anywhere in North Beach
(the
old town bars), Chinatown, watch out for the ghosts. pleasant trails
=========================================================================
Date: Thu, 22 Feb 1996 11:02:50 +0000
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From: apm5%aberystwyth.ac.uk@UKACRL.BITNET
Subject: Re: beat writers, current status (fwd)
>On
Wed, 21 Feb 1996, Carl Luoma wrote:
>
>>
In a message dated 96-02-15 13:10:12 EST, you write:
>>
>>
>"All those writers were terribly dull," he said. I don't believe
it.
>>
>
>>
>
>>
>>
I could believe it. They may seem dull
to strangers and people who weren't
>>
close to them, but I also agree, I
think burroughs would make the best
>>
grandfather.
>>
> Visits to grandpa's house would just
fuck you up :)
>
If you
want to read about this sort of stuff, try a book by Grandpa Bill's
son
(also called William confusingly). The book is called Kentucky Ham and
has a
section where Bill jnr. goes to see Bill snr. in Morocco. Obviously
the old
man introduces the kid to drugs... It's an interesting read, and
apparently
surprisingly good (I've only read an extract).
Alan
Maddrell
=========================================================================
Date: Thu, 22 Feb 1996 09:19:37 EST
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<BEAT-L@CUNYVM.BITNET>
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From: Mark Fisher
<Fisher@PROGRAMART.COM>
Subject: Re[2]: On the Road again...
Comments:
To: "BEAT-L: Beat Generation List"
<BEAT-L%CUNYVM.BITNET@uunet.uu.net>
>I
am going out to San Francisco in about a month. I am interested in
>suggestions
of beat-related places (besides City Lights) to visit. Also
good
>used
bookstores and jazz clubs. I suggest you e-mail me directly to avoid
>cluttering
up mailboxes of non-interested list members.
>Thanks.
>Ben
Actually
I plan on doing this myself one day and I wouldn't mind a copy
myself.
You can post it here since it really does sound like an interesting
conversation,
or just double-mail it to Ben and I.
..Critter
(Critter@mail.serve.com)
Origins
of the Beat Generation has a map of SF with Beat landmarks.
=========================================================================
Date: Thu, 22 Feb 1996 08:42:01 -0500
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From: "Gregory J. Conroy"
<gconroy@SIUE.EDU>
Subject: On the R again
At 8:55
PM 2/21/96, Thomas McNamee wrote:
>Ah! The Hotel Du Midi, the San Remo, Coit Tower,
anywhere in North Beach
>(the
old town bars), Chinatown, watch out for the ghosts. pleasant trails
Hi...
Sounds
like fun.....but I have to report on a trip to NY I took two years
ago,
traveled to the Village, and sought the old haunts for that crazy
Columbia
crowd of the late '40s and early '50s....
I
walked into a coffeehouse (my ancient memory pan hasn't retained the name
of the
place, I want to say San Remo's, but, no....) where AG reportedly
wrote
most of _Howl_ and Jackie held court with Holmes and Bill,
etc.,......and
I found this fashionable boutique-y place with gourmet
coffee....totally
90s decor.....
I had
expected photos on the wall (Hey, the White Horse on the West Side
still
has photos of Dylan Thomas on the wall....of course, he died in an
alley,
victim of a spent liver, behind the place, so there ya' go)....but,
anyway,
there was not even a shred of any evidence that, well, hell,
anything
had been written in this antiseptic place in the Village.....
Anyway,
this innocent, fresh-faced young lady asked if I'd like to be
seated
and I said: "Is this the place where Kerouac and Ginsberg wrote most
of
their stuff"....and she, of the frozen smile, said: "Huh?"
I
excused myself and walked out....
Be
careful...you can't go back, at least not in the Village, at least not
some
places....
gc
Gregory
J. Conroy
University
News Services
Southern
Illinois University at Edwardsville
<<Nunc
senex, ad hunc demens>>
=========================================================================
Date: Thu, 22 Feb 1996 09:51:30 EST
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From: Peter McGahey
<PRM95003@UCONNVM.UCONN.EDU>
Hey
Critter, what do you do - check your mail once a month?
No
offense intended.
=========================================================================
Date: Thu, 22 Feb 1996 14:28:08 +0000
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From: M D Fascione
<m.d.fascione@CITY.AC.UK>
Subject: Burroughs elsewhere in music (fwd)
I've
also heard that he covered an R.E.M. tune-- Star Me Kitten,
for an
episode of The X Files.
..Critter
Critter
You
wouldn't happen to know which episode this is would you? Most bizarre!
from a
fellow Bill fan
Daniel
=========================================================================
Date: Thu, 22 Feb 1996 12:55:59 EST
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<BEAT-L@CUNYVM.BITNET>
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From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Re: beats exhibit
In-Reply-To: Message of Wed, 21 Feb 1996 18:08:13 -0500
from
<Filosipher@AOL.COM>
On Wed,
21 Feb 1996 18:08:13 -0500 Carl Luoma said:
>In
a message dated 96-02-17 16:20:46 EST, you write:
>
>>The
Beat exhibit at the Whitney in NYC is over now. It will open in
>>Minneapolis
again in late spring.
>>
>>Howard
Park
>>
>>
>
>Any
speciffic info? dates? where in Mpls?
Okay,
here's the Beat exhibit dates: Walker
Art Center, Minneapolis June 2 - S
ept 15,
1996; M.H. de Young Memorial Museum, The Fine Arts Museums of San Franc
isco,
Oct 5 - Dec. 29, 1996. And don't forget
the Rebels and Poets exhibit on
now at
the National Portrait Gallery in DC.
=========================================================================
Date: Thu, 22 Feb 1996 16:02:49 -0500
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From: "Ritter, Chris D"
<rittec@UH2297P01.DAYTONOH.ATTGIS.COM>
Comments:
To: "BEAT-L%CUNYVM.BITNET"
<BEAT-L%CUNYVM.BITNET@cunyvm.cuny.edu>
>>>In
tune with all the priest stuff -
>>>
>>>Wasn't
Bill's character in _Drugstore Cowboy_ a junkie priest?
>>
>>Yes,
ex-junkie.. but that's knit-picking.
>>
>>
>
>actually
he was an ex-junkie that tended to go off the wagon from time to
>time.
>But
that's knit-picking
I
sitting here laughing and wondering what even SMALLER fact I
can
touche with. Unfortunately I was too involved w/ the little hats
flying
around on the screen to pay that much attention to what WSBs
habits
had changed to.
I do
remember him picking up that paper sack of drugs though and
retiring
to his apartment, so you've got me there. Touche!
..Critter
=========================================================================
Date: Thu, 22 Feb 1996 17:27:45 -0500
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From: "Ritter, Chris D"
<rittec@UH2297P01.DAYTONOH.ATTGIS.COM>
Subject: No offense received.
Comments:
To: "BEAT-L%CUNYVM.BITNET"
<BEAT-L%CUNYVM.BITNET@cunyvm.cuny.edu>
>Hey
Critter, what do you do - check your mail once a month?
It
would look like that. Actually my lack of depth in Beat knowledge
makes
me more of a lurker than an actual responder. It just so happened
that
the topics for "this month" rolled down my alley. [smile]
>No
offense intended.
...Critter
=========================================================================
Date: Thu, 22 Feb 1996 17:36:33 -0500
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From: "Christopher C. Hayes"
<risny@PIPELINE.COM>
Subject: Re: On the R again
The
baton has been passed -- some time ago -- from hipsters to tourists in
many
places in the west village. The White
Horse tavern has become a meat
market
for the young and... lets just say anxious.
However
there are many places in the village, especially the East village,
which
are reminecent, while not fawning, over beat culture. One just has to
know
were to look.
Damien
=========================================================================
Date: Thu, 22 Feb 1996 18:54:31 -0500
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From: "Ritter, Chris D"
<rittec@UH2297P01.DAYTONOH.ATTGIS.COM>
Subject: Re: Burroughs elsewhere in music (fwd)
Comments:
To: "BEAT-L%CUNYVM.BITNET"
<BEAT-L%CUNYVM.BITNET@cunyvm.cuny.edu>
>Critter
>
>You
wouldn't happen to know which episode this is would you? Most bizarre!
>
>from
a fellow Bill fan
>
>Daniel
Not off
the top of my head, unfortunately. I'm not to up-to-date on the X
Files
simply
because my time doesn't permit this. If I find out I'll get back to
you
on it,
though.
..Critter
=========================================================================
Date: Thu, 22 Feb 1996 19:28:18 -0500
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From: Ben Moore <ARoadToad@AOL.COM>
Subject: Contact
I am
interested in learning a bit about a SF (I believe) journal called
Contact.
What was the connection (if any) to Beat literature? Also, what
would
be a fair price to pay for an individual issue from the late 50's?
Ben
=========================================================================
Date: Thu, 22 Feb 1996 16:27:46 -0800
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From: "bs@UBC"
<sbent@UNIXG.UBC.CA>
Subject: Rebels: Painters and Poet of the 1950s
The
National Gallery exhibit doesn't actually open until the 24th...
Subject:
http://www.si.edu/organiza/museums/portgal/homepage/calendar.htm
>
Welcome to the National Portrait Gallery
>
>
>
NATIONAL PORTRAIT GALLERY EXHIBITION POSTPONED
>
>
Because of delays caused by the federal government shutdown in
>
December, the public opening for the Smithsonian's National Portrait
>
Gallery exhibition "Rebels: Painters and Poets of the 1950s" has
>
been changed.
>
>
The exhibition will open Saturday, Feb. 24. (The exhibition had been
>
scheduled to open Jan. 26.)
>
>
"Rebels: Painters and Poets of the 1950s" examines the revolutions
> in
painting and poetry that took place on the East and West Coasts
>
following World War II. The "Poets" section includes such
>
counterculture icons as Jack Kerouac, Allen Ginsberg, Lawrence
>
Ferlinghetti and William Burroughs. The "Painters" section examines
>
the lives and work of Jackson Pollock, Willem and Elaine de Kooning,
>
Robert Motherwell and other artists of the New York School.
>
>
The National Portrait Gallery is located at 8th and F Streets N.W.
>
Hours are from 10 a.m. to 5:30 p.m. daily. Admission is free. The
>
exhibition is on the first floor.
>
Regards,
bs@UBC
=========================================================================
Date: Thu, 22 Feb 1996 19:53:02 -0500
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From: Ben Moore <ARoadToad@AOL.COM>
Subject: Beat bookworm
Regarding
recent postings over reading beat literature vs. tapes, CDs and
videos,
etc. I would like to comment that it was hearing Kerouac read his
stuff
on The Jack Kerouac Collection was what really FIRSTexcited me about
beat
literature.
I
greatly treasure the various audio recordings I have of Kerouac, Ginsberg,
and
Burroughs reading their writings. Whenever I listen to them, the
literature
is so much more powerful and meaningful to me and I know the oral
tradition
is a major component especially of both Kerouac's and Ginsberg's
writing.
I can't imagine just being a " beat bookworm" and only reading the
literature.
Reading alone doesn't seem to cover everything it was about.
Ben
=========================================================================
Date: Thu, 22 Feb 1996 17:46:00 PST
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From: "Gilbert, Len"
<lgilbert@INTEGRALSYS.COM>
Subject: Feud?
I read
two interesting pieces on the Web, one by Jan Kerouac one by Gerald
Nicosia,
about a little perceived or actual disrespect. Implications of
"camps"
with Ann Charters, Ginsberg, and Sampras on one side and Nicosia,
Kerouac,
and a few others on the other side.
Total
gossip?
=========================================================================
Date: Fri, 23 Feb 1996 05:55:44 EST
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From: Joe <100106.1102@COMPUSERVE.COM>
Subject: ah pook
hello.
wsb
wrote a poem called 'ah pook' (from - 'the invaders?' - which he read on
'call
me burroughs?')
anyyyyywayy...
was at
a friends last night and he put on this animation video which included an
animation
to this poem!
bill
reading out 'death is the seed from which i will grow etc.' over the top of
this
animation was absolutely brilliant. it
really captured the poem.
anyone
else seen it? if so what do you think?
anyone
know more about it?
have
any other animations been set to any other beat poems?
joe
=========================================================================
Date: Fri, 23 Feb 1996 11:23:26 +0000
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From: apm5%aberystwyth.ac.uk@UKACRL.BITNET
Subject: Re: ah pook
>bill
reading out 'death is the seed from which i will grow etc.' over the
top of
>this
animation was absolutely brilliant. it
really captured the poem.
>
>anyone
else seen it? if so what do you think?
_Much_
to my chagrin, I arrived home (in England) one evening, turned on the
TV and
heard the old faggot's dulcet tones. I immediately snapped wide awake
and
focussed, but I saw only the last minute of this treasure. Did I see a
beetle,
or am I mistaken (this is possible since I was playing Gregor Samsa
in
Berkoff's play adaptation of Kafka's Metamorphosis at the time...).
Alan
Maddrell
=========================================================================
Date: Fri, 23 Feb 1996 14:27:18 +0000
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From: M D Fascione
<m.d.fascione@CITY.AC.UK>
Subject: ah pook (fwd)
was at
a friends last night and he put on this animation video which included an
animation
to this poem!
anyone
know more about it?
Yes
indeed, what is this video called, come on people rack them memories....
Daniel
=========================================================================
Date: Fri, 23 Feb 1996 11:32:57 EST
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<BEAT-L@CUNYVM.BITNET>
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From: Peter McGahey
<PRM95003@UCONNVM.UCONN.EDU>
Subject: Beat bookworm (fwd)
----------------------------Original
message----------------------------
From: Ben Moore <ARoadToad@AOL.COM>
Whenever
I listen to them, the
literature
is so much more powerful and meaningful to me and I know the oral
tradition
is a major component especially of both Kerouac's and Ginsberg's
writing.
I can't imagine just being a " beat bookworm" and only reading the
literature.
Reading alone doesn't seem to cover everything it was about.
-----------------------------------------------------------------------
As I
have been one of those who tries to get this going to the books, I
have to
concede defeat here. One the aspects
that truely sets the Beats
apart
from other poets of the period is the auditory character of their
work
(the attempted recreation of jazz improvization specifically) and
this is
seen best through their own recitations.
I guess we all remember
that it
was the Six Gallery reading that took off the movement. The
readings
were so important - you are correct here.
=========================================================================
Date: Fri, 23 Feb 1996 14:04:59 EST
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Comments: Resent-From: Bill Gargan
<WXGBC@CUNYVM>
Comments: Originally-From: "Dan Schiff"
<dschiff@sybex.com>
From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Organization:
Sybex Inc.
Subject: Joyce stolen photo alert!
Thought
I'd forward this note from the James Joyce listserv. Literary larceny
afoot
at Cafe Vesuvio. Is City Lights safe?
----------------------------Original
message----------------------------
This
just in.From the bottom of Herb Caen's column in The San
Francisco
Chronicle, Thursday Feb 22nd:
"On
Sun. night, "two yuppies" as the waitress described them, stole
the
hallowed framed photo of James Joyce that has hung in Vesuvio
since
1948. $500 reward..."
Be on
your toes for suspicious looking yuppies with old photos.
Or
without them, for that matter. If you
have any hot leads, the
Vesuvio
Cafe is located on 255 Columbus in S.F. and the phone
is
(415) 362-3370.
Your
watchdog in Berkeley CA
Dan
Schiff
=========================================================================
Date: Fri, 23 Feb 1996 13:23:05 -0500
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From: "Gregory J. Conroy"
<gconroy@SIUE.EDU>
Subject: Uncle Bill
At 9:28
AM 2/22/96, M D Fascione wrote:
>I've
also heard that he covered an R.E.M. tune-- Star Me Kitten,
>for
an episode of The X Files.
>
>
..Critter
I'm new
to this list, so this may have been mentioned earlier, but, in the
used
racks at a vintage record store in St. Louis, I've seen a Laurie
Anderson
(oh, she of the
performance-art-let's-make-this-as-obscurely-weird-as-I-can)
album from the
early
1980s, I believe, that features Uncle Bill.
Although
I'm fascinated by Anderson, I was flat broke at the time and
couldn't
pick it up....when I went back a few weeks later, it was
gone....The
album jacket was fairly third stream, so I guess it lives up to
Anderson
form.....
gc
Gregory
J. Conroy
University
News Services
Southern
Illinois University at Edwardsville
"The
doctors X-rayed my head and found nothing."
--
Dizzy Dean explaining how he felt after being hit
on the
head by a ball in the 1934 World Series
=========================================================================
Date: Fri, 23 Feb 1996 14:25:08 -0500
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From: Perry Lindstrom
<LindLitGrp@AOL.COM>
Subject: Rebel Poets
Howard
Park and I are over half way through the 8 week class on Rebel Poets
of the
1950s, which is being taught in conjunction with the exhibit by the
same
name that people have mentioned.
For the last class we are going
to
get a
personal tour of the exhibit from one of the museum curators. I can't
speak
for Howard but I am enjoying the class.
The attendance has dwindled
somewhat
and I get the feeling that people have had less exposure to the
poets
we are now studying -- Black Mountain -- than to the others, but that
is
probably to be expected since the Beats tended to be the super stars.
By the
way has anyone experienced the CR-Rom narrated by Burroughs entitled
"The
Dark Eye?" I have a new computer
with a CD-Rom drive so I have been
looking
for interesting titles but hadn't read a review of that one so didn't
pick it
up -- several Poe stories put to a game format I presume. I have
Myst
which is interesting, but would prefer something with more of a literary
flavor.
Perry
Lindstrom
=========================================================================
Date: Fri, 23 Feb 1996 19:56:48 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: Uncle Bill
I
believe the album you're thinking of is *You're the Guy I Want to Share My
Money
With." It is on CD from Giorno Poetry Systems(1981). It has sections by
Burroughs,
Anderson and John Giorno. Also this reminds me of seeing Burroughs
in
Anderson's movie, *Home of the Brave*.
DB
=========================================================================
Date: Fri, 23 Feb 1996 19:38:25 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: Beat bookworm
But
it's not an either/or thing, it's both/and -- the books and recordings go
hand in
hand. Art, literature, music -- it's all connected.
DB
=========================================================================
Date: Fri, 23 Feb 1996 20:11:01 GMT
Reply-To: Dan_Barth@RedwoodFN.org
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Barth
<Dan_Barth@REDWOODFN.ORG>
Organization:
Redwood Free-Net
Subject: Kerouac Dream
Last night I had a dream with Kerouac in it.
We were at a party and I wanted
to talk
with him but he was drunk and sullen. Finally he said if I would go
out and
get him some more beer he would talk with me. So my 8-year-old son
and I
went out to get the beer. For some reason I let my son handle the
transaction
and he bought only one bottle of beer and two gatorades. (We were
in
Mexico or "someplace" where there was no problem about a kid buying
beer.)
When we
got back Kerouac was not happy about only one beer but decided he
would
mix the gatorade with vodka. He still didn't want to talk but then I
leaned
by the doorway (the holy doorway?) and heard him talking to another
guy. He
was very gentle and sympathetic. The drunkenness and sullenness had
all
been an act. His voice was beautiful, way more gentle and sympathetic
than on
the recordings I've heard. Can't remember exactly what he said (too
bad)
but it was a wonderful flow of words.
So just
another crazy Kerouacian dream. I have been rereading *Dr. Sax*.
DB
=========================================================================
Date: Fri, 23 Feb 1996 15:10:50 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: CLAY VAUGHAN <CLV100U@MOZART.FPA.ODU.EDU>
Subject: Re: Uncle Bill
Comments:
To: "Gregory J. Conroy" <gconroy@SIUE.EDU>,
"BEAT-L: Beat Generation
List" <BEAT-L%CUNYVM.BITNET@oduvm.cc.odu.edu>
>
I'm new to this list, so this may have been mentioned earlier, but, in the
>
used racks at a vintage record store in St. Louis, I've seen a Laurie
>
Anderson (oh, she of the
>
performance-art-let's-make-this-as-obscurely-weird-as-I-can) album from the
>
early 1980s, I believe, that features Uncle Bill.
It was probably YOU'RE THE GUY I WANT TO
SHARE MY MONEY WITH,
the
trio of Laurie Anderson, Bill Burroughs and John Giorno. It's a
great
set.
=========================================================================
Date: Fri, 23 Feb 1996 14:22:37 -0800
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "bs@UBC"
<sbent@UNIXG.UBC.CA>
Subject: Re: Uncle Bill
In-Reply-To: <1EC8C7B4A47@mozart.fpa.odu.edu>
On Fri,
23 Feb 1996, CLAY VAUGHAN wrote:
>
> I'm new to this list, so this may have been mentioned earlier, but, in the
>
> used racks at a vintage record store in St. Louis, I've seen a Laurie
>
> Anderson (oh, she of the
>
> performance-art-let's-make-this-as-obscurely-weird-as-I-can) album from
the
>
> early 1980s, I believe, that features Uncle Bill.
>
> It was probably YOU'RE THE GUY I WANT TO
SHARE MY MONEY WITH,
>
the trio of Laurie Anderson, Bill Burroughs and John Giorno. It's a
>
great set.
>
Isn't
it more likely to be "Mister Heartbreak", since the original
poster
specifically says it's a Laurie Anderson album. It was released
in
1984, and features Bill B. on "Sharkey's Night".
BTW,
there are many other John Giorno Poetry Systems records out there.
For a
WSB discography, check
http://www.hyperreal.com/wsb/wsbrecs.html
or mail
me for a copy if you're web-impaired....
Regards,
Bent
Sorensen
Visiting
Grad. Student, Dept. of English, UBC
Ph.D.
Student, Aalborg University, Denmark
<http://hum.auc.dk/i12/org/medarb/bent.dk>
OR <.../bent.uk>
=========================================================================
Date: Fri, 23 Feb 1996 20:34:45 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Julie Hulvey <JHulvey@AOL.COM>
Subject: Ta' wil and Burroughs Dream
I am
digging mightily people's previously posted dream encounters with brief
writers.
To me, they are worth as much or more than a conscious
opinion
(in a slightly different way, of course). There is a school of dream
interpretation
(and poetics) that draws much from the concept of ta'wil:
which
as far as my present understanding goes, means to take a dream symbol
or
character back to its mythological
source . For instance, if I dream of
my
friend, I am not dreaming of my friend but of Hades (say) masquerading,
for the
dream's purposes, as my friend. I bring
this up because I wonder
what
entities might choose to represent themselves by the beat writers.
Cassady
surely Mercury... got any ideas?
Anyhoo,
here's a dream I had about Burroughs several years ago.
I was
sitting by a roadside, painting a picture using heavy impasto and
pallette
knives. Up strolls Burroughs, as he looked then in real life. He
checks
out the painting then goes on down the road. I am so startled I drop
my
painting. Just like the proverbial
peanut butter sandwich, it lands gooey
side
down. Its ruined. So I start building
up a head of steam about
Burroughs
ruining my painting. I decide to confront him about it. My
enquiries
lead me to a cabana at rundown motel at the edge of town.
I knock
on his door. Burroughs answers all right, but instead of the older
Burroughs
it's the man as he looked in the 50's. He's wearing a sleeveless
undershirt
and baggy pants. So I'm completely disarmed and forget about being
mad,
because this younger Burroughs could not have ruined my painting. He
asks me
what I want and I ask him if we can talk about writing. We sit down
at this
old beat picnic table and talk casually about it
for
what seems like a long time.
Jules
=========================================================================
Date: Fri, 23 Feb 1996 22:18:31 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Julie Hulvey <JHulvey@AOL.COM>
Subject: Re: Ta' wil and Burroughs Dream
In a
message dated 96-02-23 20:58:06 EST, I write:
> am
digging mightily people's previously posted dream encounters with >brief
writers...
hmm...I
wouldn't touch this freudian slip with any size pole. though maybe it
just
stems from my reading more poetry than prose these days...
Julie
=========================================================================
Date: Fri, 23 Feb 1996 22:50:23 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Lauffer <DanLauff@AOL.COM>
Subject: Re: Contact
Several
CONTACTS in the past. Fabled one from
Paris in '30s. The one you
have
was from Sausalito. Ed. Evan S. Connell (Mrs. Bridge, Morning Star).
Not that much Beat stuff compared to others
such as Evergreen Review, Big
Table
or Floating Bear. Don't know abt
current prices.
yrs
Dan
Lauffer
<<I'm
with you in Rockland>>
=========================================================================
Date: Sat, 24 Feb 1996 19:09:30 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Lauffer <DanLauff@AOL.COM>
Subject: Nowheresville
Nowheresville-
a Beat-oriented comic from CALIBER is
beginning a 4 issue
mini-series.
The comic features Chic and Queeg, who writer Mark Ricketts
describes
as being the thoughtful (Jack) and prankster (Neal) side of the
Beats. They are involved with Chic's former lover
"Catherine DiPrima" who
may
have framed Chic for a murder. The
first issue captured the look and
feel of
the 50's and 60's from berets and bongos to jazz record covers.
You'll have to go to a comic store to order
it. A rarified taste for the
superhero
crowd. Recommended.
Dan
Lauffer
<<I'm
with you in Rockland>>
=========================================================================
Date: Sat, 24 Feb 1996 19:50:38 -0700
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Thomas J Stevens
<teij@DANA.UCC.NAU.EDU>
Subject: Re: An afterthought... (fwd)
Thom
---------------------------------
There
is nothing more
innately human
than
the tendency to transmute what has become
customary
into
what has been
divinely ordained.
-Suzanne Lafollette
----------
Forwarded message ----------
Date:
Fri, 02 Feb 1996 09:30:07 -0500 (EST)
From:
Linda <REDTAPE@VTVM1.CC.VT.EDU>
To:
Thomas J Stevens <teij@DANA.UCC.NAU.EDU>
Subject:
Re: An afterthought...
RE: the
role of the beatniks - you can take your pick, depending
on your
preference for music or poetry - that is a six of one,
half a
dozen of the other type choice as poetry and lyrics
in
songs are not that far apart. In music
the beatniks of the
1950s,
particularly in Greenich Village in New York began and
pursued
improvisational sound in rock - drawing on jazz
of
course. In poetry and novels I am most
familiar with the
San
Francisco scene, Jack K, Lawrence Ferlinghetti . . . I still
have
two of Ferlinghetti's poetry volumes - A Coney Island of the
Mind and
Starting from San Francisco. As an
active member of the
"avant-guard"
literary community in San Francisco, he and many
others
inititated the new San Francisco cultural scene beginning in
the mid
fo late 1950s. City LIghts bookstore
became a mecca for
folks
into that aspect of the cultural revolution.
I do recall
making
my way there - but not until the summer of 1971 when I was
working
on a tactile art exhibit, the Tactile Dome at the Exploratorium,
another
aspect of the things coming down then.
(The Tactile Dome
I built
to last a year - and such a good construction engineer was
I that
it is still in operation today.
YES. Not to brag, just to
recall
some experiences that help me develop confidence in myself.)
That
same San Francisco scene later gave birth to significant
music
groups, my favorite, the Jefferson Airplane, and the Grateful
Dead -
are you a Dead Head? And of course in
the mid to late 60s
San
Francisco became the west coast center for the Flower Children,
"free
sex" in the post birth control pill era before we knew sex
could
be deadly, and all sorts of drug culture stuff - grass, acid,
hash,
and speed (KILLS).
Complimenting
and building on the City Lights scene of the 1950s,
UC
Berkeley, across the Bay, became THE center of what was known as
the
Free Speech movement, the first of the major college campus
movements,
long preceding the anti war movement.
The Free Speech
movement,
which I believe dates to 1961, countered (counter culture
come
from that word) contested the mores of the 1950s, bringing words
like
fuck into public rhetoric. As I
understand it, using the word
fuck in
public could get one arrested! Anyway,
that movement merged
as the
issues changed from free speech to antiwar.
And Berkeley was
a major
site of the west coast antiwar movement.
By the mid to late
sixties
because of less than peaceful demonstrations in Berkeley
and
along the main drag - Telegraph Avenue - "establishment"
institutions,
such as the Bank of America, bricked up all the
street
front windows so they wouldn't be broken again. That added
to a
"siege mentality" mood and to the increasing "generation
gap."
Now, as
for researcing on the internet, if you have access to NETSCAPE,
you can
to some keyword searching. Probably the
best driver would
be
through LYCOS. I don't know how
sophisticated your library is,
ours is
out on the frontiers of all this stuff.
This week and next
I am
having our history bibliographer in the library introduce my
students
to the internet and how to use the various search engines.
We do
three hands on sessions. I don't have
any documentation on
all
this, but I will see what I might find and send you any http
or www
sites that I think might have some relevant material for
you. Likely, through some American Studies and
Popular Culture
stuff
there will be some pertinent material.
Also, if your
library
has the Humanities Index on CD-ROM you can search through
citations
for relevant articles in AS and PC journals.
There is
a lot
of material that has been written. I
can't just pull those
citations
out of my head, though, as I am a Mexican not US
historian. I'll see what I can come up with to get you
started.
Later,
dear,
LInda
=========================================================================
Date: Mon, 26 Feb 1996 10:29:59 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Nicholas Herren <NPH002@ACAD.DRAKE.EDU>
Subject: Re: Books
In-Reply-To: "Your message dated Wed, 21 Feb 1996
18:07:46 -0500"
<960221180739_428349526@emout05.mail.aol.com>
Personally
I am sick of people slaming the young generation. You don't know
our
life and you don't understand. But none
of that really matters. What
is
important is that you realize when you say something about the whole
population
in general you are making a fool of yourself.
>How
many people out there have read any books by the Beats besides On the
>Road
or Naked Lunch?
If a
person has not read the Beat Generation Stuff they ought to get the fuck
off
this server so people can really discuss the literature or they ought
to get
a pair of glasses and start reading something.
It ain't so hard.
What
you do is you sit down with a book and roll your eyes across the pages
being
careful to understand what the sentences mean.
It's not so hard. I
read
Dharma Bums, Subterraneans, Big Sur, Tristessa, On the Road, Off the Road,
Vanity
of Dulouz, Go, The First Third, Town and the City, Walden, etc etc
in
three months. So far I have yet to
discuss any of this stuff of the server
tho
since everyone is caught up in telling other people what to do instead
of
arguing some point.
And as
far as to the argument of why the Generation X (what ever the HELL
that
ever means) hasn't done anything, I would say it's because of these
DAMN
FUCKING COMPUTERS ALL THE OTHER GENERATIONS INVENTED!!
Nick.
=========================================================================
Date: Mon, 26 Feb 1996 13:31:49 -0600
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Dan Terkla <terkla@TITAN.IWU.EDU>
Subject: Re: Books
Comments:
cc: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.iwu.edu>
In-Reply-To: <01I1NZFVGVAC005YPB@ACAD.DRAKE.EDU>
First,
let me say that I agree with Nicholas Herren about the dangers of
typing
a generation. Such thinking can lead to
all sorts of nasty
outcomes
and gets none of us anywhere.
Second,
let me suggest that he back off, exercise a bit
of
netiquette and be a bit more accepting of those without his vast
knowledge
of Beat literature and culture. I, too,
am often disappointed
with
the quality of discussion on this list and with some of the topics
posted. I have a "delete" key, which I use
at those times. I suggest that
Nicholas
Herren do the same and save the self-righteous, petulant
flaming.
It does nothing but foster division and
exclusion.
Dan
Terkla
English
House
Illinois
Wesleyan University
Bloominton,
IL 61702
terkla@titan.iwu.edu
=========================================================================
Date: Mon, 26 Feb 1996 15:16:29 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "Gary M. Gillman"
<garyg@INFORAMP.NET>
Subject: Six Gallery Reading
It seems
to me that a very worthy tribute to beat literature and the
considerable, enduring social impact of beat culture would
be to make a
film,
or launch a theatrical production, of the famous Six Poets at the Six
Gallery
reading which took place just over 40 years ago in San Francisco. If
done
right as a film, this could be our Il Postino (only much more
significant,
with all due respect for that excellent film). Certainly, while
Allen
Ginsberg, McClure, Snyder and many other original participants are
still
living, such a project could benefit from their invaluable advice and
support.
Does anyone agree that this would be a most worthwile project to
launch?
Perhaps NYU would be a natural choice to get such project started,
or the
State University of New Nork at Buffalo - any thoughts?
Gary M.
Gillman
=========================================================================
Date: Mon, 26 Feb 1996 16:00:15 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender:
"BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "Ritter, Chris D"
<rittec@UH2297P01.DAYTONOH.ATTGIS.COM>
Subject: Books and Bantering
Comments:
To: "BEAT-L%CUNYVM.BITNET"
<BEAT-L%CUNYVM.BITNET@cunyvm.cuny.edu>
>If
a person has not read the Beat Generation Stuff they ought to get the
fuck
>off
this server so people can really discuss the literature or they ought
>to
get a pair of glasses and start reading something.
Wow..
so much for wanting to learn from others with similar interests.
Should
we not discuss the poetry since it wasn't on the list? I'm not much
of a
novel reader, most of my interests tend to side with poetry and
plays
and I haven't heard much about them either. Usually I blame that
on
myself though being that I haven't brought up the topic.
>Nick.
and now, back to
our show. Critter
=========================================================================
Date: Mon, 26 Feb 1996 21:31:26 GMT
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Brynjar Agnarsson
<brynjar@EASYNET.CO.UK>
Subject: WSB CARTOON
Finally
my cue to make a contribution to this list, after being a subscriber
for
close to three weeks now, instead of just enjoying to read other's
people
contributions.
Recently
someone was asking about a cartoon of Ah Pook and I've been looking
for it
which took me a long time as I tape a lot of stuff like this of TV as
I'm a
film student in the hope that it'll come in useful one day.
Anyways,
the said cartoon was shown on Channel 4 in England as part of a
documentary
on the UK animation scene and was called Fourmations: 3D or not 3D.
There
was an interview with the fimmaker, Phil Hunt, beforehand and he was
talking
about how different reading Burroughs is from hearing el hombre
invisible
reading his works aloud, a mesmorising experience he called it.
Well it
inspired him to make this surreal piece of art with the soundtrack
of
Burroughs reading from Ah Pook and Interzone.
Brynjar
=========================================================================
Date: Mon, 26 Feb 1996 18:12:21 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Megan Milard
<Sixgallery@AOL.COM>
Subject: Re: Gallery Six
the
correct name is six gallery. A lot of
the confusion is due to one of the
beats--and
i can't remember who off the top of my head--(I'm thinking
kerouac)
who referred to the site as gallery six in either a book or poem.
It was probably for legal reasons but I'm not
positive on that either.
megan
=========================================================================
Date: Mon, 26 Feb 1996 22:16:37 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Ben Moore <ARoadToad@AOL.COM>
Subject: Re: Gallery Six Reading
>Gary
M. Gillman wrote:
>It
seems to me that a very worthy tribute to beat literature and the
considerable, enduring social impact of beat culture would
be to make a
film,
or launch a theatrical production, of the famous Six Poets at the Six
Gallery
reading which took place just over 40 years ago in San Francisco. If
done
right as a film, this could be our Il Postino (only much more
significant,
with all due respect for that excellent film). Certainly, while
Allen
Ginsberg, McClure, Snyder and many other original participants are
still
living, such a project could benefit from their invaluable advice and
support.
Does anyone agree that this would be a most worthwile project to
launch?
Perhaps NYU would be a natural choice to get such project started,
or the
State University of New Nork at Buffalo - any thoughts?
Hmm...I
think trying to re-enact that momentous
reading would be like trying
to lose
one's virginity again.....it ain't going to happen.
However,
here's my pitch...
I think
something telling the story that led up
to that reading might work.
You
know, the story behind the story. What were the dynamics in each of the
major
players (I mean poets) lives that led up to that night, that
chemistry...
With so
many of the participants still around (for now) to tell their story,
it
could be based on an accurate factual account. It could lead up to the
reading
...and then end....leaving us to our own visions or memories of that
night.
I think
Rexroth's role as MC and a guiding light in the SF renaissance,
Synder
meeting McClure and others for the first time and Ferlinghetti's
description
of Kerouac as "just another stumblebum on the scene" could
provide
great drama.....
Any
backers out there?
I 've
always wanted to be a player in Hollywood.....
Ben
=========================================================================
Date: Tue, 27 Feb 1996 00:11:14 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: "DOUGLAS W. WACKER"
<dwacker@IN.NET>
Subject: Tarantula
>To:
Beat-L@cunyvm
>From:
dwacker@in.net (DOUGLAS W. WACKER)
>Subject:
Tarantula
>
>Just
wondered if anyone has read Bob Dylan's 'Tarantula'? I had read about
Dylan's
relationship (for lack of a better word) with beat culture and
noticed
'beatitude' in his persona, but never realized the extent of his
stream
of conciousness poetry writing and its similarity to beat poetry
until I
started reading it. What does everybody
think? If you haven't read
it,
pick it up, its really turing out to be one of my fav books of poems. I
think
it really conveys this weird rural/street bum mood - hard to put into
words. Also check out some of Dylan's liner notes
(i.e. Highway 61). Opinions?
>
=========================================================================
Date: Tue, 27 Feb 1996 06:35:41 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.BITNET>
From: Joe
<100106.1102@COMPUSERVE.COM>
Subject: off the road
>Anyways,
the said cartoon was shown on Channel 4 in England as part of a
>documentary
on the UK animation scene and was called Fourmations: 3D or not 3D.
>There
was an interview with the fimmaker, Phil Hunt, beforehand and he was
>talking
about how different reading Burroughs is from hearing el hombre
>invisible
reading his works aloud, a mesmorising experience he called it.
>Well
it inspired him to make this surreal piece of art with the soundtrack
>of
Burroughs reading from Ah Pook and Interzone.
Joseph
McNicholas (mcnichol@mail.utexas.edu) - that's the one i saw! brilliant
twas
also! sorry i didn't catch the
animators name, nor the television program
it was
taken from, but certain someone out there would know.
now
half-way through carolyn cassady's 'off the road'. oustanding read. can't
put it
down and have taken more time off work to sit and read it - even better
the
fact it was bought unread from a secondhand bookshop for only (a borrowed) 3
quid -
an omen!
now up
to the part where neal nearly has his foot torn-off & been diagnosed 'a
sociopathic
personality with schizophrenic and manic-depressive tendencies that
could
develop into psychosis'.
carolyn
has some profound observations on both kerouac & cassady (as men, souls
&
lovers). would unreservedly recommend
it as a must read for those who haven't
had the
good fortune - myself included of course!
joe
ps.
arriving in the states next monday on the way to salt lake city with a two
hour
wait at san francisco airport. anyone
recommend any bars to visit near
this
airport?
=========================================================================
Date: Tue, 27 Feb 1996 08:18:16 -0500
Reply-To: "BEAT-L: Beat Generation List"
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From: "Gregory J. Conroy"
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Subject: Documentary: Evening at Six
At
10:16 PM 2/26/96, Ben Moore wrote:
>I
think something telling the story that
led up to that reading might work.
>You
know, the story behind the story. What were the dynamics in each of the
>major
players (I mean poets) lives that led up to that night, that
>chemistry...
>With
so many of the participants still around (for now) to tell their story,
>it
could be based on an accurate factual account. It could lead up to the
>reading
...and then end....leaving us to our own visions or memories of that
>night.
Playing
in Hollywood is dangerous, Ben, but I like this idea....I see it as
a
documentary, interviewing surviving participants and how they recall the
events
leading up to the reading....interspersing with photos of those
past,
how they looked then, how they looked years later...hmmmmm....so, who