=========================================================================

Date:         Tue, 6 May 1997 02:42:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dean M. Palmer" <dean_palmer@JUNO.COM>

Subject:      A break from the Kerouac controversy....

 

Hey Beat Folks--

 I have just finished 'One Flew Over The Cukoo's Nest' and have heard

Kessey referred to as Beat on the list so I figure this falls under the

jurisdiction of this list. I loved that book! Great. Fantastic. Excellent

read.

 What do you folks think of it..and..is it a good indicator of Kessey's

other work? (as I am unfamiliar this being his forst I have read)

 

 Dean Palmer

 

/\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

/\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

man answers and says he wouldn't know, better call the coast guard, and

hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

some damn fool who

wanted to know if the coast was clear." har-har-har (Neal

Cassady)~/\/\/\/\/\

=========================================================================

Date:         Tue, 6 May 1997 06:03:25 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      One, Two, Three, Four Flew OVER the nest

 

Dean M. Palmer wrote:

>

> Hey Beat Folks--

>  I have just finished 'One Flew Over The Cukoo's Nest' and have heard

> Kessey referred to as Beat on the list so I figure this falls under the

> jurisdiction of this list. I loved that book! Great. Fantastic. Excellent

> read.

>  What do you folks think of it..and..is it a good indicator of Kessey's

> other work? (as I am unfamiliar this being his forst I have read)

>

>  Dean Palmer

>

> /\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

> /\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

> man answers and says he wouldn't know, better call the coast guard, and

> hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

> some damn fool who

> wanted to know if the coast was clear." har-har-har (Neal

> Cassady)~/\/\/\/\/\

 

I loved Cuckoo's nest but had trouble following it through the fogs at

time.  i enjoyed the movie too.  Once in the Hospital with five nurses

trying to calm me I suddenly (not intentionally) broke out of it and

asked the nurses if I was doing better than Jack??  Recently i saw the

story on the KEY-Z webpage (or a story) about the origin of the narrator

Chief Bromden.  I immediately found the book in the piles and began

reading it again.  Suddenly with this insight and the insight of

multiple hospitalizations in less intrusive but sometimes parallel

mental units, the novel is a joy to read again.

=========================================================================

Date:         Tue, 6 May 1997 09:16:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         William Morgan <Ferlingh2@AOL.COM>

Subject:      Kerouac question

 

Dear Gerry:

Hoping you won't mind a non-Sampas question.  I'm putting together a walking

tour of Kerouac's New York and wanted to include a statement concerning

Jack's arrest after the Kammerer murder.  Would it be correct to say that

Kerouac was arrested for "failing to report a crime" or that he was

arrested?/held "as a material witness".  Which do you think is right?  Anyone

else is welcome to comment too.

Thanks,

Bill Morgan

=========================================================================

Date:         Tue, 6 May 1997 09:08:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: THE SILENCE IS DEAFENING

 

well said Jerry/

 i have appreciated the time and care people have takin trying to

explain the history and the confusions on the estate matter, I even

appreciated the blows of email from rinaldo, after those, either

complicated or nasty postings, those desperate one liners were a

break..  I have thought the vindictiveness and namecalling shown was

what was better left to the latter stages of alcohlism. but i am a tea

totler. I thought it was interesting when some one said they were glad

jk was dead, so not to see this.  maybe it is some sort of anger

connected to jk giving so much in literature and vision and then killing

himself with alcohol.  I have always felt that he had a long drawn out

type of death, where his drunkeness and bitterness and helplessness

created a series of deaths.

I have no personal knowledge but the assault of fame on his

sensibilities seemed to wound him so.

I wish that at the heart of the debate was just money, not the scraps

and heart of jacks' legacy.  I wish that poor jan was treated by her

fathers fans with more dignanty and that fellow in the trailer living at

his neighbors had a shake of luck.

what i have heard of stella and her family was that they  knew a

different jack than neal did.  I would quess if the "will" was forged a

adjustment of ownership would happen but i wish i could see any window

for righting wrongs.

 

 The real prisoner is the manuscripts. The real villian is probably the

money. But once a promise to a dying woman is made it makes compromise

hard to reach, making a new promise to jack might make it easier.

 

I was totally screwed cheated, threatened out of my last job by two sick

do nothings, and i saw them destroy things that i had worked years on

and i honestly felt hatred and wished for justice. well a year later

when i asked my mother what she wanted for her birthday , she said to

forgive them. now she didn't mean hang out with bad guys or to excuse

them but to forgive them. I was aghast, they had even insulted her

during the fracas.  But i am finding ways to do it. I resented losing

the money, usually gave a lot to charity. so now i volunteer a little

more and am looking up charities in the various states unclaimed

property accounts. I examine the obstacles between me and freedom and

start kicking away at them.

 

p

 

 

I had not heard the Edie K had died, when did that happen?

=========================================================================

Date:         Tue, 6 May 1997 08:27:12 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: One, Two, Three, Four Flew OVER the nest

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <336F0FFD.40F3@midusa.net>

 

ah always blown away by cuckoos nest alrigt. and the movie is a peice of

pure genius as well (i thin thta kesey said hes never seen it tho) one

thhing that really exposed how kesey wrote was the critcal edition of

cuckoos nest as well as _kesey_ which i think is avail from www.key-z.net

or something like that. explains how early drafts and sections (black boys

coming for me and all) written on lsd in hosp ( ithink) and has sketches

of the various characers to help him get handle of where they're going,

etc. one touch i always loved was the neal/randle connection... randle

patrick mcmurphy = R.P.M. (rotations per minute) = fastest man alive

(neal)??

anyway yr rigt grand piece o lit.

derek

=========================================================================

Date:         Tue, 6 May 1997 10:01:08 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

Derek A. Beaulieu wrote:

>

> ah always blown away by cuckoos nest alrigt. and the movie is a peice of

> pure genius as well (i thin thta kesey said hes never seen it tho) one

> thhing that really exposed how kesey wrote was the critcal edition of

> cuckoos nest as well as _kesey_ which i think is avail from www.key-z.net

> or something like that. explains how early drafts and sections (black boys

> coming for me and all) written on lsd in hosp ( ithink) and has sketches

> of the various characers to help him get handle of where they're going,

> etc. one touch i always loved was the neal/randle connection... randle

> patrick mcmurphy = R.P.M. (rotations per minute) = fastest man alive

> (neal)??

> anyway yr rigt grand piece o lit.

> derek

 

from what I read at Key-Z, he had no narrator and then had an

hallucination of this Indian and thought ... "now i have a narrator" or

something to that effect. .. . :)

 

david rhaesa

=========================================================================

Date:         Tue, 6 May 1997 11:23:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Dr. Sax vs. Last of the Moccasins

 

In a message dated 97-05-05 23:31:35 EDT, you write:

 

<< know that someone may have asked this before but after an unsuccessful

 attempt to locate the Last of the Moccasins in a bookstore, I was

 wondering if it is still in print, and can it be ordered from any

 bookstore?

 Diane Carter

  >>

 

Dear Diane and Fellow Beat-L members:

 

You can order Charlie Plymell's book "Last of the Moccasins" from me here a t

Water Row Books.

 

The paper edition is $12.00

and we have hardcover copies signed by Charles Plymell for $20.00

 

Mention the Beat-L and shipping is free..

MC/Visa accepted. Satisfaction guaranteed....

 

Thanks -

 

Jeffrey Weinberg (Charlie's cousin),

Water Row Books

=========================================================================

Date:         Tue, 6 May 1997 10:12:24 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Levi's Question

In-Reply-To:  <336EAD00.60CD@cruzio.com> from "Leon Tabory" at May 5,

              97 09:01:04 pm

 

Leon wrote:

> I still have some nagging questions though about whether your opponents

> are given to do things that you would not. I asked you this morning to

> clarify your answer to Levi's question. Since you didn't answer, I went

> back over it to see if can tell better what you said. The only

> conclusion that I can come to is that you are suggesting that Levi

> wanted you to release material to the public, but that you couldn't do

> it for legal reasons. Are you saying that Levi wanted you to do

> something illegal, that you explained to him that you couldn't do it

> because it was illegal, and that he still wanted you to do it? I just

> don't believe that of Levi.

 

I think I can clear this confusion up -- when Gerry and I referred

to "legal reasons" in our posts we were not talking in terms of

whether an act was illegal or not, but whether an act would

be legally unwise or not -- specifically, that by letting me

publish Jan's excerpt Gerry for free would be exposing himself to

criticism that he was being lax with Jan's estate, which could be

used against him by others claiming rights to the estate.

 

I hope we can put aside that whole side-issue, anyway.  As for the

deeper issues, I remain agnostic.

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

=========================================================================

Date:         Tue, 6 May 1997 10:24:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Using the Brain God Gave You

 

        Lay awake last nite thinking about Anstee's advice that "it's too

complex--don't try to sort it out--don't try to judge."  It reminded me of

what the hawks used to say during the Vietnam War: "Don't try to understand

the war in Vietnam--it's wrong to protest it--the guys in Washington [read:

Mr. Sampas & Co.] know what they're doing--just wait and see."

        I.e., wait and see while another 10,000 guys get killed and maimed

this month [wait and see while yet more Kerouac pieces get sold off].  But

those of us in the Antiwar Movement used our COMMON SENSE, which told us

that killing people was wrong, whether or not we knew and understood all the

inner secrets of the thing; and I urge you to use COMMON SENSE in this affair.

        My common sense says that Jack Kerouac's archives should be

preserved and made accessible now ["Bring the troops home--NOW!"]  You don't

have to listen to mine--why should you?--but, please, LISTEN TO YOUR OWN.

You don't need to go on a wild goose chase for some supposed cache of secret

documents that Mr. Anstee would like to send you on--some supposed PENTAGON

PAPERS of the Kerouac Estate Fight, which exists nowhere that I know

of--except perhaps in the desk drawer where Mr. Sampas keeps his financial

records--and there's no way any of you are ever going to get to that.

        THE POINT OF THIS, by the way, is not that selling off a writer's

papers is as bad as making war--IT'S NOT, BY A LONG SHOT.  The point is: you

can often use your common sense to tell you things the experts can't.

        Best, Gerry Nicosia

=========================================================================

Date:         Tue, 6 May 1997 13:47:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MORE OXY THAN MORON <breithau@KENYON.EDU>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

As far Kesey goes, my favorite is SOMETIMES A GREAT NOTION. I don't think this

is a book for everyone but I love the language he uses, the story, everything.

It's a whopper too, you can re-read it every year! Set in the logging towns of

the pacific northwest, it makes great use of the landscape in descriptive

detail as head union hauncho, Hank Stamper, does not give in to the big

corporate badguys! Give it a try, not nearly as commercial as CUCKOO'S NEST

(which I also loved).

 

Dave B.

=========================================================================

Date:         Tue, 6 May 1997 15:17:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dean M. Palmer" <dean_palmer@JUNO.COM>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

> one touch i always loved was the neal/randle connection... randle

>patrick mcmurphy = R.P.M. (rotations per minute) = fastest man alive

>(neal)??

 

 Did Kessey know Cassady at the time? Was Randle based on Cassady? It

seems like it....

 Dean Palmer

 

/\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

/\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

man answers and says he wouldn't know, better call the coast guard, and

hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

some damn fool who

wanted to know if the coast was clear." har-har-har (Neal

Cassady)~/\/\/\/\/\

=========================================================================

Date:         Tue, 6 May 1997 13:58:18 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: One, Two, Three, Four Flew OVER the nest

In-Reply-To:  <19970506.151712.18022.0.dean_palmer@juno.com>

 

ive heard the story both ways that kesey did know cassady and that rpm is

based on him, and ive also heard something along the lines that kesey haad

finished the book at cassady went to him, showing up at his house

unannounced after the book was published. maybe someone closer to neal

(leon, charles, etc) or kesey could give us some details. how 'bout it

gang? any one wanna be the definitive word?

yrs

derek

 

On Tue, 6 May 1997, Dean M. Palmer wrote:

 

>

> > one touch i always loved was the neal/randle connection... randle

> >patrick mcmurphy = R.P.M. (rotations per minute) = fastest man alive

> >(neal)??

>

>  Did Kessey know Cassady at the time? Was Randle based on Cassady? It

> seems like it....

>  Dean Palmer

>

> /\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

> /\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

> man answers and says he wouldn't know, better call the coast guard, and

> hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

> some damn fool who

> wanted to know if the coast was clear." har-har-har (Neal

> Cassady)~/\/\/\/\/\

>

=========================================================================

Date:         Tue, 6 May 1997 16:01:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     QAA27720 on bay (hop 0), Tue, 6 May 1997 16:01:54 -0400 (EDT)

From:         Randi Jaclyn Friedman <rfiedma@GROVE.UFL.EDU>

Subject:      Re: Chimes at Midnight

Comments: To: RACE --- <race@MIDUSA.NET>

In-Reply-To:  <33588527.768B@midusa.net>

 

please will someone tell me how to get off this list server. It is messing

up my entire inbox messages. There are just too many emails for me to read

. So ,if you are in charge  of this please help me get out of this

RAndi

=========================================================================

Date:         Tue, 6 May 1997 15:02:20 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

Derek A. Beaulieu wrote:

>

> ive heard the story both ways that kesey did know cassady and that rpm is

> based on him, and ive also heard something along the lines that kesey haad

> finished the book at cassady went to him, showing up at his house

> unannounced after the book was published. maybe someone closer to neal

> (leon, charles, etc) or kesey could give us some details. how 'bout it

> gang? any one wanna be the definitive word?

> yrs

> derek

>

> On Tue, 6 May 1997, Dean M. Palmer wrote:

>

> >

> > > one touch i always loved was the neal/randle connection... randle

> > >patrick mcmurphy = R.P.M. (rotations per minute) = fastest man alive

> > >(neal)??

> >

> >  Did Kessey know Cassady at the time? Was Randle based on Cassady? It

> > seems like it....

> >  Dean Palmer

> >

> > /\/\/\/\/\~Dean_Palmer@juno.com~/\/\/\/\/\

> > /\/\/\/\/\~Funny English Joke; man and wife in living room, phone rings,

> > man answers and says he wouldn't know, better call the coast guard, and

> > hangs up, wife says, "Who was it, dear?" and man says, "I don't know,

> > some damn fool who

> > wanted to know if the coast was clear." har-har-har (Neal

> > Cassady)~/\/\/\/\/\

> >

 

maybe Cassady was based on RPM ??? :)

 

dbr

=========================================================================

Date:         Tue, 6 May 1997 22:26:16 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      b

 

just i came in the computer room,

        i'm the guy who switch the light,

                now i can write,

 

just i came in the computer room,

        i'm the guy who switch the light,

                now i can write,

 

"Derek A. Beaulieu"

Patricia Elliott

Leon Tabory

James Stauffer

RACE ---

 

        now i must to switch off

                the vedova's crab is

                        can caught me,

        nighttime save me,

        open yes open eyes

 

        beat

        beetle

        beet

        bee

        be

=========================================================================

Date:         Tue, 6 May 1997 22:26:13 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      One Flew OVER the nest.

 

be beat!,

reading the newspaper,

        fernanda pivano 80 years old today,

                the lay in the terrific foto...

                talks

                'bout the beat:

""The evening that I have met Cassidy, the protagonist of "On The Road"

by Jack Kerouac, after any very amusing passed hour together,

he accompanied me in hotel and wanted to climb, normal era.

But I explained him that I slept only always. Cassidy looked at me

lunatic like ditches: "you don't drink, you don't smoke, you don't fuck.

But because have you wanted to know me?" - fernanda pivano then writes:

"All my friends beat lived for the unemployed person of the subsidies,

200& or 300$ to the month that they allowed him to survive.

They drank much tea.""

one,

        two,

                three,

                        tutti giu' per terra!

*a not competent beet*

=========================================================================

Date:         Tue, 6 May 1997 22:26:14 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Ken Kesey

 

be beat! be beat!! be beat!!!

after "One Flew Over The Cuckoo's Nest" wrote another

wonderful book i read in 70's 'bout hobo lifes, it's

a wonder, but i missed a bunch of things...

* the beet *

=========================================================================

Date:         Tue, 6 May 1997 22:49:34 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

 

be beat! check this site, please,

 

http://www.repubblica.it/cultura_scienze/ginsberg/ginsberg/ginsberg.html

 

rinaldo.

=========================================================================

Date:         Tue, 6 May 1997 14:33:23 -0700

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Comments: To: One@cruzio.com, Two@cruzio.com, Three@cruzio.com,

          Four@cruzio.com, Flew@cruzio.com, OVER@cruzio.com, the@cruzio.com,

          nest@cruzio.com

 

Derek A. Beaulieu wrote:

>

> ive heard the story both ways that kesey did know cassady and that rpm is

> based on him, and ive also heard something along the lines that kesey haad

> finished the book at cassady went to him, showing up at his house

> unannounced after the book was published. maybe someone closer to neal

> (leon, charles, etc) or kesey could give us some details. how 'bout it

> gang? any one wanna be the definitive word?

> yrs

> derek

 

 

Not a definitive word. I do recall though having driven with Neal to

Kesey's place some time before the book was out. Neal brought me a copy

when it first came out to look at. I recall Neal telling me about how

Ken was writing while high on acid working at the VA hospital in Palo

Alto. I don't recall dates, but it was when I still lived at the Cassady

(your spelling is correct) home. To the best of my recollection, and I

think I would have remembered, Neal did not think it was based on him.

 

Leon

=========================================================================

Date:         Tue, 6 May 1997 14:55:06 -0700

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Comments: To: "Reppublica Italiano"@cruzio.com

 

Rinaldo Rasa wrote:

>

> be beat! check this site, please,

>

> http://www.repubblica.it/cultura_scienze/ginsberg/ginsberg/ginsberg.html

>

> rinaldo.

> .-

 

Another great picture! Interesting how much you can understand in a

foreign language when you know what they are talking about.

 

What's happening to the Italian language?:

 

> 35 MINUTI DI VIDEO IN WINDOW MOTION

 

Ciao amici

 

Leon

=========================================================================

Date:         Tue, 6 May 1997 18:27:11 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: THE SILENCE IS DEAFENING

In-Reply-To:  Message of Mon, 5 May 1997 20:00:32 -0400 from

              <Bigsurs4me@AOL.COM>

 

Let me say that I think the estate battle is certainly an appropriate

topic for the list.  Anyone who doesn't want to read about it can delete

those posts.  I'm not sure, however, that anything that anyone has to

say on the list will make any difference as far as the outcome goes.  I

haven't seen the will and wouldn't know whether or not it was authentic

if I did.  If the parties involved can't come to some agreement--and it

certainly looks like they never will--then it is up to the courts to

decide.  We can all have our opinions but they aren't going to decide

anything.

=========================================================================

Date:         Tue, 6 May 1997 17:32:21 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: THE SILENCE IS DEAFENING

 

Bill Gargan wrote:

>

> Let me say that I think the estate battle is certainly an appropriate

> topic for the list.  Anyone who doesn't want to read about it can delete those

 posts.

 

I may have mistyped if it seemed that i was suggesting that the estate

questions were inappropriate.  it would have been easy to read that into

my comments.  i meant something else -- i think.

 

david rhaesa

=========================================================================

Date:         Tue, 6 May 1997 17:40:40 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      [Fwd: Re: Ginsberg]

 

This is a multi-part message in MIME format.

 

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thought this might seem of interest to those on the list.

 

dbr

 

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Date:         Tue, 6 May 1997 19:11:31 GMT

Reply-To: The Bob Dylan Discussion List <HWY61-L@LISTSERV.ACSU.BUFFALO.EDU>

Sender: The Bob Dylan Discussion List <HWY61-L@LISTSERV.ACSU.BUFFALO.EDU>

From: Ness908 <ness908@AOL.COM>

Organization: AOL http://www.aol.com

Subject:      Re: Ginsberg

To: HWY61-L@LISTSERV.ACSU.BUFFALO.EDU

 

Since we are on the subject of condeming people for their wrong doings as

far as the Christian belief goes.  Let me start by saying, yes Allen

Ginsberg was gay from birth, he had very little control over it and felt

guilty and spent two or three years trying to disown his desires.  He grew

up with a psycopathic mother and had a lot going on in his mind.  After he

figured out his life, he began to express it's hard bearing on his keeping

it all in.  He wrote thousands of amazing poems and with the help of other

Beatniks, he changed the world from their blinding propaganda of the

fifties into a very liberal and anti war ideal of the sixties.  Without

Ginsberg, Bob Dylan wouldn't have had the courage to Think Twice about the

way anything was.  Don't condem Dylan for respecting a great man who

brought us to the realization that the The Times Are A Changin', even

before Dylan himself did.  Don't judge this great man for his so called "

Evil Earnigs For Young Boys" don't get me wrong, I don't think that it's

right by any means to crave people of the same sex, but I do know that it

happens and until we really understand it, no one should be going around

saying that there's no excuse for it.

If you want to think that evil is evil for no reason and use the Bible to

make up for your hatered then go right ahead, but the only great leason

that I get out of the Bible is that you should love those who you don't

understand and pray for their sins.  I'm only sixteen but I feel like I've

got a hell of a better understanding about this than most of you do.

 

Feel free to E Mail me about this or any Dylan related stuff, I'm glad to

be tested in the area of Dylan Trivia.

Thanks, Nathan

 

 

--------------770F2C706431--

=========================================================================

Date:         Tue, 6 May 1997 19:47:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Jake Barnes is beat (was "More on dope")

 

In a message dated 97-05-04 19:54:52 EDT, you write:

 

<< the beat is a beet

 the beat is a beet

 the beat is a beet

 the beat is a beet

 the beat is a beet >>

 

I don't think there is anything rong wit doooope, do you?

=========================================================================

Date:         Tue, 6 May 1997 19:47:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      ORIGINAL vs COPY

 

Just an aside, what would happen if  copies of all of Kerouac's papers end up

in a Library, and the originals are sold off to the highest buyer (or

whoever).

 

Is it enough to just have the words-- complete, that are accessible to the

public? DO the originals have to be available?

 

This is a philosophical question.

 

enjoy, Attila

=========================================================================

Date:         Tue, 6 May 1997 15:39:27 -0700

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Comments: To: "THE SILENCE IS DEAFENING"@cruzio.com

 

Bill Gargan wrote:

>

> Let me say that I think the estate battle is certainly an appropriate

> topic for the list.  Anyone who doesn't want to read about it can delete

> those posts.  I'm not sure, however, that anything that anyone has to

> say on the list will make any difference as far as the outcome goes.  I

> haven't seen the will and wouldn't know whether or not it was authentic

> if I did.  If the parties involved can't come to some agreement--and it

> certainly looks like they never will--then it is up to the courts to

> decide.  We can all have our opinions but they aren't going to decide

> anything.

> .-

In the end the court of public opinion may have its own conclusions,

regardless of the outcome in a court of law. It might be very

interesting after all is said and done to ask for the opinions of the

BEAT-L people, what percentage concurs, how many think the will was

forged, etc..

Leon

=========================================================================

Date:         Tue, 6 May 1997 20:14:30 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Kerouac question

In-Reply-To:  Message of Tue, 6 May 1997 09:16:58 -0400 from <Ferlingh2@AOL.COM>

 

Good question, Bill.  I always thought he was held as "a material witness."  Ma

ybe I got it from the newspaper clips.  If Gerry, doesn't have an answer I'll b

e glad to do some digging.

=========================================================================

Date:         Tue, 6 May 1997 20:28:08 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Using the Brain God Gave You

In-Reply-To:  Message of Tue, 6 May 1997 10:24:31 -0700 from

              <gnicosia@EARTHLINK.NET>

 

Ah c'mon Gerry, the estate battle is VERY important but you can't compare it to

the Vietnam War and whatever Rod is doing, he's not getting anybody killed.  Ta

lk about ad hominem arguments!

=========================================================================

Date:         Tue, 6 May 1997 20:32:41 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Using the Brain God Gave You

In-Reply-To:  Message of Tue, 6 May 1997 10:24:31 -0700 from

              <gnicosia@EARTHLINK.NET>

 

My apologies, Gerry.  Once again I jumped the gun.  Reading your post a

second time, I see that we agree after all.

=========================================================================

Date:         Tue, 6 May 1997 21:01:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: Kerouac question

 

At 08:14 PM 5/6/97 EDT, you wrote:

>Good question, Bill.  I always thought he was held as "a material witness."  Ma

>ybe I got it from the newspaper clips.  If Gerry, doesn't have an answer I'll b

>e glad to do some digging.

>

>Wasn't he held for aiding and abetting a felon because he helped get rid of

the knife? Phil

=========================================================================

Date:         Tue, 6 May 1997 18:55:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Using the Brain God Gave You

 

At 08:28 PM 5/6/97 EDT, you wrote:

>Ah c'mon Gerry, the estate battle is VERY important but you can't compare it to

>the Vietnam War and whatever Rod is doing, he's not getting anybody killed.  Ta

>lk about ad hominem arguments!

>

>

 

Didn't you read Nicosia's post.

 

He began this by writing this

 

"It reminded me of what the hawks used to say during the Vietnam War"

 

Notice he said "it reminded me?"  Not "it is just like".

 

He ended with this to make sure people would understand (it's called

telegraphing)

 

"THE POINT OF THIS, by the way, is not that selling off a writer's

papers is as bad as making war--IT'S NOT, BY A LONG SHOT."

 

Have you ever heard of this thing called an anology or a metaphor?

 

BTW, I am too young to remember the Vietnam War and that controversy, but

off the top of my head it seems that the rationale and well meaning of those

who did fight the vietnam war (the hawk position)is much much much

infinitely higher than some guy trying to use his aunt's inheritance to make

a buck fast off something that really does belong to the readers of the world.

 

The Hawks at least were trying to protect people from great evil.  Even

Ginsberg in his old age admitted he was wrong about the Viet Cong and didn't

know they would be so bad.

 

remember all the world is a stage.

 

(is Shakespeare seriously comparing the thousands of square miles of the

earth to the few meters that is in a theater's stage?)

=========================================================================

Date:         Tue, 6 May 1997 18:56:30 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Using the Brain God Gave You

 

At 08:32 PM 5/6/97 EDT, you wrote:

>My apologies, Gerry.  Once again I jumped the gun.  Reading your post a

>second time, I see that we agree after all.

>

>

 

Boom,

 

and I didn't read this post before I wrote my reply

 

barn doors open wide

=========================================================================

Date:         Tue, 6 May 1997 19:37:45 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

My favorite too, but you've got it wrong.  The union guys are the bad

guys, Hank Stamper is an independant, non union, mostly family operator

who refuses to bow to union pressure.  But great characters and

language.  Probably one of the reasons I spent a lot of years working in

the woods myself.  The movie made of the book with Paul Newman is less

satisfactory.  Kesey wrote two damn good novels with "Notion" and

"Cuckoo".  The things that have come later have been mostly

disappointing to me, but I haven't read Sailor's Song.

 

J Stauffer

 

MORE OXY THAN MORON wrote:

>

> As far Kesey goes, my favorite is SOMETIMES A GREAT NOTION. . . . Set in the

 logging towns of

> the pacific northwest, it makes great use of the landscape in descriptive

> detail as head union hauncho, Hank Stamper, does not give in to the big

> corporate badguys!

> Dave B.

=========================================================================

Date:         Tue, 6 May 1997 19:43:15 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

Dean,

 

I am not sure exactly when Cassidy first started coming around Kesey but

it was during the period that Kesey was living at Perry Lane near

Stanford, working at the VA Hospital in Menlo Park and writing the book.

Whether Cuckoo was already a work in progress of not, I don't know, but

it is hard not to see at least some Cassidy in Randle tho I think Randle

is more a creation of Kesey's using bits from Neal than the Cassidy

characters Kerouac did.

J Stauffer

 

Dean M. Palmer wrote: . .

>

>  Did Kessey know Cassady at the time? Was Randle based on Cassady? It

> seems like it....

=========================================================================

Date:         Tue, 6 May 1997 19:50:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leslie Diane Hurst <n9442280@SCOOTER.CC.WWU.EDU>

Subject:      Kerouac's arrest

Comments: To: James Stauffer <stauffer@PACBELL.NET>

In-Reply-To:  <336FEAD3.582A@pacbell.net>

 

In Ann Charter's compilation of JK's selected letters, she comments that

is was as a material witness that he was arrested.

Leslie:)

=========================================================================

Date:         Tue, 6 May 1997 19:58:58 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Kerouac's arrest

 

But now that we all have been made aware that Anne Charters is only a

paid stooge of John Sampas we need to look pretty skeptically at this.

I think John Sampas done it.

 

James

 

Leslie Diane Hurst wrote:

>

> In Ann Charter's compilation of JK's selected letters, she comments that

> is was as a material witness that he was arrested.

> Leslie:)

=========================================================================

Date:         Tue, 6 May 1997 20:09:16 -0700

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Comments: To: "Levi's Question"@cruzio.com

 

>

> I think I can clear this confusion up -- when Gerry and I referred

> to "legal reasons" in our posts we were not talking in terms of

> whether an act was illegal or not, but whether an act would

> be legally unwise or not -- specifically, that by letting me

> publish Jan's excerpt Gerry for free would be exposing himself to

> criticism that he was being lax with Jan's estate, which could be

> used against him by others claiming rights to the estate.

 

On reading a subsequent post Gery got that explanation across to me

also. Still the fact remains that he is condemning his opponents who

also use their judgment as to what to do with what is theirs to do with.

I could say that this is only an excuse. That in fact he would have

followed the wishes that Jan epxressed, and especially since he would

not have profitted from carrying out her clearly stated wishes for the

public good, it is not likely that such action would provide cause in a

court to remove him. But he chose the action that was denying the public

access, and kept the material under his private control. That is what he

accuses his opponents of doing. These were not legal considerations,

they were judgment calls, justifying his preferences.

 

This is the only place where I see reason not to get carried away with

his self righteousness. I see much to admire in him as a writer, as a

devoted advocate, but I am not sure he is not carrying his flag a bit

too high, hitting others over their heads with it.

 

That does not excuse the uglier actions of the legal heirs, and in my

mind it is not unlikely that they might have forged the will. Luckily

for me I do not have to make consequential decisions with the limited

knowledge that I have. Neither do I see excuses for Jack Kerouac's

treatment of Jan, some of his friends, including Neal in San Quentin or

later when he should have been forthcoming with some financial

assistance for one example.The five dollars to Neal who used his meagwer

resources to travel to New York to see him, was really an insult.

 

So, if we look at the lives of heroic figures in their spheres of

action, we find quite a bit of dirt clinging to theit feet on other

walks on other roads. Whatever it is that we think, or Gerry wants

everybody to think, Jack could have very easily left his literary

properties to public egencies, if that is what he wanted to do with it.

Like Jan wanted to do. But he didn't.

>

> I hope we can put aside that whole side-issue, anyway.  As for the

> deeper issues, I remain agnostic.

>

 

It is the deeper issues only that I am very much interested in. Gery has

been a big help, even if I am not convinced that his motives are pure

while his opponents are evil.

I am quite willing to leave things alone.

 

BTW Levi, you are reminding me that I meant to write to you. I wanted to

tell you how highly John Cassady speaks of you. I didn't bring your name

up to him. In telling me how he felt about things that are going on, he

made it a point to tell me with great enthusiasm, how highly he thinks

of you. I am repeating myself. You might also be interested to hear that

his son looked very, very well. He told me that he feels that his

responsibility to the legacy of his grandpa is "just awesome". John is

a very good father, and it is just very gratifying that it is turning

out that way. Hopefully Kathy will also realize one day that her dad did

not waste his life away. That is she will find it in her heart to get

over her anger and frustration at his absence when she needed him. She

was in a more vulnerable age and experienced strong resentments from her

mom also in a more impressionable time in her life. I hope she will

heal.

 

Best

 

Dito

 

Leon

> ------------------------------------------------------

>            Levi Asher = brooklyn@netcom.com

>

>    Literary Kicks: http://www.charm.net/~brooklyn/

>             (the beat literature web site)

>

>  Queensboro Ballads: http://www.levity.com/brooklyn/

>              (my fantasy folk-rock album)

>

>           ###################################

>

>           "Tie yourself to a tree with roots"

>                     -- Bob Dylan

> -----------------------------------------------------

> .-

=========================================================================

Date:         Tue, 6 May 1997 22:27:19 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: One, Two, Three, Four Flew OVER the nest

Comments: To: James Stauffer <stauffer@PACBELL.NET>

In-Reply-To:  <336FEC43.4891@pacbell.net>

 

hey gang

according to _the holy goof: a biography of neal cassady_ p.119:

        "having finished _cuckoo's nest_ in the spring of 1961, kesey

journeyed to oregon to help his brother start a creamery. he returned to

palo alto in the summer of 1962, just months after his novel had been

published to handsome praise just about everywhere. pulling up the old

cottage on penny lane, he and faye descried an antic figure on thier font

lawn - a man with an athletic build, maybe in his late thrirties, dressed

in a t-shirt and chinos and bobbing up and down as if he were a boxer,

batting great blue flirtatious eyes and jabbering, jabbering. "yes, yes,

yes, why hello chief..."

        the meeting was clearing ordained.kesey had dreamed cassady first,

had imagined him into being - with the usual distortions of dreamwork of

course - asrandle patrick mcmurphy. neal had discovered that book and felt

summoned by its author."

 

well, i guess that settles it then, right?

yrs

derek

 

On Tue, 6 May 1997, James Stauffer wrote:

 

>

> Dean,

>

> I am not sure exactly when Cassidy first started coming around Kesey but

> it was during the period that Kesey was living at Perry Lane near

> Stanford, working at the VA Hospital in Menlo Park and writing the book.

> Whether Cuckoo was already a work in progress of not, I don't know, but

> it is hard not to see at least some Cassidy in Randle tho I think Randle

> is more a creation of Kesey's using bits from Neal than the Cassidy

> characters Kerouac did.

> J Stauffer

>

> Dean M. Palmer wrote: . .

> >

> >  Did Kessey know Cassady at the time? Was Randle based on Cassady? It

> > seems like it....

>

=========================================================================

Date:         Tue, 6 May 1997 22:30:57 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: One, Two, Three, Four Flew OVER the nest

 

I yield to both of you gentleman. Superior access to more recent

secondary sources.  Randle is apparently only a forshadowing of the real

fastestmanalive.

 

J Stauffer

> >

=========================================================================

Date:         Wed, 7 May 1997 00:34:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Visions of Cody

 

I just wanted to tell you all how much i highly recommend this book!

It took me a while to get through some of the parts and i did -GASP- even

skip some of the conversation parts [sorry, Jack], and Tim Hunt's

_Kerouac's Crooked Road_ helped me immensely.

The more i loook over this book and read it, the more it becomes my

favorite Kerouac novel.  I dont think i would recommend it to newcomers to

Kerouac though.

 

so anyone want to start a conversation on this novel?

 

matt

=========================================================================

Date:         Tue, 6 May 1997 22:18:48 -0700

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Comments: To: One@cruzio.com, Two@cruzio.com, Three@cruzio.com,

          Four@cruzio.com, Flew@cruzio.com, OVER@cruzio.com, the@cruzio.com,

          nest@cruzio.com

 

Derek A. Beaulieu wrote:

>

> hey gang

> according to _the holy goof: a biography of neal cassady_ p.119:

>         "having finished _cuckoo's nest_ in the spring of 1961, kesey

> journeyed to oregon to help his brother start a creamery. he returned to

> palo alto in the summer of 1962, just months after his novel had been

> published to handsome praise just about everywhere. pulling up the old

> cottage on penny lane, he and faye descried an antic figure on thier font

> lawn - a man with an athletic build, maybe in his late thrirties, dressed

> in a t-shirt and chinos and bobbing up and down as if he were a boxer,

> batting great blue flirtatious eyes and jabbering, jabbering. "yes, yes,

> yes, why hello chief..."

>         the meeting was clearing ordained.kesey had dreamed cassady first,

> had imagined him into being - with the usual distortions of dreamwork of

> course - asrandle patrick mcmurphy. neal had discovered that book and felt

> summoned by its author."

>

> well, i guess that settles it then, right?

> yrs

> derek

>

> On Tue, 6 May 1997, James Stauffer wrote:

>

> >

> > Dean,

> >

> > I am not sure exactly when Cassidy first started coming around Kesey but

> > it was during the period that Kesey was living at Perry Lane near

> > Stanford, working at the VA Hospital in Menlo Park and writing the book.

> > Whether Cuckoo was already a work in progress of not, I don't know, but

> > it is hard not to see at least some Cassidy in Randle tho I think Randle

> > is more a creation of Kesey's using bits from Neal than the Cassidy

> > characters Kerouac did.

> > J Stauffer

> >

> > Dean M. Palmer wrote: . .

> > >

> > >  Did Kessey know Cassady at the time? Was Randle based on Cassady? It

> > > seems like it....

> >

> .-

Derek A. Beaulieu wrote:

>

> hey gang

> according to _the holy goof: a biography of neal cassady_ p.119:

>         "having finished _cuckoo's nest_ in the spring of 1961, kesey

> journeyed to oregon to help his brother start a creamery. he returned to

> palo alto in the summer of 1962, just months after his novel had been

> published to handsome praise just about everywhere. pulling up the old

> cottage on penny lane, he and faye descried an antic figure on thier font

> lawn - a man with an athletic build, maybe in his late thrirties, dressed

> in a t-shirt and chinos and bobbing up and down as if he were a boxer,

> batting great blue flirtatious eyes and jabbering, jabbering. "yes, yes,

> yes, why hello chief..."

>         the meeting was clearing ordained.kesey had dreamed cassady first,

> had imagined him into being - with the usual distortions of dreamwork of

> course - asrandle patrick mcmurphy. neal had discovered that book and felt

> summoned by its author."

>

> well, i guess that settles it then, right?

> yrs

> derek

>

Checking my memory score card here:

 

Memory cleared as far as Neal Not thinking he was a model for anyone in

the book. I am beginning furthermore to recall being told that the model

for Murphy was a real live patient, salesman possibly, am not sure if it

was Kesey or Neal who told me about that, but one of them definitely did

tell me about that patient.

 

A bit more searching scholarship is indicated for me about the exact

dates here.

 

My memory is very vivid of the time Neal brought me the copy of the book

- just out. No doubts about that.

 

No doubts about having driven Neal to Anne's place in Palo Alto and

Perry Lane before that.

 

No doubts about the story of writing in the Veterans' hospital under

acid.

 

So wait a minute. Does the biographer claim that Kesey wrote the book

before living in Palo Alto and working in the VA hospital? That is not

settled. More like unsettling. My memories are playing some huge tricks

on me then. It has never been that masterful in deceiving me.  I also

had conversations with the nurse who thought she was the model for nurse

Ratchett. She was married to a psychiatrist, Dr. Giese, and she also

told me numerous times about Kesey' writing while at work at the

hospital. I remember

vaguely a conversation about her with Kesey. What gives here. If the

biographer claims that Kesey finished the book before working at the

Palo Alto Veterans' Hospital, then I would like to check his sources.

Leon

 

Leon

=========================================================================

Date:         Wed, 7 May 1997 05:36:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cosmic Baseball Association <cosmic@CLARK.NET>

Subject:      Kesey/Cassady

 

Leon,

 

James Stauffer has already cautioned us about secondary sources, but the way

Jay Stevens in Storming Heaven dates these events is that Kesey moves to

Perry Lane  in the fall of 1958 and in mid-summer 1960 he starts working at

the Veterans Hosp.  He starts writing Cuckoo's Nest around September 1960

and finishes it in June 1961.  The book is published in Feb. 1962  and he

meets Cassady during the summer of 1962.

 

However, I note that Kesey has already started hanging out in North Beach by

1960 so it's possible he's heard about Cassady, he certainly was hip to the

beats.  (Stevens p.224-225).

 

I can't find my copy of Plummer's Holy Goof to check his chronology, (I

think it's out on a date with Yardley's Ring Lardner biography which I'm

also trying to find right now.  Personally I don't think those two should be

dating).

 

But Leon, please keep probing and posting the memory.

 

Regards,

Andrew Lampert

cosmic@clark.net

=========================================================================

Date:         Wed, 7 May 1997 04:40:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Visions of Cody

In-Reply-To:  <Pine.A32.3.94.970507002836.29050A-100000@rs1.tcs.tulane.edu>

 

On Wed, 7 May 1997, Matthew S Sackmann wrote:

> I just wanted to tell you all how much i highly recommend this book!

>

> The more i loook over this book and read it, the more it becomes my

> favorite Kerouac novel.  I dont think i would recommend it to newcomers to

> Kerouac though.

>

> so anyone want to start a conversation on this novel?

 

I'm game. It is my favorite Kerouac as well! I think the first 100 pages

or so are his finest writing. An intense lyricism that just keeps going

and going, you can't believe that he can possibly keep it up for another

sentence and yet he does, page after page.

 

There's an almost mythological feel to it; even, and especially,

regarding ordinary things. I'll never be able to look at a red brick wall

again the same way.

 

His prose in this book almost makes me want to write it out on a music

staff complete with indications of tempo and dynamics:

  "...in any case it was the great serious American poolhall night {now

   gradually slower and quieter} and Cody arrived on the scene bearing

   his original and sepulchral mind with him {now gradually faster and

   louder} to make the poolhall the headquarters of the vast excitement

   of the early Denver days of his life {now suddenly quieter and slower}

   becoming after awhile, a permanent musing figure before the green

   velvet of table number one...." (and so on--p.49)

 

or long descneding lines like:

   hail the poor whiteface cows

      drowsing in their evening stockyard fattening meadows

         with its call of faroff trains

            and almost Iowa-like

               valley

                  green

                     softness

(p.353)

 

Some of the transcribed conversations are sometimes hard to get thru, but

it's an interesting device; it keeps reappearing later in the book and

you wonder if the tape ever stopped rolling.....

 

*******

Attenti al filosofo!

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

                               Time is the purest and cheapest form of doom.

*******

=========================================================================

Date:         Wed, 7 May 1997 05:43:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bahman Eslamboly <lawguru@LAWGURU.COM>

Subject:      Use our free 450+ Mailing List Subscription Manager

 

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Los Angeles, California

 

 

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=========================================================================

Date:         Wed, 7 May 1997 08:04:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PAM <mapaul@PIPELINE.COM>

Subject:      Re: Visions of Cody

 

VOC is the purest formof American prose/poetry since Whitman. Kerouac's

prose is suffused with sunset imagery and darkness and dust. Notebook

jottings made into novel form? This book is definetley his best...

=========================================================================

Date:         Wed, 7 May 1997 09:00:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike <cake@IONLINE.NET>

Subject:      Re: Kerouac question

 

At 08:14 PM 5/6/97 EDT, you wrote:

>Good question, Bill.  I always thought he was held as "a material witness."  Ma

>ybe I got it from the newspaper clips.  If Gerry, doesn't have an answer I'll b

>e glad to do some digging.

 

 

I believe in _VOD_ K states it was for being an "a material

witness" due to the fact he was an "accessory after the fact."

Not sure how much poetic license is involved in the book

account?

 

Mike

=========================================================================

Date:         Wed, 7 May 1997 09:02:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@INFINET.COM>

Subject:      Re: For Michael Buchenroth

In-Reply-To:  <970501201336_1456326214@emout07.mail.aol.com>

 

On Thu, 1 May 1997, Pamela Beach Plymell wrote:

I feel honored to have the opportunity to share with a truly great

American writer and poet! I have your book, "Last of the Mocassins"

(LOM-using your acronym) and in fact I just finished reading it for the

2nd time. I bought it from WaterRow earlier this spring. AND after

reading your autobiography, seeing "Betty's" photo, etc., etc., LOM read

so much more emotionally charged like those electrons in the EPR paradox!

As I read LOM -inside my brain- I had emotional electrons beat-lining

faster than light in opposite directions from each other rapping and

tapping up against both sides of my skull and according to Eistein that

ain't supposed ta happen! Who knows exactly what it made me feel like!

But most certainly I "felt" your book! LOM remains such an emotionally

charged, revved up account of incredibly interesting, truly American

experiences! -such a rich, historical, powerful read! Damn!

Thanks Charley!

 

> COWS

>

> Look at cow faces

> cattlemen cruising the stockyards

> the thing is

> cows don't care

> cows are queer

> I saw a cow on muscle beach

>

> I once found a cow magazine

> with a cover of cows black and white

> hooked up to iron milkers

>

> Cow poetry in it

>

> If you drink milk before going

> to bed you'll wake up with a

> bovine faced hangover

>

> Huncke stole a cow

> took it to the city

> on his back

>

> Charles Plymell:

> Michael is building a website for me. Thank you. Nice birthday present.

> http://www.buchenroth.com/cplymell.html

>

 

Michael L. Buchenroth

mike@buchenroth.com

www.buchenroth.com

To view

Columbus' Electronic Literary Magazine

go to

www.buchenroth.com/magazine.html

=========================================================================

Date:         Wed, 7 May 1997 15:23:26 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Lawrence Ferlinghetti punctuation.

 

Michael scrive:

>I heard there was absolutely no punctuation in the original OTR.

 

be beat! buon giorno amici beats, per favore

someone can find ONE punctuation in the

works poetry written by Lawrence Ferlinghetti?

 

i searchin' for but my effort was frustrated,

 

if Jack Kerouac wrote On The Road w/out punct

(on a computer paper, by hand, of course) there's

another beat who negleted the punct &

he is LAWRENCE FERLIGHETTI,

 

rinaldo.

 

* coro: un, due, tre!  tutti giu' per terra! *

=========================================================================

Date:         Wed, 7 May 1997 09:37:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Lisa Bralts <Wordydiva@AOL.COM>

Subject:      Re: Visions of Cody

 

In a message dated 97-05-07 02:12:47 EDT, you write:

 

<< so anyone want to start a conversation on this novel?  >>

 

It's off topic,  but what the hell -- I named my son Cody (he's 5 now) for

that book. I love it, It's my absolute fave. A few years ago I lent (stupid!

I rue the day!!) out a bunch of Kerouac books/bios, VOC being one of them, to

the boyfriend of a co-worker... they broke up and he moved to England. I have

a feeling I'll find those books in a thrift shop someday...

... there's a part in that book where he describes Neal/Cody as an

adolescent/kid... the way he described the sweater and his unkemptness and

the way he was holding a children's toy (accordion?) that he found by the

side of the road... the imagery packed an enormous wallop at the time (I was

in college).

Lisa

=========================================================================

Date:         Wed, 7 May 1997 08:42:27 -0500

Reply-To:     race@midusa.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Lawrence Ferlinghetti punctuation.

 

Rinaldo Rasa wrote:

>

> Michael scrive:

> >I heard there was absolutely no punctuation in the original OTR.

>

> be beat! buon giorno amici beats, per favore

> someone can find ONE punctuation in the

> works poetry written by Lawrence Ferlinghetti?

>

> i searchin' for but my effort was frustrated,

>

> if Jack Kerouac wrote On The Road w/out punct

> (on a computer paper, by hand, of course) there's

> another beat who negleted the punct &

> he is LAWRENCE FERLIGHETTI,

>

> rinaldo.

>

> * coro: un, due, tre!  tutti giu' per terra! *

 

all i have of LF is the Starting Out SF one.  i can't find it handy to

see if it had punc or not.  i hope i didn't lose it.

 

i enjoyed learning more about Kesey yesterday.  Hope to learn some more

about Visions of Cody today as previous posts suggested.

 

Right now I'm reading the Desolation Angels.  Curious in the First Part

why ain't there a #99 ?  I imagine that the experts have a story or two

to explain it.

 

Also i'm eager to learn more about Lawrence Ferlinghetti's connections

in this whole thing Beat.  i've heard a few here and there but the

stories of the folks that were there and done that are always most

intriguing.

 

I'm beginning to get a map in the brain that God gave me of some of the

connections.  I was a relative virgin to this whole stuff when i came

on, i'd only read On The Road and a bunch of WSB kind of stuff and a bit

of Ginsberg (but my mind had not been on the poems there - rather the

poetess reading AG to moi).  My favorite character in OTR was Old Bull

Lee and perhaps that is what directed me towards more of him.  but i

found much of his writing impossible to read in conventional manners.

 

well, i guess that is not really a very coherent post.  incoherence

happens to the worst of us.

 

david rhaesa

=========================================================================

Date:         Wed, 7 May 1997 07:07:44 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: your mail

In-Reply-To:  <337010B8.1ABB@cruzio.com> from "Leon Tabory" at May 6,

              97 10:18:48 pm

 

Leon wrote:

> on me then. It has never been that masterful in deceiving me.  I also

> had conversations with the nurse who thought she was the model for nurse

> Ratchett. She was married to a psychiatrist, Dr. Giese, and she also

 

Now *this* sounds like an interesting story!!!  Can you tell it?

 

About this novel -- to me this is a rare example ("Deliverance"

also comes to mind) of a great book that was also turned into a great

movie.  As a kid I saw the movie -- later when I read the book I was at

first disappointed that it didn't seem to have as much psychological

depth and sharp characterization as the movie -- but then the book

went so much further with prose experimentation and symbolism

(Jesus, etc.) that I finally decided both the film and the book

were classics in their own ways.

 

I also remember that around the time the film came out there

was a huge and nasty public battle between Kesey and the

filmmakers that reminds me of our present situation.  Anybody

else remember when Kesey vs. Forman raged?  I remember one great

quote of Kesey's about the filmmakers -- "I know why they they

left the Combine out of the movie -- they are the Combine."

But since it was clearly a great movie, I remember the fight

leaving the world at large simply confused.  Definitely

sounds familiar!

 

------------------------------------------------------

           Levi Asher = brooklyn@netcom.com

 

   Literary Kicks: http://www.charm.net/~brooklyn/

            (the beat literature web site)

 

 Queensboro Ballads: http://www.levity.com/brooklyn/

             (my fantasy folk-rock album)

 

          ###################################

 

          "Tie yourself to a tree with roots"

                    -- Bob Dylan

-----------------------------------------------------

 



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