=========================================================================

Date:         Wed, 21 May 1997 14:34:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Gerry N.  -- non-estate matter

 

>Subject: Secret Mullings About Bill

>Content-Type: text/plain; charset=us-ascii

>Content-Transfer-Encoding: 7bit

>

>i saw reference yesterday to something like this being a work in

>progress of Kerouac's at some point.

>

>given that i'm a burroughs' junkie (and seem to becoming a Kerouacian as

>well) i'd love to read Jack's insights into William.

>

>was this ever published in any form?  are there photocopies in some

>vault?

>

>david rhaesa

 

Dear Dave:     May 21, 1997

 

SECRET MULLINGS ABOUT BILL was a novel Kerouac began and never finished

(that I know of).  Yes, it would still be part of the "archive," unless A)

Mr. Sampas has already sold it to a collector or B) he has sold or donated

it to the New York Public Library.  Perhaps our friend Mr. Chaput with his

"8 page list" can help us on this point.

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 21 May 1997 14:46:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: A Found Poem

 

At 06:51 PM 5/21/97 +0200, you wrote:

>>Dear Phil,     May 20, 1997

>>

>>        You and Anstee should both go far--and the sooner you start, the

>better.

>>

>>        HAHAHAHAHA!

>>        Gerry

>>

>>

>

>        Gerry, caro paesano,

>        ben detto!

>        Gli amici girano

>        per kilometri

>        secondo dopo secondo

>        alla fine del mondo.

>        Un saluto dall'Italia!

>

>        rinaldo *what's happen to rinaldo?*

>

 

Caro Rinaldo,    21 maggio 1997

 

        Lei e molto gentile, e io ti ringrazio con tutto il mio cuore!

        Spero ti vedere in California.

        Ciao, Geraldo

=========================================================================

Date:         Wed, 21 May 1997 17:00:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: foucault

 

Ginny Browne wrote:

>

> In a message dated 97-05-21 17:02:41 EDT, you write:

>

> > my favorite is a small book titled "This is Not a Pipe."

>

> oh oh. like the Magritte painting, no?

 

like?  the whole book is about like.  the cover is the painting ... but

it discusses the levels of representation away from the thing from

pictorial representation to word representation and yada yada blah blah

 

like?  a perfect word.

 

the book ends

"A day will come when, by means of similitude relayed indefinitely along

the length of a series, the image itself, along with the name it bears,

will lose its identity.  Campbell, Campbell, Campbell, Campbell."

 

this is his twist to Warhol's approach evidently.

 

david rhaesa

salina kansas

=========================================================================

Date:         Wed, 21 May 1997 18:01:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Brad Parker Speaks

Comments: To: davo@cjnetworks.com

 

David:

Good to see you on the list. Charley will be passing through Lawrence in a

few days.

Pam

=========================================================================

Date:         Wed, 21 May 1997 17:04:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Gerry N.  -- non-estate matter

 

Gerald Nicosia wrote:

>

> >Subject: Secret Mullings About Bill

> >Content-Type: text/plain; charset=us-ascii

> >Content-Transfer-Encoding: 7bit

> >

> >i saw reference yesterday to something like this being a work in

> >progress of Kerouac's at some point.

> >

> >given that i'm a burroughs' junkie (and seem to becoming a Kerouacian as

> >well) i'd love to read Jack's insights into William.

> >

> >was this ever published in any form?  are there photocopies in some

> >vault?

> >

> >david rhaesa

>

> Dear Dave:     May 21, 1997

>

> SECRET MULLINGS ABOUT BILL was a novel Kerouac began and never finished

> (that I know of).  Yes, it would still be part of the "archive," unless A)

> Mr. Sampas has already sold it to a collector or B) he has sold or donated

> it to the New York Public Library.  Perhaps our friend Mr. Chaput with his

> "8 page list" can help us on this point.

>         Best, Gerry Nicosia

 

thanks

=========================================================================

Date:         Wed, 21 May 1997 17:06:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Brad Parker Speaks

 

Pamela Beach Plymell wrote:

>

> David:

> Good to see you on the list. Charley will be passing through Lawrence in a

> few days.

> Pam

 

will he be here in Salina for the Robert Peters reading on Sunday

morning?

i need about 3 weeks warning for apartment cleaning :)

 

david

=========================================================================

Date:         Wed, 21 May 1997 17:14:41 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: foucault

In-Reply-To:  <970521170636_2086251513@emout01.mail.aol.com>

 

>In a message dated 97-05-21 17:02:41 EDT, you write:

>

>> my favorite is a small book titled "This is Not a Pipe."

>

>oh oh. like the Magritte painting, no?

 

Very good!  Hats off to you.

 

John M.

=========================================================================

Date:         Thu, 22 May 1997 00:14:08 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      strange quote from On The Road by Jack Kerouac

In-Reply-To:  <l03020900afa8a7fff61f@[206.25.67.109]>

 

---

"On The Road" parte one II page #61 (circa)

 

"He arranged to get me the same kind of job he had, as a guard

in the barracks. I went through the necessary routine, and to

my surprise the bastars hired me. I was sworn in the local

police chief, given a badge, a club, and now I was a special

policeman".

 

---

tonite my mind is back in 69 when i read this keroauc quote &

was surprised that a "rebel" as jack can get a job as policeman

there was in november 69 reading OTR in a train in early morn

when daylight were neon tube & venetian hinterland fog was around

thru the house & raindrops on the window kerouac was only just

dead & recognized as a symbol of the coutercultural mob there

was no place in the patter of an alternative hero he may be a

policeman 30 years later still this passage was recalled by a

strange spark in my dream/mind old times

 

yrs rinaldo     *       the     beatspotting    *

=========================================================================

Date:         Thu, 22 May 1997 00:02:15 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: karmic check-up from JK hisself/pome of day

In-Reply-To:  <l03020900afa8a7fff61f@[206.25.67.109]>

 

u are a'ngel marie,

...

>6

>strictly speaking, there is no me, because all is

>emptiness. i am empty, i am non-existent

>

...

                        in a word

 

=========================================================================

Date:         Thu, 22 May 1997 00:27:19 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: foucault

In-Reply-To:  <l03020902afa9320b2a40@[141.224.144.84]>

 

At 17.14 21/05/97 -0600, you John wrote:

>>In a message dated 97-05-21 17:02:41 EDT, you write:

>>

>>> my favorite is a small book titled "This is Not a Pipe."

>>

>>oh oh. like the Magritte painting, no?

>

>Very good!  Hats off to you.

>

>John M.

>

>

john, as french philosopher, focault, (not that in XIX siecle

in the Eco novel...) he is a good guy in the habitus of the

77 leftism as to free so called man mad hospitalized in sad

bulding ( in italy a great reformist was franco basaglia &

he was connected with foucalt thoghts, sad both are actually

dead & the reform of the asylum are to go back), sad others

french philosopher has a tragic life, e.g. louis althusser

who was jaled after he strangled his wife without any reason,

the only was the madness that kept his mind, strange indeed

bunch of men who believed in such a word called utopia,

 

yrs rinaldo             *       a       beatspotting    *

=========================================================================

Date:         Thu, 22 May 1997 00:29:38 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: A Found Poem

In-Reply-To:  <199705212146.OAA17776@norway.it.earthlink.net>

 

At 14.46 21/05/97 -0700, you Geraldo wrote:

>At 06:51 PM 5/21/97 +0200, you wrote:

>>>Dear Phil,     May 20, 1997

>>>

>>>        You and Anstee should both go far--and the sooner you start, the

>>better.

>>>

>>>        HAHAHAHAHA!

>>>        Gerry

>>>

>>>

>>

>>        Gerry, caro paesano,

>>        ben detto!

>>        Gli amici girano

>>        per kilometri

>>        secondo dopo secondo

>>        alla fine del mondo.

>>        Un saluto dall'Italia!

>>

>>        rinaldo *what's happen to rinaldo?*

>>

>

>Caro Rinaldo,    21 maggio 1997

>

>        Lei e molto gentile, e io ti ringrazio con tutto il mio cuore!

>        Spero ti vedere in California.

>        Ciao, Geraldo

>

>

        Caro Geraldo,

        poi cucineremo in california una buonissima

        pasta a fagioli come dio comanda!

        All'italiana!

        cari saluti da

        Rinaldo.

=========================================================================

Date:         Thu, 22 May 1997 00:31:12 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: foucault

In-Reply-To:  <970521170636_2086251513@emout01.mail.aol.com>

 

At 17.06 21/05/97 -0400, you wrote:

>In a message dated 97-05-21 17:02:41 EDT, you write:

>

>> my favorite is a small book titled "This is Not a Pipe."

>

>oh oh. like the Magritte painting, no?

>

>

strane cose sono accadute ai filosofi francesi che

guidarono la controcultura negli anni 70...

=========================================================================

Date:         Thu, 22 May 1997 00:33:27 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: "a baneful influence"

In-Reply-To:  <970521163819_122146097@emout06.mail.aol.com>

 

At 16.38 21/05/97 -0400, you wrote:

>Oh, come on.  Mean people suck...Where's your sadistic, cynical nature?

>People suck is a better statement.  So don't be tempted to join those damn

>optimists who post smiley faces on every remaining square inch of property.

> Be a mysanthrop.  It's fun.

>

>

got a black hole from Hawkings & enjoi...

=========================================================================

Date:         Thu, 22 May 1997 00:39:07 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Brad Parker Speaks

In-Reply-To:  <970521180010_2052707062@emout17.mail.aol.com>

 

At 18.01 21/05/97 -0400, you wrote:

>David:

>Good to see you on the list. Charley will be passing through Lawrence in a

>few days.

>Pam

>

>

are u listening doctor freud?

=========================================================================

Date:         Wed, 21 May 1997 18:25:26 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Mitchell <mitchell@AUGSBURG.EDU>

Subject:      Re: strange quote from On The Road by Jack Kerouac

In-Reply-To:  <3.0.1.32.19970522001408.00686fa4@pop.gpnet.it>

 

Beautifully written!  Thanks for the neon tube & venetian hinterland fog

trip back to 69, the beginning of whatever they will come to call the

postmodern world.  Jack never did fit well in a box.  Not even his coffin.

He's always popping out of IT, his last will and testament. // John M.

 

>---

>"On The Road" parte one II page #61 (circa)

>

>"He arranged to get me the same kind of job he had, as a guard

>in the barracks. I went through the necessary routine, and to

>my surprise the bastars hired me. I was sworn in the local

>police chief, given a badge, a club, and now I was a special

>policeman".

>

>---

>tonite my mind is back in 69 when i read this keroauc quote &

>was surprised that a "rebel" as jack can get a job as policeman

>there was in november 69 reading OTR in a train in early morn

>when daylight were neon tube & venetian hinterland fog was around

>thru the house & raindrops on the window kerouac was only just

>dead & recognized as a symbol of the coutercultural mob there

>was no place in the patter of an alternative hero he may be a

>policeman 30 years later still this passage was recalled by a

>strange spark in my dream/mind old times

>

>yrs rinaldo     *       the     beatspotting    *

=========================================================================

Date:         Wed, 21 May 1997 19:26:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Robert Peters

 

David:

I think he will get in touch with Robert when he gets to Wichita.  I don't

know if he plans to get to Salina.  I'll let you know in the next day or two.

Pam

=========================================================================

Date:         Thu, 22 May 1997 00:27:45 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Olly Ruff <or205@HERMES.CAM.AC.UK>

Subject:      justice barber around

 

well :

 

done falling through painted backdrops

(in the lost-found places where the wind hops)

in lost dog running ; lost state ballroom

occasion. gone april some...

 ; the lost places find

 

what could be teardrops in the wind's fling

 

and here is everything...

scared in a gemstone stance

swear to god :

stone set in concrete

stone romance...

let's not.

 

but sometimes @ grape playground w/

                                   dog thumb

 

the goodness is with

identification...

haply running out by

a hundred points of reference

which can only be hollywood teen pictures

to sell.

 

but I maybe dog rose

could have

 

best not > not dead.

but pain as well

 

& cathy said :

=========================================================================

Date:         Wed, 21 May 1997 18:07:01 CDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <wlundburg@MAIL.FF.CC.MN.US>

Subject:      Re: Foucault

 

Hello, David and Patricia!

 

Michel Foucault was a french philosopher/historian who has also had a HUGE

impact on literary criticism as well.  In the latter, he would be classified as

a Marxist-materialist critic.  His most famous essay in criticism is entitled

"What Is an Author?", in which he explores issues of hegemonic power in author-

reader relationships.  Author=authority=controller-of-language=controller (to a

degree) of thought.  His book _Madness & Civilization_ is also an excellent

piece of work... in it he asserts his theory that governments historically have

used "insanity" as a means of controlling and intimidating the subjects of the

government.  Interesting stuff.  I'm one of those who think he's fun to read...

but it's academic type fun, not necessarily light reading.  Sure, he was

homosexual; sure, he did a lot of drugs.  But who cares?  It's his contribution

to the intellectual world that remains, and will be his legacy (IMHO).  Hope

this helps...

 

---Wes

 

 

>>

>> Who is foucault, is he fun to read.

>> p

>

>he's french. was french.  had a bowl of pot near him to help in his

>writing.  some think he is hard to read.  some think he easy to read.

>they are both liars.  he is very different to read.  his history of

>sexuality is interesting in digging through the history of sexual

>discourse.  madness and civilization was nice for me given that it was a

>similar treatment concerning notions of insanity and the like.

>

>my favorite is a small book titled "This is Not a Pipe."

>

>david rhaesa

=========================================================================

Date:         Wed, 21 May 1997 19:21:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Foucault

 

Wes Lundburg wrote:

>

> Hello, David and Patricia!

>

> Michel Foucault was a french philosopher/historian who has also had a HUGE

> impact on literary criticism as well.  In the latter, he would be classified

 as

> a Marxist-materialist critic.  His most famous essay in criticism is entitled

> "What Is an Author?", in which he explores issues of hegemonic power in

 author-

> reader relationships.  Author=authority=controller-of-language=controller (to

 a

> degree) of thought.  His book _Madness & Civilization_ is also an excellent

> piece of work... in it he asserts his theory that governments historically

 have

> used "insanity" as a means of controlling and intimidating the subjects of the

> government.  Interesting stuff.  I'm one of those who think he's fun to

 read...

> but it's academic type fun, not necessarily light reading.  Sure, he was

> homosexual; sure, he did a lot of drugs.  But who cares?  It's his

 contribution

> to the intellectual world that remains, and will be his legacy (IMHO).  Hope

> this helps...

>

> ---Wes

>

> >>

> >> Who is foucault, is he fun to read.

> >> p

> >

> >he's french. was french.  had a bowl of pot near him to help in his

> >writing.  some think he is hard to read.  some think he easy to read.

> >they are both liars.  he is very different to read.  his history of

> >sexuality is interesting in digging through the history of sexual

> >discourse.  madness and civilization was nice for me given that it was a

> >similar treatment concerning notions of insanity and the like.

> >

> >my favorite is a small book titled "This is Not a Pipe."

> >

> >david rhaesa

 

currently i have his "subject and power" essay by the toilet.  what's

the "author" one in .......

 

and how would he define "Beat"?

 

david rhaesa

=========================================================================

Date:         Wed, 21 May 1997 19:37:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Brad Parker Speaks

 

RACE --- wrote:

>

> Pamela Beach Plymell wrote:

> >

> > David:

> > Good to see you on the list. Charley will be passing through Lawrence in a

> > few days.

> > Pam

>

> will he be here in Salina for the Robert Peters reading on Sunday

> morning?

> i need about 3 weeks warning for apartment cleaning :)

>

> david

warning, warning, i will come and look at you on sunday, warning warning

p

=========================================================================

Date:         Wed, 21 May 1997 17:44:49 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      MEMORY BABE

 

        Antoine Maloney in Montreal writes to ask if MEMORY BABE, my

biography of Kerouac, is out of print.

        No, it is very much in print with University of California Press.

        You can order it directly from University of California Press at

1-800-822-6657.  It's now $20 plus shipping and, depending on where you

live, sales tax too.

        Or, if you want a signed copy, you can order it from me, $30

postpaid (cash, check, or money order).  (Allow time for checks to clear.)

        Thanks for your interest, Antoine.

        Best, Gerry Nicosia

=========================================================================

Date:         Wed, 21 May 1997 17:48:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "s.a. griffin" <perrotta@CALVIN.USC.EDU>

Subject:      Re: Nice people swallow..

 

tongue

 

At 03:28 PM 5/21/97 -0500, you wrote:

>So does anyone have suggestions or best methods for cleaning off my

>computer screen now?

>

>david rhaesa

>

>

>

>Lisa M. Rabey wrote:

>>

>> At 02:48 PM 5/21/97 -0500, you wrote:

>> >Lisa M. Rabey wrote:

>> >>

>> >> At 09:29 AM 5/21/97 -0400, you wrote:

>> >> >Nice people swallow?  I don't get it...

>> >> >

>> >> >Paul

>> >> >????

>> >>

>> >> erm.

>> >> Its a "joke" that has been running around for along time. Due to the

>> >> popularity of the "mean people suck" campaign, there has been variations

>> >> such as "nice people swallow".

>> >> It means, *being sexually explict* swallowing semen when you give head.'

>> >> Get it now? ;)

>> >>

>> >> ttfn.

>> >> Lisa

>> >> --

>> >>

>> >> Lisa M. Rabey

>> >> Internet and Computer Consultant

>> >> San Francisco, California

>> >> http://the.art.of.sekurity.org/simunye

>> >> **************************************

>> >> General man-hating bitchy "i know more than you" chick.

>> >

>> >perhaps a demonstration would help everyone understand ....

>> >

>>

>> Sure! No problem ;)

>>

>> HOW TO SUCK COCK - A 14 LESSON TUTORIAL

>> WITH TECHNIQUES FROM SOME OF THE EXPERTS.

>>

>> By: Anonymous

>>

>> LESSON ONE

>>

>> I am not sure if it was because I grew up in a household with

>> brothers or whether I would have had the same feelings and

>> inclinations had I been an only child but I do know that from the

>> time of my earliest memories I have been fascinated with penises.

>>         Let's talk about the "basic penis." I regard oral sex as the

>> highest form of expression of love that can be exchanged between

>> two people. Hopefully this information will help you to break down

>> any barriers which you might have that would prevent you from

>> expressing your love in this way and from receiving a

>> reciprocation from your male companion.

>>         First things first.  LOOK at the cock. I do not mean a

>> cursory glance not a hurried, surreptitious examination. Take

>> enough time that you convince your companion that some kind of

>> treat is in store for him provided he will allow you to do with

>> him, and particularly with his cock, exactly what you want.

>>         Place him flat on his back on your bed, in a well lighted

>> room. Take his cock in your hand and LOOK at it. He probably will

>> not have the will power to stay soft, but then again you are

>> worshipping his very essence.  Few men can stay soft under these

>> circumstances, when it is apparent that the person LOOKING at his

>> cock is worshipping.

>>         When you first start to touch him, his cock will become hard

>> and be in a state where your examination will be meaningful.

>> Wouldn't it be nice if going to the doctor for an examination was

>> as enriching?

>>         The cock must be hard if you are to be able to note the

>> important parts-those parts sensitive to stimulation by your lips

>> and tongue.

>>         The first thing you will note is whether or not he is

>> circumcised.  Circumcision is not universally practiced: there are

>> advantages and disadvantages to penises in both conditions from

>> the standpoint of providing oral caresses that bring the highest

>> kind of delight to your man.

>>         Next take a close look at the shaft of the penis itself.

>> There is a bulbous part of the organ near the outer end, slightly

>> larger in diameter than the shaft, which is often called the head.

>> Technically this is the glans penis (comes from the Latin glans

>> which means acorn.  Look at it closely; does kind of look like an

>> acorn doesn't it?)

>>         The outside perimeter of the glans penis is the corona. This

>> joins the head to the shaft. This is the most sensitive spot on

>> the penis. It is toward this ridge that you will direct most of

>> your attention when you are giving head.  Follow this ridge around

>> to the underside of the penis. You know that I like to call it the

>> underbelly. I am particularly fond of the underbelly!

>>         You will notice a point of juncture where the two ends of

>> this irregular circle come together. If your partner is not

>> circumcised, this will also be the point where the foreskin is

>> attached.  This tiny area is easily the most sensitive spot on his

>> entire body, and it is possible to bring your partner to climax

>> simply by gently tapping the tip of your tongue directly on it.

>> Spend time caressing the glans and those areas immediately

>> surrounding it.

>>         Beneath the glans is the shaft of the penis. The shaft does

>> not have many nerve endings and does not, therefore, provide a man

>> with any high degree of stimulation when caressed either manually

>> or with your tongue to the exclusion of the glans penis itself.

>> It always amazes me to note the number of confirmed cocksuckers

>> who believe that sucking up and down on the shaft will get the guy

>> off. That's not it folks! If it works it is because the back of

>> your throat is playing tricks on his glans penis. Your throat is

>> giving head to his head!

>>         Beneath the shaft are the testicles (balls, jewels, call

>> them what you like, but let's not ignore their significance). The

>> testicles are extremely sensitive to pain and are not usually

>> considered subject to erotic stimulation to any particular degree.

>> Not true!  You can add a high degree of pleasure for him by paying

>> the right kind of attention to the balls!

>>         Now lets go back to the shaft of the matter. The opening in

>> the tip of the glans penis is the meatus.  Here is where the cum

>> spurts. (I could have said semen is ejaculated but I did not want

>> to sound too professional).

>>         There are other parts of a man's body which respond with

>> alacrity to oral stimulation.

>>         Many men are particularly sensitive around the nipples. The

>> first time I kissed my partner's nipples he shot before I had the

>> chance to even get near his cock. While I have not been able to

>> duplicate this in the laboratory setting (he hates to go near the

>> lab with me) my partner still gets extremely turned on by my

>> lingual nipple caresses.

>>         So LOOK at your partner's penis. Study it. Learn its areas

>> of special sensitivity completely and be ready to apply your

>> knowledge to his body with your tongue and with your lips when you

>> bend your loving head over his cock. There is nothing that you can

>> do which more clearly shows your love for him than the worship you

>> can provide his cock!

>>

>> LESSON TWO

>>

>>         The sad fact is that most people, men and women, do not have

>> the slightest idea of how to suck cock. Most seem to think that

>> simply by making a cunt of their mouth, closing it around a man's

>> penis, and bobbing their heads lustily up and down until he

>> climaxes automatically makes them expert cocksuckers.  Au

>> contraire!

>>         Consummate skill is required to suck a man's cock and

>> provide him with the highest degree of pleasure possible.  When I

>> first started my quest I really had no one to turn to for advice

>> and counsel. It was all hunt and suck. Hunt and suck.  Find that

>> one technique that could and would set him on fire!  I had to

>> learn from my experiences and while I would not want to deny you

>> the innate pleasure that these experiences will bring I would hate

>> to see you lose a great companion because of your inexperience and

>> lack of expertise.

>>         Let's assume that you have taken that opportunity to LOOK at

>> his penis.  To explore each area of the penis to find the most

>> sensitive parts. That you have gotten beyond "Parts is parts" and

>> recognize that some parts are more equal than others.

>>         In order for you to observe your man's reactions and get the

>> most information possible about his responses try the following:

>>         While his erect penis points toward the ceiling, cup his

>> balls in one hand and gently, using only your tongue, lick softly,

>> but carefully along the entire underside of his erect organ.  As

>> you suck along the underbelly you will learn those areas that give

>> him the greatest pleasure when your tongue is touching them.

>> Unless he is made of stone, your partner will provide you with

>> vivid clues as to which areas are most pleasurable.

>>         As you discover these areas of enhanced pleasure concentrate

>> on them. For most men the most sensitive area will be the point

>> where the ring (or corona) of the head and the foreskin are

>> attached. Or were attached prior to his circumcision.  By

>> continued licking and tapping along this area with your tongue you

>> are going to bring forth a geyser. If you are not skilled and you

>> want to please him in a hurry I suggest that you get him off in

>> this manner in order to become familiar at first hand with the

>> nature and delight of his climax.

>>         As he is getting ready for climax you will note changes in

>> his penis. These signs will be the same every time he climaxes so

>> that you can prepare for his cum properly. The head of the cock

>> may swell somewhat larger then it is during the normal course of

>> his erection.  He may thrust his hips forward as he wants to send

>> his

>> body hurtling out his cock with his cum. And for most men,

>> immediately prior to the cum, there will appear at the tiny,

>> lovely lips at the tip of the cock a clear drop or two of fluid.

>> When you see this or feel the opening at the meatus through his

>> condom you know that the moment of truth is at hand. Launch the

>> torpedoes, full cum ahead!

>>         Where should you be when you are sucking his cock?  Between

>> his legs, on top of him, in a sixty nine position?  Where?

>> Because of the structure of his penis, as well as the structure of

>> your mouth, lips, tongue, and teeth, you can provide the highest

>> degree of sensation to yourself and your partner by kneeling

>> between his legs and approaching his cock from the bottom rather

>> than from the side or the top. Don't believe me? Try the various

>> positions (I describe in later chapters techniques to be used with

>> each position). See what works best for you and your partner.

>>

>> LESSON THREE

>>

>>         Place his stiff cock inside your mouth but do not tighten

>> your lips around the shaft. With your head begin a circle motion.

>> The cock will slide to different places in your mouth as you

>> continue the circle motion.  Watch your teeth on this one.  A

>> kneeling position will suffice but it is also effective when your

>> partner is on his back and your head is directly over his cock.

>> The circle should be executed in both clockwise and

>> counterclockwise motions in a slow purposeful manner. I found many

>> guys in New York who seem to prefer this technique above all

>> others. I met one guy who could circle a cock for hours and I

>> found myself having multiple orgasms while his mouth circled my

>> cock. I didn't lose my hard-on after each cum.  When the technique

>> is performed correctly it means many hours of unadulterated

>> pleasure.

>>

>> LESSON FOUR

>>

>>         With your man sitting in an elevated position and you on

>> your knees in front of him lift his hard cock to reveal his balls.

>> With your tongue find the underside of his balls.  Now, while

>> resting his balls on your wet tongue, lick in an upward motion to

>> the very tip of his cock.  It is permissible to use your hands in

>> this technique.  It is bettor to do this technique several times

>> in succession-like licking a lollipop or ice cream cone. I grew up

>> down south. And one thing about southern boys, we learn early how

>> to get if off quickly when the need is there. And the lollipop

>> lick is the one technique in this book which few men can tolerate

>> for long periods of time without cumming.

>>

>> LESSON FIVE

>>

>>          Right now lets discuss a technique that is probably the

>> most common cocksucking technique in the world.  Take his cock in

>> your mouth but not deeply.  We will get to deep-throating later

>> on.  It's great, not over-rated, but if you want to be an expert

>> at deep throat start with the right techniques and work your way

>> down, so to speak.

>>         Take his cock in your mouth by sliding your moistened tongue

>> lovingly over the head until your lips close around the shaft at

>> the point just behind the corona.  Don't just open your mouth and

>> close it around his cock. Slide it in. He will enjoy it much more.

>>         Encase the shaft of his penis with your hand. Remember the

>> shaft is relatively insensitive to any kind of stimulation.  By

>> enclosing his penis with your hand you give him the sensation of

>> having his penis encased.

>>         Now you have several options.  Try twisting your head from

>> side to side making sure your moist lips stay in contact with the

>> coronal ridge.  While doing this gently move your hand up and down

>> the shaft.  When he climaxes he may want to push your head further

>> down the shaft of his penis. He wants to envelop you with his

>> cock. As you are learning his climax you will miss the fine points

>> if you deep throat at this time.  Instead gently suck around the

>> corona as he climaxes so that you can intensify his pleasure and

>> increase the force of his orgasm.

>>         As you gain more experience you will be able to tell exactly

>> when his climax is approaching and you will be ready for that

>> initial spurt out the rubber.

>>

>> LESSON SIX

>>

>>         There is one further refinement to this basic technique

>> which will heighten his orgasm. If you place your thumb at the

>> very base of the penis in such a way as to block the tube through

>> which the cum spurts, the semen cannot escape even though he is

>> spasming and going through the reflex action of ejaculating semen.

>>         If at the same time you suck vigorously on the head of his

>> cock you can delay his cum for several long moments. When you

>> finally allow the cum to spurt it will last much longer and be

>> just as intense as a result.  Even though you delay the cum for

>> only a few short moments you will be surprised by the intensity of

>> his cum.

>>         These techniques are the basis of cocksucking. Do not go

>> beyond them until you have become an expert, not only in the

>> techniques themselves, but also in the reading and interpreting of

>> your partner's responses to such a point that you know exactly how

>> he is getting off on what you are doing.  When you have reached

>> this point, you are ready for the more subtle, more advanced

>> techniques.

>>         Don't be so slavish that you miss out on the fun of self

>> discovery. Find out what works for you and for your partner and

>> make your cocksucking as individual as your signature.  After all,

>> you want your man to pick you out in the dark among hundred

>> slobbering cocksuckers.

>>

>> LESSON SEVEN

>>

>>         One of the first things you encountered when you first

>> started to suck cock was a gag reflex.  Most men seem to want to

>> force their cocks down your throat as far as they can get it.

>> Particularly at the moment when they cum!

>>         Consider for a moment that the average length of your oral

>> cavity is three to three and a half inches while the average

>> Caucasian cock length is five to five and a half inches. The laws

>> of nature would seem to dictate that getting all that cock into

>> your mouth is an impossibility.

>>         It can be done. You probably know someone who can do it and

>> that is why you purchased this book to begin with. It is possible

>> to master the necessary technique.  I don't want to be boring, but

>> if you understand your anatomy you will begin to understand the

>> requirements that allow you to take his hard cock into your mouth

>> and down your throat.   The biggest obstacle to taking all of his

>> cock down your throat is the fact that there is a bend of almost

>> ninety degrees behind your tongue leading down into your throat.

>> So the first thing to do is get the cock past that angle.

>>

>> Get past the angle of the dangle!

>>

>>         In order to practice this, get in a position where you can

>> turn your head in such a way that your mouth and throat lie almost

>> in a straight line. The best position to accomplish this is to lie

>> on a bed so that your head is near the edge with your body

>> sprawled across the bed so that your head is tipped sharply back.

>> This position will put your mouth and throat nearly in a line and

>> will allow your partner to approach you in such a way that

>> insertion of his cock can be made so deeply that his pubic hair

>> presses against your lips.

>>

>> LESSON EIGHT

>>

>>         Today we will practice mastering physical reaction that must

>> be alleviated before the art of deep penetration can fully be

>> enjoyed. The natural tendency of the body to gag when a foreign

>> object such as a deeply thrusting cock being forced down your

>> throat.  You can overcome this tendency by completely relaxing

>> your throat at moment the insertion is made. It is equally

>> important that you maintain this relaxation during the entire deep

>> throating.

>>         Let him put his cock down your throat and hold it still

>> while you find the most comfortable way to proceed.  Because of

>> your position you will not be able to move or to offer him any

>> greater stimulation than simply keeping your mouth tightly closed

>> around his throbbing cock.  If you are able try to stimulate his

>> underbelly with your tongue, do it!

>>         You will only be able to relax and take his cock in this way

>> if you completely thrust your partner.  Your partner is in full

>> control.  He must initiate and maintain all the motion.  This is

>> the only exercise in which you relinquish your control of the

>> situation to your partner. He will relish this for the simple fact

>> that for the first time he can insert his cock as deeply down your

>> throat as he wants to.  Now your partner begins an in and out

>> movement that is just like fucking.  He should start slowly,

>> especially if this is a completely

>> new experience for the two of you.  After all if he hurts you he

>> cuts himself off from one of the great pleasures in life.  His

>> only other requirement during this exercise is to keep the motion

>> in the same direction throughout this oral exercise as there is

>> simply no leeway for him to vary the motion from side to side.

>>

>> One other word of caution.

>>

>>         Don't let your partner get carried away at the moment he

>> starts to cum.  At that spectacular moment he will be able for the

>> first time to thrust his cock all the way inside your oral cavity

>> and that is the most important lesson of this exercise!  His only

>> other requirement during the exercise is to keep the motion in the

>> same against your lips as he cums.  Because of your position in

>> bed you will not be faced with the problem of swallowing his cum.

>> And this is not just because he has a condom on his dick.  The

>> reason is because he has gotten his cock BEYOND your gag reflex!

>> Without the rubber his cum would shoot directly into your stomach!

>> If both you and your partner understand what it is that you are

>> trying to do as well as the possible problems that may "cum" up

>> along the way no harm or discomfort will happen to either of you.

>>         It is possible that not everyone will learn the "deep

>> throat" technique but this inability does not make you any less a

>> cocksucker.  You must allow your throat to relax completely while

>> your partner is thrusting his cock this deeply down your throat.

>> To do this long enough for your partner to completely get it off

>> is very difficult and may require practice beyond this day.  It

>> may be that you will be able to take your partner completely down

>> your throat, but you will not be able to maintain proper

>> relaxation of your throat to until he shoots his load.  Hopefully

>> your partner will understand that this is not a rejection of him

>> or of what he is offering you, and it is my sincere desire that

>> you not stop here and think that you will never master the "deep

>> throat" technique.

>>         Continue to practice this lesson. I know couples who have

>> devoted ten months to this lesson alone.  Continue to practice

>> this technique because your practice will allow you to take his

>> cock deeper into your throat each time and for longer periods of

>> time.  Ultimately you will succeed.  If you have the desire you

>> will get this one down pat!

>>

>> LESSON NINE

>>

>>         Now lets turn to another portion of your partner's anatomy

>> which should not be ignored-the family jewels. Here are two

>> objects which can enhance your partner's feelings more than any

>> other.  Many people do not think of the balls as primary sexual

>> objects. Many men are extremely sensitive and just as in lesson

>> eight there must be a certain amount of trust built up between the

>> two of you before he will willingly let you have undisputed use of

>> these two pearls of delight!

>>         For today's lesson begin by gently licking his balls with

>> your tongue. As your partner becomes more trusting you may begin

>> to play with his nipples with your fingers gradually increasing or

>> decreasing the intensity as you gauge how he is responding.  You

>> may want to gently caress his cock with your hand while you are

>> bathing his balls with your tongue.

>>         Remember that the balls are extremely sensitive to pain and

>> he will lose his trust in you if you do not respect any limits he

>> places on them just as you have the right to place limits on the

>> back of your throat until you are completely ready to receive him.

>>         It is possible once you have built up this trust to take

>> both his balls in your mouth. He will be more receptive to this if

>> you thoroughly wet them with your tongue prior to taking them into

>

>

 



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