Return-Path: <MAILER-DAEMON>

Date:         Mon, 1 Dec 1997 13:30:54 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      File: "BEAT-L LOG9711"

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

=========================================================================

Date:         Sat, 1 Nov 1997 00:12:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: Humble Introduction

 

Thanks to both George Spanos and R. Bentz Kirby for responding re: RMD.

 You're right, I think, others probably do have the question.

 

And --- regarding D. Carter's post re: backchannel versus responses to the

group --- your responses are another example of why keeping this manner of

reply is better then reverting to auto replies that only go to the singular

sender.  I lurk on the list -- occasionally piping in --- but I learn and

enjoy the many posts.  Backchannel them, and I would lose a lot.  I don't

think that I am alone.

 

Thanks again.

 

Dawn

=========================================================================

Date:         Sat, 1 Nov 1997 01:12:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: WSB - question from the gallery

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:34 AM 10/30/97 -0500, Neil Hennessy wrote:

 

>On Thu, 30 Oct 1997, RACE --- wrote:

 

>> 4)  Stasis Horrors.  This seems to be a biological

>>argument by WSB for movement -- I've seen and

>>heard of it many many times.  Can folks help

>> me out with specific references.

>

>The "Stasis Horrors" would correspond most

>directly with Burroughs' notions of homo sap being

>"the human artifact". He discusses this in The

>Job, I believe, as well as The Adding Machine.

>

>I read an article in a scholarly journal from

>England that claimed that Burroughs' concept of

>getting into space was like the traditional concept

>of the soul coming free of the body, so you may

>want to examine some of the ontological precepts

>governing Burroughs' notions of escaping Time to

>get into Space. Another thing that aligns Burroughs

>with some traditional Christian notions of spirituality

>is his horror and revulsion of the body.

>This is discussed in "The Postmodern Anus", from

>_At the Front_.

>

>I can't tell you the name of the article mentioned

>above, because unfortunately I found it in the

>University of Waterloo library through a

>search of an electronic index of journal articles,

>and UW is a hundred K away... If you want to find

>it, search a similar index of scholarly journals, with

>Burroughs as the subject, and the article appeared in

>something like "British Studies in Contemporary

>American Fiction". Sorry for the vagueness of sources,

>but you didn't expect to not actually

>read Burroughs, or go to the library, did you? ;-)

>

>Hope this helps,

>Neil

 

Hey David et al,

 

I'll be up at UW in the next week, so I'll try to find

uze the journal Neil is talking about.

 

Mike (yes, I'm still here - but not for l o n g . . .)

=========================================================================

Date:         Sat, 1 Nov 1997 00:21:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      parties

MIME-Version: 1.0

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to beat or not to beat

it is untidy in the posts of men

to automaticly respond,

random virus of thoughts

and words works through

space time and random

chance, empty argument

When things went askew,

and the debate waxed low,

wiliam would accept full responsibility,

totally my fault he'd call

to reach a finer discussion.

Beverly would realy astound him,

she would look him purposely

right in the eye and drone on

in long ungasping killing prose

of a chair she once sit on

of no particular care or time.

now isn't that something, of a chair exacty that way

no particular way at all.

another wild bore,

interupted him in midst of some well dug thought,

and offered felicio, little smirking mew.

later he said, why she might of bit it off.

=========================================================================

Date:         Sat, 1 Nov 1997 07:16:00 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      photos of friends never yet seen

MIME-Version: 1.0

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              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

thank you rinaldo!

thank you patricia!

images came out loud and clear and dear.

marie

=========================================================================

Date:         Sat, 1 Nov 1997 12:51:02 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      blank generation?

In-Reply-To:  <345ACA57.479D@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        kabul

 

        the taliban government in afganistan has

        extended its ban on photographs.

 

        until now it had forbidden photography of

        people, particularly of women, but did not

        outlaw pictures of animals or non-muslims.

 

        now it is illegal to display photographs of

        living creatures because such representation

        are deemed offensive to taliban-style islam.

 

[from TIME vol.150 no.16 october 20,1997]

=========================================================================

Date:         Sat, 1 Nov 1997 08:28:52 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: parties

MIME-Version: 1.0

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              x-mac-creator="4D4F5353"

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patricia: you said it all. the pome (as all good ones should) transcends

the moment and pierces through time to the list right now.

mc

 

Patricia Elliott wrote:

 

> to beat or not to beat

> it is untidy in the posts of men

> to automaticly respond,

> random virus of thoughts

> and words works through

> space time and random

> chance, empty argument

> When things went askew,

> and the debate waxed low,

> wiliam would accept full responsibility,

> totally my fault he'd call

> to reach a finer discussion.

> Beverly would realy astound him,

> she would look him purposely

> right in the eye and drone on

> in long ungasping killing prose

> of a chair she once sit on

> of no particular care or time.

> now isn't that something, of a chair exacty that way

> no particular way at all.

> another wild bore,

> interupted him in midst of some well dug thought,

> and offered felicio, little smirking mew.

> later he said, why she might of bit it off.

=========================================================================

Date:         Sat, 1 Nov 1997 10:33:18 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: blank generation?

In-Reply-To:  <3.0.1.32.19971101125102.006a5d10@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>        kabul

>

>        the taliban government in afganistan has

>        extended its ban on photographs.

>

>        until now it had forbidden photography of

>        people, particularly of women, but did not

>        outlaw pictures of animals or non-muslims.

>

>        now it is illegal to display photographs of

>        living creatures because such representation

>        are deemed offensive to taliban-style islam.

>

>[from TIME vol.150 no.16 october 20,1997]

 

Off the Beat-en path, but interesting.

 

For any who have read Howard Zinn's history texts (History of the US,

History of the 20th Century...erc.) one realizes that what the Taliban

Government has publically declaired has been going on here for a long

time--not with photographs, but with what students in secondary schools are

provided by our local, state, & national governments. The Howard Zinn texts

are impossible to put down once you start reading.

 

Zinn exposes the most frightening forms of censorship--texts that exclude

information.

 

Of course this happens in the arts all the time.

 

j grant

 

           Small Press Authors and Publishers display books

                           FREE

                             at

                               BookZen

                          http://www.bookzen.com

                402,900 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sat, 1 Nov 1997 11:56:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Humble Introduction

In-Reply-To:  Message of Sat, 1 Nov 1997 00:12:55 -0500 from <DawnDR@AOL.COM>

 

On Sat, 1 Nov 1997 00:12:55 -0500 Dawn B. Sova said:

>Thanks to both George Spanos and R. Bentz Kirby for responding re: RMD.

> You're right, I think, others probably do have the question.

>

>And --- regarding D. Carter's post re: backchannel versus responses to the

>group --- your responses are another example of why keeping this manner of

>reply is better then reverting to auto replies that only go to the singular

>sender.  I lurk on the list -- occasionally piping in --- but I learn and

>enjoy the many posts.  Backchannel them, and I would lose a lot.  I don't

>think that I am alone.

>

>Thanks again.

>

>Dawn

 

 

 Okay, you're point is well taken but all of us have to be vigilant, then, to p

ost only relevant messages so that our mailboxes aren't filled with personal no

tes on subjects unrelated to the list's concerns.

=========================================================================

Date:         Sat, 1 Nov 1997 11:59:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: WSB - question from the gallery

In-Reply-To:  Message of Sat, 1 Nov 1997 01:12:47 -0500 from <cake@IONLINE.NET>

 

On Sat, 1 Nov 1997 01:12:47 -0500 M. Cakebread said:

>At 09:34 AM 10/30/97 -0500, Neil Hennessy wrote:

>

>>On Thu, 30 Oct 1997, RACE --- wrote:

>

>>> 4)  Stasis Horrors.  This seems to be a biological

>>>argument by WSB for movement -- I've seen and

>>>heard of it many many times.  Can folks help

>>> me out with specific references.

>>

>>The "Stasis Horrors" would correspond most

>>directly with Burroughs' notions of homo sap being

>>"the human artifact". He discusses this in The

>>Job, I believe, as well as The Adding Machine.

>>

>>I read an article in a scholarly journal from

>>England that claimed that Burroughs' concept of

>>getting into space was like the traditional concept

>>of the soul coming free of the body, so you may

>>want to examine some of the ontological precepts

>>governing Burroughs' notions of escaping Time to

>>get into Space. Another thing that aligns Burroughs

>>with some traditional Christian notions of spirituality

>>is his horror and revulsion of the body.

>>This is discussed in "The Postmodern Anus", from

>>_At the Front_.

>>

>>I can't tell you the name of the article mentioned

>>above, because unfortunately I found it in the

>>University of Waterloo library through a

>>search of an electronic index of journal articles,

>>and UW is a hundred K away... If you want to find

>>it, search a similar index of scholarly journals, with

>>Burroughs as the subject, and the article appeared in

>>something like "British Studies in Contemporary

>>American Fiction". Sorry for the vagueness of sources,

>>but you didn't expect to not actually

>>read Burroughs, or go to the library, did you? ;-)

>>

>>Hope this helps,

>>Neil

>

>Hey David et al,

>

>I'll be up at UW in the next week, so I'll try to find

>uze the journal Neil is talking about.

>

>Mike (yes, I'm still here - but not for l o n g . . .)

 

 Mike, I hope you won't mind my posting this message as an example of the type

of post that should have been backchanneled rather than sent to the list.  I do

n't mean to pick on you.  We've all made such posts (including yours truly) fro

m time to time.  A post like this was just intended for one listmember.  No rea

son all of us have to read it.

=========================================================================

Date:         Sat, 1 Nov 1997 12:35:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sylvanna Vanderpark <SylvannaV@AOL.COM>

Subject:      Re: Beat Women--Santa Cruz./ San Jose

 

Hi, I'm new to the list, and pretty much new to the Beat in general, and I

was wondering if there were any fellow Torontonians out there who know of any

Beat  events like these closer to home.

 

Sylvanna

 

 

<<

 Leon was kind enough to post the details for Carolyn Cassidy's

 appearance at UC Santa Cruz.  This talk is part of a larger series of

 things on Women Beat Writers.  The schedule as I have it (and it

 certainly doesn't give one much time to plan

 

 Nov 6

 

 "Wild Women" a panel featuring Carolyn Cassidy, Anne Waldman and Jeanine

 Pommy Vega, UC Santa Cruz,  Kresge Town Hall, 4:30-6pm

 

 An evening of p[oetry with Joan Kyger and Anne Waldman.  San Jose State

 University, Music Concert Hall, 7:30 pm

 

etc, etc, etc....

 

>>

=========================================================================

Date:         Sat, 1 Nov 1997 12:19:05 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Humble Introduction

In-Reply-To:  <3.0.1.16.19971101125639.3057435a@mail.mpx.com.au>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Glenn Cooper wrote:.

>

>I just joined this list today.

 

>My other favourite's are Knut Hamsun (a Beat 50 years ahead of his time),

 

What do others on the list think about this? Hamsun as "a Beat 50 years

ahead of his time?"

 

He's a favorite of mine.

 

j grant

 

           Small Press Authors and Publishers display books

                           FREE

                             at

                               BookZen

                          http://www.bookzen.com

                402,900 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sat, 1 Nov 1997 18:22:32 UT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@CLASSIC.MSN.COM>

Subject:      Re: Humble Introduction

 

i vote strongly for the old format of sending to the individual.  if one want

something to go to the list, one will fix that, should a  post unintentionally

go only to an individual.

 

ciao,

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Bill Gargan

Sent:   Saturday, November 01, 1997 8:56 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: Humble Introduction

 

On Sat, 1 Nov 1997 00:12:55 -0500 Dawn B. Sova said:

>Thanks to both George Spanos and R. Bentz Kirby for responding re: RMD.

> You're right, I think, others probably do have the question.

>

>And --- regarding D. Carter's post re: backchannel versus responses to the

>group --- your responses are another example of why keeping this manner of

>reply is better then reverting to auto replies that only go to the singular

>sender.  I lurk on the list -- occasionally piping in --- but I learn and

>enjoy the many posts.  Backchannel them, and I would lose a lot.  I don't

>think that I am alone.

>

>Thanks again.

>

>Dawn

 

 

 Okay, you're point is well taken but all of us have to be vigilant, then, to

p

ost only relevant messages so that our mailboxes aren't filled with personal

no

tes on subjects unrelated to the list's concerns.

=========================================================================

Date:         Sat, 1 Nov 1997 14:43:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: WSB - question from the gallery

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:59 AM 11/1/97 EST, Bill Gargan wrote:

 

>>On Sat, 1 Nov 1997 01:12:47 -0500 M. Cakebread said:

 

>>Hey David et al,

     ^^^^^^^^^^^^

 

> Mike, I hope you won't mind my posting this

>message as an example of the type of post that

>should have been backchanneled rather than sent

>to the list.  I don't mean to pick on you.  We've

>all made such posts (including yours truly) from time

>to time.  A post like this was just intended for one

>listmember.  No reason all of us have to read it.

 

Uhh, well I was going to share the info with everyone,

but if nobody is interested I'll just forward it to David.

Sorry for trying to help . . . Maybe next time I'll

slander somebody and call them a few names - I didn't

think this offer would be any less appropriate.  {;^>

Just being honest.  This list is getting too "politically

correct" for me.

 

Mike

=========================================================================

Date:         Sat, 1 Nov 1997 11:10:00 -0800

Reply-To:     Leon Tabory <letabor@cruzio.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Apoloogy to Tim and a few words about Dianne DePrima's reading

MIME-Version: 1.0

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Content-Transfer-Encoding: 7bit

 

I guess an apology is Beat related. If that Snata typo offended Tim there

might be others  too. My apologies to the wonderful UCSC and all its alumni.

 

Actually I can make sure it is beat related and report to you that Dianne

DePrimo was just terrific! It was not just a poetry reading. It was an

illuminating meeting of a wonderful woman and bohemian artist. It was

wonderful to see her looking so well, relating so effectively, even the

graceful hand gestures added another dimension to the feel of the words

related by  this amazing person.

 

She brought to life the New York bohemian scene of her youth  with poems

from a winter nibbling oreos all day, visiting her artist neighbors. She

read other short poems from later years in Arizona and California.

 

 Her grandfather, her favorite, was an anarchist born in Italy. Her parents

didn't like his influence on her. He would take her to midnight rallies when

she was about seven years old.

 

She didn't want a husband but did want a child so she picked the man and had

a baby girl. Today that may not seem such a big deal anymore. She described

in one of her short poems a telephone conversation with the father. When she

told him how beautiful his daughter was, he respnded with an "oh, wow>"

 

The one long poem she read was about war.  The only real war is the war on

the imagnation, all other wars are subsumed under it. The only true famine

is the starving of the imagination, I don't recall the exact words, the poem

is very powerful.

 

No small part of the fun was to see a packed auditorium with youthful face

listening with intense attention in hushed silence.

 

Unfortunately I had to leave for work soon after the question answer hour

started. An absolutely don't miss when the show comes to your neighborhood.

Even if it takes a bit of travel. You will love it.

 

leon

=========================================================================

Date:         Sat, 1 Nov 1997 20:07:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Humble Introduction

In-Reply-To:  <v03007808b080ce94cfe4@[156.46.45.146]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends,

 

here in Italy it's a great moment for Knut Hamsun, the novel

titled "Hunger" translated in italian ("Fame") stands out on

the bookshelves. i found a beat connection via Charles Bukowski who

quoted Hamsun such a man who eats his own flesh in order to

living and continue to be an artist (to work hard).

btw: Knut Hamsun (won nobel prize). sad Knut Hamsun was a nazi (and

a friend to adolf hitler), this fate of some artists (i.e. Celine,

Pirandello, Heidegger, etc.) is a mistery of this gone century.

 

saluto tutti,

Rinaldo.

*

At 12.19 01/11/97 -0600, jo grant wrote:

>Glenn Cooper wrote:.

>>

>>I just joined this list today.

>

>>My other favourite's are Knut Hamsun (a Beat 50 years ahead of his time),

>

>What do others on the list think about this? Hamsun as "a Beat 50 years

>ahead of his time?"

>

>He's a favorite of mine.

>

>j grant

>

>           Small Press Authors and Publishers display books

>                           FREE

>                             at

>                               BookZen

>                          http://www.bookzen.com

>                402,900 visitors - 07-01-96 to 07-01-97

>

>

=========================================================================

Date:         Sat, 1 Nov 1997 14:07:40 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Docudiary On Allen Ginsberg

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Has anyone on the list heard of or seen the 1996 documentary _Poet On

the Lower East Side, A: a Docudiary On Allen Ginsberg_, directed by

Gyula Gazdag? How does it compare to the _Life And Times_ documentary?

 

Adrien

=========================================================================

Date:         Sat, 1 Nov 1997 14:36:13 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Humble Introduction

In-Reply-To:  <3.0.1.32.19971101200737.00cb2a58@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>friends,

>

>here in Italy it's a great moment for Knut Hamsun, the novel

>titled "Hunger" translated in italian ("Fame") stands out on

>the bookshelves. i found a beat connection via Charles Bukowski who

>quoted Hamsun such a man who eats his own flesh in order to

>living and continue to be an artist (to work hard).

>btw: Knut Hamsun (won nobel prize). sad Knut Hamsun was a nazi (and

>a friend to adolf hitler), this fate of some artists (i.e. Celine,

>Pirandello, Heidegger, etc.) is a mistery of this gone century.

>

>saluto tutti,

>Rinaldo.

 

R,

 

It always comes as a surprise to me when I meet a writer and (s)he hasn't

read Hamsun's HUNGER. About as painful an inspiration--exampleof

dedication--that I know of.

 

Sad indeed about his Nazi sympathies. Haven't pursued that element inhis

life. Not sure he ever defended his position or explained it. I have a

friend (Poet Chuck Miller) who has considerable knowledge about the

Scandinavian writers. I'll  ask him about this the next time i see him.

 

Peace,

j grant

 

           Small Press Authors and Publishers display books

                           FREE

                             at

                               BookZen

                          http://www.bookzen.com

                402,900 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sat, 1 Nov 1997 16:23:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Organization: AOL (http://www.aol.com)

Subject:      Re: Humble Introduction

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7bit

 

In a message dated 97-10-31 22:09:43 EST, you write:

 

<< My welcome to Glenn, also.

 

 Now --- what is RMD?  Please?

 

 Dawn >>

 

      i'd also like to welcome glenn,

     may the beat-l teach, move and inspire you (okay and piss you off a

little)

      as it has done me. :-)

                                   ~~marlene

=========================================================================

Date:         Sat, 1 Nov 1997 17:54:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Humble Introduction

In-Reply-To:  <3.0.1.32.19971101200737.00cb2a58@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

This brings up an interesting question. Should we discount what might be

fine works of art because of a dubious connection to something

undesirable? I, myself, am a Jew and hahve every reason in the world to

regard all things  Hitler but I cant totally discount him. I am the first

person to acknowledge that Hitler was literally a genius. He was a smart,

manipulative man but he used his intelligence for evil, so for that reason

I do not necessarily respect his genius even though I acknowlegde that he

was one, you know what I mean? Take Cat Stevens for example. He is a

fundamentalist Muslim or something, a supporter of Farrakhan but I like

his music. Kerouac wasn't fond of homosexuals but I still like his work.

Any response?

 

On Sat, 1 Nov 1997, Rinaldo Rasa wrote:

 

> friends,

>

> here in Italy it's a great moment for Knut Hamsun, the novel

> titled "Hunger" translated in italian ("Fame") stands out on

> the bookshelves. i found a beat connection via Charles Bukowski who

> quoted Hamsun such a man who eats his own flesh in order to

> living and continue to be an artist (to work hard).

> btw: Knut Hamsun (won nobel prize). sad Knut Hamsun was a nazi (and

> a friend to adolf hitler), this fate of some artists (i.e. Celine,

> Pirandello, Heidegger, etc.) is a mistery of this gone century.

>

> saluto tutti,

> Rinaldo.

> *

> At 12.19 01/11/97 -0600, jo grant wrote:

> >Glenn Cooper wrote:.

> >>

> >>I just joined this list today.

> >

> >>My other favourite's are Knut Hamsun (a Beat 50 years ahead of his time),

> >

> >What do others on the list think about this? Hamsun as "a Beat 50 years

> >ahead of his time?"

> >

> >He's a favorite of mine.

> >

> >j grant

> >

> >           Small Press Authors and Publishers display books

> >                           FREE

> >                             at

> >                               BookZen

> >                          http://www.bookzen.com

> >                402,900 visitors - 07-01-96 to 07-01-97

> >

> >

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sat, 1 Nov 1997 17:55:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Docudiary On Allen Ginsberg

Comments: To: Adrien Begrand <vic.begrand@sk.sympatico.ca>

In-Reply-To:  <345BA82C.1FBA@sk.sympatico.ca>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

No, but I would love to see it!!!

 

 

On Sat, 1 Nov 1997, Adrien Begrand wrote:

 

> Has anyone on the list heard of or seen the 1996 documentary _Poet On

> the Lower East Side, A: a Docudiary On Allen Ginsberg_, directed by

> Gyula Gazdag? How does it compare to the _Life And Times_ documentary?

>

> Adrien

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sat, 1 Nov 1997 17:11:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: questionable backgrounds of some authors

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Nancy B Brodsky wrote:

 

> This brings up an interesting question. Should we discount what might be

> fine works of art because of a dubious connection to something

> undesirable? I, myself, am a Jew and have every reason in the world to

> regard all things  Hitler but I cant totally discount him. I am the first

> person to acknowledge that Hitler was literally a genius. He was a smart,

> manipulative man but he used his intelligence for evil, so for that

reason

> I do not necessarily respect his genius even though I acknowledge that he

> was one, you know what I mean? Take Cat Stevens for example. He is a

> fundamentalist Muslim or something, a supporter of Farrakhan but I like

> his music. Kerouac wasn't fond of homosexuals but I still like his work.

> Any response?

 

My initial reaction is to remember that one is always on shaky ground when

one mistakes the art for the artist (and vice versa).  People are extremely

complicated, and can go through an incredible number of changes in a

lifetime (the former Mr. Stevens...now known as Yusuf Islam... being an

excellent modern-day example).

 

I seem to recall that Kerouac and/or Ginsberg were crushed to discover

through their research that Ezra Pound was an anti-Semite.

 

Jym

=========================================================================

Date:         Sat, 1 Nov 1997 18:16:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Jack "not fond" of homosexuals

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Nancy,

 

        I couldn't let your comment about Jack's attitude to homosexuals

pass without comment...although I better be quick about this if I want to

beat the other responses the comment will elicit.

 

        I wonder what gave you the impression that Jack wasn't fond of

homosexuals. He was a conflicted person, and some of that was in rspect to

homosexual relationships, but his friendships with Allen Ginsberg, William

Burroughs, his awareness of the relationship between Neal Cassady and Allen

G., and the (perhaps apocraphal) story of his one night stand with Gore

Vidal  certainly are at odds with the view of someone "not fond" of homosexuals.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

=========================================================================

Date:         Sat, 1 Nov 1997 18:20:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: questionable backgrounds of some authors

In-Reply-To:  <199711012310.RAA15721@mail.execpc.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Really? He's an anti-semite? I didnt know that....

 

On Sat, 1 Nov 1997, Jym Mooney wrote:

 

> Nancy B Brodsky wrote:

>

> > This brings up an interesting question. Should we discount what might be

> > fine works of art because of a dubious connection to something

> > undesirable? I, myself, am a Jew and have every reason in the world to

> > regard all things  Hitler but I cant totally discount him. I am the first

> > person to acknowledge that Hitler was literally a genius. He was a smart,

> > manipulative man but he used his intelligence for evil, so for that

> reason

> > I do not necessarily respect his genius even though I acknowledge that he

> > was one, you know what I mean? Take Cat Stevens for example. He is a

> > fundamentalist Muslim or something, a supporter of Farrakhan but I like

> > his music. Kerouac wasn't fond of homosexuals but I still like his work.

> > Any response?

>

> My initial reaction is to remember that one is always on shaky ground when

> one mistakes the art for the artist (and vice versa).  People are extremely

> complicated, and can go through an incredible number of changes in a

> lifetime (the former Mr. Stevens...now known as Yusuf Islam... being an

> excellent modern-day example).

>

> I seem to recall that Kerouac and/or Ginsberg were crushed to discover

> through their research that Ezra Pound was an anti-Semite.

>

> Jym

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sat, 1 Nov 1997 17:17:29 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      Re: tim leary

Comments: To: Marie Countryman <country@sover.net>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

>

> title? ghost-or tim-written? or tim written as ghost?

> mc

>

> Cathy Wilkie wrote:

>

> > Has anybody yet read the latest timothy leary book, the one that deals

> > with his death???

> >

> > i haven't got up the guts to get it yet.

> >

> > cathy

 

 

well, as understand it, he wrote it 'as' he was dying.  from what

interviews i read and/or saw of him after he found out he was dying

(cancer i think) he saw death as 'the next big trip', like it was a new

place for his mind to explore, or something of the sort.  he wasn't

afraid of dying, rather  he looked forward to it.  and i think that is

what this book is, all of his own thoughts on dying.

 

cathy

=========================================================================

Date:         Sat, 1 Nov 1997 18:31:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: questionable backgrounds of some authors

In-Reply-To:  <199711012310.RAA15721@mail.execpc.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Okay, before we all get into a frenzy let me rephrase my comment RE

Kerouac and Homosexuals..what I meant was that Kerouac wasnt comfortable

with Ginsberg being gay. This is what I heard and in fact, i believe i

heard it on this very lsit!

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sat, 1 Nov 1997 15:38:15 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@HOTMAIL.COM>

Subject:      Re: city lights submissions

Content-Type: text/plain

 

Nice to see you back, Nancy. Missed your spirited posts. Hope to see

more of you on the list. How about posting some poetry for us?

 

leon

 

>Date:         Fri, 31 Oct 1997 12:49:55 -0500

>Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

>Subject:      Re: city lights submissions

>To: BEAT-L@CUNYVM.CUNY.EDU

>

>I would love to submit to City Lights! Does anyone know the address? I

>can't afford the Poetry Market book...:(

>.-

>

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

=========================================================================

Date:         Sat, 1 Nov 1997 09:05:54 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: questionable backgrounds of some authors

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Nancy B Brodsky wrote:

>

> Really? He's an anti-semite? I didnt know that....

 

Here are a couple of passages from "Allen Verbatim" where Ginsberg

answers a couple questions about his thoughts on Pound's anti-semitic

leanings:

 

"Q: Well, how about--some Jewish people have reacted very strongly to

some of the negative things he said about the Jewish people.

 

AG:  Pound told me he felt that the Cantos were 'stupidity and ignorance

all the way through,' and were a failure and a 'mess,' and that his

'greatest stupidity was stupid suburban anti-Semitic prejudice,' he

thought--as of 1967, when I talked to him.  So I told him that I thought

since the Cantos were for the first time a single person registering over

the course of a lifetime all of his major obsessioins and thoughts and

the entire rainbow arc of his images and clingings and attachments and

discoveries and perceptions, that they were an accurate representation of

his mind and so couldn't be thought of in terms of success or failure,

but only in the terms of the actuality of their representation, and that

since for the first time a human being had taken the whole spiritual

world of thought through fifty years and followed the thoughts out to

the end--so that he built a model of his consciousness over a fifty-year

time span--that they were a great human achievement.  Mistakes and all,

naturally."

 

"Q: Do you personally ignore Pound's involvement with fascism, or do you

just accept it?

 

AG: No, I see it as part of character and humour, h-u-m-o-u-r, which is

changeable.  I think he was, as he pleaded, mentally ill for a while--If

you listen to his records, the phonograph records made in St.

Elizabeth's, there's a splenetic, irritable voice.  Whereas if you listen

to the records made by 1958--in Milan, a very rare copy of 'With

Usura'--and later records at Spoleto in '66, you hear the voice of

Prospero himself, whose every third thought is in his grave: the fine old

man with beautiful manners with the whispering paper-thin voice

pronouncing syllable by syllable with great intensity and meaning each

though of the earlier younger man.  So he'd come to a resolution of his

woes, a rue; like Prospero, he drowned his books and plunged 'deeper than

did ever plummet sound' his magic wand of Pride, and took unto his

council silence, broken only by good-humored advisement on rare sensible

occasion as when he told me, 'Stupidity and ignorance all the way

through."

DC

=========================================================================

Date:         Sat, 1 Nov 1997 20:21:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: Humble Introduction/long essay in return

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Nancy B Brodsky wrote:

 

> This brings up an interesting question. Should we discount what might be

> fine works of art because of a dubious connection to something

> undesirable? I, myself, am a Jew and hahve every reason in the world to

> regard all things  Hitler but I cant totally discount him. I am the first

> person to acknowledge that Hitler was literally a genius. He was a smart,

> manipulative man but he used his intelligence for evil, so for that reason

> I do not necessarily respect his genius even though I acknowlegde that he

> was one, you know what I mean?

 

<snip>Nancy:

 

The evil that abided in Hitler went beyond Jews.  He attempted to exterminate

Jews, Poles, Gypsies, homosexuals, and others.  The larger evil is the ordinary

people who allowed themselves to be maniupulated.  The truth is that with tv and

the "information" society, it is more likely to happen again now.  Think about

urban myths, AOL killer cookie, a few years ago, the Proctor and Gamble sign was

a Satanic symbol, and so many more that we have seen arise.  The people must

gurard against manipulation, but in a time when the exit polls predict winners

 of

the presidential race before polls close in CA, how do we debate openly issues

 of

great importance.

 

Being politically correct and the lack of critical thinking places this society

into a larger risk than ever.  Look at various movements in our political life.

When I was young, I remember white middle class voters critizing the black

community as they went to church and were told how to vote.  And to think, they

had vans to take people to the polls.  Now, the white conservatives go to the

church and are told how to vote by Pat Robertson and the "christian coalition."

And my lord, they have transportation available.  The entire process is exit

polls and brain washing on many different fronts.  And oh yeah, those white

folks, same ones, only now they are Republicans.

 

Racisim and sexism remain a large problem in our society.  Things have changed.

But it is still taught and evil often seems "genius" not because it is "genius",

but because it is willing to do, say and think things, that you would consider

insane.  And then act on them and pressure others.

 

Look at Mississippi where they are rounding up all these kids and charging them

with "conspiracy" for playing dungeons and dragons.  Does Salem witch hunts ring

a bell.  This is part of the lesson that Burroughs tried to teach us.  We are

 not

so civilized.  We are only a firing of a synapses from the utter primitive and

evil.

 

We must be vigilant.  But do not assign genius to evil.

 

It is interesting to read some folk lore.  If it is true, in WWI, Hitler was

awaken by a dream he was suffocating.  Moments later a shell hit the bunker.  He

would have died if he had not run out of the bunker into apparent danger.  There

may not be a god as we would like to conceive of a GOD, but there is some

intelligence that is collective and hopefully moving toward the light and love.

We all must be mindful of achieving and loving more each day if we want to leave

our children a chance.

 

I guess I shouldn't watch the X-Files eh?

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 1 Nov 1997 20:32:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Humble Introduction/long essay in return

In-Reply-To:  <345BD5B4.A11BE15E@scsn.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I was only saying that Hitler was intelligent man but he used his

intelligence for all the wrong reasons. It takes a genuis to do what

Hitler, to manipulate that many people, and get away with abusing his

power for so long. This is not a reflection, mind you,on the intellignce

of the people that fell under his spell. Rather, Hitler was just very good

at what he did. Look at Mein Kampf. He wrote the long manifesto duringa

short jail stay. Incredible. I loathe Hitler for what he did but I stand

in awe of the genuis he had and in awe of the possiblities of that genius,

had he not been so hate-filled.

Love always, Nancy

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sat, 1 Nov 1997 19:30:33 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Another movie question

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Has anyone seen or know anything about Barbet Schroeder's 1985 film _The

Charles Bukowski Tapes_? I can't find any online info on it...apparently

it's 235 minutes long.

 

Anyone?

 

Adrien

=========================================================================

Date:         Sat, 1 Nov 1997 21:16:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject:      Re: Jack "not fond" of homosexuals

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 8bit

 

BEAT-L@CUNYVM.CUNY.EDU,.Internet writes:

>     I wonder what gave you the impression that Jack wasn't fond of

>homosexuals. He was a conflicted person, and some of that was in rspect

>to

>homosexual relationships, but his friendships with Allen Ginsberg,

>William

>Burroughs, his awareness of the relationship between Neal Cassady and

>Allen

>G., and the (perhaps apocraphal) story of his one night stand with Gore

>Vidal  certainly are at odds with the view of someone "not fond" of

>homosexuals.

 

     It was probably that in Jack's mind was imbedded very rural,

traditional, franco-american, 50's ideas about homosexuality, and

realizing that he was at least moderately bisexual conflicted with the

notions placed in his psyche during the key developmental stages of his

youth...

 

 

       Sigmund (hehe sniff sniff)

=========================================================================

Date:         Sat, 1 Nov 1997 22:25:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "THE ZET'S GOOD." <breithau@KENYON.EDU>

Subject:      Excuse this interuption

 

I am having trouble with my e-mail account, messages seem to be bouncing away

from me. I hope to have it fixed shorty, please do not disconnect me! Thanks,

 

Dave Breithaupt

Breithau@kenyon.edu

=========================================================================

Date:         Sat, 1 Nov 1997 23:06:08 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      Re: humble introduction

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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> And --- regarding D. Carter's post re: backchannel versus responses to the

> group --- your responses are another example of why keeping this manner of

> reply is better then reverting to auto replies that only go to the singular

> sender.  I lurk on the list -- occasionally piping in --- but I learn and

> enjoy the many posts.  Backchannel them, and I would lose a lot.  I don't

> think that I am alone.

>

> Thanks again.

>

> Dawn

 

 

 

I would definitely have to agree with dawn on this.  sometimes i just

like to sit back and watch ya'll go.....and if you backchannelled most

responses this list would not be any fun anymore....

 

 

cathy

=========================================================================

Date:         Sun, 2 Nov 1997 00:11:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glenn Cooper <coopergw@MPX.COM.AU>

Subject:      Hamsun

In-Reply-To:  <v0300780bb080ee3f408a@[156.46.45.146]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>R,

>

>It always comes as a surprise to me when I meet a writer and (s)he hasn't

>read Hamsun's HUNGER. About as painful an inspiration--example of

>dedication--that I know of.

 

  I agree. It has been said that all modernist fiction owes a huge debt to

Hamsun and "Hunger". It is a truly magnificent book, and I recommend it to

everyone. Hamsun is also Henry Miller's favourite author. He especially

liked "Mysteries" which, alas, seems to be the most difficult one to find ...

 

Glenn C.

______________________________________________

"Work while the day lasts, for the night of

 death cometh when no man can work."

______________________________________________

=========================================================================

Date:         Sun, 2 Nov 1997 00:11:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glenn Cooper <coopergw@MPX.COM.AU>

Subject:      Re: Humble Introduction

In-Reply-To:  <Pine.OSF.3.95.971101174954.17599C-100000@is8.nyu.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 17:54 01/11/97 -0500, you wrote:

>This brings up an interesting question. Should we discount what might be

>fine works of art because of a dubious connection to something

>undesirable? I, myself, am a Jew and hahve every reason in the world to

>regard all things  Hitler but I cant totally discount him. I am the first

>person to acknowledge that Hitler was literally a genius. He was a smart,

>manipulative man but he used his intelligence for evil, so for that reason

>I do not necessarily respect his genius even though I acknowlegde that he

>was one, you know what I mean? Take Cat Stevens for example. He is a

>fundamentalist Muslim or something, a supporter of Farrakhan but I like

>his music. Kerouac wasn't fond of homosexuals but I still like his work.

>Any response?

 

I think a work of art should be separated from he/she who produced it. As

Rimbaud says, "If a piece of wood wakes up one morning to find that it's a

violin, is it its fault?" I is truly another. A person's art is one thing,

his life is another.

 

Bob Dylan recently said, "People expect me to be my songs, but Shakespeare

is not Hamlet, Dante is not Faust." I think you have to draw the line.

 

If a serial killer like Ted Bundy or Geoffrey Dahmer wrote a book, I'd

judge that book on its merits. The life of the author is an immaterial

consideration.

 

Glenn C.

 

________________________________________

"Work while the day lasts, for the night

 of death cometh when no man can work.

_________________________________________

=========================================================================

Date:         Sun, 2 Nov 1997 00:31:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Melissa Lazorwitz <Illnana907@AOL.COM>

Subject:      In reference to Allen Ginsberg

 

I am currently doing a project on Allen Ginsberg for a class at New York

University. I have to find two critiques on Allen Ginsberg's poem, "The

Shrouded Stranger." I have not had any luck. If possible, if anyone has any

material related to "The Shrouded Stranger" or any other detailed Critiques

from articles on his poems I would greatly appreciate it. Please contact me

asap I need any possible information by Sunday, November 3rd. Thank you,

Melissa.

=========================================================================

Date:         Sun, 2 Nov 1997 01:32:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Humble Introduction

In-Reply-To:  <3.0.1.16.19971102161751.353f5bca@mail.mpx.com.au>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I agree with Glen on this one. I know that when I write poetry, a lot of

people assume that I am depressed but Im actualyl a pretty happy person.

 

 

On Sun, 2 Nov 1997, Glenn Cooper wrote:

 

> At 17:54 01/11/97 -0500, you wrote:

> >This brings up an interesting question. Should we discount what might be

> >fine works of art because of a dubious connection to something

> >undesirable? I, myself, am a Jew and hahve every reason in the world to

> >regard all things  Hitler but I cant totally discount him. I am the first

> >person to acknowledge that Hitler was literally a genius. He was a smart,

> >manipulative man but he used his intelligence for evil, so for that reason

> >I do not necessarily respect his genius even though I acknowlegde that he

> >was one, you know what I mean? Take Cat Stevens for example. He is a

> >fundamentalist Muslim or something, a supporter of Farrakhan but I like

> >his music. Kerouac wasn't fond of homosexuals but I still like his work.

> >Any response?

>

> I think a work of art should be separated from he/she who produced it. As

> Rimbaud says, "If a piece of wood wakes up one morning to find that it's a

> violin, is it its fault?" I is truly another. A person's art is one thing,

> his life is another.

>

> Bob Dylan recently said, "People expect me to be my songs, but Shakespeare

> is not Hamlet, Dante is not Faust." I think you have to draw the line.

>

> If a serial killer like Ted Bundy or Geoffrey Dahmer wrote a book, I'd

> judge that book on its merits. The life of the author is an immaterial

> consideration.

>

> Glenn C.

>

> ________________________________________

> "Work while the day lasts, for the night

>  of death cometh when no man can work.

> _________________________________________

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sun, 2 Nov 1997 00:45:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      in my own home town.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

today was the free sale,  it is an annual event, since 1974.  It all

started with a large garage sale to support the great magazine The city

moon,  at 4th and michigan.  after selling stuff for several days they

still had a yard full of stuff and decided to just put a sign up. Free.

every since, a large community of us have gotten together and brought

stuff and taken stuff. No money, but many two for one sales.  You can

not take until 10, bring stuff after 12 and clean up is at 2.  those are

the rules.  oh and everything is free.  there is usually brownies and

surprises. many writers and artists partake, and neighbors.  why do i

think this is beat related.  because i was not aware of the site

http://www.larryville.com/index.htm

it is a dandy, with much information about william.

so have a community free sale,  make sure you line up a reliable clean

up crew. and you too can find out things about the beats. Many people

have tempted us to change this into a fund raiser but we resist, it

nothing down or we won't do it.  First year your greedy, second year you

are ready and you really dump stuff.  We are very organized in an

unorganized way.

patricia

=========================================================================

Date:         Sun, 2 Nov 1997 02:37:07 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Brian M. Kirchhoff" <bkirchho@S-CWIS.UNOMAHA.EDU>

Subject:      Re: Jack "not fond" of homosexuals

In-Reply-To:  <BEAT-L%1997110118160826@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

i think he had no problem with homosexuals.

 

i don't think he cared for fags.

 

neither ginsberg nor burroughs were fags.  they were homosexual/bisexual.

 

there is a notable difference between homosexuals and fags.

 

(the fag plymouth quote from OTR comes to mind.)

 

my two cents or whatever.

 

Brian M. Kirchhoff----Omaha, NE

"Someone must have been telling lies about Joseph K., for without having

done anything wrong he was arrested one fine morning." -Kafka, The Trial

=========================================================================

Date:         Sun, 2 Nov 1997 12:33:15 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: questionable backgrounds of some authors

In-Reply-To:  <345B6172.214@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Diane Carter wrote:

[... snipped ...]

>"Q: Do you personally ignore Pound's involvement with fascism, or do you

>just accept it?

>

>AG: No, I see it as part of character and humour, h-u-m-o-u-r, which is

>changeable.  I think he was, as he pleaded, mentally ill for a while--If

[... snipped... ]

>DC

>

cari amici,

 

i'm afraid Ezra Pound had a simpaty for the evil, when he come

back to italy he tried to get in touch with conspirancy neo-fascism

groups. he was disappointed because the italians seem to reject

"ben" experience then the poet became politically silent living

in venice since his death. Allen Ginsberg told us that Ezra Pound

"bet on one wrong horse", i think AG deals with EP kindly. of course

it's a GREAT ENIGMA why a poet so gentle & charming had such a guru

like Benito "Ben" Mussolini.

 

un saluto a tutti,

rinaldo.

*

=========================================================================

Date:         Sun, 2 Nov 1997 05:59:16 -0800

Reply-To:     Leon Tabory <letabor@cruzio.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: questionable backgrounds of some authors

MIME-Version: 1.0

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Happy Sunday morning for us  afternoon for you Rinaldo,

 

So Ezra

(Interesting name for Pound. Hebrew for "Help" as a noun.)

repudiated hatred of Jews but not fascism? Two different things. Or did he

lie to Allen when he said that  hatred was stupid? Or did Allen' s kindness

make white lies for Ezra?

 

>then the poet became politically silent living

>in venice since his death.

 

Is Venice heaven or is Venice hell? (;--)

 

Ciao amigo.

leon

 

-----Original Message-----

From: Rinaldo Rasa <rinaldo@GPNET.IT>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, November 02, 1997 3:47 AM

Subject: Re: questionable backgrounds of some authors

 

 

>Diane Carter wrote:

>[... snipped ...]

>>"Q: Do you personally ignore Pound's involvement with fascism, or do you

>>just accept it?

>>

>>AG: No, I see it as part of character and humour, h-u-m-o-u-r, which is

>>changeable.  I think he was, as he pleaded, mentally ill for a while--If

>[... snipped... ]

>>DC

>>

>cari amici,

>

>i'm afraid Ezra Pound had a simpaty for the evil, when he come

>back to italy he tried to get in touch with conspirancy neo-fascism

>groups. he was disappointed because the italians seem to reject

>"ben" experience Allen Ginsberg told us that Ezra Pound

>"bet on one wrong horse", i think AG deals with EP kindly. of course

>it's a GREAT ENIGMA why a poet so gentle & charming had such a guru

>like Benito "Ben" Mussolini.

>

>un saluto a tutti,

>rinaldo.

>*

>.-

>

=========================================================================

Date:         Sun, 2 Nov 1997 10:54:55 -0500

Reply-To:     dh383@freenet.carleton.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Laurie Fuhr <dh383@FREENET.CARLETON.CA>

Subject:      Discovered soft words contemplating jazz..

 

        Heya folks, here's my own humble introduction;  my name is Laurie,

and I just plunged into the whole beat thing about a week ago.  I caught

this documentary called "The Beat Generation" on the History channel.. it

included Kerouac reading and answering questions on the Steve Allen show,

and commentary by Diane Diprima, Tim Leary, Allen Ginsburg, William

Burrows, Ferlinghetti, and a whole slew of that kiln.  Had footage of

Ginsburg reading Moloch (I believe it's called?) and it blew me away.

Yes, I'm still pretty much in the dark so I came on the List to get

crammed full of knowledge.

 

        I'm you're average, run of the mill poet out of Ottawa--any other

Ottawans out there?  I've been lurking around the 'scene here for awhile

but I'm just getting into submitting.  I don't really know what I'm doing

yet.  But my friend Armour, he's big on Beat, and he and I were wondering why

the hell they don't have Poetry slams and that around here.  So we might

just try to get something going.

 

        But anyway.. here I am, I hope you're a friendly bunch towards

newcomers because I'm just about as ignorant of Beat as they get.  It

just.. fascinates me.  I guess a major movement like that would fascinate

anyone, once they've heard things about it.  It's been a few years since

the Three Calaberos kicked North America in the behind, sure, but I still

get the sense I've been left out of something.  Repercussions in the

modern-day.  And I don't mean bongos :)

 

        Would anyone recommend reading material for someone just getting

into Beat?  I'd appreciate it.

 

 

        So anyway.. howdee doo, folks!

 

 

                     Laurie.

 

 

 

 

--

* R e c o v e r i n g *     "..she said,

*  -= t   h   e =-    *        'I don't need to be an angel, but I'm

* S a t e l l i t e s *              n o t h i n g

* * counting  crows * *                 if I'm not this high.."

=========================================================================

Date:         Sun, 2 Nov 1997 08:21:30 -0800

Reply-To:     Leon Tabory <letabor@cruzio.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: in my own home town.

MIME-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

Content-Transfer-Encoding: 7bit

 

You got something there, Patricia! I mean you are outdoing yourself again

there, maybe it will reach in here too? Sounds like so much community fun!

To add beat relation we could have readings to jazz maybe, Beat-L poetry

possibly even.

Our voices reach the end of the world, but is anyone resonating at home?

Here is to moving from greedy to ready. Anyone up to it here? Yoo Hoo!

 

The Larry of Lawrence page is another happy surprise! The global village

reaching into the heartland of the USA! Good news this weekend.

 

leon

 

-----Original Message-----

From: Patricia Elliott <pelliott@SUNFLOWER.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Saturday, November 01, 1997 10:51 PM

Subject: in my own home town.

 

 

>today was the free sale,  it is an annual event, since 1974.  It all

>started with a large garage sale to support the great magazine The city

>moon,  at 4th and michigan.  after selling stuff for several days they

>still had a yard full of stuff and decided to just put a sign up. Free.

>every since, a large community of us have gotten together and brought

>stuff and taken stuff. No money, but many two for one sales.  You can

>not take until 10, bring stuff after 12 and clean up is at 2.  those are

>the rules.  oh and everything is free.  there is usually brownies and

>surprises. many writers and artists partake, and neighbors.  why do i

>think this is beat related.  because i was not aware of the site

>http://www.larryville.com/index.htm

>it is a dandy, with much information about william.

>so have a community free sale,  make sure you line up a reliable clean

>up crew. and you too can find out things about the beats. Many people

>have tempted us to change this into a fund raiser but we resist, it

>nothing down or we won't do it.  First year your greedy, second year you

>are ready and you really dump stuff.  We are very organized in an

>unorganized way.

>patricia

>.-

>

=========================================================================

Date:         Sun, 2 Nov 1997 11:42:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Discovered soft words contemplating jazz..

Comments: To: Laurie Fuhr <dh383@FREENET.CARLETON.CA>

In-Reply-To:  <199711021554.KAA03400@freenet5.carleton.ca.carleton.ca>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Laurie-

Welcome! As a relative newcomer myself, I would recommend starting with

the "popular" beat stuff like HOWL and On The Road. Just move on from

there, reading any and all things beat and beat related. I would also

check out the website put out by Levi Asher but I can't remember the

address. Maybe someone else can? Anyway, regarding Kerouac, make sure you

don't read Big Sur until after you've read OTR, Desolation Angels and

Dharma Bums, only because Big Sur is so, Ive heard, that it turns people

off before they've really had a chance to explore and to get to know Jack.

Also, my favorite Ginsberg volume is his big red book of collected

poems,1947-1980. Good luck and enjoy your adventure!

~Nancy

 

 

 

 

On Sun, 2 Nov 1997, Laurie Fuhr wrote:

 

>         Heya folks, here's my own humble introduction;  my name is Laurie,

> and I just plunged into the whole beat thing about a week ago.  I caught

> this documentary called "The Beat Generation" on the History channel.. it

> included Kerouac reading and answering questions on the Steve Allen show,

> and commentary by Diane Diprima, Tim Leary, Allen Ginsburg, William

> Burrows, Ferlinghetti, and a whole slew of that kiln.  Had footage of

> Ginsburg reading Moloch (I believe it's called?) and it blew me away.

> Yes, I'm still pretty much in the dark so I came on the List to get

> crammed full of knowledge.

>

>         I'm you're average, run of the mill poet out of Ottawa--any other

> Ottawans out there?  I've been lurking around the 'scene here for awhile

> but I'm just getting into submitting.  I don't really know what I'm doing

> yet.  But my friend Armour, he's big on Beat, and he and I were wondering why

> the hell they don't have Poetry slams and that around here.  So we might

> just try to get something going.

>

>         But anyway.. here I am, I hope you're a friendly bunch towards

> newcomers because I'm just about as ignorant of Beat as they get.  It

> just.. fascinates me.  I guess a major movement like that would fascinate

> anyone, once they've heard things about it.  It's been a few years since

> the Three Calaberos kicked North America in the behind, sure, but I still

> get the sense I've been left out of something.  Repercussions in the

> modern-day.  And I don't mean bongos :)

>

>         Would anyone recommend reading material for someone just getting

> into Beat?  I'd appreciate it.

>

>

>         So anyway.. howdee doo, folks!

>

>

>                      Laurie.

>

>

>

>

> --

> * R e c o v e r i n g *     "..she said,

> *  -= t   h   e =-    *        'I don't need to be an angel, but I'm

> * S a t e l l i t e s *              n o t h i n g

> * * counting  crows * *                 if I'm not this high.."

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sun, 2 Nov 1997 11:16:18 -0800

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      [Fwd: Re: humble introduction]

MIME-Version: 1.0

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

 

Message-ID: <345C4EEE.43C8@pacbell.net>

Date: Sun, 02 Nov 1997 01:59:10 -0800

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

X-Mailer: Mozilla 3.01 (Win95; I)

MIME-Version: 1.0

To: cawilkie@comic.net

Subject: Re: humble introduction

References: <345C0A40.33A8@comic.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Cathy,

 

I agree that for a voyeur the current format is better.

 

Backchannel is good. Think of Beat-L  a party of over 200 people.  Not

every conversation need be for everybody.  The interim format made

people think at least a few second speaking in front of the whole room

rather than to a smaller segment.  Under the current format it is hard

to backchannel folks not already in your address book.  Often

backchannel is the best way to get information that isn't perhaps

important for everybody.  I thought it made the life of the list

better.  D. Carter disagrees.  I thought the post volume was more

managable, but there are folks doing lots of lists (Bentz comes to mind)

who obviously have a higher threshold for e-mail overload than I do.

 

J. Stauffer

 

Cathy Wilkie wrote:

 

.  sometimes i just

> like to sit back and watch ya'll go.....and if you backchannelled most

> responses this list would not be any fun anymore....

>

=========================================================================

Date:         Sun, 2 Nov 1997 14:29:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Discovered soft words contemplating jazz..

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Laurie,

 

        I'm down here in Montreal (transplanted American) and there are

other Canadians on the list (Adrien Begrandout in Saskatchewan, poetry and

comment; Neil Hennessey at Western(?), all things Burroughs; Derek Bealieu

in Calgary, art, Beat poetry and writing, Mike Cakebread in Toronto ...who's

threatening to leave us!, Michael Hayward out in Vancouver, beat and

alternative presses and the best Van Morrison web site anywhere ...and

others I've forgotten)

 

        I arrived here with sonic and visual rather than literary interests,

but theyve edjimacated me. I was in same position as you a year and a half

ago, so I'll tell what I've got lots out of. First of all the Web; there is

an inbelievable wealth of great and reliable material on all the main

players and cultural themes; start with Levi Asher's site ( a beat list

member) [http://www.charm.net/~brooklyn/].

 

        For reading history and background, I strongly recommend "Jack's

Book", a biography of Jack Kerouac told through interviews with his friends.

Alternatively, "Desolate Angel" another Jack biography by Dennis McNally.

 

        For recordings, the Phillip Glass recording "Hydrogen Jukebox" with

libretto and readings by Allen Ginsberg, as well as Ginsberg's own "Ballad

of the Skeletons". "Kerouac - kick joy darkness" a recently released tribute

to Kerouac which includes some of his performance aling with many other

great tribute performances. The Kerouac box set by Rhino is outstanding if

you a live of Jack's voice. Three CDs that really deliver. Also, if you

frequent alternative/used record stores in Ottawa, you might find that one

of them has a great boot called "Beat Jazz: pictures from the gone world",

vinyl on pesky serpent label. The Beat Generation box set on Rhino, as well

as "Howls, Raps and Roars" are also good although Beat Geneartion is a

little uneven with some beatsploitation material, but worth having nonetheless.

 

        For the literature I'll let others kick in, but "On the Road",

"Subterraneans", Dharma Bums"/Kerouac, "Coney Island of the

Mind"/Ferlinghetti, "First Third"/Neal Cassady, "Last of the

Mocassins"/Charles Plymell are sure-fire.

 

                Antoine

 

P.S. the Kerouac memorabilia collector and bibliographer Rod Anstee lives in

Ottawa and is occasionally on the list.

 

P.P.S. poetry slams have begun to take hold here in Montreal so it should

wok in Ottawa; a musical composition about Lord Buckley was presented in

Ottawa at their Chamber Music Festival last year. It was composed by David

Amram, a friend of Kerouac and Ginsberg. Lord Buckley was a hipster as

opposed to a beat!?

 

 

 

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

=========================================================================

Date:         Sun, 2 Nov 1997 14:39:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: [Fwd: Re: humble introduction]

Comments: To: James Stauffer <stauffer@PACBELL.NET>

In-Reply-To:  <345CD182.27FB@pacbell.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

What, pray tell, is backchanneling? Somebody enlighten me pls.

Thanks.

Love always, nancy

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sun, 2 Nov 1997 14:43:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Discovered soft words contemplating jazz..

In-Reply-To:  <BEAT-L%1997110214294679@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I also recommend Angel Headed Hispter, it has great pictures, a very

expensive book but well worth the price of the quality of the book and the

info on Jack. Its a coffeetable book but I dont have a coffeetable:), so I

keep it on my bookshelf...its edited by Steve Turner...enjoy

love always, Nancy

 

 

 

On Sun, 2 Nov 1997, Antoine Maloney wrote:

 

> Hi Laurie,

>

>         I'm down here in Montreal (transplanted American) and there are

> other Canadians on the list (Adrien Begrandout in Saskatchewan, poetry and

> comment; Neil Hennessey at Western(?), all things Burroughs; Derek Bealieu

> in Calgary, art, Beat poetry and writing, Mike Cakebread in Toronto ...who's

> threatening to leave us!, Michael Hayward out in Vancouver, beat and

> alternative presses and the best Van Morrison web site anywhere ...and

> others I've forgotten)

>

>         I arrived here with sonic and visual rather than literary interests,

> but theyve edjimacated me. I was in same position as you a year and a half

> ago, so I'll tell what I've got lots out of. First of all the Web; there is

> an inbelievable wealth of great and reliable material on all the main

> players and cultural themes; start with Levi Asher's site ( a beat list

> member) [http://www.charm.net/~brooklyn/].

>

>         For reading history and background, I strongly recommend "Jack's

> Book", a biography of Jack Kerouac told through interviews with his friends.

> Alternatively, "Desolate Angel" another Jack biography by Dennis McNally.

>

>         For recordings, the Phillip Glass recording "Hydrogen Jukebox" with

> libretto and readings by Allen Ginsberg, as well as Ginsberg's own "Ballad

> of the Skeletons". "Kerouac - kick joy darkness" a recently released tribute

> to Kerouac which includes some of his performance aling with many other

> great tribute performances. The Kerouac box set by Rhino is outstanding if

> you a live of Jack's voice. Three CDs that really deliver. Also, if you

> frequent alternative/used record stores in Ottawa, you might find that one

> of them has a great boot called "Beat Jazz: pictures from the gone world",

> vinyl on pesky serpent label. The Beat Generation box set on Rhino, as well

> as "Howls, Raps and Roars" are also good although Beat Geneartion is a

> little uneven with some beatsploitation material, but worth having

 nonetheless.

>

>         For the literature I'll let others kick in, but "On the Road",

> "Subterraneans", Dharma Bums"/Kerouac, "Coney Island of the

> Mind"/Ferlinghetti, "First Third"/Neal Cassady, "Last of the

> Mocassins"/Charles Plymell are sure-fire.

>

>                 Antoine

>

> P.S. the Kerouac memorabilia collector and bibliographer Rod Anstee lives in

> Ottawa and is occasionally on the list.

>

> P.P.S. poetry slams have begun to take hold here in Montreal so it should

> wok in Ottawa; a musical composition about Lord Buckley was presented in

> Ottawa at their Chamber Music Festival last year. It was composed by David

> Amram, a friend of Kerouac and Ginsberg. Lord Buckley was a hipster as

> opposed to a beat!?

>

>

>

>  Voice contact at  (514) 933-4956 in Montreal

>

>     "Blessed are they who can laugh at themselves, for they shall never

> cease to be amused."

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Sun, 2 Nov 1997 16:08:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Burroughs and methadone

 

Does anyone know the state of Burroughs' addiction at the time of his death.

I remember at the end of Literary Outlaw, Burroughs had started methadone

treatment. Is this correct? And how did that last? Earlier of course,

Burroughs had used the apomorphine treatment. Does Burroughs' later addiction

discount its effectiveness? Is apomorphine still used here or in England?

 

adios

mjs

=========================================================================

Date:         Sun, 2 Nov 1997 18:54:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: questionable backgrounds of some authors

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

You don't need to do any research to learn of Ez

Pound's anti-semitism.  He made anti-semitic broadcasts

for Mussolini's government from Italy during the war, and

spent some time in American nuthouses to compensate.  The

intervention of Ernest Hemingway and e e cummings helped

keep old Ez from being branded a traitor.  But I've read

some of Ez' ravings, and they are wonderful, filled with

imagery of craven jews.  Its all crap but Ez believed it

intensely.  The Beats were young men in the 40s, they

certainly could read about Ez in the newspapers.

 

Mike Rice

 

At 05:11 PM 11/1/97 -0600, you wrote:

>Nancy B Brodsky wrote:

>

>> This brings up an interesting question. Should we discount what might be

>> fine works of art because of a dubious connection to something

>> undesirable? I, myself, am a Jew and have every reason in the world to

>> regard all things  Hitler but I cant totally discount him. I am the first

>> person to acknowledge that Hitler was literally a genius. He was a smart,

>> manipulative man but he used his intelligence for evil, so for that

>reason

>> I do not necessarily respect his genius even though I acknowledge that he

>> was one, you know what I mean? Take Cat Stevens for example. He is a

>> fundamentalist Muslim or something, a supporter of Farrakhan but I like

>> his music. Kerouac wasn't fond of homosexuals but I still like his work.

>> Any response?

>

>My initial reaction is to remember that one is always on shaky ground when

>one mistakes the art for the artist (and vice versa).  People are extremely

>complicated, and can go through an incredible number of changes in a

>lifetime (the former Mr. Stevens...now known as Yusuf Islam... being an

>excellent modern-day example).

>

>I seem to recall that Kerouac and/or Ginsberg were crushed to discover

>through their research that Ezra Pound was an anti-Semite.

>

>Jym

>

>

=========================================================================

Date:         Sun, 2 Nov 1997 20:37:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Geese]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------164462545FB58CFD1A65CCC5"

 

This is a multi-part message in MIME format.

--------------164462545FB58CFD1A65CCC5

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Hi all:

 

When I wrote Geese and posted it, I copied Charles Plymell.  He in turn

sent to me this poem about a rabbit.  When the rabbit managed to run

between my front tires and clear the rear before they came along, I

thought of this poem.  That is why the most recent posting was dedicated

to Charles.  The undetermined point of view.  He gave me permission to

post this to complete the connection.  First Geese, then this, then my

rabbit poem.

 

Now, Charles also found something and would like to see if someone who

speaks this language, must be German or some similiar language to my

uneducated eye, can translate the last paragraph for him.  I am assuming

he means the one with Huncke in it.

 

http://www.fto.de/fthp/gassner/jk_mesdd2.html

 

I wrote and he replied in full:

 

Yes, your poem was my inspiration.

 

Also would you mind posting this site:

(http://www.fto.de/fthp/gassner/jk_mesdd2.html)

Pam found on the web to the list to see if someone could translate the

last

paragraph for me.

CP

 

If you can translate this and don't have Charles' address, please post

it to the list and there are several persons who will forward it to him.

And it is about Huncke, so it must be beat.  The paragraph also contains

the mention of Ozzy Osborne and other things that make it a unique

paragraph, that's for sure.  Uuuhhh, Charles, I do have the right link,

right?

:-)

 

I hope you enjoy the poem.  I found it to contain a lot in a little and

really like it.  It is black humor I guess, but a nice tidy piece of

work.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

--------------164462545FB58CFD1A65CCC5

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Return-Path: <CVEditions@aol.com>

Received: from emout19.mail.aol.com ([198.81.11.45]) by mail.scsn.net

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          Sun, 19 Oct 1997 16:14:39 -0400 (EDT)

Date: Sun, 19 Oct 1997 16:14:39 -0400 (EDT)

From: CVEditions@aol.com

Message-ID: <971019161211_1368518968@emout19.mail.aol.com>

To: bocelts@scsn.net

Subject: Re: Geese

 

I saw a rabbit road killed today

darting into time and space

the guts left of a view undetermined

cp

 

 

--------------164462545FB58CFD1A65CCC5--

=========================================================================

Date:         Sun, 2 Nov 1997 18:13:01 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@HOTMAIL.COM>

Subject:      Re: lately i just marlene

Content-Type: text/plain

 

>Date:         Fri, 31 Oct 1997 11:53:12 EST

>Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From: M84M79 <M84M79@AOL.COM>

>Subject:      Re: lately i just marlene

>To: BEAT-L@CUNYVM.CUNY.EDU

>

>marie,

>here's my address:

>

>Marlene Giraud

>935 Lemongrass Lane

>Wellington, Fla. 33414

>

>where do i send five bucks? ooh i can't wait to haer them...geez, i

sound like

>a five year old...thanks again....

>

>~~marlene

>.-

>

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

=========================================================================

Date:         Sun, 2 Nov 1997 23:30:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glenn Cooper <coopergw@MPX.COM.AU>

Subject:      Re: Burroughs and methadone

In-Reply-To:  <971102145448_-1728213696@emout02.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 16:08 02/11/97 -0500, you wrote:

>Does anyone know the state of Burroughs' addiction at the time of his death.

>I remember at the end of Literary Outlaw, Burroughs had started methadone

>treatment. Is this correct? And how did that last? Earlier of course,

>Burroughs had used the apomorphine treatment. Does Burroughs' later addiction

>discount its effectiveness? Is apomorphine still used here or in England?

>

>adios

>mjs

>

 

According to an obit written by Richard Hell, Burroughs was on the

methadone program until the day he died. Surprised the hell out of me.

 

The Hell article can be found at:

 

http://vs1.ws4.u-net.net/www.geek.co.uk/burroughs/hell.html

 

 

Glenn C.

=========================================================================

Date:         Mon, 3 Nov 1997 02:39:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Van the man and Unspeakable Visions for Bentz

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Bentz, (Bentz backchanneled me on this, but everyone should go visit....)

 

        The url is below and you should also check out his material (his

thesis actually) on small presses, Unspeakable Visions at.......

 

http://www.harbour.sfu.ca/~hayward/UnspeakableVisions/page1.html

 

 

For Van the man it's......

http://www.harbour.sfu.ca/~hayward/van/van.html

 

 

Michael Hayward has set up and maintains these pages. Hi Michael!

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

=========================================================================

Date:         Mon, 3 Nov 1997 02:53:12 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      More of the Dharma

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi everyone,

 

I just finished the first thirty pages of Some Of The Dharma, and

thought I'd share some interesting passages...I remember some people had

posted pieces from the book already, and if I'm repeating what you've

already posted please forgive my ignorance.

 

First of, there's a wonderful little snippet of a conversation between

Kerouac and Jamie & Cathy Cassady, revealing the origin of the 'God is

Pooh Bear' line from the final lines of On The Road:

 

"'Why is the mountain sitting there?' (man asks children)

Jamie: 'Because nobody's on there and we're not supposed to climb on

        it because the dirt'll fall off.'

'Who made the mountain?' (man)

They: 'God made it.'

Man: 'Who is God?'

Jamie: 'Us.' And right then Cathy sayd: He wants to play with the

fence.'

Man: 'Who?'

Cathy (showing bear toy): 'Me. Don't you know that I am Poo Bear?

 

God is Poo Bear"

 

 

"Eyeball leaps to see

Ego leaps to vain

Worry leaps to gnaw

Tongue to tattle, taste

Brain to frame

Imagination draw---

Foot leaps to walk

Finger to feel, grab, claw,

Cock to throb, think,

Mind to think up thoughts,

Choice to choose up choices,

But Right Mindfulness

Leaps to avoid:

  This is the true Morphine."

 

Finally, this funny little bit...with Jack fusing Buddhism and American

Express:

 

         "078-833-368

          078-833-367

          078-833-369

    Thus is the perfection of ancient Karma and of karma to come, but

that

it rots in pieces, and therefore who will abide by it in the mind?

    Brain struggleth, body ageth, Eternal Mind rest.

   Seventy eight (78) is the number of years that will enable me to

reach

the year 2000 A.D.  0-78 is the birth and death before it, and hint of

zeros after it, and 0. 833 IS THE PRESENT MYSTERY. 367 to 369 is the

rise

in vibratory perfection to a hum and come, and divides in Threes the

Saha

Triple World of Suffering for dissolution in Mind.

    (Numbers are from Travelers Cheques)"

 

So far the text of the book is what I'd expected...a lot of repetition,

not his best work, but with many little typical Kerouac nuggets

scattered throughout. All those little literary Samadhis make it all

worthwhile.

 

Adrien

=========================================================================

Date:         Mon, 3 Nov 1997 03:29:42 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: More of the Dharma

In-Reply-To:  <345DAD18.1B12@sk.sympatico.ca>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 3 Nov 1997, Adrien Begrand wrote:

 

> I just finished the first thirty pages of Some Of The Dharma, and

[...]

> First of, there's a wonderful little snippet of a conversation between

> Kerouac and Jamie & Cathy Cassady, revealing the origin of the 'God is

> Pooh Bear' line from the final lines of On The Road:

> [...]

> Man: 'Who?'

> Cathy (showing bear toy): 'Me. Don't you know that I am Poo Bear?

>

> God is Poo Bear"

 

glad to see that cleared up....I knew that line in OTR couldn't have

anything to do with the constellation Ursa Major....

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Mon, 3 Nov 1997 12:33:24 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      GOODBYE AND THANKS FOR ALL THE FISH

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

captain hoek here

trying to unsub

hope it goes through smoothly

no

im not mad at anybody.

time to go.

mc

=========================================================================

Date:         Mon, 3 Nov 1997 17:49:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: More of the Dharma

In-Reply-To:  <Pine.PMDF.3.95.971103032548.568440020C-100000@ctrvax.Vande

              rbilt.Edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 03.29 03/11/97 -0600, Jeff Taylor wrote:

>On Mon, 3 Nov 1997, Adrien Begrand wrote:

>

>> I just finished the first thirty pages of Some Of The Dharma, and

>[...]

>> First of, there's a wonderful little snippet of a conversation between

>> Kerouac and Jamie & Cathy Cassady, revealing the origin of the 'God is

>> Pooh Bear' line from the final lines of On The Road:

>> [...]

>> Man: 'Who?'

>> Cathy (showing bear toy): 'Me. Don't you know that I am Poo Bear?

>>

>> God is Poo Bear"

>

>glad to see that cleared up....I knew that line in OTR couldn't have

>anything to do with the constellation Ursa Major....

>

>*******

>Jeff Taylor

>taylorjb@ctrvax.vanderbilt.edu

>*******

>

cari amici,

 

at the end of "On the Road" we are in the heaven

"... and stars'll be out, and don't you know

        that God is Pooh Bear? the evening star..."

 

in the video (i've on CD, ed sullivan's show?)

where Jack Kerouac read

such sentence he turn his eyes to the sky,

 

maybe the above dharma dialogue (fine and good) was converted

to another metaphor in the OTR.

out of this planet the stars... "the father we never found".

i think that the lost father,

(god) is a hidden plot in the jack's novel.

 

un saluto a tutti da

rinaldo

*       the beet        *

=========================================================================

Date:         Mon, 3 Nov 1997 17:33:10 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      (FWD) Frank Winters

In-Reply-To:  <Pine.PMDF.3.95.971103032548.568440020C-100000@ctrvax.Vande

              rbilt.Edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From: "Eric Sharp" <stpltd@netway.net>

>To: <rasa@gpnet.it>

>Subject: Frank Winters

>Date: Sun, 2 Nov 1997 21:07:25 -0700

>

>    Frank Winters is a Denver poet in his early 50s  who has been

>translated into Serbian. He has traveled extensily in Europe,  India, Tibet

>and North American. He once featured Corso and Ginsberg as his  tatoo

>parlor/poetry venue in Commerce City, Colorado, and performed when he

>lived in London, where he has introduced several American writers to

>bookstores  and a now defunct newsletter Strangefish. He is published with

>Howling Dog Press  and sharptongue (Denver).    Eric Hjerstedt Sharp &

>publisher sharptongue

=========================================================================

Date:         Mon, 3 Nov 1997 12:22:10 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "THE ZET'S GOOD." <breithau@KENYON.EDU>

Subject:      Re: Burroughs and methadone

 

Yes, Burroughs was still on methadone at the time of his death. He had special

status and was allowed two weeks worth of "take homes" which means he did not

have to go to the clinic every day for his dose. His dose by the way, was

pretty small, he was just on maintenance level.

 

Dave B.

=========================================================================

Date:         Mon, 3 Nov 1997 14:59:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Web Page Updated!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The Kerouac Quarterly page has been updated today! News on Florida Kerouac

scholar, Bob Kealing and his attempt to preserve Jack Kerouac's and Memere's

Orlando cottage.

  Also, an organized reading of Some of the Dharma at St. Mark's in New York.

  Go to:

 

   http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html

 

              Thanks! Paul.....

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

=========================================================================

Date:         Mon, 3 Nov 1997 15:43:27 -0800

Reply-To:     Leon Tabory <letabor@cruzio.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: GOODBYE AND THANKS FOR ALL THE FISH

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Since you have not said anything to me personally about this shocking sudden

announcement, I thought I'sd wait to hear from you. I hope you are o.k. and

will let me know something.

 

Love

leon

 

 

-----Original Message-----

From: Marie Countryman <country@SOVER.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Monday, November 03, 1997 8:34 AM

Subject: GOODBYE AND THANKS FOR ALL THE FISH

 

 

>captain hoek here

>trying to unsub

>hope it goes through smoothly

>no

>im not mad at anybody.

>time to go.

>mc

>.-

>

=========================================================================

Date:         Mon, 3 Nov 1997 16:19:02 -0800

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Ring of bone/spontaneous orgasm

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Gary Glazner--

 

Somehow don't have your address of I'd send it direct.  Found the source

of the story of Lew's having a spontaneous orgasm after writing the

"ring of bone" poem in Lew's interview with David Meltzer in 1969

from--"Golden Gate: Interviews with Five Poets"  which I had forgotten I

owned and stumbled across the other day.  What a great collection of

interviews!

 

J. Stauffer

=========================================================================

Date:         Mon, 3 Nov 1997 20:07:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marlene Giraud <M84M79@AOL.COM>

Subject:      pome

Comments: cc: GTL1951@aol.com

 

    POETICIDE-- a writer's hallucination

 

     i sat in my room     with jack kerouac last night

              and i crumbled

   hugged my knees

   and listened to the voice of my

               mad

       cracked

              calloused

     hands -- the invention

     the spontaneous writer

     the ONLY writer...

      tossed my hair in a bun

    wrapped myself in cotton linens

    ate crackers and cheese    and laughed out loud

          i want to hear

         tappity taps and clickety clicks

      typewriters warming under my frenzied fingers

        but its the low glow of a computer

        and the silence of my suburbia

        marshmallow nights in front of the t.v.

        insomnia and piles of books--

     the reformation of a poet

                   i'm growing inside these tight blue jeans.

      writing my name in the sand

        or the blue knit carpet of my room

     my split-level home

     my split-level mind

            my aching jazz-soul

             my drippy slippy lilting voice that moves

        with my moods

             and slides through poetry like melted moons

      I want to get drunk!

      I want to get high!

         suck nicotine and kiss someone i hardly know

      smell the fog

           inhale the driveway concrete

           the neighbor's dog

          caricatured moonlight       spiderlight dances

     Oh! my piece of life

           piece of stained glass freedom

           piece of ass       and frozen highway

     Oh blue rain and sunday mornings

               memories of church choir and pancake breakfeast

i wish i didn't know where i'll be when i wake up.

     Oh jack,

               i need to feel hot wine sliding down my throat

                  take tea trips with eyes closed.

                i would've liked to seen your face

                        your drunksad eyes

                 maybe touch your shoulder

                              hear the world go "pop!"

    but, i'm still dreaming

           i'm still flowing

           i'm still creating

                           and maybe its not hitch hike america

      or booze freedom

                           maybe its not stolen cars

      or san francisco

          but its my journal i cling to

                 my innocence i run away from

   i love in soft waves

   i sing out loud in the car

   i scratch the sky

   i mold

   i grasp

   i hold

                i'm soaking in sadness

                      rolling in madness

            tracing my fingers along the edges

            guiding my hips

      the cd's on

                            repeat

                            repeat

                            repeat

       i feel like a woman

                               and i'm still naked.

 

  ~~marlene

         nov. 2nd at 1:00 am

=========================================================================

Date:         Mon, 3 Nov 1997 20:55:42 -0500

Reply-To:     Nancy B Brodsky <nbb203@is8.nyu.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Poem

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Here is a poem for you guys....enjoy!

 

 

Crying Myself to Sleep--April 5-20, 1997

Allen, how I never knew

and how I always wanted to kiss yourh and

stroke your beard

have your  baby

share a joint or two, even

but you went too soon

or maybe I was just born too late

a man of your genius is rarely created

and there shall be no  more

after you

Allen, the sone of the tragic Naomi, you have

gone

one more best mind destroyed by a madness of

a different kind

And I hope you dance

with Jack, up there in heaven

two friends reunited again

And I hope you look down and

taste my tears, my tears that fall for you

salty and bittersweet

and I found out in the most unnatural way, I

turned on the computer and Reauters hourly

news said POET IS DEAD

but you are not really and truly dead are you?

tell me you aren't,tell me

you're still here, jumping off the pages of my

red bible and right now, I wish I had a fire

escape, so I could sit on it, writing

poetry about the dearly departed but alas this is

not Brooklyn and its not 1954 and I'm

awakened from my fantasy reverie

and you are my own sit down vision

and I've been counting the Saturdays since you

died, isn't that awful?

I've collected every scrap of words about you

that I could

and its not so much that you died Allen

because you had to go sometime right?, but the

fact that you died before I met you, the fact

that I had so many chances to meet you but

slipped through my fingers like

my baby sister's hair

and I'm wracked with tears and my heart

weighs a ton since you're gone, baby

my "secret agent loverman"

as someone once said whose name escapes me

now but

I'm sure I'll wake up in the middle of the night

and remember her name

but by then it'll be too late because I'll have gone

on,

with my poem here and

this is where I say,

Good night, Allen, see you in my nighttime

dream.

 

 

Love Always, Nancy

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven

For

Sure-JK

=========================================================================

Date:         Mon, 3 Nov 1997 22:19:28 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      frans dream

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

a friend of mine and a friend of Williams, had a dream about william

about a week after the bardo. to me evoked memories of william, of how

he would move and act at a gathering.. i also find dreams that pathway

to magic so i send it here, he was a sweetie.

p

Frans' Dream

 

September 97

 

I was at a gathering to see a Buddhist master and friend, wm. Burroughs

for sensan. The gathering was at a home in the country.  With few

exceptions it was the same Kansas farm where the week before I had

attended wm.  burroughs bardo.

Many of the same people attended the sensan as had attended the bardo,

many close friends, others unknown to me.  seating was arranged in a

rough semicircle; wm was seated louts at its opening in his suit jacket

and trousers that fit him to loosely near the end of his life. He sat

and the crowd mingled and visited.

Occasionally, he would catch someone's eye with his characteristic

subtlety call a person to him

a slight beckoning of hand, and sideways s pull of his chin would cause

the person to go and join him.  There each would sat with him and

william would speak quietly to them - sometimes hand them something

sometimes reach out to touch an arm or chest.

It was a beautiful evening - the first cool refreshment after very hot

weather.  The people gathered were warm and comfortable with one

another.  I was thoroughly enjoying myself and I reflected(as I had at

the bardo) that wm had created a magical vibrant peace around the event.

I was about to comment as much to a friend when I glanced up to see wm

beckon me.  I went

and sat on the ground before wm. He said" i have something for you:

leaned left and pulled from his pocket a $50. Dollar bill, so crumbled

that it took some time for him to straighten it. Wm did this  with

patience and great care.  It was so soft and worn that it felt like fur

as he placed it on my palm.  "Wait, I have more" removed two dollar

bills which he straightened and placed on top of the first bill.  Laying

his hand on mine and gently grasping on it for just a moment.

I woke with the warmth of his hand on mine.

.

=========================================================================

Date:         Tue, 4 Nov 1997 00:51:45 -0800

Reply-To:     jjm@Tidalwave.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Mader <jjm@TIDALWAVE.NET>

Organization: Lockheed Martin

Subject:      1st post please read i need feed back thank u!!!!!

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

i would like to start off by saying this is my first post, i am

intrigued by your comments and keen observations. altought i think

instead of observations and enlighten about the the past we as a whole

shoud start a new "beat" (if u will), start going out and making noise,

start to unravale the thoughts that are so twisted up in are minds that

are screaming to get out.  instead of reveling in the 40's and 50's and

so on that we explore new territory and give the 90's a new name make

the beat happen now,play a cruel joke upon the 90's cosmic family, the

caravan driving , take the kids to baseball practice generation. we all

have something in common here we all have intrest in the past and we

love it, we want to live in it. but reality has denied us this request.

so we must make anew. take out thoughts of the past and interpreat them

into the 90's skeem of things and start a new joyous worship in the game

that we know is life our life we have been granted this lets go mad in

it and start an new generation of mad cat digging the beat.  i can see

it now young kids  going out in there parents sedan, making there way to

the local book store and pondering thoughts in a book written by "us"

buying this book and reaviling in its complexity yet its simplisity.

they start to use there mind and soon start another beat movement

appears and it is to never die, please lets let "IT" never die, let us

all have hope that no one is to foget out heros kerouac, ginsberg,

cassidy (thank you jack) the mad man in the JUNK yard bill burroughs

(take it form him) let us  spin wildly out of control and upon our

finger tip[s  let us spin a novel that shall,

 

 

                "DEFINE A GENERATION"

 

 

the end,

in need feed back to what i have gone to extreme to jote down upon the

page, please do not take away any credability acount of the spelling,

keep in mind i am young and still learing the ropes.  keep it rolling

ladies and gents its out life let live it!!!!!!!!!!!!!!!!!

=========================================================================

Date:         Tue, 4 Nov 1997 00:18:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: frans dream

In-Reply-To:  <345EA250.4E1C@sunflower.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Cool dream but I have one question..what's a bardo?

love always, nancy

 

 

 

On Mon, 3 Nov 1997, Patricia Elliott wrote:

 

> a friend of mine and a friend of Williams, had a dream about william

> about a week after the bardo. to me evoked memories of william, of how

> he would move and act at a gathering.. i also find dreams that pathway

> to magic so i send it here, he was a sweetie.

> p

> Frans' Dream

>

> September 97

>

> I was at a gathering to see a Buddhist master and friend, wm. Burroughs

> for sensan. The gathering was at a home in the country.  With few

> exceptions it was the same Kansas farm where the week before I had

> attended wm.  burroughs bardo.

> Many of the same people attended the sensan as had attended the bardo,

> many close friends, others unknown to me.  seating was arranged in a

> rough semicircle; wm was seated louts at its opening in his suit jacket

> and trousers that fit him to loosely near the end of his life. He sat

> and the crowd mingled and visited.

> Occasionally, he would catch someone's eye with his characteristic

> subtlety call a person to him

> a slight beckoning of hand, and sideways s pull of his chin would cause

> the person to go and join him.  There each would sat with him and

> william would speak quietly to them - sometimes hand them something

> sometimes reach out to touch an arm or chest.

> It was a beautiful evening - the first cool refreshment after very hot

> weather.  The people gathered were warm and comfortable with one

> another.  I was thoroughly enjoying myself and I reflected(as I had at

> the bardo) that wm had created a magical vibrant peace around the event.

> I was about to comment as much to a friend when I glanced up to see wm

> beckon me.  I went

> and sat on the ground before wm. He said" i have something for you:

> leaned left and pulled from his pocket a $50. Dollar bill, so crumbled

> that it took some time for him to straighten it. Wm did this  with

> patience and great care.  It was so soft and worn that it felt like fur

> as he placed it on my palm.  "Wait, I have more" removed two dollar

> bills which he straightened and placed on top of the first bill.  Laying

> his hand on mine and gently grasping on it for just a moment.

> I woke with the warmth of his hand on mine.

> .

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 01:29:15 -0800

Reply-To:     jjm@Tidalwave.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jerry Mader <jjm@TIDALWAVE.NET>

Organization: Lockheed Martin

Subject:      let us all dig!!!

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

going mad in a narcadic state proffesing to my girl my undying love,

long live dylan dig he people!!!

=========================================================================

Date:         Mon, 3 Nov 1997 23:47:39 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: 1st post please read i need feed back thank u!!!!!

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jerry Mader wrote:

>

> i would like to start off by saying this is my first post, i am

> intrigued by your comments and keen observations. altought i think

> instead of observations and enlighten about the the past we as a whole

> shoud start a new "beat"

 

dear jerry, i would prefer to continue a few observations and writings

about those old guys who wrote back in the forties and fifties, i

sometimes get some ideas from them and gain some understanding that

helps me write myself.  I like the idea of new novels.  I have a

personal interest of writing past the one of explaining or expressing a

generation.  I feel that that is a good thing to write and should be

written but i am getting old and with that i feel less identified with

any particular generation, my friends and influences are

multigenerational and now multnational.  I think it is time for a novel

about how mean we as a people are and how in hell can we find love and

kindness and why we should. i am also interested in exercise, exercise

of the imagination, the mind, the heart and the soul.  the world is

flabby. i quess that is my main observation on life.

p

=========================================================================

Date:         Tue, 4 Nov 1997 00:24:39 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: 1st post please read i need feed back thank u!!!!!

Comments: To: jjm@Tidalwave.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jerry Mader wrote:

>

> instead of reveling in the 40's and 50's and

> so on that we explore new territory and give the 90's a new name make

> the beat happen now...we all have intrest in the past and we

> love it, we want to live in it.

 

Totally untrue. Good writing is timeless. The great thing about the

beats is that it sounds fresh even today. Reading Kerouac's _Some Of The

Dharma_ I've noticed how far ahead of his time Jack was...it's still

heady stuff today.

 

> play a cruel joke upon the 90's cosmic family, the

> caravan driving , take the kids to baseball practice generation. we all

> have something in common here  but reality has denied us this request.

 

What's that supposed to mean? What's wrong with driving a Caravan and

taking yr kids to baseball practice? That comment didn't make any sense

whatsoever.

 

Adrien

=========================================================================

Date:         Tue, 4 Nov 1997 01:46:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "PoOka(the friendly ghost)" <jdematte@TURBO.KEAN.EDU>

Subject:      what would Kerouac think....

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hey folks,

        based on what we know about Jack and the rest of the lads, what

do you think their comments would be on the 90s, especially "gen x." ?

Are we producing huge amounts of inspiring literature and social

movements? Or are we just wasting time designing webpages and charging

our cell phones? (i have neither. apologies for being too generalizing).

Why is it that we look to the past for inspiration? Could it be that many

of us were born too late?

                                        jason

=========================================================================

Date:         Tue, 4 Nov 1997 08:49:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: what would Kerouac think....

In-Reply-To:  <Pine.OSF.3.91.971104014413.14724A-100000@turbo.kean.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I don't think there's anything particularly amazing about this generation.

There's a good book called Generations that talks about the cyclical

nature of generations and relates the so-labled Generation X (even though

those originally labled as such are now hitting their late-20s and 30s)

to Hemingway's and Fitzgerald's Lost Generation.  American culture is also

stinkingly nostalgic.  I don't think this is particularly characteristic

of this generation but a product of the post-modern globalization (the

millenium doesn't help) of culture.  We react by tightening up and

embracing the bits of our culture that makes us unique.

Multi-culturalism, The Brady Bunch Movie, Fame L.A., The Eagles, the

newfound admiration of hair music and glam rock of the Eighties (oh how

soon we forget Poison), Jon Bon Jovi's new album, aliens-are-evil movies,

disaster movies, Ric Flair, the popularity of tradtional jazz, ESPN's

classic games show; while sometimes its okay because (in the case of the

Beats) greatness gets recognized and something worthwhile is learned.

Sometimes, though, its pretty nausiating.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Tue, 4 Nov 1997 09:26:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: 1st post please read i need feed back thank u!!!!!

Comments: To: Jerry Mader <jjm@TIDALWAVE.NET>

In-Reply-To:  <345EE221.4D0C@Tidalwave.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

What's wrong with driving a minivan and taking the kids to baseball

practice? I couldn't help but be somewhat turned off by this post.  Some

of us are already out there, working a new "beat", except there's nothing

new about it. Every generation has its own beat, and so what if its family

oriented or whatever. I don't know if I can speak for anyone but myself,

but the reason why I talk so much about JK and AG is because I wish my

life could have been like theirs, not that I don't have my own beat going

on, because I do but there's no harm in daydreaming...

Let the kids dream.

~Nancy

 

 

 

 

On Tue, 4 Nov 1997, Jerry Mader wrote:

 

> i would like to start off by saying this is my first post, i am

> intrigued by your comments and keen observations. altought i think

> instead of observations and enlighten about the the past we as a whole

> shoud start a new "beat" (if u will), start going out and making noise,

> start to unravale the thoughts that are so twisted up in are minds that

> are screaming to get out.  instead of reveling in the 40's and 50's and

> so on that we explore new territory and give the 90's a new name make

> the beat happen now,play a cruel joke upon the 90's cosmic family, the

> caravan driving , take the kids to baseball practice generation. we all

> have something in common here we all have intrest in the past and we

> love it, we want to live in it. but reality has denied us this request.

> so we must make anew. take out thoughts of the past and interpreat them

> into the 90's skeem of things and start a new joyous worship in the game

> that we know is life our life we have been granted this lets go mad in

> it and start an new generation of mad cat digging the beat.  i can see

> it now young kids  going out in there parents sedan, making there way to

> the local book store and pondering thoughts in a book written by "us"

> buying this book and reaviling in its complexity yet its simplisity.

> they start to use there mind and soon start another beat movement

> appears and it is to never die, please lets let "IT" never die, let us

> all have hope that no one is to foget out heros kerouac, ginsberg,

> cassidy (thank you jack) the mad man in the JUNK yard bill burroughs

> (take it form him) let us  spin wildly out of control and upon our

> finger tip[s  let us spin a novel that shall,

>

>

>                 "DEFINE A GENERATION"

>

>

> the end,

> in need feed back to what i have gone to extreme to jote down upon the

> page, please do not take away any credability acount of the spelling,

> keep in mind i am young and still learing the ropes.  keep it rolling

> ladies and gents its out life let live it!!!!!!!!!!!!!!!!!

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 09:30:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what would Kerouac think....

In-Reply-To:  <Pine.OSF.3.91.971104014413.14724A-100000@turbo.kean.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Exactly!!! We were born too late. I have spent most of my life kicking my

fate in the ass for this. I don't have webpage or a cellphone either and

I don't care to have one.

We look to the past for insiration because it is romantic, that whole Beat

movement and sets the wheels in our heads in motion. Its not just the

Beats. We take inspiration from everything around us, past or present.

 

 

 

 

On Tue, 4 Nov 1997, PoOka(the friendly ghost) wrote:

 

> hey folks,

>         based on what we know about Jack and the rest of the lads, what

> do you think their comments would be on the 90s, especially "gen x." ?

> Are we producing huge amounts of inspiring literature and social

> movements? Or are we just wasting time designing webpages and charging

> our cell phones? (i have neither. apologies for being too generalizing).

> Why is it that we look to the past for inspiration? Could it be that many

> of us were born too late?

>                                         jason

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 09:48:36 -0500

Reply-To:     Nancy B Brodsky <nbb203@is8.nyu.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what would Kerouac think....

In-Reply-To:  <Pine.OSF.3.96.971104083335.24899A-100000@am.appstate.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I beg to differ. I think that my generation is amazing. A lot of people

have misconceptions about us because of the media but most of us are doinf

good stuff. I'm a literacy tutor in an elementary school on the Lower East

Side. I'm also a JumpStart corps member and I work with a little boy at a

HeadStart, also on LES. There's lots of us out there, doing lots of things

to effect change  but you wouldn't know this if you never interacted with

kids my age. We aren't all mallrats and shiftless potheads, and might I

add, your generation had quite a few potheads,too. I'm jaded but I'm not

cynical. Life is the best that it has been. Our opportunities are the

best and most of us take advantage of that.

Im proud of my generation...

 

 

 

 

 

 

On Tue, 4 Nov 1997, Alex Howard wrote:

 

> I don't think there's anything particularly amazing about this generation.

> There's a good book called Generations that talks about the cyclical

> nature of generations and relates the so-labled Generation X (even though

> those originally labled as such are now hitting their late-20s and 30s)

> to Hemingway's and Fitzgerald's Lost Generation.  American culture is also

> stinkingly nostalgic.  I don't think this is particularly characteristic

> of this generation but a product of the post-modern globalization (the

> millenium doesn't help) of culture.  We react by tightening up and

> embracing the bits of our culture that makes us unique.

> Multi-culturalism, The Brady Bunch Movie, Fame L.A., The Eagles, the

> newfound admiration of hair music and glam rock of the Eighties (oh how

> soon we forget Poison), Jon Bon Jovi's new album, aliens-are-evil movies,

> disaster movies, Ric Flair, the popularity of tradtional jazz, ESPN's

> classic games show; while sometimes its okay because (in the case of the

> Beats) greatness gets recognized and something worthwhile is learned.

> Sometimes, though, its pretty nausiating.

>

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 10:54:16 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      am i back?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

lost in cyberspace, looking for my friends.

mc

=========================================================================

Date:         Tue, 4 Nov 1997 15:02:01 UT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@CLASSIC.MSN.COM>

Subject:      Re: am i back?

 

Marie!!!  we've been here chanting and meditating upon your return.  welcome

back, lost little beat!!!

 

sherri

 

----------

From:   BEAT-L: Beat Generation List on behalf of Marie Countryman

Sent:   Tuesday, November 04, 1997 2:54 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        am i back?

 

lost in cyberspace, looking for my friends.

mc

=========================================================================

Date:         Tue, 4 Nov 1997 10:20:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      translation

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

If anyone can translate that German piece that Charles sent to the

list through me, Pam wrote and pointed out that near the end there is

a post/paragraph about Charles Plymell.  I think that is the one that

they wanted translated.  Please help if you can.

 

Thanks.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 4 Nov 1997 08:15:49 -0800

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: am i back?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

mc

 

And we thought You were the one who had left!

 

js

 

Marie Countryman wrote:

>

> lost in cyberspace, looking for my friends.

> mc

=========================================================================

Date:         Tue, 4 Nov 1997 11:15:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: what would Kerouac think....

In-Reply-To:  <Pine.OSF.3.95.971104094045.19359F-100000@is8.nyu.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> I beg to differ. I think that my generation is amazing. A lot of people

> have misconceptions about us because of the media but most of us are doinf

> good stuff.

 

What I mean is that I don't see this generation as particularly unique (as

a whole I mean).  This is the first one to come of age completely in the

trench of post-modernism (which is in itself unique), but as the

post-modern world is unique, there is difficulty finding a way of dealing

with it.  The hippies, the beatniks, the beats, the lost generation had

specific and logical ways to deal with the world as it presented itself at

that time.  Post-modernism has led to such a mish-mash of culture and

ideas, looking to the past as a reaction to the anxious present in an

attempt to understand everything that has become and is becoming of

culture and society there is not _distinct_ way in which this generation

has come upon to deal with and understand this era.  I'm not saying there

aren't a lot of worthwhile people and things happening (although I wonder

sometimes when I look around), I'm just saying that has yet a particular

reaction or distinguishing characteristic to emerge.  I do, however, see

great potential as American culture has just in this century become

distinguishable (or begun to be distinguishable) from European culture and

traditions.  Once post-modernism becomes something that can be understood

in about 20 or 30 years, it may be an incredibly important time in

cultural history.  I think that American culture since the turn of the

century will become quite important to bring about that coalescence and

the Beats in particular are a pivitol point in that development.

=========================================================================

Date:         Tue, 4 Nov 1997 12:52:43 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      tape spinning psychosis

MIME-Version: 1.0

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              x-mac-creator="4D4F5353"

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blatenly off the beat en path

welcome to my little bizarro land

poem for 3 voices: a conversation in my head

 

my body's walking the rest of me downtown

going to get tapes

spin them for my friends

someone beat in here remembers a boheme

saying 'normal bias is all you need' in a weekend past.

 

NORMAL BIAS??????? shrieks "FOR THAT CREW, NORMAL?????"

WHAT PERVERSIONS R U UP TO????

(shut up mom)

 

"er.....from the corner on top shelf of bookcase:

normal bias is all you need for spoken word recordings"

 

oh well, yes, that is, yes.

all taking place within a nanosecond, leaving me with raging brain.

normal bias is all i need. yes.

btw: knowing many folks here are not from the land of the GD and taping

etiquette. usually in GD tapes as well with spoken word tapes with

others on list, the deal is either a swap or $ for postage and a blank

tape enclosed.

i really like spreading the word, but my body likes to eat every 3 days

or so.

if i've been testy, please excuse.

anyone who receives a tape i would be wildly enthused if a tape of bias

equal to what your tape is. all tapes looking space age generic are

multi/mother tapes used in first run sound board stuff. music high bias

quality.

i think this is the stuffiest i have ever been. it's hard when you can't

absorb costs ..

mc

=========================================================================

Date:         Tue, 4 Nov 1997 11:54:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what would Kerouac think....

In-Reply-To:  <Pine.OSF.3.96.971104110208.9541A-100000@am.appstate.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I resent the fact that you seem to be discounting my generation. You can't

possibly know what its like for us unless you are us. How old are you

anyway?

 

 

On Tue, 4 Nov 1997, Alex Howard wrote:

 

> > I beg to differ. I think that my generation is amazing. A lot of people

> > have misconceptions about us because of the media but most of us are doinf

> > good stuff.

>

> What I mean is that I don't see this generation as particularly unique (as

> a whole I mean).  This is the first one to come of age completely in the

> trench of post-modernism (which is in itself unique), but as the

> post-modern world is unique, there is difficulty finding a way of dealing

> with it.  The hippies, the beatniks, the beats, the lost generation had

> specific and logical ways to deal with the world as it presented itself at

> that time.  Post-modernism has led to such a mish-mash of culture and

> ideas, looking to the past as a reaction to the anxious present in an

> attempt to understand everything that has become and is becoming of

> culture and society there is not _distinct_ way in which this generation

> has come upon to deal with and understand this era.  I'm not saying there

> aren't a lot of worthwhile people and things happening (although I wonder

> sometimes when I look around), I'm just saying that has yet a particular

> reaction or distinguishing characteristic to emerge.  I do, however, see

> great potential as American culture has just in this century become

> distinguishable (or begun to be distinguishable) from European culture and

> traditions.  Once post-modernism becomes something that can be understood

> in about 20 or 30 years, it may be an incredibly important time in

> cultural history.  I think that American culture since the turn of the

> century will become quite important to bring about that coalescence and

> the Beats in particular are a pivitol point in that development.

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 12:03:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject:      Re: 1st post please read i need feed back thank u!!!!!

Comments: To: jjm@Tidalwave.net

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> instead of reveling in the 40's and 50's and

>so on that we explore new territory and give the 90's a new name make

>the beat happen now,play a cruel joke upon the 90's cosmic family, the

>caravan driving , take the kids to baseball practice generation.

>so we must make anew.

 

     <kaching!>  this, my friend, is the responsibility of our

generation of writers.. our generation being us youngins, the young

20somethings.  our 90s cosmic family needs 10 times the shaking than

the 50s one.  and, just as for jack and the rest, we're confronted with

the difficulty that the figureheads in the publishing world are not of

our ilk, but of an older gen, coupled with the capitalist money making

histeriafrenzy; books are made on marketability alone, and, while any

book is potentially marketable to some group out there, publishing

sharks want what caters to the very cosmifamily we, as the new writers,

are trying to affect.  and so the man be against us, and, at the

slightest sign of our interest in rocking their comfortable views, will

procede post haste to get medieval on our asses.  and so, you see, we

need to act now, no what-ifs.. are you a writer? let's go! strength in

numbers, baby, strength in numbers.  we have the strong advantageous

force of advanced communication on our side... we can use the fads to

our advantage, the internet, the www, computers; we can self-publish

and spread spread spread the mascufem love of our drive to

innerouteroversouldom...  let's get groovin now and show the zombies in

this country what bitchin disco really is...

 

                                                   peace and

funkilicious love

 

 ty

=========================================================================

Date:         Tue, 4 Nov 1997 12:10:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject:      Re: what would Kerouac think....

MIME-Version: 1.0

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>        based on what we know about Jack and the rest of the lads, what

>do you think their comments would be on the 90s, especially "gen x." ?

>Why is it that we look to the past for inspiration? Could it be that

>many

>of us were born too late?

 

     i think you've answered your own question.  the very fact that we

look to the past, us on this list, the kids who try to relive the 60's,

etc., is because the 90's are so fucked up.  no one knows what's going

on, we're all lost, community globalization has come too quickly for us

to assimilate, mass instant distanceless communication has turned us on

our heads.. why? because we, especially in this country, maintain our

grip on reality, on polarity, on what is and isn't, on fascism, on

outdated principles, laws, perceptions.. it iis the very past we look

back to that is responsible for our confusion in this new world.

=========================================================================

Date:         Tue, 4 Nov 1997 12:20:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject:      Re: what would Kerouac think....

Comments: To: nbb203@is8.nyu.edu

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 8bit

 

>. I'm a literacy tutor in an elementary school on the Lower East

>Side. I'm also a JumpStart corps member and I work with a little boy at

>a

>HeadStart, also on LES.  Life is the best that it has been. Our

>opportunities are the

>best and most of us take advantage of that.

>Im proud of my generation...

 

     one of the main problems with our generation is its strangle hold

on idealism.  it's disgusting the way we cling to bullshit

brainwashings like environmentalism, and "making the world a better

place," and all of the smarmy shit you can see any given day on any

american college campus.  like, puke me now.

=========================================================================

Date:         Tue, 4 Nov 1997 12:31:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Ferlinghetti article

In-Reply-To:  <Pine.OSF.3.95.971104115346.18032A-100000@is8.nyu.edu>

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(text of today's USA feature story on Larry Ferlinghetti.  Copyright 1997

Gannett Inc.  WWW.usatoday.com)

 

 

Beat poet Ferlinghetti on the road again

 

                      SAN FRANCISCO - With the deaths this year of

                      authors William Burroughs and Allen

                      Ginsberg, it seemed like the end of the road for

                      the Beats.

 

                      But in a dowdy book shop here on a busy North Beach

                      street corner, poet and political

                      activist Lawrence Ferlinghetti is carrying the Beat

                      legacy into the 21st century.

 

                      And that legacy is brighter than ever. City Lights

                      publishing, a division of the bookstore

                      that Ferlinghetti founded in 1953, is in the

                      forefront of avant-garde publishing. Courses in

                      Beat literature are staples on college campuses

                      nationwide. New anthologies of Beat

                      writings fill bookstore shelves. And a movie

                      version of Jack Kerouac's On the Road is in

                      the works.

 

                      Even the recent resurgence of coffee bar culture

                      and poetry slams has its roots in the Beats,

                      says Jack Nachbar, professor of popular culture at

                      Bowling Green State University. "The

                      Beats are getting publicity because of the deaths

                      of some of the writers or the anniversary

                      of certain publications. That resonates with

                      boomers who read those guys and were excited

                      by them."

 

                      This iconization of his friends brings a bemused

                      twinkle to Ferlinghetti's icy blue eyes. To

                      him, the writings of Kerouac, Ginsberg, Burroughs,

                      Gary Snyder et al. were not isolated

                      examples of literary rebellion. "The Beats were

                      just a phase of dissident literature," says

                      Ferlinghetti, 78, from his office on the

                      bookstore's top floor. "Look at Baudelaire, Poe

                      and Whitman. There's a long line of outsider

                      literature."

 

                      The Beats' outlaw image captured the American

                      imagination, he says. "Kerouac and (Neal)

                      Cassidy were the prototypical American anti-heroes.

                      Had Cassidy lived in the 19th

                      century, he'd have ridden a horse. But in the 20th

                      century, his hot rod was his horse. The

                      idea of being on the road was part of that

                      tradition."

 

                      Ferlinghetti will forever be associated with the

                      Beat camp, but his place in American letters

                      goes beyond that, says Doug Brinkley, professor of

                      history at the University of New

                      Orleans and Beat era expert. "He was the

                      progenitor, along with (poet) Kenneth Rexroth,

                      of the San Francisco poetry renaissance.

 

                      "By opening City Lights, he attracted hobo

                      wanderers, Zen Buddhists, disenfranchised

                      poets, dissidents and political exiles to San

                      Francisco, and it became the place to be for

                      alternative living and multiculturalness."

 

                      Ferlinghetti didn't set out to be a social

                      revolutionary or a Beat. "I got associated with them

                      because I published them. I was a bohemian, an

                      artist. I wore a beret."

 

                      He picked up the knack for both painting and beret

                      wearing while living in Paris on the

                      G.I. Bill after the war. He had joined the Navy in

                      1941 and commanded a ship during the

                      Normandy invasion. In 1951, he married Selden

                      Kirby-Smith, an American artist, and

                      they moved to San Francisco. Ferlinghetti and

                      Kirby-Smith, who divorced in 1976, had

                      two children.

 

                      Disenchanted by his wartime experiences,

                      Ferlinghetti got caught up in the underground

                      liberal fervor of the time. City Lights became its

                      headquarters, and Ferlinghetti its poetic

                      voice of dissent.

 

                      Today, the walls of City Lights are still hung with

                      dissident posters; one declares "Death to

                      the State." Upstairs, Ferlinghetti's office is hung

                      with posters and photos of Beat writers,

                      including a picture of Ferlinghetti with a gaunt

                      Ginsberg. "It was his last photo taken in

                      San Francisco," he says.

 

                      Ginsberg died of liver cancer in April. A heart

                      attack claimed Burroughs in August. "It's

                      been a sad year for me," Ferlinghetti says of his

                      departed friends. His fellow poet is a

                      particular loss. "In the poetic firmament in the

                      sky, there's a big hole since Ginsberg died."

 

                      Ferlinghetti's name will forever be linked with

                      Ginsberg's because City Lights published

                      Howl in 1956.

 

                      Ferlinghetti knew the epic poem containing

                      references to drug use and homosexuality

                      would be controversial. "After reading it, I

                      approached the American Civil Liberties

                      Union, and they committed themselves to defending

                      us."

 

                      When Howl was brought to court on obscenity

                      charges, Ferlinghetti won the case.

 

                      "The municipal court in San Francisco decided if

                      the book had the slightest redeeming

                      social significance, it wasn't obscene."

                      Ferlinghetti states with pride that the Howl case set

                      a precedent for the publication of other

                      controversial works, including those by Henry

                      Miller and Jean Genet.

 

                      In his own poems, Ferlinghetti never shied away

                      from hot-button issues. Tyrannus Nix?

                      (1969) blasted President Nixon for the war in

                      Vietnam. It established him as the political

                      Beat.

 

                      "His poetry is underrated," says Brinkley, who

                      believes that Ferlinghetti remains in the

                      shadow of Ginsberg. "He's a top-tier poet of 20th

                      century America. He can be talked

                      about in the same breath as Carl Sandburg for

                      having a deadpan honesty."

 

                      Ferlinghetti is still producing politically charged

                      poetry. His latest collection, A Far

                      Rockaway of the Heart, was published in May as a

                      companion to his famed A Coney

                      Island of the Mind (1958). The new poem History Is

                      Made . . . contains the lines "A lot of

                      genocides and massacres/maybe never really

                      happened/so the record should be corrected/

                      like the Holocaust or the rape of Cuba and

                      Nicaragua or Cambodia or Timor."

 

                      "I was a Fidelista in the '60s and a Sandinista in

                      the '80s. I guess I'm a just tourist of

                      revolutions," says the self-proclaimed anarchist.

 

                      True to his politics, Ferlinghetti believes that

                      the USA is in need of revolution now. "There

                      doesn't seem to be any rebellious voice raised. To

                      be political is seen as uncool."

 

                      He goes so far as to compare the '90s to the '50s.

                      "It's like the McCarthy era; there's a

                      pressure for conformity."

 

                      And he considers the computer revolution the new

                      Cold War. Just as we fought the

                      "inhuman" forces of communism in the '50s, we're

                      fighting the "inhuman" forces of

                      technology today, he says.

 

                      Although City Lights has a Web site, Ferlinghetti

                      is resisting the cyber lifestyle. "In the

                      '60s, the slogan was 'Be Here Now.' Today, with

                      cell phones and the Internet and the

                      World Wide Web, the slogan is 'Be Somewhere Else

                      Now.' "

 

                      For that reason, Ferlinghetti thinks the spirit of

                      the Beats is needed now more than ever.

                      "They're the only rebellion around." The most

                      rebellious voices today are feminist and

                      Third World authors, particularly Latin Americans,

                      he says. "Whitey doesn't have a

                      revolution of his own, so he has to latch on to

                      others' revolutions."

 

                      With City Lights publishing, Ferlinghetti aims to

                      fulfill his mission: fomenting

                      international dissidence. So it's no surprise that

                      the fall catalog lists books by several

                      feminist and Latin American authors. After all, he

                      says, "you can't publish a revolution if

                      there isn't one."

 

                      By Cathy Hainer, USA TODAY

=========================================================================

Date:         Tue, 4 Nov 1997 12:34:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what would Kerouac think....

Comments: To: Tyson Ouellette <Tyson_Ouellette@umit.maine.edu>

In-Reply-To:  <msg1167517.thr-72251487.55d4a82@umit.maine.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

How dare you attack my idealism? And you know what, our idealism is

working. I dare you to go to the second grade classroom where I work and

tell those kids that nothing will make a difference in their lives. Just

because you are jaded and cynical, doesn't mean that that view is

representative of our generation. I feel sorry for people like you.

If you aren't part of the solution,you're part of the problem, so keep you

mouth shut if you have nothing worthwhile to say. (I'm guessing that you

are one of those people that likes to blame everybody for everything

except yourself...grow up)

 

 

 

On Tue, 4 Nov 1997, Tyson Ouellette wrote:

 

> >. I'm a literacy tutor in an elementary school on the Lower East

> >Side. I'm also a JumpStart corps member and I work with a little boy at

> >a

> >HeadStart, also on LES.  Life is the best that it has been. Our

> >opportunities are the

> >best and most of us take advantage of that.

> >Im proud of my generation...

>

>      one of the main problems with our generation is its strangle hold

> on idealism.  it's disgusting the way we cling to bullshit

> brainwashings like environmentalism, and "making the world a better

> place," and all of the smarmy shit you can see any given day on any

> american college campus.  like, puke me now.

>

>

>

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

=========================================================================

Date:         Tue, 4 Nov 1997 09:36:09 -0800

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: what would Kerouac think....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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Babble, babble, babble!

 

We were all born too late for somethings, too early for others.

 

Isn't there a chat room for tortured Gen X'rs to go to to moan about

their mistimed births? Or some other list: Angst-L, Po Me Born too

Late-L, Would Jack have had Pierced Nipples-L . . .

 

JS

=========================================================================

Date:         Tue, 4 Nov 1997 11:40:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: what would Kerouac think....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

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>      one of the main problems with our generation is its strangle hold

> on idealism.  it's disgusting the way we cling to bullshit

> brainwashings like environmentalism, and "making the world a better

> place," and all of the smarmy shit you can see any given day on any

> american college campus.  like, puke me now.

 

gee, i love this, the thinking, the rich prose, it makes me quiver. Here

but for a few bad habits go i.  shit, this is just so cool. i hate

everything too.  all these people spending there goddam time with the

worthless no good world, they aught to wake up, it isn't cool.why do

they bother to say this environmental stuff, i am not going to think

they are cool no matter what they do.

love

p

=========================================================================

Date:         Tue, 4 Nov 1997 12:45:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what would Kerouac think....

Comments: To: James Stauffer <stauffer@PACBELL.NET>

In-Reply-To:  <345F5D09.3BA@pacbell.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Yeah, isn't there one? I'm tired of gen x'ers giving my  generation bad

name. Our generation is so cool that we don't need some label to establish

us...

 

 

 

 

On Tue, 4 Nov 1997, James Stauffer wrote:

 

> Babble, babble, babble!

>

> We were all born too late for somethings, too early for others.

>

> Isn't there a chat room for tortured Gen X'rs to go to to moan about

> their mistimed births? Or some other list: Angst-L, Po Me Born too

> Late-L, Would Jack have had Pierced Nipples-L . . .

>

> JS

>

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 



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