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--Part9711101703A--

=========================================================================

Date: Mon, 10 Nov 1997 09:58:03 -0800

Reply-To: Leon Tabory <letabor@cruzio.com>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Leon Tabory <letabor@CRUZIO.COM>

Subject: Re: another Kerouac?

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Hi Nancy, I love your spiritedness, I still want to answer your post-.

The emergemce of a top flower that just approaches perfection more than the

vast number of specimen that are all reaching for it, is just a fact of

nature. Whatever I am looking at, from a to z, including marijuana, or

physical strength or beauty, wheat fields produced by nature, art produced

by persons, there are the vast majority, the avarage, pretty good enough to

survive, but have to strain everything they got just to do that, to survive.

Usually the first taste of it overwhelms you with how great it is, but it

don't stay long, leaves you tired and exhausted. Had to strain too much. A

very few are not equipped well enough to survive. Poor specimen. Sad. But no

less value in the scheme of things. I too enjoy my life, even though I drop

my jaws in awe when I see what other people are producing. Dismissing

unequal endowment as "just competition" to outdo each other just looks away

from the fact of nature.

I like Diane's calling to our attention Kerouac's distinctions between

talent and genius. (Thanks Diane, I so often want to say thanks Diane) Lots

of us strain our talents to do something good with it, many of us succeed,

barely.

In human mind matters we call the very, very few top flowers "genius". What

was the dream of many writers, to produce the great american novel, was many

times a metaphor for the dream of saying it all in a manner that elnlightens

about everything and inspires the imagination of the reader to get the full

story. Of course there are zillions of beautiful, inspiring and illuminating

sories, but somewhere is the genius above all other geniuses that every

connoiseur is dying to encounter, that will weave the details into the full

picture, lots of ways to say it. We always are on the lookout for that

essence captured in its richness of details in an appetizing appealing work

that shows it all to us, no matter how complex.

Maybe OTR did this for the post wwII educated white middle class american

youth. But where is the book of the century that starts plunging into the

currents of America, the frontrunner of the Western world history and

culture wher the families nations and races of the past move in together one

way or another in strife misery and mistreating each other, their environent

and each other but somehow also forced into melding together, building vast

technologies, a new race in the making, in turbulent, dynamic action and

power hungry arm twisting moving from pen to computer, from ground to air

locomotion, where is the work that will hold it all up to us like a dazzling

mirror to the imagination. Some genius will be there using all the tools

available, then we will know it when we see it. Just like Shakespeare or

Beethoven stood out of the crowd. We'll know them when we see them. And yes,

absolutely let's enjoy whatever beauty is produced all around us avey day,

everywhere.

leon

-----Original Message-----

From: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, November 09, 1997 10:50 AM

Subject: Re: another Kerouac?

>Why does there have to be ONE GREAT AMERICAN NOVEL? I would think that

>there would be many such novels, especially, when one takes in

>consideration, the number of genres that are out there and, also, how

>writing styles of changed in the past one hundred years. Trying to

>choose THE GREAT AMERICAN NOVEL from many different genres is like

>comparing apples and oranges. Why don't we just sit back and enjoy whats

>out there? Not everything has to be a competition.

>~Nancy

>On Sun, 9 Nov 1997, Sherri wrote:

>> i'm beginning to think that the "Great American" novel of this century as

>> actually possible. the country is so huge, experience from region,

class,

>> race, religion so variable any more - i think it would take a James Joyce

>> encompass it all. only person of that ilk that comes to mind for me is

>> Umberto Eco - hardly a candidate for writing an "American" novel.

>> much as i love and revere Fitzgerald and some of the others mentioned, i

fear

>> the notion can't really be entertained realistically. or do i, perhaps,

have

>> a different notion of what the Great American novel of this century is?

>> ciao,

>> sherri

>> ----------

>> From: BEAT-L: Beat Generation List on behalf of James Stauffer

>> Sent: Sunday, November 09, 1997 9:43 AM

>> To: BEAT-L@CUNYVM.CUNY.EDU

>> Subject: Re: another Kerouac?

>> Joey,

>> I'd have to concur with you on Gatsby. I'm not sure that as the century

>> closes we are quite sure what a novel is anymore and the importance of

>> the form seems to be in at least a temporary decline.

>> There have been a lot of wonderful books in our times, but I can't think

>> of as perfect a novel as Gatsby in our time.

>> J. Stauffer

>> Joey Mellott wrote:

>> >

>> > I hate to admit thinking this, but I think the great American novel of

the

>> > twentieth century has been written: The Great Gatsby.

>The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

>Sure-JK

>.-

=========================================================================

Date: Mon, 10 Nov 1997 14:04:36 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: "M .Cakebread" <cake@IONLINE.NET>

Subject: Re: GAN

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

> Bill Gargan wrote:

> I think the great

> American novel has to embody the contradictions

>that characterize the American dream -- has to

>capture the spirit that led Americans to believe that

>they could "make it new," and dramatize how America

>lives with its failed expectations. From my point of

>view, it doesn't matter whether or not the novel is

>linear or not, whether it's symbolic or realistic or a

>historical saga -- so long as it grapples with the above

>> situation.

From: _War of the Classes_ - Jack London

"Just about this time, returning from a seven

months' voyage before the mast, and just turned

eighteen, I took it into my head to go tramping.

On rods and blind baggages I fought my way from

the open West, where men bucked big and the job

hunted the man, to the congested labor centres of

the East, where men were small potatoes and hunted

the job for all they were worth. And on this new

"blond-beast" adventure I found myself looking upon

life from a new and totally different angle. I had

dropped down from the proletariat into what sociologists

love to call the "submerged tenth," and I was startled

to discover the way in which that submerged tenth

was recruited.

I found there all sorts of men, many of whom had once

been as good as myself, and just as "blond-beastly";

sailor-men, soldier-men, labor-men, all wrenched and

distorted and twisted out of shape by toil and hardship and

accident, and cast adrift by their masters like so many

old horses. I battered on the drag and slammed back

gates with them, or shivered with them in box cars and

city parks, listening the while to life-histories which began

under auspices as fair as mine, with digestions and

bodies to equal mine, and which ended there before my

eyes in the shambles at the bottom of the Social Pit.

And as I listened my brain began to work. The woman

of the streets and the man of the gutter drew very close

to me. I saw the pictue of the Social Pit as vividly as

though it were a concrete thing, and at the bottom of the

Pit I saw them, myself above them, not far, and hanging

on to the slippery wall by main strength and sweat. And

I confess a terror seized me. What when my strength

failed? When I should be unable to work shoulder to

shoulder with the strong men who were as yet babes unborn?

And there and then I swore a great oath. It ran something

like this: All my days I have worked hard with my body,

and according to the number of days I have worked, by just

that much am I nearer the bottom of the Pit. I shall

climb out of the Pit, but not by the muscles of my body shall

I climb out. I shall do no more hard work; and may God

strike me dead if I do another day's hard work with my

body more than I absolutely have to do. And I have been

busy ever since running away from hard work."

=========================================================================

Date: Mon, 10 Nov 1997 13:06:32 EST

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: "THE ZET'S GOOD." <breithau@KENYON.EDU>

Subject: Re: The Great American Novel

What about the Grape American Novel?

=========================================================================

Date: Mon, 10 Nov 1997 13:38:17 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject: Re: Kerouac and Reading (was Re: GAN)

Mime-Version: 1.0

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Jack Kerouac's literature can be grounded, surely, by what he read. Profound

external influences enhanced his education, that of friends who were also

well read in most phases of his life where the mind is impressionable and is

ready to absrob abstract thought. Part of what Kerouac is all about can be

stemmed from his early reading of Spengler's Decline of the West. With this

work and others like it grounded into his aesthetic consciousness, he is

able to affirm to his self and to others who were conducive to his

objectives as a writer, that what he wanted above all was to nurture a

"secret ambition to be a tremendous life-changing prophetic artist" (Letter

to Neal Cassady 1-8-51).

Spengeler writes, "The text of a conviction is never a test of its

reality, for man is rarely conscious of his own beliefs."(Spengler, 179).

Kerouac knew this and tested this throughout his life as a writer and as an

observer. Reading, the very act of it as a writer reading the work of

another writer is on another level than one who reads for pleasure alone. It

is a sort of research. A small list in the quarterly shows that Kerouac had

a gamut of titles on his shelf. Christopher Smart, Joyce,Ezra Pound, Alan

Harrington's Secret Swinger, Vladimir Nabokov "the world's greatest living

writer" Jack had inscribed into his copy of the book, "Lolita", and Jean

Genet. Early Kerouac texts shows an influence of Hemingway, Proust, Saroyan,

Thomas Mann, and Wolfe. The mighty surge of words in Town and the City lends

evidence to Kerouac's revernece to Melville and Balzac, the act of writing a

huge opus which he had "laboured through poverty, disease, and beraevement

and madness" (Letter to Ginsberg, April 1948). That reading plays a huge

part in what captures the soul of Kerouac's writing is so evident it demands

a dissertation to try and pick apart the very influences that pervades

throughout his work. P.

"We cannot well do without our sins; they are the highway to our virtues."

Henry David Thoreau

=========================================================================

Date: Mon, 10 Nov 1997 13:21:52 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: Interest from the Illiterate Re: The Great American Novel

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> I've consistently

>said to myself -- what is a novel? What makes it a novel rather than

>something less or more than a novel? I

regarding this segmenting of literature into cubby holes. I'm

looking forward to what I hope will happen as a natural progressio in

writing, and what I try to do in my own writing, that is the breakdown

of barriers of prose, poetry, music, etc. so that we meld poetry with

prose more fluidly than ever. jack and the other beatrs obviously had

this notion and worked at it, it's not a new discovery by any means,

but has much farther to go. what i think is happening is a

post-post-mdernist stream of consciousness trend, but one that defies

all accepted means of writing. I guarantee you that it will be

scoffed at, that people will deem it confusing and unintelligible, but

isn't that always the way? haven't we seen that before? we might call

it something like stream of intuition.

=========================================================================

Date: Mon, 10 Nov 1997 13:23:48 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: The Great American Novel

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>perhaps a great american novel need not exist.

>perhaps the great american novel should not exist

perhaps it's been written and hastely tossed in a fireplace

immediately afterward.

=========================================================================

Date: Mon, 10 Nov 1997 13:25:53 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: The Great American Novel

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>I was asking how different readers define "The Great American Novel". It

>strikes me that if we are going to choose our favourites, we must have a

>reason for doing so, which is probably just as interesting than the

>favourite.

well, as far as my motives for thinking about this topic, i always

look at method before content. I've reiterated the saying before and

i'll push it on you all again, it's not what you write, but how you

write it. if anyone disagrees i'd like to hear their viewpoint.

=========================================================================

Date: Mon, 10 Nov 1997 13:34:45 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: The Great American Novel

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>Thanks for the reply. A good start, but what do we understand 'novel' to

>mean? Why will it not be linear? Why will it not even have plot in the

>traditional sense? This all must have something to do with what makes it

>great and american, right?

well, as i said before, i'm looking at method. why won't it be

linear? for the same reason the post-modernists don't paint like

monet, for the same reason the impressionists didn't paint like the

artists before them. is it necessarily better as time progresses? that

could be argued either way. I think as far as America is concerned

non-linear, unrational, plotlessness is what we need right now. the

majority of lit out there now has fallen behind "cultural progression,"

and not wthout reason. our conscousnesses must change in order for us

to catch up with circumstances in our time. we have to stop trying to

order the chaos and embrace it, to be mad drunken observers of a sort.

greatness is a bad word, i take it only to mean the next step in

literature. great american novels have been written. On the Road,

Gatsby, Grapes of Wrath, East of Eden, A River Runs Through It, there

are a lot. artists have "to art" in their times, for their times, and

for everyone in that time, or their art is only pseudo-intellectual

garbage. and so we need to spawn lit through the disheveled

consciousness of our time infused with the hopes of the future.

=========================================================================

Date: Mon, 10 Nov 1997 13:43:45 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: mr maher's narcissim

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>___________i take it from this that this attitude toward the pomes you

>parodied

>from list members on the list implies that they were turgid, and

>therfore free

>game to 'play' with and insult list poets.

i seem to remember a few people satirizing Howl on this list not

so long ago and they were not attacked. if you can't take a little

cajoling or criticism then don't submit you're work for all of us to

look at. and if the work wasn't yours, what the hell are you getting

your knickers in a bunch about? granted, one should feel comfortable

submitting here without fear of mockery, but i'd like to think that

we're capable of handling these things in a manner of wild madliving

fun. I didn't see Paul's posts, so I can't take his remark in context,

but my points still stands.. lighten up, you know, the best come back

is unaffected wordlessness.

=========================================================================

Date: Mon, 10 Nov 1997 13:47:00 -0500

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

Organization: University of Maine

Subject: Re: Kerouac and Reading (was Re: GAN)

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>I've read quite a bit about the heated discussions between he and other

>Beat "characters" about literature -- wolfeans and anti-wolfeans (as

>opposed to Woolfeans and anti-Woolfeans i suppose).

>BUT

>I've not heard much accounting for his practices and habits concerning

>Reading itself.

this, IMHO, is largely due to the fact that he began to refuse to

discuss literature as part of his dislike for academic

intellectualization.

=========================================================================

Date: Mon, 10 Nov 1997 10:58:23 -0800

Reply-To: Leon Tabory <letabor@cruzio.com>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Leon Tabory <letabor@CRUZIO.COM>

Subject: Re: The Great American Novel

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Lots of apples rot on the ground. There are enough around, provided by

nature, there will be more apple trees.

leon

-----Original Message-----

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Monday, November 10, 1997 10:43 AM

Subject: Re: The Great American Novel

>>perhaps a great american novel need not exist.

>>perhaps the great american novel should not exist

> perhaps it's been written and hastely tossed in a fireplace

>immediately afterward.

>.-

=========================================================================

Date: Mon, 10 Nov 1997 11:20:38 -0800

Reply-To: Leon Tabory <letabor@cruzio.com>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Leon Tabory <letabor@CRUZIO.COM>

Subject: Re: mr maher's narcissim

MIME-Version: 1.0

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-----Original Message-----

From: Tyson Ouellette <Tyson_Ouellette@UMIT.MAINE.EDU>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Monday, November 10, 1997 10:54 AM

Subject: Re: mr maher's narcissim

> i seem to remember a few people satirizing Howl on this list not

>so long ago and they were not attacked.

You are comparing parody of a poem that has received worldwide acclaim,

whose author is no longer alive, to smearing with feces the poetry of some

living person who is daring to make first hesitant steps to bare her soul to

friends, yes I thought we are friends, and getting vulgarities replacing her

words?!

Also, Mr Oullette, your advice to me would carry more weight if you had

bothered to look at what you so readily tsk. tsk,. me about.

Lastly, if you suggest we shouldn't be so thin skinned about being messed

around with, than how come you object when someone expresses honestly felt

reactions, that you don't approve of?

Think a little bit more and read before you leap into criticizing others,

and also look at yourself and take your own counsel, please.

leon

if you can't take a little

>cajoling or criticism then don't submit you're work for all of us to

>look at. and if the work wasn't yours, what the hell are you getting

>your knickers in a bunch about? granted, one should feel comfortable

>submitting here without fear of mockery, but i'd like to think that

>we're capable of handling these things in a manner of wild madliving

>fun. I didn't see Paul's posts, so I can't take his remark in context,

>but my points still stands.. lighten up, you know, the best come back

>is unaffected wordlessness.

>.-

=========================================================================

Date: Mon, 10 Nov 1997 11:46:07 -0800

Reply-To: stauffer@pacbell.net

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: James Stauffer <stauffer@PACBELL.NET>

Subject: Re: mr maher's narcissim

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Tyson

I agree with most of what you have to say. I am all for free speech and

the freedom to disagree. I agree that if one posts anything they should

expect a critical response. But read Maher's piece. It clearly goes

way beyond the borders of good taste, and certainly of any civility

toward fellow listmemembers. There is a social context to this list.

These are all real people, people we talk to daily. We can disagree all

we want, but what Paul posted was in lamentable taste--juvenile,

meansprited and unnecessary.

J. Stauffer

Tyson Ouellette wrote:

I didn't see Paul's posts, so I can't take his remark in context,

> but my points still stands.. lighten up, you know, the best come back

> is unaffected wordlessness.

=========================================================================

Date: Mon, 10 Nov 1997 19:39:40 UT

Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Sherri <love_singing@CLASSIC.MSN.COM>

Subject: Re: mr maher's narcissim

Tyson, the tone in which something is done accounts for everything. to parody

Howl lovingly is one thing. to denigrate it, because you don't like it, is

another.

also, it is wise to read what happens before one comments. it gives a better

background to what's going on than simply approaching something from a totally

idealistic standpoint. i know, because i've been guilty of it. :-)

ciao, sherri

----------

From: BEAT-L: Beat Generation List on behalf of Tyson Ouellette

Sent: Monday, November 10, 1997 10:43 AM

To: BEAT-L@CUNYVM.CUNY.EDU