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Date: Fri, 19 Dec 1997 17:24:52 EST
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From: NICO 88 <NICO88@AOL.COM>
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Subject: Re: Your thoughts are much appreciated!
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In a
message dated 97-12-19 12:23:20 EST, you write:
>
death always maintained a strong
> presence in jack's life. which has always intrigued me, because
> despite his buddhism and christianity he was
never able to rid himself
> of his fear of death.
actually,
as for as this fear of death, Ginsberg speculated that its virulent
persistence
was what finally took him back to christianity: He could not let
go of
this fear, and buddhism provided no easy answer to the question, thus,
in the
blind hope of "salvation" he looked back to catholicism to give him
more
security in the concept and nature of his death.
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Date: Fri, 19 Dec 1997 14:26:13 PST
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From: marie countyman
<mcountyman@HOTMAIL.COM>
Subject: Re: Was Tim an Agent & Countryman's
Chi stop
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jo: i
fully understand. the stopover in chi-town was shortnend, it was a
mess,
but a very nice woman took care of me and all is well. so sorry to
hear of
what prevented you. looking forward to a beat reunion even just
at
station. they have bars and food and stuff. knocked me out - our
station
seats 8 in a pinch
happy
holidays
see you
(i hope i hope i hope in the new year's return.
marie
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>Date: Tue, 16 Dec 1997 11:34:07 -0500
>Reply-To:
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>From:
jo grant <jgrant@BOOKZEN.COM>
>Subject: Re: Was Tim an Agent & Countryman's
Chi stop
>To:
BEAT-L@CUNYVM.CUNY.EDU
>In-Reply-To:
<3.0.1.32.19971215175102.00b8e5a4@pop.gpnet.it>
>X-UIDL:
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>Status:
U
>
>>jo
wrote:
>>>I
seem to have have missed something.
>>>
>>>What
link is working on such things as "orange sunsihe destroy[ed]
the
>>>liberal
movement...?"
>>>
>>>I
really want to archive this thread.
>>>
>>>j
grant
>>>
>>> HELP RECOVER THE MEMORY
BABE ARCHIVES
>>> Details on-line at
>>> http://www.bookzen.com
>>> 625,506 Visitors 07-01-96 to 11-28-97
>>>
>>jo,
it's me rinaldo, i think it's a serious topic the luck of
>>leftism
in the western countries. i was in the 60s & 70s a
>>new
leftist activist. i'm perhaps in a dark-esque stage of
>>life
but it's discouraging matter to realize i/(we) was/(were)
>>manipulated
by marionnettistes. it elapsed circa 30year ago but...
>>democracy
is the background to a beat way of life. let imagine
>>a
world where won the nazism and tell us what it would happened?
>
>I
have to backpeddle and figure this out. I'm missing something. Acid,
>particluarly
Orange Sunshine, looking back almost 30 years, had a
powerful
>influence
on me. Positive all the way. I miss it. Back then, and I feel
the
>same
way today but the political climate is such that I set aside the
>desires
to seek, I enjoyed a serious trip every year or so. Cleared the
>cobwebs,
opened my eyes, marvelled at the beauty, the unseen....
>
>I
smile to myself picturing the knowing smiles on the list.
>
>If
I had it to do all over again I'd probably be in a lab with a Ph.D.
in
>organic
chemistry or pharmacology devoting myself to research.
>
>Hmmm
>
>j
grant
>
>**
>
>Note
to Marie Countryman.
>
>By
the time you get this you'll have been met by a freind of mine. I
have
>no
doubt that your brief layover will be one you'll remember. Jerry
(and
>possibly
Arthur will join him) are two that are one-of-a-kind.
>
>I
ended up with a sick neighbor child and a delayed aniversary dinner I
had
>committed
to preparing and tonight HAD to be the night.
>
>See
you on your return.
>
>jo
>
>
> HELP RECOVER THE MEMORY
BABE ARCHIVES
> Details on-line at
> http://www.bookzen.com
> 625,506 Visitors 07-01-96 to 11-28-97
>
______________________________________________________
Get
Your Private, Free Email at http://www.hotmail.com
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Date: Fri, 19 Dec 1997 14:42:59 -0800
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From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Re: diamond sutra
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At
02:30 PM 12/19/97 -0700, you wrote:
>beat-lers
>i
was wondering - esp cponcerning how often kerouac made reference to it-
>does
anyone know where i could find a copy of the diamond sutra? does any
>one
have an extra copy they would trade? help?!
>thanks
ya'll
>yrs
>derek
>
Here
are some web sites
http://www.sqshb.se/pellex/tibet/diamond.htm
This
one is not completed but has up to section 12
http://www.tbsn.org/english/stframe.htm
This
page from the True Buddha School Net (my Mother-in-laws's denomination)
let's
you download the Diamond Sutra as an envoy file. I happen to have the
Word
Perfect Suite on my computer so it worked for me. I don't know what
you
need to have or if it is standalone but I think it is stand alone.)
http://tunglinkok.ca/master/current/diamond.htm
This
one has the text and commentary.
http://www.child.demon.co.uk/wcf/diamondsutra.html
This
one is good it has the whole thing in one place (ie one page) and has
links
to others (different translations etc...)
>******************************************************************
>Derek
Beaulieu
>House
Press (limited ed. chapbooks, prints, etc)
>#502-728
3rd Ave NW
>Calgary,
Alberta, Canada, T2N 0J1
>ph.
(403)270-4440, fax. 270-9357
>"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
>******************************************************************
>
>
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Date: Fri, 19 Dec 1997 14:44:40 -0800
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From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Diamond sutra here it is
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At
02:30 PM 12/19/97 -0700, you wrote:
>beat-lers
>i
was wondering - esp cponcerning how often kerouac made reference to it-
>does
anyone know where i could find a copy of the diamond sutra? does any
>one
have an extra copy they would trade? help?!
>thanks
ya'll
>yrs
>derek
>
Here it
is: from http://www.child.demon.co.uk/wcf/diamondsutra.html
____________________
The
Diamond Sutra
There
are various translations of The Diamond Sutra and I here present one
translation,
which I found posted on Usenet, and
then
links to several others.
DIAMOND
SUTRA
1. Thus
have I heard.
At one
time the Buddha stayed at Anathapindaka's Garden in the grove of jeta
in the
kingdom of Sravasti; he was together
with
1,250 great Bhikshus. When the meal time came the World-honoured One
put on
his cloak and, holding his bowl,
entered
the great city of Sravasti, where he begged for food. Having
finished
his begging from door to door, he came back to
his own
place, and took his meal. When this was done, he put away his cloak
and
bowl, washed his feet, spread his feet, and
sat
down.
2. Then
the Venerable Subhuti, who was among the assembly, rose from his
seat,
bared his right shoulder, set his right knee on
the
ground, and, respectfully folding his hands, addressed the Buddha thus:
"It
is wonderful, World-honoured One, that the Tathagata thinks so much of
all the
Bodhisattvas, and so instructs them so well.
World-honoured
One, in case good men and good women ever raise the desire
for the
Supreme Enlightenment, how would
they
abide in it? How would they keep their thoughts under control?"
The
Buddha said: "Well said, indeed, O Subhuti! As you say, the Tathagata
thinks
very much of all the Bodhisattvas, and so
instructs
them well. But now listen attentively and I will tell you. In case
good
men and good women raise the desire for the
Supreme
Enlightenment, they should thus abide in it, they should thus keep
their
thoughts under control."
"So
be it, World-honoured One, I wish to listen to you."
3. The
Buddha said to Subhuti:
"All
the Bodhisattva-Mahasattvas should thus keep their thoughts under
control.
All kinds of beings such as the egg-born, the
womb-born,
the moisture born, the miraculously-born, those with form, those
without
form, those with consciousness, those
without
consciousness, those with no-consciousness and those without
no-consciousness
- they are all led by me to enter
Nirvana
that leaves nothing behind and to attain final emancipation. Though
thus
beings immeasurable, innumerable, and
unlimited
are emancipated, there are in reality no beings that are ever
emancipated.
Why, Subhuti? If a Bodhisattva retains the
thought
of an ego, a person, a being, or a soul, he is no more a Bodhisattva.
4.
"Again, Subhuti, when a Bodhisattva practices charity he should not be
cherishing
any idea, that is to say, he is not to cherish
the
idea of a form when practising charity, nor is he to cherish the idea of
a
sound, an odour, a touch, or a quality. Subhuti, a
Bodhisattva
should thus practice charity without cherishing any idea of
form,
his merit will be beyond conception. Subhuti,
what do
you think? Can you have the conception of space extending eastward?"
"No,
World-honoured One, I cannot."
Subhuti,
can you have the conception of space extending towards the south,
or
west, or north, or above, or below?"
"No,
World-honoured One, I cannot."
"Subhuti,
so it is with the merit of a Bodhisattva who practices charity
without
cherishing any idea of form; it is beyond
conception.
Subhuti, a Bodhisattva should cherish only that which is taught
to him.
5.
"Subhuti, what do you think? Is the Tathagata to be recognised after a
body-form?"
"No,
World-honoured One, he is not to be recognised after a body-form. Why?
According
to the Tathagata, a body-form is
not a
body-form."
The
Buddha said to Subhuti, "All that has a form is an illusive existence.
When it
is perceived that all form is no-form, the
Tathagata
is recognised."
6.
Subhuti said to the Buddha: "World-honoured One, if beings hear such
words
and statements, would they have a true faith
in
them?"
The
Buddha said to Subhuti: "Do not talk that way. In the last five hundred
years
after the passing of the Tathagata, there may
be
beings who, having practised rules of morality and, being thus possessed
of
merit, happen to hear of these statements and
rouse a
true faith in them. Such beings, you must know, are those who have
planted
their root of merit not only under one, two,
three,
four, or five Buddhas, but already under thousands of myriads of
asamkhyeyas
of Buddhas have they planted their root
of
merit of all kinds. Those who hearing these statements rouse even one
thought
of pure faith, Subhuti, are all known to the
Tathagata,
and recognised by him as having acquired such an immeasurable
amount
of merit. Why? Because all these beings
are
free from the idea of an ego, a person, a being, or a soul; they are
free
from the idea of a dharma as well as from that of a
no-dharma.
Why? Because if they cherish in their minds the idea of a form,
they
are attached to an ego, a person, a being, or a
soul.
If they cherish the idea of a dharma, they are attached to an ego, a
person,
a being, or a soul. Why? If they cherish the
idea of
a no-dharma, they are attached to an ego, a person, a being, or a
soul.
Therefore, do not cherish the idea of a dharma,
nor
that of a no-dharma. For this reason, the Tathagata always preaches
thus:
`O you Bhikshus, know that my teaching is to be
likened
unto a raft. Even a dharma is cast aside, much more a no-dharma.'
7.
"Subhuti, what do you think? Has the Tathagata attained the supreme
enlightenment?
Has he something about which he
would
preach?"
Subhuti
said:
"World-honoured
One, as I understand the teaching of the Buddha, there is no
fixed doctrine
about which the Tathagata would
preach.
Why? Because the doctrine he preaches is not to be adhered to, nor
is it
to be preached about; it is neither a dharma
nor a
no-dharma. How is it so? Because all wise men belong to the category
known
as non-doing (asamskara), and yet they
are
distinct from one another.
8.
"Subhuti, what do you think? If a man should fill the three thousand
chilocosms
with the seven precious treasures and give
them
all away for charity, would not the merit he thus obtains be great?"
Subhuti
said:
"Very
great, indeed, World-honoured One."
"Why?
Because their merit is characterised with the quality of not being a
merit.
Therefore, the Tathagata speaks of the merit
as
being great. If again there is a man who, holding even the four lines in
this
sutra, preaches about it to others, his merit will be
superior
to the one just mentioned. Because, Subhuti, all the Buddhas and
their
supreme enlightenment issue from this sutra.
Subhuti,
what is known as the teaching of the Buddha is not the teaching of
the
Buddha.
9.
"Subhuti, what do you think? Does a Srotapanna think in this wise: `I
have
obtained the fruit of Srotappatti'?"
Subhuti
said:
"No,
World-honoured One, he does not. Why? Because while Srotapanna means
`entering
the stream' there is no entering
here.
He is called a Srotapanna who does not enter (a world of) form, sound,
odour,
taste, touch, and quality.
"Subhuti,
what do you think? Does a Sakridagamin think in this wise, `I have
obtained
the fruit of a Sakridagamin'?"
Subhuti
said:
"No,
World-honoured One, he does not. Why? Because while Sakridagamin means
`going-and-coming
for once', there is
really
no going-and-coming here, and he is then called a Sakridagamin."
"Subhuti,
what do you think? Does an Anagamin think in this wise: `I have
obtained
the fruit of an Anagamin'?"
Subhuti
said:
"No,
World-honoured One, he does not. Why? Because while Anagamin means
`not-coming'
there is really no not-coming
and
therefore he is called an Anagamin."
"Subhuti,
what do you think? Does an Arhat think in this wise: `I have
obtained
Arhatship'?"
Subhuti
said:
"No,
World-honoured One, he does not. Why? Because there is no dharma to be
called
Arhat. If, World-honoured One, an
Arhat
thinks in this wise: `I have obtained Arhatship,' this means that he
is
attached to an ego, a person, a being, or a soul.
Although
the Buddha says that I am the foremost of those who have attained
Arana-samadhi,
that I am the foremost of those
Arhats
who are liberated from evil desires, World-honoured One, I cherish no
such
thought that I have attained Arhatship.
World-honoured
One, (if I did,) you would not tell me: `O Subhuti, you are
one who
enjoys the life of non-resistance.' Just
because
Subhuti is not at all attached to this life, he is said to be the
one who
enjoys the life of non-resistance."
10. The
Buddha said to Subhuti:
"What
do you think? When the Tathagata was anciently with Dipankara Buddha
did he
have an attainment in the dharma?"
"No,
World-honoured One, he did not. The Tathagata while with Dipankara
Buddha
had no attainment whatever in the
dharma."
"Subhuti,
what do you think? Does a Bodhisattva set any Buddha land in array?"
"No,
World-honoured One, he does not."
"Why?
Because to set a Buddha land in array is not to set it in array, and
therefore
it is known as setting it in array. Therefore,
Subhuti,
all the Bodhisattva-Mahasattvas should thus rouse a pure thought.
They
should not cherish any thought dwelling on
form;
they should not cherish any thought dwelling on sound, odour, taste,
touch,
and quality; they should cherish thoughts
dwelling
on nothing whatever. Subhuti, it is like unto a human body equal in
size to
Mount Sumeru; what do you think? Is not
this
body large?"
Subhuti
said:
"Very
large indeed, World-honoured One. Why? Because the Buddha teaches that
that
which is no-body is known as a large
body."
11.
"Subhuti, regarding the sands of the Ganga, suppose there as many Ganga
rivers
as those sands, what do you think? Are
not the
sands of all those Ganga rivers many?"
Subhuti
said:
"Very
many, indeed, World-honoured One."
Buddha
said to Subhuti:
"If
a good man or a good woman holding even four lines from this sutra
preach
it to others, this merit is much larger than the
preceding
one.
12.
"Again, Subhuti, wherever this sutra or even four lines of it are
preached,
this place will be respected by all beings including
Devas,
Asuras, etc., as if it were the Buddha's own shrine or chaitya; how
much
more a person who can hold and recite this
sutra!
Subhuti, you should know that such a person achieves the highest,
foremost,
and most wonderful deed. Wherever this
sutra
is kept, the place is to be regarded as if the Buddha or a venerable
disciple
of his were present."
13. At
that time, Subhuti said to the Buddha:
"World-honoured
One, what will this sutra be called? How should we hold it?"
The
Buddha said to Subhuti:
"This
sutra will be called the Vajra-prajna-paramita, and by this title you
will
hold it. The reason is, Subhuti, that, according to
the
teaching of the Buddha, Prajnaparamita is not Prajnaparamita and
therefore
it is called Prajnaparamita. Subhuti, what do
you
think? Is there anything about which the Tathagata preaches?"
Subhuti
said to the Buddha:
"World-honoured
One, there is nothing about which the Tathagata preaches."
"Subhuti,
what do you think? Is the Tathagata to be recognised by the
thirty-two
marks (of a great man)?"
"No,
World-honoured One, he is not."
"The
Tathagata is not to be recognised by the thirty-two marks because what
are
said to be the thirty-two marks are told by
the
Tathagata to be no-marks and therefore to be the thirty-two marks.
Subhuti,
if there be a good man or a good woman who
gives
away his or her lives as many as the sands of the Ganga, his or her
merit
thus gained does not exceed that of one who,
holding
even one gatha of four lines from this sutra, preaches them for
others."
14. At
that time Subhuti, listening to this sutra, had a deep understanding
of its
significance, and, filled with tears of gratitude,
said
this to the Buddha:
"Wonderful,
indeed, World-honoured One, that the Buddha teaches us this
sutra
full of deep sense. Such a sutra has never
been
heard by me even with an eye of wisdom acquired in my past lives.
World-honoured
One, if there be a man who listening
to this
sutra acquires a true believing heart he will then have a true idea
of
things. This one is to be known as having achieved a
most
wonderful virtue. World-honoured One, what is known as a true idea is
no-idea,
and for this reason it is called a true
idea.
"World-honoured
One, it is not difficult for me to believe, to understand,
and to
hold this sutra to which I have now listened;
but in
the ages to come, in the next five hundred years, if there are beings
who
listening to this sutra are able to believe, to
understand,
and to hold it, they will indeed be most wonderful beings. Why?
Because
they will have no idea of an ego, of a
person,
of a being, or of a soul. For what reason? The idea of an ego is
no-idea
(of ego), the idea of a person, a being, or a
soul is
no-idea (of a person, a being, or a soul). For what reason? They are
Buddhas
who are free from all kinds of ideas."
The
Buddha said to Subhuti,
"It
is just as you say. If there be a man who, listening to this sutra, is
neither
frightened nor alarmed nor disturbed, you should
know
him as a wonderful person. Why? Subhuti, it is taught by the Tathagata
that
the first Paramita is no-first-Paramita and
therefore
it is called the first Paramita. Subhuti, the Paramita of humility
is
no-Paramita of humility and therefore it is called the
Paramita
of humility . Why? Subhuti, anciently, when my body was cut to
pieces
by the King of Kalinga, I had neither the idea
of an
ego, nor the idea of a person, nor the idea of a being, nor the idea
of a
soul. Why? When at that time my body was
dismembered,
limb after limb, joint after joint, if I had the idea of an
ego, or
of a person, or of a being, or of a soul, the feeling
of
anger and ill-will would have been awakened in me. Subhuti, I remember in
my past
hundred births, I was a rishi called
Kshanti,
and during those times I had neither the idea of an ego, nor that
of a
person, nor that of a being, nor that of a soul.
"Therefore,
Subhuti, you should, detaching yourself from all ideas, rouse
the
desire for the supreme enlightenment. You should
cherish
thoughts without dwelling on form, you should cherish thoughts
without
dwelling on sound, odour, taste, touch, or
quality.
Whatever thoughts you may have, they are not to dwell on anything.
If a
thought dwells on anything, this is said to be
no-dwelling.
Therefore, the Buddha teaches that a Bodhisattva is not to
practice
charity by dwelling on form. Subhuti, the
reason
he practices charity is to benefit all beings.
"The
Tathagata teaches that all ideas are no-ideas, and again that all
beings
are no-beings. Subhuti, the Tathagata is the one
who
speaks what is true, the one who speaks what is real, the one whose
words
are as they are, the one who does not speak
falsehood,
the one who does not speak equivocally.
"Subhuti,
in the Dharma attained by the Tathagata there is neither truth nor
falsehood.
Subhuti, if a Bodhisattva should practice
charity,
cherishing a thought which dwells on the Dharma, he is like unto a
person
who enters the darkness, he sees nothing. If
he
should practice charity without cherishing a thought that dwells on the
Dharma,
he is like unto a person with eyes, he sees all
kinds
of forms illumined by the sunlight.
"Subhuti,
if there are good men and good women in the time to come who hold
and
recite this sutra, they will be seen and
recognised
by the Tathagata with his Buddha-knowledge, and they will all
mature
immeasurable and innumerable merit.
15.
"Subhuti, if there is a good man or a good woman who would in the first
part of
the day sacrifice as many bodies of his or
hers as
the sands of the Ganga, and again in the middle part of the day
sacrifice
as many bodies of his or hers as the sands of
the
Ganga, and again in the latter part of the day sacrifice as many bodies
of his
or hers as the sands of the Ganga, and keep
up
these sacrifices through hundred-thousands of myriads of kotis of kalpas;
and if
there were another who listened to this
sutra
would accept it with a believing heart, the merit the latter would
acquire
would far exceed that of the former. How much
more
the merit of one who would copy, hold, learn, and recite and expound it
for
others!
"Subhuti,
to sum up, there is in this sutra a mass of merit, immeasurable,
innumerable,
and incomprehensible. The Tathagata has
preached
this for those who were awakened in the Mahayana (great vehicle),
he has
preached it for those who were
awakened
in the Sreshthayana (highest vehicle). If there were beings who
would
hold and learn and expound it for others, they
would
all be known to the Tathagata and recognised by him, and acquire merit
which
is unmeasured, immeasurable,
innumerable,
and incomprehensible. Such beings are known to be carrying the
supreme
enlightenment attained by the
Tathagata.
Why? Subhuti, those who desire inferior doctrines are attached to
the
idea of an ego, a person, a being, and a soul.
They
are unable to hear, hold, learn, recite, and for others expound this
sutra.
Subhuti, wherever this sutra is preserved, there
all
beings, including Devas and Asuras, will come and worship it. This place
will
have to be known as a chaitya, the object of
worship
and obeisance, where the devotees gather around, scatter flowers,
and
burn incense.
16.
"Again, Subhuti, there are some good men and good women who will be
despised
for their holding and reciting this sutra.
This is
due to their previous evil karma for the reason of which they were
to fall
into the evil paths of existence; but because of
their
being despised in the present life, whatever evil karma they produced
in
their previous lives will be thereby destroyed, and
they
will be able to obtain the supreme enlightenment.
"Subhuti,
as I remember, in my past lives innumerable asamkhyeya kalpas ago
I was
with Dipankara Buddha, and at that time I
saw
Buddhas as many as eighty-four hundred-thousands of myriads of nayutas
and
made offerings to them and respectfully
served
them all, and not one of them was passed by me.
If
again in the last (five hundred) years, there have been people who hold
and
recite and learn this sutra, the merit they thus
attain
(would be beyond calculation), for when this is compared with the
merit I
have attained by serving all the Buddhas, the
latter
will not exceed one hundredth part of the former, no, not one hundred
thousand
ten millionth part. No, it is indeed
beyond
calculation, beyond analogy.
"Subhuti,
if there have been good men and good women in the last five
hundred
years who hold, recite, and learn this sutra, the
merit
they attain thereby I cannot begin to enumerate in detail. If I did,
those
who listen to it would lose their minds, cherish
grave
doubts, and not believe at all how beyond comprehension is the
significance
of this sutra and also how also beyond
comprehension
the rewards are."
18. The
Buddha said to Subhuti:
"Of
all beings in those innumerable lands, the Tathagata knows well all
their
mental traits. Why? Because the Tathagata teaches
that
all those mental traits are no-traits and therefore they are known to
be
mental traits. Subhuti, thoughts of the past are
beyond
grasp, thoughts of the present are beyond grasp, and thoughts of the
future
are beyond grasp."
23.
"Again, Subhuti, this Dharma is even and has neither elevation nor
depression;
and it is called supreme enlightenment.
Because
a man practices everything that is good, without cherishing the
thought
of an ego, a person, a being, and a soul, he
attains
the supreme enlightenment. Subhuti, what is called good is no-good,
and
therefore it is known as good."
26.
"Subhuti what do you think? Can a man see the Tathagata by the
thirty-two
marks (of a great man)?"
Subhuti
said:
"So
it is, so it is. The Tathagata is seen by his thirty-two marks."
The
Buddha said to Subhuti:
"If
the Tathagata is to been seen by his thirty-two marks, can the
Cakravartin
be a Tathagata?"
Subhuti
said to the Buddha:
"World-honoured
One, as I understand the teaching of the Buddha, the
Tathagata
is not to be seen by the thirty-two marks."
Then
the World-honoured One uttered this gatha:
"If any one by form sees me,
By
voice seeks me,
This one
walks the false path,
And cannot
see the Tathagata."
29.
"Subhuti, if a man should declare that the Tathagata is the one who
comes,
or goes, or sits, or lies, he does not understand
the
meaning of my teachings. Why? The Tathagata does not come from anywhere,
and
does not depart to anywhere; therefore
he is
called the Tathagata.
32.
"How does a man expound it for others? When one is not attached to form,
it is
of Suchness remaining unmoved. Why?
"All
composite things (samskrita)
Are like a dream, a
phantasm, a bubble, and a
shadow,
Are like a
dew-drop and a flash of lightening;
They are
thus to be regarded."
>******************************************************************
>Derek
Beaulieu
>House
Press (limited ed. chapbooks, prints, etc)
>#502-728
3rd Ave NW
>Calgary,
Alberta, Canada, T2N 0J1
>ph.
(403)270-4440, fax. 270-9357
>"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
>******************************************************************
>
>
=========================================================================
Date: Fri, 19 Dec 1997 14:48:50 -0800
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Re: diamond sutra
Mime-Version:
1.0
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One
last link that seems to have a full text
http://www3.l0pht.com/~gil/diamond.html
At
02:30 PM 12/19/97 -0700, you wrote:
>beat-lers
>i
was wondering - esp cponcerning how often kerouac made reference to it-
>does
anyone know where i could find a copy of the diamond sutra? does any
>one
have an extra copy they would trade? help?!
>thanks
ya'll
>yrs
>derek
>
>******************************************************************
>Derek
Beaulieu
>House
Press (limited ed. chapbooks, prints, etc)
>#502-728
3rd Ave NW
>Calgary,
Alberta, Canada, T2N 0J1
>ph.
(403)270-4440, fax. 270-9357
>"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
>******************************************************************
>
>
=========================================================================
Date: Fri, 19 Dec 1997 18:21:21 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: NICO 88 <NICO88@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: for Ksenija et al: Emerson's greatest
opus
Content-type:
text/plain; charset=US-ASCII
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7bit
from
"Nature":
Crossing
a bare common, in snow puddles, at twilight, under a clouded sky,
without having in my thoughts any occurence of special good fortune, I
have
enjoyed a perfect exhilaration.
I am
glad to the brink of fear.
In the
woods, too, a man casts off his years, as the snake his slough, and at
what period soever of life is always a
child.
In the
woods is perpetual youth.
Within
these plantations of God, a decorum and sanctity reign, a perennial
festival is dressed, and the guest sees not
how he should tire of them
in a thousand years.
In the
woods, we return to reason and faith.
There i
feel that nothing can befall me in life,-- no disgrace, no calamity
(leaving my eyes), which nature cannot
repair.
Standing
on the bare ground,-- my head bathed by the blithe air and uplifted
into infinite space,-- all mean egotism
vanishes.
I
become a transparent eyeball;
I am nothing;
I see all;
the currents of the universal being
circulate through me;
I am part or a parcel of God.
The
neame of the nearest friend sounds then foreign and accidental: to be
brothers, to be aquaintences, master or
servant, is then a trifle and a
disturbamce.
I am
the lover of uncontained and immortal beauty.
In the
wilderness, I find something more dear and connate than in the streets
or vilages.
In the
tranquil landscape, and especially in the distant line of the horizon,
man beholds somewhat as beautiful as his
own nature.
* * *
Ah.
sorry to everyone that this had to be
transfered via the non-beauty of the
internet,
but im afraid that my psychic capabilities abandoned me 16 years
ago.
--
Ginny.
=========================================================================
Date: Fri, 19 Dec 1997 19:44:33 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "M. Cakebread"
<cake@IONLINE.NET>
Subject: Is Jeopardy Beat?
Mime-Version:
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On
Jeopardy tonight there where two beat references:
WSB -
_Naked Lunch_ obsenity trial question
&
Gary
Snyder - what did he study in Japan
Can't
remember the category though.
Weird,
two in one night. . .
Mike
=========================================================================
Date: Fri, 19 Dec 1997 19:47:34 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "M. Cakebread"
<cake@IONLINE.NET>
Subject: Re: Is Jeopardy Beat?
Mime-Version:
1.0
Content-Type:
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At
07:44 PM 12/19/97 -0500, I wrote:
>On
Jeopardy tonight there where two beat references:
^^^^^
Oops,
that's alright I originally spelt Jeopardy/Jeapordy.
The
spell check in my brain is on holidaze. . .
Mike
=========================================================================
Date: Fri, 19 Dec 1997 20:06:11 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Michael Czarnecki
<peent@SERVTECH.COM>
Subject: Re: Is Jeopardy Beat?
Mime-Version:
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Content-Type:
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>On
Jeopardy tonight there where two beat references:
>
>WSB
- _Naked Lunch_ obsenity trial question
>&
>Gary
Snyder - what did he study in Japan
>
>Can't
remember the category though.
>
>Weird,
two in one night. . .
>
>Mike
Category
was "Beatnik Literature" and
the ther three qusions in category
had to
do with "On the Road" Corso's "Bomb" and "Howl."
mc2
p.s.
Hello mc on the coast!
=========================================================================
Date: Fri, 19 Dec 1997 20:12:15 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "M. Cakebread"
<cake@IONLINE.NET>
Subject: Re: Is Jeopardy Beat?
Mime-Version:
1.0
Content-Type:
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At
08:06 PM 12/19/97 -0500, mc2 wrote:
>Category
was "Beatnik Literature" and
the ther
>three
qusions in category had to do with "On the Road"
>Corso's
"Bomb" and "Howl."
That
would explain it. I came in and turned
on
the
tube in the middle of the match and wasn't
really
tuned in until I heard the _Naked Lunch_
question.
Thanx,
Mike
=========================================================================
Date: Fri, 19 Dec 1997 20:43:39 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "R. Bentz Kirby"
<bocelts@SCSN.NET>
Subject: Hendrix cross post
MIME-Version:
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Here is
a cross post question from the Hendrix list.
It is not my post,
but I
wonder if anyone has any thoughts on this at all.
>
Message-ID: <3499C050.65F5@epix.net>
>
Date: Thu, 18 Dec 1997 19:31:12 -0500
>
From: "S. Fortuna"
>
Subject: Hendrix and the Transcendentalists
>
>
Over the past few months, I have been increasingly and increasingly more
interested in
>
the works of two Transcendentalists, Thoreau and Emerson. After reading their
essays I
>
can't help to think that many of their writings contain ideas that Hendrix
shared.
I
>
was wondering if anybody knows if Hendrix was in fact inspired or interested
in these
>
two "hippies of the 1800's".
>
>
Take care,
>
Seth Fortuna
>
tlf303@epix.net
>
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 19 Dec 1997 21:10:28 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Subject: Mellincamp cut ups
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I was
born in a small town,
Learned
to fear Jesus in a small town,
This
little ditty about Jack and Diane,
Two
American kids from the heartland,
Jackie
say Diane, you pull off those Bobbie (sp?) Brooks let me do what I
please,
I fight
authority authority always wins
Play
Guitar,
There's
blood on the scarecrow, blood on the plow,
Blood
on the scarecrow, blood on the plow,
I need
a lover that won't drive me crazy, some woman who knows the meaning
of, Hey
hit the highway,
There's
a black man, living by the Interstate, thinks he's got it so good,
I
remember when, you could stop a clock
And
ain't that America, for you and me,
There
was Frankie Lymon, Mitch Ryder, they were rockin
Play
guitar, yeah yeah yeah, play guitar,
I saw
you first, don't that give me the right,
There's
a Cuban band crucifying John Lennon.
Tyson
Ouellette wrote:
> thinking about the discussion we were
having a while back about
>
musicians influenced by beats... just like to throw John Mellencamp's
>
name at y'all... someone who i've always considered very beat in his
>
life and even more so in his lyrics... would be interested to hear some
>
thoughts on this from other who've enjoyed his music..
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 19 Dec 1997 21:21:42 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "R. Bentz Kirby"
<bocelts@SCSN.NET>
Subject: Virgin
MIME-Version:
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Circa
997, bald cyprus
Trees
with knees,
speak
an ancient tounge
Forgotten.
Four
Hole Swamp
beyond
Harleyville, south of St George,
North
of Summerville,
Is
virgin territory.
Once
10,000,000 acres, now 85,000
Virgin
acres.
Tiny
warbler
teases
me from branch to branch.
Crow
taunts me high above.
Man
hammer echo echo echo echo echo.
Snakes
and turtles sleep.
Musky
marsh attacks me now.
As we
leave, I see the lazy smoke stream,
Like
fog rising from Magnolia leaves,
and
lazily drifting to the trees and
Into
virgin cypress knees.
Fog
enshrouds us still,
Drifting
as condemned we will
Violate
the vigins in the sacred grove
And
destroy all remants
To quell
the ancient accusing tounge.
Till
Magnolia fog smokes us
To
song's extinction,
Moving
up the chain,
Up the
chain.
12/19/97 Bentz
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 19 Dec 1997 21:39:10 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Subject: Hello to MC
MIME-Version:
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Leon:
I
thought that was it, but was not paying attention to previous posts.
Please
tell Marie I say hello and come to the South, but alas, we have
no
poetry readings here. But she could
read at my House.
:-)
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 19 Dec 1997 23:49:52 -0600
Reply-To: cawilkie@comic.net
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Cathy Wilkie
<cawilkie@COMIC.NET>
Subject: attn: marie
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Marie:
Hey
there, girl, how's the weather?
Probably a lot better than Iowa is
right
now--although it is kind of warm for this time of year. So, first
question
is--do we continue to send personal e-mail to your regular
address
or do we send it to the hotmail address, and what exactly is
that
hotmail address?????I sent some poetry your way a day or two ago,
to your
regular address and just wanted to make sure you got it. Take
your
time and kick back and relax and enjoy the sun if there is some.
So
anyway, when you're adjusted to the time change and all, write us and
tell us
all about your adventures on the way there.
Looking
forward to it,
cathy
=========================================================================
Date: Sat, 20 Dec 1997 02:16:56 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Sad enigma <Sadenigma@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: hairspray
Content-type:
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i
watched hairspray, the john waters
movie, the other day and during the
beatnik
scene i was thinking why are beatniks stereotyped as always wearing
black
and having straight hair? when did this
start and why? just curious
have a
happy halloween
<3
chad
=========================================================================
Date: Sat, 20 Dec 1997 10:30:04 -0800
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Ksenija Simic <xenias@EUNET.YU>
Subject: Re: for Ksenija et al: Emerson's
greatest opus
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NICO 88
wrote:
>
>
from "Nature":
>
>
Crossing a bare common, in snow puddles, at twilight, under a clouded sky,
> without having in my thoughts any
occurence of special good fortune, I have
> enjoyed a perfect exhilaration.
> I
am glad to the brink of fear.
> In
the woods, too, a man casts off his years, as the snake his slough, and at
> what period soever of life is always a
child.
> In
the woods is perpetual youth.
>
Within these plantations of God, a decorum and sanctity reign, a perennial
> festival is dressed, and the guest sees
not how he should tire of them
> in a thousand years.
> In
the woods, we return to reason and faith.
>
There i feel that nothing can befall me in life,-- no disgrace, no calamity
> (leaving my eyes), which nature cannot
repair.
>
Standing on the bare ground,-- my head bathed by the blithe air and uplifted
> into infinite space,-- all mean egotism
vanishes.
>
> I
become a transparent eyeball;
> I am nothing;
> I see all;
> the currents of the universal being
circulate through me;
> I am part or a parcel of God.
>
>
The neame of the nearest friend sounds then foreign and accidental: to be
> brothers, to be aquaintences, master or
servant, is then a trifle and a
> disturbamce.
> I
am the lover of uncontained and immortal beauty.
> In
the wilderness, I find something more dear and connate than in the streets
> or vilages.
> In
the tranquil landscape, and especially in the distant line of the horizon,
> man beholds somewhat as beautiful as his
own nature.
>
>
* * *
>
Ah.
> sorry to everyone that this had to be
transfered via the non-beauty of the
>
internet, but im afraid that my psychic capabilities abandoned me 16 years
>
ago.
> --
Ginny.
thanks.
it makes so much sense.
=========================================================================
Date: Sat, 20 Dec 1997 10:55:25 -0700
Reply-To: "Derek A. Beaulieu"
<dabeauli@freenet.calgary.ab.ca>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
Organization:
Calgary Free-Net
Subject: marie new address
Mime-Version:
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beat-lers
ive
been told to let you all know that this is marie countryman's email
while
she is in CA. please note that the address below is spelled
correctly
(yep - thats countyman NOT countryman)
mcountyman@hotmail.com
ok that
is all - transmission out
derek
******************************************************************
Derek
Beaulieu
House
Press (limited ed. chapbooks, prints, etc)
#502-728
3rd Ave NW
Calgary,
Alberta, Canada, T2N 0J1
ph.
(403)270-4440, fax. 270-9357
"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
******************************************************************
=========================================================================
Date: Sat, 20 Dec 1997 22:59:19 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Kindlesan <Kindlesan@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: Kathy Acker
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Has
anyone else seen an obituary or any mention of Acker's death in the
newspapers?
I
haven't seen any press coverage or mention of her
Am I
blind?
=========================================================================
Date: Sat, 20 Dec 1997 23:59:20 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Nancy B Brodsky
<nbb203@IS8.NYU.EDU>
Subject: Re: Kathy Acker
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The
Village Voice ran an obit on her.
On Sat,
20 Dec 1997, Kindlesan wrote:
>
Has anyone else seen an obituary or any mention of Acker's death in the
>
newspapers?
>
> I
haven't seen any press coverage or mention of her
>
> Am
I blind?
>
The
Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For
Sure-JK
=========================================================================
Date: Sun, 21 Dec 1997 00:43:30 -0500
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From: Glenn Cooper
<coopergw@MPX.COM.AU>
Subject: "Sunlight Dies With The Roses"
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Cut-up
poem using the words of Baudelaire, Rimbaud, Blake and Genet.
"SUNLIGHT
DIES WITH THE ROSES"
Once
and once only:
Lovable
air, torments that laugh!
Your
smooth arm on mine ...
Unknown
music vibrating
from
dark backgrounds
All
legend evolves
through
boundless dark streets
A
paradise of silence
blurred,
remote darkness
His
life up in the sky
once
again this morning
Rainbows
weeping and smiling ...
Marvels
which shine with
their
small thunders
and
thick conversation
from
the heights of heaven
Flowers,
fire, jewels, sunlight dies
with
the roses
on the
fugitive deck
As
elegent songs beat wounds
from
the dying air
Murderous
gulfs of water and gentle women
Their
silence a terrible howl
Memory
has never faded
these
towering castles of bone ...
Excitement
rushes through eternal
whirlwinds
melting away
Entranced
by the immense bright nothingness
to
illuminate these fading fires
A white
light falls!
Machines
of blood obliterate this scene
Reeds
long since dried
visible
on convulsed air
among
the trembling seas.
-------
Glenn
C.
=========================================================================
Date: Sat, 20 Dec 1997 21:57:56 +0000
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From: James Stauffer
<stauffer@PACBELL.NET>
Subject: Re: "Sunlight Dies With The
Roses"
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>
This is wonderful Glen, Thanks.
James
>
>
>
>
Murderous gulfs of water and gentle women
>
Their silence a terrible howl
>
Memory has never faded
>
these towering castles of bone ...
>
>
=========================================================================
Date: Sun, 21 Dec 1997 01:02:10 -0500
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From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Kathy Acker
In-Reply-To: <7bc34e53.349c941b@aol.com>
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There
was an obituary in the Chicago Tribune. If there is interest I'll
transcribe
it for the list.
j grant
>Has
anyone else seen an obituary or any mention of Acker's death in the
>newspapers?
>
>I
haven't seen any press coverage or mention of her
>
>Am
I blind?
HELP RECOVER THE MEMORY
BABE ARCHIVES
Details on-line at
http://www.bookzen.com
625,506 Visitors 07-01-96 to 11-28-97
=========================================================================
Date: Sun, 21 Dec 1997 02:03:44 -0500
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From: "M. Cakebread" <cake@IONLINE.NET>
Subject: Godfather III - Gregory Corso cameo
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I was
just watching Godfather III and noticed for
the
first time that Gregory Corso makes a cameo
in the
scene where Don Corleone (Pacino) is making his
speech
to International Imobiliere (sp.).
Corso steps
up to a
mic in the audience and is dragged away after
questioning
the values of the Corleone family.
Totally
slipped by me the other times I've seen this. . .
Mike
=========================================================================
Date: Sun, 21 Dec 1997 11:13:36 -0600
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From: Cathy Wilkie
<cawilkie@COMIC.NET>
Subject: marie's vacation address
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Thanks
for passing this along, derek, much appreciated.
cathy
>
Subject:
> marie new address
> Date:
> Sat, 20 Dec 1997 10:55:25 -0700
> From:
> "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
>
>
>
beat-lers
>
ive been told to let you all know that this is marie countryman's email
>
while she is in CA. please note that the address below is spelled
>
correctly (yep - thats countyman NOT countryman)
> mcountyman@hotmail.com
> ok
that is all - transmission out
>
derek
=========================================================================
Date: Sat, 20 Dec 1997 13:14:46 +0100
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Beautiful and Damned
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Cathy
says:
>I've
never heard of this movie. Was it
good? River Phoenix was one of
>my
favorite actors, and usually Gus Van Sant is a great director (with
>the
exception of Even Cowgirls Get The Blues).
>
ciao
Cathy, it's me Rinaldo, u are right.
the
movie is titled "My own private idaho",
[in
italian ''Belli e Dannati''],
directed
by Gus Van Sant in 1992 (dedicated
to
Scott Meelloo Nall Jr.)
cast of characters
mike
waters river phoenix
scott
favor keanu reeves
richard
waters james russo
bob
pigeon william richert
gary rodney harvey
carmela chiara caselli
digger michael parker
denise jesse thomas
budd flea
elena grace zabriskie
jack
favor tom troupe
hans udo kier
jane
lightwork sally curtice
walt robert lee
pitchlynn
doddy
carroll mickey cottrell
wade wade evans
italian
street boys
massimo
di cataldo
pao pei
andreoli
robert
egon
paolo
baiocco
additional
dialogues by william shakespeare
and
thanks to B-52's
---
the
italiant titler of the movie "Belli e Dannati"
chose
that 'cuz the original is untranslable.
maybe
it's a pun to "The Beautiful and Damned" novel
written
by Francis Scott Fitzgerald" (1922).
---
the
movie is good specially in the old style flashback
u can
rediscover in the early GVS' movie.
buon
sabato e
saluti
a tutti.
=========================================================================
Date: Sun, 21 Dec 1997 13:24:24 PST
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From: Leon Tabory
<letabor@HOTMAIL.COM>
Subject: jerry cimino where are you?
Content-Type:
text/plain
sorry
all. this hotmail thingee isn't working too good
jerry,
please mail me at mcountyman@hotmail.com
(remember
the m and delete the r)
have
time this coming mon. to stop by, say hello.
marie
______________________________________________________
Get
Your Private, Free Email at http://www.hotmail.com
=========================================================================
Date: Sun, 21 Dec 1997 16:37:33 -0500
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From: "R. Bentz Kirby"
<bocelts@SCSN.NET>
Subject: Cooper cut up
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Glenn,
in your cut up, you wrote this:
>
Reeds long since dried
>
visible on convulsed air
>
among the trembling seas.
>
For
some reason, this reminded me of Dylan:
I was
lying down in the reeds without any oxygen,
I saw
you in the wilderness among the men.
Saw you
drift into infinity and come back again
All you
got to do is wait and I'll tell you when.
True
Love Tends To Forget, 1978
Interesting
since Dylan is obviously influenced by the poets you cut
up. Like a poetry vegematic, it was quite good.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 21 Dec 1997 16:57:59 -0500
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From: Nancy B Brodsky
<nbb203@IS8.NYU.EDU>
Subject: Chanukah
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Hey
Guys,
For
Chanukah, I got the Herbert Huncke Reader. ITs mey first experience
with
Huncke and I look foward to it.
~Nancy
The
Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For
Sure-JK
=========================================================================
Date: Sun, 21 Dec 1997 15:01:42 -0700
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From: "R. Shawn Deveau"
<rdeveau@CCINET.AB.CA>
Subject: How do I sign up?
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Hi
there!
Got
your address from a friend of mine, and would like to know how to sign up!
Do you have a homepage?
TIA!
R.
Shawn Deveau
==========
"It
is the province of knowledge to speak,
and it
is the privilege of wisdom to listen."
-Oliver Wendell Holmes
==========
=========================================================================
Date: Sun, 21 Dec 1997 20:40:26 -0500
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From: Glenn Cooper
<coopergw@MPX.COM.AU>
Subject: Postcard from WSB
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I don't
know if getting postcards from Beat giants like William Burroughs
is
unusual or not, but I got one a few years ago. Here's the story, for
anyone
who's interested. In 1994, here in Australia, there was an article
in the
paper about a woman who had died during an alleged exorcism. Her
killers
(including her husband) claimed the woman was "possessed" and had
tried
to drive "demons" from her body, but the woman had a heartache and
died
before help could arrive. Well, it turns out the woman's name was
*Joan
Vollmer*! exactly the same name as Burroughs' wife way back when!
I thought Burroughs might find the article
interesting, given that now
*two*
"Joan Vollmers" had died in bizarre circumstances, so I wrote to him,
enclosing
the clipping, using simply "William Burroughs, Lawrence, Kansas,
USA"
as the address and, lo and behold, he got it!
He sent back a nice customised postcard with
one his paintings on the
cover
("Untitled" - Window 6), with the following message:
Dear
Glenn Cooper,
Many
thanks for the clipping. I always say there is no such thing as a
coincidence.
All the
best to you,
William
S. Burroughs
Obviously
I would have liked a longer letter, but I was still absolutely
thrilled
that the Great Man should deign to respond at all!
I'm
rather hoping this little episode will get a mention in the forthcoming
memoirs,
you never know!
Anyway,
that's my 15 seconds of fame, I guess ...
Glenn
C.
=========================================================================
Date: Sun, 21 Dec 1997 21:34:04 -0500
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From: Glenn Cooper
<coopergw@MPX.COM.AU>
Subject: Re: Cooper cut up
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At
16:37 21/12/97 -0500, you wrote:
>Glenn,
in your cut up, you wrote this:
>
>
>>
Reeds long since dried
>>
visible on convulsed air
>>
among the trembling seas.
>>
>For
some reason, this reminded me of Dylan:
>
>I
was lying down in the reeds without any oxygen,
>I
saw you in the wilderness among the men.
>Saw
you drift into infinity and come back again
>All
you got to do is wait and I'll tell you when.
>
>True
Love Tends To Forget, 1978
>
>Interesting
since Dylan is obviously influenced by the poets you cut
>up. Like a poetry vegematic, it was quite good.
>
>Peace,
>
>Bentz
>bocelts@scsn.net
>http://www.scsn.net/users/sclaw
>
Bentz,
Yes,
that's true. I have cut up Dylan in the past, with great results. As
WSB
says, the wonderful thing about cut-ups is that they allow
collaborations
between writers who in reality never met. For example, I've
made
cut-ups combining the words of Dylan, Nostradamus, the Bible and
Rimbaud!
Everything that WSB discovered about cut-ups, I have been able to
verify
with my own experiments, including predicting future events.
Example:
Cut-up from May 10, 1994
massive
waiting line - I have not forgotten - which is a bottle of blood
for
anyone that love is done with - the images I did not want - an electric
train -
vying with one another - desperare hearts too vast - there we all
sat -
Journey - there is still one step in the right direction - on the
windsheet
of the clouds the train was moving - their final fires - dying
man
pulled me close - trying to get hold of something - twin limbs of iron
rise
from the gloom - terror loomed weary my poor darling - into a heavy
sleep -
into a thousand flowers - my tears ...
This
cut-up seemed to tell the story of a train disaster -- "Terror loomed
weary
my poor darling" - "their final fires," etc.
Seven
days later, the following headline appeared in the newspaper: ONE
DIES,
370 HURT AS TRAINS COLLIDE, which told of a two train collision in
North
Carolina. I have a scrapbook full of such "coincidences" ...
Glenn
C.
=========================================================================
Date: Sun, 21 Dec 1997 18:45:11 +0000
Reply-To: stauffer@pacbell.net
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From: James Stauffer
<stauffer@PACBELL.NET>
Subject: Re: Beautiful and Damned
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Rinaldo
Rasa wrote:
>
Cathy says:
>
>I've never heard of this movie. Was
it good? River Phoenix was one of
>
>my favorite actors, and usually Gus Van Sant is a great director (with
>
>the exception of Even Cowgirls Get The Blues).
>
>
>
>
Cathy
It's a
wonderful movie in it's way. Not
something you want to watch when
you are
looking for uplift, but that's Van Zant.
Drugstore Cowboy is
stronger
for me. I keep meaning to rent
Cowgirls, I just can't believe it's
as bad
as the reviews, I mean, with Van Zant, Uma Thuman, Robbins and Kesey
hanging
around, gotta be something good there.
James
=========================================================================
Date: Sun, 21 Dec 1997 23:42:18 -0500
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From: "R. Bentz Kirby"
<bocelts@SCSN.NET>
Subject: Re: Cooper cut up
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Glenn
Cooper wrote:
> I have a scrapbook full of such
"coincidences" ...
>
>
Glenn C.
Take
what you have gathered from coincidence.
Bob
Dylan
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Mon, 22 Dec 1997 09:08:41 -0800
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From: Ksenija Simic <xenias@EUNET.YU>
Subject: Re: Cooper cut up
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>
>
Yes, that's true. I have cut up Dylan in the past, with great results. As
>
WSB says, the wonderful thing about cut-ups is that they allow
>
collaborations between writers who in reality never met. For example, I've
>
made cut-ups combining the words of Dylan, Nostradamus, the Bible and
>
Rimbaud! Everything that WSB discovered about cut-ups, I have been able to
>
verify with my own experiments, including predicting future events.
can you
tell me more about how cut-ups are made, are there any rules,
what
WSB writes about them etc? is it anything like the dadaist poetry?
ksenija
=========================================================================
Date: Mon, 22 Dec 1997 12:49:53 -0800
Reply-To: vic.begrand@sk.sympatico.ca
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From: Adrien Begrand
<vic.begrand@SK.SYMPATICO.CA>
Subject: holiday wishes
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Happy
Holidays to all beat-l members!
I'll
leave you with the beatest, most beatiful Christmas song ever,
courtesy
of Shane MacGowan...
Adrien
_Fairytale
of New York_
It was
Christmas Eve babe
In the
drunk tank
An old
man said to me, won't see another one
And
then he sang a song
The
Rare Old Mountain Dew
I
turned my face away
And
dreamed about you
Got on
a lucky one
Came in
eighteen to one
I've
got a feeling
This
year's for me and you
So
happy Christmas
I love
you baby
I can
see a better time
When
all our dreams come true
They've
got cars big as bars
They've
got rivers of gold
But the
wind goes right through you
It's no
place for the old
When
you first took my hand
On a
cold Christmas Eve
You
promised me
Broadway
was waiting for me
You
were handsome
You
were pretty
Queen
of New York City
When
the band finished playing
They
howled out for more
Sinatra
was swinging,
All the
drunks they were singing
We
kissed on a corner
Then
danced through the night
The
boys of the NYPD choir
Were
singing "Galway Bay"
And the
bells were ringing out
For
Christmas day
You're
a bum
You're
a punk
You're
an old slut on junk
Lying
there almost dead on a drip in that bed
You
scumbag, you maggot
You
cheap lousy faggot
Happy
Christmas your arse
I pray
God it's our last
I could
have been someone
Well so
could anyone
You
took my dreams from me
When I
first found you
I kept
them with me babe
I put
them with my own
Can't
make it all alone
I've
built my dreams around you
=========================================================================
Date: Mon, 22 Dec 1997 12:28:19 +0000
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From: Jim Dimock <juancito@JUNO.COM>
Subject: Re: Hendrix cross post
I think
one would be hard pressed to turn up any tangible evidence of
Jimi
having read Emerson or Thoreau.Tthis is not to say that Hendrix
wasn't
intuitively sympathetic with their ideas, but as far as I know his
taste
in reading tended to be along the lines of science fiction (see
_Electric
Gypsy_ pg.25). Always thought " Castles Made of Sand" was kinda
beat
tho...
Best,
Jim
juancito@juno.com
P.S.
Bentz, please e-mail me privately if you would like to discuss the
'69
Texas Int'l pop fest.
On Fri,
19 Dec 1997 20:43:39 -0500 "R. Bentz Kirby" <bocelts@SCSN.NET>
writes:
>Here
is a cross post question from the Hendrix list. It is not my post,
>but
I wonder if anyone has any thoughts on this at all.
>
>
>>
Message-ID: <3499C050.65F5@epix.net>
>>
Date: Thu, 18 Dec 1997 19:31:12 -0500
>>
From: "S. Fortuna"
>>
Subject: Hendrix and the Transcendentalists
>>
>>
Over the past few months, I have been increasingly and increasingly
moreinterested
in
>>
the works of two Transcendentalists, Thoreau and Emerson. After
>>reading
their essays I can't help to think that many of their writings
contain
ideas that Hendrix >>shared. I
was wondering if anybody knows if
Hendrix
was in fact inspired or interestedin >>these two "hippies of the
1800's".
>>
>>
Take care,
>>
Seth Fortuna
>>
tlf303@epix.net
=========================================================================
Date: Mon, 22 Dec 1997 22:52:30 +0100
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: sandinista
In-Reply-To: <4ca2b517.349b70ea@aol.com>
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yr eyes
yr eyes yr eyes like gun in the jungle
yr eyes
yr eyes yr eyes like envelope without stamp
yr eyes
yr eyes yr eyes from martinica (latin american)
american
y'all satellite dish yr eyes yr eyes yr eyes
who
died had no will & no insurance & yr eyes
&
yr eyes & no avid eyes no avid eyes no avid eyes he had
always
work no avid eyes slap slap slap SLAP! all is
quiet
on the jungle & blue danube very nice
folks
ready to serve
folks
go in
folks
go out
forever like these artificial
colouring
tropical
flowers in the nite
---
Rinaldo
22thDic97
=========================================================================
Date: Mon, 22 Dec 1997 22:53:37 +0100
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: "Sea" (fragment) & (FWD) poem: 17/12/97 postscript
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BOB
EZERGAILIS <bob.ezergailis@ghbbs.com> says
>
poem: 17/12/97 postscript
>
-------------------------
>
>
Deus Dominatus
>
Postscript:
>
>
>
the ultimate archetype
> of
a solipsist
>
sado-masochist relation
> is
the story of a god
>
who plans
>
from the beginning of time
>
knowingly
> to
torture
>
and crucity
>
himself.
>
Then, in that story,
>
expects everyone else
> to
experience
>
something of the same
> as
he chose
>
for himself.
>
...
God
I've got to believe in you
or live in death!
Will you save us_____all?
Soon or now?
Send illumination
to our drowing brains
_____We're
pitiful, Lord,
we need
yr help!
Save us, Dear_____
(Save
yourself, God man,
ha ha!)
...
--Jack
Kerouac,"Sea"
>
------------------------- December 17th, 1997
>
> I
am neither a proponent of sadism nor of masochism,
>
solipsist, or otherwise. Therefore I tend to become
> an
existentialist. Though, as a thinker, I see the
>
cultural expressions of those powerful, persistent,
>
prevalent, strands within the fabric of history
>
and human expression.
>
>
----------------
>
> ~ SLMR 2.1a ~ bob.ezergailis@ghbbs.com
>
=========================================================================
Date: Mon, 22 Dec 1997 23:06:00 +0100
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Beautiful and Damned
Comments:
To: stauffer@pacbell.net
In-Reply-To: <349D63B7.94572416@pacbell.net>
Mime-Version:
1.0
Content-Type:
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At
18.45 21/12/97 +0000, james stauffer says:
>Rinaldo
Rasa wrote:
>
>>
Cathy says:
>>
>I've never heard of this movie. Was
it good? River Phoenix was one of
>>
>my favorite actors, and usually Gus Van Sant is a great director (with
>>
>the exception of Even Cowgirls Get The Blues).
>>
>
>>
>>
Cathy
>
>It's
a wonderful movie in it's way. Not
something you want to watch when
>you
are looking for uplift, but that's Van Zant.
Drugstore Cowboy is
>stronger
for me. I keep meaning to rent
Cowgirls, I just can't believe it's
>as
bad as the reviews, I mean, with Van Zant, Uma Thuman, Robbins and Kesey
>hanging
around, gotta be something good there.
>
>James
>
>
=========================================================================
Date: Mon, 22 Dec 1997 23:08:07 +0100
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Beautiful and Damned
Mime-Version:
1.0
Content-Type:
text/plain; charset="us-ascii"
>Date:
Mon, 22 Dec 1997 23:06:00 +0100
>To:
stauffer@pacbell.net
>From:
Rinaldo Rasa <rinaldo@gpnet.it>
>Subject:
Re: Beautiful and Damned
>Cc:
BEAT-L@CUNYVM.CUNY.EDU
>In-Reply-To:
<349D63B7.94572416@pacbell.net>
>References:
<3.0.1.32.19971220131446.00687a50@pop.gpnet.it>
>
>At
18.45 21/12/97 +0000, james stauffer says:
>>It's
a wonderful movie in it's way. Not
something you want to watch when
>>you
are looking for uplift, but that's Van Zant.
Drugstore Cowboy is
>>stronger
for me. I keep meaning to rent
Cowgirls, I just can't believe it's
>>as
bad as the reviews, I mean, with Van Zant, Uma Thuman, Robbins and Kesey
>>hanging
around, gotta be something good there.
>>
>>James
>>
>>
the
movie is titled "My own private idaho",
[in
italian ''Belli e Dannati'']
=========================================================================
Date: Mon, 22 Dec 1997 17:48:54 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
From: GTL1951 <GTL1951@AOL.COM>
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AOL (http://www.aol.com)
Subject: Re: sandinista
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Hey
Rinaldo
Great poem man! Didnt see any Xmas
references in there tho! Whats
up with
that?! Just kiddin
GT
=========================================================================
Date: Mon, 22 Dec 1997 19:39:09 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Glenn Cooper
<coopergw@MPX.COM.AU>
Subject: Re: Cooper cut up
In-Reply-To: <349E9E99.7D60@eunet.yu>
Mime-Version:
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At
09:08 22/12/97 -0800, you wrote:
>>
>>
Yes, that's true. I have cut up Dylan in the past, with great results. As
>>
WSB says, the wonderful thing about cut-ups is that they allow
>>
collaborations between writers who in reality never met. For example, I've
>>
made cut-ups combining the words of Dylan, Nostradamus, the Bible and
>>
Rimbaud! Everything that WSB discovered about cut-ups, I have been able to
>>
verify with my own experiments, including predicting future events.
>
>can
you tell me more about how cut-ups are made, are there any rules,
>what
WSB writes about them etc? is it anything like the dadaist poetry?
>
>ksenija
>
There
are no rules. Firstly some theory: according to Burroughs, everything
in this
universe is pre-recorded, every thought, every word, every event.
It is
only by introducing a "random" element can one tamper with the
pre-recordings.
Cut-ups on paper are one means.
Cut-ups
can be made a number of ways. One way is this: take a group of
texts
you like, be they Rimbaud, dreams, Kerouac, daily newspaper, Time
mag,
Koran, Trocchi or whatever. You then type out certain passages (any
ones
you like -- visually interesting images work best, though), print out
the
page, cut it down the middle and across the page, then rearrange the
four
pieces. Then read directly across the page. New images and words are
formed
through altered juxtaposition. So that's one way. I used to do it
this
way, but now I have a computer program that does it for me. I simply
load
the texts I want, and the program cuts them up for me. It's like magik!
Of
course, one edits, selects and combines at one's will. From a whole page
of cut
ups you might only get one worthwhile sentence. At other times you
get one
fabulous image after another.
Cut-ups
can also help to suggest new directions in normal, straight
narrative.
They expand consciousness and push you in directions that you
never
would have imagined.
To
answer your question: yes, I guess the cut-ups do have a lot in common
with
dadaism. Also surrealism and symbolism. Rimbaud is often cited by WSB
as a
"natural" cut-up writer. Elliot's "The Waste Land" is
another cut-up
like
poem.
Word
falling - photo falling - time falling - image falling - breakthrough
in grey
room -
The
"breakthrough" was that of the cut-ups.
Glenn
C.
=========================================================================
Date: Mon, 22 Dec 1997 21:56:12 -0500
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From: "Paul A. Maher Jr."
<mapaul@PIPELINE.COM>
Subject: The Kerouac Quarterly
Mime-Version:
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The Kerouac Quarterly needs some more
Kerouac Book Cover Scans for the
web
site...if you have any send them as a JPG file via e-mail attachment.
There are still a few of Vol. I, No. 2
issues left. Vol. II, No. 1 is in
the
editing stage and will be available in a couple of months. Keep those
submissions
coming!
We are currently in negotiations with a few
different universities, one
of
which will sponsor and publish the quarterly sometime this coming year.
All
those who have purchased an issue or sent their address for a sample
issue
will have this info turned over to the hosting univeristy. If there is
any
objection to this let me know! If you want to be put on the mailing list
e-mail
me your name and address and it will be turned over when the time
comes.
My objective, to found the first academic journal devoted to Kerouac
scholarly
study will be accomplished. Then I will put the final touches on
my
book. . .
Looking
For Jack: Kerouac and Lowell.
Happy Holidays to the Beat-L! Have a Happy
New Year! Paul of TKQ. . .
http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html
"We
cannot well do without our sins; they are the highway to our virtues."
Henry David Thoreau
=========================================================================
Date: Mon, 22 Dec 1997 21:08:59 +0000
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer
<stauffer@PACBELL.NET>
Subject: Holiday Greetings
MIME-Version:
1.0
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This is
a multi-part message in MIME format.
--------------57701944808D8898D0970994
Content-Type:
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7bit
Dear
Beat-L folks,
Wishing
you all a properly insane and fulfilling holiday season.
I
couldn't find a link to Cheech and Chong's Xmas bit, so send you all
this
bit of young Bobby Dylan.
Peace
and all the good things.
James
http://www.fmi-fcia.uchicago.edu/~jrr/tbob/lnsmxmas.html
--------------57701944808D8898D0970994
Content-Type:
text/html; charset=us-ascii; name="lnsmxmas.html"
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7bit
Content-Disposition:
inline; filename="lnsmxmas.html"
Content-Base:
"http://www.fmi-fcia.uchicago.edu/~jrr/
tbob/lnsmxmas.html"
<html>
<head>
<TITLE>Lonesome
Christmas (Prose fragment)</TITLE>
<BODY
TEXT="#000000" LINK="#000000" VLINK="#000000"
ALINK="#000000"
background="rule.gif">
<center><pre><img
hspace=0 vspace=0 src="spiral.gif"></center>
<BR>
<TT><B><A
HREF=index.html#words>Bob's Written Word</A></B>
</TT><BR>
<B>Lonesome
Christmas (Prose fragment)</B>
the
school quarter ended, an there I stood ...
stranded
ha ...
it was
harder then I thought yes...
I dont
think I made it ... no ... the nite was drunk and it was now winter ...
Christmas
vacation ... the almighty restin
period
...
I was
livin in this fraternity house.
Everybody's
gone ... they all went home ... the house?
mine
... belongs t me.
big
lonesome house.
nobody's
even ???? not even in the kitchen ...
I sat
between two barrals of butter this mornin. thinkin about poor me.
sittin
between two barrals of butter.
it's
now nite the street is mine.
god
it's lonesome ...
who
will I go see?
I love
Judy.
Judy
says she loves me but she also says she's busy. I told her I love her ...
I hate
her cause I sense she dont love me ...
I wish
I didn't love her. I wish she'd invite me for christmas for
christ's
sake ... I wish I had a car ...
I wish
I wish. Hey mr. christmas man I wanna know where I'm supposed t be.
gimme
that for christmas ... (no answer).
I shut
the lights off in the main room of the house so nobody can see me an I
watch
out the window ...
dirty
window nobody even cleans the windows here
well it
aint gonna be me (bitin my teeth)
I'm
just
roomin
here ... they advertised for boarders an they got me ...
they
didn't get no fraternity pledge of alligence cat whose got t wait
on them
or their windows ...
I aint
even friends with any of em
they
think I'm odd ... my clothes an hair aint right ...
they
smile at me too ...
sometimes
I smile back but then they chuckle ...
why in
the fuck do they chuckle?
I gotta
chuckle back what's they start it for?
headlights
turn into the alley!
somebody's
comin ...
I quick
pick up the phone an pretend I'm talkin ...
dont
want nobody whoever it is t think I'm all alone here ...
the
brakes slam the car door slams the screen door slams an somebody
who I
hardly know walks up the steps an seems startled by me ...
he
stops headin for whatever he was headin for as he hears me say
goodbye
an hang up the phone ...
"you been here the last couple day?"
"no I went up north but came back
down"
"aint yuh going home for
christmas?"
"well I did man but like I said I came
back down"
"well where you going for
christmas?"
I look
out the window pretendin I'm waiting for somebody -
he's
gotta have porpoise brains t believe this
"I dont know I got about three places I
chose from"
"yeah well I's just surprised t see
anybody here that's all"
"yeah well I'm kinda takin care the
house ha"
"I'm on my way upstairs t get some books
see yuh on my way down"
he
jumped the steps three at a time thud thud ...
man if
I had the guts I think I do I'd steal
your
louzy car an turn on your louzy heat an drive down
that
lousy road ... an blow out your lousy radio -
thud
thud ... he's back again wavin notebooks.
"see yuh take it easy now"
"yeah yeah take it easy too"
I
walked upstairs ... the house was cold ...
the
first snow that fell had melted
outside
it was rainin
in the
mornin there'd be snow again
I
stopped into somebody's room an glanced
over
some dirty magazines ... man I wish I could jump right
into
one a them magazines ... ah yes gimme that
for
christmas too ...
what's
all this wrapped up ribbon shit ...
gimme
some kinda world t jump into ...
judy
judy god damn I gotta call judy ...
ring
ring her ma answers.
her ma
hates me.
snobby
sort ...
wants
the best for her daughter.
society
bitch.
bitch
of a mother ...
talks
down at me when she knows it's me callin ...
sometimes
she even says that judy aint there ...
judy
says not t call at certain times ...
ah man
it's all so fuckin complicated ...
"is judy there?"
"pause"
"is judy there?"
"muffled sound"
"I gotta talk t judy"
"a muffled silence"
"hello"
"hello judy?"
"I told you not t call what d'yuh think
you're doing?"
"I just gotta ask yuh something"
"what?"
I feel
good from hearin her voice but feel sad
cause I
know she's gotta go ...
probably
with someone else ...
someone
else her mother likes an makes more sence t her than me ...
ah I
wanna cry out load an scream over the phone ...
"when can I see you?"
"I told you not t come back"
"yah but yuh said you loved me"
"but I cant see yuh this week"
"why?"
"cause I made other plans that's
why"
"but you love me - you said
yourself"
"but I cant break plans"
"what d'yuh mean yuh cant, will yuh
please come over here, it wont take long an
..."
"but I dont break dates"
"dates? ah wow I just ... I mean I dont
understand"
"look I gotta go please dont call til
after Christmas"
"Judy you son of a bitch you said ...
that ..."
click
"you said that you loved me ..."
slam
girls
have hung up on me an have hung up on me as far back
as I
can remember ... each one promises t be the last.
I
walked out in the lonesome nite hearin bells off in the distance.
the
rain drizzled as I too wished I was off in the distance.
<BR>
<TT><B><A
HREF=index.html#words>Bob's Written Word</A></B>
</TT><BR>
</head>
</html>
--------------57701944808D8898D0970994--
=========================================================================
Date: Tue, 23 Dec 1997 01:48:16 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Bruce Hartman <bwhartmanjr@INAME.COM>
Subject: Re: Cooper cut up
MIME-Version:
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Glenn,
Tll me more of this program you have for
producing your cut-ups. My
writing
has become a bit stale and I've been in search of a new method of
thought
stimulation, if I can just feed in a few pieces I'm working on see
what
comes up, well, hey, maybe I'll finally start to get into Burroughs (I
haven't
managed to get myself hooked him yet).
Best to
all, and merry christmas,
Bruce
=========================================================================
Date: Tue, 23 Dec 1997 15:32:03 +0100
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: sandinista
In-Reply-To: <a65a8e1e.349eee58@aol.com>
Mime-Version:
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GTL
says:
>Hey
Rinaldo
> Great poem man! Didnt see any Xmas
references in there tho! Whats
>up
with that?! Just kiddin
> GT
>
it's u
aright...
Mother Nature's son by "The Beatles"
Born a poor young country boy-
Mother Nature's son.
All day long I'm sitting singing songs
for everyone.
Sit beside a mountain stream-
...
does
it's true that Gary Snyder is the only beat
outlive
in the american literature scene in the XXI century?
saluti
a tutti,
rinaldo.
=========================================================================
Date: Tue, 23 Dec 1997 15:15:03 +0100
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: The Kerouac Quarterly
In-Reply-To:
<1.5.4.32.19971223025612.006a0464@pop.pipeline.com>
Mime-Version:
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Paul A.
Maher Jr. wrote:
> The Kerouac Quarterly needs some more
Kerouac Book Cover Scans for the
>web
site...if you have any send them as a JPG file via e-mail attachment.
> There are still a few of Vol. I, No. 2 issues
left. Vol. II, No. 1 is in
>the
editing stage and will be available in a couple of months. Keep those
>submissions
coming!
ciao
Paul, it 's me Rinaldo, (i'm true silly)
maybe
i've misunderstand that covers are only for OTR.
i've
the ultimate _set_ of JK works italian
covers
"sulla strada", "big sure", "i vagabondi del
dharma",
"angeli
di desolazione", "visioni di gerard", "dottor sax",
those
all covered by wim wender's photo (i love them).
do i'am
aright if i scan and send u the jpegged covers?
say
circa january 98?
i'm
__very__ grateful & happy to help
the TKQ
(by the
way (sad), but no copy of the magazine (paper)
for
free was coming from Us of America to my earth mailbox
here in
Venice... i've misunderstand again the past offer?)
un
saluto, e, of course, un BUON NATALE DALL'ITALIA.
drop me
a line...
=========================================================================
Date: Tue, 23 Dec 1997 08:15:25 -0700
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
Organization:
Calgary Free-Net
Subject: william s burroughs: wising up the marks
Mime-Version:
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beat-l'ers
i just
thought that i would let you all know that _william s. burroughs:
wising
up the marks_ has been published and in fact is released (i
ordered
a copy from amazon and it was shipped today...). does anyone out
there
have this book already & i was just not paying attention, or...?
yrs
derek
******************************************************************
Derek
Beaulieu
House
Press (limited ed. chapbooks, prints, etc)
#502-728
3rd Ave NW
Calgary,
Alberta, Canada, T2N 0J1
ph.
(403)270-4440, fax. 270-9357
"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
******************************************************************
=========================================================================
Date: Tue, 23 Dec 1997 11:08:01 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "Neil M. Hennessy"
<nhenness@UWATERLOO.CA>
Subject: Re: william s burroughs: wising up the
marks
In-Reply-To:
<Pine.A32.3.93.971223081321.19412A-100000@srv1.freenet.calgary.ab.ca>
MIME-Version:
1.0
Content-Type:
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On Tue,
23 Dec 1997, Derek A. Beaulieu wrote:
> i
just thought that i would let you all know that _william s. burroughs:
>
wising up the marks_ has been published and in fact is released (i
>
ordered a copy from amazon and it was shipped today...). does anyone out
> there
have this book already & i was just not paying attention, or...?
Thanks
for the info Derek! The release date I had seen was January 1998,
but I
guess they wanted to get this hot item on the shelves for last
minute
Christmas shoppers ;-) The University of Toronto bookstore has a
copy,
and I'm going to pick it up this afternoon. Probably won't have a
chance
to read it until the new year, but when I do, I'll certainly post
my
impressions to the list.
Cheers,
Neil
=========================================================================
Date: Tue, 23 Dec 1997 11:28:31 -0600
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <jymmoon@EXECPC.COM>
Subject: Re: william s burroughs: wising up the
marks
MIME-Version:
1.0
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text/plain; charset=ISO-8859-1
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What is
this book? A compilation, previously
unpublished or published
stuff,
or what?
Jym
----------
>
From: Neil M. Hennessy <nhenness@UWATERLOO.CA>
>
To: BEAT-L@CUNYVM.CUNY.EDU
>
Subject: Re: william s burroughs: wising up the marks
>
Date: Tuesday, December 23, 1997 10:08 AM
>
> On
Tue, 23 Dec 1997, Derek A. Beaulieu wrote:
>
>
> i just thought that i would let you all know that _william s.
burroughs:
>
> wising up the marks_ has been published and in fact is released (i
>
> ordered a copy from amazon and it was shipped today...). does anyone
out
>
> there have this book already & i was just not paying attention, or...?
>
>
Thanks for the info Derek! The release date I had seen was January 1998,
>
but I guess they wanted to get this hot item on the shelves for last
>
minute Christmas shoppers ;-) The University of Toronto bookstore has a
>
copy, and I'm going to pick it up this afternoon. Probably won't have a
>
chance to read it until the new year, but when I do, I'll certainly post
> my
impressions to the list.
>
>
Cheers,
>
Neil
=========================================================================
Date: Tue, 23 Dec 1997 16:18:34 -0500
Reply-To: "Neil M. Hennessy"
<nhenness@uwaterloo.ca>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Neil M. Hennessy"
<nhenness@UWATERLOO.CA>
Subject: Re: william s burroughs: wising up the
marks
In-Reply-To:
<199712231728.LAA14809@core0.mx.execpc.com>
MIME-Version:
1.0
Content-Type:
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On Tue,
23 Dec 1997, Jym Mooney wrote:
>
What is this book? A compilation,
previously unpublished or published
>
stuff, or what?
>
>
Jym
The
book is called "Wising up the Marks: The Amodern William Burroughs"
by
Timothy
S. Murphy. The book is largely based on his 1995 doctoral
dissertation
"Wising Up the Marks: Amodernism in the Work of William S.
Burroughs
and Gilles Deleuze", but also includes some material
originally
published in a journal article "William S. Burroughs between
Indifference
and Revalorization: Notes Toward a Political Reading" in
Angelaki.
What it
claims to offer is an analysis of Burroughs' work outside the
modern/postmodern
dialectic in a realm he calls the "amodern"; which he
characterises
"like the reflexive postmodernism we already recognize,
accepts
the failure of modernist ends (for instance, the resolution of
gender,
class, and ethnic conflicts and the concomitant spiritual
unification
of society) and means (for instance, the regeneration of myth
as a
centering structure), without taking the additional step of
homogenizing
all remaining difference into some version of Ferdinand de
Saussure's
negatively defined linguisitc paradigm. In other words, from an
amodern
point of view the disavowal of Francois Lyotard's or Jean
Beaudrillard's
postmodernism is not adequate, since that disavowal remains
complicit
with capital because it offers no way out of the system of
domination
that constitutes the present social order" (pg 2).
Murphy
postulates that perhaps part of the reason Burroughs hasn't been
firmly
fixed in the canon is that he evades easy categorization. This
seems
to make some sense, since even the introduction to the Burroughs
passage
in The Norton Anthology of *Postmodern* American Fiction places
him in
neither the modern or postmodern traditions, but on his own in a
temporal
nether region between them.
So, it
looks like some heavy sledding, but I'm going to buckle down and
enjoy
the ride. I wouldn't recommend it to anyone with a serious distaste
for
Theory of the french variety. Like Burroughs himself, Murphy seems
unwilling
to acknowledge the genre based differences between high art and
low
culture, or literature and philosophy, and has made it his project to
let
Burroughs play on the same field as the likes of Deleuze-Guattari,
Baudrillard,
Sartre, and Adorno.
This
seems to fill a gap in Burroughs criticism-- batting around his ideas
and
formulations with the big-T theory writers. Remember that Jennie Skerl
explicitly
avoided this in her "William Burroughs", because of the genre
boundaries
between fiction and post-structural theory.
Anyway,
that's my preview. I'll be sure to elaborate once I've actually
read
the book beyond the Introduction.
Cheers,
Neil
=========================================================================
Date: Tue, 23 Dec 1997 22:45:39 +0100
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: (FWD) JACK BLUTARSKY
In-Reply-To: <a65a8e1e.349eee58@aol.com>
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Jack
Blutharski h una figura fondamentale nella beat generation. Nacque nel
1941 a
Davenport. Suo padre aveva un carattere piuttosto autoritario e, tra
i 9 e i
16 anni, il giovane Jack finl 5 volte in ospedale per le botte
ricevute.
Quando arrivr a 17 anni, in ospedale ci finl il padre, con una
coltellata
tra le costole.
Per
fuggire alla polizia, Jack Blutharski si nascose in California dove
trovr
lavoro come cameriere all'Angel's pub. Era la mitica birreria
frequentata
da Jack Kerouac, Gregory Corso, Timothy Leary, Bill
Ciceruacchio,
il cane Dog e Fernanda Pivano.
Fu
Blutharski a portare per la prima volta Jack Kerouac sulle scogliere di
Big Sur
e fu lui a suggerirgli di fare un viaggetto con gli amici perchi
non lo
vedeva molto in forma.
Fu
sempre Jack Blutharski che una sera, mentre portava le birre al tavolo,
chiese
ad Allen Ginsberg "Perchi le menti migliori della nostra generazione
stanno
qui a bere come spugne?".
Una
notte in cui Fernanda Pivano piangeva perchi non sapeva cosa fare nella
vita,
fu Jack Blutharski a suggerirle di fare qualche traduzione
dall'inglese
all'italiano per sbarcare il lunario.
Come ha
scritto di recente Loren Fielding sul New Yorker, "Senza Jack
Blutharski
forse non ci sarebbe stato qualcosa chiamato beat generation".
Ma il
suo contributo al movimento non si ferma qui. Una recente ricerca
storiografica
ha accertato che fu Jack Blutharski a presentare domanda al
Sindaco
di Woodstock per un concertino country all'aperto. Poi scesero in
pista
quelli delle case discografiche e si sa com'h andata a finire. Dieci
anni
dopo Jack Blutharski incontrr un vecchio amico, Little Fred, un
chitarrista
scadente che aveva messo la testa a posto e faceva l'agente di
cambio.
Tracannarono una dozzina di birre e parlarono dei vecchi tempi,
quando
Jack Blutharski disse "vestito cosl mi sembri yuppy". Era solo una
parola
inventata da un ubriaco ma nel tavolo di fianco c'era una
giornalista
di Vanity Fair. Quella sera nacquero gli anni Ottanta.
Il
seguito h noto. Stufo di creare tendenze socio-letterarie, Jack
Blutharski
ha finito per fondare una agenzia di comunicazione in Italia.
L'ha
chiamata ExNovo. Dice che promette bene.
=========================================================================
Date: Tue, 23 Dec 1997 23:34:29 +0100
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Guy Debord is Really Dead From:
anonymous@nowhere.com
Mime-Version:
1.0
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The
abuse of the epithet "situationist" and of the meaningless term.
by
Luther Blissett Date: Thu, 7 Dec 1995 23:33:37 +0100 (MEZ)
--------------------------------------------------------------------
-
Butch, whose motorcycle is this?
- It's
a chopper.
- Whose
chopper is this?
-
Zed's.
- Who's
Zed?
- Zed's
dead, baby... Zed's dead.
Quentin
Tarantino, 1994
The end with the last fireworks,
just as
a New Years' Eve in Naples, and h
ere as
well - when the booze has gone - d
ead and
wounded are counted up and people
realize
that the 1st of January is not dif
ferent
from December 31st, that there has
been no
catharsis, no palingenetic entranc
e in a
new age.
Trash cultu
re is
unsophisticated popular culture. It
obviously
is coarse and inconsistent, ther
eby it
has to be buried under tons of "goo
d
taste". The middle class is as trashy as
the working class, but the latter is not
ashamed
of it, while the former wants to h
ide the
trash, poses as being thoroughbred
and becomes kitsch. The characteristics o
f
'proletarian' Trash culture are unintent
ional
genre cross-fertilisation, incongrui
ty,
aesthetical maximalism and emulative s
yndrome.
In
southern Italy, especially in Naples, t
he New
Year's Day culminates with destruct
ion of
any old house furniture, which is t
hrown
down from the balcony. In addition t
o this,
the midnight hour is saluted by a
real
guerrilla of fireworks, petards and f
irecrackers.
Some are found wounded or dea
d. This
clearly is a pagan cathartic feast
which Christianity took good care not to
suppress.
Some references can be fo
und in:
Richard Neville, Play Power, Jonat
han
Cape, London 1970, republished by Pala
din,
London 1971.
=========================================================================
Date: Tue, 23 Dec 1997 17:34:08 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Aeronwytru <Aeronwytru@AOL.COM>
Organization:
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Subject: Re: william s burroughs: wising up the
marks
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what's
the book about that it's such a hot item?
=========================================================================
Date: Tue, 23 Dec 1997 18:20:18 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Richard Wallner
<rwallner@CAPACCESS.ORG>
Subject: Re: (FWD) JACK BLUTARSKY
Comments:
To: Rinaldo Rasa <rinaldo@GPNET.IT>
In-Reply-To: <3.0.1.32.19971223224539.0068d0ec@pop.gpnet.it>
MIME-Version:
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This
sounds interesting...can someone translate this?
On Tue,
23 Dec 1997, Rinaldo Rasa wrote:
>
Jack Blutharski h una figura fondamentale nella beat generation. Nacque nel
>
1941 a Davenport. Suo padre aveva un carattere piuttosto autoritario e, tra
> i
9 e i 16 anni, il giovane Jack finl 5 volte in ospedale per le botte
>
ricevute. Quando arrivr a 17 anni, in ospedale ci finl il padre, con una
>
coltellata tra le costole.
>
Per fuggire alla polizia, Jack Blutharski si nascose in California dove
>
trovr lavoro come cameriere all'Angel's pub. Era la mitica birreria
>
frequentata da Jack Kerouac, Gregory Corso, Timothy Leary, Bill
>
Ciceruacchio, il cane Dog e Fernanda Pivano.
> Fu
Blutharski a portare per la prima volta Jack Kerouac sulle scogliere di
>
Big Sur e fu lui a suggerirgli di fare un viaggetto con gli amici perchi
>
non lo vedeva molto in forma.
> Fu
sempre Jack Blutharski che una sera, mentre portava le birre al tavolo,
>
chiese ad Allen Ginsberg "Perchi le menti migliori della nostra
generazione
>
stanno qui a bere come spugne?".
>
Una notte in cui Fernanda Pivano piangeva perchi non sapeva cosa fare nella
>
vita, fu Jack Blutharski a suggerirle di fare qualche traduzione
>
dall'inglese all'italiano per sbarcare il lunario.
>
Come ha scritto di recente Loren Fielding sul New Yorker, "Senza Jack
>
Blutharski forse non ci sarebbe stato qualcosa chiamato beat generation".
> Ma
il suo contributo al movimento non si ferma qui. Una recente ricerca
>
storiografica ha accertato che fu Jack Blutharski a presentare domanda al
>
Sindaco di Woodstock per un concertino country all'aperto. Poi scesero in
>
pista quelli delle case discografiche e si sa com'h andata a finire. Dieci
>
anni dopo Jack Blutharski incontrr un vecchio amico, Little Fred, un
>
chitarrista scadente che aveva messo la testa a posto e faceva l'agente di
>
cambio. Tracannarono una dozzina di birre e parlarono dei vecchi tempi,
> quando
Jack Blutharski disse "vestito cosl mi sembri yuppy". Era solo una
>
parola inventata da un ubriaco ma nel tavolo di fianco c'era una
>
giornalista di Vanity Fair. Quella sera nacquero gli anni Ottanta.
> Il
seguito h noto. Stufo di creare tendenze socio-letterarie, Jack
>
Blutharski ha finito per fondare una agenzia di comunicazione in Italia.
>
L'ha chiamata ExNovo. Dice che promette bene.
>
=========================================================================
Date: Tue, 23 Dec 1997 19:29:23 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: Glenn Cooper
<coopergw@MPX.COM.AU>
Subject: Re: Cooper cut up
In-Reply-To:
<001501bd0f6e$c0ba5ca0$3969e2cf@default>
Mime-Version:
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aAt
01:48 23/12/97 -0500, you wrote:
>Glenn,
>
> Tll me more of this program you have for
producing your cut-ups. My
>writing
has become a bit stale and I've been in search of a new method of
>thought
stimulation, if I can just feed in a few pieces I'm working on see
>what
comes up, well, hey, maybe I'll finally start to get into Burroughs (I
>haven't
managed to get myself hooked him yet).
>
>Best
to all, and merry christmas,
>
>Bruce
>
It's
called "Babble". Not sure if it's still commercially available. I'd
copy it
for you, but I can't. It won't copy. Or at least I'm incapable of
copying
it.
You
mean you *haven't* read WSB??? Amazing!
:)
Glenn
C.
=========================================================================
Date: Tue, 23 Dec 1997 21:40:20 -0500
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<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Paul A. Maher Jr."
<mapaul@PIPELINE.COM>
Subject: TKQ Cover of the Month updated!
Mime-Version:
1.0
Content-Type:
text/plain; charset="us-ascii"
Hi
folks! I have updated the Kerouac Quarterly Cover of the Month for the
New
Year. Also, an update on Douglas Brinkley's New Yorker article on the
Kerouac
journals. Go to:
http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html
Thanks and Happy
Holidays!
Paul. .
.
"We
cannot well do without our sins; they are the highway to our virtues."
Henry David Thoreau
=========================================================================
Date: Wed, 24 Dec 1997 00:43:59 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Kindlesan <Kindlesan@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: Re: (FWD) JACK BLUTARSKY
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can
that many people on this list read this particular foreign language?
or am i
the only ignorant one here?
;o)
brian
=========================================================================
Date: Wed, 24 Dec 1997 00:47:55 -0600
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Patricia Elliott
<pelliott@SUNFLOWER.COM>
Subject: Re: (FWD) JACK BLUTARSKY
MIME-Version:
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Kindlesan
wrote:
>
>
can that many people on this list read this particular foreign language?
>
> or
am i the only ignorant one here?
>
>
;o)
>
>
brian
oh
brian, don't get your tweeter in a wringer,
if they kept the list to
only
that which i understood you would be bored.
don't be provicial,
beg for
translations. rinaldo is italian , his
heart must be heard too.
patricia
=========================================================================
Date: Tue, 23 Dec 1997 22:56:27 +0000
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer
<stauffer@PACBELL.NET>
Subject: Re: Cooper cut up
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Isn't
there a "cut up machine" at one of the literary sites. I remember mention
of it
probably a year ago on Beat-L--maybe Big Table? One of the WSB experts
would
know it.
James
Glenn
Cooper wrote:
>
aAt 01:48 23/12/97 -0500, you wrote:
>
>Glenn,
>
>
>
> Tll me more of this program you
have for producing your cut-ups. My
>
>writing has become a bit stale and I've been in search of a new method of
>
>thought stimulation, if I can just feed in a few pieces I'm working on see
>
>what comes up, well, hey, maybe I'll finally start to get into Burroughs (I
>
>haven't managed to get myself hooked him yet).
>
>
>
>Best to all, and merry christmas,
>
>
>
>Bruce
>
>
>
It's called "Babble". Not sure if it's still commercially available.
I'd
>
copy it for you, but I can't. It won't copy. Or at least I'm incapable of
>
copying it.
>
>
You mean you *haven't* read WSB??? Amazing!
:)
>
>
Glenn C.
=========================================================================
Date: Wed, 24 Dec 1997 13:04:06 +0100
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: ()
In-Reply-To: <1.5.4.32.19971223025612.006a0464@pop.pipeline.com>
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you are sleeping
in the blanket
name
embroidered
all around
the old newspapers
all around
old schoolday photos
---
rinaldo
24thdec97
=========================================================================
Date: Wed, 24 Dec 1997 10:25:15 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Kindlesan <Kindlesan@AOL.COM>
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AOL (http://www.aol.com)
Subject: Re: (FWD) JACK BLUTARSKY
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In a
message dated 97-12-24 01:53:14 EST, you write:
<<
oh brian, don't get your tweeter in a wringer,
if they kept the list to
only that which i understood you would be
bored. don't be provicial,
beg for translations. rinaldo is italian , his heart must be heard
too. >>
;o) i know....i know.....i'm glad he does
it.......just makes me all the more
aware
of my limitations.....perhaps if he does it enough, i can get a free
education
in the italien language
=========================================================================
Date: Wed, 24 Dec 1997 08:51:59 PST
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From: marie countyman
<mcountyman@HOTMAIL.COM>
Subject: i'm back and ready to rock and roll
Content-Type:
text/plain
hi all:
i
finally made to the list again! i've been trying for a week now, my
isp
fouled things upl
just to
let you know that yesterday was my first day of being immersed
in the
poetry community of san francisco, spent a few hours with a
truely
remarkable poet and reader of poetry, qr hand, and had an offer
from
the booking agent for the poetry scene at one coffee house- to be
my
agent
ha!
it is a
strange and beautiful world my friends
holiday
greetings
mc
______________________________________________________
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Your Private, Free Email at http://www.hotmail.com
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Date: Wed, 24 Dec 1997 09:02:57 PST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: marie countyman <mcountyman@HOTMAIL.COM>
Subject: Re: (FWD) JACK BLUTARSKY
Content-Type:
text/plain
hey
patricia! good to 'hear' your voice again. your balanced view and
common
sense are always refreshing.
mc
>From
owner-beat-l@cunyvm.cuny.edu Tue Dec 23 22:51:48 1997
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>From:
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>Subject: Re: (FWD) JACK BLUTARSKY
>To:
BEAT-L@CUNYVM.CUNY.EDU
>
>Kindlesan
wrote:
>>
>>
can that many people on this list read this particular foreign
language?
>>
>>
or am i the only ignorant one here?
>>
>>
;o)
>>
>>
brian
>oh
brian, don't get your tweeter in a wringer,
if they kept the list
to
>only
that which i understood you would be bored.
don't be provicial,
>beg
for translations. rinaldo is italian ,
his heart must be heard
too.
>patricia
>
______________________________________________________
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Your Private, Free Email at http://www.hotmail.com
=========================================================================
Date: Wed, 24 Dec 1997 09:06:05 PST
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From: marie countyman
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Subject: Re: ()
Content-Type:
text/plain
rinaldo,
this is beautiful/ made me think back to trip across country to
CA.
mc
>
>
> you are sleeping
>
> in the blanket
> name
> embroidered
>
> all around
> the old newspapers
> all around
> old schoolday photos
>
>
>---
>rinaldo
>24thdec97
>
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Your Private, Free Email at http://www.hotmail.com
=========================================================================
Date: Wed, 24 Dec 1997 13:17:53 -0700
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From: Sean Young <syoung@DSW.COM>
Subject: New York/St. Marks
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Hi everyone,
Just wanted to see if anyone will be in
New York around New Years. I
am heading there from poor old Utah and I
thought it would be cool to
hook up with some Beat-l'ers in New York.
Anyone going to the marathon
reading at St. Marks on New Years? It'd
be great to meet some of you.
I'll be there from the 31st to Jan. 5th.
Have a good holiday.
Peace to you all.
Sean D. Young
syoung@dsw.com
=========================================================================
Date: Wed, 24 Dec 1997 14:16:19 -0700
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From: "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
Organization:
Calgary Free-Net
Subject: New Ginsberg Poem?
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1.0
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beat-lers
saw
this on rec.books.beatgeneration does any one out there know anymore
abt
this?
thanks
derek
----------
Forwarded message ----------
Date:
24 Dec 1997 13:47:57 GMT
For a
new and supposedly unpublished poem by Alan Ginsberg titled "Words",
check
out the literary journal Rosebud. Alan
said that he found it in a book
he
hadn't read since 1969.
=========================================================================
Date: Wed, 24 Dec 1997 21:58:12 -0500
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From: "Robert H. Sapp"
<rhs4@CRYSTAL.PALACE.NET>
Subject: Re: New York/St. Marks
In-Reply-To: <4A16E160.1326@dsw.com>
MIME-Version:
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just
wandering,
what's
hapning at St. Mark's on new years? and how do you get there?
happy
holidays all,
eric
On Wed,
24 Dec 1997, Sean Young wrote:
> Hi everyone,
>
> Just wanted to see if anyone will be in
New York around New Years. I
> am heading there from poor old Utah and
I thought it would be cool to
> hook up with some Beat-l'ers in New
York. Anyone going to the marathon
> reading at St. Marks on New Years? It'd
be great to meet some of you.
> I'll be there from the 31st to Jan. 5th.
> Have a good holiday.
>
> Peace to you all.
>
> Sean D. Young
> syoung@dsw.com
>
=========================================================================
Date: Wed, 24 Dec 1997 21:09:14 -0600
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From: Patricia Elliott
<pelliott@SUNFLOWER.COM>
Subject: norlons
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Is
there some sort of art show in new orleans in February of Williams
stuff.
Does anyone know about this?
patricia
=========================================================================
Date: Thu, 25 Dec 1997 01:38:37 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: GYENIS <GYENIS@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: we break from the news...
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Hippo
Hollydays
and
A
Joyous New Ewe two
peace
=========================================================================
Date: Thu, 25 Dec 1997 02:23:35 -0600
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: we break from the news...
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Patricia writes,
ho ho it 2 am
and do
you know if your furnace goes.
counting
your blessings because its too cold not too.
GYENIS
wrote:
>
>
Hippo Hollydays
> and
> A
Joyous New Ewe two
>
>
peace
=========================================================================
Date: Thu, 25 Dec 1997 09:53:10 +0100
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: we break from the news...
In-Reply-To: <34A21807.6E53@sunflower.com>
Mime-Version:
1.0
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Patricia
says:
>Patricia writes,
ho ho it 2 am
>and
do you know if your furnace goes.
>counting
your blessings because its too cold not too.
>
>GYENIS
wrote:
>>
>>
Hippo Hollydays
>> and
>>
A Joyous New Ewe two
>>
>>
peace
>
>
...
& Rinaldo adds a comment quoting a
(singsong)
by Brion Gysin
Lock
them out and bar the door
Lock
them out for e-v-ermore
Nook
and cranny window door
Seal
them out for e-v-e-rmore
Lock
them out and block the rout
Shut
them scan them flack them out.
Lock is
mine and doors is mine
Three
times three to make up nine...
Curse
go back curse go back
Back
with double pain and lack
Curse
go back--back.
=========================================================================
Date: Thu, 25 Dec 1997 10:04:46 EST
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: CIRCULATION
<breithau@KENYON.EDU>
Subject: Re: we break from the news...
Hippo
Holidays as they burn in their tanks!
=========================================================================
Date: Thu, 25 Dec 1997 13:35:08 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
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From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: WSB on radio
In-Reply-To: <34A1CE5A.63E4@sunflower.com>
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I was
stopped in my tracks the other day when I heard WSB doing a
promotional
spot for Madison, Wisconsin radio station WORT-FM.
WORT-FM
is the most listened-too radio station in Madison--a true community
radio
station that is not part of the NPR chain. It's the kind of a station
that I
can imagine him promoting.
I'll
get some info on the history of the "spot" and pass it alone.
j grant
HELP RECOVER THE MEMORY
BABE ARCHIVES
Details on-line at
http://www.bookzen.com
625,506 Visitors 07-01-96 to 11-28-97
=========================================================================
Date: Fri, 26 Dec 1997 00:25:08 EST
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From: NICO 88 <NICO88@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: Re: New York/St. Marks
Content-type:
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In a
message dated 97-12-24 22:15:10 EST, you write:
>
just wandering,
>
> what's hapning at St. Mark's on new years?
and how do you get there?
>
Every
new years day at St.Marks Church (E.10th street and 2nd Ave) they have a
marathon
poetry reading that lasts from about 4 to midnight. Poets,
musicians,
"performance artists" et cetera.
Its a great establishment in the
NY
neo-cultural scene, but this year, ah, will be the first without Allen.
sigh.
for any
of you who are thinking of going, i highly recommend the experience.
(except
when you sit there for 6 hours waiting for Jim Carroll and then
someone
[allen ginsberg] tells you he's not coming.)
--Ginny.
=========================================================================
Date: Fri, 26 Dec 1997 10:39:52 +0100
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<BEAT-L@CUNYVM.CUNY.EDU>
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: about Bukowski
Comments:
To: josep@icmab.es
In-Reply-To: <34A21807.6E53@sunflower.com>
Mime-Version:
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---------
original message ---------------------------------
I just
wanna comment two things about Hank :
1. I
think Charles Bukowski (and his literature staff)
was
more appreciated here in Europe than in USA. The day
Bukowski
died, most of the spanish newpapers (I am Spanish)
dedicated
him a page or a page and a half, and that is very
much
for a writer, here in Spain. some bookstores dedicated
a
special place for its books and a theatre play based in
his
texts was performed. I think that this is a nice tribute
to
Hank.
2.
About Bukowski books I miss two tittles :
"Run
with the hunted" (1993) and
"Quello
che mi importa e grattarmi sotto le ascelle" (1982).
The
former collection of texts, shorts stories and
poems
describing Hanks live. The latter an interview
with
Fernanda Pivano (an italian journalist) that
could
be translated as the most I like is to scrabe
my
armhole. Did you hear about this two books?.
Anyway,
it has been a great experience for me
to
visit your Bukowski page.
thanks
for your attention. Josep Llacay
---------
end original message ------------------------------
Josep,
buon giorno,
circa
Bukowski's mentioned book
"Quello
che mi importa e grattarmi sotto le ascelle" (1982)
is
fairly easy to find in an italian bookstore as many of
others
bukowski works-- in Italia the bukowski fortune is great
as u
mentioned in Spagna (yr country), the bookshelves are
always
filled with a lot of buk works-- by the way: ho notato
che hai
citato il libro con il titolo in italiano, per caso
parli o
scrivi in italiano? -- concerning Fernanda Pivano i
agree
her devotion to american writers and performers is a
great
treasure -- if u read the "Album Americano" (1996) she
writes
[Neanche uno della mia trentina di libri e' uscito
in
America e non so le volte che qualche autore italiano mi
ha
aggredito chiedendomi perche' lavoravo al ''servizio
dell'America''
e non facevo tradurre nessun italiano-- La mia
felicita'
comincia quando un autore sconosciuto in Italia
e considerato
impubblicabile mi telefona e mi dice:"You made
me
famous"][none of my thirty books was translated in america,
but in
italy a lot of writer charge me attendance to America.
i'm
happy when an unknown writer call "you made me famous"
because
of my works arent published in my own country]-- at
the
moment Pivano is 80 years old and fluke the Pivano archive
'll be
collected by Benetton Group otherwise the papers was
assigned
to be dispersed-- the Pivano interview to Charles
Bukowski
is truly a wonder "Di solito staccava una rosa da
una
delle siepi di fronte alla sua porta d'ingresso e me la
offriva
baciandomi la mano come un cavaliere vittoriano dell'
Ottocento.
Ebbi la debolezza di raccontare questo particolare
che mi
faceva tanta tenerezza a un giornalista un po' sbrigativo
che
riusci' ad avvicinarlo e gli chiese con ironia se era vero
o se me
lo ero inventato. Pare che Bukowski l'abbia guardato
con uno
di quei soffocanti risentimenti, insaccando il collo
come
King kong, come fceva quando gli giravano le scatole, e
gli
abbia risposto:"Certo che e' vero. Perche'? Viene qui una
gentile
signora che ha passato la vita in Italia per aiutare
noi
scrittori americani e cosa volevate che le facessi, che la
stuprassi?"--
any
other info or help u can email cc: rinaldo@gpnet.it
-- i've
fwd yr letter to the BEAT-L: Beat Generation List
cari
saluti da
Rinaldo.
Venezia-Mestre,Italia
=========================================================================
Date: Fri, 26 Dec 1997 12:37:52 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: Beats in NYC
There's
a nice article on the Beats in New York City in the Weekend section of
today's
New York Times by Ann Douglas. You'll
notice a small error on page E49
: Ted Morgan rather than Bill Morgan is cited
as the author of "The Beat Gener
ation
in New York: A Walking Tour." Remember
the days when national newspapers
and magazines hired fact checkers to catch
such boo boos?"
=========================================================================
Date: Fri, 26 Dec 1997 09:46:02 -0800
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
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From: "Michael R. Brown"
<foosi@GLOBAL.CALIFORNIA.COM>
Subject: Re: about Bukowski
Comments:
To: Rinaldo Rasa <rinaldo@GPNET.IT>
In-Reply-To:
<3.0.1.32.19971226103952.00685b70@pop.gpnet.it>
MIME-Version:
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On Fri,
26 Dec 1997, Rinaldo Rasa wrote:
>
Josep, buon giorno,
>
circa Bukowski's mentioned book
Together
with alt.books.bukowski, you might find the private Bukowski
e-mail
discussion list owned by Lisa Rabey of interest. Email
lisa@simunye.com
for subscription info.
Lisa's
web page has Buk links, too: http://www.simunye.com.
+ -- +
-- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
Michael R. Brown foosi@global.california.com
+ -- +
-- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
Find out the laws then do what
you will.
- Susannah Thompson
=========================================================================
Date: Fri, 26 Dec 1997 11:06:46 -0700
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
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From: "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
Organization:
Calgary Free-Net
Subject: 1998 filling station INVERTIGO chapbook
/ calender
Mime-Version:
1.0
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beat-l'ers
i have
a 4 copies of filling station's (filling station is a local
literary
magazine, which has been around for 3 years is one of the
best
and most original of the calgary scene...) chapbook-calender for
sale,which
i highly recommend as it really gives an introduction to some
of the
more establishe poets around calgary and is presented in a very
unique
and cool style. im offering copies for $5 US each (a steal really)
including postage,
please
let me know if you are interested in picking up a copy and i can
mail it
out to you asap...
INVERTIGO:
1998 filling station chapbook-calender features the work of:
jacqueline
turner
peter
j. graham
geoff
mackenzine
jonathan
wilcke
ian
samuels
russ
rickey
dave
sidjak
rajinderpal.
s. pal
jb hohm
asia
shelley
boettcher
vivian
hansen
tjsnow
yrs in
holiday hoho.
derek
******************************************************************
Derek
Beaulieu
House
Press (limited ed. chapbooks, prints, etc)
#502-728
3rd Ave NW
Calgary,
Alberta, Canada, T2N 0J1
ph.
(403)270-4440, fax. 270-9357
"remove
literary, grammatical & syntactical inhibition" -Jack Kerouac
******************************************************************
=========================================================================
Date: Fri, 26 Dec 1997 11:16:01 -0700
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
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From: "Derek A. Beaulieu"
<dabeauli@FREENET.CALGARY.AB.CA>
Organization:
Calgary Free-Net
Subject: Levertov's death (fwd)
Mime-Version:
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beat-lers
i
thought i would pass along this bad news, which i found posted to
alt.books.beatgeneration.
yrs
derek
----------
Forwarded message ----------
Date:
Thu, 25 Dec 1997 14:05:44 +0000
From:
Tom Fallon <aopoetry@exploremaine.com>
Subject:
Levertov's death
I would
like to announce to alt.zines the death of Denise Levertov,
acclaimed
international poet and political activist.
FMI see
<http://www.exploremaine.com?~aopoetry/fallon/news.html>
Tom
Fallon
Editor
Apples
& Oranges, Oranges & Apples
aopoetry@yahoo.com
aopoetry@exploremaine.com
=========================================================================
Date: Fri, 26 Dec 1997 13:30:53 EST
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Waterrow <Waterrow@AOL.COM>
Organization:
AOL (http://www.aol.com)
Subject: Re: about Bukowski
Content-type:
text/plain; charset=US-ASCII
Content-transfer-encoding:
7bit
In a
message dated 97-12-26 04:54:38 EST, you write:
<<
2. About Bukowski books I miss two tittles :
"Run with the hunted" (1993) and
"Quello che mi importa e grattarmi sotto
le ascelle" (1982).
The former collection of texts, shorts
stories and
poems describing Hanks live. The latter an
interview
with Fernanda Pivano (an italian journalist)
that
could be translated as the most I like is to
scrabe
my armhole. Did you hear about this two
books?.
>>
We have
both of these books in stock...if you'd like more information, email
me...
Thanks
-
Jeffrey
Water
Row Books
=========================================================================
Date: Fri, 26 Dec 1997 21:58:02 +0100
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Levertov's death (fwd)
In-Reply-To:
<Pine.A32.3.93.971226111445.36916C-100000@srv1.freenet.calg
ary.ab.ca>
Mime-Version:
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At
11.16 26/12/97 -0700, derek wrote:
>beat-lers
>i
thought i would pass along this bad news, which i found posted to
>alt.books.beatgeneration.
>yrs
>derek
>----------
Forwarded message ----------
>Date:
Thu, 25 Dec 1997 14:05:44 +0000
>From:
Tom Fallon <aopoetry@exploremaine.com>
>Subject:
Levertov's death
>I
would like to announce to alt.zines the death of Denise Levertov,
>acclaimed
international poet and political activist.
>FMI
see <http://www.exploremaine.com?~aopoetry/fallon/news.html>
>Tom
Fallon
>Editor
>Apples
& Oranges, Oranges & Apples
>aopoetry@yahoo.com
>aopoetry@exploremaine.com
>
ANOTHER
SPRING by DENISE LEVERTOV
In the
gold mouth of a flower
the
black smell of spring earth.
No more
skulls on our desks
but the
pervasive
testing
of death--as if we had need
of new
ways of dying? No,
we have
no need
of new
ways of dying.
Death
in us goes on
testing
the wild
chance
of living,
as Adam
chanced it.
Golden-mouth,
the tilted smile
of the
moon westering
is at
the black window,
Calavera
of Spring.
Do you
mistake me?
I am
speaking of living
of
miving from one moment into
the
next, and into the
one
after, breathing
death
in the spring air, knowing
air
also means
music
to sing to.
=========================================================================
Date: Sat, 27 Dec 1997 01:07:05 -0500
Reply-To: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation
List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Johnny Space-Boy
<johnny-space-boy@USA.NET>
Subject: the beat
Comments:
cc: j_space_boy@hotmail.com
Mime-Version:
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a multi-part message in MIME format.
------------NetAddress--BLAFWE2544
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I have
been searching along time to find a group such as this one. I really hope
this is a group of people that are mad about
life, cause that's all I want to
do is talk about the sad beauty of life.
Talking about authors and poets,
that's great, but my real need is to talk to
these mad people about being truly
alive and finding enlightenment. The
ascension of being. I am still starting
out with all of this and if there is a
qualification to being a beatnik I am
sure I haven't met it, but I just think it
would be a crime if there wasn't a
place like this group for people such as
myself, crazy about living, to have a
creative outlet to share their views and to
learn from peers. I cannot wait for
a response.
------------NetAddress--BLAFWE2544
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Date: Sat, 27 Dec 1997 06:08:12 -0500
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From: Johnny Space-Boy
<johnny-space-boy@USA.NET>
Subject: Fwd: [too much coffee]
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From:
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To:
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Subject:
too much coffee
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Date:
Sat, 27 Dec 1997 02:57:21 PST
----Original
Message Follows----
So here
I am again pondering, probably too much coffee is the catalist
to all
of my personal insight on life, well you don't have to read it if
you
don't want to. I am sitting here doing my psych homework and ran
into
the ideas of this man called Carl Rogers. A humanist pyschologist,
he
feels that to be a fully functional person we all need unconditional
positive
regard, that is love and support without strings (conditions)
attached.
I think we all know this it just takes some one who thinks
alot to
write it down. I believe the wanting for this unconditional
positive
regard is a major motivating factor on how people think, feel,
and
act. I don't know I think it would be cool. I guess people have
problems
with treating each other like that, It seems like a pretty hard
thing
to do, he goes on to say that if you don't have a relationship
like
this it causes incongruencies in your persona (makes you neurotic,
bitter,
unhappy, shitty.) Maybe huh?
I think
this all ties into the feeling of being alive that I love to
talk
about. I like to call the way you feel and live while you are in
this
state "Raw emotions". Being real to yourself, but this is very
dangerous
because it opens you up. Makes you vulnerable. What do you
think?
Should I stop drinking so much coffee, stop reading into things.
Experiences
like the ones I have been having lately makes you stop and
think.
______________________________________________________
Get
Your Private, Free Email at http://www.hotmail.com
______________________________________________________
Get
Your Private, Free Email at http://www.hotmail.com
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Date: Sat, 27 Dec 1997 06:08:14 -0500
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From: Johnny Space-Boy
<johnny-space-boy@USA.NET>
Subject: Fwd: [who is johnny space-boy? ]
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From:
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To:
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Subject:
who is johnny space-boy?
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--====================987654321_0==_
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I am
a simple bhikku searching for all the
answers a can find. Roaming
the
world now I am in Bavaria, Germany.
______________________________________________________
Get
Your Private, Free Email at http://www.hotmail.com
--====================987654321_0==_
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`
end
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From: Johnny Space-Boy
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Subject: Fwd: [Fwd: Re: spicy beef burritos]
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From:
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Subject:
Fwd: Re: spicy beef burritos
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----Original
Message Follows----
Humans are biologically creatures which have
a system made up of
organs
that
find
nutrients and chemicals from the enviroment around them. Certain
congenital
defects hinder certian individuals ability to gain access to
these
nutrients(ie. A person born with a cardio or muscoskeletal
disfunction
would
be
handicapped in life, whereas a person born into the world in good
health
has an
advantage in obtaining items around him/her).
On that note, a
person
born
looking a certain way also may have greater ease in gaining what
they
want,
and this is where the social/economic situations help determine
the
path
and
shape of one's life. People are born
with what they have, then,
based
on
their
personal strengths, or most likely, weaknesses, determine which
road to
walk
down or fall down. Talk later.
Merry Christmas,
Jason.
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