=========================================================================
Date: Tue, 12 Aug 1997 09:55:40 -0700
Reply-To: "Penn, Douglas, K"
<dkpenn@OEES.COM>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K"
<dkpenn@OEES.COM>
Subject: Re: Wall Street Journal 'n Fruity Pebbles
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<<ahem>>
and we could all use a good editor too...
not the new
york times ..... but the Wall Street Journal
sorry to
waste bandwidth on the correction.
Douglas
>----------
>From: Penn, Douglas, K
>Sent: Tuesday, August 12, 1997 9:29 AM
>To: BEAT-L@CUNYVM.CUNY.EDU
>Subject: RE: Wall Street Journal 'n Fruity Pebbles
>
>
>and it
goes to show that if you can't keep a good dog down in life, you sure
>can
kick em a few times in death. fuck the
new york times.
>
>Douglas
>
=========================================================================
Date: Tue, 12 Aug 1997 18:54:39 +0200
Reply-To: Rinaldo Rasa <rinaldo@GPNET.IT>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: (FWD) q: ranaldo & a: burroughs,
9 april 97
In-Reply-To:
<970812013625_1848781656@emout01.mail.aol.com>
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At 01.36
12/08/97 -0400,
Pamela
Beach Plymell <CVEditions@AOL.COM> wrote:
>In a
message dated 97-08-12 01:01:05 EDT, you write:
>
><< WSB:
Well, you'll notice more subdivisions now as it's modernized
> >
and is no longer cheap
>
> Sharp
as a razor. >>
>
>In
every direction we look....
>
>C.Plymell
>
ENTIA NON SUNT MULTIPLICANDA
PRAETER NECESSITATEM...
=========================================================================
Date: Tue, 12 Aug 1997 10:12:47 -0700
Reply-To: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher"
<gallaher@HSC.USC.EDU>
Subject: Re: who's who?
Comments:
To: "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>
Mime-Version:
1.0
Content-Type:
text/plain; charset="us-ascii"
At 08:55 AM
8/12/97 -0700, you wrote:
>I'm
still working on "On the Road," and have a character question.
>Don't
jump all over me for this...if it screams ignorance...chalk it up
>to
unfamiliarity. Who is Remi...and subsequently Lee Ann?
>
>-shannon
>
>
Henri Cru,
as I recall, friend of kerouac from Horace Mann prep school.
=========================================================================
Date: Tue, 12 Aug 1997 10:25:30 -0700
Reply-To: "Penn, Douglas, K"
<dkpenn@OEES.COM>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K"
<dkpenn@OEES.COM>
Subject: Re: (FWD) q: ranaldo & a: burroughs,
9 april 97
Comments:
To: Rinaldo Rasa <rinaldo@GPNET.IT>
MIME-Version:
1.0
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text/plain; charset="us-ascii"
Content-Transfer-Encoding:
7bit
Rinaldo,
you are such a tease. Somebody please
translate?
Douglas
>----------
>From: Rinaldo Rasa[SMTP:rinaldo@GPNET.IT]
>Sent: Tuesday, August 12, 1997 9:54 AM
>To: BEAT-L@CUNYVM.CUNY.EDU
>Subject: Re: (FWD) q: ranaldo & a: burroughs,
9 april 97
>
> ENTIA NON SUNT MULTIPLICANDA
> PRAETER NECESSITATEM...
>
=========================================================================
Date: Tue, 12 Aug 1997 14:48:57 -0600
Reply-To: Sorted <junky@BURROUGHS.NET>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: Sorted <junky@BURROUGHS.NET>
Subject: burroughs.net, asking permissions,
possibly some other meanderings
Mime-Version:
1.0
Content-Type:
text/plain; charset="us-ascii"
to whom it
may concern,
i've shut
down burroughs.net indefinitely...in its place is a photo of wsb
with the
dreamachine, his dates on this planet, and a link to some site
info...site
info is two short paragraphs as to what's going on, a short
list of
other burroughs sites (Levi's, Luke's, Malcolm's, and Critter's),
as well as
what i'm hoping is a pretty complete index of the recent news
articles on
his death, and another index of the tribute and memorial sites
popping
up...@
http://www.burroughs.net/
...his
death has not really hit me yet, i think. i felt a need to shut down
the site,
and i feel as if the last week+ has been spent on some mutated
form of
acid, what with all the event cracking my head open across that
time,
there's no other possible explanation other than this is just not
real.
but of
course, it is....
One thing i
have been thinking about recently is possibly taking the posts
to this
list about WSB's death and influence and archiving them on
burroughs.net,
sort of a memorial of my own, wanting to show what he and
his work
meant to so many people...please let me know what you all think
about
this...
(and, maybe
to ease some minds, i make no money from this site...been
running it
for over two years and not made one dime, in fact lost a bunch
of $ when i
registered the domain...so for those suspecting me of
profiting,
nah. i just love the man and his work. maybe this whole
paragraph
was unnecessary; maybe not.)
Seeing as
this has to do with almost all of you, i'd appreciate as many
responses
as i can get, either privately or over the list. I really would
like to do
this, but i won't go ahead without talking to you first...
thanks,
-zach.
=========================================================================
Date: Tue, 12 Aug 1997 16:58:16 EDT
Reply-To: Bill Gargan <WXGBC@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan
<WXGBC@CUNYVM.BITNET>
Subject: FDA
Next thing
you know they'll try to regulate sperm.
=========================================================================
Date: Tue, 12 Aug 1997 18:28:32 +0000
Reply-To: letabor@cruzio.com
Sender: "BEAT-L: Beat Generation List"
<BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is
<letabor@mail.cruzio.com>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Burroughs Obit
Date
sent: Tue, 12 Aug 1997 09:22:24
-0700
From: Leon Tabory
<letabor@cruzio.com>
To:
"BEAT-L@CUNYVM.CUNY.EDU" <BEAT-L@CUNYVM.CUNY.EDU>
hmmm. No
one offering to translate this interesting obit from Der
Spiegel?
Well, my
credentials to attempt it ain't exactly impeccable.
Sure,learning
wasintense when you were trying to figure out what the Waffen SS
men were saying was
Waffen SS
men were saying to each other. Subsequent living in Muenchen for half
a year helped,
especially
the loving attention of Herma "dein Munchener kindl" in the
only
language she knew helped broaden content and style. My new friend
old Herr
Doctor Karl Hagenmueller helped with pointers about grammar
etc, but
that was over fifty years ago, and soon forgotten. Never did
bother to
get a german dictionary since, but I did get the gist of
it. Amazing
how things come back. I thought some of you would like to
get a look
at what Der Spiegel had to say. If you are curious and not too
worried
about total accuracy, read on.
Words that
I knew stomped me I enclosed in brackets followed by a ?. The
writer of
the obit is not identified.
Here it
goes:
OBITUARY
William S.
Burroughs
Naturally
one could talk with Bill Burroughs about literature, as well
as about
polishing of furniture, or pop music, because he was a
gracious
person. His shuffling, monotonous voice betrayed a cultivated
disinterest.
But when the conversation turned to weapons, it took on
color.
Then it
became clear: not a doyen of the american underground, or
head of the
punks, or member of the respected academy, but Marshall in
Dodge City
- that would well have been his darling role. That or the
scoundrel
at the other end of the street. Drawing the line between good
and bad
didn't interest him particularly. Presence of wit, that's what it came
to for him.
William S.
Burroughs knew how to pick up (?) unique (?) illusionless
qualities.
"I could always take up(?) with doc Holliday", he
said at a
shooting practice at his ranch in Kansas. (??)
Bill
Burroughs, the farthest out avant-garde that american literature
produced in
this century, was at the same time as american as
cornflakes.
He was a member of the arch reactionary "National Rifle
Association"
and felt comfortable under the rednecks in Kansas, where he
died last
week at age 83 of heart failure.
He knew the
myths and legends about the o.k. corral inside out, and
before he
was inducted in the temple and seminar halls of literary
scholarship,
he resided in the cosmos of the penny notebooks. He was
Harvard
reared with a passion for the trivial. The crownprince of an
industrial
family, who was at home in the fixers (junkies?) scenes of
New
Orleans, London and Tanger. He was a remarkable buttoned up traveller with a
love
for dirt
and trash of all kinds. THe was also gay. Basically
Burroghs
was the nightmare of american society - because he came from
its
innermost midst.
He
functioned as a stranger in the beatnik circles around Ginsberg and
Kerouac,
whom he got to know in the middle of the forties. There is
hardly a
photo of these early years in which he smiles, and so his face
remained a
shocked Buster-Keaton look at
the bad
play of the century. He was married
twice. His
first wife
was a german jewish woman, whom he enabled to emigrate
through the
marriage. The second wife he shot during a drug party. It
could never
be clarified without a doubt whether the accident was in
fact an
accident. Shortly after the deed Burroughs gave a deposition
(testimony?
confession?) which he later retracted.
Still, the
scandal lent him a sinister luster, which later made him a black
romantic
pop-icon: He was the writer outlaw, the pistol hero with a
typewriter,
who didn't worry particularly over the laws, whether they
applied to
life or to literature.
Already as
a youth Burroughs dreamt about a literary career for
absolutely
nonliterary reasons. He wanted to write, "because writers
were rich
and famous, hung around in Singapore and Rangoon, wore yellow
silk suits,
smoked opium or hashish in the native quarters of Tangier and
patted a
tame gazelle".
He got it,
the drugs and the gazelles and later the fame and riches, but
it was a
long road to that, and his sheer longevity belongs to his most
amazing
achievements. For decades he hung on the needle, he climbed
out and got
back in and back out and back into other drugs, and he
(strapazierte)?
(punished)? his body to the limit. Yet when he died he
had
outlived most of his fellow treavelers, Ginsberg and Neal Cassady and
Timothy
Leary and
Kerouac anyway.
His debut
novel "Junkie" which appeared 1953 as a cheap paperback, a
book about
the logistics of the scoring of drugs, the horror of cold
withdrawals,
was his most readable book. Still he became famous through
the
phantasmagories from "Naked Lunch" (1959), that obscene,
halucinogenic
penny novel about Dr. "Fingers" Schafer, "Lobotomy Kid"
and William
Lee, that is at the same time a satire of society gone
too far.
About the
invention of the famous cut-up method that was employed
in it for
the first time, there are various versions in circulation,
and one of
these, not the least likely, is banal. In drugged dimness, in
the middle
of strewn about manuscript pages, in a hotel room he supposedly was
staring
at his
feet, when Ginsburg dusted those up and stapled the unsorted
texts
together. Later Burroughs found the
accidental sort most highly
interesting.
Thereupon he cut the pages and put them together anew.
"Naked
Lunch" became subject to scandal because of its pornographic
passages,
and because of its neologisms and Hieronymus-Bosch-visions it
became a
quarry for pop groups, who borrowed their
names from
it and from following novels, "Steely Dan" or "Soft
Machine",
and other
groups named their music "Heavy Metal".
Still,
Burroghs hardly interested himself in the entire Rock theater. He
was no
world improver like Ginzberg, no dionysian visionary like
Kerouac.
Deep inside he held the Beatnik-pose and the following
Pop-pretense
good for kid stuff..
He lived
his last years disciplined. He got up early, fed the cats,
wrote. He
never took the first vodka before four o'clock in the
afternoon.
Now and then he visited his old weapons-brother Fred, to
shoot.
He was the
Deputy Marshall, and he held up a long time, until in
the end it
caught him (?).
DER SPIEGEL
33/1997
Well, I did
give it a try.
leon
>
Date: Mon, 11 Aug 1997 14:18:05
EDT
>
Reply-to: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
>
From: Fred Bogin
<FDBBC@CUNYVM.CUNY.EDU>
>
Organization: Brooklyn College Library
>
Subject: Burroughs Obit
>
To: BEAT-L@CUNYVM.CUNY.EDU
>
Attached is a Burroughs obit from this week's German magazine, Der
>
Spiegel. (http://www.spiegel.de) I
replaced the umlauted letters by
> ae,
oe, ue, etc. to make it readable.
>
> Fred
>
>
>
>
>
NACHRUF
>
>
William S. Burroughs
>
> 1914
bis 1997
>
>
Natuerlich konnte man mit Bill Burroughs auch ueber Literatur
> reden
oder ueber Moebelpolitur oder Popmusik, denn er war ein
>
hoeflicher Mensch. Seine schleppende, monotone Stimme verriet
>
kultiviertes Desinteresse. Doch wenn das Gespraech auf Waffen
> kam,
gewann sie an Farbe.
>
> Dann
wurde klar: Nicht Doyen des amerikanischen Underground oder
> Pate
des Punks oder respektiertes Akademie-Mitglied, sondern
>
Marshall in Dodge City - das waere wohl seine Lieblingsrolle
>
gewesen. Das oder der Schurke am anderen Strassenende. Die
>
Grenzen zwischen Gut und Boese haben ihn ohnehin nie sonderlich
>
interessiert. Geistesgegenwart, darauf kam es ihm an.
>
>
William S. Burroughs wusste die eigenen Qualitaeten illusionslos
>
einzuschaetzen. "Mit Doc Holliday koennte ich es noch allemal
>
aufnehmen", sagte er bei einer Probeschiesserei auf seiner Ranch
> in
Kansas.
>
> Bill
Burroughs, die aeusserste Avantgarde, die sich die
>
amerikanische Literatur in diesem Jahrhundert leistete, war
>
gleichzeitig so amerikanisch wie Cornflakes. Er war Mitglied der
>
erzreaktionaeren "National Rifle Association" und fuehlte sich
> wohl
unter den Rednecks in Kansas, wo er vorvergangene Woche
>
83jaehrig an Herzversagen starb.
>
> Er
kannte die Mythen und Legenden um den O. K. Corral in- und
>
auswendig, und bevor er in die Tempel und Seminarraeume der
>
Literaturwissenschaftler einzog, bewohnte er den Kosmos der
>
Groschenhefte. Er war der Harvard-Zoegling mit Leidenschaft fuer
> das Triviale. Der Kronprinz einer Industriellenfamilie, der in
> den
Fixerszenen von New Orleans, London und Tanger zu Hause war.
> Er war
ein merkwuerdig zugeknoepfter Reisender mit der Vorliebe
> fuer
Schmutz und Schund aller Art. Zudem war er schwul. Im Grunde
> war
Burroughs der Alptraum der amerikanischen Gesellschaft - weil
> er aus
ihrer innersten Mitte stammte.
>
> In den
Beatnik-Zirkeln um Ginsberg und Kerouac, die er Mitte der
>
vierziger Jahre kennenlernte, wirkte er wie ein Fremder. Es gibt
> selbst
in diesen fruehen Jahren kaum ein Foto, auf dem er
>
laechelt - und so blieb sein Gesicht eine unerschuetterliche
>
Buster-Keaton-Miene zum boesen Spiel des Jahrhunderts. Er
>
heiratete zweimal. Die erste Frau war eine deutsche Juedin, der
> er mit
der Ehe die Einwanderung ermoeglichte. Die zweite Frau
>
erschoss er waehrend einer drogenberauschten Party. Restlos
> konnte
nie geklaert werden, ob der Unfall tatsaechlich ein Unfall
> war.
Burroughs gab kurz nach der Tat ein Gestaendnis ab, das er
>
spaeter widerrief.
>
> Der
Skandal jedoch verlieh ihm jenen duesteren Glanz, der ihn
>
spaeter zur schwarzromantischen Pop-Ikone machte: Er war der
>
schriftstellernde Outlaw, der Revolverheld mit der
> Schreibmaschine, der sich um die Gesetze nicht sonderlich
>
kuemmerte, weder um die des Lebens noch um die der Literatur.
>
> Schon
als Junge hatte Burroughs von einer literarischen Karriere
> aus
absolut ausserliterarischen Gruenden getraeumt. Er wollte
>
schreiben, "weil Schriftsteller reich und beruehmt waren, in
>
Singapur und Rangun herumhingen, gelbe Seidenanzuege trugen und
> Opium
rauchten oder Haschisch in den Vierteln der Einheimischen
> von
Tanger und dabei eine zahme Gazelle streichelten".
>
> Er hat
es gehabt, das Rauschgift und die Gazellen und spaeter den
> Ruhm
und den Reichtum, doch es war ein langer Weg dahin, und zu
> den
erstaunlichsten Leistungen Burroughs' gehoert wohl seine
>
schiere Langlebigkeit. Jahrzehntelang hing er an der Nadel, er
> stieg
aus und wieder ein und wieder aus und stieg um auf andere
> Drogen
und strapazierte seinen Koerper bis an die Grenze. Doch
> als er
starb, hatte er die meisten seiner Weggefaehrten
>
ueberlebt, Ginsberg und Neal Cassady und Timothy Leary und
>
Kerouac sowieso.
>
> Sein
Debuet-Roman "Junkie" erschien 1953 als billiges Paperback,
> ein
Hoellenbuch ueber die Logistik der Drogenbeschaffung, den
> Horror
der kalten Entzuege, wohl sein lesbarstes Buch. Beruehmt
> wurde
er jedoch durch die Phantasmagorien aus "Naked Lunch"
>
(1959), diesem obszoenen, halluzinogenen Groschenroman um Dr.
>
"Fingers" Schafer, "Lobotomy Kid" und William Lee, der
zugleich
> eine
ueberbordende Gesellschaftssatire ist.
>
> Ueber
die Erfindung der darin zum ersten Male angewandten
>
beruehmten Cut-up-Methode sind verschiedene Versionen im Umlauf,
> und
eine davon, nicht die unwahrscheinlichste, ist banal. Im
>
Drogendaemmer, inmitten zerfledderter Manuskriptseiten, soll er
> in
einem Hotelzimmer auf seine Fuesse gestarrt haben, als
>
Ginsberg ihn aufstoeberte und die Texte wahllos zusammenstapelte.
>
Spaeter fand Burroughs die Zufallsreihung hoechst interessant.
>
Daraufhin zerschnitt er die Seiten und puzzelte sie neu zusammen.
>
>
"Naked Lunch" wurde wegen seiner pornographischen Passagen zum
>
Skandalerfolg und wegen seiner Neologismen und
>
Hieronymus-Bosch-Visionen zum Steinbruch fuer Popgruppen, die aus
> ihm
und den Folgeromanen ihre Namen entliehen, "Steely Dan" oder
>
"Soft Machine", und andere Gruppen nannten ihre Musik "Heavy
>
Metal".
>
> Doch
Burroughs interessierte sich kaum fuer das ganze
>
Rocktheater. Er war kein Weltverbesserer wie Ginsberg, kein
>
dionysischer Schwaermer wie Kerouac. Tief im Innersten hielt er
> die
Beatnik-Pose und das nachfolgende Pop-Getue wohl fuer
>
Kinderkram.
>
> Seine
letzten Jahre lebte er diszipliniert. Er stand frueh auf,
>
fuetterte die Katzen, schrieb. Den ersten Wodka genehmigte er
> sich
nie vor vier Uhr nachmittags. Ab und zu besuchte er seinen
> alten
Waffenbruder Fred, um zu schiessen.
>
> Er war
der Deputy-Marshall, und er hat sich lang gehalten, bis es
> ihn
endlich doch noch erwischte.
>
> DER SPIEGEL 33/1997
> -
>
>
>
Leon Tabory
=========================================================================
Date: Tue, 12 Aug 1997 21:47:47 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: Village Voice obit.
Reply to message from WXGBC@CUNYVM.BITNET of Mon, 11 Aug
>
>This week's issue of the Voice carried a full page obit on Burroughs
>with articles by David Ulin and C. (I assume Lucien's son Caleb) Carr.
I was just flipping through teh issue with the Ginsberg memorial stories &
also noticed an article by this C. Carr....& wondered if he (or she?) was
related to Lucien.
Diane.
--
Diane M. Homza <---Professional Rebound Girl!
2 Years Experience; References Are Avaliable! ek242@cleveland.freenet.edu
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
=========================================================================
Date: Tue, 12 Aug 1997 22:13:38 -0400
Reply-To: Richard Wallner <rwallner@CAPACCESS.ORG>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Was Burroughs really a beat writer?
In-Reply-To: <9708121837.aa12617@mail.cruzio.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Heard an interesting argument recently in discussions about Burroughs
life. It was argued that Bill Burroughs was not really a beat writer.
Jack Kerouac, Allen Ginsberg and most of the other beat writers, saw
their literary efforts as part of a religious mission, a search for faith
as it were. Most of them were into eastern religions and philosphies and
the ideas of finding peace in mind spirit, and soul.
Bill Burroughs hadno such mission in his writings, he was totally anti-
religion, anti-society, anti-everything. Burroughs, it is argued, was
not idealistic, had no hopes of changing the world or acheiving greater
purposes with his writing.
He was a total libertarian who had no use for most people, and for muchof
the world. Kerouac was an explorer, he traveled to experience and to
write about his experiences. Burroughs traveled to find drugs so he
could escape from the world, NOT write about it. Jack Kerouac dreamed of
his hometown and yearned to find new ways to write about and understand
his past. Burroughs lived in exile most of his life, desperately trying
to convince himself that the world he knew knew outside of Tangier, or
wherever he was living, didnt exsist.
Burroughs was a great writer, therefore, but has he been inaccurately
cast as a beat writer because of his friendship with Kerouac and Allen
Ginsberg?
RJW
=========================================================================
Date: Tue, 12 Aug 1997 19:19:09 -0700
Reply-To: Levi Asher <brooklyn@NETCOM.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Bill faces judgement
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
At least the Wall Street Journal article tried to be funny
("an insult to nullity" ... yeah, yeah). Really, it's
their job to insult people like Burroughs, and I'm only
glad the Wall Street Journal didn't suddenly decide to
embrace Burroughs and call him a genius. Then I'd really
worry. Like when Bill Gates suddenly embraces Microsoft.
I prefer to see my adversaries standing across the street,
not to feel their arms around my back.
Here are two more "tributes" to Burroughs, one from
the Black Mountain poet Robert Creeley, who's now teaching
at SUNY Buffalo, and one from Carolyn Cassady, the longtime
wife of Neal and frequent Kerouac fictional character.
I emailed both of them asking for spontaneous tributes,
so don't blame them if you don't like their words, blame
me, because I'm the one who asked!
I also wrote to a few other people who were likely to
have interesting memories ... if more write back, I'll keep
posting them.
This is what Robert Creeley wrote back:
****************************************************************
"Here's a brief sense of what I quickly remember apropos
Bill Burroughs. I can't now recall just who had told me -- like
peripheral gossip -- but sometime in the early '50s I heard of someone
who'd written a 1000 plus page ms with the only objective action being a
neon sign going off/on over a store one could see (in the novel) across
the street, etc, and of someone else who had killed his wife
acidentally, attempting to shoot a glass off her head with gun he said
later characteristically undershot. That was Kerouac and Bill Burroughs
respectively, though for a time I reversed them not yet knowing either.
In SF in the mid-fifties, and meeting (though he said we'd met briefly
in '49) Allen, he gave me the Yage ms to read, which fsscinated me --
and you'll know I printed "from Naked Lunch, Book III" in the Black
Mountain Review No. 7 (last issue with Allen a contributing editor and
stuff from Jack, Edward Marshall's great poem "Leave the Word Alone."
Cubby Selby, Phil Whalen, Gary Snyder, Mike McClure, Joel Oppenheimer,
WC Williams, Ed Dorn, Edward Dahlberg, Zukofsky, Denise Levertov --
etc.) I was also fellow contributor for the Big Table business -- and I
remember writing a statement in support when Naked Lunch was to be
published by Grove.
We didn't meet, however, untl some years later, must have been at least
the mid-sixties, when he was living in London and I was there for
something or other, and John and Bettina Calder had a party variously
honoring various writers, particularly Burroughs. We were both John's
"authors" at that point and I was staying with the Calders. Alex
Trocchi was a good friend and he too was much involved. Anyhow I
remember making the classic gauche comment when we're introduced, saying
I was stunned with the pleasure of being able to say how much I
respected his work etc etc, and then stumbling on to ask whether or no
he was thinking to stay in London, etc etc -- to all of which he replied
briefly, dryly, yes, no -- etc. In confusion I grabbed Ed Dorn who was
there, and pulled him over to introduce him. Instantly Burroughs
brightened, asking Ed about a recent piece of Ed's in the Paris Review
-- and how he'd managed the montage, etc. In short, this was work and
had substance -- not just banal social blather.
Thankfully I saw him again quite frequently over the years, and got past
my school boy admiration (though never entirely). Anyhow we'd meet most
frequently on the road and I liked his droll humor and clarity, call it,
always. One time after a talk at Naropa wherein he had recounted his
experiences with a device he'd assembled permitting one to track by
thought "traces" or manifests of the physical entiry itself (he said
he'd found one of his cats who'd got lost), he was bemused that none of
the young had asked afterwards how to actually make the device, despite
he had emphasized that all the necessary components could be got at any
place like Radio Shack. Where's their curiousity, was the question.
Another time, when mutual friends were sitting around him in sad
depression over fact of an impending death much affecting him, as I came
in, I am convinced he looked up and winked at me -- certainly a
communication, like they say.
I've always thought of him as a literalist, as I think I was -- saying
what he felt, understood, recognized, respected, abhorred, in very
literal terms, including the fantasies. Thinking of an early common
interest in Korzybski, the non-Aristotelian sense of "meaning" and
syntax, his use of cut-up was very practical and effective. It broke
the classic "order" or narative as simply a "cause and
effect,""historically" ordered sequence. I'd already connected with
Celine, for example, and Burroughs was the solid next step.
I'd get occasional Xmas cards I am sure James Grauerholtz helped get in
the mail -- I am grateful Bill Burroughs knew I cared, like they say.
He was the impeccable "lone telegraph operator," as he put it. He got a
lot done for us all."
(Robert Creeley)
****************************************************************
And now for a dissenting opinion, here's what Carolyn Cassady
(of Neal and Carolyn/"Off The Road" fame) wrote. I hope
it doesn't seem she's being disrespectful of Burroughs here,
rather she's speaking her mind because I asked her for her
honest thoughts, not just an empty polite tribute.
****************************************************************
"Trouble is, I don't feel like any "tribute" to BB. As I
wrote, he didn't want to know me nor I him. He represented all
that I think negative and counter-poductive, if not downright destructive in
human life and the antithesis of what I believe we should all be about. I
felt somewhat better about him when the TV interviewer asked him if there was
anything in his life he regretted. Bill's reply was "Are your kidding? Everyt
hing!" I wanted to say, well, duh--I coulda told you so. "Wise men learn
from the experience of others; fools from their own". I know, there's this
theory that in order to appreciate the heights, you have to know the depths,
but I don't agree. I have much to learn, but I don't think his way would be
rewarding. So, sorry, Levi,--but lemme know if we scored on this.
Cheers, CC"
(Carolyn Cassady)
****************************************************************
(And now, if anybody out there is in touch with Gary Snyder,
could you please go nudge him and tell him to write back too?)
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
=========================================================================
Date: Tue, 12 Aug 1997 19:22:02 -0700
Reply-To: Levi Asher <brooklyn@NETCOM.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Bill faces judgement (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
I wrote (2 seconds ago)
> At least the Wall Street Journal article tried to be funny
> ("an insult to nullity" ... yeah, yeah). Really, it's
> their job to insult people like Burroughs, and I'm only
> glad the Wall Street Journal didn't suddenly decide to
> embrace Burroughs and call him a genius. Then I'd really
> worry. Like when Bill Gates suddenly embraces Microsoft.
> I prefer to see my adversaries standing across the street,
Oops, obviously I meant "embraces Apple" -- see, I'm
totally confused already ...
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
=========================================================================
Date: Tue, 12 Aug 1997 21:30:58 -0500
Reply-To: jo grant <jgrant@BOOKZEN.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Luther Allison
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Luther Allison died today, 08-12-97, in Madison, Wi.
j grant
=========================================================================
Date: Tue, 12 Aug 1997 19:35:12 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Church of St. John
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Beal-l folk looking for a more attractive religious organization might
be interested in the St. Johns African Orthodox Church in SF, since the
St. John is Coltrane. Was going to post a reference to a story on this
unique church but got lazy and then the Burroughs death dominated
everyone's mind. For a more complete report one could look up a story
that appeared in the SF Weekly for the week of July 23-39. Services
with Coltrane's music held every Sunday and special services on the
anniversery of Coltrane's ascension. Any Coltrane fanatics out there
interested in a copy let me know.
J. Stauffer
I guess until we get a St. Williams, this will have to do.
J Stauffer
=========================================================================
Date: Tue, 12 Aug 1997 19:40:32 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Luther Allison
Comments: To: jo grant <jgrant@BOOKZEN.COM>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
jo grant wrote:
>
> Luther Allison died today, 08-12-97, in Madison, Wi.
>
What a year. Think I'll put on "Reckless".
J. Stauffer
=========================================================================
Date: Tue, 12 Aug 1997 19:23:03 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: [Fwd: Re: Wall Street Journal 'n Fruity Pebbles]
MIME-Version: 1.0
Content-Type: message/rfc822
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Message-ID: <33F11A46.61A0@pacbell.net>
Date: Tue, 12 Aug 1997 19:21:58 -0700
From: James Stauffer <stauffer@pacbell.net>
Reply-To: stauffer@pacbell.net
X-Mailer: Mozilla 3.01 (Win95; I)
MIME-Version: 1.0
To: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Wall Street Journal 'n Fruity Pebbles
References: <c=US%a=_%p=OEES%l=SD-MAIL-970812162945Z-458@sd-mail.sd.oees.com>
Content-Type: text/plain; charset=us-ascii
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Without a doubt the WSJ piece was poorly thought and badly timed. As
someone who usually reads the WSJ editorial page I was appalled. But I
am still for free speech, even stupid speech. Good art always seems to
be able to outlast stupid criticism. Such a tirade may even attract
readers for Ginsberg's and Burrough's work. Think of what a
masterstroke of marketing the Howl obscenity trial was--no publisher
could or would have bought a poet that kind of a high profile. Same was
true for Joyce and Lawrence. Remember how delighted movie and book
distributors used to be when they were banned in Boston so that they
could splash "Banned in Boston" on a marquee or a book display?
J Stauffer
=========================================================================
Date: Tue, 12 Aug 1997 21:48:06 -0500
Reply-To: Patricia Elliott <pelliott@SUNFLOWER.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Luther Allison
Comments: To: jo grant <jgrant@BOOKZEN.COM>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
jo grant wrote:
>
> Luther Allison died today, 08-12-97, in Madison, Wi.
>
> j grant
who was Luther Allison? Pardon my ignorance.
p
=========================================================================
Date: Wed, 13 Aug 1997 03:09:44 UT
Reply-To: Sherri <love_singing@MSN.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sherri <love_singing@MSN.COM>
Subject: Re: Luther Allison
Damn!! is there anybody left?
=========================================================================
Date: Tue, 12 Aug 1997 23:47:23 -0400
Reply-To: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Re: Was Burroughs really a beat writer?
In-Reply-To: <Pine.SUN.3.91-FP.970812220342.23103A-100000@cap1.capaccess.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
When discussing this in the past and asked to name the big three, I always
said Kerouac, Ginsberg, and Corso. Burroughs too, but always I list last
as he seemed to transcend beat. He was beat and something more. He, like
the others, sought to break literary and (insert conceptual term here)
boundaries, but only as a means to better communicate. What he wanted to
communicate went above, beyond, and sideways to the others. As beat as he
wanted to be, no more no less; but so much more. Years from now when
post-modernism finally gets a real name and is figured out by academia so
they can teach about it Burroughs will be there just after the sophmores
finish their papers on Beckett.
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@acs.appstate.edu P.O. Box 12149
http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Tue, 12 Aug 1997 23:54:10 -0600
Reply-To: stand666@bitstream.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: R&R Houff <stand666@BITSTREAM.NET>
Subject: LUTHER ALLISON
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Thanks Jo for the post, and Bentz, James, Charles,
for your kindness. My father was with him earlier
yesterday, and called late last night. When the phone
rings after 3:00 A.M., you pretty much know what's
next. I've spent pretty much the whole day and evening
on my back steps playing bottleneck. There's a band shell
amphitheater 100 miles south of St Paul. It's a nice quiet
place that is no longer in use. I think I'll head down there
for a few days and play some slide. About a month ago I was
there and it had a beautiful sound bouncing off the walls. My
dad wants to give Luther a Scotish rites farewell with bagpipes
and drums. Play The Black Watch and Amazing Grace. You know,
Luther would probably get a bang out of that one. All these old
white guys from the Masonic Lodge, honoring him. Maybe there's
hope after all. It seems strange that my interview with Luther
would be his last. Alligator Records loved it, Pulse Magazine
prints it, and two days later he recieves a terminal diagnosis.
But the blues never dies. I'll be interviewing Homesick James for
Pulse. Homesick James is probably the last living link to Robert
Johnson. He is the same age as Burroughs: 83, born in 1914--and
he plays on a Fender Strat with Marshall Amp, slide, and all--
rocking the house!!! Now that's cool.
Richard Houff
Pariah Press
=========================================================================
Date: Wed, 13 Aug 1997 00:58:20 -0400
Reply-To: CVEditions@AOL.COM
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Last look at Walgreens?
Comments: To: junky@burroughs.net
In a message dated 97-08-12 23:53:00 EDT, you write:
<< has been spent on some mutated
form of acid, what with all the event cracking my head open across that
time, there's no other possible explanation other than this is just not
real.
but of course, it is.... >>
Damn right. I caught that same "bug." Something did happen, I'dsay. I've been
through 'em before. I knew that old con man was gonna restonate the hell
outta things. "Look at these paintings, Charley; this is great art. See the
shapes of things that keep forming? I did.
You can have anything of mine. Sharing love for the old man is enough.
Tonight has been the first night I started to come off the "mutated acid"
jag. I wonder if Burroughs cut to another stratasphere, or is he peering
around in a black hole looking for Huncke to ferret out the scence?
C Plymell
=========================================================================
Date: Wed, 13 Aug 1997 01:33:27 -0400
Reply-To: DawnDR@AOL.COM
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Dawn B. Sova" <DawnDR@AOL.COM>
Subject: Re: Village Voice obit.
Just a response regarding the C.Carr whose byline appears in the voice. That
is Lucien's son Caleb --- author of THE ALIENIST (a very dark, literate and
engrossing novel ) -- as well as much other work. I saw interviews with him
in '94? when the novel was climbing up the bestseller lists.
Dawn
=========================================================================
Date: Wed, 13 Aug 1997 05:41:14 -0400
Reply-To: Mike Rice <mrice@CENTURYINTER.NET>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Bill faces judgement (fwd)
Comments: To: Levi Asher <brooklyn@NETCOM.COM>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
No, you had it right. Gates certainly embraced
Microsoft before Apple so you had it right. I wish
the sledge thrower from the 84 macintosh intro
commercial by Ridley Scott, I wish some had had a
hammer to throw at Gates' massive TV head during the
Apple symposium in Boston, where Gates appeared as
a new "Big Brother."
Mike Rice
At 07:22 PM 8/12/97 -0700, you wrote:
>I wrote (2 seconds ago)
>
>> At least the Wall Street Journal article tried to be funny
>> ("an insult to nullity" ... yeah, yeah). Really, it's
>> their job to insult people like Burroughs, and I'm only
>> glad the Wall Street Journal didn't suddenly decide to
>> embrace Burroughs and call him a genius. Then I'd really
>> worry. Like when Bill Gates suddenly embraces Microsoft.
>> I prefer to see my adversaries standing across the street,
>
>Oops, obviously I meant "embraces Apple" -- see, I'm
>totally confused already ...
>
>------------------------------------------------------
>| Levi Asher = brooklyn@netcom.com |
>| |
>| Literary Kicks: http://www.charm.net/~brooklyn/ |
>| (3 years old and still running) |
>| |
>| "Coffeehouse: Writings from the Web" |
>| (a real book, like on paper) |
>| also at http://coffeehousebook.com |
>| |
>| *--*--*--*--*--*--*--*--*--*--*--* |
>| |
>| "It was my dream that screwed up" |
>| -- Jack Kerouac |
>------------------------------------------------------
>
>
=========================================================================
Date: Wed, 13 Aug 1997 13:37:46 +0200
Reply-To: Rinaldo Rasa <rinaldo@GPNET.IT>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: who's who?
In-Reply-To: <Pine.SOL.3.91.970812085153.12553C-100000@baskerville.CS.Ar
izona.EDU>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Shannon,
the writer Fernanda Pivano in the '60s was in correspondence
with Henri Cru (in OTR he is Remi Boncoeur),
exempli gratia:
#1
''Dear Miss Pivano, please permit me to introduce myself...
My name is Henry Cru and my best friend "Jack Kerouac"
sent ne the enclosed postal card on my trip around the
world. I am an electrician on the President Jackson and
we are scheduled to arrive in Genoa June sixt or possibly
a day or two later. In Jack's best selling novel On The
Road he named himself "Sal Paradise" and he called me
"Remi Bon Coeur". According to his card he wishes for me
to tell you that I am Remi and then he sent me. I have no
idea why he wants me to tell you this but knowing Jack as
I do he must have some kind of mystical reason. I would be
delighted to receive a card from you enlightening me to
Kerouac's motives. My very best wishes.''.
#2
"Dear Nanda & Ettore, I have been on the road ona on the
ocean for many years but when ''Mon Frere'' Jack Kerouac
forget about ''the Beatnik Generation'' and starts to
entertain notions of scraping all his nonsensical ideas
about non conformism and starts to formulatae a gospel that
will bring peace to this miserable world, peoples in every
land will find love and genuine kindness like I found in
this home where I was treated like a King... Merci du fond
de mon coeur. Henri Cru "Remi Bon Coeur" ''.
Henri Cru, (Remi Boncoeur) is very important &
Jack Kerouac devoted alot of pages about him in "On the Road"
but Henri Cru is not mentioned in the Legend of Beat, why?
Boncoeur said "You can't teach the old maestro a new tone",
i consider the best motto in all OTR,
saluti
Rinaldo.
*
"Aaaaah Paradise, he comes in through the window,
he follows instructions to a T."---Remi Boncoeur in JK's OTR
*
At 08.55 12/08/97 -0700,
"Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU> wrote:
>I'm still working on "On the Road," and have a character question.
>Don't jump all over me for this...if it screams ignorance...chalk it up
>to unfamiliarity. Who is Remi...and subsequently Lee Ann?
>
>-shannon
>
>
=========================================================================
Date: Wed, 13 Aug 1997 08:03:19 -0400
Reply-To: Bruce Hartman <bwhartmanjr@INAME.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bruce Hartman <bwhartmanjr@INAME.COM>
Subject: Re: Church of St. John
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
J.,
Resident Coltrane fanatic here. . . what exactly are you offering copies
of? I've seen the article you're talking about, and I must say that sounds
like the coolest place in the world. I just hope one of these days I'll
make it to San Francisco to experience it personally.
If you've got leads on any other obscure Coltrane info on the web shoot 'em
my way. I surfed well into (probably a few thousand sites deep) the
altavista return for "Coltrane" and was pretty let down by the majority of
the tributes. . .
Best to you,
Bruce
bwhartmanjr@iname.com
http://www.geocities.com/~tranestation
=========================================================================
Date: Wed, 13 Aug 1997 09:04:35 EDT
Reply-To: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>
Comments: Originally-From: Matthias_Schneider
<magrobi@mail.zedat.fu-berlin.de>
From: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Subject: Help! I am looking for an citation by Ginsberg
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi folks!
I am working at a thesis on Contemporary American Literature, and I have
once heard a citation by Ginsberg of which I have lost the source.
It=B4s about his attitude about literature which he considers as something
like leaving traces that can be followed and by this have to be
interpreteted and even translated .
Any idea?
Thanks,
M. Schneider (Berlin)
=========================================================================
Date: Wed, 13 Aug 1997 09:40:21 EDT
Reply-To: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>
Comments: Originally-From: Ddrooy@aol.com
From: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Subject: Re: Help! I am looking for an citation by Ginsberg
Comments: To: Bill Gargan <wxgbc@cunyvm.cuny.edu>
This isn't the citation, but it does have the essence of the citation, one
thing leading into another... and you may yet find it useful to your work:
..............................................................................
.....
In 1948 I had some kind of break in the normal modality of my consciousness.
While alone living a relatively solitary vegetarian contemplative life,
reading St. John of the Cross, Plotinus some, notions of "alone with the
Alone," or "one hand clapping," or The Cloud of Unknowing, or Plato's
Phaedrus, and William Blake, I had what was--for me--an extraordinary break
in the normal nature of my thought when something opened up.
I had finished masturbating, actually, on the sixth floor of a Harlem
tenement on 121st Street looking out at the roofs while reading Blake, back
and forth, and suddenly had a kind of auditory hallucination, hearing
Blake-what I thought was his voice, very deep, earthen tone, not very far
from my own mature tone of voice, so perhaps a projection of my own latent
physiology-reciting a poem called "The Sunflower," which I thought expressed
some kind of universal longing for union with some infinite nature. The poem
goes, "Ah, Sunflower/Weary of time/Who counteth the steps of the sun/Seeking
after that sweet golden clime where the traveler's journey is done/Where the
youth pined away with desire/And the pale virgin shrouded with snow/Arise
from their graves and aspire where my sunflower wishes to go."
I can't interpret it exactly now, but the impression that I had at the time
was of some infinite yearning for the infinite, finally realized, and I
looked out the window and began to notice the extraordinary detail of
intelligent labor that had gone into the making of the rooftop cornices of
the Harlem buildings. And I suddenly realized that the world was, in a sense,
not dead matter, but an increment or deposit of living intelligence and
action and activity that finally took form-the Italian laborers of 1890 and
1910, making very fine copper work and roofcomb ornament as you find along
the older tenement apartment buildings.
And as I looked at the sky I wondered what kind of intelligence had made that
vastness, or what was the nature of the intelligence that I was glimpsing,
and felt a sense of vastness and of coming home to a space I hadn't realized
was there before but which seemed old and infinite, like the ancient of Days,
so to speak.
But I had no training in anything but Western notions and didn't know how to
find a vocabulary for the experience, so I thought I had seen "God" or
"Light" or some western notion of a theistic center, or that was the
impression at the time.
..........................................................................
Here's the link to the entire interview: <A HREF="http://www.shambhalasun.com
/ginsberg.html">The Spiritual Biography of Allen Ginsberg</A>
Good luck.
Diane De Rooy
=========================================================================
Date: Wed, 13 Aug 1997 10:29:49 EST
Reply-To: DUST MY BROOM <breithau@KENYON.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: DUST MY BROOM <breithau@KENYON.EDU>
Subject: Kesey schedule, attention Canadians
Just a reminder to check the schedule of Kesey and his Pranksters as the bus
heads east and north once again on the Grandfurthur II Tour. If I remember, he
is making some stops in Canada. Click on the GRAND FURTHUR II Tour via
WWW.INTREPIDTRIPS.COM
They may be coming soon to a town near you!
Dave B.
=========================================================================
Date: Wed, 13 Aug 1997 11:48:06 EDT
Reply-To: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Organization: Brooklyn College Library
Subject: ANother German Burroughs obit
Sueddeutsche Zeitung (Munich) August 4, 1997
Bill the Ripper
Zum Tod von Amerikas Saeulenheiligen
William S. Burroughs
Liebe Kinder, bitte nicht nachmachen!
Nach Augenzeugenberichten war es nur ein
Partyspiel. Aber weil zur Bowle Peyote
gereicht wurde und Marihuana, pflanzte
Burroughs seiner Frau einen Apfel auf
den Kopf, spielte Wilhelm Tell und
schoss. Der Apfel ueberstand das Spiel,
aber Joan Vollmer war auf der Stelle
tot. Halbwegs vernuenftige Menschen
wuerden jetzt das Fixen und Kiffen sein
lassen und nie wieder eine Waffe
anfassen, aber William Burroughs knallte
sich weiter rein, was an Halluzinogenen
zu kriegen war. In der Einleitung zum
Naked Lunch (1959) spricht er von einer
45 Jahre waehrenden Sucht; wer ihn
besuchte in den letzten Jahren, musste
mit ihm zuallererst auf Blechbuechsen
ballern. Der Mann war offensichtlich
verrueckt.
Oder Amerikaner. Da stand er 1990 auf
der Buehne des Thalia Theaters in Hamburg
neben Robert Wilson und Lou Reed, ein
hoffnungslos in seinem Buchhalteranzug
verschrumpfter Opa, zerknittert und bis
aufs feinste Knoechelchen entfleischt,
nicht mehr von dieser Welt, aber durch
saemtliche Formen geschritten, ein
Saeulenheiliger der Avantgarde, der alles
ueberlebt hatte. Aufgefuehrt wurde sein
Musical Black Rider, eine
Freischuetz-Geschichte -- und wieder eine
toedliche Kugel aus Liebe.
William Seward Burroughs, 1914 in St.
Louis als Fabrikantensohn geboren, war
nun wirklich fuer Besseres geboren. Wie
sein Landsmann T. S. Eliot ein
Vierteljahrhundert zuvor ging er nach
Harvard zum Studieren, dann nach Europa,
aber irgendwann drehte er durch und
machte seinen Unfrieden mit dem Alptraum
Amerika. Meldete sich eines schoenen
Tages beim FBI und wollte Geheimagent
werden. Sie lehnten ihn
vernuenftigerweise ab. Ersatzweise wurde
er rauschgiftsuechtig und lebte nun
selber in bestaendiger Furcht vor den
Haeschern. Einer wie Burroughs war
geboren fuer die Grosse Amerikanische
Paranoia.
Mit der Verbissenheit seiner Vorvaeter --
dieser Geldverdiener und sittenstrengen
Stuetzen der Gemeinde --, mit der gleichen
inbruenstigen Verbissenheit setzte sich
Burroughs jeder Sucht dieser irdischen
Welt aus, lungerte in Tanger herum, wo
er die Sonne nicht vertrug, schrieb,
obwohl er nicht wusste wie und wovon er
leben sollte, schrieb auf Entzug und im
Rausch, wie ein Suechtiger.
Sie sind ziemlich schwer zu lesen, seine
Buecher, cut up. Zerstueckelt habe er
seine Texte bis zur Unverstaendlichkeit,
immer neu zusammengefuegt und dabei
zerfleddert. Aber brauchte so viel
Wahnsinn ueberhaupt eine Methode? Sie
sollten "reines Fleisch" sein, schrieb
ihm sein Freund Allen Ginsberg ins Buch,
"ohne symbolische Sosse". Weh dem, der
Symbole sieht in seinen Tausendfuesslern,
Halbtieren und Dreiviertelmonstern!
Alles Fleisch vom Fleische Amerikas, die
schlichte Wahrheit, wie Burroughs sie
sah im Wahn. "Ich bin", versicherte er,
"ich bin nur ein Aufzeichnungsgeraet."
Roland Barthes harfte ausgiebig ueber den
Nullpunkt, an dem sich die Literatur um
1960 angeblich befand, aber Burroughs
beschrieb diesen Punkt nicht bloss,
sondern stach immer wieder hinein, nahm
sich staendig neue Proben ab, zerfetzte
sich und seine Texte. Der Dichter in
seiner besten Eigenschaft als Schlitzer.
Entziehungskuren mussten dann sein, mal
bei Dr. Wilhelm Reich, dann bei L. Ron
Hubbard, aber weder die Orgonmaschine
noch die Scientology halfen. Und so fand
er nach zwei Ehefrauen und einem Sohn
zurueck zu den Freuden der Jugend, zur
Erinnerung an die ersten verstohlenen
Griffe in die fremde Unterhose. Gegen so
viel Leben kommt das Werk nicht an,
schon allein, weil es nach den fruehen
Buechern Methode wurde. Aber: Von Velvet
Underground ueber Patti Smith bis Kurt
Cobain folgten sie ihm nach -- und war er
nicht ein Heiliger?
In New York verschanzte er sich in einem
Gelass in der Bowery, vierfach verriegelt
gegen die Penner und Junkies draussen,
die ihn, den alten gebrechlichen Mann,
vielleicht haetten ueberfallen koennen,
waehrend er sich drin, umgeben von
Stahlruten, Revolvern und Pornoheften,
ausmalte, wie es wohl war, von den
wilden Kerlen ueberfallen zu werden.
Zuletzt kehrte er zurueck in den
Mittleren Westen, zu seinen xenophoben,
dafuer gottesfuerchtigen Mitbuergern,
schiesswuetig wie sie und nicht weniger
paranoid. Sie wussten genau, dass die
Kommunisten (wahlweise die Juden, die
Katholiken) das Trinkwasser vergiftet
hatten oder der CIA das Aids-Virus
gezuechtet, um die ganze Menschheit
auszurotten. Burroughs sammelte all
diese Geschichten und bewegte sie in
seinem Herzen. Dann schoss er wieder auf
seine Blechbuechsen.
Aber bitte, liebe Kinder, nicht
nachmachen zu Hause! Am Samstag ist der
gute Amerikaner William S. Burroughs in
Lawrence (Kansas) im Alter von 83 Jahren
gestorben.
WILLI WINKLER
=========================================================================
Date: Wed, 13 Aug 1997 11:48:33 EDT
Reply-To: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Organization: Brooklyn College Library
Subject: Oops
Sorry about that last post. I hit the wrong key too soon. It was a
Burroughs obit from the Munich paper, Sueddeutsche Zeitung. Thanks to Leon
for translating the other one, sorry I'm too lazy to do it myself. If
you want to do this one, too... :-)
Fred
=========================================================================
Date: Wed, 13 Aug 1997 09:29:54 -0700
Reply-To: "Penn, Douglas, K" <dkpenn@OEES.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Wall Street Journal 'n Fruity Pebbles
Comments: To: "stauffer@pacbell.net" <stauffer@pacbell.net>
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
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James writ:
<<
>But I
>am still for free speech, even stupid speech. Good art always seems to
>be able to outlast stupid criticism. Such a tirade may even attract
>readers for Ginsberg's and Burrough's work.
>>
good art, <hm>.... Been talking backchannel about death and
aesthetics. How death always wins over style and substance and whatnot.
At least I'm assuming that's the end equation. Can a writer/artist be
immortal? That's the question. Will the remaining works leave enough
of an impression to live forever?
And then we get talking about "art for art's" sake. Yep, I'm a firm
believer in that; but I don't think it's unfair to also ask what *work*
does a piece do. What *work*? And not *if* it is art, but *when* is it
art?
driving into work today, thinking of all my old friends. 5 years oughta
college, 10 years oughta high school. and all them before and since.
Promotion? What is that dirty dog? A: It's an attitude I haven't
quite grasped yet. The citation and linking of "new" and "cool" with a
person. All these newspapers, all the television shows, all the fucking
middlemen mucking up the works, taking their 5-10%+. Promotion taking
it's cut of the action.
PJ Harvey's "driving" pumping on the car stereo, waiting for the light
to change. Attractive executive woman in a uptown car applies makeup.
Nerd boy to my right thinks about his code unraveling in various places.
And where am I? Who am I hustling today?
and death? you wanna piece of me? come and take it
>> J Stauffer
Douglas
>
>
=========================================================================
Date: Wed, 13 Aug 1997 12:35:51 -0400
Reply-To: CVEditions@AOL.COM
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Bill faces judgement (fwd)
Comments: To: mrice@centuryinter.net
In a message dated 97-08-13 12:20:02 EDT, you write:
<< glad the Wall Street Journal didn't suddenly decide to
>> embrace Burroughs and call him a ge >>
I'm with you there. Though, I think the writer was some of that new
merchandise who will never have that old spirit B talked about. That is
sad...for them .Oh Brave Newts.
C. Plymell
=========================================================================
Date: Wed, 13 Aug 1997 09:42:59 -0700
Reply-To: "Penn, Douglas, K" <dkpenn@OEES.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Last look at Walgreens?
Comments: To: "CVEditions@AOL.COM" <CVEditions@AOL.COM>
MIME-Version: 1.0
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C writ:
<<
>I wonder if Burroughs cut to another stratasphere, or is he peering
>around in a black hole looking for Huncke to ferret out the scence?
>>
and death as in life Charley Brown? Interesting to read all these obits
and questions of beatness. That Burroughs wasn't an optimist, wasn't
this and that compared to Kerouac and Ginsberg. So he didn't care what
people thought? Didn't care about this and that ideal?
and in death? free of this mortal coil, so to speak, then what? Maybe
he's living a completely different life now. Am feeling poetic and
generally pissed off this morning. I'll die a 1000 deaths and report
back later.
>> C Plymell
Douglas
=========================================================================
Date: Wed, 13 Aug 1997 12:44:04 EDT
Reply-To: Bill Gargan <WXGBC@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Thanks Leon
Good shot at that translation. My buddy Fred who posted it said that it would
be tough to translate because of slang.
=========================================================================
Date: Wed, 13 Aug 1997 14:47:58 -0500
Reply-To: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Subject: burroughs
Content-Type: text
Hello again.
I've been out of town for a few weeks and quit the list for that
period. I saw about Burroughs's passing in a newspaper.
Has anyone seen any comments from either Corso or Ferlinghetti on
his death? If so, could you let me know where you saw them by
contacting me on the list or privately.
Thanks. I appreciate it in advance.
Cordially,
Mike Skau
8/13/97
mskau@cwis.unomaha.edu
=========================================================================
Date: Wed, 13 Aug 1997 18:36:01 EDT
Reply-To: Bill Gargan <WXGBC@CUNYVM.BITNET>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
I've had several requests to change the reply function on the list so
that all replies default to the list rather than the sender. Since
traffic seems to have become more reasonable lately, I've asked Fred
Bogin to change the default tomorrow morning. After this is done, your
reply will be sent directly to all list members. Please keep this in
mind to avoid sending private messages out to the whole list.
=========================================================================
Date: Wed, 13 Aug 1997 18:59:29 -0400
Reply-To: Judith Campbell <boondock@POBOX.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Judith Campbell <boondock@POBOX.COM>
Subject: McCarthy Review of Naked Lunch Online
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The New York Book of Reviews has posted the entire content of the first
issue online, including the review of Naked Lunch by Mary McCarthy.
The url: http://www.nybooks.com/nyrev/firstcontents.html
Enjoy!
Judith
=========================================================================
Date: Wed, 13 Aug 1997 20:04:12 -0700
Reply-To: "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>
Subject: Re: Was Burroughs really a beat writer?
Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>
In-Reply-To: <Pine.SUN.3.91-FP.970812220342.23103A-100000@cap1.capaccess.org>
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On Tue, 12 Aug 1997, Richard Wallner wrote:
> Heard an interesting argument recently in discussions about Burroughs
> life. It was argued that Bill Burroughs was not really a beat writer.
> Jack Kerouac, Allen Ginsberg and most of the other beat writers, saw
> their literary efforts as part of a religious mission, a search for faith
> as it were. Most of them were into eastern religions and philosphies and
> the ideas of finding peace in mind spirit, and soul.
Oh, Burroughs was at least as religious as Kerouac, Ginsberg & Co. Ker and
Gins were more in the extroverted, extrojected Catholic or Tibetan
Buddhist line. Burr had religion, but it had no deity-object, no cathedral
(other tha, perhaps, the experiential soma), no Holy Book. He was in the
minimalist-to-negative-theology family of Zen, Nagarjuna, Pierre de
Caussade S.J. (_Abandonment to Divine Providence_ - *good book), and
minimalist good-works Protestantism.
"Beat" perhaps has no wider meaning than Kerouac, Ginsberg, Burroughs,
Ferlinghetti, et fils. What does "Impressionist" mean other than those
painters? But if "Beat" has any general meaning, it would seem to be the
the following:
- sacredness of immediate inspiration
- defiance of past forms/formulas
- Whitmanesque onward rushing motion
- concrete-oriented street-grit in style
- sexual and pharmacological themes
- nomadic narrators
- combination of cynical or even resigned-depressive tendencies (style
often emotionally flat) with idealism.
Highly religious, and fits Burr perfectly.
+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
Michael R. Brown foosi@global.california.com
+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
"Wittgenstein said that if the universe is pre-recorded, the only thing
not pre-recorded is those recordings themselves. In my work,
the cut-ups and all, I attempt to get at the substance of the
recordings."
- William S. Burroughs
(quoted from memory)
=========================================================================
Date: Wed, 13 Aug 1997 23:27:50 -0400
Reply-To: "R. Bentz Kirby" <bocelts@SCSN.NET>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: [Fwd: Old Bull Lee]
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I thought this was a particularly good post from the Dylan newsgroup.
Patricia, maybe he could still come to Lawrence, but what would he do,
maybe he could feed the cats or something.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
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From: mlenz@bulldog.d.umn.edu (michael lenz)
Newsgroups: rec.music.dylan
Subject: Old Bull Lee
Date: 12 Aug 1997 20:42:38 GMT
Organization: University of Minnesota, Duluth
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Xref: Supernews69 rec.music.dylan:89808
i'm not a regular reader of this newsgroup. this is my first visit since the
death
of mr. burroughs. i have to say i'm apalled at at the general brutality and
ignorance that is reigning in here. you cannot place a value on literature. it
is
not quantitative. you cannot say that hemingway is better than burroughs or
that
burroughs is better than hemingway. you can like them both, one of them or
neither. i think to fully appreciate burroughs you have to here the voice.
burroughs voice is that of a withered shaman. his work is about culture's
absurd
attempt to keep up with the technological explosion. it reflects in dark humor
the
entropy and isolation that has come to earmark postmodern lioterature. for me
he
was among the best. i value cut-ups and other such experimental forms of
writing.
i put only pynchon before him and i hesitate to do that because as i said
before,
it's not a quantitative thing. i was planning a trip to lawrence next summer,
maybe take in a few horde/furthur shows on the way and sit on the old mystic's
porch for a while. (i know people who have done this. burroughs was always a
gentleman to the wayfarers). i don't know who said what, nor do i care, but the
person who said that he never wrote anything good after Junkie (it was
origanally
published "Junkie" then reprinted "Junky") and Naked Lunch is ignorant of that
last
triumphant trilogy (Cities of the Red Night, Place of Dead Roads, and The
Western
Lands) and the short, but beautiful "The Cat Inside". Burroughs caused me to
question in my own thinking and writing such elemetary things as words and
phrases.
to discount his body of work as a "blight" is ignorant and short-sighted. i for
one will miss the voice and am sorry that my plans were a summer too late.
mike lenz
p.s. Check out Ports of Entry. it's a book of Burroughs artwork. he was
equally
talented and equally inventive in that as an artist and a writer.
--------------9DEC3992ADB3BC61D795DE66--
=========================================================================
Date: Thu, 14 Aug 1997 00:47:55 -0400
Reply-To: Antoine Maloney <stratis@ODYSSEE.NET>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: LUTHER ALLISON
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Richard,
Thought you'd like to know that our local paper , the Montreal
Gazette (founded by Ben Franklin believe it or not!) had a nice obituary
about Luther Allison. They described his great show at this year's Montreal
Jazz Festival (which we missed!?!) and what a great receptiion he had.
Also, CBC (the Canadian Broadcasting Corporation, our counterpart to
NPR) had a nice bit about Luther on their national radio news at 6:00pm
yesterday, finishing up with "Walkin' Papers". Very nice.
My regards and condolences,
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Thu, 14 Aug 1997 10:17:51 +0200
Reply-To: Rinaldo Rasa <rinaldo@GPNET.IT>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: about razor
In-Reply-To: <c=US%a=_%p=OEES%l=SD-MAIL-970812172530Z-539@sd-mail.sd.oee s.com>
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>Rinaldo, you are such a tease. Somebody please translate?
>
>Douglas
>> ENTIA NON SUNT MULTIPLICANDA
>> PRAETER NECESSITATEM...
>>
please, excuse me, the translation is
"IT IS VAIN TO DO WITH MORE
WHAT CAN BE DONE WITH FEWER"
=========================================================================
Date: Thu, 14 Aug 1997 08:44:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James J Stavola <JDSept@AOL.COM>
Subject: Re: Was Burroughs really a beat writer?
Comments: To: rwallner@capaccess.org
Certainly WSB was a beat writer,maybe not in the total sense of religious
mission or so called peace of mind that you mentioned but all of them were a
reaction to that little white house Leave it to Beaver mentality of the late
40s and early 50s.I think the begining of the beat movement was actually a
reaction to the boring mentality of America at that time by the showing of
the fringe livers.WSB certainly fills that concept.Afterwards the writers
went in many individual but loosely tied direction but the original bindings
were still there.most of these guys lived in some kind of exile WSB by
himself or in a group type exile as some of the others did.The idea of
beatness goes farther then just writing anyways.The ultimate beat(terrible
term) who most admired and was a starting point for some of them Neal C. was
hardly a writer at all.I think WSB fits the beat mold.
thank-you
=========================================================================
Date: Thu, 14 Aug 1997 09:04:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hemenway . Mark" <MHemenway@DRC.COM>
Subject: Lowell Schedule
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----------
From: Mark Hemenway[SMTP:mhemenway@igc.apc.org]
Sent: Wednesday, August 13, 1997 9:57 PM
To: Hemenway . Mark
10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997
Lowell, MA Jack Kerouac Celebrates Lowell
THURSDAY 2 OCTOBER
Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry
9:00AM-11:00AM
Lowell High School Poetry Competition for High School Students-
for Information call 508-452-7966
Downtown Kerouac Places- Walking Tour
4:30-6:00 PM
Roger Brunelle leads a walking tour of Kerouac's downtown. Begins
at Middlesex Community College, ends at the Pollard Memorial
Library.
Images of Kerouac '97- Reception and Photography Exhibition
6:00PM- 8:00PM
Whistler House Museum of Art, 243 Worthen Street Open exhibition
of photography inspired by Jack Kerouac or the Beats. Entries
welcome. Deadline 12 September. Co-sponsored by the Whistler House
Museum of Art, 508-452-7641.
Jack Kerouac Literary Prize Award
7:00PM
Whistler House Museum of Art, 243 Worthen Street Presentation of
the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored
by The Estate of Jack and Stella Kerouac, Lowell Celebrates
Kerouac!, Inc. and Middlesex Community College.
Dr Sax Nights- Walking Tours
8:00PM-10:00PM
Roger Brunelle leads a walking tour of Kerouac's Pawtucketville.
Tour begins at MacDonald's Mammoth Rd, ends at the Spaulding
House, Pawtucket Blvd. for discussion. Rain or shine.
Friends and Music
10:00PM-12:00PM
Greek Band, Greek food and Lowell Poets. The Athenian Corner
Restaurant, 207 Market Street.
FRIDAY 3 OCTOBER
3rd Annual Beat Literature Symposium
8:00AM-5:00PM
O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00
Noon - Presentation of Papers 2:00PM - Keynote Presentation by Ann
Douglas, Columbia University 3:00PM-5:00 - Panel discussions
Leading scholars present original research on beat authors,
writing techniques and cultural phenomena. No charge. For
information and pre-registration, call 508-934-2446. Sponsored by
the English Department and the Department of Continuing Education,
UMASS-Lowell.
Mystic Jack- Walking Tour
5:00PM-6:00PM
Begins and ends at St. Louis Church, Centralville. Tour by Roger
Brunelle.
Memorial Mass for Jack and Stella Kerouac
6:00PM-7:00PM
St. Louis de France Church, Centralville
Listen to the Beat- Readings
8:00PM-10:00PM
The Parkway Cafe, 350 Market Street Poets Vincent Ferrini,
Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith.
Singer song-writer, Bob Martin present and evening of performance
poetry and music. Suggested donation $3.00.
Friends Music and Lowell Poets
10:00PM-12:00PM
Park Way Cafe
SATURDAY 4 OCTOBER
Nashua - Bus Tour
RESERVATIONS REQUIRED
9:00AM-1:00PM
9:00AM- Depart from Lowell Barnes and Noble. Reservations can be
made in person, or call 508-458-3939. 9:30AM- Depart Nashua, NH
Barnes and Noble. NH. For reservations, call Laura Eanes at
603-897-0777. A bus tour of Kerouac places in Nashua, NH.
Small Press Book Fair
10:00AM-4:00PM
Memorial Hall, Pollard Library A sampling of local presses and
Kerouac material. Co-sponsored by the Pollard Memorial Library and
Friends of the Library.
Commemorative at the Commemorative- Honoring Jack Kerouac and
Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge
and French Streets
Strictly Kerouac- Dance
12:30-1:00 PM
The Courtyard at the Market Street Visitor's Center, Lowell
National Historical Park Jan Zwadney and a Feast of Friends
interprets Kerouac in dance, music and word.
Allen Ginsberg and Friends: A Photographic Remembrance
1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center
Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred
McDarrah. Exhibition open from September 25 - November 16th.
Gallery Talk- Gordon Ball
1:30PM Brush Art Gallery, Market Street Visitor Center
Photographer and Ginsberg editor, Gordon Ball talks about
photographing Allen Ginsberg.
Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot
Street
Anne Waldman and Friends- A Tribute to Allen Ginsberg
8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-
Admission- $7.00 Anne Waldman, renowned poet, performer, and
editor leads a tribute to the Dharma Lion. James Cameron on
saxophone.
Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs
Cafe, Merrimack Street
SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM
RESERVATIONS REQUIRED Departs from Middlesex Community College,
Merrimack Street Bus tour of Kerouac's Lowell. Call 508-452-7966
for reservations. Please give name, phone number and number of
places reserved. Words and Music- Open Mic
1:00PM-3:00PM The Coffee Mill, Palmer Street.
Lowell Celebrates Kerouac!, Inc. is a non-profit corporation
dedicated to the celebration, enjoyment and study of Jack Kerouac
and his writings. Whenever possible, events are free, however,
donations are gratefully accepted for continued support of the
annual Lowell Celebrates Kerouac! Festival.. To make a donation,
or to find out more about Lowell Celebrates Kerouac!, Inc., write:
P.O. Box 1111, Lowell, MA 01853.
Before he died at age 47, Jack Kerouac published 24 books
chronicling the lives and adventures of the post war generation in
America. The raw energy and beauty of his prose established a new
standard in American literature. Jack Kerouac was born, raised and
remained a native of Lowell throughout his life. 5 of his novels
take place in Lowell, and the city is mentioned in virtually every
one of his books. His descriptions of Lowell are remarkable for
their beauty, power and timelessness. Through them, millions of
readers have come to know Lowell as a universal hometown.
This publication is funded....
=========================================================================
Date: Wed, 13 Aug 1997 21:50:38 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: [Fwd: Re: For Diane M. Homza, "In regards"]
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I am forwarding this post for Arthur so he doesn't have to retype it as
we start our discussion of Naked Lunch/On the Road/Howl. There is also
quite a long essay on how to approach Naked Lunch at www.bigtable.com
DC
> ---------------------------------------------------------------
>
> Subject: Re: For Diane M. Homza, "In regards"
> Date: Thu, 24 Jul 1997 15:07:38 -0400
> From: Arthur Nusbaum <SSASN@AOL.COM>
> Reply-To: SSASN@AOL.COM
> To: BEAT-L@CUNYVM.CUNY.EDU
>
> Dear Diane:
>
> I would like to offer some suggestions for your reading of NAKED LUNCH.
> It
> was also the first WSB book that I read in its entirety, almost 2
> decades
> ago, and it can indeed be a little daunting as your first exposure to
> one of
> the great literary and cultural figures of our waning century, and a
> prophet
> of the next and beyond. In the intervening years since I was in your
> position, I have read, seen, heard and interacted with virtually every
> published item that I am aware of by or about WSB, including the great
> man
> himself whom I visited 2&1/2 years ago. Besides my posts that are
> flowing at
> a steady rate on this List and to some of its correspondents
> individually, I
> have done a small amount of scholarly writing on him myself. So, I
> believe I
> am qualified to answer your call for support and advice.
>
> After having read NL several times and absorbed a lot of commentary on
> it
> from many sources, I thought I had a fair handle on it. But luckily
> for you,
> there now exists an unprecedented guide, a key to understanding this
> kaleidescopic work. An audio version of the book, read by WSB himself,
> is
> available. I have the cd version, I know there is a cassette edition
> also,
> and it should still be available in stock or by order, it only came out
> about
> 2 years ago this fall. Although abridged, it is 3 hours long and most
> of the
> text is there. I cannot stress how highly I recommend that you listen
> to WSB
> read NL, it is clear, well-paced, and the very ways in which he
> emphasizes
> and modulates words and sentences bring them into focus and out of the
> fragmentary fog from which they can fade in and out of the text without
> this
> aid. You could finish reading NL and then obtain the audio edition, or
> better yet obtain and listen to it (at least twice) now, then return to
> your
> reading. My listening to the cd's no less than doubled my
> comprehension and
> appreciation of this critical work. But I should note something at
> this
> point- what I've said above does not mean that you can't enjoy or
> benefit
> from NL without hearing it read by the author, one of the greatest
> pleasures
> I have gotten from it before or after being exposed to the cd's is to
> savor
> the evocative and poetic phrases that have a life of their own and jump
> off
> the page to burrow, so to speak, in your brain. Some of my favorites
> from
> this rich treasure trove are: "The days glide by, strung on a syringe
> with a
> long thread of blood", "Motel...Motel...Motel...broken neon
> arabesque...loneliness moans across the continent like foghorns over
> still
> oily water of tidal rivers" (one of my all-time favorite phrases in all
> of
> literature), and so many more. As the author advises near the end, you
> can
> re-order the pages and read them in any combination, this is a roiling,
> organic work that should not be read with an attitude that it can be
> reined
> in, amenable to cliff-note condensation.
>
> After you have read and heard NL, I further advise you to go back and
> chronologically read all the works that precede it, in this way you
> will see
> how WSB arrived at NL and further appreciate his achievement in the
> context
> of his life and work up to that point. The books, all still in print,
> are in
> order as follows: JUNKY, QUEER, THE YAGE LETTERS (with Allen Ginsberg)
> and
> THE LETTERS OF WILLIAM S. BURROUGHS (1945-1959), which were written,
> mostly
> to AG, during the period leading up to the first publication of NL.
> There is
> another volume of letters written by WSB to AG, many of which do not
> overlap
> with the ones in the other, but it is hard to find. If you can locate
> it
> (it's just titled WILLIAM S. BURROUGHS\LETTERS TO ALLEN GINSBERG
> 1953-1957),
> I highly recommend it, some of the letters are real gems. The best
> letters
> of all, in my opinion, are those from WSB to AG in TYL above, it is a
> perversely hilarious and quintessentially Burroughsian work that is
> often
> overlooked, short and fun to read again and again. All of these early
> works
> are written in a lucid, easily comprehensible style, although you'll
> know
> that only WSB could have written them. Along with the above works, you
> should also read the biography LITERARY OUTLAW: THE LIFE AND TIMES OF
> WILLIAM S. BURROUGHS by Ted Morgan, concurrently, before or after them.
> It
> will give you a good initial grounding in the life and experiences from
> which
> the works emerged, it was published in and goes up to 1988, beyond the
> NL
> period so good enough for your purposes at this point. As with the
> other
> major Beat figures, the life and art are particularly intertwined and
> mirrors
> of each other. Finally, you should attempt to see the film biography
> BURROUGHS, directed by Howard Brookner, originally released in 1985.
> Like
> LO, it provides an initial overview.
>
> I can assure you that you won't be sorry if you follow my suggestions,
> and
> would like to know how you're coming along from time to time. It may
> seem as
> if I've burdoned you with a semester's worth of reading, listening and
> viewing, but if you catch the WSB virus, you will quickly devour these
> items
> and want MORE. A few more NL comments to conclude for now- The
> introductory
> essays which probably appear in whatever edition you're reading,
> TESTIMONY
> CONCERNING A SICKNESS and LETTER FROM A MASTER ADDICT TO DANGEROUS
> DRUGS are
> remarkable in their clarity of language and are in themselves minor
> masterpieces separable from NL even as they enrich it. And your
> comment
> about Macbeth is interesting. While an undergraduate at Harvard, WSB
> studied
> Shakespeare, and he is familiar with and weaves quotes from the Bard in
> his
> works and conversation. WSB arrived at his avant-garde experiments,
> which
> become literally more cutting-edge with the cutups after NL, from a
> firm,
> rounded educational and reading background, not to mention his myriad
> experiences right up to and over the edge.
>
> Well, enough for now. Good luck, and I envy your reading these works
> for the
> first time, there's nothing like that first shot......
>
> Regards,
>
> Arthur S. Nusbaum
=========================================================================
Date: Thu, 14 Aug 1997 09:00:19 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Lowell Kerouac organizers
In-Reply-To: <c=US%a=_%p=drc%l=AND02-970814130400Z-14979@and02.drc.com>
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>----------
>From: "Hemenway . Mark" <MHemenway@DRC.COM>
>Sent: Wednesday, August 13, 1997 9:57 PM
>10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997
>Lowell, MA Jack Kerouac Celebrates Lowell
>Memorial Mass for Jack and Stella Kerouac
>6:00PM-7:00PM
>St. Louis de France Church, Centralville
It is a disgrace that Jack's daughter, Jan Kerouac, dead slightly more than
a year, is not being included in this mass.
This is such an overt act of hatred for a dear, compassionate, generous and
talented writer/daughter that I am without words.
I can only hope that beats, be they students, scholars, readers, or
wannabees with heart, brains and gonads, will see that this kind of crap
ends--someday.
j grant
Small Press Authors and Publishers display books
FREE
http://www.bookzen.com/addbook-form.html
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Thu, 14 Aug 1997 08:03:15 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: patti smith news (boston)
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got some more news about patti smith
and her continued support for beat artists
burroughs and ginsberg
Interesting to note her attitude
towards performance
towards friendship and art
and <<ahem>>
that she made drawings at AG's deathbed
anybody from boston seen these??
stolen from the babel-list (again)
From: JP Jacob <jpjacob@bu.edu>
Date: Wed, 13 Aug 1997 23:04:50 -0400
Subject: Re: Boston show
Douglas
=-=-=-=-=-=-=-=-=-=-
Thanks to all who came to the Boston show for support of the
Photographic Resource Center. It was a great evening for me, and Patti,
Lenny, and Oliver were also very happy. Before they left, much later
Monday night, Patti said that the band will be doing a limited tour this
fall that will include Boston, followed by a full scale tour next year.
Something to look forward to!
I haven't compared this with Mitch's note, so sorry for redundancy, but
here is the complete setlist:
1. Footnotes to Howl
<<[snip]>>
9. Psalm 23 Revisited [her WSB poem]
What was wonderful for me about the set, since this event was put
together in conjunction with our exhibition at the PRC, was the thread
that Patti wove throughout the show with pieces by and about the
important artists in her life: Ginsberg (to whom the exhibition was
dedicated), Burroughs, O'Keefe, Pollock, and Mapplethorpe.
It's something that hasn't received too much attention, but the two new
drawings in the exhibit are the first new drawings that Patti has shown
since the 1970s (anyway, so she tells me). They're expansions of
sketches and notes that she made at Ginsberg's deathbed (she was
carrying the original sketches in her pocket while reading the Footnotes
from Howl to us), and the performance seemed to me to come right out of
the passion and the love that went into those drawings. That was the
starting point.
<<[snip]>>
There's one other thing. I had a real introduction, but Patti asked me
not to read it. What I'd wanted to talk about is how impressed I have
been by Patti, Lenny, and Oliver's ongoing support of organizations and
individuals, taking positions in relation to small causes as readily as
to issues of global importance. I mean, it's probably not too hard for a
celebrity to support one or two important causes. But I think that it's
exhausting and to some extent precarious for an artist these days to
support many causes, especially the small, unproven ones (for example,
it's easy to do a benefit for MoMA, but the Photographic Resource
Center? An artists space with a staff of 3?).
I remember that the Seegers, Mike and Pete, could always be counted to
show up in support of local causes in the Hudson River valley area where
my grandfather lived, and where I spent a lot of time during high
school. I was always so impressed that they could function
simultaneously on local and international levels that way. I don't feel
that many artists today have that sense of commitment, and to see it in
Patti, Lenny, and Oliver makes me proud to support them. Their
commitment to the values that we share enables me to be *not* just a
consumer of their products, but, to some extent, a part of the its
creation. That kind of sharing is absent from most other
entertainer/artist/audience/venue relationships that I experience. And I
think that's what makes shows like Monday night's so wonderful and
renewing for us as supporters of Patti's artwork.
That's enough for now.
John
- --
jpjacob@bu.edu
Photographic Resource Center at Boston University
http://web.bu.edu/PRC
=========================================================================
Date: Thu, 14 Aug 1997 11:06:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: about razor..Occam's
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This has often been referred to as "Occam's razor", the desire to shave away
any excess conditions in an hypothesis or theory. Occam (Henry of ...?) as I
recall was a contemporary of the monk-philosopher Francis Bacon, the central
figure in "The Name of the Rose".
Antoine
***************
>>Rinaldo, you are such a tease. Somebody please translate?
>>
>>Douglas
>
>>> ENTIA NON SUNT MULTIPLICANDA
>>> PRAETER NECESSITATEM...
>>>
>
>please, excuse me, the translation is
>
> "IT IS VAIN TO DO WITH MORE
> WHAT CAN BE DONE WITH FEWER"
>
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Thu, 14 Aug 1997 11:06:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Lowell Kerouac organizers
Mime-Version: 1.0
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Jo, ...please bear with me on this Jo; not a flame war, and especially not
on the first day that we have our reply priveleges reinstated!; read on.
"It is a disgrace that" you have to be so vitriolic in your attack
on the idea of not including "Jack's daughter, Jan Kerouac, dead slightly
more than a year" ... "in this mass."
"This is such an overt act of hatred for a" situation that I suspect you
aren't that close to - although you were clearly very close to Jan. Why not
try to be "compassionate, generous" and understanding to those who are
celebrating this mass. Following your argument, one could easily ask why
Nin, Leo, Gerard and a host of others are not being similarly memorialized.
Why not Bill Burroughs since he was far closer to Jack and far more
important to him than Jan - or Stella for that matter!
Jan was a "talented writer/daughter" who unfortunately was never able to
forge a relationship with her father, but she has many friends and defenders
outside the Sampas - Kerouac circle, and there shouldn't be any need to
force Jack's error down the throats of the Lowell /Sampas group.
I - like you - probaly think it would be a nice closure to have Jan also
remembered in the way you suggest - but to force it grudgingly would not
honor Jan's memory.
"I can only hope that beats, be they students, scholars, readers, or
wannabees with heart, brains and gonads, will see that" this vain attempt to
form a union that never existed in life "ends--someday."
A lot depends on your perspective Jo, and mine has nothing to do with anyone
in Lowell or anyone named Sampas. Far better that we find our own ways to
honor Jan.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Thu, 14 Aug 1997 15:40:39 UT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sherri <love_singing@MSN.COM>
Subject: Sign-off
well, friends, must sign-off to make my trip to the Fringe & International
Arts Festivals and a poetry class at the Univ of Edinburgh. will be back on
9/1.
hopefully, the damned unsubscribe thing will work.
enjoy the rest of the summer and keep it beat.
ciao, sherri
=========================================================================
Date: Thu, 14 Aug 1997 12:32:07 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Sign-off
Comments: To: Sherri <love_singing@msn.com>
MIME-Version: 1.0
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Damn shame about you having to go to Edinburgh. I will pray that you
are delivered from this doom.
Sherri wrote:
> well, friends, must sign-off to make my trip to the Fringe &
> International
> Arts Festivals and a poetry class at the Univ of Edinburgh. will be
> back on
> 9/1.
>
> hopefully, the damned unsubscribe thing will work.
>
> enjoy the rest of the summer and keep it beat.
>
> ciao, sherri
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Thu, 14 Aug 1997 09:58:29 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>
Subject: spiritual glimpse (personal request)
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There is the potential for this message to go non-beat.
I'm discovering a spiritual apetite that was once squelched by
overbearing guardians with questionable intentions...
I'm now ready to re-investigate this side of experience and was wondering
if any listers would point me in the direction of beat or non-beat
spiritual script... My definition of "spirituality" is
limitless...perhaps you would be willing to share what you have found
meaningful...
I'd appreciate starting my search with some input from the list.
Thanks...
feel free to backchannel if this isn't Listworthy... although I would
enjoy seeing a beat spirituality thread start on this list....
-shannon (in Tucson, where the heat has somehow prompted my search for
god...)
=========================================================================
Date: Thu, 14 Aug 1997 10:25:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: spiritual glimpse (personal request)
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Shannon writ:
<<
>feel free to backchannel if this isn't Listworthy... although I would
>enjoy seeing a beat spirituality thread start on this list....
>>
>
Well, in my mind, application of spirituality is always a good issue.
Was impressed, and am impressed more and more, by the example set by
poet, singer, artist Patti Smith. She's holy, holy and still retains
her personal space. that and she continually pays tribute to friends
and family that have passed away. She doesn't shy away from hecklers,
politics, or even uninhibited love of the Dali Lama. She is mercury
with a lizard gaze. Truly, she transcends, transcends.
Surely this is a beat quote unquote trait?
My "advice" would be to start reading more biographies. Pick someone
you like. and if they aren't famous, don't have anything written about
them, well.... you'll just have to listen. yep, listen.
Douglas :-)
PS: and people keep mentioning archives for this list, but I haven't
found em yet. There have been many posts that aided and abetted my own
>spiritual search. Maybe you too can find some solace in them.
=========================================================================
Date: Thu, 14 Aug 1997 19:51:11 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: (FWD) burroughs' letter to kerouac on buddhism
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Date: Thu, 14 Aug 1997 06:33:45 -0800
From: bofus? <bofus@fcom.com>
To: bofus@fcom.com
Subject: burroughs' letter to kerouac on buddhism
Derek B Monypeny <dbm@U.Arizona.EDU> wrote:
>
>
> scene: burroughs is in morocco. the
> accidental shooting death of jane burroughs
> has already occurred. burroughs is in the
> process of writing what would become "naked
> lunch" and pining for allen ginsberg. he is
> replying to a letter from kerouac which
> stated, among other things, that kerouac
> had devoted himself to the study of
> buddhism and had renounced sex for good.
>
> ...I can't help but feeling that you are
> going too far with your absolute chastity.
> Besides, masturbation is NOT chastity, it
> is just a way of sidestepping the issue
> without even approaching the solution.
> Remember, Jack, I studied and practiced
> Buddhism (in my usual sloppy way to be
> sure). The conclusion I arrived at, and I
> make no claims to speak from a state of
> enlightenment, but merely to have attempted
> the journey, as always with inadequate
> equipment and knowledge (like one of my
> South American expeditions), falling into
> every possible accident and error, losing
> my gear and my way, chilled to the
> blood-making marrow with final despair of
> aloneness: What am I doing here a broken
> eccentric? A Bowery Evangelist, reading
> books on Theosophy in the public library
> (an old tin trunk full of notes in my cold
> water East Side flat), imagining myself a
> Secret World Controller in Telepathic
> Contact with Tibetan Adepts... Could I ever
> SEE the merciless, cold FACTS on some Winter
> night, sitting in the operation room white
> glare of a cefeteria - NO SMOKING PLEASE -
> see the facts AND MYSELF, an old man with
> the wasted years behind, and what ahead
> having seen the Facts? A trunk full of
> notes to dump in a Henry St. lot?... So my
> conclusion was that Buddhism is only for
> the West to STUDY as HISTORY, that is it is
> a subject for UNDERSTANDING, and Yoga can
> profitably be practiced to that end. But it
> is not, for the West, An ANSWER, not a
> SOLUTION. We must learn by acting,
> experiencing, and living; that is, above
> all, by LOVE and by SUFFERING. A man who
> uses Buddhism or any other instrument to
> remove love from his being in order to
> avoid, has committed, in my mind, a
> sacrilege comparable to castration. You
> were given the power to love in order to
> use it, no matter what pain it may cause
> you. Buddhism frequently amounts to a form
> of psychic junk... Because if there is one
> thing I feel sure of its this: That human
> life has DIRECTION. Even if we accept some
> Spenglerian Cycle routine, the cycle never
> comes back to exactly the same place, nor
> does it ever exactly repeat itself... When
> the potentials of any species are
> exhausted, the species becomes static (like
> all animals, reptiles and other so-called
> lower forms of life). What distinguished
> Man from all other species is that he
> CANNOT BECOME STATIC. "Er muss streben oder
> untergehen" (quotation is from myself in
> character of German Philosopher)-"He must
> continue to develop or perish."... What I
> mean is the California Buddhists are trying
> to sit on the sidelines and there ARE no
> sidelines. Whether you like it or not, you
> are committed to the human endeavor. I can
> not ally myself with such a purely negative
> goal as avoidance of suffering. Suffering is
> a chance you have to take by the fact of
> being alive. I repeat, BUDDHISM IS NOT FOR
> THE WEST. We must evolve our own
> solutions... I am having serious
> difficulties with my novel. I tell you the
> novel form is completely inadequate to
> express what I have to say. I don't know if
> I can find a form. I am very gloomy as to
> prospects of publication. And I'm not like
> you, Jack. I need an audience. Of course, a
> small audience. But still I need publication
> for development. A writer can be ruined by
> too much or too little success...
>
>
>
> From "Letters of William S. Burroughs
> 1945-1959." Edited with an introduction by
> Oliver Harris. Viking, 1993.
=========================================================================
Date: Thu, 14 Aug 1997 20:09:33 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: about razor..Occam's
In-Reply-To: <BEAT-L%1997081411062000@CUNYVM.CUNY.EDU>
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hello all friends,
William of Occam, of course...
&
THE NAME OF THE ROSE
"stat rosa pristina nomine, nomina luda tenemu"
"the ancient rose is necessarily connected to her name,
we have got things without their name"
&
the medieval prior set the books on fire,
saluti,
Rinaldo.
*
BTW, i found a Ferlighetti's poem:
Walking through the University of Bologna
the oldest university in the world...
The usual protests by the usual students
stoning the administration
for Giordano Bruno
or Garibaldi
or Pasolini
or Lotta Continua
The usual statues under the arcades
or under the trees
Great yellow leaves
falling on them
And the gardens full of
stone philosophers
oblivious
above it all
having survived their own
dying fall
As I release a singing bird
from under my hat
And join the rearest demonstration
against virtual reality
led by Umberto Eco I suppose
or a wit that looks like him
waving a rose
--Lawrence Ferlighetti, "Italian Scenes"
*
--------
At 11.06 14/08/97 -0400,
Antoine Maloney <stratis@ODYSSEE.NET> wrote:
>This has often been referred to as "Occam's razor", the desire to shave away
>any excess conditions in an hypothesis or theory. Occam (Henry of ...?) as I
>recall was a contemporary of the monk-philosopher Francis Bacon, the central
>figure in "The Name of the Rose".
>
> Antoine
>
> ***************
>
>>>Rinaldo, you are such a tease. Somebody please translate?
>>>
>>>Douglas
>>
>>>> ENTIA NON SUNT MULTIPLICANDA
>>>> PRAETER NECESSITATEM...
>>>>
>>
>>please, excuse me, the translation is
>>
>> "IT IS VAIN TO DO WITH MORE
>> WHAT CAN BE DONE WITH FEWER"
>>
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
>
>
=========================================================================
Date: Thu, 14 Aug 1997 12:42:07 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: in search of western lands
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Burroughs.
am beginning to gear up my search for his work. Have been trying to lay
some groundwork for his arrival. All the posts on this list regarding
his "western lands" and "letter to JK" have been wonderful. absolutely
wonderful. It's very unfortunate, therefore, that my local bookstore
doesn't carry these two items. :-(
So......., in the meantime......., I've been trying to build an
impression, the connotations, the questions I would bring to these works
----> Here's a snippet from Isidore Ducasse, Comte de Lautreamont that
sparked a few connections:
"Go on, keep marching straight ahead. I condemn you to become a
wanderer. I condemn you to remain alone, without a family. Keep
walking, until your legs refuse to carry you any further. Cross the
desert sands until the ending doom and the stars are swallowed up in
nothingness. When you pass by the tiger's lair, he will run headlong
away, to keep from seeing, as in a mirror, his nature raised up on the
pedastal of ideal perversity."
(Les Chants de Maldoror, 1868)
[from _Surrealists & Surrealism_, p21]
=-=-=--=-=-=
and then mixed in, all these stories about tapes being played in cars
returning from the WSB memorial. I wonder about the road kill, the
smelly remains of animals trying to cross the road. Horrible sight, I
know. Silly, inhumane to even mention it. Too obsess over it, the
headlights faint glance, the possible swerve, and the possible, minute
bump in the road. Perversity? Alone, without family? Desert sands?
Running away, mirrors, and pedastals of the ideal. Ompholos.
and Carolyn Cassidy's comments about fools only learning from
themselves. ??? This is empirical knowledge, yes? "Doctor, heal they
self" and all that. And being able to plumb your own depths/deaths,
well, who wants to advocate that? But how about being unable to face
yourself, being unable to avoid others who have made similar "perverted"
paths? I think being able to map out, within personal experience, via
biography or wisdom, that is a a a. that is enough, I figure. Chit
chat might have been useless, I don't know. <<probably>> But work, am
definately thinking about that. and Death, death, death does work.
sorry for the meandering, the philosophical babbling. [[and then
there's the WSB quote about death laying the seed for life...
Douglas
=========================================================================
Date: Thu, 14 Aug 1997 15:14:18 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: in search of western lands
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Penn, Douglas, K wrote:
>
> Burroughs.
>
> am beginning to gear up my search for his work. Have been trying to lay
> some groundwork for his arrival. All the posts on this list regarding
> his "western lands" and "letter to JK" have been wonderful. absolutely
> wonderful. It's very unfortunate, therefore, that my local bookstore
> doesn't carry these two items. :-(
>
> So......., in the meantime......., I've been trying to build an
> impression, the connotations, the questions I would bring to these works
> ----> Here's a snippet from Isidore Ducasse, Comte de Lautreamont that
> sparked a few connections:
>
> "Go on, keep marching straight ahead. I condemn you to become a
> wanderer. I condemn you to remain alone, without a family. Keep
> walking, until your legs refuse to carry you any further. Cross the
> desert sands until the ending doom and the stars are swallowed up in
> nothingness. When you pass by the tiger's lair, he will run headlong
> away, to keep from seeing, as in a mirror, his nature raised up on the
> pedastal of ideal perversity."
>
> (Les Chants de Maldoror, 1868)
> [from _Surrealists & Surrealism_, p21]
>
> =-=-=--=-=-=
>
> and then mixed in, all these stories about tapes being played in cars
> returning from the WSB memorial. I wonder about the road kill, the
> smelly remains of animals trying to cross the road. Horrible sight, I
> know. Silly, inhumane to even mention it. Too obsess over it, the
> headlights faint glance, the possible swerve, and the possible, minute
> bump in the road. Perversity? Alone, without family? Desert sands?
> Running away, mirrors, and pedastals of the ideal. Ompholos.
>
> and Carolyn Cassidy's comments about fools only learning from
> themselves. ??? This is empirical knowledge, yes? "Doctor, heal they
> self" and all that. And being able to plumb your own depths/deaths,
> well, who wants to advocate that? But how about being unable to face
> yourself, being unable to avoid others who have made similar "perverted"
> paths? I think being able to map out, within personal experience, via
> biography or wisdom, that is a a a. that is enough, I figure. Chit
> chat might have been useless, I don't know. <<probably>> But work, am
> definately thinking about that. and Death, death, death does work.
>
> sorry for the meandering, the philosophical babbling. [[and then
> there's the WSB quote about death laying the seed for life...
>
> Douglas
penguin paperback edition $12.95 us
isbn#0-14-009456-3
just to ease everybody's traumatized thoughts out there - rest assured
there were no roadkills from my legacy west from lawrence. not even a
bug splotch. but several birds successfully relieved themselves on my
little white automobile.
david rhaesa
salina, Kansas
=========================================================================
Date: Thu, 14 Aug 1997 23:35:46 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Lewis Warsh as a translator of avant-garde chinese poetry
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THIS IS NOT THE LAST
This is not the last
that's punished by language.
A new wooden house
is knocked down by a tree.
The prisoner
makes traps around himself.
If he's let out alive
he'll take the crimes with him.
He has no other shortcut.
A knife between life and death.
Light is cut open
and bent by the lonely sky.
The world is as painful as fate.
Words are shackles.
Once he's learned how to confess,
no one can ever defend him.
Translated by Wang Ping and Lewis Warsh
=========================================================================
Date: Thu, 14 Aug 1997 17:01:51 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Connie Urgena <connieu@COMPUTIZE.COM>
Subject: Re: spiritual glimpse (personal request)
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>Subject: spiritual glimpse (personal request)
>Sent: 8/14/97 11:58 AM
>Received: 8/14/97 12:07 PM
>From: Shannon L. Stephens, shanstep@CS.ARIZONA.EDU
>Reply-To: BEAT-L: Beat Generation List, BEAT-L@CUNYVM.CUNY.EDU
>To: BEAT-L@CUNYVM.CUNY.EDU
>
>There is the potential for this message to go non-beat.
>I'm discovering a spiritual apetite that was once squelched by
>overbearing guardians with questionable intentions...
>
>I'm now ready to re-investigate this side of experience and was wondering
>if any listers would point me in the direction of beat or non-beat
>spiritual script... My definition of "spirituality" is
>limitless...perhaps you would be willing to share what you have found
>meaningful...
>
>I'd appreciate starting my search with some input from the list.
>
>Thanks...
>feel free to backchannel if this isn't Listworthy... although I would
>enjoy seeing a beat spirituality thread start on this list....
>
>-shannon (in Tucson, where the heat has somehow prompted my search for
>god...)
You might want to think twice about searching for god ...
"... the very nature and essence of every religious system is the
impoverishment, enslavement, and
annihilation of humanity for the benefit of divinity.
"God being everything, the real world and man are nothing. God being
truth, justice, goodness, beauty,
power, and life, man is falsehood, iniquity, evil, ugliness, impotence,
and death. God being master, man is
the slave. Incapable of finding justice, truth, and eternal life by his
own effort, he can attain them only
through a divine revelation. But whoever says revelation says revealers,
messiahs, prophets, priests, and
legislators inspired by God himself; and these, once recognized as the
representatives of divinity on earth,
as the holy instructors of humanity, chosen by God himself to direct it
in the path of salvation, necessarily
exercise absolute power."
--Michael Bakunin, God and State
complete text at
http://www.pitzer.edu/~dward/Anarchist_Archives/bakunin/godandstate/godands
tate_ch1.html
Granted, this a pretty hard line view, but upon careful study, it makes
sense.
Although you may get a lot of advice from the list, you will ultimately
find the answers within yourself. Douglas offered some very good advice
about reading more biographies. Take a close look at the people you
respect ... what do they value and why? I have recently been working on a
WSB memorial diptych and it has really given me perspective on who I am.
Creativity, brilliance, nerve, individuality ... these are the things I
value and admire, and they are the paths on which I travel.
Connie Urgena
connieu@computize.com
Web Development, Computize, Inc.
1030 Wirt Road * Suite 400 * Houston TX 77055
713.957.0057 x213 * 713.613.4812 fax
http://www.computize.com/
=========================================================================
Date: Thu, 14 Aug 1997 18:25:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Double posts
Bill:
I tried doing this by backchanneling to you directly but the post came back.
We are suddenly get all messages in duplicate. What can be done? Do we
suddenly have two subscriptions? Please help. There is enough mail without
getting two of everything.
Thanks
Pam
=========================================================================
Date: Thu, 14 Aug 1997 07:15:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: spiritual glimpse (personal request)
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> Connie Urgena wrote:
>
> You might want to think twice about searching for god ...
>
> "... the very nature and essence of every religious system is the
> impoverishment, enslavement, and
> annihilation of humanity for the benefit of divinity.
>
> "God being everything, the real world and man are nothing. God being
> truth, justice, goodness, beauty,
> power, and life, man is falsehood, iniquity, evil, ugliness, impotence,
> and death. God being master, man is
> the slave. Incapable of finding justice, truth, and eternal life by his
> own effort, he can attain them only
> through a divine revelation. But whoever says revelation says
> revealers,
> messiahs, prophets, priests, and
> legislators inspired by God himself; and these, once recognized as the
> representatives of divinity on earth,
> as the holy instructors of humanity, chosen by God himself to direct it
> in the path of salvation, necessarily
> exercise absolute power."
>
> --Michael Bakunin, God and State
> complete text at
> http://www.pitzer.edu/~dward/Anarchist_Archives/bakunin/godandstate/godan> ds
> tate_ch1.html
>
> Granted, this a pretty hard line view, but upon careful study, it makes
> sense.
It makes sense only if your view of God is limited to that of religious
doctrine. I think that all the big three beat writers believed in God,
though not the God of the Bible, although Kerouac certainly carried
around guilt from early Catholicism. Most of his writing is, in fact, a
spiritual quest. I think that if you follow the spiritual theme in beat
literature, you are more likely to find a definition of God as an eternal
oneness in all things, even in man. In Burroughs even God was more seen
as an originator of things, even if the pre-record universe needed
shaking up a bit. Ginsberg would probably say that if God is truth,
justice, goodness, beauty, and life, then God is in you and in all
things, hence his thought that everything is holy. The text you quoted
seems to put man in the Christian context of needing salvation, of God as
an absolute power. Maybe God means more an absolute freedom, Burroughs'
universe without order, the ability to see eternity in all things here
and now. Others can disagree but I think the beats tended to look within
for spiritual glimpses as opposed to looking outward to a church-based
definition.
DC
DC
=========================================================================
Date: Thu, 14 Aug 1997 17:09:57 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Sign-off
Comments: To: Sherri <love_singing@msn.com>
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so now -
- you're back.
gotta get off sherri
clean the disaster
have to pack and pad
the baby line
it isn't a ciao ,
when i get most...
rofl
Douglas
>----------
>From: Sherri[SMTP:love_singing@msn.com]
>Sent: Thursday, August 14, 1997 4:57 PM
>To: Penn, Douglas, K
>Subject: RE: Sign-off
>
>rofl Douglas - you're the most... gotta get offline now - have to pack and
>clean the pad so it isn't a disaster when i get back.
>
>ciao baby,
>sherri
>
=========================================================================
Date: Thu, 14 Aug 1997 23:54:27 UT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: Sherri <love_singing@MSN.COM>
Subject: Bye Bye
Comments: To: Stef <Ad_Libitum@msn.com>, HJW II <ArchibaldLeach@msn.com>,
Stuart Crosby <BRAVES10@msn.com>, Ron Vassel <BlizzardKing@msn.com>,
Michael Riddle <CENTERLINEDESIGN@msn.com>,
Cari Who ELSE???? <CittiGirl@msn.com>,
CURTIS SHIPE <DONDIMARIAN@msn.com>, db <Dee-Bee@msn.com>,
Don G <FarmCityboy@msn.com>, Homebrook <Homebrook@msn.com>,
Jason Tinling <JTinlng@msn.com>, Kevin Mathers <KEVMATH@msn.com>,
Kel Rayner <Manatbar@msn.com>,
the little people <MarmaladeSkies@msn.com>,
Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,
Ask and I might tell you <Peaceful-Warrior2@msn.com>,
R <ROcean@msn.com>, Blair <Reepoo@msn.com>,
James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,
Tom Gummo <TGUMMO@msn.com>, tim/reba <the_saluki_experience@msn.com>,
Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,
rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,
"e.e. cummings" <What-is_death@msn.com>,
Tanya Ceccatto <_AngelBaby@msn.com>, Michael <_Prometheus1@msn.com>,
S Johnson <doc11@msn.com>, Drew Eskenazi <drewesk@msn.com>,
Robert Lear <king_lear1@msn.com>, x <king_lear1@msn.com>,
PAUL KOLJESKI <koljeski@msn.com>,
Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,
Kash Philips <philkash@msn.com>, Rico Mariani <ricom_ms@msn.com>,
Robert Eback <rleback@msn.com>, Stephen Baldwin <sabaldwin@msn.com>,
anniepoo <annh@ccrtc.com>, Doug Penn <dkpenn@oees.com>,
BigDaddyRico <Engelsguy@aol.com>, Joe Locey <JoePlaceb0@aol.com>,
Don Green <NYCDBG@aol.com>,
"S. Coart Johnson" <scoart@mindspring.com>, cj <sjohn111@aol.com>,
CVEditions@aol.com, Kent Smedley <Kent.Smedley@clorox.com>,
Arthur Nusbaum <SSASN@aol.com>,
THEBODYIS1@aol.com, runner711 <babu@electriciti.com>,
"R. Bentz Kirby" <bocelts@scsn.net>,
Marie Countryman <country@SOVER.NET>,
Diane Carter <dcarter@together.net>, jo grant <jgrant@BOOKZEN.COM>,
Patricia Elliott <pelliott@sunflower.com>,
RACE --- <race@MIDUSA.NET>, James Stauffer <stauffer@pacbell.net>
well, all you darlings, i'm off on my dream trip of a lifetime. off to
Scotland and England for 2 weeks... those of you for whom i have addresses, i
will try to send postcards, but please forgive me if i miss you, i've tried to
make sure they're in my address book - but as usual, i'm way short of time...
anyway, hope you all spend these last two weeks of the glorious summer
thoroughly enjoying yourselves and i'll see you online in a couple of weeks.
Diane - please continue to send me the "Ulysses" posts. i'm taking it with me
to read, so should keep up with the group... i'll have access to the internet
in some form at least during the major portion of my trip and if i'm inclined
and have any interesting thoughts will post while on the road.
ready to take the high road...
hugs & kisses to you all,
sherri
=========================================================================
Date: Thu, 14 Aug 1997 19:12:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Judith Campbell <boondock@POBOX.COM>
Subject: Burroughs Obit in Atlanta Creative Loafing
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http://www.creativeloafing.com/newsstand/current/v_bill.htm
=========================================================================
Date: Thu, 14 Aug 1997 20:11:44 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Phil Chaput <philzi@TIAC.NET>
Subject: Kerouac Festival Schedule
Comments: To: bfoye@aol.com, jsaint@tiac.net, tongues@tiac.net,
holladay@woods.uml.edu, fisher@program.com,
milton1@cliffy.polaraoid.com, wakonda@aol.tiac.net,
schorr@world.std.com, whalec@boat.bt.co.uk,
danbarth@mail.yokayo.uusd.k12.ca.us, cusimano@fas.harvard.edu,
valcomb@aol.com, goslow@phx.com, wxgbc@cunyvm.cuny.edu,
brooklyn@netcom.com, jhanson@penguin.com, hpark2@aol.com,
karmacoupe@aol.com, mhemenway@s1.drc.com, kalron@ix.netcom.com,
BeatRyder@aol.com, dave@scryber.com, radiofreeal@delphi.com,
news@globe.com, 100120.361@compuserve.com, iht@eurokom.ie,
nandq@guardian.co.uk, ciweekly@mailnfs0.tiac.net, arts@globe.com,
mnews@world.std.com, norbull@aol.com, 73174.3344@compuserve.com,
sfexaminer@aol.com, nlnews@ozarks.sgcl.lib.mo.us, greenwre@apn.com,
brandx@winnipeg.cbc.ca, bnw@babylon.montreal.qc.ca,
the_future@tvo.org, iac@bbc-ibar.demon.co.uk, lateshow@pipeline.com,
foxnet@delphi.com, etv@unlinfo.unl.edu, nightly@nbc.ge.com,
wesun@clark.net, radio@ohiou.edu, wcvb@aol.com,
74201.2255@compuserve.com, wmbr-press@media.mit.edu, klmcomm@aol.com,
general@the-tec.mit.edu, wmbr-press@media.mit.edu, wmfo@tufts.edu,
allie.cat@genie.com, DawnDr@aol.com, kh14586@acs.appstate.edu,
skolowra@rykodisc.mhub.com, clv100u@m.BITNET,
ozart.fpa.odu.edu@mailnfs0.tiac.net, madhatter20@juno.com,
poetrypiza@aol.com, carter@mvlc.lib.ma.us, myhorseisdead@hotmail.com,
kathleen_fitzgerald@dbna.com, bookem@pacific.net
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From: Mark Hemenway[SMTP:mhemenway@igc.apc.org]
10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997
Lowell, MA Jack Kerouac Celebrates Lowell
THURSDAY 2 OCTOBER
Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry
9:00AM-11:00AM
Lowell High School Poetry Competition for High School Students-
for Information call 508-452-7966
Downtown Kerouac Places- Walking Tour
4:30-6:00 PM
Roger Brunelle leads a walking tour of Kerouac's downtown. Begins
at Middlesex Community College, ends at the Pollard Memorial
Library.
Images of Kerouac '97- Reception and Photography Exhibition
6:00PM- 8:00PM
Whistler House Museum of Art, 243 Worthen Street Open exhibition
of photography inspired by Jack Kerouac or the Beats. Entries
welcome. Deadline 12 September. Co-sponsored by the Whistler House
Museum of Art, 508-452-7641.
Jack Kerouac Literary Prize Award
7:00PM
Whistler House Museum of Art, 243 Worthen Street Presentation of
the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored
by The Estate of Jack and Stella Kerouac, Lowell Celebrates
Kerouac!, Inc. and Middlesex Community College.
Dr Sax Nights- Walking Tours
8:00PM-10:00PM
Roger Brunelle leads a walking tour of Kerouac's Pawtucketville.
Tour begins at MacDonald's Mammoth Rd, ends at the Spaulding
House, Pawtucket Blvd. for discussion. Rain or shine.
Friends and Music
10:00PM-12:00PM
Greek Band, Greek food and Lowell Poets. The Athenian Corner
Restaurant, 207 Market Street.
FRIDAY 3 OCTOBER
3rd Annual Beat Literature Symposium
8:00AM-5:00PM
O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00
Noon - Presentation of Papers 2:00PM - Keynote Presentation by Ann
Douglas, Columbia University 3:00PM-5:00 - Panel discussions
Leading scholars present original research on beat authors,
writing techniques and cultural phenomena. No charge. For
information and pre-registration, call 508-934-2446. Sponsored by
the English Department and the Department of Continuing Education,
UMASS-Lowell.
Mystic Jack- Walking Tour
5:00PM-6:00PM
Begins and ends at St. Louis Church, Centralville. Tour by Roger
Brunelle.
Memorial Mass for Jack and Stella Kerouac
6:00PM-7:00PM
St. Louis de France Church, Centralville
Listen to the Beat- Readings
8:00PM-10:00PM
The Parkway Cafe, 350 Market Street Poets Vincent Ferrini,
Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith.
Singer song-writer, Bob Martin present and evening of performance
poetry and music. Suggested donation $3.00.
Friends Music and Lowell Poets
10:00PM-12:00PM
Park Way Cafe
SATURDAY 4 OCTOBER
Nashua - Bus Tour
RESERVATIONS REQUIRED
9:00AM-1:00PM
9:00AM- Depart from Lowell Barnes and Noble. Reservations can be
made in person, or call 508-458-3939. 9:30AM- Depart Nashua, NH
Barnes and Noble. NH. For reservations, call Laura Eanes at
603-897-0777. A bus tour of Kerouac places in Nashua, NH.
Small Press Book Fair
10:00AM-4:00PM
Memorial Hall, Pollard Library A sampling of local presses and
Kerouac material. Co-sponsored by the Pollard Memorial Library and
Friends of the Library.
Commemorative at the Commemorative- Honoring Jack Kerouac and
Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge
and French Streets
Strictly Kerouac- Dance
12:30-1:00 PM
The Courtyard at the Market Street Visitor's Center, Lowell
National Historical Park Jan Zwadney and a Feast of Friends
interprets Kerouac in dance, music and word.
Allen Ginsberg and Friends: A Photographic Remembrance
1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center
Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred
McDarrah. Exhibition open from September 25 - November 16th.
Gallery Talk- Gordon Ball
1:30PM Brush Art Gallery, Market Street Visitor Center
Photographer and Ginsberg editor, Gordon Ball talks about
photographing Allen Ginsberg.
Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot
Street
Anne Waldman and Friends- A Tribute to Allen Ginsberg
8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-
Admission- $7.00 Anne Waldman, renowned poet, performer, and
editor leads a tribute to the Dharma Lion. James Cameron on
saxophone.
Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs
Cafe, Merrimack Street
SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM
RESERVATIONS REQUIRED Departs from Middlesex Community College,
Merrimack Street Bus tour of Kerouac's Lowell. Call 508-452-7966
for reservations. Please give name, phone number and number of
places reserved. Words and Music- Open Mic
1:00PM-3:00PM The Coffee Mill, Palmer Street.
Lowell Celebrates Kerouac!, Inc. is a non-profit corporation
dedicated to the celebration, enjoyment and study of Jack Kerouac
and his writings. Whenever possible, events are free, however,
donations are gratefully accepted for continued support of the
annual Lowell Celebrates Kerouac! Festival.. To make a donation,
or to find out more about Lowell Celebrates Kerouac!, Inc., write:
P.O. Box 1111, Lowell, MA 01853.
Before he died at age 47, Jack Kerouac published 24 books
chronicling the lives and adventures of the post war generation in
America. The raw energy and beauty of his prose established a new
standard in American literature. Jack Kerouac was born, raised and
remained a native of Lowell throughout his life. 5 of his novels
take place in Lowell, and the city is mentioned in virtually every
one of his books. His descriptions of Lowell are remarkable for
their beauty, power and timelessness. Through them, millions of
readers have come to know Lowell as a universal hometown.
=========================================================================
Date: Thu, 14 Aug 1997 18:33:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: The sword-stick of truth and justice...
Comments: cc: Gerald Houghton <houghtong@globalnet.co.uk>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
More from G. Houghton
regarding WSB
anybody out there feel like doing a little typin/scannin??
Douglas
<< start of forwarded material >>
Date: Thu, 14 Aug 1997 23:35:46 +0100
To: runner <babu@electriciti.com>
From: houghtong@globalnet.co.uk (Gerald Houghton)
Subject: The sword-stick of truth and justice...
'New Musical Express' ran a double-page obit for WSB yesterday,
concentrating in particular on his connections with music. And a very fine
piece it was, not least because it made the point about him being funny that
so many have missed. It was topped out by a surprisingly good interview with
Bono of U2 about meeting/working with the man.
Nice pictures too.
And Tower Records book dept in London ran an ad in 'Time Out' magazine
saying farewell to the man. Didn't even say "come and buy all his books
posthumously" either. Wonders never cease.
This Saturday night (16th), BBC2 television in the UK are repeating their 90
minute 'Arena' special about WSB as a tribute.
Gerald Houghton
e-mail: houghtong@globalnet.co.uk
The Edge magazine homepage:
http://www.users.globalnet.co.uk/~houghtong/edge1.htm
<< end of forwarded material >>
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Thu, 14 Aug 1997 18:41:16 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Burroughs Obit in Atlanta Creative Loafing
In-Reply-To: <3.0.32.19970814191222.00a12c28@ellijay.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 4:12 PM -0700 8/14/97, Judith Campbell wrote:
> http://www.creativeloafing.com/newsstand/current/v_bill.htm
this WSB synopsis is a real send up. Slams Burroughs for just about
everything except for humor and a good reading voice. Oh, and Naked Lunch.
Author liked that one, the rest are shit apparently. Will gladly post or
forward as needed.
Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Thu, 14 Aug 1997 23:01:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: PLEASE MR. JOHNSON
Comments: To: love_singing@msn.com, jwhite333@sprintmail.com, jamesstauffer
<stauffer@pacbell.net>
Gots to get some nice mail to you i worked on today. still on trip. dance
till 2-4 in the a.m to Luthur Allison, Elmore James and Big Joe Turner. Over
and over again baby, that old and backporch slide once in a while a good
blues sob with 'em good then put on my old lps to send messages. Chet Baker
singing old junk gone saddle oxfords and 48 ford conv. juck seater girl
heartbreack and now its more heart to break. and put on James Carr's "At the
Dark End of the Street" and some funk great earl hooker. even some george
jones oldies. that's really booze bawlin'
But every night. I wear those cd's out..can't stop...plus my baby's gone. the
one who drove me to Kansas and my other, Sherri, has hopped that plane and
gone.
Please Mr. Johnson....don't play the blues soo sad.
Spark the spirit
luv
cp
=========================================================================
Date: Thu, 14 Aug 1997 23:41:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Lowell Kerouac organizers
I have ended this kind of crap! It went out with greasy funded french fries.
Who wants to see Kerouac's Lowell in that kind of crowd, anyway?
C. Plymell
=========================================================================
Date: Thu, 14 Aug 1997 23:58:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Please Mr. Johnson
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Well, Charles, a wise sage named Jimi Hendrix once said:
"loneliness is such a drag"
"Well the morining is dead,
And the day is too"
but i say,
when you wake up in the moring,
and there ain't nothing you can do,
you know you got
dem Robert Johnson, dead shrimps, no ride, pass me by, on the riverside,
lien on my body, mortgage on my soul, hellhound on my trail, hot tamale,
chocolate malt, rosedale, no body seemed to know me, beatl blues!!!
Our thoughts and/or prayers are with you beatl blues buddy Richard.
Wish I could be there for that bag pipe jam. Not to mention the old
band shell. Should I bring my SG, or the Yamaha acoustic?
Peace to WSB, peace to Luther, and peace to all of us.
Think maybe Neal and Jack are diggin on Jimi, Luther and Train wailing
throughout the universe. I figure Bill is just taking it all in. I
guess they might let Miles sit in, eh?
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 02:41:26 +0000
Reply-To: letabor@cruzio.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <letabor@mail.cruzio.com>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: The Suedeutsche Zeitung obit in English, close, not perfect tran
From: Self <Leon>
To: BEAT-L@CNYVM>CNY>EDU
Subject: The Second German obit approximately translated
Send reply to: letabor@cruzio.com
Date sent: Fri, 15 Aug 1997 02:15:15
What a hatchet job! Note the title "Bill the Ripper". Her
Winkler
says that Burroughs was a crazy man, or maybe
just an american. Here comes another pseudo translation. Glad
to oblige Fred. Receiving thanks from Bill Gargan alone made it
worth doing. I am serious, Bill.
BTW some of you Beat Heads will be interested that the Cassady
home on Bancroft in Los Gatos, ( I also lived there with them
in 62 and 63), the house that Neil bought with the Railroad
accident money, was demolished today. Unfortunately John learned
about it only yesterday. It might have been another wake
occasion for us around here. Here is the Sueddeutsche Zeitung:
Bill The Ripper
At the death of America's prop holyman (?)
William S. Burroughs
Dear children, please do not imitate! According to eyewitness
reports it was only a party game. But while in the bowl proved
to be peyote and marijuana, Burroughs planted an apple upon the
head of his wife, played William Tell and shot. The appel
survived the play but Joan Vollmer was dead on the spot. Halfway
sensible people would now leave alone the fixing and the kief
and never again touch a weapon, but William Burroughs blew
himself up (?) further, what could be gotten with psychedelics.
In the introduction to Naked lunch (1959) he spoke of an
addiction that lasted 45 years; whoever visited him in the last
years had to first of all shoot tin cans. The man was plain to
see crazy.
Or American. Here he stood in 1990 on the stage of the Thalia
theater in Hamburg near Robert Wilson and Lou Reed, desperate in
his bookkeeper suit, a shrieveled grandfather, wrinkled and
scraggy to the smallest knuckle, no longer from this world, but
paced in his bodily shape (?), a funny pillar (?) of the
avantgarde, who had survived everything. His Musical Black
Rider was performed, a free defense (?) story - and again a
deadly bullet from love.
William Seward Burroughs, born 1914 in St. Louis as a son of
manufacturers, was really born for better things. Like his
landsman T. S. Elliot a quarter century before he went to
Harvard to study, then to Europe, but during that time he turned
around and made his enmity with the nightmare America. He
presented himself one nice day to the FBI and wanted to become a
secret agent. They sensibly turned him away. In response
(substitution) he became addicted to drugs and lived alone in
permanent fear of the police. One like Burroughs was born for
the great American Paranoia.
With the obstinance of his ancestors - these money earners and
strict moralist pillars of the community -, with the same
obstinacy Burroughs sought out every mania of this earthy (?)
world , lounged around in Tangiers, where he didn't tolerate the
sun, wrote even though he didn't know how and from what he would
make a living, he wrote in an intoxicated fit, like a maniac.
They are pretty hard to read, his books, cut up, he broke up his
texts into pieces until they were totally incomprehensible.
Repeatedly gathered anew and scattered again right away. But
did so much insanity need any method altogether? It should be
"pure meat", wrote to him his friend Alen Ginsberg in the book
"without symbolic sause". Woe to anyone who sees symbols in his
thousand-feeted, half animals and three quarter monsters!
Everything flesh from America's flesh, the plain truth, as
Burroughs saw it in madness. "I am", he assures, " I am only a
recording tool."
Roland Barthes harped extensively over the zero point (freezing
point?), where literature in 1960 ostensibly found itself, but
Burroughs didn't just describe that point, instead he pricked it
all the time, undertook constantly new experiments, he tore up
himself and his texts. The writer in his best quality as
slasher, withdrawal (drug addiction) treatments were then
necessary, one time by Dr. Wilhelm Reich, then by L. Ron
Hubbard, but neither the orgon machine nor the scientology
helped. And so he found himself after two wifes and one son
back at the pleasures of youth, to the memory of the first
stolen grips in strangers' undewrwear. Against so much life
the work does not hold up, for the one reason alone, because
after the early books it became method. But from Velvet
Underground because of Patti Smith until Kurt Cobain they
followed him - and wasn't he holy (a saint?)
In New York he entrenched himself in his small room in the
Bowery, four-fold bolted to protect himself from the tramps and
junkies outside, who could possibly overpower the old infirm
man, while he inside surrounded by swords, revolvers and porno
notebooks, painted how it was, to be overtaken by these wild
fellows.
In the end he returned to the middle west, to his xenophobes,to
the god fearing fellow citizens, fanatic like them and no less
paranoid. They knew precisely that the communists (alternatively
the jews, the catholics) poisoned the drinking water, or that
the CIA bred the aids virus in order to mess up all of humanity.
Burroughs collected all these stories and weighed them in his
heart. Then he shot again at his tin cans.
But please, dear children, not to immitate at home! Saturday
the good american William S. Burroughs, in Lawrence (Kansas),
at the age of 83 years, died.
Willi Winkler
leon
Leon Tabory
=========================================================================
Date: Fri, 15 Aug 1997 05:43:29 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Please Mr. Johnson
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
R. Bentz Kirby wrote:
>
> Well, Charles, a wise sage named Jimi Hendrix once said:
>
> "loneliness is such a drag"
>
> "Well the morining is dead,
> And the day is too"
>
> but i say,
>
> when you wake up in the moring,
> and there ain't nothing you can do,
> you know you got
> dem Robert Johnson, dead shrimps, no ride, pass me by, on the riverside,
> lien on my body, mortgage on my soul, hellhound on my trail, hot tamale,
> chocolate malt, rosedale, no body seemed to know me, beatl blues!!!
>
> Our thoughts and/or prayers are with you beatl blues buddy Richard.
> Wish I could be there for that bag pipe jam. Not to mention the old
> band shell. Should I bring my SG, or the Yamaha acoustic?
>
> Peace to WSB, peace to Luther, and peace to all of us.
>
> Think maybe Neal and Jack are diggin on Jimi, Luther and Train wailing
> throughout the universe. I figure Bill is just taking it all in. I
> guess they might let Miles sit in, eh?
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
lets not forget the "i followed her to the station with suitcase in my
hand - love in vain" blues . . .
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 15 Aug 1997 09:52:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: New!!!! The Kerouac Quarterly Web Page
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Well. . .back from a trip to the Long Island Vineyards I have finally
finished the second Kerouac Quarterly and a brand new web page. This page
will highlight the latest goings-on in the Kerouac world . . .things to look
for in the future. Book reviews on Some of the Dharma, latest publishing
ventures, and whatever pops up in the future. If anyone has any news please
let us know here at the quarterly for all to see. Also, details about our
second issue. . .50 pp. in all. The Kerouac Quarterly can be visited at:
http://www.freeyellow.com/members/upstartcrow/page1.html
Thanks, and bookmark the page! I will try to keep this as updated as possible.
Paul of TKQ. . .
=========================================================================
Date: Fri, 15 Aug 1997 08:27:30 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: WSB Journals
Comments: cc: dan@pint.com
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
it's always reassuring to know
that if I want the latest WSB info
I only need be subscribed to the
patti smith list
props to Dan Whitworth for da post
-Douglas
=-=-=-=-=-=-=-=-=-=-=-=-=-=-
From: Dan Whitworth <dan@pint.com>
Date: Thu, 14 Aug 1997 13:59:05 -0700 (PDT)
Subject: WSB journals
The current New Yorker (Aug. 18 issue) features 2 pages of excerpts from
William Burrough's journals -- various entries from this spring up to August
1, the day of his heart attack. (And no, it doesn't suddenly trail off at
the end...) Plus Mapplethorpe's portrait of WSB in profile, eyes closed,
hands grasped (from mid or late '80s).
Now we wait for the inevitable Rolling Stone tribute, I suppose.
Later,
Dan W
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Fri, 15 Aug 1997 08:31:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Please Mr. Johnson
In-Reply-To: <33F432D1.58FF@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 3:43 AM -0700 8/15/97, RACE --- wrote:
> R. Bentz Kirby wrote:
> >
> > Well, Charles, a wise sage named Jimi Hendrix once said:
> >
> > "loneliness is such a drag"
<snip>
> lets not forget the "i followed her to the station with suitcase in my
> hand - love in vain" blues . . .
yeah, and how about the
"waiting by the telephone, toothpaste in my mouth blues
she ain't ever gonna call, might as well rinse blues
might as well shave, might as well shower
come on momma, give us a call blues
anybody interested in doing a tape swap?? David?
>
> david rhaesa
> salina, Kansas
Douglas [[headed to Lala tonight, to see my gal
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Fri, 15 Aug 1997 11:45:11 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Theory about Burroughs death
In-Reply-To: <l03020900b01a25534c32@[208.193.147.146]>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Heard an interesting theory about Burroughs death. Specifically, it has
been theorized that he lost his will to live, because the great love of
his life (at least in his mind) was Allen Ginsberg and Allen died a few
months earlier. And so he lost the will to live.
If you ever read Burroughs "Selected Letters", most of it was
correspondence between Burroughs and Ginsberg, and it is plainly clear
that Burroughs was obsessed with Ginsberg. Living in exile in Tangiers
in the 50's, Burroughs was lonely and isolated and fell in love with
Allen through a long correspondence. He returned to the states and was
intending to go live in San Francisco and start a life with Allen, when
Allen finally made it clear that he was *not* in love him. Apparently,
through the years, Allen had to deal at various times with Burroughs
obsession over him.
Anyway its not inconceivable, given the timing of both men's deaths,that
in some way, Burroughs was still in love with Allen at the timeof his
death. That he felt such a strong connection with Allen, that when Allen
died, there was an emptiness he couldnt deal with and he was finally
ready to die himself.
Perhaps, inside that cynical old body, was the heart of a hopeless
romantic who never stopped longing for the love he could never have.
RJW
=========================================================================
Date: Fri, 15 Aug 1997 12:04:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: The Kerouac Quarterly Page updated !!!!
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
The Kerouac Quarterly Page has been updated to include details on the sale
of Edie Kerouac Parker's personal Beat library from her estate.
Have a ball y'all!!!!
Bookmark to:
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Fri, 15 Aug 1997 11:49:58 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Theory about Burroughs death
In-Reply-To: Message of Fri, 15 Aug 1997 11:45:11 -0400 from
<rwallner@CAPACCESS.ORG>
It's real romantic but I don't think it's true.
=========================================================================
Date: Fri, 15 Aug 1997 10:53:27 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Please Mr. Johnson
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
runner wrote:
>
> At 3:43 AM -0700 8/15/97, RACE --- wrote:
>
> > R. Bentz Kirby wrote:
> > >
> > > Well, Charles, a wise sage named Jimi Hendrix once said:
> > >
> > > "loneliness is such a drag"
>
> <snip>
>
> > lets not forget the "i followed her to the station with suitcase in my
> > hand - love in vain" blues . . .
>
> yeah, and how about the
> "waiting by the telephone, toothpaste in my mouth blues
> she ain't ever gonna call, might as well rinse blues
> might as well shave, might as well shower
> come on momma, give us a call blues
>
> anybody interested in doing a tape swap?? David?
>
> >
> > david rhaesa
> > salina, Kansas
>
> Douglas [[headed to Lala tonight, to see my gal
>
> http://www.electriciti.com/babu/ | 0 |
> step aside, and let the man go thru | { - |
> ----> let the man go thru | /\ |
> super bon-bon (soul coughing) =========
i was talking another robert johnson song. tape swaps??? hmm. i don't
have dual cassette technology.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 15 Aug 1997 11:03:59 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Theory about Burroughs death
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Bill Gargan wrote:
>
> It's real romantic but I don't think it's true.
More likely that Fletch's death Affected him. i believe that some
research suggests more than merely a romantic connection of pets to
health.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 15 Aug 1997 10:07:09 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: patti smith list name, etc
In-Reply-To: <BEAT-L%1997081511505586@CUNYVM.CUNY.EDU>
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hey yall
i was wondering if anyone out there might be able to send me some info on
how to subscribe to the patti smith list that i read so much about in
these parts. sounds like something i should check out & if anyone out
there can help i would really appreciate it. (then again i already receive
enuf mail to keep me busy, ah well)
yrs
derek
=========================================================================
Date: Fri, 15 Aug 1997 09:22:45 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: patti smith list name, etc
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ha, my fiendish plan has worked... ;-)
but of course, I don't have the subscription info here at work
but if you head over to:
http://www.oceanstar.com/patti/
you should find all you need to know
(check under mailing list, I believe)
there's also a site-specific search engine
and while I haven't done this yet,
one should be able to conduct beat-specific
searches, Douglas
>----------
>From: Derek A. Beaulieu[SMTP:dabeauli@FREENET.CALGARY.AB.CA]
>Sent: Friday, August 15, 1997 9:07 AM
>To: BEAT-L@CUNYVM.CUNY.EDU
>Subject: patti smith list name, etc
>
>hey yall
>i was wondering if anyone out there might be able to send me some info on
>how to subscribe to the patti smith list that i read so much about in
>these parts. sounds like something i should check out & if anyone out
>there can help i would really appreciate it. (then again i already receive
>enuf mail to keep me busy, ah well)
>yrs
>derek
>
=========================================================================
Date: Fri, 15 Aug 1997 01:08:31 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Theory about Burroughs death
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RACE --- wrote:
>
> More likely that Fletch's death Affected him. i believe that some
> research suggests more than merely a romantic connection of pets to
> health.
>
> david rhaesa
> salina, Kansas
You know I thought the same exact thing when I heard Fletch had died a
couple of weeks before.
DC
=========================================================================
Date: Fri, 15 Aug 1997 10:14:58 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Theory about Burroughs death
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there's more mystery than we thought
deep caverns of pets and animals
sucking silently
oh deep tendrils, mmm sweet chastity
pent-up frustrations
harbor dwells
how many nights would I have died
without my loyal pets
<ahem> by my side?
I know my grandmother, when granddad died, lost her will to live. "No
more salt," we'd say. "No more coffee," we'd say. "Take your vitamins,
do your exercises," we'd say. And then that look in her eyes. She
wanted to die. Oh, I know that look. A succinct haiku that said fuck
you, I'm dyin.
We all cried. Who can say if this happened to WSB? I know I tried to
say that I loved her. That I'd be there for her. She didn't listen.
She died. Grandma, I miss you...
Douglas
>----------
>From: Diane Carter[SMTP:dcarter@TOGETHER.NET]
>Sent: Friday, August 15, 1997 1:08 AM
>To: BEAT-L@CUNYVM.CUNY.EDU
>Subject: Re: Theory about Burroughs death
>
>RACE --- wrote:
>>
>> More likely that Fletch's death Affected him. i believe that some
>> research suggests more than merely a romantic connection of pets to
>> health.
>>
>> david rhaesa
>> salina, Kansas
>
>You know I thought the same exact thing when I heard Fletch had died a
>couple of weeks before.
>DC
>
=========================================================================
Date: Fri, 15 Aug 1997 11:08:31 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>
Subject: Searching
In-Reply-To: <33F31314.2157@together.net>
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My thanks to all who have taken the time to give me a little info as I
start an investigation that I hope continues for a very long time.
Many of you have taken a minute to share things that you have been drawn
to. That is exactly what I was looking for. Diane's post re: the
spiritual "motivations" of the beats is primarily why I shared my
question with the list.
My search for inhanced spirituality (and isn't it a shame that words do
very little to elaborate on what that may mean) is not limited to my
finding a "religion" in which to drown my sense of self. I have already
been exposed to that and in fact, that type of education in early life
separated me from any spiritual pursuits thus far.
I don't like using terms that seem to over define what I'm doing. I have
reached a point where I want to feel more alive... different levels. I've
had musical suggestions as well as text. All of things make up the
components of what I believe to be a full sensual life. Hell, if someone
suggested a great restaurant I'd give that a thought too. Nobody can
place someone's hand in the grasp of "god", but people on this list have
a knack for openness which I believe to be first and foremost the most
important aspect of spirituality. It's a search, a process. Thanks again
to those of you with the heart to share the two cents.
My question helped me to devour a bunch of pages of on the road last
night. Maybe I am becomming more open as well.
-shannon (nights thick with rain and electricity, temperatures going
down, expectations for a desert colorless yet joyful fall ahead...)
=========================================================================
Date: Fri, 15 Aug 1997 14:22:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>
Subject: see ya later
i hope i'm doing this right.
unsubcribe beat-L__rebecca last
=========================================================================
Date: Fri, 15 Aug 1997 14:34:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Theory about Burroughs death
In-Reply-To: <Pine.SUN.3.91-FP.970815113103.11569A-100000@cap1.capaccess.org>
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On Fri, 15 Aug 1997, Richard Wallner wrote:
> Heard an interesting theory about Burroughs death. Specifically, it has
> been theorized that he lost his will to live, because the great love of
> his life (at least in his mind) was Allen Ginsberg and Allen died a few
> months earlier. And so he lost the will to live.
Recently lost one of his cats, too, though I suspect others more close to
him will have more to say on this subject. In retrospect, I do think it odd
that I chose a sample of his ("When death becomes you...") as part of my
contribution to a net-based tape loop project going on in the weeks just
before his death. All those unsuspecting tape recorders playing this
message, just before he died -- hmm, I wonder if he would have gotten a kick
out of that.
=========================================================================
Date: Fri, 15 Aug 1997 11:55:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: see ya later
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At 02:22 PM 8/15/97 -0400, you wrote:
>i hope i'm doing this right.
>
>unsubcribe beat-L__rebecca last
>
>
No.
I believe you need to send it to listserv@cunyvm.cuny.edu
also don't put in the __
you'd send
unsubscribe beat-l Rebecca Last
=========================================================================
Date: Fri, 15 Aug 1997 15:00:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Burroughs and Ginsberg
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Regarding the speculation about Burroughs loving Ginsberg, the diary entries
in the New Yorker offer some interesting grist for this mill.
May 5, Monday
Allen died April 5, 1997.
Is it not fine to
Dance and Sing
While the bell of
Death do ring?
Turn on the toe
Sing out Hey Nanny Noo
If I should die think only this of me. That there's some corner of a foreign
field that is forever: Tangier; Mexico, D.F.; St. Louis, Mo.;...........
So why bother? You are old, Father William. Why stand on your head?
June 4, Wednesday
"J'aime ces types vicieux, qu'ici montrent la bite." I like the vicious
types who show the cock here. Anonymous, outside pissoir in Paris.
"Is it not fine to dance and sing while the bells of death do ring to turn
on toe and sing hey nanny noo." Yes I love life in all its variety but at
last the bell ringeth to eventide.
No mention of Fletch....who was one of his cats?
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 12:34:06 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: see ya later
----------
From: FIRST_Rebecca LAST_ Last[SMTP:Becca91894@AOL.COM]
Sent: Friday, August 15, 1997 11:22 AM
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: see ya later
i hope i'm doing this right.
unsubcribe beat-L__rebecca last
.-
begin 600 WINMAIL.DAT
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"9L<`
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end
=========================================================================
Date: Fri, 15 Aug 1997 16:29:52 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Please Mr. Johnson
Comments: To: jwhite333@sprintmail.com
Thanks Bentz
Read yr post at the right moment. thanks. Robert Johnson always there.'ve
been playing that old bobbie=sox juncky, Chet Baker's songs over and over
today. "there will never be another you," "I get along without you very well
(of course I do)"... and "My Buddy" My Funny Valentine." I'm trying to kick
everything, today. Even Love. I've been drinking a bile cat's claw tea bark
and diet coke mixture. Not as bad as peyote juice though. The idea is to have
some nasty to remind me of the toxins i put in my system. I'm also drinking
"Ensure" which Beat-l member Mike supplied me (many). It tastes like
decontaminated, processes and sweetened baby shit! The idea of all this taste
and stomach distress, is, I guess, so my heart will direct its pity to my
guts!!!!!!! Now there's one for you. Anyway, I decided only a aged
suicidal maniac would listen to Chet Baker over and over, so I'll find my
Robert Johnson. Or maybe Mississippi Joe Callicot.."You don't know my
mind"..Ya
Charles Plymell
=========================================================================
Date: Fri, 15 Aug 1997 16:55:35 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Sun Lao Tze
By God that Tuscon heat is enough to do it every time! I used to take Peyote
there in my ritual northest of town out toward that facade cowboy town. Walk
out there barefoot an lie on a rock. The stone is cold and moist in
its manifest part, and in its hidden part is hot and dry
Seek the coldness of the moon and you shall find the heat of the sun.
C. Plymell
=========================================================================
Date: Fri, 15 Aug 1997 17:00:05 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Please Mr. Johnson
In a message dated 97-08-15 06:45:39 EDT, you write:
<< lets not forget the "i followed her to the station with suitcase in my
hand - love in vain" blues . . .
>>
Ah yes, and "I keep folding up inside just like the clothes I'm folding"
-George Jones
=========================================================================
Date: Fri, 15 Aug 1997 17:05:23 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Please Mr. Johnson
"Every time I pack ,I doulbe up inside just like the clothes I'm folding/"
was the line from George Jones
C. Plymell
=========================================================================
Date: Fri, 15 Aug 1997 17:17:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Please Mr. Johnson
In a message dated 97-08-15 13:00:15 EDT, you write:
<<
anybody interested in doing a tape swap?? David? >>
Oh yeah..why didn't you tell me in lawrence, and i'd have dumped a whole
bunch of never to be assembled again rarities.. cp
=========================================================================
Date: Fri, 15 Aug 1997 17:22:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: in search of western lands
The number of dead animals on the road is something i've been remorsing with
too, it's a sign
as far as C.C. right on. Finkout.
C. Plymell
=========================================================================
Date: Fri, 15 Aug 1997 17:48:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Please Mr. Johnson
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Pamela Beach Plymell wrote:
> Thanks Bentz
> Read yr post at the right moment. thanks. Robert Johnson always
> there.'ve
> been playing that old bobbie=sox juncky, Chet Baker's songs over and
> over
> today. "there will never be another you," "I get along without you
> very well
> (of course I do)"... and "My Buddy" My Funny Valentine." I'm trying
> to kick
> everything, today. Even Love. I've been drinking a bile cat's claw tea
> bark
> and diet coke mixture. Not as bad as peyote juice though. The idea is
> to have
> some nasty to remind me of the toxins i put in my system. I'm also
> drinking
> "Ensure" which Beat-l member Mike supplied me (many). It tastes like
> decontaminated, processes and sweetened baby shit! The idea of all
> this taste
> and stomach distress, is, I guess, so my heart will direct its pity to
> my
> guts!!!!!!! Now there's one for you. Anyway, I decided only a aged
> suicidal maniac would listen to Chet Baker over and over, so I'll find
> my
> Robert Johnson. Or maybe Mississippi Joe Callicot.."You don't know my
> mind"..Ya
>
> Charles Plymell
Charles:
I must say that I enjoy your company, even on the www. I hope to visit
with you one day. But, I will bring my own food!!!!!!!!!!!!!!!!! Try
some Colt 45 or Country Club Malt liquor. That will knock it out, and
cold. Me, I take a Bud or a Beck's these days.
Going down the road feeling bad,
Going down the road feeling bad,
Going down the road feeling bad, Lord Lord,
Ain't gonna be treated thisaway.
She can break in on a dollar most anywhere she goes
And from the Alpha of the Allman Brothers:
I fell like I been tied to the whipping post,
Good lord I feel like I'm dying.
And from the Omega of the Allman Brothers:
Nobody left to run with anymore.
Figure you can feel both of those blues. Take a listen,
And damn, how can your system tolerate that much Chet. He was a sad sad
case, beautiful and could play, but sad, sad sad.
Allmans one more time:
Just one more morning,
I've got to wake up with the blues,
Get my self together,
And put on my walking shoes,
Cause I hunger
For those dreams, I've never seen.
And to my main man Van Morrison:
Call me up in dream land,
Radio to me Sam,
Get your message to me
Any way you can,
Never to grow old,
On the saxaphone,
In my own words:
Death's Hand is a Loser
(For Patricia and Charles who have lost a friend.)
(For Richard who has lost a blues man.)
When the cards are dealt,
Death's hand is a loser.
And loss is with us.
Beyond this we can not say.
But have you seen death alive?
No. The losing hand.
And what is that.
It is loss.
And what is that.
Loss is gone,
But you're here.
Loss is selfish,
What you're missing.
Loss is true,
What you need.
Loss is false,
The illusion.
Loss is hurt,
Part is gone.
Loss is maddness,
Unresolved, broken.
Loss is death,
Part of you too.
Loss is gain,
Winter blends to Spring.
Loss is broken,
Knowing feelings never come again.
Loss is us,
Born to die to birth again.
A touch, a glance,
A calm reassurance.
A certainty, now uncertain.
A feeling spinning thorough cosmic dust.
Creating, playing, play on.
Play on jazz man,
Play on blues man,
Play on Chet,
Rave on Charles,
Rave on madman,
Rave on Charles,
Rave on Angel,
Rave on Buddy Holly,
Rave on P,
Rave on sunflowers,
Rave on cats,
Rave on James,
Rave on Bill,
Rave on Allen,
Rave on Jack,
Rave on Neal,
Rave on Junkie,
Rave on Junky,
Rave on Bull Lee,
Rave on Sherri,
Rave on James,
Rave on Charles,
Rave on Arthur,
Rave on Roland Kirk,
Rave on Richard,
Rave on Luther,
Rave on Miles,
Rave on Train,
Rave on Jesus,
Rave on Judas,
Rave, rave, rave, rave, rant, rave, rave, rave, rave,
Rave on me.
Take care,
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 18:02:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Re: Please Mr. Johnson
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Content-Transfer-Encoding: 7BIT
MIME-Version: 1.0 (WebTV)
Hello Bentz:
somewhere in between reading your last
post ("Death's hand is a loser...") and
listening to Blonde On Blonde I managed
to see a bright side to....things.
Here's to a great weekend-to
you and everyone on the list.
Chimera
=========================================================================
Date: Fri, 15 Aug 1997 15:04:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: in search of western lands
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7bit
C wrote:
><<The number of dead animals on the road is something i've been remorsing
>with too, it's a sign
>as far as C.C. right on. Finkout.
>>
you're being poetic cryptic again, Charles. p l e a s e translate.
the C.C. part reminds me of broken headlights...
>> C. Plymell
Douglas
=========================================================================
Date: Fri, 15 Aug 1997 16:17:44 -0600
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From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: ferling, etc
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yall
i was just wondering if anyone knew when ferlinghetti's newest book of
poems was due (wasnt there some talk about him writing a book of poems
that was a "reply" (or something along those lines) to _a coney island of
the mind_?) also- is he witing or solely involved with painting/sketching
(which i understand he's emphasizing these days) and running city lights?
thanks for info, etc
bahoo.
yrs
derek
=========================================================================
Date: Fri, 15 Aug 1997 18:14:29 -0400
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From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Carl Jung prophesy c/o Burroughs
from Albany, NY September, 1909
Everything is too big, too immeasurable. Something that has gradually been
dawning upon me in the past few days is the recognition that here an ideal
potentiality of life has become reality. Men are as well off here as the
culture permits; women badly off. We have seen things here that inspire
enthusiastic admiration, and things that make one ponder social evolution
deeply. As far as technological culture is concerned, we lag miles behind
America. But all that is frightfully costly and already carries the germ of
the end in itself. -- Carl Jung - Memories, Dreams, Reflections
Charles Plymell
=========================================================================
Date: Fri, 15 Aug 1997 15:28:36 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Please Mr. Johnson, Hand Me a Winner
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Bentz, I've remixed your poem.
This goes against all conventions, I know. and I'm sorry if this
version offends you in any way. I like the hustler card game images,
the ranting and raving, the thrufare reethum of it all. Let me know
what you think. Since, Douglas
+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
R Bentz writ,
runner mixed:
(v8/15/97)
>In my own words: <ahem>
>
>Death's Hand is a Loser
>(For Patricia and Charles who have lost a friend.)
>(For Richard who has lost a blues man.)
>When loss is with us
we can not say
>the cards are dealt,
>Death's hand is a loser.
>And .
>Beyond this .
The losing hand is what
>No. .
>And It is that loss.
hav[ing] seen death alive
>But you ?
>
>And what is that.
>Loss is gone,
>But you're here.
>Loss is selfish,
>What you're missing.
>Loss is true,
>What you need.
>Loss is false,
>The illusion.
>Loss is hurt,
>Part is gone.
>Unresolved, broken.
>Loss is Loss is Loss is
>Loss is
>Loss is us,
>
maddness,
death,
Part of you too.
gain,
broken,
>Winter blends to Spring.
>Knowing feelings never come again.
>Born to die to birth again.
>A touch, a glance,
>A calm reassurance.
>A certainty, now uncertain.
>A feeling spinning thorough cosmic dust.
>Creating, playing, play on.
Rave on
>Play on Play on Play on
>
> jazz man,
> Chet,
> blues man,
>Rave on Rave on Rave on
>
> Charles,
> madman,
> Charles,
>Rave on
>Angel, P, Buddy Holly,
>
>
>Rave on
>Rave on
>Rave on sunflowers, cats,
>Rave on
>Rave on James,
>Rave on Bill,
>Rave on
> Allen,
> Jack,
Neal,
Junkie,
> Junky,
Rave on Bull Lee,
>Rave on
>Rave on
>Rave on
>Rave on Sherri,
>Rave on James,
>Rave on Charles,
>Rave on Arthur,
>Rave
>on Roland Kirk,
> Richard,
> Luther,
> Miles,
> Rave on Train,
>Rave on Jesus,
>Judas, (Rave on)
>
>Rave, rave, rave, rave, rant, rave, rave, rave, rave,
>Rave on me.
(Rave on Rave on Rave on )
>
>
>
=========================================================================
Date: Fri, 15 Aug 1997 15:31:51 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: green tit
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from Last Words (New Yorker p37):
<<
May 24, Saturday,
[snip] A few drags on the green tit and I can see multiple ways out and
beyond. so why all this head on this harmless and rewarding substance?
>>
problem I have with marijuana is that it occasionally leaves me
jellyfish, pocked with enough holes I feel beehived. sure it brings the
rain, eases the pain, and generally lights up my life. sure. then
there are days that that suffer upon fools their fate.
and talking to people, fixating on objects outside the self. walking
around with my hands high low. the air parting my lips in stuttered
thoughts. just another asshole flapping his lips, I figure.
that's what's wrong, Mr. Burroughs.
Douglas
=========================================================================
Date: Fri, 15 Aug 1997 18:35:59 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Please Mr. Johnson, Hand Me a Winner
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Douglas:
Thank you. Does this qualify as a cut up?
Penn, Douglas, K wrote:
> Bentz, I've remixed your poem.
>
> This goes against all conventions, I know. and I'm sorry if this
> version offends you in any way. I like the hustler card game images,
> the ranting and raving, the thrufare reethum of it all. Let me know
> what you think. Since, Douglas
>
> +_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
>
> R Bentz writ,
> runner mixed:
> (v8/15/97)
>
> >In my own words: <ahem>
> >
> >Death's Hand is a Loser
> >(For Patricia and Charles who have lost a friend.)
> >(For Richard who has lost a blues man.)
>
> >When loss is with us
> we can not say
> >the cards are dealt,
> >Death's hand is a loser.
>
> >And .
> >Beyond this .
> The losing hand is what
> >No. .
> >And It is that loss.
> hav[ing] seen death alive
> >But you ?
> >
> >And what is that.
> >Loss is gone,
> >But you're here.
> >Loss is selfish,
> >What you're missing.
> >Loss is true,
> >What you need.
> >Loss is false,
> >The illusion.
> >Loss is hurt,
> >Part is gone.
>
> >Unresolved, broken.
>
> >Loss is Loss is Loss is
> >Loss is
> >Loss is us,
> >
> maddness,
> death,
> Part of you too.
> gain,
> broken,
>
> >Winter blends to Spring.
> >Knowing feelings never come again.
> >Born to die to birth again.
> >A touch, a glance,
> >A calm reassurance.
> >A certainty, now uncertain.
> >A feeling spinning thorough cosmic dust.
> >Creating, playing, play on.
> Rave on
>
> >Play on Play on Play on
> >
> > jazz man,
> > Chet,
> > blues man,
>
> >Rave on Rave on Rave on
> >
> > Charles,
> > madman,
> > Charles,
>
> >Rave on
>
> >Angel, P, Buddy Holly,
> >
> >
> >Rave on
>
> >Rave on
>
> >Rave on sunflowers, cats,
> >Rave on
> >Rave on James,
> >Rave on Bill,
>
> >Rave on
>
> > Allen,
> > Jack,
> Neal,
> Junkie,
> > Junky,
> Rave on Bull Lee,
>
> >Rave on
> >Rave on
> >Rave on
> >Rave on Sherri,
> >Rave on James,
> >Rave on Charles,
> >Rave on Arthur,
>
> >Rave
>
> >on Roland Kirk,
> > Richard,
> > Luther,
> > Miles,
> > Rave on Train,
>
> >Rave on Jesus,
> >Judas, (Rave on)
> >
> >Rave, rave, rave, rave, rant, rave, rave, rave, rave,
> >Rave on me.
> (Rave on Rave on Rave on )
> >
> >
> >
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 15:49:28 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Please Mr. Johnson, Hand Me a Winner
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Bentz writ:
<<
>Douglas:
>
>Thank you. Does this qualify as a cut up?
>>
or a fuckup. Stole the idea from my friend Annabelle who did the same
thing to me once. Took my email and snipped and tucked it into a new
machine. Have been reading a little bit more about surrealism recently,
but haven't really absorbed anything that would allow me to be
definitive regarding a name for this process.
cut-up works.
have a bunch of those magnet poem words on my fridge. can't figure out
for the life of me what to do with em. On other people's fridges, they
are easy to spit and parse. But my own works.... so, I steal and
borrow and beg my influences most of the time. If anything, if you take
a given work and dice it up like I did yours, then you have to figure
out what to do with all the *extra* pieces. As well, when you <ahem>
deconstruct a work, you get a chance --as that anarchist's WSB .sig
says-- to see what message the recorder was playin.
and I'm still rereading both versions. goin for the big picture. glad
you liked it. Was a bit worried how you'd receive. Now if only we
could put it to music.... a fast, choppy chorus <perhaps> with lots of
bridges and transitions, but but .... with a really cool Leonard Cohen
"hallelujah" overall feel to it. ???
Douglas
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=
>Penn, Douglas, K wrote:
>
>> Bentz, I've remixed your poem.
>>
>
=========================================================================
Date: Fri, 15 Aug 1997 18:56:35 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Please Mr. Johnson, Hand Me a Winner
MIME-Version: 1.0
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Penn, Douglas, K wrote:
> Bentz writ:
>
> <<
> >Douglas:
> >
> >Thank you. Does this qualify as a cut up?
> >>
>
> or a fuckup. Stole the idea from my friend Annabelle who did the same
>
> thing to me once. Took my email and snipped and tucked it into a new
> machine. Have been reading a little bit more about surrealism
> recently,
> but haven't really absorbed anything that would allow me to be
> definitive regarding a name for this process.
>
> cut-up works.
>
> have a bunch of those magnet poem words on my fridge. can't figure
> out
> for the life of me what to do with em. On other people's fridges,
> they
> are easy to spit and parse. But my own works.... so, I steal and
> borrow and beg my influences most of the time. If anything, if you
> take
> a given work and dice it up like I did yours, then you have to figure
> out what to do with all the *extra* pieces. As well, when you <ahem>
> deconstruct a work, you get a chance --as that anarchist's WSB .sig
> says-- to see what message the recorder was playin.
>
> and I'm still rereading both versions. goin for the big picture.
> glad
> you liked it. Was a bit worried how you'd receive. Now if only we
> could put it to music.... a fast, choppy chorus <perhaps> with lots of
>
> bridges and transitions, but but .... with a really cool Leonard Cohen
>
> "hallelujah" overall feel to it. ???
>
> Douglas
Maybe kind of like "So Long Marianne"?
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 19:02:13 -0400
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From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: Re: ferling, etc
Derek et al -
The Ferlinghetti book you mention is already out -
It's a hardcover titled "A Far Rockaway of the Heart" from New Directions.
The price is $21.95. (shipping included) -
We've got plenty of copies in stock -
Jeffrey
Water Row Books
Did you get your Beat-L T-shirt yet?
=========================================================================
Date: Fri, 15 Aug 1997 16:08:37 -0700
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From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Please Mr. Johnson, Hand Me a Winner
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Bentz wrote:
>> Maybe kind of like "So Long Marianne"?
Don't know that one. Why don't you hum a few bars. Hell, if we lived
closer, we could probably burn a few bars, cutup style. We'll give CP
some peyote and make him drive ;-) <<wicked evil grin>>
> Douglas
>--
>
>Peace,
>
>Bentz
>bocelts@scsn.net
>http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 20:03:20 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Please Mr. Johnson
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...or "We didn't know what to call it
So we called it quits...."
Antoine
**************
>In a message dated 97-08-15 06:45:39 EDT, you write:
>
><< lets not forget the "i followed her to the station with suitcase in my
> hand - love in vain" blues . . .
> >>
>Ah yes, and "I keep folding up inside just like the clothes I'm folding"
>-George Jones
>
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 20:47:20 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Slim Gaillard and Jack...and the hipsters
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Thought the text further on was a great description of Kerouac:
I've read the parts in "On The Road" that refer to Jack and Neal
watching Slim Gaillard in clubs, so it was interesting finding this
interview, with Slim talking about Jackl. Anyone who hasn't had a chance to
hear him on record, search him out.
He was one of a small group of unique performers that straddled the
Bebop / Beat era. They included Harry 'the Hipster' Gibson, Richard 'Lord'
Buckley, Babs Gonzales, Leo Watson, Lenny Bruce, King Pleasure cooking up a
melange of songs, spoken word, great performance, vocalese, scat....all
intersecting with each other.
These quotes are from a large format paperback pictorial called "The Hip:
Hipsters, Jazz and the Beat Generation". Published in England in 1986 by
Faber & Faber; written by three well known English music journalists, Roy
Carr, Brian Case and Fred Dellar.
*****Slim Gaillard on Jack Kerouac**********
'Having Jack write about me in "On The Road" is a nice thing to have on your
report card.
'He was a great listener=85really admired my work...
....When I played "The Say When Club" in San Francisco, Jack showed
up every night.=85would stand with his back against the wall and while he
listened all the girls would cruise by and admire him. Between sets, I'd
stand there right next to him. We were both so sharp we made a Gillette
blade look like a hammer.
'There was one girl =97 owned two-thirds of Palm Springs =97 who'd keep=
telling
me, "Slim, you're the most fantastic guy I=92ve ever seen!" Anyway, I wasn't
about to argue=85Then, one night when I came to the club, there was a key on
the piano with my name on it. She'd gone out and bought me a brand new car
as a little token=85hey! It's good to be handsome!'
He laughed, wiped up the remains of the eggs with bread roll, and chased it
all down with a bottle of Perrier.
******from "On the Road"*******
Now Dean [Moriarty] approached him, he approached his God: he
thought Slim [Gaillard] was God: he shuffled and bowed in front of him and
asked him to join us.
'Right-orooni', says Slim; he'll join anybody but won't guarantee to
be with you in spirit. Dean got a table, bought drinks, and sat stiffly in
front of Slim. Slim dreamed over his head. Every time Slim said, 'Orooni,'
Dean said, 'Yes!'
I sat there with these two madmen. Nothing happened. To Slim
Gaillard the whole world was just one big orooni.
*******from Miles Davis*******
"There are only two men that I look up to...
Slim Gaillard and Dizzy Gillespie. Without them I wouldn't be=
playing."
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to=
do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 18:19:27 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Slim Gaillard and Jack...and the hipsters
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Cool cool post Antoine, appreciate it
all I can say is
flat foot floogie with the floy floy
(OK OK for 20 points and the lead what PBS show did our man Jack utter those
abovementioned quotes from Mr Gaillard?)
At 08:47 PM 8/15/97 -0400, you wrote:
>Thought the text further on was a great description of Kerouac:
>
> I've read the parts in "On The Road" that refer to Jack and Neal
>watching Slim Gaillard in clubs, so it was interesting finding this
>interview, with Slim talking about Jackl. Anyone who hasn't had a chance to
>hear him on record, search him out.
>
> He was one of a small group of unique performers that straddled the
>Bebop / Beat era. They included Harry 'the Hipster' Gibson, Richard 'Lord'
>Buckley, Babs Gonzales, Leo Watson, Lenny Bruce, King Pleasure cooking up a
>melange of songs, spoken word, great performance, vocalese, scat....all
>intersecting with each other.
>
>These quotes are from a large format paperback pictorial called "The Hip:
>Hipsters, Jazz and the Beat Generation". Published in England in 1986 by
>Faber & Faber; written by three well known English music journalists, Roy
>Carr, Brian Case and Fred Dellar.
>
>*****Slim Gaillard on Jack Kerouac**********
>
>'Having Jack write about me in "On The Road" is a nice thing to have on=
your
>report card.
>'He was a great listener=85really admired my work...
>
> ....When I played "The Say When Club" in San Francisco, Jack showed
>up every night.=85would stand with his back against the wall and while he
>listened all the girls would cruise by and admire him. Between sets, I'd
>stand there right next to him. We were both so sharp we made a Gillette
>blade look like a hammer.
>
>'There was one girl =97 owned two-thirds of Palm Springs =97 who'd keep=
telling
>me, "Slim, you're the most fantastic guy I=92ve ever seen!" Anyway, I=
wasn't
>about to argue=85Then, one night when I came to the club, there was a key=
on
>the piano with my name on it. She'd gone out and bought me a brand new car
>as a little token=85hey! It's good to be handsome!'
>He laughed, wiped up the remains of the eggs with bread roll, and chased it
>all down with a bottle of Perrier.
>
>******from "On the Road"*******
>
> Now Dean [Moriarty] approached him, he approached his God: he
>thought Slim [Gaillard] was God: he shuffled and bowed in front of him and
>asked him to join us.
>
> 'Right-orooni', says Slim; he'll join anybody but won't guarantee=
to
>be with you in spirit. Dean got a table, bought drinks, and sat stiffly in
>front of Slim. Slim dreamed over his head. Every time Slim said, 'Orooni,'
>Dean said, 'Yes!'
>
> I sat there with these two madmen. Nothing happened. To Slim
>Gaillard the whole world was just one big orooni.
>
>*******from Miles Davis*******
>
> "There are only two men that I look up to...
> Slim Gaillard and Dizzy Gillespie. Without them I wouldn't be=
playing."
>
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to=
do!"
> -- Norman Navrotsky and Utah Phillips
>
>
=========================================================================
Date: Fri, 15 Aug 1997 21:45:37 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Slim Gaillard and Jack...and the hipsters
Mime-Version: 1.0
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And to add to Tim's quiz...
Who was Slim's musically famous son-in-law? He even had slim on a
record of his in the 80's!
Antoine
****************
Cool cool post Antoine, appreciate it
>
>all I can say is
>
>flat foot floogie with the floy floy
>
>(OK OK for 20 points and the lead what PBS show did our man Jack utter those
>abovementioned quotes from Mr Gaillard?)
>
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 22:41:19 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Pamela Beach Plymell <CVEditions@AOL.COM>
Subject: Re: Chet and I
Comments: To: jwhite333@sprintmail.com
God, I didn't know you knew him. I used to fantasize to his music in eary
fifties. I had a vision of him beside a 48 Ford conv. with his arms around a
chick in the perfect new suburb, but always saying goodbye so beautifully
frank. That's first tip somethings happening! He sand his sad subtle songs
so mellow it can make your bones cry, the whole flower bleed.
C. Plymell
=========================================================================
Date: Fri, 15 Aug 1997 23:20:35 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Chet and I
Mime-Version: 1.0
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Charles,
Who knew him? ...have we got a hitherto unknown jazz resource on
the list?
Ross Porter of CBC: Canadian Broadcasting Corporation put together a
great three hour / three part series on Baker that aired earlier this year
and again this past three weeks. It was a great blend of music and history.
Ross does a late night jazz show five days a week on the national FM band.
He interviewed a ton of people and even went so far as to spend a
night in the hotel room in Amsterdam from where Chet fell (...or was
pushed?) to his death. He spoke to the police locally who were sure he was
probably not pushed. Ross did think that it was pretty unlikely that it was
an accident with Chet just lounging at the window since the window
construction would have made that awkward. His girlfriend seemed to think it
was probably suicide since he had been so distraught about her going back to
the States when he got to be too much to deal with.
The book I mentioned earlier tonight had a lovely section on him.
One of the writers describes bumping into Chet late one rainy night in some
town in the midlands of England. He was bent over sideways looking into a
pawnshop at a trumpet trying to see if he could make out the maker''s mark.
The cover is a great bluetone picture of Chet, tee-shirt and jacket, sitting
on a folding chair with leg, white socks, loafers, tossed up onto the next
one; a shockingly young looking Chet taken by Bob Willoughby in
1953...especially so when one is used to his appearance in later years.
In Ross Porter's series he described Chet being stopped speeding by
a highway patrol officer who was all set to slam him, but then caught sight
of some albi\ums piled in the back seat. Asked "Chester Baker? ....are you
Chet Baker??" ...and collapsed in dizzy fan frenzy.
Where did Chet stand in the Beat musical pantheon? Was he considered
not edgy enough?
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 23:20:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: about razor..Occam's
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Thanks for adding the William for me Rinaldo and for choosing such a perfect
Ferlinghetti poem as a response! Which collection is it from?
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 15 Aug 1997 19:28:31 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Lew Welch Events, New posting Format
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This am. Chron here in SF had a nice story on Lew in connection with the
releast of Magda Cregg's book on Lew which I have not yet seen. Magda
was a sig. other of Lew's and also, as a sideline, mother to Huey Lewis.
An even is happening at noon Saturday in Bolinas which I will not be
able to make. If Beat-L folks know of any others kindly backchannel me.
The new posting format appears to me to be already generating unecessary
mail that would be better backchanneled. Here is my one vote for a
return to the interim format in which backchannel is encouraged ( a good
thing in my view,) and a post to all 200+plus of us is required a little
thought.
Just my two cents.
J. Stauffer
=========================================================================
Date: Fri, 15 Aug 1997 23:33:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Chet and I
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Pamela Beach Plymell wrote:
>
> God, I didn't know you knew him. I used to fantasize to his music in
> eary
> fifties. I had a vision of him beside a 48 Ford conv. with his arms
> around a
> chick in the perfect new suburb, but always saying goodbye so
> beautifully
> frank. That's first tip somethings happening! He sand his sad subtle
> songs
> so mellow it can make your bones cry, the whole flower bleed.
> C. Plymell
Charles at the risk of losing all my Southern Manhood self image, I will
venture to say, that in addition to being able to blow the trumpet like
no one else, he was a beautiful man. I wonder if any of the women on
the list noticed his fallen angel, needing mothering, impish boy nature.
Just had to take care of him. It would be good if some one some where
would put together a real jazz sampler with all some of the best of all
those who played from the heart. Train, Chet, Miles, Dizzy, Byrd,
Charlie Christian, Wes Montgomery, at least that's where I would start.
Maybe it's out there. Tell me if you know.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 15 Aug 1997 22:33:51 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: I Guess I Didn't
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That window makes you look really ugly.
I should've told you but I guess I didn't.
That sunset is rising from the greatest depths.
I should've told you but I guess I didn't.
Wake up.
Get undressed.
You fell asleep in my dreams again.
James M.
=========================================================================
Date: Sat, 16 Aug 1997 11:04:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: The Flood of Dr. Sax
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The Kerouac Quarterly Page has been updated today (8-16-97)!!!
For details about the Images of Kerouac '97 Exhibition go to:
http://www.freeyellow.com/members/upstartcrow/page1.html
To see the painting "The Flood of Dr. Sax" go to:
http://www.freeyellow.com/members/upstartcrow/page2.html
Let me know what you think!!!! Thanks, Paul of TKQ. . .
=========================================================================
Date: Sat, 16 Aug 1997 11:00:26 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: [Fwd: Burroughs]
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Well, I have been scanning the Dylan list for some more good Burroughs
posts. And I couldn't find anymore, so the action must have died down.
But since the beats play cosmic baseball on the net, and since the
action has dwindled, I did find this fine reference to Cal Ripken and
Eddie Murray. Seems timely since Anaheim just cut Eddie.
But on the beat list question. I know, or at least believe Jack was
very much into baseball. How about Neal, or any others. It would not
seem to be Allen's or William's kind of thing. I know that James and
and few others had some good comments on Neal playing pool. Is there
any sort of information on baseball and its connection with those who
are considered beats. I personally find baseball to be a very
interesting game when seen live. On tv, it is much too long.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
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Path:
Supernews69!SupernewsFH!newsfeed.direct.ca!logbridge.uoregon.edu!zdc!szdc!newsp
.zippo.com!zdrn
From: judy
Newsgroups: rec.music.dylan
Subject: Re: Burroughs
Date: 15 Aug 1997 22:03:57 -0700
Organization: canova@hay.seed
Message-ID: <5t3cbt$s2r@drn.zippo.com>
References: <1.5.4.16.19970808102856.1b1f1c80@mail.mpx.com.au>
<19970814.195351.4391.0.steve_lescure@juno.com>
NNTP-Posting-Host: ww-ty03.proxy.aol.com
Xref: Supernews69 rec.music.dylan:90208
In article , Steve says...
>
>I would say that songwriters are certainly better judges than the typical
>music listener (Steve Earle notwithstanding), and probably better than
>the average critic. Look at baseball. When the fans picked the
>players (maybe they still do, I don't follow it much anymore) the
>choices were often ludicrious. When the
>writers/mangers picked it came out much better, less choices like
>Cal Ripken batting .250 starting at shortstop.
>
Look, it's one thing for folks in this newsgroup to take on Baez,
Burroughs, God, Ginsberg, or Calvin. But when you go after Cal Ripken,
you've crossed the line. What's next? An attack on Eddie Murray?
--------------7728E3029820A3D2CE567CEF--
=========================================================================
Date: Sat, 16 Aug 1997 14:58:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Cut up method
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>From the Beat Book, edited by Anne Waldman 1996, page 182.
The Cut-up Method of Brion Gysin
At a surrealist rally in the 1920s Tristan Tzara the man from nowhere
proposed to creat a poem on the spot by pulling words out of a hat. A
riot ensued wrecked the theater. Andre Breton expelled Tristan Tzara
from the movement and grounded the cut-ups on the Freudian couch.
In the summer of 1959 Brion Gysin painter and writer cut newspaper
articles into sections at random. "Minutes to Go" resulted from this
initial cut-up experiment. "Minutes to Go" contains unedited unchanged
cut-ups emerging as quite coherent and meaningful prose.
...
Tristam Tzara said: "Poetry is for everyone."
...
Cutups are for everyone. Anybody can make cut-ups.
This is from William S. Burroughs, The Cut-up Method of Brion Gysin
which first appeared in the "The Third Mind (c) 1978.
I was just trying to dig into some better understanding of Burroughs and
stumbled across this.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 16 Aug 1997 04:40:54 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: On the Road: first 2 chapters
Comments: cc: SSASN@AOL.COM
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Is anyone ready to discuss books yet? In rereading On the Road, I'm
noticing how much more romantic Kerouac is here about life, still in the
early stages of captivation with Neal for his love of life.
pg. 8, "...and I shambled after as I've been doing all my life after
people who interest me, because the only people for me are the mad ones,
the ones who are mad to live, mad to talk, mad to be saved, desirous of
everything at the same time, the ones who never yawn or say a commonplace
thing, but burn, burn, burn like fabolous yellow roman candles exploding
like spiders across the stars and in the middle you see the blue
centerlight pop and everybody goes 'Awww!'"
Interesting perception of Neal meeting Allen: pg. 7
"Two keen minds that they are, they took to each other at the drop of a
hat. Two piercing eyes glanced into two piercing eyes--the holy con-man
with the shining mind, and the sorrowful poetic con-man with the dark
mind that is Carlo Marx."
Also interesting to note, is even that in starting out on his first
hitchhike across the country, where his plan is to take Route 6 straight
across the country to Ely, Nevada., he has to give up because there are
no cars to pick him up, and a passerby suggests he give up the plan
and head to Pittsburg to Chicago; he says, "It was my dream that screwed
up, the stupid hearthside idea that it would be wonderful to follow one
great red line across America instead of trying various roads and
routes."
So, in his eyes, is the American dream already starting to topple? Is
the spiritual journey also begun? The fact that life is lived and
knowledge is gained by trying various roads and routes, instead of one
answer, analogous to one gigantic thoroughfare cutting through the middle
of America, but no one is on it.
DC
=========================================================================
Date: Sat, 16 Aug 1997 05:01:33 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@AOL.COM
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The most amazing thing about the beginning of Naked Lunch is the flow of
language. Very much different than Kerouac's type of flow but very
compelling from the perspective of keeping the reader interested. It
is a keen flow of dialogue that keeps things moving. As for subject
matter, mostly I've learned that the heirarchy of junk on all levels is
all-consuming and everyone is the chain is addicted to his own level, be
that user, seller, buyer, agent, etc.; the system goes in circles,
everyone is affected, infected. Not a pretty world, lots of drooling,
vomiting, spitting, nightmares about rotting ectoplasm. Also no real
sense of who I is, or where he is, except caught in a vicious cycle.
Does anyone else have a perspective about the beginning of the book?
DC
=========================================================================
Date: Sat, 16 Aug 1997 23:03:59 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: The Darkness of Buddishm.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
*-
"A man who uses Buddhism or any other instrument to
remove love from his being in order to avoid,
has committed, in my mind, a sacrilege comparable
to castration."-- William S. Burroughs' letter to Jack Kerouac.
>From "Letters of William S. Burroughs 1945-1959."
*-
"When the Vietnamese communists
took Saigon in 1975, they put their "class
enemies" into re-education camps. In
neighboring Cambodia, Pol Pot built exter-
mination camps. Techears, doctors, people
who could speak a foreing language, even
people who wore glasses, were purged as
he sought to reduce all of Cambodia to the
level of the peasant class. The Vietnamese
could be cruel captors, but their Confucian
heritage left them open to educational re-
form. In Cambodia, by contrast, Buddhism
encouraged a belief in the ineluctability
of karma and the idea that evil suffered
is evil deserved. ''The idea of karma
goes very deep in this society, and I
think that was part of the mentality of
the Khmer Rouge when they were massacring
people,'' said Francois Ponvhaud, a priest
who first went in Cambodia in 1965. '' They
believed their victims had made errors,
political errors, and that killing them
would allow them to be reborn as better
people in their next lives''. Pol Pot has
admitted to some mistakes in the period
from 1975 to 1979, but in his eyes they
were mistakes of policy. About the million
dead, he has never expressed any remorse."
From "Terry McCarthy-- TIME,AUGUST 11,1997."
*-
"I repeat, BUDDHISM IS NOT FOR THE WEST.
We must evolve our own solutions..."
-- William S. Burroughs' letter to Jack Kerouac.
>From "Letters of William S. Burroughs 1945-1959."
*-
DIED. WILLIAM BURROUGHS, 83,
countercultural hero, whose
delicioussly delirious novel,
''Naked Lunch'', was cleared
of obscenity charges by the
U.S. Supreme Court; in Lawrence,
Kansas. A literary junkie,
Burroughs was hooked on heroin
and words, which he furiously
pieced together to exorcise the
memory of having drunkenly shot
his wife Joan instead of the
glass perched on her head. Of
that stunt gone fatally wrong,
Burroughs once said: '' I have
had no choice but to write my
way out.''
From "TIME,AUGUST 18,1997.
*-
saluti fraterni,
Rinaldo.
=========================================================================
Date: Sat, 16 Aug 1997 17:14:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Smoke Signals
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Sam plays the blues
His left hand action
Could break your heart
[Dark Cipher
Show Judas mercy
He was dealt a raw hand
Shattered faith and broken connection
He took to the highway
To be born again
You need distance]
Rick pours a drink
And waits for her return
[Like a killer
Firing blanks at a photograph
He seethes
Like an infant
Being smothered by a pillow
Thinks he sees the light]
He lights a cigarette
And lets time go by
[We surrounded the fire
Dancing and ripping the flesh
Off our screaming sacrifice
Our hands covered with blood
And offal]
Ilsa's eyes still watch him at night
[Menstrual mind shaved bare
Severed ring finger
On a drift of snow
Coyly removing her shades
Tongues of flame lick the air
>From hollow eye sockets]
"I miss you, kid"
[In the apartment next door
A body is being slammed against
The wall again and again
All I do is sweat my sheets into slush
And follow the rhythm in terror]
She's always another drink away
[The knife thrower
Over there, wiping his steel
Is Anxious for his turn on stage
He makes sure these parties
Don't get over crowded]
He's always a drink behind
[Her room is gaurded by statues
Of saints, candles and prayer cards
Holy water by the door
Someone outside crying at
A lovers' breakthrough
Swallowed by black night
Playing burial drums in the street
Acceptance at her outstretched hand
I lay down
Whose lips enclosed
Whose touch could save]
Chimera
'91 (cut-ups)
=========================================================================
Date: Sat, 16 Aug 1997 23:15:02 +0200
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beat Writers.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
http://sfpl.lib.ca.us/nbe/beatwriters.html
List of Beat Writers in The Collection
The two sources used to determine if a writer/poet is to be included
in the Beat Writers Collection are: 1) A two volume set entitled "The Beats:
Literary Bohemians in Postwar America" (edited by Ann Charters. Gale. 1983).
More than a biography of 66 Beats or Beat Era writers, each entry includes an
in-depth critique of the works of an author and includes at least one
photograph and a bibliography. The six page forward written by Charters
serves as a quick socio-historical analysis of BEAT.
Poets/writers listed in this two volume set are:
Amari Baraka (Leroi Jones)
Paul Blackburn
Bonnie Bremser
Ray Bremser
Chandler Brossard
William S. Burroughs
William S. Burroughs Jr.
Paul Carroll
Carolyn Cassady
Neal Cassady
Andy Clausen
Gregory Corso
Robert Creely
Diane DiPrima
Kirby Doyle
Robert Duncan
Bob Dylan
William Everson (Brother Antonus)
Lawrence Ferlinghetti
Allen Ginsberg
Brion Gysin
John Cellon Holmes
Herbert Huncke
Ted Joans
Lenore Kandel
Bob Kaufman
Jan Kerouac
Jack kerouac
Ken Kesey
Seymour Krim
Tuli Kupferberg
Joanne Kyger
Philip Lamantia
Jay Landesman
Fran Landesman
Timothy Leary
Lawrence Lipton
Norman Mailer
Edward Marshall
Joanna McClure
Michael McClure
Taylor Mead
David Meltzer
Jack Micheline
John Montgomery
Harold Norse
Frank O'Hara
Charles Olson
Peter Orlovsky
Kenneth Patchen
Stuart Z. Perkoff
Charles Plymell
Dan Propper
Kenneth Rexroth
Michael Rumaker
Ed Sanders
Gary Snyder
Carl Solomon
Jack Spicer
Charles Upton
Janine Pommy Vega
Anne Waldman
Alan Watts
Lew Welch
Philip Whalen
John Weiners
William Carlos Williams
2) The second book is entitled
"Women of the Beat Generation" (edited by Brenda Knight.)
=========================================================================
Date: Sat, 16 Aug 1997 17:47:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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I found out quickly that the best
way to approach NL (for me) is as a
long poem, rather than a novel.
Being spoiled by mainstream
authors (hey, I was young!), I wasn't
expecting the sharp turns in the middle
of a sentence (in the middle of a thought)
or the playing with the flow of the plot.
Once you sink into the rhythm and
_expect_ high word play and serious
surreal imagery, the book comes more
easily. Anyway-just me talkin'.
As for the subject matter, even
with my limited (by comparison) drug
experience, one of the things that I was
affected by was WSB's dead on (and
heartbreaking) descriptions of the users'
denial of self (except when it comes to
scoring). The loss of shame, vanity, etc.
It seemed to me that while putting down
these scenes, all his fantastic wordplay
was put aside just for a few sentences
and he was just "putting the feeling
across, straight". All the more jarring
when he'd get up and go again.
=========================================================================
Date: Sat, 16 Aug 1997 19:53:46 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Lew Welch
Comments: To: dcarter@together.net
Bolinas 7.16.97 4pm Western Standard Time
Lew Welch Birthday party-Book party
Hey Beat List
this is my first post--
Just back from great reading, singing, dancing,
homage to Lew... Happy Birthday,
Ring of bone-
Robert Hunter the long time Greatful Dead lyricist
sang to the crowd
Magda singed copies of her new book
"Hey Lew"
People read from Lew's poems
(I got to read Taxi Suite)
All in the sweet down town
of Bolinas
ever wonder what
happened to all the hippies?
They are alive and well
in Bolinas
more poets per capita than
any where on the plant.
Also in attendance
Joann Kyger
You can get the new book
by sending $12.00 to Magda Cregg
Box 964 Bolinas CA 94924
(for those not in the know
she was married to Lew
and the mother of
Huey Lewis)
Sweet stories in the book
of Lew teaching Huey
about poetry!!
Love,
Gary Mex Glazner
Headless Buddha
http://www.well.com/user/poetmex
=========================================================================
Date: Sat, 16 Aug 1997 18:51:57 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Cut up method
In-Reply-To: <33F5F86D.548BBCEF@scsn.net>
Mime-Version: 1.0
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At 11:58 AM -0700 8/16/97, R. Bentz Kirby wrote:
> Tristam Tzara said: "Poetry is for everyone."
>
> ...
>
> Cutups are for everyone. Anybody can make cut-ups.
>
> This is from William S. Burroughs, The Cut-up Method of Brion Gysin
> which first appeared in the "The Third Mind (c) 1978.
>
> I was just trying to dig into some better understanding of Burroughs and
> stumbled across this.
driving down from Lala today. thinking about The Big Lie and how cutups,
collage, and that compacted shape shifting style familiar to david salle,
burroughs, and a whole new generation of graphic designers. Got to
thinking about how otto dix and george grosz with the depictions of post
wwI germany, their crowded political scenes are very reminsecent of my WSB
view.
to crack the big lie. to be vigilent on the truth and not be snide, not
play stupid, and to crack the commercian veneer that often surrounds such
enterprises.
yes, "people have the power" as patti smith often says. "people have the
power to dream, to rule, to wrestle the earth from fools"
and how refreshing it is to read some straight commentary, not some alien
this and hanging boy critique of capitalism art statement. props to the
New Yorker for getting ahold of those journal entries. Wonder how they
pulled that one off??
>
> Peace,
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sat, 16 Aug 1997 20:50:34 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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Diane Carter wrote:
>
> The most amazing thing about the beginning of Naked Lunch is the flow of
> language. Very much different than Kerouac's type of flow but very
> compelling from the perspective of keeping the reader interested. It
> is a keen flow of dialogue that keeps things moving. As for subject
> matter, mostly I've learned that the heirarchy of junk on all levels is
> all-consuming and everyone is the chain is addicted to his own level, be
> that user, seller, buyer, agent, etc.; the system goes in circles,
> everyone is affected, infected. Not a pretty world, lots of drooling,
> vomiting, spitting, nightmares about rotting ectoplasm. Also no real
> sense of who I is, or where he is, except caught in a vicious cycle.
> Does anyone else have a perspective about the beginning of the book?
> DC
It has been some time since i've been through this book. As i may have
mentioned i gave my william burroughs collection to a dear friend for
hannukah last winter. i felt it was time to pass it along at the time.
sometimes i have regrets - especially when specifics are being
discussed. The local library which does have a copy of Naked Lunch will
not be open until sometime later next week. Hopefully it will be
available for checkout.
In the meantime another library in town "MAGICALLY" had a copy of the
Letters 45-59 of WSB. I checked it out yesterday and have already made
it to December 1952. It is good reading and quite a warmup for moving
into Naked Lunch - as i believe Arthur had suggested previously.
One thing about what you've recognized in the opening portions of the
book is that i believe that there are many layers beyond mere junk at
work here. The nature of the vicious cycle is particularly important.
It seems to be (as i recall) that the beginning section of this book --
with minor modifications -- could be a recurring preface to most of the
works to follow with differing emphasis concerning the specifics.
Without a copy of Naked Lunch before me it is difficult to explain this
very well as i am unable to provide any textual references. What i am
suggesting also in no way is a claim that your current reading is a
misunderstanding or misconception. Rather what i'm trying to find the
words to breakthrough with here is that the beginning section can be
read as developing a far more general theory concerning addiction and
control and even Control with a capital "C". Such a reading views the
poetry of junk as a poetic example of the larger notion.
The particular kind of vicious cycle described here is a powerful
general theory which can be translated across addictions and even as far
as considering addictions to the virus of words and the control of
space/time and the addiction to finding immortality. Throughout the
writings of WSB, it always seems to me, that coming back to these
beginnings in Naked Lunch can provide a powerful lens into the future
project.
Two other comments ... it seems that it is important to view Naked
Lunch as more than a junk novel from the outset. The junk experience is
already described in some detail in Junkie/Junky (or as in the letters
simply Junk). Viewing as more than a junk novel helps discourage the
tendency to pigeonhole the writings of WSB as a junk novelist.
The second thing is that the technique employed in developing Naked
Lunch of cut-up (cut and paste, splice, word montage - whatever) both
presents a clear picture and something of a non-linear image that breaks
through pre-recordings. In reading WSB, one can merely accept the
pre-recording of the book as published or appreciate this version and
also glance around the montage of words for portraits of further
meanings yet to be exposed.
Just a few thoughts. I look forward to being able to check out the
necessary books to keep up with you on this very very soon.
david rhaesa
salina, Kansas
=========================================================================
Date: Sat, 16 Aug 1997 22:15:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Thanks to My Friends of the Beat-L
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Thanks to all those who have visited my web page for The Kerouac Quarterly.
I must solicit one thing from those who can help me. I am looking for any
current or upcoming reviews for Some of the Dharma. This is an important
publication and should be widely discussed in a controversial way. I think
you all will be surprised by its contents as I was. For now. . .I have the
negative review from Kirkus added to the page ( a page I will keep separate
for Some of the Dharma). Thanks again. . .please e-mail me your reviews
should you get them. Regards and thanks from The Kerouac Quarterly. .
.Sincerely Paul. . .
The Kerouac Quarterly, a journal for the legacy and spirit of Jack Kerouac. . .
=========================================================================
Date: Sat, 16 Aug 1997 19:22:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: Naked Lunch
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Like David, I haven't reread the novel in quite awhile. I have to agree
with his idea about how pervasive the metaphor of "junk" is throughout the
novel. A scene which has stuck in my mind since I read it, and I believe
it's in the first chapter, is when a guy approaches the narrator in the
subway (?) and the narrator immediately recognizes the guy as someone who
isn't "in the know" and who, because of this, is ready for a fleecing.
And I keep thinking about how "paranoia" is so often justified and I
wonder how truly deep the "junk" goes. Maybe I'll reread it after all.
Your's,
James M.
=========================================================================
Date: Sun, 17 Aug 1997 00:20:14 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Some of the Dharma Review
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I have posted on another page at my web site a review for Some of the Dharma.
http://www.freeyellow.com/members/upstartcrow/page3.html
Enjoy and respond! Regards to all, Paul of TKQ. . .
=========================================================================
Date: Sat, 16 Aug 1997 21:34:09 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
In-Reply-To: <33F658EA.50E2@midusa.net>
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At 6:50 PM -0700 8/16/97, RACE --- wrote:
> The particular kind of vicious cycle described here is a powerful
> general theory which can be translated across addictions and even as far
> as considering addictions to the virus of words and the control of
> space/time and the addiction to finding immortality. Throughout the
> writings of WSB, it always seems to me, that coming back to these
> beginnings in Naked Lunch can provide a powerful lens into the future
> project.
Ok, cool. Was watching tv tonight, "Valmont." This psycho thriller of
sorts, involving love, death, manipulation, and in the end, "the viscious
circle". And we see it all planned out. down to the details. Human
beings controling the outcome of events. Mixed this all up with my working
WSB ideas of the "big lie."
Went to the bookstore today and came up with "the western lands." They
didn't have the WSB letters book, nor the Umberto Eco I was looking for.
Got a S. Dali compendium for $6 (quite a steal!).
also realized the you can translate the control, the viscious cycle you
are talking about into visual terms as well. That's where the green tit
comes in handy, I guess. The Gaze!
then from what your talking about, don't forget what an old carny WSB is.
I liked how Eric Blanco talked about WSB and his few true sentences. And
seeing him start, jarringly, up again. The lure to keep the carny suspect
hooked.
and from "Valmont" realizing that your own actions are possibly not enough
to prevent the big lie from happening again. that lies are necessary, that
love is not always fulfilled, and the harm might willingly be caused to
others. Needing people to respect and violate these personal laws.
then death, how it works. death is indeed the seed. burrowing down deep
like the fucking fleas in my apartment. bring the heat and my blood is
ripe for the picking.
http://www.electriciti.com/babu/images/Big_lie.html
> david rhaesa
> salina, Kansas
Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sat, 16 Aug 1997 22:49:11 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: green tit (1997)
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http://www.electriciti.com/babu/images/Green_tit.html
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sun, 17 Aug 1997 10:17:28 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Lawrence Ferlinghetti, the Prevert of America...
In-Reply-To: <BEAT-L%1997081523204008@CUNYVM.CUNY.EDU>
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Antoine et al. friends,
the Ferlinghetti's poem "Walking through the University of Bologna"
is printed in the book
"Ferlinghetti, SCENE ITALIANE", ed. Minum fax, (c) 1995, Roma
in the cover a Ferlinghetti's painting titled "Morning Vision",
in previous post i noticed thet Jeffrey Weinberg <Waterrow@AOL.COM>
have alot of books in stock i dunno if he has a copy of "Italian Scenes"
by LF,
saluti a tutti, e buona domenica,
Rinaldo.
At 23.20 15/08/97 -0400, Antoine wrote:
>Thanks for adding the William for me Rinaldo and for choosing such a perfect
>Ferlinghetti poem as a response! Which collection is it from?
>
> Antoine
=========================================================================
Date: Sun, 17 Aug 1997 04:28:41 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Lowell Kerouac organizers
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At 11:41 PM 8/14/97 -0400, you wrote:
>I have ended this kind of crap! It went out with greasy funded french fries.
>Who wants to see Kerouac's Lowell in that kind of crowd, anyway?
>C. Plymell
>
>
The Hemingway ancestors have ceased control of the Papa
image in Key West and are trying to the get the annual
event to pay them (the Hem foundation)tribute for using
the Hem image, etc. If Kerouac's relatives want to make
a case which makes all public beat knowledge accessible to
them. It could be the Dow is starting to shift downers.
Mike Rice
=========================================================================
Date: Sun, 17 Aug 1997 05:02:56 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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runner wrote:
> Mixed this all up with my working
> WSB ideas of the "big lie."
>
> http://www.electriciti.com/babu/images/Big_lie.html
>
> Douglas
>
> http://www.electriciti.com/babu/
I'm not certain that "lie" is it. Unless the Lie is in only one angle
on truth. It doesn't seem to me a particularly moralish notion as Lie
sometimes suggests - what constitutes the Big Lie is factually accurate
from a particular point of view, from a particular angle. What is
exposed is the multiplicity of angles.
i like your montage/collage. it reminded me of an old friends stuff
that he used to send through the mail - addressing the backside of
something like that to friends.
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 17 Aug 1997 05:06:11 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch
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James William Marshall wrote:
>
> Like David, I haven't reread the novel in quite awhile. I have to agree
> with his idea about how pervasive the metaphor of "junk" is throughout the
> novel. A scene which has stuck in my mind since I read it, and I believe
> it's in the first chapter, is when a guy approaches the narrator in the
> subway (?) and the narrator immediately recognizes the guy as someone who
> isn't "in the know" and who, because of this, is ready for a fleecing.
> And I keep thinking about how "paranoia" is so often justified and I
> wonder how truly deep the "junk" goes. Maybe I'll reread it after all.
>
> Your's,
> James M.
i wasn't going to re-read it. i felt like - been there, done that. but
i know that i missed so many angles along the way in first readings and
the idea of reading it with others seems a nice idea. i hope you decide
to read it.
this and the message to douglas are probably examples of what just as
well might be backchanneled ... i fall easily into the trap that the new
format creates and James Stauffer so elegantly slammed.
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 17 Aug 1997 07:14:11 EDT
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>
Comments: Originally-From: Matthias_Schneider
<magrobi@mail.zedat.fu-berlin.de>
From: Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>
Subject: Burroughs/ Ginsberg and David Leavitt
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Hi,
thanks for helping me with the citation search the other day...
=2E..by the way, I am studying the Text The Lost Language of Cranes by David
Leavitt for my thesis and there are at least two references concerning
Ginsberg und Burroughs.
(1.) a rather middle-class gay couple distance themselves from Ginsberg=B4s
social life
(2.) there is a scene in which one of the protagonists (Philip) is in a
porn theatre an he has sex with a guy, although he does not want it until
"the strange man=B4s hand unzips Philip=B4s and BURROWS into him."
I wonder whether the verb "burrows into" (It sounds like "Burroughs,
doesn=B4t it?) is a textual reference to Naked Lunch to what happened to the
boys. I have not read Naked Lunch yet, but as far as I know they are kind
of raped and die at the end of the story. Is there any other term (that is
perhaps more often used) that describes fellatio, instead of to "burrow
into".
I guess David Leavitt is pretty anti-beat.
Do you think the latter clue has any sense, or am I overreading? I would be
grateful for any comments.
Matthias Schneider (Berlin)
=========================================================================
Date: Sun, 17 Aug 1997 13:49:48 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: la Repubblica quoted Wall Street Journal WSB's obituary
In-Reply-To: <33EFFFC8.5258@buchenroth.com>
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At 23.16 11/08/97 -0700,
"Michael L. Buchenroth" <mike@BUCHENROTH.COM> wrote:
>Last Saturday morning (Friday night) I read an article / bio / slam /
>insulting and frightening propaganda bullshit narrowly filtered opinion
>in the "Wall Street Journal" about Burroughs and the Beats, etc.
>***
[snipped for brevity]
>
Friends,
the newspaper "la Repubblica", printed in Rome (the 2th most
big newspaper in Italy) today sunday 17th august 1997, has quoted the
Wall Street Journal article concerned the William S. Burroughs' obituary.
*********************************************
Dopo i misurati elogi della stampa "liberal",
il "Wall Street Journal" parte all'attacco.
BURROUGHS, L'AMERICA SI DIVIDE
di Eugenio Occorsio
Era inevitabile che l'America giungesse ad un
''redde rationem'' con William Burroughs, il
controverso profeta della beat generation morto
di infarto il 2 agosto nel Kansas appena quattro
mesi dopo l'altro ''poeta maledetto'' Allen
Ginsberg. E' un processo tortuoso e sofferto,
questa rivisitazione della figura dell'autore
di ''Naked Lunch'', che si sta consumando in
questi giorni insieme alle celebrazioni di
Elvis Presley: il New York Times ha pubblicato
un obituary volutamente asettico e didascalico
pur definendolo ''scrittore rinnegato'', il
Washington Post lo ha definito senza mezzi termini
''una genuina icona culturale'', il Los Angeles Times-
citando peraltro i tanti ammiratori da Norman
Mailer a Lou Reed- ha riferito con piu' convinzione
nei giorni successivi le serrate critiche che lo
dipingevano come un ''ciarlatano incomprensibile''.
Ma e' soprattutto il Wall Street Journal, ultimo ma
non minore, a scagliarsi non solo contro questo
''debosciato pornografo'' ma anche contro il resto
della stampa americana, ''che lo ha trattato come fosse
un'importante figura letteraria''.
''Burroughs, come prima di lui Kerouac- scrive
ora il quotidiano- commetteva, fra le tante, una
mistificazione: diceva di ispirarsi allo scrittore
Jonathan Swift, per i suoi toni satirici e disincantati.
Nulla di piu' sbagliato: Swift prende le distanze
dalle aberrazioni e dalla degradazione che dipingeva,
Burroughs invece vi e' immerso dentro. E' un opportunista
che si autodefinisce ironico solo perche' cosi' cerca
di proteggersi contro le azioni legali a suo carico
per oscenita' ''. A differenza di Swift, ''non ha
nessun ideale da contrapporre alle brutture che descrive''.
Certo aggiunge il Journal, Burroughs, come gli altri
Beats, ha lasciato il segno nella cultura americana e
ha contribuito ad infrangere il muro di "reticente
sensibilita'" che circondava la pornografia. E la sua
"religione della droga" ha fatto si' che di questa si
riuscisse a parlare con minore reticenze. Ma il tutto
''non ha rappresentato un successo, bensi' una penosa
degenerazione''.
copyright "la Repubblica" domenica 17 agosto 1997, p.34
*******************************************************
i must note that in the italian media (Tv & Press) WSB isn't caned,
here there's an acceptance of the beat experience,
Rinaldo.
=========================================================================
Date: Sun, 17 Aug 1997 05:23:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: New Format
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
What's the deal with the new format? Are we supposed to be doing
something differently? I'd backchannel this to Bill but I don't have his
address. My apologies for wasting bandwidth but perhaps there are others
with the same questions.
P.S. I haven't noticed any difference in my mail from this list.
James M.
=========================================================================
Date: Sun, 17 Aug 1997 11:03:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Burroughs and musical influences
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After someone dies, everything is written in the context of the fact that=
he
is dead. All writings about Burroughs and Ginsberg now have an obituary f=
eel
to them. These days, obituary feels hyped, forced, politically correct. S=
o I
was interested to find these three older music reviews at Rolling Stone's
website (http://www.rollingstone.com), written about three distinct music=
al
contributions, as disparate as night and day, written at various times wh=
ile
William was still alive.
His influence is named, rather than claimed, in these reviews. I thought =
a
bunch of us might enjoy them.=20
The last sentence of the Iggy Pop review is a great philosophical stateme=
nt
that must have been intimately understood both by WSB and Kurt Cobain. Ma=
ybe
it should a tattoo inside the elbow-joint of everyone making art with wor=
ds
and music in the nihilistic Nineties, right where that vein pops up.
Diane De Rooy
........................
Clear
Bomb the Bass
In 1988, Tim Simenon was a teenage DJ making cut-and-paste hip-hop single=
s in
the style of fellow English mix masters Coldcut, S'Express and M/A/R/R/S.=
His
first single, "Beat Dis," was intended to be a simple, faceless dance rec=
ord,
but it wound up catapulting Simenon into Britain's suffocating pop spotli=
ght.
By 1993, the DJ and producer had released two albums in Britain, "Into th=
e
Dragon" and "Unknown Territory," as Bomb the Bass.
Simenon has returned with his third Bomb the Bass album, "Clear," and it
demonstrates just how far he has come since those early days. The novelty=
of
samplers has apparently worn off for Simenon, and what has emerged is a
proficient sweep through dub reggae, hip-hop, jazz, techno and the litera=
ry
collection of William S. Burroughs. With fewer electronic bites and more
original instrumentation, "Clear" is Simenon's most sophisticated work to
date.
On "Empire," an emotive ballad that plays on the similarity of the words
empire and vampire in describing England as a bloodsucking entity, Sinead
O'Connor duets with the delicate-voiced newcomer Benjamin Zephaniah to
beautiful effect. But it's the Los Angeles rapper Justin Warfield who is =
most
responsible for "Clear's" edgy, Beat-like quality. When Warfield waxes
lyrical about Willy Wonka over Simenon's drug-addled bassoon foundation o=
n
"Brain Dead" or flips the lines "Bug powder dust/To mugwump jism/The wild
boys running/Round interzone trippin'," on "Bug Powder Dust," it's appare=
nt
that this music is a far cry from typical hip-hop fare.
The album's smooth-flowing, laid-back jazz quality stands in stark contra=
st
to the original European release of "Clear," which carried a frenetic pac=
e
similar to flipping through television channels. Alternate versions - and
even song omissions (including a contribution from the author Will Self) =
-
make for an entirely different creation for the American audience, althou=
gh
both albums are equally worthwhile.
On "Clear," Bomb the Bass reaches well beyond the boundaries of the trip-=
hop
appellation to present tunes sweet to the ears and lyrics that stick in t=
he
mind.=20
-- TAMARA PALMER (RS 732)
.................................................
The Chronic/Black Sunday
Dr. Dre/Cypress Hill
Death Row/Interscope/Columbia
Wrapped in a Batman cloak of larger-than-life mayhem and straining its pa=
nts
with adolescent horniness, it's beloved by millions, black and white; the=
y
devour its percussive snap, crackle and pop. To adult white people, it's
anathema. But California hardcore rap is simply one of the most imaginati=
ve
sounds in the world today. Its radical wordplay mainstreaming the
scatological cut-up poetics that William Burroughs debuted in the '50s, i=
t
hurdles the aesthetic line in the sand that original rap drew when it beg=
an
to rethink rhythm, compositional method and studio technique so decisivel=
y
that it redefined the very perception of music itself. Along with the 12-=
tone
scale of modern classical fare, Ornette Coleman's free jazz and the trium=
ph
of punk attitude, the rap revolution is 20th-century fact.
At its vanguard are the gangstas. Formerly of the trailblazing N.W.A, Dr.=
Dre
is the form's wizard producer. High-volume hypnotism, "The Chronic," like=
the
marijuana it's named for, alters the senses. Mixing loping beats, smooth =
and
gruff voices from South Central, giggles, snarls and reggae intonations, =
it
updates the aural movies P-Funk (and psychedelia) once made. Its sounds a=
re
as raw and complex and real as life. The assaultive Dre and the more rela=
xed
Snoop Doggy Dogg (the latter formally charged with murder in September) m=
ay
be, to put it mildly, problematic souls, and romanticizing criminal behav=
ior
sucks. This music, however, cannot be refuted =96 or easily forgotten.
With "Black Sunday," Cypress Hill make baroque rap so arcane in its sampl=
es
(Bobbie Gentry, Black Sabbath, Joe Zawinul) and verbal references (sumo
wrestling, Louis Armstrong, "The Wizard of Oz") that the mind reels. This
crew, too, is made up of potheads. And next to their musical inventivenes=
s,
black-Latino hipness and zany comedy, most rappers seem as lame as old hi=
ppie
bands did next to Frank Zappa. Skull-strewn, their album art looks B-movi=
e
Gothic, but what's truly scary is their titanic, subversive intelligence.
--PAUL EVANS (RS 672/673)=20
......................................
Naughty Little Doggie
Iggy Pop
If Iggy Pop had died when most people expected him to -- back in the
mid-'70s, from an overdose of bad drugs and stage violence -- we would
probably be sitting around now wondering what kind of music he would have
made in his middle age. But the heavy chemicals and broken glass didn't k=
ill
him, and he's still cutting records, so here's your answer: In 1996, the =
Pop
is still singing about pussy. About needing it, getting it and how just
thinking about it is good for what ails him. With its hip-swing rhythm an=
d
irresistible idiot-mantra chorus, "Pussy Walk" is top-grade, lowbrow lovi=
n'.
Because in rock & roll, as in everything else, life is too short to waste=
on
double-entendre.
At 48, Iggy Pop isn't punking out. "I'm better than a Pepsi/I'm cooler th=
an
MTV," he brags at the outset of "Naughty Little Doggie" over the shake 'n=
'
quake of "I Wanna Live." "Step up, it's fight time/ Kick, scratch and bit=
e
time." He's as good as his word for the most part, turning on the power-e=
lite
pricks in "Knucklehead" while losing himself in the burnt-heart howl of "=
To
Belong." And Iggy has not lost his lyric gifts for Burroughsian sleight o=
f
metaphor -- "The music sounds like dead ham" ("Knucklehead") -- and sly
menace. "Strangle that rock & roll star," he sings on "Outta My Head" wit=
h
just the right trace of irony. "Make him eat jizz."
But Iggy also carries the great weight of his own history; at this point =
in
his life, nothing short of total meltdown on record would eclipse the Mol=
otov
cock tales on "The Stooges," "Fun House" and "Raw Power." And "Doggie" fi=
nds
him struggling with the uneasy balance between the eternal joys of electr=
ic
fuck-you rock & roll and singing about the hard truth of being an outlaw =
for
life -- that you'll probably die alone. Iggy almost nails it in "Outta My
Head" with the wounded-animal way his voice bends slightly out of tune, b=
ut
the song cries out for more explicit guitar madness, more real blood on t=
he
frets.
"Look Away," though, is a potent admission of screwing up on China white =
and
cheap attitude. Amid references to Johnny Thunders' fatal mixed-up confus=
ion
and Iggy's own near-death experiences, electric and acoustic guitars blen=
d in
eerie, milky strumming as Iggy intones the words "look away" like some Ze=
n
chant and shows just how low you can go to get by. "I got lots of
feelings/But I hold them down," he sings at the end. "That's the way I
cope/With this shitty town."
If Iggy had died ahead of schedule, he would just be another rock & roll
martyr. Instead, the fun house is still open for business and, as he puts=
it
here, "I'm deeper than the shit I'm in/An' I don't really give a damn."
Celebrity is great, but survival is the best revenge.=20
-- DAVID FRICKE (RS 728)
=========================================================================
Date: Sun, 17 Aug 1997 09:34:24 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: New Format
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
<< What's the deal with the new format? Are we supposed to be doing
something differently? I'd backchannel this to Bill but I don't have
his
address.>>
You point directly to the difficulty with the return to the current (and
original) format. Under the interim format we have been operating under
for the last few months the default address that appeared when you hit
your "Reply" button was that of the person posting rather than the
list. If you felt that your reply should go to the list rather than
only that one individual it was easy to erase the "Mail to" address and
plug in Beat-L from your address book. Under this format the default
that appears in your "mail to" space is the list address. It is easy to
change that if you have the individual in your address book. If you
don't, however, you have to copy the individual address from the message
and plug it in. This format makes backchannel harder unless the reply
is to one of your regular on-line buddies.
I am using the terms from Netscape mail, but most of the other mail
programs have very similar functions.
What I liked about the original format was that it made one think at
least once about whether the reply was one that ought to go to all 200
or so of us or was more personal or not global enough for the list.
This reduced list traffic alot and encouraged backchannel both of which
were good things in my view.
I think some folks failed to understand how easy it was to plug in the
List address or were using mail programs that may have made it harder.
This produced lobbying for a change back to the original format. There
are some that liked the personal tone and the sort of cyber soap opera
that the original format seems to me to create. I can like that too,
but it takes a lot more time, and we keep losing good people from the
list because they know they have work they ought to be doing and the
list makes a marvelous excuse for not doing it. The higher and more
frivilous the post volume the greater the incentive to leave and we all
lose access to some wonderful expertise. People keep leaving to finish
books. Those are the sort of people we most need on Beat-L.
J. Stauffer
=========================================================================
Date: Sun, 17 Aug 1997 09:44:57 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
In-Reply-To: <33F6CC50.10CB@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 3:02 AM -0700 8/17/97, RACE --- wrote:
> runner wrote:
> > Mixed this all up with my working
> > WSB ideas of the "big lie."
> >
> > http://www.electriciti.com/babu/images/Big_lie.html
> >
> > Douglas
> >
> > http://www.electriciti.com/babu/
>
> I'm not certain that "lie" is it. Unless the Lie is in only one angle
> on truth. It doesn't seem to me a particularly moralish notion as Lie
> sometimes suggests - what constitutes the Big Lie is factually accurate
> from a particular point of view, from a particular angle. What is
> exposed is the multiplicity of angles.
yeah, got to thinking about that "lie" part also. Was it similar to the
"original sin"? Was it the "fall from heaven" that is basically in every
religion across the globe? As if by being paranoid (as S.Dali does in his
paranoid-critical method of painting), one is, as you say, exposed to
multiple angels. angles.
that you can't really trust anyone, and this is the foundation for
something larger. Oh, I don't know. Have kinda lost that train of
thought now. But, aha! I now have a good set of questions to begin
"western lands" with (and perhaps some q's on Bloom, too....)
>
> i like your montage/collage. it reminded me of an old friends stuff
> that he used to send through the mail - addressing the backside of
> something like that to friends.
Thanx! yes, part of the diatribe that followed in my head rang with
Buckowski's great line "too all my friends" (as superbly announced by M.
Rourke in "Bar Fly"). And from there, got to thinking about the big three
beats and how they are now dead. all dead. But not all dead. Wasn't it
Rinaldo who posted the "who'se who" of beatness? All these people.
Including Buckowski (sp?), I suppose. I guess I'm saying that we have a
lot to talk about. Or possible to talk about. A lot of friends left on
the table...
I'd like to know who the beat artists were. Robert Williams and S. Clay
Wilson come to mind. Then there's the guy who did Hunter S. Thomspon's
novels. The photographer Robert Frank has worked with Patti Smith a few
times. Don't know if it's fair to include Robert Mapplethorpe or Annie
Leibovitz for their portraiture. Who else? Brion G. of course.
ah, time to find some coffee. and perhaps a used bookstore or two. Need
to find a Yves Tanguey book!
>
> david rhaesa
> salina, Kansas
Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sun, 17 Aug 1997 10:20:28 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Naked Lunch
In-Reply-To: <33F6CD13.40EA@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 3:06 AM -0700 8/17/97, RACE --- wrote:
> the idea of reading it with others seems a nice idea. i hope you decide
> to read it.
>
> this and the message to douglas are probably examples of what just as
> well might be backchanneled ... i fall easily into the trap that the new
> format creates and James Stauffer so elegantly slammed.
oh god, what is the list thinking of me now?
another round of arrows or a bbq in my honor?
oh, it's a book signing, oh hell
I had the same thoughts on my cutup thread with Bentz. How would we put
this poem to music? Who cares?! I don't know. Am glad that it ended when
it did, before someone pulled out the machete and started hacking their
computer to death. Surprised James didn't write me personally and tell me
to shut the fuck up.
Basically, I'd agree that the previous format was good for backchannelling.
I actually liked it better that way myself. so Bill Gargan, considering
your email always bounces, I hope you're reading this: add my vote to the
idea of returning to the previous format. and who knows, they might start
regulating sperm any day now, too...
it's the miracle of the lie. yep, that's what Exene and Lydia Lunch, I
believe, talked about when they cruised words and attitudes thru various
towns a few years back. Trashing Courney Love, the Unabomber, and the
media that permeates this planet. How fashion and their zero dollar
attitude can revolutionize life. That if you believe the big lies handed
down to you, that god is good, that big government is out to protect you,
that your doctor knows what's best for you, that that etc. just manhandled
here and there without any factual support. If you believe, then yes, you
are saved.
>
> david rhaesa
> salina, Kansas
Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sun, 17 Aug 1997 13:18:36 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: new format
I want to thank James for summing up the pros and cons of both the past
and current "reply" formats. The current format will make it easier for
those who want to send their message to the whole list. However, this
means that you have to think about whether you want your message to go
to the whole list or just to the person sending the message. If people
begin to post messages to the list that are intended only for the sender
or begin to engage in private conversations on the list, then James is
right: the traffic on the list will become overwhelmingand people who
find their mailboxes full of irrelevant messages will sign-off the list.
I guess if we find that this happens, we'll have to change the
"reply"default back. Also, please remember when replying to long
messages to "snip" or summarize the message you're replying to rather
than repeat the whole message as some people have been doing. This will
save us all some time. Taking care to correctly identify the "subject"
of your message will also help, allowing those who are uninterested in
that subject to delete your post without having to read it. I'm very
happy to see some exciting threads developing and that we're back to
discussing literature again.
=========================================================================
Date: Sun, 17 Aug 1997 14:04:11 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: new format
In a message dated 97-08-17 13:30:06 EDT, you write:
<< Also, please remember when replying to long
messages to "snip" or summarize the message you're replying to >>
Yeah... puhleeze...
Since the posts come out of order frequently, it seems like it would be a
good idea to make sure the original sender's name is in that line at the top,
the one that says, "In a message dated x/y/z, Suzie Creemcheeze writes:"
instead of that stock retort, which says only "...you write:".
That way people can find the original post, in case it did arrive after the
reply.
But if the only thing that results from the formatting discussion is a
cessation of personal posts to the list, that will certainly be enough.
ddr
=========================================================================
Date: Sun, 17 Aug 1997 14:15:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: format
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
I can elect to reply to the poster or to all. This was true under the
old format too. I then can delete one if I care to do so. The "old"
format is easier to back channel. The new one is more difficult to back
channel but easier to reply to the list. Under the old one, people
could get messages twice when someone wanted to reply to the list and
hit reply to sender and and all receipents. So, it is possible to get
dual messages when one forgets to erase the individual. To me, I don't
care. It just seems you make a choice for it to be easier to back
channel or easier to reply on the list. Either way, duplicates or
undesirable email will be in the mail box.
Bill, I vote for either way and do not care. I presume that you
switched back because of requests. Now the other side requests to go
back. Suits me either way.
And it does seem that your email bounces. Why is that?
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 17 Aug 1997 03:17:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: new format
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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I, for one, am thrilled with the change back to original format. Thanks
Bill! I don't think it's terribly hard to remember that your post is
being read by 200+ people and should be written as such.
DC
=========================================================================
Date: Sun, 17 Aug 1997 04:01:06 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@AOL.COM
MIME-Version: 1.0
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> RACE wrote:
> What i am
> suggesting also in no way is a claim that your current reading is a
> misunderstanding or misconception. Rather what i'm trying to find the
> words to breakthrough with here is that the beginning section can be
> read as developing a far more general theory concerning addiction and
> control and even Control with a capital "C". Such a reading views the
> poetry of junk as a poetic example of the larger notion.
> The particular kind of vicious cycle described here is a
> powerful
> general theory which can be translated across addictions and even as
> far
> as considering addictions to the virus of words and the control of
> space/time and the addiction to finding immortality. Throughout the
> writings of WSB, it always seems to me, that coming back to these
> beginnings in Naked Lunch can provide a powerful lens into the future
> project.
It is easy to view the beginning of Naked Lunch as about junk literally,
and on another level, as a breaking down of society as a whole into
groups that feed and play off one another in terms of who has control and
who is caught in the mirky depths of no control, those people scattered
about, needing the kind of hand-me-downs, caught in the you-get-
only-what-we-want-you-to-have spiral. Space/time distortions are evident
in the movement of the narrator. There is an analysis of need that
transcends time and place, so to speak. I'm having trouble here, early
on though, in having any grasp your "virus of words" concept.
> The second thing is that the technique employed in developing Naked
> Lunch of cut-up (cut and paste, splice, word montage - whatever) both
> presents a clear picture and something of a non-linear image that
> breaks
> through pre-recordings. In reading WSB, one can merely accept the
> pre-recording of the book as published or appreciate this version and
> also glance around the montage of words for portraits of further
> meanings yet to be exposed.
I am trying to be open to all possible meanings as I read this. Is
Burroughs' pre-recorded universe the comings and goings of daily life,
touched as it is by the element of fate? The individuals in the junk
(broadly used) world he is writing about seem to have little power to
ease the futility of their situation. Does the narrator have power in
his observations and the words he uses, or is he merely a scribe forced
to write about that which he cannot change?
DC
=========================================================================
Date: Sun, 17 Aug 1997 04:18:22 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@AOL.COM
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
> RACE wrote:
> I'm not certain that "lie" is it. Unless the Lie is in only one angle
> on truth. It doesn't seem to me a particularly moralish notion as Lie
> sometimes suggests - what constitutes the Big Lie is factually accurate
> from a particular point of view, from a particular angle. What is
> exposed is the multiplicity of angles.
Maybe I'm missing something but where did this idea of the Big Lie come
from? It seems to me that Burrough's notion of the universe is equal
part big lie and big truth. The notion of a creator playing with the
creation comes to mind. There's a natural order of things and an
inversion of the natural order of things.
DC
=========================================================================
Date: Sun, 17 Aug 1997 15:24:29 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Subject: missile anus
Content-Type: text
Greetings!
1) I like the new format (that is, the old format to which we have
returned);
2) regarding the romantic possibility that Burroughs died because his
true love Ginsberg died: as Jake says in the conclusion of Hemingway's
_The Sun Also Rises_, "Isn't it pretty to think so."
Jack Kerouac: "Unrequited love's a bore."
3) regarding C. Plymell's "remorsing" over the number of dead animals
on the road, you might find amusing the following poem of mine published
in the _Kentucky Poetry Review_ (Fall/Winter 1989/1990):
SIGNS
GAME CROSSING the sign read--
I imagined them hunkering across
I-80: Monopoly, Clue, Backgammon, Chess.
The chicken that crossed the road
to tell a joke. Debris is grimmer:
prairie dogs crushed on the pavement (blackbirds
dart down, daring the traffic for a carcass
morsel), and wolves, raccoons, and skunks
punctuate the margin of the highway.
Were they thrown there by the impact,
or did they drag their battered bodies
there to die, escaping further
shame as tire-desecrated corpses,
cantilevered jaws agape in deadly empty screams?
Cordially,
Mike Skau
8/17/97
=========================================================================
Date: Sun, 17 Aug 1997 16:28:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: bless you, bill!
In-Reply-To: <BEAT-L%1997081713294955@CUNYVM.CUNY.EDU>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Also, please remember when replying to long
messages to "snip" or summarize the message you're replying to rather
than repeat the whole message as some people have been doing. This will
save us all some time. Taking care to correctly identify the "subject"
of your message will also help, allowing those who are uninterested in
that subject to delete your post without having to read it. I'm very
happy to see some exciting threads developing and that we're back to
discussing literature again.
=========================================================================
Date: Sun, 17 Aug 1997 04:38:42 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch passage
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
I don't know if all editions of Naked Lunch have the same page numbers,
but this passage is on pages 19-20. It seemed important, beyond
elements of pot paranoia, and effective, but I can't explain why. Is
Jane is real-life wife? Does anyone have any ideas about interpretation?
"...Jane meets a pimp trombone player and dissappears in a cloud of tea
smoke. The pimp is one of these vibration and dietary artists--which
means he degrades the female sex by forcing his chicks to swallow all his
shit. He was continually enlarging his theories...he would quiz a chick
and threaten to walk out if she hadn't memorized every nuance of his
latest assault on logic and the human image...He was a ritual tea smoker
and very puritanical about junk the way some teaheads are. He claimed
tea put him in touch with supra blue gravitational fields. He had ideas
on every subject: what kind of underwear was healthy, when to drink
water, and how to wipe your ass. He had a shiny red face and great
spreading smooth nose, little red eyes that lit up when he looked at a
chick and went out when he looked at anything else. His shoulders were
broad and suggested deformity. He acted as if other men did not exist,
conveying his restaurant and store orders to male personnel through a
female intermidiary. And no Man ever invaded his blighted, secret place.
So he is putting down junk and coming on with tea. I take three drags,
Jane looked at him and her flesh crystallized. I leaped up screaming 'I
got the fear!' and ran out of the house. Drank a beer in a little
restaurant--mosaic bar and soccer scores and bullfight posters--and
waited for the bus to town.
A year later in Tangier I heard she was dead."
=========================================================================
Date: Sun, 17 Aug 1997 16:37:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Content-Transfer-Encoding: 7BIT
MIME-Version: 1.0 (WebTV)
I like "There's a natural order of
things and an inversion of the natural order of things." I feel that
best sums
up the world NL takes place in: if not
the inversion of the natural order of
things, then certainly the world (or his
view of the it) turned inside out (?). The
negative of what we perceive as reality.
=========================================================================
Date: Sun, 17 Aug 1997 17:07:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: Naked Lunch
In a message dated 97-08-17 16:58:34 EDT, you write:
<< Who cares?! I don't know. Am glad that it ended when
it did, before someone pulled out the machete and started hacking their
computer to death. Surprised James didn't write me personally and tell me
to shut the fuck up. >>
Is this a disease of newsgroups? This pissy, petulant sarcasm launched
against even the slightest of rubs?
This is the kind of crap that has made me sign off three times so far.
Douglas, shut the fuck up, okay?
diane
=========================================================================
Date: Sun, 17 Aug 1997 05:31:22 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch: Benway
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
This actually is beginning to read more like scenes from a movie script,
or maybe it's just that the content of Benway reminds me of some old
fuzzy Planet of the Apes movie. Close to walking through the wards of an
ugly insane asylum but I'm always wondering why the narrator is on the
outside looking in. Couple of things to note:
pg. 37
"Gentle reader, the ugliness of that spectacle buggers description. Who
can be a cringing pissing coward, yet vicious as a purple-assed mandril,
alternating these deplorable conditions like vaudeville skits? Who can
shit on a fallen adversary who, dying, easts the shit and screams with
joy? [this was reminiscent stanzas of Howl that all being with who,
and especially where Ginsberg writes, "Who let themselves be fucked in
the ass by saintly motorcyclists and screemed with joy"] Who can hang a
weak passive and catch the sperm in his mouth like a vivious dog? Gentle
reader, I fain would spare you this, but my pen hath its will like the
Ancient Mariner. Oh Christ what a scene is this! Can tongue or pen
accommodate these scandels? A beastly young hooligan has gouged out the
eye of his confrere and fuck him in the brain. 'This brain atrophy
already, and dry as grandmother's cunt."
You have to admire Burroughs vivid descriptions, although it's hard to
figure out what brings about these visions where everything is out of
Control:
"Rock and Roll adolescent hoodlums storm the streets of all nations.
They rush into the Louvre and throw acid on Mona Lisa's face. They open
zoos, insane asylums, prisons, burst water mains with air hammers, chop
the floor out of passenger plane lavatories, shoot out lighthouses, file
elevator cables to one thin wire, turn sewers into the water supply,
throw sharks and sting rays, electric eels and candiru into swimming
pools (the candiru is a small eel-like fish or worm about one-quarter
inch through and two inches long patronizing certain rivers of ill repute
in the Greater Amazon Basin, will dart up your prick or your asshole or a
woman's cunt faute de mieux, and hold himself there by sharp spines with
precisely what motives is not known since no one has stepped forward to
observe the candiru's life-cycle in situ), in nautical costumes ram the
Queen Mary full speed into New York Harbor, play chicken with passenger
planes and buses, rush into hospital with white coats carrying saws and
axes and scalpels three feet long; throw paralytics out of iron lungs
(mimic their suffocations flopping about on the floor and rolling their
eyes up), administer injections with bicycle pumps, disconnect artificial
kidneys, saw a woman in half with a two-man surgical saw, they drive
herds of squeeling pigs into the Curb, they shit on the floors of the
United Nations and wipe their asses with treaties, pacts, and alliances."
=========================================================================
Date: Sun, 17 Aug 1997 05:38:05 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: On the Road: drunkenness
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On the Road, pg. 39, when he is describing Dean's (Neal's) father,
Kerouac writes, "His father, once a respectable and hardworking tinsmith,
had become a wine alcoholic, which is worse than a whiskey alcoholic..."
>From Kerouac's descriptions in all the later books, he was himself always
drinking wine and not whiskey. Why is a wine alcoholic worse than a
whiskey alcoholic? Any ideas?
DC
=========================================================================
Date: Sun, 17 Aug 1997 14:39:09 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Naked Lunch
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Diane De Rooy wrote:
>
> This is the kind of crap that has made me sign off three times so far.
>
> Douglas, shut the fuck up, okay?
>
Diane,
Thanks for rising to my defense. Hadn't noticed doug's little poke
before you pointed it out because I had been instantly deleting him--as
you tend to do with folks who post so much that they need several
different addresses to avoid having any problems with the ten post
limit, or whatever it is.
Was it Yeats who said, "The best lack all conviction/ While the worst
are full of a passionate intensity"?
J Stauffer
> diane
=========================================================================
Date: Sun, 17 Aug 1997 17:45:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: On the Road: drunkenness
In-Reply-To: <33F6F0AD.1B7B@together.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
it all sounds like changing seats on the titanic, to me.
hey DC!
mc
=========================================================================
Date: Sun, 17 Aug 1997 15:08:54 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: event horizon (theory & spoilers)
Mime-Version: 1.0
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ok, just mustered home from the movie, "event horizon". some comments:
ok, perhaps in the battle of death vs aesthetics, I am willing to concede
that death has the final hand. <<perhaps>> movie questions the big lie,
technology, human experience, and the reaches of understanding. Very
similar to Lem's "solaris" (and as filmed by Tarkovsky).
you build a machine, you keep secrets, you explore. thing returns with
life of own. Crew destroyed by madness and their own hells. The machine
is alive, sir. The machine is alive. "do you see?" "yes, I see".
oh, how technology is used to enhance our lives. this goes without
question. optimism has seen blood shed, has become academic shooting
galleries. heroine for the brain. william tell for the soul. fuck you,
fuck you.
oh, I have to admit the movie scares me. Scares me like Naked Lunch scares
me. Remember making it thru half of the book and then putting it down,
running in horror. Still don't think I have enough of a grip on life to
read it again.
and then writing out of it. believing that creativity is the life raft of
a consciousness. not blocking its progress with the whatfors, the
questions of what makes _its_ inner workings tick. This is another lie.
That outside of technology, outside of humour, outside of it all, there
rests another solution. Well, I guess there are solutions. There are
fail-safe plans. And the overrides? What of them? The machine is alive,
I tell you. Do you see? "yes, I see".
Oedipus and his mother, his father, his adopted parents, his children.
Fucking tragic tale. Wish I knew more about it. How it relates to the
popcorn I was eating, how it relates to the lady behind me who jokingly
remarked to her companion, "ah, the best capitalism has to offer". What is
that, I wondered, not wanting to turn around and ask.
and in this chaotic vision, there are those that refuse to return. those
will live. yes, those that will life. Probably why in pre-enlightened
days, such knowledge was preserved in a few people, knowledge was granted
over time in strict, controlled ways. All of that is gone now. Reading
before the movie a new book by Todd Oldham, fashion designer. He's talking
about how 100, no 30 years ago, "creativity" must have been different. No
pressing techo eyes forcing their, causing your own eyes to bug out. He
says that only he, he has survived because of an "idiot savant" tendancy.
just flits and trusts his way around. Takes care of his people, I imagine.
and it's why I think literature and all it's cracked up to be on this list
is such a big houey. Life is bigger than a few interesting posts on
"literature". Oh, so glad to be talking about "literature" again. Just an
academic shooting gallery for control freaks, IMHO. been there, done that,
and don't want to return just yet, thank you. Oh, I don't know. I don't
know.
am wondering if and what WSB would have said. Does Naked Lunch have a
happy ending? Thinking about a question Diane Carter asked a while back
regarding Kerouac and his view of the world? Something like, "where has
the joy in the joy/darkness paradigm gone?". Hm. You create something to
run away from something else. And what you've created begins a life of
it's own. And then wham bam thank you mame, you're back where you started
from. The vicious cycle. the vicious cycle.
so what role does death play? The movie "event horizon" gives a few clues
in that direction. It fuels the fire is all I can say. all I can say
without rambling on more. without bringing in other references. Fire walk
with me. Firewalker.
returning to the son, I used to be. Hell me, I'm falling....
>> Douglas
http://www.electriciti.com/babu/ | 0 |
step aside, and let the man go thru | { - |
----> let the man go thru | /\ |
super bon-bon (soul coughing) =========
=========================================================================
Date: Sun, 17 Aug 1997 15:13:17 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: new format
Mime-Version: 1.0
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>In a message dated 97-08-17 13:30:06 EDT, you write:
>In a message dated x/y/z, Suzie Creemcheeze writes:
>If the only thing that results from the formatting discussion is a
>cessation of personal posts to the list, that will certainly be enough.
>
>ddr
>
What's a "personal post"? I've got an idea but it's making me giggle.
If it's left to the individual subscriber to decide what is
list-pertinent, there's still no way to avoid getting messages which may be
better sent privately [like that one which told Douglas (I believe it was)
to "shut the fuck up"].
Anyway, I'm all for the new format as I understand it. It's no different.
People are going to be shits under any format.
James M.
=========================================================================
Date: Sun, 17 Aug 1997 06:29:42 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch
MIME-Version: 1.0
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> James Stauffer wrote:
> Was it Yeats who said, "The best lack all conviction/ While the worst
> are full of a passionate intensity"?
Yes, in his poem, The Second Coming. He also said in the same verse:
"The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world"
DC
=========================================================================
Date: Sun, 17 Aug 1997 19:42:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Some of the Dharma - Publisher Weeklys reviews
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I have posted Publisher Weekly's review of Some of the Dharma:
http://www.freeyellow.com/members/upstartcrow/page3.html
Please send me any clippings of this book via e-mail for web page posting.
Thanks, Paul of The Kerouac Quarterly. . .
=========================================================================
Date: Sun, 17 Aug 1997 19:28:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Carrie Sherlock <csherloc@UOGUELPH.CA>
Subject: Lou Reed and the Beats
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
What was the extent of the relationship with, or the influence of, the
beats and Lou Reed?
=========================================================================
Date: Sun, 17 Aug 1997 20:41:47 -0400
Reply-To: Corduroy <corduroy@earthlink.net>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Corduroy <corduroy@EARTHLINK.NET>
Subject: DigitalDharma
Comments: To: Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU>
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
Digital Dharma
http://www.microaero.com/snarg/index_main.html
=========================================================================
Date: Sun, 17 Aug 1997 18:04:27 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Some of the Dharma - Publisher Weeklys reviews
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Thanks for this Paul,
The Kirkus review was strange in its' hostility.
That bothers me none. I have no problem with opinions. But in this case
the writers ignorance was shown.
He/She wrote that it seemed Kerouac was trying to imitate Burroughs cut-up
technique.
kerouac was working on this between 53 and 55 or so, a number of years
before Burroughs began the cut-up as we know it.
The writer acts as if kerouac read Burroughs books or something and was
imitating them.
At 07:42 PM 8/17/97 -0400, you wrote:
>I have posted Publisher Weekly's review of Some of the Dharma:
>
>http://www.freeyellow.com/members/upstartcrow/page3.html
>
>Please send me any clippings of this book via e-mail for web page posting.
>
>Thanks, Paul of The Kerouac Quarterly. . .
>
>
=========================================================================
Date: Sun, 17 Aug 1997 22:16:21 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: Some of the Dharma - Publisher Weeklys reviews
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 06:04 PM 8/17/97 -0700, you wrote:
>Thanks for this Paul,
>
>The Kirkus review was strange in its' hostility.
>
>That bothers me none. I have no problem with opinions. But in this case
>the writers ignorance was shown.
>
>He/She wrote that it seemed Kerouac was trying to imitate Burroughs cut-up
>technique.
>
>kerouac was working on this between 53 and 55 or so, a number of years
>before Burroughs began the cut-up as we know it.
>
>The writer acts as if kerouac read Burroughs books or something and was
>imitating them.
>
>
>At 07:42 PM 8/17/97 -0400, you wrote:
>>I have posted Publisher Weekly's review of Some of the Dharma:
>>
>>http://www.freeyellow.com/members/upstartcrow/page3.html
>>
>>Please send me any clippings of this book via e-mail for web page posting.
>>
>>Thanks, Paul of The Kerouac Quarterly. . .
>>
>>
>Yes. . .it was a very slanted view from what seemed to be a critic
disturbed by Kerouac's seemingly misogynistic tone "PRETTY GIRLS MAKE GRAVES
F**K you all"
It is best not to approach such a biased review intellectually. Kerouac put
up with such nonsense (i.e. Norman Podhoretz for example) all his life. I
think Some of the Dharma tops the best of his published works. It is a
searching, mature, experimental writer we are reading by this time (mid -
1950's).
Best, Paul. . .
=========================================================================
Date: Sun, 17 Aug 1997 19:31:11 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Please Mr. Johnson, Hand Me a Winner
MIME-Version: 1.0
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Bentz,
I was reading too fast the first time this came through.
Was going through things to forward to a friend and reread it.
Flattered at being mentioned in such exalted company.
Nice work.
James
=========================================================================
Date: Sun, 17 Aug 1997 23:15:03 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: unfair aurguments with existence
MIME-Version: 1.0
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hello all. just returned from a trip to new orkeans, and been
listening in some to know what's happening. picked up a cool little
ferlinghetti book, unfair aurguments with existence, it's some of his
drama. anyone know anything about it? i guess i will buy a copy of
naked lunch too, as that seems to be the current topic. anyone ever
listen to the movie's soundtrack? that is just phenomenal! one of my
favorite cds. is gregory corso still living in italy? i heard he
moved there for heroin cy~a randy
=========================================================================
Date: Sun, 17 Aug 1997 20:19:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: On the Road: drunkenness
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
Just tentative impressions, not hard conclusions, but you asked for =
ideas. =20
Whiskey alcoholics generally more alive, tend to act on their stirring =
impulses, to splash about vigorously except when approaching total =
collapse, the periods of recuperation when they are totally passed out. =
Winos tend to be more slurred, defeated, drowning, vegetating, more =
inocuous, less combative, less aggressive acting outless destructive =
actions or poor judgement exercised, more chronically douzed, less =
alive, less effectively dangerous also.=20
----------
From: Diane Carter[SMTP:dcarter@TOGETHER.NET]
Sent: Sunday, August 17, 1997 5:38 AM
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: On the Road: drunkenness
. Why is a wine alcoholic worse than a
whiskey alcoholic? Any ideas?
DC
.-
=========================================================================
Date: Sun, 17 Aug 1997 23:40:09 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sean Elias <SPElias@AOL.COM>
Subject: Re: On death and dying........
In a message dated 97-08-15 14:39:05 EDT, you write:
<< In retrospect, I do think it odd
that I chose a sample of his ("When death becomes you...") as part of my
contribution to a net-based tape loop project going on in the weeks just
before his death. All those unsuspecting tape recorders playing this
message, just before he died -- hmm, I wonder if he would have gotten a kick
out of that. >>
Does anybody else think it odd, that having lost Uncle Bill, then a few days
later Fela Kuti, that I made a special visit to the Indian/Pakistani
neighborhood in Chicago, to buy a hard to find variety of couscous and a few
CDs/cassettes by Nusfrat Fateh Ali Kahn (sp?), to find _his_ obit in the
Sunday paper?????????
Seems like all my heros are dropping like the flies........
r.i.p. et.al..........
=========================================================================
Date: Sun, 17 Aug 1997 23:40:10 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sean Elias <SPElias@AOL.COM>
Subject: Re: D & D
In a message dated 97-08-15 14:39:05 EDT, you write:
<< I do think it odd >>
Can anyone give me a clue on the Burroughs track that I know I have but
cannot locate--on On-U records---a sample of him chanting "
pay it all back, pay it AAAAllllll back" (inimatable style).............
=========================================================================
Date: Sun, 17 Aug 1997 23:42:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Morgan <Ferlingh2@AOL.COM>
Subject: Re: ferling, etc
Ferlinghetti's newest book "A Far Rockaway of the Heart" has been out for a
few months now from New Directions and it continues the tradition of "A Coney
Island of the Mind". Well worth looking into, one of his better efforts of
late.
Yours,
Bill Morgan
=========================================================================
Date: Sun, 17 Aug 1997 20:53:57 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: [Fwd: Burroughs]
----------
From: R. Bentz Kirby[SMTP:bocelts@SCSN.NET]
Sent: Saturday, August 16, 1997 8:00 AM
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: [Fwd: Burroughs]
Well, I have been scanning the Dylan list for some more good Burroughs
posts. And I couldn't find anymore, so the action must have died down.
But since the beats play cosmic baseball on the net, and since the
action has dwindled, I did find this fine reference to Cal Ripken and
Eddie Murray. Seems timely since Anaheim just cut Eddie.
I know, or at least believe Jack was
very much into baseball. How about Neal, or any others.
Neal didn't talk much about baseball. He followed races with intense
enthusiasm. Watched all the races he could on TV, kept track of outcomes,
drivers, etc.. Tried to make it to the horse races whenever he could. When
he worked in Los Gatos he tried to make it to all the Saturday afternoon
last races at Belmont which were free. He also collected all the Chronicle
Green Sheets with results from the horse races, compiling proof of his
theory that if you had simutaneously stationed people to bet on third
choice in all the races across the country that you would win big. Never
was able to convince enough investors to follow through, inspite of his
closet full Green pages that he used to try to prove his theory.
leon
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end
=========================================================================
Date: Mon, 18 Aug 1997 01:30:11 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Diane Carter wrote:
>
> Maybe I'm missing something but where did this idea of the Big Lie come
> from?
Douglas was using it.
It seems to me that Burrough's notion of the universe is equal
> part big lie and big truth. The notion of a creator playing with the
> creation comes to mind. There's a natural order of things and an
> inversion of the natural order of things.
> DC
inversions twisting angles all seems good. i think big lie probably
confuses things somewhat. also humour especially dark-types is one way
to invert and twist the angles of truth and justice and american way and
whatnot to get all the shitout of the shithouse. i believe that is
about all i have to say until i get the book tuesday or wednesday.
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 18 Aug 1997 00:50:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: don't go to sleep mad (was: Naked Lunch)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
who gave that advice? And what was the second couplet line: "just go
away..."?
I figure I oughta speak out, get what's off my chest before I went to
sleep. Have been thinking about this for a while now. Still not sure how
to accurately respond. You ask me not to speak, not to post to the list.
Have been thinking about the obsecenity trials, about WSB's reflection on
Ginsberg and his fight against the big lies. About the youth of America.
about my life.
Hopefully my dreams tonight will guide me to a better answer than this
rambling mess. Have to ask "why go on?" Love, I guess. that helps. But
it's more than that, I suppose. Why creative types do what they do.
Popularity? Control? Fear? and back again to love, I guess, but eeew, who
wants to say that?
It's so simple, I guess. My two best friends are out of town tonight. I
wish I could call them and chit chat over all of this. get some good
advice. Started "western lands" tonight. need to get back to Joyce and
Dali, too.
I don't have it in me to fight with you. Just don't blame me for your
decisions to unsubscribe. Don't make this into a popularity contest. And
please, if you're gonna criticism my posts, please have the decency to read
them first. but I'm not even sure I want you to do that. It's obvious
we're not going to be much, friends. But I'll tell you anyhow the "beat"
issues I'm currently dealing with:
- the role of death in the joy/darkness paradigm (DC, Kerouac
discussion)
- "Why go on?" (WSB, June 6)
- the big lie, the green tit, and hole punching holy holy across
the sky (WSB, May 25)
- WSB's relation to music and the arts (as exemplified by the LACMA
show)
- the land of the dead, the western lands, the event horizon (what
are the links?)
- soon, WSB's relation to James Joyce's "Bloom"
- the paranoid-critical method of salvador dali
- the "surrealist" landscapes of yves tanguey
- the cut-up method, appropriation, escaping the vicious cycle
- writing a way out of death
and then some. Check out my home page for the visual interpretations.
Maybe we still have something to talk about??
and I kept thinking of what "cute" comment I'd make. the snide jab. The
best I could come up with is from WSB's New Yorker diary entry dated May
31, Saturday:
<<snip>> "No letters.
How good will it be to have total conformity?
What will be left of singularity?
And personality? And you and me?"
That and how it relates to our new techno-email age. Nobody writes letters
anymore (snail). What will the historians of the future do with all this
"ink"? And singularities, my god. Soon, I will have an engine capable of
dealing with those entities.
oh, oh, oh. Hopefully, I'll be able to fall asleep soon.
Douglas
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
At 2:07 PM -0700 8/17/97, Diane De Rooy wrote:
> In a message dated 97-08-17 16:58:34 EDT, you write:
>
> << Who cares?! I don't know. Am glad that it ended when
> it did, before someone pulled out the machete and started hacking their
> computer to death. Surprised James didn't write me personally and tell me
> to shut the fuck up. >>
>
> Is this a disease of newsgroups? This pissy, petulant sarcasm launched
> against even the slightest of rubs?
>
> This is the kind of crap that has made me sign off three times so far.
>
> Douglas, shut the fuck up, okay?
>
> diane
http://www.electriciti.com/babu/ | 0 | The map is
not the territory
| { - | --Korzybski
----> | /\ |
=========
=========================================================================
Date: Mon, 18 Aug 1997 11:02:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Re: Lou Reed and the Beats
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Content-Transfer-Encoding: 7BIT
MIME-Version: 1.0 (WebTV)
Hello everybody:
I don't know if you would consider any
of the following a connection, buuuuutt...
according to the booklet that came with
the LR box set, "Between Thought And
Expression":
In 1959, while at NYU, Reed was
an avid contemporary jazz buff, programming a jazz radio show, and into
the music of Monk, Coltrane and Coleman.
He was a great admirer of the
poet, essayist and short story writer
Delmore Shwartz (In Dreams Begin
Responsibilities, pub.1937). Would he
be considered a Beat or an influence on
them? Shwartz inspired Reed to study the
works of Joyce and Keats, and it was
during this time that Lou wrote the Velvet
Underground classic "Heroin".
On the back cover of Reed's
"The Blue Mask" lp, Lou dedicated the
song "My House" to Shwatrz. Burroughs
might have been a big influence as well,
at least during Reeds' VU days.
"Waiting For The Man" ( "The man is never on time. This is no
accident."-taken
from the intro to NL), "Sister Ray", "Venus
In Furs", "The Black Angel's Death Song"
(his vocal delivery here, in fact, his way
of talk-singing in general, might be considered Beat-ish.), probably any
of
these songs, or the VU's first three albums, would make a terrific
soundtrack
to NL. Junky-according to the booklet that
came with the VU box set "Peel Slowly
And See"-thanks to WSB's confessional
style and wit (still going by the booket,
I haven't read Junky yet) inspired Reed
to write Heroin.
I'll be the first to say that I'm
reaching with all this, but any excuse to
talk about LR/VU is a good one. I wish
everyone on the list a wonderful week.
Chimera
=========================================================================
Date: Mon, 18 Aug 1997 10:23:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: On the Road: drunkenness
Mime-Version: 1.0
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No, I'm not starting my "alcoholic" diatribe again but I thought I'd
respond to this.
In the purest sense alcoholism is alcoholism; however, I will concede
wine and whiskey do produce different "drunks" due to their chemical
compositions. Strangely enough whiskey and other hard liquor destroys
the mucin lining the stomach at a quicker rate than wine. So maybe,
(or maybe not) if Jack had stuck to Tokay we would have had him around
a little longer (probably not). It's *my opinion* that wine is more
aggravating to the system and hence produces more vomiting which would
have lead to bleeding varicies in the throat and a hemorrage vs.
destroying the mucin lining and dying of a "middle-gi" hemmorage.
Jack was right, but he didn't know by how much.
love and lilies,
matt
______________________________ Reply Separator _________________________________
Subject: On the Road: drunkenness
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 8/17/97 5:38 AM
On the Road, pg. 39, when he is describing Dean's (Neal's) father,
Kerouac writes, "His father, once a respectable and hardworking tinsmith,
had become a wine alcoholic, which is worse than a whiskey alcoholic..."
>From Kerouac's descriptions in all the later books, he was himself always
drinking wine and not whiskey. Why is a wine alcoholic worse than a
whiskey alcoholic? Any ideas?
DC
=========================================================================
Date: Mon, 18 Aug 1997 10:25:58 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: Lou Reed and the Beats
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Correct me if I'm wrong, oh those more knowledgeable than me" but
didn't WSB hang out with Andy Warhol? If so there's a connection, if
not an influence.
love and lilies,
matt
______________________________ Reply Separator _________________________________
Subject: Lou Reed and the Beats
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 8/17/97 7:28 PM
What was the extent of the relationship with, or the influence of, the
beats and Lou Reed?
=========================================================================
Date: Mon, 18 Aug 1997 11:56:35 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: On the Road: drunkenness
In-Reply-To: <01BCAB4B.0EFEAE80@mbay69.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Whiskey is expensive. Whiskey alcoholics have more money. By the time the
alcoholic gets to wine he/she is usually close to the bottom of the
economic ladder.
j grant
>Just tentative impressions, not hard conclusions, but you asked for ideas.
>
>Whiskey alcoholics generally more alive, tend to act on their stirring
>impulses, to splash about vigorously except when approaching total
>collapse, the periods of recuperation when they are totally passed out.
>Winos tend to be more slurred, defeated, drowning, vegetating, more
>inocuous, less combative, less aggressive acting outless destructive
>actions or poor judgement exercised, more chronically douzed, less alive,
>less effectively dangerous also.
>
>----------
>From: Diane Carter[SMTP:dcarter@TOGETHER.NET]
>Sent: Sunday, August 17, 1997 5:38 AM
>To: BEAT-L@CUNYVM.CUNY.EDU
>Subject: On the Road: drunkenness
>
>. Why is a wine alcoholic worse than a
>whiskey alcoholic? Any ideas?
>DC
>.-
Small Press Authors and Publishers display books
FREE
http://www.bookzen.com/addbook-form.html
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Mon, 18 Aug 1997 10:18:29 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Naked Lunch: Benway
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
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Diane writ:
<<
>pg. 37
>"Gentle reader, the ugliness of that spectacle buggers description. Who
>can be a cringing pissing coward, yet vicious as a purple-assed mandril,
>alternating these deplorable conditions like vaudeville skits? Who can
>shit on a fallen adversary who, dying, easts the shit and screams with
>joy? [this was reminiscent stanzas of Howl that all being with who,
>and especially where Ginsberg writes, "Who let themselves be fucked in
>the ass by saintly motorcyclists and screemed with joy"] Who can hang a
>weak passive and catch the sperm in his mouth like a vivious dog? Gentle
>reader, I fain would spare you this, but my pen hath its will like the
>Ancient Mariner. Oh Christ what a scene is this! Can tongue or pen
>accommodate these scandels? A beastly young hooligan has gouged out the
>eye of his confrere and fuck him in the brain. 'This brain atrophy
>already, and dry as grandmother's cunt."
>>
Diane, as always, thanx for typin out all this. My hands would hurt.
I especially liked the 'eye gouging' part. So many poets have eye
fetishes. The denigration of the bodily act, the removal from the body,
and it's associations with dark and perverted actions. Then associating
all of this with different layers of meaning. Goes back to the Oedipus
thoughts I had while watching the movie "event horizon". One can also
get into dreams and their visions from here also. Perhaps this is a
clue towards your questions of why Burroughs is always writing from the
outside <??>
<<
>You have to admire Burroughs vivid descriptions, although it's hard to
>figure out what brings about these visions where everything is out of
>Control:
>
>"Rock and Roll adolescent hoodlums storm the streets of all nations.
>They rush into the Louvre and throw acid on Mona Lisa's face. They open
>zoos, insane asylums, prisons, burst water mains with air hammers, chop
>the floor out of passenger plane lavatories, shoot out lighthouses, file
>elevator cables to one thin wire, turn sewers into the water supply,
>throw sharks and sting rays, electric eels and candiru into swimming
>pools (the candiru is a small eel-like fish or worm about one-quarter
>inch through and two inches long patronizing certain rivers of ill repute
>in the Greater Amazon Basin, will dart up your prick or your asshole or a
>woman's cunt faute de mieux, and hold himself there by sharp spines with
>precisely what motives is not known since no one has stepped forward to
>observe the candiru's life-cycle in situ), in nautical costumes ram the
>Queen Mary full speed into New York Harbor, play chicken with passenger
>planes and buses, rush into hospital with white coats carrying saws and
>axes and scalpels three feet long; throw paralytics out of iron lungs
>(mimic their suffocations flopping about on the floor and rolling their
>eyes up), administer injections with bicycle pumps, disconnect artificial
>kidneys, saw a woman in half with a two-man surgical saw, they drive
>herds of squeeling pigs into the Curb, they shit on the floors of the
>United Nations and wipe their asses with treaties, pacts, and alliances."
>>
Have you ever been stuck in a bathroom line, Diane? just holding it in,
watching all these men go ahead of you into their own stalls? Questions
and visions such as those above begin to creep in. Destroying the order
as it appears to you thru a yellow, jaundiced eye. Rationalizing the
acts of madmen who do all these incalculable things. Inverting the
natural order and following that back to it's source. Makes me think of
the TV shows "x-files" and "millenium" (by Chris Carter). Getting into
the mind of chaos, as burroughs says, unable to stop his pen or tongue
from writing all that out. And I won't go as far as say that his
descriptions are an apology, are an act of "writing away death" per se.
I don't know.
and by the way, did you ever get a satisfactory answer to this question:
"Does the narrator have power in
his observations and the words he uses, or is he merely a scribe forced
to write about that which he cannot change?"
Douglas
=========================================================================
Date: Mon, 18 Aug 1997 11:14:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: On the Road: drunkenness
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
>Whiskey is expensive. Whiskey alcoholics have more money. By the time the
>alcoholic gets to wine he/she is usually close to the bottom of the
>economic ladder.
>j grant
"...the bottom ofthe economic ladder." To keep this within the
framework of the BEAT-L list I'll phrase my reply this way. Since
Jack was never un-voluntarily homeless, always had *some* money, and
most likely died from the consequences of alcoholism, you can draw the
conclusion that there is no such thing as "economic alcoholism".
Alcoholics come in all lifestyles, economic classes and ethnic
backgrounds, from both genders. While there probably aren't as many
alcoholic millionaires as there are broke ones, the view that the only
people suffering from alcoholism are "bums on the street" went out a
long time ago. Heck, I even know a recovering alcoholic who owns a
computer :-)
love and lilies,
matt
=========================================================================
Date: Mon, 18 Aug 1997 14:12:15 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: On the Road: drunkenness
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
> Whiskey is expensive. Whiskey alcoholics have more money. By the time the
> alcoholic gets to wine he/she is usually close to the bottom of the
> economic ladder.
perhaps jack just liked wine?
>
> j grant
randy
=========================================================================
Date: Mon, 18 Aug 1997 15:47:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Lou Reed and the Beats
In-Reply-To: <3F87BB00.@usoc.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Mon, 18 Aug 1997, MATT HANNAN wrote:
> Correct me if I'm wrong, oh those more knowledgeable than me" but
> didn't WSB hang out with Andy Warhol? If so there's a connection, if
> not an influence.
>
> love and lilies,
>
> matt
>
Actually, it was Allen Ginsberg who hung out with Warhol back in the 60's
when Warhol was hot. Burroughs was living in London so wouldnt have met
Warhol until many years later when Warhol was past his "fifteen minutes"
of fame and past when Burroughs hadwritten mostof his works. So Idont
think there was a direct influence.
=========================================================================
Date: Mon, 18 Aug 1997 13:34:28 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Hey Lew! Homage To Lew Welch (fwd)
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
yall
i thought that some of you might be interesteed in this, which i found on
alt.books.beatgeneration (man there is a lot of junk and trolling on that
newsgroup, egad!)
yrs
derek
---------- Forwarded message ----------
Date: Sat, 16 Aug 1997 12:48:34 -0700
From: Richard Hughey <rkhughey@pacbell.net>
Newsgroups: alt.books.beatgeneration
Subject: Hey Lew! Homage To Lew Welch
New book on Lew Welch: Hey Lew! Homage to Lew Welch.
Interviews, poems, biosketches, photos, drawings etc.
on S.F. BeatGen poet Lew Welch.
Edited by Magda Cregg, who lived with Lew 1964-1971.
Contributors: Snyder, Whelan, Creeley, Meltzer, Kyger,
McClure etc., also Peter Coyote and Huey Lewis.
Write Magda Cregg, Box 964, Bolinas CA 94924.
Copies: $12 post paid.
RKH
=========================================================================
Date: Mon, 18 Aug 1997 13:13:36 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John Arthur Maynard <prinzhal@IX.NETCOM.COM>
Subject: Re: On the Road: drunkenness
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>>. Why is a wine alcoholic worse than a
>>whiskey alcoholic? Any ideas?
>>DC
>>.-
I think the high sugar content (seems to me Jack often refers to "sweet
port") tends to deliver more brain-mash effect than the same dose of alcohol
administered through whisky. That would help explain why the big sellers on
skid row and in the inner city seem to be port, tokay and rotgut sherry.
Plus, since the alcohol content is lower than whisky, you can keep drinking
longer...
=========================================================================
Date: Mon, 18 Aug 1997 14:49:18 -0700
Reply-To: vic.begrand@sk.sympatico.ca
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>
Subject: Re: Hey Lew! Homage To Lew Welch (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Hi all,
I recently read Aram Saroyan's Genesis Angels (good book!) and it
mentioned something interesting. According to him, during Lew Welch's
last few days at an advertising agency he culled the famous Raid slogan:
'Raid Kills Bugs Dead.'
How true is this? I'd like it to be true, it'd be cool to know there's a
little conribution by Welch to 20th century pop culture.
Anyone know the truth behind this?
Adrien
Derek A. Beaulieu wrote:
>
> yall
> i thought that some of you might be interesteed in this, which i found on
> alt.books.beatgeneration (man there is a lot of junk and trolling on that
> newsgroup, egad!)
> yrs
> derek
>
> ---------- Forwarded message ----------
> Date: Sat, 16 Aug 1997 12:48:34 -0700
> From: Richard Hughey <rkhughey@pacbell.net>
> Newsgroups: alt.books.beatgeneration
> Subject: Hey Lew! Homage To Lew Welch
>
> New book on Lew Welch: Hey Lew! Homage to Lew Welch.
> Interviews, poems, biosketches, photos, drawings etc.
> on S.F. BeatGen poet Lew Welch.
> Edited by Magda Cregg, who lived with Lew 1964-1971.
> Contributors: Snyder, Whelan, Creeley, Meltzer, Kyger,
> McClure etc., also Peter Coyote and Huey Lewis.
> Write Magda Cregg, Box 964, Bolinas CA 94924.
> Copies: $12 post paid.
> RKH
=========================================================================
Date: Mon, 18 Aug 1997 14:59:30 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: Lou Reed and the Beats
In-Reply-To: <Pine.SUN.3.91-FP.970818154533.29685A-100000@cap1.capaccess.org>
from "Richard Wallner" at Aug 18, 97 03:47:28 pm
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Well, Lou Reed was one of the speakers at the memorial
service for Ginsberg at St. Mark's Church this past
April. He read "Magic and Loss." I've often thought
of Lou as fairly Beat-like, tho I don't think there
are many actual connections.
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
=========================================================================
Date: Mon, 18 Aug 1997 15:16:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Slim Gaillard and Jack...and the hipsters
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About the Slim Gaillard trivia question posed by Antoine Maloney,
I don't know.
That's why I didn't hazard a guess.
As I remember it was who is Slim famous musician son-in-law.
OK, times up I give and it seems like no one else is going to pose an answer
so...
OK, who?
=========================================================================
Date: Mon, 18 Aug 1997 15:18:34 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Slim Gaillard and Jack...and the hipsters
Mime-Version: 1.0
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Answer to my trivia question.
I asked what PBS show did Jack kerouac say the slim gaillard line "flat foot
floogie with the floy floy"?
If I am not mistaken I believe it was on William F. Buckeley's Firing Line.
Apparently Jack got up and said it somehwhat out of the blue.
=========================================================================
Date: Tue, 19 Aug 1997 00:38:12 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Awww, mama... can this really... be the end...
Mime-Version: 1.0
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memphis blues again by Bob Dylan
oh the ragman draws circles
up and down the block
I'd ask him what the matter was
but I know that he don't talk
and the ladies treat me kindly
and they furnish me with tea
but deep inside my heart
I know I can't escape
oh mama can this really be the end
to be stuck inside of mobile
with the memphis blues again
well shakespeare he's in the alley
with his pointed shoes and his bells
speaking to some french girl
who says she knows me well
and I would send a message
to find out if she's talked
but the post office has been stolen
and the mailbox is locked
mona tried to tell me
to stay away from the train line
she said that all the rairoad men
just drink up your blood like wine
and I said oh I didn't know that
but then again there's only one I've met
and he just smoked my eyelids
and punched my cigarette
grandpa died last week
and now he's buried in the rocks
but everybody still talks about
how badly they were shocked
but me I experienced it to happen
I knew he'd lost control
when he built a fire on main street
and shot it full of holes
now the senator came down here
showing everyone his gun
handling out free tickets
to the wedding of his son
but me I nearly got busted
and wouldn't it be my luck
to get caught without a ticket
and be discovered beneath a truck
now the tea pitcher looked so baffled
when I asked him why he dressed
with twenty pounds of headlines
stapled to his chest
but he cursed me when I proved to him
then I whispered and said
not even you can hide
you see you're just like me
I hope you're satisfied
now the rainman gave me two cures
and said jump right in
the one was texas medicine
the other was just railroad gin
and like a fool I mixed them
and it strangled up my mind
and now people just get uglier
and I have no sense of time
when ruthie says come see her
in her honky tonk lagoon
where I can watch her waltz for free
neath her panamanian moon
and I say oh come on now
you know you know about my debutante
and she says your debutante just knows
what you need
but I know what you want
now the bricks lay on the grand street
where the neon madman climb
they all fall there so perfectly
they all seem so well timed
and here I sit so patiently
waiting to find out what price
you have to pay to get out of
going through all these things twice
oh mama can this really be the end
to be stuck inside of mobile
with the memphis blues again
[Bob Dylan, Blonde on Blonde, 1966]
=========================================================================
Date: Mon, 18 Aug 1997 16:36:54 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Stuck inside of Mobile
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> and I say oh come on now
> you know you know about my debutante
> and she says your debutante just knows
> what you need
> but I know what you want
>
Rinaldo,
Thanks for posting and refreshing the memory. It is just unreal how
"on" Dylan was in Hwy 61 and Blonde on Blonde. Wore a lot those records
out myself, as I imagine most of us did.
J. Stauffer
=========================================================================
Date: Mon, 18 Aug 1997 07:41:52 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Benway
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> Penn, Douglas, K. wrote:
> Have you ever been stuck in a bathroom line, Diane? just holding it
> in,
> watching all these men go ahead of you into their own stalls?
> Questions
> and visions such as those above begin to creep in. Destroying the
> order
> as it appears to you thru a yellow, jaundiced eye. Rationalizing the
> acts of madmen who do all these incalculable things. Inverting the
> natural order and following that back to it's source. Makes me think
> of
> the TV shows "x-files" and "millenium" (by Chris Carter). Getting into
> the mind of chaos, as burroughs says, unable to stop his pen or tongue
> from writing all that out. And I won't go as far as say that his
> descriptions are an apology, are an act of "writing away death" per se.
> I don't know.
No, never been stuck in a bathroom line waiting for the MEN to go in
before me. But are you saying that Burroughs' descriptions in the quoted
paragraphs are just the kinds of things that come into people's head
every day as they run into things that make their bodies uncomfortable?
Is that equivalent to the discomfort of waiting for junk? Waiting for
anything? Waiting for Godot perhaps? Dark humor. A horror show in the
mind. Burroughs seems to take us on a journey through the
deconstruction, perhaps de-structuring of society/the world through
horrific images but what does do his images actually evoke? It seems
that this line of discovery would be important since individual words and
images are the only thing that hold together a work without any real
characters or progression of events.
> and by the way, did you ever get a satisfactory answer to this > question:
>
> "Does the narrator have power in
> his observations and the words he uses, or is he merely a scribe forced
> to write about that which he cannot change?"
No, I'm still waiting for ideas, I was going to say answers, but I don;t
think there are any.
DC
=========================================================================
Date: Mon, 18 Aug 1997 15:57:22 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: The Darkness of Buddishm.
In-Reply-To: <3.0.1.32.19970816230359.006adf80@pop.gpnet.it> from "Rinaldo
Rasa" at Aug 16, 97 11:03:59 pm
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Slightly slow response on my part, but:
Rinaldo wrote:
> "A man who uses Buddhism or any other instrument to
> remove love from his being in order to avoid,
> has committed, in my mind, a sacrilege comparable
> to castration."-- William S. Burroughs' letter to Jack Kerouac.
> From "Letters of William S. Burroughs 1945-1959."
As somebody who calls himself a Buddhist, I'd like
to say that Burroughs comments about the religion are
at least very intelligent. He grasps the essence
of Buddhism, which is self-denial. I like it
when somebody comes up with a *good* reason not
to be a Buddhist, and Burroughs' reasons are good.
Reminds me of when I first read Neitzsche's similar
scorching of the Buddhist religion in "A Genealogy
of Morals," when I was around 19 years old. This
led me to a crisis of faith that lasted a couple of
years. I respect Burroughs and Neitzsche for
understanding what Buddhism is and choosing to
position themselves against it. That's better
than flimsily paying lip service to it, or
attacking it for misinformed reasons.
All I can really say in counterpoint is that we
all come up with our ways of dealing with "the
slings and arrows of outrageous fortune." I've
written somewhere that Burroughs had "porcupine
skin" -- that was his defense mechanism. Neitzsche
never got a good defense mechanism going, maybe
because he was schizophrenic, or maybe not, but
he lived the 2nd half of his life in horrible
misery. The Buddhist practice is just another
way of surviving. Ultimately I don't think
there's anybody in the world who hasn't sometimes
felt what Buddha felt when he said "All Life
is Suffering." And I also don't think there's
any Buddhist out there who hasn't sometimes felt
that life was just peachy keen and a whole lot
of fun.
As for this though:
> "When the Vietnamese communists
> took Saigon in 1975, they put their "class
> enemies" into re-education camps. In
> neighboring Cambodia, Pol Pot built exter-
> mination camps. Techears, doctors, people
> who could speak a foreing language, even
> people who wore glasses, were purged as
> he sought to reduce all of Cambodia to the
> level of the peasant class. The Vietnamese
> could be cruel captors, but their Confucian
> heritage left them open to educational re-
> form. In Cambodia, by contrast, Buddhism
> encouraged a belief in the ineluctability
> of karma and the idea that evil suffered
> is evil deserved. ''The idea of karma
> goes very deep in this society, and I
> think that was part of the mentality of
> the Khmer Rouge when they were massacring
> people,'' said Francois Ponvhaud, a priest
> who first went in Cambodia in 1965. '' They
> believed their victims had made errors,
> political errors, and that killing them
> would allow them to be reborn as better
> people in their next lives''. Pol Pot has
> admitted to some mistakes in the period
> from 1975 to 1979, but in his eyes they
> were mistakes of policy. About the million
> dead, he has never expressed any remorse."
> From "Terry McCarthy-- TIME,AUGUST 11,1997."
I'm sorry, this is what I'd call the kind of
misinformed criticism that *does* piss me off.
Cambodia and Vietnam were both Thereveda Buddhist
countries -- this notion that some vague threads
of Confucianism in Vietnamese culture were what
saved it from the evils that befell Cambodia
may make a nice little Time article, but is
way too flimsy to stand as a philosophical critique
of a religion. And China was more Confician
than Vietnam -- how would he explain Mao's crimes
against humanity? This just doesn't stand up,
it's just the kind of dull analytic blather
that keeps political pundits employed, in my
never-very-humble (but I'm trying) opinion.
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
=========================================================================
Date: Mon, 18 Aug 1997 17:50:08 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: The Darkness of Buddishm.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I wondered when or if anyone would comment about this. Glad to see it.
I did note in Burroughs letter that he talks about Buddhism and then
mentions reading Theosophy tracts. I think this is an indication of maybe a
watered down or distorted understanding or view because I don't think the
Theospophical Society has much relation to Buddhism really. But, that's
another argument.
But as well another but, I hoped to make the same point about Vietnam and
Cambodia in light of Mao and China.
I don't know how confucian Cambodia was/is compared to Vietnam but China
certainly was confucian. Interestingly Mao hated confucius more than anything.
Also, I wouldn't take at face value that the Vietnamese communists only
re-educated their enemies. And also remember that they didn't "win" until
1975. If they'd have come to power a decade earlier things would be very
different as well.
My in-laws are heavy duty Buddhist and one of the things I've noticed is
their Buddhism seems to be very different from the sort of dry and
intellectual or philosophical type of Buddism that you hear most about in
the US. It would be interesting to hear about these differences between
"real" (real in quotes in quotes) Buddhists and American's who practice
Buddhism.
At 03:57 PM 8/18/97 -0700, you wrote:
>Slightly slow response on my part, but:
>
>Rinaldo wrote:
>> "A man who uses Buddhism or any other instrument to
>> remove love from his being in order to avoid,
>> has committed, in my mind, a sacrilege comparable
>> to castration."-- William S. Burroughs' letter to Jack Kerouac.
>> From "Letters of William S. Burroughs 1945-1959."
>
>As somebody who calls himself a Buddhist, I'd like
>to say that Burroughs comments about the religion are
>at least very intelligent. He grasps the essence
>of Buddhism, which is self-denial. I like it
>when somebody comes up with a *good* reason not
>to be a Buddhist, and Burroughs' reasons are good.
>
>Reminds me of when I first read Neitzsche's similar
>scorching of the Buddhist religion in "A Genealogy
>of Morals," when I was around 19 years old. This
>led me to a crisis of faith that lasted a couple of
>years. I respect Burroughs and Neitzsche for
>understanding what Buddhism is and choosing to
>position themselves against it. That's better
>than flimsily paying lip service to it, or
>attacking it for misinformed reasons.
>
>All I can really say in counterpoint is that we
>all come up with our ways of dealing with "the
>slings and arrows of outrageous fortune." I've
>written somewhere that Burroughs had "porcupine
>skin" -- that was his defense mechanism. Neitzsche
>never got a good defense mechanism going, maybe
>because he was schizophrenic, or maybe not, but
>he lived the 2nd half of his life in horrible
>misery. The Buddhist practice is just another
>way of surviving. Ultimately I don't think
>there's anybody in the world who hasn't sometimes
>felt what Buddha felt when he said "All Life
>is Suffering." And I also don't think there's
>any Buddhist out there who hasn't sometimes felt
>that life was just peachy keen and a whole lot
>of fun.
>
>As for this though:
>> "When the Vietnamese communists
>> took Saigon in 1975, they put their "class
>> enemies" into re-education camps. In
>> neighboring Cambodia, Pol Pot built exter-
>> mination camps. Techears, doctors, people
>> who could speak a foreing language, even
>> people who wore glasses, were purged as
>> he sought to reduce all of Cambodia to the
>> level of the peasant class. The Vietnamese
>> could be cruel captors, but their Confucian
>> heritage left them open to educational re-
>> form. In Cambodia, by contrast, Buddhism
>> encouraged a belief in the ineluctability
>> of karma and the idea that evil suffered
>> is evil deserved. ''The idea of karma
>> goes very deep in this society, and I
>> think that was part of the mentality of
>> the Khmer Rouge when they were massacring
>> people,'' said Francois Ponvhaud, a priest
>> who first went in Cambodia in 1965. '' They
>> believed their victims had made errors,
>> political errors, and that killing them
>> would allow them to be reborn as better
>> people in their next lives''. Pol Pot has
>> admitted to some mistakes in the period
>> from 1975 to 1979, but in his eyes they
>> were mistakes of policy. About the million
>> dead, he has never expressed any remorse."
>> From "Terry McCarthy-- TIME,AUGUST 11,1997."
>
>I'm sorry, this is what I'd call the kind of
>misinformed criticism that *does* piss me off.
>Cambodia and Vietnam were both Thereveda Buddhist
>countries -- this notion that some vague threads
>of Confucianism in Vietnamese culture were what
>saved it from the evils that befell Cambodia
>may make a nice little Time article, but is
>way too flimsy to stand as a philosophical critique
>of a religion. And China was more Confician
>than Vietnam -- how would he explain Mao's crimes
>against humanity? This just doesn't stand up,
>it's just the kind of dull analytic blather
>that keeps political pundits employed, in my
>never-very-humble (but I'm trying) opinion.
>
>------------------------------------------------------
>| Levi Asher = brooklyn@netcom.com |
>| |
>| Literary Kicks: http://www.charm.net/~brooklyn/ |
>| (3 years old and still running) |
>| |
>| "Coffeehouse: Writings from the Web" |
>| (a real book, like on paper) |
>| also at http://coffeehousebook.com |
>| |
>| *--*--*--*--*--*--*--*--*--*--*--* |
>| |
>| "It was my dream that screwed up" |
>| -- Jack Kerouac |
>------------------------------------------------------
>
>
=========================================================================
Date: Mon, 18 Aug 1997 18:14:50 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Penn, Douglas, K" <dkpenn@OEES.COM>
Subject: Re: Naked Lunch: Benway
MIME-Version: 1.0
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Diane writ:
<<
>Burroughs seems to take us on a journey through the
>deconstruction, perhaps de-structuring of society/the world through
>horrific images but what does do his images actually evoke? It seems
>that this line of discovery would be important since individual words and
>images are the only thing that hold together a work without any real
>characters or progression of events.
>>
Well, let me steal some words from "Surrealists and Surrealism" (pg34)
to answer your question of what his images actually invoke:
<<
A trite phrase or an illustration from a mail-order catalogue: this
external element was essential, but as a starting point, not as an end
in itself. A bulwark set up to stem the unwanted influx of the
conventional, the aesthetic, the bogus and the shallow, its function was
to get the self-imposed censor out of the way. And because we come
smack up against that commonplace or that borrowed drawing (or
whatever), the cloud bursts and manna comes down. The familiar, the
already seen, the already read, crumples up and reveals the never yet
seen, the never yet read. But the operation would not come off if it
were merely a montage of external elements: for those externals to be
seen through, they have to be shifted into the realm of mirages. The
disconnected words will only cast their spell if borne aloft on the
breath of poetry. The fixed planes of the collage are the unpredictable
episodes of a film whose inner impetus alone keeps the machinery turning
over.
We are as yet only in 1919, and these initial soundings of the depths
may be mistaken for the unsubsided effervescence of Dada, on which
Aragon commented: "Anyhow the world gets a good laugh out of their
antics."
>>
Thus, if I'm translating correctly, his images [nouns] of junk, society,
and (please add here) (a) remove the censor, (2) reveal the unseen in
the seen, (3) and translate the commonplace into poetry, (4) reveal the
"fixed" planes of his cross topics, and (5) give a clue to the "inner
impetus" of "the machine".
But what his inner impetus is, or what the machine actually does,
well,...??
and then there's the idea that the medium is the message (Marshall
McCluhen). That the collage technique that WSB uses is meant for a
specific purpose. That besides the basic organization of the novel,
it's possible to use the resultant chaos to interpret words, characters,
scenarios in new ways. New ways to write a novel, ways to live, to get
junk (in a non-physical way), and to escape death??
and lastly: humour.
BUT: the surrealists were always using "commonplace" items and
subverting them. WSB and the associated images seem to be starting from
the opposite, with "highly charged" subculture items and working them
back to commonplace ideas. I could be absolutely wrong here, but it's a
theory to work with at least.
- not just rebelling against the ordinary
- not just organizing and editing the surreal
- not just idealizing the possibilities
- but starting with the idea of a fucked up universe and working
backwords in a purifying manner to a universe which contains it's
[opposite]???
[[I'd really like to pass the painter Yves Tanguey thru WSB, but can't
find a book!!]]
and if I had WWW access, I'd give you a link to a Robert Williams or
S.Clay Wilson graphic. Same ideas, me thinks. I DON'T KNOW. I should
spend more time building the engine than analyzing the race. Going home
now...
>> DC
Douglas
=========================================================================
Date: Mon, 18 Aug 1997 22:19:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Enlightments by Kerouac
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Coming soon:
On The Kerouac Quarterly web page, paintings based on Kerouac's
"Enlghtments" in POMES ALL SIZES. . . .as they are completed..these oils
will be photographed, posted and auctioned off (with a set ceiling price of
$50.00) and minimum bid feom $5.00. If you like the paintings try for them,
if you thinkthey suck wellll. . .. .don't.
http://www.freeyellow.com/members/upstartcrow/page1.html
For an example of the kind of art they will look like go see "The Flood of
Dr.Sax" go to:
http://www.freeyellow.com/members/upstartcrow/page2.html
I want these paintings to be low-priced and accessible, not a ton of money.
Because art, like the magic muse that inspires them, should be free like air. .
1st Enlightment: When you become enlightened you will know that you've been
enlightened all along. (Jack Kerouac, page 66 POMES ALL SIZES). . .
=========================================================================
Date: Mon, 18 Aug 1997 20:06:49 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: Re: Naked Lunch: Benway (Sekhu Surface I)
In-Reply-To: <33F85F30.E1E@together.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 7:41 AM -0700 8/18/97, Diane Carter wrote:
> Burroughs seems to take us on a journey through the
> deconstruction, perhaps de-structuring of society/the world through
> horrific images but what does do his images actually evoke? It seems
> that this line of discovery would be important since individual words and
> images are the only thing that hold together a work without any real
> characters or progression of events.
>
At 3:57 PM -0700 8/18/97, Levi Asher wrote:
All I can really say in counterpoint is that we
all come up with our ways of dealing with "the
slings and arrows of outrageous fortune." I've
written somewhere that Burroughs had "porcupine
skin" -- that was his defense mechanism. Neitzsche
never got a good defense mechanism going, maybe
because he was schizophrenic, or maybe not, but
he lived the 2nd half of his life in horrible
misery. The Buddhist practice is just another
way of surviving. Ultimately I don't think
there's anybody in the world who hasn't sometimes
felt what Buddha felt when he said "All Life
is Suffering." And I also don't think there's
any Buddhist out there who hasn't sometimes felt
that life was just peachy keen and a whole lot
of fun.
> DC
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
Douglas
http://www.electriciti.com/babu/ | 0 | The map is
not the territory
| { - | --Korzybski
----> | /\ |
=========
=========================================================================
Date: Mon, 18 Aug 1997 20:32:53 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: runner <babu@ELECTRICITI.COM>
Subject: (Sekhu Surface II)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 7:41 AM -0700 8/18/97, Diane Carter wrote:
At 3:57 PM -0700 8/18/97, Levi Asher wrote:
is Suffering." And I also don't think there's
any Buddhist out there who hasn't sometimes felt
> that this line of discovery would be important since individual words and
way of surviving. Ultimately I don't think
of fun.skin" -- that was his defense mechanism. Neitzsche
he lived the 2nd half of his life in horrible
all come up with our ways of dealing with "the
> characters or progression of events.
>
> images are the only thing that hold together a work without any real
never got a good defense mechanism going, maybe
> Burroughs seems to take us on a journey through the
> deconstruction, perhaps de-structuring of society/the world through
All I can really say in counterpoint is that we
> horrific images but what does do his images actually evoke? It seems
slings and arrows of outrageous fortune." I've
written somewhere that Burroughs had "porcupine
because he was schizophrenic, or maybe not, but
misery. The Buddhist practice is just another
there's anybody in the world who hasn't sometimes
felt what Buddha felt when he said "All Life
that life was just peachy keen and a whole lot
=========================================================================
Date: Tue, 19 Aug 1997 06:50:11 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: "it's all right ma, i'm only lurking
In-Reply-To: <3.0.1.32.19970819003812.006870dc@pop.gpnet.it>
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in the midst of post bashing and furious reading of many texts this past
month, i find myself uncharacteristcally silent. if i have sent this over
the list before, please fogive my lousy mailer and memory. just wanted to
say hello to all.
mc
on not writing
i have not been writing
i have been painting
i have not thought of words,
but rather of
colors, shapes,
blending, edging,
worlds building on the page
is it sleep
is it dreaming
who is doing the painting?
landscapes of the mind
appear regularly as if
plucked out of thin air.
no memory
beyond the intent to paint
dreams of eternal landscape
building word less poems
not asleep
nor waking.
mc
=========================================================================
Date: Tue, 19 Aug 1997 06:57:12 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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Diane Carter wrote:
>
> Is anyone ready to discuss books yet?
I just got OTR from the salina public library yesterday (is a public
library more communistic, socialistic, cooperative or what??? never
mind) . . .
SHOCKING. They have a sticker on it as Young Adult Fiction.
Now part of me drew back in horror at the thought of them doing this to
a wonderful book
but a sinister and subversive side of me likes very much that this book
will be in the young adult section. i may even begin to roam the
shelves of the fiction section and make other suggestions for Young
Adult classifications of REAL authors.
I have started Chapter One.
I guess it is sort of beating a dead mule but i'm asking myself about
JK's treatment of the character MaryLou.
The most troublesome thing to me is not that the character is described
as dumb and as a whore and whatnot. The most troubling thing is that
the character is compleatly silent - voiceless. Some woman - and
perhaps MaryLou will be one of them - are dumb and whores (just as many
men are). But the dismissing of the first woman in a voiceless manner
is troublesome.
I am not dwelling on this though and will continue to plow forward.
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 19 Aug 1997 08:39:44 -0400
Reply-To: Greg Elwell <elwellg@voicenet.com>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Greg Elwell <elwellg@VOICENET.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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HA! This makes me remember back to when I was in eighth grade, and a
classmate did a book report on OTR. This was back before I was into
Kerouac, so I didn't know much. All I can remember from his report is:
"This book really isn't about anything. It's just this dude driving across
the country."
Greg Elwell
elwellg@voicenet.com || elwellgr@hotmail.com
<http://www.voicenet.com/~elwellg>
-----Original Message-----
From: RACE --- <race@MIDUSA.NET>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Tuesday, August 19, 1997 7:59 AM
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
>Diane Carter wrote:
>>
>> Is anyone ready to discuss books yet?
>
>I just got OTR from the salina public library yesterday (is a public
>library more communistic, socialistic, cooperative or what??? never
>mind) . . .
>SHOCKING. They have a sticker on it as Young Adult Fiction.
>Now part of me drew back in horror at the thought of them doing this to
>a wonderful book
>but a sinister and subversive side of me likes very much that this book
>will be in the young adult section. i may even begin to roam the
>shelves of the fiction section and make other suggestions for Young
>Adult classifications of REAL authors.
>
>I have started Chapter One.
>I guess it is sort of beating a dead mule but i'm asking myself about
>JK's treatment of the character MaryLou.
>The most troublesome thing to me is not that the character is described
>as dumb and as a whore and whatnot. The most troubling thing is that
>the character is compleatly silent - voiceless. Some woman - and
>perhaps MaryLou will be one of them - are dumb and whores (just as many
>men are). But the dismissing of the first woman in a voiceless manner
>is troublesome.
>
>I am not dwelling on this though and will continue to plow forward.
>
>david rhaesa
>salina, Kansas
>
=========================================================================
Date: Tue, 19 Aug 1997 15:05:11 +0200
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: The Darkness of Buddishm.
In-Reply-To: <199708182257.PAA12729@netcom18.netcom.com>
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hello all beat friends,
--**--
i was *alot* staggered by the TIME article (quoted in the
previous post), the Pol Pot *violence with charm*,
the only XXme siecle utopia realized (1975-1979)
& one million dead, (Pol Pot was in childhood educated to
become a buddhist monk, & was a gentle schoolboy),
--**--
the beat's acceptance of buddishm & the Jack Keroauc's tragic death.
JK shifts from the catholic religion to buddishm as better resource for
a safe life. But at the end JK undermined himself, i think,
& i maybe wrong, that Eastern Lands aren't the response anyway...
--**--
Levi Asher wrote:
[excuse me for snippin' for brevity]
>I've written somewhere that Burroughs had "porcupine
>skin" -- that was his defense mechanism. Neitzsche
>never got a good defense mechanism going, maybe
>because he was schizophrenic, or maybe not, but
>he lived the 2nd half of his life in horrible
>misery.
The "porcupine skin" was an apologue written by
Arthur Schopenhauer (Nietzsche's master of philosophy),
the first western philosopher who studied & embraced
the eastern thought (id est, ''Parerga e Paralipomena''),
also Freud at last quoted the "porcupine" in his
thougth 'bout "the discomfourt in the society". Both
Schopenhauer & Nietzsche promoted having for
themself darkness & pain. Perhaps giving unconscious thread to
future nazi ideology... pain as a value in itself without
any salvation.
>The Buddhist practice is just another
>way of surviving. Ultimately I don't think
>there's anybody in the world who hasn't sometimes
>felt what Buddha felt when he said "All Life
>is Suffering." And I also don't think there's
>any Buddhist out there who hasn't sometimes felt
>that life was just peachy keen and a whole lot
>of fun.
"Vistors to Cambodia have come away charmed by the lush
beauty of the countryside and the smiling people.
But the violent side and the Cambodian life can manifest
itself without warning.
''Cambodian have this darkness, which is part of the
shadow of their sweetness,'' says David Chandler, who has
written a biography of Pol Pot and several histories of
the country. ''Many of us who keep going there still hard
to understand.'' Chandler observes that Pol Pot, with his
gentle voice, never failed to charm those he met. He
liked to quote French poetry. This was the same man who had
his staff executed after his house in Phnom Penh had
power failure."
>And China was more Confician
>than Vietnam -- how would he explain Mao's crimes
>against humanity? This just doesn't stand up,
>it's just the kind of dull analytic blather
>that keeps political pundits employed, in my
>never-very-humble (but I'm trying) opinion.
>
"Ancient violence takes on new forms: the
practice of setting fire to brides because of
the inadequacy of their dowries is on increase,
there is terrifying evidence that ritual child
sacrifice is being practiced by some followers
of the cult of goddess Kali, and communal violence
erupts regularly" -- Salman Rushdie, 1997.
saluti,
Rinaldo.
=========================================================================
Date: Tue, 19 Aug 1997 08:36:34 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: The Darkness of Buddishm.
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Rinaldo Rasa wrote:
>
> Levi Asher wrote:
> [excuse me for snippin' for brevity]
> >I've written somewhere that Burroughs had "porcupine
> >skin" -- that was his defense mechanism. Neitzsche
> >never got a good defense mechanism going, maybe
> >because he was schizophrenic, or maybe not, but
> >he lived the 2nd half of his life in horrible
> >misery.
>
> The "porcupine skin" was an apologue written by
> Arthur Schopenhauer (Nietzsche's master of philosophy),
> the first western philosopher who studied & embraced
> the eastern thought (id est, ''Parerga e Paralipomena''),
> also Freud at last quoted the "porcupine" in his
> thougth 'bout "the discomfourt in the society". Both
> Schopenhauer & Nietzsche promoted having for
> themself darkness & pain. Perhaps giving unconscious thread to
> future nazi ideology... pain as a value in itself without
> any salvation.
i've had the feeling many times that WSB lived in many ways a form of
buddhist life without claiming it - or perhaps explicitly denying it -
and being willing to cut off the arm of youngsters who claimed this
connection. at the risk of my arms i'm throwing this out.
david rhaesa
salina, Kansas
>
=========================================================================
Date: Tue, 19 Aug 1997 10:05:37 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>
Subject: Re: The Darkness of Buddhism.
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Hi Levi--Good to have you back on the list (my own slow response, I know).
I agree with you that Burroughs's comments on Buddhism are intelligent
rather than purely misinformed. I do think some questions of accuracy
remain, however:
>Slightly slow response on my part, but:
>
>Rinaldo wrote:
>> "A man who uses Buddhism or any other instrument to
>> remove love from his being in order to avoid,
>> has committed, in my mind, a sacrilege comparable
>> to castration."-- William S. Burroughs' letter to Jack Kerouac.
>> From "Letters of William S. Burroughs 1945-1959."
>
>As somebody who calls himself a Buddhist, I'd like
>to say that Burroughs comments about the religion are
>at least very intelligent. He grasps the essence
>of Buddhism, which is self-denial.
I've never had the impression that this "self-denial" is the "essence" of
Buddhism. What seems denied in Buddhism is a belief in an essential,
unchanging self--a self independent of and unencumbered by historical and
material conditions. Buddhism denies this kind of self, sure, as much as it
denies the opposite idea of selfhood: a self so mutable and changeable that
it cannot account for (and be responsible for) the joys and pains it creates
in the mind.
Then there are ascetic forms of self-denial or self-aversion (the "world" is
"illusion" and "I" cannot have "pleasure"--and suddenly every means of
experiencing the world is framed by scare quotes), which is what I think
most folks think of (wrongly) when they consider Buddhist self-denial. But
you countered this asceticism best in your closing words:
>Ultimately I don't think
>there's anybody in the world who hasn't sometimes
>felt what Buddha felt when he said "All Life
>is Suffering." And I also don't think there's
>any Buddhist out there who hasn't sometimes felt
>that life was just peachy keen and a whole lot
>of fun.
What has always motivated me about Buddhism is the Madhyamika (sp?)
"middle-way" school, in which both self-cherishing *and* self-aversion are
considered dangerous extremes. I find that too often in the West, we focus
on Dharma teachings about self-cherishing without adding that the Buddha
also cautioned against self-aversion. The two, for me, seem inseparable.
>I like it
>when somebody comes up with a *good* reason not
>to be a Buddhist, and Burroughs' reasons are good.
I also like it when one finds *good* reasons not to be a Buddhist. What I
like in the quotation Rinaldo posted was that Burroughs was not reading
against Buddhism so much as against how one *practices* Buddhism. If the
core of many Buddhisms is non-violence and altruism--and I think it is--then
Burroughs is right on the mark, and is speaking against those who misuse
Buddhism when he says, "A man who uses Buddhism or any other instrument to
remove love from his being in order to avoid, has committed, in my mind, a
sacrilege comparable to castration." The little I know of the many
Buddhisms in the contemporary world suggests to me that any person who uses
Buddhism to "remove love" from one's own being--rather than habituate
oneself to love--is indeed committing oneself to a form of self-aversion
that is a sacrilege.
So, what I see in the Burroughs quote, isn't so much a good reason not to be
a Buddhist, but a good caution against how a religious practice such as
Buddhism could be misused.
(Life *is* peachy today--my cat-skratch'd-infected thumb is healing [I can
hit the spacebar with hardly any pain], and a big old cup of coffee solved
the suffering of waking . . .)
Tony
=========================================================================
Date: Mon, 18 Aug 1997 22:54:41 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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> RACE wrote:
> I have started Chapter One.
> I guess it is sort of beating a dead mule but i'm asking myself about
> JK's treatment of the character MaryLou.
> The most troublesome thing to me is not that the character is described
> as dumb and as a whore and whatnot. The most troubling thing is that
> the character is compleatly silent - voiceless. Some woman - and
> perhaps MaryLou will be one of them - are dumb and whores (just as many
> men are). But the dismissing of the first woman in a voiceless manner
> is troublesome.
>
> I am not dwelling on this though and will continue to plow forward.
I think I've read five Kerouac books in a row and unfortunately this is
the way he portrays all women, except for the one at the end of Big Sur,
who actually was given to philosophical dialogue. I think in On the Road
this type of woman characterization is more prevelant too because he
spends most of his time trying to imitate Cody's relationship with women,
which in the across the country scenes is no more than random sex in
different cities. I've decided the best way to get past Kerouac's
attitude toward women is to ignore it, believing that in great writing,
there is no male or female anyway, only the experience of what it means
to be human.
DC
=========================================================================
Date: Tue, 19 Aug 1997 10:52:24 -0400
Reply-To: paw8670@mailer.fsu.edu
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Preston Whaley Jr." <paw8670@MAILER.FSU.EDU>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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David Rhaesa,
Your post touches on my own problems with JK's mysogyny. Visions of
Cody is particularly egregious. Nevertheless, I still think VC is one
of the most forward looking works I've ever read. I take the sexism and
its result -- inability to hear the woman's voice -- to be a confession,
driven by the artistic need to exorcise bigotry, i.e. blockages. Kerouac
acknowledged the problem of patriarchy somewhere. He said bad gender
relations are man's fault. I think it's in On the Road, but I can't
find it. If any one knows please share.
glad to be in the circle,
PW
=========================================================================
Date: Mon, 18 Aug 1997 23:09:07 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: The Darkness of Buddishm.
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> Rinaldo Rasa wrote: --**--
> the beat's acceptance of buddishm & the Jack Keroauc's tragic death.
> JK shifts from the catholic religion to buddishm as better resource for
> a safe life. But at the end JK undermined himself, i think,
I don't think that JK's shift to Buddhism ever held up well, or got him
anywhere, it was only one more thing to try in his search for meaning.
Perhaps the new book will prove differently, I'm beginning more to think
that he found that there was no earthly use for any religion for none
could prevent death, He goes on and on about what is the point of life,
birth, or anything in view of the fact that we are all going to die. It
seems also that the more he tried to get into Buddhism, peeling off
layers of self, the more he found self-hatred.
DC
=========================================================================
Date: Tue, 19 Aug 1997 11:14:32 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Chris Dumond <dumo13@EROLS.COM>
Subject: Wino -- more darkness
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Hi. Finally something I can (maybe) sink my teeth into?
Jack's LOVE of wine...
It's just one part of Jack's search for his truth. Many of you who have
read VISIONS OF CODY and other of Jack's books will recall his disgust
towards the American dream and how he says that it robs people of their
instinct, how it makes them forget what true happiness is... Well, it's
my belief that Jack found the most beat characters he could find and
emulated them in hope of finding satori or whatever. An aspect of this
was the wino. Jack loved winos! He really didn't have to be poor... he
could've gone along with the MEAT WHEEL but he didn't. He intentionally
dressed like a bum, hung out with bums (in back alleys of redbrick
drinking WINE)... it's kind of a retarded version of Sidhartha (please
excuse my spelling) and his quest for enlightenment -- when he became
(crap! I forget what they're called!) one of those little indian guys who
sits by the river and doesn't eat and seeks enlightenment thru it and he
realizes that it's a whole bunch of bull to keep tortureing yourself and
eventually becomes the Buddha. Well, this was Jack's road too, forcing
himself into the bottom of society... except that while Jack had his
enlightenment he was too addicted to the lifestyle to ever enjoy the
satori of the good life.
The Naked Lunch being like a movie comment was right on! I've always
thought of that book as a sick movie/dream inside Bill's head... being
directed by little globs of heroin... it even literally becomes a movie
during the middle of the book.
Chris
=========================================================================
Date: Tue, 19 Aug 1997 11:17:55 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Chris Dumond <dumo13@EROLS.COM>
Subject: one more thing...
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Sorry, I forgot to tack this onto my last post:
What is up with Jack Kerouac and the use of his word "redbrick"? I mean,
in VOC he uses it maybe a million times! It's also persvasive in his
poetry.
Chris
=========================================================================
Date: Tue, 19 Aug 1997 11:23:57 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Re: Mysgogyny (was On the Road: Young adu....)
In-Reply-To: <33F9B328.552E@mailer.acns.fsu.edu>
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On Tue, 19 Aug 1997, Preston Whaley Jr. wrote:
> Your post touches on my own problems with JK's mysogyny. Visions of
> Cody is particularly egregious. Nevertheless, I still think VC is one
> of the most forward looking works I've ever read. I take the sexism and
> its result -- inability to hear the woman's voice -- to be a confession,
> driven by the artistic need to exorcise bigotry, i.e. blockages.
The sexist attitudes of many of the beats is a real stumbling block for me
when it comes to talking about and teaching the beats. One of my friends
gave up completely on the beats because of this after reading Dharma Bums
and Tristessa. Trying to get people to look past that is sometimes like
trying to knock down a brick wall with your head. And its hard to
contradict those attitudes when you only have a handful of really
productive women whose work you can showcase. Even then most of them came
later on. In the beginning it was Jack and Neal and the boys and that's
about it except for the girlfriends who rarely lasted that long.
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@acs.appstate.edu P.O. Box 12149
http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Tue, 19 Aug 1997 11:36:57 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Slim Gaillard and Jack...and the hipsters
Mime-Version: 1.0
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Answer to Quiz #2:
Slim's son-in-law was Marvin Gaye, one of the crown princes of soul music.
He had Slim Gaillard sit in on the album "Midnight Love"; he added
hand-clapping!?!
Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?
Antoine
**********
>About the Slim Gaillard trivia question posed by Antoine Maloney,
>
>I don't know.
>
>That's why I didn't hazard a guess.
>
>As I remember it was who is Slim famous musician son-in-law.
>
>OK, times up I give and it seems like no one else is going to pose an answer
>so...
>
>OK, who?
>
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Tue, 19 Aug 1997 08:50:40 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Slim Gaillard and Jack...and the hipsters
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Answer to Quiz #2:
>
>Slim's son-in-law was Marvin Gaye,
Wow! That's big time.
>one of the crown princes of soul music.
>He had Slim Gaillard sit in on the album "Midnight Love"; he added
>hand-clapping!?!
>
>Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?
>
>Antoine
>
> **********
>>About the Slim Gaillard trivia question posed by Antoine Maloney,
>>
>>I don't know.
>>
>>That's why I didn't hazard a guess.
>>
>>As I remember it was who is Slim famous musician son-in-law.
>>
>>OK, times up I give and it seems like no one else is going to pose an answer
>>so...
>>
>>OK, who?
>>
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Tue, 19 Aug 1997 18:33:57 +-200
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arno Neele <arnoniem@TIP.NL>
Subject: AW: On the Road: Young adult fiction???? and Chapter 1
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"The truth of the matter is we don't understand our women; we blame on them and
it's all our fault." (OTR, page 122)
Maybe this is what you were looking for.
arno
----------
Van: Preston Whaley Jr.[SMTP:paw8670@MAILER.FSU.EDU]
Verzonden: dinsdag 19 augustus 1997 16:52
Aan: BEAT-L@CUNYVM.CUNY.EDU
Onderwerp: Re: On the Road: Young adult fiction???? and Chapter 1
David Rhaesa,
Your post touches on my own problems with JK's mysogyny. Visions of
Cody is particularly egregious. Nevertheless, I still think VC is one
of the most forward looking works I've ever read. I take the sexism and
its result -- inability to hear the woman's voice -- to be a confession,
driven by the artistic need to exorcise bigotry, i.e. blockages. Kerouac
acknowledged the problem of patriarchy somewhere. He said bad gender
relations are man's fault. I think it's in On the Road, but I can't
find it. If any one knows please share.
glad to be in the circle,
PW
=========================================================================
Date: Tue, 19 Aug 1997 10:09:12 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: The Darkness of Buddishm.
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My in-laws are heavy duty Buddhist and one of the things I've noticed is
their Buddhism seems to be very different from the sort of dry and
intellectual or philosophical type of Buddism that you hear most about in
the US. It would be interesting to hear about these differences between
"real" (real in quotes in quotes) Buddhists and American's who practice
Buddhism.
There are many schools of Buddhism. The theology heavy schools of
Tibetan, Korean, Vietnamese, etc. are very different than the Zen
Schools of China and Japan, as different as Catholicism and the
"lighter" shades of Protestantism.
matt
=========================================================================
Date: Tue, 19 Aug 1997 12:54:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: "Dawn B. Sova" <DawnDR@AOL.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
David R. noted that the public library has OTR classified as "Young Adult
Fiction." I had to comment --- and hold onto your hat when you hear this.
Just completed for reference publisher Facts on File, Inc., two volumes of a
four-volume set on censorship --- my two volumes were books that have been
censored/banned/challenged for "Social" content and for "Erotic" content
(summaries/case histories, etc.). Couldn't find my copy of NAKED LUNCH, so I
ordered a copy through interlibrary loan from another public library in the
county system here in New Jersey. NAKED LUNCH is classed as "YA" in at
least 5 of those libraries!!! (Of course, many others have "lost" it.) Know
something?? I laughed, and felt very subversive as I said NOTHING!
I'd be curious if other Beat books are similarly classified. What a
wonderful way to let the system open minds.
Dawn
=========================================================================
Date: Tue, 19 Aug 1997 09:45:32 -0700
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From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: The Darkness of Buddishm.
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----------
Rinaldo Rasa wrote:
i've had the feeling many times that WSB lived in many ways a form of
buddhist life without claiming it - or perhaps explicitly denying it -
and being willing to cut off the arm of youngsters who claimed this
connection. at the risk of my arms i'm throwing this out.
David
Am I too literal here? Not literary enough? David, I can hardly believe it? You
mean it?
leon
=========================================================================
Date: Tue, 19 Aug 1997 13:04:25 -0400
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From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: Third Mind anyone?
In-Reply-To: <970819125241_655415373@emout12.mail.aol.com>
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According to a recent book pricing publication, "The Third Mind" is worth
about $45.00. From what i understand this book is no longer in print. I
have only been able to take out a copy at the local library here in NJ
but recently it has vanished. Is there any way of obtaining a copy for
sale? It is one of the major books missing in my collection, along with
"Tornado Alley."
thanks,
jason
=========================================================================
Date: Tue, 19 Aug 1997 10:08:24 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: The Darkness of Buddishm.
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----------
From: RACE ---[SMTP:race@MIDUSA.NET]
Sent: Tuesday, August 19, 1997 6:36 AM
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: Re: The Darkness of Buddishm.
I'll get it right this time=20
David Rhaesa wrote:
=09
Amorphous regions overlaying the literally with the literary are =
getting fuzzy here for me. Cutup confusing Rasa with Rinaldo -- =
Apologies Rinaldo and Rasa for my last goof with attribution. In other =
words just getting confused here a might.=20
Hey David, you still got your arm, right? Sticks and stones will break =
your bones but words will never hurt you. Yeah, right?
david rhaesa
salina, Kansas
>
.-
=========================================================================
Date: Tue, 19 Aug 1997 12:34:43 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: The Darkness of Buddishm.
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Leon Tabory wrote:
>
> ----------
> From: RACE ---[SMTP:race@MIDUSA.NET]
> Sent: Tuesday, August 19, 1997 6:36 AM
> To: BEAT-L@CUNYVM.CUNY.EDU
> Subject: Re: The Darkness of Buddishm.
>
> I'll get it right this time
>
> David Rhaesa wrote:
>
> Amorphous regions overlaying the literally with the literary are
getting fuzzy here for me. Cutup confusing Rasa with Rinaldo --
Apologies Rinaldo and Rasa for my last goof with attribution. In other
words just getting confused here a might.
>
> Hey David, you still got your arm, right? Sticks and stones will break your
bones but words will never hurt you. Yeah, right?
>
> david rhaesa
> salina, Kansas
> >
> .-
arm is fine.
=========================================================================
Date: Tue, 19 Aug 1997 10:43:13 -0700
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From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Third Mind anyone?
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Really???
I remember back in 80 - 82 this book was available in scads at $3 or so for
the hardback. Moe's in berkely and Logos in Santa Cruz had bunches of them.
I may even have had bought a copy. Don't know where it is today.
My how times change.
At 01:04 PM 8/19/97 -0400, you wrote:
>According to a recent book pricing publication, "The Third Mind" is worth
>about $45.00. From what i understand this book is no longer in print. I
>have only been able to take out a copy at the local library here in NJ
>but recently it has vanished. Is there any way of obtaining a copy for
>sale? It is one of the major books missing in my collection, along with
>"Tornado Alley."
> thanks,
> jason
>
>
=========================================================================
Date: Tue, 19 Aug 1997 15:10:39 -0400
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From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: Re: Third Mind anyone?
Jason et al:
Regarding the Burroughs/Gysin collaboration, The Third Mind," if you can find
a nice copy for $45.00, grab it. The price guide has underestimated the vaue
of this gem from 1978. Viking (Penguin) should definitely bring it back into
print.
As far as Tornado Alley by Burroughs goes (illustrated by S. Clay Wilson),
we've got plenty of copies on hand in two editions:
1. paperback: $11.95
2. Hardcover: $20.00
shipping is $2.00.
I've got a Third Mind first edition hardcover in dust jacket signed by both
Burroughs and Gysin in near mint condition - If interested, drop me a line
here at Water Row -
Jeffrey
Water Row Books
=========================================================================
Date: Tue, 19 Aug 1997 16:31:31 -0500
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From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Books by Jan Kerouac
In-Reply-To: <970819150914_1883943480@emout03.mail.aol.com>
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Jeffrey
I have two of Jan's books on hold somewhere. I got side-tracked and do not
have the phone number to call. A hard cover in mint condition of either
Baby Driver or Train and a soft cover of the same book.
Do you know who it was that had notices of collectors stuff--Beat Stuff--on
teh List a few weeks ago? Was it you?
Thanks,
j grant
Small Press Authors and Publishers display books
FREE
http://www.bookzen.com/addbook-form.html
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Tue, 19 Aug 1997 07:37:55 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Benway
Comments: cc: SSASN@AOL.COM, dkpenn@oees.com
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> Penn, Douglas, K. wrote:
> BUT: the surrealists were always using "commonplace" items and
> subverting them. WSB and the associated images seem to be starting
> from
> the opposite, with "highly charged" subculture items and working them
> back to commonplace ideas. I could be absolutely wrong here, but it's
> a
> theory to work with at least.
>
> - not just rebelling against the ordinary
> - not just organizing and editing the surreal
> - not just idealizing the possibilities
> - but starting with the idea of a fucked up universe and working
> backwords in a purifying manner to a universe which contains it's
> [opposite]???
I'm not sure agree that he's working backward to commonplace ideas or in
a purifying manner, although the act of writing is surely a release of
some kind. I think the whole universe of Naked Lunch (as far as I've
read so far) is based on the premise everyone needs something and their
place in the universe is defined by what they need at what level. No one
gets what they need or want. I'm not sure they even know what that is.
I'm also not sure that his violent, dark images are surreal or that these
images are meant to come from an unconscious level. The narrator's
reality is perverted and dark, fucked up, if you will, but his reality is
"out there" as they way things are, the way society is. This is not a
dream from which he is trying to awake but a script written by his
conscious mind.
DC
=========================================================================
Date: Tue, 19 Aug 1997 19:27:02 -0400
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From: John J Dorfner <Kirouack@AOL.COM>
Subject: Re: Burroughs and musical influences
i enjoyed this stuff diane...thanks for sharing it. i'm going through my
files from beat-l and deleting stuff. maybe i'll catch ya later.
john
=========================================================================
Date: Tue, 19 Aug 1997 21:31:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mitchell Smith <Praetor77@AOL.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
Tired, tired, tired of the whole women question. Similar to the race card
that is played now and then. I was asked in my PhD candidacy oral defense
about the portrayal of Mexicans in Road. The young Mexican-American professor
questioning me went on at some length about "Kerouac's" assertion that
Mexicans do not care about appearances. The prof explained the inaccuracy,
described just how much Mexican culture is based on appearances, how white
American imperialist it was to impose readings on another culture, and the
"R" word came up of course. How could I defend an author who wrote such
things?
Weellll, whether Kerouac was an "R" or not, I don't know and don't care. But
I asked, did the professor really expect a young white guy circa 1950 like
Sal Paradise to really have the PC race/gender/orientation ideology of a 90's
liberal college professor? If he did, I would find the chararcter pretty
unreal and poorly written. Kinda like "Dr. Quinn, Medicine Woman" where we go
back into the Old West with all our PC assumptions. Cute and cuddly, but real
it ain't.
So are you "troubled" by Kerouac's treatment of women and blacks in his
writing? Don't be troubled (a typical weak university term, like
"problematic")--be terrified. Don't suspect that his attitudes weren't PC.
They weren't even close. And don't think that you might be able to find
something that will redeem him. You won't and who cares?
Kerouac the man had every right to his opinions and to put them into his
writing. English Departments seem to aspire to be amateur sociologists,
psychologists, or political editorialists. They call into question every
philosophical assumption except their own political correctness. Personally,
this is not the path for me. Whether Kerouac's view on race, gender, or ice
hockey conform to my own or not, I am still moved by his artistic brillance
and will not say he is a bad writer because he doesn't agree with me.
And I will not write off his complex themes with one word answers like racist
or sexist. Let's go deeper than that. When someone says his portrayal of
Mexicans is racist, I answer, "And....?" What does that mean? Where does it
go? These days EVERYONE can be smeared with those kinds of words. So those
who use them be warned: they've lost their power. With Kerouac, I want to
know more deeply the particulars and motivations and symbolic resonances of
the writing. One word write-offs don't make that.
=========================================================================
Date: Tue, 19 Aug 1997 20:48:43 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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Mitchell Smith wrote:
>
> And I will not write off his complex themes with one word answers like racist
or sexist. Let's go deeper than that. When someone says his portrayal of
Mexicans is racist, I answer, "And....?" What does that mean? Where does it go?
These days EVERYONE can be smeared with those kinds of words. So those who use
them be warned: they've lost their power. With Kerouac, I want to know more
deeply the particulars and motivations and symbolic resonances of the writing.
One word write-offs don't make that.
Perhaps i was misunderstood. I'm about as politically correct as the
pope. I was not saying this makes JK evil. I wasn't suggesting that
one not read him or suggest him or praise his abilities. It does seem
that he continually is unable to provide female characters with nearly
the same depth as the rest of his writing. Perhaps this is due to the
experiences he had.
I'm sorry that you received such harrassment from the Race angle on your
committee but please don't turn around and play the same game by
accusing me of playing "a card" when that is not what i said at all.
respectfully,
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 19 Aug 1997 18:49:24 -0700
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From: runner <babu@ELECTRICITI.COM>
Subject: build an engine
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am trying to build an engine that will take
beat lit theory to
art history methodology
to artistic product
wish me luck and thanx to all on this list for
all their ideas, info, and whatnot
<<unsubscribe>>
Douglas
http://www.electriciti.com/babu/ | 0 | The map is
not the territory
| { - | --Korzybski
----> | /\ |
=========
=========================================================================
Date: Tue, 19 Aug 1997 21:19:41 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: how did you meet the beats.
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Charles,
How and when did you meet Allen or William? As much as I sympathise
with the ernest academics about this being a place dedicated to
discussion of literature, to me the literature comes untidily wrapped in
the social life and community that the literature evolved from. I am
interested in the travel and points of contact people had.
Patricia
=========================================================================
Date: Tue, 19 Aug 1997 19:31:47 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: build an engine
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I do wish you luck. I will miss your creative piercing contributions. Please
keep in touch and let us know what you are coming up with
Bon Chance
leon
----------
From: runner[SMTP:babu@ELECTRICITI.COM]
Sent: Tuesday, August 19, 1997 6:49 PM
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: build an engine
am trying to build an engine that will take
beat lit theory to
art history methodology
to artistic product
wish me luck and thanx to all on this list for
all their ideas, info, and whatnot
<<unsubscribe>>
Douglas
http://www.electriciti.com/babu/ | 0 | The map is
not the territory
| { - | --Korzybski
----> | /\ |
=========
.-
=========================================================================
Date: Tue, 19 Aug 1997 19:59:28 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: The Darkness of Buddhism.
In-Reply-To: <199708191405.KAA05111@lynx.dac.neu.edu> from "Tony Trigilio" at
Aug 19, 97 10:05:37 am
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I wrote:
> >As somebody who calls himself a Buddhist, I'd like
> >to say that Burroughs comments about the religion are
> >at least very intelligent. He grasps the essence
> >of Buddhism, which is self-denial.
Tony wrote:
> I've never had the impression that this "self-denial" is the "essence" of
> Buddhism. What seems denied in Buddhism is a belief in an essential,
> unchanging self--a self independent of and unencumbered by historical and
> material conditions. Buddhism denies this kind of self, sure, as much as it
> denies the opposite idea of selfhood: a self so mutable and changeable that
> it cannot account for (and be responsible for) the joys and pains it creates
> in the mind.
and also:
> Burroughs is right on the mark, and is speaking against those who misuse
> Buddhism when he says, "A man who uses Buddhism or any other instrument to
> remove love from his being in order to avoid, has committed, in my mind, a
> sacrilege comparable to castration." The little I know of the many
> Buddhisms in the contemporary world suggests to me that any person who uses
> Buddhism to "remove love" from one's own being--rather than habituate
> oneself to love--is indeed committing oneself to a form of self-aversion
> that is a sacrilege.
I think you're right, and I guess I'm being overly
extreme to say that self-denial is the essence of
Buddhism.
It's important to realize, as you said, that Buddha
did not teach extreme asceticism (self-denial) but
rather pointed towards a "middle way" between
the two opposite traps, self-denial and self-indulgence.
But I think it's the self-denial aspect of Buddhism
that people think more about, mainly because humans
tend to be naturally self-indulgent, so reaching
the "middle way" is usually acheived only with
strong doses of renunciation. Very few people
are so naturally unselfish that they have to reach
the middle way by becoming *more* selfish.
Nice thought, though.
About the difference between American Buddhists
and actual Asian Buddhists, I agree that they
are worlds apart. I remember when my wife and
I, looking for some enlightenment on a hot summer
day in Queens, wandered into a Korean Buddhist
temple in Corona. They stared at us like we
were insane. Looked kinda fun in there, though,
wish they could have let us stay ...
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *--*--*--*--*--*--*--*--*--*--*--* |
| |
| "It was my dream that screwed up" |
| -- Jack Kerouac |
------------------------------------------------------
=========================================================================
Date: Tue, 19 Aug 1997 23:57:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Kyle Mays <kmays@VOICENET.COM>
Subject: Subscribe help
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I was wondering if anyone can help me subscribe to the Beat-l. Thanks for
any help.
Kyle Mays
kmays@voicenet.com
=========================================================================
Date: Tue, 19 Aug 1997 21:47:09 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
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Mitchell,
Thanks for you post which is excellent. It is entirely bogus to expect
the Beats to be PC. In my comments on JK and women I really wasn't
meaning to suggest that. It is more my contention that JK wrote very
poor women characters. I personally don't care whether he was sexist of
not. His problem rather than mine. A more relevant issue is whether
his inability to see women in any sort of totality limited him as a
writer. Sort of a problem for a novelist and, if we were to follow
Leslie Fiedler, an endemic problem for American novelists at least. But
I can think of a lot of American writers who wrote far more realized
women than Jack could. Henry James and Scott Fitzgerald come to mind.
Jack writes wonderfully about alot of things. But women aren't one. I
am inclined to agree that the painful relationship with Billie, which is
no fun at all to read, may be the only time he got it very real.
But thanks for your refreshingly non-PC point of view. And thanks for
reminding me why I shouldn't miss the world of English departments.
J. Stauffer
=========================================================================
Date: Tue, 19 Aug 1997 23:02:37 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: 710 Ashbury and other treasures
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Beat-L folks with lots of money and a Deadhead orientation may want to
know that they have the chance of a lifetime to buy the Dead house at
710 Ashbury. Just bring your prequalified loan to bid over the 900,000
minimum bid and you're in the game. Butterfield and Butterfield is
doing a "Summer of Love" auction in which the house is the featured
attraction, other items include the original contract for the Charlatans
to play at the Red Dog Saloon. I will send off for the catalog to see
if there is anything literary included.
J. Stauffer
=========================================================================
Date: Wed, 20 Aug 1997 08:33:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Jan Keroauc First Editions
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Can someone help me with this?
I reserved a couple of First Editions of Jan Keroauc's and before I had a
chance to call back with credit card info I misplaced name of the book
dealer.
At the same time my computer ate some files.
The information came to me via the Beat List. If the book dealer sees this
please contact me so Ican get the $ to you.
Thanks,
j grant
Small Press Authors and Publishers display books
FREE
http://www.bookzen.com/addbook-form.html
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Wed, 20 Aug 1997 10:12:17 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: PATRICK <EASTWIND@EROLS.COM>
Organization: EASTWIND PUBLISHING
Subject: Re: Slim Gaillard and Jack...and the hipsters
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Antoine Maloney wrote:
>
> Answer to Quiz #2:
>
> Slim's son-in-law was Marvin Gaye, one of the crown princes of soul music.
> He had Slim Gaillard sit in on the album "Midnight Love"; he added
> hand-clapping!?!
>
> Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?
>
> Antoine
>
> **********
> >About the Slim Gaillard trivia question posed by Antoine Maloney,
> >
> >I don't know.
> >
> >That's why I didn't hazard a guess.
> >
> >As I remember it was who is Slim famous musician son-in-law.
> >
> >OK, times up I give and it seems like no one else is going to pose an answer
> >so...
> >
> >OK, who?
> >
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
I never met kerouac, but I met Ginsberg, Corso in Paris at the Beat
Hotel in the late 50s'- and can tell you with assuarnce that the music
of the beats was American Jazz---Coltrane, Bud Powell and the early Chet
Baker when he was just starting in Calif.
=========================================================================
Date: Wed, 20 Aug 1997 10:19:42 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: PATRICK <EASTWIND@EROLS.COM>
Organization: EASTWIND PUBLISHING
Subject: Re: Cross posting from RMD
Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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R. Bentz Kirby wrote:
>
> >From time to time, I check out the Dylan news group. I used to post
> there a lot till I found the beat-l and found it to be more fun, and
> less spam. (Wonderful spam!). There has been raging a fierce war
> between the condemn Burroughs to hell and the Burroughs just told the
> truth folks. I have found several posts that are quite good in the
> defense of Burroughs. The ones that lead into them are quite bad but
> have been repeated in the follow up posts. I sent two that I thought
> were particularly good to P and she said that they good food for
> thought. I am going to post those two to the list, because I think they
> contain good summaries of the merits of WSB's work.
>
> The posts are not intended to draw comments, and we certainly do not
> need to discuss the drivel that lead to these posts. But, I think it is
> helpful to the list to gain a perspective of how some who are not on the
> list perceive and defend WSB. If anyone wants to comment, feel free.
> But these two posts are cross posts and will be labeled as such. I do
> not intend to comment on them, just cross post.
>
> If you care to see the full exchanges, point your news reader at:
>
> rec.music.dylan
>
> Then check out the burroughs rot in hell thread, or something like that.
>
> Peace,
> Thanks.
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
Doesanyone have any information on the Beats in Paris,France at the Beat
Hotel?--that is, articles etc.
=========================================================================
Date: Wed, 20 Aug 1997 08:24:42 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: The Darkness of Buddhism.
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>"A man who uses Buddhism or any other instrument to remove love from his
being in order to avoid, has committed, in my mind, a sacrilege comparable
to castration."
The word "uses", I think, is the key here. I don't think he's suggesting
that *Buddhism* removes love but that someone can mis-use the tenets of
Buddhism to say "I don't/can't/won't love because that's 'attachment'".
Do I have a firm grasp of the obvious or what?
love and lilies,
matt
=========================================================================
Date: Wed, 20 Aug 1997 11:18:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Jan Keroauc First Editions
In-Reply-To: <v03007801b020a1b737ad@[156.46.45.72]>
MIME-Version: 1.0
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On Wed, 20 Aug 1997, jo grant wrote:
> Can someone help me with this?
>
> I reserved a couple of First Editions of Jan Keroauc's and before I had a
> chance to call back with credit card info I misplaced name of the book
> dealer.
>
Call the rare book dept at the Strand in NYC...last time I was there (a
couple of months ago admittedly), they had a Jan Kerouac first edition,
as well as a first ed. of the paperback of Desolate Angels. If they dont
have those anymore, the folks there would probably be able to figure out
your dealer'sname, provided you give enough clues, since they deal with
most any of them in the area.
=========================================================================
Date: Wed, 20 Aug 1997 11:14:02 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: On the Road: drunkenness
Reply to message from jgrant@BOOKZEN.COM of Mon, 18 Aug
>
>Whiskey is expensive. Whiskey alcoholics have more money. By the time the
>alcoholic gets to wine he/she is usually close to the bottom of the
>economic ladder.
>
>j grant
This past March when I was writing my "senior seminar" paper on the Beats
(how I first found this list...) I decided that, as research, I had to get
a bottle of Thunderbird. It was research, pure research, I kept telling
my friends who rolled their eyes. So, at the state liquor store in
Aurora, Ohio, I asked the kind clerk if they had any in stock. He laughed
and said no, but "This stuff is the next best thing," and pointed to a
bottle of Wild Irish Rose. So I grabbed a bottle while the clerk continued
laughing and asked, "Is this a gag gift?" "Um, no, it's research," I replied.
Well, about a week later I found the real deal in the 24-hour Giant Eagle
in Ravenna. Granted, the greenish tint that I was never quite sure if it
belonged solely to the bottle or the liquor caught me off guard. But let's
just say that if you've only got $5 to spend on liquor, the stuff will do
the job. So then my professor found out about my research & shook his
head, remarking, "They still sell that stuff? My roommate back in college
drank an entire bottle of that one night, and later on he was puking green
bile..."
So maybe it all has to do with desperation....
Diane.
--
Diane M. Homza <---Professional Rebound Girl!
2 Years Experience; References Are Avaliable! ek242@cleveland.freenet.edu
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
=========================================================================
Date: Tue, 19 Aug 1997 23:33:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: On the Road: Chad King
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Does anyone have a character list that identifies Chad King who is in the
first part of On the Road? Also, when he gets to Denver, Sal stays with
a group of friends who seem to be on the outs with Cody and Irwin, does
anyone know the social particulars of the time and whether it was just a
personality conflict or did it have to do with views of literature, as
one of the guys Sal stays with seems to want to write like Hemingway.
DC
=========================================================================
Date: Wed, 20 Aug 1997 11:38:52 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dixon Edmiston <DIXCIN@AOL.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
Mitchell Smith wrote "Tired, tired,tired..."
Thank you, thank you, thank you....
Dixon
=========================================================================
Date: Wed, 20 Aug 1997 11:07:02 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>
Subject: Bay Area/Beat-L Group
Mime-Version: 1.0
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I remember reading post about a Beat-l group trying to get together
in the Bay area. Did it happen? Any interesting news, ideas or
topics for discussion come out of that?
=========================================================================
Date: Wed, 20 Aug 1997 13:05:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sara Brosnan <coffee@MAIL.WDN.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapt
MIME-Version: 1.0
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> SHOCKING. They have a sticker on it as Young Adult Fiction.
> Now part of me drew back in horror at the thought of them doing this
> to
> a wonderful book
> but a sinister and subversive side of me likes very much that this
> book
> will be in the young adult section. i may even begin to roam the
> shelves of the fiction section and make other suggestions for Young
> Adult classifications of REAL authors.
>
This is my first post to this list. I'm 15 and going into my sophmore
year of highschool. OTR was on are recomended summer reading list and I
just finished reading it. I've read Howl and a bunch of other Ginsberg
poems along with some of Jack Kerouac's. I also read and loved a book
which was a collection of stuff from Woman Beats. As part of my
Humanities class next year we are going to be reading some Beat stuff I
think. Which I think is incredibly cool. I'm looking forward to
hearing everyone's insights on Beat literature, and adding some of my
own.
Sara
"I saw the best minds of my generation destroyed by maddness, starving,
hysterical, naked."
http://www.geocities.com/SoHo/Lofts/1988
--------------19CC5EE50031385F5C96532E
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<HTML>
<BLOCKQUOTE TYPE=CITE>SHOCKING. They have a sticker on it as Young
Adult Fiction.
<BR>Now part of me drew back in horror at the thought of them doing this
to
<BR>a wonderful book
<BR>but a sinister and subversive side of me likes very much that this
book
<BR>will be in the young adult section. i may even begin to roam
the
<BR>shelves of the fiction section and make other suggestions for Young
<BR>Adult classifications of REAL authors.
<BR> </BLOCKQUOTE>
This is my first post to this list. I'm 15 and going into my sophmore
year of highschool. OTR was on are recomended summer reading list
and I just finished reading it. I've read Howl and a bunch of other
Ginsberg poems along with some of Jack Kerouac's. I also read and
loved a book which was a collection of stuff from Woman Beats. As part
of my Humanities class next year we are going to be reading some Beat stuff
I think. Which I think is incredibly cool. I'm
looking forward to hearing everyone's insights on Beat literature, and
adding some of my own.
<P>Sara
<BR>"I saw the best minds of my generation destroyed by maddness, starving,
hysterical, naked."
<BR><A
HREF="htttp://www.geocities.com/SoHo/Lofts/1988">http://www.geocities.com/SoHo/
Lofts/1988</A>
<BR>
<BR> </HTML>
--------------19CC5EE50031385F5C96532E--
=========================================================================
Date: Wed, 20 Aug 1997 14:04:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mitchell Smith <Praetor77@AOL.COM>
Subject: Ron W and White Fields Press
Does anyone know what has become of Ron Whitehead and why White Fields Press
went out of business? They had such an amazing line of publications, I can't
see why they gave up. The difficulties of being a small press I guess.
M Smith
=========================================================================
Date: Wed, 20 Aug 1997 12:18:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: On the Road: Chad King
Mime-Version: 1.0
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Hal Chase and Ed White (Chad King and Tim Gray in On the Road) were
roommates and sometime college students in Denver. Who Kerouac stayed
with when he first arrived in Denver.
Ann Charters wrote in Kerouac - A Biography:
"Jack described the mood as "some kind of conspiracy," even "a war
with social overtones," because Neal was the son of a wino bum and
Chase and White were college students from respectable homes.
But Chase and his friends didn't stress the social differences when
they objected to Cassady. They told Jack they thought Neal was "a
moron and a fool" for rushing around Denver making love to any willing
girl:........"
love and lilies,
matt
______________________________ Reply Separator _________________________________
Subject: On the Road: Chad King
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 8/19/97 11:33 PM
Does anyone have a character list that identifies Chad King who is in the
first part of On the Road? Also, when he gets to Denver, Sal stays with
a group of friends who seem to be on the outs with Cody and Irwin, does
anyone know the social particulars of the time and whether it was just a
personality conflict or did it have to do with views of literature, as
one of the guys Sal stays with seems to want to write like Hemingway.
DC
=========================================================================
Date: Wed, 20 Aug 1997 12:47:59 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: Ron W and White Fields Press
In-Reply-To: <970820140206_1359674217@emout11.mail.aol.com>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
m.smith
as far as i know they havent gone out of business - at least not as much
as ron has mentioned to me ( and you would think in his wild enthusiastci
nightmares of posts that ramble & update in a fury/flurry of wrds he would
have said something) i know that he is still planning some publishe in
heaven posters, organizing a reading for oct 9 in lousiville, KY, heading
to europe for readings, etc sept.10, working on research for new book on
l.ferlinghetti and working on new poetry as well as recently submitted
manuscript for final editing of _william s. burroughs: calling the toads_
so i dont think that whitefields press has bit the bucket yet.
have you heard otherwise?
yrs
derek
On Wed, 20 Aug 1997, Mitchell Smith wrote:
>
> Does anyone know what has become of Ron Whitehead and why White Fields Press
> went out of business? They had such an amazing line of publications, I can't
> see why they gave up. The difficulties of being a small press I guess.
>
> M Smith
>
=========================================================================
Date: Wed, 20 Aug 1997 15:37:18 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Lowell Celebrates Kerouac 1997
I was wondering if anyone else was planning on going to Lowell in October. May
be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or some
thing.
=========================================================================
Date: Wed, 20 Aug 1997 15:34:21 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: OTR -- chapter 1 still
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I'm moving along at a snail's pace. my apologies to the quick readers.
"The whole mad swirl of everything that was to come began then; it would
mix up all my friends and all I had left of my family in a big dust
cloud over the American Night." (p.8)
This sentence just hit me hard. I'd turned the page and there it was at
the top of the next . . . bam! . . . It seems to say so much of the tale
(as i recall from reading it long ago).
I guess it also says something about some decent ways of reading OTR.
It seems an easy way to fall amidst the whirlwind and madness and let
the story take you along. I have done this when i read it before.
Another is to be more of a twister watcher (albeit not a member of the
p.c. police) and observe the whirl of mad connections from a safer and
saner distance.
This time around i will follow the second path - the first is far too
likely to land me in a hospital.
This quotation as i said hit me hard in the middle of some synapse and
seems to say so much -- not just about chapter one -- but far far far
into the narrative.
"And this was really the way that my whole road experience began, and
the things that were to come are too fantastic not to tell." (p.9)
JK slides so smoothly out of the narrative and into the role of
storyteller...the author sliding into the story a bit. i've always
liked this quality. And the notion of "TOO FANTASTIC" along with the
"WHOLE MAD SWIRL" begin to create something in my brain which i missed
by falling too far into the book the last time i read it.
"Somewhere along the line I knew there'd be girls, visions, everything:
somewhere along the line the pearl would be handed to me." (p.11)
I wonder if the pearl was ever handed off. To JK, to us??? The
fantastic tale is certainly in store and it provides everything - but
perhaps not the pearl.
I'll lag along slowly pearl hunting.
david rhaesa
salina, Kansas
=========================================================================
Date: Wed, 20 Aug 1997 18:11:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Carl A Biancucci <carl@WORLD.STD.COM>
In-Reply-To: <BEAT-L%1997082015402243@CUNYVM.CUNY.EDU> from "Bill Gargan" at
Aug 20, 97 03:37:18 pm
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=>I'll definitely be going to Lowell in Oct.,and hope to meet
assorted Beat-L-sters.
> I was wondering if anyone else was planning on going to Lowell in October.
May
> be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or
some
> thing.
>
=========================================================================
Date: Thu, 21 Aug 1997 00:11:42 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Wittgenstein's dream (Re: Was Burroughs really a beat writer?)
In-Reply-To: <Pine.BSI.3.95.970813195003.25110D-100000@global.california .com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Michael et al. friends,
Ludwig Wittgenstein (1889-1951) was indeed a very tormented soul:
Ludwig every nite dreamed of cold & deep place into himself own
mind, lifting up a handkerchief & scared of worms &
creeping slimy beeings found there.
saluti,
Rinaldo.
At 20.04 13/08/97 -0700,
"Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM> wrote:
> "Wittgenstein said that if the universe is pre-recorded, the only thing
> not pre-recorded is those recordings themselves. In my work,
> the cut-ups and all, I attempt to get at the substance of the
> recordings."
> - William S. Burroughs
> (quoted from memory)
>
=========================================================================
Date: Wed, 20 Aug 1997 17:22:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
In-Reply-To: <33F6CC50.10CB@midusa.net>
MIME-Version: 1.0
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On Sun, 17 Aug 1997, RACE --- wrote:
> runner wrote:
> > Mixed this all up with my working
> > WSB ideas of the "big lie."
> >
> > http://www.electriciti.com/babu/images/Big_lie.html
> >
> > Douglas
> >
> > http://www.electriciti.com/babu/
>
> I'm not certain that "lie" is it. Unless the Lie is in only one angle
> on truth. It doesn't seem to me a particularly moralish notion as Lie
> sometimes suggests - what constitutes the Big Lie is factually accurate
> from a particular point of view, from a particular angle. What is
> exposed is the multiplicity of angles.
In _Painting & Guns_ Burroughs talks about points of view in painting (this
was actually an essay that appeared elsewhere, but I don't recall the name
right now). His paintings, he said (I'm paraphrasing), were made to be
viewed from "any angle." The idea was to destroy the notion of one point of
view, one framed image with one place to look at. But with a framed image
you still have notions of left, right, top, bottom etc., so I wonder if
anyone has done something like this -- it would seem that a good way to do
implement "multiplicity of angles" would be a circular shaped canvas, and a
framing device that does not rely on hanging the picture in any particular
direction. To see this implemented in music and in film, that would be
interesting perhaps.
I liked "green tit."
=========================================================================
Date: Wed, 20 Aug 1997 18:34:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Ted W. Nagy" <tnagy@PASS.WAYNE.EDU>
Subject: unsubscribe
In-Reply-To: <33F76F7C.D8C@pacbell.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
unscribe beat-l
thankyou
=========================================================================
Date: Wed, 20 Aug 1997 18:51:19 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Rare books
Bill Morgan and Bob Rosenthal have issued a new catalog: The Beats/Edie
Kerouac Collection. They have a number of items on sale that once
belonged to Edie, many containing her signature and stamp. I found the
prices very reasonable. For a copy of the catalog or for more
information, contact Morgan & Rosenthal, P.O. BOX 1631, Stuyvesant
Station, New York, NY 10009
=========================================================================
Date: Wed, 20 Aug 1997 08:12:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: OTR -- chapter 1 still
MIME-Version: 1.0
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> RACE wrote:
> "Somewhere along the line I knew there'd be girls, visions, everything:
> somewhere along the line the pearl would be handed to me." (p.11)
>
> I wonder if the pearl was ever handed off. To JK, to us??? The
> fantastic tale is certainly in store and it provides everything - but
> perhaps not the pearl.
>
> I'll lag along slowly pearl hunting.
I think JK finds many pearls but never THE pearl. The flawed part is
probably that he kept searching for THE pearl instead of accepting the
many he found.
DC
DC
=========================================================================
Date: Wed, 20 Aug 1997 20:58:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
In-Reply-To: <970819125241_655415373@emout12.mail.aol.com>
MIME-Version: 1.0
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On Tue, 19 Aug 1997, Dawn B. Sova wrote:
> I'd be curious if other Beat books are similarly classified. What a
> wonderful way to let the system open minds.
Yup. Several of the larger regional libraries near me have whole Beat
sections in their Young Adult area. Come to think of it, the only time I've
ever seen one of those newer (Penguin) Kerouac paperbacks in a library was
in the Young Adult area.
Despite the years of living with me & my Beat obsession, my little sister
(18) took to the Beats on her own just recently. She got Ginsberg's
_Cosmopolitan Greetings_ and Jack's _Book of Blues_ from the Young Adult
section at one of those said libraries.
m
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Wed, 20 Aug 1997 20:23:39 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: OTR -- chapter 1 still
MIME-Version: 1.0
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Diane Carter wrote:
>
> > RACE wrote:
> > "Somewhere along the line I knew there'd be girls, visions, everything:
> > somewhere along the line the pearl would be handed to me." (p.11)
> >
> > I wonder if the pearl was ever handed off. To JK, to us??? The
> > fantastic tale is certainly in store and it provides everything - but
> > perhaps not the pearl.
> >
> > I'll lag along slowly pearl hunting.
>
> I think JK finds many pearls but never THE pearl. The flawed part is
> probably that he kept searching for THE pearl instead of accepting the
> many he found.
> DC
> DC
i'll try to look for "pearls" and not "THE" Pearl as i hunt along in
chapter two and onward. the great pearl hunt o o p s i means "A"
great pearl hunt . . .
. . . in a whirlwind of madness on route ...
of the AMERICAN NIGHT !
david rhaesa
salina, Kansas
=========================================================================
Date: Wed, 20 Aug 1997 21:28:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Morgan <Ferlingh2@AOL.COM>
Subject: Re: Books from Edie Kerouac's library
We've just issued a catalogue of books from the library of Edie Kerouac that
might be of interest to collectors of Beat books. Featured are a large
number of Burroughs, Ginsberg and Kerouac titles, many of with annotations by
Edie. Anyone that would like a copy of the catalogue should e-mail me or
write to:
Morgan & Rosenthal
PO Box 1631
Stuyvesant Station
New York, NY 10009
Thanks, don't want to clutter up the list with advertisements, but thought
some of you might like to know about this.
We've also just published a beautiful book by Lawrence Ferlinghetti
illustrated by Larry Collins. It's a poem called "The Hopper House at Truro"
he wrote after visiting Edward Hopper's house on Cape Cod.
=========================================================================
Date: Wed, 20 Aug 1997 21:29:58 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: next post
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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If you do not want to read an experimental work and tribute to your OTR
readings, please do not read my next post. It is Georgetown to
Richland.
Any criticism is welcome, as long as it is not malicious. :-)
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Wed, 20 Aug 1997 21:42:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Georgetown to Columbia ( A Travelogue)
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Georgetown to Columbia
(A Travelogue)
At 12:00 midnight, the Georgetown steel mill
Is belching smoke covering the sky
Demon-like redness.
At 12:00 noon, there is no smoke.
Georgetown on 17 Alt is cheap commercial construction.
On to Andrews, Panola, Burnt Gin,
Greelyville, Paxville, Pinewood.
Confederate navel battlejacks are unfurled,
Close to Mt. Zero Baptist Church
and the Pentacostal spirit filled flame.
Cotton, tobacco, strips of pine trees
Gobbled by giant beetles into trucks
To shed bark on your car.
Dekalb Corn signs like Detroit Red Wings,
Turn to Jesus or burn in HELL!
Columbia's free weekly.
At Coopers Country Grocery,
A bbq sandwich, crackling (low fat)
And Clearly Canadian.
A men's room with yellowed baseboards,
And ammonia eaten pipes.
Manchester, Wedgefield, knee high grass.
10th Anniversary Special Issue.
In Andrews the boys n the hood are
On the street.
Fierce, scary, no respect,
All is lost and gone, gone, gone.
(Probably real excited about workfare here.)
Yuhannah, Highway 261,
Thinking about youth
Imagining linear life.
And innocence.
Boiled peanuts are better for children than candy,
hulls flying out of window.
White cadillacs on blocks
White caddys on the road.
How could Antoine have known?
Tenants are people too!
Inside
The first issue.
Charles L. Griffin, III highway.
Right over Railroad Avenue.
Free Times.
Times are bought with a price.
What willing payment?
What extracted?
Jesus Saves.
Cross on the side,
Public boat ramps,
Pinewood hazard waste.
When will it arrive?
Hopkins, Lower Richland, Manchester.
Linear is not life.
Life is not linear.
Free entertainment,
But not linear,
And not necessairly pleasant.
Inside,
At the silo,
The chutes on the ground,
Corn scattered round.
Sumter F-15's thundering
I am in a vertical climb.
Is it possible to be
A dishonest polluter?
A white man barefoot,
Talks to the black woman.
The Confederate Navel Battlejack,
Flies down the block.
Like a river in fast forward,
I am flowing here,
Georgetown to Columbia.
Waste not want not.
I am here,
Nothing is there,
30 years in between.
Free times.
Columbia City Limits.
An All-American City.
Bessinger heats it
In a microwave.
And Garner's Ferry melts into the Devine.
Melt into the Divine.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Wed, 20 Aug 1997 19:52:13 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Bay Area/Beat-L Group
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Ron Guest wrote:
>
> I remember reading post about a Beat-l group trying to get together
> in the Bay area. Did it happen? Any interesting news, ideas or
> topics for discussion come out of that?
Ron,
The SF Bay Area Beatle Bash (First Annual or whatever) occured on August
2, the evening of WSB's death at my place in Redwood City. It was a
great party, lots of great discussion, although I cannot recall any
dominant theme that called out for list discussion. Just wonderful,
raging talk.
Heartily recommend such gatherings. A very unique event in that very
few people had met anyone there before except online. Made for a really
great exchange. Very little "what do you do for a living"--a lot more
about what folks had done, were doing, and were thinking. Some
nostalgia, to be sure, but a lot of what's happening now and some great
cross generational discussions.
Will be posting pictures soon. Stay tuned.
James Stauffer
=========================================================================
Date: Wed, 20 Aug 1997 22:51:21 -0400
Reply-To: Greg Elwell <elwellg@voicenet.com>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Greg Elwell <elwellg@VOICENET.COM>
Subject: Re: On the Road: Chad King
MIME-Version: 1.0
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Off hand I believe that Chad King is Hal Chase. Is this correct? I'm not
totally sure who Hal Chase is either.
Greg Elwell
elwellg@voicenet.com || elwellgr@hotmail.com
<http://www.voicenet.com/~elwellg>
-----Original Message-----
From: Diane Carter <dcarter@TOGETHER.NET>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Wednesday, August 20, 1997 11:40 AM
Subject: On the Road: Chad King
>Does anyone have a character list that identifies Chad King who is in the
>first part of On the Road? Also, when he gets to Denver, Sal stays with
>a group of friends who seem to be on the outs with Cody and Irwin, does
>anyone know the social particulars of the time and whether it was just a
>personality conflict or did it have to do with views of literature, as
>one of the guys Sal stays with seems to want to write like Hemingway.
>DC
>
=========================================================================
Date: Wed, 20 Aug 1997 20:18:39 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: OTR -- chapter 1 still
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>"Somewhere along the line I knew there'd be girls, visions, everything:
>somewhere along the line the pearl would be handed to me." (p.11)
>
>I wonder if the pearl was ever handed off. To JK, to us??? The
>fantastic tale is certainly in store and it provides everything - but
>perhaps not the pearl.
>
>I'll lag along slowly pearl hunting.
>
>david rhaesa
>salina, Kansas
I wonder if the pearl in the quote transcribed by David is an allusion to
Steinbeck's novella _The Pearl_. I think that _The Pearl_ was published
about ten years before _On The Road_ so it's at least possible. If it is an
allusion, the pearl Kerouac expects will be handed to him carries some
negative connotations.
Just musing,
James M.
=========================================================================
Date: Wed, 20 Aug 1997 23:32:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: David Makar <dmakar@CCS.NEU.EDU>
Subject: Re: OTR -- chapter 1 still
In-Reply-To: <199708210318.UAA21431@freya.van.hookup.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 20 Aug 1997, James William Marshall wrote:
> >"Somewhere along the line I knew there'd be girls, visions, everything:
> >somewhere along the line the pearl would be handed to me." (p.11)
> >
> >I wonder if the pearl was ever handed off. To JK, to us??? The
> >fantastic tale is certainly in store and it provides everything - but
> >perhaps not the pearl.
> >
> >I'll lag along slowly pearl hunting.
> >
> >david rhaesa
> >salina, Kansas
>
> I wonder if the pearl in the quote transcribed by David is an allusion to
> Steinbeck's novella _The Pearl_. I think that _The Pearl_ was published
> about ten years before _On The Road_ so it's at least possible. If it is an
> allusion, the pearl Kerouac expects will be handed to him carries some
> negative connotations.
Wow James,
That's a pretty good idea, seriously. Perhaps there are more
litterary alusions that Jack slipped in secretly.
-Dave
David Makar <dmakar@ccs.neu.edu>
"I've never been too lucky, but I've never been too unlucky either"
-Mikrad Vada
=========================================================================
Date: Wed, 20 Aug 1997 21:11:37 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: OTR -- chapter 1 still
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 08:18 PM 8/20/97 -0700, you wrote:
>>"Somewhere along the line I knew there'd be girls, visions, everything:
>>somewhere along the line the pearl would be handed to me." (p.11)
>>
>>I wonder if the pearl was ever handed off. To JK, to us??? The
>>fantastic tale is certainly in store and it provides everything - but
>>perhaps not the pearl.
>>
>>I'll lag along slowly pearl hunting.
>>
>>david rhaesa
>>salina, Kansas
>
> I wonder if the pearl in the quote transcribed by David is an allusion to
>Steinbeck's novella _The Pearl_. I think that _The Pearl_ was published
>about ten years before _On The Road_ so it's at least possible. If it is an
>allusion, the pearl Kerouac expects will be handed to him carries some
>negative connotations.
>
> Just musing,
> James M.
>
>
Musing meself,
I'd think that the pearl (whatever "the pearl" actually is--kind of like IT)
probably more likley refers or comes from the pearl of great price.
=========================================================================
Date: Wed, 20 Aug 1997 23:49:43 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jgh3ring <jgh3ring@IX.NETCOM.COM>
Subject: Re: how did you meet the beats.
Mime-Version: 1.0
Content-Type: text/plain; charset="US-ASCII"
there is one aspect of the beat generation literature that it is not, and
that is timely.
Jason "donutman" Helfman
Three-Ring Creations
=========================================================================
Date: Wed, 20 Aug 1997 23:50:27 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jgh3ring <jgh3ring@IX.NETCOM.COM>
Subject: Re: how did you meet the beats.
Mime-Version: 1.0
Content-Type: text/plain; charset="US-ASCII"
oops, thought you typed untimely, you typed untidy....and that it is not,
as well
Jason "donutman" Helfman
Three-Ring Creations
=========================================================================
Date: Wed, 20 Aug 1997 23:51:28 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jgh3ring <jgh3ring@IX.NETCOM.COM>
Subject: Re: Bay Area/Beat-L Group
Mime-Version: 1.0
Content-Type: text/plain; charset="US-ASCII"
bay area, meaning where specifically?
Jason "donutman" Helfman
Three-Ring Creations
=========================================================================
Date: Wed, 20 Aug 1997 23:54:36 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jgh3ring <jgh3ring@IX.NETCOM.COM>
Subject: Re: On the Road: Chad King
Mime-Version: 1.0
Content-Type: text/plain; charset="US-ASCII"
does it matter who the character actually is, would it change your
perspective of the work, dull it numb it shit on it enlighten it...I
don't think their are many distict similarities in Kerouac of
Hemingway...they are writers and they write to write....
Jason "donutman" Helfman
Three-Ring Creations
=========================================================================
Date: Thu, 21 Aug 1997 14:46:38 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Moritz Rossbach <moro0000@STUD.UNI-SB.DE>
Subject: wsb's death/ recommendations for US trip
In-Reply-To: <199708210459.XAA03288@dfw-ix14.ix.netcom.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
hi folks,
i just came back from vacation when i heard the sad news about wsb's
death, so i turned back to good ole beat-l as fast as possible. i am sure
there were a good deal of posts saying something nice about him, his life
and his works. too bad that in germany he was only worth a little note in
the papers. would anyone be so kind and summarize the talk on the beat-l
for me ? (Or is it possible to get the collected posts, bill ?)
i didn't read much burroughs so far, but what i read fascinated and
disgusted me at the same time (don't get me wrong), he was one of the few
writers who knew to wake emotions in me i never felt before. his radical
lifestyle, strange and somehow familiar attracts me like only jk's could
do.
but i guess it's also just the american lifestyle that attracts me ( the
ambivalent (or is it -lence?) of nature and city, literature and crap,
mcdonalds, barnes and nobles, cars, weapons, beaches, all that stuff i
love and hate. yeah, i know i got a pretty sarcastic cliche marlboro
country conception.....anyway, i am coming over and need some good tips
about what to do. i start in nyc, then pennsylvania and then i wanna do
the "driveaway"-thing wherever it may take me...new orleans and mexico are
possible aims. Lowell, ma. stands also on the list, maybe we could arrange
a little beat-l meeting at "lowell celebrates kerouac" ?!
any recommendations welcome
and please excuse me for going to far into this slightly off-topic theme,
i am just so excited :)
//
(o o)
--------oOO-(_)-OOo------sincerely
moritz rossbach
saarbruecken, germany
moro0000@stud.uni-sb.de
http://stud.uni-sb.de/~moro0000
=========================================================================
Date: Thu, 21 Aug 1997 09:42:54 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Burroughs Tribute Site
This is a great place to read expressions of condolence and memorium for WSB:
<A HREF="http://sunsite.unc.edu/mal/MO/wsb/">a living, breathing and ever grow
ing William ...</A>
diane de rooy
=========================================================================
Date: Thu, 21 Aug 1997 09:46:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Fwd: burroughs site
I'm never sure if I'm sending links right, so here's the path to that
Burroughs site again, just in case the first one didn't work.
diane
---------------------
Forwarded message:
Subj: burroughs site
Date: 97-08-21 09:43:46 EDT
From: Ddrooy
To: Ddrooy
http://sunsite.unc.edu/mal/MO/wsb/
=========================================================================
Date: Thu, 21 Aug 1997 08:05:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: Books from Edie Kerouac's library
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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What's the e-mail address...
matt
______________________________ Reply Separator _________________________________
Subject: Re: Books from Edie Kerouac's library
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 8/20/97 9:28 PM
We've just issued a catalogue of books from the library of Edie Kerouac that
might be of interest to collectors of Beat books. Featured are a large
number of Burroughs, Ginsberg and Kerouac titles, many of with annotations by
Edie. Anyone that would like a copy of the catalogue should e-mail me or
write to:
Morgan & Rosenthal
PO Box 1631
Stuyvesant Station
New York, NY 10009
Thanks, don't want to clutter up the list with advertisements, but thought
some of you might like to know about this.
We've also just published a beautiful book by Lawrence Ferlinghetti
illustrated by Larry Collins. It's a poem called "The Hopper House at Truro"
he wrote after visiting Edward Hopper's house on Cape Cod.
=========================================================================
Date: Wed, 20 Aug 1997 23:03:43 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: On the Road: sex
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I found this rather poignant description of sex and culture on pages
56-57:
"Then I went to meet Rita Bettencourt and took her back to the
apartment. I got her in my bedroom after a long talk in the dark of the
front room. She was a nice little girl, simple and true, and
tremendously frightened of sex. I told her it was beautiful. I wanted
to prove this to her. She let me prove it, but I was too impatient and
proved nothing. She sighed in the dark. 'What do you want out of life?'
I asked, and I used to ask that all the time of girls.
'I don't know,' she said. 'Just wait on tables and try to get
along,' she yawned. I put my hand over her mouth and told her not to
yawn. I tried to tell her how excited I was about life and the things we
could do together; saying that, and planning to leave Denver in two days.
She turned around wearily. We lay on our backs, looking at the ceiling
and wondering what God had wrought when He made life so sad. We made
vague plans to meet in Frisco.
...Boys and girls in America have such a sad time together;
sophistation demands that they submit to sex immediately without proper
preliminary talk. Not courting talk--real straight talk about souls, for
life is holy and every moment is precious."
=========================================================================
Date: Wed, 20 Aug 1997 23:13:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: On the Road: strange passage
MIME-Version: 1.0
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This paragraph was written in the section where Sal is unhappily living
with Remi and working as a security guard. It seems very out of
character for him.
pg. 73
"Meanwhile I began going to Frisco more often; I tried everything
in the books to make a girl. I even spent a whole night with a girl on a
park bench, till dawn, without success. She was a blonde from Minnesota.
There were plenty of queers. Several times I went to San Fran with my
gun and when a queer approached me in a bar john I took out the gun and
said, 'Eh? Eh? What's that you say?' He bolted. I've never understood
why I did that; I knew queers all over the country. It was just the
loneliness of San Francisco and the fact that I had a gun. I had to show
it to someone."
=========================================================================
Date: Thu, 21 Aug 1997 11:02:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MiKe KaNe <SLPrdise@AOL.COM>
Subject: bye
bye bye.
=========================================================================
Date: Wed, 20 Aug 1997 23:24:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Luch: Joselito
Comments: cc: SSASN@AOL.COM
MIME-Version: 1.0
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I have read this particular scene several times and I still don't have a
clue what happens here. Any clarification on any level would be much
appreciated. I take it Joselito (a boy?, a woman?) has tuberculosis and
Carl has brought the person to a very strange doctor, who insists on
putting the person in a sanitarium even though Carl wants chemical
therapy. Does Joselito ever speak here, or is it all Carl and the
doctor? Does Joselito die? Help!
DC
=========================================================================
Date: Thu, 21 Aug 1997 17:23:09 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: On the Road: Chad King
In-Reply-To: <199708210459.XAA03288@dfw-ix14.ix.netcom.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Good mornig friends,
(stated that CHAD KING in the JK's OTR novel is Hal Chase)
please check:
http://www.charm.net/~brooklyn/People/
"Hal Chase left Denver to enroll at Columbia University, and Cassady
traveled to New York to visit him in December 1946."
saluti,
Rinaldo.
*
The bus came by and I got on, that's when it all began
There was Cowboy Neal at the wheel of the bus to Nevereverland'
('The Other One' by The Grateful Dead)
*
=========================================================================
Date: Thu, 21 Aug 1997 09:01:37 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: The Pearl
Mime-Version: 1.0
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>At 08:18 PM 8/20/97 -0700, you wrote:
>"Somewhere along the line I knew there'd be girls, visions, everything:
>somewhere along the line the pearl would be handed to me." (p.11)
>david rhaesa
>salina, Kansas
>>
>> I wonder if the pearl in the quote transcribed by David is an allusion to
>>Steinbeck's novella _The Pearl_. I think that _The Pearl_ was published
>>about ten years before _On The Road_ so it's at least possible. If it is an
>>allusion, the pearl Kerouac expects will be handed to him carries some
>>negative connotations.
>>Just musing,
>>James M.
>Musing meself,
>
>I'd think that the pearl (whatever "the pearl" actually is--kind of like IT)
>probably more likley refers or comes from the pearl of great price.
>
I think that's what Steinbeck's pearl was all about. Whether it's an
actual allusion or not, half the fun of reading is reading things in where
they may not actually be.
Throw the pearl away,
James M.
=========================================================================
Date: Thu, 21 Aug 1997 10:58:49 -0500
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: nakid lunch and western lands
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have recieved no beat-l mail for three days. Are we being quiet or am
i unsubxcribed?
I tried to read naked lunch but found it too distrubing. The raw truth
of it is so beautiful.
I will go back to reading western lands. It was thrill for me to read
it the first time, it is thrilling to reread it.
p
=========================================================================
Date: Thu, 21 Aug 1997 12:48:50 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Reich books
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Flatland #12
Rare interviews with Eva Reich, MD. As Wilhelm Reich's daughter, Eva Reich
witnessed the development of his work over 30 years, from the worker's
street demonstrations in Vienna and Berlin in pre-Hitler Europe, to the
discovery of orgone ("life energy") biological auto-genesis, weather
engineering with the cloudbuster, UFO sightings, and WR's persecution and
final death in prison. She talks candidly about her differences with her
father, as well as confirming his incredible discoveries.
<http://www2.flatlandbooks.com/flatland/Flatland12.html>
Many Reich titles at <http://www2.flatlandbooks.com/flatland/reichbks.html>.
FLATLAND, P.O. Box 2420, Fort Bragg, California. 95437
=========================================================================
Date: Thu, 21 Aug 1997 13:01:52 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: nakid lunch and western lands
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Patricia Elliott wrote:
> have recieved no beat-l mail for three days. Are we being quiet or am
>
> i unsubxcribed?
>
> I tried to read naked lunch but found it too distrubing. The raw
> truth
> of it is so beautiful.
> I will go back to reading western lands. It was thrill for me to read
>
> it the first time, it is thrilling to reread it.
> p
P:
Did you get the poems that I posted. One was for you and Charles and
for Richard. I posted one yesterday on Georgetown to Columbia.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Thu, 21 Aug 1997 19:07:05 +0200
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Hal Chase.
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Chase shared a room with Ginsberg and was a close friend of Kerouac's. In
the fall of 1946, Chase received a visit from his hometown friend Neal
Cassady, which is the event that begins the book 'On The Road.' Hal Chase
appears in this novel as Chad King, who later snubs his Denver friend 'Dean
Moriarty.'
=========================================================================
Date: Thu, 21 Aug 1997 13:52:42 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: renaming Characters...
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The idea has been kicked around Kerouac's estate supposedly to re-release
a new line of Kerouac's books with the names of all the characters
corrected. So you'd get an OTR with "Jack and Neal" instead of "Dean
Moriarty and Sal Paradise" It was Kerouac's oft-expressed desire to do
just this eventually, that it was publisher paranoia about lawsuits that
prevented him from using real names in the first place.
Since Cassady, Burroughs, Huncke, Ginsberg and many, if not most of the
peopleinvolved, are dead now, the time may be right to start
straightening out all the confusion.
But would it demean the books to change the names of wellknown
characters? Would it make any difference to readers if "Old Bull Lee"
was "Old Bill Burroughs"? Is it taking literary license to change
character names (even if it was the explicit desire of the author himself?)
RJW
=========================================================================
Date: Thu, 21 Aug 1997 13:09:30 -0400
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From: Judith Campbell <boondock@POBOX.COM>
Subject: Re: renaming Characters...
In-Reply-To: <Pine.SUN.3.91-FP.970821134624.15260A-100000@cap1.capaccess .org>
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At 01:52 PM 8/21/97 Richard Wallner wrote:
>The idea has been kicked around Kerouac's estate supposedly to re-release
>a new line of Kerouac's books with the names of all the characters
>corrected.
((snip))
>But would it demean the books to change the names of wellknown
>characters? Would it make any difference to readers if "Old Bull Lee"
>was "Old Bill Burroughs"? Is it taking literary license to change
>character names (even if it was the explicit desire of the author himself?)
Kerouac stated that he would someday redo the books with a common set of
character names, but he never indicated, that I have seen, that he intended
to use the real names. The books are , after all, novels - even if much of
the material is biographical. Standardizing the character names from book
to book would certainly help the continuity when reading them. Also,
certain character names seem to stick better to the actual person - to me
Neal is much more Cody than Dean. But unless he gave instructions as to
which names to use, I wonder who would decide.
I wouldn't like the books changed to reflect the real names, and I doubt if
those who are still living, Carolyn Cassady for one, would want that
either, as some of the character portrayals are less than flattering.
Judith
=========================================================================
Date: Thu, 21 Aug 1997 11:23:55 -0700
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From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: On the Road: strange passage
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>From: Diane Carter <dcarter@TOGETHER.NET>
>
>This paragraph was written in the section where Sal is unhappily living
>with Remi and working as a security guard. It seems very out of
>character for him.
>
>pg. 73
>
> "Meanwhile I began going to Frisco more often; I tried everything
>in the books to make a girl. I even spent a whole night with a girl on a
>park bench, till dawn, without success. She was a blonde from Minnesota.
> There were plenty of queers. Several times I went to San Fran with my
>gun and when a queer approached me in a bar john I took out the gun and
>said, 'Eh? Eh? What's that you say?' He bolted. I've never understood
>why I did that; I knew queers all over the country. It was just the
>loneliness of San Francisco and the fact that I had a gun. I had to show
>it to someone."
>
Diane,
Sometimes a gun is not just a gun. (insert winking emoticon here)
James M.
=========================================================================
Date: Thu, 21 Aug 1997 14:35:49 +0000
Reply-To: randyr@southeast.net
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From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: renaming Characters...
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as just another reader, i personally don't give a damn if they rename
all the characters. but as being somewhat of a historian, i always
did find it fun to try to reconginze real-life characters in
kerouac's fiction, which would be taken away if the litle switch up
did ocour. although this would save me and others time about figuring
out irrelevant tidbits like the hal chase/ chad king thing, and help
us greater appreciate the literary value of the work. i don't know.
whichever desciion is made, i am happy.
cy~a randy
=========================================================================
Date: Thu, 21 Aug 1997 15:39:33 -0400
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From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: New Yorker
Anyone read the New Yorker? I heard there was something on Kerouac in the
recent or last issue. I don't know what it was, but I'd be interested in
knowing.
ddr
=========================================================================
Date: Thu, 21 Aug 1997 14:35:47 -0700
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From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: renaming Characters...
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>From: Judith Campbell <boondock@POBOX.COM>
>I wouldn't like the books changed to reflect the real names, and I doubt if
>those who are still living, Carolyn Cassady for one, would want that
>either, as some of the character portrayals are less than flattering.
>
>Judith
>
Aren't the true identities of the recurring characters in Kerouac's novels
relatively easy to discover?
Still, I wouldn't really want the character names to be changed either.
The allegorical names represent the author's poetic penchant.
James M.
=========================================================================
Date: Wed, 20 Aug 1997 16:04:27 -0400
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From: Frank Nunziata <Frank_Nunziata@BMGE.COM>
Subject: Re: Lowell Celebrates Kerouac 1997
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I'll probably be there on Saturday, October 4. Please let me know if you
folks plan on getting together.
WXGBC@CUNYVM.BITNET
08/20/97 03:37 PM
Please respond to BEAT-L@CUNYVM.CUNY.EDU
To: BEAT-L@CUNYVM.CUNY.EDU
cc: (bcc: Frank Nunziata/GC/DDI/US)
Subject: Lowell Celebrates Kerouac 1997
I was wondering if anyone else was planning on going to Lowell in October.
May
be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or
some
thing.
=========================================================================
Date: Thu, 21 Aug 1997 18:05:19 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: wsb's death/ recommendations for US trip
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What's going to happen to Lowell celebrates Kerouac when
the heirs of Jack get legal control of the legacy and
imagery of the most famous Beat, as Hemingway's heirs have,
in Key West?
Mike Rice
At 02:46 PM 8/21/97 +0200, you wrote:
>hi folks,
>i just came back from vacation when i heard the sad news about wsb's
>death, so i turned back to good ole beat-l as fast as possible. i am sure
>there were a good deal of posts saying something nice about him, his life
>and his works. too bad that in germany he was only worth a little note in
>the papers. would anyone be so kind and summarize the talk on the beat-l
>for me ? (Or is it possible to get the collected posts, bill ?)
>i didn't read much burroughs so far, but what i read fascinated and
>disgusted me at the same time (don't get me wrong), he was one of the few
>writers who knew to wake emotions in me i never felt before. his radical
>lifestyle, strange and somehow familiar attracts me like only jk's could
>do.
>
>but i guess it's also just the american lifestyle that attracts me ( the
>ambivalent (or is it -lence?) of nature and city, literature and crap,
>mcdonalds, barnes and nobles, cars, weapons, beaches, all that stuff i
>love and hate. yeah, i know i got a pretty sarcastic cliche marlboro
>country conception.....anyway, i am coming over and need some good tips
>about what to do. i start in nyc, then pennsylvania and then i wanna do
>the "driveaway"-thing wherever it may take me...new orleans and mexico are
>possible aims. Lowell, ma. stands also on the list, maybe we could arrange
>a little beat-l meeting at "lowell celebrates kerouac" ?!
>
>any recommendations welcome
>and please excuse me for going to far into this slightly off-topic theme,
>i am just so excited :)
>
> //
> (o o)
>--------oOO-(_)-OOo------sincerely
> moritz rossbach
> saarbruecken, germany
> moro0000@stud.uni-sb.de
> http://stud.uni-sb.de/~moro0000
>
>
=========================================================================
Date: Thu, 21 Aug 1997 17:04:31 -0400
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From: Judith Campbell <boondock@POBOX.COM>
Subject: Re: renaming Characters...
In-Reply-To: <199708212135.OAA31119@freya.van.hookup.net>
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At 02:35 PM 8/21/97 James M wrote:
>>From: Judith Campbell <boondock@POBOX.COM>
>>I wouldn't like the books changed to reflect the real names, and I doubt if
>>those who are still living, Carolyn Cassady for one, would want that
>>either, as some of the character portrayals are less than flattering.
>>
>>Judith
>>
> Aren't the true identities of the recurring characters in Kerouac's novels
>relatively easy to discover?
Yes, but I would think there is a difference between being identified as
the person that a character was based on, and actually having the character
in the book named as you. The first leaves room for literary license, the
later cuts too close to the bone.
> Still, I wouldn't really want the character names to be changed either.
>The allegorical names represent the author's poetic penchant.
Agreed.
Judith
=========================================================================
Date: Thu, 21 Aug 1997 18:18:22 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: On the Road: strange passage
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"A woman is only a woman, and a good cigar is a smoke!"
Rudyard Kipling
At 11:23 AM 8/21/97 -0700, you wrote:
>>From: Diane Carter <dcarter@TOGETHER.NET>
>>
>>This paragraph was written in the section where Sal is unhappily living
>>with Remi and working as a security guard. It seems very out of
>>character for him.
>>
>>pg. 73
>>
>> "Meanwhile I began going to Frisco more often; I tried everything
>>in the books to make a girl. I even spent a whole night with a girl on a
>>park bench, till dawn, without success. She was a blonde from Minnesota.
>> There were plenty of queers. Several times I went to San Fran with my
>>gun and when a queer approached me in a bar john I took out the gun and
>>said, 'Eh? Eh? What's that you say?' He bolted. I've never understood
>>why I did that; I knew queers all over the country. It was just the
>>loneliness of San Francisco and the fact that I had a gun. I had to show
>>it to someone."
>>
>Diane,
> Sometimes a gun is not just a gun. (insert winking emoticon here)
>
> James M.
>
>
=========================================================================
Date: Thu, 21 Aug 1997 18:22:12 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: renaming Characters...
In-Reply-To: <Pine.SUN.3.91-FP.970821134624.15260A-100000@cap1.capaccess.org>
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On Thu, 21 Aug 1997, Richard Wallner wrote:
> Is it taking literary license to change
> character names (even if it was the explicit desire of the author himself?)
If it was the author's explicit desire that would be more the reason to do
it. And there's no reason that several versions of a work couldn't exist.
(Question for those in the know -- how many revisions did _On The Road_ go
through from Jack's first scroll to the Signet paperback or whatever the
first edition was?)
But a text can and should be completely changeable; you do this in your
head anyway when you read a work because your experience (and definition of
words & their associations) is different from anyone else's. You could, say,
buy a book and physically change the names in it, or just read it but change
the names in your mind as you read -- but this is where digital copies have
an advantage, as any of this can be changed instantly.
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Thu, 21 Aug 1997 18:28:59 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Beat fiction and non-fiction
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I wonder how much of the Beat canon is pure fiction and how much of it is
non-fiction [auto]biographical account. All writing is pure autobiography,
but it seems that a good deal of Beat works (such as just about everything
Kerouac and Ginsberg wrote) deal with non-fiction, actual events. Why is
this? And can a Kerouac expert confirm how much of the big works (like _On
The Road_ and _Visions of Cody_, say) are events that really happened and
how much are make-believe?
Out of all of them, Burroughs seems to stick out as the one who has written
the most "pure" fiction. Even if much of his writing is allegorical musings
of real-life events, it seems that a lot is pure fiction, _stories_.
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Thu, 21 Aug 1997 18:52:12 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: Beat fiction and non-fiction
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well going by the "first thought; best thought" idea, one would
simply pour everything out onto paper, which is what a.g. and kerouac
did alot. so you would ultimately be getting a variety pack of loose
fiction and non-fiction. spontainity does not always follow the laws
of fiction and non- fiction.
that's my first thought.
cya~ randy
=========================================================================
Date: Thu, 21 Aug 1997 17:51:24 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: Beat fiction and non-fiction
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randy royal wrote:
>
> well going by the "first thought; best thought" idea, one would
> simply pour everything out onto paper, which is what a.g. and kerouac
> did alot. so you would ultimately be getting a variety pack of loose
> fiction and non-fiction. spontainity does not always follow the laws
> of fiction and non- fiction.
>
> that's my first thought.
> cya~ randy
What are these Laws? Are they on stone tablets somewhere?
david rhaesa
salina, Kansas
=========================================================================
Date: Thu, 21 Aug 1997 18:55:14 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: On the Road: Chad King
Reply to message from MATT.HANNAN@USOC.ORG of Wed, 20 Aug
>
> Hal Chase and Ed White (Chad King and Tim Gray in On the Road) were
> roommates and sometime college students in Denver. Who Kerouac stayed
> with when he first arrived in Denver.
>
I thought Hal Chase was part of the Joan Vollmer apartment crew from New
York....
Diane. (H)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 21 Aug 1997 18:55:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mitchell Smith <Praetor77@AOL.COM>
Subject: Re: On the Road: Young adult fiction???? and Chapter 1
I'm sorry that you received such harrassment from the Race angle on your
committee but please don't turn around and play the same game by
accusing me of playing "a card" when that is not what i said at all.
respectfully,
david rhaesa
salina, Kansas
Hmm, doesn't sound to me like I was "play[ing] the same game" as my
committee. Rather the opposite. And I do believe I was accurate in my
response to the language that you used--whether your language as given
accurately represents you as a person, I have no idea. Furthermore, my
response was directed to the feminist position as a whole, not to any single
adherent of it.
One more point on the subject (again, directed toward the topic, not any
particular person), Kerouac's writing pays too much obeisance to women rather
than too little. Fawning statements such as "men are too blame" strike me as
shallow and far too guilt-ridden.
mjs
=========================================================================
Date: Thu, 21 Aug 1997 17:46:27 -0500
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From: LISA VEDROS <2ndbeat@TELAPEX.COM>
Subject: Second Beat #4
Comments: To: BEAT-L@CUNYVM.CUNY.EDU.
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The fourth issue of Second Beat, the "religious persecution" issue, has
been completed, and I must say, all humility aside, it turned out ot be one
HELL of a great issue. The writing crew relly came through with some
powerful defense of our rights and our beliefs. I strongly advise that you
check this one out. I am SO impreesed at the work that was put into this
issue.
In case you didn't know...after the first two issues of Second Beat, my
religious nutso uncle wrote us a letter of chasitsment condemning our work,
our beliefs, and our very persons. He even got one of his "legitimatly"
published high school friends to write us a simple-simon "You need saving"
letter. The entire tone of his letter was one of superiority and sarcasm,
therefore we devoted an entire issue to this, and other forms of religious
persecution.
Send a buck:
Camellia City Books
2034 Johnston Station Road
Summit, MS 39666
Also, we're still accepting submissions for the Burroughs Memorial issue
until September 15. Please feel free to submit any type of poetry, prose,
artwork, or photography.
Thanks,
Thadeus D'Angelo, Camellia City Books
----------------------------------------------------------------------------
----
Camellia City Books
Thadeus D'Angelo & Domenic Salvatore
e-mail: <2ndbeat@telapex.com>
web site: <http://www.angelfire.com/biz/2ndbeat>
=========================================================================
Date: Thu, 21 Aug 1997 19:01:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mitchell Smith <Praetor77@AOL.COM>
Subject: Re: Ron W and White Fields Press
It's very strange if they are still in business. My store and others (who I
referred to WF because of their great line of products) have had no luck
ordering from them. I have tried email, mail, telephone, and their website
address and have gotten no response. I assumed they had called it quits since
they were turing away paying customers. Derek, if you or anyone is in contact
with Ron or his business partner, please let me know how to contact them. I
have good cash money!!
mjs
=========================================================================
Date: Thu, 21 Aug 1997 16:49:22 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: Beat fiction and non-fiction
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>And can a Kerouac expert confirm how much of the big works (like _On The
>Road_ and _Visions of Cody_, say) are events that really happened and how
>much are make-believe?
I've seen, somewhere in one of the assorted bios on Kerouac that "none
of it is wholly true and none of it is purely false". I also have
heard a quote by Snyder that he hardly recognized himself in DB. He
also commented, humorously, that he wish Jack had told the "kids" to
"roll their sleeping bags up tighter when they put them in their
packs", since he saw a lot of kids in the aftermath of that book
hitching down the highway with sleeping bags trailing behind them.
love and lilies,
matt
=========================================================================
Date: Thu, 21 Aug 1997 16:52:21 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: renaming Characters...
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>(Question for those in the know -- how many revisions did _On The Road_ go
>through from Jack's first scroll to the Signet paperback or whatever the
>first edition was?)
I know that it was written in several different "voices", one that ended up
as part of VOC (correct me if I'm wrong), one that ended up as Pic and one
that ended up as OTR. At least three....maybe, four?
love and lilies,
matt
=========================================================================
Date: Thu, 21 Aug 1997 16:56:35 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: On the Road: strange passage
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Blatantly off topic post, delete now if you're easily offended (by
off-topic, not off-color):
>"A woman is only a woman, and a good cigar is a smoke!"
>Rudyard Kipling
Q: Do you like Kipling?
A: I don't know you naughty boy, I've never Kippled!
(from the first humourous postcard ever printed. I love it!).
love,lilies, and wasted bandwidth,
matt
=========================================================================
Date: Thu, 21 Aug 1997 07:42:37 -0700
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From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: renaming Characters...
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> Richard Wallner wrote:
> But would it demean the books to change the names of wellknown
> characters? Would it make any difference to readers if "Old Bull Lee"
> was "Old Bill Burroughs"? Is it taking literary license to change
> character names (even if it was the explicit desire of the author
> himself?)
I think that using the real names would do a lot to add cohesive unity to
the works and would also honor those that have died. The following is
quoted from Kerouac's introduction to Big Sur:
"My work comprises one vast book like Proust except that my remembrances
are written on the run instead of afterwards in a sick bed. Because of
the objections of my early publishers I was not allowed to use the same
personae names in each work. On the Road, The Subterraneans, The Dharma
Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions
of Cody and the others including this book Big Sur are just chapters in
the whole work which I call The Duluoz Legend. In my old age I intend to
collect all my work and re-insert my pantheon of uniform names, leave the
long shelf of full books there, and die happy. The whole thing forms one
enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise
known as Jack Duluoz, the world of raging action and folly and also of
gentle sweetness seen throught the keyhole of his eye."
=========================================================================
Date: Thu, 21 Aug 1997 19:40:21 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: renaming Characters...
Reply to message from rwallner@CAPACCESS.ORG of Thu, 21 Aug
>
>The idea has been kicked around Kerouac's estate supposedly to re-release
>a new line of Kerouac's books with the names of all the characters
>corrected. So you'd get an OTR with "Jack and Neal" instead of "Dean
>Moriarty and Sal Paradise" It was Kerouac's oft-expressed desire to do
>just this eventually, that it was publisher paranoia about lawsuits that
>prevented him from using real names in the first place.
but are they _really_ Neal & Burroughs & Allen & Huncke, or jsut Jack's
interpretations of them? These books are suppsoed to be ficiton, & even
though based on real people & real events, it jsut doesn't seem rite.
Mayeb I'm some sort of literary purist, but it doesn't seem right to change
their names around. It seems to take the book out of one realm & place it
in another....
Diane. (H)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 21 Aug 1997 19:52:22 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: renaming Characters...
Reply to message from boondock@POBOX.COM of Thu, 21 Aug
>>>>
>> Aren't the true identities of the recurring characters in Kerouac's novels
>>relatively easy to discover?
>
>Yes, but I would think there is a difference between being identified as
>the person that a character was based on, and actually having the character
>in the book named as you. The first leaves room for literary license, the
>later cuts too close to the bone.
I think this is what I meant when I was talking about the different "realms;"
nicely put.
Diane. (H)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 21 Aug 1997 19:55:34 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: Beat fiction and non-fiction
Reply to message from race@MIDUSA.NET of Thu, 21 Aug
>
>randy royal wrote:
>>
>> well going by the "first thought; best thought" idea, one would
>> simply pour everything out onto paper, which is what a.g. and kerouac
>> did alot. so you would ultimately be getting a variety pack of loose
>> fiction and non-fiction. spontainity does not always follow the laws
>> of fiction and non- fiction.
>>
>> that's my first thought.
>> cya~ randy
>
>What are these Laws? Are they on stone tablets somewhere?
>
>david rhaesa
>salina, Kansas
>
you know, the LAWS...show, don't tell. Write about what you know. And
isn't "never use the second person in a research paper" on the tablets,
too?
Diane. (H)
(but aren't rules, even literary rules, meant to be broken?)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 21 Aug 1997 08:04:34 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Beat fiction and non-fiction
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> Michael Stutz wrote:
>
> I wonder how much of the Beat canon is pure fiction and how much of it
> is
> non-fiction [auto]biographical account. All writing is pure
> autobiography,
> but it seems that a good deal of Beat works (such as just about
> everything
> Kerouac and Ginsberg wrote) deal with non-fiction, actual events. Why
> is
> this? And can a Kerouac expert confirm how much of the big works (like
> _On
> The Road_ and _Visions of Cody_, say) are events that really happened
> and
> how much are make-believe?
This is an interesting perspective on Kerouac from Ann Charters in her
introduction to The Portable Kerouac:
"All of Kerouac's writing is autobiographical, but he fictionalized the
stories about his direct experience by changing the names of the
real-life characters he described and by altering the settings of his
narrative if he or the publishers feared libel action would be taken by
the people he was writing about. For example, although his affair with
the girl he called 'Mardou' in The Subterraneans actually took place in
the East Village in New York City, Kerouac changed the locale to San
Francisco. This means that books in the Legend of Duluoz are a unique
blend of fact and fiction. Because they follow the details of his life
so closely and yet are totally imagined entities, his books don't really
fit into either traditional category of novel or autobiography.
Shelved in bookstores and libraries as fiction, they have been described
by literary critics as inhabiting the murky territory of 'fictionalized
autobiography' or 'autobiographical fiction,' genres that are difficult
to pin down. Certainly Kerouac never presented his work as
'autobiography'; he called his books, 'true-story novels' and insisted
that 'narrative sections of one long life story is what my 'novels'
are.' The term 'autobiographical fictions' suggests that Kerouac took a
literal approach in his books ('autobiography') but combined it with his
view of himself as a storyteller, free to change fact into fiction and
use different narrative strategies in the various books ('fictions').
But this term is unacceptable: Kerouac's approach to creating narratives
solidly based on his direct experience is a world apart from Jorge Luis
Borges's brilliantly imagined 'fictions,' and the term is indelibly
linked to the South American writer's short narratives.
Kerouac himself stressed two essential qualities in the various books he
wrote about his life: first, that they were picaresque narratives based
on 'true life' events, and second, that they were told in a confessional
manner that heightened the emotional content of what he was saying--as
if, like Augustine's Confessions, his books continued the Christian
tradition of self-examination of the mysteries of his interior life.
Perhaps the term 'confessional picaresque memoirs' is the best
description of his work, suggesting the originality of their form, which
was as unconventional as his literary style of spontaneous prose."
=========================================================================
Date: Thu, 21 Aug 1997 19:59:49 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Beat fiction and non-fiction
Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
In-Reply-To: <199708212355.TAA00584@kanga.INS.CWRU.Edu>
MIME-Version: 1.0
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On Thu, 21 Aug 1997, Diane M. Homza wrote:
> (but aren't rules, even literary rules, meant to be broken?)
And isn't that what literary movements do?
=========================================================================
Date: Thu, 21 Aug 1997 20:13:09 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Memphis Blues Again....and again, and again
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Rinaldo,
It was really a treat reading those lyrics. They weren't available
when I first bought "Blond On Blond" and used to listen to that album and
that song by the hour, just soaking up the words and making up meaning.
But I have to ask you whether you were just testing us or what.
There were a few wording differences from what I remembered. So what gives?
Is there a secret tea message? ...what kind of tea? ...my Darjeelig or
that wacky tabaccy? What lovely sonorous memories!
> and they furnish me with tea......tape?
> but me I experienced....expected? it to happen
> now the tea pitcher....preacher? looked so baffled
[Bob Dylan, Blonde on Blonde, 1966]
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Thu, 21 Aug 1997 20:29:44 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: renaming Characters...
In-Reply-To: Message of Thu, 21 Aug 1997 13:52:42 -0400 from
<rwallner@CAPACCESS.ORG>
On Thu, 21 Aug 1997 13:52:42 -0400 Richard Wallner said:
>The idea has been kicked around Kerouac's estate supposedly to re-release
>a new line of Kerouac's books with the names of all the characters
>corrected. So you'd get an OTR with "Jack and Neal" instead of "Dean
>Moriarty and Sal Paradise" It was Kerouac's oft-expressed desire to do
>just this eventually, that it was publisher paranoia about lawsuits that
>prevented him from using real names in the first place.
>
>Since Cassady, Burroughs, Huncke, Ginsberg and many, if not most of the
>peopleinvolved, are dead now, the time may be right to start
>straightening out all the confusion.
>
>But would it demean the books to change the names of wellknown
>characters? Would it make any difference to readers if "Old Bull Lee"
>was "Old Bill Burroughs"? Is it taking literary license to change
>character names (even if it was the explicit desire of the author himself?)
>
>
>RJW
God forbid!
=========================================================================
Date: Thu, 21 Aug 1997 20:32:09 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Lowell Celebrates Kerouac 1997
In-Reply-To: Message of Wed, 20 Aug 1997 16:04:27 -0400 from
<Frank_Nunziata@BMGE.COM>
so far, three of us are going to Lowell. Let's email each other closer to the
conference and arrange to get together.
=========================================================================
Date: Thu, 21 Aug 1997 20:41:12 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: oops!
Sorry about that last message. Forgot I changed the "reply" button.
=========================================================================
Date: Thu, 21 Aug 1997 21:51:30 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: Beat fiction and non-fiction
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> On Thu, 21 Aug 1997, Diane M. Homza wrote:
>
> > (but aren't rules, even literary rules, meant to be broken?)
>
> And isn't that what literary movements do?
>
>
exactly. only i think there may not be any unbroken "laws" left
around.
=========================================================================
Date: Thu, 21 Aug 1997 19:11:53 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>
Subject: Re: Beat fiction and non-fiction
Comments: To: randy royal <randyr@southeast.net>
In-Reply-To: <199708220244.WAA09233@mailhub.southeast.net>
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On Thu, 21 Aug 1997, randy royal wrote:
[snip]
> i think there may not be any unbroken "laws" left around.
yes. so it is the ideal time to rediscover the good in the classical and
romantic traditions and fuse them _all_ into a maximally-expressive _new_
style. solution to post-modern chaos.
+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
Michael R. Brown foosi@global.california.com
+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
o o
o The electrical depths of personality o
o o
=========================================================================
Date: Thu, 21 Aug 1997 22:04:43 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: Re[2]: renaming Characters...
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> >(Question for those in the know -- how many revisions did _On The Road_ go
> >through from Jack's first scroll to the Signet paperback or whatever the
> >first edition was?)
>
> I know that it was written in several different "voices", one that ended up
> as part of VOC (correct me if I'm wrong), one that ended up as Pic and one
> that ended up as OTR. At least three....maybe, four?
according to what i've read that's it.
> love and lilies,
>
> matt
>
randy
=========================================================================
Date: Thu, 21 Aug 1997 22:37:11 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: Beat fiction and non-fiction
MIME-Version: 1.0
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> On Thu, 21 Aug 1997, randy royal wrote:
>
> [snip]
>
> > i think there may not be any unbroken "laws" left around.
>
> yes. so it is the ideal time to rediscover the good in the classical and
> romantic traditions and fuse them _all_ into a maximally-expressive _new_
> style. solution to post-modern chaos.
this is a very good idea, but how would we or anybody go about doing
this? any takers? i would but i'm just some dumb teenager.
>
>
> + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
> Michael R. Brown foosi@global.california.com
> + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +
>
> o o
> o The electrical depths of personality o
> o o
>
>
randy
=========================================================================
Date: Thu, 21 Aug 1997 21:45:08 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jgh3ring <jgh3ring@IX.NETCOM.COM>
Subject: Re: On the Road: strange passage
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nothing is out of place when you are an alcoholic
Jason "donutman" Helfman
Three-Ring Creations
=========================================================================
Date: Thu, 21 Aug 1997 23:16:12 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Georgetown to Columbia ( A Travelogue)
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Content-Type: text/plain; charset="us-ascii"
Bentz,
Do these places - some of these places appear on a map? I'd like it
very much to be able to read this again looking at a map of the travelogue!
When I and a friend hitched back and forth in the USA and Canada in 1970, we
kept a diary and I've occasionally had it out to reread with the set of maps
we had with us at the time. It's amazing how many spots on the road remain
vivid when I'm reminded of them on the map - even when we didn't write about
them in the diary.
I's odd thinking back how little an impact "On The Road" had had on
me at the time. I'd read it and some othe Kerouac things plus Frerlinghetti;
didn't really connect to our trip at the time although they have since. The
connection for me then was much more to Steinbeck's dust bowl and to Guthrie
and the New Lost City Ramblers, to Doc Watson and A.P.Carter....
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Thu, 21 Aug 1997 23:16:56 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Goose Bumping Records <frsn@INTAC.COM>
Subject: Richard Brautigan novel
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
I recently came across a used, hardcover copy of the RB's
Sombrero Fallout : a Japanese Novel, it is rather expensive, and I was
wondering if anyone could fill me in with any information on it.
Thank you,
Steve Voss
www.beatcafe.com
=========================================================================
Date: Thu, 21 Aug 1997 23:42:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: The Kerouac Quarterly Needs your input!
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Content-Type: text/plain; charset="us-ascii"
The Kerouac Quarterly Home Page needs your input for its success. Let us
know of all your experiences and such concerning Kerouac. Any news you might
hear, book reviews you may have seen, poems written, photos, etc. etc. What
you have or want to say is valuable to us and we want to share it on this
little bit of bandwidth we're allowed. With Some of the Dharma on the
horizon give us your favorite parts, your own review. . .the 40 th
anniverasary of On the Road is in September. . .drop us a favorite quote so
that we may list the "top ten" favorite passages....this will make the book
live a little louder as we raise our awareness to what it gives us as a
novel. .....thanks, Paul of TKQ...PS I hope to see some of you in Lowell in
October!
=========================================================================
Date: Thu, 21 Aug 1997 23:33:03 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Georgetown to Columbia ( A Travelogue)
MIME-Version: 1.0
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Antoine,
I am responding on the list because the poem is to be related to OTR and
you hit on a cruicial part of what Jack and others have done for me. I
especially like your connection of your trip, Jack's vision, and the
resulting impression. As I collected the names yesterday, I thought of
how Jack's descriptions of the road and Big Sur has always stuck with
me.
Some of the towns are no more, Manchester lives on as Manchester State
Forest. The railroads moved their tracks up a piece to Wedgefield and
so it survived. Burnt Gin is no more, but it the site of a camp for
children with lukemia (sp?). Paxville is a crossroads, but will be on
some maps, as will Greelyville. And the towns are not in order of
travel, but the order in which my mind recalled them.
Sumter, Andrews and others are large enough to be on a map. The path is
17-A out of Georgetown, to 261 through Manning, to 378 just outside of
Shaw AFB to Columbia.
Some notes, Andrews is the home of Chubby Checker, so I guess I should
have put the twist in there. Sumter is where the A-10 tank killers are
stationed until they are decommissioned. At Wedgefield is Batten's
store. That is where I bought the boiled peanuts. A woman who weighs
at least 325 pounds told me that it was good I was buying my children a
bag as they were better than candy. Some of the National Guards who
were in Desert Storm erected signs of Wedgefield and Battens in Saudi.
The pictures are in the store. There is a tie that binds.
Thanks for the question, and it is that detail and love of where we have
been, what we have seen and how it is part of us that makes the journey
worth the trip.
Antoine Maloney wrote:
>
> Bentz,
>
> Do these places - some of these places appear on a map? I'd
> like it
> very much to be able to read this again looking at a map of the
> travelogue!
> When I and a friend hitched back and forth in the USA and Canada in
> 1970, we
> kept a diary and I've occasionally had it out to reread with the set
> of maps
> we had with us at the time. It's amazing how many spots on the road
> remain
> vivid when I'm reminded of them on the map - even when we didn't write
> about
> them in the diary.
>
> I's odd thinking back how little an impact "On The Road" had
> had on
> me at the time. I'd read it and some othe Kerouac things plus
> Frerlinghetti;
> didn't really connect to our trip at the time although they have
> since. The
> connection for me then was much more to Steinbeck's dust bowl and to
> Guthrie
> and the New Lost City Ramblers, to Doc Watson and A.P.Carter....
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 22 Aug 1997 00:41:10 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: See the cover of Some of the Dharma!
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
The Kerouac Quarterly page has been update. See the cover for Some of the
Dharma at:
http://www.freeyellow.com/members/upstartcrow/page1.html
It is in black and white...picture it in red sepia! Gorgeous!
=========================================================================
Date: Fri, 22 Aug 1997 00:39:56 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: New Beat Catalogue Now Available
Our latest catalogue of Beat books is now available.
"Catalogue 71" contains a vast assortment of new Beat-related titles as well
as
some great used, rare, and signed items.
If you are not on our mailing list and would like to receive a complimentary
copy of Catalogue 71, send your request to me.
Jeffrey Weinberg
Water Row Books
=========================================================================
Date: Thu, 21 Aug 1997 21:43:53 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: literary rules
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>From: randy royal <randyr@southeast.net>
>> On Thu, 21 Aug 1997, Diane M. Homza wrote:
>>
>> > (but aren't rules, even literary rules, meant to be broken?)
>>
>> And isn't that what literary movements do?
>>
>exactly. only i think there may not be any unbroken "laws" left
>around.
>
The rumors of the death of literature have been greatly exaggerated.
James M.
=========================================================================
Date: Fri, 22 Aug 1997 01:16:55 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: literary rules
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
> The rumors of the death of literature have been greatly exaggerated.
call me a skeptic, but where is it?
> James M.
>
>
randy
=========================================================================
Date: Fri, 22 Aug 1997 02:23:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Beat fiction and non-fiction
In-Reply-To: <199708220244.WAA09233@mailhub.southeast.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 21 Aug 1997, randy royal wrote:
> > On Thu, 21 Aug 1997, Diane M. Homza wrote:
> >
> > > (but aren't rules, even literary rules, meant to be broken?)
> >
> > And isn't that what literary movements do?
> >
> exactly. only i think there may not be any unbroken "laws" left
> around.
I think that during times when it seems like nothing's left to be broken,
someone is about to break something very big, and it's that big
unnoticeable thing we're standing on. If this theory is true, it wouldn't
even work to talk about it before it happens, because such discussion would
negate the widescale effect this breaking/movement would have, and so could
not happen (the cassandra syndrome).
This is getting off topic, which in a way is too bad. I was thinking about
Internet mailing lists tonight and how they compare to the "old days" of
BBSes. I'm on a lot of mailing lists, and many of them, like the beat-l,
are really great -- but for the most part none of the same people are on any
of the other lists. Contrast that with a thriving BBS, where there are tons
of different boards with subjects just like all these lists we're on, but
it's the same group of people on all these boards. Sure there are downsides
to this old setup but there are some distinct advantages (namely that these
different conversations can be a bit more dynamic because they're with
similar voices, people you've discussed other things wit). This maybe is why
The Well is still such a touted phenomenon in virtual communities -- the
same people cover more ground.
=========================================================================
Date: Thu, 21 Aug 1997 23:52:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: literary rules
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
> The rumors of the death of literature have been greatly exaggerated.
> James M.
>>call me a skeptic, but where is it?
>>randy
My skeptic friend,
I think that the thing to keep in mind is that it takes time for
contemporary authors to make it to the classics section in your local
bookstore.
James M.
=========================================================================
Date: Fri, 22 Aug 1997 03:05:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: literary rules
In-Reply-To: <199708220609.CAA29769@mailhub.southeast.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, randy royal wrote:
> > The rumors of the death of literature have been greatly exaggerated.
>
> call me a skeptic, but where is it?
cyberia.
=========================================================================
Date: Fri, 22 Aug 1997 04:33:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: Subscribe help
In a message dated 97-08-21 08:51:03 EDT, you write:
<< I was wondering if anyone can help me subscribe to the Beat-l. Thanks for
any help. >>
To subscribe, send mail to listserv@cunyvm.cuny.edu. Leave the subject
line blank. In the body of your mail type:
subscribe beat-l first name last name.
=========================================================================
Date: Fri, 22 Aug 1997 13:38:55 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: The Eyes Of The Sardines.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
many people
almost unknown
canned sardines
Henri Cru aka Remi Boncoeur
(has capital letter
message illiterate)
Neal Cassady aka Dean Moriarty
(has a book
the first third)
packed like sardines
Jack Kerouac aka Sal Paradiso (has desolation angels
part two)
packed like canned sardines
& others
& others
please before eating
close the eyes of the sardines
those big 1950s windfalls
please before eating
close the eyes of those canned sardines
&others &others &others
i think of you often BEATs!
before digital tape
before 'puter
before the yellow radiation suits
i think of you often...
gregory corso aka gregorio nunzio corso
(the bomB)
before
get rid of everything, funny things are everywhere
they wear radiation suits,
before pre-taped-recorded world wake up say something
EVERYONE HAS THEIR 15 MINUTES OF FAME!
& bob dylan can changin' lyrics
& neal young was young 20 on Sugar Mountain,
you are so sweet! YOU are so sweet!
AND SO ON...
packed like canned sardines many people
almost unknown
you can't eat those sardines with such big open eyes
myself image one time is gone.
Rinaldo.
=========================================================================
Date: Fri, 22 Aug 1997 06:48:08 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Beat fiction and non-fiction
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael Stutz wrote:
>
> On Thu, 21 Aug 1997, randy royal wrote:
>
> > > On Thu, 21 Aug 1997, Diane M. Homza wrote:
> > >
> > > > (but aren't rules, even literary rules, meant to be broken?)
> > >
> > > And isn't that what literary movements do?
> > >
> > exactly. only i think there may not be any unbroken "laws" left
> > around.
>
> I think that during times when it seems like nothing's left to be broken,
> someone is about to break something very big, and it's that big
> unnoticeable thing we're standing on. If this theory is true, it wouldn't
> even work to talk about it before it happens, because such discussion would
> negate the widescale effect this breaking/movement would have, and so could
> not happen (the cassandra syndrome).
several have mentioned "movements" in this thread and that seems an odd
word for the type of breakthroughs being discussed. someone says about
a movement which side are you on and should answer "not yours"
regardless of the side . . . that is the self-determination from which
breakthroughs move forward.
while i was joking earlier about where are the laws and stone tablets
and all that ... i was also serious i guess b/c i really have no clue
what these rules are. i wouldn't note a literary rule if it slapped me
in the face or vice versa.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 22 Aug 1997 10:02:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Joe Buschini <joeb@SMPLANET.COM>
Subject: Re: renaming Characters...
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Jack never intended to use the names of real people; he hoped to use
uniform names for characters that appear throughout the "The Duluoz
Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become
Cody, etc.
>"My work comprises one vast book like Proust except that my remembrances
>are written on the run instead of afterwards in a sick bed. Because of
>the objections of my early publishers I was not allowed to use the same
>personae names in each work. On the Road, The Subterraneans, The Dharma
>Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions
>of Cody and the others including this book Big Sur are just chapters in
>the whole work which I call The Duluoz Legend. In my old age I intend to
>collect all my work and re-insert my pantheon of uniform names, leave the
>long shelf of full books there, and die happy. The whole thing forms one
>enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise
>known as Jack Duluoz, the world of raging action and folly and also of
>gentle sweetness seen throught the keyhole of his eye."
=========================================================================
Date: Fri, 22 Aug 1997 10:44:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: renaming Characters...
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Joe Buschini wrote:
> Jack never intended to use the names of real people; he hoped to use
> uniform names for characters that appear throughout the "The Duluoz
> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become
>
> Cody, etc.
>
It seems to me that if someone were to issue the book with the "real"
names, it would be more like gossip than the great writing it is. I
hope this never happens.
> >"My work comprises one vast book like Proust except that my
> remembrances
> >are written on the run instead of afterwards in a sick bed. Because
> of
> >the objections of my early publishers I was not allowed to use the
> same
> >personae names in each work. On the Road, The Subterraneans, The
> Dharma
> >Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels,
> Visions
> >of Cody and the others including this book Big Sur are just chapters
> in
> >the whole work which I call The Duluoz Legend. In my old age I
> intend to
> >collect all my work and re-insert my pantheon of uniform names, leave
> the
> >long shelf of full books there, and die happy. The whole thing forms
> one
> >enormous comedy, seen through the eyes of poor Ti Jean (me),
> otherwise
> >known as Jack Duluoz, the world of raging action and folly and also
> of
> >gentle sweetness seen throught the keyhole of his eye."
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Fri, 22 Aug 1997 11:07:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: renaming Characters...
In-Reply-To: <v01510100b0234929bf2d@[206.183.148.32]>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, Joe Buschini wrote:
> Jack never intended to use the names of real people; he hoped to use
> uniform names for characters that appear throughout the "The Duluoz
> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become
> Cody, etc.
>
Its hard to know if that is true. "Visions of Cody", for instance,
during all the years of it being an unpublished manuscript and
underground legend, was supposedly "Visions of Neal". Kerouac didnt see
himself as writing fiction, but rather the story of his life, *non*
fiction. Taking literary license with characters and events occasionally
but there was a journalistic sense to his work. In "Dharma Bums",
Kerouac recounts the historic night in SF when Ginsberg read "Howl"
publicly for the first time. There is nothing fictional about his
account of it except the names. Using real names makes the events
described more real.
I think Kerouac *wanted* to use real names. I believe it is documented
that he had to change the name of the woman in "Subterraneans" to Mardou
Fox because she threatened to sue, (and even had to change the location
from NYC to Mexico City because of publisher paranoia about fiction that
is really thinly veiled *non* fiction dealing with real events)
Perhaps now that most of the main characters are all dead, the real names
can be used and Kerouac's works will be seen not just as great
fiction, but also as the historical narratives of the times that they are
first and foremost.
This not to say that the other editions wouldnt still be out there. The
Kerouac estate could release a "Legend of DeLouz" series of Kerouac
hardbacks, where he is Jack DeLouz or Jack Kerouac and everyone else is
their real names.
I think other than "Town and the City", Kerouac wrote all of his books as
a running autobiography, that he didnt think of them as fiction. Cody
Pomeray and Dean Moriarty werent fictional characters. They were a real
person, Neal Cassady. By changing the names, it would make future
readers understand the true nature of the works.
RJW
=========================================================================
Date: Fri, 22 Aug 1997 08:49:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: On the Road: Chad King
Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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>I thought Hal Chase was part of the Joan Vollmer apartment crew from New
>York....
>Diane. (H)
You're right...and so am I. Hal Chase was a Denverite who went to
Columbia. From what I gather Chase was the person that introduced
Kerouac to Cassady, either directly or indirectly.
matt
=========================================================================
Date: Fri, 22 Aug 1997 08:55:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: Beat fiction and non-fiction
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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>What are these Laws? Are they on stone tablets somewhere?
>david rhaesa
>salina, Kansas
No, they're in the IBM AS400 Database that the large publishing houses
use to turn out modern pop fiction. There are no modern authors, just
a database and a random plot generator. The names Steele, Grisham,
Higgins-Clark and Clancy are just names the same database turned out
from marketing surveys as "those most likely to be associable with
grocery store check-out reading."
love, lilies and my continuing diatribe against big publishing houses
and 6/7 figure advances that could publish a novel by every (244)
person on this list.
matt
=========================================================================
Date: Fri, 22 Aug 1997 11:16:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Kerouac ROMnibus
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Does anyone remember the url for the sampler site? I know there's one at
voyager.com but there was another up (better) by the guys who produced it.
Remember them being out of the North Carolina RTP area? Anybody got an
idea?
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@acs.appstate.edu P.O. Box 12149
http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Fri, 22 Aug 1997 08:32:03 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: More SF Beat-L Party Pics
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--------------24AA8FC762D--
=========================================================================
Date: Fri, 22 Aug 1997 09:58:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: renaming Characters...
Mime-Version: 1.0
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Although he wrote that he would use his "pantheon of names...hence he would be
Jack Dulouz" there's something that tells me that when he wrote, he didn't use
the fictionalized names. In the next to the last sentence of Chapter 23 in
Dharma Bums he writes (and no one has corrected it in 39 years (that I can see)
"....I had a dollar left and GARY was waiting for me at the shack." There is no
*character* named Gary (but of course Japhy = Gary) in DB so it should have been
"...Japhy was...". I'm quoting this from the newer Penguin series, does anyone
have a first/second edition DB that they can verify that it's always been this
way?
love and lilies,
matt
=========================================================================
Date: Fri, 22 Aug 1997 12:32:25 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: Beat fiction and non-fiction
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> I think that during times when it seems like nothing's left to be broken,
> someone is about to break something very big, and it's that big
> unnoticeable thing we're standing on. If this theory is true, it wouldn't
> even work to talk about it before it happens, because such discussion would
> negate the widescale effect this breaking/movement would have, and so could
> not happen (the cassandra syndrome).
i agree. i'll shut up now.
`racnydya
=========================================================================
Date: Fri, 22 Aug 1997 12:34:39 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: literary rules
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> > The rumors of the death of literature have been greatly exaggerated.
> > James M.
> >>call me a skeptic, but where is it?
> >>randy
>
> My skeptic friend,
> I think that the thing to keep in mind is that it takes time for
> contemporary authors to make it to the classics section in your local
> bookstore.
ah.
>James M.
>
randy~r
=========================================================================
Date: Fri, 22 Aug 1997 12:36:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: The Rules (was Re: Beat fiction and non-fiction)
In-Reply-To: <33FD7C78.2080@midusa.net>
MIME-Version: 1.0
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On Fri, 22 Aug 1997, RACE --- wrote:
> > > > On Thu, 21 Aug 1997, Diane M. Homza wrote:
> > > >
> > > > > (but aren't rules, even literary rules, meant to be broken?)
> > > >
> > > > And isn't that what literary movements do?
> several have mentioned "movements" in this thread and that seems an odd
> word for the type of breakthroughs being discussed. someone says about
> a movement which side are you on and should answer "not yours"
> regardless of the side . . .
When a breakthrough is happening, who calls it anything? But after the fact,
don't they call the winning breakthrough a movement - for instance, wasn't
it called the Beat "movement" only after the fact (or at least after Jack
was on the Tonight Show)?
> i was also serious i guess b/c i really have no clue
> what these rules are. i wouldn't note a literary rule if it slapped me
> in the face or vice versa.
Our preconcieved notions about "literature" would be my guess. What is
literatre & writing? Define it, and those are the rules. How about that as a
definition?
=========================================================================
Date: Fri, 22 Aug 1997 12:40:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: renaming Characters...
In-Reply-To: <v01510100b0234929bf2d@[206.183.148.32]>
MIME-Version: 1.0
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On Fri, 22 Aug 1997, Joe Buschini wrote:
> Jack never intended to use the names of real people; he hoped to use
> uniform names for characters that appear throughout the "The Duluoz
> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become
> Cody, etc.
I think of Dean Moriarty... great line!
I think of Cody Pomeray... still sounds great!
I think of Neal Cassady... hmm, dunno why but it doesn't
have the same ring, does it?
=========================================================================
Date: Fri, 22 Aug 1997 12:52:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Re[2]: Beat fiction and non-fiction
In-Reply-To: <3FDAA651.@usoc.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, MATT HANNAN wrote:
> No, they're in the IBM AS400 Database that the large publishing houses
> use to turn out modern pop fiction. There are no modern authors, just
> a database and a random plot generator. The names Steele, Grisham,
> Higgins-Clark and Clancy are just names the same database turned out
> from marketing surveys as "those most likely to be associable with
> grocery store check-out reading."
Plan to destroy civilization #589: Replace grocery store check-out pap with
literary classics by Kerouac, Burroughs, Snyder, Ginsberg, etc with
"appealing" modern covers to make it attractive to shoppers. While it
remains a nice idea (and imagine cheaply-bound paperback copies of Hesse's
_Steppenwolf_, Somerset Maugham, cummings' _Enormous Room_, etc), this will
never work because the access to those grocery store isles are all
controlled by the multinationals. Steer the sheeple.
=========================================================================
Date: Fri, 22 Aug 1997 12:58:54 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: renaming Characters...
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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> On Fri, 22 Aug 1997, Joe Buschini wrote:
>
> > Jack never intended to use the names of real people; he hoped to use
> > uniform names for characters that appear throughout the "The Duluoz
> > Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become
> > Cody, etc.
>
> I think of Dean Moriarty... great line!
>
> I think of Cody Pomeray... still sounds great!
>
> I think of Neal Cassady... hmm, dunno why but it doesn't
> have the same ring, does it?
>
agreed. however, if you were someone who hung out with the beat crowd
whenever, and knew the guys, you would be prompted towards the third
choice.
sal paradise never did seem to fit my image of jack, and i'm just
some dumb teenager.
~randy
=========================================================================
Date: Fri, 22 Aug 1997 12:59:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Re[2]: renaming Characters...
In-Reply-To: <3FDB87D0.@usoc.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, MATT HANNAN wrote:
> Although he wrote that he would use his "pantheon of names...hence he would be
> Jack Dulouz" there's something that tells me that when he wrote, he didn't use
> the fictionalized names. In the next to the last sentence of Chapter 23 in
> Dharma Bums he writes (and no one has corrected it in 39 years (that I can
see)
> "....I had a dollar left and GARY was waiting for me at the shack."
Great catch. Didn't someone here say they saw the original OTR scroll and
the real names (Neal and Carolyn) were on there?
=========================================================================
Date: Fri, 22 Aug 1997 13:13:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Re[2]: renaming Characters...
In-Reply-To: <Pine.LNX.3.95.970822125836.5542K-100000@devel.nacs.net>
MIME-Version: 1.0
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>
> Great catch. Didn't someone here say they saw the original OTR scroll and
> the real names (Neal and Carolyn) were on there?
>
Of course they were...Jack was writing spontaneous prose, he wasnt
writing meticulously crafted fiction with characters and names laid out
ahead of time. He was writing exactly what was in his head and memory,
and that was Neal, Allen, Carolyn et al. Changing the characters names
came later when editors became involved.
Therefore changing the names could be said to be a way to be true to what
Jack actually wrote.
RJW
=========================================================================
Date: Fri, 22 Aug 1997 11:08:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[4]: renaming Characters...
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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Great catch. Didn't someone here say they saw the original OTR scroll and
the real names (Neal and Carolyn) were on there?
I have a postcard a friend sent me with a picture of the original
scroll copy of OTR (in really bad shape) and you can read where it
said...."first met Neal right after my father died..." Proves two
things, Jack wrote with real names and also changed significant
facts...."father died" and "...wife and I split up..." (or was it
divorced).
matt
=========================================================================
Date: Fri, 22 Aug 1997 11:12:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: renaming Characters...
Comments: To: randyr@southeast.net
Mime-Version: 1.0
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>sal paradise never did seem to fit my image of jack, and i'm just
>some dumb teenager.
>~randy
After reading more into his body of work and "true life" it fits
perfectly in my mind. He was surely a follower and a chronicler, not
a mover and a shaker, those roles fit squarely on Cassady and
especially Ginsberg's shoulders.
A dumb teenager that recognizes it may not be one.
matt (a dumb thirtysomething)
=========================================================================
Date: Fri, 22 Aug 1997 14:58:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Neil Hennessy <nhenness@UNDERGRAD.MATH.UWATERLOO.CA>
Subject: magazine editors
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Howdy all,
Does anyone know if ATOM MIND editor Gregory Smith has an e-mail
address, or if they have a web site?
How about BOUILLABAISSE editor Dave Christy?
Thanks,
Neil
=========================================================================
Date: Fri, 22 Aug 1997 15:41:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: Re: Kerouac ROMnibus
Alex:
There wouldn't be a sampler of the Kerouac Romnibus at Voyager.com, I don't
believe, because it wasn't Voyager who distributed the CD-rom. It was Penguin
Electronic. I think I once saw a sampler at the Penguin site...The name of
the production company on the box in NC is "Mind in Motion." Their email is
Mindmotion@aol.com.
Jeffrey
WRB
=========================================================================
Date: Fri, 22 Aug 1997 14:53:42 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Diane Carter wrote:
>
> The most amazing thing about the beginning of Naked Lunch is the flow of
> language. Very much different than Kerouac's type of flow but very
> compelling from the perspective of keeping the reader interested. It
> is a keen flow of dialogue that keeps things moving. As for subject
> matter, mostly I've learned that the heirarchy of junk on all levels is
> all-consuming and everyone is the chain is addicted to his own level, be
> that user, seller, buyer, agent, etc.; the system goes in circles,
> everyone is affected, infected. Not a pretty world, lots of drooling,
> vomiting, spitting, nightmares about rotting ectoplasm. Also no real
> sense of who I is, or where he is, except caught in a vicious cycle.
> Does anyone else have a perspective about the beginning of the book?
> DC
I finally was able to obtain a copy of the book for purposes of
re-reading. Have not fallen too deeply into it yet. My previous
comments about the beginning were about what appears as "Introduction"
and not part of Chapter one proper.
One thing that i have found particularly amusing is the contrast in
views of "America" between this and On The Road.
NL pp.12-13
But there is no drag like U.S. drag. You can't see it, you don't know
where it comes from. . . .You walk in and it hits you. But where does
it come from?
And the differences in attitude towards Chicago are unbelievable.
Having grown up in the Midwest i have to think that JK's view is more a
happiness of leaving behind the known behind than anything peculiar to
the Midwest and West. It is the newness of it that grabs him and shows
through his prose.
Oh this post isn't about JK ... oops ... well i'd say i'm about to the
Benway part. Must admit that i spent much of the morning leafing
through Nova Express, Soft Machine and Ticket that Exploded and feel
perfectly prepared to dive back deeply into Naked Lunch now.
I'm up to 1955 in the letters of WSB book and they provide much insight
into NL.
Happy reading all,
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 22 Aug 1997 15:55:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: New Kerouac Books
Today we just received copies of Some of the Dharma and the 40th Anniversary
on The Road hardcover.
To call SOTD exquisite would be an understandment...
It is the finest work Viking has ever done on a Kerouac book..
It is stunning!!! And the text by Jack ain't bad either....Heavy stuff -
will be a difficult read for some folks.....
The OTR 40th ed. is nice but doesn't have the same impact as SOTD. I thought
Viking would iSsue the HC in facsimile of original first edition using dust
jacket art , etc. but no - it's a new design. NY Times review from 57
included..
The cover price of SOTD is $32.95 -
We have copies available for $29.95
OTR edition HC is $24.95 - plenty in stock.
MC/visa accepted. Satisfaction guaranteed. Shipping extra.
Write me for more details or to order.....
Jeffrey
Water Row Books
=========================================================================
Date: Fri, 22 Aug 1997 16:04:05 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jenn Fedor <Tread37@AOL.COM>
Subject: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
beat members,
i desparately need the help of anyone who wishes to contribute! i am trying
to start a tutorial at New College of USF (which, if you do not know, is a
student run and organized course offered for normal course credit) on Kerouac
and Ginsberg work. i would really appreciate all of your input, because most
of the vocal members on this list are much more versed in the subject than i.
i will probably be asking many questions along the way if this is successful,
but for now my big question is:
Which Kerouac novels would you chose for a course if only 4-5 could be read
(please give the top four and a bonus just in case!)?
What Ginsberg stuff should we read? i was thinking kaddish and howl and the
neal cassady elegies (where are those located?) what else? would the
Collected Poems (1947-1980) be sufficient? i want the kerouac and ginsberg
to be equal.
Thank you all so much! i really appreciate the input! i need as soon as
possible! you can send it directly to me, or through the list - which ever
you prefer! you all are the best!
-Jenn Fedor
=========================================================================
Date: Fri, 22 Aug 1997 16:24:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I say there is only one Kerouac book, On The Road. You
should read any one or two of the others to determine that,
however.
Mike Rice
At 04:04 PM 8/22/97 -0400, you wrote:
>beat members,
>
>i desparately need the help of anyone who wishes to contribute! i am trying
>to start a tutorial at New College of USF (which, if you do not know, is a
>student run and organized course offered for normal course credit) on Kerouac
>and Ginsberg work. i would really appreciate all of your input, because most
>of the vocal members on this list are much more versed in the subject than i.
>
>i will probably be asking many questions along the way if this is successful,
>but for now my big question is:
>Which Kerouac novels would you chose for a course if only 4-5 could be read
>(please give the top four and a bonus just in case!)?
>
>What Ginsberg stuff should we read? i was thinking kaddish and howl and the
>neal cassady elegies (where are those located?) what else? would the
>Collected Poems (1947-1980) be sufficient? i want the kerouac and ginsberg
>to be equal.
>Thank you all so much! i really appreciate the input! i need as soon as
>possible! you can send it directly to me, or through the list - which ever
>you prefer! you all are the best!
>-Jenn Fedor
>
>
=========================================================================
Date: Fri, 22 Aug 1997 14:42:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
Mime-Version: 1.0
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>Which Kerouac novels would you chose for a course if only 4-5 could be read
>(please give the top four and a bonus just in case!)?
How advanced is this course? In my mind there's two ways to go:
Others are welcome to disagree/agree with me.
Underclassmen/Lower level/etc.
On the Road
Dharma Bums
Desolation Angels
Big Sur
(Selected Letters -57, to be read concurrently with items above, gives
a lot of insight into who's who and what makes them tick in the texts)
The above is divided equally and chronologically (w/except of age
0-26), it's not very wide in style or voice, but does give a fairly
broad spectrum of the "life" of JK during the period 1948-1962, If I
could add anything I'd add Visions of Gerard at the beginning to make
up for aforementioned age gap, possible in place of selected letters.
Big Heads/Upper level/ etc. (especially those already familiar with
JK)
Visions of Gerard
Doctor Sax
Vanity of Dulouz
Visions of Cody
Not as broad chronologically but it touches on the literary genius
Kerouac was. Doctor Sax is the key to this. I would also assign Ann
Charters Kerouac - A Biography (dodges thrown objects who think
Charters was too much an apologist for Jack's alcoholism). Tho' she
did tend to underplay Jack's more troubled aspects it's still, in my
mind, the best account for the # of pages (trying to stay on GNs good
side if he's still on the list).
How's come no Kerouac Poetry?
>What Ginsberg stuff should we read?
I'm not qualified here (others may say I'm not qualified for the
above).
Again, I welcome and expect disagreement on my choices.
love and lilies,
matt
=========================================================================
Date: Fri, 22 Aug 1997 17:08:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
In-Reply-To: <1.5.4.16.19970822111951.08979464@mail.wi.centuryinter.net>
MIME-Version: 1.0
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On Fri, 22 Aug 1997, Mike Rice wrote:
> I say there is only one Kerouac book, On The Road. You
> should read any one or two of the others to determine that,
> however.
>
> Mike Rice
>
Thats an insult to Kerouac's work. "On the Road" is a great work, but
Kerouac himself felt that it was worked over too much by his editors.
He saw his work like poetry...with an uninterrupted flow like jazz.
In many respects, I think Kerouac's best work was not "On the Road", but
"Big Sur", "Subterraneans"...works that he was allowed to publish without
having to be worked over by editors willing to sacrifice his "voice" in
order to meet some definition of "accessible"
=========================================================================
Date: Fri, 22 Aug 1997 16:28:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: NL: The Senders
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Content-Transfer-Encoding: 7BIT
MIME-Version: 1.0 (WebTV)
"....A telepathic sender has to
send all the time. He can never receive,
because if he receives that means some-
one else has feelings of his own could
louse up his continuity. The sender has
to send all the time, but he can't ever recharge himself by contact.
Sooner or
later he's got no feelings to send. You
can't have feelings alone. Not alone like the Sender is alone..."
<snip>
"...Now one sender could control
the planet..."
All the above taken from the
chapter "Islam Incorporated And The
Parties Of Interzone"
----------------------------------------------------
Hello everyone:
My question to the list is, do
"the senders" represent writers?
I wish everyone a great
weekend. Have fun.
My best,
Chimera
=========================================================================
Date: Fri, 22 Aug 1997 17:17:54 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Morgan <Ferlingh2@AOL.COM>
Subject: Re: Re[2]: Books from Edie Kerouac's library
Matt:
Sorry, I thought it automatically appeared on the top of the window. Our
e-mail address is: FERLINGH2@AOL.COM
=========================================================================
Date: Fri, 22 Aug 1997 17:20:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: NL: The Senders
In-Reply-To: <199708222028.NAA17114@mailtod-103.bryant.webtv.net>
MIME-Version: 1.0
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On Fri, 22 Aug 1997, Eric Blanco wrote:
> My question to the list is, do
> "the senders" represent writers?
I think so, but am interested in seeing what everyone else's take on it is.
But one sender to control the planet -- who and how? Certainly many have come
close or at least very pervasive, smearing their mark on countless facets of
the planet for ages after the words were writ...
=========================================================================
Date: Fri, 22 Aug 1997 17:25:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
In-Reply-To: <3FDFC2B0.@usoc.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, MATT HANNAN wrote:
> >Which Kerouac novels would you chose for a course if only 4-5 could be read
> >(please give the top four and a bonus just in case!)?
>
1. Any Kerouac course has to start with "Town and the City", because its his
first work and shows the influence of Thomas Wolfe...and also because
students should see the contrast between the voice/style of that book
and Kerouac's later, more famous works when he had found his signature
voice.
2. "On the Road" of course, and selections (not the whole thing) from
"Visions of Cody", exploring the Jack/Neal relationship.
3. "Dr. Sax", because you cant understand Kerouac without reading of his
childhood.
4. "Subterreaneans" because it is exemplory of his jazz-like style of
writing and shows much of his attitudes about women and love.
5. "Big Sur" because it shows the post-OTR Kerouac and what happened
to his life and attitudes after becoming famous, and how alcholism
affected him.
I'd also put Ann Charters "Portable Kerouac Reader" on the book list
because it has a wide selection of letters and excerpts from other works.
RJW
=========================================================================
Date: Fri, 22 Aug 1997 16:21:45 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: NL: The Senders
MIME-Version: 1.0
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Content-Transfer-Encoding: 7bit
Eric Blanco wrote:
>
> "....A telepathic sender has to
> send all the time. He can never receive,
> because if he receives that means some-
> one else has feelings of his own could
> louse up his continuity. The sender has
> to send all the time, but he can't ever recharge himself by contact.
> Sooner or
> later he's got no feelings to send. You
> can't have feelings alone. Not alone like the Sender is alone..."
> <snip>
>
> "...Now one sender could control
> the planet..."
>
> All the above taken from the
> chapter "Islam Incorporated And The
> Parties Of Interzone"
> ----------------------------------------------------
> Hello everyone:
> My question to the list is, do
> "the senders" represent writers?
>
> I wish everyone a great
> weekend. Have fun.
>
> My best,
>
> Chimera
NO.
david rhaesa
salina, Kansas
(sorry - just joking. . . senders would provide psychic scripts to
writers)....
=========================================================================
Date: Fri, 22 Aug 1997 17:40:01 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Jenn,
A seond thought regarding Matt's suggestion "I would also assign Ann
Charters Kerouac - A Biography (dodges thrown objects who think
Charters was too much an apologist for Jack's alcoholism). Tho' she
did tend to underplay Jack's more troubled aspects it's still, in my
mind, the best account for the # of pages (trying to stay on GNs good
side if he's still on the list)."
I really enjoyed "Desolate Angel: Jack Kerouac, the Beat Generation, and
America" by Dennis McNally, which I read after I read the Charters
biography. Found it more widely interesting since it took in more of the
cultural surround. It's not that much lomger....345 pages of bigger size
with smaller print vs. 399 for Charters. I think the idea of reading the bio
is an excellent one.
I would add that listening to Kerouac is essential and you should be sure to
make room for that in the class room - even if you had time only for
"October in the Railroad Earth"!
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 22 Aug 1997 17:57:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Morgan <Ferlingh2@AOL.COM>
Subject: Re: Richard Brautigan novel
Dear Steve:
Maybe it was our copy you saw, but we have it for $25 in our newest
catalogue. If you want a copy of the catalogue, e-mail me at
FERLINGH2@AOL.COM or write
Morgan & Rosenthal
PO Box 1631
New York, NY 10009
=========================================================================
Date: Fri, 22 Aug 1997 18:14:02 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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> On Fri, 22 Aug 1997, Mike Rice wrote:
>
> > I say there is only one Kerouac book, On The Road. You
> > should read any one or two of the others to determine that,
> > however.
> >
> > Mike Rice
> >
> Thats an insult to Kerouac's work. "On the Road" is a great work, but
> Kerouac himself felt that it was worked over too much by his editors.
> He saw his work like poetry...with an uninterrupted flow like jazz.
>
> In many respects, I think Kerouac's best work was not "On the Road", but
> "Big Sur", "Subterraneans"...works that he was allowed to publish without
> having to be worked over by editors willing to sacrifice his "voice" in
> order to meet some definition of "accessible"
>
agreed. i think on the road is probably the worst kerouac book i ahve
read. visions of cody is the best, imho.
randy~ cya
=========================================================================
Date: Fri, 22 Aug 1997 18:14:14 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: NL: The Senders (fwd)
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
[forwarded with approval from author]
---------- Forwarded message ----------
Date: Fri, 22 Aug 1997 16:41:47 -0500
From: RACE --- <race@midusa.net>
To: Michael Stutz <stutz@dsl.org>
Subject: Re: NL: The Senders
Michael Stutz wrote:
>
> On Fri, 22 Aug 1997, RACE --- wrote:
>
> > > My question to the list is, do
> > > "the senders" represent writers?
> >
> > NO.
> >
> > (sorry - just joking. . . senders would provide psychic scripts to
> > writers)....
> >
> i think of them as the voice that the writer transcribes. this about what
> youre thinking?
yes ... the writer is a receiver of telepathic messages that are
transcribed. the sender is something or someone else. i believe that
the notion of pure sender is considered an evil as presented in that
section. also the sender sort of implodes from a lack of reception and
another sender must be "Crowned".
i believe that we are on a fairly close wavelength.
it seems that a writer would only also be a sender if the writing was in
code which would appear to mean one thing but have a powerful Control
affect/effect subliminally on the receiving readers.
who are the senders? line from Leonard cohen says the rich have
channels in the bedrooms of the poor. i doubt that it is - but the
senders may not be conscious of their actions.
it is a very interesting theory to play with and at least in Naked Lunch
i think WSB just touches the very very edge of the possibilities
concerning it.
have a nice evening.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 22 Aug 1997 17:22:51 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: NL: The Senders (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael Stutz wrote:
>
> [forwarded with approval from author]
> ---------- Forwarded message ----------
> Date: Fri, 22 Aug 1997 16:41:47 -0500
> From: RACE --- <race@midusa.net>
> To: Michael Stutz <stutz@dsl.org>
> Subject: Re: NL: The Senders
>
> Michael Stutz wrote:
> >
> > On Fri, 22 Aug 1997, RACE --- wrote:
> >
> > > > My question to the list is, do
> > > > "the senders" represent writers?
> > >
> > > NO.
> > >
> > > (sorry - just joking. . . senders would provide psychic scripts to
> > > writers)....
> > >
> > i think of them as the voice that the writer transcribes. this about what
> > youre thinking?
>
> yes ... the writer is a receiver of telepathic messages that are
> transcribed. the sender is something or someone else. i believe that
> the notion of pure sender is considered an evil as presented in that
> section. also the sender sort of implodes from a lack of reception and
> another sender must be "Crowned".
>
> i believe that we are on a fairly close wavelength.
>
> it seems that a writer would only also be a sender if the writing was in
> code which would appear to mean one thing but have a powerful Control
> affect/effect subliminally on the receiving readers.
>
> who are the senders? line from Leonard cohen says the rich have
> channels in the bedrooms of the poor. i doubt that it is - but the
> senders may not be conscious of their actions.
>
> it is a very interesting theory to play with and at least in Naked Lunch
> i think WSB just touches the very very edge of the possibilities
> concerning it.
>
> have a nice evening.
>
> david rhaesa
> salina, Kansas
on another note . . .
imagine the impasse of a One Muse Universe. The Muse must be strictly a
sender for to receive would disturb the continuity of the Muse's control
over the message. Unable to receive, the material available to the One
Muse eventually runs out. The pre-recorded tape slides from the feeding
reel of the machine and the sound of the near silent slapping of the
receiving reel of the machine is heard momentarily. Until the One Muse
is tossed in a ditch somewhere near Wamego and another One Muse is
"Crowned". The technicians push the buttons and change the reels - no
clues what tapes they're playing. Ran out of King James and
Shakespeare, Joe, better throw on some of the KERRRRROOOOWWWWWAAAACCCK
reel. There are to many Ted, which one. Look Joe it's all one big
recording does it really matter. Just throw 'em in the middle and we
can play to the future and the past as the reels spin along. . . . . .
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 22 Aug 1997 18:32:08 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: NL: The Senders (fwd)
In-Reply-To: <33FE113B.F5C@midusa.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, RACE --- wrote:
> imagine the impasse of a One Muse Universe.
classic.
> The technicians push the buttons and change the reels - no
> clues what tapes they're playing.
and since have upgraded to the new universe with fractal muse choir, no need
to change reels...
=========================================================================
Date: Fri, 22 Aug 1997 17:57:26 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: NL: The Senders (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael Stutz wrote:
>
> On Fri, 22 Aug 1997, RACE --- wrote:
>
> > imagine the impasse of a One Muse Universe.
>
> classic.
>
> > The technicians push the buttons and change the reels - no
> > clues what tapes they're playing.
> and since have upgraded to the new universe with fractal muse choir, no need
> to change reels...
fractal choirs ... ???? ... is that like strawberry fields forever in
MUZAK in the elevators? good reason to take the stairs i'd say.
remember an old friend an i had a theory of taking brain waves and
charting the sine curves into music generating machines and
experimenting with alterations in the curves. that is probably the
future of the game. i buried the idea deep for the control dangers but
it is out of the bag now i suppose.
word to the wise ... stay out of those elevators and bring your own
tapes and walkman with you at all times. never trust the radio stations
... even the koolest of the kool are sending death ray auditory
symphonies in the montage combinations of the larger sine curves.
i believe that will be it for a while. the receivers need to be filled
once again.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 22 Aug 1997 19:07:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "William N. Gay" <wgay@ZOO.UVM.EDU>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
In-Reply-To: <970822160155_-601714287@emout11.mail.aol.com>
MIME-Version: 1.0
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Well,
certainly ON THE ROAD, and it would seem THE TOWN AND THE CITY (lots
one could do w/this as comparison/perspective), VISIONS OF CODY, DR. SAX,
DESOLATION ANGELS, with selections from the letters and poetry. I hope to
someday teach a course like this myself. "Enlightenment comes when you
don't care."
WNGay
=========================================================================
Date: Fri, 22 Aug 1997 18:08:34 -0700
Reply-To: vic.begrand@sk.sympatico.ca
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
MIME-Version: 1.0
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As far as Kerouac goes, here's what I'd choose:
ON THE ROAD
DHARMA BUMS
DR.SAX
THE SUBTERRANEANS
BIG SUR
(VISIONS OF CODY is one of his best, but it's really an acquired taste)
...and although it's not a novel, I think MEXICO CITY BLUES is
absolutely essential when studying Kerouac and his contributions to
poetry.
As for Ginsberg, Selected Poems would be a good way to go (tho I don't
know if it's in paperback yet), you could select the classic pieces like
Wichita Vortex Sutra, Wales Visitation, Kral Majales, Who Be Kind To,
Mind Breaths, After Lalon...ah hell, just do the whole durn book!
The Portable Beat Reader would also be a good thing to cover.
Adrien
Jenn Fedor wrote:
>
> beat members,
>
> i desparately need the help of anyone who wishes to contribute! i am trying
> to start a tutorial at New College of USF (which, if you do not know, is a
> student run and organized course offered for normal course credit) on Kerouac
> and Ginsberg work. i would really appreciate all of your input, because most
> of the vocal members on this list are much more versed in the subject than i.
>
> i will probably be asking many questions along the way if this is successful,
> but for now my big question is:
> Which Kerouac novels would you chose for a course if only 4-5 could be read
> (please give the top four and a bonus just in case!)?
>
> What Ginsberg stuff should we read? i was thinking kaddish and howl and the
> neal cassady elegies (where are those located?) what else? would the
> Collected Poems (1947-1980) be sufficient? i want the kerouac and ginsberg
> to be equal.
> Thank you all so much! i really appreciate the input! i need as soon as
> possible! you can send it directly to me, or through the list - which ever
> you prefer! you all are the best!
> -Jenn Fedor
=========================================================================
Date: Fri, 22 Aug 1997 19:28:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: NL: The Senders (fwd)
In-Reply-To: <33FE1956.3269@midusa.net>
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On Fri, 22 Aug 1997, RACE --- wrote:
> fractal choirs ... ???? ... is that like strawberry fields forever in
> MUZAK in the elevators?
dunno, senders made me say it.
=========================================================================
Date: Sat, 23 Aug 1997 14:23:20 +0200
Reply-To: Matthias Schneider <magrobi@zedat.fu-berlin.de>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthias Schneider <magrobi@ZEDAT.FU-BERLIN.DE>
Subject: Re: Naked Luch: Joselito
In-Reply-To: <33FBDF30.294C@together.net>
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Hi Diana,
the morphem or dimunitive -ito has a Spaish origin and is used for male
childen i.e. boys.
Matthias (Berlin)
=========================================================================
Date: Sat, 23 Aug 1997 09:13:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Kirouack@AOL.COM>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
how many of Kerouac's books have you read? for me...On the Road is a great
book, a fun book to read. but like The Dharma Bums, to me, this isn't the
Kerouac we know and love. read Dr. Sax, Visions of Cody, Big Sur, Visions of
Gerard, Book of Dreams...now, read these books...and tell me that again.
=========================================================================
Date: Sat, 23 Aug 1997 09:44:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: New Kerouac Books
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Hi Jeff....that invoice is on the way to you. Could I have a catalog?
Thanks, the next quarterly will be available soon. Thanks, Paul.....
=========================================================================
Date: Sat, 23 Aug 1997 06:44:07 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Rinaldo's poem
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Hi Rinaldo,
I tiught this response was more appropriate for so called backchanell, but
the robot says uou are unknown.
leon
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From: Leon Tabory <letabor@cruzio.com>
To: rinaldo@GPNET.IT
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Subject: Re. Th Eyes of rhe Sardines
Date: Sat, 23 Aug 1997 05:10:58 -0700
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Rinaldo,
Your poetry does something to my eyes. Suddenly whole layers of dust are
cleared away and light enters into the fuzzy periphery. Wish it would go on
like this
for awhile longer, lots more questions waiting, but you can't expect the
bright light shining on all the time. There is lots to be seen in them
shadows. Wish for more, more, clearness, but I know more will come too. In
fact I am amazed that you come up with what you do, as much as you do.
Another pearl of the llist.
leon
=========================================================================
Date: Sat, 23 Aug 1997 07:33:12 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: NL: The Senders
MIME-Version: 1.0
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+AD4- Hello everyone:
+AD4- My question to the list is, do
+AD4AIg-the senders+ACI- represent writers?
+AD4-
+AD4- I wish everyone a great
+AD4-weekend. Have fun.
+AD4-
+AD4- My best,
+AD4-
+AD4- Chimera
You are asking if all writers are telepathic?
Is +ACI-Senders+ACI- a phantasy, or a telepathically received notion whch
generates
endless phantasies about telepathic all kinds of other notions. Personally I
think senders would like to be gods. but aren't, so they recruit armies of
scared receivers to foverpower other aspiring sendersafter defeating
themselves, first. Shut up and listen, receiver. Make me, sender. Sorry I am
not allowed to listen to you being a sender my own spoken (not written)
self.
Be careful with your lunch box of telepathic messages, it'll run out you
know, don't let it get wet, it'll spoil you know. You know, you know? There
was a telepathic message in there, you listenin? Don't answer if you are a
sender. But if you are a talented writer imagine what you can do with it.
leon
=========================================================================
Date: Sat, 23 Aug 1997 10:01:52 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: NL: The Senders
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Leon Tabory wrote:
>
> +AD4- Hello everyone:
> +AD4- My question to the list is, do
> +AD4AIg-the senders+ACI- represent writers?
> +AD4-
> +AD4- I wish everyone a great
> +AD4-weekend. Have fun.
> +AD4-
> +AD4- My best,
> +AD4-
> +AD4- Chimera
>
> You are asking if all writers are telepathic?
>
> Is +ACI-Senders+ACI- a phantasy, or a telepathically received notion whch
> generates
> endless phantasies about telepathic all kinds of other notions. Personally I
> think senders would like to be gods. but aren't, so they recruit armies of
> scared receivers to foverpower other aspiring sendersafter defeating
> themselves, first. Shut up and listen, receiver. Make me, sender. Sorry I am
> not allowed to listen to you being a sender my own spoken (not written)
> self.
>
> Be careful with your lunch box of telepathic messages, it'll run out you
> know, don't let it get wet, it'll spoil you know. You know, you know? There
> was a telepathic message in there, you listenin? Don't answer if you are a
> sender. But if you are a talented writer imagine what you can do with it.
>
> leon
imagine you know you know i think you're right about the sender have a
bunch of receiving sheep and whatnot. important to keep a good dose of
humour in brain - all life is tongue-cheek - when imagining about such
things i suppose.
david rhaesa
salina, Kansas
=========================================================================
Date: Sat, 23 Aug 1997 11:26:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: NL: The Senders
MIME-Version: 1.0
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Leon Tabory wrote:
> +AD4- Hello everyone:
> +AD4- My question to the list is, do
> +AD4AIg-the senders+ACI- represent writers?
> +AD4-
> +AD4- I wish everyone a great
> +AD4-weekend. Have fun.
> +AD4-
> +AD4- My best,
> +AD4-
> +AD4- Chimera
>
> You are asking if all writers are telepathic?
>
> Is +ACI-Senders+ACI- a phantasy, or a telepathically received notion
> whch
> generates
> endless phantasies about telepathic all kinds of other notions.
> Personally I
> think senders would like to be gods. but aren't, so they recruit
> armies of
> scared receivers to foverpower other aspiring sendersafter defeating
> themselves, first. Shut up and listen, receiver. Make me, sender.
> Sorry I am
> not allowed to listen to you being a sender my own spoken (not
> written)
> self.
>
> Be careful with your lunch box of telepathic messages, it'll run out
> you
> know, don't let it get wet, it'll spoil you know. You know, you know?
> There
> was a telepathic message in there, you listenin? Don't answer if you
> are a
> sender. But if you are a talented writer imagine what you can do with
> it.
>
> leon
Leon:
If it is just a box of rain, how do you keep it from getting wet?
And it's just a box of rain,
Believe it if you need it, if you don't just pass it on.
And it's just a box of rain and some ribbons for your hair,
Such a long long time to be gone, and a short time to be there.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 23 Aug 1997 10:38:36 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Diane Carter wrote:
> Does the narrator have power in
> his observations and the words he uses, or is he merely a scribe forced
> to write about that which he cannot change?
> DC
This is an incredibly difficult question. It touches on the stuff in
the NL-Senders thread somewhat. Luckily you bring me back to the
beginning of the book. I received a do not pass go - move back to
chapter one signal - and just in time i suppose.
I guess the easy answer to the question is -- Yes!
Copout though as well. The narrator is a scribe of sorts -- what is he
scribbling? In ordinary writing the scribe would be scribbling the
signals of the prerecorded universe - perhaps with minor modifications -
but still easily for the Controllers to drag within the messages of
social control. This particular narrator is attempting to slash through
such prerecordings (perhaps analogous to the way Joyce is slashing
through Aristotelian grounded thinking???) by the use of non-linear
forms and methods to find the script to scribble.
Of course, one must wonder how deep these control notions -- whether
considered metaphorically or literally -- run. Perhaps the river of
scriptural prerecordings is so deep that even the cut-up methods are
just another branch of possible versions of the script that the
controllers pre-recognize -- merely permutations of the obvious script
afterall -- and so the freedom suggested by the cutup is another tool of
the controllers. I can just see Benway with a whole cutup wing in which
young WSB addicts are cutting up the "Life Rule Books" certain that they
are going to find freedom. What do they find - another script. And so
the words are still there -- grounding the controller's method which is
based so clearly in words. . . .words.
What does this all mean? Not a hell of a lot.....
On to Benway ......... ------------<<<<<<<<<<<<<<<<<<<<<<<
david rhaesa
salina, Kansas
=========================================================================
Date: Sat, 23 Aug 1997 08:34:13 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: NL: The Senders
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Sender : +ACI-talented writer creates wet proof rain lunch box. Where is the
rain maker? +ACI- +ACI- I am coming, I am coming+ACI- El Nino would answer if
it
could. (If it were not a sender with message under way..)
Leon
+AD4-Leon Tabory wrote:
+AD4-
+AD4APg- +AD4- Hello everyone:
+AD4APg- +AD4- My question to the list is, do
+AD4APg- +AD4AIg-the senders+ACI- represent writers?
+AD4APg- +AD4-
+AD4APg- +AD4- I wish everyone a great
+AD4APg- +AD4-weekend. Have fun.
+AD4APg- +AD4-
+AD4APg- +AD4- My best,
+AD4APg- +AD4-
+AD4APg- +AD4- Chimera
+AD4APg-
+AD4APg- was a telepathic message in there, you listenin? Don't answer if you
+AD4APg- are a
+AD4APg- sender. But if you are a talented writer imagine what you can do with
+AD4APg- it.
+AD4APg-
+AD4APg- leon
+AD4-
+AD4-Leon:
+AD4-
+AD4-If it is just a box of rain, how do you keep it from getting wet?
+AD4-
+AD4-And it's just a box of rain,
+AD4-Believe it if you need it, if you don't just pass it on.
+AD4-And it's just a box of rain and some ribbons for your hair,
+AD4-Such a long long time to be gone, and a short time to be there.
+AD4-
+AD4-
+AD4---
+AD4-
+AD4-Peace,
+AD4-
+AD4-Bentz
+AD4-bocelts+AEA-scsn.net
+AD4-http://www.scsn.net/users/sclaw
+AD4-.-
+AD4-
=========================================================================
Date: Sat, 23 Aug 1997 12:57:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: George Russell <CodyPomera@AOL.COM>
Subject: Tangier and the beatz
Dear Beat L-er's,
My names George, been on the list before, but had to cancel for awhile for I
went traveling in Spain and the rest of Southern Europe. Very beautiful and
an astounding experience, my first time out of the U.S., cept' for Canada,
which don't count. At any rate, while there, I made the pilgrimage to
Tangier and resided in a hotel for a few days, where Bill Burroughs stayed,
wrote Nekkid Lunch and all that, plus I was able to stay in room four, where
Kerouac and Ginsberg stayed while they visited Burroughs. Saw the garden
where the picture was taken, the one with Burroughs, Ginsberg, Orlovsky,
etc..., went to a few haunts of Burroughs and got drunk at the bar where they
kicked it, the tanger inn. All in all an ecstatically beautiful experience.
Questions I wanted to ask the list; Anyone else been to Tangier and
witnessed all this? How was it, etc...? And if anyone would like the phone
numbers, addresses, etc..., feel free to ask...thanks.
-george
=========================================================================
Date: Sat, 23 Aug 1997 13:00:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "L.W. Deal" <RoadSide6@AOL.COM>
Subject: Re: The Kerouac Quarterly Needs your input!
Comments: cc: mapaul@pipeline.com
Bar none, the quote from OTR that has stood out most often and been copied
in each and every journal this boy's ever owned:
What is that feeling when you're driving away from people and they recede on
the plain till you see their specks dispersing? -- it's the too-huge world
vaulting us, and it's good-by. But we lean forward ti the next crazy venture
beneath the skies. . . Chapter 8, first paragraph
=========================================================================
Date: Sat, 23 Aug 1997 11:37:11 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: Re[2]: renaming Characters...
In-Reply-To: <3FDB87D0.@usoc.org>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 22 Aug 1997, MATT HANNAN wrote:
> the fictionalized names. In the next to the last sentence of Chapter 23 in
> Dharma Bums he writes (and no one has corrected it in 39 years (that I can
see)
> "....I had a dollar left and GARY was waiting for me at the shack." There is
no
> *character* named Gary (but of course Japhy = Gary) in DB so it should have
been
> "...Japhy was...". I'm quoting this from the newer Penguin series, does anyone
> have a first/second edition DB that they can verify that it's always been this
> way?
well, i have the signet books, 2nd edition, december 1967 (which cover
reads "THE DHARMA BUMS, by the man who launched the hippie world, the
daddy of the swinging psychedlic generation, JACK KEROUAC, author of ON
THE ROAD" and the sentence in question reads "I had a dollar left and
japhy was waiting for me at the shack."
can anyone else shine light on the anomaly?
yrs
derek
=========================================================================
Date: Sat, 23 Aug 1997 02:28:15 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: On the Road/was Naked Lunch, Chapter 1
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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> RACE wrote:
> One thing that i have found particularly amusing is the contrast in
> views of "America" between this and On The Road.
>
> NL pp.12-13
> But there is no drag like U.S. drag. You can't see it, you don't know
> where it comes from. . . .You walk in and it hits you. But where does
> it come from?
>
> And the differences in attitude towards Chicago are unbelievable.
> Having grown up in the Midwest i have to think that JK's view is more a
> happiness of leaving behind the known behind than anything peculiar to
> the Midwest and West. It is the newness of it that grabs him and shows
> through his prose.
In On the Road it is the newness that grabs Kerouac and excites him. It
is really evident in going back and rereading On the Road after having
read later Kerouac works, how enthralled he is with the whole process of
discovering America and the people he meets along the way. Later this
excitement fades into as you said before somewhere, a "been there, done
that" syndrome where the whole process becomes one of incredible
saddness, a place where seemingly there are no new roads to discover.
And an America found, in Big Sur, where he can no longer hitchhike and
get a ride, being passed by a wave of middle-class Americans and their
families in station wagons (probably upgraded today to minivans), who
have no place in their lives for strangers standing by the side of the
road.
DC
=========================================================================
Date: Sat, 23 Aug 1997 03:41:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@AOL.COM
MIME-Version: 1.0
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> RACE wrote:
> Of course, one must wonder how deep these control notions -- whether
> considered metaphorically or literally -- run. Perhaps the river of
> scriptural prerecordings is so deep that even the cut-up methods are
> just another branch of possible versions of the script that the
> controllers pre-recognize -- merely permutations of the obvious script
> afterall -- and so the freedom suggested by the cutup is another tool
> of
> the controllers. I can just see Benway with a whole cutup wing in
> which
> young WSB addicts are cutting up the "Life Rule Books" certain that
> they
> are going to find freedom. What do they find - another script. And so
> the words are still there -- grounding the controller's method which is
> based so clearly in words. . . .words.
That sort of opens up my thoughts on cut-ups and the pre-recorded
universe. I don't see cut-ups as shaking up the universe (real or of
words) for they only reorganize the pre-recorded script. What ever
controls there are, are not subverted by this but allow for it in
whatever master system is at play. What freedom does it bring? It would
seem that a pre-recorded universe/script would take into account all of
the things that are possible, thus doing anything is playing it out, not
changing it?
DC
=========================================================================
Date: Sat, 23 Aug 1997 14:57:29 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Diane Carter wrote:
>
> > RACE wrote:
>
> > Of course, one must wonder how deep these control notions -- whether
> > considered metaphorically or literally -- run. Perhaps the river of
> > scriptural prerecordings is so deep that even the cut-up methods are
> > just another branch of possible versions of the script that the
> > controllers pre-recognize -- merely permutations of the obvious script
> > afterall -- and so the freedom suggested by the cutup is another tool
> > of
> > the controllers. I can just see Benway with a whole cutup wing in
> > which
> > young WSB addicts are cutting up the "Life Rule Books" certain that
> > they
> > are going to find freedom. What do they find - another script. And so
> > the words are still there -- grounding the controller's method which is
> > based so clearly in words. . . .words.
>
> That sort of opens up my thoughts on cut-ups and the pre-recorded
> universe. I don't see cut-ups as shaking up the universe (real or of
> words) for they only reorganize the pre-recorded script. What ever
> controls there are, are not subverted by this but allow for it in
> whatever master system is at play. What freedom does it bring? It would
> seem that a pre-recorded universe/script would take into account all of
> the things that are possible, thus doing anything is playing it out, not
> changing it?
> DC
i suppose that requires getting past all the questions about determinism
vs. free will to answer. have to get far beyond this book to get close
to those notions from WSB's perspective.
it seems that the recording is altered whether the overall system is.
so my experience within the universe is different than it would have
been otherwise.
but best answer is probably
maybe/maybe not?????
david rhaesa
salina, Kansas
=========================================================================
Date: Sat, 23 Aug 1997 12:49:55 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
+AD4-Diane Carter wrote:
+AD4APg- Does the narrator have power in
+AD4APg- his observations and the words he uses, or is he merely a scribe forced
+AD4APg- to write about that which he cannot change?
+AD4APg- DC
+AD4-
This is from a died in the wool fan of Diane. I would love to read any
literary reviews that you wite. Good stuff. Let me confess that I suffer
some kind of a reading disability, don't read much, although I always loved
to read book reviews. My connection to this list to begin with was an
interest in what is being said today about my old buddy Neal. This is to
explain why I don't feel knowledgeable enough to enter sophisticated
discussions of literature. I do appreciate them a lot from a lurking
position. I got hooked on all these very alive minds trying to enlighten
themselves and each other. In this instance tough I have a problem with the
posed either/or dichotomy.
Could not a good narrator, restrcting or forcing himself to write accurate
descriptions of events that transpired, that nothing and no one could change
any longer, still be aware of the even greater power his words have to
change things in the near or distant future?
leon
=========================================================================
Date: Sat, 23 Aug 1997 17:03:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Cross post[Fwd: burroughs and dylan]
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Can anybody explain this to me? Thank you for your assistance.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
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From: petekon@aol.com (Petekon)
Newsgroups: rec.music.dylan
Subject: burroughs and dylan
Date: 23 Aug 1997 01:37:38 GMT
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a most accessible and bite-size dose of big bill are his alleged last
written words in the august 8 (?) edition of The New Yorker. Spare and
stark as ever, you can see the man writing like a beckett character
because he cant not-write, even now, with the darkness closing in.
Interestingly, bill shows himself to be a deist, as he says something to
the effect of man being left on the planet and then abandoned, the
frightening thing about burroughs is the eventual realisation i got that
he is NOT a neo- or avant-garde anything, he is completely issued from the
mainstream of western thought, one tentacle of the logical conclusion of
cartesianism.
-p. kondrat
--------------6C36629B871EB5E1E0EFB74A--
=========================================================================
Date: Sat, 23 Aug 1997 17:05:19 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Cross post[Fwd: Burroughs goes to Hell]
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Now, this one I can understand. TIMHRK must have been the one wishing
Burroughs would burn in hell etc., I am not sure. But clearly the
karmic wheel spin thing I like.
Good sensible thought here.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
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From: petekon@aol.com (Petekon)
Newsgroups: rec.music.dylan
Subject: Re: Burroughs goes to Hell
Date: 23 Aug 1997 02:03:41 GMT
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really, man, dont worry about burroughs's soul! with a little luck wsb
will re-incarnate as TIMHRK's grandchild! i believe bill gave a mighty
spin to his own karmic wheel, lived through much hell already and will
re-surface on a higher plane...
peter kondrat
--------------662C9C891236B154CFA432D5--
=========================================================================
Date: Sat, 23 Aug 1997 14:12:43 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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+AD4-In ordinary writing the scribe would be scribbling the
+AD4-signals of the prerecorded universe - perhaps with minor modifications -
+AD4-but still easily for the Controllers to drag within the messages of
+AD4-social control. This particular narrator is attempting to slash through
+AD4-such prerecordings (perhaps analogous to the way Joyce is slashing
+AD4-through Aristotelian grounded thinking???) by the use of non-linear
+AD4-forms and methods to find the script to scribble.
+AD4-david rhaesa
+AD4-salina, Kansas
The first breakthroughs begin with pioneers who manage to survive and signal
each other about inadequacies developing in the shapes that define and
control, them, and weaknesses in the controllers, their need and ability to
to become better informed than the present rule deems safe. We are using
these signals that extend the reach of our skins right now, breaking through
traditional forms of control
Brings to mind the old cliche about trying to jump out of your skin. Since
the beginning, the shape of living beings was defined by their skin. Not
necessarily the seven layered universes that protect and shield our bodies
with windows to navigate in the midst of forces that would instantly destroy
us, that has built in systems for communication that allow us to perceive,
communicate and manipulate the physical forces, using teamwork. I use the
word teamwork here loosely because ordinarily the slaves and their masters
might not consider themselves as part of a team that accomplishes something
together however unfairly to both sides or through what methods of control.
We take life too seriously yet, we are too frightened of what's outide of
it, to imagine ourselves, like actors of a play, sitting down to discuss
their performances after the play is over. But it is a possibility.
>From the early viri and still moving on, there were forces of control that
were there to eradicate any action that threatens to break out, and weaken
the defined shape that provides limited safety. If these controlers were
ever alloted permanent power, there would not have been the progressive
modifications and elaborations of those shapes.
In other words, I don't see any inconsistency in biological developments
with the arrival of our newest and most powerful tool so far, words. Or with
the processes of control that try to stop any punching of holes in the
structures that protected us in the past. There always were the controllers
who like to hang on to all the power they can. Dangerous radicals were
always to be eradicated, yet pioneers never stopped trying to jump out of
their limiting skins, stretching them as far as they could. That's how
change continues to happen. Changes in understanding and using words as
well.
If words are an interfering virus threatening the +ACI-freedom+ACI- of humanity,
then that virus had to start long before words, with life itself.
I don't think the prerecorders(?) or whatever engineers who are fooling
around in our LDB (life development laboratory), have total power. The
products betray a striving for something that has nowhere and never yet
fully realized. They (?) keep having to experiment further and further.
Yes, fooling around with prerecorded forms seems part of the recording. Each
designed species has its limitations and shortcomings. Our very survival
depends upon destroying others. Unless, of course, you don't think that
bacteria for example, who have a procreation lineage longer than ours, do
not qualify as +ACI-others+ACI-. Or that you can solve that nasty by going
vegan.The
creatures' powers are immense but never perfect. Life span itself is pretty
limited. That seems to me to be the case with control as well. My bet is
that we will continue to stretch our mastery of words but only within
permitted limits.
leon
=========================================================================
Date: Sat, 23 Aug 1997 17:27:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: On the Road/was Naked Lunch, Chapter 1
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At 02:28 AM 8/23/97 -0700, you wrote:
>> RACE wrote:
>> One thing that i have found particularly amusing is the contrast in
>> views of "America" between this and On The Road.
>>
>> NL pp.12-13
>> But there is no drag like U.S. drag. You can't see it, you don't know
>> where it comes from. . . .You walk in and it hits you. But where does
>> it come from?
>>
>> And the differences in attitude towards Chicago are unbelievable.
>> Having grown up in the Midwest i have to think that JK's view is more a
>> happiness of leaving behind the known behind than anything peculiar to
>> the Midwest and West. It is the newness of it that grabs him and shows
>> through his prose.
>
>In On the Road it is the newness that grabs Kerouac and excites him. It
>is really evident in going back and rereading On the Road after having
>read later Kerouac works, how enthralled he is with the whole process of
>discovering America and the people he meets along the way. Later this
>excitement fades into as you said before somewhere, a "been there, done
>that" syndrome where the whole process becomes one of incredible
>saddness, a place where seemingly there are no new roads to discover.
>And an America found, in Big Sur, where he can no longer hitchhike and
>get a ride, being passed by a wave of middle-class Americans and their
>families in station wagons (probably upgraded today to minivans), who
>have no place in their lives for strangers standing by the side of the
>road.
>DC
>
>
Kerouac wrote a piece for the Chicago Tribune Magazine about a month
before he died. In it, he said he tried to go back on the road, but
couldn't. He was too old to hitch rides. I've tried it too. Its
hard to hitch rides if your not in your teens or early twenties. Its
hard especially when everyone has read stories of serial killers. I
mostly don't give rides myself unless they look young and innocent.
I'm afraid to give someone a ride who might look powerful or slightly
sinister.
Mike Rice
=========================================================================
Date: Sat, 23 Aug 1997 16:30:33 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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Leon Tabory wrote:
.......
> That seems to me to be the case with control as well. My bet is
> that we will continue to stretch our mastery of words but only within
> permitted limits.
>
> leon
Leon,
As usual i found your post -- the entirety not just this clipped part at
the ending -- compleatly fascinating. Smashing through false
distinctions and revealing what should have been the obvious were it not
for so many mental blinders blinding the supposedly non-blind thinking
creatures here and there.... if i follow you exactly as far as did at
least i seem to have compleatly agreed with everything you wrote - even
those parts that smashed through things that i may have originally
written. wonderful feeling after reading it. Going to print this and
read it again after siesta.
thanks.
david rhaesa
salina, Kansas
=========================================================================
Date: Sat, 23 Aug 1997 23:29:52 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: The aggressor.
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Don't use the telephone
People are never ready to answer it.
Use poetry. --- Jack Kerouac, 1970.
Jack Kerouac must have changed the names (using psedonymous)
being afraid of the retaliations.
id est,
JK after have published his novel "The Subterraneans"
was beaten violently by a person represented in a character,
(who was the aggressor?)
This aggression frightened much Jack & he started to attack his
old beat friends & take to drink.
saluti,
Rinaldo.
=========================================================================
Date: Sat, 23 Aug 1997 05:47:33 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Cross post[Fwd: burroughs and dylan]
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R. Bentz Kirby wrote:
>
> Can anybody explain this to me? Thank you for your assistance.
>
> a most accessible and bite-size dose of big bill are his alleged last
> written words in the august 8 (?) edition of The New Yorker. Spare and
> stark as ever, you can see the man writing like a beckett character
> because he cant not-write, even now, with the darkness closing in.
> Interestingly, bill shows himself to be a deist, as he says something
> to
> the effect of man being left on the planet and then abandoned, the
> frightening thing about burroughs is the eventual realisation i got
> that
> he is NOT a neo- or avant-garde anything, he is completely issued from
> the
> mainstream of western thought, one tentacle of the logical conclusion
> of
> cartesianism.
I don't know if I can explain it but I'll give it a stab. What were
Burroughs last words as printed in The New Yorker? I couldn't locate a
copy. What he seems to be saying is that in spite of all of Burroughs
ideas of defying convention, pushing literature ahead, and all of his
many ideas of man's sense of power in his universe, that, when it came
down to it, he was a deist, believing in one god as a supreme being who
created the universe and the natural order of things (that is a basic
belief and does include the teachings of Christianity) He is also saying
that Burroughs was not really challenging the mainstream of western
thought because he was himself putting himself in the same place as
Descartes and his followers, who way back in the 17th century, used
logical, mathematical reasoning to arrive at the fact that there was a
God, and that it could not be any other way.
DC
=========================================================================
Date: Sat, 23 Aug 1997 15:00:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Thank youRe: Naked Lunch: Chapter 1, up to Benway
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Thank you David,
I appreciate a lot, not that you agreed with what I said here. Actually it
is quite good to hear a different take to, even if that is not as reassuring
and helpful as encouragement is. What I am thanking you for is for making
the effort to sending me a good word. I am always a bit concerned whether I
might have offended or been just been quite wrong, maybe even worse,
misunderstood. I too feel much better and my thinking gets a lot clearer
from a response like that. I was going to send you this thank you privatrely
but it might not be a bad idea for all of us to realize how helpful a word
of appreciation is to us. We are not doing it enough yet, I think. So,
thanks again. Enough computer now. Later
leon
+AD4-Leon Tabory wrote:
+AD4-
+AD4-.......
+AD4APg- That seems to me to be the case with control as well. My bet is
+AD4APg- that we will continue to stretch our mastery of words but only within
+AD4APg- permitted limits.
+AD4APg-
+AD4APg- leon
+AD4-
+AD4-Leon,
+AD4-
+AD4-As usual i found your post -- the entirety not just this clipped part at
+AD4-the ending -- compleatly fascinating. Smashing through false
+AD4-distinctions and revealing what should have been the obvious were it not
+AD4-for so many mental blinders blinding the supposedly non-blind thinking
+AD4-creatures here and there.... if i follow you exactly as far as did at
+AD4-least i seem to have compleatly agreed with everything you wrote - even
+AD4-those parts that smashed through things that i may have originally
+AD4-written. wonderful feeling after reading it. Going to print this and
+AD4-read it again after siesta.
+AD4-
+AD4-thanks.
+AD4-
+AD4-david rhaesa
+AD4-salina, Kansas
+AD4-.-
+AD4-
=========================================================================
Date: Fri, 22 Aug 1997 07:57:37 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "William H. Rose" <dharmapoet@JUNO.COM>
Subject: Re: New Beat Catalogue Now Available
Jeff,
Please send your recent catalogue (#71) to me and add me to your
mailing list.
If by e-mail then send to DharmaPoet@juno.com....
If by snail-mail send to:
William H. Rose, III
1515 South Melrose Drive #28
Vista, California 92083
Thanks,
Bill.
On Fri, 22 Aug 1997 00:39:56 -0400 Jeffrey Weinberg <Waterrow@AOL.COM>
writes:
>Our latest catalogue of Beat books is now available.
>"Catalogue 71" contains a vast assortment of new Beat-related titles
>as well
>as
>some great used, rare, and signed items.
>If you are not on our mailing list and would like to receive a
>complimentary
>copy of Catalogue 71, send your request to me.
>
>Jeffrey Weinberg
>Water Row Books
>
=========================================================================
Date: Sat, 23 Aug 1997 19:36:06 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Cross post[Fwd: burroughs and dylan]
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Diane Carter wrote:
What were
> Burroughs last words as printed in The New Yorker?
patricia wrote, I jhaven't read the New Yorker, but Williams last
written words were in his diary,
he wrote
"Love? What is it?
Most natural painkiller what there is
LOVE"
=========================================================================
Date: Sat, 23 Aug 1997 19:44:49 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Thank you
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Thank you to the people on the list. I felt such a kinship and sense of
mutual support when we lost william. I thought it was lovely that
Charles p could come here and David. Many of you made it much easier
for me. I sat at williams house and read some of the poems and writing
you sent. Noone else was there but that old house rocked with williams
spirit,
p
=========================================================================
Date: Sat, 23 Aug 1997 21:56:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Is anyone else getting mail from the list with weird characters where they
shouldn't be, like so:
+AD4-In ordinary writing the scribe would be scribbling the
+AD4-signals of the prerecorded universe - perhaps with minor modifications -
+AD4-but still easily for the Controllers to drag within the messages of
+AD4
Where there would usually be a little left-hand carat it says "+AD4-"
All my beatlist mail is coming in like this today. Anyone else?
=========================================================================
Date: Sat, 23 Aug 1997 19:08:00 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: beat-l party pics
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Trying again to post.
Sherri, James, Anne Murphey, Ernie Edwards, Glen Todd
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--------------62BA6BB6585--
=========================================================================
Date: Sat, 23 Aug 1997 19:12:20 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Beat-l Bash Pics
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="------------AE261606BC4"
This is a multi-part message in MIME format.
--------------AE261606BC4
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Lisa Rabey and friend Michael
--------------AE261606BC4
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--------------AE261606BC4--
=========================================================================
Date: Sat, 23 Aug 1997 19:17:02 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Beat-L party pics
MIME-Version: 1.0
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--------------1F6E33D73
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Sherri and Glen reading C. Plymell's prologue to "Robbing the Pillars"
--------------1F6E33D73
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--------------1F6E33D73--
=========================================================================
Date: Sun, 24 Aug 1997 00:11:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Marriage, Sometimes Argumentative
MIME-Version: 1.0
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Marriage, Sometimes Argumentative
Crumpled bits of paper in the corner.
Dust bunnies hop in her wake.
Stretched out like elastic ready to snap
back or in two.
Stranger living in my head.
Ain't familiar with him or his intentions.
Fierce, haunting, hurtful, mean, and dirty.
Ugliness easily achieved,
But a soft answer turneth away wrath.
Taunting, "give one right now."
Yeah, right.
For better or worse did not
Include this garbage!
Sweep it up, get this place clean.
But it all comes back again.
Different paper.
Different dust bunnies.
Different reasons.
It all comes back, the layered look.
There will be instant replays of this.
There will be instant replays of this.
Let go and fall.
Let's go and fall.
See where we go, if we could.
No history,
No sedimentary anger.
No seeking justification,
No demanded validation.
No lack of acceptation.
No questions like:
And why didn't I know this about you anyway?
Absence might work better,
But the heart is not fonder,
It is fodder.
Dirty cheap angry fodder.
And dust bunnies hop in her wake.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 23 Aug 1997 23:19:23 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Marriage, Sometimes Argumentative
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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R. Bentz Kirby wrote:
>
> Marriage, Sometimes Argumentative
>
> Crumpled bits of paper in the corner.
> Dust bunnies hop in her wake.
> Stretched out like elastic ready to snap
> back or in two.
> Stranger living in my head.
> Ain't familiar with him or his intentions.
> Fierce, haunting, hurtful, mean, and dirty.
> Ugliness easily achieved,
> But a soft answer turneth away wrath.
> Taunting, "give one right now."
> Yeah, right.
> For better or worse did not
> Include this garbage!
> Sweep it up, get this place clean.
> But it all comes back again.
> Different paper.
> Different dust bunnies.
> Different reasons.
> It all comes back, the layered look.
> There will be instant replays of this.
> There will be instant replays of this.
> Let go and fall.
> Let's go and fall.
> See where we go, if we could.
> No history,
> No sedimentary anger.
> No seeking justification,
> No demanded validation.
> No lack of acceptation.
> No questions like:
> And why didn't I know this about you anyway?
> Absence might work better,
> But the heart is not fonder,
> It is fodder.
> Dirty cheap angry fodder.
> And dust bunnies hop in her wake.
>
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
"In every job that must be done there is an element of fun. Find the
fun and .... <snap> it's a game." m.poppins
EZer said than done, huh!
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 24 Aug 1997 00:27:14 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Marriage, Sometimes Argumentative
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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RACE --- wrote:
>
> R. Bentz Kirby wrote:
> >
> > Marriage, Sometimes Argumentative
> >
> > Crumpled bits of paper in the corner.
> > Dust bunnies hop in her wake.
> > Stretched out like elastic ready to snap
> > back or in two.
> > Stranger living in my head.
> > Ain't familiar with him or his intentions.
> > Fierce, haunting, hurtful, mean, and dirty.
> > Ugliness easily achieved,
> > But a soft answer turneth away wrath.
> > Taunting, "give one right now."
> > Yeah, right.
> > For better or worse did not
> > Include this garbage!
> > Sweep it up, get this place clean.
> > But it all comes back again.
> > Different paper.
> > Different dust bunnies.
> > Different reasons.
> > It all comes back, the layered look.
> > There will be instant replays of this.
> > There will be instant replays of this.
> > Let go and fall.
> > Let's go and fall.
> > See where we go, if we could.
> > No history,
> > No sedimentary anger.
> > No seeking justification,
> > No demanded validation.
> > No lack of acceptation.
> > No questions like:
> > And why didn't I know this about you anyway?
> > Absence might work better,
> > But the heart is not fonder,
> > It is fodder.
> > Dirty cheap angry fodder.
> > And dust bunnies hop in her wake.
> >
> > --
> > Bentz
> > bocelts@scsn.net
> >
> > http://www.scsn.net/users/sclaw
>
> "In every job that must be done there is an element of fun. Find the
> fun and .... <snap> it's a game." m.poppins
>
> EZer said than done, huh!
>
> david rhaesa
> salina, Kansas
Hey, maybe a spoonful of sugar cubes would help change the perspectives
around here. But, that would be wrong!
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 23 Aug 1997 23:35:00 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Marriage, Sometimes Argumentative
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
R. Bentz Kirby wrote:
>
> RACE --- wrote:
> >
> > R. Bentz Kirby wrote:
> > >
> > > Marriage, Sometimes Argumentative
> > >
> > > Crumpled bits of paper in the corner.
> > > Dust bunnies hop in her wake.
> > > Stretched out like elastic ready to snap
> > > back or in two.
> > > Stranger living in my head.
> > > Ain't familiar with him or his intentions.
> > > Fierce, haunting, hurtful, mean, and dirty.
> > > Ugliness easily achieved,
> > > But a soft answer turneth away wrath.
> > > Taunting, "give one right now."
> > > Yeah, right.
> > > For better or worse did not
> > > Include this garbage!
> > > Sweep it up, get this place clean.
> > > But it all comes back again.
> > > Different paper.
> > > Different dust bunnies.
> > > Different reasons.
> > > It all comes back, the layered look.
> > > There will be instant replays of this.
> > > There will be instant replays of this.
> > > Let go and fall.
> > > Let's go and fall.
> > > See where we go, if we could.
> > > No history,
> > > No sedimentary anger.
> > > No seeking justification,
> > > No demanded validation.
> > > No lack of acceptation.
> > > No questions like:
> > > And why didn't I know this about you anyway?
> > > Absence might work better,
> > > But the heart is not fonder,
> > > It is fodder.
> > > Dirty cheap angry fodder.
> > > And dust bunnies hop in her wake.
> > >
> > > --
> > > Bentz
> > > bocelts@scsn.net
> > >
> > > http://www.scsn.net/users/sclaw
> >
> > "In every job that must be done there is an element of fun. Find the
> > fun and .... <snap> it's a game." m.poppins
> >
> > EZer said than done, huh!
> >
> > david rhaesa
> > salina, Kansas
>
> Hey, maybe a spoonful of sugar cubes would help change the perspectives
> around here. But, that would be wrong!
>
> Peace,
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
sugar cubes .... hmmm.mmm
"everything is permitted." -- WSB
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 24 Aug 1997 09:36:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: PRESTON A WHALEY <paw8670@MAILER.FSU.EDU>
Subject: Re: New Beat Catalogue Now Available
In-Reply-To: <19970823.170729.18246.0.DharmaPoet@juno.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Dear Jeff,
Add me to the list if you would please.
Address: 314 Pennell Circle #2
Tallahassee, FL 32310
Merci,
PW
On Fri, 22 Aug 1997, William H. Rose wrote:
> Jeff,
> Please send your recent catalogue (#71) to me and add me to your
> mailing list.
> If by e-mail then send to DharmaPoet@juno.com....
> If by snail-mail send to:
>
> William H. Rose, III
> 1515 South Melrose Drive #28
> Vista, California 92083
>
> Thanks,
> Bill.
>
>
> On Fri, 22 Aug 1997 00:39:56 -0400 Jeffrey Weinberg <Waterrow@AOL.COM>
> writes:
> >Our latest catalogue of Beat books is now available.
> >"Catalogue 71" contains a vast assortment of new Beat-related titles
> >as well
> >as
> >some great used, rare, and signed items.
> >If you are not on our mailing list and would like to receive a
> >complimentary
> >copy of Catalogue 71, send your request to me.
> >
> >Jeffrey Weinberg
> >Water Row Books
> >
>
=========================================================================
Date: Sun, 24 Aug 1997 10:23:12 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: Cross post[Fwd: burroughs and dylan]
Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug
>
>Diane Carter wrote:
> What were
>> Burroughs last words as printed in The New Yorker?
>
>patricia wrote, I jhaven't read the New Yorker, but Williams last
>written words were in his diary,
>he wrote
>"Love? What is it?
>Most natural painkiller what there is
>LOVE"
I found it interesting that he called LOVE the most natural painkiller,
since love seems to cause a lot of the pain in the first place.
(or maybe it's a lack of love that causes the pain....I think that's more
right.)
Diane. (H)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Sun, 24 Aug 1997 12:15:15 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Cross post[Fwd: burroughs and dylan]
Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Diane M. Homza wrote:
>
> Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug
> >
> >Diane Carter wrote:
> > What were
> >> Burroughs last words as printed in The New Yorker?
> >
> >patricia wrote, I jhaven't read the New Yorker, but Williams last
> >written words were in his diary,
> >he wrote
> >"Love? What is it?
> >Most natural painkiller what there is
> >LOVE"
>
> I found it interesting that he called LOVE the most natural painkiller,
> since love seems to cause a lot of the pain in the first place.
>
> (or maybe it's a lack of love that causes the pain....I think that's more
> right.)
>
> Diane. (H)
>
> --
> "I can't imagine how I ever thought my love might make a difference to him."
> --Richard Powers, _The Gold Bug Variations_
>
> Diane M. Homza ek242@cleveland.freenet.edu
i think by 83, it was love that threaded through the good times in his
life. Myself I was happily single for 20 years with occasionals pains of
romance, then along came bob, and the building of a life with him was
sweet and interesting.
I certainly saw william accept more and more love in his life. He
poured love on his creatures, wonderful complex issues with his cats
went on. He was truely loved here, with a circle of friends that wore no
consistant hat of fame or class. Most common hats were humor and being
people of honor, Johnson family traits you know. He was very
cosmopoliton , worldly, but most centrally, a loyal caring friend. The
johnsons lived all over the world.
p
=========================================================================
Date: Sun, 24 Aug 1997 16:12:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: [Fwd: Rhetorical Question -- long post on philosophy and myths]
MIME-Version: 1.0
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I am in a very reflective mood today. A new book has been published
about the last days of Jimi Hendrix and I read an excerpt on the web
site of the author. I was driven to my books and composed the attached
email. While, I sent it to the Hendrix list, I fear that if it has any
merit for discussion it may fall on deaf ears. So, I thought further.
And upon that I reflected on recent posts on this list on the deaths of
WSB and AG. As well as discussion of Jack and Neal. Obviously, AG and
WSB adapted and lived long. The others did not. What is the
difference? Is there anything to the muse, sirens and Apollo? Do you
have any comments?
Yours lost in thought,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
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Message-ID: <34008FF5.9CD039B4@scsn.net>
Date: Sun, 24 Aug 1997 15:48:05 -0400
From: "R. Bentz Kirby" <bocelts@scsn.net>
Organization: Law Office of R. Bentz Kirby
X-Mailer: Mozilla 4.0 [en] (Win95; I)
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To: hey joe <hey-joe@inslab.uky.edu>
Subject: Rhetorical Question -- long post on philosophy and myths
X-Priority: 3 (Normal)
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I am still in search of Tony's book, but have been thinking about the
death of Jimi has lead me to a rhetorical question, but one that I hope
someone will comment on.
What makes the difference in some people's lifes. Bob Dylan had a
motorcycle wreck when it seemed his life was out of control, and he
lived. What is the difference in Brian Jones (Jimi's close friend) and
Keith Richards? Why did Jimi, Jim Morrison and Janis burn out so
young? But, hard living folk like Jimmy Buffett, Jerry Jeff Walker,
Stephen Stills etc just seem to keep on going.
Is it the support system that allows them to survive? Is it something
in their nature? It seems to me that some, like Ronnie Van Zandt, even
try to get out of the rut that is killing them (some his last few songs
like "That Smell" and "Saturday Night Special" pointed out the fact that
drugs and guns are dangerous and signaled a retreat from his previous
bad ass attitude.) but still get hit anyway. Is it just their time?
I am reminded of Odysseus and his passage by the Sirens. "So spake they
uttering a sweet voice, and my heart was fain to listen, and I bade my
company unbind me, nodding at them with a frown, but they bent to their
oars and rowed on."
In Bulfinch on page 242 I find this "The Sirens were sea-nymphs who had
the power of charming by their song all who heard them, so that the
unhappy mariners were irresistibly impelled to cast themselves into the
sea to their destruction."
In "The White Goddess" by Robert Graves I find this "True poetic
practice implies a mind so miraculously attuned and illuminated that it
can form words, by a chain of more-than-coincidences(1.), into a living
entity---a poem that goes about on its own (for centuries after the
author's death, perhaps) affecting readers with its stored magic. Since
the source of the poetry's creative power is not scientific
intelligence, but inspiration--however this may be explained by
scientists--one may surely attribute inspiration to the Lunar Muse(2.),
the oldest and most convenient European term for this source? By
ancient tradition, the White Goddess becomes one with her human
representative--a priestess, a prophetess, a queen-mother. No Muse-poet
grows conscious of the Muse except by experience of a woman in whom the
Goddess is to some degree resident; just as no Apollonian poet can
perform his proper function unless he lives under a monarchy or
quasi-monarchy. A Muse-poet falls in love, absolutely, and his true
love is for him the embodiment of the Muse. As a rule, the power of
falling in love soon vanishes; and, as a rule, because the woman is
embarrassed by the spell she exercises over her poet-lover and
repudiates it; he, in disillusion, turns to Apollo who, at least, can
provide him with a livelihood and intelligent entertainment, and reneges
before his middle 'twenties. But the real, perpetually obsessed
Muse-poet distinguishes between the Goddess as manifest in the supreme
power, glory wisdom and love of woman, and the individual woman whom the
Goddess may make her instrument for a month, a year, seven years, or
even more. The Goddess abides; and perhaps he will again have knowledge
of her through his experience of another woman."
Now, you may be quick to write these "myths" off, but consider this. In
his book Inside the Experience, Mitch says that Jimi, as far as he knew
only loved two women. One being Kathy E. Jimi dies in his
mid-twenties, as did many others such as Brian Jones etc. Some poets
who did not, like Rimbaud (an inpiration for Jimi and Dylan) simply quit
writing. Rimbaud of course turned to runnig guns.
So my theory is that some poets, like Jimi, Jim Morrison, etc, simply do
not make the switch from being inspired by the "moon" or the goddess to
being inspired by the sun "Apollo" and are "called" home to their death
by the sirens. Often times collapsing in a state of mental and physical
exhaustion. This seems to me what Tony describes on his web page where
he discusses his book.
That is my theory. Do you have one? Jean Ory? What say ye?
PS: For many reasons I am somewhat "afraid" to post this. I am not at
all sure it is "proper", and it may be somewhat dangerous. But the
thought has been nagging at me and I wonder how we can attempt to gain
an understanding of death of those who are poets and who touch us.
Plus, I think we can all see that Jimi left behind poems that have a
life of their own. If this gives you any weird ideas, I am sorry. But,
don't worry if Jimi is jamming in your attic, he might be there.
The footnotes are below.
1. "The highway is for gamblers, better use your sense, Take what you
have gathered from coincidence." It's All Over Now Baby Blue, Bob
Dylan.
2. "Moon Turn the Tides Gently Away"
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
--------------DFE7C7D4A638A56988E8399E--
=========================================================================
Date: Sun, 24 Aug 1997 17:05:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: The New York Public Libary Kerouac Collection
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I have placed a list on my web page of most of the items found in the Berg
Collection of the New York Public Library. Because of space restarints I
could not detail each individual item on the page itself but have done so in
Vol. I, No. 2 of The Kerouac Quarterly. You may view this list at:
http://www.freeyellow.com/members/upstartcrow/page4.html
Thanks and enjoy the remainder of this beautiful (well here anyways in New
England) weekend. Take care, Paul of TKQ. . .
=========================================================================
Date: Sun, 24 Aug 1997 17:26:41 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: [Fwd: Rhetorical Question -- long post on philosophy and
myths]
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R. Bentz Kirby wrote:
>
> I am in a very reflective mood today. A new book has been published
> about the last days of Jimi Hendrix and I read an excerpt on the web
> site of the author. I was driven to my books and composed the attached
> email. While, I sent it to the Hendrix list, I fear that if it has any
> merit for discussion it may fall on deaf ears. So, I thought further.
>
> And upon that I reflected on recent posts on this list on the deaths of
> WSB and AG. As well as discussion of Jack and Neal. Obviously, AG and
> WSB adapted and lived long. The others did not. What is the
> difference? Is there anything to the muse, sirens and Apollo? Do you
> have any comments?
>
> Yours lost in thought,
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
>
> ---------------------------------------------------------------
>
> Subject: Rhetorical Question -- long post on philosophy and myths
> Date: Sun, 24 Aug 1997 15:48:05 -0400
> From: "R. Bentz Kirby" <bocelts@scsn.net>
> Organization: Law Office of R. Bentz Kirby
> To: hey joe <hey-joe@inslab.uky.edu>
>
> I am still in search of Tony's book, but have been thinking about the
> death of Jimi has lead me to a rhetorical question, but one that I hope
> someone will comment on.
>
> What makes the difference in some people's lifes. Bob Dylan had a
> motorcycle wreck when it seemed his life was out of control, and he
> lived. What is the difference in Brian Jones (Jimi's close friend) and
> Keith Richards? Why did Jimi, Jim Morrison and Janis burn out so
> young? But, hard living folk like Jimmy Buffett, Jerry Jeff Walker,
> Stephen Stills etc just seem to keep on going.
>
> Is it the support system that allows them to survive? Is it something
> in their nature? It seems to me that some, like Ronnie Van Zandt, even
> try to get out of the rut that is killing them (some his last few songs
> like "That Smell" and "Saturday Night Special" pointed out the fact that
> drugs and guns are dangerous and signaled a retreat from his previous
> bad ass attitude.) but still get hit anyway. Is it just their time?
>
> I am reminded of Odysseus and his passage by the Sirens. "So spake they
> uttering a sweet voice, and my heart was fain to listen, and I bade my
> company unbind me, nodding at them with a frown, but they bent to their
> oars and rowed on."
>
> In Bulfinch on page 242 I find this "The Sirens were sea-nymphs who had
> the power of charming by their song all who heard them, so that the
> unhappy mariners were irresistibly impelled to cast themselves into the
> sea to their destruction."
>
> In "The White Goddess" by Robert Graves I find this "True poetic
> practice implies a mind so miraculously attuned and illuminated that it
> can form words, by a chain of more-than-coincidences(1.), into a living
> entity---a poem that goes about on its own (for centuries after the
> author's death, perhaps) affecting readers with its stored magic. Since
> the source of the poetry's creative power is not scientific
> intelligence, but inspiration--however this may be explained by
> scientists--one may surely attribute inspiration to the Lunar Muse(2.),
> the oldest and most convenient European term for this source? By
> ancient tradition, the White Goddess becomes one with her human
> representative--a priestess, a prophetess, a queen-mother. No Muse-poet
> grows conscious of the Muse except by experience of a woman in whom the
> Goddess is to some degree resident; just as no Apollonian poet can
> perform his proper function unless he lives under a monarchy or
> quasi-monarchy. A Muse-poet falls in love, absolutely, and his true
> love is for him the embodiment of the Muse. As a rule, the power of
> falling in love soon vanishes; and, as a rule, because the woman is
> embarrassed by the spell she exercises over her poet-lover and
> repudiates it; he, in disillusion, turns to Apollo who, at least, can
> provide him with a livelihood and intelligent entertainment, and reneges
> before his middle 'twenties. But the real, perpetually obsessed
> Muse-poet distinguishes between the Goddess as manifest in the supreme
> power, glory wisdom and love of woman, and the individual woman whom the
> Goddess may make her instrument for a month, a year, seven years, or
> even more. The Goddess abides; and perhaps he will again have knowledge
> of her through his experience of another woman."
>
> Now, you may be quick to write these "myths" off, but consider this. In
> his book Inside the Experience, Mitch says that Jimi, as far as he knew
> only loved two women. One being Kathy E. Jimi dies in his
> mid-twenties, as did many others such as Brian Jones etc. Some poets
> who did not, like Rimbaud (an inpiration for Jimi and Dylan) simply quit
> writing. Rimbaud of course turned to runnig guns.
>
> So my theory is that some poets, like Jimi, Jim Morrison, etc, simply do
> not make the switch from being inspired by the "moon" or the goddess to
> being inspired by the sun "Apollo" and are "called" home to their death
> by the sirens. Often times collapsing in a state of mental and physical
> exhaustion. This seems to me what Tony describes on his web page where
> he discusses his book.
>
> That is my theory. Do you have one? Jean Ory? What say ye?
>
> PS: For many reasons I am somewhat "afraid" to post this. I am not at
> all sure it is "proper", and it may be somewhat dangerous. But the
> thought has been nagging at me and I wonder how we can attempt to gain
> an understanding of death of those who are poets and who touch us.
> Plus, I think we can all see that Jimi left behind poems that have a
> life of their own. If this gives you any weird ideas, I am sorry. But,
> don't worry if Jimi is jamming in your attic, he might be there.
>
> The footnotes are below.
>
> 1. "The highway is for gamblers, better use your sense, Take what you
> have gathered from coincidence." It's All Over Now Baby Blue, Bob
> Dylan.
>
> 2. "Moon Turn the Tides Gently Away"
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
Goodness from Dustbunnies to Sirens. Sirens always my favourite in
mythology - wanted to sing back until they spared me. Perhaps a
deathwish .... who knows?????
This is fascinating. The line about the attic reminded me of hearing
Hank Williams up there coughing in leonard cohen's Tower of Song.
Lot of thought after WSB expiration about the afterlife especially with
recent Seven Souls cd. But this raises a whole different question that
why them and not me. I guarantee that by all odds i should be dead by
now. Whatever cardplayer in the mist is keeping me on the checkerboard
i am grateful.
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 24 Aug 1997 17:28:57 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: wsb and fletch
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david (race)sitting in william's backyard
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--------------4AB1288545F3--
=========================================================================
Date: Sun, 24 Aug 1997 17:29:31 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: david and his hat
MIME-Version: 1.0
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2Q==
=========================================================================
Date: Sun, 24 Aug 1997 16:29:41 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: wsb and fletch
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Return-Path: owner-beat-l@CUNYVM.CUNY.EDU
>Date: Sun, 24 Aug 1997 17:28:57 -0500
>Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
>Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
>From: Patricia Elliott <pelliott@SUNFLOWER.COM>
>Subject: wsb and fletch
>To: BEAT-L@CUNYVM.CUNY.EDU
>
>david (race)sitting in william's backyard
>
>Attachment Converted: c:\hookup\eudora\wsbdavi1.jpg
>
Since this and others like it take so long to download, maybe somebody
could kindly backchannel me with advice on how to view them.
Thanks,
James M.
=========================================================================
Date: Sun, 24 Aug 1997 20:48:36 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: pics and apology
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Well, I am so new at this save and right click, so i made mistakes. I
am sitting up a web page with the pics. If i am successful, I wil post
the url.
I am sorry for the duplication/;
p
=========================================================================
Date: Sun, 24 Aug 1997 10:23:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@aol.com
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
> Leon Tabory wrote:
> Could not a good narrator, restrcting or forcing himself to write
> accurate
> descriptions of events that transpired, that nothing and no one could
> change
> any longer, still be aware of the even greater power his words have to
> change things in the near or distant future?
Absolutely. You are right, it is not an either/or dichotomy. The power
of words to change life are probably the most important thing of all.
One would have to look no further than the lives that were changed and
influenced by the words of Burroughs and the other beat writers.
DC
=========================================================================
Date: Sun, 24 Aug 1997 10:32:19 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
Comments: cc: SSASN@aol.com
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
> RACE wrote:
> i suppose that requires getting past all the questions about
> determinism
> vs. free will to answer. have to get far beyond this book to get close
> to those notions from WSB's perspective.
>
> it seems that the recording is altered whether the overall system is.
> so my experience within the universe is different than it would have
> been otherwise.
Not being a big believer in determinism, I guess I am looking for what
Burroughs thoughts on this are. The beginning of Naked Lunch reeks of
people trapped in patterns that they seem unable to change. Obviously in
going to the hospital, the narrator is doing something to break the junk
pattern. I guess I'm still not grasping Burrough's conception of a
pre-recorded universe for the very word pre-recorded suggests
determinism. Is every person symbolically recording his own tape using
his own free will?
DC
=========================================================================
Date: Sun, 24 Aug 1997 19:25:54 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: pics and apology
In-Reply-To: <3400E474.52EB@sunflower.com> from "Patricia Elliott" at Aug 24,
97 08:48:36 pm
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Patricia wrote:
> Well, I am so new at this save and right click, so i made mistakes. I
> am sitting up a web page with the pics. If i am successful, I wil post
> the url.
Don't feel bad, it happens to everybody.
Looking forward to the web page ...
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Sun, 24 Aug 1997 23:39:58 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: origin of high
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
hello everyone
i was reading an article on hypereal and this guy was saying how the
beats were the first and most well-known group who expiernced with
writing while high. which we all know.
but, he said that they actually did coin the term "high". is this
true? he did not specify who it was, but if anyone knows or has
speculations, please let me know.
cya~ randy
=========================================================================
Date: Sun, 24 Aug 1997 10:25:23 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Philibin <deadbeat@BUFFNET.NET>
Subject: Re: The aggressor.
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
> Don't use the telephone
> People are never ready to answer it.
> Use poetry. --- Jack Kerouac, 1970.
How on earth did JK say this in 1970?
=========================================================================
Date: Mon, 25 Aug 1997 01:18:13 -0700
Reply-To: mike@buchenroth.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael L. Buchenroth" <mike@BUCHENROTH.COM>
Organization: Buchenroth Publishing Company
Subject: Re: pics and apology
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Patricia Elliott wrote:
> I am sorry for the duplication...
***
Please send all the duplicate photos you desire. Please send all the
duplicate photos you desire. No one No one could possibly mind due to to
the precious nature of your imagery!! Pleez Pleez send away!
***
Besides, cultural history demands it! You have a live legend started
with your news, stories, photos, and David sitting there near to
Burroughs' hat. I had wondered about that hat a number of times during
different days as I remember someone posting once a while back during
the "Flame Wars" that Johhny Debb had paid 50,000 bucks for Kerouac's
rain coat. I just wondered about Burroughs' hat and hoped it would find
a proper context to exist within now that it no longer has that Beat
head to travel upon. It appears so!
-Michael Buchenroth
=========================================================================
Date: Mon, 25 Aug 1997 01:35:24 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: The aggressor.
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Bill Philibin wrote:
>
> > Don't use the telephone
> > People are never ready to answer it.
> > Use poetry. --- Jack Kerouac, 1970.
>
> How on earth did JK say this in 1970?
Medium ?????
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 25 Aug 1997 02:11:56 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: The Legend of a HAT
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="------------714F43B51B90"
This is a multi-part message in MIME format.
--------------714F43B51B90
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I mistyped evidently and this just went to Mike when it was supposed to
go to the Beat-L.
david rhaesa
salina, Kansas
--------------714F43B51B90
Content-Type: message/rfc822
Content-Transfer-Encoding: 7bit
Content-Disposition: inline
Message-ID: <34012733.4119@midusa.net>
Date: Mon, 25 Aug 1997 01:33:23 -0500
From: RACE --- <race@midusa.net>
X-Mailer: Mozilla 3.01Gold (Win95; I)
MIME-Version: 1.0
To: mike@buchenroth.com
Subject: Re: pics and apology
References: <3400E474.52EB@sunflower.com> <34013FC5.454D@buchenroth.com>
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael L. Buchenroth wrote:
>
> Patricia Elliott wrote:
> > I am sorry for the duplication...
> ***
> Please send all the duplicate photos you desire. Please send all the
> duplicate photos you desire. No one No one could possibly mind due to to
> the precious nature of your imagery!! Pleez Pleez send away!
> ***
> Besides, cultural history demands it! You have a live legend started
> with your news, stories, photos, and David sitting there near to
> Burroughs' hat. I had wondered about that hat a number of times during
> different days as I remember someone posting once a while back during
> the "Flame Wars" that Johhny Debb had paid 50,000 bucks for Kerouac's
> rain coat. I just wondered about Burroughs' hat and hoped it would find
> a proper context to exist within now that it no longer has that Beat
> head to travel upon. It appears so!
> -Michael Buchenroth
NONNONONONOOOOOOOOOOOOOO
The hat is MYYYY HAT it was given to me by a dear friend who according
to Legend (and that's all we have these days now isn't it) a Cat named
4X in some organization titled The Nation of Islam!!! I was just
reading WSB's letters today about what he'd learned from Islam and
everything he said i understood intricately from my days under the
tutelage of the old black Hat. I and a legendary woman of the time
bought him a Legendary Malcolm Hat for a legendary birthday present.
Anyone who goes through Quad Cities America - like in the early pages of
On the Road - head down to a coffee shop in downtown Rock Island called
AKOP -- All Kind's of People -- run by Herb and John two great guys who
saved my life more than once and ask about a crazy fucker that used to
wear a black hat all the time in their place and read poetry about
Yahtzee and The Short Month (African American history month) and things
like that and tell them i said hello.
As for the REAL guy's Hat, last i saw it was artistically placed near
him at the open casket memorial service -- i supposed in case he decided
to make a grand departure in the middle of "The Priest They Called Him"
-- and though i must admit that for more than a second during the
viewing period as a got closer and closer to the casket i consider
pulling a switch for it OR just grabbing the old Hat and making a
Snagglepuss exit stage LEFT and trying to outrun the mob truth right and
justice took over me and i thought who needs the Hat - i've got this old
Black Hat that i stalk lawrence with like a Black Cat and yada yada. So
that clears that one up.
Now as for my picture under the title WSB and Fletch i understand
something about pictures connecting with souls and this and that. And
from Western Lands i have heard it say that according to Legend
(egyptian i believe which i know rather intimately) that several souls
fly the old chicken coup right at bodily death and head off for a more
lively customer, and so perhaps somewhere in my Egyptian hierachy of
soul (which i might have - who knows - i've replaced some zombied out
higher souls with WSB & fletch soul particles) at any rate this is about
the closest that i can come to any possible cosmic significance to the
photo and caption. But i will always like the notion of a picture of
WSB and Fletch coming out of the computer magic universe and looking
just a bit like me after a long weekend.
So enough of all that. MY hat is fine and rests atop my computer
terminal. It is a thinking cap HAT afterall and is only worn out when i
intend to (and have alerted all relevant authorities regarding the
intention) have a few moments in the American Night with a creative
Zing.
david rhaesa
salina, Kansas
--------------714F43B51B90--
=========================================================================
Date: Mon, 25 Aug 1997 04:39:24 -0700
Reply-To: mike@buchenroth.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael L. Buchenroth" <mike@BUCHENROTH.COM>
Organization: Buchenroth Publishing Company
Subject: Re: The Legend of a HAT
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
RACE --- wrote:
***
Remember that exercise from grade school where the teacher whispered a
message to a child; that child whispered the message to the next child;
and similarly around the class; where the last child had to recite the
message aloud? The message most often changed. Obviously I provided
insufficient attention to Patricia's message as I too recited
incorrectly. And I hope I stand at the end of that line . . .
***
However, my meaning still stands. The photos prove extremely
interesting, fun, historical, legendary, literary, etc. and I encourage
more photo postings. We actually get to look at one another beyond these
hammer chisel, black white locutions ... as well as participate in
history; engage legend.
***
Thanks,
Mike
=========================================================================
Date: Mon, 25 Aug 1997 04:16:23 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: The Legend of a HAT
Comments: To: mike@buchenroth.com
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael L. Buchenroth wrote:
>
> RACE --- wrote:
> ***
> Remember that exercise from grade school where the teacher whispered a
> message to a child; that child whispered the message to the next child;
> and similarly around the class; where the last child had to recite the
> message aloud? The message most often changed. Obviously I provided
> insufficient attention to Patricia's message as I too recited
> incorrectly. And I hope I stand at the end of that line . . .
> ***
> However, my meaning still stands. The photos prove extremely
> interesting, fun, historical, legendary, literary, etc. and I encourage
> more photo postings. We actually get to look at one another beyond these
> hammer chisel, black white locutions ... as well as participate in
> history; engage legend.
> ***
> Thanks,
> Mike
That is one of my favourite games from childhood and probably one of my
favorite games as an adult. I'm not certain if it was on the list or in
private correspondence with Arthur Nusbaum that i compared much of what
goes on in cut-up methods as akin to that game. Writing is 50 years
behind painting but all art is centuries behind the games of children i
suppose.
I love the notions of the pictures being incorporated. I now lack a bit
of anonymity as i type type type fingers sliding across the keyboard at
their whim since readers can attach a face to a name - but i also find
that it is more fun interacting with folks who i've met on route or have
connected with cybervisually as well as in other manners.
So pass that one along through the chain of children and hopefully the
last one will sufficiently edit to the message: cyberpictures are good
things.
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 25 Aug 1997 04:37:33 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Benway
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Diane Carter wrote:
>
> This actually is beginning to read more like scenes from a movie script,
> or maybe it's just that the content of Benway reminds me of some old
> fuzzy Planet of the Apes movie.
I've been meaning to respond to this note since the day it was sent some
some some many many years ago in cybertime. WSB is difficult to read
unless what Diane is caught here is .... grocked.
In reading Naked Lunch, it seems to me, the idea of "sketch" or
"routine" (something akin to the best of contemporary performance art)
is a necessary form to grasp. I'd read in the Selected Letters book the
use of the term "sketch" and then "routine" and had a vision of sorts of
how to describe it but wasn't certain that it was Quite right and so had
held off.
Yesterday morning while sitting in the filling station booth mindlessly
ingesting with pure joy the Selected Letters i came across a patch of
words and brain popped back in to the game and said "that's for the note
you've been meaning to write about what Diane wrote so long ago". I
said to brain, by jove you're right! marked the page and moved along to
continue mindlessly ingesting Selected Letters for breakfast.
This was the quote from the Letters:
"Gag for Milton Berle: Feller say I reckon Christ got Mary's immaculate
cherry on the way out."
And this fits with exactly my notion of sketch/routine. In our culture
the extremely progressive side of mainstream american comedy has shifted
along the way through the years. At the time of this writing comedy was
a Milton Berle kind of comedy. And comedy writers -- the author's role
-- were portrayed comically in a show called the Dick Van Dyke show.
Still watch it sometimes. It was comedy within the comedy - and perhaps
parody of the Berle type figure. So this was the edge of culture back
then. What the writer's talked about in that show was writing
"sketches". These kept going through things like Laugh In, the Carol
Burnett show, Love American Style, even the best of the not ready for
prime time players, secondcity and perhaps even in living color. The
edge in all of these and performed in "sketches" or "routines".
(unforunately, this form has been overwhelmed by the "situation" comedy
which has been poorly attempting to catch up with where it was in the
days of All in the Family). Enough of this.
I see WSB in Naked Lunch as writing for something like "The Carol
Burnett Show from HELL!" - (with a big smile after the hell) If you
take what was "the edge" of acceptable humor and push it back across the
board to where it is considered mundane and straight dramatics and then
employ the same "sketch" technique (a talent only WSB has been able to
master it seems) a whole new form of humor erupts. Those who miss the
humor pigeonhole the writings under categories of "Apocalyptic
Literature" and whatnot. Missing the whole game of this routine - the
joy and laughter of it all ---- afterall should a Naked Lunch being a
sombre ritual????
Close to walking through the wards of an
> ugly insane asylum but I'm always wondering why the narrator is on the
> outside looking in.
As a person with some personal expertise in this regard i would say
closer to the pretty insane asylums coated with the color of paint that
will induce passivity as if the Thorzine gives color a chance to play
its tricks. No insane asylums are like these images for long. A needle
and leather straps settles the matter fairly quickly. And for those of
us who are stubborn it settles it very s l o w l y.
But the notion of it being compleatly "chaotic" by conventional notions
of decorum is on target. And why would the narrator stand outside of
this???? The cheap answer would be in the words of the Bard of
post-Hiroshima earth: "Wouldn't You?"
The Benway section alone has my mind chasing in so many subthreads that
i will have to weed and fertilize and whatnot a bit until they bear
fruit. Hopefully will limit the number of crops from this planting.
Wouldn't want to glut the word market.
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 25 Aug 1997 04:48:46 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: NL-Benway-algebra of need for crazy
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The end of this Benway section hits home for me as one who accepts the
societal label of crazy -- and get good money to do so -- and sends me
back to the introduction again and the Algebra of Need.
>From much of my readings in social psychology, insanity is a fact but it
is a fact defined within given cultures and societies. It is a socially
constructed fact. Anthropologists will point to some characters i know
and say they'd be highly respected visionaries in their societies while
here they sit in net of social security control and live the stigma of
those defined as crazy.
I've written some essays along these lines before on social theory and
psychiatry and ....
well can you all remind me to go back and integrate all the Algebra of
Need angle ... with the need being Society's need for crazies and
Society being the addict and the crazies being the junk ... that kind of
thought into my essay on Reification of Medicalized Being. After we get
through with talking about all of Beat Literature since Columbus or so
can a few folks remind me to go back and work WSB in. He is an amazing
social theorist that fits so well with what is mainline thought in many
ways and that he -- of course -- wrote about several years before the
publication of "The Social Construction of Reality". Anyway .... that
was one of those Benway strings that was clogging my brain. Perhaps i
can really talk about what's in the chapter now....with the fingers tied
around our collective finger helping my absent mind.
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 25 Aug 1997 05:58:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Jenn Fedor wrote:
>
> beat members,
>
> i desparately need the help of anyone who wishes to contribute! i am trying
> to start a tutorial at New College of USF (which, if you do not know, is a
> student run and organized course offered for normal course credit) on Kerouac
> and Ginsberg work. i would really appreciate all of your input, because most
> of the vocal members on this list are much more versed in the subject than i.
>
> i will probably be asking many questions along the way if this is successful,
> but for now my big question is:
> Which Kerouac novels would you chose for a course if only 4-5 could be read
> (please give the top four and a bonus just in case!)?
>
> What Ginsberg stuff should we read? i was thinking kaddish and howl and the
> neal cassady elegies (where are those located?) what else? would the
> Collected Poems (1947-1980) be sufficient? i want the kerouac and ginsberg
> to be equal.
> Thank you all so much! i really appreciate the input! i need as soon as
> possible! you can send it directly to me, or through the list - which ever
> you prefer! you all are the best!
> -Jenn Fedor
Jenn:
well it seems that you have had most of the pantheon suggested although
i'd say that they must know "something" about william burroughs to make
sense of old bull lee's force in OTR.
i've had to try and synthesize some of the impossible before and here is
what i'd do.
Everybody in the class reads On the Road. Then parcel out all the
remaining writings that folks suggested and segments of biographies to
each person in the class. Depending on class size you may be able to
expand the pantheon beyond what has been mentioned on the list. Each
person is expected to be "the expert" on their extra book or books.
Then no classes for two or three weeks and everyone learns their
material.
Then come back and go through On the Road together as a class but with
everybody bringing their special areas of expertise to the discussion.
The students in the class "become" the personas of other beat voices or
the same beat voices at other times. I can see one kid expert on
Desolation Angels and Another on Visions of Cody getting into a public
brawl about what Jack would have meant by "x,y and z" on p. 3998 of On
the Road.
I hope this is as simple to you as it sounds. I've been in classes
where this method was used. I think it was "All of Aristotle can be
read as footnotes to the Rhetoric" and i was the expert on De Anima.
I've done it classes that i've taught and find that students who are
allowed and expected to be "the expert" on a subject have a slightly
different attitude about learning than when they're spoonfed or talked
down to.
And it seems that your class situation is non-traditional/experimental
in nature and certainly it would be in the beat mainline vein to not do
the class traditionally so that would be by suggestions.
Of course i'm permanently disabled according to the Teacher's Insurance
Annuity Association so take these thoughts with a grain of salt (or
pepper)
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 25 Aug 1997 07:04:03 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: HELP WITH DOWNLOADING
In-Reply-To: <3400B5A9.1A9B@sunflower.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
all the great attatchments (photos) i have a mac performa, run eudora lite
as mailer, netscape as browser.
i cannot for the life of me get the damned jpegs to open properly.
my brain is filled with many spaces between synapses. a virtual living
breathing black hole.
many thanks. i am spamming the group. i know this.
thanks in advance
mc
=========================================================================
Date: Mon, 25 Aug 1997 07:04:07 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: INTERZONE
In-Reply-To: <3401525D.4905@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
hi all. instead of doing reading in non-wsb projects, i decided to read
interzone and the letters out of which reared the formidable naked lunch.
THEN read naked lunch. i've got so many projects going at once (including
living around two huge canvases still wet with oils and not stepping on the
palette, etc. i paint sitting down on a good rug and big palette and
fingerpaint. interesting method and very satisfying, the way i suppose lots
of other things (like beats) which are all encompassing in their absorption
and no intermediary (brush) just me and the pigments.
and interzone.
mc
any takers?
mc
=========================================================================
Date: Mon, 25 Aug 1997 06:22:05 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: HELP WITH DOWNLOADING
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Marie Countryman wrote:
>
> all the great attatchments (photos) i have a mac performa, run eudora lite
> as mailer, netscape as browser.
> i cannot for the life of me get the damned jpegs to open properly.
> my brain is filled with many spaces between synapses. a virtual living
> breathing black hole.
> many thanks. i am spamming the group. i know this.
> thanks in advance
> mc
i hope someone helps you so you can see me in William's house and yard.
david
=========================================================================
Date: Mon, 25 Aug 1997 06:24:36 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: INTERZONE
MIME-Version: 1.0
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Content-Transfer-Encoding: 7bit
Marie Countryman wrote:
>
> hi all. instead of doing reading in non-wsb projects, i decided to read
> interzone and the letters out of which reared the formidable naked lunch.
> THEN read naked lunch. i've got so many projects going at once (including
> living around two huge canvases still wet with oils and not stepping on the
> palette, etc. i paint sitting down on a good rug and big palette and
> fingerpaint. interesting method and very satisfying, the way i suppose lots
> of other things (like beats) which are all encompassing in their absorption
> and no intermediary (brush) just me and the pigments.
> and interzone.
> mc
> any takers?
> mc
i've been reading the Selected Letters. Still up to the navel in
Ulysses with Diane, Stephen and Sherri. I want to read Interzone - but
don't know if i can access a copy here. If you don't have any takers
now -- i'll take your take down the road a piece .... paint a picture of
me ok.?????
hope you're doing well.
david
=========================================================================
Date: Mon, 25 Aug 1997 10:18:48 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: PATRICK <EASTWIND@EROLS.COM>
Organization: EASTWIND PUBLISHING
Subject: Whereabouts of Gregory Corso
MIME-Version: 1.0
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Anyone know where Gregory Corso is living today?? Or any info on his
current activity?
Thanking you now ...
Patrick
eastwind@erols.com
=========================================================================
Date: Mon, 25 Aug 1997 07:43:13 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: The aggressor.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Bill Philibin wrote:
>>
>> > Don't use the telephone
>> > People are never ready to answer it.
>> > Use poetry. --- Jack Kerouac, 1970.
>>
>> How on earth did JK say this in 1970?
>
>Medium ?????
>
>david rhaesa
>salina, Kansas
Well Done!
Sunny side up,
James M.
=========================================================================
Date: Mon, 25 Aug 1997 09:17:01 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: HELP WITH DOWNLOADING
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Marie Countryman wrote:
>
> all the great attatchments (photos) i have a mac performa, run eudora lite
> as mailer, netscape as browser.
> i cannot for the life of me get the damned jpegs to open properly.
> my brain is filled with many spaces between synapses. a virtual living
> breathing black hole.
> many thanks. i am spamming the group. i know this.
> thanks in advance
> mc
Hey, you spammer you. Hopefully some Mac head will answer. However, my
jpegs were posted in Netscape and several folks who had tried to open
them with Quick Time, etc, found that the browser itself opened them
just fine. Antoine Maloney figured this out. Leon is as good a
resourse as any since he seems to be a real wire head these days. Good
luck.
James
=========================================================================
Date: Mon, 25 Aug 1997 14:08:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: HELP WITH DOWNLOADING
Comments: To: stauffer@pacbell.net
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I couldn't open the JPGs either with 2show. Are they
mime or binaries? I can mostly only decode binaries.
I do not know how to use uudecode. Does anyone know
of a downloadable program that will decode them?
Mike Rice
At 09:17 AM 8/25/97 -0700, you wrote:
>Marie Countryman wrote:
>>
>> all the great attatchments (photos) i have a mac performa, run eudora lite
>> as mailer, netscape as browser.
>> i cannot for the life of me get the damned jpegs to open properly.
>> my brain is filled with many spaces between synapses. a virtual living
>> breathing black hole.
>> many thanks. i am spamming the group. i know this.
>> thanks in advance
>> mc
>
>
>Hey, you spammer you. Hopefully some Mac head will answer. However, my
>jpegs were posted in Netscape and several folks who had tried to open
>them with Quick Time, etc, found that the browser itself opened them
>just fine. Antoine Maloney figured this out. Leon is as good a
>resourse as any since he seems to be a real wire head these days. Good
>luck.
>
>James
>
>
=========================================================================
Date: Mon, 25 Aug 1997 11:39:24 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: HELP WITH DOWNLOADING
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
First you'd have to answer some questions to see what is happening--where
the bottleneck is.
Do you have a file on your computer (most likely called wsbdavid.jpg
and most likely in a folder called attachments residing in the eudora folder).
If you have this (and the other) files that means that the files were
decoded by the eudora program. They still could be corrupt. Best thing is
to try to open them with Netscape. If Netscape cannot open these files you
are most likely out of luck. They were decoded incorrectly and corrupted.
These files are coming as mime attachments. Download a program called
empack. It is a macintosh mime program--it will decode or encode files in
mime format. If you don't have the jpg files (eg wsbdavid.jpg) then you'll
need the empack program.
A program that will decode mime for pc is xferpro. I am sure both of these
ar downloadable from most shareware sites.
Last thing, if the mime encoded mesages were not decoded it is possible that
they are in the mail mesage as a bunch of gibberish. And they may have been
cut into smaller pieces. You'll have to save the file as a separate text
files and decode that file using empack or xferpro.
Feel free to ask for more details.
At 07:04 AM 8/25/97 -0400, you wrote:
>all the great attatchments (photos) i have a mac performa, run eudora lite
>as mailer, netscape as browser.
>i cannot for the life of me get the damned jpegs to open properly.
>my brain is filled with many spaces between synapses. a virtual living
>breathing black hole.
>many thanks. i am spamming the group. i know this.
>thanks in advance
>mc
>
>
=========================================================================
Date: Mon, 25 Aug 1997 15:10:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: The aggressor.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 10:25 AM 8/24/97 -0400, you wrote:
>> Don't use the telephone
>> People are never ready to answer it.
>> Use poetry. --- Jack Kerouac, 1970.
>
> How on earth did JK say this in 1970?
>
>
Maybe it was published after his death in late
1969.
Mike Rice
=========================================================================
Date: Mon, 25 Aug 1997 15:21:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Robert Thomas <rthomas@CLARK.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
In-Reply-To: <34016567.4636@midusa.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Mon, 25 Aug 1997, RACE --- wrote:
> the same beat voices at other times. I can see one kid expert on
> Desolation Angels and Another on Visions of Cody getting into a public
> brawl about what Jack would have meant by "x,y and z" on p. 3998 of On
> the Road.
Wow, OTR has over 4000 pages, I must have read the abridged version ;-).
Robert Thomas
=========================================================================
Date: Mon, 25 Aug 1997 15:47:14 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
> Everybody in the class reads On the Road. Then parcel out all the
> remaining writings that folks suggested and segments of biographies to
> each person in the class. Depending on class size you may be able to
> expand the pantheon beyond what has been mentioned on the list. Each
> person is expected to be "the expert" on their extra book or books.
> Then no classes for two or three weeks and everyone learns their
> material.
> Then come back and go through On the Road together as a class but with
> everybody bringing their special areas of expertise to the discussion.
> The students in the class "become" the personas of other beat voices or
> the same beat voices at other times. I can see one kid expert on
> Desolation Angels and Another on Visions of Cody getting into a public
> brawl about what Jack would have meant by "x,y and z" on p. 3998 of On
> the Road.
cool idea.
rand~y
=========================================================================
Date: Mon, 25 Aug 1997 16:11:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: HELP WITH DOWNLOADING
In-Reply-To: <199708251839.LAA04426@hsc.usc.edu>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
all ok guys thanks for the response . i just gave up. ill pay for photos
through mail sorry about the bandwidth here again, but i'm not sure if
anyone is out there trying to do this for me.
i bow
mc
=========================================================================
Date: Mon, 25 Aug 1997 15:16:51 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: no more pics
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
I am getting together with my nerder and we will set up a url (web page.
for a gallery presentation. They are fun photos but i have tried to do
this on my own and can't quite get it. I will be happy to send anyone
some photos if they send me their email address. I am sorry for the
chaos. My e-mail address is pelliott@sunflower.com
p
=========================================================================
Date: Mon, 25 Aug 1997 15:27:40 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: origin of high
Comments: cc: gibralto@walrus.com
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
> i was reading an article on hypereal and this guy was saying how the
> beats were the first and most well-known group who expiernced with
> writing while high. which we all know.
Well, check out this page on the Victorian drug scene ...
http://www.walrus.com/~gibralto/acorn/germ/drugs.html
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Mon, 25 Aug 1997 19:23:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Re: Whereabouts of Gregory Corso
Comments: To: EASTWIND@erols.com
Dear Whereabouts of G.C.,
Coroso says, "Don't worship the beats go to the poetry slam."
I saw him in the balcony
at Ginsberg's last
St Marks reading,
yelling down at Alan,
Alan responding like a parent to
a child, softly, yet firm
and somewhat exasperated.
"Yes Gregory, I called you
the greatest poet."
love and goatees,
Gary Mex Glazner
=========================================================================
Date: Mon, 25 Aug 1997 19:19:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: no more pics
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Patricia Elliott wrote:
>
> I am getting together with my nerder and we will set up a url (web page.
> for a gallery presentation. They are fun photos but i have tried to do
> this on my own and can't quite get it. I will be happy to send anyone
> some photos if they send me their email address. I am sorry for the
> chaos. My e-mail address is pelliott@sunflower.com
> p
"i have accepted chaos" -- bobbie dillon
"one must harbour chaos within to give birth to a dancing star." fred n.
"chaos ... throw in some dinosaurs visuals and we got a keeper"
attributed to steve spielberg
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 26 Aug 1997 03:26:36 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Unabridged OTR (was HELP!!! - Jenn's Kerouac/Ginsberg tutorial)
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Robert Thomas wrote:
>
> On Mon, 25 Aug 1997, RACE --- wrote:
>
> > the same beat voices at other times. I can see one kid expert on
> > Desolation Angels and Another on Visions of Cody getting into a public
> > brawl about what Jack would have meant by "x,y and z" on p. 3998 of On
> > the Road.
>
> Wow, OTR has over 4000 pages, I must have read the abridged version ;-).
>
> Robert Thomas
The unabridged version is not actually published until 2057. I read it
in a dreamvision. From the gossip around the bookstore i read it in,
the publication was held up for quite some time by estate wrangling over
name standardization. Each estate sued each other estate - some suing
to assure anonymity - others suing to be named credited and for the
estate of the previous anonymous to receive partial royalties of
unabridged version. Unabridged version is in 23 Volumes. Each volume
containing roughly 5000 pages. Volume 12 is devoted to photography and
visual arts.
Near riots outside bookstore prior to opening and book signing by some
editor from somewhere in sometown in massachusetts (no longer part of
the united states -- new england shifted allegiance to Canada in the war
of 2026) . . . Potential dissertators salivating at the prospects were
seen throwing tire irons at hipsters who were just digging the bookstore
scene and hadn't even heard the new book was out ... they were creating
their own books and legends but the dissertators (always a paranoid
breed created by committeeeeeee controls) perceived serious threats to
bodily persons and potential diplomas and charged the hipsters who were
to busy digging the scene to notice the paranoia hidden within the
salivating tire iron throwers. ambulances were called. they came.
they left. one onlooker screams don't forget Rodney King!!!! the
Canadian Mounties shoot the onlooker.
Thank goodness the store opened finally and the beat spirit melted the
hostilities.
Newspaper reporter's headline. New Kerouac Saga signed in blood by tire
irons. Bastard talkshow host having editor on next week.
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 26 Aug 1997 08:21:26 -0400
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From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: Pre-recorded? (for David Rhaesa & Diane Carter)
Comments: cc: DAVIDSROSEN@compuserve.com
David & Diane:
I'm back from my much-needed vacation, rested, recharged and ready for the
challenges of a second offspring coming soon, the restoration of a new home
revving up, and the burdens of the Presidency (of Steppingstone Properties
Ltd., that is). I was ready, anyway, until my first Monday back, only now
winded down to where I can start to catch up. I'm ready for another
vacation. Thank you for backchanneling your posts on Naked Lunch, I've read
them and today's Beat-L ( I signed back on yesterday). I can't fully respond
to the galloping discussion until I've caught up with re-reading NL up to
where you're at, but I'm anxious to get back into the maelstrom. It's late,
I'm tired and "I can feel the heat closing in", so I'll get right to the
point about the tortuous issue of pre-recording in the life and work of WSB,
THE FOREMOST LITERARY FIGURE OF OUR TIME who so suddenly got off the wheel
and is no longer subject to "the claims of the aging, cautious, nagging,
frightened flesh". This topic, which I see you grappling with, is in my
opinion one of the most constant and complex threads running through the
whole WSB ouvre. On the one hand, he has stated that his intention was to
subvert the pre-recorded universe through cutups, and that he has "succeeded
to some modest extent" if I'm quoting him correctly. But, as DC has been
pointing out, it gets very tricky- how can we possibly circumscribe the
perimeters of the pre-recorded universe, comprehend its limits if any?
Couldn't the subversive discovery, the "happy accident" be part of the
script? This is where I have an idea, based on further WSB statements and my
own small experience with cutups. They are potentially a key INTO the
pre-recorded universe, not so much a way OUT of it. In his introduction to
QUEER, WSB mentions a cutup phrase: "Raw peeled winds of hate and mischance
blew the shot". Upon reflection, he found that this was a key to
understanding his motivations as a writer- the "shot" was the one that
accidentally killed his wife, Joan, and it was the "big bang" (sorry, I
couldn't help it) that started the process of his "writing (his) way out" of
its implications and the CONTROL that the "ugly spirit" exerted over him.
This epiphany came after the fact, he could not change history (subvert the
pre-recorded universe) but he could UNDERSTAND it better in retrospect. You
may be familiar with current experiments with the Old Testament, putting its
original Hebrew text through computer processes that reveal a DNA-like "code"
predicting and containing all of human history. But it seems to me, again,
that all the bombshell revelations come after the fact- for example, a recent
book claims that Yitzhak Rabin's assasination is predicted in a passage when
the letters are shown in crossword puzzle patterns. Not recent enough,
though, to have come in time to warn him not to attend that rally. The
pre-recorded universe may so far be a step ahead of us. Hindsight, including
that provided by cutups or biblical codebreaking, is 20/20. Was WSB getting
closer to being concurrent with or even ahead of fate? Was this his
intention? Does knowledge = power only in terms of predicting, and therefore
potentially changing, fate? WSB's "appalling conclusion" that the cutup
phrase led him to was empowering in and of itself, even if he found something
out long after the fact it was nevertheless a victory against being
helplessly pulled by strings like a puppet by the "ugly spirit", the
frightening, unpredictable unfolding of events was brought out of the
darkness and into the light. And, with every revelation to which he was so
acutely attuned, whether from a cutup text or the pattern caused by a
bullet's impact on a board, he was better prepared for what was ahead. Even
as I write this, I realize more and more how cyclical and elusive this topic
is. All I can say for now is that he may not have completely resolved the
issue of the pre-recorded universe and whether it can be effected, but I
don't know of anyone who took a braver, deeper crack at it than the immortal
WSB. Another idea I get from my readings is that his ideas about space
("we're here to go", as he and Brion Gysin would say), gradually leaving our
bodies literally as we get beyond the gravitational pull of the planet and
break free, may have been another attempt, besides and beyond the cutups, to
get past the pre-recorded space-time tape loop.
Actually, to some extend all of the foregoing was a digression from NL,
because with all due respect I still insist that it is not a fully cutup
work, the mature cutups began with THE SOFT MACHINE. NL was extracted from
myriad writings scattered on the floor of his room in Tangier, compiled and
edited by a succession of Beat cohorts- Ginsberg, Kerouac, Alan Ansen, etc.
In this sense it is a cutup, there never was an original order, it was
subjected to the random and disparate influences of others (including the
very title, which was suggested to him by JK), and as he says near the end,
it can be re-ordered and read in any combination by the reader, we're all
down there on the floor with him. The cutups as defined by him and BG go
further than this, and were discovered at just about the time that NL was
first going to (the Olympia) press. The pages themselves were cut into
quarters, columns, etc., other texts were inserted at various junctures. NL
precedes this method in the cutup evolution. The phrases, routines, etc. are
intact in themselves, though in no linear order, they float and are
interchangable.
I must somehow get off this bicycle without a kickstand, today has turned
into tomorrow and there's always much, much more to all of this. The theme
of control in NL is I think more microcosmic than universal-macrocosmic,
putting aside the issue of ultimate pre-recorded control of fate, he
demonstrates the all-too-human control impulse starting with the stark junk
equation ("the algebra of need") and going further out from there to show
what more "normal" society is up to.
Regards,
Arthur
=========================================================================
Date: Tue, 26 Aug 1997 09:51:51 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Olympia Press
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Arthur mentioned Olympia Press in his post to David today and I noticed that
CBC (Canadian Broadcasting Corporation) is re-running a show that discusses
Olympia tonight - Tuesday at 8:00pm.....see below
the story of...
Olympia Press: it published porn, AND some of the great
novels of the 20th century. All that and Ian Brown's essay
on curling. Sunday Morning on Tuesday Night, this evening
at 8:06 (8:36 NT) on CBC Radio.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Tue, 26 Aug 1997 10:18:08 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: Pre-recorded? (for David Rhaesa & Diane Carter)
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Arthur Nusbaum wrote:
>
> Actually, to some extend all of the foregoing was a digression from NL,
> because with all due respect I still insist that it is not a fully cutup
> work, the mature cutups began with THE SOFT MACHINE. NL was extracted from
> myriad writings scattered on the floor of his room in Tangier, compiled and
> edited by a succession of Beat cohorts- Ginsberg, Kerouac, Alan Ansen, etc.
> In this sense it is a cutup, there never was an original order, it was
> subjected to the random and disparate influences of others (including the
> very title, which was suggested to him by JK), and as he says near the end,
> it can be re-ordered and read in any combination by the reader, we're all
> down there on the floor with him. The cutups as defined by him and BG go
> further than this, and were discovered at just about the time that NL was
> first going to (the Olympia) press. The pages themselves were cut into
> quarters, columns, etc., other texts were inserted at various junctures. NL
> precedes this method in the cutup evolution. The phrases, routines, etc. are
> intact in themselves, though in no linear order, they float and are
> interchangable.
>
Arthur,
so nice to have you aboard. i must confess that i failed to forward all
most posts concerning NL before your return. Not certain that any of
which are particularly astute though. Also i'm doing a separate reading
of NL with an old friend who introduced me to the audio WSB pantheon and
we are moving very slowly as he is even less of a linear reader than i
am. And the connections which come from reading the book with an old
friend that can bring out so many personal anecdoate unrelated and
incomprehensible to the rest of the pool of protoplasm out here seems to
make it a very separate endeavor. Some material will obviously cross
paths.
The point i snipped here that you make is something he and i were
clarifying just last night or this morning who knows with time and
calendars all very unreliable sometimes. What is synchronicity when our
computer clocks -- not to even begin with biological ones -- are not
close to synchronized.
Here is the fictional theory i came up with which provides a rather nice
but probably compleatly inaccurate legend of the origins of cutup and NL
as relates BG and WSB.
While reading so far in Selected letters -- through 1956 -- haven't
really seen a kind word specifically mentioned about BG and awhile back
some downright nasty nasty perceptions which are probably no longer
accuate because his perceptions of Paul Bowles have changed in this same
period of time.
It is definitely the case that NL is pre-CutUp-technology in a conscious
experiment BUT the method of sifting through letters and snipping out
words and pages to splice together in the development of NL is a very
very obvious fetal form of the process. As you say NL is compleated or
close and publishers sought by the time the WSB/BG kismet begins.
Here is how i see it.
BG. reading naked lunch and hearing about WSB's method of developing
the various sketches and routines sees that WSB is doing to the novel
what montage did to painting and in a rather complimentary fashion ==
since WSB is at the "cutting edge" so to speak of thing makes the
comment "Writing is 50 years behind painting." ..........
WSB. Does some painting at this point and understands BG's notion but
also knows that he is a man of letters and merely accepting the notion
that this 50 year gap is there now doesn't require sitting around and
letting painting stay that far ahead. So the 50 years comment is also a
challenge of sorts for the novel to catch the fuck up.
The conversations which follow create the origins and development of
cutup .... the letter to complete the Yage Letters production ... and
the range of the soft machine novels and forward for a phase expand on
the experiment and BG in the bbc studios does it with sound. BG's words
at end of Ticket that Exploded and WSB Electronic Revolution essay
function to completely push the envelope of letters into the
post-Hiroshima timeline.
The SM etc. novels are at least rooted, in what was "the cutting room
floor" of Naked Lunch. It seems that understanding NL's process and
then the cutting room notions and the whole BG/WSB experimental
explosion helps appreciate the separateness of the montage but also the
interconnectedness of the once pieced together parts -- especially as
one sees glimpses in reading Selected Letters 45-59.
So that is my take on the subject from SaliVVVVVa Kansas (new spelling
associated with inversion of Sherrard Illinois into SHIT yard IL) My
whole being has temporarily become a subsidiary of Islam Inc. and so
with minutes to go ... screw minutes slow down the clocks we aren't in a
hurry here are we lets all get the clocks and calendars on the same page
and slide off into the pH-age with a little breakfast ala nudette from
uncle bill.
salad-a-lickem,
david rhaesa
c/o Islam Inc.
=========================================================================
Date: Tue, 26 Aug 1997 11:58:59 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: OTR movie: Sean Penn?
In-Reply-To: <3402F3B0.712D@midusa.net>
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someone told me that sean penn has been approached about the neal
cassady/dean moriarty role in the OTR movie. I think he'd been as good a
choice as anyone. Wonder if he's into the beats though?
RJW
=========================================================================
Date: Tue, 26 Aug 1997 10:55:38 -0500
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR movie: Sean Penn?
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Richard Wallner wrote:
>
> someone told me that sean penn has been approached about the neal
> cassady/dean moriarty role in the OTR movie. I think he'd been as good a
> choice as anyone. Wonder if he's into the beats though?
>
> RJW
Sean Penn, and madonna went to williams art opening in New york and
seemed quite excited about meeting william.
p
=========================================================================
Date: Tue, 26 Aug 1997 12:55:59 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
In-Reply-To: <33FEBE6F.141B@together.net>
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> > RACE wrote:
>
> > Of course, one must wonder how deep these control notions -- whether
> > considered metaphorically or literally -- run. Perhaps the river of
> > scriptural prerecordings is so deep that even the cut-up methods are
> > just another branch of possible versions of the script that the
> > controllers pre-recognize -- merely permutations of the obvious script
> > afterall -- and so the freedom suggested by the cutup is another tool
> > of
> > the controllers.
I suppose then, you could invent your own words or even your own characters
and language system but that wouldn't do it either now would it?
=========================================================================
Date: Tue, 26 Aug 1997 18:57:02 +0200
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Who?
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Are you Mr. Allen Ginsberg?
On of them.
=========================================================================
Date: Tue, 26 Aug 1997 13:34:44 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: renaming Characters...
Comments: To: randy royal <randyr@southeast.net>
In-Reply-To: <199708221653.MAA16667@mailhub.southeast.net>
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> sal paradise never did seem to fit my image of jack, and i'm just
> some dumb teenager.
> ~randy
>
One reason Kerouac wanted to eventually rename his characters was to
eliminate confusion. When "On the Road" came out, people assumed that he
(Kerouac) was Dean Moriarty. He had to convince critics and others that
he was writing about a real person, that he wasnt just writing boastful
exaggerations about himself.
He had to tell people Neal Cassady exsisted...if he'd used Neal'sname,
that wouldnt have been a problem.
=========================================================================
Date: Tue, 26 Aug 1997 13:35:08 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Love? What is it?
Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
In-Reply-To: <199708241423.KAA06754@piglet.INS.CWRU.Edu>
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On Sun, 24 Aug 1997, Diane M. Homza wrote:
> Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug
> >
> >"Love? What is it?
> >Most natural painkiller what there is
> >LOVE"
>
> I found it interesting that he called LOVE the most natural painkiller,
> since love seems to cause a lot of the pain in the first place.
>
> (or maybe it's a lack of love that causes the pain....I think that's more
> right.)
Memory seems to be at the heart of all pain. So painkilling medicide tends
to affect the memory centers of the brain, and "time heals all wounds." To
forget then is what heals. Does Love help us to forget?
m
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Tue, 26 Aug 1997 12:38:45 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Love? What is it?
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Michael Stutz wrote:>
> Memory seems to be at the heart of all pain. So painkilling medicide tends
> to affect the memory centers of the brain, and "time heals all wounds." To
> forget then is what heals. Does Love help us to forget?
>
> m
patricia writes
I in my life, i found that love helped me realize memory. Oh\only
thorugh forgiveness and love can i stand to remember,and i find my
memories fuller. It is when i can't find any love that i block things.
the only part of the memory that is lessened is how much it hurt. But
i was a youth so full of anger that i would have dreams of axing people
to death and didn't consider them nightmares. This is not a beat
response. of william , i always though his goals was to see.
p
=========================================================================
Date: Tue, 26 Aug 1997 20:17:22 +0200
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: (FWd) Who?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>>From: Rinaldo Rasa <rinaldo@gpnet.it>
>>
>> Are you Mr. Allen Ginsberg?
>>
>> On of them.
>>
te1etypEd m3ssag3
>From: B1FF@SCHIZO.ORG (ALAN YOOOO)
> ONLY THE TRUTH WIL TRIUMPH OVUR DECEPSHUN +
> LAST 4VUR.
>
he had a suitcase
& 3 tHree head of lettuce
or
thr33 headS S of l3ttuCe
th3re is there is
the MAN has a suitcase
he must go
a far tiny voice
you must go1!
U must GO11
televised or t3l3typ3d
=========================================================================
Date: Tue, 26 Aug 1997 14:14:28 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Love? What is it?
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Patricia Elliott wrote:
>
> Michael Stutz wrote:>
> > Memory seems to be at the heart of all pain. So painkilling medicide tends
> > to affect the memory centers of the brain, and "time heals all wounds." To
> > forget then is what heals. Does Love help us to forget?
> >
> > m
> patricia writes
> I in my life, i found that love helped me realize memory. Oh\only
> thorugh forgiveness and love can i stand to remember,and i find my
> memories fuller. It is when i can't find any love that i block things.
> the only part of the memory that is lessened is how much it hurt. But
> i was a youth so full of anger that i would have dreams of axing people
> to death and didn't consider them nightmares. This is not a beat
> response. of william , i always though his goals was to see.
> p
i'm with the sunflowers on this one. REAL-eyes memory
david rhaesa
salina, Kansas
"all in a Day's work" Doc Benway
=========================================================================
Date: Tue, 26 Aug 1997 15:17:12 -0400
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From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <Pine.SUN.3.91-FP.970826115702.1741A-100000@cap1.capaccess.org>
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On Tue, 26 Aug 1997, Richard Wallner wrote:
> someone told me that sean penn has been approached about the neal
> cassady/dean moriarty role in the OTR movie. I think he'd been as good a
> choice as anyone.
yeah. it's the nose.
=========================================================================
Date: Tue, 26 Aug 1997 14:17:20 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Naked Lunch: Chapter 1, up to Benway
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Michael Stutz wrote:
>
> > > RACE wrote:
> >
> > > Of course, one must wonder how deep these control notions -- whether
> > > considered metaphorically or literally -- run. Perhaps the river of
> > > scriptural prerecordings is so deep that even the cut-up methods are
> > > just another branch of possible versions of the script that the
> > > controllers pre-recognize -- merely permutations of the obvious script
> > > afterall -- and so the freedom suggested by the cutup is another tool
> > > of
> > > the controllers.
>
> I suppose then, you could invent your own words or even your own characters
> and language system but that wouldn't do it either now would it?
invention always difficult but have no fear - found this nice quote
today while researching essay titled "Immaculate Fix" i'm working on --
a postatomic eulogy to either Ike or Bull Lee by Doc Benway.
"It may be reassuring to know that Washington has carefully protected
the subliminal technology of mass media so it doesn't fall into the
wrong hands." subliminal seduction p.198
gotta trust those hands
david rhaesa
salina, Kansas
"all in a Day's WORK" Doc Benway treating Andy Warhol
=========================================================================
Date: Tue, 26 Aug 1997 12:39:04 -0700
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From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I think the biggest problem with this casting is that Penn is too old.
Cassady was in his early twenties and Kerouac in his mid twenties when the
events were happening.
The actors should reflect the youth.
At 11:58 AM 8/26/97 -0400, you wrote:
>someone told me that sean penn has been approached about the neal
>cassady/dean moriarty role in the OTR movie. I think he'd been as good a
>choice as anyone. Wonder if he's into the beats though?
>
>RJW
>
>
=========================================================================
Date: Tue, 26 Aug 1997 16:45:36 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <199708261939.MAA24048@hsc.usc.edu>
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Age is irrelevant....remember that Penn's character in Dead Man Walking
was in his mid20's. The OTR movie wont work unless someone really
intense with a really strong presence plays Neal/Dean. Viewers have to
understand and relate to Kerouac's/Sal Paradise's obsession with him.
In short the character needs to be larger tha life, and there is no way
an unknown actor could pul that off. The Dean part is one of the most
ocveted in HOllywood right now, but I think Penn might bed one of the
only actors in the world who could play the part right.
RJW
=========================================================================
Date: Tue, 26 Aug 1997 17:21:40 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: OTR movie: Sean Penn?
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I agree with Richard for the same reasons and especially for the convincing
portrayal in "Dead Man..."
Antoine
=========================================================================
Date: Tue, 26 Aug 1997 17:20:05 +0000
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From: Matthew Reid <m_reid@COLBY.EDU>
Subject: OTR Movie
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Do any of you know who's been cast in any of the other roles?
Nicholas Cage might make a good Dean/Neal as well.
Matt
=========================================================================
Date: Tue, 26 Aug 1997 14:38:34 -0700
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From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: OTR movie: Sean Penn?
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At 04:45 PM 8/26/97 -0400, you wrote:
>Age is irrelevant....
Kerouac's desire was for Montgomery Clift to play the Sal character and
Marlon Brando to play the Dean part.
Well, Clift is dead but Brando is still alive and acting.
I say they use Brando.
>remember that Penn's character in Dead Man Walking
>was in his mid20's. The OTR movie wont work unless someone really
>intense with a really strong presence plays Neal/Dean. Viewers have to
>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>
>In short the character needs to be larger tha life, and there is no way
>an unknown actor could pul that off. The Dean part is one of the most
>ocveted in HOllywood right now, but I think Penn might bed one of the
>only actors in the world who could play the part right.
>
>RJW
>
>
=========================================================================
Date: Tue, 26 Aug 1997 18:02:23 +0000
Reply-To: randyr@southeast.net
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Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: OTR movie: Sean Penn?
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> At 04:45 PM 8/26/97 -0400, you wrote:
> >Age is irrelevant....
>
> Kerouac's desire was for Montgomery Clift to play the Sal character and
> Marlon Brando to play the Dean part.
>
> Well, Clift is dead but Brando is still alive and acting.
>
> I say they use Brando.
alittle bit of makeup will do wonders!
=========================================================================
Date: Tue, 26 Aug 1997 20:20:28 EDT
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From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: Message of Tue, 26 Aug 1997 12:39:04 -0700 from
<gallaher@HSC.USC.EDU>
I agree with gallaher. Penn is too old now but he would have been great ten ye
ars ago. He also wanted to play Phil Ochs in a movie they've been talking abou
t making almost as long as they've been talking about making on the road. I th
ink he would have given one hell of a performance.
=========================================================================
Date: Tue, 26 Aug 1997 21:42:56 -0000
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From: "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>
Subject: Re: OTR movie: Sean Penn?
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I don't care who plays who, just as long as Leonardo DiCaprio isn't in the
movie. . . did any see him in "Total Eclipse." He played Rimbaud, I
wasn't impressed at all.
Take it easy, all,
Bruce
=========================================================================
Date: Tue, 26 Aug 1997 23:33:56 -0400
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From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: OTR movie: Sean Penn?
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I think the book is all we need...what film of a novel ever really worked
(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray
the angelic mystification of the characters Kerouac paints in OTR?It isn't
the story that is special ....its the writing which transforms it into a
special world.
=========================================================================
Date: Tue, 26 Aug 1997 23:06:56 -0500
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From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <199708262138.OAA13039@hsc.usc.edu>
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>At 04:45 PM 8/26/97 -0400, you wrote:
>>Age is irrelevant....
>
>Kerouac's desire was for Montgomery Clift to play the Sal character and
>Marlon Brando to play the Dean part.
>
>Well, Clift is dead but Brando is still alive and acting.
>
>I say they use Brando.
>
>
>>remember that Penn's character in Dead Man Walking
>>was in his mid20's. The OTR movie wont work unless someone really
>>intense with a really strong presence plays Neal/Dean. Viewers have to
>>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>>
>>In short the character needs to be larger tha life, and there is no way
>>an unknown actor could pul that off. The Dean part is one of the most
>>ocveted in HOllywood right now, but I think Penn might bed one of the
>>only actors in the world who could play the part right.
>>
>>RJW
>>
>>
I believe that with his age and experience, Brando could play both Dean
Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to
get back into Stanley Kowalski physique.
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Tue, 26 Aug 1997 21:20:01 -0700
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From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: OTR movie: Sean Penn?
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>>I think Penn might bed one of the only actors in the world who could play
the >>part right.
>>
>>RJW
>>
Robin Wright Penn? That's the most novel suggestion I've heard so far.
Have a woman play the part of Neal/Dean/Cody.
James M.
=========================================================================
Date: Wed, 27 Aug 1997 00:10:39 -0400
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From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: WSB in Rolling Stone.
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I just read an article dedicated to burroughs in the latest Rolling Stone
magazine. It did present old bull lee as the anarchist "shakespeare" that
i so dearly describe him as. The writer (who's name escapes me) took a lot
of info from Morgan's "literary outlaw" without quoting the man (although
towards the end he did give credit to the book). I held my breath while
reading it and finally exhaled at the end. The article also had some
quotes from Corso and Lou Reed. I am not a fan of Rolling Stone by far
but the article (3 pages which should have been at least 20) did give
Bill some justice. Also, unlike many articles, this one did not emphasize
or glamorize Bill's drug habit in order to catch the eye of the
uninformed reader. Hell, even Herbert Hunke was mentioned as he should
have been.
as for the OTR movie, cast Buscemi as Old Bull Lee, then start filming
Junky. David Lynch would do a great job directing a Burroughs-inspired movie.
jason
=========================================================================
Date: Tue, 26 Aug 1997 23:54:02 -0500
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR movie: Sean Penn?
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James William Marshall wrote:
>
> >>I think Penn might bed one of the only actors in the world who could play
> the >>part right.
> >>
> >>RJW
> >>
> Robin Wright Penn? That's the most novel suggestion I've heard so far.
> Have a woman play the part of Neal/Dean/Cody.
>
> James M.
ACTUALLY I think it would make a great sister film, I would much prefer
to see all the cast as women, it would put an edge and glory to it.
patricia
p
=========================================================================
Date: Wed, 27 Aug 1997 01:02:09 -0400
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From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: OTR movie: Sean Penn?
In a message dated 97-08-27 00:27:48 EDT, someone (I forget who) wrote:
<< The OTR movie wont work unless someone really
>intense with a really strong presence plays Neal/Dean. >>
Right. Like anyone could ever actually make a movie of On The Road.
I say, "The OTR movie won't work. Period. The whole idea is a dog. Makes me
ill to imagine it."
Remember "Heart Beat?" Stinko, yucko, gag me.
I saw some other movie/documentary where someone played jack's character. Oy
vay. Puhleeze.
Now, I may have to eat my words someday, because I almost didn't go see
"Cuckoo's Nest" because I couldn't imagine that weasly little Jack Nicholson
playing McMurphy (hey, this was a long time ago). Now I couldn't imagine
anyone BUT Jack Nicholson playing him.
Neal might be doable... but jack... no way. Stare at that face, listen to
that voice, try to crawl into that mind (mined with mines). Find one actor
today who can convince me he's jack kerouac, or even anything close to that.
I'm not an Elvis fan, but there's a good example. No one can be Elvis, no
matter what. Same with John Lennon. Hell, they couldn't even get someone
remotely close to being able to portray Leno or Letterman in that stupid
cable movie (great book, though). How about Michael J. Fox playing that
tortured fact-checker in "Bright Lights, Big City?" (another great book, well
worth reading, and no, McInerney ain't Beat) Over and over and over again,
film gets books wrong.
The prime objective of theater (film, acting, magic) is to suspend disbelief.
In the case of bringing Dean Moriarty and Sal Paradise to "life," this can't
be done on film. It was already done, magnificently, perfectly, wholly holy,
in the book, in our heads. Any movie done of this book, starring anyone at
all, will most likely suck canal water. I'd rather go to the movie theater in
my mind...
diane
=========================================================================
Date: Tue, 26 Aug 1997 23:03:59 -0700
Reply-To: vic.begrand@sk.sympatico.ca
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From: Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>
Subject: Re: OTR movie: Sean Penn?
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P.A.Maher wrote:
>
> I think the book is all we need...what film of a novel ever really worked
> (except of course One Flew Over the Cuckoo's Nest)?
Maybe Milos Forman should direct it then...he hasn't lost his touch.
Adrien
=========================================================================
Date: Wed, 27 Aug 1997 00:48:32 -0500
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From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Re: OTR movie: Sean Penn?
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this is too much of a coincidence. i just now finished watching The Funeral
(director Abel Ferrara). the scenes in the beginning with Vincent Gallo and
Paul Hipp reminded me of Sal and Dean. then i thought, i wonder if they'll
ever make a movie of On The Road. but then thought that might be a bad
idea, it could never compare to the book and some movies of books just
shouldnt be made. anyway, immediately after The Funeral was over, i had to
come on to the computer to e-mail a friend about it. and that is when i saw
all these e-mails about the OTR movie for the first time. i never even
heard of there being an OTR movie before. that's too odd. i must have been
called upon to tell you all this.
i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing
Dean. boring. Watch The Funeral (and pay close attention to Paul Hipp and
also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )
and you will see what i mean--men like Gallo and Hipp must play the parts of
Sal and Dean. but then im not so sure anyone could measure up to my
perception of Sal and Dean or the book. by the way, i saw Leonardo
DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.
but i dont think he'd be right for the OTR movie either.
At 11:06 PM 8/26/97 -0500, you wrote:
>>At 04:45 PM 8/26/97 -0400, you wrote:
>>>Age is irrelevant....
>>
>>Kerouac's desire was for Montgomery Clift to play the Sal character and
>>Marlon Brando to play the Dean part.
>>
>>Well, Clift is dead but Brando is still alive and acting.
>>
>>I say they use Brando.
>>
>>
>>>remember that Penn's character in Dead Man Walking
>>>was in his mid20's. The OTR movie wont work unless someone really
>>>intense with a really strong presence plays Neal/Dean. Viewers have to
>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>>>
>>>In short the character needs to be larger tha life, and there is no way
>>>an unknown actor could pul that off. The Dean part is one of the most
>>>ocveted in HOllywood right now, but I think Penn might bed one of the
>>>only actors in the world who could play the part right.
>>>
>>>RJW
>>>
>>>
>
>I believe that with his age and experience, Brando could play both Dean
>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to
>get back into Stanley Kowalski physique.
>
>leo
>
>
>
>"Let us hope that the whores of evil no longer loiter on the doorsteps of
>your path, beckoning you into the brothel of despair, and that hereinafter,
>you may present them with the most rigid manifestations of a firm and manly
>will. Ad astra per aspera." --Jack Kerouac
>
=========================================================================
Date: Wed, 27 Aug 1997 02:02:31 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 12:39 PM 8/26/97 -0700, you wrote:
>I think the biggest problem with this casting is that Penn is too old.
>
>Cassady was in his early twenties and Kerouac in his mid twenties when the
>events were happening.
>
>The actors should reflect the youth.
>
>At 11:58 AM 8/26/97 -0400, you wrote:
>>someone told me that sean penn has been approached about the neal
>>cassady/dean moriarty role in the OTR movie. I think he'd been as good a
>>choice as anyone. Wonder if he's into the beats though?
>>
>>RJW
>>
>>
>
I agree Penn is too old. Is Coppolla still in control
of this movie. I don't think this is his kind of material.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 02:02:33 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 02:38 PM 8/26/97 -0700, you wrote:
>At 04:45 PM 8/26/97 -0400, you wrote:
>>Age is irrelevant....
>
>Kerouac's desire was for Montgomery Clift to play the Sal character and
>Marlon Brando to play the Dean part.
>
>Well, Clift is dead but Brando is still alive and acting.
>
>I say they use Brando.
>Very funny, and right up Copolla's alley, too. He then could
make seedy James Caan Dean Moriarty.
Mike Rice
>
>>remember that Penn's character in Dead Man Walking
>>was in his mid20's. The OTR movie wont work unless someone really
>>intense with a really strong presence plays Neal/Dean. Viewers have to
>>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>>
>>In short the character needs to be larger tha life, and there is no way
>>an unknown actor could pul that off. The Dean part is one of the most
>>ocveted in HOllywood right now, but I think Penn might bed one of the
>>only actors in the world who could play the part right.
>>
>>RJW
>>
>>
>
>
=========================================================================
Date: Wed, 27 Aug 1997 02:16:51 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 09:42 PM 8/26/97 -0000, you wrote:
>I don't care who plays who, just as long as Leonardo DiCaprio isn't in the
>movie. . . did any see him in "Total Eclipse." He played Rimbaud, I
>wasn't impressed at all.
>
>Take it easy, all,
>
>Bruce
>
>
I was not impressed with DiCapricio UNTIL I saw him in Total Eclipse.
He was great and so was that film.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 02:16:56 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 11:33 PM 8/26/97 -0400, you wrote:
>I think the book is all we need...what film of a novel ever really worked
>(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray
>the angelic mystification of the characters Kerouac paints in OTR?It isn't
>the story that is special ....its the writing which transforms it into a
>special world.
>
>
Now that you have mentioned One Flew Over the Cuckoos Nest, you've opened the
way for me to say something I have been wanting to say about it for years. Its
central character, Jack Nicholson, was more interesting and less cliche than
Kesey's McMurphy. I think an irishman who acts like an irishman is bowing to
one of the oldest cliches in stagecraft, and I was grateful for the Nicholson
performance.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 02:21:01 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 09:20 PM 8/26/97 -0700, you wrote:
>>>I think Penn might bed one of the only actors in the world who could play
>the >>part right.
>>>
>>>RJW
>>>
> Robin Wright Penn? That's the most novel suggestion I've heard so far.
>Have a woman play the part of Neal/Dean/Cody.
>
> James M.
>
>
I was going to phone this one in too. I saw her in that terrible Moll Flanders
a week ago, though there was nothing wrong with her performance, it wasn't
great.
She is one of the best actresses acting in films today. I saw her in Playboys,
a loose remake of The Quiet Man. She was superb.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 10:58:53 +0200
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: OTR movie
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hello beats,
here a list of novels translated into movie that,
i think, the efforts have been valid:
"Shining" by Stanley Kubrick,
the movie is better than the Stephen King's novel.
"Blade Runner" by Ridley Scott
(credits for the title to William S. Burroughs),
the movie is wonderful equal to
Philip K. Dick's novel "Do Androids Dream of Electric Sheep."
"One Flew Over the Cuckoo's Nest" by Milos Forman
& Ken Kesey's novel are both excellent.
the translation of a novel from a language to another,
i.e. american into any other language, is the most way
a lot of people around the world read the Beat Lit & it's good
if the translator (or the director, speakin'bout film)
matchs & loves the atmosfere (the time) when the action has happened.
-*-
after the Ginsberg's death went out a new italian translation of
"Howl" & "Kaddish" intended to bring up to date the original
1968 (so called old italian translation).
words that are actually using in italian language dont' match
the "old" poem, & in order to modernize a work the result, in
my opinion, is disappointing.
-*-
im' afraid at the moment when an italian translator got an idea to
give to italians a "modernized" translation of "On The Road"...
saluti,
Rinaldo.
*
a century ago, Leoncavallo's "La Boheme" (1897),
the Leoncavallo opera it gave Caruso his first real boost to fame
*
=========================================================================
Date: Wed, 27 Aug 1997 09:07:59 -0400
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From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: Love? What is it?
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>Patricia Elliott wrote:
>>
>> Michael Stutz wrote:>
>> > Memory seems to be at the heart of all pain. So painkilling medicide tends
>> > to affect the memory centers of the brain, and "time heals all wounds." To
>> > forget then is what heals. Does Love help us to forget?
>> >
>> > m
>> patricia writes
>> I in my life, i found that love helped me realize memory. Oh\only
>> thorugh forgiveness and love can i stand to remember,and i find my
>> memories fuller. It is when i can't find any love that i block things.
>> the only part of the memory that is lessened is how much it hurt. But
>> i was a youth so full of anger that i would have dreams of axing people
>> to death and didn't consider them nightmares. This is not a beat
>> response. of william , i always though his goals was to see.
>> p
>
>i'm with the sunflowers on this one. REAL-eyes memory
>
>david rhaesa
>salina, Kansas
>
>"all in a Day's work" Doc Benway
so what is Alzheimers ? Bliss? To be rhetorical I don't think so. No
memory but all of those emotions to confront the overwhelming present and
no mechanism by which to remember the last five seconds. Selective
forgetfulness can be quite useful, however.
=========================================================================
Date: Wed, 27 Aug 1997 09:40:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Cover of the month
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Each month The Kerouac Quarterly will post a paperback cover of different
Kerouac novels. If you have one for posting please e-mail me the scan and I
will post it. I will do it more frequent when there are enough for me to
warrant so. Thanks, Paul of TKQ....
Go to:
http://www.freeyellow.com/members/upstartcrow/page4.html
=========================================================================
Date: Wed, 27 Aug 1997 09:53:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <1.5.4.32.19970827033356.0067ce88@pop.pipeline.com>
MIME-Version: 1.0
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On Tue, 26 Aug 1997, P.A.Maher wrote:
> I think the book is all we need...what film of a novel ever really worked
> (except of course One Flew Over the Cuckoo's Nest)?Who could ever portray
Actually, supposedly Ken Kesey has never seen the movie version of "One
Flew Over the Cuckoo's Nest", because he was so disgusted with the
casting of Jack Nicholson as McMurphy. McMurphy was supposed to be a
tough atheletic guy like himself, not a little guy like Nicholson.
=========================================================================
Date: Wed, 27 Aug 1997 09:51:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: OTR movie spawns mass hysteria and many posts to beat-l !!!!
In-Reply-To: <3.0.1.32.19970827105853.006c4120@pop.gpnet.it>
Mime-Version: 1.0
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film at 11:00
mc
=========================================================================
Date: Wed, 27 Aug 1997 10:10:06 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
What I want to know is where are they going to get the sound track? The
soundtrack is crucial: Wardell Grey, Dexter Gordon, Parker, Slim, Billie
Holiday. Seems to me that whoever directs, whoever acts, whoever
photographs must understand jazz as the key to the movie. How many have
Kerouac's ear ?
The ear was his dominant sense.
PW
>this is too much of a coincidence. i just now finished watching The Funeral
>(director Abel Ferrara). the scenes in the beginning with Vincent Gallo and
>Paul Hipp reminded me of Sal and Dean. then i thought, i wonder if they'll
>ever make a movie of On The Road. but then thought that might be a bad
>idea, it could never compare to the book and some movies of books just
>shouldnt be made. anyway, immediately after The Funeral was over, i had to
>come on to the computer to e-mail a friend about it. and that is when i saw
>all these e-mails about the OTR movie for the first time. i never even
>heard of there being an OTR movie before. that's too odd. i must have been
>called upon to tell you all this.
>i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing
>Dean. boring. Watch The Funeral (and pay close attention to Paul Hipp and
>also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )
>and you will see what i mean--men like Gallo and Hipp must play the parts of
>Sal and Dean. but then im not so sure anyone could measure up to my
>perception of Sal and Dean or the book. by the way, i saw Leonardo
>DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.
>but i dont think he'd be right for the OTR movie either.
>
>At 11:06 PM 8/26/97 -0500, you wrote:
>>>At 04:45 PM 8/26/97 -0400, you wrote:
>>>>Age is irrelevant....
>>>
>>>Kerouac's desire was for Montgomery Clift to play the Sal character and
>>>Marlon Brando to play the Dean part.
>>>
>>>Well, Clift is dead but Brando is still alive and acting.
>>>
>>>I say they use Brando.
>>>
>>>
>>>>remember that Penn's character in Dead Man Walking
>>>>was in his mid20's. The OTR movie wont work unless someone really
>>>>intense with a really strong presence plays Neal/Dean. Viewers have to
>>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>>>>
>>>>In short the character needs to be larger tha life, and there is no way
>>>>an unknown actor could pul that off. The Dean part is one of the most
>>>>ocveted in HOllywood right now, but I think Penn might bed one of the
>>>>only actors in the world who could play the part right.
>>>>
>>>>RJW
>>>>
>>>>
>>
>>I believe that with his age and experience, Brando could play both Dean
>>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to
>>get back into Stanley Kowalski physique.
>>
>>leo
>>
>>
>>
>>"Let us hope that the whores of evil no longer loiter on the doorsteps of
>>your path, beckoning you into the brothel of despair, and that hereinafter,
>>you may present them with the most rigid manifestations of a firm and manly
>>will. Ad astra per aspera." --Jack Kerouac
>>
=========================================================================
Date: Wed, 27 Aug 1997 10:26:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <v01540b03b029e3ce615e@[146.201.2.97]>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Preston Whaley wrote:
> What I want to know is where are they going to get the sound track? The
> soundtrack is crucial: Wardell Grey, Dexter Gordon, Parker, Slim, Billie
> Holiday. Seems to me that whoever directs, whoever acts, whoever
> photographs must understand jazz as the key to the movie. How many have
> Kerouac's ear ?
> The ear was his dominant sense.
> PW
I agree but since this movie will have youth appeal the studio supposedly
wants a contemporary rock soundtrack (it will sell albums...jus t think,
the "On the Road" soundtrack with Pearl Jam and REM .etc) But I dont
think Kerouac even liked rock music...oh well
=========================================================================
Date: Wed, 27 Aug 1997 10:38:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: On the Rote?
Thank god someone has a sense of humor...
>From http://www.c3f.com/holywood/ontheroa.html
.............................................................................
Hollywood's Coming!
Films with Internet Retrofits
1. ON THE ROAD
Production: American Zoetrope/Vanguard Films
Director: Francis Ford Coppola
Screenplay: Michael Herr
Stars: Tom Hanks as Jack Kerouac, Tom Cruise as Ginsberg, Sylvester Stallone
as Burroughs, Sandra Bullock as Neal Cassady
Status: Pre-production
Cyber Elements Added to Storyline:
One night, Ginsberg reveals to Kerouac that he's really a cyborg shaman
kickboxer from the future of another planet, and he's brought a wireless
satellite cable/modem settop box with him, which they immediately install in
the back seat of Neal Cassady's '49 Mercury.
As they drive across country, Kerouac gets on Usenet and reads aloud from
alt.books.beatgeneration and everybody gets depressed and tries, but fails,
to smash into a tree when it's his turn to drive.
Potential Problems:
Coppola wants to shoot entire film in Vietnam during Monsoon season, to get
authentic "jazz improvisatory" feel of the beatnik era.
Bullock threatening to pull out if Winona Ryder doesn't replace Hanks as
Kerouac.
=========================================================================
Date: Wed, 27 Aug 1997 10:59:36 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew Reid <m_reid@COLBY.EDU>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>I think the book is all we need...what film of a novel ever really worked
>(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray
>the angelic mystification of the characters Kerouac paints in OTR?It isn't
>the story that is special ....its the writing which transforms it into a
>special world.
Good point.
Matt
=========================================================================
Date: Wed, 27 Aug 1997 08:18:22 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: OTR movie: Sean Penn?
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
> Right. Like anyone could ever actually make a movie of On The Road.
>
> I say, "The OTR movie won't work. Period. The whole idea is a dog. Makes me
> ill to imagine it." . . .
I'd rather go to the movie theater in
> my mind...
>
I heartily agree with Diane here. Some good books get made into good
movies, but the movies do this by changing the book and making it
cinematic. The mediums are too different. Books are about words.
Movies are about pictures. Movies can never select detail in the ways
books do and language other than straight dialog gets lost. I can enjoy
the movies if I don't know the book, but if I do I am almost always
dissapointed. People have nominated Cuckoo's Nest. I'd nominate
Kubricks Lolita, but it still, even with Nabokov on the screenplan, is
not the same thing as the book.
Leave OTR alone. Make a "road" movie that's a movie. The all girl one
sounds good to me.
J. Stauffer
=========================================================================
Date: Wed, 27 Aug 1997 08:21:19 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: OTR movie: Sean Penn?
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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There is no actor working today with the combination of mind and
masculinity that these roles would require. The type is dead. Clift
and Brando, maybe--but Penn?, Cage? etc. Hopeless.
J. Stauffer
=========================================================================
Date: Wed, 27 Aug 1997 10:23:38 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: OTR movie: Sean Penn?
Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>
In-Reply-To: <Pine.SUN.3.91-FP.970826115702.1741A-100000@cap1.capaccess.org>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Tue, 26 Aug 1997, Richard Wallner wrote:
> someone told me that sean penn has been approached about the neal
> cassady/dean moriarty role in the OTR movie. I think he'd been as good a
> choice as anyone. Wonder if he's into the beats though?
>
> RJW
>
In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to
play Dean. Remember, OTR features one slice of Neal's life. Yes his past
and absent father are always lurking in the background---but this seems to
bother Sal more than it does Dean. Dean is the joyful, vibrant,
angel-headed hipster---I just can't see Penn pulling that off.
jenn thompson
=========================================================================
Date: Wed, 27 Aug 1997 10:32:07 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: OTR movie: Sean Penn?
Comments: To: "P.A.Maher" <mapaul@PIPELINE.COM>
In-Reply-To: <1.5.4.32.19970827033356.0067ce88@pop.pipeline.com>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Tue, 26 Aug 1997, P.A.Maher wrote:
> I think the book is all we need...what film of a novel ever really worked
> (except of course One Flew Over the Cuckoo's Nest)?Who could ever portray
> the angelic mystification of the characters Kerouac paints in OTR?It isn't
> the story that is special ....its the writing which transforms it into a
> special world.
>
I tend to agree. Kerouac's works are ambrosia; each word is precious;
somehow, a film cannot fully catch the magic.
Jenn Thompson
=========================================================================
Date: Wed, 27 Aug 1997 16:39:04 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <sk312@pophost.city.ac.uk>
From: Daniel Fascione <m.d.fascione@CITY.AC.UK>
Subject: Re: OTR movie: Sean Penn?
Comments: To: stauffer@pacbell.net
Any thought on Cronnenberg's Naked Lunch. I loved the way he fused
the biographical details around the actual writing of the work with
the ideas and characters contained within.
I for one think this movie works well.
Opinions????????????
Daniel
=========================================================================
Date: Wed, 27 Aug 1997 11:34:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: list of jazz albums
In-Reply-To: <Pine.SUN.3.91-FP.970827102345.18813A-100000@cap1.capaccess.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Preston Whaley wrote:
> What I want to know is where are they going to get the sound track? The
> soundtrack is crucial: Wardell Grey, Dexter Gordon, Parker, Slim, Billie
> Holiday.
Has anyone ever compiled a Beat required-listening list with album specifics
etc.? This would be useful.
=========================================================================
Date: Wed, 27 Aug 1997 11:37:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Re: OTR movie: Sean Penn?
Comments: To: ljilk@mail.mps.org
Lots of people will discover OTR
through a movie being made of the book.
Of course the movie will suck.
especially for those few fans who
really love Jack and crew.
There's my 2 cents
yours as always in the store
Gary Mex Glazner
Headless Buddha
http://www.well.com/user/poetmex
PS my company Words on Wheels
is a distributor of poetry and
spoken word recordings, we
have quite a few beat recordings.
With a new box-set of WSB
set for release in the fall.
=========================================================================
Date: Wed, 27 Aug 1997 11:41:06 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: OTR movie: music?
In-Reply-To: <Pine.SUN.3.91-FP.970827102345.18813A-100000@cap1.capaccess.org>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Richard Wallner wrote:
> I agree but since this movie will have youth appeal the studio supposedly
> wants a contemporary rock soundtrack (it will sell albums...jus t think,
> the "On the Road" soundtrack with Pearl Jam and REM .etc)
Pearl Jam in On the Road? Ew this is getting gross. I thought maybe one way
they could make a decent movie out of it would be to make it all modern,
don't even try to make it look like the time period it was written in, and
use a lot of special effects and visuals (hazy sunsets driving with
panoramic views, real fast sections of roadside blur for like 5 minutes of
film, club scenes with color hues and mixture of Super8, video and 35mm,
just all kinds of weird tricks to get the tone of the words or of trying to
"find" that feeling of on the road, most of the film either music or
voice-over reading sections of the book). Maybe modern music in a context
like this but Pearl Jam?
One of my favorite times for film was the late 60s/early 70s. They made a
lot of experimental stuff back then, and so much of it came out great. Even
big films, like _2001..._, _A Clockwork Orange_, even _Jaws_ (not
experimental really but good).
=========================================================================
Date: Wed, 27 Aug 1997 12:12:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Cronenberg's Naked Lunch
In-Reply-To: <E0x3k6V-0007DI-00@netmail.city.ac.uk>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Daniel Fascione wrote:
> Any thought on Cronnenberg's Naked Lunch. I loved the way he fused
> the biographical details around the actual writing of the work with
> the ideas and characters contained within.
> I for one think this movie works well.
Just saw this again a few weeks ago after not having seen it since it came
out in '92. Bill, Jack, Allen (Martin) -- didn't look like any of them! But
this was good, as it wasn't a straight-on run-through of the book but more
on the _writing_ of the book, I think. Typewriter roaches kind of cute, and
the voice reminded me of the "Bob" voice in _12 Monkeys_ (can't put my
finger on it, but for me this "Bob" voice always had a kind of Burroughs
feel to it also). Loved the abstract color blotches in the intro and the
Interzone ending. And the scene with Joan getting high off bug powder was a
riot.
=========================================================================
Date: Wed, 27 Aug 1997 13:01:52 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James J Stavola <JDSept@AOL.COM>
Subject: Re: list of jazz albums
One shouldnt be limited to the music of the times if OTR is made into a
movie. Certainly scenes should reflect the caracters listening to the music
as far as story line goes but the idea of beat-music extends past that era to
include much more such as the Dead ,Patti Smith,Lou Reed,and Tom
Waites.Others I'm sure I missed and can be added.Can I do the sound track?
Your
Indulgence
JD
=========================================================================
Date: Wed, 27 Aug 1997 13:05:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: list of jazz albums
In-Reply-To: <970827125925_706282232@emout16.mail.aol.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, James J Stavola wrote:
<snip>
> the idea of beat-music extends past that era to include much more
<snip>
oh, definitely. i'm interested in something else here though: the specific
music that influenced the beat writers when they were writing their works.
for instance exactly what music is listed in OTR and what are the
recommended albums for checking it out? etc.
=========================================================================
Date: Wed, 27 Aug 1997 12:48:32 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Jazz yes but remember the book! Kerouac even wrote what music was playing.
from part 4 chap. 5--"..we wanted to hear mambo music and came back with a
stack of records, mostly by Perez Prado....."More Mambo Jambo," "Chattanooga
de Mambo," "Mambo Numero Ocho"-all these tremendous numbers resounded and
flared in the golden, mysterious afternoon like the sounds you expect to
hear on the last day of the world and the Second Coming...." and i am quite
sure R.E.M. could come up with something amazing for the sdtrk. or maybe
they'd be good for a different road movie. i still have my doubts of an OTR
movie being made. it's a dangerous thing. please no Penn or Cage.
At 10:10 AM 8/27/97 -0400, you wrote:
>What I want to know is where are they going to get the sound track? The
>soundtrack is crucial: Wardell Grey, Dexter Gordon, Parker, Slim, Billie
>Holiday. Seems to me that whoever directs, whoever acts, whoever
>photographs must understand jazz as the key to the movie. How many have
>Kerouac's ear ?
>The ear was his dominant sense.
>PW
>
>
>>this is too much of a coincidence. i just now finished watching The Funeral
>>(director Abel Ferrara). the scenes in the beginning with Vincent Gallo and
>>Paul Hipp reminded me of Sal and Dean. then i thought, i wonder if they'll
>>ever make a movie of On The Road. but then thought that might be a bad
>>idea, it could never compare to the book and some movies of books just
>>shouldnt be made. anyway, immediately after The Funeral was over, i had to
>>come on to the computer to e-mail a friend about it. and that is when i saw
>>all these e-mails about the OTR movie for the first time. i never even
>>heard of there being an OTR movie before. that's too odd. i must have been
>>called upon to tell you all this.
>>i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing
>>Dean. boring. Watch The Funeral (and pay close attention to Paul Hipp and
>>also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )
>>and you will see what i mean--men like Gallo and Hipp must play the parts of
>>Sal and Dean. but then im not so sure anyone could measure up to my
>>perception of Sal and Dean or the book. by the way, i saw Leonardo
>>DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.
>>but i dont think he'd be right for the OTR movie either.
>>
>>At 11:06 PM 8/26/97 -0500, you wrote:
>>>>At 04:45 PM 8/26/97 -0400, you wrote:
>>>>>Age is irrelevant....
>>>>
>>>>Kerouac's desire was for Montgomery Clift to play the Sal character and
>>>>Marlon Brando to play the Dean part.
>>>>
>>>>Well, Clift is dead but Brando is still alive and acting.
>>>>
>>>>I say they use Brando.
>>>>
>>>>
>>>>>remember that Penn's character in Dead Man Walking
>>>>>was in his mid20's. The OTR movie wont work unless someone really
>>>>>intense with a really strong presence plays Neal/Dean. Viewers have to
>>>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.
>>>>>
>>>>>In short the character needs to be larger tha life, and there is no way
>>>>>an unknown actor could pul that off. The Dean part is one of the most
>>>>>ocveted in HOllywood right now, but I think Penn might bed one of the
>>>>>only actors in the world who could play the part right.
>>>>>
>>>>>RJW
>>>>>
>>>>>
>>>
>>>I believe that with his age and experience, Brando could play both Dean
>>>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to
>>>get back into Stanley Kowalski physique.
>>>
>>>leo
>>>
>>>
>>>
>>>"Let us hope that the whores of evil no longer loiter on the doorsteps of
>>>your path, beckoning you into the brothel of despair, and that hereinafter,
>>>you may present them with the most rigid manifestations of a firm and manly
>>>will. Ad astra per aspera." --Jack Kerouac
>>>
>
=========================================================================
Date: Wed, 27 Aug 1997 13:56:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: Re[2]: renaming Characters...
In a message dated 97-08-22 23:33:20 EDT, you write:
<< Great catch. Didn't someone here say they saw the original OTR scroll and
the real names (Neal and Carolyn) were on there?
>>
The On The Road Scroll did have (at least the part that I saw) the real
names. It used the name Neal. The beginning of the scroll is a little
different then the beginning of the book.
=========================================================================
Date: Wed, 27 Aug 1997 13:57:54 -0400
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From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: The aggressor.
In a message dated 97-08-25 03:42:27 EDT, you write:
<< > Don't use the telephone
> People are never ready to answer it.
> Use poetry. --- Jack Kerouac, 1970.
How on earth did JK say this in 1970?
>>
I think he called collect.
I heard that in 1996 Jack said, "Don't ever read your e-mail without having
your finger on the delete button. You might actually read something you
didn't want to" (I believe he said that in early June).
=========================================================================
Date: Wed, 27 Aug 1997 14:05:05 EDT
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From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: OTR film
Reading through the comments on filming OTR, I couldn't help remembering
that a discussion of FFC's OTR was among the firt threads on Beat-l.
I'd go for contemporary music primarily, but I'd sure like to open or
close the film with the electric version of Aztec Two Step's song about
Dean Moriarty.
=========================================================================
Date: Wed, 27 Aug 1997 14:26:40 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR film
In-Reply-To: <BEAT-L%1997082714083960@CUNYVM.CUNY.EDU>
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I think the movie should be shot in black and white, except for the
opening and closing scenes, which would be color shots of Neal Cassady
walking shirtless on the train tracks in mexico, counting the tracks
rightbefore his death.
The movie would be narrated of course, with the closing paragraph of the
book narrarated over the shot of Neal walking away down the railroad tracks.
RJW
=========================================================================
Date: Wed, 27 Aug 1997 12:36:56 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[4]: renaming Characters...
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I found the postcard that has the picture of the scroll on it, it's done by
FotoFolio in NY, NY....not sure if that's the rights-holder to the picture or
the printer of the postcard. It does have the name Neal on it and it also says
"I first met Neal not long after my father died.". Can anyone in NYC find out
if this is part of a series, maybe even a postcard book of some kind. The
scroll looked to be in pretty bad shape (of course it was done on paper that
wasn't meant to last....) I hope it's stored properly.
love and lilies,
Matt H.
______________________________ Reply Separator _________________________________
Subject: Re: Re[2]: renaming Characters...
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 8/27/97 1:56 PM
In a message dated 97-08-22 23:33:20 EDT, you write:
<< Great catch. Didn't someone here say they saw the original OTR scroll and
the real names (Neal and Carolyn) were on there?
>>
The On The Road Scroll did have (at least the part that I saw) the real
names. It used the name Neal. The beginning of the scroll is a little
different then the beginning of the book.
=========================================================================
Date: Wed, 27 Aug 1997 16:26:10 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: list of jazz albums
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Hi all you jazz fans....not to mention fans of other related Beat genres!
[Bruce Hartman, Ron Kovachs and others should chime in here also!]
I'll offer up the playlists from two compilations that I've made up
that were trying to capture that taste and time. I'd add that there are some
others who didn't make it onto the list like Lester Young, Billie Holiday,
Art Tatum, Duke Ellington and the exemplars of vocalese, scat, wordjazz,
hipsemantic, and bebop vocals like King Pleasure, Leo Watson, Mel Torme (the
'Velevet Fog'), Ken Nordine, and Eddie Jefferson. They're on a third
playlist that's harder to get at right now.
I'll also recommend Owen Thomas' book "Bebop:...(forget subtitle)"
for those who really want to immerse themselves . He starts with Charlie
Parker and deals with every other important bebop jazz player and their
influences, by instrument.
For the Beat pure of heart, the Venice Biennale Discography is
pretty complete and I'll e-mail a copy if anyone is real keen. And to quote
Howard Park:
"Anybody with an interest in the spoken word and audio of the Beat
Generation
should consider picking up a copy of Stephen Ronan's "Disks of the=
Gone
World", a 135 page compendium, involving a lifetime of research, of
information about Beat audio. This is THE discography of the Beat
Generation
covering the "big three" and poets like Bremser, Bukowski, McClure
and tens
of others. Its more than just a list, it has all sorts of other
info too.
Contact Stephen Ronan at P.O. Box 5813, Berkeley, CA, 94705 (he's
not online)
or e-mail me for price."
Regards, Antoine
The two playlists are:
***************
+++...from the gone world. =95 22
Side 1 Antoine Maloney / 9th June, 1996
big high song for somebody (Philip Whalen) Roy Glenn 1958=7F
Epistrophy (Monk - Clarke) Thelonius Monk w/ Milt Jackson on vibes 1948
Travellin' Blues Bulee =93Slim=94 Gaillard 1945
Cosmic Rays Charlie Parker Quartet 1952
State & 32nd Kenneth Rexroth1956 or =9159
Picasso Coleman Hawkins 1948
9th & Hennepin Tom Waits=7F
Clarinet with dripping faucet (recorded by Tony Schwartz) Jimmy Giuffre 1959
dog (Ferlinghetti) Bob Dorough 1958
Up Broadway Moondog [Louis Harden] 1956-57
Street Scene 1955
Bird's
1968
The Bridge Lee Ranaldo 1985
Drums in my typewriter Woody Leafer 1958
Bomb Gregory Corso 1965
H-Bomb Lord Buckley 1960
Midnight Sun Lionel Hampton 1956-57
Side 2
The Bird Charlie Parker 1947
Yip Roc Heresy Bulee =93Slim=94 Gaillard 1951
Like Jack Hammer 1959
Cockroach Jack Kerouac 1962
The Hipster's Blues - Opus 7=BD Harry =93The Hipster=94 Gibson 1944
Invitation to the Blues Tom Waits
Blues Montage Langston Hughes with Leonard Feather 1958
Manhattan Fable Babs Gonzalez 1954
Little Man Teddy Edwards with Tom Waits
October in the Railroad Earth Jack Kerouac and Steve Allen March 1958
On the Nickel Tom Waits
Thelonius Thelonius Monk 1947
****************
+++Bebop, Beat, and Hipsemantic =95 29
Side 1 Antoine Maloney / 28th March, 1997
On The Bean (Walter Thomas) Coleman Hawkins with Thelonius Monk 1944
In Walked Bud (Monk) Thelonius Monk with Art Blakey 1947
Evidence (Monk) Thelonius Monk with Milt Jackson 1948
=93Monk is dead...Monk lives!=94 Clifton Joseph 1995
Bloomdido (Parker) Thelonius Monk, Charlie Parker, Dizzy
Gillespie, Buddy Rich
1950
Celia (Powell) Bud Powell, Ray Brown, Max Roach 1949
Koko (Parker) Charlie Parker, Dizzy Gillespie, Max Roach=
1945
Slim=92s Jam (B.Gaillard) Slim Gaillard, Zutty Singleton, Jack McVie, Dizzy,
Parker, Roach
1945
=93The Early History of Bop=94 Jack Kerouac with Steve Allen 1958
Ornithology (Parker - Harris) Parker, Miles Davis, Dodo Marmarosa 1946
Slam, Slam Blues (S.Stewart) Dizzy, Parker, Slam Stewart, Red Norvo 1945
=93Take note daddy-o!...=94 Langston Hughes with Charles Mingus Quintet 1958
...and Jump Monk (Mingus) ...fragment
Side 2
Misterioso (Monk) Thelonius Monk with Milt Jackson 1948
Now=92s The Time (Parker) Charlie Parker with Dizzy Gillespie, Miles Davis,
Max Roach
1945
=93Charlie Parker....=94 Jack Kerouac with Steve Allen 1958
Blues Walk (C.Brown) Clifford Brown, with Max Roach, Harold Land, 1955
Take The A Train (Billy Strayhorn) George Morrow and Richie Powell 1955
=93The Train=94 Lord Buckley 1956
=93Penn Station...to Harlem=94 Langston Hughes with Charles Mingus Quintet=
1958
=93...Dizzy Gillespie...Lennox Avenue=94
=93I play it cool, I dig all jive!=94
The Naz Lord Buckley 1959
Sightseeing Boogie (B.Gailard) Slim Gaillard 1945
Yardbird Suite (Parker) Charlie Parker, with Miles Davis and Dodo Marmarosa=
1946
=93...loved that ol=92 Pontiac... =94 Tom Waits 1987
Duet: Queen Elizabeth whistle and Bamboo Pipe Moondog [Louis Harden] 1956
Symphonique #6 (Good for Goody) ...fragment 1968
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to=
do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 27 Aug 1997 16:42:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
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At 10:23 AM 8/27/97 -0500, you wrote:
>On Tue, 26 Aug 1997, Richard Wallner wrote:
>
>> someone told me that sean penn has been approached about the neal
>> cassady/dean moriarty role in the OTR movie. I think he'd been as good a
>> choice as anyone. Wonder if he's into the beats though?
>>
>> RJW
>>
>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to
>play Dean. Remember, OTR features one slice of Neal's life. Yes his past
>and absent father are always lurking in the background---but this seems to
>bother Sal more than it does Dean. Dean is the joyful, vibrant,
>angel-headed hipster---I just can't see Penn pulling that off.
>
>jenn thompson
>
>
The right actor for Sal is either Johnny Depp or Keanu Reeves.
I can't think of a sparkplug active enough to play Dean, Dean
Dean that God Damn Dean!
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 16:45:32 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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At 04:39 PM 8/27/97 +0000, you wrote:
>Any thought on Cronnenberg's Naked Lunch. I loved the way he fused
>the biographical details around the actual writing of the work with
>the ideas and characters contained within.
>I for one think this movie works well.
>
>Opinions????????????
>
>Daniel
>
>I liked the film alright, but not for its relation to Naked Lunch.
I didn't really think it was first rate, but I liked it. The film
I liked that went nowhere was The Sheltering Sky based on Paul Bowles
novel.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 16:53:07 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR movie: Sean Penn?
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You know, I'm thinking they should select off-beat
pop music from the era, which is what I suspect the
beats would do. Perez Prado fits perfectly. The white
tin pan alley pop era between the end of War 11 and Elvis
had a lot of interesting stuff in it down below the McGuire
sisters and Eddie Fisher. The Forties and Fifties are
beginning to be forgotten, but they could be marvelously
evoked, with a soundtrack contemporary to that time.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 16:55:37 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR film
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At 02:26 PM 8/27/97 -0400, you wrote:
>I think the movie should be shot in black and white, except for the
>opening and closing scenes, which would be color shots of Neal Cassady
>walking shirtless on the train tracks in mexico, counting the tracks
>rightbefore his death.
>
>The movie would be narrated of course, with the closing paragraph of the
>book narrarated over the shot of Neal walking away down the railroad tracks.
>
>RJW
>
>
I think Neal on the Tracks would violate the spirit of the book. I do
like the idea of doing it in black and white, though.
Mike Rice
=========================================================================
Date: Wed, 27 Aug 1997 17:04:44 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <1.5.4.16.19970827154749.27577e0a@mail.wi.centuryinter.net>
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I wouldnt put music over the closing credits...I'd put a live recording
of Ginsberg reading "Howl"
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Date: Wed, 27 Aug 1997 16:17:20 -0400
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From: Judith Campbell <boondock@POBOX.COM>
Subject: Re: OTR movie: Sean Penn?
In-Reply-To: <1.5.4.16.19970827153712.2757d15a@mail.wi.centuryinter.net>
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At 04:42 PM 8/27/97 Mike Rice wrote:
>>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to
>>play Dean. Remember, OTR features one slice of Neal's life. Yes his past
>>and absent father are always lurking in the background---but this seems to
>>bother Sal more than it does Dean. Dean is the joyful, vibrant,
>>angel-headed hipster---I just can't see Penn pulling that off.
>>
>The right actor for Sal is either Johnny Depp or Keanu Reeves.
>I can't think of a sparkplug active enough to play Dean, Dean
>Dean that God Damn Dean!
Oh, anyone but Keanu "Wooden Boy" Reeves!!! His performance in Johnny
Mnemonic was like a cardboard cutout..
I personally prefer Billy Crudup as Sal Paradise. He was great in
"Inventing the Abbotts" and has a real presence about him that reminds me
of Jack.
As for Dean, Peter Berg has the right energy, but I'm not sure he's a
strong enough actor for the role. Or maybe for a real sparkplug, you could
try Henry Rollins...he's definitely got the verbal rhythm.
I can visualize Sam Shepard as Bull Lee - strong and classy.
=========================================================================
Date: Wed, 27 Aug 1997 16:22:24 -0500
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From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
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At 04:42 PM 8/27/97 -0400, you wrote:
>At 10:23 AM 8/27/97 -0500, you wrote:
>>On Tue, 26 Aug 1997, Richard Wallner wrote:
>>
>>> someone told me that sean penn has been approached about the neal
>>> cassady/dean moriarty role in the OTR movie. I think he'd been as good a
>>> choice as anyone. Wonder if he's into the beats though?
>>>
>>> RJW
>>>
>>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to
>>play Dean. Remember, OTR features one slice of Neal's life. Yes his past
>>and absent father are always lurking in the background---but this seems to
>>bother Sal more than it does Dean. Dean is the joyful, vibrant,
>>angel-headed hipster---I just can't see Penn pulling that off.
>>
>>jenn thompson
>>
>>
>The right actor for Sal is either Johnny Depp or Keanu Reeves.
>I can't think of a sparkplug active enough to play Dean, Dean
>Dean that God Damn Dean!
>
>Mike Rice
>
i too was thinking of Johnny Depp as Sal. he's a great actor. he'd have to
cut his hair though. yes Mike, Perez Prado-i already wrote that, and he's
even mentioned in the book. but i dont think Keanu could play Sal. how
about Chris Isaak. he acts too you know. and he looks a lot like Kerouac.
he could just dye his hair darker.
=========================================================================
Date: Wed, 27 Aug 1997 15:08:29 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: OTR film
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>I think Neal on the Tracks would violate the spirit of the book. I do
>like the idea of doing it in black and white, though.
>Mike Rice
I was waiting for someone else to bring this up. Neal's death would
certainly be outside the scope of OTR. My question is, not having
read everything by everyone (yet), did any of the Beats ever write
about the death of a fellow Beat--or about death in specific at all
(excepting the David Kamererr (sp) episode)?
love and lilies,
matt h.
=========================================================================
Date: Wed, 27 Aug 1997 16:36:14 -0500
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From: Roy Murray Moore <unde0297@FRANK.MTSU.EDU>
Subject: OTR the movie
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sean penn has for years talked about playing the title role in a
movie based off the life of cult-icon folksinger phil ochs. i think that
alone substantiates his interest in beat and beat-influenced artists. as
far as his being the right person to act in the movie i doubt he could do
much worse than keanu reeves. besides with the inclusion of penn in the
movie it is certain to do fairly well at the box office. depp couldn't
hurt either. but chances are, and i hold my breath that it isn't, that the
role of sal will go to the lead singer of bush, gavin something or other.
his hollow angst should translate well to the junior teens that would
surely flock to go see him. i don't see entertainment executives passing
on an idea like that.
and if you wanted to add to the clift/brando pair, sal mineo
wouldn't hurt as ginsberg.
=========================================================================
Date: Wed, 27 Aug 1997 15:44:35 -0600
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From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: Re[2]: OTR film
In-Reply-To: <4049AC80.@usoc.org>
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well i dont know if it counts or not, in that specific question - but
Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and
kerouac. kesey wrote "the day superman died" about cassady's death (first
appeared in rolling stone, as far as i know - and now collected in _demon
box_). ferlinghetti wrote poem about allen's death. theres gotta be
more...
yrs
derek
On Wed, 27 Aug 1997, MATT HANNAN wrote:
>
> >I think Neal on the Tracks would violate the spirit of the book. I do
> >like the idea of doing it in black and white, though.
> >Mike Rice
>
> I was waiting for someone else to bring this up. Neal's death would
> certainly be outside the scope of OTR. My question is, not having
> read everything by everyone (yet), did any of the Beats ever write
> about the death of a fellow Beat--or about death in specific at all
> (excepting the David Kamererr (sp) episode)?
>
> love and lilies,
>
> matt h.
>
=========================================================================
Date: Thu, 28 Aug 1997 00:01:10 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beats.
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Donald Allen
Amari Baraka (Leroi Jones)
Paul Blackburn
Robin Blaser
Bonnie Bremser
Ray Bremser
Chandler Brossard
Charles Bukowski
William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }
William S. Burroughs Jr.
Lucien Carr
Paul Carroll
Louis R Cartwright
Carolyn Cassady
Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }
Andy Clausen
Gregory Corso
Robert Creeley [Black Mountain School]
Henry Cru
Diane DiPrima
John Doe
Kirby Doyle
Robert Duncan [Black Mountain School]
Bob Dylan
William Everson (Brother Antonus)
Richard Farina
Lawrence Ferlinghetti
Charles Foster
Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }
John Giorno
Brion Gysin
William Inge
John Cellon Holmes
Herbert Huncke
Ted Joans
Joyce Johnson
Lenore Kandel
Bob Kaufman
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }
Jan Kerouac
Ken Kesey
Seymour Krim
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
Tuli Kupferberg
Joanne Kyger
Philip Lamantia
Jay Landesman
Fran Landesman
Timothy Leary
Lawrence Lipton
Malcom Lowry
Norman Mailer
Gerard Malanga
Edward Marshall
Joanna McClure
Michael McClure
Taylor Mead
David Meltzer
Jack Micheline
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
John Montgomery
Harold Norse
Frank O'Hara
Charles Olson [Black Mountain School]
Peter Orlovsky
Kenneth Patchen
Stuart Z. Perkoff
Charles Plymell
Dan Propper
Kenneth Rexroth
Hugh Romney
Michael Rumaker
Ed Sanders
Hubert Jr. Selby
Gary Snyder
Carl Solomon
Jack Spicer
Hunter Stockton Thompson
Charles Upton
Janine Pommy Vega
Alexander Trocchi
Anne Waldman
Lewis Warsh
Alan Watts
Lew Welch
Philip Whalen
John Wieners
William Carlos Williams
-*-
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/home.htm
thanks,
Rinaldo Rasa.
28th august 1997, Venice-Mestre, Italy.
-*-
credits to
Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
OHearn <orpheus@in.the.shadows>
David Schwarm <dschwarm@sun3.lib.uci.edu>
-*-
=========================================================================
Date: Wed, 27 Aug 1997 17:11:19 -0500
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From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: OTR Chris Isaak: Sal, Michael Stipe: Dean
Mime-Version: 1.0
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i can sleep well tonight. if there is to be an On The Road movie, then let
Chris Isaak play Sal, he looks so much like Kerouac and he has always
reminded me of a handsome actor out of the 1940s and '50s. he does act, he
isnt just a singer. if not him, then Depp.
now about Dean. the only sexy angel headed man with that kind of energy
and passion i know of is Michael Stipe. many agree w/me that he is the
sexiest man alive. On The Road is the only book Stipe has read more than
once (or so ive read). he is on the tribute to Kerouac c.d. Kicks Joy
Darkness. this proves his interest in Kerouac and On The Road. Stipe has
acted in atleast one movie, i know this for sure. he's also produced
movies. if pop stars are to play the parts of Sal and Dean, please let it
be Issak and Stipe. i hate Bush.
=========================================================================
Date: Wed, 27 Aug 1997 18:12:53 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Beats.
In-Reply-To: <3.0.1.32.19970828000110.006a0708@pop.gpnet.it>
MIME-Version: 1.0
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On Thu, 28 Aug 1997, Rinaldo Rasa wrote:
> Charles Olson [Black Mountain School]
I confess, I never understood his poetry. I don't know how to read it.
=========================================================================
Date: Wed, 27 Aug 1997 17:14:19 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: Re[2]: OTR film
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And don't forget Corso's wonderful "Elegiac Feelings American" for Jack.
----------
> From: Derek A. Beaulieu <dabeauli@FREENET.CALGARY.AB.CA>
> To: BEAT-L@CUNYVM.CUNY.EDU
> Subject: Re: Re[2]: OTR film
> Date: Wednesday, August 27, 1997 4:44 PM
>
> well i dont know if it counts or not, in that specific question - but
> Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and
> kerouac. kesey wrote "the day superman died" about cassady's death (first
> appeared in rolling stone, as far as i know - and now collected in _demon
> box_). ferlinghetti wrote poem about allen's death. theres gotta be
> more...
> yrs
> derek
=========================================================================
Date: Wed, 27 Aug 1997 18:19:00 -0400
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From: Marie Countryman <country@SOVER.NET>
Subject: Re: Re[2]: OTR film
In-Reply-To: <Pine.A32.3.93.970827154245.69152B-100000@srv1.freenet.calgary.ab.ca>
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>well i dont know if it counts or not, in that specific question - but
>Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and
>kerouac. kesey wrote "the day superman died" about cassady's death (first
>appeared in rolling stone, as far as i know - and now collected in _demon
>box_). ferlinghetti wrote poem about allen's death. theres gotta be
________
(hideous no-win noise of hideous tv game shows) splat!
insp d:
still outside the scope of the book.
i still say it is impossible to do, and am awaiting its prat-fall. can't
imagine what would be left out, how to get into sal's head ... as he is NOT
moriarty but rather sal caught up in moriarty's life..
blecchh.
mc
=========================================================================
Date: Thu, 28 Aug 1997 00:30:17 +0200
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From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: a Jack Kerouac's poem dated 1970.
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To Edward Dahlberg by Jack Kerouac
Don't use the telephone.
People are never ready to answer it.
Use poetry.
1970
from "Scattered poems",
1970, 1971 (c) The Estate of Jack Kerouac.
=========================================================================
Date: Wed, 27 Aug 1997 16:12:17 -0700
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From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Beats.
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At 12:01 AM 8/28/97 +0200, you wrote:
>William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }
>William S. Burroughs Jr.
>Lucien Carr
How 'bout Caleb Carr, Lucien's son. I see Kerouac's daughter and Burrough's
son made the list.
Too bad Ginsberg didn't have any kids.
>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }
>Jan Kerouac
=========================================================================
Date: Wed, 27 Aug 1997 19:15:28 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Beats.
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I can't register William Inge as a beat. Please
explain.
Mike Rice
At 12:01 AM 8/28/97 +0200, you wrote:
>Donald Allen
>Amari Baraka (Leroi Jones)
>Paul Blackburn
>Robin Blaser
>Bonnie Bremser
>Ray Bremser
>Chandler Brossard
>Charles Bukowski
>William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }
>William S. Burroughs Jr.
>Lucien Carr
>Paul Carroll
>Louis R Cartwright
>Carolyn Cassady
>Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }
>Andy Clausen
>Gregory Corso
>Robert Creeley [Black Mountain School]
>Henry Cru
>Diane DiPrima
>John Doe
>Kirby Doyle
>Robert Duncan [Black Mountain School]
>Bob Dylan
>William Everson (Brother Antonus)
>Richard Farina
>Lawrence Ferlinghetti
>Charles Foster
>Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }
>John Giorno
>Brion Gysin
>William Inge
>John Cellon Holmes
>Herbert Huncke
>Ted Joans
>Joyce Johnson
>Lenore Kandel
>Bob Kaufman
>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }
>Jan Kerouac
>Ken Kesey
>Seymour Krim
>Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
>Tuli Kupferberg
>Joanne Kyger
>Philip Lamantia
>Jay Landesman
>Fran Landesman
>Timothy Leary
>Lawrence Lipton
>Malcom Lowry
>Norman Mailer
>Gerard Malanga
>Edward Marshall
>Joanna McClure
>Michael McClure
>Taylor Mead
>David Meltzer
>Jack Micheline
>Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
>John Montgomery
>Harold Norse
>Frank O'Hara
>Charles Olson [Black Mountain School]
>Peter Orlovsky
>Kenneth Patchen
>Stuart Z. Perkoff
>Charles Plymell
>Dan Propper
>Kenneth Rexroth
>Hugh Romney
>Michael Rumaker
>Ed Sanders
>Hubert Jr. Selby
>Gary Snyder
>Carl Solomon
>Jack Spicer
>Hunter Stockton Thompson
>Charles Upton
>Janine Pommy Vega
>Alexander Trocchi
>Anne Waldman
>Lewis Warsh
>Alan Watts
>Lew Welch
>Philip Whalen
>John Wieners
>William Carlos Williams
>-*-
>Hello!,
>i'm listing the beat generation
>(writers & painters & performers)
>& i begin with a list, everyone
>interested can propose a new name.
>http://www.gpnet.it/rasa/home.htm
>thanks,
>Rinaldo Rasa.
>28th august 1997, Venice-Mestre, Italy.
>-*-
>credits to
>Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
>OHearn <orpheus@in.the.shadows>
>David Schwarm <dschwarm@sun3.lib.uci.edu>
>-*-
>
>
=========================================================================
Date: Wed, 27 Aug 1997 19:43:28 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Carl A Biancucci <carl@WORLD.STD.COM>
Subject: Q Magazine/Kesey
In-Reply-To: <1.5.4.32.19970827134016.00679c0c@pop.pipeline.com> from
"P.A.Maher" at Aug 27, 97 09:40:16 am
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There is a small article on Kesey in the latest ish of
Q Magazine (UK rock mag)
=========================================================================
Date: Wed, 27 Aug 1997 16:53:28 -0700
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From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Some of Dharma and Life
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Are any of you as excited as I am about Some of the Dharma being published?
I am surprised how excited I am. I heard about this book years ago in the
biographies and remember thinking why can't they publish it.
And now it is being published. I see at amazon.com the publication date is
September but the Barnes and Noble site has it as August. I saw that the
OTR 40th anniversary was also listed this same way--and I saw that book at
vromans books, so I figure Some of the Dharma should be out.
Has anyone actually seen it in a bookstore (I know some have received
advance copies).
And Life magazine has an issue out of photos of the people of the century.
In the originals section they have a picture of kerouac (looks like it's
from his early 60's Lowell days). The commentary is by Ken Kesey quoting
him about how Kerouac never put anyone down in all of his writing.
=========================================================================
Date: Wed, 27 Aug 1997 19:56:44 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Movies from books....
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Oh ye of little faith! ....it could turn out fine!
What about "Sheltering Sky" or "The English Patient"? ...or the
movies mentioned by Adrien and others? ...was "Il Postino" a book first? If
so, it must have been dyn-o-mite by Matt and Paul's logic.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 27 Aug 1997 19:56:47 -0400
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From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: OTR film
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Richard,
Your post really made me excited about the prospect of a film if it
could use ideas like this and some of the others posted.
- Antoine
*********
I think the movie should be shot in black and white, except for the opening
and closing scenes, which would be color shots of Neal Cassady walking
shirtless on the train tracks in mexico, counting the tracks right before
his death.
The movie would be narrated of course, with the closing paragraph of the
book narrarated over the shot of Neal walking away down the railroad tracks.
*********
I wouldnt put music over the closing credits...I'd put a live recording
of Ginsberg reading "Howl"
**********
the electric version of Aztec Two Step's song about Dean Moriarty.
**********
mambo music and came back with a
stack of records, mostly by Perez Prado....."More Mambo Jambo," "Chattanooga
de Mambo," "Mambo Numero Ocho"-all these tremendous numbers resounded and
flared in the golden, mysterious afternoon like the sounds you expect to
hear on the last day of the world and the Second Coming...."
**********
=========================================================================
Date: Wed, 27 Aug 1997 19:59:48 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Some of Dharma and Life
In-Reply-To: Message of Wed, 27 Aug 1997 16:53:28 -0700 from
<gallaher@HSC.USC.EDU>
It's out! You should be able to find it at better bookstores. I thin Waterrow
has copies too. I sure was excited when I got my hands on a copy but I was a
little disappointed by some of what I learned from reading it. It's essentiall
y a notebook and will be most appreciated by those with an in-depth knowledge o
f Kerouac's life and work. Doubtless, there are those who will disagree with m
e but I have to say it certainly isn't a major work in the sense that it will w
in Kerouac any new readers. It is important for the light it sheds on Kerouac'
s life and work in the years when he was struggling with poverty and rejection.
=========================================================================
Date: Wed, 27 Aug 1997 20:51:36 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: OTR film
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> At 02:26 PM 8/27/97 -0400, you wrote:
> >I think the movie should be shot in black and white, except for the
> >opening and closing scenes, which would be color shots of Neal Cassady
> >walking shirtless on the train tracks in mexico, counting the tracks
> >rightbefore his death.
> >
> >The movie would be narrated of course, with the closing paragraph of the
> >book narrarated over the shot of Neal walking away down the railroad tracks.
> >
> >RJW
> >
> >
> I think Neal on the Tracks would violate the spirit of the book. I do
> like the idea of doing it in black and white, though.
>
> Mike Rice
black and white visions of cody! with the only color being redbricks!
seriously though, neal on the tracks would be a very powerful scene
and i agree with mike- it should not be in otr. just imagine it in
voc though.
randy~
=========================================================================
Date: Wed, 27 Aug 1997 21:52:45 -0400
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From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: Some of Dharma and Life
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Both new titles are widely available in Barnes and Noble.....buy SOTD first
for some of Jack's most profound and intelligent utterings in print...almost
compared to the holy Psalms I saw written by him in his journals at the
Kerouac estate. Both SOTD and the journals I saw give testament to how holy
a man Jack really was.Jack has a whole notebook on Psalms and prayers
written by him in a Catholic vein. When these journals finally are
published...this will show Jack for the true genius he really is. On the
Road does not do this man justice.
regards to all tonight, Paul of TKQ...
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Wed, 27 Aug 1997 21:39:09 -0400
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From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
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>On Wed, 27 Aug 1997, Preston Whaley wrote:
>
>> What I want to know is where are they going to get the sound track? The
>> soundtrack is crucial: Wardell Grey, Dexter Gordon, Parker, Slim, Billie
>> Holiday. Seems to me that whoever directs, whoever acts, whoever
>> photographs must understand jazz as the key to the movie. How many have
>> Kerouac's ear ?
>> The ear was his dominant sense.
>> PW
>
>
>I agree but since this movie will have youth appeal the studio supposedly
>wants a contemporary rock soundtrack (it will sell albums...jus t think,
>the "On the Road" soundtrack with Pearl Jam and REM .etc) But I dont
>think Kerouac even liked rock music...oh well
Seems like if the movie communicated the kind of rapture Neal and Jack got
from jazz we could have a Renaissance in the idiom. I know movie execs
don't think like that, but some might take a gamble on fertilizing the jazz
record and club market.
As for jazz albums: check out OTR pgs. 112-114 for one specific example.
Great scene shot through with bop joy -- a great movie scene. The song is
on a double album called "The Hunt" published in 1948. It's a live
recording from an LA club. Sound quality offends, but you can hear crowd
:Go! Go! Gone lovin' it. But read the text.
PW
=========================================================================
Date: Wed, 27 Aug 1997 21:46:27 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: Re[2]: OTR film
Reply to message from MATT.HANNAN@USOC.ORG of Wed, 27 Aug
>
> I was waiting for someone else to bring this up. Neal's death would
> certainly be outside the scope of OTR. My question is, not having
> read everything by everyone (yet), did any of the Beats ever write
> about the death of a fellow Beat--or about death in specific at all
> (excepting the David Kamererr (sp) episode)?
>
> love and lilies,
>
> matt h.
I don't know if you'd count this, but In GO, Holmes writes about (forgot
the guy's name) who climbed onto the top of a subway & was killed when the
subway reached a tunnel...a very gruesome, bizzare item based on real events.
Diane.
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Wed, 27 Aug 1997 21:38:03 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Jjdorfner@AOL.COM>
Subject: jack kerouac
Please allow me to introduce myself...my name is John J Dorfner. I first
discovered Jack Kerouac's writing in 1973, while living in Oregon, working
for a book distributor. This was after spending over a year hitch-hiking
around the country after being discharged from the Navy. It was then that I
was turned on to Ann Charter's book, Kerouac.
I made the first of many pilgrimages to Lowell in 1976, upon returning to
my hometown in upstate New York. I wanted to see and experience the places
Kerouac wrote about in his books. I knew this was something that had to be
done. No question. I had to know if the reality of Lowell would move me as
much as Kerouac's writing did.
I spent the years from 1976-1983 periodically traveling to Lowell, working
on notes for a book and starting a family. After we moved to Raleigh, North
Carolina in June of 1983 and settled into our new home, I drove out to Rocky
Mount. Luckily it was only 50 miles to the east.
In Rocky Mount I stood in the front yard of the house where Neal found
Jack that Christmas of 1948. Jack called the town "Testament, Virginia," in O
n the Road. I suddenly realized that the Kerouac/Cassady Road Odyssey began
right where I was standing. That is a feeling words can't describe. All I
can say is "what a rush!"
The research I was able to compile in my visits there became very
important to me, as well as to many others. The local country folks who knew
Kerouac and his family, who I was able to interview, have become my friends.
These friendships, along with the foreword the late Allen Ginsberg composed
for my Lowell book, are things I will always cherish.
Talking about the book, On the Road, is great, discussing it with friends
even better. But there is nothing that beats the experience of going out on
the road, to the places where Kerouac lived, wrote and loved.
Gathering the thoughts and photographs that came about from my
pilgrimages, I wrote a couple of books about Kerouac's life and times in
Lowell and Rocky Mount, which are available in bookstores. If you'd like to
know more about these titles, I have blurbs listed at Bookzen. Go to:
http://wwwbookzen.com/books/-0963604643b.html or
http://wwwbookzen.com/books/-0963604678b.html
or check out my homepage at
http://members.aol.com/AngelMindz/index.html
I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first
week of October. I'll be signing my books at the Small Press Book Fair at
Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4
p.m. I'd love to meet any and all Beat-L people who are going to be there.
Please come by and say hello. There will be quite a few great Kerouac
publications to check out.
=========================================================================
Date: Wed, 27 Aug 1997 22:00:17 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: OTR movie: Sean Penn?
Reply to message from bwhartmanjr@INAME.COM of Tue, 26 Aug
>
>I don't care who plays who, just as long as Leonardo DiCaprio isn't in the
>movie. . . did any see him in "Total Eclipse." He played Rimbaud, I
>wasn't impressed at all.
>
>Take it easy, all,
>
>Bruce
Leonardo DiCaprio wouldn't work as either Dean/Neal or Sal/Jack. He's too
pretty... Neal & Jack were handsome, rugged, sharp-edged, but not pretty...
Diane. (H)
Maybe he'd work as Lucien Carr somewhere...
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Wed, 27 Aug 1997 21:02:50 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: a Jack Kerouac's poem dated 1970.
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Rinaldo Rasa wrote:
>
> To Edward Dahlberg by Jack Kerouac
>
> Don't use the telephone.
> People are never ready to answer it.
> Use poetry.
>
> 1970
>
> from "Scattered poems",
> 1970, 1971 (c) The Estate of Jack Kerouac.
Rinaldo,
thank you. i appreciate you sharing the source. ciao
p
=========================================================================
Date: Wed, 27 Aug 1997 22:16:21 -0400
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From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: list of jazz albums
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Great list. I'll add one more that Kerouac writes about in OTR -- pgs.
112-114. The scene depicts Dean and Sal in rapture over "The Hunt" by
Wardell Grey and Dexter Gordon. It would make a great movie scene
incidently;if the movie conveys that energy it could make a jazz
renaissance. Anyway, The song is on a double album also called The Hunt.
It's a double album that also features Howard McGhee, Sonny Criss, and
Trummy Young. It was a live gig recorded in 1947 in LA but released on
Arista in 1977. Sound quality offends but the crowd is ecstatic -- Go!
Go! Go!
>Hi all you jazz fans....not to mention fans of other related Beat genres!
>
> [Bruce Hartman, Ron Kovachs and others should chime in here also!]
>
> I'll offer up the playlists from two compilations that I've made up
>that were trying to capture that taste and time. I'd add that there are som=
e
>others who didn't make it onto the list like Lester Young, Billie Holiday,
>Art Tatum, Duke Ellington and the exemplars of vocalese, scat, wordjazz,
>hipsemantic, and bebop vocals like King Pleasure, Leo Watson, Mel Torme (th=
e
>'Velevet Fog'), Ken Nordine, and Eddie Jefferson. They're on a third
>playlist that's harder to get at right now.
>
> I'll also recommend Owen Thomas' book "Bebop:...(forget subtitle)"
>for those who really want to immerse themselves . He starts with Charlie
>Parker and deals with every other important bebop jazz player and their
>influences, by instrument.
>
> For the Beat pure of heart, the Venice Biennale Discography is
>pretty complete and I'll e-mail a copy if anyone is real keen. And to quote
>Howard Park:
>
> "Anybody with an interest in the spoken word and audio of the Beat
>Generation
> should consider picking up a copy of Stephen Ronan's "Disks of the =
Gone
> World", a 135 page compendium, involving a lifetime of research, of
> information about Beat audio. This is THE discography of the Beat
>Generation
> covering the "big three" and poets like Bremser, Bukowski, McClure
>and tens
> of others. Its more than just a list, it has all sorts of other
>info too.
>
> Contact Stephen Ronan at P.O. Box 5813, Berkeley, CA, 94705 (he's
>not online)
> or e-mail me for price."
>
> Regards, Antoine
>
>
> The two playlists are:
>
> ***************
>
>+++...from the gone world. =95 22
>
>Side 1 Antoine Maloney / 9th June, 1996
>
>big high song for somebody (Philip Whalen) Roy Glenn 1958=7F
>Epistrophy (Monk - Clarke) Thelonius Monk w/ Milt Jackson on vibes 194=
8
>Travellin' Blues Bulee =93Slim=94 Gaillard 1945
>Cosmic Rays Charlie Parker Quartet 1952
>State & 32nd Kenneth Rexroth1956 or =9159
>Picasso Coleman Hawkins 1948
>9th & Hennepin Tom Waits=7F
>Clarinet with dripping faucet (recorded by Tony Schwartz) Jimmy
>Giuffre 1959
>dog (Ferlinghetti) Bob Dorough 1958
>Up Broadway Moondog [Louis Harden] 1956-57
>Street Scene =
1955
>Bird's
>1968
>The Bridge Lee Ranaldo 1985
>Drums in my typewriter Woody Leafer 1958
>Bomb Gregory Corso 1965
>H-Bomb Lord Buckley 1960
>Midnight Sun Lionel Hampton 1956-57
>
>Side 2
>
>The Bird Charlie Parker 1947
>Yip Roc Heresy Bulee =93Slim=94 Gaillard 1951
>Like Jack Hammer 1959
>Cockroach Jack Kerouac 1962
>The Hipster's Blues - Opus 7=BD Harry =93The Hipster=94 Gibson 1944
>Invitation to the Blues Tom Waits
>Blues Montage Langston Hughes with Leonard Feather 1958
>Manhattan Fable Babs Gonzalez 1954
>Little Man Teddy Edwards with Tom Waits
>October in the Railroad Earth Jack Kerouac and Steve Allen March 1958
>On the Nickel Tom Waits
>Thelonius Thelonius Monk 1947
>
> ****************
>
>+++Bebop, Beat, and Hipsemantic =95 29
>
>Side 1 Antoine Maloney / 28th March, 1997
>
>On The Bean (Walter Thomas) Coleman Hawkins with Thelonius Monk 1944
>In Walked Bud (Monk) Thelonius Monk with Art Blakey 1947
>Evidence (Monk) Thelonius Monk with Milt Jackson 1948
>=93Monk is dead...Monk lives!=94 Clifton Joseph 1995
>Bloomdido (Parker) Thelonius Monk, Charlie Parker, Diz=
zy
>Gillespie, Buddy Rich
>1950
>Celia (Powell) Bud Powell, Ray Brown, Max Roach 1949
>Koko (Parker) Charlie Parker, Dizzy Gillespie, Max Roach =
1945
>Slim=92s Jam (B.Gaillard) Slim Gaillard, Zutty Singleton, Jack McVie,
>Dizzy,
>Parker, Roach
>1945
>=93The Early History of Bop=94 Jack Kerouac with Steve Allen 1958
>Ornithology (Parker - Harris) Parker, Miles Davis, Dodo Marmarosa 1946
>Slam, Slam Blues (S.Stewart) Dizzy, Parker, Slam Stewart, Red Norvo 1945
>=93Take note daddy-o!...=94 Langston Hughes with Charles Mingus Quintet=
1958
> ...and Jump Monk (Mingus) ...fragment
>
>Side 2
>
>Misterioso (Monk) Thelonius Monk with Milt Jackson 19=
48
>Now=92s The Time (Parker) Charlie Parker with Dizzy Gillespie, Miles =
Davis,
>Max Roach
>1945
>=93Charlie Parker....=94 Jack Kerouac with Steve=
Allen 1958
>Blues Walk (C.Brown) Clifford Brown, with Max Roach, Harold Land, 1955
>Take The A Train (Billy Strayhorn) George Morrow and Richie Powell 195=
5
>=93The Train=94 Lord Buckley 1956
>=93Penn Station...to Harlem=94 Langston Hughes with Charles Mingus Quintet=
1958
> =93...Dizzy Gillespie...Lennox Avenue=94
> =93I play it cool, I dig all jive!=94
>The Naz Lord Buckley 1959
>Sightseeing Boogie (B.Gailard) Slim Gaillard 1945
>Yardbird Suite (Parker) Charlie Parker, with Miles Davis and Dodo
>Marmarosa 1946
>=93...loved that ol=92 Pontiac... =94 Tom Waits 1987
>Duet: Queen Elizabeth whistle and Bamboo Pipe Moondog [Louis Harden] 1956
>Symphonique #6 (Good for Goody) ...fragment 1968
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do=
!"
> -- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 27 Aug 1997 22:28:04 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: OTR movie: Sean Penn?
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> Maybe he'd work as Lucien Carr somewhere...
always thought of lucien carr of looking somwhat like dicappirio
but a big star like leonardo dicapporia most likely wouldn't want
some small part.
> --
> "I can't imagine how I ever thought my love might make a difference to him."
> --Richard Powers, _The Gold Bug Variations_
>
> Diane M. Homza ek242@cleveland.freenet.edu
>
randy
=========================================================================
Date: Wed, 27 Aug 1997 22:29:15 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: OTR movie: Sean Penn?
Mime-Version: 1.0
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>I wouldnt put music over the closing credits...I'd put a live recording
>of Ginsberg reading "Howl"
cool idea as is the neal on train track vision
=========================================================================
Date: Wed, 27 Aug 1997 23:06:45 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Re: Q Magazine/Kesey
In-Reply-To: <199708272343.AA19855@world.std.com>
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Could you post it for us stranded in the new world if you get a chance?
On Wed, 27 Aug 1997, Carl A Biancucci wrote:
> There is a small article on Kesey in the latest ish of
> Q Magazine (UK rock mag)
>
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@acs.appstate.edu P.O. Box 12149
http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Wed, 27 Aug 1997 20:13:01 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: On the Rote?
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> Bullock threatening to pull out if Winona Ryder doesn't replace Hanks as
> Kerouac.
Actually I very much like Winona as the brooding Jack, But I would
rather have Madonna as Neal, Stallone can stay as Burroughs . .
.Ginsberg--not sure--maybe Bruce Willis.
J. Stauffer
Plus which the jazz soundtrack will have to go and be replaced by some
very touchy feely girlrock.
=========================================================================
Date: Wed, 27 Aug 1997 20:16:01 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: OTR film
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Richard Wallner wrote:
>
> I think the movie should be shot in black and white, except for the
> opening and closing scenes, which would be color shots of Neal Cassady
> walking shirtless on the train tracks in mexico, counting the tracks
> rightbefore his death.
>
> The movie would be narrated of course, with the closing paragraph of the
> book narrarated over the shot of Neal walking away down the railroad tracks.
>
> RJW
To which you could add shots of the bloated miserable looking old Jack
if you want to really push a moral perspective.
=========================================================================
Date: Thu, 28 Aug 1997 00:13:29 -0400
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From: Bill Philibin <deadbeat@BUFFNET.NET>
Subject: Re: OTR movie: Sean Penn?
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> Oh, anyone but Keanu "Wooden Boy" Reeves!!! His performance in Johnny
> Mnemonic was like a cardboard cutout..
Agreed all around. But you have to admit, Johnny Mnemonic was a great
movie in spite of all that bad acting :)
-Bill
[ email: deadbeat@buffnet.net | web: http://www.buffnet.net/~deadbeat ]
|"Love ceases to be a pleasure, when it ceases to be a secret."
|
| -- Aphra Behn
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=========================================================================
Date: Thu, 28 Aug 1997 00:11:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Philibin <deadbeat@BUFFNET.NET>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
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> i can sleep well tonight. if there is to be an On The Road movie, then
let
> Chris Isaak play Sal, he looks so much like Kerouac and he has always
> reminded me of a handsome actor out of the 1940s and '50s. he does act,
he
> isnt just a singer. if not him, then Depp.
Please say that you are joking... I have seen Chris Isaak in an acting
role and I would not call him an actor. He is a songwriter that got an
acting bug up his ass. Not an actor by any stretch of the imagination.
I'd rather have a great actor play a character than someone that was picked
just because they looked like the person they were portraying. Thinking of
it... Isaak doesn't even look a thing like Kerouac. Kerouac was dark,
Isaak is fair, more like Cassady
As for Stipe playing either role, I really cannot say. I have never seen
him act (MTV doesn't count). I would rather see someone with loads of
talent play a role. Too bad most of the really good actors are too old.
Although there are some promising actors coming around. And a lot of the
actors that are getting older can still pull it off and play a college age
role for the beginning. I think that Depp is great. So is Robert Downey
Jr. As for Nicolas Cage (Someone mentioned him earlier) I really don't
know. I know he gets good roles, but he is pretty much the same in those
roles... He is good, but not great.
Oh well... That was my monthly posting.
I think I'd be more interrested in seeing what woman were picked for the
roles.
Carolyn Cassady - Eva Habermann ( I just like looking at her, who cares
if she can act
{yes, call me a hipocrite, but I really like this woman})
Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)
??? - Samantha Mathis (Who cares who they make her, as long as she don't
sing)
-Bill
[ email: deadbeat@buffnet.net | web: http://www.buffnet.net/~deadbeat ]
|"A free society is one where it is safe to be unpopular."
|
| -- Adlai Stevenson
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=========================================================================
Date: Thu, 28 Aug 1997 01:31:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: beat generation movie
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
taking notes from Ted Morgan's books and Anne Charter's info..someone
like david lynch or copolla would make a great beat generation movie.
here is a sample list of recomendations for actors/actresses.
william burroughs= tim roth or steve buscemi
joan vollermer= elizabeth shue
jack kerouac (later years)= Al Pacino
allen ginsberg= jeff goldblume
neal cassady= sean penn
gregory corso= andy garcia
lawrence ferlinghetti= sean connery
well just a sample...looking forward to comments and criticisms.
jason
=========================================================================
Date: Thu, 28 Aug 1997 00:13:42 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: Coppola
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>I agree Penn is too old. Is Coppolla still in control
>of this movie. I don't think this is his kind of material.
>
>Mike Rice
>
Haven't you heard? Tentative titles being batted around are _On The Run_
and _On The Rice Paddy_.
_On the Run_ is a conspiracy flick (big surprise). The whole movie
(expected to run about four and a half hours) is shot in the backseat of a
car. Neal and Jack have to skooch over to make room for the crazy cats that
they encounter during their adventure. Two of these cats turn out to be the
real killers of J.F.K. The movie ends with a shot of the driver. He's
wearing a C.I.A. cap. Tight shot of his hand pressing the stop button on
his hand held tape recorder. _On The Rice Paddy_ would probably only run
three hours (this is the route that the director is expected to take). Neal
and Jack are fleeing the Vietcong after having been sent in on a suicide
mission by (who else?) the C.I.A. when they get stuck in a rice paddy. The
last two hours and forty five minutes of the movie would be scenes of Jack
and Neal taking turns trying to get the car out of the muck.
James M.
=========================================================================
Date: Thu, 28 Aug 1997 05:47:03 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Movies from books....
Mime-Version: 1.0
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At 07:56 PM 8/27/97 -0400, you wrote:
>Oh ye of little faith! ....it could turn out fine!
>
> What about "Sheltering Sky" or "The English Patient"? ...or the
>movies mentioned by Adrien and others? ...was "Il Postino" a book first? If
>so, it must have been dyn-o-mite by Matt and Paul's logic.
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
>
>
The movie of the English Patient was an improvement on the book.
Mike Rice
=========================================================================
Date: Thu, 28 Aug 1997 06:52:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Jjdorfner@AOL.COM>
Subject: Fwd: jack kerouac
this didn't seem to make it to Beat-L the first time I tryed to send it.
---------------------
Forwarded message:
Subj: jack kerouac
Date: 97-08-27 21:35:26 EDT
From: Jjdorfner
To: BEAT-L@cunyvm.cuny.edu
Please allow me to introduce myself...my name is John J Dorfner. I first
discovered Jack Kerouac's writing in 1973, while living in Oregon, working
for a book distributor. This was after spending over a year hitch-hiking
around the country after being discharged from the Navy. It was then that I
was turned on to Ann Charter's book, Kerouac.
I made the first of many pilgrimages to Lowell in 1976, upon returning to
my hometown in upstate New York. I wanted to see and experience the places
Kerouac wrote about in his books. I knew this was something that had to be
done. No question. I had to know if the reality of Lowell would move me as
much as Kerouac's writing did.
I spent the years from 1976-1983 periodically traveling to Lowell, working
on notes for a book and starting a family. After we moved to Raleigh, North
Carolina in June of 1983 and settled into our new home, I drove out to Rocky
Mount. Luckily it was only 50 miles to the east.
In Rocky Mount I stood in the front yard of the house where Neal found
Jack that Christmas of 1948. Jack called the town "Testament, Virginia," in O
n the Road. I suddenly realized that the Kerouac/Cassady Road Odyssey began
right where I was standing. That is a feeling words can't describe. All I
can say is "what a rush!"
The research I was able to compile in my visits there became very
important to me, as well as to many others. The local country folks who knew
Kerouac and his family, who I was able to interview, have become my friends.
These friendships, along with the foreword the late Allen Ginsberg composed
for my Lowell book, are things I will always cherish.
Talking about the book, On the Road, is great, discussing it with friends
even better. But there is nothing that beats the experience of going out on
the road, to the places where Kerouac lived, wrote and loved.
Gathering the thoughts and photographs that came about from my
pilgrimages, I wrote a couple of books about Kerouac's life and times in
Lowell and Rocky Mount, which are available in bookstores. If you'd like to
know more about these titles, I have blurbs listed at Bookzen. Go to:
http://wwwbookzen.com/books/-0963604643b.html or
http://wwwbookzen.com/books/-0963604678b.html
or check out my homepage at
http://members.aol.com/AngelMindz/index.html
I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first
week of October. I'll be signing my books at the Small Press Book Fair at
Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4
p.m. I'd love to meet any and all Beat-L people who are going to be there.
Please come by and say hello. There will be quite a few great Kerouac
publications to check out.
=========================================================================
Date: Thu, 28 Aug 1997 08:15:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Fwd: jack kerouac
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 06:52 AM 8/28/97 -0400, you wrote:
>this didn't seem to make it to Beat-L the first time I tryed to send it.
>---------------------
>Forwarded message:
>Subj: jack kerouac
>Date: 97-08-27 21:35:26 EDT
>From: Jjdorfner
>To: BEAT-L@cunyvm.cuny.edu
>
>
>
> Please allow me to introduce myself...my name is John J Dorfner. I first
>discovered Jack Kerouac's writing in 1973, while living in Oregon, working
>for a book distributor. This was after spending over a year hitch-hiking
>around the country after being discharged from the Navy. It was then that I
>was turned on to Ann Charter's book, Kerouac.
> I made the first of many pilgrimages to Lowell in 1976, upon returning to
>my hometown in upstate New York. I wanted to see and experience the places
>Kerouac wrote about in his books. I knew this was something that had to be
>done. No question. I had to know if the reality of Lowell would move me as
>much as Kerouac's writing did.
> I spent the years from 1976-1983 periodically traveling to Lowell, working
>on notes for a book and starting a family. After we moved to Raleigh, North
>Carolina in June of 1983 and settled into our new home, I drove out to Rocky
>Mount. Luckily it was only 50 miles to the east.
> In Rocky Mount I stood in the front yard of the house where Neal found
>Jack that Christmas of 1948. Jack called the town "Testament, Virginia," in O
>n the Road. I suddenly realized that the Kerouac/Cassady Road Odyssey began
>right where I was standing. That is a feeling words can't describe. All I
>can say is "what a rush!"
> The research I was able to compile in my visits there became very
>important to me, as well as to many others. The local country folks who knew
>Kerouac and his family, who I was able to interview, have become my friends.
> These friendships, along with the foreword the late Allen Ginsberg composed
>for my Lowell book, are things I will always cherish.
> Talking about the book, On the Road, is great, discussing it with friends
>even better. But there is nothing that beats the experience of going out on
>the road, to the places where Kerouac lived, wrote and loved.
> Gathering the thoughts and photographs that came about from my
>pilgrimages, I wrote a couple of books about Kerouac's life and times in
>Lowell and Rocky Mount, which are available in bookstores. If you'd like to
>know more about these titles, I have blurbs listed at Bookzen. Go to:
>http://wwwbookzen.com/books/-0963604643b.html or
>http://wwwbookzen.com/books/-0963604678b.html
>
>or check out my homepage at
>http://members.aol.com/AngelMindz/index.html
>
> I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first
>week of October. I'll be signing my books at the Small Press Book Fair at
>Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4
>p.m. I'd love to meet any and all Beat-L people who are going to be there.
> Please come by and say hello. There will be quite a few great Kerouac
>publications to check out.
>
>
Yes it did make it. I'm looking at this whale for the second time.
Mike Rice
=========================================================================
Date: Thu, 28 Aug 1997 14:29:12 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: THE KINGFISHERS a Charles Olson's poem (Re: Beats.)
In-Reply-To: <Pine.LNX.3.95.970827181212.8487J-100000@devel.nacs.net>
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THE KINGFISHERS by Charles Olson
1
What does not change / is the will to change
He woke, fully clothed, in his bed. He
remembered only one thing, the birds, how
when he came in, he had gone around the rooms
and got them back in their cage, the green one first,
she with the bad leg, and then the blue,
the one they had hoped was a male
Otherwise? Yes, Fernand, who had talked lispingly of Albert &
Angkor Vat.
He had left the party without a word. How he got up, got into his
coat,
I do not know. When I saw him, he was at the door, but it did not
matter,
he was already sliding along the wall of the night, losing himself
in some crack of the ruins. That it should have been he who said
"The Kingfishers!
who cares
for their feathers
now?"
His last words had been, "The pool is slime." Suddenly everyone,
ceasing their talk, sat in a row around him, watched
they did not so much hear, or pay attention, they
wondered, looked at each other, smirked, but listened,
he repeated and repeated, could not go beyond his thought
"The pool the kingfishers' feathers were wealth why
did the export stop?"
It was then he left
2
I thought of the E on the stone, and of what Mao said
la lumiere"
but the kingfisher
de l'aurore"
but the kingfisher flew west
est devant nous!
he got the color of his breast
from the heat of the setting sun!
The features are, the feebleness of the feet (syndactylism of the 3rd
& 4th digit)
the bill, serrated, sometimes a pronunced beak, the wings
where the color is, short and round, the tail
inconspicuous.
But not these things were the factors. Not the birds.
The legends are
legends. Dead, hung up indoors, the kingfisher
will not indicate a favoring wind,
or avert the thunderbolt. Nor, by its nesting,
still the waters, with the new year., for seven days.
It is true, it does nest with the opening year, but not on the waters.
It nests at the end of a tunnel bored by itself in a bank. There,
six or eight white and translucent eggs are laid, on fishbones
not on bare clay, on bones thrown up in pellets by the birds.
On these rejectamenta
(as they accumulate they form a cup-shaped structure) the young
are born.
And, as they are fed and grow, this nest of excrement and decayed
fish becomes
a dripping, fetid mass
Mao concluded:
nous devons
nous lever
et agir!
3
When the attentions change / the jungle
leaps in
even the stones are split
they rive
Or,
enter
that other conqueror we more naturally recognize
he so resembles ourselves
But the E
cut so rudely on that oldest stone
sounded otherwise,
was differently heard
as, in another time, were treasures used:
(and, later, much later, a fine ear thought
a scarlet coat)
"of green feathers feet, beaks and eyes
of gold
"animal likewise,
resembling snails
"a large wheel, gold, with figures of unknown four-foots,
and worked with tufts of leaves, weight
3800 ounces
"last, two birds, of thread and featherwork, the quills
gold, the feet
gold, the two birds perched on two reeds
gold, the reeds arising from two embroidered mounds,
one yellow, the other
white.
"And from each reed hung
seven feathered tassels.
In this instance, the priests
(in dark cotton robes, and dirty,
their dishvelled hair matted with blood, and flowing wildly
over their shoulders)
rush in among the people, calling on them
to protect their gods
And all now is war
where so lately there was peace.
and the sweet brotherhood, the use
of tilled fields.
Not one death but many,
not accumulation but change, the feed-back proves, the feed-back is
the law
Into the same river no man steps twice
When fire dies air dies
No one remains, nor is, one
Around an appearance, one common model, we grow up
many. Else how is it,
if we remain the same,
we take pleasure now
in what we did not take pleasure before? love
contrary objects? admire and/for find fault? use
other words, feel another passions, have
nor figure, appearance, disposition, tissue
the same?
To be in different states without a change
is not a possibility
We can be precise. The factors are
in the animal and/or the machine the factors are
communication and/or control, both involve
the message. And what is the message? The message is
a discrete or continuous sequence of measurable events distributed
in time
is the birth of air, is
the birth of water, is
a state between
the origin and
the end, between
birth and the beginning of
another fetid nest
is change, presents
no more than itself
And the too strong grasping of it,
when it is pressed together and condensed,
loses it
This very thing you are
II
They buried their dead in a sitting posture
serpent cane razor ray of the sun
And she sprinkled water on the head of the child, crying
"Cioa-coatl! Cioa-coatl!"
with her face to the west
Where the bones are found, in each personal heap
with what each enjoyed, there is always
the Mongolian louse
The light is in the east. Yes. And we must rise, act. Yet
in the west, despite the apparent darkness (the whiteness
which covers all), if you look, if you can bear, if you can, long enough
as long as it was necessary for him, my guide
to look into the yellow of the longest-lasting rose
so you must, and, in that whiteness, into that face, with what candor,
look
and, considering the dryness of the place
the long absence of an adequate race
(of the two who first came, each a conquistador, one healed,
the other
tore the eastern idols down, toppled
the temple walls, which, says the excuser
were black from human gore)
hear
hear, where the dry blood talks
where the old appetite walks
la piu' saporita et migliore
che si possa truovar al mondo
where it hides, look
in the eye how it runs
in the flesh / chalk
but under these petals
in the emptiness
regard the light, contemplate
the flower
whence it arose
with what violence benevolence is bought
what cost in gesture justice brings
what wrongs domestic rights involve
what stalks
this silence
what pudor pejorocracy affronts
how awe, night-rest and neighborhood can rot
what breeds where dirtiness is law
what crawls
below
III
I am no Greek, hath not th'advantage.
And of course, no Roman:
he can take no risk that matters,
the risk of beauty least of all.
But I have my kin, if for no other reason than
(as he said, next of kin) I commit myself, and,
given my freedom, I'd be a cad
if I didn't. Which is most true.
It works out this way, despite the disadvantage.
i offer, in explanation, a quote:
si j'ai du gout, ce n'est gueres
que pour la terre et les pierres
Despite the discrepancy (an ocean courage age)
this is also true: if I have any taste
it is only because I have interested myself
in what was slain in the sun
I pose you your question:
shall you uncover honey / where maggots are?
I hunt among stones
=========================================
Michael Stutz wrote:
>On Thu, 28 Aug 1997, Rinaldo Rasa wrote:
>
>> Charles Olson [Black Mountain School]
>
>I confess, I never understood his poetry. I don't know how to read it.
>
>
=========================================================================
Date: Thu, 28 Aug 1997 14:32:40 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: a Jack Kerouac's poem dated 1970.
In-Reply-To: <3404DC4A.19C0@sunflower.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Patricia,
i think the poem is the great poet Jack Kerouac's last word/message,
un grande ciao da
Rinaldo.
*
"In sooth I know not why I am so sad."
--- The Merchant Of Venice, William Shakespeare.
*
Patricia Elliott wrote:
>Rinaldo Rasa wrote:
>>
>> To Edward Dahlberg by Jack Kerouac
>>
>> Don't use the telephone.
>> People are never ready to answer it.
>> Use poetry.
>>
>> 1970
>>
>> from "Scattered poems",
>> 1970, 1971 (c) The Estate of Jack Kerouac.
>Rinaldo,
>thank you. i appreciate you sharing the source. ciao
>p
>
>
=========================================================================
Date: Thu, 28 Aug 1997 13:18:11 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Il Postino (Re: Movies from books....)
In-Reply-To: <BEAT-L%1997082719564436@CUNYVM.CUNY.EDU>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Antoine,
the author Antonio Skarmeta wrote the book "Ardente paciencia"
in 1985, from the good book derives the good film
"Il postino" directed by Michael Radford in 1994,
Massimo Troisi (1953-1994) in his last film presence,
everyone mourned his death.
cari saluti da
Rinaldo.
Antoine Maloney wrote:
>Oh ye of little faith! ....it could turn out fine!
>
> What about "Sheltering Sky" or "The English Patient"? ...or the
>movies mentioned by Adrien and others? ...was "Il Postino" a book first? If
>so, it must have been dyn-o-mite by Matt and Paul's logic.
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
>
>
=========================================================================
Date: Thu, 28 Aug 1997 08:55:23 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Eric Blanco <Chimera@WEBTV.NET>
Subject: Re: [2] OTR movie: music?
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
Content-Transfer-Encoding: 7BIT
MIME-Version: 1.0 (WebTV)
Sounds good, but who to direct?
Oliver Stone used similar effects in
Natural Born Killers. Tarantino might
put an interesting spin on it, since he
has a healthy respect for anything retro.
Spielberg if you want to see Jack and Neal's car levitate off the
road/cut to a
shot of it silhouetted against the moon.
Kubrick, but how long would that take?
_C'mon Friday_,
Chimera
=========================================================================
Date: Thu, 28 Aug 1997 09:23:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Some of Dharma and Life
In-Reply-To: <199708272353.QAA10617@hsc.usc.edu>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
>
> Has anyone actually seen it in a bookstore (I know some have received
> advance copies).
>
In fact I just got it last night at Barnes & Noble (68th St and Broadway
location)...its a beautiful book, that at first glance seems to provide a
profound, complex glimpse inside the mind and soul of Jack Kerouac. Any
serious student of Kerouac and Beats must have this book. I love the
cover artwork too...and the sentimental dedication to Ginsberg, for whom
the book was actually written as correspondence.
B&N also had the 40th anniversary OTR but that was a disappointment.
They should have reproduced the original cover and put in some annotation
and a scholarly forward or two, plus pictures. Instead a cheap new cover
of a 40'sish car riding down a street? Disappointing!
(query: The jacket sleeve has a pic of Kerouac holding a first edition
OTR...what is in the small pic on the cover? Is it a pic of Jack and Neal?)
=========================================================================
Date: Thu, 28 Aug 1997 09:28:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR film
Comments: To: James Stauffer <stauffer@pacbell.net>
In-Reply-To: <3404ED71.788F@pacbell.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
> >
> > The movie would be narrated of course, with the closing paragraph of the
> > book narrarated over the shot of Neal walking away down the railroad tracks.
> >
> > RJW
>
>
> To which you could add shots of the bloated miserable looking old Jack
> if you want to really push a moral perspective.
>
You dont understand, the point would be to show that Neal was a man who
died the way he lived, that he found mystery and joy even in the most
mundane things...the beat ethic of seeing what is spiritual in
everything. A final shot of Neal walking down the tracks, years after
OTR, older, grayer but still beat...it would fit.
RJW
=========================================================================
Date: Thu, 28 Aug 1997 07:57:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Ginsberg's Children (was: Beats)
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Too bad Ginsberg didn't have any kids.
He did, tens of hundreds of thousands. They tramped the ground in
Goa, Max Yasgur's Farm, the Haight, the Village, communes from Maine
to California to Tierra Del Fuego to Point Barrow and well beyond.
Allen's kids roamed the streets of the Yucatan after him, babbling,
the children of Quechan. Allen's kids cried when the Tet "truce" was
broken..both here and there. Allen's kids live in Peoria and
Dharmasala, Fort Lauderdale and Vladivostok, from the Korean Peninsula
to your back yard.
I am one of Allen's kids, you might be too.
love and lilies,
matt h.
=========================================================================
Date: Thu, 28 Aug 1997 10:05:52 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Salvaging a poorly recorded interview
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
With the frequent mention of Bob Dylan onthe list I thought there might be
interest in the following item and the technology that saved the day for a
free-lance writer.
>I received a frantic call this morning from a friend in Toronto who is a
>freelance music journalist. He had been up most of the night trying to
>salvage one of the most important stories in his career. It seems that
>after requesting an interview several weeks ago with Bob Dylan (who makes
>it a habit of NOT granting interviews), he received an unexpected call
>from Bob, himself on Thursday evening. Being somewhat unprepared, he
>quickly turned on his microcassette and held it up to the receiver to
>begin recording his surprise half-hour telephone interview.
>
>Unfortunately, upon listening back to his tape, he found that he was only
>able to hear about 20 per cent of the conversation. His dilemma was how
>to extract a usable interview from the excessive background noise
>introduced by the microcassette and a noisy long distance phone line.
>
>Enter Macintosh. I loaded his tape into Macromedia Deck 2.6 and proceeded
>to reconstruct his interview line by line. The majority of Dylan's dialog
>was almost entirely buried in background noise but with careful use of
>normalizing and equalization I was able to deliver a cassette that was
>about 95 percent legible (not an easy feat with Bob's dialog). The story
>will now go to print later this week thanks to Macintosh.
>
>Don Nicklin
>RadioActive Media
><http://www.radioactive-media.com>
>
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Thu, 28 Aug 1997 11:37:07 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: Re: Some of Dharma and Life
In a message dated 97-08-28 00:57:19 EDT, you write:
<< Has anyone actually seen it in a bookstore (I know some have received
advance copies).
>>
Some of the Dharma is out...
$32.95 list price
$29.95 here
at Water Row Books
Jeffrey
Water Row Books
=========================================================================
Date: Thu, 28 Aug 1997 11:46:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Some of Dharma and Life
In-Reply-To: <199708272353.QAA10617@hsc.usc.edu>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Timothy K. Gallaher wrote:
> The commentary is by Ken Kesey quoting him about how Kerouac never put
> anyone down in all of his writing.
Maybe this part of why he couldn't get along with the hippies in the 60s.
=========================================================================
Date: Thu, 28 Aug 1997 12:16:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>
Subject: Re: Ginsberg's Children (was: Beats)
In-Reply-To: <4058A370.@usoc.org> from "MATT HANNAN" at Aug 28, 97 07:57:44 am
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
>
> Too bad Ginsberg didn't have any kids.
>
> He did, tens of hundreds of thousands. They tramped the ground in
> Goa, Max Yasgur's Farm, the Haight, the Village, communes from Maine
> to California to Tierra Del Fuego to Point Barrow and well beyond.
> Allen's kids roamed the streets of the Yucatan after him, babbling,
> the children of Quechan. Allen's kids cried when the Tet "truce" was
> broken..both here and there. Allen's kids live in Peoria and
> Dharmasala, Fort Lauderdale and Vladivostok, from the Korean Peninsula
> to your back yard.
>
> I am one of Allen's kids, you might be too.
>
> love and lilies,
>
> matt h.
I think I missed the original thread that inspired this posting. You
might want to check out Norman Podhoretz's "My War With Allen Ginsberg,"
in the August 1997 *Commentary*. Despite Podhoretz's occasional turgid
whining--his lament that the children of the postwar boom "refus[ed] to
take their appointed places in the world" (and his sneaky attack on
former Watergate special prosecutor Archibald Cox) [p. 38]--despite
Podhoretz's flaws, the article is an honest portrayal of his side of his
feud with Ginsberg.
Why would I bring up the article in connection with Matt's posting?
Much of the final half of Podhoretz's article is framed by an idea that
he only explicitly states in the final paragraph (p. 40). In this final
paragraph, he declares that Ginsberg ultimately was "magnanimous in
victory" over Podhoretz. But on the subject of Ginsberg's magnanimity, he
adds: "I still cannot bring myself to forgive *him*, not even now that he
is dead."
Victory? In what context? Forgive Ginsberg . . . for what?
The major narrative thread in Podhoretz's essay centers on the famous
1958 meeting of Ginsberg, Kerouac, and Podhoretz in Ginsberg's
apartment. As the evening fitfully ended, and after Ginsberg failed to
convince Podhoretz to give up his war against the growing counter-culture,
Ginsberg yelled, "We'll get you through your children!"
Podhoretz's lament in this essay is that he lost the culture war--that
Ginsberg "got" Podhoretz "through [his] children."
In an eerie, medicalized metaphor (eerie in light of Podhoretz's
emphasis on HIV when he suggests that Ginsberg's "beatification of
homosexuality" and "glorification of insanity" are reinforcing
pathologies), Podoretz suggests that Ginsberg's side won the culture
war by spreading a "spiritual plague" that indeed has grown "through
[the] children."
Plague? Hardly, I'd say, when many conversations on BEAT-L assume a healthy
skepticism toward the established cultural norms that Podhoretz defends
as "good health." And did Ginsberg really "win" the war Podhoretz
describes? I'm not going to touch this one--in this era when, among
other things, Newt Gingrich extols advertisers to monitor and censor the
content of newspaper and magazine articles. But seeing Podhoretz's
baleful white flag infused me with the same optimism I get from, say,
Howard Zinn.
The Podhoretz article is worth reading. Maybe it's on the Web. Thanks
to Tara from my summer poetry class for pointing me toward it. I wanted
to bring it into BEAT-L earlier, but then became too busy.
Tony
=========================================================================
Date: Thu, 28 Aug 1997 13:03:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: [2] OTR movie: music?
In-Reply-To: <199708281255.FAA03366@mailtod-101.bryant.webtv.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 28 Aug 1997, Eric Blanco wrote:
> Sounds good, but who to direct?
I would actually like to see it done by Richard Linklatter, the guy who did
_Slacker_.
=========================================================================
Date: Thu, 28 Aug 1997 12:20:12 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: Movies from books....
In-Reply-To: <BEAT-L%1997082719564436@CUNYVM.CUNY.EDU>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 27 Aug 1997, Antoine Maloney wrote:
> Oh ye of little faith! ....it could turn out fine!
>
> What about "Sheltering Sky" or "The English Patient"? ...or the
> movies mentioned by Adrien and others? ...was "Il Postino" a book first? If
> so, it must have been dyn-o-mite by Matt and Paul's logic.
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to do!"
> -- Norman Navrotsky and Utah Phillips
>
yes. . .but the alternative? a piece of art turned to trash?
jenn thompson
=========================================================================
Date: Thu, 28 Aug 1997 13:26:08 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: New! HERBERT HUNCKE READER
Ready to ship next week...
The new Herbert Huncke Reader. Edited by Ben Schafer. William Morrow.
Hardcover.
This great treasury contains the highly sought-after scarce "Huncke's
Journal" (1966), The autobiographical "The Evening Sun Turned Crimson,"
Guilty of Everything excerpt, 50-60 pages of previously uncollected work by
Huncke and more, as well as 16 page photo insert. Also a foreword by William
S. Burroughs.
List price: $24.00
Water Row price: $19.00
Master Card & Visa accepted.
Shipping extra. Satisfaction guaranteed.
Thanks -
Jeffrey
Water Row Books
PO Box 438
Sudbury MA 01776
tel 508-485-8515
fax 508-229-0885
email waterrow@aol.com
=========================================================================
Date: Thu, 28 Aug 1997 11:13:58 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Source of Quote
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Someone set me straight; the following quote was either Ginsberg to
Kerouac or Kerouac to Ginsberg (I'm thinking the latter but I can't
find my reference, someday when my daughter is older I'm going to
write the monster Beat database):
"I'm not anti anything, I don't have time for your negativity".
Help me out gang,
love and lilies,
matt h.
=========================================================================
Date: Thu, 28 Aug 1997 12:43:41 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 12:11 AM 8/28/97 -0400, you wrote:
>> i can sleep well tonight. if there is to be an On The Road movie, then
>let
>> Chris Isaak play Sal, he looks so much like Kerouac and he has always
>> reminded me of a handsome actor out of the 1940s and '50s. he does act,
>he
>> isnt just a singer. if not him, then Depp.
>
> Please say that you are joking... I have seen Chris Isaak in an acting
>role and I would not call him an actor. He is a songwriter that got an
>acting bug up his ass. Not an actor by any stretch of the imagination.
>I'd rather have a great actor play a character than someone that was picked
>just because they looked like the person they were portraying. Thinking of
>it... Isaak doesn't even look a thing like Kerouac. Kerouac was dark,
>Isaak is fair, more like Cassady
>
> As for Stipe playing either role, I really cannot say. I have
never seen
>him act (MTV doesn't count). I would rather see someone with loads of
>talent play a role. Too bad most of the really good actors are too old.
>Although there are some promising actors coming around. And a lot of the
>actors that are getting older can still pull it off and play a college age
>role for the beginning. I think that Depp is great. So is Robert Downey
>Jr. As for Nicolas Cage (Someone mentioned him earlier) I really don't
>know. I know he gets good roles, but he is pretty much the same in those
>roles... He is good, but not great.
>
o.k. o.k. you're probably right. i only saw Isaak act for 2 minutes as a
walk on part in some stupid sitcom i dont even watch. i hope you know you
just bursted my bubble...cuz i still think he looks just like Kerouac-he can
always dye his hair you know. i have never seen Stipe act either but i
know he has acted in a movie, not just MTV. all i know is that i'd rather
have Isaak than Nicholas Cage, or Sean Penn. Depp is the best suggestion ive
heard so far. how about Vincent Gallo for Dean-has anyone seen him with
short hair? also Paul Hipp-watch The Funeral! maybe there just shouldnt be
an OTR movie. maybe we could fit Emily Watson in as one of the woman
roles-she's a great actress.
> Oh well... That was my monthly posting.
>
> I think I'd be more interrested in seeing what woman were picked
for the
>roles.
>
> Carolyn Cassady - Eva Habermann ( I just like looking at her, who
cares
>if she can act
> {yes, call me a hipocrite, but I really like this woman})
> Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)
> ??? - Samantha Mathis (Who cares who they make her, as long as she
don't
>sing)
>
> -Bill
>
>[ email: deadbeat@buffnet.net | web: http://www.buffnet.net/~deadbeat ]
>|"A free society is one where it is safe to be unpopular."
>|
>| -- Adlai Stevenson
>[--- ICQ UIN = 188335 --|-- PrettyGoodPrivacy v2.6.2 Key By Request --]
>
>
>
=========================================================================
Date: Thu, 28 Aug 1997 11:49:40 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: CARL PORTER <CPORTER@WEBER.EDU>
Subject: Source of Quote -Reply
Comments: To: MATT.HANNAN@USOC.ORG
Mime-Version: 1.0
Content-Type: text/plain
I think the quote was from Kerouac to Ed Sanders and delivered on the
talk show "Firing Line" hosted by William F. Buckley. I think Ginsberg was
in the audience so it may have been directed at him too--maybe only him.
carl
>>> MATT HANNAN <MATT.HANNAN@USOC.ORG> 08/28/97 09:13am
>>>
Someone set me straight; the following quote was either Ginsberg to
Kerouac or Kerouac to Ginsberg (I'm thinking the latter but I can't
find my reference, someday when my daughter is older I'm going to
write the monster Beat database):
"I'm not anti anything, I don't have time for your negativity".
Help me out gang,
love and lilies,
matt h.
=========================================================================
Date: Thu, 28 Aug 1997 14:38:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: OTR movie: Nicholas Cage
In-Reply-To: <199708281743.MAA103266@gomer.wiscnet.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Wouldnt surprise me if Cage got the Neal part...after all his real name
is Nicholas Coppola (as in Francis Ford's nephew...a little nepotism
never hurt anyone's career right?)
=========================================================================
Date: Thu, 28 Aug 1997 14:59:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: The Kerouac Quarterly Page has been update!
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
We have updated the Kerouac Quarterly web page and all of its links.
About the Berg Collection, there is a message from John Sampas concerning
the manuscripts that will be placed on deposit.
Go to:
http://www.freeyellow.com/members/upstartcrow/page4.html
Thanks for reding! Paul of TKQ....
=========================================================================
Date: Thu, 28 Aug 1997 15:24:35 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Who's Who in Beat Lit...
Reply to message from gallaher@hsc.usc.edu of Thu, 28 Aug
>
>Also the killing of David Kammerer was written up in Vanity of Dulouz. I
>believe also it was written up in the first beat generation book ever
>written, And the Hippos Were Boiled in their Tanks, by Burroughs and
>Kerouac--a book that has yet to be published if it ever will be.
>
>The subway guy mentioned above was called Bill Canastra who I believe was
>called Finistra in Go. I think he was climbing out the window and was
>halfway out when the train came to the tunnel.
>
>At the end of On the Road when the woman calls down to Sal from the loft
>above, that was Canastra's loft where Joan Haverty was living after his
>death. Correct me if I'm wrong but I believe On the Road was written there.
>
#1--Joan Haverty was Bill Canastra's girlfriend at the time of his death,
was she not?
#2--Lucien really didn't like allusions being made to him in beat lit,
so I've heard. Although they couldn't be helped.
Diane. (H)
--
"I can't imagine how I ever thought my love might make a difference to him."
--Richard Powers, _The Gold Bug Variations_
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 28 Aug 1997 22:45:52 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Thursday Morning.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
look at the pony!
teardrops
misting my eyes
look at the pony!
in the morning
i will bring you
to the circus
look at the pony!
but early in the dawn the circus has gone
white grass on the meadows
& tiny fog
you haven't teardrops
happy childhood next year the circus will be here
our limits
are only
technical matter
BUT
into
this supermarket aisle
i feel
suddenly old.
Rinaldo.
28th aug 1997.
=========================================================================
Date: Thu, 28 Aug 1997 17:33:35 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Kirouack@AOL.COM>
Subject: Re: jack kerouac
thanks for info. aren't you the same guy who thinks On the Road is the only
Kerouac books?
=========================================================================
Date: Thu, 28 Aug 1997 17:45:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Kirouack@AOL.COM>
Subject: sorry
i'm very sorry about posting my message again. this posting stuff is all new
to me.
=========================================================================
Date: Thu, 28 Aug 1997 18:05:23 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Thursday Morning.
In-Reply-To: <3.0.1.32.19970828224552.00686820@pop.gpnet.it>
Mime-Version: 1.0
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look at the pony!
rinaldo: so happy to get this today. i have been thinking of ginsberg's
poem 'supermarket in california' i believe, and felt his presence when i
had to go to store with waning store of monies: i wanted to shout: poems
for pears, poems for peaches, poems for the life of us all. but instead i
bought what i could afford and left.
i think i've shoeveled thru the shit and no pony there.
but then, here you come, with your wonder and all.
thanks
marie
(mc to most)
> teardrops
> misting my eyes
> look at the pony!
>
> in the morning
> i will bring you
> to the circus
>
> look at the pony!
>
> but early in the dawn the circus has gone
> white grass on the meadows
> & tiny fog
>
>you haven't teardrops
> happy childhood next year the circus will be here
>
> our limits
> are only
> technical matter
> BUT
> into
> this supermarket aisle
> i feel
> suddenly old.
>
>
>Rinaldo.
>28th aug 1997.
=========================================================================
Date: Thu, 28 Aug 1997 18:08:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 12:43 PM 8/28/97 -0500, you wrote:
>At 12:11 AM 8/28/97 -0400, you wrote:
>>> i can sleep well tonight. if there is to be an On The Road movie, then
>>let
>>> Chris Isaak play Sal, he looks so much like Kerouac and he has always
>>> reminded me of a handsome actor out of the 1940s and '50s. he does act,
>>he
>>> isnt just a singer. if not him, then Depp.
>>
>> Please say that you are joking... I have seen Chris Isaak in an
acting
>>role and I would not call him an actor. He is a songwriter that got an
>>acting bug up his ass. Not an actor by any stretch of the imagination.
>>I'd rather have a great actor play a character than someone that was picked
>>just because they looked like the person they were portraying. Thinking of
>>it... Isaak doesn't even look a thing like Kerouac. Kerouac was dark,
>>Isaak is fair, more like Cassady
>>
>> As for Stipe playing either role, I really cannot say. I have
>never seen
>>him act (MTV doesn't count). I would rather see someone with loads of
>>talent play a role. Too bad most of the really good actors are too old.
>>Although there are some promising actors coming around. And a lot of the
>>actors that are getting older can still pull it off and play a college age
>>role for the beginning. I think that Depp is great. So is Robert Downey
>>Jr. As for Nicolas Cage (Someone mentioned him earlier) I really don't
>>know. I know he gets good roles, but he is pretty much the same in those
>>roles... He is good, but not great.
>>
>o.k. o.k. you're probably right. i only saw Isaak act for 2 minutes as a
>walk on part in some stupid sitcom i dont even watch. i hope you know you
>just bursted my bubble...cuz i still think he looks just like Kerouac-he can
>always dye his hair you know. i have never seen Stipe act either but i
>know he has acted in a movie, not just MTV. all i know is that i'd rather
>have Isaak than Nicholas Cage, or Sean Penn. Depp is the best suggestion ive
>heard so far. how about Vincent Gallo for Dean-has anyone seen him with
>short hair? also Paul Hipp-watch The Funeral! maybe there just shouldnt be
>an OTR movie. maybe we could fit Emily Watson in as one of the woman
>roles-she's a great actress.
>
>
>> Oh well... That was my monthly posting.
>>
>> I think I'd be more interrested in seeing what woman were picked
>for the
>>roles.
>>
>> Carolyn Cassady - Eva Habermann ( I just like looking at her, who
>cares
>>if she can act
>> {yes, call me a hipocrite, but I really like this woman})
>> Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)
>> ??? - Samantha Mathis (Who cares who they make her, as long as she
>don't
>>sing)
>>
>> -Bill
>>
>>[ email: deadbeat@buffnet.net | web: http://www.buffnet.net/~deadbeat ]
>>|"A free society is one where it is safe to be unpopular."
>>|
>>| -- Adlai Stevenson
>>[--- ICQ UIN = 188335 --|-- PrettyGoodPrivacy v2.6.2 Key By Request --]
>>
>>
>>
>
>
Ever since he stopped playing characters and started playing leads
in rotten films, after scoring in Leaving Las Vegas, I've lost my
fondness totally for Nicholas Cage. I don't see him as a lead, and
don't like Hollywood jamming him down my throat just because he got
the Oscar. He's an edgy character actor who has been ruined, and
I don't want anything to do with him anymore. I think Penn is too
strong to play either role.
Mike Rice
=========================================================================
Date: Thu, 28 Aug 1997 18:27:10 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: sorry
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 05:45 PM 8/28/97 -0400, you wrote:
>i'm very sorry about posting my message again. this posting stuff is all new
>to me.
>
>
Don't be sorry. Offending people is part of the
fun of being on the net.
Mike Rice
=========================================================================
Date: Thu, 28 Aug 1997 19:17:09 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: New Stuff! Kerouac Cover of the month
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
This month starts the new addition to the Kerouac Quarterly web page.
Each month we will feature a different scan of a paperback. we urge your
submissions!Our frined Antoine Maloney submitted the first entry. Go check
it out and thanks Antoine! regards to all! Paul of TKQ....
http://www.freeyellow.com/members/upstartcrow/page5.html
=========================================================================
Date: Thu, 28 Aug 1997 19:20:29 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: sorry
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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> At 05:45 PM 8/28/97 -0400, you wrote:
> >i'm very sorry about posting my message again. this posting stuff is all new
> >to me.
> >
> >
> Don't be sorry. Offending people is part of the
> fun of being on the net.
hey! i think that's not very nice! you just got me so upset i'm going
to signoff!!....
just joking (;
> Mike Rice
>
randy
=========================================================================
Date: Thu, 28 Aug 1997 20:31:49 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: sorry
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
John J Dorfner wrote:
> i'm very sorry about posting my message again. this posting stuff is all new
> to me.
John,
I appreciate your position, i learned to set my subscription to include
my posts because it helps me know if i or some server garbled the
message. I have usually regretted offending people unless i have some
point to make but this list is a rough and tumble one. I got blasted
because I twitted someone for asking for help on some homework. I don't
actually want to be a valuable resource that some professor can give his
earnest student.
well, your home page looked to much like an advertisement, tell me,
what was the most interesting thing about meeting Jacks old friends.
what surprised you.. when i went to lowell i didn't enter a bar that
didn't have a pic of him there swigging.
p
=========================================================================
Date: Thu, 28 Aug 1997 22:39:14 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Kicks Joy Darkness
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides
ordering it off the internet)? is it available in some music stores? does
anyone have it? is it any good?
=========================================================================
Date: Fri, 29 Aug 1997 00:19:01 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Sum of the Dharma Bookstore story
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
So I was talking to you guys about finding Some of the Dharma. I figured
Barnes and
Noble should have it but i hadn't seen it anywhere in the store (or in
Supercrown for
that matter). So I called B&N.
Do you have a book called Some of the Dharma?
Um let's see...I don't see it...who's the author?
Jack Kerouac. It's new just out.
Oh yes, OK, but it's got a different name.
(So I'm thinking somehow she's mixing it up with the 40th OTR edition)
She says: It's called Some of the Dharma.
Isn't that what I said?
I thought you said sum of the dharma. Do you want me to hold it for you?
(I say where is it, she says in the literature section. I say no you don't
need to
hold a copy I can find it. So I go there later. I read an article in New
Republic
about the Korean defector [not the two that defected the other day buty the
one from
last spring] and how he's being ignored in what he's saying by the press and
the Clinton administration. They're ignoring him because his info doesn't
jibe with what the Clinton administration is saying about their progress
with N. Korea and their overall
plans.
So I finish that and there's about 15 minutes til the store closes. I go to
the
Kerouac section and no book. They do have OTR 40th anniversary issue
though. So I
look everywhere it might be. Biography, eastern thought, new fiction, new
non-fiction on the displays--no where. So finally I decide to ask, but I
don't see any workers
buzzing about. "Buy your purchases" says the PA. I see a worker. Ask her
if they have Some of the Dharma.)
Let me check. She goe to the computer. Types in Son of the Dharma (spells
dharma
right).
No, Some of the Dharma.
Oh, sorry, she types in Sum of the Dharma.
No no I say, some s-o-m-e some
Oh. Types in Some of the Dharma. Yeah we have seven copies. I'll find it.
(So she goes and looks in the Kerouac section. Not there of course. And
then to the
new fiction, new non-fiction, everywhere i've been looking. Can't find it.
I follow
her around. Finally she asks another worker at the front desk. This other
gal has
heard of it. She knows it's a big book. She looks--where else, everywhere
we've
looked. Looks on the displays ect...finally she says watch my register [to
the other
worker, not me] and I'll look in the back)
She does finally come back with two copies and hands them to me.
I think i just need one, I say.
=========================================================================
Date: Fri, 29 Aug 1997 05:03:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Sum of the Dharma Bookstore story
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
My B&N and my library are like this, no one knows anything
about books.
Mike Rice
At 12:19 AM 8/29/97 -0700, you wrote:
>So I was talking to you guys about finding Some of the Dharma. I figured
>Barnes and
>Noble should have it but i hadn't seen it anywhere in the store (or in
>Supercrown for
>that matter). So I called B&N.
>
>Do you have a book called Some of the Dharma?
>
>Um let's see...I don't see it...who's the author?
>
>Jack Kerouac. It's new just out.
>
>Oh yes, OK, but it's got a different name.
>(So I'm thinking somehow she's mixing it up with the 40th OTR edition)
>
>She says: It's called Some of the Dharma.
>
>Isn't that what I said?
>
>I thought you said sum of the dharma. Do you want me to hold it for you?
>
>(I say where is it, she says in the literature section. I say no you don't
>need to
>hold a copy I can find it. So I go there later. I read an article in New
>Republic
>about the Korean defector [not the two that defected the other day buty the
>one from
>last spring] and how he's being ignored in what he's saying by the press and
>the Clinton administration. They're ignoring him because his info doesn't
>jibe with what the Clinton administration is saying about their progress
>with N. Korea and their overall
>plans.
>
>So I finish that and there's about 15 minutes til the store closes. I go to
>the
>Kerouac section and no book. They do have OTR 40th anniversary issue
>though. So I
>look everywhere it might be. Biography, eastern thought, new fiction, new
>non-fiction on the displays--no where. So finally I decide to ask, but I
>don't see any workers
>buzzing about. "Buy your purchases" says the PA. I see a worker. Ask her
>if they have Some of the Dharma.)
>
>Let me check. She goe to the computer. Types in Son of the Dharma (spells
>dharma
>right).
>
>No, Some of the Dharma.
>
>Oh, sorry, she types in Sum of the Dharma.
>
>No no I say, some s-o-m-e some
>
>Oh. Types in Some of the Dharma. Yeah we have seven copies. I'll find it.
>
>(So she goes and looks in the Kerouac section. Not there of course. And
>then to the
>new fiction, new non-fiction, everywhere i've been looking. Can't find it.
>I follow
>her around. Finally she asks another worker at the front desk. This other
>gal has
>heard of it. She knows it's a big book. She looks--where else, everywhere
>we've
>looked. Looks on the displays ect...finally she says watch my register [to
>the other
>worker, not me] and I'll look in the back)
>
>She does finally come back with two copies and hands them to me.
>
>I think i just need one, I say.
>
>
=========================================================================
Date: Fri, 29 Aug 1997 05:56:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: Herbert Huncke Reader
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
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Will this book be generally available in bookstores, or only by mail from
Water & Row? Sounds like a treat!
=========================================================================
Date: Fri, 29 Aug 1997 07:32:45 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Kicks Joy Darkness
In-Reply-To: <199708290339.WAA62246@gomer.wiscnet.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides
>ordering it off the internet)? is it available in some music stores? does
>anyone have it? is it any good?
________________
as far as i know, most music stores carry it.
overall, it's an interesting if uneven performance.
, mike stipe and john cale are wonderful,
and the booklet was designed by a friend at rykodisc
mc
=========================================================================
Date: Fri, 29 Aug 1997 10:58:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Some of the Dharma excerpt
In-Reply-To: <199708290719.AAA14245@hsc.usc.edu>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
If he can be called meek who has no wishes...
Or hiding who needs never be found...
Or scared who never attacks...
Forgotten, who watches up the night...
If he can be called "He" who has no self, writes "one is all" on every
wall...
"Literature" is no longer necessary...teaching is left
JK, Some of the Dharma
=========================================================================
Date: Fri, 29 Aug 1997 10:20:04 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: Sum of the Dharma Bookstore story
In-Reply-To: <199708290719.AAA14245@hsc.usc.edu>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 29 Aug 1997, Timothy K. Gallaher wrote:
> So I was talking to you guys about finding Some of the Dharma. I figured
> Barnes and
> Noble should have it but i hadn't seen it anywhere in the store (or in
> Supercrown for
> that matter). So I called B&N.
>
> Do you have a book called Some of the Dharma?
>
> Um let's see...I don't see it...who's the author?
>
> Jack Kerouac. It's new just out.
>
> Oh yes, OK, but it's got a different name.
> (So I'm thinking somehow she's mixing it up with the 40th OTR edition)
>
> She says: It's called Some of the Dharma.
>
> Isn't that what I said?
>
> I thought you said sum of the dharma. Do you want me to hold it for you?
>
> (I say where is it, she says in the literature section. I say no you don't
> need to
> hold a copy I can find it. So I go there later. I read an article in New
> Republic
> about the Korean defector [not the two that defected the other day buty the
> one from
> last spring] and how he's being ignored in what he's saying by the press and
> the Clinton administration. They're ignoring him because his info doesn't
> jibe with what the Clinton administration is saying about their progress
> with N. Korea and their overall
> plans.
>
> So I finish that and there's about 15 minutes til the store closes. I go to
> the
> Kerouac section and no book. They do have OTR 40th anniversary issue
> though. So I
> look everywhere it might be. Biography, eastern thought, new fiction, new
> non-fiction on the displays--no where. So finally I decide to ask, but I
> don't see any workers
> buzzing about. "Buy your purchases" says the PA. I see a worker. Ask her
> if they have Some of the Dharma.)
>
> Let me check. She goe to the computer. Types in Son of the Dharma (spells
> dharma
> right).
>
> No, Some of the Dharma.
>
> Oh, sorry, she types in Sum of the Dharma.
>
> No no I say, some s-o-m-e some
>
> Oh. Types in Some of the Dharma. Yeah we have seven copies. I'll find it.
>
> (So she goes and looks in the Kerouac section. Not there of course. And
> then to the
> new fiction, new non-fiction, everywhere i've been looking. Can't find it.
> I follow
> her around. Finally she asks another worker at the front desk. This other
> gal has
> heard of it. She knows it's a big book. She looks--where else, everywhere
> we've
> looked. Looks on the displays ect...finally she says watch my register [to
> the other
> worker, not me] and I'll look in the back)
>
> She does finally come back with two copies and hands them to me.
>
> I think i just need one, I say.
>
this sounds very much like similar experiences i've had with anything
bookstore/Kerouac related. also, shouldn't a book as precious as a
new-release of Kerouac be difficult to find? makes it all the more
special.
jenn thompson
=========================================================================
Date: Fri, 29 Aug 1997 10:51:45 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: Re: Kicks Joy Darkness
In-Reply-To: <199708290339.WAA62246@gomer.wiscnet.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
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Richard Schlimm <rschlimm@MAIL.WISCNET.NET> wrote:
>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides
>ordering it off the internet)? is it available in some music stores? does
>anyone have it? is it any good?
i got mine at a bookstore in Oregon, but i'm sure a lot of music stores
carry it now. after listening to it many times, i have to say i think it
was worth the money. Ginsberg and another guy (who reads the last chorus)
reading Brooklyn Bridge Blues is awesome. Hunter Thompson, L. Ferlingetti
and Burroughs all sound great, and a lot of the rest of it is good, though
there are some loser tracks on the disc.
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Fri, 29 Aug 1997 12:39:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "L.W. Deal" <RoadSide6@AOL.COM>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
Y'know, Kevin Spacey'd make an interesting Kerouac... He's a hell of an
actor... Or perhaps, Gary Oldman -- hell, he's already been Beethoven, Sid
Vicious, Joe Orton, a mulato gangsta, etc. etc.... As long as Keanu Reeves is
prohibited from any more beat-inspired productions, I'll be a happy camper...
Kisses & Starfishes from Seattle,
LD
=========================================================================
Date: Fri, 29 Aug 1997 12:50:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "William N. Gay" <wgay@ZOO.UVM.EDU>
Subject: Re: Kicks Joy Darkness
In-Reply-To: <199708290339.WAA62246@gomer.wiscnet.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
I bought it locally (Vermont), and saw it everywhere in stores here to San
Diego this summer. My problem was finding it on cassette, but that's
becoming more the rule, unfortunately. Anyway, I like it, especially the
Morphine cut which kicks it off, Lydia Lunch, WSB, HST and John Cale. The
packaging is pretty nice, too.
On Thu, 28 Aug 1997, Richard Schlimm wrote:
> where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides
> ordering it off the internet)? is it available in some music stores? does
> anyone have it? is it any good?
>
=========================================================================
Date: Fri, 29 Aug 1997 13:50:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James J Stavola <JDSept@AOL.COM>
Subject: Re: list of jazz albums
Music that was an influence on the beats specificly Jack and Neal at
that time would have to include the stuff that Parker and the bop guys were
doing on the east coast and from their letters, when they were on the west
coast, the sounds of Chet Baker.The improv of Parkers playing from night to
night had an influence on the form of Jack's writing especially.
=========================================================================
Date: Fri, 29 Aug 1997 14:59:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: list of jazz albums
In-Reply-To: <970829135003_1582249370@emout05.mail.aol.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 29 Aug 1997, James J Stavola wrote:
> The improv of Parkers playing from night to
> night had an influence on the form of Jack's writing especially.
How often did Jack see jazz shows, Parker et al, during this period?
=========================================================================
Date: Fri, 29 Aug 1997 14:54:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rodney Lee Phillips <philli31@PILOT.MSU.EDU>
Subject: Kerouac Quarterly?
Content-Type: text/plain
Hello--
I'm looking for the name and address (both e-mail and snail-mail) of the folks
who edit the Kerouac Quarterly.
Thanks,
Rod Phillips
philli31@pilot.msu.edu
=========================================================================
Date: Fri, 29 Aug 1997 16:42:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Jack's jazz listening...
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
In reply to Michael Stutz:
"How often did Jack see jazz shows, Parker et al, during this period?"
...and Ron Kovach:
"What's the story on the recording 'Kerouac'?"
You have to recall that during the late forties and right through to
the fifties, live jazz in NYC was everywhere - and top calibre. From the
boigraphies one would say that Jack was seeing lots of jazz out in the clubs
and Parker whenever he could. That's probably true from his time at Horace
Mann in the late thirties right through his "Subterraneans" period.
Off list Ron Kovach and I were talking about the recording "Kerouac"
which featured Charlie Christian and Dizzy Gillespie. It was recorded in
1941 I think, and Thomas Owens (I think I previously referred to him as Owen
Thomas when talking about his book "Bebop"), a musicologist out in
California at El Camino College, described as one of the first examples of
someone (Gillespie) reaching towards what would become bebop.
The story that Gerry Nicosi tells about the name is that a friend of
Kerouac's from Horace Mann, Seymour Wyse, introduced Jack to Jerry Newman,
who had for years been taking his recording equipment into clubs in Harlem
to record. It was Newman who suggested to Gillespie that he name one of his
arrangements "Kerouac". Dizzy didn't know Jack, but liked the name better
than "Ginsberg"! [Memory Babe by Gerald Nicosi - pages 124-125; Grove Press
1983] Newman's recordings from those and later years are still in hot
circulation.
I would enthusiastically recommend recordings that feature any of
Parker's small group playing from '43 through '48. You get great
combinations of players and all the seminal bebop there was....Gillespie
playing piano accompaniment, Slim Gaillard, Bud Powell, lots of Miles Davis,
Dodo Marmarosa, Wardell Grey (..hey Preston!), Howard McGhee, Max Roach,
Tiny Grimes and Don Byas.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 29 Aug 1997 17:27:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: Kerouac Quarterly?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 02:54 PM 8/29/97 -0400, you wrote:
>Hello--
>
>I'm looking for the name and address (both e-mail and snail-mail) of the folks
>who edit the Kerouac Quarterly.
>
>Thanks,
>
> Rod Phillips
> philli31@pilot.msu.edu
>Go to the web page:
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Sat, 30 Aug 1997 00:06:50 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beats. 30th aug 1997
Comments: cc: dschwarm@sun3.lib.uci.edu, walter.campbell@usa.net,
brooklyn@netcom.com
Mime-Version: 1.0
Content-Type: multipart/mixed; boundary="=====================_872885210==_"
--=====================_872885210==_
Content-Type: text/plain; charset="us-ascii"
Donald Allen
---
Amari Baraka (Leroi Jones)
---
Paul Blackburn
---
Robin Blaser
---
Bonnie Bremser
---
Ray Bremser
---
Chandler Brossard
---
Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
---
William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
Frank Carmody,
Will Dennison,
Old Bull Lee"
---
William S. Burroughs Jr.
---
John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
---
Caleb Carr
---
Lucien Carr
---
Paul Carroll
---
Louis R Cartwright
---
Carolyn Cassady
---
Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
---
Tom Clark [Paris Review]
---
Andy Clausen
---
Gregory Corso "Raphael Urso, Yuri Glicoric"
---
Robert Creeley [Black Mountain School]
---
Henry Cru "Remi Boncoeur"
---
Diane DiPrima
---
John Doe
---
Kirby Doyle
---
Robert Duncan [Black Mountain School]
---
Bob Dylan
---
William Everson (Brother Antonus)
---
Richard Farina
---
Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
"Lorenzo Monsanto,
Larry O'Hara
Danny Richman"
---
Charles Foster
---
Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
Alvah Goldbook, Leon Levinsky
Carlo Marx"
---
John Giorno
---
Morris Graves
---
Brion Gysin
---
William Inge
---
Wally Hedrick [Gallery Six]
---
John Cellon Holmes
---
Herbert Huncke
---
Ted Joans
---
Joyce Johnson
---
Lenore Kandel
---
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
---
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
Leo Percepied, Ray Smith,
Jack, Peter Martin,
Sal Paradise"
---
Jan Kerouac
---
Ken Kesey
---
Franz Kline
---
Seymour Krim
---
Tuli Kupferberg
---
Joanne Kyger
---
Philip Lamantia
---
Jay Landesman
---
Fran Landesman
---
James Laughlin
---
Timothy Leary
---
Lawrence Lipton
---
Malcom Lowry
---
Norman Mailer
---
Gerard Malanga
---
Edward Marshall
---
Peter Martin
---
Lewis McAdams
---
Joanna McClure
---
Michael McClure
---
Taylor Mead
---
David Meltzer
---
Jack Micheline
---
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
---
John Montgomery
---
Shigeyoshi (Shig) Murao
---
Harold Norse
---
Frank O'Hara
---
Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
---
Peter Orlovsky
---
Kenneth Patchen
---
Thomas Parkinson
---
Nancy Peters
---
Stuart Z. Perkoff
---
Charles Plymell
---
Dan Propper
---
Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
---
Theodore Roethke
---
Hugh Romney
---
Michael Rumaker
---
Ed Sanders
---
Mark Schorer
---
Hubert Jr. Selby
---
Gary Snyder
---
Carl Solomon
---
Jack Spicer
---
Hunter Stockton Thompson
---
Charles Upton
---
Janine Pommy Vega
---
Mark Tobey
---
Alexander Trocchi
---
Anne Waldman [St. Mark's Poetry Project, New York]
---
Lewis Warsh
---
Alan W. Watts
---
Lew Welch
---
Philip Whalen
---
John Wieners
---
William Carlos Williams
---
Ruth Witt-Diamant [San Francisco's Poetry Center]
-*-
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/home.htm
thanks,
Rinaldo Rasa.
30th august 1997, Venice-Mestre, Italy.
-*-
the list of credits & comments:
Walter Campbell <walter.campbell@usa.net>
Timothy K. Gallaher <gallaher@HSC.USC.EDU>
Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
OHearn <orpheus@in.the.shadows>
David Schwarm <dschwarm@sun3.lib.uci.edu>
Michael Stutz <stutz@dsl.org>
-*-
addendum:
Return-Path: <dschwarm@sun1.lib.uci.edu>
Date: Thu, 28 Aug 1997 08:22:59 -0700 (PDT)
From: David Schwarm <dschwarm@sun1.lib.uci.edu>
To: Rinaldo Rasa <rinaldo@gpnet.it>
Subject: Re: Beats.
Hi,
Thanks for the update. I have used your list to start my own little
spreadsheet (with dates and famous works), please feel free to use this as
you see fit (it is a WIN3.1 MS Excel file - let me know if you need a
different format).
David Schwarm Making jazz swing in
41 Southbrook Seventeen syllables AIN'T
Irvine, CA 92604 No square poet's job.
-*-*-*-*-*-*-*-*-
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BgDcAAUADAAGAAYA3QAFAAwABgAGAN4ABQABAAAA
--=====================_872885210==_--
=========================================================================
Date: Sat, 30 Aug 1997 00:01:30 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Men Of The Mountains.(Beats)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
friends,
let me quote Walter Campbell:
"Maybe Snyder gets short-changed because
of his "man of the mountains" persona.
That's one of the many paradoxes of the Beat movement: the
urban, erudite east-coast leg of the Beat movement seems antithetical
to the laid-back, naturalistic bent of the California clan."
saluti,
Rinaldo.
=========================================================================
Date: Fri, 29 Aug 1997 18:49:52 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James J Stavola <JDSept@AOL.COM>
Subject: Re: list of jazz albums
On 8/29/97 Miichael Stutz asked how Jack might have seen Charlie
Parker's playing and the possible influence it might have had on his writing.
When the beats were hanging around Columbia and Times Square would be
at the same time Parker was at his peak and also playing the jazz clubs on
52nd St. alot. I've read that there are tapes of Ginsberg and Kerouac
reading with Parker in the background though I've never been able to verify
it.
=========================================================================
Date: Fri, 29 Aug 1997 19:31:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: happy birthday, bird
Before the day is out and all this discussion moves away from Charley Parker,
I just want to say today is Bird's birthday... so get out your old scratched
up vinyl and listen to this genius.
For everyone in the Seattle area, this is Bumbershoot weekend... the annual
rain festival (with hilariously faux-pagan roots... a long story). On
Saturday at the Seattle Center there will be many hours devoted to a program
called the Bebop Revival.
On that same note, a bit of historical trivia (so trivial you'll probably
wonder why I even mentioned it): Don Lanphere, from Wenatchee, Washington
(where I used to live... insert joke here), was a child prodigy on the sax in
the 30s and 40s. His dad owned Belmont Music Store (named after Belmont
Shores) and was one of the earliest subscribers to Down Beat magazine, which
little Don read from cover-to-cover and ordered 78s out of the listings in
the back.
Don ended up in New York, living with Charley's "woman" Chan on 52nd Street
for a while, and got into the same old habits all all the rest of them. He
ran with Bird and Fats and everyone else, shared needles, did time, and was
responsible for recording many of the tapes that came out of those years that
were eventually made into the records of sessions and sold on various labels.
I met Don when I was 13 (33 years ago), and he had toned down his heroin use
in favor of alcohol and the drugs of the Sixties. In 1969, he had a religious
conversion (the Jesus Freeks came to town and saved everyone they could get
their hands on) and gave up jazz for a while, afraid it might have been part
of his problems.
He finally figured out it wasn't evil or sinful to be a jazz musician, and
went back to his horn. He moved to Seattle a bunch of years ago and has a
Monday morning radio show on KBCU, the college station out of Bellevue, where
he carries on with Bud (god... i forgot bud's last name), proprietor of Bud's
Jazz Records in Pioneer Square (just off Jackson Street, where jazz was born
and lived in Seattle), playing bebop and all that other good stuff. He also
teaches, travels, and still records one album a year.
Also, Fats Navarro's daughter, Linda, who inherited her father's penchant for
junk, lives in Seattle and has been profiled here in the media a coupla
times. She still struggles with a heroin habit.
So, the local NPR jazz affiliate is playing Bird all day, and tomorrow, bebop
at the Seattle Center... man... what a weekend.
Happy birthday, Bird.
diane de rooy
=========================================================================
Date: Fri, 29 Aug 1997 21:48:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: list of jazz albums
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Anybody out there know the answer to James' question? That would be a
gripping Holy Grail to go after!
Antoine
************
> On 8/29/97 Miichael Stutz asked how Jack might have seen Charlie
>Parker's playing and the possible influence it might have had on his writing.
>
> When the beats were hanging around Columbia and Times Square would be
>at the same time Parker was at his peak and also playing the jazz clubs on
>52nd St. alot. I've read that there are tapes of Ginsberg and Kerouac
>reading with Parker in the background though I've never been able to verify
>it.
>
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 29 Aug 1997 23:14:53 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Schlimm <rschlimm@MAIL.WISCNET.NET>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 12:39 PM 8/29/97 -0400, you wrote:
>Y'know, Kevin Spacey'd make an interesting Kerouac... He's a hell of an
>actor... Or perhaps, Gary Oldman -- hell, he's already been Beethoven, Sid
>Vicious, Joe Orton, a mulato gangsta, etc. etc.... As long as Keanu Reeves is
>prohibited from any more beat-inspired productions, I'll be a happy camper...
>
>
>Kisses & Starfishes from Seattle,
>
>LD
i love Gary Oldman!!!!!! not to mention Dracula..he's the greatest actor.
but do you really think he's so good that he could turn into someone like
Kerouac? im so used to Oldman playing the bad guy. im positive he'd be an
improvement from Keanu, Penn or Cage though.
>
=========================================================================
Date: Sat, 30 Aug 1997 13:18:41 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Nils-Oivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>
Subject: OTRmovie/actors (fwd)
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
---------- Forwarded message ----------
Date: Sat, 30 Aug 1997 12:01:27 +0200 (MET DST)
From: Nils-Oivind Haagensen <hlinh@alfred.uib.no>
To: Automatic digest processor <LISTSERV@CUNYVM.CUNY.EDU>
Subject: OTRmovie/actors
i see woody allen as sal paradise, and michael jordan as dean, i really
do, they would make a terrific couple, and the
lilac-denver-wishing-i-was-a-negro-part would be hysterical, i'm
not kidding around... ehr... well... maybe i am
nh
=========================================================================
Date: Sat, 30 Aug 1997 14:04:03 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>
Subject: Help, is there any list of the cities they drove through in OTR
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi there,
does anybody have a list (or even a map on the disk) of all the cities they
have gone through (is Tucson in Arizona included?).
I=B4d need the information for my thesis.
Thank you for you support in advance.
Matthias (Berlin, Germany)
=========================================================================
Date: Sat, 30 Aug 1997 14:56:55 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beats :The List updated 30th aug 1997 (b)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Donald Allen
---
Amari Baraka (Leroi Jones)
---
Wallace Berman
---
Paul Blackburn
---
Robin Blaser
---
Richard Brautigan
---
Bonnie Bremser
---
Ray Bremser
---
Chandler Brossard
---
Lenny Bruce
---
Lord Buckley
---
Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
---
William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
Frank Carmody,
Will Dennison,
Old Bull Lee"
---
William S. Burroughs Jr.
---
John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
---
Caleb Carr
---
Lucien Carr
---
Paul Carroll
---
Louis R Cartwright
---
Carolyn Cassady
---
Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
---
Tom Clark [Paris Review]
---
Andy Clausen
---
Leonard Cohen
---
Bruce Conner
---
Gregory Corso "Raphael Urso, Yuri Glicoric"
---
Robert Creeley [Black Mountain School]
---
Henry Cru "Remi Boncoeur"
---
Jay deFeo
---
Diane DiPrima
---
John Doe
---
Kirby Doyle
---
Edward Dorn [Black Mountain School]
---
Robert Duncan [Black Mountain School]
---
Bob Dylan
---
Kenward Elmslie [Z]
---
William Everson (Brother Antoninus)
---
Larry Fagin [Adventures in Poetry]
---
Richard Farina
---
Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
"Lorenzo Monsanto,
Larry O'Hara
Danny Richman"
---
Charles Foster
---
Robert Frank
---
Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
Alvah Goldbook, Leon Levinsky
Carlo Marx"
---
John Giorno
---
Morris Graves
---
Brion Gysin
---
Dave Hazelwood
---
William Inge
---
Wally Hedrick [Gallery Six]
---
John Clellon Holmes
---
Herbert Huncke
---
Ted Joans [Jazz Poetry]
---
Joyce Johnson
---
Lenore Kandel
---
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
---
Robert Kelly
---
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
Leo Percepied, Ray Smith,
Jack, Peter Martin,
Sal Paradise"
---
Jan Kerouac
---
Ken Kesey
---
Franz Kline
---
Seymour Krim
---
Paul Krassner [Realist]
---
Art Kunkin [Freep]
---
Tuli Kupferberg [Birth]
---
Joanne Kyger
---
Philip Lamantia
---
Jay Landesman
---
Fran Landesman
---
James Laughlin
---
Denise Levertov
---
Timothy Leary
---
Lawrence Lipton
---
Ron Loewinsohn
---
Malcom Lowry
---
Bill MacNeill
---
Norman Mailer
---
Gerard Malanga
---
Edward Marshall
---
Peter Martin
---
Lewis McAdams
---
Joanna McClure
---
Michael McClure
---
Taylor Mead
---
David Meltzer
---
Jack Micheline
---
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
---
John Montgomery
---
Shigeyoshi (Shig) Murao
---
Harold Norse
---
Frank O'Hara
---
Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
---
Peter Orlovsky
---
Kenneth Patchen
---
Thomas Parkinson
---
Nancy Peters
---
Stuart Z. Perkoff
---
Charles Plymell
---
Dan Propper
---
Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
---
Theodore Roethke
---
Hugh Romney
---
Michael Rumaker
---
Ed Sanders
---
Mark Schorer
---
Hubert Jr. Selby
---
Gary Snyder
---
Carl Solomon
---
Jack Spicer
---
Hunter Stockton Thompson
---
Charles Upton
---
Janine Pommy Vega
---
Mark Tobey
---
Alexander Trocchi
---
Anne Waldman [St. Mark's Poetry Project, New York]
---
Lewis Warsh
---
Alan W. Watts
---
Lew Welch
---
Philip Whalen
---
John Wieners
---
Jonathan Williams
---
William Carlos Williams
---
Ruth Witt-Diamant [San Francisco's Poetry Center]
-*-
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/home.htm
thanks,
Rinaldo Rasa.
30th august 1997, Venice-Mestre, Italy.
-*-
the list of credits & comments:
Walter Campbell <walter.campbell@usa.net>
Timothy K. Gallaher <gallaher@HSC.USC.EDU>
Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
OHearn <orpheus@in.the.shadows>
David Schwarm <dschwarm@sun3.lib.uci.edu>
James Stauffer <stauffer@pacbell.net>
Michael Stutz <stutz@dsl.org>
-*-
=========================================================================
Date: Sat, 30 Aug 1997 15:23:01 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Help,
is there any list of the cities they drove through in OTR
In-Reply-To: <v03007800b02dbb9f7c01@[160.45.231.7]>
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 8bit
Ciao Matthias,
in the novel OTR Sal & Dean travel:
===================================================
San Francisco (Mill City) - New York (Paterson)
-Oakland
-Tracy
-Manteca
-Madera
-Bakerfield
-Los Angeles
-Bakerfield
-Sabinal
-Madera
-Fresno
-Sabinal
-Los Angeles
-Indio, Arizona
-Blyte
-Salome
-Flagstaff, Arizona
-Dalhart, Texas
-St Louis, Missouri
-Columbus, Ohio
-Pittsburg, Pennsylvania
-Harrysburg
-New York
New York - San Francisco - New York
-Baltimore, Maryland
-Washington
-Richmond, Virginia
-Testament
-Dunn, North Carolina
-Macon, South Carolina
-Flomaton, florida
-Mobile, Alabama
-New Orleans, Lousiana
-Algiers
-Baton Rouge
-Port Allen
-Opelousas
-Starks
-Deweyville
-Beaumont, Texas
-Houston
-Fredericksburg
-Sonora
-El Paso, Texas
-Ozona
-Las Cruces, New Mexico
-Benson, Arizona
-Tucson, Arizona
-Fort Lowell
-Palm Springs, California
-Bakersfield
-Tulare
-Madera
-San Francisco
-New York
===============================================
i hope this is a bit help,
saluti cordiali da
Rinaldo.
Venezia-Mestre, Italia.
At 14.04 30/08/97 +0200,
Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>wrote:
>Hi there,
>
>does anybody have a list (or even a map on the disk) of all the cities they
>have gone through (is Tucson in Arizona included?).
>I4d need the information for my thesis.
>Thank you for you support in advance.
>
>Matthias (Berlin, Germany)
>
>
=========================================================================
Date: Sat, 30 Aug 1997 08:28:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Beats :The List updated 30th aug 1997 (b)
MIME-Version: 1.0
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Rinaldo Rasa wrote:
>
> Donald Allen
> ---
> Amari Baraka (Leroi Jones)
> ---
> Wallace Berman
> ---
> Paul Blackburn
> ---
> Robin Blaser
> ---
> Richard Brautigan
> ---
> Bonnie Bremser
> ---
> Ray Bremser
> ---
> Chandler Brossard
> ---
> Lenny Bruce
> ---
> Lord Buckley
> ---
> Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
> ---
> William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
> Frank Carmody,
> Will Dennison,
> Old Bull Lee"
>
> ---
> William S. Burroughs Jr.
> ---
> John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
> ---
> Caleb Carr
> ---
> Lucien Carr
> ---
> Paul Carroll
> ---
> Louis R Cartwright
> ---
> Carolyn Cassady
> ---
> Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
> ---
> Tom Clark [Paris Review]
> ---
> Andy Clausen
> ---
> Leonard Cohen
> ---
> Bruce Conner
> ---
> Gregory Corso "Raphael Urso, Yuri Glicoric"
> ---
> Robert Creeley [Black Mountain School]
> ---
> Henry Cru "Remi Boncoeur"
> ---
> Jay deFeo
> ---
> Diane DiPrima
> ---
> John Doe
> ---
> Kirby Doyle
> ---
> Edward Dorn [Black Mountain School]
> ---
> Robert Duncan [Black Mountain School]
> ---
> Bob Dylan
> ---
> Kenward Elmslie [Z]
> ---
> William Everson (Brother Antoninus)
> ---
> Larry Fagin [Adventures in Poetry]
> ---
> Richard Farina
> ---
> Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
> "Lorenzo Monsanto,
> Larry O'Hara
> Danny Richman"
> ---
> Charles Foster
> ---
> Robert Frank
> ---
> Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
> Alvah Goldbook, Leon
Levinsky
> Carlo Marx"
> ---
> John Giorno
> ---
> Morris Graves
> ---
> Brion Gysin
> ---
> Dave Hazelwood
> ---
> William Inge
> ---
> Wally Hedrick [Gallery Six]
> ---
> John Clellon Holmes
> ---
> Herbert Huncke
> ---
> Ted Joans [Jazz Poetry]
> ---
> Joyce Johnson
> ---
> Lenore Kandel
> ---
> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
> ---
> Robert Kelly
> ---
> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
> Leo Percepied, Ray
Smith,
> Jack, Peter Martin,
> Sal Paradise"
> ---
> Jan Kerouac
> ---
> Ken Kesey
> ---
> Franz Kline
> ---
> Seymour Krim
> ---
> Paul Krassner [Realist]
> ---
> Art Kunkin [Freep]
> ---
> Tuli Kupferberg [Birth]
> ---
> Joanne Kyger
> ---
> Philip Lamantia
> ---
> Jay Landesman
> ---
> Fran Landesman
> ---
> James Laughlin
> ---
> Denise Levertov
> ---
> Timothy Leary
> ---
> Lawrence Lipton
> ---
> Ron Loewinsohn
> ---
> Malcom Lowry
> ---
> Bill MacNeill
> ---
> Norman Mailer
> ---
> Gerard Malanga
> ---
> Edward Marshall
> ---
> Peter Martin
> ---
> Lewis McAdams
> ---
> Joanna McClure
> ---
> Michael McClure
> ---
> Taylor Mead
> ---
> David Meltzer
> ---
> Jack Micheline
> ---
> Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
> ---
> John Montgomery
> ---
> Shigeyoshi (Shig) Murao
> ---
> Harold Norse
> ---
> Frank O'Hara
> ---
> Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
> ---
> Peter Orlovsky
> ---
> Kenneth Patchen
> ---
> Thomas Parkinson
> ---
> Nancy Peters
> ---
> Stuart Z. Perkoff
> ---
> Charles Plymell
> ---
> Dan Propper
> ---
> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
> ---
> Theodore Roethke
> ---
> Hugh Romney
> ---
> Michael Rumaker
> ---
> Ed Sanders
> ---
> Mark Schorer
> ---
> Hubert Jr. Selby
> ---
> Gary Snyder
> ---
> Carl Solomon
> ---
> Jack Spicer
> ---
> Hunter Stockton Thompson
> ---
> Charles Upton
> ---
> Janine Pommy Vega
> ---
> Mark Tobey
> ---
> Alexander Trocchi
> ---
> Anne Waldman [St. Mark's Poetry Project, New York]
> ---
> Lewis Warsh
> ---
> Alan W. Watts
> ---
> Lew Welch
> ---
> Philip Whalen
> ---
> John Wieners
> ---
> Jonathan Williams
> ---
> William Carlos Williams
> ---
> Ruth Witt-Diamant [San Francisco's Poetry Center]
> -*-
>
> Hello!,
> i'm listing the beat generation
> (writers & painters & performers)
> & i begin with a list, everyone
> interested can propose a new name.
> http://www.gpnet.it/rasa/home.htm
> thanks,
> Rinaldo Rasa.
> 30th august 1997, Venice-Mestre, Italy.
>
> -*-
> the list of credits & comments:
>
> Walter Campbell <walter.campbell@usa.net>
> Timothy K. Gallaher <gallaher@HSC.USC.EDU>
> Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
> OHearn <orpheus@in.the.shadows>
> David Schwarm <dschwarm@sun3.lib.uci.edu>
> James Stauffer <stauffer@pacbell.net>
> Michael Stutz <stutz@dsl.org>
> -*-
i would add
james gauerholz
david ohle
p
=========================================================================
Date: Sat, 30 Aug 1997 10:36:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Help,
is there any list of the cities they drove through in OTR
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Rinaldo Rasa wrote:
>
> Ciao Matthias,
>
> in the novel OTR Sal & Dean travel:
>
> ===================================================
> San Francisco (Mill City) - New York (Paterson)
>
> -Oakland
> -Tracy
> -Manteca
> -Madera
> -Bakerfield
> -Los Angeles
> -Bakerfield
> -Sabinal
> -Madera
> -Fresno
> -Sabinal
> -Los Angeles
> -Indio, Arizona
> -Blyte
> -Salome
> -Flagstaff, Arizona
> -Dalhart, Texas
> -St Louis, Missouri
> -Columbus, Ohio
> -Pittsburg, Pennsylvania
> -Harrysburg
> -New York
>
> New York - San Francisco - New York
>
> -Baltimore, Maryland
> -Washington
> -Richmond, Virginia
> -Testament
> -Dunn, North Carolina
> -Macon, South Carolina
Rinaldo, on this line, I am sure they came through South Carolina. But,
I would have thought that Macon would be Macon, Gerogia. I will have to
look to see if we have a Macon in South Carolina.
> -Flomaton, florida
> -Mobile, Alabama
> -New Orleans, Lousiana
> -Algiers
> -Baton Rouge
> -Port Allen
> -Opelousas
> -Starks
> -Deweyville
> -Beaumont, Texas
> -Houston
> -Fredericksburg
> -Sonora
> -El Paso, Texas
> -Ozona
> -Las Cruces, New Mexico
> -Benson, Arizona
> -Tucson, Arizona
> -Fort Lowell
> -Palm Springs, California
> -Bakersfield
> -Tulare
> -Madera
> -San Francisco
> -New York
> ===============================================
> i hope this is a bit help,
> saluti cordiali da
> Rinaldo.
> Venezia-Mestre, Italia.
> >
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 30 Aug 1997 12:51:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Re: happy birthday, bird
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>Before the day is out and all this discussion moves away from Charley Parker,
>I just want to say today is Bird's birthday... so get out your old scratched
>up vinyl and listen to this genius.
Thanks for the reminder, diane! Put on some of the old scratchy vinyl last
night after reading your message and then sat outside in front of a small
campfire, jupiter, milky way, countless stars above and Birds sax drifting
out skyward from the open window.
>Don ended up in New York, living with Charley's "woman" Chan on 52nd Street
>for a while, and got into the same old habits all all the rest of them. He
>ran with Bird and Fats and everyone else, shared needles, did time, and was
>responsible for recording many of the tapes that came out of those years that
>were eventually made into the records of sessions and sold on various labels.
I'm listening now to "Bird is Free' "recorded in early 1950 at a
concert-dance in New York City by a close friend." Maybe Don?
Synchronisity. Just happened to have it on when reading your note.
And in Gerry's "Memory Babe" page 207 he writes of Parker and Kerouac and
Symphony Sid, the Royal Roost club and how "Bird was certainly Jack's
favorite jazzman."
It all connects through time, space and creativity.
Michael
=========================================================================
Date: Sat, 30 Aug 1997 01:23:01 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Pre-recorded? (for David Rhaesa & Diane Carter)
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>Arthur Nusbaum wrote:
> This topic, which I see you grappling with, is in my
> opinion one of the most constant and complex threads running through
> the
> whole WSB ouvre. On the one hand, he has stated that his intention was
> to
> subvert the pre-recorded universe through cutups, and that he has
> "succeeded
> to some modest extent" if I'm quoting him correctly. But, as DC has
> been
> pointing out, it gets very tricky- how can we possibly circumscribe the
> perimeters of the pre-recorded universe, comprehend its limits if any?
> Couldn't the subversive discovery, the "happy accident" be part of the
> script? This is where I have an idea, based on further WSB statements
> and my
> own small experience with cutups. They are potentially a key INTO the
pre-recorded universe, not so much a way OUT of it...
> This epiphany came after the fact, he could not change history
> (subvert the
> pre-recorded universe) but he could UNDERSTAND it better in retrospect.
It has taken me a week to get back to you on this, but what I found
illuminating in your analysis was that Burroughs words are a key INTO the
pre-recorded universe and can serve as a guide for understanding as
opposed to a map or way out of the pre-recorded universe. Does that then
mean that cut-ups lead to new ways of seeing and understanding, that they
are in fact "happy accidents?" It seems to boil down to the fact that if
Burroughs believed in a one-God universe, it was conversely a God playing
with creation in the same way that Burroughs as a writer created and
played with his universe of words.
DC
=========================================================================
Date: Sat, 30 Aug 1997 01:34:11 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Naked Lunch: Benway
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> RACE wrote:
> I see WSB in Naked Lunch as writing for something like "The Carol
> Burnett Show from HELL!" - (with a big smile after the hell) If you
> take what was "the edge" of acceptable humor and push it back across
> the
> board to where it is considered mundane and straight dramatics and then
> employ the same "sketch" technique (a talent only WSB has been able to
> master it seems) a whole new form of humor erupts. Those who miss the
> humor pigeonhole the writings under categories of "Apocalyptic
> Literature" and whatnot. Missing the whole game of this routine - the
> joy and laughter of it all ---- afterall should a Naked Lunch being a
> sombre ritual????
Back to the Joselito scene that I still fail to comprehend, I think. The
humor part for me comes when he says,
"The doctor grabs Carl's cock, leaping into the air with a coarse peasant
gaffaw. His European smile ignores the misbehavior of a child or an
animal. He goes on smoothly in his eerily unaccented, disembodied
English. 'Our Old Faithful Bacillus Koch.' The doctor clicks his heels
and bows his head. 'Otherwise they would multiply their stupid peasant
asshole into the sea, is it not?' He shrieks, thrusting his face into
Carl's. Carl retreats sideways with the grey wall of rain behind him."
Definitely a far cry from Carol Burnett.
DC
=========================================================================
Date: Sat, 30 Aug 1997 14:00:42 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: mother
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mother do you think they'll drop the bomb?
mother do you think they'll like this song?
mother do you think they'll try to break my balls?
mother should i build the wall?
mother should i run for president?
mother should i trust the government?
mother will they put me in the firing line?
mother am i really dying?
hush now baby, baby, don't you cry.
mother's gonna make all your nightmares come true.
mother's gonna put all her fears into you.
mother's gonna keep you right here under her wing.
she won't let you fly, but she might let you sing.
mama will keep baby cozy and warm.
ooooh baby ooooh baby ooooh baby,
of course mama'll help to build the wall.
mother do you think she's good enough -- to me?
mother do you think she's dangerous -- to me?
mother will she tear your little boy apart?
mother will she break my heart?
hush now baby, baby don't you cry.
mama's gonna check out all your girlfriends for you.
mama won't let anyone dirty get through.
mama's gonna wait up until you get in.
mama will always find out where you've been.
mama's gonna keep baby healthy and clean.
ooooh baby ooooh baby ooooh baby
you'll always be baby to me.
mother, did it have to be so high?
~cya randy
thanx to pink floyd lyrics page
=========================================================================
Date: Sat, 30 Aug 1997 13:43:18 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Kicks Joy Darkness
On Thu, 28 Aug 1997 22:39:14 -0500 Richard Schlimm
<rschlimm@MAIL.WISCNET.NET> writes:
>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness
>(besides
>ordering it off the internet)? is it available in some music stores?
>does
>anyone have it? is it any good?
>
I picked it up the only two copies at a local record shop in Omaha. If
you avoid the chain stores and find a speciaalty record shop with a good
spoken word section, you shouldn't have any problem. And it is great. A
must have in my personal collection.
Allen, William, Michael Stipe, Richard Lewis and many more all do a
great job. (Everyone except Julianna Hatfield, who must die. She does
"Silly Goofball Poems" and everytime it is on in my apartment, my friends
and I make a mad dash to the cd player to skip the track when it comes
up.) (Goes along witht he theory that all great compilation cds must
have one, token horrible track.)
Good luck. I think you will enjoy.
Brian M. Kirchhoff
howl 420@juno.com
"I am the perfect man...the Buddha of this world!"
-Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)
(this poem is done in it's entirity by allen on the kjd disc. one of the
best tracks of allen reading someone else's work i have ever heard.)
=========================================================================
Date: Sat, 30 Aug 1997 12:18:29 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Ken Kesey
On Wed, 27 Aug 1997 19:43:28 -0400 Carl A Biancucci <carl@WORLD.STD.COM>
writes:
>There is a small article on Kesey in the latest ish of
>Q Magazine (UK rock mag)
>
I don't know if any of you out there are familiar with Phish, but I just
got back from following them for the last month and at the Buffalo, New
York show, Ken showed up with the Further bus. He signed autographs and
hung out in the lots before the show and performed with Phish during the
show. (He was on a quest to find the long lost Bozos. We found 'em that
night.)
I was lamenting the fact that I never met either Ginsberg or Burroughs
before their recent deaths just before I left. It was cool to meet
Kesey. It was amazing to see Kesey and Phish come together on stage. It
almost felt like a Dead show that night.
Brian M. Kirchhoff
howl420@juno.com
"I am the perfect man...the Buddha of this world!"
-Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)
"Can't this wait 'til I'm old? Can't I live while I'm young?"
-Phish, Chalkdust Torture, Picture of Necter
=========================================================================
Date: Sat, 30 Aug 1997 12:56:15 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Who's Who in Beat Lit...
Comments: To: ek242@cleveland.Freenet.Edu
not just cut up, but butchered:
On Thu, 28 Aug 1997 15:24:35 -0400 "Diane M. Homza"
<ek242@cleveland.Freenet.Edu> writes:
>Reply to message from gallaher@hsc.usc.edu of Thu, 28 Aug
>Correct me if I'm wrong but I believe On the Road was written
>there. (in the flat)
-I thought that it was written at the YMCA in Chicago. I don't know
where I heard that, but while living in Chicago, someone got that in my
head and we always paid homage to that building as we passed it. If
anyone knows for sure, I would appreciate the info.
Brian M. Kirchhoff
howl420@juno.com
"I am the perfect man...the Buddha of this world!"
-Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)
=========================================================================
Date: Sat, 30 Aug 1997 16:16:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: New Picture of Jack!
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Our web page is getting better every day! Today we have provided a new link
that will bring you to a new picture of Jack Kerouac. This picture shows
Jack in all his dark beauty. Go to:
http://www.freeyellow.com/members/upstartcrow/page1.html
Then click on the appropriate link called:
"New Picture of Jack" or something to that effect. Enjoy and Happy Labor Day
weekend to our American readers! Regards, Paul of TKQ.....
=========================================================================
Date: Sat, 30 Aug 1997 17:45:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: Rinaldo: Books into movies, additions to your List
Comments: cc: 74067.3712@compuserve.com
Dear Rinaldo:
I agree with your choices of films that did justice to, or even, as in the
case of "The Shining", were better than, the books from which they were
derived. In my opinion (and this is indeed a highly opinionated topic, a
matter of individual taste and perspective) there are 3 basic categories of
films made from books. The vast majority are to one degree or another
failures, unsuccessfully condensing & evoking the books. Some are noble
failures (like the film version of NAKED LUNCH), and it's not surprising that
most films fall short of the daunting task of translating a different and in
some ways deeper medium- the untranslatable, apples into oranges. In the
second category, one out of perhaps 100 efforts take on a life of their own,
departing from the books to a large extent and standing by themselves,
achieving the status of works in their own right, sometimes superior to or in
any case inspired beyond the books they are loosely based on. "The Shining"
is such a film, and another Kubrick classic, his version of Nabokov's LOLITA,
is another- I found the experiences of reading the book and watching the
movie totally different, but both very satisfying. "White Mischief"
completely departs from the factual account of the twilight of decadent
British colonial arstocracy in Kenya on which it is loosely based, and is an
overlooked gem of character study (especially of the cuckolded nobleman
played by Joss Ackland) not quite buried in digressive Hollywood glitz. The
third and rarest category is that of films that so closely capture the spirit
of the books they are based on that the experience of either reading the book
or watching the movie is almost identical. I am aware of only 2 films that I
think fall into this category- "Midnight Cowboy", based on the novel by
James Leo Herlihy, and "The Day of the Locust", based on the novel by
Nathaniel West. Both were directed by John Schlesinger, who ironically has
captured quintessentially American stories although he is British. If you
have not already, I urge you to read and see both versions of both works.
As long as I'm on the subject of Herlihy and West, I think that they should
be added to your list-in-progress. Neither are squarely in the Beat category
technically, but if Malcolm Lowry is on the list, so should they be. West
died in 1940, but his works, especially MISS LONELYHEARTS and THE DAY OF THE
LOCUST, evoke an unblinkingly truthful view of the American Nightmare that is
a foundation and precursor of the Beat vision. The same is true of Herlihy,
I have only read MIDNIGHT COWBOY by him but it is a courageous masterpiece.
It is almost contemporary with Selby's LAST EXIT TO BROOKLYN, with which it
closely relates. The common thread among these authors and the Beats is the
discarding of societal norms and illusions (in West & Herlihy's case they set
up characters who believe in and depend on media-induced illusions and are
then destroyed or at least greatly hurt by the truth behind them), and,
sometimes, the possibility of redemption by the attainment of real human
connections and values beyond the chasing of mirages. Speaking of Lowry &
Selby, I would consider the film versions of UNDER THE VOLCANO and LAST EXIT
TO BROOKLYN both barely making it into the second category, failing to evoke
the cinematically unevokable spirit of the great works on which they are
based, but worthwhile separately on their own terms.
I agree with Diane De Rooy that ON THE ROAD and the Beats in general "can't
be done on film", it isn't likely that this new upcoming effort will beat the
statistics, especially if the usual currently popular crop of actors and
directors control it. I would vote for Schlesinger to come closest to the
actual book, or David Lynch and maybe a few others to create something
separate from it but worthy in itself. I am friends with a local young
artist and film director, James Bonner, who I believe could successfully
tackle a Beat subject. He is interested in the lives and works of the Beats,
but is now concentrating on writing original scripts to direct.
Regards,
Arthur
=========================================================================
Date: Sat, 30 Aug 1997 18:04:33 EST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: LYSDEXIC <breithau@KENYON.EDU>
Subject: Re: happy birthday, bird
Here's yet another bit of Bird trivia. A few years back, I was working in one
of the last Womrath chains of bookstores in NYC (1989) located on Madison
Avenue and East 84th Street. One day I aswered the phone and haerd an elderly
voice say, "this is the Baronese of Weehawken!" Thinking it was a freind
calling and trying to fug with my mind, I said something stupid like, "amd I'm
the Duke of Vice," and hung up. A few minutes later she called back, "this is
the Baronese..." So this time I got the owner who said, "oh, the Baronese!"
I was later told that the woman calling was a patron of the arts, the very
woman in whose apartment on Fifth Ave (in the Stanhope, I think it was) where
the Bird died.
Does anybody know anything about the Baronese (Baronesse?) of Weehawken, or was
the whole world just friggin with my head?
Dave B.
=========================================================================
Date: Sat, 30 Aug 1997 17:59:24 -0500
Reply-To: christi@tor.hookup.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: heath <christi@TOR.HOOKUP.NET>
Subject: Naked Lunch on CBC
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I've been lurking on BEAT-L a few weeks and I wanted to drop a note to
mention to any Canadians on the list that Naked Lunch will be aired on
CBC Saturday, September 6.
Take care,
Heather
=========================================================================
Date: Sat, 30 Aug 1997 18:26:42 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Rinaldo: Books into movies, additions to your List
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At 05:45 PM 8/30/97 -0400, you wrote:
>Dear Rinaldo:
>
>I agree with your choices of films that did justice to, or even, as in the
>case of "The Shining", were better than, the books from which they were
>derived. In my opinion (and this is indeed a highly opinionated topic, a
>matter of individual taste and perspective) there are 3 basic categories of
>films made from books. The vast majority are to one degree or another
>failures, unsuccessfully condensing & evoking the books. Some are noble
>failures (like the film version of NAKED LUNCH), and it's not surprising that
>most films fall short of the daunting task of translating a different and in
>some ways deeper medium- the untranslatable, apples into oranges. In the
>second category, one out of perhaps 100 efforts take on a life of their own,
>departing from the books to a large extent and standing by themselves,
>achieving the status of works in their own right, sometimes superior to or in
>any case inspired beyond the books they are loosely based on. "The Shining"
>is such a film, and another Kubrick classic, his version of Nabokov's LOLITA,
>is another- I found the experiences of reading the book and watching the
>movie totally different, but both very satisfying. "White Mischief"
>completely departs from the factual account of the twilight of decadent
>British colonial arstocracy in Kenya on which it is loosely based, and is an
>overlooked gem of character study (especially of the cuckolded nobleman
>played by Joss Ackland) not quite buried in digressive Hollywood glitz. The
>third and rarest category is that of films that so closely capture the spirit
>of the books they are based on that the experience of either reading the book
>or watching the movie is almost identical. I am aware of only 2 films that I
>think fall into this category- "Midnight Cowboy", based on the novel by
>James Leo Herlihy, and "The Day of the Locust", based on the novel by
>Nathaniel West. Both were directed by John Schlesinger, who ironically has
>captured quintessentially American stories although he is British. If you
>have not already, I urge you to read and see both versions of both works.
>
>As long as I'm on the subject of Herlihy and West, I think that they should
>be added to your list-in-progress. Neither are squarely in the Beat category
>technically, but if Malcolm Lowry is on the list, so should they be. West
>died in 1940, but his works, especially MISS LONELYHEARTS and THE DAY OF THE
>LOCUST, evoke an unblinkingly truthful view of the American Nightmare that is
>a foundation and precursor of the Beat vision. The same is true of Herlihy,
>I have only read MIDNIGHT COWBOY by him but it is a courageous masterpiece.
> It is almost contemporary with Selby's LAST EXIT TO BROOKLYN, with which it
>closely relates. The common thread among these authors and the Beats is the
>discarding of societal norms and illusions (in West & Herlihy's case they set
>up characters who believe in and depend on media-induced illusions and are
>then destroyed or at least greatly hurt by the truth behind them), and,
>sometimes, the possibility of redemption by the attainment of real human
>connections and values beyond the chasing of mirages. Speaking of Lowry &
>Selby, I would consider the film versions of UNDER THE VOLCANO and LAST EXIT
>TO BROOKLYN both barely making it into the second category, failing to evoke
>the cinematically unevokable spirit of the great works on which they are
>based, but worthwhile separately on their own terms.
>
>I agree with Diane De Rooy that ON THE ROAD and the Beats in general "can't
>be done on film", it isn't likely that this new upcoming effort will beat the
>statistics, especially if the usual currently popular crop of actors and
>directors control it. I would vote for Schlesinger to come closest to the
>actual book, or David Lynch and maybe a few others to create something
>separate from it but worthy in itself. I am friends with a local young
>artist and film director, James Bonner, who I believe could successfully
>tackle a Beat subject. He is interested in the lives and works of the Beats,
>but is now concentrating on writing original scripts to direct.
>
>Regards,
>
>Arthur
>
>
The films of One Flew Over The Cuckoo's Nest and The English Patient
are BETTER than the books they were based on. I'm sure these are not
the only instances of films that are better than material they were
adapted from. John Von Druten's play of isherwood's Berlin Stories
is its equal, and Cabaret is an improvement.
Mike Rice
=========================================================================
Date: Sat, 30 Aug 1997 18:51:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "L.W. Deal" <RoadSide6@AOL.COM>
Subject: Jim Carroll & Jack
Forgive me if I'm rehashing old news, but I'm only a few months new to the
List... Anyhow, that aside, I was perusing the net this morning and happened
upon THE BOOKSMITH Bookstore site where there's an interview posted with the
brilliant Jim Carroll (interviewed by Thomas Gladysz). At the tail end of the
script, Carroll talks about his first meeting w/ Kerouac, shortly before his
death...
>>>> "It was hard to get past Kerouac's wife, you know. Guys would
come to visit him all the time. He didn't like hippies, and he was real
conservative toward the end of his life. His wife kept anyone away from the
door who came to make this pilgrimage type of thing with a copy of On the
Road. If she did let you in, he might wind up getting high and go on a three
day
drunk, and she wanted to prevent that at all cost. Ted had trouble getting in
the
first time he went up there. This was with Aram Saroyan and Duncan
McNaughton, I think, to do The Paris Review interview.
Coming back from Maine - where we were staying with this guy from the Fugs,
Lee Crabtree - Ted and I were hitchhiking down the coast to Cambridge to do a
reading. We were not too far from Lowell, so Berrigan said, "Let's stop off
and
see Jack." We got there and his wife was very nice and let us in. But he was
in
bad shape and very crotchety. It really didn't go well except that he had
read The
World, this mimeographed magazine from St. Marks. It was a poetry magazine,
except that they had this prose issue. The story usually goes that he read
them
(The Basketball Diaries) in The Paris Review, but that didn't come out until
after he died. What I did was send him the manuscript.
He liked me in a certain way - maybe because I wasn't too hippie-ish. This
was
a time in his life when he was advocating William F. Buckley for president -
so
you can't really trust the things he was saying. Politics was one thing with
him,
he was on surer ground with his writing.
I got to see him again in New York, between six and eight months before he
died. He had to come into New York once in a while to see his agent. He was
at
Larry Rivers' house, and of course he was surrounded by all his old friends.
I
went up to him, and he said he had gotten the manuscript. He said he would
write me a letter of introduction. I didn't want to publish the book then. I
wanted
to establish myself not as a street writer, but as a poet. What he was
essentially
doing was giving me a blurb. When I did decide to publish The Basketball
Diaries, Anne Waldman solicited a blurb from Burroughs for the jacket of the
original edition.
Kerouac sent me this letter, and said, if your publisher wants a blurb, here.
I feel
funny about blurbs. Myself, I don't like to use them. But now, I get sent
books
from people who want blurbs, and I feel like I should reciprocate. Maybe it
is
bad form not to, but I usually don't do it. I try to avoid it. Certainly,
that quote
from Kerouac has been wonderful for me. I feel he was being very generous. I
know he wouldn't have written it if he hadn't liked the work; I think he felt
I was
carrying on a certain spirit that was influenced by him. He thought I was
carrying
a torch, and in a spiritual sense, I was.
I hadn't in fact read Kerouac when I wrote The Basketball Diaries. I didn't
read
On the Road or even Dharma Bums. I read The Town and The City first, which
was his first novel and pretty straightforward in form. I hadn't read him and
I
hadn't read Burroughs - but I had read Ginsberg by the time I got to the
middle
part of the book as well as Frank O'Hara and John Ashberry and all the poets
in
the Donald Allen anthology.<<<<
The site's address is: www. home.forbin.com/laverne/carroll/kerouac.html
Kisses & Starfishes from Seattle
L
=========================================================================
Date: Sat, 30 Aug 1997 18:47:40 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Judith Campbell <judith@BOONDOCK.COM>
Subject: Re: Jim Carroll & Jack
In-Reply-To: <970830185009_1648584289@emout15.mail.aol.com>
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At 06:51 PM 8/30/97 L.W. Deal wrote:
>Forgive me if I'm rehashing old news, but I'm only a few months new to the
>List... Anyhow, that aside, I was perusing the net this morning and happened
>upon THE BOOKSMITH Bookstore site where there's an interview posted with the
>brilliant Jim Carroll (interviewed by Thomas Gladysz). At the tail end of the
>script, Carroll talks about his first meeting w/ Kerouac, shortly before his
>death...
>
(interview snipped)
>
>The site's address is: www. home.forbin.com/laverne/carroll/kerouac.html
That url doesn't work, but I found the interview at:
http://www.booksmith.com/reader/carroll.html
Judith
=========================================================================
Date: Sat, 30 Aug 1997 19:02:21 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
In-Reply-To: <970829123705_1412377946@emout16.mail.aol.com>
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I was thinking some of the cast of the film The Usual Suspects (Stephen
Baldwin as Dean, Gabriel Byrne as Corso (if indeed he appears in the book,
i cant remember), Kevin Spacey as Sal) could appear in the film. Then cast
John Turturro as Allen Ginsberg, Christopher Walken as Old Bull Lee. Julia
Roberts as Dean's wife. Wait, what about Dennis Hopper as Bull Lee? i know
he's getting old...
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Sat, 30 Aug 1997 19:09:40 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR Chris Isaak: Sal, Michael Stipe: Dean
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Sinverg=FCenza wrote:
>=20
Wait, what about Dennis Hopper as Bull Lee?=20
I think sean penn would make a good Bull Lee, if he played him with
elegance and craft. Oh my god what have i done. Entered into this
casting thread, help, help. before i decide credit font.
p
p
=========================================================================
Date: Sat, 30 Aug 1997 20:29:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR film
Comments: To: James Stauffer <stauffer@pacbell.net>
In-Reply-To: <3404ED71.788F@pacbell.net>
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It has to be understood that any film version of a novel can only contain
parts of that novel. Thats why they are called adaptations. I saw a
copy of the early script for OTR last year (a street vendor in the
village regularly sells movie scripts and had an OTR one). It seemed
good but many of you wouldnt like it if overly devoted to the book.
The movie is going to focus almost entirely on the Sal/Dean story.
Consequently most of part one of OTR will not be in the film. The story
of Kerouac's first trip west, Cheyenne, Denver, working as a guard in
Frisco, living in the fields picking cotton with the mexican girl Terry.
All great scenes, but no Neal/Dean in them, so not likely to make the cut
in a two hour movie. Terry, Minnesota Slim, Remi Bonceur etc are also
all extraneous characters that would be too confusing and for which there
would be no time in a two hour film to flesh them out.
Consequently it remains to be seen if there is a way to do justice to OTR
in two hours. The script I saw focuses almost entirely on Sal, Dean, and
Carlo Marx (the Ginsberg character), and enlarges the role of the
Old Bull Lee (Burroughs) character. In fact the first scenes in the
script are of those four characters in NYC, when Cassady first arrives
(an inaccuracy since Burroughs was already on the run from NYC by then
and living in Texas)
But any movie adaptation has to take literary license like that. Lets
just hope that Coppola does it well.
RJW
=========================================================================
Date: Sat, 30 Aug 1997 20:38:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Beat books
In-Reply-To: <199708290719.AAA14245@hsc.usc.edu>
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Took a trip over to the venerable Strand used book store today. In rare
book dept, they have two interesting items:
1. A first edition, in excellent condition btw, of "Town and the City"
Looks like new but lacks dust jacket. $70 Interesting because the author
is listed as "John Kerouac"
2. A first edition of a scholarly beat book I'd never heard of from the
late 50's called "Holy Barbarians" by Lawrence Lipton. Anyone ever read
this?. Most of the major beat writers are quoted or interviewed in
it. Jack Kerouac is a glaring absence though. He is rarely even referred
to except in an interview with Ginsberg and Gregory Corso, who mention
Kerouac in every answer to every question. Since this book was likely
only written because of OTR popularity, I can only surmise that Kerouac
refused to cooperate with the project and the author punished him by
virtually writing him out of his beat history.
I had no money to buy this book so Im interested in hearing if anyone has
read it. Lipton had a generational age difference with the beat subjects
he wrote about so just from flipping through it, it seems like he might
have viewed it more as a cult and one-time social phenomenon than
anything potentially lasting. But as I said I havent read it.
RJW
=========================================================================
Date: Sat, 30 Aug 1997 20:39:03 EST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: LYSDEXIC <breithau@KENYON.EDU>
Subject: Re: OTR film
I think Eddie Murphy should play all the parts.
=========================================================================
Date: Sat, 30 Aug 1997 21:47:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: happy birthday, bird
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In a message dated 97-08-30 12:53:50 EDT, Michael Czarnecki wrote:
<< I'm listening now to "Bird is Free' "recorded in early 1950 at a
concert-dance in New York City by a close friend." Maybe Don?
>>
You know, growing up with Don Lanphere, I just always thought he was kind=
a
ordinary, except he was cool about drugs in the Sixties when grown-ups
weren't cool about drugs. I heard him jam in the basement of the Belmont
Music store with other jazz players he'd bring in from out of town, and n=
ever
thought he was anything special. He was the first sax player I'd ever hea=
rd
demonstrating the "form." I just figured everyone played like that.
Only later, when I began my jazz education (thanks to Don and local beatn=
ik
record store owner, Bob Godfrey, a boyhood chum of Don's there in Wenatch=
ee)
did I realize how special he was. He makes it look easy, like all the gre=
ats
do and did.
I finally got around to interviewing Don formally for a couple stories I =
did
on him back in 1994. Only then did I realize the extent of his associatio=
n
with the Chicago and Kansas City beboppers and the denizens of 52nd Stree=
t. I
hadn't realized until then that he'd also played with Woody Herman (was o=
ne
of the Four Brothers), nor had I realized that he was one of the many peo=
ple
lugging a reel-to-reel tape recorder around everywhere (which was a major
reason why Bird would always make certain he included Don. He'd say, "We'=
re
playing at the Baby Grand... come on down and bring your recorder.") And =
Don,
who was just 17 or 18 years old then, would always show up and record, an=
d
sometimes he played.
Out of curiosity today, I did a web search for Don Lanphere and found a l=
ot
of stuff. Here's a bit of bio:
.......................
Don Lanphere began playing the saxophone at the age of eight after listen=
ing
to jazz artists Duke Ellington and Louis Armstrong at his father's music
store in Wenatchee, WA. By the age of 12 he was a featured soloist with D=
ick
Jurgens and at 17 with the Jimmy Lunceford band.
=A0 =A0 =A0 =A0 By 1948 Lanphere had landed in the legendary 52'nd Street=
jazz scene,
recording with legends Fats Navarro and Charlie Parker in New York. Years
later, looking for a change from the fast-paced drug-influenced New York =
jazz
scene, Lanphere returned to the Northwest.
......................
Then, I found a discography for Parker and on this album, on a cut writte=
n by
Miles Davis, I found Don had a sax credit:
BIRD'S EYES, Volume 12
(Philology W 842.2; TT =3D 74:01)
(e) Half Nelson (M. Davis)..........2:51
Recorded June 1950 at Jimmy Knepper's home, New York:
Jon Nielson trumpet
Jimmy Knepper trombone
Charlie Parker alto saxophone
Joe Maini alto saxophone
Don Lanphere tenor saxophone
Al Haig piano
Frank Isola drums
...................................
This is really cool. I'm not sure even Don knows he's listed here.
For a long time I've been meaning to ask Don if he ever met Kerouac. Also=
,
there's a play running here in Seattle called "Kerouac: The essence of Ja=
ck,"
and it features a lone sax player accompaniment to the actor's monologs, =
with
a "bebop" trio on weekends. It's a great play, by the way, and it's being
held over for the millionth time until the first week of October. Anyway,
I've been thinking how incredible it could be to try to put Don together =
with
playwright/actor Vince Balestri, and see if Don can sit in and riff on
kerouac some night.
So now I'm gonna do all these things and get back to anyone who's interes=
ted.
I think there are even fewer living beboppers than Beats today. Anyone kn=
ow
where anyone else is hanging out? gigging?
If you want more information about the Kerouac play in Seattle, drop me a
note. I actually wrote a review of it which I would send to anyone
interested.
diane de rooy
=========================================================================
Date: Sat, 30 Aug 1997 22:10:11 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: Beats :The List updated 30th aug 1997 (b)
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Content-Type: text/plain; charset="us-ascii"
And Ruth Weiss -- early jazz poet, helped organize Cellar readings; also
integrated jazz readings with film, ie, "the Brink". She's published 8
collections of poems as well.
>Donald Allen
>---
>Amari Baraka (Leroi Jones)
>---
>Wallace Berman
>---
>Paul Blackburn
>---
>Robin Blaser
>---
>Richard Brautigan
>---
>Bonnie Bremser
>---
>Ray Bremser
>---
>Chandler Brossard
>---
>Lenny Bruce
>---
>Lord Buckley
>---
>Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
>---
>William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
> Frank Carmody,
> Will Dennison,
> Old Bull Lee"
>
>---
>William S. Burroughs Jr.
>---
>John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
>---
>Caleb Carr
>---
>Lucien Carr
>---
>Paul Carroll
>---
>Louis R Cartwright
>---
>Carolyn Cassady
>---
>Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
>---
>Tom Clark [Paris Review]
>---
>Andy Clausen
>---
>Leonard Cohen
>---
>Bruce Conner
>---
>Gregory Corso "Raphael Urso, Yuri Glicoric"
>---
>Robert Creeley [Black Mountain School]
>---
>Henry Cru "Remi Boncoeur"
>---
>Jay deFeo
>---
>Diane DiPrima
>---
>John Doe
>---
>Kirby Doyle
>---
>Edward Dorn [Black Mountain School]
>---
>Robert Duncan [Black Mountain School]
>---
>Bob Dylan
>---
>Kenward Elmslie [Z]
>---
>William Everson (Brother Antoninus)
>---
>Larry Fagin [Adventures in Poetry]
>---
>Richard Farina
>---
>Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
> "Lorenzo Monsanto,
> Larry O'Hara
> Danny Richman"
>---
>Charles Foster
>---
>Robert Frank
>---
>Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
> Alvah Goldbook,
>Leon Levinsky
> Carlo Marx"
>---
>John Giorno
>---
>Morris Graves
>---
>Brion Gysin
>---
>Dave Hazelwood
>---
>William Inge
>---
>Wally Hedrick [Gallery Six]
>---
>John Clellon Holmes
>---
>Herbert Huncke
>---
>Ted Joans [Jazz Poetry]
>---
>Joyce Johnson
>---
>Lenore Kandel
>---
>Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
>---
>Robert Kelly
>---
>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
> Leo Percepied, Ray
>Smith,
> Jack, Peter Martin,
> Sal Paradise"
>---
>Jan Kerouac
>---
>Ken Kesey
>---
>Franz Kline
>---
>Seymour Krim
>---
>Paul Krassner [Realist]
>---
>Art Kunkin [Freep]
>---
>Tuli Kupferberg [Birth]
>---
>Joanne Kyger
>---
>Philip Lamantia
>---
>Jay Landesman
>---
>Fran Landesman
>---
>James Laughlin
>---
>Denise Levertov
>---
>Timothy Leary
>---
>Lawrence Lipton
>---
>Ron Loewinsohn
>---
>Malcom Lowry
>---
>Bill MacNeill
>---
>Norman Mailer
>---
>Gerard Malanga
>---
>Edward Marshall
>---
>Peter Martin
>---
>Lewis McAdams
>---
>Joanna McClure
>---
>Michael McClure
>---
>Taylor Mead
>---
>David Meltzer
>---
>Jack Micheline
>---
>Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
>---
>John Montgomery
>---
>Shigeyoshi (Shig) Murao
>---
>Harold Norse
>---
>Frank O'Hara
>---
>Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
>---
>Peter Orlovsky
>---
>Kenneth Patchen
>---
>Thomas Parkinson
>---
>Nancy Peters
>---
>Stuart Z. Perkoff
>---
>Charles Plymell
>---
>Dan Propper
>---
>Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
>---
>Theodore Roethke
>---
>Hugh Romney
>---
>Michael Rumaker
>---
>Ed Sanders
>---
>Mark Schorer
>---
>Hubert Jr. Selby
>---
>Gary Snyder
>---
>Carl Solomon
>---
>Jack Spicer
>---
>Hunter Stockton Thompson
>---
>Charles Upton
>---
>Janine Pommy Vega
>---
>Mark Tobey
>---
>Alexander Trocchi
>---
>Anne Waldman [St. Mark's Poetry Project, New York]
>---
>Lewis Warsh
>---
>Alan W. Watts
>---
>Lew Welch
>---
>Philip Whalen
>---
>John Wieners
>---
>Jonathan Williams
>---
>William Carlos Williams
>---
>Ruth Witt-Diamant [San Francisco's Poetry Center]
>-*-
>
>Hello!,
>i'm listing the beat generation
>(writers & painters & performers)
>& i begin with a list, everyone
>interested can propose a new name.
>http://www.gpnet.it/rasa/home.htm
>thanks,
>Rinaldo Rasa.
>30th august 1997, Venice-Mestre, Italy.
>
>-*-
>the list of credits & comments:
>
>Walter Campbell <walter.campbell@usa.net>
>Timothy K. Gallaher <gallaher@HSC.USC.EDU>
>Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
>OHearn <orpheus@in.the.shadows>
>David Schwarm <dschwarm@sun3.lib.uci.edu>
>James Stauffer <stauffer@pacbell.net>
>Michael Stutz <stutz@dsl.org>
>-*-
=========================================================================
Date: Sat, 30 Aug 1997 19:50:39 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Rinaldo: Books into movies, additions to your List
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Mike Rice wrote
John Von Druten's play of isherwood's Berlin Stories
> is its equal, and Cabaret is an improvement.
>
> Mike Rice
Mike, I would differ on this, admittedly far from beat thread. The Sally
Bowles of "Stories" is a much richer character than the fluffy feel good
girl of Cabaret. The "Stories", as stories, have less structure, but
are incomparably more honest about that peculiar time before Hitler and
about humanity.
Did like Arthur's take on Lolita. I love that film, but I don't think
it stands quite on the same level as the book.
J. Stauffer
=========================================================================
Date: Sat, 30 Aug 1997 20:00:08 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Lawrence Lipton, etc
MIME-Version: 1.0
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>
> 2. A first edition of a scholarly beat book I'd never heard of from the
> late 50's called "Holy Barbarians" by Lawrence Lipton. Anyone ever read
> this?.
It has been too long since I looked at this book to remember it well.
Lipton was a significant precense on the LA scene--in a way an analogy
to Rexroth in SF. Holy Barbarians was one of those attempts by
someone with some academic connections to explain Beat to the squarer
academic world--like Parkinson's Casebook on the Beat.
LA beat, Venice Beat, has always gotten sort of short shrift since
Ginsberg so completely owned the movement from a public relations point
of view.
J. Stauffer
=========================================================================
Date: Sat, 30 Aug 1997 23:37:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "L.W. Deal" <RoadSide6@AOL.COM>
Subject: Re: Jim Carroll & Jack
>>>>That url doesn't work, but I found the interview at:
http://www.booksmith.com/reader/carroll.html
Judith<<<<
Thanks, Judith. Sorry it didn't work --- but, strangely enough, it did for
me... Everyone else interested, follow Judith's lead... Take care.
*<>< & Kisses
LD
=========================================================================
Date: Sat, 30 Aug 1997 23:42:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: OTR film
MIME-Version: 1.0
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LYSDEXIC wrote:
>
> I think Eddie Murphy should play all the parts.
Hey, dyslecix, how about Bill Murray in a few bit parts and Judge
Rheinhold (sp) was good as a straight man in both Fast Times and with
Eddie in Beverly Hills cops. It could be their reunion. And Eddie
could take off on a car chase, and then, they could just keep going. And
it could go down the same street Bullet did. Yeah, put them in a Shelby
GT. That's good. Maybe even, Steve McQueen, well, I know he's dead,
but with that blueing stuff, they could paste him in. So, I think Eddie
Murphy would be great!
Opps, I may be the only one, but I would rather analyze Naked Lunch that
continue this thread about a movie that none of us, unless Coppola (sp)
is on the list, will control. It just seems to have run out of steam.
As for me, I am reading "Portrait of an Artist as Young Man" and
Embraced by the Light and The Beat Book by Waldman. If anyone wants to
discuss any of those books. Maybe I am in a bad mood, but, the thread
is getting old.
Peace,
There, I feel better. :-)
Happy Birthday Bird!
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 30 Aug 1997 23:56:55 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: OTR film
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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> Opps, I may be the only one, but I would rather analyze Naked Lunch that
> continue this thread about a movie that none of us, unless Coppola (sp)
> is on the list, will control. It just seems to have run out of steam.
> As for me, I am reading "Portrait of an Artist as Young Man" and
> Embraced by the Light and The Beat Book by Waldman. If anyone wants to
> discuss any of those books. Maybe I am in a bad mood, but, the thread
> is getting old.
bentz- glad someone finally said it.
> Peace,
>
> There, I feel better. :-)
>
> Happy Birthday Bird!
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
>
randy
=========================================================================
Date: Sun, 31 Aug 1997 01:01:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: OTR movie: Sean Penn?
In a message dated 97-08-27 01:04:56 EDT, you write:
<< Neal might be doable... but jack... no way. Stare at that face, listen to
that voice, try to crawl into that mind (mined with mines). Find one actor
today who can convince me he's jack kerouac, or even anything close to that.
>>
The book is a novel (fiction). The character is Sal Paradise. It is not Jack
Kerouac. I think it is possible that a movie can be made of On The Road that
will inspire a new generation of people by showing the character's outlook on
life, just like the book did.
The book On The Road is just a written recording of how Jack viewed his own
life. People often mistake it for gospel. I think Jack wrote about honesty of
emotions, not honesty of events.
However, I also think that it is more likely that the movie will suck because
they may be more concerned with making a blockbuster, rather then a great
movie. The point is to make a movie that stands the test of time. I don't
care who the star of the movie is. I think they should pick unknowns, don't
try to make a "Hip" movie, and let the story stand on it's own merits.
It took years for Its A Wonderful Life to find its audience. I would rather
find a small audience for the movie in the beginning that grows as the years
go by. I wouldn't want the same audience that loves Stallone and Arnold
Schwartzinegger (what ever his name is) to love On The Road.
so it goes, Attila
=========================================================================
Date: Sun, 31 Aug 1997 01:01:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: The Kerouac Quarterly
In a message dated 97-05-23 12:48:31 EDT, you write:
<< I
am in the editing stage of Vol. I, No. 2 and writing Looking For Jack: The
Literary Influences of Jack Kerouac for publication this summer. >>
Hi Paul:
How's it going. Can you send me info on your subscription rates to include in
the next issue of DHARMA beat.
thanks, later
Attila
=========================================================================
Date: Sun, 31 Aug 1997 03:08:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: OTR movie
Two other movies, besides One Flew Over the Cukoo's Nest, that I think
conveyed and translated a great book into a great movie, are Catch 22 and
Slaughter House 5. These are two smaller, slightly eccentric movies that
capture the essence of the the novel. Slaughter House Five captures a very
difficult subject, time travel. Are Heller and Vonnegut beat?
just the way I see it, Attila
=========================================================================
Date: Sun, 31 Aug 1997 03:08:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: DHARMA beat, A Jack Kerouac Newszine
Hello:
DHARMA beat, a Jack Kerouac publication, will be publishing the fall issue in
October (issue 9).
We are looking for Kerouac related events to list in our Kerouac Calender. If
you are having a Kerouac reading, or commemoration of his life, or film
festival, or anything that includes Kerouac, please forward information
related to the event (name, time, place, telephone number, description of
event). Looking for events starting October 1.
We are always looking for articles on or about Kerouac's life and writing.
Please send any ideas that you may have.
And if you have an interesting On The Road story, please let me know. Like
the first time you read it, what happened as a result, etc.
thanks and enjoy, Attila
The following is general information about DHARMA beat (previously e mailed).
DHARMA beat is a newszine (newsletter) that is published twice a year about
Kerouac's life and writing. Issue 8 (Spring 1997) was recently published. We
publish information of interest about Kerouac events and happenings around
the world. The most recent issue has an article about Kerouac living in Ozone
Park, New York; an article about Jack's sister Nin; and Allen Ginsberg
provided two dreams that he had where he's talking with Kerouac. Ginsberg
wrote :
"Poetry America was born before us & will live after us -- and would've been
visible for every eye to see but for the scientists of poetry & sociologists
of Academy measuring the vast mind with monkey calipers & teaspoons of ink
--"
DHARMA beat is published twice a year, spring and fall. Subscriptions are
$7.00 per year (two issues, make checks payable to DHARMA beat), $10 to
Canada and overseas (payable in US dollars or equivalent foreign currency).
Sample copies are available for $3.00. Mail to DHARMA beat, PO BOX 1753,
Lowell MA, 01853-1753. For more information e mail to KEROUACZIN@AOL.COM
We are always looking for articles and information about any Kerouac related
item you may have (for example if you have a Kerouac Poetry reading
celebrating his birth or passing) or anything related. Our main purpose is to
let people know about what's going on. The next issue will focus on the 40th
anniversary of the publication of On The Road. If you have a story, or know
some tidbit of information, please let us know (I don't really like using the
word 'Tidbit' but now I'm stuck with it).
thanks and enjoy, Attila
=========================================================================
Date: Sun, 31 Aug 1997 06:54:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: book to movies
In-Reply-To: <970831030819_690619973@emout08.mail.aol.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
i agree with this one : both are wonderful, alan arkin brilliant
performance in catch 22. i can still see him in the tree.
mc
>Two other movies, besides One Flew Over the Cukoo's Nest, that I think
>conveyed and translated a great book into a great movie, are Catch 22 and
>Slaughter House 5. These are two smaller, slightly eccentric movies that
>capture the essence of the the novel. Slaughter House Five captures a very
>difficult subject, time travel. Are Heller and Vonnegut beat?
>
>just the way I see it, Attila
=========================================================================
Date: Sun, 31 Aug 1997 09:42:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: Re: The Kerouac Quarterly
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Hi Attila, since I have so much to choose from recently it has delayed my
publication (change of cover, added text etc.). I will have it ready for the
Kerouac Festival. The rates are $5.00 (USA) $7.00 (overseas and Canada).
Vol. I, No.2 will be between 40 to 50 pages.I don't take full-year
subscriptions as yet until I can get on a stable publishing pattern. Take
care and thanks, Paul...
You can also mention the web page. It is at:
http://www.freeyellow.com/members/upstartcrow/page1.html
E-mail: Mapaul@pipleine.com
Thanks again Attila....
=========================================================================
Date: Sun, 31 Aug 1997 17:00:21 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Two Comments & Beats:The List updated 31 aug 1997.
In-Reply-To: <1.5.4.16.19970830155811.27f72e58@mail.wi.centuryinter.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Donald Allen
---
Amari Baraka (Leroi Jones)
---
Wallace Berman
---
Paul Blackburn [Black Mountain School]
---
Robin Blaser
---
Richard Brautigan
---
Bonnie Bremser
---
Ray Bremser
---
Chandler Brossard
---
Lenny Bruce
---
Lord Buckley
---
Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
---
William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
Frank Carmody,
Will Dennison,
Old Bull Lee"
---
William S. Burroughs Jr.
---
John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
---
Caleb Carr
---
Lucien Carr "Damion"
---
Paul Carroll
---
Louis R Cartwright
---
Carolyn Cassady "Camille"
---
Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
---
Tom Clark [Paris Review]
---
Andy Clausen
---
Leonard Cohen
---
Bruce Conner
---
Gregory Corso "Raphael Urso, Yuri Glicoric"
---
Robert Creeley [Black Mountain School]
---
Henry Cru "Remi Boncoeur"
---
Jay deFeo
---
Diane DiPrima
---
John Doe
---
Kirby Doyle
---
Edward Dorn [Black Mountain School]
---
Robert Duncan [Black Mountain School]
---
Bob Dylan
---
Kenward Elmslie [Z]
---
William Everson (Brother Antoninus)
---
Larry Fagin [Adventures in Poetry]
---
Richard Farina
---
Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
"Lorenzo Monsanto,
Larry O'Hara
Danny Richman"
---
Charles Foster
---
Robert Frank
---
James Gauerholz
---
Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
Alvah Goldbook, Leon Levinsky
Carlo Marx"
---
John Giorno
---
Paul Goodman
---
Morris Graves
---
Brion Gysin
---
Dave Hazelwood
---
William Inge
---
Wally Hedrick [Gallery Six]
---
John Clellon Holmes
---
Herbert Huncke
---
Ted Joans [Jazz Poetry]
---
Joyce Johnson
---
Lenore Kandel
---
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
---
Robert Kelly
---
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
Leo Percepied, Ray Smith,
Jack, Peter Martin,
Sal Paradise"
---
Jan Kerouac
---
Ken Kesey
---
Franz Kline
---
Seymour Krim
---
Paul Krassner [Realist]
---
Art Kunkin [Freep]
---
Tuli Kupferberg [Birth]
---
Joanne Kyger
---
Philip Lamantia
---
Jay Landesman
---
Fran Landesman
---
James Laughlin
---
Denise Levertov [Black Mountain School]
---
Timothy Leary
---
Lawrence Lipton [The Holy Barbarians]
---
Ron Loewinsohn
---
Malcom Lowry
---
Bill MacNeill
---
Norman Mailer
---
Gerard Malanga
---
Edward Marshall
---
Peter Martin
---
Lewis McAdams
---
Joanna McClure
---
Michael McClure
---
Taylor Mead
---
David Meltzer
---
Jack Micheline
---
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
---
John Montgomery
---
Shigeyoshi (Shig) Murao
---
Harold Norse
---
Frank O'Hara
---
David Ohle
---
Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
---
Peter Orlovsky
---
Kenneth Patchen
---
Thomas Parkinson
---
Nancy Peters
---
Stuart Z. Perkoff
---
Charles Plymell
---
Dan Propper
---
Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
---
Theodore Roethke
---
Hugh Romney
---
Michael Rumaker
---
Ed Sanders
---
Mark Schorer
---
Hubert Jr. Selby
---
Gary Snyder
---
Carl Solomon
---
Jack Spicer
---
Hunter Stockton Thompson
---
Charles Upton
---
Janine Pommy Vega
---
Mark Tobey
---
Alexander Trocchi
---
Anne Waldman [St. Mark's Poetry Project, New York]
---
Lewis Warsh
---
Alan W. Watts "Arthur Whane, Alex Aums"
---
Lew Welch
---
Philip Whalen
---
John Wieners [Black Mountain School]
---
Jonathan Williams
---
William Carlos Williams {17 sep 1883-4 mar 1963}
---
Ruth Witt-Diamant [San Francisco's Poetry Center]
-*-
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/home.htm
thanks,
Rinaldo Rasa.
31th august 1997, Venice-Mestre, Italy.
-*-
the list of credits & comments:
Walter Campbell <walter.campbell@usa.net>
Greg Christy <christyg@pcpartner.net>
Patricia Elliott <pelliott@SUNFLOWER.COM>
Timothy K. Gallaher <gallaher@HSC.USC.EDU>
Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
OHearn <orpheus@in.the.shadows>
Mike Rice <mrice@centuryinter.net>
David Schwarm <dschwarm@sun3.lib.uci.edu>
James Stauffer <stauffer@pacbell.net>
Michael Stutz <stutz@dsl.org>
-*-
Addenda comments:
1. Subject: Re: William Inge ==========================
At 17.03 30/08/97 -0400,
Mike Rice <mrice@centuryinter.net>wrote:
>At 02:22 PM 8/30/97 +0200, you wrote:
>>Hello Mike,
>>i agree with u, William Inge looks like Tennessee Williams.
>>
>>BUT William Inge introduced the _hyperprotective_ character
>>of the "Mom" that seems to yield gay sons & match the
>>origin & development of some beat life...
>>
>>thanks for yr comment,
>>saluti,
>>Rinaldo.
>>ps. please, have i the permission to include yr name & message
>>in the credits for the Beats database?
>>
>>=================== your message ===================
>>Mike Rice wrote:
>>>I love this guy's plays, at least Picnic, but he's
>>>a sad homosexual from St. Louis, a newspaper critic
>>>who idolized Tenessee Williams, and wanted to follow
>>>in his footsteps. Tell me how he was ever a beat.
>>>
>>>Mike Rice
>>=====================================================
>>
>>
>You have my permission to use whatever you want from
>my note.
>
>BUT William Inge introduced the _hyperprotective_ character
>of the "Mom" that seems to yield gay sons & match the
>origin & development of some beat life...
>
>The above is very interesting, so why don't you discuss it with
>the rest of us. It appears to be a pet theory of your own,
>sounds fascinating. It also implies that many beat characters
>and their authors are at least, latently, homosexual. Lets have the
discussion
>on the Beat List, shall we?
>
>Mike Rice
>
>
Mike,
i think that i defend the presence of William Inge
(influenced Tennessee Williams some beat?)
in the Beats:The List.
a thread regard the "Mom" is at the moment for some
reason for me a painful.
saluti
Rinaldo.
====================================================
2.
Return-Path: <christyg@pcpartner.net>
Reply-To: <christyg@pcpartner.net>
From: "Greg Christy" <christyg@pcpartner.net>
To: "Rinaldo Rasa" <rasa@gpnet.it>
Subject: Re: the beats list
Date: Sat, 30 Aug 1997 10:04:07 -0000
X-MSMail-Priority: Normal
----------
> From: Rinaldo Rasa <rasa@gpnet.it>
> Newsgroups: alt.books.beatgeneration
> Subject: the beats list
> Date: Wednesday, August 27, 1997 10:08 PM
>ken kesey,i don't think so! I'm not sure he would either.
=========================================================================
Date: Sun, 31 Aug 1997 16:04:09 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Rinaldo: Books into movies, additions to your List
In-Reply-To: <970830174526_1187896134@emout04.mail.aol.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Arthur, Mike & James e others friends,
the list of "who is better" is useful, thanks from
the people who cant' read the original at first,
i.e. i read "On The Road" in 1969 in an italian
translation, (not Ginsberg 'cuz of poetry is aside documented).
i think that falling in love in Beat Lit is a matter who is
over the stricted US world, but i apologie in advance
if some myself consideration can seem to encroach on yr
own territory. please friends, have a little faint smile
for the european side of the world...
1.
"Blade Runner" by Ridley Scott. William S. Burroughs had
written the first screenplay and WSB & BR are/was for me
a couple inseparable inprinting. the beginning of the movie is the
best futuristic image ever seen. the city with rain like
tears is matched only by the unforgettable William Gibson's
phrase "the sky above the port was the color of a tv tuned
to a dead channel" (Neuromancer), Gibson had his credits
to William Burroughs (in an interview speakin' of his novel
Virtual Light).
2.
"Der Amerikanische Freund" director Wim Wenders (1977) was
from the novel "Ripley's Game" by Patricia Highsmith's
& is very great. Dennis Hopper, Man Ray & the good feeling stay
in my mind forever. Perhaps Wim Wender is near the beat in his
photographic works, his photos are sometime the best image:
John Lurie's kiss photo in Soho (black & white photo) &
Hollywood Bvd with star that "had the power!", & "Musso and Franks"
restaurant, "The Twin City Theatre", et cetera talk to me beat.
3.
"La strategia del ragno" by Bernardo Bertolucci from the Jorge
Luis Borges' short story is a must. i know that Bertolucci has
a little to do with beat, but his 2th film "last tango in paris"
was censored & the film burned & for a time Bertolucci 'cuz of the
movie he lost his political rights.
thanks again friends for yr patience,
Rinaldo.
=========================================================================
Date: Sun, 31 Aug 1997 09:22:13 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: OTR movie
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I
come in a little late. I don't want to prolong the thread, but I do believe
that something that Richard Wallner suggested needs clarification. He
pictured on this thread Neal's last walk on the railroad tracks, as a
greying man but with joy in his heart in the now, as always. Richard's
authoritative stance might lead some folks to believe that is how it was.
Well, not to my recollection.
One of the main reasons that I joined this list was my fascination with how
myths are created. I was especially interested in what was being said about
my good friend Neal whom I knew very well in the last nine years of his
life.
I learned that facts, especially as they recede into history, are no match
for deeply held wishes and beliefs. Still, here is also my opportunity to
let you know what I saw. You don't have to give up any belief that you
prefer to hold, you can always remind yourself that even the perceptions of
eyewitnesses can have their vagaries, but I don't have an invested interest
to revise history. Let me tell you what I saw.
It is true that I have to strain my memory about the greying part. It might
be playing tricks on me. Still, I have never noticed any greying in Neal.
If he was beginning to get grey hair, it was not noticeable to me. And I saw
him a lot in the last nine years of his life. Not at all. Nor did I see any
signs of worry over losing physical fitness or agility. Up until his last
trip to Mexico. He did not present a picture of a man who is getting weighed
down by his age. He was only about forty two years old.
Graying or not, he was not a happy trooper on his last trip to Mexico. He
stopped to see me on his way and talked feverishly for hours about how he
was not comfortable in Oregon, how he had expected that the lady that he
expected was going to stay with him decided to go east with Ginzburg's
entourage instead. He seemed to be on speed which might have been hiding his
despondency. He was very animated and the fire in his eyes
was intense. He was not joyous. He was desperate. Very frustrated. A man who
was not comfortable in any of the scenes he was revisiting. He was hoping to
find something to lift his spirits in Mexico, but at the moment, everything
that he counted on was failing him.
Neal stopped to see most of the friends that he could find on the way to his
last trip to Mexico. He visited John Bryant for example in LA. John thinks
in retrospect that Neal might have been hoping that someone would stop him,
would throw him a lifeline. He didn't see it at the time. At the time it
just seemed that Neal was asking for impossible things, like could he borrow
John's car for the trip to Mexico! It was a man in despair who was going to
Mexico, not a man with joy in his heart rushing to embrace the mysteries of
life.
BTW in happier times Neal took me to John Bryant's house when he was laying
out on his living room floor the first issue of the San Francisco Open City
Press. Neal was the subject of that the first free alternative publication
in San Francisco. Later John moved to Los Angeles where he published his
paper until he joined the Los Angeles Free Press.
leon
=========================================================================
Date: Sun, 31 Aug 1997 13:08:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Neal--Man and Myth/Leon's post
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Leon Tabory wrote:
<snip>
>
> One of the main reasons that I joined this list was my fascination
> with how
> myths are created. I was especially interested in what was being said
> about
> my good friend Neal whom I knew very well in the last nine years of
> his
> life.
Leon:
I am very interested in your comments on Neal. Thanks for this post. I
was going to write you an email and ask you to comment on music in
Neal's life. Before I had read On the Road, etc, I read Electric
Kool-Aid Acid Test. So, my first image of Neal came from that. He
impressed me as a speed freak who was on the way to oblivion. Sort of
like some of the depressed and burnt out speed freaks I had met. It
seemed he was living in the past.
Then, I read all of Kerouac's books and saw him as a "genius" who was
burning like a supernova and too fast and frantic. But a "frustrated"
one who could talk, but not write what he could talk.
The music in the acid test was not jazz and I guess was embryonic
Greatful Dead. I know that Jack liked Jazz music. But what about the
blues. Jack of course used blues in titles etc. But did Neal listen to
music like Jack did? If so, did he relate to the Blues. I can somehow
see Neal more with blues than jazz. Thanks for your oral history. It
wasn't just another who will play Neal, it was about Neal the man and
the myth. This is worth its weight in gold to me.
Last point, but to stand accused by myself of my cry to stop the Movie
thread, if we have to discuss Senn Penn, what about Sean as Sal, and
reunite him with Madonna and let her play Dean. Then it could be a
musical like Evita. Then Madonna could win her Oscar!!!! Sorry, but
the mere sick image of Penn and Madonna together, etc, overwhelmed me
and after some back channel posts on this, I had to lay it out there!
<snip> Nor did I
> see any
> signs of worry over losing physical fitness or agility. Up until his
> last
> trip to Mexico. He did not present a picture of a man who is getting
> weighed
> down by his age. He was only about forty two years old.
>
> Graying or not, he was not a happy trooper on his last trip to Mexico.
> He
> stopped to see me on his way and talked feverishly for hours about how
> he
> was not comfortable in Oregon, how he had expected that the lady that
> he
> expected was going to stay with him decided to go east with Ginzburg's
> entourage instead. He seemed to be on speed which might have been
> hiding his
> despondency. He was very animated and the fire in his eyes
> was intense. He was not joyous. He was desperate. Very frustrated. A
> man who
> was not comfortable in any of the scenes he was revisiting. He was
> hoping to
> find something to lift his spirits in Mexico, but at the moment,
> everything
> that he counted on was failing him.
>
> Neal stopped to see most of the friends that he could find on the way
> to his
> last trip to Mexico. He visited John Bryant for example in LA. John
> thinks
> in retrospect that Neal might have been hoping that someone would stop
> him,
> would throw him a lifeline. He didn't see it at the time. At the time
> it
> just seemed that Neal was asking for impossible things, like could he
> borrow
> John's car for the trip to Mexico! It was a man in despair who was
> going to
> Mexico, not a man with joy in his heart rushing to embrace the
> mysteries of
> life.
And this sounds like the blues to me.
<snip>
> leon
Part of my problem is that I will not go see the Doors movie, I will not
go see the Hendrix movie and unless Leon, Charles P, James S and Gerry
Nicosia all four tell me that I HAVE to see OTR, I will not watch it
either. I'd rather see reruns of 77 Sunset Strip or whatever that tv
series was.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 31 Aug 1997 12:07:48 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR movie
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Leon Tabory wrote:
>My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I come in
a little late. I don't want to prolong the thread, but I do believe that
something that Richard Wallner suggested needs clarification. He pictured on
this thread Neal's last walk on the railroad tracks, as a greying man but with
joy in his heart in the now, as always. Richard's authoritative stance might
lead some folks to believe that is how it was. Well, not to my recollection.
> One of the main reasons that I joined this list was my fascination with how
myths are created.
> ...
> leon
leon , lo and behold this thread yeilds gold. deeply appreciated you
sharing your memory of Neal. I am stunned by how hard it is to glean
truth from fiction. I knew William pretty well, years ago at a party
here in lawrence i heard a guy say that William was crippled and his leg
was gangrenous from shooting up. I said that was nonsense. He said it
was not, that he needed a cane just to walk.. Well i argued some more
and he said it is a fact. well i had been outwalked that very day by
that old man. We had walked about 3 miles. We had gone to some land I
owned by the Kaw River, where I once had a demolition landfill. It was
populated with wild turkey, kpot, and wonderous animals, on a wide bend
of the river. It was a great place. William hiked all over it. The guy
told me i was lying to cover up. I gently told him he was a shit, more
interested in attention and mean heartedness than i could stand. But the
myths abound, people imagine and then can't tell that to say something
,you should know something. Like some guy indicated that William
dressed like the blues brothers. It was weird, where he got that.
William would dress in khaki when shooting, denims at some events. and
beautifully at others. I care not about fashion but even I was sent by
some of his style. The only thing i would notice is sometime he would
spill something at dinner, grab the salt shake and pour it on the spot.
I appreciate your story about Neal. It doesn't matter to some people
that these are real people and that their vulnerable sides help create
the supermen stunts they have pulled off. Sometimes william would tell
me the same story , slightly different three or four, or a dozen times.
But i learned more about exercising the mind listening to that obsessive
ranting than i ever learned listening to the cheap shots of punks saying
dismissive shit about things they haven't studied or thought about.
p
=========================================================================
Date: Sun, 31 Aug 1997 13:17:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: OTR movie
In a message dated 97-08-31 12:32:32 EDT, in response to Richard's artistic
license while story-boarding the OTR movie, Leon Tabory wrote:
<< He pictured on this thread Neal's last walk on the railroad tracks, as a
greying man but with joy in his heart in the now, as always. Richard's
authoritative stance might lead some folks to believe that is how it was.
Well, not to my recollection.
One of the main reasons that I joined this list was my fascination with how
myths are created. I was especially interested in what was being said about
my good friend Neal whom I knew very well in the last nine years of his
life.
I learned that facts, especially as they recede into history, are no match
for deeply held wishes and beliefs. Still, here is also my opportunity to
let you know what I saw. You don't have to give up any belief that you
prefer to hold. >>
And without saying it, Leon has said it all.
Leon knew Neal. He knew him from his own point of view. He may have, in fact,
known the "real" Neal. Or he may have only known a facet of Neal, or he may
have known the Neal he wanted to know.
The point here is that filmmakers fictionalize and structure human dynamics
to fit into 97 minutes with musical soundtracks. That's not life. That's not
real. That's art, and plenty of liberties are taken.
For me, and for many others whose lives overlapped (at least in the time
frame) the lives of Jack and Neal and Allen, there is a context that cannot
be communicated in film. Driving a 1949 Hudson because it's a car, not
because it's a collector's item, seeking out Negro jazz in parts of town
where whites don't go because black people are segregated, kept apart from
whites in every sense by law, listening to the only AM station you can pick
up outside a city, only at night when the ionosphere is lower and the signal
comes in clear and being amazed at the lyrics which you understand but your
parents don't, lurking in diners and bars sneaking cigarettes, fucking in the
back seat of a car out in the woods where no one goes... no one... ever...
hearing about marijuana as "reefer madness," understanding the division
between "nice" girls and "good" girls in hushed tones and knowing glances,
but never using words to speak those differences, when all the boys wanted to
be James Dean and a "hood" wasn't an abbreviation for a neighborhood... and
most of us were either innocent, naive, or buying into lies, before
assassinations were de rigeur, before anyone believed in political
conspiracies, when McCarthy and Hoover and Nixon could be assholes right out
in public and get majority support... this is about 1/1000ths of what the
'40s and '50s and early '60s felt like.
The problem I always see in film that tries to recreate a period (and what's
the point if you don't recreate it?) is that nuance can only be understood by
someone who is able to suspend disbelief about the reality of the period. How
can some actor, born in the late Sixties or early Seventies, even remotely
understand what was behind The Road? Hell, most of them can't even tell you
the name of the current secretary of state, or who was President during World
War I, or which Roosevelt came first. Life has moved so fast away from the
sparsely populated post-WWII world into the go-go '80s and the
god-knows-what'll-happen-next '90s.
None of the actors anyone has named could portray Jack or Neal (okay, Attila,
"Sal and Dean..." get off my case, man...). They simply lack context.
And OTR is a sacred cow of the highest order, because what kerouac put down
on paper became a holy grail for millions who came after. The events of those
trips became a road map for life for people like me, Leon, and the majority
of people who embraced the truth of it.
Yeah, I think the movie will most likely be a travesty, and I think the
reason it shouldn't be made is because the truth will be repackaged into 97
minutes of bullshit, and as Leon said, myths will be created. A whole new
generation or two of kids will come up believing in the cinematic version of
what happened, and will never read the book, and will never understand
something that's important to understand.
Making the argument is exhausting. If you don't get it, I can never explain
it to you.
Amazingly enough, I'm pretty sure my protests won't have the tiniest bit of
influence on Coppola's approach or decisions. Go figure.
But those of us who knew Jack or Neal, like Leon, and those of us who feel we
know them so deeply in here (pointing to head and heart) will be the ones
batting cleanup when all the myths become neat little music videos and pass
into obscurity, made finite by their own unimaginative boundaries.
diane de rooy
=========================================================================
Date: Sun, 31 Aug 1997 12:41:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: Re: OTR movie
In-Reply-To: <970831030819_690619973@emout08.mail.aol.com>
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Attila Gyenis <GYENIS@AOL.COM>
>Two other movies, besides One Flew Over the Cukoo's Nest, that I think
>conveyed and translated a great book into a great movie, are Catch 22 and
>Slaughter House 5. These are two smaller, slightly eccentric movies that
>capture the essence of the the novel. Slaughter House Five captures a very
>difficult subject, time travel. Are Heller and Vonnegut beat?
>
>just the way I see it, Attila
Has anyone seen the movie Mother Night with Nick Nolte, Alan Arkin? I've
never read the Vonnegut book it was based on, but i thought the movie was
awesome. Kurt Vonnegut makes an appearance as a man on the street. I'm not
a big Nolte fan, but i am more of one after seeing this movie. Some
wonderful scenes. He writes his autobiography from prison in Israel
awaiting trial for his war crimes (he was an American spy in Germany in
WWII but his country will no longer recognize him). when he finds out that
he will probably be found innocent, he pulls out all the ribbon from his
typewriter desk and stands up on his chair. He says something like "They
say a man hears beautiful music when he hangs. I wonder what it sounds
like." He does it. the end.
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Sun, 31 Aug 1997 14:02:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Howard Park <Hpark4@AOL.COM>
Subject: Re: book to movies
M*A*S*H is arguably an example of a so-so book, a better movie and an
excellent TV series. Rare, but it can happen. I hope that OTR is made into
a movie. I think, if done well, it could convey at least some of the
greatness of the book.
Howard Park
=========================================================================
Date: Sun, 31 Aug 1997 14:13:29 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: book to movies
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i like to read a book before i see the film adaptation. i feel like
i'm cheating myself if i don't. someone mentioned 'the english patient'.
i loved the book so much more because it didn't focus as much on the
english patient. rather, he was just one of a few characters that were
the central focus of the book. it wasn't as action packed as the movie,
but it was more involved and there was just so much more *there*...
(howard, you sound like my dad. he is a mash freak.)
Howard Park wrote:
>
> M*A*S*H is arguably an example of a so-so book, a better movie and an
> excellent TV series. Rare, but it can happen. I hope that OTR is made into
> a movie. I think, if done well, it could convey at least some of the
> greatness of the book.
>
> Howard Park
=========================================================================
Date: Sun, 31 Aug 1997 14:24:53 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: OTR movie
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hi leo,
have you read 'a clockwork orange'? i just got it but my mom thinks
i won't understand it. maybe i'm wrong. maybe sometimes it is better
to watch a movie first? what do you think?
steph
>
> Attila Gyenis <GYENIS@AOL.COM>
>
> >Two other movies, besides One Flew Over the Cukoo's Nest, that I think
> >conveyed and translated a great book into a great movie, are Catch 22 and
> >Slaughter House 5. These are two smaller, slightly eccentric movies that
> >capture the essence of the the novel. Slaughter House Five captures a very
> >difficult subject, time travel. Are Heller and Vonnegut beat?
> >
> >just the way I see it, Attila
>
> Has anyone seen the movie Mother Night with Nick Nolte, Alan Arkin? I've
> never read the Vonnegut book it was based on, but i thought the movie was
> awesome. Kurt Vonnegut makes an appearance as a man on the street. I'm not
> a big Nolte fan, but i am more of one after seeing this movie. Some
> wonderful scenes. He writes his autobiography from prison in Israel
> awaiting trial for his war crimes (he was an American spy in Germany in
> WWII but his country will no longer recognize him). when he finds out that
> he will probably be found innocent, he pulls out all the ribbon from his
> typewriter desk and stands up on his chair. He says something like "They
> say a man hears beautiful music when he hangs. I wonder what it sounds
> like." He does it. the end.
>
> leo
>
> "Let us hope that the whores of evil no longer loiter on the doorsteps of
> your path, beckoning you into the brothel of despair, and that hereinafter,
> you may present them with the most rigid manifestations of a firm and manly
> will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Sun, 31 Aug 1997 13:43:31 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: book to movies
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I'm surprised that no one has mentioned John Huston's chillingly faithful
adaptation of "The Maltese Falcon," which gets my vote for a great book
that became a great movie.
=========================================================================
Date: Sun, 31 Aug 1997 11:39:04 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: OTR movie
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Patricia, Bentz, Diane
I am overwhelmed with your so quick to reassure responsiveness that is so
richly overflowing. Thank heavens we are here. We know we are here. We are
making a difference. We come from a dark world with flashlights, with
rechargeable batteries. Diane Carter said something about us being streams
all to the same river, I don't recall exactly the words, too many posts too
little time, well lots of pollution in that river, but it is not hopelessly
polluted.
Am going away for the holiday, have a great weekend everyone
leon
+AD4-Leon Tabory wrote:
+AD4APg-My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I
come in
+AD4- a little late. I don't want to prolong the thread, but I do believe that
+AD4- something that Richard Wallner suggested needs clarification. He pictured
on
+AD4- this thread Neal's last walk on the railroad tracks, as a greying man but
with
+AD4- joy in his heart in the now, as always. Richard's authoritative stance
might
+AD4- lead some folks to believe that is how it was. Well, not to my
recollection.
+AD4APg- One of the main reasons that I joined this list was my fascination with
how
+AD4- myths are created.
+AD4APg- ...
+AD4APg- leon
+AD4-
+AD4-leon , lo and behold this thread yeilds gold. deeply appreciated you
+AD4-sharing your memory of Neal. I am stunned by how hard it is to glean
+AD4-truth from fiction. I knew William pretty well, years ago at a party
+AD4-here in lawrence i heard a guy say that William was crippled and his leg
+AD4-was gangrenous from shooting up. I said that was nonsense. He said it
+AD4-was not, that he needed a cane just to walk.. Well i argued some more
+AD4-and he said it is a fact. well i had been outwalked that very day by
+AD4-that old man. We had walked about 3 miles. We had gone to some land I
+AD4-owned by the Kaw River, where I once had a demolition landfill. It was
+AD4-populated with wild turkey, kpot, and wonderous animals, on a wide bend
+AD4-of the river. It was a great place. William hiked all over it. The guy
+AD4-told me i was lying to cover up. I gently told him he was a shit, more
+AD4-interested in attention and mean heartedness than i could stand. But the
+AD4-myths abound, people imagine and then can't tell that to say something
+AD4-,you should know something. Like some guy indicated that William
+AD4-dressed like the blues brothers. It was weird, where he got that.
+AD4-William would dress in khaki when shooting, denims at some events. and
+AD4-beautifully at others. I care not about fashion but even I was sent by
+AD4-some of his style. The only thing i would notice is sometime he would
+AD4-spill something at dinner, grab the salt shake and pour it on the spot.
+AD4-I appreciate your story about Neal. It doesn't matter to some people
+AD4-that these are real people and that their vulnerable sides help create
+AD4-the supermen stunts they have pulled off. Sometimes william would tell
+AD4-me the same story , slightly different three or four, or a dozen times.
+AD4-But i learned more about exercising the mind listening to that obsessive
+AD4-ranting than i ever learned listening to the cheap shots of punks saying
+AD4-dismissive shit about things they haven't studied or thought about.
+AD4-p
+AD4-.-
+AD4-
=========================================================================
Date: Sun, 31 Aug 1997 14:48:17 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: OTR movie
MIME-Version: 1.0
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> The point here is that filmmakers fictionalize and structure human dynamics
> to fit into 97 minutes with musical soundtracks. That's not life. That's not
> real. That's art, and plenty of liberties are taken.
i think i understand what you're saying and if i read you right, i
agree with you on this! a lot of my friends go see movies only
because they've heard the soundtrack first, not because they've
read the book. and it seems they always have a totally different
opinion of movies than i do! ugh, i hate that! they make me so
mad because they'll go rent movies like 'natural born killers' and
'reservoir dogs' and 'pulp fiction', and think they're such great
movies! if the soundtrack was full of uncool music, i wonder how
they'd like the movie then?! i hate movies like that because they
desensitize (spelled that wrong i think!) kids. and it seems like
people who can watch these movies have the nerve to get upset over
movies like 'last exit to brooklyn', 'dead man walking', 'rivers
edge' etcetera... atleast violence is portrayed in a realistic,
psychologically thoughtful way! so what if these movies make us
feel icky and uncomfortable. violence should make us feel that way!
(i think i totally got away from the subject. sorry.)
> How
> can some actor, born in the late Sixties or early Seventies, even remotely
> understand what was behind The Road? Hell, most of them can't even tell you
> the name of the current secretary of state, or who was President during World
> War I, or which Roosevelt came first. Life has moved so fast away from the
> sparsely populated post-WWII world into the go-go '80s and the
> god-knows-what'll-happen-next '90s.
*frowns* you should be more optimistic. well, you should try atleast.
i don't think most actors are completely ignorant of the history of
the world before they existed. yeah, times have changed. and they'll
continue to change. but how you can blame kids for the way they turn
out when the parents are responsible? well, to a point. i know us
kids have minds of our own and we stop listening to our parents and
think for ourselves at some point. but if we are raised well, i think
we won't turn away from what we've been taught. (sorry i don't speak
as well as you guys do. i hope i get my point across okay.)
steph
=========================================================================
Date: Sun, 31 Aug 1997 14:11:21 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Tolga Yilmaz <tolga@GIBBS.PHYSICS.INDIANA.EDU>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Hi. DOes anyone have a soft copy of Jack Kerouac's "The Origins of the
Beat Generation" that appeared in Playboy June 1959. I'd appreciate if you
replied.
Tolga Yilmaz. tolga@gibbs.physics.indiana.edu
=========================================================================
Date: Sun, 31 Aug 1997 03:56:09 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: OTR: Dean & women
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Back to the book itself. Some passages that are stiking me this time
through.
pg. 132
"Only a guy who's spent five years in jail can go to such maniacal
helpless extremes; beseeching at the portals of the soft source, mad with
a completely physical realization of the origins of life-bliss; blindly
seeking to return the way he came. This is the result of years looking
at sexy pictures behind bars; evaluating the hardness of the steel walls
and the soft of the woman who is not there. Prison is where you promise
yourself the right to live. Dean had never seen his mother's face.
Every new girl, every new wife, every new child was an addition to his
bleak impoverishment. Where was his father?--old bum Dean Moriarty the
Tinsmith, riding freights, working as a scullion in the railroad
cookshacks, stumbling, down-crashing in wino alley nights expiring on
coal piles, dropping his yellow teeth one by one in the gutters of the
West. Dean had every right to die the sweet deaths of complete love of
his Marylou. I didn't want to interfere. I just wanted to follow."
=========================================================================
Date: Sun, 31 Aug 1997 15:58:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Neal....
In-Reply-To: <9708310926.aa04347@mail.cruzio.com>
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I think my words have been confused. What I meant was that including a
shot of Neal walking down the tracks, counting the tracks, at the end of
the OTR movie, would show that even in a world of sadness and despair,
Neal Cassady was the sort who could find joy. I think that what Kerouac
learned from Neal Cassady and others was something of the holiness of
life, of how everything, every moment is sacred and should be
appreciated. Even at the end of his life, apparently at a low point
emotionally and in other ways...alone, broke, and lost on a railroad
track in Mexico, the myth at least is that he still found life sacred and
special, that he still found the littlest things wonderous. So he
started to count the tracks because they were there, because they were
part of the world and therefore sacred.
Yes its probably a myth...he was coming down likely from whatever
high he was on and was probably counting the tracks in a
futile attempt to stay awake and not fall asleep and freeze to death
But who cares...what we celebrate is the myth of the man anyway. Jack
Kerouac celebrated the indominatable spirit of Neal Cassady. So did
Allen Ginsberg, John Clellon Holmes and the others who wrote about him.
Leon, in his terrific post, claims that he is not a revisionist historian
and prefers the facts. The "facts" are that "On the Road" was written
about a hard-core thief, hustler and junkie who used everyone he ever
knew and didnt care who he hurt. But regardless of that, it is also true
that people loved Neal Cassady...they loved him because deep down he was
wide-eyed and innocent and still a child, living among sad grown people
who had lost their childhoods long ago.
In Carolyn Cassady's "Off the Road" there is a pic of Neal taken shortly
before he died, and he looks terrible..strung out, tired, beat...but
smiling. Maybe this isnt the Neal that Leon knew. But pictures dont
lie. I get the impression that Jack Kerouac was much more miserable
at the end of his life than Neal Cassady.
So I dont think the movie needs to show Neal at the end as a miserable,
broken man. Show that he was beaten a lot by life but also show that his
spirit never died. Even those who knew him would say that.
That isnt being a revisionist historian. The facts arent being changed.
Just given a more palatable interpretation.
Richard W.
=========================================================================
Date: Sun, 31 Aug 1997 16:10:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: OTR movie
In-Reply-To: <9708310926.aa04347@mail.cruzio.com>
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>
> Graying or not, he was not a happy trooper on his last trip to Mexico. He
> stopped to see me on his way and talked feverishly for hours about how he
> was not comfortable in Oregon, how he had expected that the lady that he
> expected was going to stay with him decided to go east with Ginzburg's
> entourage instead. He seemed to be on speed which might have been hiding his
> despondency. He was very animated and the fire in his eyes
> was intense. He was not joyous. He was desperate. Very frustrated. A man who
> was not comfortable in any of the scenes he was revisiting. He was hoping to
> find something to lift his spirits in Mexico, but at the moment, everything
> that he counted on was failing him.
>
And I would also argue that maybe he *did* have his spirits lifted on his
trip to Mexico...since you never saw him again, there is no way to tell.
>From everything I've read, Neal was a moody fellow who was always looking
for ways to rekindle the spirit. There is no way anyone can know if he
didnt feel rejuvenated by partyingin Mexico and wasnt in a good mood
walking down those tracks.
You can also be a revisionist historian if you read too much into
particular encounters and end up making presumptions. There is no way
Leon or anyone else can know for certain what was in Neal's head as he
walked down those tracks.
So go with the myth. It fits the legend. Beat bylife but never
completely beaten spiritually...indominatable. I still contend it would
be a worthy ending scene for the OTR movie.
RJW
=========================================================================
Date: Sun, 31 Aug 1997 04:18:42 -0700
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From: Diane Carter <dcarter@TOGETHER.NET>
Subject: OTR: Old Bull Lee
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The introduction to Old Bull Lee,(beginning on page 143) seems to paint a
picture of Burroughs much as one would imagine him. Does anyone know if
he ever talked about being pleased or not pleased with the way Kerouac
described him in his books?
"It would take all night to tell about Old Bull Lee; let's just say now,
he was a teacher, and it may be said that he had every right to teach
because he had spent all his time learning; and the things he learned
were what he considered to be and called 'the facts of life,' which he
learned not only out of necessity but because he wanted to. He dragged
his long, thin body around the entire United States and most of Europe
and North Africa in his time, only to see what was going on; he married a
White Russian countess in Yugoslavia to get her away from the Nazis in
the thirties--gangs with wild hair, leaning on one another; there are
other pictures of him in a Panama hat, surveying the streets of Algiers;
he never saw the White Russian countess again. He was an exterminator in
Chicago, a bartender in New York, a summons-server in Newark. In Paris
he sat at cafe tables, watching the sullen French faces go by. In
Athens he looked up from his ouzo at what he called the ugliest people in
the world. In Istanbul he threaded his way through crowds of opium
addicts and rug-sellers, looking for the facts. In English hotels he
read Spengler and the Marquis de Sade. In Chicago he planned to hold up
a Turkish bath, hestitated for just two minutes too long for a drink, and
wound up with two dollars and had to make a run for it. He did all these
things merely for the experience. Now the final study was the drug
habit. He was now in New Orleans, slipping along the streets with shady
characters and haunting connection bars.
There is a strange story about his college days that illustrates
something else about him: he had friends for cocktails in his
well-appointed rooms one afternoon when suddenly his pet ferret rushed
out and bit an elegant teacup queer on the ankle and everybody hightailed
it out the door screaming. Old Bull leaped up and grabbed his shotgun
and said, 'He smells that old rat again,' and shot a hole in the wall big
enough for fifty rats. On the wall hung a picture of an ugly old Cape
Cod house. His friends said, 'Why do you have that ugly thing hanging
there?' and Bull said, 'I like it because it's ugly.' All his life was
in that line."
=========================================================================
Date: Sun, 31 Aug 1997 15:02:00 -0500
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Neal....
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Richard Wallner wrote:
> I think my words have been confused. What I meant was that including a shot
of Neal walking down the tracks, counting the tracks, at the end of> the OTR
movie, would show that even in a world of sadness and despair Neal Cassady was
the sort who could find joy. I think that what Kerouac
> learned from Neal Cassady and others was something of the holiness of
> life, of how everything, every moment is sacred and should be
> appreciated. Even at the end of his life, apparently at a low point
> emotionally and in other ways...alone, broke, and lost on a railroad
> track in Mexico, the myth at least is that he still found life sacred and
> special, that he still found the littlest things wonderous. So he
> started to count the tracks because they were there, because they were
> part of the world and therefore sacred.
>
> Yes its probably a myth...he was coming down likely from whatever
> high he was on and was probably counting the tracks in a
> futile attempt to stay awake and not fall asleep and freeze to death
>
> But who cares...what we celebrate is the myth of the man anyway.
> ...
> That isnt being a revisionist historian. The facts arent being changed.
> Just given a more palatable interpretation.
>
> Richard W.
this is nonsense. I understand that a movie might be made and images
might be used to convey the ideas in the book. I appreciate literary
license and the need to use it both in books and movies. but to say it
is the myth we celebrate and not the man, man the we is you, not me.
That to me is hog wash. i find the drunken meanness of jack k, the lost
black hand of william, the frantic dispair of neal unpalitable and
necessary.
p
=========================================================================
Date: Sun, 31 Aug 1997 04:30:26 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: OTR: Old Bull Lee wisdom
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A couple more quotes. I think we talked before about Burroughs dislike
of Neal and of wanting Kerouac to come visit without Neal; on page 147,
Old Bull, talking about Dean, says, "'He seems to me to be headed for his
ideal fate, which is compulsive psychosis dashed with a jigger of
psychopathic irresponsibility and violence.' He looked at Dean out of
the corner of his eye. 'If you go to California with this madman you'll
never make it."
Also, in the car after he and Sal have been to the racetrack, Bull says,
"Mankind will someday realize that we are actually in contact with the
dead and the other world, whatever it is; right now we could predict, if
only we exerted enough mental will, what is going to happen within the
next hundred years and be able to take steps to avoid all kinds of
catastrophes. When a man dies he undergoes a mutation in the brain that
we know nothing about now but which will be very clear someday if
scientists get on the ball. The bastards right now are only interested
in seeing if they can blow up the world.'"
=========================================================================
Date: Sun, 31 Aug 1997 16:24:41 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: OTR movie
In-Reply-To: <3409A4E4.9C1@sunflower.com>
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you GO, girl!
whahoo. and agreement
mc
patricia elliot wrote:
It doesn't matter to some people
that these are real people and that their vulnerable sides help create
the supermen stunts they have pulled off. Sometimes william would tell
me the same story , slightly different three or four, or a dozen times.
But i learned more about exercising the mind listening to that obsessive
ranting than i ever learned listening to the cheap shots of punks saying
dismissive shit about things they haven't studied or thought about.
p
=========================================================================
Date: Sun, 31 Aug 1997 16:24:45 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: OTR movie/leon's posts
In-Reply-To: <970831131723_1361118188@emout11.mail.aol.com>
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diane de rooy wrote:
Amazingly enough, I'm pretty sure my protests won't have the tiniest bit of
influence on Coppola's approach or decisions. Go figure.
________
great post, diane.
i've been sitting on my hands and waiting for all this to pass by like the
hula hoop once did.
i agree with those who are losing patience with the casting thread (i never
had any patience at all for the damned thread) and like you, find that
redeeming value of this nonstop nutty thread has been leon's sure and
steady voice.
mc
=========================================================================
Date: Sun, 31 Aug 1997 05:05:29 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: Neal....
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> Patricia Elliott wrote:
> I appreciate literary
> license and the need to use it both in books and movies. but to say it
> is the myth we celebrate and not the man, man the we is you, not me.
> That to me is hog wash. i find the drunken meanness of jack k, the
> lost
> black hand of william, the frantic dispair of neal unpalitable and
> necessary.
I have to agree with Patricia for stating the truth so vividly. It is
the human lives that we celebrate. And why not remain true to the ending
of OTR, where the last time Sal sees Dean in New York, he's in a car with
Remi, going to a concert, and they won't even give Dean a ride. "he liked
me but he didn't like my idiot friends,' Sal says. "So Dean couldn't
ride uptown with us and the only thing I could do was sit in the back of
the Cadillac and wave at him...Old Dean's gone, I thought, and out loud I
said, 'He'll be all right.' And off we went to the sad and disinclined
concert for which I had no stomach whatsoever and all the time I was
thinking of Dean and how he had got back on the train and rode over three
thousand miles over that awful land and never knew why he had come
anyway, except to see me."
The ending of OTR is very sad and desparate, "...nobody knows what's
going to happen to anybody besides the forlorn rags of growing old..."
DC
=========================================================================
Date: Sun, 31 Aug 1997 16:53:08 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Rain
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Primal Rain
Primal connection.
One month, one inch.
Brown is
everywhere I look.
I am not sure I care.
But when it comes
I find joy leaping
From the pit
And dancing on the grave stone of the drought.
Rainmaker, rainmaker,
Bring me your machine.
I cry with joy to see.
Water running down my windows.
I hope again,
Believe again,
Miracles again.
Primitive, primal, joy of joys.
Rain is just rain, is just gold and pennies from heaven.
I am happy and don't know.
The rainmaker takes my money.
The rainmaker gives me honey.
The rainmaker is god.
Primal screams are silenced in the primal joys.
I was screaming so loud, that I forgot I was screaming.
Til the rain fell,
And I could tell, cause I fell
Silent
To a pool,
On the sidewalk,
And wept for something that is buried in my bone marrow.
The rainmaker.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 31 Aug 1997 17:04:34 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: tell me more
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> My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I
> come in a little late. I don't want to prolong the thread, but I do believe
> that something that Richard Wallner suggested needs clarification. He
> pictured on this thread Neal's last walk on the railroad tracks, as a
> greying man but with joy in his heart in the now, as always. Richard's
> authoritative stance might lead some folks to believe that is how it was.
> Well, not to my recollection.
don't worry- i wasn't upset with you for telling us about neal. i
enjoyed that. i probably will be lucky to get to meet jimcarrol at
the rate everyone is dying. just do it more often
it really gave me hope for this thread.
like patricia said the end of the otr movie thread is gold or
something. cya~randy
=========================================================================
Date: Sun, 31 Aug 1997 15:55:47 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: OTR movie
Comments: To: xcrslnk@rivnet.net
On Sun, 31 Aug 1997 14:24:53 -0400 "g. jones" <xcrslnk@rivnet.net>
writes:
>hi leo,
>
>have you read 'a clockwork orange'? i just got it but my mom thinks
>i won't understand it. maybe i'm wrong. maybe sometimes it is better
>to watch a movie first? what do you think?
>
>steph
i was about to bring up clockwork orange on this thread and you beat me
to it.
looking back over arthur's recent post on film adaptations, i think
clockwork fits nicely into the second category. it doesn't mirror, nor
does it try to mirror, burgess's novel, but kubrick instead creates a new
piece of art, based on the novel, which stands on it's own.
the odd thing about the film is that it leaves off not at the end of the
original book (which has 3 sections of 7 chapters = 21 chapters) but at
the end of the americanized edit of the book (which ends at chapter 20).
i have heard different stories explaining why this happened and i know
that now we can get the original 21 chapter form in the states, but the
film will forever end without the 21st chapter. this is unfortunate as
the intent of the book os horribly altered without the ending. our
humble narrator is left at the end of the film back in the same place
that he started despite/due to the government's intervention. with the
21st chapter, our humble narrator attains a new perspective asnd
understanding of life that is omited from the form most americans
(especially those who are too damned lazy to READ the book) ever see.
my suggestions:
1. make sure you have the complete copy of the book and make a mental
note of where you would be had you finished reading after chapter 20.
2. watch the film AFTER reading the book. i believe the film can add
something to the experince of "a clockwork orange," but i think you have
to know where burgess is coming from before you can appreciate kubrick's
interpretation.
this is in my humble opinion. this is one of my favorite books, so i
encourage you whole heartedly to stick with it.
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven."
-A Clockwork Orange
=========================================================================
Date: Sun, 31 Aug 1997 17:31:43 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: book to movies
In-Reply-To: <199708311843.NAA06741@mail.execpc.com>
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>I'm surprised that no one has mentioned John Huston's chillingly faithful
>adaptation of "The Maltese Falcon," which gets my vote for a great book
>that became a great movie.
And the powerful DARK AT THE TOP OF THE STAIRS. A great movie from a great
play by William Inge.
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Sun, 31 Aug 1997 20:36:05 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: Neal....
In a message dated 97-08-31 16:05:35 EDT, you write:
<< But pictures dont lie.
The hell they don't. I've seen a dozen pictures of a single person and none
of them looked like him... or at least, they didn't look like they'd been
taken of the same person.
The facts arent being changed. Just given a more palatable interpretation.
>>
Richard, this just makes me flat-out sad. What a spin doctor you are. Why
don't you go work for the government? I'm sure you could spoon-feed us all
kinds of pretty stuff without changing the "facts" one bit. Keep us from
being sad... make us believe everything is neat and tidy and tied up with a
big old shiny bow.
Like patricia said, embracing these real human beings requires being able to
see them nakedly, all of their flaws and beauty all at once, and being able
to keep those conflicting thoughts in one's mind all at once without needing
some rationalization to escape into. Read "Scripture of the Golden Eternity"
for more amplification of this.
Whoever's interpretation of OTR makes its way into the script and final cut
of the movie, it won't be mine or yours. And no matter how passionately you
argue your point about who Neal Cassady was and who really knew him, the
vision of Dean Moriarty that makes it to the screen will be dictated by a
filmmaker's Hollywood budget and the character's commercial appeal, not by
Beat virtues or human failings.
diane de rooy
=========================================================================
Date: Sun, 31 Aug 1997 21:33:16 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Neal....
In-Reply-To: <970831203604_-166277618@emout19.mail.aol.com>
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But Kerouac wanted his readers to see the Neal HE saw...his Neal, not
neccesarily the
real Neal. Jack's Neal was a very close proximity to the real thing but
the portrayal wasnt designed to be three dimensional. Dean Moriarty was
a character in a story. Jack Kerouac saw something in Neal that he
deeply felt very few others saw. It was the whole reason he wrote the
book, as well as "Visions of Cody"
So it isnt important to be historically accurate about the nature of
Neal's emotions the day of his death. What is important is to portray
what Jack Kerouac would have thought. And Jack would
have thought Neal died the way he lived, and did not die a broken man.
In fact I believe I read that Kerouac was in denial about Neal's death
and refused to believe he was dead at all, that his "death" had to have
been some Neal prank.
The point is that we are NOT talking about Neal Cassady, but about Jack
Kerouac's "Vision" of Neal Cassady. How real does that have to be? How
real was it in the first place?
If whoever makes the movie of On the Road ignores Kerouac's writings, as
Leon seems to imply theyshould do, and replace that with historical fact
that may be conflicting or different, then they are not making a faithful
version of the book.
Do you think Neal Cassady needs to be portrayed as a sexist, racist
anti-semite in the movie because some felt thats how he was? Is the
reality more important than the "author's" reality? This is a novel, a
vision, NOT a biography of Neal Cassady or a history of the beat generation!
Do you want to make a film based on the real events that were described
in "On the Road" or do you want to make a film of "On the Road"? Because
you'll find those are two separate things. Kerouac changed facts and
events in the book. His mother became his aunt. He suddenly had a
married brother in Testament, Virginia. This is a story, its Jack
Kerouac's story and you cant wave a magic wand and declare it non-fiction
just because it was based on real events. Neal Cassady died on the
tracks in Mexico. So add one more scene, showing the fictional Dean
Moriarty dying in the same way, but postulate, as Sal Paradise would
have, that he died without losing his spirit.
All through "On the Road", Kerouac's Sal Paradise character desperately
wants everyone else to see Neal/Dean the way he sees him. See him not
for who he was, but for what he was. To look beyond the reality and the
scars and such and see the soul of the man.
It saddens me that some of you dont understand how beautiful it would be
to have a closing scene in the film that shows Jack's vision of Neal-- a
scene that even in showing the sad circumstances of his death, seems to
confirm how special Jack always thought he was.
Maybe it sanitizes Neal too much but this isnt history. This is "On the
Road", one man's vision. Show Neal through Jack's eyes. Not Leon's eyes
or Patricia's or anyone else's. That is the only way to be faithful to
the material!
Richard W.
=========================================================================
Date: Sun, 31 Aug 1997 20:42:38 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Neal....
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Richard Wallner wrote:
>
> Do you want to make a film based on the real events that were described
> in "On the Road" or do you want to make a film of "On the Road"?
> Richard W.
not to pick on RW, but this snipped line seems to suggest something that
i've found in this whole thread that just seems delusional to me. "Do
you want to make a film . . ." As far as i know, none of us are making a
film.
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 31 Aug 1997 20:42:26 -0500
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From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Neal....
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Richard Wallner wrote:
>
> But Kerouac wanted his readers to see the Neal HE saw...his Neal, not
> neccesarily the
> real Neal. Jack's Neal was a very close proximity to the real thing but
> the portrayal wasnt designed to be three dimensional. Dean Moriarty was
> a character in a story. Jack Kerouac saw something in Neal that he
> deeply felt very few others saw. It was the whole reason he wrote the
> book, as well as "Visions of Cody"
>
> So it isnt important to be historically accurate about the nature of
> Neal's emotions the day of his death. What is important is to portray
> what Jack Kerouac would have thought. And Jack would
> have thought Neal died the way he lived, and did not die a broken man.
> In fact I believe I read that Kerouac was in denial about Neal's death
> and refused to believe he was dead at all, that his "death" had to have
> been some Neal prank.
>
> The point is that we are NOT talking about Neal Cassady, but about Jack
> Kerouac's "Vision" of Neal Cassady. How real does that have to be? How
> real was it in the first place?
>
> If whoever makes the movie of On the Road ignores Kerouac's writings, as
> Leon seems to imply theyshould do, and replace that with historical fact
> that may be conflicting or different, then they are not making a faithful
> version of the book.
>
> Do you think Neal Cassady needs to be portrayed as a sexist, racist
> anti-semite in the movie because some felt thats how he was? Is the
> reality more important than the "author's" reality? This is a novel, a
> vision, NOT a biography of Neal Cassady or a history of the beat generation!
>
> Do you want to make a film based on the real events that were described
> in "On the Road" or do you want to make a film of "On the Road"? Because
> you'll find those are two separate things. Kerouac changed facts and
> events in the book. His mother became his aunt. He suddenly had a
> married brother in Testament, Virginia. This is a story, its Jack
> Kerouac's story and you cant wave a magic wand and declare it non-fiction
> just because it was based on real events. Neal Cassady died on the
> tracks in Mexico. So add one more scene, showing the fictional Dean
> Moriarty dying in the same way, but postulate, as Sal Paradise would
> have, that he died without losing his spirit.
>
> All through "On the Road", Kerouac's Sal Paradise character desperately
> wants everyone else to see Neal/Dean the way he sees him. See him not
> for who he was, but for what he was. To look beyond the reality and the
> scars and such and see the soul of the man.
>
> It saddens me that some of you dont understand how beautiful it would be
> to have a closing scene in the film that shows Jack's vision of Neal-- a
> scene that even in showing the sad circumstances of his death, seems to
> confirm how special Jack always thought he was.
>
> Maybe it sanitizes Neal too much but this isnt history. This is "On the
> Road", one man's vision. Show Neal through Jack's eyes. Not Leon's eyes
> or Patricia's or anyone else's. That is the only way to be faithful to
> the material!
>
> Richard W.
richard, you conveniently changed what you said and reinterpreted what I
said. It is like arguing with sand on a windy day. I never suggested
they do some damn movie in regard to the background biographical
material of certain characters.. You continue to want to argue the
concept that, wouldn't it make a great true shot if the movie ended with
the scene of a joyfull dean at the tracks . In my oppinion we quit
talking about that about 6 posts ago. but to address that. i like how
the book ended more. My posts weren't addressing some movie. I was
responding to the welcome change of subject.
p
=========================================================================
Date: Mon, 1 Sep 1997 00:21:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: Re: OTR: Old Bull Lee
Diane:
The passage you quote in your "OTR: Old Bull Lee" post of today is from the
section of OTR that is the subject of my essay, "Kerouac Meets Burroughs On
the Road", my best contribution to this part of the OTR discussion would be
to dispatch it in its 11 page-61 footnote entirety. I will nudge a friend
who served in an editorial capacity in its production and was supposed to get
it onto my computer through some high-tech transference method to do so asap.
Anyway, you asked: "Does anyone know if (WSB) ever talked about being
pleased or not pleased with the way Kerouac described him in his books?".
During my (alas, now certainly) once-in-a-lifetime visit with the Great
Departed WSB on February 18, 1995, accompanied by my friend referred to
above, I began to bring up my essay, which I had sent to him, and that it was
based on the OTR section where Kerouac & Co. visited him in Algiers, LA in
early 1949. Before I could get very far, he said: "Well, it's partly true-
you can't always trust Kerouac." He then brought up the fact that Kerouac
had helped to create and perpetuate the myth of WSB being a wealthy heir to
the fortune started by his namesake grandfather who perfected the adding
machine and established the Burroughs (later Unisys) Corporation. At this
point I recalled my knowledge of his parents having sold out their interest
in the company before it took off and were of modestly comfortable but not
wealthy means. He reminded me that they ran a gift shop, and I was able to
retrieve its name from my mental storehouse of Burroughsiana- Cobblestone
Gardens. He smiled and began to warm up to us at the mention of the place,
and told us how he had gone to trade shows with his father, and that he had
found this "a lot more interesting" than if he had been a corporate heir.
I'll never forget sitting right across from him, I was on a couch and he was
seated in a wheelchair, though not bound to it- he was mentally and
physically in very good shape, it may have been a relic from the recovery
period after his major heart surgery of about 4 years before my visit. To
his right was a table where he had lit incense when we first arrived, there
were also gun magazines and the book he was reading at that time, the second
volume of a Graham Greene biography.
I could go on and on, and will finally set it all down, but I digress from
the issue you addressed. I think that he greatly respected JK, indeed he has
confirmed his high regard for his work. But, as he told me himself and in
interviews, especially in the (excellent) film biography WHAT HAPPENED TO
KEROUAC, JK had a tendency to categorize and mythologize people and events in
his writings. Of course, this is part of what makes JK great and timeless,
still vital and being discussed by us nearly 3 decades after his death. But
this tendency could backfire on his subjects, and on himself. His portrayal
of Dean Moriarty in OTR got both Neal Cassady and himself in a lot of trouble
in their time- the shy, observant JK mistaken for the extroverted NC, and NC
subjected to the not always welcome notoriety that helped lead to his
imprisonment for selling a few joints to an undercover shit (as opposed to a
Johnson). I never returned to the thread of the OTR section after his
comment, but I believe that he was speaking more about JK in general than
about that particular item. As my essay expounds in more detail, I think
that JK accurately observed and prophetically imparted much of the essence of
WSB's life and work as it would unfold in the years ahead. There's nothing
that seems exaggerated or false (other than names) in this section,
crossreferenced with the facts that can be verified, it is HEIGHTENED by JK's
glowing, energetic prose. But perhaps WSB was thinking of the actual events
of that encounter, or earlier in his life that JK recounts in the passage you
quoted, and remembered them differently. In any case, it has to be strange
to see oneself depicted by someone else, even if the facts are straight the
style and perspective is from another eye and mind. When it comes to the
Beats, they and their works are so inter-referential between each other that
the issue of what they thought of and how they were effected by these
references and descriptions is very critical and interesting. For some
reason I'm reminded of the scenes in the BURROUGHS film biography where
Herbert Huncke says that he "rather resented having a scrawny neck" the way
WSB describes first meeting him in JUNKY, although he then goes on to say how
honored he was to have been included in it. WSB defends himself, insisting
that all he wrote was "that his neck was loose in the collar of his shirt",
which is "not at all the same" as what he thinks Huncke reads into it. I'm
sure an entire lengthy book could be written comparing famous descriptions in
literature, especially by the Beats, with actual remembrances. Not only is
the truth stranger than fiction, but it's not as easy to grasp or amenable to
consensus as the term "fact" implies.
Regards,
Arthur
=========================================================================
Date: Mon, 1 Sep 1997 00:42:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: "Thee Films 1950s-1960s"
Mime-Version: 1.0
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has anyone seen this film on video? I bought a copy two years ago and it
includes the following:
- william buys a parrot
-towers open fire
- the cut ups
- bill and tony
- ghosts at no. 9 (paris)
the video runs for 2 hours and i highly recommend it. I would like to
know how many official videos are available aside from this one and Naked
Lunch (Cronenberg) that talks about Burroughs (not counting Drugstore
Cowboy or other scripted films).
thanks,
jason
=========================================================================
Date: Sun, 31 Aug 1997 23:43:31 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR: Old Bull Lee
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Arthur Nusbaum wrote:...
my best contribution to this part of the OTR discussion would be
> to dispatch it in its 11 page-61 footnote entirety. I will nudge a friend
> who served in an editorial capacity in its production and was supposed to get
it onto my computer through some high-tech transference method to do so
asap....
> Regards,
>
> Arthur
Arthur,
thank you for an excellant post. I have certainly enjoyed getting to
know you on this list. At a cocktail party we might be across the room
but in this room i hear your thoughts, they remind me to think. I am
amazed how many ways this list makes me stretch.
on the subject of literary license i was surprised that some people
didn't realize that William would turn an historical event or figure
into what ever creature he wanted. I remember the abandon he showed in
changing the true history of typoid mary into just a slightly different
one, one that suited his aim. I wonder if people are confused by
that. I think I understand it, but I was lucky enough to see his mind
loving to turn things over and around, trying on the cloth, first as a
coat, then a cloak, and it finally turning itself into a hat. Oh did i
carry the thread analogy a bit too broad.
p
=========================================================================
Date: Sun, 31 Aug 1997 21:53:56 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gerald Nicosia <gnicosia@EARTHLINK.NET>
Subject: check this out
Mime-Version: 1.0
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Hi, folks! August 31, 1997
There's a big article on Kerouac in the Washington Post Book World
by Bruce Cook today, August 31, 1997. It's a very good assessment and I'm
not biased, even though he does pronounce MEMORY BABE the best book on Jack
Kerouac! In the same issue, I have a front-page piece on homeless Vietnam
vets. You can check out both articles by going to the website
www.washingtonpost.com and then going to "Style" and from "Style" to "Book
World."
More later. Best always, Gerry Nicosia
(Since I'm no longer on Beat-List, you need to respond to me
directly, if you wish.)
=========================================================================
Date: Mon, 1 Sep 1997 01:33:21 -0700
Reply-To: mike@buchenroth.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael L. Buchenroth" <mike@BUCHENROTH.COM>
Organization: Buchenroth Publishing Company
Subject: Re: 1/4-million 78-RPMs
Comments: To: cveditions@aol.com
MIME-Version: 1.0
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I reprinted this AP story from Columbus Dispatch Saturday 8-30-97 for
anyone's possible interests ...
At bottom, I put jpegs of the article and the accompanying photo...
250,000 VINTAGE RECORDS TO BE AUCTIONED OFF
* The collection includes recordings by Billie Holiday, Louie Armstrong
and Duke Ellington.
by Jeff Baenen,
Associated Press
EAST BETHEL, Minn. -- Hart Callender locked a treasure trove away in his
basement, a time warp into the sounds of Billie Holiday, Frank Sinatra
and Benny Goodman on 250,000 vintage vinyl records.
Most of the 78-rpm records are in mint condition, sealed in their
original wrappings with nary a needle scratch on their surface.
For collectors, an auction of the grooved vinyl this weekend sounds
better than any garage sale of any dusty old platters.
No. 1, it's a collection of "new" old records. That's the Twilight Zone
analogy," said Arne Fogel, an entertainment historian. "The second thing
is, the door shut on an inventory that existed for the taste (of 1951),
and suddenly the doors are open again in 1997, and it's a reflection of
midcentury music taste."
Callender, the self-proclaimed "King of Records," started his first
record store in 1928, eventually owning two stores in St. Paul and one
in Minneapolis. He closed his Minneaplois shop in the 1940s and
apparently was consolidating his two other stores when he was injured in
a traffic accident on New Year's eve 1951.
He shut his business and stockpiled the records. He later turned to a
living in real estate. Daughter Caroline Dahl of Lino Lakes, Minn., said
she never knew why her father packed away his quarter-million albums.
Even after he closed, he
kept Hart's Record Shop listed in the Yellow Pages until a few years
ago.
"I think in the back of his mind he always kept saying he was going to
open the store. But it never materialized," Dahl said.
For collectors, an auction of the grooved vinyl this weekend sound
better than any garage sale of dusty old platters.
Callender died in 1996 at 88, and his wife, Olivia, died this summer at
89. After his death, the family moved the inventory to a warehouse.
Now stacks of 78s, and some 33 1/3-rpm long players are piled high at
Smith's Little Auction House for sale today (Saturday 8/30/97) and
Sunday.
Jazz giants such as Holiday, Charlie Parker, Louie Armstrong, Gene Krupa
and Duke Ellington are represented. Classical and children's albums
share space with country artists Tex Ritter and Gene Autry.
Among the rare works up for bid are four sets of The Jazz Scene, a multi
record collection signed and numbered by jazz impresario Norman Granz.
They could fetch $1,500.00 apiece, said Jon England of American Estate
Services, who joined Smith's Auction in buying the collection from
Calendar's children for an undisclosed sum.
Long-playing records began replacing the 78s in the late 1940s. Compact
discs came to dominate the industry in the past decade.
But the grooved vinyl still has a fascination for collectors over shiny
CDs. "Is more of an object. It's like the aura of the object," said Rich
Shelton, a record collector from St. Paul Minn., who plans to attend.
=========================================================================
Date: Mon, 1 Sep 1997 01:53:30 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: Re: "Thee Films 1950s-1960s"
MIME-Version: 1.0
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> has anyone seen this film on video? I bought a copy two years ago and it
> includes the following:
> - william buys a parrot
> -towers open fire
> - the cut ups
> - bill and tony
> - ghosts at no. 9 (paris)
> the video runs for 2 hours and i highly recommend it. I would like to
> know how many official videos are available aside from this one and Naked
> Lunch (Cronenberg) that talks about Burroughs (not counting Drugstore
> Cowboy or other scripted films).
i believe waterrow books has this tape.
> thanks,
> jason
>
randy
=========================================================================
Date: Mon, 1 Sep 1997 03:46:16 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: Re: OTR movie
In-Reply-To: <3409B6F5.42E@rivnet.net>
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"g. jones" <xcrslnk@rivnet.net> wrote:
>hi leo,
>
>have you read 'a clockwork orange'? i just got it but my mom thinks
>i won't understand it. maybe i'm wrong. maybe sometimes it is better
>to watch a movie first? what do you think?
>
>steph
>
I personally would always try to read the book first, but in the case of
Mother Night, i would've had to find out which book it was based on first;
probably the easiest way of doing so is watching the credits of the movie.
It seems to me watching a book-based movie before reading the book could
limit your imagination in the reading of the book afterward, the most
important thing though, being not to let a film discourage you from reading
the book it's based on, because who knows what the director was thinking,
or how the script was adapted. i've never read clockwork orange or seen the
movie.
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Mon, 1 Sep 1997 05:42:34 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: Mother Night
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This one isn't too hard to figure out...seeing as it is based on Vonnegut's
novel of the same title!
Date: Monday, September 01, 1997 3:46 AM
Leo wrote:
I personally would always try to read the book first, but in the case of
Mother Night, i would've had to find out which book it was based on first;
probably the easiest way of doing so is watching the credits of the movie.
=========================================================================
Date: Mon, 1 Sep 1997 06:54:42 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: <Pine.SUN.3.91-FP.970831210419.23857A-100000@cap1.capaccess.org>
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someone somewhere sometime wrote:
It saddens me that some of you dont understand how beautiful it would be
to have a closing scene in the film that shows Jack's vision of Neal-- a
scene that even in showing the sad circumstances of his death, seems to
confirm how special Jack always thought he was.
_______
ok ok i can't sit on my hands any more about this damned thread:
i begin with a disclaimer that i have no hope invested that any movie made
of OTR by any director and with any cast could successfully evoke the book
without reducing it to mediocrity.
now to the thread's insanity:
what the hell is wrong with all of you guys and yr obsession (or delusion -
i tip my hat to dave from salinas, kansas) to make a movie of OTR that ends
with neal's death walk on the tracks in west coast, when
THE BOOK DOES CLOSE WITH A VISION OF NEAL that is as evocative and that
foreshadows neal's dying much further up down the road.
when the last sal saw of dean (in the BOOK) standing on a street corner in
new york, it was a forlorn dean raggedy and rejected dean standing on the
street with jack looking backwards out of a car window at him.
i cannot understand everyone's obsession to have a huge jump in time to
dean walking the rr tracks to his death, it is forshadowded in the book's
ending and should i believe stay that way.
i quote from the OTR, from JK himself:
(Remi has just refused to let neal ride uptown with JK and himself in NYC):
"so dean couldn't ride uptown with us and the only thing i could do was sit
in the back of the cadilac and wave at him. the bookie at the wheel also
wanted nothing to do with dean. dean, ragged in a motheaten overcoat he
bought specially for the freezing temperatures of the East, walked off
alone, and the last i saw of him he rounded the corner of seventh avenue,
eyes on the street ahead, and bent to it again. poor little laura, my baby,
to whom i'd told everything about dean, began almost to cry.
'oh we shouldnt let him go like this,. What'll we do?'
Old dean's gone i thought and out loud i said 'he'll be all right.' and off
we went to sad and disinclined concert for which i had no stomach whatever
and all the time i was thinking of dean and how he got back on the train
and rode over three thousand miles over that awful land and dnever knew why
he had come anyway, except to see me.
so in america when the sun ges down and sit on the old broken-down river
pier watching the long, long skies over New jersey and sense all that raw
land that rolls in one unbelievable huge bulge over to the west coast and
all the road going, all the people dreaming in the immensity of it, and in
iowa i know by now the children must be crying in the land whre they let
their children cry, and tonight the stars'll be out, and don't you know
that god is pooh bear? the evening star must be droopin and shedding her
sparkler dims on the prairie, which is just before th coming of complete
night that blesses the earth, darkens all rivers, cups the peaks and folds
of the final shore in, and nobody, nobody knows what's going to happen to
anybody besides the forlorn rags of growing old, i think of dean moriarty,
i even think of old dean moriarty the father we never found, i think of
dean moriarty."
this passage makes to me the most poignant ending, to see jack waving from
the back of the caddie, and jack sitting on pier shortly afterwards with
(perhaps a voice over )as jack sits and thinks of dean moriarty in the sad
rags on the corner..
so in this insane thread about who should play whom,
i say let BARNEY play all the roles, as the king of mediocrity and all that
is scary in our plastic amerikan culture.
happy monday everyone.
mc
=========================================================================
Date: Mon, 1 Sep 1997 06:03:27 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
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Marie Countryman wrote:
>
> someone somewhere sometime wrote:
> It saddens me that some of you dont understand how beautiful it would be
> to have a closing scene in the film that shows Jack's vision of Neal-- a
> scene that even in showing the sad circumstances of his death, seems to
> confirm how special Jack always thought he was.
> _______
> ok ok i can't sit on my hands any more about this damned thread:
> i begin with a disclaimer that i have no hope invested that any movie made
> of OTR by any director and with any cast could successfully evoke the book
> without reducing it to mediocrity.
> now to the thread's insanity:
> what the hell is wrong with all of you guys and yr obsession (or delusion -
> i tip my hat to dave from salinas, kansas) to make a movie of OTR that ends
> with neal's death walk on the tracks in west coast, when
> THE BOOK DOES CLOSE WITH A VISION OF NEAL that is as evocative and that
> foreshadows neal's dying much further up down the road.
>
> when the last sal saw of dean (in the BOOK) standing on a street corner in
> new york, it was a forlorn dean raggedy and rejected dean standing on the
> street with jack looking backwards out of a car window at him.
> i cannot understand everyone's obsession to have a huge jump in time to
> dean walking the rr tracks to his death, it is forshadowded in the book's
> ending and should i believe stay that way.
> i quote from the OTR, from JK himself:
> (Remi has just refused to let neal ride uptown with JK and himself in NYC):
> "so dean couldn't ride uptown with us and the only thing i could do was sit
> in the back of the cadilac and wave at him. the bookie at the wheel also
> wanted nothing to do with dean. dean, ragged in a motheaten overcoat he
> bought specially for the freezing temperatures of the East, walked off
> alone, and the last i saw of him he rounded the corner of seventh avenue,
> eyes on the street ahead, and bent to it again. poor little laura, my baby,
> to whom i'd told everything about dean, began almost to cry.
> 'oh we shouldnt let him go like this,. What'll we do?'
> Old dean's gone i thought and out loud i said 'he'll be all right.' and off
> we went to sad and disinclined concert for which i had no stomach whatever
> and all the time i was thinking of dean and how he got back on the train
> and rode over three thousand miles over that awful land and dnever knew why
> he had come anyway, except to see me.
> so in america when the sun ges down and sit on the old broken-down river
> pier watching the long, long skies over New jersey and sense all that raw
> land that rolls in one unbelievable huge bulge over to the west coast and
> all the road going, all the people dreaming in the immensity of it, and in
> iowa i know by now the children must be crying in the land whre they let
> their children cry, and tonight the stars'll be out, and don't you know
> that god is pooh bear? the evening star must be droopin and shedding her
> sparkler dims on the prairie, which is just before th coming of complete
> night that blesses the earth, darkens all rivers, cups the peaks and folds
> of the final shore in, and nobody, nobody knows what's going to happen to
> anybody besides the forlorn rags of growing old, i think of dean moriarty,
> i even think of old dean moriarty the father we never found, i think of
> dean moriarty."
> this passage makes to me the most poignant ending, to see jack waving from
> the back of the caddie, and jack sitting on pier shortly afterwards with
> (perhaps a voice over )as jack sits and thinks of dean moriarty in the sad
> rags on the corner..
> so in this insane thread about who should play whom,
> i say let BARNEY play all the roles, as the king of mediocrity and all that
> is scary in our plastic amerikan culture.
> happy monday everyone.
> mc
thanks for the tip of the hat.
i would hope that those working on this alleged movie would read more
than OTR .....
i like a lot of movies. i like a lot of books. even when they have the
same name i don't try to compare them b/c they ain't the same creature
... the medium being the massage and all that jazz.....
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 1 Sep 1997 06:06:50 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: diane carter -- backchannel technical difficulties
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dc:
finally got biological family commitments compleated and started to
catch up on correspondence. I believe the hamsters in our backchannel
connection are on strike as my mail in your direction keeps coming back
saying some kind of error and they'll try again in 4 hours for 4 days or
somesuch.
if the hamsters are on strike, i wonder what their demands are????
have a pleasant Labouring Day.....
dbr
=========================================================================
Date: Mon, 1 Sep 1997 06:16:36 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Happy Accidents (Was Re: Pre-recorded? (for David Rhaesa & Diane
Carter))
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Diane Carter wrote:
>
> what I found
> illuminating in your analysis was that Burroughs words are a key INTO the
pre-recorded universe and can serve as a guide for understanding as
> opposed to a map or way out of the pre-recorded universe. Does that then mean
that cut-ups lead to new ways of seeing and understanding, that they are in
fact "happy accidents?"
My take on this is that it is a maybe - maybe not kind of thing. I'm
not certain of the name of the old LP where i was introduced to WSB's
thoughts and words, i believe it is "breakthrough in the grey room" and
i guess that it is in cd form these genX days.
Happy Accidents. Not certain about notion of accidents i guess i'd say
that probably accidentals. Kind of was a big influence on much of my
thinking on accidents and non-accidents and probability in "Yahtzee" i
suppose.
The line that still haunts my brain: "How random is random ... we know
so much that we don't know that we know ......" this from Breakthrough
in Grey Room somewhere i believe (at least on the LP) or perhaps an
auditory hallucination while listening to Breakthrough in Grey Room in a
Mystical Blue Room in Iowa.
Also not certain about HAPPY with regard to accidents. Not necessarily
all Happy -- at least not early on in WSB's writings. Certainly the
Happy is present sometimes but also this notion of "Ugly Spirit" that
one picks up here and there in his writings up through ..... (when).
Wonder if the natural painkiller of Love conquers the Ugly Spirit in the
end??????
It seems to boil down to the fact that if Burroughs believed in a
one-God universe, it was conversely a God playing with creation in the
same way that Burroughs as a writer created and played with his universe
of words.
> DC
A playful and magical universe regardless of who is pulling the strings
and whether the technicians and hamsters "know which buttons to push."
dbr
=========================================================================
Date: Sun, 31 Aug 1997 23:18:54 -0700
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From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: David Rhaesa -- backchannel technical difficulties
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> RACE --- wrote:
>
> dc:
>
> finally got biological family commitments compleated and started to
> catch up on correspondence. I believe the hamsters in our backchannel
> connection are on strike as my mail in your direction keeps coming back
> saying some kind of error and they'll try again in 4 hours for 4 days
> or
> somesuch.
>
> if the hamsters are on strike, i wonder what their demands are????
>
> have a pleasant Labouring Day.....
>
> dbr
David--None of my mail is getting thru to you either and a couple came
back with the 4 hr. error. Do you have any idea what's going on? I'm
still getting all other mail except your's, including everyone else in
the Ulysses group. We've to cut some kind of deal with the hamsters
because this is really frustrating.
DC
=========================================================================
Date: Mon, 1 Sep 1997 10:43:23 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: David Rhaesa -- backchannel technical difficulties
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Diane Carter wrote:
>
> > RACE --- wrote:
> >
> > dc:
> >
> > finally got biological family commitments compleated and started to
> > catch up on correspondence. I believe the hamsters in our backchannel
> > connection are on strike as my mail in your direction keeps coming back
> > saying some kind of error and they'll try again in 4 hours for 4 days
> > or
> > somesuch.
> >
> > if the hamsters are on strike, i wonder what their demands are????
> >
> > have a pleasant Labouring Day.....
> >
> > dbr
>
> David--None of my mail is getting thru to you either and a couple came
> back with the 4 hr. error. Do you have any idea what's going on? I'm
> still getting all other mail except your's, including everyone else in
> the Ulysses group. We've to cut some kind of deal with the hamsters
> because this is really frustrating.
> DC
some sort of integallactic magnetic shifting i suppose. my sense is
that if we both eat an apple it will clear up within eight hours or so.
dbr
=========================================================================
Date: Mon, 1 Sep 1997 12:13:28 EDT
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From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: Message of Mon, 1 Sep 1997 06:54:42 -0400 from <country@SOVER.NET>
I vowed I wouldn't enter into the fray on this thread which I'm pretty
tired of, but I have to agree with Marie. The book has a GREAT ending.
IF I WERE MAKINGa film, I'd go with it: Bleak rainy night in NYC fade to
late afternoon sunset over New Jersey or maybe even West Coast sunset
with last paragraph being narrated.
=========================================================================
Date: Mon, 1 Sep 1997 14:28:21 -0400
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From: Alison Flynn <Limeskydip@AOL.COM>
Subject: Re: Mother Night
Mother Night was one of the worst movies I've ever seen.
On the other hand, the book is pretty good. Don't watch the movie. Nick Nolte
still hasn't discovered that he can't act.
=========================================================================
Date: Mon, 1 Sep 1997 14:59:29 -0400
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From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In a message dated 97-09-01 14:51:25 EDT, you write:
<< so in this insane thread about who should play whom,
i say let BARNEY play all the roles, as the king of mediocrity and all that
is scary in our plastic amerikan culture.
>>
yeah, but is Barney beat?
heee heeeeee heeeee.....
ddr
=========================================================================
Date: Mon, 1 Sep 1997 15:06:42 -0400
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From: Jenn Fedor <Tread37@AOL.COM>
Subject: ALLEN GINSBERG AT NEW COLLEGE
i have a quick story to tell you all about allen ginsberg's trip to my
college, new college of the university of south florida last year.
well, he came and performed poetry and lectured and was outstanding. it was
amazing! but while he was here, someone gave him a picture of a man with a
carrot stuck up his ass. well, AG said he wouldn't sign it because it
wasn't his ass. then he hit on one of the students here for a half and hour.
the boy was a bit perturbed, but his girlfriend thought it was hysterical.
i love allen ginsberg and his work, but that just cracked me up!
oh, and thanks y'all for all your help with my tutorial - it really helped a
great deal!
bit of info. before i sign-off for the day
jenn :o)
=========================================================================
Date: Mon, 1 Sep 1997 16:29:43 -0400
Reply-To: "William N. Gay" <wgay@zoo.uvm.edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "William N. Gay" <wgay@ZOO.UVM.EDU>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: <l03020900b0300d15117d@[206.25.67.114]>
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Marie,
I couldn't agree more. What's more poignant than the book itself and our
own personal relationships with it? Could a film ever do this book justice
in the opinion of those to whom it is most important? I don't think so.
All it would do is thinly glamorize and likely trivialize, maybe make some
Hollywood merchants richer. For my bit, I've had enough of that.
=========================================================================
Date: Mon, 1 Sep 1997 15:36:29 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
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William N. Gay wrote:
>
> Marie,
>
> I couldn't agree more. What's more poignant than the book itself and our
> own personal relationships with it? Could a film ever do this book justice
> in the opinion of those to whom it is most important? I don't think so.
> All it would do is thinly glamorize and likely trivialize, maybe make some
> Hollywood merchants richer. For my bit, I've had enough of that.
all of this could be true and will be -- but from another "angle" in the
infinity of "angles" it may expose a whole new generation to these
characters and then those with inclinations towards the art of reading
will perhaps follow the road of the movie into the many corners of the
written history of these figures as in OTR and in all the other many
veins and threads, strings and strands of this rich material.
dbr
=========================================================================
Date: Mon, 1 Sep 1997 17:32:46 -0400
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From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: The Kerouac Quarterly
In a message dated 97-08-31 09:25:01 EDT, you write:
<< Hi Attila, since I have so much to choose from recently it has delayed my
publication (change of cover, added text etc.). I will have it ready for the
Kerouac Festival. The rates are $5.00 (USA) $7.00 (overseas and Canada).
Vol. I, No.2 will be between 40 to 50 pages.I don't take full-year
subscriptions as yet until I can get on a stable publishing pattern. Take
care and thanks, Paul...
>>
I think I may have your address, but please send it again,
thanks, Attila
=========================================================================
Date: Mon, 1 Sep 1997 18:53:38 -0400
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From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: <BEAT-L%1997090112180136@CUNYVM.CUNY.EDU>
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On Mon, 1 Sep 1997, Bill Gargan wrote:
> I vowed I wouldn't enter into the fray on this thread which I'm pretty
> tired of, but I have to agree with Marie. The book has a GREAT ending.
> IF I WERE MAKINGa film, I'd go with it: Bleak rainy night in NYC fade to
> late afternoon sunset over New Jersey or maybe even West Coast sunset
> with last paragraph being narrated.
>
I love the ending too...I was saying to add the "neal on the tracks", not
use it to replace the current ending. Some imagery is going to be needed
on the screen so that the narratar can read the last passage from the
book. It doesnt need to be read over the closing credits.....theblack
and white part of the film would end with the end of the book scene, and
the color scene of the older Neal walking on the tracks would be shown in
conjunction with the reading of the last passage ..."I think of Dean
Moriarty, I think of old Dean Moriarty that we never found..." .etc
Like it or not, more people will see the OTR film than will ever read the
book or ever have read the book. It will be a vehicle to turn millions
of people onto Kerouac. The whole point of making the movie is to get
people to read the books.
ANYONE who really cares about preserving Kerouac's legacy and turning
more people onto it has to be into the idea of it being a film.
There are obviously people on this list who are on it because they knew
certain people personally, not because of any great passion for the
literature.
We all value their recollections but I resent the implication that one
had to know these people to have a connection to them.
Richard W.
=========================================================================
Date: Mon, 1 Sep 1997 19:59:32 -0400
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From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Some Of Dharma, Kerouac book
Hello:
The new Some of the Dharma is out, and I was wondering if anybody read it
(maybe they got a review copy a while back) and are interested in writing a
review of it for inclusion in the next issue of DHARMA beat, a Jack Kerouac
publication. If you are interested, please let me know as soon as possible,
as I would need the review within 7 days.
thanks and enjoy,
Attila editor, DHARMA beat
=========================================================================
Date: Mon, 1 Sep 1997 20:00:36 -0400
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From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: OTR film
In a message dated 97-09-01 09:22:10 EDT, you write:
<< I think the movie should be shot in black and white, except for the
opening
and closing scenes, which would be color shots of Neal Cassady walking
shirtless on the train tracks in mexico, counting the tracks right before
his death. >>
That is not how the book ends, and I'm not trying to start anything, but why
wouldn't the film end the same way the book ends.
3 ways to shoot the film:
1 - just shoot the book, and don't think about Jack and Neal. Shoot the film
about and Sal and Dean. Shoot what was written in the book, not what you
think was really happening.
2 - shoot what really happened to Jack and Neal. You don't have to follow the
book, the actual events should be followed (by what you think happened
anyway)
3- don't worry about shooting the book or the actual events, but try to
capture the spirit and visions as the book did to a generation 40 years ago.
NO COMPROMISE
just my own direction, Attila
=========================================================================
Date: Mon, 1 Sep 1997 20:02:59 -0400
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From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Burroughs Video
Just saw a show on cable with Burroughs in it, kind of like a Christmas Carol
Story, with him doing the voice over with clay animation (the guy is willing
to give up his nod to a guy in need- kidney stones). It was kind of
interesting. He was reading from Interzone. I think I saw it on Bravo.
so it goes, Attila
=========================================================================
Date: Mon, 1 Sep 1997 19:55:52 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: Burroughs Video
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Attila Gyenis wrote:
>
> Just saw a show on cable with Burroughs in it, kind of like a Christmas Carol
> Story, with him doing the voice over with clay animation (the guy is willing
> to give up his nod to a guy in need- kidney stones). It was kind of
> interesting. He was reading from Interzone. I think I saw it on Bravo.
> so it goes, Attila
did he receive the Immaculate Fix????
dbr
=========================================================================
Date: Mon, 1 Sep 1997 21:24:11 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Bruce Cook's article at the Post
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I found Bruce Cook's article at the Washington Post. It is at this url:
http://search.washingtonpost.com/wp-srv/WPlate/1997-08/31/041l-083197-idx.html
This is an excellent comment on OTR and those of you reading it should
read this review. I found it by going to the Washington Post and in the
search space on its web page, I typed in Jack Kerouac. The url for the
post is:
http://www.washingtonPost.com/
Use the search machine! The other url might not work.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Mon, 1 Sep 1997 22:57:52 -0400
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From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: TKQ has been updated! New, rare picture of Kerouac!
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I have updated the news, links, and also a rare picture of Jack Kerouac flashing
a toothy grin. Thanks! Paul....
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Tue, 2 Sep 1997 00:19:56 -0400
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From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: Burrough's "Junky Christmas"
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i think it was Attila who mentioned something about a video in claymation
with burroughs reading a narration. I have this on video from someone who
recorded it for me a year or so ago on VH1 of all channels. Its very
interesting to see it performed in a claymation style.
=========================================================================
Date: Tue, 2 Sep 1997 02:34:14 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Neal--Man and Myth/Leon's post
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Bentz' route to the Beats is the same as my own. I
was led to On The Road thru Wolfe's Electric Kool Aid
Acid Test, also. Read Acid Test in 1969, OTR in 1970.
I thought On The Road was a romantic book about America.
I always have thought of it as real and not fiction. Neal
always struck me as the wild alter-ego of the conservative
Kerouac. It seemed to me that Neal was being used in Kerouac's
book for Kerouac's benefit. Neal's lines were often wonderful
and I believed he was the author of them. So I always thought
the book probably cost the two a lot of their friendship. And
I always wanted to know a lot more about Neal the real person.
I have seen several movies, and have read Leon's post. I'm
sure there is a biography somewhere. Neal seems like the engine
that powers conservative Jack out of Lowell. Jack wants to be
like Neal. He idolizes Cassady for his craziness. When someone writes
your story and gets most of the credit for it, it has to have a
powerful effect on you, especially if you have writing ambition of
your own.
I would like to know that story and what lay beneath the surface
of the manic Cassady.
Mike Rice
=========================================================================
Date: Tue, 2 Sep 1997 02:57:44 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: book to movies
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At 01:43 PM 8/31/97 -0500, you wrote:
>I'm surprised that no one has mentioned John Huston's chillingly faithful
>adaptation of "The Maltese Falcon," which gets my vote for a great book
>that became a great movie.
>
>
Huston wrote the screenplay for this one, I read. So who came up with
the line about the statue being "the stuff that dreams are made of,"
Hammett or Huston? Please don't write that it was Shakespeare, we know
that.
Mike Rice
=========================================================================
Date: Tue, 2 Sep 1997 02:57:47 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR: Old Bull Lee wisdom
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At 04:30 AM 8/31/97 -0700, you wrote:
>A couple more quotes. I think we talked before about Burroughs dislike
>of Neal and of wanting Kerouac to come visit without Neal; on page 147,
>Old Bull, talking about Dean, says, "'He seems to me to be headed for his
>ideal fate, which is compulsive psychosis dashed with a jigger of
>psychopathic irresponsibility and violence.' He looked at Dean out of
>the corner of his eye. 'If you go to California with this madman you'll
>never make it."
>
>Also, in the car after he and Sal have been to the racetrack, Bull says,
>"Mankind will someday realize that we are actually in contact with the
>dead and the other world, whatever it is; right now we could predict, if
>only we exerted enough mental will, what is going to happen within the
>next hundred years and be able to take steps to avoid all kinds of
>catastrophes. When a man dies he undergoes a mutation in the brain that
>we know nothing about now but which will be very clear someday if
>scientists get on the ball. The bastards right now are only interested
>in seeing if they can blow up the world.'"
>
>
A man who shot drinks off his wife's head as a parlor
trick at parties, has no right to complain about the company
Kerouac kept or "psychopathic irresponsibility and violence."
Of course, Burroughs deserves some credit for having tremendous
gall complaining about Cassady.
Mike Rice
=========================================================================
Date: Tue, 2 Sep 1997 06:33:49 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: <Pine.SUN.3.91-FP.970901184659.15797A-100000@cap1.capaccess.org>
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richard wallner wrote:
ANYONE who really cares about preserving Kerouac's legacy and turning
more people onto it has to be into the idea of it being a film.
____________
why? it seems that many people are interested in reading the books
themselves. if you look around, more and more bookstores are carrying beat
lit.
if i am not in favor of a film (particularly one which would mangle the
book by ending up in the future after jack has drunk himself to death. if
there is a film, i would appreciate 'SAVING KEROUAC'S LEGACY' by the film
doing justice to the book and not to sentimentalizing and romancing the
legends. legends don't do justice to the truth.
you puzzle me a bit by this exclusionary statement above.
___________
There are obviously people on this list who are on it because they knew
certain people personally, not because of any great passion for the
literature.
_________
and where did you pick up telepathy as a hobby? who are these people you
mention? can't people be on the list because they knew neal (by this i am
guessing you are taking a coward's way out of not peppering leon, who adds
truth and sanity here in our midst by taking the time to write about the
REAL neal vs all these idealizations of him.
________
We all value their recollections but I resent the implication that one
had to know these people to have a connection to them.
_____
well, richard, again i salute yr telepathy, in speaking for the 200 odd
people on the list :
"we" all.....
_____
richard, i believe you got huffy when i suggested that the literature (vs
legacy) of kerouac would be best represented by being true to the ending of
OTR vs a sentimental and hackneyed ending which takes place years after the
book was written. OTR as i wrote in previous post has the ending, the
ending JK wrote and images of neal that are in the book vs popular myths
about neal and the tracks.
in my opinion, if the 'legacy' of JK is to be preserved, then one should
have an interest in staying true to his words and his endings to his own
books.
______
happy tuesday, all.
_____
get a grip richard.
mc
=========================================================================
Date: Tue, 2 Sep 1997 04:44:52 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: OTR: Old Bull Lee wisdom
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>From: Mike Rice <mrice@CENTURYINTER.NET>
>
>A man who shot drinks off his wife's head as a parlor
>trick at parties, has no right to complain about the company
>Kerouac kept or "psychopathic irresponsibility and violence."
>Of course, Burroughs deserves some credit for having tremendous
>gall complaining about Cassady.
>
>Mike Rice
Mike,
Your post moved me. It moved me to feel nauseated. I've been forced to
drink an entire bottle of Pepto Dismal. I'm going to be bunged up for a
week. If you actually are as ignorant as you come across, I hope that
you've never been granted a driver's license and if you have, may the gods
look out for those who live in your general vicinity.
Comparing a tragic accident to the war machine that Old Bull Lee was
referring to is like comparing a bullet to an arsenal of nuclear weapons.
Burroughs who, in this case is actually Old Bull Lee (in case you have a
hard time identifying that which is fictional), has every right to tell
Kerouac who, in this case, would actually be Sal Paradise, that he should be
careful of the company he keeps (it sort of gives the reader the impression
that Old Bull Lee cares about Sal). I understand your need to stick up for
a favorite character but if you must, try to do so without confusing the
real lives of certain people (whom others may admire) and Kerouac's poetic
license to portray them as he wished.
James M.
=========================================================================
Date: Tue, 2 Sep 1997 14:20:32 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beats:The List update 2 sep 1997
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Donald Allen
---
Amari Baraka (Leroi Jones)
---
Wallace Berman
---
Stephen Jesse Bernstein
---
Paul Blackburn [Black Mountain School]
---
Robin Blaser
---
Richard Brautigan
---
Bonnie Bremser
---
Ray Bremser
---
Chandler Brossard
---
Lenny Bruce
---
Lord Buckley
---
Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
---
William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,
Frank Carmody,
Will Dennison,
Old Bull Lee"
---
William S. Burroughs Jr.
---
John Cage {5 sep 1912 - 12 ago 1992} [Black Mountain School]
---
Caleb Carr
---
Lucien Carr "Damion"
---
Paul Carroll
---
Louis R Cartwright
---
Carolyn Cassady "Camille"
---
Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"
---
Tom Clark [Paris Review]
---
Andy Clausen
---
Leonard Cohen
---
Bruce Conner
---
Gregory Corso "Raphael Urso, Yuri Glicoric"
---
Robert Creeley [Black Mountain School]
---
Henry Cru "Remi Boncoeur"
---
Jay deFeo
---
Diane DiPrima
---
John Doe
---
Kirby Doyle
---
Edward Dorn [Black Mountain School]
---
Robert Duncan [Black Mountain School]
---
Bob Dylan
---
Kenward Elmslie [Z]
---
William Everson (Brother Antoninus)
---
Larry Fagin [Adventures in Poetry]
---
Richard Farina
---
Lawrence Ferlinghetti [San Francisco Poetry Reinassance]
"Lorenzo Monsanto,
Larry O'Hara
Danny Richman"
---
Tom Field [Spicer Circle]
---
Charles Foster
---
Robert Frank
---
James Gauerholz
---
Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand
Alvah Goldbook, Leon Levinsky
Carlo Marx"
---
John Giorno
---
Paul Goodman
---
Morris Graves
---
Brion Gysin
---
Dave Hazelwood
---
William Inge
---
Wally Hedrick [Gallery Six]
---
John Clellon Holmes
---
Herbert Huncke
---
Ted Joans [Jazz Poetry]
---
Joyce Johnson
---
Lenore Kandel
---
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
---
Robert Kelly
---
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,
Leo Percepied, Ray Smith,
Jack, Peter Martin,
Sal Paradise"
---
Jan Kerouac
---
Ken Kesey
---
Franz Kline
---
Seymour Krim
---
Paul Krassner [Realist]
---
Art Kunkin [Freep]
---
Tuli Kupferberg [Birth, The Fugs]
---
Joanne Kyger
---
Philip Lamantia
---
Jay Landesman
---
Fran Landesman
---
James Laughlin
---
Denise Levertov [Black Mountain School]
---
Timothy Leary
---
Lawrence Lipton [The Holy Barbarians]
---
Ron Loewinsohn
---
Philomene Long
---
Malcom Lowry
---
Bill MacNeill
---
Norman Mailer
---
Gerard Malanga
---
Edward Marshall
---
Peter Martin
---
Lewis McAdams
---
Joanna McClure
---
Michael McClure
---
Bill MacNeill
---
Taylor Mead
---
David Meltzer
---
Jack Micheline [SF<LA<NY poet]
---
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
---
John Montgomery
---
Shigeyoshi (Shig) Murao
---
Harold Norse
---
Frank O'Hara
---
David Ohle
---
Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]
---
Peter Orlovsky
---
Kenneth Patchen
---
Thomas Parkinson
---
Nancy Peters
---
Stuart Z. Perkoff
---
Charles Plymell
---
Dan Propper
---
Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]
---
Frank Rios
---
Theodore Roethke
---
Hugh Romney
---
Michael Rumaker
---
Ed Sanders [Peace Eye Bookstore]
---
Mark Schorer
---
Tony Scibella
---
Hubert Jr. Selby
---
Gary Snyder
---
Carl Solomon
---
Jack Spicer
---
Hunter Stockton Thompson
---
Charles Upton
---
Janine Pommy Vega
---
John Thomas
---
Mark Tobey
---
Alexander Trocchi
---
Tom Waits [Foreign Affairs]
---
Anne Waldman [St. Mark's Poetry Project, New York]
---
Lewis Warsh
---
Alan W. Watts "Arthur Whane, Alex Aums"
---
Lew Welch
---
Philip Whalen
---
John Wieners [Black Mountain School]
---
Jonathan Williams
---
William Carlos Williams {17 sep 1883-4 mar 1963}
---
Ruth Witt-Diamant [San Francisco's Poetry Center]
-*-
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/home.htm
thanks,
Rinaldo Rasa.
2th september 1997, Venice-Mestre, Italy.
-*-
the list of credits & comments:
Walter Campbell <walter.campbell@usa.net>
David Christian dckom@atlcom.net
Greg Christy <christyg@pcpartner.net>
Patricia Elliott <pelliott@SUNFLOWER.COM>
Timothy K. Gallaher <gallaher@HSC.USC.EDU>
Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>
OHearn <orpheus@in.the.shadows>
Mike Rice <mrice@centuryinter.net>
David Schwarm <dschwarm@sun3.lib.uci.edu>
Eric Saylor esaylor@sprynet.com
James Stauffer <stauffer@pacbell.net>
Michael Stutz <stutz@dsl.org>
Tara123125 tara123125@aol.com
-*-
Addenda comments:
1.=============================
Return-Path: <dckom@atlcom.net>
From: dckom@atlcom.net (dckom)
To: "Rinaldo Rasa" <rasa@gpnet.it>
Subject: Re: Beats:The List update 31 aug 1997
Date: Sun, 31 Aug 1997 21:20:00 GMT
Organization: W.S.A.
Reply-To: dckom@atlcom.net
Hi,
By Ed Sanders and Tuli Kumferberg you should note The Fugs.
By Sanders, Peace Eye Bookstore.
Paul Goodman was Black Mountain School, except they threw him out for being
gay.
Good project, thanks for the work.
David Christian
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Free thought, neccessarily involving freedom of
speech and press, I may tersely define thus:no
opinion a law-no opinion a crime.
Alexander Berkman
2.===============================
Return-Path: <tara123125@aol.com>
Date: Sun, 31 Aug 1997 18:45:05 -0400
Newsgroups: alt.books.beatgeneration
To: "Rinaldo Rasa" <rasa@gpnet.it>
From: tara123125@aol.com (Tara123125)
Organization: AOL http://www.aol.com
Subject: Re: BEATs list
SnewsLanguage: English
Regarding your request to add names to your beat list--
May I suggest the following Beat generation poets:
John Thomas, Philomene Long, Frank Rios and Tony Scibella. They can be
found, along with Stuart Perkoff, in John Maynard's "Venice West: The Beat
Generation in Southern California". Also see LA Beats Web Site-
HTTP://members.aol.com/labeats
3. =====================================
Return-Path: <esaylor@sprynet.com>
From: esaylor@sprynet.com (Eric Saylor)
To: rasa@gpnet.it
Subject: beat list
Date: Tue, 02 Sep 1997 05:42:05 GMT
Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in
1992, Seattle WA USA.
Thanks.
Eric
============= end of comments ======================
=========================================================================
Date: Tue, 2 Sep 1997 14:02:53 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: The Invisible Friend.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
nine times out of ten
i think the Beats
are hopeful
an invisible hand
acts as Beat's guide
they live in a Paradiso Terrestre
anything happens
wars
BOMB
massacres
they
with
childish
eyes
look at the world.
Rinaldo.
=========================================================================
Date: Tue, 2 Sep 1997 08:50:03 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hemenway . Mark" <MHemenway@DRC.COM>
Subject: Final Lowell Schedule & Press Release
Comments: To: "philzi@tiac.net" <philzi@tiac.net>
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7bit
Lowell Celebrates Kerouac!, Inc P.O. Box 1111, Lowell, MA 01853
KEROUAC FESTIVAL CELEBRATES LOWELL WITH POETRY, PERFORMANCE AND
PHOTOGRAPHY
(Lowell, MA) The 10th Annual Lowell Celebrates Kerouac!
Festival will celebrate the real and explore the mythic Lowell of
Kerouac's art, 2- 5 October in Lowell, MA. The festival will also
honor the memory and pay tribute to Allen Ginsberg, poet,
visionary and Kerouac friend.
The festival will begin 6:00PM, Thursday, 2 October at the
Whistler House Museum of Art, Worthen St with the opening of
Images of Kerouac 97" a photographic exhibition, and award of the
Jack Kerouac Literary Prize. Images of Kerouac '97 is an open
exhibition. All emerging and established photographers are invited
to submit their work . For details call, 508- 452-7641.
Featured guest, Anne Waldman, internationally acclaimed poet,
editor and educator will lead a tribute to Allen Ginsberg, 8:00
PM, Saturday, 4 October at the Smith-Baker auditorium, Merrimack
St, Lowell. Ms Waldman has authored over 30 books of poetry and
has performed in readings around the world. She directed the
Poetry Project at St Mark's Church in the Bowery for over a decade
and is currently the Director of the Jack Kerouac School of
Disembodied Poetics which she co-founded with Allen Ginsberg. She
will be accompanied by James Cameron on tenor sax. Admission is
$7.00 ($5.00 for students).
A photographic remembrance of Allen Ginsberg featuring works by
Gordon Ball, Elsa Dorfman, Gerard Melanga and Fred McDarrah will
be on display at the Brush Art Gallery, Market Street Visitors
Center from September 25 through November 16. Gordon Ball,
Ginsberg editor and photographer will present a gallery talk at
1:00 PM, Saturday, 4 October. For details call 508-459-7819.
Lowell singer, song-writer and recording artist , Bob Martin will
open an evening of performance poetry by Vincent Ferrini, Patricia
Smith, Michael Brown, Lawrence Carradini, and Meg Smith. Vincent
Ferrini, a member of the Black Mountain School of Poetry, friend
and associate of Charles Olsen, and the dean of the Gloucester
poets, has been writing and performing for decades. His work is
published widely. Award winning journalist, poet, playwright and
performer, Patricia Smith is a well known columnist for the Boston
Globe and co-founder and leader of the slam poetry movement in
Boston. She has performed her work around the world. Her US
appearances include the Nuyorican Cafe, St. Mark's Poetry Project,
and Lollapalooza. She is a fourtime national poetry slam champion.
Michael Brown, member of the 1993 National Slam Championship team
from Boston, is also an award winning performance poet. As General
Secretary of the International Organization of Performance Poets
he is currently planning the first international poetry slam in
Stockholm in 1998. Lawrence Carradini and Meg Smith are well known
and respected members of the Lowell and Cambridge performance
poetry scenes. Suggested donation $3.00.
The University of Massachusetts- Lowell will conduct the 3rd
Annual Beat Literature Conference from 8:00 AM to 5:00 PM on
Friday, 3 October at the O'Leery Library, UMASS- Lowell South
Campus. There is no charge for the conference. Panels will include
leading scholars on Kerouac, Ginsberg, Burroughs and the Beat
movement in general. Ann Douglas from Columbia University will
present the Keynote speech at 2:00PM. For more information on the
conference call the English Department, UMASS- Lowell at
508-934-4195.
Other festival events include walking tours of Kerouac sites in
Lowell, a small press boo fair, open microphone events, a dance
presentation by the Feast of Friends Dance company, and many
opportunities for conversation.
Jack Kerouac's best known work, On The Road has sold over 3
million copies and continues to sell over 60, 000 copies per year-
30 years after his death and 40 years since it's first publication
in 1959. Kerouac was born, raised and remained a native of Lowell
throughout his life. 5 of his 11 novels take place in Lowell, and
the city is mentioned in virtually every one of his books 24
books. His descriptions of Lowell are remarkable for their beauty,
power and timelessness. Through them, millions of readers have
come to know Lowell as a universal hometown.
Lowell Celebrates Kerouac!, Inc. is a non-profit corporation
dedicated to the celebration, enjoyment and study of Jack Kerouac
and his writings. Whenever possible, events are free, however,
donations are gratefully accepted for continued support of the
annual Lowell Celebrates Kerouac! Festival.. To make a donation,
or to find out more about Lowell Celebrates Kerouac!, Inc., write:
P.O. Box 1111, Lowell, MA 01853.
Schedule for the 10th Annual Lowell Celebrates Kerouac! Festival
follows:
THURSDAY, 2 OCTOBER
Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry
9:00AM-11:00AM
Lowell High School Poetry Competition for High School Students-
for Information call 508-452-7966
Downtown Kerouac Places- Walking Tour
4:30PM-6:00 PM
Begins at Middlesex Community College, ends at the Pollard
Memorial Library. Roger Brunelle leads a walking tour of
Kerouac's downtown.
Images of Kerouac '97- Reception and Photography Exhibition
6:00PM- 8:00PM
Whistler House Museum of Art, 243 Worthen Street Open exhibition
of photography inspired by Jack Kerouac and the Beats. Entries
welcome. Deadline 12 September. Co-sponsored by the Whistler House
Museum of Art, 508-452-7641.
Jack Kerouac Literary Prize Award
7:00PM
Whistler House Museum of Art, 243 Worthen Street Presentation of
the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored
by The Estate of Jack and Stella Kerouac, Lowell Celebrates
Kerouac!, Inc. and Middlesex Community College.
Dr Sax Nights- Walking Tours
8:00PM-10:00PM
Tour begins at McDonald's, Mammoth Rd, ends at the Spaulding
House, Pawtucket St for discussion. Rain or shine. Roger Brunelle
leads a walking tour of Kerouac's Pawtucketville.
Friends and Music
10:00PM-12:00PM
The Athenian Corner Restaurant, 207 Market Street. Greek Band,
Greek food and Kerouac friends.
FRIDAY, 3 OCTOBER
3rd Annual Beat Literature Symposium
8:00AM-5:00PM
O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00
Noon - Presentation of Papers. 2:00PM - Keynote Presentation by
Ann Douglas, Columbia University. 3:00PM-5:00PM - Panel
discussions. Leading scholars present original research on beat
authors, writing techniques and cultural phenomena. For
information and pre-registration, call Prof Hilary Holladay,
508-934-4195. Sponsored by the English Department UMASS-Lowell. NO
CHARGE.
Mystic Jack- Walking Tour
5:00PM-6:00PM
Begins and ends at St. Louis de France Church, Centralville. Tour
by Roger Brunelle.
Memorial Mass for Jack and Stella Kerouac
6:00PM-7:00PM
St. Louis de France Church, Centralville
Listen to the Beat- Readings
8:00PM-10:00PM
The Parkway Cafe, 350 Market Street Poets Vincent Ferrini,
Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith
and Singer song-writer, Bob Martin present an evening of
performance poetry and music. Suggested donation $3.00.
Friends, Music and Lowell Poets
10:00PM-12:00PM
Parkway Cafe
SATURDAY, 4 OCTOBER
Nashua - Bus Tour
9:00AM-1:00PM
9:00AM- Depart from Lowell Barnes and Noble. Reservations can be
made in person, or call 508-458-3939. 9:30AM- Depart Nashua, NH
Barnes and Noble. For reservations, call Laura Eanes at
603-897-0777. A bus tour of Kerouac places in Nashua, NH by Steve
Edington. RESERVATIONS PREFFERRED NOT REQUIRED
Small Press Book Fair
10:00AM-4:00PM
Memorial Hall, Pollard Memorial Library A sampling of local
presses and Kerouac material.
Commemorative at the Commemorative- Honoring Jack Kerouac and
Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge
and French Streets
Strictly Kerouac- Dance
12:30-1:00 PM
The Courtyard at the Market Street Visitor's Center, Lowell
National Historical Park. Jan Zwadney and a Feast of Friends
interprets Kerouac in dance, music and spoken word.
Allen Ginsberg and Friends: A Photographic Remembrance
1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center
Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred
McDarrah. Exhibition open from September 25 - November 16th.
Gallery Talk- Gordon Ball
1:30PM Brush Art Gallery, Market Street Visitor Center
Photographer and Ginsberg editor, Gordon Ball talks about
photographing Allen Ginsberg.
Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot
Street
Anne Waldman and Friends- A Tribute to Allen Ginsberg
8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-
Admission- $7.00 Anne Waldman, renowned poet, performer, and
editor leads a tribute to the Dharma Lion. James Cameron on
saxophone.
Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs
Cafe, Merrimack Street
SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM
Departs from Middlesex Community College, Merrimack Street Bus
tour of Kerouac's Lowell. Call 508-452-7966 for reservations. Tour
by Roger Brunelle. Please give name, phone number and number of
places reserved. RESERVATIONS REQUIRED.
Words and Music- Open Mic
1:00PM-3:00PM The Coffee Mill, Palmer Street.
PRESS CONTACT: Mark Hemenway: Day: 508-475-9090 ext 1239
Evening: 508-458-1721
PUBLIC INQUIRIES:
1-800-443-3332
508-458-1721
***END***
=========================================================================
Date: Tue, 2 Sep 1997 09:53:10 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In-Reply-To: <l03020901b0315efd75ce@[206.25.67.128]>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
> ____________
> why? it seems that many people are interested in reading the books
> themselves. if you look around, more and more bookstores are carrying beat
> lit.
This is true but the fact remains that tv and movies are a far more
pervasive medium than books right now, and in order to turn people on to
books you have to get people where they are-- in front of their tv sets
and in movie theaters. Are you one of those folks who think Kerouac and
beat writing would lose its hipness if too many people were turned on to
it? That is what it sounds like it...
> if i am not in favor of a film (particularly one which would mangle the
> book by ending up in the future after jack has drunk himself to death. if
Get your facts straight...Neal Cassady died over a year BEFORE Kerouac
did. I dont think it would be mangling the book anymore than David
Cronenburg "mangled" Naked Lunch by giving it his own spin. You will
rarely if ever find a novel turned into a movie that is able to be 100%
faithful. Most books arent written with movies in mind so the work has
to be adjusted.
I guarantee you there WILL be scenes added to the movie-- maybe not the
Neal on the tracks but other scenes not in the book but clearly in the
spirit of the book. As I said, in the script I saw, and I didnt read the
whole thing, there is a scene in the beginning with Neal, Burroughs,
Kerouac, and Ginsberg sitting in a bar bs'ing. This didnt
happen...Burroughs was gone from NYC before Neal ever got there, they met
down in Texas later. But it wont hurt the book being in it, if it
maintains the spirit and intent of the work. They were all friends,
Burroughs and Cassady corresponded before they even ever met, so such a
scene is simply a vehicle to simplify things and point out on screen that
they knew each other.
Since Jack Kerouac isnt alive to direct the film himself, it is going to
be someone else's interpretation.
RJW
=========================================================================
Date: Tue, 2 Sep 1997 09:01:21 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Beats:The List update 2 sep 1997
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Rinaldo,
an absolutely shit kicking list. i love it. am trying to create a
file that talks a little bit about each of these people. I am working
on the connections between them. Could be a thesis.
p
=========================================================================
Date: Tue, 2 Sep 1997 09:02:13 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: OTR: Old Bull Lee wisdom
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Mike Rice wrote:
>
> At 04:30 AM 8/31/97 -0700, you wrote:
> >A couple more quotes. I think we talked before about Burroughs dislike
> >of Neal and of wanting Kerouac to come visit without Neal; on page 147,
> >Old Bull, talking about Dean, says, "'He seems to me to be headed for his
> >ideal fate, which is compulsive psychosis dashed with a jigger of
> >psychopathic irresponsibility and violence.' He looked at Dean out of
> >the corner of his eye. 'If you go to California with this madman you'll
> >never make it."
> >
> >Also, in the car after he and Sal have been to the racetrack, Bull says,
> >"Mankind will someday realize that we are actually in contact with the
> >dead and the other world, whatever it is; right now we could predict, if
> >only we exerted enough mental will, what is going to happen within the
> >next hundred years and be able to take steps to avoid all kinds of
> >catastrophes. When a man dies he undergoes a mutation in the brain that
> >we know nothing about now but which will be very clear someday if
> >scientists get on the ball. The bastards right now are only interested
> >in seeing if they can blow up the world.'"
> >
> >
>
> A man who shot drinks off his wife's head as a parlor
> trick at parties, has no right to complain about the company
> Kerouac kept or "psychopathic irresponsibility and violence."
> Of course, Burroughs deserves some credit for having tremendous
> gall complaining about Cassady.
>
> Mike Rice
Thank god we finally have a judge and jury and the missing conviction.
If any one can be considered an expert on gall it might be the person
who uses such a one deminsional arguement to make such a point.loving it
p
=========================================================================
Date: Tue, 2 Sep 1997 08:08:18 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Cassady residence, gone (fwd)
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
ya'll
saw this on rec.music.gdead and i thought some here would be interested,
etc.
yrs
derek
---------- Forwarded message ----------
Date: 29 Aug 1997 19:39:27 GMT
From: Peter Lowenberg <PLOWENBE@qmtn.quintiles.com>
Newsgroups: rec.music.gdead
Subject: Cassady residence, gone
In this week's Los Gatos News my local rag, there is an article about
the house built by Neal Cassady which was recently razed, Cassady built
the house with money obtained after his settlement with Union Pacific
Raliroad. The town folk claim they had no idea of it's potential
historic value, but couldn't have saved it anyway. Twas the South bay
hangout of Kerouac, and Ginsberg and later Kesey. Cassady's son was
allowed to take the Day glo green front door and the top of the bar,
before the house was demolished.
Peter
=========================================================================
Date: Tue, 2 Sep 1997 11:13:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: The Neal/Gerard connection...
In-Reply-To: <340C1C65.796B@sunflower.com>
MIME-Version: 1.0
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I've been re-reading OTR the last few days (a pleasure to finally read it
in hardback btw!) and it occurs to me that Kerouac may have desperately
wanted to believe that his dead brother's spirit was somehow alive in
Neal Cassady. Had his brother Gerard lived, I believe he would have been
about the same age as Cassady.
Its no secret that Kerouac was haunted by memories and feelings for his
brother who died as an infant. Kerouac refers to Neal/Dean in the book
at various times as both his brother and angel.
So perhaps OTR is less about Neal Cassady's search for his father, and
more about Jack Kerouac's search for his brother. Jack Kerouac traveling
around the country hoping deep down to find his brother alive somewhere,
and thinking for a while that perhaps his spirit was alive in Neal
Cassady. And in the end realizing that no matter how hard he wanted it
to be, Neal was not Gerard, not his brother.
I suggest that OTR is really about Kerouac learning to accept the death
of his brother many years after the fact, through being able to envision
for a while that Cassady *was* the embodiment of Gerard and finally
accepting the reality that no one, not even Neal, could really be Gerard.
RJW
=========================================================================
Date: Tue, 2 Sep 1997 14:07:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Re: Men Of The Mountains.(Beats)
How much Snyder gets short changed
really depends on where you live, here
in San Francisco, he gets lots of press,
his readings sell out, he is very well regarded.
In fact people here in the provincial "City"
are shocked when New York claims anything to
do with the beats!
yrs
Gary Mex
=========================================================================
Date: Tue, 2 Sep 1997 14:42:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: The Neal/Gerard connection...
In a message dated 97-09-02 12:20:29 EDT, you write:
<< Its no secret that Kerouac was haunted by memories and feelings for his
brother who died as an infant. >>
Wow. No secret? Gee whiz. And all these years I've somehow been sucked into
believing Gerard died at the age of nine.
How dumb am I?
duh-duh-diane
=========================================================================
Date: Tue, 2 Sep 1997 13:46:23 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: The Neal/Gerard connection...
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Richard Wallner wrote:
>
> So perhaps OTR is less about Neal Cassady's search for his father, and
> more about Jack Kerouac's search for his brother.
doesn't seem to need to be a "one or the other" sort of thing. Both on
spirit searches....along with very much living in the Present.
so if JK finds Gerard in DM, does DM find his father's spirit
anywhere???
dbr
=========================================================================
Date: Tue, 2 Sep 1997 14:58:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: The Neal/Gerard connection...
In-Reply-To: <970902144114_1952520056@emout08.mail.aol.com>
MIME-Version: 1.0
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On Tue, 2 Sep 1997, Diane De Rooy wrote:
> In a message dated 97-09-02 12:20:29 EDT, you write:
>
> << Its no secret that Kerouac was haunted by memories and feelings for his
> brother who died as an infant. >>
>
> Wow. No secret? Gee whiz. And all these years I've somehow been sucked into
> believing Gerard died at the age of nine.
>
> How dumb am I?
>
> duh-duh-diane
>
There is no need to be sarcastic...I made a slip...its been a while since
I read "Visions of Gerard" sheesh...
=========================================================================
Date: Tue, 2 Sep 1997 14:14:09 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>
Subject: Re: Cassady residence, gone (fwd)
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That's too bad. That was a landmark. Seems that Cassady and Kerouac were
always running to or away from that place. Wasn't that the place where
Kerouac would sleep out under a tree in the back yard on his visits?
At 08:08 AM 9/2/97 -0600, you wrote:
>ya'll
>saw this on rec.music.gdead and i thought some here would be interested,
>etc.
>yrs
>derek
>
>---------- Forwarded message ----------
>Date: 29 Aug 1997 19:39:27 GMT
>From: Peter Lowenberg <PLOWENBE@qmtn.quintiles.com>
>Newsgroups: rec.music.gdead
>Subject: Cassady residence, gone
>
> In this week's Los Gatos News my local rag, there is an article about
>the house built by Neal Cassady which was recently razed, Cassady built
>the house with money obtained after his settlement with Union Pacific
>Raliroad. The town folk claim they had no idea of it's potential
>historic value, but couldn't have saved it anyway. Twas the South bay
>hangout of Kerouac, and Ginsberg and later Kesey. Cassady's son was
>allowed to take the Day glo green front door and the top of the bar,
>before the house was demolished.
>
>
>
>Peter
>
>
=========================================================================
Date: Tue, 2 Sep 1997 12:23:49 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: The Neal/Gerard connection...
Mime-Version: 1.0
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I agree, no reason for this sort of sarcsam.
Gerard would have died around the same time Cassady was born.
At 02:58 PM 9/2/97 -0400, you wrote:
>On Tue, 2 Sep 1997, Diane De Rooy wrote:
>
>> In a message dated 97-09-02 12:20:29 EDT, you write:
>>
>> << Its no secret that Kerouac was haunted by memories and feelings for his
>> brother who died as an infant. >>
>>
>> Wow. No secret? Gee whiz. And all these years I've somehow been sucked into
>> believing Gerard died at the age of nine.
>>
>> How dumb am I?
>>
>> duh-duh-diane
>>
>
>There is no need to be sarcastic...I made a slip...its been a while since
>I read "Visions of Gerard" sheesh...
>
>
=========================================================================
Date: Tue, 2 Sep 1997 12:32:41 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Cassady residence, gone Pooh Bear
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I think this house is where Jack was staying when he began his Buddhist
studies. As I recall reading much of his study began at the nearby San Jose
library.
Also, the Some of the Dharma provides us with some kewl nuggets. For one
example where the "don't you know God is Pooh Bear" line near the end of the
book.
In SoD there are various transcripts of conversations Jack was having with
the kids Jamie and Cathy (presumably at this Los Gatos house). One of the
kids (Cathy I think--and I hope her name is Cathy--I don't have the book in
front of me) is the person who called God Pooh bear.
So this came in a conversation with one of Neal and Carolyn Cassidy's kids.
It also hits home the revisions or "inserts" Kerouac did to On the Road.
Apparently he began writing up what he called inserts to include in the
book. One of these inserts is the "mad to be...fireworks everyone go aww"
line that seems to be the most famous quote from the book. My gues is that
this Pooh bear paragraph was also an insert.
It also clarifies something that seemed anachronistic withing Kerouac's
oeurve and artistic life in a while ago someone presented a section from On
the Road that seemed heavily Buddhist (I don't remember which mesasage or
the author here). I remember it striking me as somewhat strnage that a
passage that might sound more like it came from Visions of Gerard with its'
strong Buddhist terminology. But the insert process Kerouac did explains this.
=========================================================================
Date: Tue, 2 Sep 1997 13:20:47 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Cassady residence, gone Pooh Bear
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I would like to get some expert help on this. Maybe Leon will weigh in.
My recollection from letters and somewhat vague memories of Carolyn
Cassidy's "Heartbeat" (don't have Off the Road handy) is that there was
at least one and maybe more previous Cassidy houses in the San Jose
area, and that most of Jack's visits and extended stays were at an
earlier place in San Jose rather than the Los Gatos place which Jack
visits with Lew Welch and others in Big Sur. Los Gatos is adjacent to
San Jose. Any local would use the Los Gatos address rather than San
Jose if they could. Jack, of course, might not be aware of this
difference.
J. Stauffer
J. Stauffer
=========================================================================
Date: Tue, 2 Sep 1997 16:16:04 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: OTR movie
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> It seems to me watching a book-based movie before reading the book could
> limit your imagination in the reading of the book afterward, the most
> important thing though, being not to let a film discourage you from reading
> the book it's based on, because who knows what the director was thinking,
> or how the script was adapted. i've never read clockwork orange or seen the
> movie.
> leo
hi leo,
this is how i've always felt, but then again i was never told i
wouldn't understand a book. so i wondered if seeing the movie
first would help me get a feel for the book. thanks for your
input.
ugh. school started today. homework already.
steph
>
> "Let us hope that the whores of evil no longer loiter on the doorsteps of
> your path, beckoning you into the brothel of despair, and that hereinafter,
> you may present them with the most rigid manifestations of a firm and manly
> will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Tue, 2 Sep 1997 16:35:54 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
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Richard Wallner wrote:
> Like it or not, more people will see the OTR film than will ever read the
> book or ever have read the book. It will be a vehicle to turn millions
> of people onto Kerouac. The whole point of making the movie is to get
> people to read the books.
well i haven't read the book, but i suppose i will if i ever get
enough time! i think my parents think jack kerouac is the second
coming or something! i think he was fascinating, but i don't nearly
as much about him as i'd like!
> ANYONE who really cares about preserving Kerouac's legacy and turning
> more people onto it has to be into the idea of it being a film.
my mom is a teacher and she has turned so many of her students on to
him!
> There are obviously people on this list who are on it because they knew
> certain people personally, not because of any great passion for the
> literature.
what do you mean by that? i'm only on this list because i wanted to
learn more about the beat generation, but i do love to read.
> We all value their recollections but I resent the implication that one
> had to know these people to have a connection to them.
> Richard W.
hmmm... that contradicts the previous paragraph... or am i
misunderstanding you?
by the way, i am not g. jones! my name is steph but i don't have my
own email.
=========================================================================
Date: Tue, 2 Sep 1997 16:39:27 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: OTR: Old Bull Lee wisdom
MIME-Version: 1.0
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> Thank god we finally have a judge and jury and the missing conviction.
> If any one can be considered an expert on gall it might be the person
> who uses such a one deminsional arguement to make such a point.loving it
> p
hi patricia,
you have such a clever way with words. i'm envious!
steph
=========================================================================
Date: Tue, 2 Sep 1997 16:46:16 -0400
Reply-To: xcrslnk@rivnet.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "g. jones" <xcrslnk@RIVNET.NET>
Subject: Re: The Neal/Gerard connection...
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> Wow. No secret? Gee whiz. And all these years I've somehow been sucked > into
believing Gerard died at the age of nine.
>
> How dumb am I?
>
> duh-duh-diane
diane,
wow. that wasn't very nice. maybe you aren't dumb, but you surely
can't be perfect!
steph
=========================================================================
Date: Tue, 2 Sep 1997 18:11:21 -0400
Reply-To: Michael Stutz <stutz@dsl.org>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: Beat fiction and non-fiction
In-Reply-To: <33FC5902.1C7A@together.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 21 Aug 1997, Diane Carter wrote:
> > Michael Stutz wrote:
> >
> > I wonder how much of the Beat canon is pure fiction and how much of it
> > is non-fiction [auto]biographical account.
>
> This is an interesting perspective on Kerouac from Ann Charters in her
> introduction to The Portable Kerouac:
>
> "All of Kerouac's writing is autobiographical, but he fictionalized the
> stories about his direct experience by changing the names of the
> real-life characters he described and by altering the settings of his
> narrative if he or the publishers feared libel action would be taken by
> the people he was writing about.
<snip>
Diane--
As usual, thanks for typing in a lengthly quote about the subject at hand.
Shades of our discussion here a few weeks ago has been now brought up in a
recent post from Arthur, where he recalls his 1995 meeting with Burroughs
where in question of Kerouac's portrayal of Bill's Algiers, LA days in OTR,
he said, "Well, it's partly true -- you can't always trust Kerouac."
I watched the documentary _Burroughs_ for the first time the other night,
and in it Burroughs spoke of Kerouac's work. The dialogue [highly
paraphrased] went something like this: "You can't ever trust what Kerouac writes
-- you have to keep in mind that he was a writer of _fiction_. He was always
forming these roles and then casting them onto other people."
Trying to objectively determine what was absolutely "true" and "really
happened" in these works, I think, would be like trying to measure the
absolute coastline of Britain: recursively impossible. But maybe that's the
beauty of it.
=========================================================================
Date: Tue, 2 Sep 1997 18:13:55 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Pooh Bear
Yea, it was great to see that passage in Some of the Dharma. It clears up the
wholeGod is Pooh Bear thing or at least now we can see how the phrase originate
d. Those of you who have been around for a while might remember the interest
ing thread we had on this a year or so ago.
=========================================================================
Date: Tue, 2 Sep 1997 19:45:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: (OTR Movie)/ stamp me stoopid, but...
In a message dated 97-09-02 09:55:17 EDT, Richard responded very
authoritatively to a letter from Marie:
<< Marie said: ____________
> why? it seems that many people are interested in reading the books
> themselves. if you look around, more and more bookstores are carrying beat
> lit.
Then Richard said:
>>This is true but the *fact* remains <<
"Fact." Sounds like Richard is big on facts.
Then Richard said:
>>...are you one of those folks who think Kerouac and beat writing would lose
its hipness if too many people were turned on to it? That is what it sounds
like ...<<
"one of those folks?" Who are "those folks?" Do you know a lot of people who
are "into" Kerouac and the Beats because it's "hip?" I don't know anyone like
that.
Then Richard said:
>> Get your facts straight...
Once more, Richard points out the importance of "facts." Since he was using
the "fact" argument against Marie, it seemed very appropriate for him to fall
on his own sword where the "facts" about Gerard were concerned.
>>I guarantee you there WILL be scenes added to the movie... As I said, in
the script I saw, and I didnt read the whole thing...<<
Why didn't you read the whole thing? Did it fail to hold your interest? It
seems if it was such a good idea to make a film of this book, one would beg,
borrow or steal a script to read.
>> Since Jack Kerouac isnt alive to direct the film himself, it is going to
be someone else's interpretation.<<
Jack was burned by Hollywood in his lifetime. If he were alive today, there
would be no movie being made of this book. Discussion of the approach would
never make their way out of story meetings.
Sarcasm has its place in the world. I feel it's very appropriate to use when
someone takes himself so seriously that he can't even see that it's more
important for him to have the last word than it is for him to bother to check
"facts."
As the late, great Strother Martin said in "Cool Hand Luke" (was Luke Beat?
hee hee hee), "What we have here is a failure to communicate."
And with that, I lay down my own sword regarding this thread.
And that, my friend Richard, is a fact.
diane
=========================================================================
Date: Tue, 2 Sep 1997 20:10:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: guns and guns..millions of guns
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out of curiosity:
who is graciously getting all of Bill's firearms and any
remaining cats? In other words, what is going on with his estate?
jason
=========================================================================
Date: Wed, 3 Sep 1997 09:20:11 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Re: The Neal/Gerard connection...
In-Reply-To: <Pine.SUN.3.91-FP.970902105346.7086A-100000@cap1.capaccess.org>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Richard Wallner writes,
>So perhaps OTR is less about Neal Cassady's search for his father, and
>more about Jack Kerouac's search for his brother. Jack Kerouac traveling
>around the country hoping deep down to find his brother alive somewhere,
>and thinking for a while that perhaps his spirit was alive in Neal
>Cassady. And in the end realizing that no matter how hard he wanted it
>to be, Neal was not Gerard, not his brother.
There is probably some truth in your comments regarding OTR being not only
about Dean's search for his father, that the novel was written coloured by
Jack Kerouac's own "search" for Gerard and in his hopes of finding his
older brother's incarnation in Neil. Some biographer's have claimed (I'm
thinking of Steve Turner's argument in "Angelheaded Hipster", great book by
the way--I'm recommending this to Steff who said she was interested in
learning more 'bout the Beats, though it's a Kerouac biography through and
through) that this was a search and proJECT pattern (?) which he was to
continue at least once again after having met Gary Snyder and collecting
experiences used for Dharma Bums. I am not claiming (nor was Turner, I
thinks) that Neil and Gary Snyder were equals as friends or soul buddies to
Jack, but only proposing that losing an older brother when he was a child
and more recently, by the time of most of the writting for OTR, his
father, Jack (the author) was on as much of a search for missing loved ones
as was the character Dean.
Tim Hoffman
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Tue, 2 Sep 1997 19:52:25 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: Beats:The List update 2 sep 1997
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I have always included Terry Southern in my personal "beat list," at the
very least as a fellow traveler.
=========================================================================
Date: Tue, 2 Sep 1997 10:03:11 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: OTR book sales
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There was a paragraph in yesterday's NY Times Magazine about the 40th
anniversary of the publication of OTR and it led one to believe that Some
of the Dharma was being published now to somewhat capitalize on reader
interest in Kerouac. They said last year 100,000 copies of OTR were
sold. Does anyone know how that number compares to other works of
twentieth century literature.
DC
=========================================================================
Date: Tue, 2 Sep 1997 23:06:43 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: calling Charles P
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Calling Charles Plymell,
Are you alive and well?
I read a poem tonight that made me think of you.
It was Gary Snyder, Turtle Island, The Wild Mushroom.
He said, "Some make you sick they say, Or bring you close to God."
It ain't peyote, but it's gonna half to do. ;-)
Seriously Charles, the poem made me think about you and I just wanted
you to know that we are all thinking of you and your multiple sadness.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Tue, 2 Sep 1997 23:24:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Beat Cinema
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Content-Type: text/plain; charset="us-ascii"
Just received Kevin Segall's monthly update from essential media and he
lists a book that some of you may be interested in. see below
Antoine
****************
Essential Media Counterculture Catalog
your guide to the best of alternative culture in print, sound and video
http://www.essentialmedia.com
Post Office Box 661245
Los Angeles, CA 90066
310.574.1554 voice
310.574.3060 fax
___________________
Naked Lens: Beat Cinema
A serious collection of essays and interviews which examine Beat Cinema and
such innovators as William S. Burroughs, Allen Ginsberg, Jack Kerouac,
Charles Bukowski, Brion Gysin, Jon Cassavetes, Harry Smith, Bob Dylan, Gus
Van Sant and many others. Nifty pictures, too!
NAKEDLENS softcover 250 pp. $19.95 list price, EM discounted price $18.99
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Tue, 2 Sep 1997 20:27:14 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: Cassady residence, gone Pooh Bear (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
I was curious too about which Neal house it was that got
demolished, so I fwd'd some of the questions from here to
John Cassady, and here's his explanation:
> The Southern Pacific transferred Neal from the SF depot to their San
> Jose facility around 1952, and we moved from SF, I believe the house at
> 29 Russell, to a house on Santa Clara street, near 26th, in San Jose,
> which still stands. I was a toddler at the time and remember little of
> the San Jose house, but Jack stayed there probably more than in Los
> Gatos later. We moved to the Los Gatos house about two years later. The
> Los Gatos house, actually in a suburb called Monte Sereno, was at 18231
> Bancroft Ave., and was demolished a week ago on August 22, 1997. Keep
> them cards and letters coming!
>
> JC
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Tue, 2 Sep 1997 23:23:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Wave/Particle
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Wave/Particle
Bohr Einstein
wave
particle
Wave
PArticle
WAve
PARTicle
WAVe
PARTICle
WAVE
PARTICLE
right
wrong
wrong
right
neither.
Pilate Joshua
truth
facts
truth
facts
truth
facts
What is truth?
What is facts?
Is it a wave?
Is it a particle?
Both are empirical facts
That can be proven?
Submitted, facts are not always true.
Submitted, truth is not always factual.
Bohr, Pilate, Einstein, Joshua.
Only Joshua was a King.
TRUTH
FACT
WAVE
PARTICLE
Submitted, there is nothing to win.
Submitted, to win is nothing.
peace
war
peace
hate
peace
love
peace
light
Joshua, Pilate, Bohr, Einstein, particle, wave, truth, facts, peace,
war, love, light, hate and we are all lies that are true.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Tue, 2 Sep 1997 23:53:07 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Cassady residence, gone Pooh Bear (fwd)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Levi,
If you don't mind asking John another question I'd love to know
which of these houses figured in the great story about Neal driving to work
at the garage ....without using the brakes!
Thanks.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 3 Sep 1997 00:56:02 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Kurt Weill / Hal Wilner
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Hi Beat listers,
In 1985 Hal Wilner - he of weird and wonderful compilations -
produced a compilation of Kurt Weill material by people the likes of Tom
Waits, Lou Reed, Van Dyke Parks, and Charlie Haden called "Lost in the
Stars". It was a great production and now he's done it again; Weill all over
again, "September Songs: The Music of Kurt Weill", the sonic counterpart to
Larry Weinstein's film tribute to Weill. Lou Reed is back again with
"September Song"; Waits did "What Keeps Mankind Alive" last time...this time
William Burroughs turns in his performance; Charlie Haden plays along to a
recording of Weill singing! Also Nick Cave, Elvis Costello, the Persuasions,
Betty Carter, and Polly Jean Harvey. Can't wait.
For the Canadians on the list I read the review in the free music
newspaper "exclaim!#?!", September issue. Wonder of wonders they also review
the first cassette from my older son's band, Mishima! Enjoy.
Haven't heard it yet, but I'm rushing to get it.
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 3 Sep 1997 00:56:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Kerouac in Brooklyn
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I'm just listening to "kicks joy darkness" and in the Brooklyn Bridge Blues
Jack (Ginsberg reading) talks about being with his mother and his Aunt
Lurette going over the bridge. Does anyone know where in Brooklyn his Aunt
lived? One line talks about the Gowanus Canal....anyone?
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 3 Sep 1997 00:59:39 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Kurt Weill / Hal Wilner
In-Reply-To: <BEAT-L%1997090300560201@CUNYVM.CUNY.EDU>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Hi Beat listers,
>
> In 1985 Hal Wilner - he of weird and wonderful compilations -
>produced a compilation of Kurt Weill material by people the likes of Tom
>Waits, Lou Reed, Van Dyke Parks, and Charlie Haden called "Lost in the
>Stars". It was a great production and now he's done it again; Weill all over
>again, "September Songs: The Music of Kurt Weill", the sonic counterpart to
>Larry Weinstein's film tribute to Weill. Lou Reed is back again with
>"September Song"; Waits did "What Keeps Mankind Alive" last time...this time
>William Burroughs turns in his performance; Charlie Haden plays along to a
>recording of Weill singing! Also Nick Cave, Elvis Costello, the Persuasions,
>Betty Carter, and Polly Jean Harvey. Can't wait.
>
> For the Canadians on the list I read the review in the free music
>newspaper "exclaim!#?!", September issue. Wonder of wonders they also review
>the first cassette from my older son's band, Mishima! Enjoy.
>
> Haven't heard it yet, but I'm rushing to get it.
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
Thanks for the tip Antoine. "Lost in the Stars" was great. I'll be looking
for "September Songs: The Music of Kurt Weill" right away.
Fans of Weill might be interested in knowing that the Kurt Weill Foundation
sends out a free newsletter about prefromances of Weill music around the
world. If anyone is intersted I'llsend them the address.
I'd like to hear more about your son's band. Could you send me the review?
<jgrant@bookzen.com>
Thanks,
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Wed, 3 Sep 1997 09:16:20 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Kerouac in Brooklyn
In-Reply-To: Message of Wed, 3 Sep 1997 00:56:04 -0400 from
<stratis@ODYSSEE.NET>
He lived with his aunt on State Street. I have the exact address home. Browns
tone still there. I took some pictures last year.
=========================================================================
Date: Wed, 3 Sep 1997 10:00:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: Kerouac in Brooklyn
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Thanks a lot Bill.
I started reading "Jack's Book" last night and realized that it wasn't his
Aunt, but rather Memere's stepmother, right?, that he lived with in
Brooklyn. I'd love to have the exact address. I grew up living on Pacific
Street at Bedford avenue and later we lived in Park Slope. I'll have to look
at a map to see where State Street is exactly. I'd love to have the exact
address from you if you can dig it up.
I was back to our old digs in Fall of '95 and was amazed at how well
preserved our building was, although the area, socially, has gone downhill.
Still, I had a sense of it starting to turn up, although not in the way that
Park Slope did!
Antoine
********************
Bill Gargan wrote:
He lived with his aunt on State Street. I have the exact address home.
Brownstone still there. I took some pictures last year.
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Wed, 3 Sep 1997 08:57:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: OTR book sales
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
>They said last year 100,000 copies of OTR were sold. Does anyone know
>how that number compares to other works of twentieth century literature.
Not sure how it compares but I'm sure that number is wholly inaccurate--I'm
betting it's based on some book retailers report (not having seen the article)
which are usually based on "new" book sales. Everyone here that buys all of
their books new raise your hands........................I thought so. I'm
betting it's closer to 200,000--providing you believe 100,000 people would part
with their copy of OTR to sell it used....hmm, maybe I'll rethink my numbers.
love and lilies (new and/or used),
matt h.
=========================================================================
Date: Wed, 3 Sep 1997 10:15:44 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: Cassady residence, gone Pooh Bear (fwd)
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
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2nd response from John Cassady:
> Levi,
>
> With regard to the great Pooh Bear debate, I don't know where he got
> that for sure. It makes sense it was sister Cathy, though, because my
> mother read us her favorite A.A. Milne books constantly, so Pooh was
> Topic A in kid conversation around the house. Cathy was old enough to
> converse with Jack with some modicum of intelligence in the days when he
> was around the most (Jack, not Pooh). My guess is: Cathy babble + red
> wine = "God is Pooh Bear!" Hey, why not?
>
> To answer Antoine from Montreal, that was indeed the house in Los Gatos
> from which Dad would roll toward the tire shop without brake one. It was
> up on a hill, and he also preferred to coast whenever possible. "Why
> wear out the drive train unnecessarily?" Yeah, whatever. I think it was
> a throwback to the days before brakes OR motors. He did the same things
> with his bicycles as a youth. I guess piloting a vehicle, especially
> down hills, was more of a challenge without breaks.
>
> JC
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Wed, 3 Sep 1997 15:29:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Burroughs' Estate
James Grauerholz, who has been with Burroughs for over 23 years, is his heir.
The estate is set up (like Allen Ginsberg's) as a Trust. James intends to
administer this Trust as a sacred legacy, continuing the artistic and social
purposes of Burroughs' entire life and work.
None of WSB's personal possessions (such as his guns) will be sold; his house
is being kept just as it was during his lifetime, by a caretaker who is a
close friend, and his two surviving cats (Ginger and Muty) are lovingly cared
for, in the home. The majority of the archives is already on deposit at Ohio
State University, and WSB's letters and mss. will _not_ be sold on the
collector's market, at all.
Forthcoming artistic works include (not in order of projected release):
(working title) Last Words: The Final Journals of WSB -- based on writings
from the last two years of William's life; publisher probably Grove/Atlantic,
but not yet set
Word Virus: The Selected Writings of WSB (Grove/Atlantic) -- a "portable"
Burroughs reader, edited by James G. and Ira Silverberg
The Third Mind (Grove/Atlantic) -- a facsimile edition of the original 1965
Burroughs-Gysin collage manuscript (as seen in the LA County Museum catalog
for the "Ports of Entry" show)
(working title) Prakriti Junction: A Portrait of William Burroughs, Jr.
(Grove/Atlantic) -- a collection of Billy's unpublished writings from the
last seven years of his life ('74-'81), with letters by him and to him,
interviews and other documents; edited by David Ohle
The Letters of William S. Burroughs, Volume II, 1959-1974 (Viking Penguin) --
a continuation of Volume I (1945-1959), edited by Oliver Harris
(working title) Evil River: An Autobiography (Viking Penguin) -- composed of
memoir writings by WSB made during the 1980s, edited by Barry Miles
William S. Burroughs on Giorno Poetry Systems (Mouth Almighty / Mercury
Records) -- a four-CD boxed set of all of WSB's recordings issued on the GPS
label, plus some never-released material, accompanied by five
fully-illustrated booklets of text etc.
Naked Lunch, The Audiobook (performed by WSB) -- originally released by Time
Warner Audio Books in 1995, with music by Bill Frisell, Wayne Horvitz and
Eyvind Kang, produced by Hal Willner and James Grauerholz; to be re-edited by
HW & JG for re-release in an improved version
Queer, The Audiobook -- to be performed by Steve Buscemi this year
diane de rooy
=========================================================================
Date: Wed, 3 Sep 1997 17:03:43 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: whereabous
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
I'm working on tracking down some people for possible interviews as part
of my Beat Lit class. Does anyone know the addresses or current
whereabouts of Joyce Johnston, Joanne Kyger, and Anne Waldeman? Anything
that will get me a lead on contacting them will be appreciated.
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@acs.appstate.edu P.O. Box 12149
http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Wed, 3 Sep 1997 17:40:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR book sales
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 08:57 AM 9/3/97 -0400, you wrote:
>>They said last year 100,000 copies of OTR were sold. Does anyone know
>>how that number compares to other works of twentieth century literature.
>
>
>Not sure how it compares but I'm sure that number is wholly inaccurate--I'm
>betting it's based on some book retailers report (not having seen the article)
>which are usually based on "new" book sales. Everyone here that buys all of
>their books new raise your hands........................I thought so. I'm
>betting it's closer to 200,000--providing you believe 100,000 people would part
>with their copy of OTR to sell it used....hmm, maybe I'll rethink my numbers.
>
> love and lilies (new and/or used),
>
> matt h.
>
>
Its just a little squib on top of the NYTimes Sunday Magazine
that says OTR sold 110,000 copies last year alone. It says
the book was released 40 years ago this week by Viking.
Mike Rice
=========================================================================
Date: Wed, 3 Sep 1997 18:00:06 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>
Subject: Re: OTR book sales
In-Reply-To: <1.5.4.16.19970903163450.284fcfda@mail.wi.centuryinter.net>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
in the bookstore where i work (B.Dalton) we have the 40th anniv edition
of "on the road". I can't seem to order or buy any Burroughs in
hardcover, just in oversized paperback. The only ones in hardcover that i
have are: "my education", "selected letters..", "cat inside" and "ghost
of chance". Maybe a check with www.amazon.com would help.
sorry for venting,
jason
=========================================================================
Date: Wed, 3 Sep 1997 18:54:06 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Memory Babe: The Movie
Comments: To: Gerald Nicosia <gnicosia@EARTHLINK.NET>
In-Reply-To: <199709010453.VAA26068@sweden.it.earthlink.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Since most of you seem to think an OTR movie would be bad, or not worthy
of the book, maybe Coppola should option the rights to Memory Babe
instead. Jack Kerouac had a compellinglife story that itself would make
a terrific movie.
A story of a man who had his dreams come true and found out that
sometimes dreams arent what they seem to be.
(Hey Gerald, ifyou're out there, has anyone ever approached about the
film rights to MemoryBabe?)
RJW
=========================================================================
Date: Wed, 3 Sep 1997 20:15:13 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Memory Babe: The Movie
In-Reply-To: <Pine.SUN.3.91-FP.970903185142.4251B-100000@cap1.capaccess.org>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Since most of you seem to think an OTR movie would be bad, or not worthy
>of the book, maybe Coppola should option the rights to Memory Babe
>instead. Jack Kerouac had a compellinglife story that itself would make
>a terrific movie.
>
>A story of a man who had his dreams come true and found out that
>sometimes dreams arent what they seem to be.
>
>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>film rights to MemoryBabe?)
>
>RJW
Gerry's off-line. Finishing up "Home to War...."
Small Press Authors and Publishers display books
FREE
at
BookZen
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=========================================================================
Date: Wed, 3 Sep 1997 21:36:16 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: mclure/joplin/mercedes
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
hello.
i recently read somwhere that micheal mcclure wrote the original
lyrics for "oh lord won't you buy me a mercedes benz". and janis
joplin did a revision and put it on a record. does anyone happen to
know if the original lyrics are published and where? thanx
randy
=========================================================================
Date: Wed, 3 Sep 1997 21:44:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Joe <100106.1102@COMPUSERVE.COM>
Subject: No Mail
MIME-Version: 1.0
Content-Transfer-Encoding: 7bit
Content-Type: text/plain; charset=us-ascii
I haven't received any mail from this list for days!
What's going on?
Joe
=========================================================================
Date: Wed, 3 Sep 1997 22:03:25 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Anna Tulou <ltulou@EROLS.COM>
Subject: Re: Memory Babe: The Movie
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 08:15 PM 9/3/97 -0500, you wrote:
>>Since most of you seem to think an OTR movie would be bad, or not worthy
>>of the book, maybe Coppola should option the rights to Memory Babe
>>instead. Jack Kerouac had a compellinglife story that itself would make
>>a terrific movie.
>>
>>A story of a man who had his dreams come true and found out that
>>sometimes dreams arent what they seem to be.
>>
>>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>>film rights to MemoryBabe?)
>>
>>RJW
>
okay, call me ignorant, but I didn't know there was an OTR movie out...
Who's in it? What year? I did just see The LAst Time I Committed Suicide,
thought it was decent, but not great.
Anna Tulou
Ltulou@erols.com
=========================================================================
Date: Wed, 3 Sep 1997 22:13:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Anna Tulou <ltulou@EROLS.COM>
Subject: poetry
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Can anyone tell me where people can post poetry on a list like this for open
critiques, etc. ? If you could let me know, that'd be great.
Wheaties,
Anna Tulou
<Ltulou@erols.com>
=========================================================================
Date: Wed, 3 Sep 1997 22:11:57 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Anna Tulou <ltulou@EROLS.COM>
Subject: Re: No Mail
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 09:44 PM 9/3/97 -0400, you wrote:
> I haven't received any mail from this list for days!
>
> What's going on?
>
>
> Joe
>
I don't know hon, but I just joined and have gotten about thirty pieces.
It's probably your computer
=========================================================================
Date: Wed, 3 Sep 1997 21:43:48 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: No Mail
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Anna Tulou wrote:
>
> At 09:44 PM 9/3/97 -0400, you wrote:
> > I haven't received any mail from this list for days!
> >
> > What's going on?
> >
> >
> > Joe
> >
> I don't know hon, but I just joined and have gotten about thirty pieces.
> It's probably your computer
patricia writes,
I somehow got unsubscribed about two weeks ago. I simply resubscribed,,
of course be a dope it took forever to do it correctly and to tell that
I wasn't recieving post. that lawyer guy was both smart enough and kind
enough to bach channel me.
patricia
=========================================================================
Date: Wed, 3 Sep 1997 19:59:06 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: gone Pooh Bear Sum of Dharma
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Some of the Dharma, straddling pgs 17 and 18
origin of God is Pooh Bear
typed in below by me
______________________
DIALOG BETWEEN MAN AND CHILDREN
"Why is the mountain sitting there?" (man asks Children)
Jamie: "Because nobody's on there and were not supposed to climb on
it because the dirt'll fall off"
"Who made the mountain?" (man)
They: "God made it"
Man: "Who is God?"
Cathy: "Us " And right then Cathy sayd: "He wants to play with the
fence."
Man: "Who?"
Cathy (showing bear toy): "Me. Don't you know that I am Poo Bear?"
God is Poo Bear
=========================================================================
Date: Wed, 3 Sep 1997 11:42:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: OTR:San Francisco epiphany
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Even this time through OTR, I still think the following paragraph is one
of the best in the book, and it comes at a time when he is mentally
worn-down, hungry, and disillusioned with Dean for leaving him and
Marylou alone in San Francisco with no money.
pg. 172-173--in paperback version
"I walked around, picking butts from the street. I passed a
fish-'n-chips joint on Market Street, and suddenly the woman in there
gave me a terrified look as I passed; she was the proprietress, she
apparently thought I was coming in there with a gun to hold up the joint.
I walked on a few feet. It suddenly occurred to me this was my mother
of about two hundred years ago in England, and that I was her footpad
son, returning from gaol to haunt her honest labors in the hashery. I
stopped, frozen with ecstasy on the sidewalk. I looked down Market
Street. I didn't know whether it was that or Canal Street in New
Orleans: it led to water, ambigious, universal water, just as 42nd
Street, New York, leads to water, and you never know where you are. I
thought of Ed Dunkel's ghost on Times Square. I was delirious. I wanted
to go back and leer at my strange Dickensian mother in the hash joint. I
tingled all over from head to foot. It seemed I had a whole host of
memories leading back to 1750 in England and that I was in San Francisco
now only in another life and another body. 'No,' that woman seemed to say
with that terrified glance, 'don't come back and plague your honest,
hard-working mother. You are no longer like a son to me--and your
father, my first husband. 'Ere this kindly Greek took pity on me.' (The
proprietor was a Greek with hairy arms.) 'You are no good, inclined to
drunkenness and routs and final disgraceful robbery of the fruits of my
'umble labors in the hashery. O son! did you not ever go on your knees
and pray for deliverance for all of your sins and scroundrel's acts? Lost
boy! Depart! Do not haunt my soul; I have done well forgetting you.
Reopen no old wounds, be as if you had never returned and looked in to
me--to see my laboring humilities, my few scrubbed pennies--hungry to
grab, quick to deprive, sullen, unloved, mean-minded son of my flesh.
Son! Son!' It made me think of the Big Pop vision in Graetna with Old
Bull. And for just a moment I had reached the point of ecstasy that I
always wanted to reach, which was the complete step across chronological
time into timeless shadows, and wonderment in the bleakness of the mortal
realm, and the sensation of death kicking at my heels to move on, with a
phantom dogging its own heels, and myself hurrying to a plank where all
the angels dove off and flew into the holy void of uncreated emptiness,
the potent and inconceivable radiancies shining in bright Mind Essence,
innumerable lotuslands falling open in the magic mothswarm of heaven. I
could hear an incredible seething roar which wasn't in my ear but
everywhere and had nothing to do with sounds. I realized that I had died
and been reborn numerous times but just didn't remember especially
because the transitions from life to death and back to life are so
ghostly easy, a magical action for naught, like falling asleep and waking
up again a million times, the utter casualness and the deep ignorance of
it. I realized it was only because of the stability of the intrinsic
Mind that these ripples of birth and death took place, like the action of
wind on a sheet of pure, serene, mirror-like water. I felt sweet,
swinging bliss, like a big shot of heroin in the mainline vein; like a
gulp of wine late in the afternoon and it makes you shudder; my
feettingled. I thought I was going to die the very next moment. But I
didn't die, and walked four miles and picked up ten long butts and took
them back to Marylou's hotel room and poured their tobacco in my old pipe
and lit up. I was too young to know what had happened."
DC
=========================================================================
Date: Wed, 3 Sep 1997 19:43:20 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Wednesday, September 4, 1957.
In-Reply-To: <340C1C31.575C@sunflower.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
" Shortly before midnight on Wednesday, September
4, 1957, Jack Kerouac and Joyce Johnson, a young writer he
was living with, left her apartment on the Upper West Side in New
York City to wait at a newsstand at Sixty-sixth Street and
Broadway for the next day's New York Times to come off the delivery
truck. Kerouac had been alerted by his publisher that his novel
On the Road would be reviewed in that issue, and so they bought
the first copy of the Times they could pull from the stack.
Standing under a street lamp, they turned the pages until they found the
column "Books of the Times"--- Ann Charters"
=========================================================================
Date: Thu, 4 Sep 1997 00:46:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: James G: A touch of class
Some people have asked me privately how I came upon the information about
WSB's estate, so I thought I'd say something about that.
I've had the good fortune of having the friendship of James Grauerholz since
the death of Allen Ginsberg. He is a kind, sensitive, intelligent person.
William could not have had a better friend and advisor in his life than
James.
James's wisdom and prudence has guaranteed WSB's immortality in literature
and legend. He certainly was responsible for making sure William's archives
would be preserved, and he did this both for William and for everyone who
admired him or wants to read him. I have no end of admiration for James and
his foresight that allowed WSB to pass from life into history and leave no
wake on the water in the process.
However, I have no cachet with the Estate, nor did I know William. During the
time following Allen's death, both James and William struggled with grief. I
didn't feel any compulsion to insinuate myself into their lives for the
purpose of gathering information or fulfilling some fan-tasy.
Knowing James during this time of loss, first of Allen, then of William, has
made me impatient with the flip comments of people who dehumanize
"celebrities" for the sake of humor or misplaced wit. WSB was a real person,
with an active conscience and his own internal struggles and challenges of
life. So is James Grauerholz, who understood the yin and yang of William and
gave him unconditional support and protection up until his death.
It was a real honor for James to choose to share this information with the
250 people who subscribe to the Beat-L newsgroup. As far as I know, he has
not announced this anywhere else.
But it's an even greater honor that William had such a thoughtful, practical,
and determined friend and assistant to preserve his legacy without ego or
financial gain, so his words can truly live forever.
diane
=========================================================================
Date: Thu, 4 Sep 1997 02:23:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Memory Babe: The Movie
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 10:03 PM 9/3/97 -0400, you wrote:
>At 08:15 PM 9/3/97 -0500, you wrote:
>>>Since most of you seem to think an OTR movie would be bad, or not worthy
>>>of the book, maybe Coppola should option the rights to Memory Babe
>>>instead. Jack Kerouac had a compellinglife story that itself would make
>>>a terrific movie.
>>>
>>>A story of a man who had his dreams come true and found out that
>>>sometimes dreams arent what they seem to be.
>>>
>>>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>>>film rights to MemoryBabe?)
>>>
>>>RJW
>>
>okay, call me ignorant, but I didn't know there was an OTR movie out...
>Who's in it? What year? I did just see The LAst Time I Committed Suicide,
>thought it was decent, but not great.
>
>Anna Tulou
>Ltulou@erols.com
>
>
Dear Tululah,
You must be new to the list. We've spent the past five
days talking of very little else.
Mike Rice
=========================================================================
Date: Thu, 4 Sep 1997 02:33:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Wednesday, September 4, 1957.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 07:43 PM 9/3/97 +0200, you wrote:
>" Shortly before midnight on Wednesday, September
>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he
>was living with, left her apartment on the Upper West Side in New
>York City to wait at a newsstand at Sixty-sixth Street and
>Broadway for the next day's New York Times to come off the delivery
>truck. Kerouac had been alerted by his publisher that his novel
>On the Road would be reviewed in that issue, and so they bought
>the first copy of the Times they could pull from the stack.
>Standing under a street lamp, they turned the pages until they found the
>column "Books of the Times"--- Ann Charters"
>
>
Hey, don't we get the review, too. Or at least: "and the rest is history!"
Mike Rice
=========================================================================
Date: Thu, 4 Sep 1997 07:42:38 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "P.A.Maher" <mapaul@PIPELINE.COM>
Subject: TKQ Page update! Lowell Celebrates Kerouac! Deatils
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I have added a page to give details for upcoming Lowell Celebrates Kerouac.
Go to:
http://www.freeyellow.com/members/upstartcrow/page1.html
Bye for now, back to bed with the flu I go. :) Paul of TKQ...
=========================================================================
Date: Thu, 4 Sep 1997 08:09:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: No Mail
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Question from the ignorant: what is back channeling? How is it done?
Thanks
>Anna Tulou wrote:
>>
>> At 09:44 PM 9/3/97 -0400, you wrote:
>> > I haven't received any mail from this list for days!
>> >
>> > What's going on?
>> >
>> >
>> > Joe
>> >
>> I don't know hon, but I just joined and have gotten about thirty pieces.
>> It's probably your computer
>
>patricia writes,
>I somehow got unsubscribed about two weeks ago. I simply resubscribed,,
>of course be a dope it took forever to do it correctly and to tell that
>I wasn't recieving post. that lawyer guy was both smart enough and kind
>enough to bach channel me.
>patricia
=========================================================================
Date: Thu, 4 Sep 1997 08:29:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hemenway . Mark" <MHemenway@DRC.COM>
Subject: OTR Sales
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7bit
In a short comment on the 40th Anniversary of On the road, The Boston
Globe reported that OTR has sold over 3 million copies total and is
now selling about 60,000 per year. They provided no break down on
these numbers.
As an aside, NH public radio recently broadcast a presentation by
Thornton Wilder's Literary Executor who noted that, although Wilder is
recognized as one of the greats of 20th Century American Literature,
he was sorry to say that none of his works are currently in print, but
that he was working on several promising opportunities.
Mark Hemenway
=========================================================================
Date: Thu, 4 Sep 1997 14:38:06 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Beats:The List (Deluxe Version on the Web)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Patricia wrote:
>Rinaldo,
>an absolutely shit kicking list. i love it. am trying to create a
>file that talks a little bit about each of these people. I am working
>on the connections between them. Could be a thesis.
>p
>
>
Patricia & friends,
thanks for yr support. i've write Patricia's motto in the
top of the page of the deluxe version of the Beats:The List
(thanks James Stauffer for some suggestion for the title).
on the Web,
http://www.gpnet.it/rasa/beats.htm
ciao da
Rinaldo.
=========================================================================
Date: Thu, 4 Sep 1997 08:03:21 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Backchannelling
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Preston, and any other new comers,
Backchannel is a reply not to the list address in the "Reply to" space
on your browser but to the individual posting indicated where your mail
says "from". Backchannel is wonderful and reduces traffic sent to the
whole list.
J. Stauffer
Preston Whaley wrote:
>
> Question from the ignorant: what is back channeling? How is it done?
>
=========================================================================
Date: Thu, 4 Sep 1997 11:15:12 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: joes's post
The following message is meant as a gentle reminder to think about what
we're posting to the list. Recently, Joe sent a note to the list about
not receiving beat-l messages. Several people responded to the list.
Well, if Joe's not getting his mail from beat-l, posting a reply on the
list isn't going to help him. These posts should have been sent
directly to Joe rather than the list. Please consider whether or not
your mail is appropriate to everyone on the list before posting your
message.
=========================================================================
Date: Thu, 4 Sep 1997 11:59:23 -0500
Reply-To: EASTWIND@erols.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: PATRICK <EASTWIND@EROLS.COM>
Organization: EASTWIND PUBLISHING
Subject: Re: whereabous
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Alex Howard wrote:
>
> I'm working on tracking down some people for possible interviews as part
> of my Beat Lit class. Does anyone know the addresses or current
> whereabouts of Joyce Johnston, Joanne Kyger, and Anne Waldeman? Anything
> that will get me a lead on contacting them will be appreciated.
>
> ------------------
> Alex Howard (704)264-8259 Appalachian State University
> kh14586@acs.appstate.edu P.O. Box 12149
> http://www.acs.appstate.edu/~kh14586 Boone, NC 28608
Ann Waldman is at the Naropi Institute, 2130 Arapahoe, Boulder, Colorado
80302--she teaches there and probably can tell you where others are. If
you run across whereabouts of Grogory Corso, please let me know.
We publish books and are considering a book on Beats...
patrick
eastwind@erols.com
Eastwind Publishing
PO Box 1773
Annapolis,MD 21404
=========================================================================
Date: Thu, 4 Sep 1997 00:15:19 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: OTR:San Francisco epiphany
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
> Michael Stutz wrote:
>
> Do you think this nirvana he describes is the IT talked about in other
> parts
> of the book, and that one great loving feeling he's always looking for,
> described in VOC and OTR and others & discussed on the list, that Big
> Thing
> that JK was always looking for & never really found except in small
> fleeting
> moments of prose like this? I think it could be for this that he wrote,
> it's
> for this feeling that drove Jack Kerouac and writers like him. I wonder
> too
> if the "beware of nirvana" Buddhist warnings of AG and others were
> because
> otherwise you'll be attached to this fleeting image & end up like Jack
> did?
I do think this is the IT he talks about in almost all of his books and
poems. I think much of his despair came from the fact these moments
were fleeting and that he kept looking for a Big Thing. Like when in
Desolation Angels, he goes to the mountain wanting to be face to face
with God or find THE meaning of life, and what he finds instead is that
he comes face to face with himself, and deep down he doesn't really like
himself all that much. In fact thinks of himself in the way the woman in
the window of the passage I quoted thinks of him. He had to write about
this stuff because his need to write was so great. At the same time he
never is able to let the fleeting epiphanies carry him in the living of
his life, he still keeps waiting, even searching for a Big Thing to hit
him over the head and say, this is it, this is the meaning of life, and
it just doesn't happen. It is as if he knew too much but not quite
enough. And ironically, perhaps, this is the position most writers are
in.
DC
=========================================================================
Date: Thu, 4 Sep 1997 19:09:20 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Frusciante.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Kikka wrote:
"Jack Frusciante (in English it sounds like Rustling
Jack) is out of his group now.
He had been the new Red Hot Chili Peppers'
guitarist for two years. He was thin and brawny,
perhaps one meter seventy. His hairstyle always
particular, his trousers short and his shoes
casual. He was not a genius, our Jack, but he did
what he had to do, without seeming too strange and
crazy, like the other components of the group.
Then, just when success began, he left the group.
Why, why did he abandon everything if he could be
rich and famous?
Jack Frusciante is a symbol. A symbol of a
particular way of thinking.
If you just open "Jack Frusciante e' uscito dal
gruppo" (an Italian book written by Enrico Brizzi)
you will immediately understand.
Alex (the main character) is not a common boy. He
is not like his schoolmates, with big cars and many
blond girls all around them. He can't understand
society's rules. He can't love Aidi (a kind of
girlfriend, but really a strange one) like a boy
loves a girl; he can't listen to disco music; he
can't bear the hypocrisy that exists inside all the
people. So he loves Aidi without even a kiss,
listens to punk music (so angry and beautiful) and
he waits for the greatest rebellion you have ever
seen.
Now, just like Jack, also Alex is out of the group"
ciao,
Kikka & Rinaldo.
Venice-Mestre,Italy.
=========================================================================
Date: Thu, 4 Sep 1997 18:56:58 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: Wednesday, September 4, 1957.
In-Reply-To: <1.5.4.16.19970904012714.263724ba@mail.wi.centuryinter.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 02.33 04/09/97 -0400, Mike Rice wrote:
>At 07:43 PM 9/3/97 +0200, you wrote:
>>" Shortly before midnight on Wednesday, September
>>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he
>>was living with, left her apartment on the Upper West Side in New
>>York City to wait at a newsstand at Sixty-sixth Street and
>>Broadway for the next day's New York Times to come off the delivery
>>truck. Kerouac had been alerted by his publisher that his novel
>>On the Road would be reviewed in that issue, and so they bought
>>the first copy of the Times they could pull from the stack.
>>Standing under a street lamp, they turned the pages until they found the
>>column "Books of the Times"--- Ann Charters"
>>
>>
>Hey, don't we get the review, too. Or at least: "and the rest is history!"
>
>Mike Rice
>
>
"The reviewer was Gilbert Millstein, and he had written:
On the Road is the second novel by Jack Kerouac, and its
publication is a historic occasion insofar as the exposure of
an authentic work of art is of any great moment in any age
in which the attention is fragmented and the sensibilities are
blunted by the superlatives of fashion.... [The novel is]
the most beautifully executed, the clearest and most important
utterance yet made by the generation Kerouac himself
named years ago as "beat" and whose principal avatar he is."
--*--
WAKE UP
MAN!
WAKE UP!
rINALDO.
=========================================================================
Date: Thu, 4 Sep 1997 15:19:59 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@SOUTHEAST.NET>
Subject: backchanneling
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
Content-transfer-encoding: 7BIT
> Question from the ignorant: what is back channeling? How is it done?
it's slang for sending mail to just someone on the list. just type in
thier email address instead of the beet-l
> Thanks
>
don't worry
randy
=========================================================================
Date: Thu, 4 Sep 1997 16:31:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Anna Tulou <ltulou@EROLS.COM>
Subject: Re: Memory Babe: The Movie
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 02:23 AM 9/4/97 -0400, you wrote:
>At 10:03 PM 9/3/97 -0400, you wrote:
>>At 08:15 PM 9/3/97 -0500, you wrote:
>>>>Since most of you seem to think an OTR movie would be bad, or not worthy
>>>>of the book, maybe Coppola should option the rights to Memory Babe
>>>>instead. Jack Kerouac had a compellinglife story that itself would make
>>>>a terrific movie.
>>>>
>>>>A story of a man who had his dreams come true and found out that
>>>>sometimes dreams arent what they seem to be.
>>>>
>>>>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>>>>film rights to MemoryBabe?)
>>>>
>>>>RJW
>>>
>>okay, call me ignorant, but I didn't know there was an OTR movie out...
>>Who's in it? What year? I did just see The LAst Time I Committed Suicide,
>>thought it was decent, but not great.
>>
>>Anna Tulou
>>Ltulou@erols.com
>>
>>
>Dear Tululah,
>
>You must be new to the list. We've spent the past five
>days talking of very little else.
>
>Mike Rice
>
yeah I'm new. But I've been filled in. thanks. Like my name the way you
say it ;p
=========================================================================
Date: Thu, 4 Sep 1997 15:42:28 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: guns and guns..millions of guns
In-Reply-To: <Pine.OSF.3.91.970902200825.4269A-100000@turbo.kean.edu>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Tue, 2 Sep 1997, Hipster Beat Poet. wrote:
> out of curiosity:
> who is graciously getting all of Bill's firearms and any
> remaining cats? In other words, what is going on with his estate?
>
> jason
>
"estate" is a very dirty word on this list.
jenn
=========================================================================
Date: Thu, 4 Sep 1997 19:12:11 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mitchell Smith <Praetor77@AOL.COM>
Subject: Film called "Chappaqua"
Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all
the spelling here) which featured Ginsberg and Burroughs in it? Someone just
told me about it and I am mystified.
M Smith
=========================================================================
Date: Thu, 4 Sep 1997 19:20:03 -0400
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From: Sean Elias <SPElias@AOL.COM>
Subject: Re: Who's Who in Beat Lit...
Which YMCA in Chi town would that be??????/
=========================================================================
Date: Thu, 4 Sep 1997 19:15:56 -0400
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From: Anna Tulou <ltulou@EROLS.COM>
Subject: Re: Film called "Chappaqua"
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At 07:12 PM 9/4/97 -0400, you wrote:
>Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all
>the spelling here) which featured Ginsberg and Burroughs in it? Someone just
>told me about it and I am mystified.
>
>M Smith
>
haven't heard of it but let me know if you find out anything.
Anna
<Ltulou@erols.com>
=========================================================================
Date: Thu, 4 Sep 1997 20:23:18 -0400
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From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: OTR:San Francisco epiphany
In a message dated 97-09-04 16:00:09 EDT, Diane Carter wrote:
<< Even this time through OTR, I still think the following paragraph is one
of the best in the book, and it comes at a time when he is mentally
worn-down, hungry, and disillusioned with Dean for leaving him and
Marylou alone in San Francisco with no money.
>>
I'm so fascinated that you chose this paragraph, Diane. A friend of mine read
On The Road a few months ago, and this was the only passage she didn't
understand, and she asked me to explain it to her. My tendency is to take
jack pretty literally most of the time, and my answer to her was that this
was a particularly vivid descripition of one of jack's many visions, and that
this one had the particular effect of demonstrating that all is everything
and nothing, existing at once and never, and proved eternity in the ephemera
of a moment.
I think this is the kind of stuff that went on in jack's head all the time,
which for me, explains a lot. Then again, it explains nothing.
I'm still too young to know what has happened. What has happened?
diane de rooy
=========================================================================
Date: Thu, 4 Sep 1997 20:48:28 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: guns and guns..millions of guns
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At 03:42 PM 9/4/97 -0500, you wrote:
>On Tue, 2 Sep 1997, Hipster Beat Poet. wrote:
>
>> out of curiosity:
>> who is graciously getting all of Bill's firearms and any
>> remaining cats? In other words, what is going on with his estate?
>>
>> jason
>>
>"estate" is a very dirty word on this list.
>jenn
>
>
Here's an idea for a new non-fiction book: How to Avoid
Probate if you have the Misfortune of being Old Bull Lee!
Mike Rice
=========================================================================
Date: Thu, 4 Sep 1997 20:57:17 -0400
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From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Who's Who in Beat Lit...
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At 07:20 PM 9/4/97 -0400, you wrote:
>Which YMCA in Chi town would that be??????/
>
>
You talkin' to me, you talkin' tuh me!
Mike Rice
=========================================================================
Date: Thu, 4 Sep 1997 20:57:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR Sales
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At 08:29 AM 9/4/97 -0400, you wrote:
>In a short comment on the 40th Anniversary of On the road, The Boston
>Globe reported that OTR has sold over 3 million copies total and is
>now selling about 60,000 per year. They provided no break down on
>these numbers.
>
>As an aside, NH public radio recently broadcast a presentation by
>Thornton Wilder's Literary Executor who noted that, although Wilder is
>recognized as one of the greats of 20th Century American Literature,
>he was sorry to say that none of his works are currently in print, but
>that he was working on several promising opportunities.
>
>
>Mark Hemenway
>
>
Wilder is too bland, too upbeat, too positive for these cynical times.
Even some of William Saroyan which often contained at least a little
bur of contention, is too positive for these times. Woe is us, maybe?
Mike Rice
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Date: Thu, 4 Sep 1997 18:02:19 -0700
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From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: guns and guns..millions of guns
Mime-Version: 1.0
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>Here's an idea for a new non-fiction book: How to Avoid
>Probate if you have the Misfortune of being Old Bull Lee!
>
>Mike Rice
I fear that this whole "free exchange of ideas" business might cost me the
tattered remnants of my sanity.
James M.
=========================================================================
Date: Thu, 4 Sep 1997 21:12:02 -0400
Reply-To: Greg Elwell <elwellg@voicenet.com>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Greg Elwell <elwellg@VOICENET.COM>
Subject: Re: Film called "Chappaqua"
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Yes! As a matter of fact, I have a copy and have seen it. Let me know if
you are interested in any other information.
Greg Elwell
-----Original Message-----
From: Mitchell Smith <Praetor77@AOL.COM>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Thursday, September 04, 1997 7:19 PM
Subject: Film called "Chappaqua"
>Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on
all
>the spelling here) which featured Ginsberg and Burroughs in it? Someone
just
>told me about it and I am mystified.
>
>M Smith
>
>
=========================================================================
Date: Thu, 4 Sep 1997 12:50:13 -0700
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From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch: Ginsberg
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I was looking for something among by bookshelves today and stumbled
across a used copy of Naked Lunch that I must have bought quite a long
time ago, given the fact that new, this paperback seems to have been sold
for $1.25. In the front of the book is the Supreme Court decision
declaring Naked Lunch not to be obscene, and also in the front section a
transcript of the court testimony of Allen Ginsberg and Norman Mailer.
Both of these testimonys were very insightful in terms of approaching the
book and it's a shame they are not still included in today's printings.
The dialogue between the court and Ginsberg was very funny. Here are
short exerpts from Ginsberg's testimony. [Mailer's follow in another
post]
Q. Would you specify before me, for the Court, a few examples or
illustrations of ideas having social importance which you feel are
expressed in his book?
Ginsberg: Yes. Well there are a great number of ideas in it that have
social importance; and they are all inter-related in the presentation of
the book. One of the main ideas is a theory of junk addiction or a
theory of heroin addiction applied as a model for addiction to many other
things besides drugs. It is usually referred to in the book as "The
Algebra of Need," and the other addictions which are mentioned in the
book, are treated dramatically--addiction to homosexuality, which is
considered by Burroughs also a sort of addiction; and, on a larger scale,
what he conceives of as the United States addiction to materialistic
goods and properties. Addiction to money is mentioned in the book a
number of times; and most of all, an addiction to power or addiction to
controlling other people by having power over them. So throughout the
book there are dramatic illustrations of people whose obsession or lust
is for control over the minds and hearts and souls of other people...
[sections snipped]
The Court: What do you understand him to mean by the phrase: "As always
the lunch is naked?" Do you mind me asking these questions?
De Grazia: No, your Honor.
Ginsberg: The phrase occurs when he is discussing capital punishment, I
think.
The Court: Where does he discuss capital punishment?
Ginsberg: Right in that.
The Court: He discusses it in the Foreward, or in the Introduction?
Ginsberg: In the paragraph on the same page. "Let them see what is on
the end of that long newspaper spoon."
The court: What is a newspaper spoon?
Ginsberg: We are presented or spoonfed with news about death, about
capital punishment or executions...
The Court: You think the title, Naked Lunch, related to capital
punishment?
Ginsberg: No, no. It relates to the nakedness of seeing, to being able
to see clearly without any confusing disguises, to see through the
disguise.
The Court: That is your interpretation of the title?
Ginsberg: Yes.
The Court: Or the meaning of the title?
Ginsberg: Of the word, "Naked," in the title; and Lunch would be a
complete banquet of all this naked awareness...
The Court: You wouldn't even remotely associate the title with any
incidents in this book which portray unnatural acts?
Ginsberg: Yes, that part of it, too. The unnatural acts portrayed are
part of the exhibitions of control.
The Court: Would you go so far as to say it is associated with a
description of a person eating excrement, served on a plate here in the
front part of the book?
Ginsberg: That particular association had not literally ever occurred to
me.
The Court: Well, what do you say now?
Ginsberg: I am sure that could be included, too. Certainly that would be
included also. All levels in the title would be acceptable I think...
[sections snipped]
Ginsberg: [reading]
"The clerk looked at the card, suspiciously: 'You don't look like a bone
feed mast-fed Razor Back to me...What do you think about the Jeeeeews?'
'Well, Mr. Anker, you know yourself all a Jew wants to do is doodle a
Christian girl...One of these days we'll cut the rest of it off.'"
The Court: What page are you one now?
Ginsberg: Page 177. It's very funny actually.
The Court: Well, let me ask you this: Is that sentence offensive to you?
Ginsberg: I am Jewish; and I should be offended. What Burroughs is
doing, he is parodying this monster; he is parodying this anti-Semite.
[much snipped]
Q: What about the art involved?
The Court: the literary art...
Ginsberg: Yes. That kind of courage and the kind of impulse as a kind of
idealism on the part of the author, I feel is an integral part of
literary art. On a more superficial level there is the question of style
composition, like mosaic, I was saying. The passages have been put in
place like mosaic, dealt out with great finesse and great beauty in this
book. That the main literary qualities that I have noticed and many
other people have noticed have been, first of all--he's got a fantastic
ear for common speech, like a doctor giving a lecture on medicine, a
junkie dunking poundcake, a narcotics officer confronting the distruct
supervisor, an Arab boy on a street in North Africa, a middle-aged
suburban housewife, a southern county clerk. This is a fantastic gamut
of speech rhythms, diction and still-life style, to be able to reproduce
with great, short, economic exactness...
[snipped]
Q: Didn't you once write a poem about Naked Lunch?
Ginsberg: Yes, a long time ago.
Q: Do you have it?
Ginsberg: Yes.
Q: What does this appear in?
Ginsberg: A book of my own called Reality Sandwiches.
The Court: Where will I find that book?
Ginsberg: Probably in Cambridge. It's a poem I wrote early on reading
passages here. That was "On Burroughs' Work. May I read it?
Q: Yes, please do.
Ginsberg: The method must be purest meat
and no symbolic dressing,
actual visions & actual prisons
as seen then and now.
Prisons and visions presented
with rare descriptions
corresponding exactly to those
of Alcatraz and Rose.
A naked lunch is natural to us,
we eat reality sandwiches.
But allegories are so much lettice.
Don't hide the madness.
De Grazia: No more questions.
=========================================================================
Date: Thu, 4 Sep 1997 13:11:41 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch: Mailer
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Here is a quote from Norman Mailer at the Naked Lunch trial:
"William Burroughs is in my opinion--whatever his conscious intention may
be--a religious writer. There is a sense in Naked Lunch of the
destruction of the soul, which is more intense than any I have
encountered in any other modern novel. It is a vision of how mankind
would act if man was totally divorced from eternity. What gives this
vision a machine-gun-edged clarity is an utter lack of sentimentality.
The expression of sentimentality in religious matters comes forth usually
as a sort of saccharine piety which revolts any idea of religious
sentiment in those who are sensitive, discriminating, or deep of feeling.
Burroughs avoids even the possibility of such sentimentality (which
would, of course, destroy the value of his work), by attaching a
stringent, mordant vocabulary to a series of precise and horrible events,
a species of gallows humor which is a defeated man's last pride, the
pride that he has, at least, not lost his bitterness. So is the sort of
humor which flourishes in prisons, in the Army, among junkies, race
tracks and pool halls, a graffiti of cool, even livid wit, based on
bodily functions and the frailties of the body, the slights,
humiliations and tortures a body can undergo. It is a wild and deadly
humor, as even and implacable as a sales tax; it is the small coin of
communication in every one of these worlds. Bitter as alkali, it pickles
every serious subject in the caustic of the harshest experience; what is
left untouched is as dry and silver as a bone. It is the sort of fine,
dry residue which is the emotional substance of Burroughs' work for me.
Just as Hieronymous Bosch set down the most diabolical and
blood-curdling details with a delicacy of line and a Puckish humor which
left one with a sense of the mansions of horror attendant upon Hell, so
too, does Burroughs leave you with an intimate, detailed vision of what
Hell might be like, a Hell which might be waiting as a culmination, the
fina; product, of the scientific revolution. At the end of medicine is
dope; at the end of life is death; at the end of man may be the Hell
which arrives from the vanities of the mind. Nowhere, as in Naked
Lunch's collection of monsters, half-mad geniuses, cripples, mountebanks,
criminals, perverts, and putrefying beasts is there such a modern panoply
of the vanities of the human will, of the excesses of evil which occur
when the idea of personal or intellectual power reigns superior to the
compassions of the flesh..."
=========================================================================
Date: Fri, 5 Sep 1997 00:22:13 -0400
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From: Judith Campbell <judith@BOONDOCK.COM>
Subject: Book Woman Goes On the Road!
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I'll be offlist for the next three weeks. Finally decided to make that
long pilgrimage from the red hills of Georgia to the wild coast of
Californee...so I'm headed for City Lights via all the tourist attractions
between here and there. First stop, Graceland!
Stay beat!
Judith the Wanderer
-----------------------------------------------------
email: judith@boondock.com
www: http://www.boondock.com/
The Most Obscene Act is Censorship
=========================================================================
Date: Fri, 5 Sep 1997 01:34:09 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Beats:The List update 2 sep 1997
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excellant work James, a short note on Ohle
> > David Ohle--Burroughs circle,
p adds, David wrote "Motor Man", wrote and edited "City Moon"
magazines, (a great editor), Hippy Tales
Is S. Clay Wilson listed?
p
=========================================================================
Date: Fri, 5 Sep 1997 07:07:28 -0400
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From: Marie Countryman <country@SOVER.NET>
Subject: from a bear with little brain.
In-Reply-To: <3.0.1.32.19970904190920.006dd328@pop.gpnet.it>
Mime-Version: 1.0
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could someone please send me the FAQ for list, especially the no mail
thingee? i'd appreciate the whole thing about sub, unsub, stop mail, etc.
every time some one asks me to help join lists i've had to fob requests off
on others, as
i've lost all info to the monster that eats up my saved mail once in a while.
i'll be gone 2 wks in oct and can't imagine coming back to an exploding
mailbox (am on 3 other lists)
thanks
mc
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Date: Fri, 5 Sep 1997 07:07:32 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Book Woman Goes On the Road!
In-Reply-To: <3.0.3.32.19970905002213.00be2d6c@ellijay.com>
Mime-Version: 1.0
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say hi to elvis for me.
mc
=========================================================================
Date: Fri, 5 Sep 1997 14:28:06 +0200
Reply-To: anton@tinderbox.co.za
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Anton Raath <anton@TINDERBOX.CO.ZA>
Organization: tinderbox interactive
Subject: Re: Film called "Chappaqua"
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Mitchell Smith wrote:
>
> Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all
> the spelling here) which featured Ginsberg and Burroughs in it? Someone just
> told me about it and I am mystified.
>
> M Smith
Your spelling's quite right. Chappaqua was made in 1965, and won an
award at the Venice Film Festival as far as I know. Here's the
information on the film from the Internet Movie Database (
http://www.imdb.com/ ):
Directed by Conrad Rooks
Cast (in alphabetical order)
Jean-Louis Barrault
William S. Burroughs
Ornette Coleman
Allen Ginsberg
Paula Pritchett
Conrad Rooks
Written by Conrad Rooks
Cinematography by Robert Frank
Music by Ravi Shankar
Additional to this, I know that The Fugs also did some cool psychedelic
music for the film. There are a few Burroughs soundbytes on the Ravi
Shankar soundtrack album.
A quick plot summary off the IMDB (not mine):
Semi-autobiographical story of Conrad Rooks, who travels to France to
undergo a drug-withdrawal cure. Flashbacks to the beginings of
psychedelia in San Francisco.
Hope that helps.
Anton Raath.
-------------------------------------------------------------
Anton L. Raath
tinderbox interactive anton@tinderbox.co.za
Cape Town, South Africa http://www.tinderbox.co.za/
-------------------------------------------------------------
=========================================================================
Date: Fri, 5 Sep 1997 13:54:56 BST
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Tom Harberd <T.E.Harberd@UEA.AC.UK>
Subject: Burroughs (again, probably)
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Hey ffolks.
I'm back (applause please.)
So I go off for the summer holdiay, to Belize, come back two
months later, and phone up my mate Neb. We chat...
"Oh by the way, William Burroughs is dead."
"Yeah, right."
"No, seriously. A few weeks ago."
"Oh shit."
So by this point, I'm, like, REAAAAAALY glad to be back in
western life again. Whoopee, Bill Lee's gone to the great
Interzone in the sky. I cannot say how much this depressed
me. The man was a genuine rennaisance guy, painting,
literature... he even made an artwork out of life. I'll
miss him, even though I didn't know him. It just did me
heart good to know that people like that still existed.
*sigh*
So I suppose that's it for the BIG THREE then (AG, JK and
WSB). Don't jump on me or anything, but I was only (;-))
about fourty years behind the beatifics, so the rest don't
hold so much power for me. Just me p. o. v.
At least Ken Kesey's still around.
Ummm.. I know that all this sort of thing has probably been
done quite a while back, but I only just got back to uni.
(only place I get net access), and was confronted with over
3000 e-mails. Not even I could be bothered to go through
them all. So I deleted them. Sorry. I remember the
Ginsberg thing, and it was something that you just had to be
there for (not that I was then either).
But I thought I'd tell you anyway.
At least I've got my Beat Gen. degree unit this semester.
But I was sure that all the magazines would have tribute
things, like Ginsberg had (didn't he get on the cover of
Rolling Stone after his death?). But so far... nitch. And
people who know me probably know who I blame it on... the
Literary Establishment, maaan. If you ask me they need a
damn good kick up up the arse.
And the truly wierd thing? All around me, people are
wandering around sniffing in a daze because Ex-princess
Diana has died. And I'm more upset about Bill. Still. In
a way, I reason it that I sort of knew Bill in a way. And I
never knew this Diana women.
Ho hum.
Tom. H.
http://www.uea.ac.uk/~w9624759
"Language is a virus"
=========================================================================
Date: Fri, 5 Sep 1997 09:24:06 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: sentimentality
In her last post on Naked Lunch, Diane raised the issue of
sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
that vice. Kerouac, however, has been the subject of a charge of
sentimentality more than once. At the end of a term paper I wrote for
him on Kerouac, Alfred Kazin noted "But what about his spaniel
sentimentality?" I argue that Kerouac USUALLY rises above it,
frequently undercutting such notions with mock-heroic juxtapositions as
in the cowboy scene in OTR. What do you think folks about the Beats --
particularly Kerouac and Ginsberg -- in terms of their being overly
sentimental?
=========================================================================
Date: Fri, 5 Sep 1997 09:25:04 -0400
Reply-To: Neil Hennessy <neil@klg.com>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Neil Hennessy <neil@KLG.COM>
Subject: Re: burroughs' estate disposition
In-Reply-To: <970905085145_419050732@emout17.mail.aol.com>
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First off, I want to say that James Grauerholz is a prince among men. I
have heard some people disparage him in the past, but most of their
complaints have been that he wouldn't give them access to Burroughs. All
that time James was looking out for WSB's best interests, and after his
death, James obviously still has the best interest of the Burroughs estate
and legend at heart.
The thought of what would become of the estate had crossed my mind, and in
truth, had James sold it off to private collectors and lived off the fat
of the land, I don't think I would have blamed him, or judged him for it.
He deserves whatever he can get in terms of profits and royalties that
come from the Burroughs oeuvre, because if James hadn't rescued Burroughs
from NY, he would have died long before he had a chance to finish his
greatest artistic achievement (the Red Night trilogy). The fact that James
is keeping the estate together, and making it available to scholars and
admirers through Ohio State is a testament to his class.
Just some notes on the items below:
> James Grauerholz, who has been with Burroughs for over 23 years, is his heir.
23 again.
> The majority of the archives is already on deposit at Ohio
> State University, and WSB's letters and mss. will _not_ be sold on the
> collector's market, at all.
One of these days, I'll have to take a vacation at Ohio State to romp
amongst the archives. Ever since I read about the alternate version of
Place of Dead Roads in Literary Outlaw, I've been waiting to see it.
> The Third Mind (Grove/Atlantic) -- a facsimile edition of the original 1965
> Burroughs-Gysin collage manuscript (as seen in the LA County Museum catalog
> for the "Ports of Entry" show)
Since seeing the show in LA, I'd been wondering if this was in the works.
LACMA acquired all the original works, with the exception of 5 or 6. This
will be a major publishing event for Burroughs admirers and scholars.
> (working title) Evil River: An Autobiography (Viking Penguin) -- composed of
> memoir writings by WSB made during the 1980s, edited by Barry Miles
Someone posted to the list about a year ago that they had seen this in a
publisher's catalogue somewhere. I guess it wasn't ephemeral, it does
appear to exist in one form or another. I think Evil River would be a
perfect title, although I would opt for the full title as Burroughs
envisioned it: My Past is an Evil River. For anyone wondering, the title
is from The Cat Inside. Burroughs says that nobody would write a
completely honest autobiography, it would have to be called My Past is an
Evil River. Would throw something up the ass of the New Criterion shits.
> William S. Burroughs on Giorno Poetry Systems (Mouth Almighty / Mercury
> Records) -- a four-CD boxed set of all of WSB's recordings issued on the GPS
> label, plus some never-released material, accompanied by five
> fully-illustrated booklets of text etc.
Zowie. Can't wait for this one, although we already knew about the
existence of the box set, this is the first time we've seen the specific
details. I hope the original album art will be included; there were some
pretty snazzy photographs on the covers of the vinyl.
> Naked Lunch, The Audiobook (performed by WSB) -- originally released by Time
> Warner Audio Books in 1995, with music by Bill Frisell, Wayne Horvitz and
> Eyvind Kang, produced by Hal Willner and James Grauerholz; to be re-edited by
> HW & JG for re-release in an improved version
Great. I didn't buy it when it first came out, so I'll wait for the new
version.
Now the only thing that remains conspicuously unavailable, that wasn't
reissued in a revised edition, is The Exterminator! with Brion Gysin.
Personally, I've got a copy, but I had to pay through the nose to get it.
It would be nice if some of the early works published in small editions
were to find reprints for the masses, kind of like Junky. Minutes To Go
wouldn't be a bad choice either. It is lovely to know that the kind of
crap that bogged (and is still bogging) down the Kerouac estate won't ruin
the Burroughs estate.
Cheers,
Neil
=========================================================================
Date: Fri, 5 Sep 1997 09:50:09 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: "burroughs: skin ovr steel"
Comments: To: bohemian list <bohemian@maelstrom.stjohns.edu>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
08/18/97
("burroughs: skin ovr steel")
the voice:
gravel in an open
wound.
watching from aside
camouflaged under
coldsteel suit and hat -
hgwell's invisible man
without the bandages
once the uniform of every businessman - inconspicuous in starch
collar
snap
brim
professional.
beneath shadow
of fedora:
tight
& taut
skin
pulled over --
wrds skidding across the page in
cold
push of
wetbrick muscle
observant nerves - feeling the tension moving under the surface
skin translucent
(re)veal (ing)
the biology of the movements.
the familiar pungent odour
of
cauterized
words.
=========================================================================
Date: Fri, 5 Sep 1997 00:54:02 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: sentimentality
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> Bill Gargan wrote:
> What do you think folks about the Beats --
> particularly Kerouac and Ginsberg -- in terms of their being overly
> sentimental?
Brings to mind a personal experience I had last week. I wrote an article
about hiking on a mountain here in Vermont. My second paragraph was
probably two sentences of about 12 lines each, very
descriptive, describing how the mountain speaks to the soul, and how
small but important human life seems from the top of the mountain. My
editor called me, laughing hysterically, and said, you're not serious,
are you? You don't really expect me to print this, it's so over-written
and gushy! Must be you've been reading Ginsberg again. (she has never
read any beat writer and she just doesn't get IT) I said no, actually,
if anything it's my one-paragraph tribute to Kerouac and I knew you would
cut it. But this leads to what a lot of people say about Kerouac, that
he's too sentimental, too sensitive, too gushy. It is actually the
quality about him that I like and I think he does ground it in reality
most of the time. I don't often think of Ginsberg as sentimental and I
think that's because sensitivity in poetry is quite different than in
prose. Kerouac is so taken by things that he does tend to go on and on,
and a lot of people, like my editor, would probably say, he could have
said that in one sentence, instead of three pages. I think the more you
read Kerouac the less sentimental it seems, or perhaps you just become
more attuned to him.
And, by the way, the copy editor that got my article next, said leave it
in, just shorten the lines. So, for anyone that cares to read it, here
is my one-paragraph tribute to Kerouac, probably inspired by Desolation
Angels:
The mountain has captured a part of my heart and mind. There is
something primordial there--the mountain reveals itself through gigantic
weathered rock formations created by volcanic activity or continental
collisions 485 million years ago and then shaped by glaciers. I've heard
the voice of the mountain in the sound of the wind barrelling over the
tops of rocks. It speaks of age, creation, and power, amid which human
life seems small, even infinitesimal, yet because of that smallness,
terribly important. When the mountain is still, my soul is still. Yet
there are days when the mountain is so engulfed in clouds and fog that it
is hard to believe it is even there, except its presence, huge and
unmoving, is felt looming overhead. Even the buildings are vestiges of
stone, and picnic areas are set in scenes of gothic simplicity and
reference. All of this is far above the workday sounds of the world
below: town settlements in valleys, croaking factory smokestacks,
ordinary people whooshing down the Interstate.
DC
=========================================================================
Date: Fri, 5 Sep 1997 01:08:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: OTR:San Francisco epiphany
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> Diane De Rooy wrote:
> I'm so fascinated that you chose this paragraph, Diane. A friend of
> mine read
> On The Road a few months ago, and this was the only passage she didn't
> understand, and she asked me to explain it to her. My tendency is to
> take
> jack pretty literally most of the time, and my answer to her was that
> this
> was a particularly vivid descripition of one of jack's many visions,
> and that
> this one had the particular effect of demonstrating that all is
> everything
> and nothing, existing at once and never, and proved eternity in the
> ephemera
> of a moment.
>
> I think this is the kind of stuff that went on in jack's head all the
> time,
> which for me, explains a lot. Then again, it explains nothing.
>
> I'm still too young to know what has happened. What has happened?
Then, I must also be too young to know what has happened. This
particular quality Kerouac had to see into the heart of things is very
special, I think, and permeates all of his work to some extent. It so
especially stands out in OTR because there is such a sense of rushing
here and there, back and forth across the country, and there we have this
vision, from one quiet moment looking in a window; how we are all really
caught in this polarity between all and nothing.
DC
=========================================================================
Date: Fri, 5 Sep 1997 13:35:47 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: St. Marks Celebrates OTR
The St. Marks Poetry Project will hold a marathon reading of OTR on
Wednesday, Sept. 24, 1997 to celebrate the 40th anniversary of the
book's publication. The reading will begin at 7 p.m. and continue
through Thursday. Over 70 writers and musicians, including David Amram,
Penny Arcade, Ann Douglas, Jonathan Franzen, Richard Hell, Hettie Jones,
Taylor Mead, Ricky Moody, and Bradford Morrow will participate. For
more information, call the poetry project at 212-674-0910 or email them
at poproj@artomatic.com. I believe there's also a web address but I
don't want to post it until I've personally checked the url.
=========================================================================
Date: Fri, 5 Sep 1997 11:56:39 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James William Marshall <dv8@MAIL.NETSHOP.NET>
Subject: Re: sentimentality
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>In her last post on Naked Lunch, Diane raised the issue of
>sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
>that vice. Kerouac, however, has been the subject of a charge of
>sentimentality more than once. At the end of a term paper I wrote for
>him on Kerouac, Alfred Kazin noted "But what about his spaniel
>sentimentality?" I argue that Kerouac USUALLY rises above it,
>frequently undercutting such notions with mock-heroic juxtapositions as
>in the cowboy scene in OTR. What do you think folks about the Beats --
>particularly Kerouac and Ginsberg -- in terms of their being overly
>sentimental?
>
I don't necessarily consider sentimentality a "vice" when it comes to
literature. Sentimentality is intrinsically tied to memory. I'd argue that
sentimentality in writing demonstrates an author's ability to re-live
(frequently to re-love) the past on paper. I won't get into the reliability
of memory here but neither Kerouac nor Ginsberg stick in my mind as overly
"gushy" or "flowery" writers.
James M.
=========================================================================
Date: Fri, 5 Sep 1997 14:12:33 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Off the Road and On the List
In-Reply-To: <BEAT-L%1997090513430934@CUNYVM.CUNY.EDU>
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Greetings to all!
It's great to be back on the list. I really missed the coming together in
remembrance of William Burroughs that i was grateful for when Allen passed
away. In fact, i didn't even know that WSB had died until about a week
after the event. I finally got to read Naked Lunch this summer and LOVED
it. it was really hard to get, but i thought his prose was very
beautiful. And parts of it will stick in my head forever. "I don't want
your money, honey, I want your time."
I would like to send a thank you out to Jeffrey, it made my day when i
checked my mail at the post office and got this cool T-shirt. In fact, im
wearing it right now and it is fastly becoming my favorite shirt. Have
received many good comments about it. And, yeah, it is kind of hard to
see, but i don't think there are many people out there that would swallow
the costs of something like this because it did not fulfill their great
expectations. I'm sure i'm late on this whole gratitude thing so let this
suffice: Thank you, Jeffrey.
Right now i'm reading the Electric Kool-Aid Acid Test and it is blowing me
away. So great to see our Dean Moriarty back in action. And it seems
like the Pranksters were the only next logical step for the Beats to take.
Just bought _Some of the Dharma_ IM SO EXCITED!! Skimming through it is
great! I can't wait to sit down and really soak it all in. I think
notebook's are a great insight into one's life and this is no exception
for the creator of the Dulouz legend.
Heard _Howl, U.S.A_ by the Kronos Quartet for the first time yesterday.
Love it.
Had a great time discovering America on the road and up in alaska stuck in
a camper with five amazing people. It was no Further, but it was pretty
damn close.
great to be back,
matt
=========================================================================
Date: Fri, 5 Sep 1997 16:25:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Wednesday, September 4, 1957.
In-Reply-To: <3.0.1.32.19970904185658.006dd328@pop.gpnet.it>
Mime-Version: 1.0
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i was lucky enough to meet joyce johnson at a reading of her minor
characters , she is a woman of grace and warmth. her memories of JK are
revealing, and even more revealing of herself. i recommend minor characters
to anyone who hasn't read it. my favorite passages however are not about JK
or others, they are the beginning chapters in which she writes of her 13 yr
old self taking the bus to washington square and wanting so badly to be
'hip' : brought back a lot of my own memories. we spoke for a while after
the reading.
she has a summer house up here in vermont.
mc
>At 02.33 04/09/97 -0400, Mike Rice wrote:
>>At 07:43 PM 9/3/97 +0200, you wrote:
>>>" Shortly before midnight on Wednesday, September
>>>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he
>>>was living with, left her apartment on the Upper West Side in New
>>>York City to wait at a newsstand at Sixty-sixth Street and
>>>Broadway for the next day's New York Times to come off the delivery
>>>truck. Kerouac had been alerted by his publisher that his novel
>>>On the Road would be reviewed in that issue, and so they bought
>>>the first copy of the Times they could pull from the stack.
>>>Standing under a street lamp, they turned the pages until they found the
>>>column "Books of the Times"--- Ann Charters"
>>>
>>>
>>Hey, don't we get the review, too. Or at least: "and the rest is history!"
>>
>>Mike Rice
>>
>>
>"The reviewer was Gilbert Millstein, and he had written:
> On the Road is the second novel by Jack Kerouac, and its
> publication is a historic occasion insofar as the exposure of
> an authentic work of art is of any great moment in any age
> in which the attention is fragmented and the sensibilities are
> blunted by the superlatives of fashion.... [The novel is]
> the most beautifully executed, the clearest and most important
> utterance yet made by the generation Kerouac himself
> named years ago as "beat" and whose principal avatar he is."
>
>
>
> --*--
>
> WAKE UP
> MAN!
> WAKE UP!
>
>rINALDO.
=========================================================================
Date: Fri, 5 Sep 1997 16:57:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Memory Babe: The Movie (fwd)
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
---------- Forwarded message ----------
Date: Wed, 3 Sep 1997 21:15:24 -0700 (PDT)
From: Gerald Nicosia <gnicosia@earthlink.net>
To: Richard Wallner <rwallner@CapAccess.org>
Subject: Re: Memory Babe: The Movie
At 06:54 PM 9/3/97 -0400, you wrote:
>
>Since most of you seem to think an OTR movie would be bad, or not worthy
>of the book, maybe Coppola should option the rights to Memory Babe
>instead. Jack Kerouac had a compellinglife story that itself would make
>a terrific movie.
>
>A story of a man who had his dreams come true and found out that
>sometimes dreams arent what they seem to be.
>
>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>film rights to MemoryBabe?)
>
>RJW
>
Hey, Richard, Sept 3, 1997
A couple of times I've had "producers" interested, but it was
typical Hollywood flimflam, nothing substantial. Anybody with a used
Mercedes and a rented cellular phone in LA can call himself a producer. If
you know anybody who's serious, send them my way. Best always, Gerry Nicosia
=========================================================================
Date: Fri, 5 Sep 1997 17:02:45 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Support Independent Bookstores!
In-Reply-To: <BEAT-L%1997090513430934@CUNYVM.CUNY.EDU>
MIME-Version: 1.0
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Since many of us are buying "Some of The Dharma" or planning to, this
seems like a good time to remind that you dont have to buy it at your
local conglomerate. There are many fine smaller bookstores that could
really use your business.
The St.Mark's bookstore (home base of the St.Mark's poetry project btw)
is selling "Some of The Dharma" and even has it in its window display.
You wouldnt be able to read beat writing today if it wasnt for
independent bookstores, because the big conglomerate bookstores rarely
give exposure to new and lesser known writers. There was a time when the
Kerouacs and Ginsbergs couldnt get their works on the shelves of the
Barnes and Nobles of the world and had to rely upon places like City
Lights in San Francisco and St. Mark's in NY.
Buy "Some of the Dharma" at a place like that. Support independent
bookstores.
=========================================================================
Date: Fri, 5 Sep 1997 23:28:47 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: "burroughs: skin ovr steel"
In-Reply-To: <Pine.A32.3.93.970905094919.53110A-100000@srv1.freenet.calg
ary.ab.ca>
Mime-Version: 1.0
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Derek A. Beaulieu wrote:
> 08/18/97
> ("burroughs: skin ovr steel")
> the voice:
> gravel in an open
> wound.
> watching from aside
> camouflaged under
> coldsteel suit and hat -
> hgwell's invisible man
> without the bandages
> once the uniform of every businessman - inconspicuous in starch
> collar
>
> snap
> brim
> professional.
> beneath shadow
> of fedora:
> tight
> & taut
> skin
> pulled over --
> wrds skidding across the page in
> cold
> push of
> wetbrick muscle
> observant nerves - feeling the tension moving under the surface
> skin translucent
> (re)veal (ing)
> the biology of the movements.
>
> the familiar pungent odour
> of
> cauterized
> words.
>
>
september into the bus stop
two men
were going out of the cabin they are shouting
in the cold morning:
"only 50 dollars
o n l y 50 dollars!"
"3 a.m.
he wakes up he wakes up and looks at the billfold!"
LISTEN! listen dig your hole!
music
"look at the telephone book what's
up?"
"does you have forgotten the phone numbers?"
dig your hole music
it is punching my head
it is punching my h e a d
"he has not paid a cup of coffee not even
only he has told me good-bye damn!"
m u s i c
m u s i c
m u s i c
m u s i c
m u s i
m u s
m u
m
.
=========================================================================
Date: Fri, 5 Sep 1997 17:42:35 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: sentimentality
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 11:56 AM 9/5/97 -0700, you wrote:
>>In her last post on Naked Lunch, Diane raised the issue of
>>sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
>>that vice. Kerouac, however, has been the subject of a charge of
>>sentimentality more than once. At the end of a term paper I wrote for
>>him on Kerouac, Alfred Kazin noted "But what about his spaniel
>>sentimentality?" I argue that Kerouac USUALLY rises above it,
>>frequently undercutting such notions with mock-heroic juxtapositions as
>>in the cowboy scene in OTR. What do you think folks about the Beats --
>>particularly Kerouac and Ginsberg -- in terms of their being overly
>>sentimental?
>>
> I don't necessarily consider sentimentality a "vice" when it comes to
>literature. Sentimentality is intrinsically tied to memory. I'd argue that
>sentimentality in writing demonstrates an author's ability to re-live
>(frequently to re-love) the past on paper. I won't get into the reliability
>of memory here but neither Kerouac nor Ginsberg stick in my mind as overly
>"gushy" or "flowery" writers.
>
> James M.
>
>
There is not an ounce of sentimentality in Howl. Not an ounce.
Comedy, obscenity, blasphemy, yes, sentimentality no.
Mike Rice
=========================================================================
Date: Thu, 5 Sep 2097 23:50:12 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: A little help, please !
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
I'm a new user and I think to have done a little mess with the commands to
L-Soft list-server, please notify me if this message arrives to the list.
Please accept my excuses for the incommodation.
Goodnight to all !!!
Ciao!
Francesco D.
=========================================================================
Date: Fri, 5 Sep 1997 16:07:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: Support Independent Bookstores!
Mime-Version: 1.0
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Here here (hear hear?--hare hare?)!!!!! This month's UTNE Reader has
an excellent story on the death of the indies.
My favorite photo of Kerouac, I think it's in _Jack's Book_, is of a
young Kerouac at a book signing for Town & City at the Tattered Cover
in Denver.
Dance with the Bookstore that Brought Ya!
love and lilies (purchased from an indie florist of course),
matt
=========================================================================
Date: Fri, 5 Sep 1997 20:56:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Re: A little help, please !
Comments: cc: Dufour <dufour@ULISSE.IT>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Francesco,
You will get this message twice if you're properly subscribed to the
list, since I'm posting it to the list and to your address. Welcome. Was it
Rinaldo in Venice-Mestre who enticed yoy onto the list?
Antoine
Voice contact at (514) 933-4956 in Montreal
"An anarchist is someone who doesn't need a cop to tell him what to do!"
-- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 5 Sep 1997 18:39:13 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Beats:The List update 2 sep 1997
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Patricia Elliott wrote:
>
> excellant work James, a short note on Ohle
>
> > > David Ohle--Burroughs circle,
> p adds, David wrote "Motor Man", wrote and edited "City Moon"
> magazines, (a great editor), Hippy Tales
>
> Is S. Clay Wilson listed?
> p
Thanks for Ohle--I thought afterwards I should have left that blank for
you--don't think S. Clay's there--but another one that is probably hippy
rather than beat like R. Crumb who isn't on either at the
moment--nominate them!
Keep me posted with your connections.
James
=========================================================================
Date: Sat, 6 Sep 1997 16:05:22 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Yan Feng <xbchen@SUN.NANKAI.EDU.CN>
Subject: Message from Orient
A book titled The Beat Generation was published last year by Hainan Publishing
House, China. The auther is Si Li, a M.D. on Modern English Literature.
*****************
Yan Feng
Nankai Uni.
China
*****************
=========================================================================
Date: Sat, 6 Sep 1997 13:56:04 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: chinese Tong WSB quoted
In-Reply-To: <9709062105.AA22086@sun.nankai.edu.cn>
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Friends,
i found in novel "The Western Lands" a WSB quote related to the
article he wrote at the end of 1970's commented the mayor of SF George
Moscone's & Harvey Milk's murder
after the shocking sentence WSB imagined a Gay State like
the chinese Tong in order to protect the gay community,
ten year later Burroughs was again thinking about the Tong
and clarifing, i think, the meaning of the word tong we
discussed some weeks ago.
-*-
"There are many degrees of privacy. In some houses
there is a public passage only through the garden.
Others live in open stalls on heavely traveled streets,
or in the maze of tunnels under the city, or on the
roofs where the neighbors hang clothes to dry and tether
their sheep and goats and fowl. Some are entitled to
exact a toll. And some routes are the exclusive prerogative
of a club, a secret society, a sect, a tong, a profession
or a trade. fights over passage rights are frequently
and bloody. There are no public services in this quarter,
no police, fire, sanitation, water, power or medical
service. The are provided by families and clubs, if at all."
--- William S. Burroughs, The Western Lands, -7-, 1988.
-*-
saluti,
Rinaldo.
=========================================================================
Date: Sat, 6 Sep 1997 06:46:56 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Message from Orient
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Greetings Yan Feng,
Very interesting. The book is in english? If so, how can it be bought in the
USA? I am also curious about the MD degree (?). Here it stands for Medical
Doctor.
It is great to hear from China.
leon
-----Original Message-----
From: Yan Feng <xbchen@SUN.NANKAI.EDU.CN>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Saturday, September 06, 1997 1:11 AM
Subject: Message from Orient
A book titled The Beat Generation was published last year by Hainan
Publishing
House, China. The auther is Si Li, a M.D. on Modern English Literature.
*****************
Yan Feng
Nankai Uni.
China
*****************
.-
=========================================================================
Date: Sat, 6 Sep 1997 10:05:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: poem: diana's death
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for Diana safe in heaven
Blinded by the tabloids
the papparazi
the monarchy
blinded by my own reverse snobbery,
i was blindsided by your death.
only now can i drop the curtains from my eyes
and see the woman
of compassion
and courage
you became.
blinded by my own struggles
blinded by my own misery
i was blindsided by your death.
again experiencing
the all too often,
yet all too human
misery
of recognizing the magnitude of what is precious
only after the loss.
blindsided by the tabloids garish headlines and photos,
i did not see
your transformation
from uncertain girl lost in a palace
to the woman of compassion
in the soup kitchens
shelters
hospitals
hospices
AIDS wards
leper colonies,
among the children suffering in the world.
i was blindsided by the newspaper tabloids
at the checkout counters, the ones i
never buy or bring home
but somehow cannot Not read
while waiting with my carriage.
diana,
for all of this
i am grieved
blinded by the papparazi's lurid headlines and photos
i saw too few accounts of your compassion
for "the constituary of the rejected."
i was blindsided by my own grief
for you,
unexpectedly deep and profound.
watching CNN this morning
i could not help but travel back in time
the death of john lennon
tim leary
jerry garcia
allen ginsberg
william burroughs
and ALL who have taught me compassion,
diana i wish you safe in heaven, having walked through
the portal hand in hand
with mother theresa.
i think that jack will be waiting there.
your brother said it best:
that you were named for
the goddess of the hunt
only to become the most hunted.
mc 9/6/97
=========================================================================
Date: Sat, 6 Sep 1997 09:04:39 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Message from Orient
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Yan Feng wrote:
>
> A book titled The Beat Generation was published last year by Hainan Publishing
> House, China. The auther is Si Li, a M.D. on Modern English Literature.
>
> *****************
> Yan Feng
> Nankai Uni.
> China
> *****************
Dear Yan Feng,
Have you had a chance to read this book? If so, who does it deal with,
and did you find it interesting?
patricia
=========================================================================
Date: Fri, 6 Sep 2097 14:16:51 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: A little help, please !
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Antoine,
thanks for your message (things seem to be ok now)...no, I've
not been introduced to the list by Rinaldo, also if I contacted him this
week for some advices.
I heard the existence of Beat-L from a site about WSB that I was reading
in the days after his death.
At the next.
Ciao!
Francesco
----------
> Da: Antoine Maloney <stratis@odyssee.net>
> A: BEAT-L: Beat Generation List <BEAT-L@CUNYVM.CUNY.EDU>
> Cc: Dufour <dufour@ULISSE.IT>
> Oggetto: Re: A little help, please !
> Data: sabato 6 settembre 1997 2.53
>
> Francesco,
>
> You will get this message twice if you're properly subscribed to
the
> list, since I'm posting it to the list and to your address. Welcome. Was
it
> Rinaldo in Venice-Mestre who enticed yoy onto the list?
>
> Antoine
> Voice contact at (514) 933-4956 in Montreal
>
> "An anarchist is someone who doesn't need a cop to tell him what to
do!"
> -- Norman Navrotsky and Utah Phillips
=========================================================================
Date: Fri, 6 Sep 2097 14:16:18 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: Welcome!
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Thanks Leon, I really hope that the italian community in Beat-L expands
guided by the really competent intervents from Rinaldo (the "beat
ambassador" of our country) !!!
Ciao!
Francesco
----------
> Da: Leon Tabory <letabor@cruzio.com>
> A: dufour@ULISSE.IT
> Oggetto: Welcome!
> Data: sabato 6 settembre 1997 2.50
>
> Hello Francesco!
>
> Your post is another very welcome one from Italia! Welcome to the BEAT-L
> group. Rinaldo is the only other member of our group from Italia that I
know
> of, and he generously enriches us with beautifully powerful poetry,
> extensive familiarity with the historical beat spirited persons, and a
most
> beat spirit and compassionate heart. The amazing thing about him is
that
> posts like today's come from his fertile mind all the time. But I am not
> saying this to intimidate you, just to let you know that one of your
> neighbors in Italia is a blessed gift to our group.
>
> leon
>
>
>
>
>
>
=========================================================================
Date: Sat, 6 Sep 1997 10:28:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: poem last draft(off topic but.....)
In-Reply-To: <3.0.1.32.19970906135604.00699be8@pop.gpnet.it>
Mime-Version: 1.0
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for Diana safe in heaven
Blinded by the tabloids
the papparazi
the monarchy
blinded by my own reverse snobbery,
i was blindsided by your death.
only now can i drop the curtains from my eyes
and see the woman
of compassion
and courage
you became.
blinded by my own struggles
blinded by my own misery
i was blindsided by your death.
again experiencing
the all too often,
yet all too human
misery
of recognizing the magnitude of what is precious
only after the loss.
blindsided by the tabloids garish headlines and photos,
i did not see
your transformation
from uncertain girl lost in a palace
to the woman of compassion
in the soup kitchens
shelters
hospitals
hospices
AIDS wards
leper colonies,
among the children suffering in the world.
i was blindsided by the newspaper tabloids
at the checkout counters, the ones i
never buy or bring home
but somehow cannot Not read
while waiting with my carriage.
diana,
for all of this
i am grieved
blinded by the papparazi's lurid headlines and photos
i saw too few accounts of your compassion
for "the constituary of the rejected."
i was blindsided by my own grief
for you,
unexpectedly deep and profound.
watching CNN this morning
i could not help but travel back in time
the death of john lennon
tim leary
jerry garcia
allen ginsberg
william burroughs
and ALL who taught me compassion,
your brother said it best:
that you were named for
the goddess of the hunt
only to become the most hunted.
diana i wish you safe in heaven, having walked through
the portal hand in hand
with mother theresa.
i think that jack will be waiting there.
mc 9/6/97
=========================================================================
Date: Fri, 6 Sep 2097 16:37:30 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: Message from Orient
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Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Dear Yan Feng
I would like to know if the book is more like an anthology or a collection
of critical essays, and, if you read it, if it was interesting.
Ciao!
Francesco
----------
> Da: Patricia Elliott <pelliott@SUNFLOWER.COM>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: Re: Message from Orient
> Data: sabato 6 settembre 1997 16.04
>
> Yan Feng wrote:
> >
> > A book titled The Beat Generation was published last year by Hainan
Publishing
> > House, China. The auther is Si Li, a M.D. on Modern English Literature.
> >
> > *****************
> > Yan Feng
> > Nankai Uni.
> > China
> > *****************
> Dear Yan Feng,
> Have you had a chance to read this book? If so, who does it deal with,
> and did you find it interesting?
> patricia
=========================================================================
Date: Sat, 6 Sep 1997 11:35:54 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Relix August edition
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
In the August edition of Relix, the Greatful Dead type mag, they review
on page 70, a book entitled, Everything I Know I Learned on Acid by Coco
Perkelis. One of the quotes she seized upon was by Jack, suposedly, and
is:
"There's nothing nobler than to put up with a few inconvieniences like
snakes and dust for the sake of absolute freedom."
Is this an accurate quote and from where?
Thanks.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 6 Sep 1997 08:37:17 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: poem last draft(off topic but.....)
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Less see, my first reaction
Diana? That fucking bitch, I used to think. The most selfishly arrogant
champion social climber, conniving princess fairy tale. I never could see in
the public photo images what it was that she had going to knock over all
those power dicks on the top ladder of the castle. Well, I used to think,
look at the prince and that will explain the tastes of monarchy. And look at
the public+ACE- The tabloid princess of the twentieth century. The wonderful
charity work? Redeeming (?) rejuvenation of the Ladies of Charity of the
Aristocracy of the last century in their carriages and tresses in front of
the poor houses with baskets of bread and goodies. Opium for the Chinese
masses. ladies of charity for the suckers at home. Yikes.
I vaguely recall newspaper articles about the strategies that were being
considered in the power PR halls brainstorming how to try to do repairs of
the image of the princess who was out to get all she could after getting rid
of her prince monarch, but not the the better benefits of the monarchy. Can
the hussy pull it off? Aha, photo ops to prove she was more than earning her
continuing outrageous costs to the taxed masses. The sensitive,
compassionate, princess who identifies with the poor and downtrodden.
What the smartest PR firms with financial resources can not create. It
says something about the advanced state of human dreaming freightened in the
dark, hysterically groping for the lights of the photo flashes, there it is,
there it was, who dares not to be swept along in the stampedes. Ending lines
of movies. I am even hesitant to speak out aloud the questions in my mind,
for fear of being trampled in the hysterias. I am no militant or any monarch
hater or something. Maybe the guards at the gates of heaven are having a
crisis meeting right now, who is first in line, is it Diana or should she
make way for Sister Theresa? The public's response, popularity of the later,
the only spokesperson who shows us that you can still find compasion for the
poor in the cold corporate churches of today, the model for the successful
photo op campaign of the former? The wayward princess, of commom stock,
finds the way for the erring monarchy that disowned her, or she them as the
case might have been. The paparazzi came in quite handy, but how to get rid
of them when you do not want them when their photos could spoil the others
so carefully, royally arranged to build the image? Well, not if you are not
sober, not when you are drunk. Where are the MADD mothers now? The arrogance
of power is even more dangerous when drunk.
I will wait awhile for reactions to subside before I try to get a fuller
perspective on the princess of thwentieth century, the +ACI-people's
princess+ACI-
in the making. Of course, I am saddened by the death of any human being,
especially those whose lives were so sad and whom nobody mourns. I am
waiting to see if my mind can penetrate a bit further the mysteries involved
in some very basic instincts that flare up here. I am not at all sure that I
know enough, or understand enough. All my notions here are subject to
reevaluation. I would need a lot more truthful information to trust my
judgements here with confidence. I will reserve judgement for the time
being.
+AD4-for Diana safe in heaven
+AD4-
+AD4-Blinded by the tabloids
+AD4- the papparazi
+AD4- the monarchy
+AD4-blinded by my own reverse snobbery,
+AD4-
+AD4-i was blindsided by your death.
+AD4- only now can i drop the curtains from my eyes
+AD4- and see the woman
+AD4- of compassion
+AD4- and courage
+AD4- you became.
+AD4-
+AD4-blinded by my own struggles
+AD4- blinded by my own misery
+AD4- i was blindsided by your death.
+AD4-again experiencing
+AD4- the all too often,
+AD4- yet all too human
+AD4- misery
+AD4-of recognizing the magnitude of what is precious
+AD4- only after the loss.
+AD4-
+AD4-blindsided by the tabloids garish headlines and photos,
+AD4- i did not see
+AD4- your transformation
+AD4- from uncertain girl lost in a palace
+AD4-to the woman of compassion
+AD4- in the soup kitchens
+AD4- shelters
+AD4- hospitals
+AD4- hospices
+AD4- AIDS wards
+AD4- leper colonies,
+AD4-among the children suffering in the world.
+AD4-
+AD4-i was blindsided by the newspaper tabloids
+AD4- at the checkout counters, the ones i
+AD4-never buy or bring home
+AD4- but somehow cannot Not read
+AD4-while waiting with my carriage.
+AD4-
+AD4-diana,
+AD4- for all of this
+AD4- i am grieved
+AD4-
+AD4-blinded by the papparazi's lurid headlines and photos
+AD4-i saw too few accounts of your compassion
+AD4-for +ACI-the constituary of the rejected.+ACI-
+AD4-
+AD4-i was blindsided by my own grief
+AD4- for you,
+AD4-unexpectedly deep and profound.
+AD4-
+AD4-watching CNN this morning
+AD4- i could not help but travel back in time
+AD4-the death of john lennon
+AD4- tim leary
+AD4- jerry garcia
+AD4- allen ginsberg
+AD4- william burroughs
+AD4-and ALL who taught me compassion,
+AD4-
+AD4- your brother said it best:
+AD4-that you were named for
+AD4- the goddess of the hunt
+AD4- only to become the most hunted.
+AD4-diana i wish you safe in heaven, having walked through
+AD4- the portal hand in hand
+AD4- with mother theresa.
+AD4-i think that jack will be waiting there.
+AD4-
+AD4-
+AD4-mc 9/6/97
+AD4-.-
+AD4-
=========================================================================
Date: Sat, 6 Sep 1997 14:10:24 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: Relix August edition
Mime-Version: 1.0
Content-Type: text/enriched; charset="us-ascii"
At 11:35 AM 9/6/97 -0400, you wrote:
>In the August edition of Relix, the Greatful Dead type mag, they
review
>on page 70, a book entitled, Everything I Know I Learned on Acid by
Coco
>Perkelis. One of the quotes she seized upon was by Jack, suposedly,
and
>is:
>
>"There's nothing nobler than to put up with a few inconvieniences like
>snakes and dust for the sake of absolute freedom."
>
>Is this an accurate quote and from where?
>
>Thanks.
>--
>Bentz
>bocelts@scsn.net
>
>http://www.scsn.net/users/sclaw
>
>---------------
the quote you are referring to I believe is by Jack Kerouac and I believe
it is from <underline>The Dharma Bums</underline>. I feel reasonably
certain about this.
- Jon
=========================================================================
Date: Sat, 6 Sep 1997 13:36:32 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Relix August edition
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
R. Bentz Kirby wrote:
>
> In the August edition of Relix, the Greatful Dead type mag, they review
> on page 70, a book entitled, Everything I Know I Learned on Acid by Coco
> Perkelis. One of the quotes she seized upon was by Jack, suposedly, and
> is:
>
> "There's nothing nobler than to put up with a few inconvieniences like
> snakes and dust for the sake of absolute freedom."
>
> Is this an accurate quote and from where?
>
> Thanks.
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
i like the quote AG attributes to Jack on video "Life and Times of AG"
about acid:
"Walking on Water wasn't built in a day"
dbr
=========================================================================
Date: Sat, 6 Sep 1997 14:42:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: t(off topic but have to get the last word in (might as well
be honest)
In-Reply-To: <9709060843.aa09671@mail.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
hi leon! so glad we had a chance to actually disagree about something. i do
believe you may have the wrong princess ('fergie' as she i believe was/is
called) was the one the palace dicks were up in arms against, and the one
who courted the media and conspicuous consumption as well.
but on the topic of diana,
the meaning of the poem was that i never got beyond the tabloid diana to
see the vulnerable woman and the compassionate woman that she indeed was.
not a princess by birth, but a 'lady' who chose to become a teacher rather
than become a debutant. a woman hounded by the press for every indiscretion
but not when she was out among the people of englan usa africa you name it.
all of her appearances for charity went to charity.
so i am so glad you could react. you said all of the things i had thought
of her before learning of her realities. i also recognize her as a fellow
survivor: she was thoroughly traumatized by the realities of the monarchy,
abandoned by 'prince-boy' for most of the years, left alone in the
castle(s) without any help from anyone re: her 'role' no support from the
monarchy whatsoever.
a poignant story i do remember is an evening when she and 'fergie'(forget
her real name, but fellow princess) tried to order out for pizza and
horrifiedthe nation.
she suffered from eating disorders, severe depressions, suicide attempts.
none of this was to gain attention any more than a non-princess's struggles
are. many of her struggles are my struggles. i saw her as a survivor about
to get the hell out of the public eye and gain more of her own back. she
was compassionate and very real. which is why the monarchy disliked her so
intensely.
what my poem conveys is MY perceptions to the tabloid diana which kept me
from seeing her as a vulnerable woman. and in beat tradition, where
everyone is holy, i see her as holy too.
no, i don't see her as a mother theresa. if there is any catholicism left
in me, it's that i see mother theresa as a saint.
but as i and you and he and she and we are all together, *we are all holy*.
mc
=========================================================================
Date: Sat, 6 Sep 1997 12:15:47 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: t(off topic but have to get the last word in (might as well
be honest)
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
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I didn't find the subject that interesting until now. Maybe you can
backchannell me where to find the sources that tell you about the real
Diana. I will appreciate it.
leon
+AD4-hi leon+ACE- so glad we had a chance to actually disagree about something.
i do
+AD4-believe you may have the wrong princess ('fergie' as she i believe was/is
+AD4-called) was the one the palace dicks were up in arms against, and the one
+AD4-who courted the media and conspicuous consumption as well.
+AD4-but on the topic of diana,
+AD4-the meaning of the poem was that i never got beyond the tabloid diana to
+AD4-see the vulnerable woman and the compassionate woman that she indeed was.
+AD4-not a princess by birth, but a 'lady' who chose to become a teacher rather
+AD4-than become a debutant. a woman hounded by the press for every indiscretion
+AD4-but not when she was out among the people of englan usa africa you name it.
+AD4-all of her appearances for charity went to charity.
+AD4-so i am so glad you could react. you said all of the things i had thought
+AD4-of her before learning of her realities. i also recognize her as a fellow
+AD4-survivor: she was thoroughly traumatized by the realities of the monarchy,
+AD4-abandoned by 'prince-boy' for most of the years, left alone in the
+AD4-castle(s) without any help from anyone re: her 'role' no support from the
+AD4-monarchy whatsoever.
+AD4-a poignant story i do remember is an evening when she and 'fergie'(forget
+AD4-her real name, but fellow princess) tried to order out for pizza and
+AD4-horrifiedthe nation.
+AD4-she suffered from eating disorders, severe depressions, suicide attempts.
+AD4-none of this was to gain attention any more than a non-princess's struggles
+AD4-are. many of her struggles are my struggles. i saw her as a survivor about
+AD4-to get the hell out of the public eye and gain more of her own back. she
+AD4-was compassionate and very real. which is why the monarchy disliked her so
+AD4-intensely.
+AD4-what my poem conveys is MY perceptions to the tabloid diana which kept me
+AD4-from seeing her as a vulnerable woman. and in beat tradition, where
+AD4-everyone is holy, i see her as holy too.
+AD4-no, i don't see her as a mother theresa. if there is any catholicism left
+AD4-in me, it's that i see mother theresa as a saint.
+AD4-but as i and you and he and she and we are all together, +ACo-we are all
holy+ACo-.
+AD4-mc
+AD4-.-
+AD4-
=========================================================================
Date: Sat, 6 Sep 1997 12:29:46 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Memory Babe: The Movie
Mike-
>Dear Tululah,
Are you a Tori Amos fan? That's my only connection with Tululah. (And my
best friend's cat's name.) Just curious.
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sat, 6 Sep 1997 14:43:02 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Film called "Chappaqua"
>
>haven't heard of it but let me know if you find out anything.
>
>Anna
><Ltulou@erols.com>
>
this is a good example of a response that should be back-channeled to
keep list traffic down. not to be a dick...just trying to increase
awareness.
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sat, 6 Sep 1997 13:12:21 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Who's Who in Beat Lit...
On Thu, 4 Sep 1997 19:20:03 -0400 Sean Elias <SPElias@AOL.COM> writes:
>Which YMCA in Chi town would that be??????/
>
if you are referring to my posting of late, that would be the YMCA down
on Halstead. It's down in the same area of the near north that ed
debevicks, hard rock and planet hollywood are in. (all that touristy
shit.)
still don't know if i'm right about that or not.
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sat, 6 Sep 1997 12:15:19 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: Memory Babe: The Movie
On Wed, 3 Sep 1997 18:54:06 -0400 Richard Wallner
<rwallner@CAPACCESS.ORG> writes:
>Since most of you seem to think an OTR movie would be bad, or not
>worthy
>of the book, maybe Coppola should option the rights to Memory Babe
>instead. Jack Kerouac had a compellinglife story that itself would
>make
>a terrific movie.
Oh no....don't do this....we had enough problems trying to come to terms
with the film version of a piece of fiction. now you want to do it with
non-fiction!!! the debate on the L would get ugly. instead of sarcastic
comments, people may start sending death threats. if we think OTR would
be inaccurate, trying to figure out all of the *facts* for a non-fiction
film may lead to bloodshed.
>A story of a man who had his dreams come true and found out that
>sometimes dreams arent what they seem to be.
>
>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>film rights to MemoryBabe?)
>
>RJW
just my 2 cents worth. i may be wrong.
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sat, 6 Sep 1997 11:54:05 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: OTR book sales
On Wed, 3 Sep 1997 08:57:40 -0400 MATT HANNAN <MATT.HANNAN@USOC.ORG>
writes:
>>They said last year 100,000 copies of OTR were sold. Does anyone know
>>how that number compares to other works of twentieth century
literature.
>
>Not sure how it compares but I'm sure that number is wholly
>inaccurate--I'm betting it's based on some book retailers report (not
having seen the
>article) which are usually based on "new" book sales. Everyone here
that buys
>all of their books new raise your hands........................I thought
so.
>I'm betting it's closer to 200,000--providing you believe 100,000 people
>would part with their copy of OTR to sell it used....hmm, maybe I'll
rethink my
>numbers.
if we count both used and new books sold in the same figure, we're
counting the same books over and over again. that's not fair either.
i want to believe that there are alot more people out there who are
getting into/back into OTR and other beat gen books, but doing it that
way is cheating. :-)
> love and lilies (new and/or used),
>
> matt h.
peace-
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sat, 6 Sep 1997 15:52:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jenn Fedor <Tread37@AOL.COM>
Subject: Re: Film called "Chappaqua"
i love clockwork orange, by the way! i am a near-obsessive fan and rampant
quoter!
jenn, BEAT-L, over mailed, member
=========================================================================
Date: Sat, 6 Sep 1997 16:12:11 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Re: R: Message from Orient
In-Reply-To: <199709061605.RAA11379@ns.ulisse.it>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
A visitor from the future! How do you do it? Can you reveal to us the
secrets of the murky not-yet-present? Tell us....how was the On the Road
movie? What do you do to celebrate National Beat Day celebrated on Neal
Cassady's birthday anniversary? Are the Kerouac Journals as wonderful as
we all hope? Has the great lost Cassady/Kerouac/Burroughs/Ginsberg
manuscript been found and published? Enlighten us Man of Tommorrow!
----->On Fri, 6 Sep 2097, Dufour wrote:
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@am.appstate.edu P.O. Box 12149
http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Sat, 6 Sep 1997 18:58:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Poem for a princess
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Marie:
Just to let you know that I gave a copy of your poem to my wife. She
liked it and is sending it to a friend of ours who is from the UK. It
meant a lot to her and she said to tell you thanks. Thanks from me for
speaking to her heart.
Peace,
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 7 Sep 1997 01:05:58 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: R: Message from Orient
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Sorry, I'm having problems with my CMOS clock; I hope to come back to the
present as soon as possible !!!
Ciao!
F.
p.s. Please notify me if this message has the right date.
p.s.II for Alex: the OTR movie is one of the things to forget of this
century along with the "Cherry Garcia" ice cream.
----------
> Da: Alex Howard <kh14586@ACS.APPSTATE.EDU>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: Re: R: Message from Orient
> Data: sabato 6 settembre 1997 22.12
>
> A visitor from the future! How do you do it? Can you reveal to us the
> secrets of the murky not-yet-present? Tell us....how was the On the Road
> movie? What do you do to celebrate National Beat Day celebrated on Neal
> Cassady's birthday anniversary? Are the Kerouac Journals as wonderful as
> we all hope? Has the great lost Cassady/Kerouac/Burroughs/Ginsberg
> manuscript been found and published? Enlighten us Man of Tommorrow!
>
> ----->On Fri, 6 Sep 2097, Dufour wrote:
>
> ------------------
> Alex Howard (704)264-8259 Appalachian State
University
> kh14586@am.appstate.edu P.O. Box 12149
> http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Sat, 6 Sep 1997 19:04:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Rolling Stone WSB
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
There is an article in the September 18, 1997, Issue 769 of Rolling
Stone on WSB. I admit that I picked up the magazine because of the
picture of Neve Campbell on the front and the words "Jenny McCarthy".
But, I only shelled out my $3.00 because of the article on Bull Lee. It
is written by Lewis MacAdams, with comments by Hunter S. Thompson, Lou
Reed, and Gregory Corso. It excerpts comments from articles or
interviews from RS. And it is very complitmentary of James Grauerholz.
For the youngsters on the list, it has a good capsule of WSB's notorious
incidents and the Thompson note is interesting.
Peace,
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 6 Sep 1997 19:12:02 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Wednesday, September 4, 1957.
In-Reply-To: Message of Fri, 5 Sep 1997 16:25:59 -0400 from <country@SOVER.NET>
I heartily recommend Joyce's novels in addition to "Minor Characters." I've re
ad and enjoyed "Bad Connections" and "In the Night Cafe." I'm still looking fo
r her first novel "Come and Join the Dance."
=========================================================================
Date: Sat, 6 Sep 1997 19:15:38 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: book stores
I'm all in favor of supporting small book stores but I'm frequently surprised b
y St. Mark's lack of zeal in stocking Beat and newer authors. Several times I
asked St. Marks why they didn't carry "Beat Scene", for instance or why they di
dn't stock Ron Whitehead's book.
=========================================================================
Date: Sat, 6 Sep 1997 21:05:09 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Carl A Biancucci <carl@WORLD.STD.COM>
Subject: barcelona book stores
In-Reply-To: <BEAT-L%1997090619184940@CUNYVM.CUNY.EDU> from "Bill Gargan" at
Sep 6, 97 07:15:38 pm
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Hi.I'm pretty sure I'm going to Barcelona in Oct.and am hoping
that you may know of cool bookstores there (and if they sell
English language in addition to Spanish).
Also
Is there a Spanish Kerouac/Cassady/Holmes/Huncke whose books
I should search out?
Thanks,
Carl
=========================================================================
Date: Sat, 6 Sep 1997 19:50:18 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: orizaba 210 blues 51st chorus
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
hey beat-l'ers
a friend and i are working on a translation of kerouac's Orizaba 210 Blues
51st Chorus (_book of blues_ pg.179) and i was wondering if any of you
whose french is a little stronger might be able to help along with a few
words and maybe offer a different translation.
here's the original:
51ST CHORUS
Boy, sa den du coeur, sa, le bon
vin - Mama, c'est'l'port
si fort, le vin divin
Aye, oui, mais ecoute - dans
les melieus de les nuits,
tu we, sa den du coeur,
sa den du coeur
ca fa du bein au beson
Besoigne? - Di mue pas la
besogne maudir, ola bedenne,
maudit, la bedenne
sa fa du bein a bedenne
pauvr' bedenne
A, y parle tu aussi bien
q'ca
a Milan
len Italiens a gueules
Nous autres aussi on a une
belle langue qui clacke
and here's our translation so far:
ORIZABA BLUES 210 51ST CHORUS
by Jack Kerouac (as translated by Mark Onley and Derek Beualieu)
his love of yr life (??) is the good
wine - Mama it's even
stronger, the vined wine
ah, yes, but listen - in
the best of nights
you mourn the love of his life
that does good to (??)
(??) do not silence the
work, damned, (??)
it does good to (??)
poor (??)
they, also speak well
that
in milan
Shut up Italians
we also have a
beautiful language that
rings
=========================================================================
Date: Sat, 6 Sep 1997 21:16:27 -0600
Reply-To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: beaulieu's _jack kerouac: essai-poulet_ and a great discovery!
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
beat-l'ers
i was wondering if any of you have had a look at VL Beaulieu's _Jack
Kerouac: essai-poulet_ (or as translated into engliah as _jack kerouac - a
chicken essay_). i've been very very confused by the title as it was
translated into english UNTIL its just been brought to my attention that
"essai" in french can be translated in several different ways and i think
that maybe the curerent translation has missed the boat a wee bit.
you see "essai" can be translated as "testing", "trying out",
"resistance", "tentative" or "practice" and only in literature is it
translated as "essay" (well - an essay is a form of writing practice, no?)
and can also mean "assay" (an analysis esp. of a ore or drug to determine
its componets an analysis or examination; or the result of such an
examination)
"poulet" is translated primarily as "chicken", but also as "cop"(n. -
policeman), or "love-letter"(archaic) ((and also "mon poulet" means "my
love" or "my pet"))
so then to have translated the title as simply "a chicken essay"
seems to have ignored some of the bilingual puns that Beaulieu seems to be
exploring. even the title alone is a great exploration of the character of
kerouac (both as a french canadian and as a "american" author).
do any of you bilingual readers OR those of you who have read VL
Beaulieu's work (either in french or english) have any further comments,
or know how i could get in touch with VL Beaulieu? i would really like to
follow up on this further, any suggestions anyone?
excitedly yrs
derek
=========================================================================
Date: Sun, 7 Sep 1997 03:59:40 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: Support Independent Bookstores!
In a message dated 97-09-06 08:55:25 EDT, you write:
<< Buy "Some of the Dharma" at a place like that. Support independent
bookstores. >>
As a former used book store owner, I support independent bookstores and
oppose the homogenization of America that all the large chains seem to breed.
Also, check out the fact that Maxxim Corp, a timber company is interested in
cutting down one of the last old growth forests, 60,000 acres of Redwood
trees that are 500 to 1000+ years. All for just a little money. Now the
government wants to pay the company 138 million dollars as ransom money so
the company won't cut it down.
I am not trying to start a new topic here on this, just feel that the beats
were natural environmentalists, and feel that they would (are) offended.
Attila
=========================================================================
Date: Sun, 7 Sep 1997 04:17:28 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Memory Babe: The Movie
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 12:15 PM 9/6/97 +0000, you wrote:
>On Wed, 3 Sep 1997 18:54:06 -0400 Richard Wallner
><rwallner@CAPACCESS.ORG> writes:
>>Since most of you seem to think an OTR movie would be bad, or not
>>worthy
>>of the book, maybe Coppola should option the rights to Memory Babe
>>instead. Jack Kerouac had a compellinglife story that itself would
>>make
>>a terrific movie.
>
>Oh no....don't do this....we had enough problems trying to come to terms
>with the film version of a piece of fiction. now you want to do it with
>non-fiction!!! the debate on the L would get ugly. instead of sarcastic
>comments, people may start sending death threats. if we think OTR would
>be inaccurate, trying to figure out all of the *facts* for a non-fiction
>film may lead to bloodshed.
>
>>A story of a man who had his dreams come true and found out that
>>sometimes dreams arent what they seem to be.
>>
>>(Hey Gerald, ifyou're out there, has anyone ever approached about the
>>film rights to MemoryBabe?)
>>
>>RJW
>
>just my 2 cents worth. i may be wrong.
>
>Brian M. Kirchhoff
>howl 420@juno.com
>
> "Being the adventures of a man whose principle interests are
> Rape, Ultra-violence and Beethoven." -A Clockwork Orange
>
>
If OTR fails as a movie, then Memory Babe ought to be considered
for a film. And, anyway, why not film them both. I've seen two
versions of Emma in the last year, and a film that used its
structure the year before (Clueless).
Mike Rice
=========================================================================
Date: Sun, 7 Sep 1997 10:54:58 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: t(off topic but have to get the last word in (might as well
be honest)
In-Reply-To: <9709061220.aa13767@mail.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
..."It may be quite simple
but now that it's done,
I hope you don't mind,
I hope you don't mind,
That I put down in words
How wonderful life is"...
---Elton John, Your Song (fragmnet)
=========================================================================
Date: Sun, 7 Sep 1997 05:47:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: OTR book sales
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 11:54 AM 9/6/97 +0000, you wrote:
>On Wed, 3 Sep 1997 08:57:40 -0400 MATT HANNAN <MATT.HANNAN@USOC.ORG>
>writes:
>
>>>They said last year 100,000 copies of OTR were sold. Does anyone know
>>>how that number compares to other works of twentieth century
>literature.
>>
>>Not sure how it compares but I'm sure that number is wholly
>>inaccurate--I'm betting it's based on some book retailers report (not
>having seen the
>>article) which are usually based on "new" book sales. Everyone here
>that buys
>>all of their books new raise your hands........................I thought
>so.
>>I'm betting it's closer to 200,000--providing you believe 100,000 people
>
>>would part with their copy of OTR to sell it used....hmm, maybe I'll
>rethink my
>>numbers.
>
>if we count both used and new books sold in the same figure, we're
>counting the same books over and over again. that's not fair either.
>
>i want to believe that there are alot more people out there who are
>getting into/back into OTR and other beat gen books, but doing it that
>way is cheating. :-)
>
>> love and lilies (new and/or used),
>>
>> matt h.
>
>peace-
>Brian M. Kirchhoff
>howl 420@juno.com
>
> "Being the adventures of a man whose principle interests are
> Rape, Ultra-violence and Beethoven." -A Clockwork Orange
>
>
I don't know the sales figures but Salinger's Catcher in the
Rye is enough to make him a repeating millionaire in his
solitude in N. Hampshire. Hemingway's Sun Also Rises probably
makes a mint year after year, and so does Fitzgerald's The Great
Gatsby. It would be interesting to know how many copies of these
books are sold and how much revenue that brings yearly to the
Heirs.
Mike Rice
=========================================================================
Date: Sun, 7 Sep 1997 14:17:33 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Sept. 6, 1997 - Elton John - tribute to Princess Diana
In-Reply-To: <l03020901b0371937f30a@[206.25.67.102]>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Candle in the Wind
Sept. 6, 1997 - Elton John - for Princess Diana
1. Goodbye England's rose, may you ever grow in our hearts,
You were the grace that placed itself where lives were torn apart,
You called out to our county, and you whispered to those in pain,
Now you belong to Heaven, and the stars spell out your name.
And it seems to me you've lived your life like a candle in the wind,
Never fading with the sunset when the rain set in,
And your footsteps will always fall here along England's greenest
hills,
Your candle's burned out long before your legend ever will.
2. Loveliness we've lost, those empty days without your smile,
This torch we'll always carry for our nation's golden child,
Even tho' we try, the truth brings us to tears,
All our words cannot express the joy you've brought us through the
years.
And it seems to me you've lived your life like a candle in the wind,
Never fading with the sunset when the rain set in,
And your footsteps will always fall here along England's greenest
hills,
Your candle's burned out long before your legend ever will.
3. Goodbye England's rose, may you ever grow in our hearts,
You were the grace that placed itself where lives were torn apart,
Goodbye English rose, from the country lost without your soul,
Who miss the wings of your compassion more than you will ever know.
And it seems to me you've lived your life like a candle in the wind,
Never fading with the sunset when the rain set in,
And your footsteps will always fall here along England's greenest
hills,
Your candle's burned out long before your legend ever will.
=========================================================================
Date: Sun, 7 Sep 1997 07:19:34 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: t(off topic but have to get the last word in (might as well
be honest)
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Good Sunday marie and all of us,
Last words? You can have them as far as I am concerned, but the topic isn't
done yet.
Of course it is a legitimate topic for the list. Not because of Diana,
although who knows, maybe she also is one of the illustrious closet beats,
or in the process of being discovered as one. The Who is Beat Topic never
closes, like it or not... I have faith that we will find new beat-worthy
persons, on and on.
The wonder filled myths that arise from the ashes of champions and heroes
who have left our dramas one way or another+ACo- is very alive to us as we
continue to plum the depths of Kerouac, Cassady, Ginzburg, Burroughs (by
order of exit), and all the beats that were and will be.
+ACo- I can't resist here noting the role of tunnels in the tragic lives
of the most potent symbol bearers of the last half of our century. Isn't it
awesome coincidence? From King's light at the end of the tunnel to flashing
paparazzi lights at the end of the tunnel for princess Diana and her
companions+ACE- It is quite remarkable to me that in the mountains of words that
I see , this striking coincidence has not been mentioned yet. Too hot?
In the last words of your ode you have Jack waiting for Diana. Don't you
think that if things go on in heaven as they do on earth, if folks are
rewarded for the deeds they done here, that the more likely scenario would
find sister Theresa engaged by Jack in passionate exchanges about Christ and
Buddha, while Diana would be off with Neal somewhere in tha paradisical
woods, maybe the back seat of a 52 Cadillac?+ACoAKg- A bit of irreverant humor
is
beat is it not? Lighten up everybody? Although I have to stop before I have
Jack knock off a few with the Head of Ritz security. I am ready to step back
with apologies if it offends anyone. I realize that myths grab different
emotions, to offend the living isn't like touching open wouds left by fresh
losses.
.
+ACo- +ACo- Neal was a pretty safe driver inspite of seeming to drive like
a
maniac. He didn't like alcohol. He did tell me once with awed amazement how
the gas pedal became like spaghetti while driving on acid, but the driving
was not impaired in the least, somehow. I know, I was in the car.
While I am digressing, and before I forget again, I have to get this off my
chest. I was too busy to look at the list last week. I am sorry WJR, that I
made you feel resentment by implying to you that i have better connection
to Neal just because I was a good friend for nine years, and you never met
him in real life, I am not sure here, maybe you did. I do not feel that
either one of us has to feel apologetic for whatever we believe, or that our
experiences are any less or more worthy or whatever. I truly don't feel any
upmanship whatsoever. I wish you joy and happiness, not sadness and
resentment. But I did know Neal in real life. You said that you feel sad for
the people who don't enjoy as you do that ending of the movie that you
imagined so vividly. Well, I don't feel sad about that, but I do feel sad
about confusion of myths and reality. Just one for-instance, you were saying
that in real life Neal was a burglar among other nasty things. I will not go
into the ethical principles that judge a person to be a con man, if you are
interested you can look up what my impressions are about that in Christopher
Ritter's page where he preserved my earlier response to this question from
the list, http://levity.com/corduroy/journals/tabory.htm .
Burglars are much easier though to define. Burglars steal things from
people. Neal did steal cars for joy rides in his teens. Lots of passionate
teens outgrow these transgressions of their youth. Neal more than most. I
have never had a single friend whom I would trust more not to steal from me
or from anyone, not to steal, as I have trusted Neal. Even with stash+ACE- I
was not disappointed. I have never seen any inclination or temptation in
Neal to steal from people. He was no burglar. If you really want to know
what my experience has been with Neal regarding those other bad things you
think he was, I will be glad to backchanell to you. I don't blame you WJR
for choosing to believe whoever seems more credible to you, and I am not
asking you to believe me. You don't even know me. But I know why I believe
realities that I have witnessed rather than myths.
Still on topic marie, So where do you get your information about the real
Diana from? This is the question.
leon
+AD4-hi leon+ACE- so glad we had a chance to actually disagree about something.
i do
+AD4-believe you may have the wrong princess ('fergie' as she i believe was/is
+AD4-called) was the one the palace dicks were up in arms against, and the one
+AD4-who courted the media and conspicuous consumption as well.
+AD4-but on the topic of diana,
+AD4-the meaning of the poem was that i never got beyond the tabloid diana to
+AD4-see the vulnerable woman and the compassionate woman that she indeed was.
+AD4-not a princess by birth, but a 'lady' who chose to become a teacher rather
+AD4-than become a debutant. a woman hounded by the press for every indiscretion
+AD4-but not when she was out among the people of englan usa africa you name it.
+AD4-all of her appearances for charity went to charity.
+AD4-so i am so glad you could react. you said all of the things i had thought
+AD4-of her before learning of her realities. i also recognize her as a fellow
+AD4-survivor: she was thoroughly traumatized by the realities of the monarchy,
+AD4-abandoned by 'prince-boy' for most of the years, left alone in the
+AD4-castle(s) without any help from anyone re: her 'role' no support from the
+AD4-monarchy whatsoever.
+AD4-a poignant story i do remember is an evening when she and 'fergie'(forget
+AD4-her real name, but fellow princess) tried to order out for pizza and
+AD4-horrifiedthe nation.
+AD4-she suffered from eating disorders, severe depressions, suicide attempts.
+AD4-none of this was to gain attention any more than a non-princess's struggles
+AD4-are. many of her struggles are my struggles. i saw her as a survivor about
+AD4-to get the hell out of the public eye and gain more of her own back. she
+AD4-was compassionate and very real. which is why the monarchy disliked her so
+AD4-intensely.
+AD4-what my poem conveys is MY perceptions to the tabloid diana which kept me
+AD4-from seeing her as a vulnerable woman. and in beat tradition, where
+AD4-everyone is holy, i see her as holy too.
+AD4-no, i don't see her as a mother theresa. if there is any catholicism left
+AD4-in me, it's that i see mother theresa as a saint.
+AD4-but as i and you and he and she and we are all together, +ACo-we are all
holy+ACo-.
+AD4-mc
+AD4-.-
+AD4-
=========================================================================
Date: Sun, 7 Sep 1997 08:42:20 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Sorry , I inadvertantly listed Jack as leaving the scene before Neal.
Also, I got a quick backchannel about getting it backwards when I used WJR
for Richard J. Wallner. Using last name first was just my clumsy way of
being more impersonal. I was trying to emphasize - nothing personal here. I
hope I have not offended you Richard.
I can't resist some more, what do you think about a movie that has the
movers and shakers of our age recalled for a cosmic board meeting where
their experiences in life are used to experiment with designs for the next
century. We could have alll of them making suggestions, excuses and
projections for the kind of redesigning of human chemistry that could be
made. Is it imaginable to see a committee of hitler stalin roosevelt
einstein cassidy kerouac marilyn monroe john f kennedy the ayatollah nixon
ginzberg burroughs diana theresa , perhaps a few others that should be
included, all colloborating on the lessons learned from their mistakes,
comparing misperceptions, designing a plan for the twenty first century.
One thing they all had in common - they were human, they had huge real and
symbolic influence. The arrival scenes you could design here..Some awesome
Intriguing possibilities.
Which leads me to another disclaimer - I don't care what movies are made for
people's enjoyment. That doesn't mean I don't give a shit about Kerouac. I
have no idea where I gave you that impressions, didn't mean to. All I said
was this is not the way it was in real life. Please don't confuse myths with
realities. If you make an interesting movie I might enjoy watching it.
See you friends
leon
=========================================================================
Date: Sun, 7 Sep 1997 12:27:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Leon Tabory wrote:
<snip>
> I can't resist some more, what do you think about a movie that has the
> movers and shakers of our age recalled for a cosmic board meeting
> where
> their experiences in life are used to experiment with designs for the
> next
> century. We could have alll of them making suggestions, excuses and
> projections for the kind of redesigning of human chemistry that could
> be
> made. Is it imaginable to see a committee of hitler stalin roosevelt
> einstein cassidy kerouac marilyn monroe john f kennedy the ayatollah
> nixon
> ginzberg burroughs diana theresa , perhaps a few others that should be
> included, all colloborating on the lessons learned from their
> mistakes,
> comparing misperceptions, designing a plan for the twenty first
> century.
> One thing they all had in common - they were human, they had huge real
> and
> symbolic influence. The arrival scenes you could design here..Some
> awesome
> Intriguing possibilities.
>
<snip>
>
> leon
Leon:
To me this is a stroke of absolute genius. My head is whirling with the
possibilities; it is like a galaxy new born.
I am stealing your idea for a novel. Please don't tell anyone on the
list, especially David, he will steal it before I get a chance. ;-) Oh,
well, you already did. Hey David, let's steal this idea together! You
start the scream play. I already have begun the Novel. Let's work Red
Auerbach in there though. Even though he's not dead.
Seriously, this is an absolute work of genius. Thank you, you have
supercharged my day!
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 7 Sep 1997 11:36:24 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
R. Bentz Kirby wrote:
>
> Leon Tabory wrote:
> <snip>
> > I can't resist some more, what do you think about a movie that has the
> > movers and shakers of our age recalled for a cosmic board meeting
> > where
> > their experiences in life are used to experiment with designs for the
> > next
> > century. We could have alll of them making suggestions, excuses and
> > projections for the kind of redesigning of human chemistry that could
> > be
> > made. Is it imaginable to see a committee of hitler stalin roosevelt
> > einstein cassidy kerouac marilyn monroe john f kennedy the ayatollah
> > nixon
> > ginzberg burroughs diana theresa , perhaps a few others that should be
> > included, all colloborating on the lessons learned from their
> > mistakes,
> > comparing misperceptions, designing a plan for the twenty first
> > century.
> > One thing they all had in common - they were human, they had huge real
> > and
> > symbolic influence. The arrival scenes you could design here..Some
> > awesome
> > Intriguing possibilities.
> >
> <snip>
> >
> > leon
> Leon:
>
> To me this is a stroke of absolute genius. My head is whirling with the
> possibilities; it is like a galaxy new born.
>
> I am stealing your idea for a novel. Please don't tell anyone on the
> list, especially David, he will steal it before I get a chance. ;-) Oh,
> well, you already did. Hey David, let's steal this idea together! You
> start the scream play. I already have begun the Novel. Let's work Red
> Auerbach in there though. Even though he's not dead.
>
> Seriously, this is an absolute work of genius. Thank you, you have
> supercharged my day!
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
I'm already typing on chapter 5 ... better hurry up !!!!!!!
david rhaesa
salina, Kansas
p.s. interesting WSB entered looking an awful lot like the mummy of
Ramsses II. Confused Nixon who called him Begin.
=========================================================================
Date: Sun, 7 Sep 1997 13:24:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: Sept. 6, 1997 - Elton John - tribute to Princess Diana
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Rinaldo Rasa wrote:
>
> Candle in the Wind
> Sept. 6, 1997 - Elton John - for Princess Diana
>
> 1. Goodbye England's rose, may you ever grow in our hearts,
<snip>
Rinaldo,
Thank you for this, as with MC's poem, I will pass it along to my wife.
It helps with closure for her. She is passing MC's poem along to
others. Thank you both for your good magic. The two of you with Leon,
have made a great trilogy of good magic in the last two sad days.
Let's us not forget that a true saint, Mother Theresa also has left a
large gap that will need many to fill and bring love and hope like she
did.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 7 Sep 1997 13:52:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: beat me, daddy, eight to the bar...
With the most gentle respect for everyone who's feeling the loss of two
beautiful souls, please, please, please... no more.
There are lists and discussion groups for both of these women, as well as
live chat.
The Beat-L list is my island where I go to tune out all that other stuff and
focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and
Mother Theresa here, as well.
Please, I beg you...
diane
=========================================================================
Date: Sun, 7 Sep 1997 13:55:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: t(off topic but have to get the last word in (might as well
be honest)
In-Reply-To: <9709070726.aa27040@mail.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
good sunday leon!
i loved what you wrote here:
In the last words of your ode you have Jack waiting for Diana. Don't you
think that if things go on in heaven as they do on earth, if folks are
rewarded for the deeds they done here, that the more likely scenario would
find sister Theresa engaged by Jack in passionate exchanges about Christ and
Buddha, while Diana would be off with Neal somewhere in tha paradisical
woods, maybe the back seat of a 52 Cadillac?+ACoAKg- A bit of irreverant humor
is beat is it not?
___________
yes it is. and i didn't imply that jack was merely waiting for diana, just
that she and mother theresa(who knew one another quite well in this life)
probably hit the gates at the same time. and yes, of course, i can see jack
excitedly talking for the next millenium with mother t.
where did i get my information?
from following the real news and not the yellow journalism, from being
involved in many of the charities she earnestly worked for (no photo op-
slimy opportunism, real sparkle and dedication)
from knowing of her eating disorders, suicide attempts. from knowing the
coldness and the icy shouldered nonsupport she got,
and from seeing her, rather than wilt or die, decide for a life for herself
and go for it. the funeral alone was very telling: the usual march and
trappings, but the queen waiting at the gate, the very personal poems and
eulogy by her family, the gentle chiding of the monarchy by even the
presiding priest(? proper title) that she was in death able to bring the
stiff upper lip britons to their tears, the millions who waited for the
caravan and the flowers that were visible from a jet flying overhead.
she identified with the rejected of humanity, feeling rejected herself, and
therefore went into the public with an honesty and modesty that impressed
me.
as i said, i am no lover of the monarchy and therefore, i was interested in
diana's impact on the old order. sadly, the greatest impact was the impact
of the accident which took her life.
the ny times today has good coverage.
that's it for now folks
a sunny sunday awaits me down by the mad river where i plan to strip nekked
and paddle for the rest of the day.
more later.
mc
=========================================================================
Date: Sun, 7 Sep 1997 13:55:38 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
In-Reply-To: <3412D5D3.6F6FC767@scsn.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
ok now we have leon as birthing the idea, and dave and bentz stealing the
idea, but cover yr backs, boys, because i demand at fingerpoint(anti
handgun here) to be included.
ginsberg arrives via skateboard, chanting ooommm and looking cute as hell
in them baggy boarder's shorts.
mc
>Leon Tabory wrote:
><snip>
>> I can't resist some more, what do you think about a movie that has the
>> movers and shakers of our age recalled for a cosmic board meeting
>> where
>> their experiences in life are used to experiment with designs for the
>> next
>> century. We could have alll of them making suggestions, excuses and
>> projections for the kind of redesigning of human chemistry that could
>> be
>> made. Is it imaginable to see a committee of hitler stalin roosevelt
>> einstein cassidy kerouac marilyn monroe john f kennedy the ayatollah
>> nixon
>> ginzberg burroughs diana theresa , perhaps a few others that should be
>> included, all colloborating on the lessons learned from their
>> mistakes,
>> comparing misperceptions, designing a plan for the twenty first
>> century.
>> One thing they all had in common - they were human, they had huge real
>> and
>> symbolic influence. The arrival scenes you could design here..Some
>> awesome
>> Intriguing possibilities.
>>
><snip>
>>
>> leon
>Leon:
>
>To me this is a stroke of absolute genius. My head is whirling with the
>possibilities; it is like a galaxy new born.
>
>I am stealing your idea for a novel. Please don't tell anyone on the
>list, especially David, he will steal it before I get a chance. ;-) Oh,
>well, you already did. Hey David, let's steal this idea together! You
>start the scream play. I already have begun the Novel. Let's work Red
>Auerbach in there though. Even though he's not dead.
>
>
>Seriously, this is an absolute work of genius. Thank you, you have
>supercharged my day!
>--
>Bentz
>bocelts@scsn.net
>
>http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 7 Sep 1997 11:08:40 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: beat me, daddy, eight to the bar...
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>With the most gentle respect for everyone who's feeling the loss of two
>beautiful souls, please, please, please... no more.
>
>There are lists and discussion groups for both of these women, as well as
>live chat.
>
>The Beat-L list is my island where I go to tune out all that other stuff and
>focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and
>Mother Theresa here, as well.
>
>Please, I beg you...
>
>diane
Here here.
Thanks for saying this nicely. I don't know if I could have.
=========================================================================
Date: Sun, 7 Sep 1997 12:22:20 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: Re: R: R: Message from Orient
On Sun, 7 Sep 1997 01:05:58 +0200 Dufour <dufour@ULISSE.IT> writes:
>Sorry, I'm having problems with my CMOS clock; I hope to come back to
>the
>present as soon as possible !!!
>
>Ciao!
>F.
>
>p.s. Please notify me if this message has the right date.
>p.s.II for Alex: the OTR movie is one of the things to forget of this
>century along with the "Cherry Garcia" ice cream.
what the hell is wrong with "cherry garcia" ice cream?!? chocolate,
cherries, and the profits go to charity!!! (along with the profits of
"phish food" ice cream.) ben and jerry's is the most p.c. ice cream in
the world!!!
Brian M. Kirchhoff
howl 420@juno.com
"Being the adventures of a man whose principle interests are
Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Sun, 7 Sep 1997 13:10:20 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Brian M Kirchhoff <howl420@JUNO.COM>
Subject: mega-meeting of the minds
(Leon's message but cut up like a burroughs novel)
On Sun, 7 Sep 1997 08:42:20 -0700 Leon Tabory <letabor@CRUZIO.COM>
writes:
>I can't resist some more, what do you think about a movie that has the
>movers and shakers of our age recalled for a cosmic board meeting
>where their experiences in life are used to experiment with designs for
the
>next century. We could have all of them making suggestions, excuses and
>projections for the kind of redesigning of human chemistry that could
>be made. Is it imaginable to see a committee of hitler stalin roosevelt
>einstein cassidy kerouac marilyn monroe john f kennedy the ayatollah
>nixon ginzberg burroughs diana theresa , perhaps a few others that
should be
>included, all colloborating on the lessons learned from their
>mistakes, comparing misperceptions, designing a plan for the twenty
first
>century. One thing they all had in common - they were human, they had
huge real
>and symbolic influence. The arrival scenes you could design here..Some
>awesome Intriguing possibilities.
somebody's ahead of you on this one, except it's not going to be a
movie...it's going to be the real thing. Vaklav Havel (i probably
destroyed the spelling but i can't find anything around my office with
his name on it), the president of the chech republic, poet, generally
brilliant guy is inviting the most important and influential people to
gather for a conference in 1999. their goal is to think about where
human society has been over the last 1000 years, what we have
accomplished, what's good, what's bad, and come up with goals for the
world for the next 1000 years. it's going to be a metaphysical approach
to evaluating where we are and where we're going. apparently he's trying
to get everyone from heads of states, writers, athletes, leaders of all
sorts. (and you thought they needed tight security for the olympics!) i
don't remember much more other than that. for those on the list familiar
with Havel, this should make sense. he is the only living personi can
think of who could organize something like this. keep an eye out for
the stories on this one. hopefully some really cool stuff will come out
of this.
>See you friends
>
>leon
Brian M. Kirchhoff
howl 420@juno.com
"I saw the best minds of my generation destroyed by madness starving
hysterical.
I should be allowed to glue my poster. I should be allowed to
think."
-They Might Be Giants, "I Should Be Allowed to Think"
=========================================================================
Date: Sun, 7 Sep 1997 14:08:38 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Marie Countryman wrote:
>
> ok now we have leon as birthing the idea, and dave and bentz stealing
> the
> idea, but cover yr backs, boys, because i demand at fingerpoint(anti
> handgun here) to be included.
> ginsberg arrives via skateboard, chanting ooommm and looking cute as
> hell
> in them baggy boarder's shorts.
> mc
Ok mc, you're in, but we gotta keep it down here, don't tell anyone
else. Cause, Churchill is having trouble getting in; the cigars are a
problem. The venilation is not good. Meantime, Jung has shown up with
a large large mandella. He suggests that everyone draw their own
mandella to capture the present universe. Frued objects, but is
overrulled. Ginsburg and Jung hand out the paper. Bull Lee is
watching, but thinking about target practice. Meanwhile, Neal is warming
up the car. Jack suggests that a little ride on the car, nicknamed
Furhter than Kesey is in order. They all agree, but make Winnie stick
his head and stogie out the window. David and I chase the car down the
street with a tape recorder in hand. Unfortunately, we both awake.
Only David is in SC, and I am in Kansas.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 7 Sep 1997 13:17:11 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: t(off topic but have to get t.... CORRECTION+ACE-
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R. Bentz Kirby wrote:
>
> Marie Countryman wrote:
> >
> > ok now we have leon as birthing the idea, and dave and bentz stealing
> > the
> > idea, but cover yr backs, boys, because i demand at fingerpoint(anti
> > handgun here) to be included.
> > ginsberg arrives via skateboard, chanting ooommm and looking cute as
> > hell
> > in them baggy boarder's shorts.
> > mc
>
> Ok mc, you're in, but we gotta keep it down here, don't tell anyone
> else. Cause, Churchill is having trouble getting in; the cigars are a
> problem. The venilation is not good. Meantime, Jung has shown up with
> a large large mandella. He suggests that everyone draw their own
> mandella to capture the present universe. Frued objects, but is
> overrulled. Ginsburg and Jung hand out the paper. Bull Lee is
> watching, but thinking about target practice. Meanwhile, Neal is warming
> up the car. Jack suggests that a little ride on the car, nicknamed
> Furhter than Kesey is in order. They all agree, but make Winnie stick
> his head and stogie out the window. David and I chase the car down the
> street with a tape recorder in hand. Unfortunately, we both awake.
> Only David is in SC, and I am in Kansas.
>
> Peace,
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
I REFUSE TO WAKE UP IN SOUTH CAROLINA !!!!!!!
I wake up in Thebes!
dbr
=========================================================================
Date: Sun, 7 Sep 1997 15:34:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: beat me, daddy, eight to the bar...
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At 01:52 PM 9/7/97 -0400, you wrote:
>With the most gentle respect for everyone who's feeling the loss of two
>beautiful souls, please, please, please... no more.
>
>There are lists and discussion groups for both of these women, as well as
>live chat.
>
>The Beat-L list is my island where I go to tune out all that other stuff and
>focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and
>Mother Theresa here, as well.
>
>Please, I beg you...
>
>diane
>
I agree, anywhere to escape the mauldlin tide and
hysterical mythmaking. Please.
Mike Rice
"So we beat on, boats against the tide, borne back ceaselessly into
the past."
=========================================================================
Date: Sun, 7 Sep 1997 16:07:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: Re: Rolling Stone WSB
Bentz:
I also just obtained and read the Rolling Stone WSB tribute. The main
article is thoughtful, and successfully makes a very long, deep story short,
a good encapsulation for beginners as you mentioned. As usual, there are a
few dates and details that are incorrect (he returned to the USA from his
expatriate adventures in 1973, not 1963, for example), but I've encountered
much worse. The author of the article, Lewis MacAdams, was as he notes the
co-director of WHAT HAPPENED TO KEROUAC?, which I very highly recommend, a
terrific documentary that evokes the JK spirit better than any
mainstream-Hollywood OTR adoptation that ends up being made has any chance of
doing.
The best part of the tribute, for me, is the Hunter S. Thompson piece, THE
SHOOTIST. This sentence from it is one of the best and most insightful I
have yet read in the wake of WSB's death: "He shot like he wrote- with
extreme precision and no fear." This has to be read in the context of the
whole piece, HST is aware of the one infamous episode where WSB missed, but
he says this anyway and he's right.
Regards,
Arthur
=========================================================================
Date: Sun, 7 Sep 1997 15:54:40 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: john amato pls contact me
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john!
(sorry for the wasted space beat-L'ers)
could you pls drop me an email as marie had forwarded me yr email address
but it keeps bouncing and i would like to talk to you. thanks a lot
yrs
derek beaulieu
=========================================================================
Date: Sun, 7 Sep 1997 18:06:08 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Myth making was Re: beat me, daddy, eight to the bar...
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Mike Rice wrote:
>
> I agree, anywhere to escape the mauldlin tide and
> hysterical mythmaking. Please.
>
> Mike Rice
Mike:
What besides making myths do people, and especially the beats like Jack,
do? The only thing of consequence that I know is to make myths. Now,
the maudlin tide I will give you. :-)
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Mon, 8 Sep 1997 00:21:09 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: Dufour <dufour@ULISSE.IT>
Subject: R: R: R: Message from Orient
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Sorry, here in Italy we don't have such info about the products, I was
thinking to the usual marketing techniqe.
Please Brian, tell me more about the argument, i'm very interested...
Ciao!
Francesco
----------
> Da: Brian M Kirchhoff <howl420@JUNO.COM>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: Re: R: R: Message from Orient
> Data: domenica 7 settembre 1997 14.22
>
> On Sun, 7 Sep 1997 01:05:58 +0200 Dufour <dufour@ULISSE.IT> writes:
> >Sorry, I'm having problems with my CMOS clock; I hope to come back to
> >the
> >present as soon as possible !!!
> >
> >Ciao!
> >F.
> >
> >p.s. Please notify me if this message has the right date.
>
> >p.s.II for Alex: the OTR movie is one of the things to forget of this
> >century along with the "Cherry Garcia" ice cream.
>
> what the hell is wrong with "cherry garcia" ice cream?!? chocolate,
> cherries, and the profits go to charity!!! (along with the profits of
> "phish food" ice cream.) ben and jerry's is the most p.c. ice cream in
> the world!!!
>
> Brian M. Kirchhoff
> howl 420@juno.com
>
> "Being the adventures of a man whose principle interests are
> Rape, Ultra-violence and Beethoven." -A Clockwork Orange
=========================================================================
Date: Mon, 8 Sep 1997 08:48:51 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Re: sentimentality
In-Reply-To: <BEAT-L%1997090509294751@CUNYVM.CUNY.EDU>
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>What do you think folks about the Beats --
>particularly Kerouac and Ginsberg -- in terms of their being overly
>sentimental?
I would have to say that for Kerouac, his "sentimentality" is one
of the things that has drawn me to and kept me at his writings. I still
remember those first few pages of Dr. Sax--the wrinkly tar of hometown
sidewalks remembered in a dream and the promise made to write about it
all--how it zipped me back to certain neighborhood best friends and radio
dramas we made on our tape players and spying on "suspicious" grown ups who
lived down on the corner, just zipped me back.
Now, not all of his writing contains similar doses of
sentimentality, and it is probably not something you would want to read
exclusively, but to me it's a sign of a brave writer to "relove" past
moments and try to share them with total strangers hoping to trigger
perhaps similar feelings in them, we've all got something to feel
sentimental about, huh? Thank God for Kerouac, he wanted to be sincere, and
if others call him on his "over-" something, so what? Those scenes from his
life, and what he helped me remember from my own might have passed without
a wisp into the thin.
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Sun, 7 Sep 1997 20:14:39 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: This is absolutely beautiful.
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This is great - I absolutely love the outlet here, I'm new. Finally a
place to discuss the greatest writers of all time - I myself am a disciple
of Kerouac. Dopes anyone know where I can get a copy of Some of the
Dharma? Supposedly it has been running in Tricycle mag. I just got back
to the world from a retreat back into subterreania. Help me find this please.
-Jon
=========================================================================
Date: Sun, 7 Sep 1997 22:19:44 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: check this out
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In case you don't already know and are interested, the NY times Book review
acknowledges OTR's 40th; the issue also covers previous Times reviews of
Kerouac books since Town and the City and reviews some secondary lit. on JK
and Beats: www.nytimes.com, then hit the Book Review icon.
Preston
>Hi, folks! August 31, 1997
> There's a big article on Kerouac in the Washington Post Book World
>by Bruce Cook today, August 31, 1997. It's a very good assessment and I'm
>not biased, even though he does pronounce MEMORY BABE the best book on Jack
>Kerouac! In the same issue, I have a front-page piece on homeless Vietnam
>vets. You can check out both articles by going to the website
>www.washingtonpost.com and then going to "Style" and from "Style" to "Book
>World."
> More later. Best always, Gerry Nicosia
> (Since I'm no longer on Beat-List, you need to respond to me
>directly, if you wish.)
=========================================================================
Date: Sun, 7 Sep 1997 11:10:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Naked Lunch: The Black Meat
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Still moving along in Naked Lunch at a snail's pace, in The Black Meat,
page 47 in Grove Press paperback edition. I'm having trouble envisioning
what some of these groups might stand for. The beginning of the chapter
is pretty straightforward with the Sailor buying The Black Meat from
Fats, which I figure is pretty much a buyer/seller relationship of need.
But then what do the Mugwamps and Reptiles represent? Is it simply the
sexual equivalent in a addict/supplier relationship?
"On stools covered in white satin sit naked Mugwamps sucking translucent,
colored syrups through alabaster straws. Mugwamps have no liver and
nourish themselves exclusively on sweets. Thin, purple-blue lips cover a
razer-sharp beak of black bone with which they frequently tear each other
to shreds in fights over clients. These creatures secrete an addicting
fluid from their erect penuses which prolongs life by slowing metabolism.
(In fact all longevity agents have proved to be addicting in an exact
ratio to their effectiveness in prolonging life.) Addicts of Mugwamp
fluid are known as Reptiles. A number of these flow over chairs with
their flexible bones and black-pink flesh. A fan of green cartilage
covered with hollow, erectile hairs through which the Reptiles absorb the
fluid sprouts from behind each ear. The fans, which move from time to
time touched by invisible currents, serve also some form of communication
known only to Reptiles.
During the biennial Panics when the raw, pealed Dream Police
storm the City, the Mugwamps take refuge in the deepest crevices of the
wall sealing themselves in clay cubicles and remain for weeks in
biostasis. In those days of grey terror the Reptiles dart about faster
and faster, scream past each other at supersonic speed, their flexible
skulls flapping in black winds of insect agony."
DC
=========================================================================
Date: Sun, 7 Sep 1997 20:46:35 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: beat me, daddy, eight to the bar...
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>
> I agree, anywhere to escape the mauldlin tide and
> hysterical mythmaking. Please.
Diane and Mike--
My wholehearted thanks!
J. Stauffer>
=========================================================================
Date: Mon, 8 Sep 1997 04:13:36 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Fwd: tada
Attached is the home page for DHARMA beat, a Jack Kerouac publication. Ok,
it is a little primitive, but it tells you what you need to know about Dharma
beat.
Please let me know of any Kerouac related event so that I can list it.
thanks and enjoy, Attila
---------------------
Forwarded message:
Subj: tada
Date: 97-09-07 04:17:08 EDT
From: KEROUACZIN
To: GYENIS
<A HREF="http://members.aol.com/KEROUACZIN/DHARMAbeat.htlm">DHARMA beat's Hom
e Page</A> <A HREF="http://members.aol.com/KEROUACZIN/DHARMAbeatCALENDER">DHA
RMA beat's Home Page 2</A>
=========================================================================
Date: Mon, 8 Sep 1997 10:15:17 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>
Subject: Burroughs/Ginsberg and the porntheater BIJOU in N.Y.C.
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Hi dear folks,
Again I need your help. Is there any signs or references in Burrough=B4s
works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East Side
in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well
Ginsberg might have been a regular there. Is there any place called either
BIJOU or JEWEL that is mentioned?
And, by the way, do you know something about Allen=B4s social life, where
were his faviourite spots in the city etc.
Is there any refences in the texts whatsoever, please, write to the list.
Thank you very much,
Matthias Schneider (Berlin)
=========================================================================
Date: Mon, 8 Sep 1997 06:28:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Paul A. Maher Jr." <mapaul@PIPELINE.COM>
Subject: Re: Fwd: tada
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Hi Attila, I could provide a link from my page if you wish. Take care, Paul....
=========================================================================
Date: Mon, 8 Sep 1997 12:33:58 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: Delivery problems
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I have delivery problems with Mr.Gargan's e-mail, please tell me his
correct address.
Thanks.
Francesco
=========================================================================
Date: Mon, 8 Sep 1997 12:59:48 BST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Lucy Howard <T.E.Harberd@UEA.AC.UK>
Subject: Re: Off the Road and On the List
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On Fri, 5 Sep 1997 14:12:33 -0500 Matthew S Sackmann wrote:
> Right now i'm reading the Electric Kool-Aid Acid Test and
it is blowing me
> away. So great to see our Dean Moriarty back in action.
And it seems
> like the Pranksters were the only next logical step for
the Beats to take.
I finished this in the summer, and was also completely blown
away. This might have had something to do with finishing it
in Gare Du Nord (Paris) atfer a hectic day-trip with two
hours sleep only, but hey! It just seemed to me to be
really inspiring, but also kinda sad. The ideas and the
force for change, not necessarily for good or for evil, but
for change itself, seemed to be consumed by their own
creation. Kesey starts talking about "going beyond acid",
which is something I'd been thinking for myself a while
back, but "The Movement" are against it because it has
become full of kids just getting their kicks, which is all
fine and dandy up to the point where it stands in the way of
what I would hesitatingly call progress. Some of the
Buddhists with connections to the Beats and what came after
them saw LSD as neither the means nor the end. Visions were
all it was, not enlightenment in any sense. Whilst it
opened the doors, it did not allow people to step through
and stay there, they just had to keep opening the door and
watch it being shut again.
The spirit of the thing seems to be the most important
aspect which carried on, mostly (for my generation anyhow)
through the book. Just... experiment with the moment and
see where you end up. Change perception and live another
way. Nice.
I read One Flew Over The Cookoo's Nest just before TECAAT,
and it felt like a real kick in the butt for all those
pretentious literary establishment (the shadowy they) who
think that great "artistes" have to live a certain way, have
to talk a certain way, have to do a certain way. Kesey blew
that apart, and whilst I haven't read anything else of his,
it pleases me to know that to influence the establishment
you don't have to be bound by it.
Tom. H.
http://www.uea.ac.uk/~w9624759
"A Bear of Very Little Brain"
=========================================================================
Date: Mon, 8 Sep 1997 08:21:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Paul A. Maher Jr." <mapaul@PIPELINE.COM>
Subject: Tom Clark's review of Some of the Dharma
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Read it here!
http://www.freeyellow.com/members/upstartcrow/page3.html
Thanks, Paul of TKQ....
=========================================================================
Date: Mon, 8 Sep 1997 14:22:58 +0200
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From: Dufour <dufour@ULISSE.IT>
Subject: Beat pic
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Messaggio a piy sezioni in formato MIME.
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I found this nice picture in the Biennale of Venice site
(WWW.labiennale.it); it's from the cover of the catalogue of a 1996 section
entitled "The beat goes on".
Hope you enjoy, specially Rinaldo.
Ciao!
Francesco
copyright "la Biennale di Venezia" 1996
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------=_NextPart_000_01BCBC62.B4A59A60--
=========================================================================
Date: Mon, 8 Sep 1997 07:44:26 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: monday morning monologue
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
good morning:
cricket is chirping along in perfect rhythm to Chopin (who i really have
no idea who he is but got the cd at a garage sale for a buck and it is a
nice change of pace when the world is overcrowded with the sounds
connected with words) and the cricket is providing the words in
cricket-speak a lost language to many beats and non-beats around the
globe and i don't know which category i fit in quite frankly right now
these days september 1997 just a week or two more of being 35 and not
yet 36 somewhere in between and just listening to the cricket talk i
said to myself what the fuck just type what the cricket is saying and
let them delete it and complain about it just like they delete and
complain about everything else from funerals to mad mythologizing and
the cricket sings as chopin dies in the other room the cd ending and
nothing in its place and fingers moving far too fast here right now to
even think about going and changing the cd. fingers slashing on
keyboard in key of "G" cause what else do you really need but key of "G"
as Woody Guthrie and i always joked and the cricket sings a line from
Reuben James and what were their names but don't mention their names
dear cricket cuz they might not be beat enough and just keep chirping
your manic chirp on this manic monday that is only a monologue and not a
cyber-community of cyber-family which it felt like so much just a month
or two ago and maybe i've changed ... events have struck me thrown me
off the ship that made me enjoy every single word posted on this damn
machine from the Beat-L folks save and savor and now delete many without
reading and even thinking lately a god damn estate battle wouldn't be
half bad because at least then some of the rancor moving from one edge
of my screen to the other might have some justification. Chirp chirp
chirp. What the fuck Beat-L is an escape from reality? Nice trick blame
the Beat-L for being too overwhelmed by other forms of the world's
static that you don't want to hear things from folks on the Beat-L who
were cyber-friends at some point not too long ago but now just death
death all around who can sing and dance and play in any direction
whether funereeeeeeeal or maddening comedy seance movie trash without
getting smashed and i smash too and wonder why i do it and everyone else
does it been going on for so long probably before beat L ever started
just "knew reasons for spite" i guess as i sip coffee and listen to the
crickets chirp along in three part harmony and Corso jumps in and
screams i was the best cricket and the other crickets let him on the
stage and no spite he puts on quite a show and where are the crickets
when you really really need them............
shalom,
david rhaesa
salina, Kansas
=========================================================================
Date: Mon, 8 Sep 1997 08:55:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: monday morning monologue
In a message dated 97-09-08 08:47:37 EDT, David Rhaesa writes:
<< just listening to the cricket talk i
said to myself what the fuck just type what the cricket is saying and
let them delete it and complain about it >>
sounds like yer havin a big sur experience back there in the heartland,
dbr...
=========================================================================
Date: Mon, 8 Sep 1997 09:53:09 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: NO OJ> NO DI let the crickets live pix
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ohle in Louisiana
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--------------351215CA1CF6--
=========================================================================
Date: Mon, 8 Sep 1997 08:53:14 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: monday morning monologue
MIME-Version: 1.0
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now delete many without
> reading and even thinking lately a god damn estate battle wouldn't be
> half bad because at least then some of the rancor moving from one edge
> of my screen to the other might have some justification.
David,
nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.
The list waxes and wanes as always, and is currently damn boring. Find
myself deleting most of it. Maybe I am growing tired of my obsession
with a fifty years ago lit movement, frozen in Eisenhower, but then that
works for me usually.
i guess as i sip coffee and listen to the
> crickets chirp along in three part harmony and Corso jumps in and
> screams i was the best cricket and the other crickets let him on the
> stage and no spite he puts on quite a show and where are the crickets
> when you really really need them............
>
Enjoyu the Chopin and chirp away--I find that sort of music centering
and should use it more--especially Bach and Mozart--so wonderful
organized and rational and clear.
James
=========================================================================
Date: Mon, 8 Sep 1997 01:07:39 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: monday morning monologue
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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> James Stauffer wrote:
> nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.
> The list waxes and wanes as always, and is currently damn boring. Find
> myself deleting most of it. Maybe I am growing tired of my obsession
> with a fifty years ago lit movement, frozen in Eisenhower, but then
> that
> works for me usually.
David & James, you're getting me really depressed with this fifty years
ago lit movement frozen in Eisenhower, and death, death all around stuff.
So I turn to the person I usually turn to when I get depressed, Allan
Ginsberg, whose words remain alive in spite of his lack of physical
presence, and I open the Collected Poems to this:
I Beg You Come Back & Be Cheerful
Tonite I got hi in the window of my apartment
chair at 3 a.m.
gazing at Blue incandescent torches
bright-lit street below
clotted shadows looming on a new laid pave
--as last week Medieval rabbiz
plodded thru the brown raw
dirt turned over--sticks
& cans
and tired ladies sitting on spanish
garbage pails--in the deadly heat
--one month ago
the fire hydrants were awash--
the sun at 3 p.m. today in a haze--
now all dark outside, a cat crosses
the street silently--I meow
and she looks up, and passes a
pile of rubble on the way
to a golden shining garbage pail
(phosphur in the night
& alley stink)
(or door-can mash)
--Thinking America is a chaos
Police clog the streets with their anxiety,
Prowl cars creak & halt:
Today a woman, 20, slapped her brother
playing with his infant bricks--
toying with a huge rock--
'Don't do that now! the cops! the cops!'
And there was no cop there--
I looked around shoulder
a pile of crap in the opposite direction.
Tear gas! Dynamite! Mustaches!
I'll grow a beard and carry lovely
bombs,
I will destroy the world, slip in between
the cracks of death
And change the Universe--Ha!
I have the secret, I carry
Subversive salami in
my ragged briefcase
"Garlic, Poverty, a will to Heaven,"
a strange dream in my meat:
Radiant clouds, I have heard God's voice in
my sleep, or Blake's awake, or my own or
the dream of a delicatessen of snorting cows
and bellowing pigs--
The chop of a knife
a finger severed in my brain--
a few deaths I know--
O brothers of Laurel
Is the world real?
Is the Laurel
a joke or a crown of thorns?--
Fast, pass
up the ass
Down I go
Cometh Woe
--the street outside
me spying on New York.
The dark truck passes snarling &
vibrating deep--
What
if
the
worlds
were
a
series
of steps
What
if
the
steps
joined
back
at
the
Margin
Leaving us flying like birds into Time
--eyes and car headlights--
The shrinking of emptiness
in the Nebulae
These galaxies cross like pinwheels & they pass
like gas
What forests are born.
September 15, 1959
>From Kaddish.
DC
=========================================================================
Date: Mon, 8 Sep 1997 12:07:32 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: monday morning monologue
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Diane Carter wrote:
>
> > James Stauffer wrote:
> > nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.
> > The list waxes and wanes as always, and is currently damn boring. Find
> > myself deleting most of it. Maybe I am growing tired of my obsession
> > with a fifty years ago lit movement, frozen in Eisenhower, but then
> > that
> > works for me usually.
>
> David & James, you're getting me really depressed with this fifty years
> ago lit movement frozen in Eisenhower, and death, death all around stuff.
Here in the Land where we still believe Eisenhower is President (somehow
still connected for recharging to WSB as exposed in Selected Letters)
and that the Pledge of Allegiance is still a pretty poem, the COPS have
a different angle. They still believe that George Wallace is still
President and they pledge allegiance every morning to pictures of Kent
State.
dbr
=========================================================================
Date: Mon, 8 Sep 1997 13:05:50 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Re: sentimentality
In-Reply-To: <1.5.4.16.19970905163658.2377c386@mail.wi.centuryinter.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Fri, 5 Sep 1997, Mike Rice wrote:
> At 11:56 AM 9/5/97 -0700, you wrote:
> >>In her last post on Naked Lunch, Diane raised the issue of
> >>sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
> >>that vice. Kerouac, however, has been the subject of a charge of
> >>sentimentality more than once. At the end of a term paper I wrote for
> >>him on Kerouac, Alfred Kazin noted "But what about his spaniel
> >>sentimentality?" I argue that Kerouac USUALLY rises above it,
> >>frequently undercutting such notions with mock-heroic juxtapositions as
> >>in the cowboy scene in OTR. What do you think folks about the Beats --
> >>particularly Kerouac and Ginsberg -- in terms of their being overly
> >>sentimental?
> >>
> > I don't necessarily consider sentimentality a "vice" when it comes to
> >literature. Sentimentality is intrinsically tied to memory. I'd argue that
> >sentimentality in writing demonstrates an author's ability to re-live
> >(frequently to re-love) the past on paper. I won't get into the reliability
> >of memory here but neither Kerouac nor Ginsberg stick in my mind as overly
> >"gushy" or "flowery" writers.
> >
> > James M.
> >
> >
> There is not an ounce of sentimentality in Howl. Not an ounce.
> Comedy, obscenity, blasphemy, yes, sentimentality no.
>
> Mike Rice
>
What about when Ginsberg describes the US: "The United States that we hug
and kiss under the covers. "The United States that coughs all night and
wont let us sleep."
I'm paraphrasing, but this seems sentimental to me.
"And now Denver is lonesome for her heros." this to seems sentimental.
-matt
=========================================================================
Date: Mon, 8 Sep 1997 13:10:13 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Re: Relix August edition
In-Reply-To: <3411785A.FCBACBB2@scsn.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Sat, 6 Sep 1997, R. Bentz Kirby wrote:
> In the August edition of Relix, the Greatful Dead type mag, they review
> on page 70, a book entitled, Everything I Know I Learned on Acid by Coco
> Perkelis. One of the quotes she seized upon was by Jack, suposedly, and
> is:
>
> "There's nothing nobler than to put up with a few inconvieniences like
> snakes and dust for the sake of absolute freedom."
>
> Is this an accurate quote and from where?
>
> Thanks.
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
>
This is from "The Vanishing American Hobo." An essay in Lonesome Traveler.
Great essay and one of my favorite quotes.
-matt
=========================================================================
Date: Mon, 8 Sep 1997 14:56:11 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Sentimentality
It seems to me that what some people point to as sentimentality in
Kerouac's work is really the result of a strong strain of nostalgia that
Kerouac shares with America's greatest writers from Cooper to
Fitzgerald. This nostalgic view, it seems to me, is a direct result of
America's failure to realize its promise or live up to its dream.
=========================================================================
Date: Mon, 8 Sep 1997 15:36:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Off the Road and On the List
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 12:59 PM 9/8/97 BST, you wrote:
>On Fri, 5 Sep 1997 14:12:33 -0500 Matthew S Sackmann wrote:
>
>> Right now i'm reading the Electric Kool-Aid Acid Test and
>it is blowing me
>> away. So great to see our Dean Moriarty back in action.
>And it seems
>> like the Pranksters were the only next logical step for
>the Beats to take.
>
>I finished this in the summer, and was also completely blown
>away. This might have had something to do with finishing it
>in Gare Du Nord (Paris) atfer a hectic day-trip with two
>hours sleep only, but hey! It just seemed to me to be
>really inspiring, but also kinda sad. The ideas and the
>force for change, not necessarily for good or for evil, but
>for change itself, seemed to be consumed by their own
>creation. Kesey starts talking about "going beyond acid",
>which is something I'd been thinking for myself a while
>back, but "The Movement" are against it because it has
>become full of kids just getting their kicks, which is all
>fine and dandy up to the point where it stands in the way of
>what I would hesitatingly call progress. Some of the
>Buddhists with connections to the Beats and what came after
>them saw LSD as neither the means nor the end. Visions were
>all it was, not enlightenment in any sense. Whilst it
>opened the doors, it did not allow people to step through
>and stay there, they just had to keep opening the door and
>watch it being shut again.
>The spirit of the thing seems to be the most important
>aspect which carried on, mostly (for my generation anyhow)
>through the book. Just... experiment with the moment and
>see where you end up. Change perception and live another
>way. Nice.
>I read One Flew Over The Cookoo's Nest just before TECAAT,
>and it felt like a real kick in the butt for all those
>pretentious literary establishment (the shadowy they) who
>think that great "artistes" have to live a certain way, have
>to talk a certain way, have to do a certain way. Kesey blew
>that apart, and whilst I haven't read anything else of his,
>it pleases me to know that to influence the establishment
>you don't have to be bound by it.
>
>Tom. H.
>http://www.uea.ac.uk/~w9624759
>"A Bear of Very Little Brain"
>
I tried Sometimes a Great Notion after that, and couldn't finish
it, it was so dull.
Mike Rice
=========================================================================
Date: Mon, 8 Sep 1997 16:48:59 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Off the Road and On the List
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might i suggest reading 'storming heaven, the history of lsd in america" by
jay stevens.
it includes priceless anecdotes, including AG and peter o's first trip in
which they appeared naked in tim leary's living room demanding a phone to
call the president and kreuschev (man, spelling is all gone to hell here)
and tell them the secret of peace, lots of other characters as well.
wonderful read informative and fills in much of the gaps between leary camp
and pranksters.
mc
=========================================================================
Date: Mon, 8 Sep 1997 16:49:04 -0400
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From: Marie Countryman <country@SOVER.NET>
Subject: Re: monday morning monologue
In-Reply-To: <3413B24B.2CF0@together.net>
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thanks, diane for reminding us to stop puling and whining and read and
share. i just got paul mcD's WRITE OF PASSAGE in the mail today. going to
spend some time with a friend i am going to meet in just about a month.
paul, you kick ass! and diane, what a gem of a poem.
mc
______
>I Beg You Come Back & Be Cheerful
>
>Tonite I got hi in the window of my apartment
> chair at 3 a.m.
>gazing at Blue incandescent torches
> bright-lit street below
>clotted shadows looming on a new laid pave
>--as last week Medieval rabbiz
> plodded thru the brown raw
> dirt turned over--sticks
> & cans
> and tired ladies sitting on spanish
> garbage pails--in the deadly heat
> --one month ago
> the fire hydrants were awash--
> the sun at 3 p.m. today in a haze--
>now all dark outside, a cat crosses
> the street silently--I meow
>and she looks up, and passes a
> pile of rubble on the way
> to a golden shining garbage pail
> (phosphur in the night
> & alley stink)
> (or door-can mash)
> --Thinking America is a chaos
>Police clog the streets with their anxiety,
> Prowl cars creak & halt:
>
>Today a woman, 20, slapped her brother
> playing with his infant bricks--
> toying with a huge rock--
> 'Don't do that now! the cops! the cops!'
>And there was no cop there--
> I looked around shoulder
>a pile of crap in the opposite direction.
>
>Tear gas! Dynamite! Mustaches!
>I'll grow a beard and carry lovely
> bombs,
>I will destroy the world, slip in between
> the cracks of death
> And change the Universe--Ha!
>I have the secret, I carry
> Subversive salami in
> my ragged briefcase
>"Garlic, Poverty, a will to Heaven,"
> a strange dream in my meat:
>
>Radiant clouds, I have heard God's voice in
> my sleep, or Blake's awake, or my own or
>the dream of a delicatessen of snorting cows
> and bellowing pigs--
> The chop of a knife
> a finger severed in my brain--
> a few deaths I know--
>
> O brothers of Laurel
>Is the world real?
> Is the Laurel
>a joke or a crown of thorns?--
>
> Fast, pass
> up the ass
> Down I go
> Cometh Woe
>
>--the street outside
> me spying on New York.
>The dark truck passes snarling &
> vibrating deep--
>
>What
> if
> the
> worlds
> were
> a
> series
> of steps
>
> What
> if
> the
> steps
> joined
> back
> at
> the
>Margin
>
>Leaving us flying like birds into Time
> --eyes and car headlights--
> The shrinking of emptiness
>in the Nebulae
>
>These galaxies cross like pinwheels & they pass
> like gas
>What forests are born.
>
>September 15, 1959
>>From Kaddish.
>DC
=========================================================================
Date: Mon, 8 Sep 1997 16:49:09 -0400
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From: Marie Countryman <country@SOVER.NET>
Subject: Re: monday morning monologue
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DAVE: i want to teleport you to the land of vermont where the possiblity of
hemp becoming a cash crop and bernie sanders remains in office (bernie
inhales and don't care who knows it!)
mc
>Here in the Land where we still believe Eisenhower is President (somehow
>still connected for recharging to WSB as exposed in Selected Letters)
>and that the Pledge of Allegiance is still a pretty poem, the COPS have
>a different angle. They still believe that George Wallace is still
>President and they pledge allegiance every morning to pictures of Kent
>State.
>
>dbr
=========================================================================
Date: Mon, 8 Sep 1997 16:49:14 -0400
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From: Marie Countryman <country@SOVER.NET>
Subject: Re: Sentimentality
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>It seems to me that what some people point to as sentimentality in
>Kerouac's work is really the result of a strong strain of nostalgia that
>Kerouac shares with America's greatest writers from Cooper to
>Fitzgerald. This nostalgic view, it seems to me, is a direct result of
>America's failure to realize its promise or live up to its dream.
_________
thanks bill. and i treasure the bits that JK does capture, like all the
FOODY sights and smells, the wrinkly tar pavement, the brown evenings the
suppers, all bring back to me the magic of being too young to understand
the world had already gone to shit before i was born.
mc
=========================================================================
Date: Mon, 8 Sep 1997 16:56:01 -0400
Reply-To: Neil Hennessy <nhenness@undergrad.math.uwaterloo.ca>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Neil Hennessy <nhenness@UNDERGRAD.MATH.UWATERLOO.CA>
Subject: Burroughs, sentiment, and love
In-Reply-To: <Pine.A32.3.94.970908130359.27499A-100000@rs4.tcs.tulane.edu>
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On Mon, 8 Sep 1997, Matthew S Sackmann wrote:
> On Fri, 5 Sep 1997, Mike Rice wrote:
>
> > At 11:56 AM 9/5/97 -0700, you wrote:
> > >>In her last post on Naked Lunch, Diane raised the issue of
> > >>sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
> > >>that vice.
For anyone who wants to know why "sentimentality" is a dirty word when
applied to literature, I refer you to that handy Glossary of Literary
Terms by MH Abrams. Sentimentality is so reviled that it made the glossary
under its own title. Like writing love poems, expressing sentiment without
sentimentality is extremely difficult, when it's so easy to fall into
age-old cliches and simplistic devices. The problem is, as ever, to make
it new, without recourse to excess, or cloying cliche. Does Kerouac
succeed? I'll leave that to the Kerouac crowd.
Diane, Burroughs is not entirely free from the attempts at capturing
sentiment. Whenever he talks about his cats, or lemurs, he always runs the
risk of lapsing into a cheap sentimentality, however I think he escapes
it. It was almost a shock to read The Cat Inside for the first time, and
Burroughs himself recognizes it when he says he reads over the notes he
has written about his cats and hears the voice of a simpering old queen.
You are correct in that sentiment never appears previously in his work,
and several critics have pointed to the absence of ANY sentiment as a
distinguishing factor-- unless one infers sentiment in the short almost
nostalgic fragments about St. Louis that appear throughout The Wild Boys,
and to a lesser extent Port of Saints, but that's a stretch. There is
certainly no sense of sentimentality in the detached 1-dimensional
characters of NL and the cut-up trilogy.
In creating sentiment, Burroughs writes some of his most beautiful lyric
passages in The Ghost of Chance, something Miles remarks on in El Hombre
Invisible. The encounters between Captain Mission and the lemurs are
equally and achingly sad and beautiful, hauntingly poignant.
Along with the creation of sentiment in The Cat Inside, we also have the
first instance of a positive portrayal of love. In the cut-up trilogy,
love is the "Love Con": a viral force and the chief weapon of the
Venusians in their desire to maintain their parasitic life by perpetuating
the Myth of Duality. In The Cat Inside, Burroughs' sees his relationship
with his cats and their need for him as a source of beauty; however he
constructs the power balances involved in the need of the cats in the same
way that he constructed the addictive nature of love in human
relationships. Now, for Burroughs, "need" had always been a dirty word,
and the need for a sexual other in a love relationship was just another
variable in The Algebra of Need. He remarks in The Cat Inside that his
sexual desire has all but disappeared, so it is interesting how the need
for a human sexual other is reviled, but the rise of the need for a
non-sexual feline familiar is celebrated. Somehow the algebra of need
between cat and keeper is beautiful and endearing, while the face of total
need on a human is the ugliest thing there is.
What I think a few people missed a while back when discussing Burroughs'
last (written) words, was the affinity he again draws between love and
junk:
"Love. The most natural pain-killer. What there is. LOVE."
Someone said that it probably should have been that love is the greatest
source of pain, but as the most natural pain killer, like junk, love is
also involved in the addiciton/withdrawal cycle. Burroughs has come full
circle, and reaffirms the cycle of addiction, but this time he accepts it
with resignation, rather than trying to escape. When Fletch dies,
the pain killer is gone and he must feel the horrible experience of
withdrawal. Burroughs opened himself to that love, but the ontological
affirmation "What there is" makes love ineluctable, inevitable. Love may
ease the pain of living, but its loss focusses that pain to a blinding
intensity.
So in a roundabout way, that's how I read Burroughs' last journal entry.
Neil
=========================================================================
Date: Mon, 8 Sep 1997 16:06:46 -0600
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From: Leo Jilk <ljilk@GUINAN.MPS.ORG>
Subject: Re: sentimentality
In-Reply-To: <Pine.A32.3.94.970908130359.27499A-100000@rs4.tcs.tulane.edu>
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>On Fri, 5 Sep 1997, Mike Rice wrote:
>
>> At 11:56 AM 9/5/97 -0700, you wrote:
>> >>In her last post on Naked Lunch, Diane raised the issue of
>> >>sentimentality. Certainly, Burroughs, like Old Bull Lee, is free from
>> >>that vice. Kerouac, however, has been the subject of a charge of
>> >>sentimentality more than once. At the end of a term paper I wrote for
>> >>him on Kerouac, Alfred Kazin noted "But what about his spaniel
>> >>sentimentality?" I argue that Kerouac USUALLY rises above it,
>> >>frequently undercutting such notions with mock-heroic juxtapositions as
>> >>in the cowboy scene in OTR. What do you think folks about the Beats --
>> >>particularly Kerouac and Ginsberg -- in terms of their being overly
>> >>sentimental?
>> >>
>> > I don't necessarily consider sentimentality a "vice" when it comes to
>> >literature. Sentimentality is intrinsically tied to memory. I'd argue
>>that
>> >sentimentality in writing demonstrates an author's ability to re-live
>> >(frequently to re-love) the past on paper. I won't get into the
>>reliability
>> >of memory here but neither Kerouac nor Ginsberg stick in my mind as overly
>> >"gushy" or "flowery" writers.
>> >
>> > James M.
>> >
>> >
>> There is not an ounce of sentimentality in Howl. Not an ounce.
>> Comedy, obscenity, blasphemy, yes, sentimentality no.
>>
>> Mike Rice
>>
>
>What about when Ginsberg describes the US: "The United States that we hug
>and kiss under the covers. "The United States that coughs all night and
>wont let us sleep."
>I'm paraphrasing, but this seems sentimental to me.
>"And now Denver is lonesome for her heros." this to seems sentimental.
>
>-matt
fuck sentimental. i don't know if that is, but if it is i don't know if
there's anything wrong with it, but aww what the fuck, i'm just writing
this cuz i don't have anything to do. sorry i'm sending this but i don't
want to waste my typing time. see, the whole thing with sentimentality is
this, sometimes, when you feel sentimental about something, let's take
Kerouac as kind of an American angel and American tragedy, it expresses
something about the circumstance that another emotion would not express.
there's nothing intrinsically wrong with sentimentality, so if a little of
it appears in Kerouac and Ginsberg, that might be alright. i think as
writers, both these authors expressed an emotional connection to America
and that part of the compassion which the beats claimed to promote might
include sentimentality as a function of it. sorry for this emotional and
senseless post. i'm being forced to face a frustrating life as i write
these very words.
leo
"The whole problem with the world is that fools and fanatics are always so
certain of themselves, but wiser people so full of doubts."
--Bertrand Russel
"Time is an illusion. Lunchtime doubly so."
--Douglas Adams
=========================================================================
Date: Mon, 8 Sep 1997 16:08:32 -0500
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From: RACE --- <race@MIDUSA.NET>
Subject: Re: monday morning monologue
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Diane De Rooy wrote:
>
> In a message dated 97-09-08 08:47:37 EDT, David Rhaesa writes:
>
> << just listening to the cricket talk i
> said to myself what the fuck just type what the cricket is saying and
> let them delete it and complain about it >>
>
> sounds like yer havin a big sur experience back there in the heartland,
> dbr...
and how else would you start your monday morning????
dbr
=========================================================================
Date: Mon, 8 Sep 1997 23:57:29 +0200
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: The Art Of Beat Maintenance.
In-Reply-To: <341430D4.34E8@midusa.net>
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Alan W. Watts remembered
THE WAY OF ZEN 1957
Rin Tin Tin & Zorro
...a numbers of years ago (i remember the first
televised operas &
old dodge car & platters' song
and sunny afternoon)
...a numbers of years ago
1947 Jack Kerouac wrote
then it was a fast walk along a silvery,
dusty road beneath inky trees of California-
a road like in The Mark of Zorro and a road
like all the roads you see in Western B movies
HOOT!
hooooooooooooot!
1997
by the way TODAY
except for hair pinned head
IS THAT A PROBLEM?
sure sure NOT just drunk...
spiders! VIRTUAL REBELS!
caffeine addicted virtual rebels
IS that a problem?
ok THE WEB today look LIKE MORE
a PICASSO's painting
IN EVERY WAY
long live Zorro & Rin Tin Tin
my old friends!
Rinaldo.
9 sep 97
=========================================================================
Date: Mon, 8 Sep 1997 18:30:28 EST
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: LYSDEXIC <breithau@KENYON.EDU>
Subject: Re: monday morning monologue
Yes, Paul, I received WRITE OF PASSAGE today too, and love it! A thumbs up
review! I brought it to work so I probably won't get much done. Anyway, I
recomend the book to all BEAT-L subscribers, tis the title above by Paul
McDonald.
was worth the wait Paul, thanks,
Dave B.
=========================================================================
Date: Mon, 8 Sep 1997 17:54:28 -0500
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From: =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>
Subject: URGENT:READ NOW
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i got a question, which i'd appreciate it if someone could answer for me
tonight. when was On The Road published for the first time? this month
forty years ago, correct, but the date? i'm going to try to organize a
marathon reading of the book at a local joint in my little Minnesota town
(Winona).
thanks much,
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Mon, 8 Sep 1997 16:11:15 -0700
Reply-To: stauffer@pacbell.net
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From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: sentimentality
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What do you think folks about the Beats --
> particularly Kerouac and Ginsberg -- in terms of their being overly
> sentimental?
Thanks Bill for suggesting an interesting thread.
Kazin is certainly not the first to accuse the Beats of "spaniel
sentimentality." But one always needs to take someone like Kazin
somewhat seriously.
I think that at their best neither JK nor AG are really "sentimental."
Norman Rockwell is sentimental--expurgated, sweetened, etc. Both JK and
AG are certainly nostaligic and enthusiastic and I think these elements
get confused with sentimentality. In Kerouac there is a sort of naivete
that can look like sentimentality but isn't. Jack is not afraid to be
enthusiastic and positive about the things he loves. Ginsberg also. But
the way Jack pictures Lowell is hardly the way Rockwell would. This
enthusiasm is one of the principle ways that JK and AG rebelled against
the all pervasive irony and fatalism that seem to characterize much of
modernism. No one ever accused Pound and Eliott and Joyce of being
sentimental. Kerouac (especially) at his best has a wonderful naive
enthusiasm for his subject matter. He is certainly in a great American
tradition with this going back through Wolfe to Whitman. Ginsberg, as
in the passages Matthew quotes, and more so in later, weaker things,
seems to me to verge closer on sentimentality. But when you hear
Ginsberg read his things he gives the lines a sort of self mocking
irony, (as in Denver being lonesome for her heroes) that makes the line
seem less sentimental than funny. Ginsberg and Kerouac look back to
enthusiasts and visionaries like Whitman and Blake. Neither figure was
attractive to the New Critics and their heirs (like Kazin) and the
critical establisment has never tired of flogging them for this error.
I don't follow you, Bill, on your seeing this "sentimental" theme as the
result of American writers having been "failed" by America. Hell,
America has failed everyone. No other country I can think of has been
founded with a myth or collection of myths it was expected to live up
to. Nations that were formed as the result of a king finally being able
to dominate lesser nobles and form a larger enterprise don't have this
problem or having been formed to exemplify an idea. They develop their
national myths long after the fact of their founding. How seriously did
anyone take Romulus and Remus. America certainly has failed to live up
to its billing. The ideas were unrealizable given the nature of us
humans. America failed the Puritans (lord if they were to see us now.
Maybe I could give Cotton Mather a pass to Bondage a Go Go at the
Trocadero) just as badly as it failed JK or Fenimore Cooper.
Sentimentality is sugar coated and false. I don't thing our boys are.
J. Stauffer
=========================================================================
Date: Mon, 8 Sep 1997 16:23:19 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: Off the Road and On the List
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>
> I tried Sometimes a Great Notion after that, and couldn't finish
> it, it was so dull.
>
> Mike Rice
Mike,
That's too bad. I don't think I've reread SAGN for twenty years or so
but my friends and I loved it when it came out and it held up well for
me when I reread it in the 70's. You need some interest and sympathy in
rural life to love it, probably. But a great story in the Faulknerian
tradition. Wonderful conflict between the intellectual brother and his
ubermench redneck brother and not flattering to the intellectual side.
Or the union side, and this is hard for academics and liberals to love.
Not a PC book. But there are great characters and a wonderful story and
great minor characters too, like the wino shake bolt cutter. But then I
spent a lot of time in Oregon around the logging trade so that adds
something for me--but I hadn't done that yet the first time I read and
loved this book. Give it another try sometime--it might grab you. And
if you had ever spent a few weeks of winter in any town like Coos Bay,
Newport, Florence, Waldport, etc--you would understand.
J. Stauffer
=========================================================================
Date: Mon, 8 Sep 1997 19:28:03 EST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: LYSDEXIC <breithau@KENYON.EDU>
Subject: Sometimes a Great Notion
I love Sometimes A Great Notion, which does flip around in time but the
language is beautiful. If you finish the book you are greatly rewarded (if you
have been a careful reader). It is one of those books I re-read every three
years or so, along with ON THE ROAD.
But yes, a serious Faulkner influence is in tha book. I was reading Faulkner's
The Bear the other day and thought, 'where have I read this before?' (at least
style-wise). I am surprised how many people have trouble with this book as I
think it is Kesey's best so far.
Dave B.
=========================================================================
Date: Mon, 8 Sep 1997 22:31:06 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Zorro
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Rinaldo,
I enjoyed the sentimentality of the Zorro and Rin Tin Tin images. Have
you ever hear Son of Zorro or something like that by Hall and Oates? It
was on the one album where they tried to make music instead of hits,
Abandoned Lunchenette.(Sp?). For anyone like me who grew up in the 50's
and was worried to start school because my mom might not let me stay up
to watch Zorro, Rinaldo's poem and Son of Zorro are required reading.
I think the song is something like:
War baby, son of Zorro.
The bold renegade carves a z with his blade, the horseman known as
Zorro.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Tue, 9 Sep 1997 00:18:06 -0400
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From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Did you ever?
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Did You Ever See Rinaldo?
Did you ever sell the Star?
save up enough to buy x-ray glasses?
collect soda bottles for a deposit?
buy anything out of the ads in Boy's Life?
buy anything out of the ads in a comic book?
save up enough Kool-Aid points to get anything worth having?
hate the kid that actually sold enough (insert here "wrapping paper,
light bulbs, candy, or other appropriate item") to actually get a decent
prize instead of the pencil set with your name on it like I usually got?
work as a school crossing guard, but you had to explain to the principal
that you really were responsible, it's just that school is so boring and
someone has to make the class laugh?
want to be a bird until you figured out that birds were actually less
free than you?
get run into on your bike on the way to school when your teacher pulled
out from her driveway in front of you?
have a friend pull out a knife and scrape a new car the length of its
body to impress you?
feel like you just ran too slow? And didn't know what to do about it?
grow up to run track?
work in a watermelon field?
eat baloney sandwiches with mayonaise for lunch?
drink RC Colas under the shade of a live oak?
eat vienna sauages with saltines for lunch?
wonder if snakes lay in the watermelon vines that came up to your knees?
clip ripe melons, between 20 to 25 pounds, and don't screw up?
carry 45 pound melons out of a field when you weighed 115 yourself?
ask the wino to buy you two quarts of Country Club Malt Liquor?
buy the wino a drink of his choice?
buy a homeless man a meal?
see Jesus?
see God?
see Rinaldo on the rec.music.dylan newsgroup?
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Tue, 9 Sep 1997 01:18:07 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: barcelona book stores
In-Reply-To: <199709070105.AA21413@world.std.com>
Mime-Version: 1.0
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>Hi.I'm pretty sure I'm going to Barcelona in Oct.and am hoping
>that you may know of cool bookstores there (and if they sell
>English language in addition to Spanish).
>
>Also
>Is there a Spanish Kerouac/Cassady/Holmes/Huncke whose books
>I should search out?
>
>Thanks,
>
>
>Carl
There's a beautiful Spanish "Memory babe" with a stunning (tinted) pic of
JK onthe cover.
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Tue, 9 Sep 1997 04:09:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: BeatRyder@AOL.COM
Subject: Lowell Celebrates Kerouac! Website
I would like to announce the creation of the official Lowell Celebrates
Kerouac! Website. This site contains photos and information regarding the
upcoming Lowell Celebrates Kerouac! Festival, October 2-5 1997. The URL is
http://members.aol.com/LCKerouac/index.html
I welcome everyone to contribute ideas and suggestions to help this site
grow, your contributions are important!
Sincerely,
Jeff Durand
Lowell Celebrates Kerouac!
=========================================================================
Date: Tue, 9 Sep 1997 05:26:29 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Tuesday morning monologue
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Slight insomnia went to denny's reading huston smith hindu stuff start
talking with don the 66 year old hitch-hiker. he described himself as
"i got the face of 25 miles of bad road." i cackled. We talked about
everything from here to eternity the broad general view of things and
the specifics of the worrying away of society. He'd worked at the track
in East Moline so we had kismet from my Rock Island wandering period...
nice real conversation. He said i looked like a writer. How nice for
me. First time i'd really heard that around here. He's headed to
Chicago or Wisconsin....
Back at apartment....deafening silence. only mechanical sounds ...
fridge, water from other apartments, something missing this morning ...
WHO STOLE MY CRICKETS !!!!!!!
A damn choir full of them yesterday morning just musing along and while
i'm off with Don the Hitch-hiker some how someone snuck in here and
sweeped up the whole damn operahouse full. If you see them say hello.
No rewards - but tell them they're welcome back anytime.
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 9 Sep 1997 07:32:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: Tuesday morning monologue
In-Reply-To: <34152455.4712@midusa.net>
Mime-Version: 1.0
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>WHO STOLE MY CRICKETS !!!!!!!
>A damn choir full of them yesterday morning just musing along and while
>i'm off with Don the Hitch-hiker some how someone snuck in here and
>sweeped up the whole damn operahouse full. If you see them say hello.
>No rewards - but tell them they're welcome back anytime.
hey dave! i didn't see them but did receive an email from them. they've
decided to do the Grand Tour of Europe with first stopover in venice to
sing to rinaldo.
mc
=========================================================================
Date: Tue, 9 Sep 1997 08:33:51 -0400
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From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: URGENT:READ NOW
Mime-Version: 1.0
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The review in the New York Times appeared 9/5/47 and "the phone
started ringing the next morning", that is the only date I have heard
associated with OTR, in that respect.
love and lilies,
matt h.
______________________________ Reply Separator _________________________________
Subject: URGENT:READ NOW
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 9/8/97 5:54 PM
i got a question, which i'd appreciate it if someone could answer for me
tonight. when was On The Road published for the first time? this month
forty years ago, correct, but the date? i'm going to try to organize a
marathon reading of the book at a local joint in my little Minnesota town
(Winona).
thanks much,
leo
"Let us hope that the whores of evil no longer loiter on the doorsteps of
your path, beckoning you into the brothel of despair, and that hereinafter,
you may present them with the most rigid manifestations of a firm and manly
will. Ad astra per aspera." --Jack Kerouac
=========================================================================
Date: Tue, 9 Sep 1997 17:40:10 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Alex magnetic file. (Kikka traslates)
In-Reply-To: <341430D4.34E8@midusa.net>
Mime-Version: 1.0
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friends,
a new italian writer & On the Road (Sulla Strada),
"Jack Frusciate e' uscito dal gruppo"
a novel written by Enrico Brizzi.
Kikka has translated a fragment,
saluti
Rinaldo.
---
"From the magnetic file of Mister Alex D. I m readin
Kerouac, and don t bother me cause I m readin Kerouac,
and I m listenin to all my records, and I m readin also
Tondelli and Andrea de Carlo that become my favourite
italian writers.
I don t care about seeing anyone.
I m at my granny s, gettin ready for my removal, with my
jollinvicta full of coverage books, Bolognese writers
books, a pair of pyjamas and two or three shirts.
Aidi has never seen my house.
At first, when we had just met, we decided that she had to
spend an afternoon at my house, but when I told the
Chancellor so, he kicked up a shindy, and the problem -
ehm - was essentialy that she was a girl.
... And since you have to gain your spaces, and finding
everything on a plate makes no-backboned people and here
we don t need no-backboned people, at most you can do as
some English students, that when invite a girl into their
room unhinge the door.
Really picturesque, but do we need it?
It s respect.
But since I didn t want my parents to look Aidi up and
down all the afternoon, I told her about our dialogue and
- many greetings - she has never been to my house.
When my parents ll be away, such as the day after tomorrow
very very early - my family s shifts are incredible for
the hour they happen such as a quarter to six in the
morning: it s obvious: you re so slow! - my house ll be
closed hermetically, locked up, and who s outside is
outside and who s inside is inside.
And since I want Aidi to see my house after leaving, and
since my parents - provident (!) - took my keys in order
to keep me away from the house, when I came back from
England , I went to a hardware store and I had two copies
of the keys done, in spite of any unforseen event.
The day after tomorrow morning we ll use them to penetrate
the mistery of the submerged flat, and I can not answer
the phone, cause I do read On the Road, now."
---
Kikka.
=========================================================================
Date: Tue, 9 Sep 1997 08:28:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Tuesday morning monologue
MIME-Version: 1.0
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Good morning David and all,
+AD4-Slight insomnia went to denny's reading huston smith hindu stuff start
+AD4-talking with don the 66 year old hitch-hiker. he described himself as
+AD4AIg-i got the face of 25 miles of bad road.+ACI- i cackled. We talked
about
+AD4-everything from here to eternity the broad general view of things and
+AD4-the specifics of the worrying away of society. He'd worked at the track
+AD4-in East Moline so we had kismet from my Rock Island wandering period...
+AD4-nice real conversation. He said i looked like a writer. How nice for
+AD4-me. First time i'd really heard that around here. He's headed to
+AD4-Chicago or Wisconsin....
You came to Santa Cruz by highway 17. End of twenty miles of twisting and
turning mountain road with unexpected dangerous turns, woods melting into
the rolling hills,
layered to catch the sun from different angles. Man I seen that nameless
dude, or was he, eerie how they all seem to be. Only on weeknights though.
On weekend late bights early morns our Denny's still gets invaded by the
dressed up young and middling revelers, mooching and smooching and party
weary, some did and some didn't, some didn't yet, some falling asleep on
their dreams, bodies worn by drink, drugs and looks frazzled at the edges.
The air full of chatter, every inch of air full of rising falling chuckles.
A circus of battered dating game officionados, hunters returning from the
streams looking for dolphins, bitten by sharks, you know, fishermen's
stories, mebbe it is a mackerel, almost ready to give up, to call it another
day. Want to know what the frat kids are wearing? the music they are
hearing, the jokes they are telling, who is
making out with whom, The secretaries and their bosses, the salesmen and
their neighbors, come to Dennys sunday morning, late night morning.
On weekdays though the place is a ghost filled with empty shadows, a rumpled
traveller here and there. A homeless person making it through the night with
a few cups of coffee at Denny's. Sometimes a couple sitting on the sidewalk
against
the wall with backpacks beside them. Used to be full of hikers and bikers
and hippies hitching rides discussing the merits of the latest from
Michuakan. Now it is more frowning mouths in dirt caked faces, piercing
souls fixing on my eyes for a quarter, mister. I try not to
look. Out of a corner of the eye I see the +ACI-regulars+ACI- few. One got
always a
cup of coffee in front of him, stacks of frazzled notebooks, and he is
scribbling, scribbling, always noticing that he is noticed, not saying a
word. You remind me David, got to say hello next time I see him.
Seldom hear crickets here. Can't remember when I heard those ones. But the
large lawn in front of the house is a living sparkling carpet of frog
symphony in season. Every chair, blade of grass full of sound, constant,
incessant,
total, excited , no room for anything in the world down there endless
timeless, not going anywhere, we are all here now, one steady song on and
on and
on, i have waited, but always been outwaited. No change, no stop. The
thought of
stepping on that grass drives me further away from it. First time I heard it
coming home I didn't know what in the hell that was about. Maybe it was a
strange new miniature sprinkler system, not quite hissing but something like
that in there also, newfangled technology my first expectation. But it had
just rained. Was still drizzling. Come to find out it happens only after
rains. But they will be there. After four years here I can count on these
frog song fests, although only sometimes. Usually I am surprised after
giving up the wait. Where do they come from? Where do they go? Always there,
unheard of, unseen? Transported by the rain drops for a National convention?
Jubilee? Never saw one yet. I keep looking for one. Just one. Never.
Someone said they are the size of a thumb-nail. Frogs? Can it be?
I know them when I hear them though. My head is full of their sound. That's
another thing, their sound fills my head, no space left for anything else.
Wish I had the words to describe them like some music critic examining the
after taste of nature.
To relevate the topic - are they beat? Telling us something we could learn
to understand? Beating the bushes.
I am off again, to work again , have a good Tuesday, ciao
leon
+AD4-Back at apartment....deafening silence. only mechanical sounds ...
+AD4-fridge, water from other apartments, something missing this morning ...
+AD4-
+AD4-WHO STOLE MY CRICKETS +ACEAIQAhACEAIQAhACE-
+AD4-A damn choir full of them yesterday morning just musing along and while
+AD4-i'm off with Don the Hitch-hiker some how someone snuck in here and
+AD4-sweeped up the whole damn operahouse full. If you see them say hello.
+AD4-No rewards - but tell them they're welcome back anytime.
+AD4-
+AD4-david rhaesa
+AD4-salina, Kansas
+AD4-.-
+AD4-
=========================================================================
Date: Tue, 9 Sep 1997 16:06:29 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@MAILHUB.JAXNET.COM>
Subject: Re: URGENT:READ NOW
MIME-Version: 1.0
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> i got a question, which i'd appreciate it if someone could answer for me
> tonight. when was On The Road published for the first time? this month
> forty years ago, correct, but the date? i'm going to try to organize a
> marathon reading of the book at a local joint in my little Minnesota town
> (Winona).
damn. your three days late. it was the fifth of september for all the
others out there who do not know.
> "Let us hope that the whores of evil no longer loiter on the doorsteps of
> your path, beckoning you into the brothel of despair, and that hereinafter,
> you may present them with the most rigid manifestations of a firm and manly
> will. Ad astra per aspera." --Jack Kerouac
randy
>
=========================================================================
Date: Tue, 9 Sep 1997 16:43:54 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: PAINKILLER! -- a musical montage
Comments: To: "Beach@qconline.com" <Beach@qconline.com>,
"CVEditions@aol.com" <CVEditions@aol.com>, babu <dkpenn@oees.com>,
Sherri <love_singing@msn.com>
MIME-Version: 1.0
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PAINKILLER!
(in loving Remembrance of Fletch and Jonah)
Side One: Becoming Osiris
1) Strange Waters -- Bruce Cockburn
2) Leftover Wine -- Melanie
3) Interlude and Last Words of Dutch Schultz (LWDS) -- WSB
4) It's the End of the World ... -- REM
5) Rome wasn't Built in a Day -- Sam Cooke
6) Jazz Police -- Leonard Cohen
7) St. Stephen -- Grateful Dead
8) And So it Goes -- Nitty Gritty Dirt Band with John Denver
9) Interlude & LWDS -- WSB
10) Sermon on Mount 3 -- WSB
11) Lord's Prayer -- WSB
12) STAND -- REM
13) Random Chopin
Side Two: The Bardo
1) Mother -- John Lennon - Live in NYC
2) Knockin' on Heaven's Door -- Eric Clapton
3) Presence of the Lord -- Eric Clapton
4) Interlude and LWDS -- WSB
5) Knockin' on Heaven's Door -- Robert Zimmerman
6) Forever Young -- Robert Zimmerman
7) Interlude and LWDS -- WSB
8) Sittin' on Top of the World -- Ray Charles
9) What a Wonderful World -- Louis Armstrong
10 Ancestros and onward -- AndesManta
Love most natural painkiller!!!! Especially set to music .....
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 9 Sep 1997 22:57:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: M84M79@AOL.COM
Subject: membership
hi, i'd like to sign on.
=========================================================================
Date: Tue, 9 Sep 1997 20:08:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: membership
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To do that you need to send an e-mail to listserv@cunyvm.cuny.edu , leave
the SUBJECT field empty, in the body type:
SUBSCRIBE BEAT-L
That's all you need to do.
Just another member of the group sying hello, welcome to our midst
leon
-----Original Message-----
From: M84M79@AOL.COM <M84M79@AOL.COM>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Tuesday, September 09, 1997 8:05 PM
Subject: membership
>hi, i'd like to sign on.
>.-
>
>
=========================================================================
Date: Wed, 10 Sep 1997 10:24:39 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: Monastic beat
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In the introduction of the italian edition of JK's Big Sur I have found
the name of William Emerson who later became a dominican monk.
Does anybody know something about him ?
Was he a writer or a person of JK's entourage in the late 50's ?
Ciao.
Francesco
dufour@ulisse.it
=========================================================================
Date: Wed, 10 Sep 1997 11:03:34 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>
Subject: HELP: Burroughs/Ginsberg and the BIJOU in N.Y.C.
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Hi dear folks,
Again I need your help. Is there any signs or references in Burrough=B4s
works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East Side
in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well
Ginsberg might have been a regular there. Is there any place called BIJOU
that is mentioned?
And, by the way, do you know something about Allen=B4s social life, where
were his faviourite spots in the city etc.
Is there any refences in the texts whatsoever, please, write to the list.
Thank you very much,
Matthias Schneider (Berlin)
=========================================================================
Date: Wed, 10 Sep 1997 05:41:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: HELP: Burroughs/Ginsberg and the BIJOU in N.Y.C.
Mime-Version: 1.0
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At 11:03 AM 9/10/97 +0200, you wrote:
>Hi dear folks,
>
>Again I need your help. Is there any signs or references in Burrough=B4s
>works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East=
Side
>in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well
>Ginsberg might have been a regular there. Is there any place called BIJOU
>that is mentioned?
>And, by the way, do you know something about Allen=B4s social life, where
>were his faviourite spots in the city etc.
>Is there any refences in the texts whatsoever, please, write to the list.
>
>Thank you very much,
>
>Matthias Schneider (Berlin)
>
>
The San Remo Cafe and Dance Club or the 1940s and 50s.
Mike Rice
=========================================================================
Date: Wed, 10 Sep 1997 05:54:02 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: Monastic beat
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That would be poet Brother Antoninus.
----------
> From: Dufour <dufour@ULISSE.IT>
> To: BEAT-L@CUNYVM.CUNY.EDU
> Subject: Monastic beat
> Date: Wednesday, September 10, 1997 3:24 AM
>
> In the introduction of the italian edition of JK's Big Sur I have found
> the name of William Emerson who later became a dominican monk.
> Does anybody know something about him ?
> Was he a writer or a person of JK's entourage in the late 50's ?
>
> Ciao.
>
> Francesco
>
> dufour@ulisse.it
=========================================================================
Date: Wed, 10 Sep 1997 09:26:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Hemenway . Mark" <MHemenway@DRC.COM>
Subject: FW: Beat symposium schedule
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----------
From: holladayh@woods.uml.edu[SMTP:holladayh@woods.uml.edu]
Sent: Tuesday, September 09, 1997 3:24 AM
To: Hemenway . Mark; MHEMENWAY@S1.DRC.COM
Subject: Beat symposium schedule
BEAT LITERATURE SYMPOSIUM
Fri., Oct. 3, 1997
O'Leary Library auditorium (room 222)
Univ. of Massachusetts Lowell
Schedule of Events
9 a.m. Introductory remarks
Hilary Holladay, Symposium Director, U. Mass. Lowell (holladayh@woods.uml.edu)
9:15 a.m. Kerouac's Romantic Influences
Ronna Johnson, Tufts University, panel chair
1. "The Romance in the Prose: Wordsworth and Kerouac's 'Low and Rustic'
Speech"--Dan Terkla, Illinois Wesleyan University
2. "Blowing It with the Romantics: Kerouac's _Subterraneans_ as a Poetic
Response to Romantic Heritage"--Carrie Heimer, Univ. of New Hampshire
10:30 a.m. Fathers, Visions, Everything: The Beat Search for Spiritual
Fulfillment
Rev. Steve Edington, Unitarian Universalist Church, Nashua, N.H., panel chair
1. "_On the Road_: Kerouac's Fellaheen Western"--Manuel L. Martinez, Indiana
University
2. "The Divine Beat: Brother Antoninus and the Material God"--Bradford T.
Stull, Rivier College
3. "Kerouac's Visionary Moments: Rhetoric of a Temporal Construct"--Paul
Maltby, West Chester University
(lunch break)
2 p.m. Keynote Speech
"'Telepathic Shock and Meaning Excitement': Kerouac's Poetics"--Ann Douglas,
Professor of English, Columbia University, author of _Terrible Honesty:
Mongrel Manhattan in the 1920's_ (1996)
3:15 p.m. Tribute to Allen Ginsberg, 1926-1997
1. Anne Waldman, poet and co-founder (with Ginsberg) of the Jack Kerouac
School of Disembodied Poetics at the Narope Institute, Boulder, Col.
2. Bill Morgan, archivist whose bibliographies include _The Works of Allen
Ginsberg, 1941-1994_ (1995), New York, N.Y.
3. George Condo, artist who has painted numerous portraits of Ginsberg,
New York, N.Y.
The Beat Lit. Symposium is part of "Lowell Celebrates Kerouac!," a city-wide
festival honoring native son Jack Kerouac and his writings. The festival
is held annually during the first weekend in October.
This year, for the first time, the Symposium will be held free of charge.
Please join us for an exciting day of Beat scholarship and discussion!
For more info., contact Hilary Holladay, U. Mass. Lowell, holladayh@woods.uml.
edu. Note that the deadline for paper submissions for NEXT YEAR'S
Beat Lit. Symposium is July 31, 1998. Send all correspondence and proposals
to Dr. Holladay, English Dept., U.Mass. Lowell, Lowell, MA 01854.
=========================================================================
Date: Wed, 10 Sep 1997 08:23:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John Arthur Maynard <prinzhal@IX.NETCOM.COM>
Subject: Re: Monastic beat
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 10:24 9/10/97 +0200, you wrote:
> In the introduction of the italian edition of JK's Big Sur I have found
>the name of William Emerson who later became a dominican monk.
> Does anybody know something about him ?
> Was he a writer or a person of JK's entourage in the late 50's ?
>
>Ciao.
>
>Francesco
>
>dufour@ulisse.it
>
No, he was part of the Bay Area scene that Kerouac & Co.plugged into. His
name was William Everson, but he was known for many years as Brother
Antoninus. He later renounced his vows, rejoined the world and became
poet-in-residence at UC Santa Cruz (if you can really call that "joining the
world"). He's no longer with us, but I forget the details.
I'm sure others on the list know a lot more about him than I do...
Onward,
John Maynard
=========================================================================
Date: Wed, 10 Sep 1997 10:00:01 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: kerouac's ORIZABA 210 BLUES 51ST CHORUS
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Beat-l'ers
here is what we've come up with for the translation of Kerouac's
ORIZABA 210 BLUES 51ST CHORUS (original at the beginning,
translation at the end). if anyone has any suggestions,
comments, etc... please drop me a line.
yrs
derek
*****************
ORIZABA 210 BLUES 51ST CHORUS
by Jack Kerouac
Boy, sa den du coeur, sa, le bon
vin - Mama, c'est'l'port
si fort, le vin divin
Aye, oui, mais ecoute - dans
les melieus de les nuits,
tu we, sa den du coeur,
sa den du coeur
ca fa du bein au beson
Besoigne? - Di mue pas la
besogne maudir, la bedenne,
maudit, la bedenne
sa fa du bein a bedenne
pauvr' bedenne
A, y parle tu aussi bien
q'ca
a Milan
len Italiens a gueules
Nous autres aussi on a une
belle langue qui clacke
***************
ORIZABA BLUES 210 51ST CHORUS
by Jack Kerouac
(as translated by :Mark Onley , Derek Beaulieu
(dabeauli@freenet.calgary.ab. ca)
& Jean Breton (torso@total.net))
Boy, this is the life, this, the good
wine- Mama, strong port
the divine wine
Aye, yes, but listen-on
the best of nights,
you see, this is the life,
this is the life
It's so good for the belly
Duty?- Don't tell me about the
god damn duty, the belly,
god damn the belly,
it's good for the belly,
poor belly.
Do they speak this well
in Milan?
Big mouth Italians!
We too have a
beautiful language that rings.
=========================================================================
Date: Wed, 10 Sep 1997 18:39:52 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: update 10 sep 1997 Beat SuperNova (Beats:The List)
In-Reply-To: <341430D4.34E8@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Donald Allen [The Evergreen Review, editor, poet, Grey Fox Press]
Steve Allen [he played piano on some of Kerouac's recordings]
David Amram [helped Jack with some of his first jazz poetry readings]
Amari Baraka (Leroi Jones)
Wallace Berman [SF avante garde artist]
Stephen Jesse Bernstein [Poet, author, beat, suicide in 1992, Seattle WA USA]
Paul Blackburn [Black Mountain School]
Robin Blaser [poet, critic, associate of Duncan, Spicer]
Richard Brautigan [Change, novelist _Trout Fishing in America_]
Bonnie Bremser [wife of Ray]
Ray Bremser
Chandler Brossard
Lenny Bruce [comic]
Lord Buckley [comic]
Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"
William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank
Carmody, Will Dennison, Old Bull Lee"
William S. Burroughs Jr.
John Cage { 5 sep 1912 - 12 aug 1992 }[Black Mountain School]
Edgar Cayce
Caleb Carr [Son of Lucien _The Alienist_]
Lucien Carr "Damion"
Paul Carroll
Louis R Cartwright
Carolyn Cassady "Camille"
Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty"
Tom Clark [Paris Review]
Andy Clausen
Leonard Cohen [novelist _Beautiful Losers_, songwriter]
Bruce Conner [filmaker]
Gregory Corso "Raphael Urso, Yuri Glicoric"
Robert Creeley [Black Mountain School, poet]
Henry Cru "Remi Boncoeur"
Jay deFeo [San Francisco Painter, _The Rose_]
Diane DiPrima [Floating Bear, poetess,_Memoirs of a Beatnik_]
John Doe
Kirby Doyle
Edward Dorn [Black Mountain School]
Robert Duncan [Black Mountain School, Experimental Review, SF poet,
associate, Spicer, Blazer] "Geoffrey Donald"
Bob Dylan
Larry Eigner [Black Mountain School]
Kenward Elmslie [Z]
William Everson (Brother Antoninus) [Poet, Monk]
Larry Fagin [Adventures in Poetry]
Richard Farina [novelist _Been Down So Long_, songwriter]
Lawrence Ferlinghetti [San Francisco Poetry Reinassance] "Lorenzo Monsanto,
Larry O'Hara, Danny Richman"
Tom Field [Spicer Circle, JK's favorite painter] "Larry Meadows"
Charles Foster
Robert Frank [filmaker]
James Gauerholz [Burroughs aid and heir]
Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } "Irving Garden, Adam Morand,
Alvah Goldbook, Leon Levinsky, Carlo Marx"
John Giorno
Paul Goodman [psycologist, sociologist, _Growing Up Absurd_]
Robert Gover
Morris Graves
Brion Gysin
Dave Hazelwood [printer of chapbooks , Auerhahn Press]
Wally Hedrick [Gallery Six, husband of Jay DeFeo]
John Clellon Holmes [novelist, _Go_]
Herbert Huncke [guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty
of Everything_]
William Inge
Ted Joans [Jazz Poetry]
Joyce Johnson [wife to JK]
Lenore Kandel [poetess, _The Love Book_ East/West house, "Ramona Schwartz"]
Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }
John Kelly [Beatitude]
Robert Kelly
Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }
"Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise"
Jan Kerouac [_Baby Driver_]
Ken Kesey [novelist, psychedelic revolutionary]
Franz Kline
Seymour Krim
Paul Krassner [Realist, satirist]
Art Kunkin [Freep]
Tuli Kupferberg [Birth, The Fugs]
Joanne Kyger [poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch,
East/West house]
Philip Lamantia [surrealist poet]
Jay Landesman
Fran Landesman
James Laughlin
Denise Levertov [Black Mountain School]
Timothy Leary [chemical revolutionary]
Lawrence Lipton [The Holy Barbarians]
Ron Loewinsohn [Change]
Gerald Locklin [poet, _The Long Beach Freeway_]
Philomene Long
Malcom Lowry [novelist, Under the Volcano]
Bill MacNeill [Painter, Spicer Circle]
Norman Mailer "Harvey Marker"
Gerard Malanga
Edward Marshall
Peter Martin
Lewis McAdams
Joanna McClure [wife to Michael, poetess]
Michael McClure [Journal for the Protection of All Beings, poet, "Pat
McLear"]
Don McNeill [hippie journalist]
Taylor Mead
David Meltzer
Jack Micheline [SF LA NY poet]
Henry Miller { 26 Dic 1891 - 8 Jun 1980 }
John Montgomery
Shigeyoshi (Shig) Murao [City Light Bookstore fixture]
Ken Nordine
Harold Norse
Frank O'Hara [poet, _Hotel Wembley Poems_]
David Ohle [Burroughs Circle]
Charles Olson { 27 dic 1910 - 10 jan 1970 }[Black Mountain School]
Peter Orlovsky [wife to Allen Ginsberg] "George, Simon Darlovsky"
Kenneth Patchen
Thomas Parkinson [Ark, UC Berkeley Prof, Casebook on the Beat]
Claude Pelieu [Bulletin From Nothing]
Nancy Peters [partner with L. Ferlinghetti in City Lights, married to P.
Lamantia]
Stuart Z. Perkoff
Charles Plymell [North Beach, hobohemian poet, novelist]
Dan Propper
Lou Reed
Kenneth Rexroth { 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco
Reinassance, Six Gallery reading] "Reinhold Cacoethes"
Steve Richmond [introduction for Bukowsky]
Frank Rios
Theodore Roethke
Hugh Romney [Wavey Gravey]
Michael Rumaker
Ed Sanders [Peace Eye Bookstore, The Fugs]
Mark Schorer [UC Berkeley Prof, critic]
Tony Scibella
Hubert Jr. Selby [NY, LA Novelist]
Patti Smith
Gary Snyder [Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary
Snyder"
Carl Solomon [_with you in Rocklin_]
Terry Southern [novelist, _Candy_]
Jack Spicer [poet, associate of Duncan, Blazer]
Hunter Stockton Thompson
Charles Upton
Janine Pommy Vega
John Thomas
Mark Tobey
Alexander Trocchi [Living Theatre]
Giuseppe Ungaretti [Circle]
Tom Waits [songwriter, Foreign Affairs]
Anne Waldman [Naropa Institute, St. Mark's Poetry Project, New York]
Lewis Warsh
Alan W. Watts [_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums"
Lew Welch (Lewis Barret Welch) { 16 aug 1926 - 23 may 1971 }[_Ring of
Bone_, Reed College Group, East/West House] "Dave Wain"
Philip Whalen [Poet, Reed College Group] "Warren Coughlin, Ben Fagan"
John Wieners [Black Mountain School]
Jonathan Williams
William Carlos Williams { 17 sep 1883-4 mar 1963 }
Clay Wilson
Ruth Witt-Diamant [San Francisco's Poetry Center]
James Wright [Minnesota]
Lousi Zukofsky [Circle]
=*=
Hello!,
i'm listing the beat generation
(writers & painters & performers)
& i begin with a list, everyone
interested can propose a new name.
http://www.gpnet.it/rasa/beats.htm
thanks,
Rinaldo Rasa
Venice-Mestre, Italy.
last update 10th september 1997
notice that this list it's my own only responsibility
the friends have always gimme the right way
=*=
the list of credits & comments:
gordon allen GordonA111@aol.com
Walter Campbell walter.campbell@usa.net
C. Dickens Books email@cdickens.com
David Christian dckom@atlcom.net
Greg Christy christyg@pcpartner.net
Marie Countryman country@sover.net
Patricia Elliott pelliott@SUNFLOWER.COM
Timothy K. Gallaher gallaher@HSC.USC.EDU
Richard M. Kershenbaum r-kershenbaum@UKANS.EDU
OHearn orpheus@in.the.shadows
(no name) ipl1@columbia.edu
Jym Mooney vmooney@EXECPC.COM
Mike Rice mrice@centuryinter.net
David Schwarm dschwarm@sun3.lib.uci.edu
Eric Saylor esaylor@sprynet.com
Sisyphus sisyphus@polaris.mindport.net
James Stauffer stauffer@pacbell.net
Michael Stutz stutz@dsl.org
Tara123125 tara123125@aol.com
Mike Welch welch@ix.netcom.com
============ addenda ============
1.=*=
Return-Path: <gordona111@aol.com>
Date: Mon, 8 Sep 1997 01:26:56 -0400
Newsgroups: alt.books.beatgeneration
To: "Rinaldo Rasa" <rasa@gpnet.it>
From: gordona111@aol.com (GordonA111)
Organization: AOL http://www.aol.com
Subject: Re: Beat SuperNova update 5 sep 1997 (Beats:The List)
SnewsLanguage: English
Hello ! John Clellon Holmes was my brother-in-law. After 3 or 4 years of
cancer in his throat (much of which had been removed and he could not
speak), he died in 1988. A source of more info (and an opening way to get
more about a lot of the key beat generation people) is:
http://www.charm.net/~brooklyn/People/JohnClellonHolmes.html
-gordon allen (GordonA111@aol.com)
2.=*=
Return-Path: <esaylor@sprynet.com>
From: esaylor@sprynet.com (Eric Saylor)
To: rasa@gpnet.it
Subject: beat list
Date: Tue, 02 Sep 1997 05:42:05 GMT
Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in
1992, Seattle WA USA.
Thanks.
Eric
3.=*=
Return-Path: <sisyphus@polaris.mindport.net>
Date: Sun, 7 Sep 1997 15:13:52 -0400 (EDT)
From: Sisyphus <sisyphus@polaris.mindport.net>
To: Rinaldo Rasa <rasa@gpnet.it>
Subject: Re: Beat SuperNova WWW update 6 sep 97
Just went there, and read your previous list. I'd only expunge Mailer
(He's WWII journalism school) but I don't like his stuff anyway...
I'd like to comment that there are quite a number of deceased members on
The List who's birth and death dates are not included. They really
should be. Lew Welch is notable for me. (But I don't remember his.
'69?) Minor quibble. Exhaustive list. I'll have to copy it here.
Thank You.
==================== end of addenda ================================
Rinaldo reply to Sisyphus:
Norman Mailer is appreciated by William S. Burroughs
and Mailter's novel Ancient Evenings for inspiration
=*=*=
=========================================================================
Date: Wed, 10 Sep 1997 20:00:39 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: I: Monastic beat
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 8bit
----------
> Da: Dufour <dufour@ulisse.it>
> A: Leon Tabory <letabor@cruzio.com>
> Oggetto: R: Monastic beat
> Data: mercoledl 10 settembre 1997 15.15
>
> Well Leon, I think you're right because in the same page they refer to
WSB calling him "Burrows" !!!
> Ciao !
> F.
>
> ----------
> > Da: Leon Tabory <letabor@cruzio.com>
> > A: dufour@ulisse.it
> > Oggetto: Re: Monastic beat
> > Data: mercoledl 10 settembre 1997 13.37
> >
> > If it is Everson, he was very real poet and typesetter, later left
> > monastery, becam a very popular professor until his death a coouple of
> > years ago.
> >
> > -----Original Message-----
> > From: Dufour <dufour@ULISSE.IT>
> > To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
> > Date: Wednesday, September 10, 1997 1:21 AM
> > Subject: Monastic beat
> >
> >
> >
> > > In the introduction of the italian edition of JK's Big Sur I have
found
> > >the name of William Emerson who later became a dominican monk.
> > > Does anybody know something about him ?
> > > Was he a writer or a person of JK's entourage in the late 50's ?
> > >
> > >Ciao.
> > >
> > >Francesco
> > >
> > >dufour@ulisse.it
> > >.-
> > >
=========================================================================
Date: Wed, 10 Sep 1997 13:58:21 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Correction
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Rinaldo -
very good list, but Allen Ginsberg's pseudonyms need to be looked at - His
name in The Dharma Bums was Irwin Garden not Irving and his name in The
Subterraneans was Adam Moorad not Morand. These need to be changed. Thanks.
-Jon(By the way, I'm new)
=========================================================================
Date: Wed, 10 Sep 1997 15:07:54 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Re: Monastic beat
Comments: To: prinzhal@ix.netcom.com
Everson's "Blood of the Poet" is a classic.
At UC Santa Cruz he set up an old hand press
and produced wonderful broadsides
and books. My brother inlaw worked with him,
as a student. The press sits waiting for
new hands to work the ink, set the letters,
stamp words into handmade paper...
yrs
Gary Mex Glazner
=========================================================================
Date: Wed, 10 Sep 1997 14:55:29 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: orizaba 210 blues 51st chorus
In-Reply-To: <Pine.A32.3.93.970906193736.28806B-100000@srv1.freenet.calgary.ab.ca>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
that's a fairly good translation. i would add though that the lines with
"c'est le port/si fort" carries extra hidden meaning in english, as
Kerouac's purportedly favorite wine was port. hmm.
so interesting how he can combine french and english to convey different
meanings.
also, i'm not completely sure, as i don't have a french dictionary on me,
but i believe that "melieus" means circles and not "best," as in your
translation.
---jenn thompson
=========================================================================
Date: Wed, 10 Sep 1997 23:25:13 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: William Everson (Brother Antoninus) Re: Monastic beat
In-Reply-To: <2.2e.32.19970910152325.008cec0c@popd.ix.netcom.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Francesco, John & friends,
here some William Everson archived information:
=record #1
"Christopher L. Filkins" <filkins@INCH.COM> wrote:
Everson was at one point considered a member of the
beat generation and I know he was a contientious objector who spent WWII in
a Civilian Public Service Camp.
=record #2
Paul McDonald - Bon Air Branch <PAUL@LOUISVILLE.LIB.KY.US> wrote:
Poet named William Everson. I've read that he was associated with the Beats
while he was in a monestery and was nicknamed "The Beatnik Monk." I read a
wild ride of a poem of his in college called "The Screed of the Flesh." Saw a
photo of him looking every bit as wild and haggard as I'm told John the
Baptist
looked when he lived in the wilderness eating nothing but locusts and frogs.
Everson seemed to emulate another poet named Robinson Jeffers about whom I
know absolutely nothing save a poem called (I think) "Fire in the Hills," the
last line of which reads:
"The destruction that brings an eagle from heaven
is better than mercy..."
I think both (Everson definitely) are associated with the San Francisco
Renaissance.
=record #3
Jennifer Brontsema <bozokitty@MINDSPRING.COM> wrote:
William Everson was a SF Beat poet and was married to Mary Fabilli. Her
linoleum-block artwork accompanied two of his poems, "Triptych for the
Living," and "Heavenly City, Earthly City." Other works include "A Frost
Lay White on California" and "The Poet is Dead" (written for Robinson
Jeffers).
After Mary gave Bill a copy of St. Augustine's "Confessions," he became so
enthralled with the Roman Catholic Church that he converted to Catholicism,
had their marriage annulled, and joined the Dominican Friars as Brother
Antoninus. He left the order in 1969 and died in 1984.
"Women of the Beat Generation" (my source for these tidbits of info on
Everson) inlcudes a piece by Mary Norbert Korte entitled "Remembering Bill
Everson, Poet."
=record #4.
Rod Anstee <Nastees@AOL.COM> wrote:
SPRING 1947. In THOSE days ARK was a
postwar (post WWII) magazine, more importantly an ANARCHIST magazine back
when that word had a more precise political meaning, beyond just "chaos." The
opening page of the magazine is devoted to an Editorial that begins:
" In direct opposition to the debasement of human values made
flauntingly evident by the war, there is rising among writers in America, as
elsewhere, a social consciousness which recognizes the intergrity of the
personality as the most substantial and considerable of values. However, this
recognition is still restricted to either small groups or to isolated
individuals, and has few organs of expression."
Sound familiar? Then the list of contributors will as well, among them
Kenneth Rexroth, James Laughlin, Robert Duncan, William Everson, Thomas
Parkinson, and -- wait for it -- Philip LAMANTIA who contributes a single
poem called "Another Autumn Coming."
---
books:
These Are the ravens (1935)
The Residual Years (1944)
An Age Insurgent (1959)
The hazards of Holiness (1962)
A Canticle to the Waterbirds (1968)
The Veritable years (1978)
---
saluti fraterni,
Rinaldo.
============================================
At 08.23 10/09/97 -0700, John Maynard wrote:
>At 10:24 9/10/97 +0200, Francesco wrote:
>> In the introduction of the italian edition of JK's Big Sur I have found
>>the name of William Emerson who later became a dominican monk.
>> Does anybody know something about him ?
>> Was he a writer or a person of JK's entourage in the late 50's ?
>>
>>Ciao.
>>
>>Francesco
>>
>>dufour@ulisse.it
>>
>No, he was part of the Bay Area scene that Kerouac & Co.plugged into. His
>name was William Everson, but he was known for many years as Brother
>Antoninus. He later renounced his vows, rejoined the world and became
>poet-in-residence at UC Santa Cruz (if you can really call that "joining the
>world"). He's no longer with us, but I forget the details.
>
>I'm sure others on the list know a lot more about him than I do...
>
>Onward,
>
>John Maynard
>
>
=========================================================================
Date: Thu, 11 Sep 1997 10:26:15 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Addition to the List of Beats
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Looking at the list of beats put together by Rinaldo Rasa reminded me of a
question which occasionally comes to mind:
Where does William T. Vollman (Thirteen Stories and Thirteen Epitaphs,
Whores for Gloria, You Bright and Risen Angels, The Atlas) fit into the
constellation of this genre/movement?
I've read several of his travelogue/essays, some of his short stories and a
couple of his novels, and it seems to me that he shares many of the
qualities thought of as "beat". He has previously been grouped into the
avant-pop (check the anthology, Yesterday's Crash) although I don't see him
sitting there as nicely as Paul Auster, Tom Robbins, or Don Delilo.
Is anyone else on the list familiar with this writer? Care to comment? Vote
him on or off the list?
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Thu, 11 Sep 1997 10:40:51 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: List of Beats (Different Spelling)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I have misspelled the authors name. The correct spelling of his name is:
William T. Vollmann
Sorry 'bout that
Timothy Hoffman
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Wed, 10 Sep 1997 09:56:23 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
What connection to beat does Theodore Roethke have?
DC
=========================================================================
Date: Wed, 10 Sep 1997 19:22:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: William Everson (Brother Antoninus) Re: Monastic beat
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Minor correction:
William Everson died on April 4, 1996. He was teaching at University of
California at Santa Cruz until his death. He was dearly appreciated by by
his students, the faculty and the Community of Santa Cruz.
leon
Francesco, John +ACY- friends,
+AD4-
He left the order in 1969 and died in 1984.
+AD4-
+AD4-Rinaldo.
+AD4-
+AD4APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA
9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9-
+AD4-At 08.23 10/09/97 -0700, John Maynard wrote:
+AD4APg-At 10:24 9/10/97 +020-, Francesco wrote:
+AD4APgA+- In the introduction of the italian edition of JK's Big Sur I have
found
+AD4APgA+-the name of William Emerson who later became a dominican monk.
+AD4APgA+- Does anybody know something about him ?
+AD4APgA+- Was he a writer or a person of JK's entourage in the late 50's ?
+AD4APgA+-
+AD4APgA+-Ciao.
+AD4APgA+-
+AD4APgA+-Francesco
+AD4APgA+-
+AD4APgA+-dufour+AEA-ulisse.it
+AD4APgA+-
+AD4APg-No, he was part of the Bay Area scene that Kerouac +ACY- Co.plugged
into. His
+AD4APg-name was William Everson, but he was known for many years as Brother
+AD4APg-Antoninus. He later renounced his vows, rejoined the world and became
+AD4APg-poet-in-residence at UC Santa Cruz (if you can really call that
+ACI-joining
the
+AD4APg-world+ACI-). He's no longer with us, but I forget the details.
+AD4APg-
+AD4APg-I'm sure others on the list know a lot more about him than I do...
+AD4APg-
+AD4APg-Onward,
+AD4APg-
+AD4APg-John Maynard
+AD4APg-
+AD4APg-
+AD4-.-
+AD4-
=========================================================================
Date: Wed, 10 Sep 1997 23:35:45 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: The Life and Times of Allen Ginsberg
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Just letting everyone know that PBS will be showing this next Wednesday at
10. Check local listings yadda yadda yadda.....
Check out the pbs.org site. They have a lot of stuff there.
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@am.appstate.edu P.O. Box 12149
http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Wed, 10 Sep 1997 21:46:51 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Diane,
Some of these folks belong on the list as forerunners. Roethke, I would
also have doubts about. I flatly disagree with Rinaldo about William
Inge, but that's life. Robinson Jeffers I think might belong on the
list as a sort of progenitor, like Henry Miller, Patchen, etc.
\
I think this list is a great service to folks just trying to find their
way into the Wide World of Beat. I think we should also get more
painters, dancers, musicians for a fuller picture. I like the fact that
this list tends to be more inclusive than exclusive. It is easy to
chose for ourselves who to delete, but the addition of interesting folks
gives us new things to look at.
J. Stauffer
=========================================================================
Date: Thu, 11 Sep 1997 13:28:37 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: chenxiao <xbchen@SUN.NANKAI.EDU.CN>
Subject: hitchhiking
Folks over there, is hitchhiking still easy thing in this continent as in the
OTR time?
Hitchhike to America, hitchhike to moon;
with bag empty, with hair long.
ciao
yan
=========================================================================
Date: Thu, 11 Sep 1997 02:19:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Addition to the List of Beats
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 10:26 AM 9/11/97 +0900, you wrote:
>Looking at the list of beats put together by Rinaldo Rasa reminded me of a
>question which occasionally comes to mind:
>
>Where does William T. Vollman (Thirteen Stories and Thirteen Epitaphs,
>Whores for Gloria, You Bright and Risen Angels, The Atlas) fit into the
>constellation of this genre/movement?
>
>I've read several of his travelogue/essays, some of his short stories and a
>couple of his novels, and it seems to me that he shares many of the
>qualities thought of as "beat". He has previously been grouped into the
>avant-pop (check the anthology, Yesterday's Crash) although I don't see him
>sitting there as nicely as Paul Auster, Tom Robbins, or Don Delilo.
>
>Is anyone else on the list familiar with this writer? Care to comment? Vote
>him on or off the list?
>
>:::===:::===:::===:::===:::===:::===:::===:::
>Timothy Hoffman
>Komaki English Teaching Center
>timothy@gol.com
>
>
I want to know how a soap opera playwright like William
Inge makes the list. This would-be Tennessee Williams
wrote teary memoirs of sad people, many of them women. He
was a veritable Fanny Hurst of the Great White Way, though I
will agree his material was generally much better than hers.
His worst stuff came close to Hurst, though. He was a weeper,
not a Beat.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 03:11:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:28 PM 9/11/97 -0500, you wrote:
>Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
>Hitchhike to America, hitchhike to moon;
>with bag empty, with hair long.
>
>ciao
>yan
>
>
=========================================================================
Date: Thu, 11 Sep 1997 03:11:41 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:28 PM 9/11/97 -0500, you wrote:
>Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
>Hitchhike to America, hitchhike to moon;
>with bag empty, with hair long.
>
>ciao
>yan
>
>
Its scarier that it used to be. I hitchhiked between ages 12 and
24. I hitchhiked for a short distance last Fall when my car ran
out of gas. But its scarier to be a hitchhiker and scarier to be
a driver encountering a hitchhiker. Because there has been a lot
of fear instilled in Americans about everyone from big city blacks
to serial killers and pedophiles, to mention only a few of the
negative stereotypes that fill our newspapers these days. I think
you have to be generally young to get a ride, even in the On the
Road days. I don't pick up a hitchhiker unless he or she looks
young and innocent.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 00:14:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
>Hitchhike to America, hitchhike to moon;
Wo shi yueling wang
>with bag empty, with hair long.
>
>ciao
>yan
=========================================================================
Date: Thu, 11 Sep 1997 17:48:10 +1100
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Duncan Gray <duncang@ENTO.CSIRO.AU>
Subject: Australian tv show about drugs and writers
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Hello,
If you are in Australia you might be interested in The Art of tripping,
showing at 11:15pm, this Sunday, on SBS. It looks into the connection
between artists and drugs. Part two is showing this Sunday and I think
it'll feature some of the beat gen., as part one, last Sunday, dealt with
the pre 1940's.
Dunk
------------------------------------------------------------------.o0
Duncan Gray
Stored Grain Research Laboratory
CSIRO Entomology, GPO Box 1700, Canberra ACT 2601
Ph. (06) 246 4178 Fax (06) 246 4202
----------------------------------------------------------------------
=========================================================================
Date: Thu, 11 Sep 1997 09:48:20 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: Monastic beat II
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="----=_NextPart_000_01BCBE97.D6370380"
Content-Transfer-Encoding: 7bit
Messaggio a piy sezioni in formato MIME.
------=_NextPart_000_01BCBE97.D6370380
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Knowing exactly what to search for, I found this article on Everson's death
that summarizes his life and works.
Thanks for the useful informations !
Ciao !
Francesco.
------=_NextPart_000_01BCBE97.D6370380
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------=_NextPart_000_01BCBE97.D6370380--
=========================================================================
Date: Thu, 11 Sep 1997 04:10:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Jjdorfner@AOL.COM>
Subject: Re: hitchhiking
i'm afraid the days of the carefree hitch-hiker are over.
sad to say. one may hitch-hike. but it's not safe anymore.
john j dorfner
=========================================================================
Date: Thu, 11 Sep 1997 08:24:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
>Hitchhike to America, hitchhike to moon;
>with bag empty, with hair long.
>
>ciao
>yan
Not as easy and therefore nowhere near as common. I drove 20 days, 6,500
miles cross country on Route 20 last fall partly commemorating the old
hitchhiking days, the 30,00 miles traveled with thumb and back 25 years
ago. Did not see even one lone hitchhiker that whole way! It was
disappointing, but I guess understandable.
I still pick up hitchhikers when I see them and have never had a negative
experience. I think people are basically good but there's a fear mentality
that dominates much of late 20th century America.
"shadow lurking
on the edge of the road
nothing more
nothing more
the ghost of Kerouac
late 20th century America
no room for lonesome travelers
bumming rides."
Michael
=========================================================================
Date: Thu, 11 Sep 1997 08:32:42 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Mike Rice wrote:
> I think
> you have to be generally young to get a ride, even in the On the
> Road days. I don't pick up a hitchhiker unless he or she looks
> young and innocent.
>
I talked at some length with Don-the-hitchhiker-at-Denny's who is 66 and
fits the stereotypes of the hobo that are no longer nostalgically
understood. He smells. He has old worn clothes. He smokes
cigarettes. He is a "drinker". And he has a face "that looks like 25
miles of bad road."
Don verified your comments here about the role of youth. He says it is
far easier for the young folks to get rides. I believe he may have even
used the word innocence. He said that it is not uncommon for him to
walk 20 miles between somebody giving him a ride. BUT he was not bitter
about the youth advantage in hitchhiking. He proudly showed how fit he
was at 66 and credited it to walking so much.
david rhaesa
salina, Kansas
> Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 08:36:12 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
John J Dorfner wrote:
>
> i'm afraid the days of the carefree hitch-hiker are over.
> sad to say. one may hitch-hike. but it's not safe anymore.
>
> john j dorfner
Don-the-hitchhiker-at-Denny's didn't seem to think that the dangers were
so great. He recognized the perception of danger being much greater
than they used to be. Almost to a level of paranoia by all on the road
as well as the relatives of those on the road. We talked about these
fears and worries and fear and worry in general and then when we were
talking about the turning of the century we talked some about how the
events of the 20th century have instilled a great fear and worry in all
walks of life. The dangers and risks associated in hitchhiking were
just seen as another manifestation of this overarching expansion of fear
in our society -- probably related to a greater awareness of dangers
than an increase in the dangers themselves.
david rhaesa
salina, Kansas
=========================================================================
Date: Thu, 11 Sep 1997 08:39:30 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Michael Czarnecki wrote:
>
> >Folks over there, is hitchhiking still easy thing in this continent as in the
> > OTR time?
> >
> >Hitchhike to America, hitchhike to moon;
> >with bag empty, with hair long.
> >
> >ciao
> >yan
>
> Not as easy and therefore nowhere near as common. I drove 20 days, 6,500
> miles cross country on Route 20 last fall partly commemorating the old
> hitchhiking days, the 30,00 miles traveled with thumb and back 25 years
> ago. Did not see even one lone hitchhiker that whole way! It was
> disappointing, but I guess understandable.
>
> I still pick up hitchhikers when I see them and have never had a negative
> experience. I think people are basically good but there's a fear mentality
> that dominates much of late 20th century America.
>
> "shadow lurking
> on the edge of the road
> nothing more
> nothing more
> the ghost of Kerouac
> late 20th century America
> no room for lonesome travelers
> bumming rides."
>
> Michael
Interesting. Nice little verse as well. Your comments seem to mirror
so much of what i heard from Don-the-hitchhiker from Dennys. I wonder
if the rarity of your seeing hitchhikers is because they have moved to
different roads. It seems the most likely rides are in vehicles
traveling the Interstates. Rest areas and Truckstops are always a good
place to find these supposedly extinct creatures. Late night Dennys
near interestate are an especially wonderful spot.
david rhaesa
salina, Kansas
=========================================================================
Date: Thu, 11 Sep 1997 08:42:28 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
chenxiao wrote:
>
> Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
> Hitchhike to America, hitchhike to moon;
> with bag empty, with hair long.
>
> ciao
> yan
your line "hitchhike to the moon" brings to mind a large print phrase
attributed to William Burroughs that went something like this ...
"Travel is necessary, Living isn't." This attitude of course is at odds
with precisely the fears and worries and anxieties that are stifling
hitchhiking and making it into a lost art in America. BUT hitchhiking
to the Moon is an interesting and fun idea. Like the stow-aways on
vehicles of all kinds. Gaining passage. And then wonder if the travel
capabilities outside the earth's mesosphere will ever reach the point
where one might "thumb a rocket ride"????? Fascinating to contemplate.
david rhaesa
salina, Kansas
=========================================================================
Date: Thu, 11 Sep 1997 07:46:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
+AD4- Rest areas and Truckstops are always a good place to find these
supposedly extinct creatures.
An endangered species at best
+AD4- Late night Dennys
+AD4- near interestate are an especially wonderful spot.
The foot of highway 17, at the +ACI-Fishook+ACI- where Denny's replaced the
extinct
+ACI-Babar+ACI-, used to burst with colorful hitching hippies. You saw bunches
of
people with thumbs up all the time everywhere. It was the way to go for our
+ACI-flower farm+ACI- people. When Marcie and her friends at the +ACI-flower
farm+ACI-
community decided to check out other places they just walked out and raised
their thumbs. Came back all the way from Minnesota safe and sound, by the
thumbs up route. No more, no more. Alas hardly see them any more here.
Interstate Truck Stops? Hmmm. But how do they get there?
leon
+AD4-david rhaesa
+AD4-salina, Kansas
+AD4-.-
+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 07:16:32 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Monastic beat II
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
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-----Original Message-----
From: Dufour <dufour@ULISSE.IT>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Thursday, September 11, 1997 12:46 AM
Subject: Monastic beat II
Knowing exactly what to search for, I found this article on Everson's death
that summarizes his life and works.
Thanks for the useful informations !
> William "Bill" Everson, known during much of his career as the Dominican
monk Brother Antoninus, > passed away June 3 [1994] at his rustic cabin he
dubbed Kingfisher Flat, just north of Santa Cruz > on the California
Coast. He was 81.
Imagine that. The April 4 date came from the Santa Cruz Library Reference
desk yesterday. Kept me on hold forever, and got it wrong? I'll have to
dublr check now.
Ciao !
Francesco.
=========================================================================
Date: Thu, 11 Sep 1997 07:23:28 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Errors, errors
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
-----Original Message-----
From: Dufour <dufour@ULISSE.IT>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Thursday, September 11, 1997 12:46 AM
Subject: Monastic beat II
Knowing exactly what to search for, I found this article on Everson's death
that summarizes his life and works.
Thanks for the useful informations !
> William "Bill" Everson, known during much of his career as the Dominican
> monk Brother Antoninus, passed away June 3 [1994] at his rustic cabin he
> dubbed Kingfisher Flat, just north of Santa Cruz on the California
> Coast. He was 81.
Imagine that. The April 4 1996 date came from the Santa Cruz Library
Reference
desk yesterday. Kept me on hold forever, and got it wrong? I'll have to
duble check.
leon
Ciao !
Francesco.
=========================================================================
Date: Thu, 11 Sep 1997 10:38:03 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
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On 09/10 James Stauffer wrote:
> I think this list is a great service to folks just trying to find their
> way into the Wide World of Beat. I think we should also get more
> painters, dancers, musicians for a fuller picture. I like the fact that
> this list tends to be more inclusive than exclusive. It is easy to
> chose for ourselves who to delete, but the addition of interesting folks
> gives us new things to look at.
>
> J. Stauffer
I agree. I have a friend who used to gripe about the books I chose to
include on my Beat bookshelf. He liked to claim that the only *true* Beat
writers had to have been mentioned in "Howl" (which is rather limiting
things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly
enough, Tuli Kupferburg).
=========================================================================
Date: Thu, 11 Sep 1997 08:03:35 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
And then wonder if the travel
+AD4-capabilities outside the earth's mesosphere will ever reach the point
+AD4-where one might +ACI-thumb a rocket ride+ACI-????? Fascinating to
contemplate.
wings of feather, wings of a jet, the sattelite on the neck, hey not there,
the cosmic R+ACY-D enfineering department is working on it. Just give it a
couple of million years more or less
leon
+AD4-
+AD4-david rhaesa
+AD4-salina, Kansas
+AD4-.-
+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 08:35:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: tyler peterson <bepeters@AA.NET>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
hitchiking in smaller communities is a very cool way to meet the grass-roots
community of an area that you are stuck in during a cross-country trip or
something. But for the most part, from my experiance, just walking down
the road with your thumb out is becoming increasingly extinct. Rest stops
certainly are good for picking up rides.
the fear complex in america about hitchiking and hitchikers is not totally
unwarranted. I would never hitchike without a knife (or atleast a sharpened
screwdriver or something) balanced in my sock for easy access. I have heard
quite few horror stories. Especially from people combing the west coast
(from seattle to LA usually). But once you get a ride its usually obvious
right of the bat if the driver has an ulterior motive and you can always
fake that your town is the next right or something and assert yourself if he
disagrees with a little raised voice and if need be, allusion to violence.
Most people are just as afraid of you in that situation as you are of them.
Whatever. just some realism stuff. Hitchhiking is far from idylic these
days.
tyler.
===============================================================================
"There ain't nuthin' in school they can't teach you on the streets"
-The Straycats
===============================================================================
=========================================================================
Date: Thu, 11 Sep 1997 08:22:38 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
+AD4-
+AD4-Its scarier that it used to be
Are we not growing further and further apart? In the beginning people lived
their lives out together. Families grew. People grew more apart. Villages,
towns, cities. And cities keep growing faster and faster. How many people
will you see tomorrow that you passed by today? Know them all? Feel for them
all? Deadly squabbles in obscure corners of the world entering our homes
daily. We are walking on cement, between cement walls that are closing in.
TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can
we saty as comfortable as we did in the past about things we did then?
+AD4-.-
+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 00:47:13 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Leon Tabory wrote:
>
> Its scarier that it used to be
>
> Are we not growing further and further apart? In the beginning people
> lived
> their lives out together. Families grew. People grew more apart. > Villages,
> towns, cities. And cities keep growing faster and faster. How many > people
> will you see tomorrow that you passed by today? Know them all? Feel for
> them
> all? Deadly squabbles in obscure corners of the world entering our > homes
> daily. We are walking on cement, between cement walls that are closing
> in.
> TV screens for eyes to the ends of the planet.. Crowds are crowding in.
> Can
> we saty as comfortable as we did in the past about things we did then?
This is from Kerouac in Big Sur, and this was about 32 years ago:
"This is the first time I've hitch hiked in years and I soon begin to see
that things have changed in America, you can't get a ride any more (but
of course especially on a strickly tourist road like this coast highway
with no trucks and no business)--Sleek long stationwagon after wagon
comes sleering by smoothly, all colors of the rainbow and pastel at that,
pink, blue, white, the husband is in the driver's seat with a long
ridiculous vacationist hat with a long baseball visor making him look
witless and idiot--Beside him sits wifey, the boss of America, wearing
dark glasses and sneering, even if he wanted to pick me up or anybody up
she wouldn't let him--But in the two deep backseats are children,
children, millions of children, all ages, they're fighting and screaming
over ice cream, they're spilling vanilla all over the Tartan
seatcovers--There's no room anymore anyway for a hitch hiker, tho
conceivably the poor bastard might be allowed to ride like a meek gunman
of silent murderer in the very back platform of the wagon, but here no,
alas! here is ten thousand racks of drycleaned and perfectly pressed
suits and dresses of all sizes for the family to look like millionaires
every time they stop at a roadside dive for bacon and eggs...So here I am
standing in that road with that big woeful rucksack but also probably
that expression of horror on my face after all those nights sitting in
the seashore under giant black cliffs, they see in me the very
apotheosical opposite of their very vacation dream and of course drive
on--That afternoon I say about 5 thousand cars or probably 3 thousand
passed me not one of them ever dreamed of stopping..."
DC
=========================================================================
Date: Thu, 11 Sep 1997 13:11:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Gary Mex Glazner <PoetMex@AOL.COM>
Subject: Re: Addition to the List of Beats
Dear Mike,
I agree Inge is not beat.
Have you seen is new play
3 Tall Women? I saw it
last week in San Francisco
it was the best night of theater
for me in a long time.
Also heard interview with
him, he comes off, very funny,
on the radio.
yrs
Gary Mex Glazner
San Francisco
Headless Buddha
http://www.well.com/user/poetmex
=========================================================================
Date: Thu, 11 Sep 1997 13:14:30 +0000
Reply-To: mongo.bearwolf@Dartmouth.EDU
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mongo BearWolf <mongo.bearwolf@DARTMOUTH.EDU>
Organization: Dartmouth College
Subject: AG as MONEY Magazine Publisher?
MIME-Version: 1.0
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Content-Transfer-Encoding: 7bit
[Hi Folks... I received this query from a correspondent, and I'm afraid
I couldn't answer her question. I told her I'd forward it on to the
list. If you can help her, please write directly to her. But copy me,
as I'm curious as well! --Mongo]
>Date: Wed, 10 Sep 1997 20:30:48 -0700
>From: Stanley & Laurie Gonzalez <sgglbg@pacbell.net>
>Subject: Re: A.G. as MONEY magazine publisher
In the mid-1960s for over a year, Allen Ginsberg (the very same, I am
sure) offered from a New York addresss via a full-page color ad in the
comics pages of the San Francisco Chronicle (such ads were often placed
in the comics during the 60's)--for $5 per year or $10 for a "lifetime
subscription", a monthly or semi-monthly publication called MONEY or
YOUR MONEY or some such short title with MONEY in it. It was the first
of its kind; a nearly identical version has recently started publishing
this year, edited and promoted by one Martin Edelston at a Boulder, CO
address, called Bottom Line/PERSONAL and deals with ways to save, make,
spend and otherwise get the best deal in every area of money management.
MONEY claimed to be an inside report (what "they" DON'T want you to
know). I recall that (1) I paid $5 for one year, then renewed at $10
(for life) and it went out of business within a few months afterward
with no refund for remaining issues. I am absolutely sure that this was
Allen Ginsberg's venture. Any verification of that in your background
information on him?
Incidentally, can you advise me via e-mail how to contact his estate to
obtain permission to use several of his photos from his PHOTOGRAPHS book
(1990-Twelvetrees Press) to illustrate a book of poetry I wrote in the
unrhymed verse of the Beat era (during the years between '57 and '61
which I have copyrighted and will publish later this year?
Thanks in advance for providing this forum for informaiton exchange and,
in advance, for any info or assistance you can provide in response.
Laurie (the "lbg" in sgglbg@pacbell.net)
--------------------------------------------------------
...visit...
ALLEN GINSBERG:
Shadow Changes into Bone
The Clearinghouse for all things Ginsberg!
http://www.ginzy.com
--------------------------------------------------------
=========================================================================
Date: Thu, 11 Sep 1997 10:04:03 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
. I would never hitchike without a knife (or atleast a sharpened
screwdriver or something) balanced in my sock for easy access.
That is one of the fears that keeps me from picking up a hitchiker on the
rare occasions when I do see one. It just seems harder to trust strangers
these days.
Hey, there was a time when we said inhale deeply, aaah, the breath was so
fresh, pores opened up, dirt rolling off the skin, you could see it all
around you, fresh faces with sparkling eyes, breathing out freely, taking it
all in, gentler everybody. Then came swallow it, wow, soaring spirits,
mutual encouragement, a real pleasure to run into each other, the world was
free for giving and taking. Hitching a ride meant meeting new people,
enjoying more the trip of life, getting more places with a little help from
friends.
That fresh breath entered a polluted world. It was not enough to banish the
harsh laws of survival on this planet. You can still see a spark here and
there, no getting completely buried in the monstrous machinery. But the
machinery produces
new toys to play aroound with, to make tools of. Like at this moment we
signal to each other across vast distances. Hello there. We are heading for
a future unlike the past. that the past didn't even imagine. But at the
moment I will be late for work if I
don't stop.
ciao
leon
+ACI-There ain't nuthin' in school they can't teach you on the
streets+ACI-
-The Straycats
+AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA
9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQ
A9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0-
+AD0APQA9-
.-
=========================================================================
Date: Thu, 11 Sep 1997 14:01:17 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Iowa connecting
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I'm heading out for a two week reading tour of Iowa (not hitchhiking!)
Sept. 25 through Oct. 9. 10 - 12 readings around the state. Anyone on the
list from there? Anyone want to connect out in mid-America? I'll send more
info to anyone interested.
Michael
=========================================================================
Date: Thu, 11 Sep 1997 10:58:23 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jorgiana S Jake <jorgiana@U.ARIZONA.EDU>
Subject: Re: hitchhiking
In-Reply-To: <3417A201.218@together.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Looking back, maybe it's been difficult all along...however all
the publicity in the past 20 years or so about serial killers and
"kooks" has made it even worse.
Jorgiana
>
> This is from Kerouac in Big Sur, and this was about 32 years ago:
>
> "This is the first time I've hitch hiked in years and I soon begin to see
> that things have changed in America, you can't get a ride any more (but
> of course especially on a strickly tourist road like this coast highway
> with no trucks and no business)--Sleek long stationwagon after wagon
> comes sleering by smoothly, all colors of the rainbow and pastel at that,
> pink, blue, white, the husband is in the driver's seat with a long
> ridiculous vacationist hat with a long baseball visor making him look
> witless and idiot--Beside him sits wifey, the boss of America, wearing
> dark glasses and sneering, even if he wanted to pick me up or anybody up
> she wouldn't let him--But in the two deep backseats are children,
> children, millions of children, all ages, they're fighting and screaming
> over ice cream, they're spilling vanilla all over the Tartan
> seatcovers--There's no room anymore anyway for a hitch hiker, tho
> conceivably the poor bastard might be allowed to ride like a meek gunman
> of silent murderer in the very back platform of the wagon, but here no,
> alas! here is ten thousand racks of drycleaned and perfectly pressed
> suits and dresses of all sizes for the family to look like millionaires
> every time they stop at a roadside dive for bacon and eggs...So here I am
> standing in that road with that big woeful rucksack but also probably
> that expression of horror on my face after all those nights sitting in
> the seashore under giant black cliffs, they see in me the very
> apotheosical opposite of their very vacation dream and of course drive
> on--That afternoon I say about 5 thousand cars or probably 3 thousand
> passed me not one of them ever dreamed of stopping..."
> DC
>
=========================================================================
Date: Thu, 11 Sep 1997 10:32:32 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Awesome Diane. Seems like things are moving right along. Where is the
Kerouac of today, with that magnificent way, that he could bring alive to
us the majesty of the sweeping view, the spectacular spectacles of the
strands that wove it all together, too awesome for words, except maybe
Kerouac's words. I am searching for words and I ain't no Kerouac, those not
being my gifts, but there will be others. We will see more of them I am
sure.
Still, about thirty two years ago in Santa Cruz, and on highway one up and
down the coast, and all the way To San Francisco or Big Sur to the South,
the territory that we covered, hitchiking and hitchikers were in bloom and
flower brightening the already soaring spirits at the time. I guess Jack was
hanging around then much closer to the mainstream engines of America, and
the people and things that fueled them, kept them working, then I was.
Now those steamrollers have rolled over us too. Not many hitchikers around
us either any more. But we did survive+ACE- Getting up and shaking of the dust,
with a clearer focus that can bring into view the worlds that even Jack then
didn't see, or want to look at.
Now I am running off to work.
leon
+AD4-Leon Tabory wrote:
+AD4APg-
+AD4APg- Its scarier that it used to be
+AD4APg-
+AD4APg- Are we not growing further and further apart? In the beginning people
+AD4APg- lived
+AD4APg- their lives out together. Families grew. People grew more apart. +AD4-
Villages,
+AD4APg- towns, cities. And cities keep growing faster and faster. How many
+AD4-
people
+AD4APg- will you see tomorrow that you passed by today? Know them all? Feel for
+AD4APg- them
+AD4APg- all? Deadly squabbles in obscure corners of the world entering our
+AD4-
homes
+AD4APg- daily. We are walking on cement, between cement walls that are closing
+AD4APg- in.
+AD4APg- TV screens for eyes to the ends of the planet.. Crowds are crowding in.
+AD4APg- Can
+AD4APg- we saty as comfortable as we did in the past about things we did then?
+AD4-
+AD4-
+AD4-This is from Kerouac in Big Sur, and this was about 32 years ago:
+AD4-
+AD4AIg-This is the first time I've hitch hiked in years and I soon begin to see
+AD4-that things have changed in America, you can't get a ride any more (but
+AD4-of course especially on a strickly tourist road like this coast highway
+AD4-with no trucks and no business)--Sleek long stationwagon after wagon
+AD4-comes sleering by smoothly, all colors of the rainbow and pastel at that,
+AD4-pink, blue, white, the husband is in the driver's seat with a long
+AD4-ridiculous vacationist hat with a long baseball visor making him look
+AD4-witless and idiot--Beside him sits wifey, the boss of America, wearing
+AD4-dark glasses and sneering, even if he wanted to pick me up or anybody up
+AD4-she wouldn't let him--But in the two deep backseats are children,
+AD4-children, millions of children, all ages, they're fighting and screaming
+AD4-over ice cream, they're spilling vanilla all over the Tartan
+AD4-seatcovers--There's no room anymore anyway for a hitch hiker, tho
+AD4-conceivably the poor bastard might be allowed to ride like a meek gunman
+AD4-of silent murderer in the very back platform of the wagon, but here no,
+AD4-alas+ACE- here is ten thousand racks of drycleaned and perfectly pressed
+AD4-suits and dresses of all sizes for the family to look like millionaires
+AD4-every time they stop at a roadside dive for bacon and eggs...So here I am
+AD4-standing in that road with that big woeful rucksack but also probably
+AD4-that expression of horror on my face after all those nights sitting in
+AD4-the seashore under giant black cliffs, they see in me the very
+AD4-apotheosical opposite of their very vacation dream and of course drive
+AD4-on--That afternoon I say about 5 thousand cars or probably 3 thousand
+AD4-passed me not one of them ever dreamed of stopping...+ACI-
+AD4-DC
+AD4-.-
+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 14:40:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: hitchhiking
In a message dated 97-09-11 04:11:16 EDT, you write:
<< one may hitch-hike. but it's not safe anymore. >>
it's safe if i'm the one picking you up.
ddr
=========================================================================
Date: Thu, 11 Sep 1997 14:59:06 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: hitchhiking
In a message dated 97-09-11 04:11:16 EDT, jjdorfner wrote:
<<
i'm afraid the days of the carefree hitch-hiker are over.
sad to say. one may hitch-hike. but it's not safe anymore.
>>
But seriously, folks...
I don't really know why we all got the idea (or when) that hitching/picking
up hitchers had BECOME dangerous. I don't think it's any more or less
dangerous than it ever was.
I hitched in the Sixties and Seventies, got paranoid in the Eighties, and I
have hitched in the Nineties. And when I'm driving, I almost always pick up
hitchers, most of whom enrich my life.
For me, it's a thing I refuse to give up, this hitchhiker thing. As soon as I
do, I know I'm gonna go straight, which is a fate worse than death (the
straight life IS death).
My kid (now almost 18) started hopping freights and hitching when he was 15,
much to my maternal chagrin. However, I couldn't deny the benefit of the
experience for him. Of course, if I'd had my way, he'd still be asking my
permission to cross the street (but that's another story), and maybe hitching
and riding the rails is the extreme response to an overly protective parent
(is that why jack did it?) but I really believe we make too much of something
that's been unfairly awfulized into being dangerous.
Lotta great stuff in literature about hitching, too. One hitching anecdote
that has always stood out for me is near the end of "Blue Highways" by
William Least Heat Moon, where he picked up a hitcher in my neck of the
woods. I don't have the book and can't even paraphrase it, but his
experience, for me, seemed standard fare and well worth reading today.
Bottom line: I trust my instincts. I pick up hitchers whose vibes are right,
and I take rides from cars based on the same system. I have had some
frightening moments, but I think that's to be expected.
Surrendering the freedom of the hitched ride to the dismal fears of today
just seems wrong to me. There's a whole huge aspect of living that one misses
when one passes a hitcher by, or never sticks out his/her thumb.
I say, Let's all get out there and hitch a ride and change "reality..."
ddr
=========================================================================
Date: Thu, 11 Sep 1997 15:04:27 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: Addition to the List of Beats
In-Reply-To: Message of Thu, 11 Sep 1997 10:26:15 +0900 from <timothy@GOL.COM>
I'd say Vollman doesn't have any connection to the Beats whatsoever, although I
can see how some might argue Beat influence.
=========================================================================
Date: Thu, 11 Sep 1997 11:39:20 -0700
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
I didn't think Jack was telling us much here about the difficulties of
hitchiking, in this jewel of a treat,, his cartoonlike exaggerations of the
american middle class family for a moment together in their station wagons
on a vacation trip, strokes of genius, such a treat to read, thank you Diane
for this surprise great pleasure, still he thinks that he looks too scary
for folks to give him a ride. He says:
+AD4APg-but also probably
+AD4APg- that expression of horror on my face after all those nights sitting in
+AD4APg- the seashore under giant black cliffs, they see in me the very
+AD4APg- apotheosical opposite of their very vacation dream and of course drive
+AD4APg- on-
Was this the point Diane? Scary looking people never get invited for a ride?
My earlier response was my sadness that Jack was so unhappy that he looked
at the dark side that he had for whatever reasons to wallow in his
depressed outlook where the bright things that were happening were not
visible to him. That area, at that time, was just beautiful hitchiking land.
I know because I was a frequent rider on that coast highway. That was Big
Sur area he was speaking of, no and a couple of years more than 32?
+AD4- Looking back, maybe it's been difficult all along...however all
+AD4- the publicity in the past 20 years or so about serial killers and
+AD4- +ACI-kooks+ACI- has made it even worse.
+AD4-
+AD4- Jorgiana
+AD4APg-
+AD4APg- This is from Kerouac in Big Sur, and this was about 32 years ago:
+AD4APg-
+AD4APg- +ACI-This is the first time I've hitch hiked in years and I soon begin
to see
+AD4APg- that things have changed in America, you can't get a ride any more (but
+AD4APg- of course especially on a strickly tourist road like this coast highway
+AD4APg- with no trucks and no business)--Sleek long stationwagon after wagon
+AD4APg- comes sleering by smoothly, all colors of the rainbow and pastel at
that,
+AD4APg- pink, blue, white, the husband is in the driver's seat with a long
+AD4APg- ridiculous vacationist hat with a long baseball visor making him look
+AD4APg- witless and idiot--Beside him sits wifey, the boss of America, wearing
+AD4APg- dark glasses and sneering, even if he wanted to pick me up or anybody
up
+AD4APg- she wouldn't let him--But in the two deep backseats are children,
+AD4APg- children, millions of children, all ages, they're fighting and
screaming
+AD4APg- over ice cream, they're spilling vanilla all over the Tartan
+AD4APg- seatcovers--There's no room anymore anyway for a hitch hiker, tho
+AD4APg- conceivably the poor bastard might be allowed to ride like a meek
gunman
+AD4APg- of silent murderer in the very back platform of the wagon, but here no,
+AD4APg- alas+ACE- here is ten thousand racks of drycleaned and perfectly
pressed
+AD4APg- suits and dresses of all sizes for the family to look like millionaires
+AD4APg- every time they stop at a roadside dive for bacon and eggs...So here I
am
+AD4APg- standing in that road with that big woeful rucksack but also probably
+AD4APg- that expression of horror on my face after all those nights sitting in
+AD4APg- the seashore under giant black cliffs, they see in me the very
+AD4APg- apotheosical opposite of their very vacation dream and of course drive
+AD4APg- on--That afternoon I say about 5 thousand cars or probably 3 thousand
+AD4APg- passed me not one of them ever dreamed of stopping...+ACI-
+AD4APg- DC
+AD4APg-
+AD4-.-
+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 15:09:29 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Inge
I too vote against Inge -- not even close in my opinion.
=========================================================================
Date: Thu, 11 Sep 1997 15:16:05 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: hitchhiking
In-Reply-To: <9709110818.aa15537@mail.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
having spent a hair-raising semester in '71 in richmond, va. let me tell
you it was scary even then, hitchhiking as a hippy chile and all.
hitchhiked with base ball bat. the conservatives (including grey haired
grandmother types) threw shit out of windows at us, blacks and white men
both were crusing to pick up hippie girls and do whatever depraved and
sadistic thing they could think of. but then, i also waited at bus stops
with bb bat to avoid getting jumped and pulled into cars (happened to two
friends of mine they were raped and battered) hitchiked to see zappa once
and that was the end of my hitchhiking in the south (actually had to use
the bb bat, assholes thought i was bluffing.
and, as a matter of fact, riding my bike cross town in richmond safest if i
rode through the ghetto than downtown city ...
last time i hitched a ride in new england i had to talk this sleazy guy
into going off interstate to 'a motel i know' only to jump out at first red
light.
up here in vermont, it's a little gentler and kind, but i hesitate. and
irony is that now i have no car. but won't hitch a lift no moe.
mc
>+AD4-Its scarier that it used to be
>
>Are we not growing further and further apart? In the beginning people lived
>their lives out together. Families grew. People grew more apart. Villages,
>towns, cities. And cities keep growing faster and faster. How many people
>will you see tomorrow that you passed by today? Know them all? Feel for them
>all? Deadly squabbles in obscure corners of the world entering our homes
>daily. We are walking on cement, between cement walls that are closing in.
>TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can
>we saty as comfortable as we did in the past about things we did then?
>+AD4-.-
>+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 15:16:10 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: hitchhiking
In-Reply-To: <3417A201.218@together.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
kudos again go to the fabulous DC!
>This is from Kerouac in Big Sur, and this was about 32 years ago:
>
>"This is the first time I've hitch hiked in years and I soon begin to see
>that things have changed in America, you can't get a ride any more (but
>of course especially on a strickly tourist road like this coast highway
>with no trucks and no business)--Sleek long stationwagon after wagon
>comes sleering by smoothly, all colors of the rainbow and pastel at that,
>pink, blue, white, the husband is in the driver's seat with a long
>ridiculous vacationist hat with a long baseball visor making him look
>witless and idiot--Beside him sits wifey, the boss of America, wearing
>dark glasses and sneering, even if he wanted to pick me up or anybody up
>she wouldn't let him--But in the two deep backseats are children,
>children, millions of children, all ages, they're fighting and screaming
>over ice cream, they're spilling vanilla all over the Tartan
>seatcovers--There's no room anymore anyway for a hitch hiker, tho
>conceivably the poor bastard might be allowed to ride like a meek gunman
>of silent murderer in the very back platform of the wagon, but here no,
>alas! here is ten thousand racks of drycleaned and perfectly pressed
>suits and dresses of all sizes for the family to look like millionaires
>every time they stop at a roadside dive for bacon and eggs...So here I am
>standing in that road with that big woeful rucksack but also probably
>that expression of horror on my face after all those nights sitting in
>the seashore under giant black cliffs, they see in me the very
>apotheosical opposite of their very vacation dream and of course drive
>on--That afternoon I say about 5 thousand cars or probably 3 thousand
>passed me not one of them ever dreamed of stopping..."
>DC
=========================================================================
Date: Thu, 11 Sep 1997 15:16:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: hitchhiking
In-Reply-To: <9709110959.aa17679@mail.cruzio.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
leon, thanks for the memory! being picked up by fellow fellaheens on the
road usually led to tripping, toking, getting out and showing the sights to
fellow voyagers interior and exterior
mc
Hey, there was a time when we said inhale deeply, aaah, the breath was so
fresh, pores opened up, dirt rolling off the skin, you could see it all
around you, fresh faces with sparkling eyes, breathing out freely, taking it
all in, gentler everybody. Then came swallow it, wow, soaring spirits,
mutual encouragement, a real pleasure to run into each other, the world was
free for giving and taking. Hitching a ride meant meeting new people,
enjoying more the trip of life, getting more places with a little help from
friends.
=========================================================================
Date: Thu, 11 Sep 1997 14:27:53 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: The Life and Times of Allen Ginsberg
In-Reply-To: <Pine.OSF.3.96.970910233312.11968A-100000@am.appstate.edu>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Wed, 10 Sep 1997, Alex Howard wrote:
> Just letting everyone know that PBS will be showing this next Wednesday at
> 10. Check local listings yadda yadda yadda.....
>
> Check out the pbs.org site. They have a lot of stuff there.
>
> ------------------
> Alex Howard (704)264-8259 Appalachian State University
> kh14586@am.appstate.edu P.O. Box 12149
> http://www1.appstate.edu/~kh14586 Boone, NC 28608
>
10 a.m. or p.m.?
jt
=========================================================================
Date: Thu, 11 Sep 1997 14:30:51 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>
Subject: Re: hitchhiking
In-Reply-To: <199709111828.NAA24312@sun.nankai.edu.cn>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 11 Sep 1997, chenxiao wrote:
> Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
> Hitchhike to America, hitchhike to moon;
> with bag empty, with hair long.
>
> ciao
> yan
>
no; in fact in _Big Sur_ Jack Kerouac wrote something to the effect,
"No rides, a sign" (this is a paraphrase).
jt
=========================================================================
Date: Thu, 11 Sep 1997 14:27:57 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: thumbs up
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Content-Transfer-Encoding: 7bit
Diane De Rooy wrote:
> I say, Let's all get out there and hitch a ride and change "reality..."
>
> ddr
I hitched probably over 200,000 miles over the years between 1967 and
1979. most of the trips were up and down all the way on highway 1 on
the coast,San Diego to Seattle, or La to San Fransico, over and over,
Highway 70 from kansas to California about 12 times, sometimes up
(north)sometmes down (south), then 70 to boston, New York, Maine about 5
times. Twice through canada, straight up and over back down through New
york, One of the sweetest time was a long ride through mexico in the
back of a dump truck with a large extened family. I had three bad
moments, all in the midwest, kc, omaha, and outside of emporia. I was
never raped, but hit hard once in Kc and scared and mauled. Offered
money for sex more often in california.
I did a lot of road theatre, lied through my teeth, sometimes took to
do you know jesus? (an antiaphrodisiac) almost always had little odd
gifts to give people to "pay" my way..
One day my tv was on and was watching a nice looking guy, relaxed, talk
bout some legal situation in Colorado, turned up the tv and slowly
figured out it was ted bundy, that moment put more fear into me than the
trucker i fled from across the fields near omaha.
I still occasionally pick up hikers, i am on the intersection of I 70
and highway 59 . my friend Jamie Grow, i write his name so that he might
be remembered, disappeared after giving a rider to two lesbians from
arkansas to kansas, he never found kansas. i dreamt once he was under
the water of a muddy stream. The hardest hiking times were in New York
where i discovered i suffered from a bad case of prejudice. mean
hearted people in New York state, nasty sense of humors, but no one
tried to rape me. God I loved stomping my foot on a mountain, cresting
a hill on the grapevine, seeing the colors of the soil change, grabbing
a guys butt and watching his expression as it got later at night and he
thought he got lucky. hey I know this is not beat related but I found
just loved thinking about those trips,
p
=========================================================================
Date: Thu, 11 Sep 1997 13:08:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Caleb Carr
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From an article in today's (9/11/97) USA Today about Caleb Carr's new
novel, "The Angel of Darkness". (Caleb is the son of Lucien Carr).
QUOTE
"He grew up on the poor side of town but went to a rich kids prep
school He was a rational child brought up in a world of dreamers and
drinkers. His father is Beat writer Lucien Carr, so he grew up in the
presence of literary rebels like Allen Ginsberg and William S.
Burroughs.
But he rebelled against them. "I'm a writer despite their influence,"
Carr says, "I grew up with faith in rationalism. The Beats engaged in
the opposite, and that didn't work for me."
END OF QUOTE
Can someone more literarily (literally?) inclined than I tell me what
he means by rationalism, also how does this differ from realism
(which, to me, is what the Beats WERE all about).
Though I haven't read any of his work it sounds, from what I gather,
that Caleb may have been "influenced" by Dr. Sax.
love and lilies,
matt h.
=========================================================================
Date: Thu, 11 Sep 1997 16:28:12 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: Caleb Carr
Reply to message from MATT.HANNAN@USOC.ORG of Thu, 11 Sep
> Can someone more literarily (literally?) inclined than I tell me what
> he means by rationalism, also how does this differ from realism
> (which, to me, is what the Beats WERE all about).
>
> Though I haven't read any of his work it sounds, from what I gather,
> that Caleb may have been "influenced" by Dr. Sax.
>
> love and lilies,
>
> matt h.
I'm not sure if I can explain what he meant by rationalism, but I have read
the Alienist, and it is most defientely NOT Beat Literature. It's very
traditional, as far as writing technique goes. The story is told--I'm
assuming it was a letter--about 25 years after the events happened.
Basically, there's this serial killer running around New York just before
the turn of the century murdering boy prostitutes. And the narrator was a
part of an under-cover team assembled to stop the killer. It's a good
story, well-thought out & obviously a lot of research went into the book,
but in my humble opinion it's no lasting masterpiece. What bothered me the
most about the story was that the style Caleb chose to write the book
in--the whole looking-back-at-these-events-well-after-they've-happened
bit--is completely unrealistic given the amount of detail in the book. And
I think he did want it to be a believable story, but there's no way someone
could remember every minute detail of these events the way the narrator of
this book does, & it's made clear throughout that he is, in fact, reminiscing.
Caleb is Lucien's son, and a writer, but I wouldn't include him on Rinaldo's
Ultimate Beat-Writer list.
Diane.
--
I should have loved a thunderbird instead. --Sylvia Plath
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Thu, 11 Sep 1997 16:28:42 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@MAILHUB.JAXNET.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-type: text/plain; charset=US-ASCII
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> Looking back, maybe it's been difficult all along...however all
> the publicity in the past 20 years or so about serial killers and
> "kooks" has made it even worse.
remeber that story about the "hook"? you know that guy who scares
this young couple when he just escapes prison or something. it's
stuff like that which made me feel insecure even looking at someone
outside of a car on the highway. then again i am a child of the
eighties so there you are.
> Jorgiana
randy
> >
> > This is from Kerouac in Big Sur, and this was about 32 years ago:
> >
> > "This is the first time I've hitch hiked in years and I soon begin to see
> > that things have changed in America, you can't get a ride any more (but
> > of course especially on a strickly tourist road like this coast highway
> > with no trucks and no business)--Sleek long stationwagon after wagon
> > comes sleering by smoothly, all colors of the rainbow and pastel at that,
> > pink, blue, white, the husband is in the driver's seat with a long
> > ridiculous vacationist hat with a long baseball visor making him look
> > witless and idiot--Beside him sits wifey, the boss of America, wearing
> > dark glasses and sneering, even if he wanted to pick me up or anybody up
> > she wouldn't let him--But in the two deep backseats are children,
> > children, millions of children, all ages, they're fighting and screaming
> > over ice cream, they're spilling vanilla all over the Tartan
> > seatcovers--There's no room anymore anyway for a hitch hiker, tho
> > conceivably the poor bastard might be allowed to ride like a meek gunman
> > of silent murderer in the very back platform of the wagon, but here no,
> > alas! here is ten thousand racks of drycleaned and perfectly pressed
> > suits and dresses of all sizes for the family to look like millionaires
> > every time they stop at a roadside dive for bacon and eggs...So here I am
> > standing in that road with that big woeful rucksack but also probably
> > that expression of horror on my face after all those nights sitting in
> > the seashore under giant black cliffs, they see in me the very
> > apotheosical opposite of their very vacation dream and of course drive
> > on--That afternoon I say about 5 thousand cars or probably 3 thousand
> > passed me not one of them ever dreamed of stopping..."
> > DC
> >
>
>
=========================================================================
Date: Thu, 11 Sep 1997 17:07:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Preston Whaley <paw8670@MAILER.FSU.EDU>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
funny how nostalgia is perrenial and that Kerouac felt the breakdown in
community; beatness was its symptom. this is not specifically related to
the issue of hitching but in a general way:
The sins of America are precisely that the streets . . . are empty where
their houses are, there's no sense of neighborhood anymore, a neighborhood
quarter a neighborhood freeforall fight between two streets of young
husbands is no longer possible . . .(VC 261).
what was everyone doing, shopping?
> +AD4-
>+AD4-Its scarier that it used to be
>
>Are we not growing further and further apart? In the beginning people lived
>their lives out together. Families grew. People grew more apart. Villages,
>towns, cities. And cities keep growing faster and faster. How many people
>will you see tomorrow that you passed by today? Know them all? Feel for them
>all? Deadly squabbles in obscure corners of the world entering our homes
>daily. We are walking on cement, between cement walls that are closing in.
>TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can
>we saty as comfortable as we did in the past about things we did then?
>+AD4-.-
>+AD4-
=========================================================================
Date: Thu, 11 Sep 1997 15:56:37 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jym Mooney <vmooney@EXECPC.COM>
Subject: Re: AG as MONEY Magazine Publisher?
Comments: To: mongo.bearwolf@Dartmouth.EDU
Comments: cc: sgglbg@pacbell.net
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
She is thinking of RALPH GINZBURG, not our Allen. I remember his MONEY
magazine, too.
> >Subject: Re: A.G. as MONEY magazine publisher
>
> In the mid-1960s for over a year, Allen Ginsberg (the very same, I am
> sure) offered from a New York addresss via a full-page color ad in the
> comics pages of the San Francisco Chronicle (such ads were often placed
> in the comics during the 60's)--for $5 per year or $10 for a "lifetime
> subscription", a monthly or semi-monthly publication called MONEY or
> YOUR MONEY or some such short title with MONEY in it. It was the first
> of its kind; a nearly identical version has recently started publishing
> this year, edited and promoted by one Martin Edelston at a Boulder, CO
> address, called Bottom Line/PERSONAL and deals with ways to save, make,
> spend and otherwise get the best deal in every area of money management.
>
> MONEY claimed to be an inside report (what "they" DON'T want you to
> know). I recall that (1) I paid $5 for one year, then renewed at $10
> (for life) and it went out of business within a few months afterward
> with no refund for remaining issues. I am absolutely sure that this was
> Allen Ginsberg's venture. Any verification of that in your background
> information on him?
>
>
> Thanks in advance for providing this forum for informaiton exchange and,
> in advance, for any info or assistance you can provide in response.
>
> Laurie (the "lbg" in sgglbg@pacbell.net)
>
=========================================================================
Date: Thu, 11 Sep 1997 14:18:55 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: Caleb Carr
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:08 PM 9/11/97 -0400, you wrote:
> From an article in today's (9/11/97) USA Today about Caleb Carr's new
> novel, "The Angel of Darkness". (Caleb is the son of Lucien Carr).
>
> QUOTE
>
> "He grew up on the poor side of town but went to a rich kids prep
> school He was a rational child brought up in a world of dreamers and
> drinkers. His father is Beat writer Lucien Carr, so he grew up in the
> presence of literary rebels like Allen Ginsberg and William S.
> Burroughs.
>
> But he rebelled against them. "I'm a writer despite their influence,"
> Carr says, "I grew up with faith in rationalism. The Beats engaged in
> the opposite, and that didn't work for me."
>
> END OF QUOTE
>
> Can someone more literarily (literally?) inclined than I tell me what
> he means by rationalism, also how does this differ from realism
> (which, to me, is what the Beats WERE all about).
Burroughs believed in pooks and sprites etc...A person who didn't share such
beliefs or worldview entailing supernatural as something literal and
tangible would describe his or her view as rational vs Burrough's view
irrational.
I also think Diane Homza made very good points in terms of a writing style
or method to use that could also be seen as a comparison of rational vs
irrational.
I've talked about Caleb Carr here a few times because he wrote a book I read
that I quite liked called The Devil Soldier. It was about Frederick
Townsend Ward who was an American who became a soldier of fortune type and
eventually ended up in China leading a group of soldiers for the Qing
Dynasty government against the Tai Ping Tien Kuo (Heavenly Peace Kingdom),
called the long hairs who were trying to overthow the Emperor and his
regime. Ward's army was called the Ever Victorious Army. It's a good
interesting book.
I didn't read the Alienist but I also think this book, Devil Soldier,
reflects on the rational vs irrational path he talks about in that it is a
straightforward well foot-noted scholarly biography. It is to his credit as
a writer that it reads like a novel. In terms of the rational vs irrational
he could have easily told this story in "experimental" or irrational ways
but chose to do a "rational" straightforward biography.
About the younger Carr as a beat, he did rebel as he states above.
=========================================================================
Date: Thu, 11 Sep 1997 16:43:11 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Re: hitchhiking
In-Reply-To: <199709111828.NAA24312@sun.nankai.edu.cn>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 11 Sep 1997, chenxiao wrote:
> Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
>
> Hitchhike to America, hitchhike to moon;
> with bag empty, with hair long.
>
> ciao
> yan
>
I'm afraid not, Yan. It's illegal in many places. Most depressing thing
in the world is to see a road sign with a thumb up held with a big red
slash across it. and you read or hear about people getting killed, raped
. . . all the time . I was lucky enough to hitch 1600 miles down the
Alaskan-Highway last year, through Canada. It was fairly easy for us.
But Canada and Alaska are a lot different than the rest of the U.S.
i like your little poem. reminds me of Jack's "Visions of America."
-matt
=========================================================================
Date: Thu, 11 Sep 1997 16:44:17 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Subject: list
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Rinaldo,
You should also add Howard Hart to your list.
Cordially,
Michael Skau
9/11/97
=========================================================================
Date: Thu, 11 Sep 1997 17:56:57 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 08:24 AM 9/11/97 -0400, you wrote:
>>Folks over there, is hitchhiking still easy thing in this continent as in the
>> OTR time?
>>
>>Hitchhike to America, hitchhike to moon;
>>with bag empty, with hair long.
>>
>>ciao
>>yan
>
>Not as easy and therefore nowhere near as common. I drove 20 days, 6,500
>miles cross country on Route 20 last fall partly commemorating the old
>hitchhiking days, the 30,00 miles traveled with thumb and back 25 years
>ago. Did not see even one lone hitchhiker that whole way! It was
>disappointing, but I guess understandable.
>
>I still pick up hitchhikers when I see them and have never had a negative
>experience. I think people are basically good but there's a fear mentality
>that dominates much of late 20th century America.
>
>"shadow lurking
>on the edge of the road
>nothing more
>nothing more
>the ghost of Kerouac
>late 20th century America
>no room for lonesome travelers
>bumming rides."
>
>Michael
>
>
Another thing, they usually won't let you hitchhike on the
interstate. You have to hitchhike from the on ramp if
anywhere. I discovered that when I hitchhiked home from
the UW Madison in the 60s. So you are not going to see
hitchers on interstates, but you would in the day of Route
66. I still see hitchers off the major roadways, but not
like I used to.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 17:57:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Addition to the List of Beats
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:11 PM 9/11/97 -0400, you wrote:
>Dear Mike,
>
>I agree Inge is not beat.
>Have you seen is new play
>3 Tall Women? I saw it
>last week in San Francisco
>it was the best night of theater
>for me in a long time.
>Also heard interview with
>him, he comes off, very funny,
>on the radio.
>
>yrs
>Gary Mex Glazner
>San Francisco
>Headless Buddha
>http://www.well.com/user/poetmex
>
>
>From what twilight zone
are you writing. Inge
has been dead since the
late 70s or early 80s.
Are you sure you're not
speaking of Edward Albee?
I think you are. Now, is
Edward Albee, author of
Tiny Alice, a beat, I don't
think so.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 17:57:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: hitchhiking
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 02:40 PM 9/11/97 -0400, you wrote:
>In a message dated 97-09-11 04:11:16 EDT, you write:
>
><< one may hitch-hike. but it's not safe anymore. >>
>
>it's safe if i'm the one picking you up.
>
>ddr
>
>
How can we be sure? Who knows what you have done in
your secret life.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 17:57:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: thumbs up
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
One day my tv was on and was watching a nice looking guy, relaxed, talk
bout some legal situation in Colorado, turned up the tv and slowly
figured out it was ted bundy,
Are you serious? Do I understand that you watched Ted Bundy at work,
trying to set up his next murder. Did I misunderstand. Please explain.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 17:57:32 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Caleb Carr
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:08 PM 9/11/97 -0400, you wrote:
> From an article in today's (9/11/97) USA Today about Caleb Carr's new
> novel, "The Angel of Darkness". (Caleb is the son of Lucien Carr).
>
> QUOTE
>
> "He grew up on the poor side of town but went to a rich kids prep
> school He was a rational child brought up in a world of dreamers and
> drinkers. His father is Beat writer Lucien Carr, so he grew up in the
> presence of literary rebels like Allen Ginsberg and William S.
> Burroughs.
>
> But he rebelled against them. "I'm a writer despite their influence,"
> Carr says, "I grew up with faith in rationalism. The Beats engaged in
> the opposite, and that didn't work for me."
>
> END OF QUOTE
>
> Can someone more literarily (literally?) inclined than I tell me what
> he means by rationalism, also how does this differ from realism
> (which, to me, is what the Beats WERE all about).
>
> Though I haven't read any of his work it sounds, from what I gather,
> that Caleb may have been "influenced" by Dr. Sax.
>
> love and lilies,
>
> matt h.
>
>
I think its clear. He believes in realism. The Beats, especially
Kerouac, were clear romantics, who could believe in any pipedream.
Caleb Carr is not a romantic.
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 18:14:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: hitchhiking
In-Reply-To: <199709111828.NAA24312@sun.nankai.edu.cn>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 11 Sep 1997, chenxiao wrote:
> Folks over there, is hitchhiking still easy thing in this continent as in the
> OTR time?
no, only easy thing to do now is hitchhike on the net; folks in chat rooms,
irc & at ends of internet connections still talk to strangers, pass ideas
along and take you for a ride.
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Thu, 11 Sep 1997 18:20:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Re: The Life and Times of Allen Ginsberg
In-Reply-To: <Pine.HPP.3.93.970911142727.18282A-100000@holmes.ipfw.indiana.edu>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Thu, 11 Sep 1997, Jennifer Thompson wrote:
> > Just letting everyone know that PBS will be showing this next Wednesday at
> > 10. Check local listings yadda yadda yadda.....
> 10 a.m. or p.m.?
In the pm, sorry to not make that clear.
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@am.appstate.edu P.O. Box 12149
http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Thu, 11 Sep 1997 18:26:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: list
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 04:44 PM 9/11/97 -0500, you wrote:
>Rinaldo,
>You should also add Howard Hart to your list.
>Cordially,
>Michael Skau
>9/11/97
>
>
Hell, why not add Bret Harte, Moss Hart
and Harte Crain?
Mike Rice
=========================================================================
Date: Thu, 11 Sep 1997 16:56:41 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: Iowa connecting
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Be sure to have some apple pie and ice cream!
______________________________ Reply Separator _________________________________
Subject: Iowa connecting
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 9/11/97 2:01 PM
I'm heading out for a two week reading tour of Iowa (not hitchhiking!)
Sept. 25 through Oct. 9. 10 - 12 readings around the state. Anyone on the
list from there? Anyone want to connect out in mid-America? I'll send more
info to anyone interested.
Michael
=========================================================================
Date: Thu, 11 Sep 1997 19:36:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: Visions of America
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 04:43 PM 9/11/97 -0500, you wrote:
>On Thu, 11 Sep 1997, chenxiao wrote:
>
>> Folks over there, is hitchhiking still easy thing in this continent as
in the
>> OTR time?
>>
>> Hitchhike to America, hitchhike to moon;
>> with bag empty, with hair long.
>>
>> ciao
>> yan
>>
>I'm afraid not, Yan. It's illegal in many places. Most depressing thing
>in the world is to see a road sign with a thumb up held with a big red
>slash across it. and you read or hear about people getting killed, raped
>. . . all the time . I was lucky enough to hitch 1600 miles down the
>Alaskan-Highway last year, through Canada. It was fairly easy for us.
>But Canada and Alaska are a lot different than the rest of the U.S.
>
>i like your little poem. reminds me of Jack's "Visions of America."
>
>-matt
>
>
Matt - Ive been searching for "Visions of America" for two years and cant
seem to find it except through this internet bookdealer who wants 125
dollars for it which of course I don't have. Do you know of a way of how I
could get it cheeper?
-Jon
=========================================================================
Date: Thu, 11 Sep 1997 20:26:18 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: hitchhiking
In a message dated 97-09-11 17:58:54 EDT, we write:
<< ><< one may hitch-hike. but it's not safe anymore. >>
>
>it's safe if i'm the one picking you up.
>
>ddr
>
>
How can we be sure? Who knows what you have done in
your secret life.
Mike Rice
<<<
well, mike... maybe YOU wouldn't be safe... hee hee hee
ddr
=========================================================================
Date: Thu, 11 Sep 1997 20:36:31 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: thumbs up
In a message dated 97-09-11 15:38:07 EDT, patricia wrote:
<<
Diane De Rooy wrote:
> I say, Let's all get out there and hitch a ride and change "reality..."
>
> ddr
I hitched probably over 200,000 miles over the years between 1967 and
1979.
hey I know this is not beat related but I found just loved thinking about
those trips,
p
>>
I don't know about everyone else, but I've thoroughly enjoyed this thread...
and I think hitching is completely Beat-related, and "thumbs up" is a great
title for your letter. Wish I'd thought of it...
So, patricia, what's the best route to hitch from Seattle to where you are?
diane
=========================================================================
Date: Thu, 11 Sep 1997 21:05:42 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Crickets
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
David:
I found the crickets. In an ad for a Nancy Griffith show it says:
Horizon presents
An Evening with
NANCI GRIFFITH & the Blue Moon Orchestra
featuring THE CRICKETS
So, at least you know that they are in good hands and making a wonderful
folk sound.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Thu, 11 Sep 1997 21:18:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
I did more than my share in 1970-71. But, I don't remember much really
being fun. It was a sense of adventure and had a cool trip full of
conincidences once. We were hitching from Thomasville GA to Bushkill
Falls PA for a rock festival, Harmonyville. We got to Atlanta and slept
under some pine trees on the side of the road. We went down to a 76
truck stop and got breakfast. We started talking to this middle aged
man. He was up drinking all night and was going to head to the Atlanta
Raceway for a stock car race. We told him what we were doing and he got
that "crazy" look in his eyes. He said, damn, I always wanted to do
something like that. He got in his car and decided to take us to
Greenville SC and come back for the race.
When we got to Greenville he said, hell, I always wanted to do something
crazy like this. I'm gonna take you to Pennsylvania. I was behind the
wheel and drove his car all the way from Atlanta to Philadelphia. Since
it was the days before atms, he had his girl friend wire him money in
Washington DC. As we rode around the Western Union office, we thought,
man, I can't believe he would let us three kids drive his car around
like this in DC.
When we got to PA, the festival was cancelled. Sly Stone was late for a
show in Illinois and when he didn't come out the kids had a riot. A
bunch of festivals got canceled. We chose to go to this one instead of
one in VA. At the one in VA, it rained a lot and they had a show
despite the ban. I believe "Candles in the Rain" by Melanie and "Who'll
Stop the Rain" by CCR may have been inspired by that show. Anyways, he
took us back to Atlanta.
His occupation was a mechanic. But he made his real money turning back
odometers for used car dealers.
A pretty cool ride.
But, despite this great trip, I don't really thinking hitching was that
great an idea.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Thu, 11 Sep 1997 20:35:17 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Crickets
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
R. Bentz Kirby wrote:
>
> David:
>
> I found the crickets. In an ad for a Nancy Griffith show it says:
>
> Horizon presents
>
> An Evening with
>
> NANCI GRIFFITH & the Blue Moon Orchestra
> featuring THE CRICKETS
>
> So, at least you know that they are in good hands and making a wonderful
> folk sound.
>
> Peace,
> --
> Bentz
> bocelts@scsn.net
>
> http://www.scsn.net/users/sclaw
that sounds like Nancy ... used to be on her wavelength ever few weeks
back in iowa city ... the Mill was kinda Nancy griffith kinda place ...
i think greg browne or green or something or other too. used to goof
off at open mike nites there with guitar and persecuting music for free
... crowd favourite was acoustic-punk-angst-version of johndenver
version of Leavin on a jet plane!
dbr
=========================================================================
Date: Thu, 11 Sep 1997 21:47:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: kerouac timeline
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
As I did up a timeline of Kerouac's life for class on Monday, I figured
"whatthehell", did some quick coding in my local web editor (knew those
things were good for something), and put it up on my Kerouac page. If
anyone gets the chance/desire, I'd love for some double checking on my
dates and such; as my sources conflicted a bit on some of the "began
working on suchandsuchnovel", "moved to suchandsuchplace", and "ran
whilly-nilly to Mexico" dates. Order of events of each year may be a
bit skewed as well. I'd appreciate the lowdown if anyone finds errors.
http://porter.appstate.edu/~kh14586/links/beats/kerouac/timeline.html
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@am.appstate.edu P.O. Box 12149
http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Thu, 11 Sep 1997 18:57:21 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Jym Mooney wrote:
. . .the only *true* Beat
> writers had to have been mentioned in "Howl" (which is rather limiting
> things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly
> enough, Tuli Kupferburg).
There are times for narrow definitions and times for broad ones. On
this list I think broad is helpful, although there are some on this list
that to my mind are clearly out, but this is democracy. There are lots
of people on the list who would have hated like hell to be called "Beat"
(Jack Spicer is a good example, or Bukowski) but because of their time
and associations are going to be called Beat whether they like it or
not. "Beat" was Allan and Jack's term really, and I think other writers
resented being dragged into that camp feeling that they had their own
thing going. Allan was a wonderful promoter. But narrowly defined Beats
are all dead and gone now. Certainly we can borrow the term and give it
somewhat wider application without watering it down beyond all
usefullness
J. Stauffer
=========================================================================
Date: Thu, 11 Sep 1997 22:32:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Re: Iowa connecting
Mime-Version: 1.0
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MATT HANNAN wrote:
> Be sure to have some apple pie and ice cream!
>
>
I will, and know just the place, The Barn Cafe, Dike, Iowa where a sign in
entranceway proclaims:
OFFICIAL AGRICULTURAL SEMINAR
HELD HERE DAILY
Michael
=========================================================================
Date: Thu, 11 Sep 1997 11:25:34 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: hitchhiking
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> Leon Tabory wrote:
> Was this the point Diane? Scary looking people never get invited for a
> ride?
>
> My earlier response was my sadness that Jack was so unhappy that he
> looked
> at the dark side that he had for whatever reasons to wallow in his
> depressed outlook where the bright things that were happening were not
> visible to him. That area, at that time, was just beautiful hitchiking
> land.
> I know because I was a frequent rider on that coast highway. That was
> Big
> Sur area he was speaking of, no and a couple of years more than 32?
I read it as meaning that he felt America was changing even then, but if
you hitchhiked in the same area at about the same time and didn't feel
it, then perhaps this is another way in which his depression caused him
to see the darker side of things. Jack was "sick of life" through most
of Big Sur and many of his older joys (and I would see hitchhiking as one
of them) no longer held much meaning for him.
DC
=========================================================================
Date: Thu, 11 Sep 1997 20:11:49 -0700
Reply-To: sgglbg@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Stanley & Laurie Gonzalez <sgglbg@PACBELL.NET>
Subject: Re: AG as MONEY Magazine Publisher?
Comments: To: Jym Mooney <vmooney@execpc.com>
Comments: cc: mongo.bearwolf@Dartmouth.EDU
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Jym Mooney wrote:
>
> She is thinking of RALPH GINZBURG, not our Allen. I remember his MONEY
> magazine, too.
>
> > >Subject: Re: A.G. as MONEY magazine publisher
> >
> > In the mid-1960s for over a year, Allen Ginsberg (the very same, I am
> > sure) offered from a New York addresss via a full-page color ad in the
> > comics pages of the San Francisco Chronicle (such ads were often placed
> > in the comics during the 60's)--for $5 per year or $10 for a "lifetime
> > subscription", a monthly or semi-monthly publication called MONEY or
> > YOUR MONEY or some such short title with MONEY in it. It was the first
> > of its kind; a nearly identical version has recently started publishing
> > this year, edited and promoted by one Martin Edelston at a Boulder, CO
> > address, called Bottom Line/PERSONAL and deals with ways to save, make,
> > spend and otherwise get the best deal in every area of money management.
> >
> > MONEY claimed to be an inside report (what "they" DON'T want you to
> > know). I recall that (1) I paid $5 for one year, then renewed at $10
> > (for life) and it went out of business within a few months afterward
> > with no refund for remaining issues. I am absolutely sure that this was
> > Allen Ginsberg's venture. Any verification of that in your background
> > information on him?
> >
> >
> > Thanks in advance for providing this forum for informaiton exchange and,
> > in advance, for any info or assistance you can provide in response.
> >
> > Laurie (the "lbg" in sgglbg@pacbell.net)
> >
-----------------------------------------------------------------------
Thank you, Mongo, Bill and Jim for leading me to the right first name at
last and the correctly spelled last name. Wonder what became of Ralph
G... Probably absconded with all of the "lifetime membership" monies
(for a couple of weeks in Mexico)!
(.) (.)
.
Thanks again. \___/ Laurie
=========================================================================
Date: Fri, 12 Sep 1997 11:51:27 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: chenxiao <xbchen@SUN.NANKAI.EDU.CN>
Subject: Re: hitchhiking
I don't know how is hitchhiking in China. This summer I took a trip to northwest
China, not hitchhiking but taking cheapest train and hotel room so that I can
stay longer on the road. There is cool landscape. I encountered several poor
people including a little begger girl, who has pure eyes and tender voice, and
a old hobo thousands of miles away home, who picks up littered water or
coca-cola bottles to earn money. I always wonder how those hobos survive with
no money in pocket.
I should have stay a day or two with the old man. There are millions of hobos
wandering around Chinese vast land. But I think they are different to hobos
described by Beats writers, they send money back home whenever having any. Its
sad thing.
west side of Yellow River,
desert is ahead,
stuck bicycle in mud,
saw footprints of mine on wet sand.
i am alone, haaaa i am alone.
Yan
=========================================================================
Date: Thu, 11 Sep 1997 23:21:53 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
Comments: To: stauffer@pacbell.net
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James Stauffer wrote:
>
> Jym Mooney wrote:
> . . .the only *true* Beat
> > writers had to have been mentioned in "Howl" (which is rather limiting
> > things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly
> > enough, Tuli Kupferburg).
>
> There are times for narrow definitions and times for broad ones. On
> this list I think broad is helpful, although there are some on this list
> that to my mind are clearly out, but this is democracy. There are lots
> of people on the list who would have hated like hell to be called "Beat"
> (Jack Spicer is a good example, or Bukowski) but because of their time
> and associations are going to be called Beat whether they like it or
> not. "Beat" was Allan and Jack's term really, and I think other writers
> resented being dragged into that camp feeling that they had their own
> thing going. Allan was a wonderful promoter. But narrowly defined Beats
> are all dead and gone now. Certainly we can borrow the term and give it
> somewhat wider application without watering it down beyond all
> usefullness
>
> J. Stauffer
Being somebody who is coming into this whole game fairly if not at a
moron status in terms of my level of ignorance, the project of the
expanded list is helping me considerably in creating connections between
(as Lou Reed would say) "faces and names". The list of the "CORE" Beats
is wonderful for providing focus and it seems like a decent idea to try
and draw lines of association that connect (like those old sex chains in
college) to one or more of these. Perhaps this is a way of creating
some slight method to the madness of the entire definition game. But
i'm one for letting quite a lot of madness flow. Part of the
distinction in this thread seems to be the notion of Beats and Beat
Generation. Certainly the DIRECT influences of the CORE Beats move far
beyond their initial little group. There are many advantages to having
both lists. The most obvious is that when newcomers come in -- as i did
-- relatively ignorant, there is material to examine without falling
into that dangerous thread of "What is Beat?" and the true but not
particularly helpful answer of "Rhubarb" (or was it "Dumpling!!?!!)...It
provides information both from a lens that is focused VERY VERY closely
on a selected group of Exemplar and of the Larger Literary Community
that is -- in computerese -- LINKED to the Core.
Just two thoughts as night falls in the Land where Eisenhower is still
thought to be President and the pledge of Allegiance a marvelous little
poem!
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 12 Sep 1997 00:20:37 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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chenxiao wrote:
>
> I don't know how is hitchhiking in China. This summer I took a trip to
> northwest
> China, not hitchhiking but taking cheapest train and hotel room so
> that I can
> stay longer on the road. There is cool landscape. I encountered
> several poor
> people including a little begger girl, who has pure eyes and tender
> voice, and
> a old hobo thousands of miles away home, who picks up littered water
> or
> coca-cola bottles to earn money. I always wonder how those hobos
> survive with
> no money in pocket.
> I should have stay a day or two with the old man. There are millions
> of hobos
> wandering around Chinese vast land. But I think they are different to
> hobos
> described by Beats writers, they send money back home whenever having
> any. Its
> sad thing.
>
> west side of Yellow River,
> desert is ahead,
> stuck bicycle in mud,
> saw footprints of mine on wet sand.
> i am alone, haaaa i am alone.
>
> Yan
Yan:
Thanks for the cool post.
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Thu, 11 Sep 1997 23:24:34 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Iowa connecting
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Content-Transfer-Encoding: 7bit
Michael Czarnecki wrote:
>
> MATT HANNAN wrote:
>
> > Be sure to have some apple pie and ice cream!
> >
> >
>
> I will, and know just the place, The Barn Cafe, Dike, Iowa where a sign in
> entranceway proclaims:
>
> OFFICIAL AGRICULTURAL SEMINAR
> HELD HERE DAILY
>
> Michael
MACHINESHED Interstate 80 Davenport Iowa, Northwest side of Town. You
will see TRUE farmers!!!!! (and some tourists)
If you dip below to the I-70 range ... consider a slide through salina
though not a lot to do here but watch the sunflowers.
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 12 Sep 1997 00:54:58 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: thumbs up
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Content-Transfer-Encoding: 7bit
Diane De Rooy wrote:
> So, patricia, what's the best route to hitch from Seattle to where you are?
>
> diane
my server is only working about 10 minutes every 4 hours. so here goes,
the best way to hitch from seattle to here is via mexico. of course that
is how i found canada. Route and weather, lines and chance.
to respond to a variety of thoughts and messages
Jamie picked up the lesbians at a coop grocery in fayetteville, after
they disappeared with him , his money and his van, a tv they had hocked
turned out hot. Jamie Grow was a hippies hippy, tales of him in Ohle's
"cows are freaky when they look at you; tales of the Kaw Valley Hemp
Pickers."
Inge is dead but i don't think he is beat!
Here in lawrence some of us have take the great rinaldo beat list and
made of list of the works and we play match games (beat pursuit) bob
(the saint that is my husband) is the best.
Mike, I believe you are correct, I am not sure but I do believe Ted
Bundy did go on to murder more people ( in Florida) after he was in
Colorado.
Iowa, i would love to meet you, too, I am heading to texas for a couple
of weeks (end of Sept) ( i am driving), give us your rough itinerary
and mayhaps we can share a cuppa.
now i will click on send and see.
p
=========================================================================
Date: Fri, 12 Sep 1997 01:08:31 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: list
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Mike Rice wrote:
>
> At 04:44 PM 9/11/97 -0500, you wrote:
> >Rinaldo,
> >You should also add Howard Hart to your list.
> >
> >
> Hell, why not add Bret Harte, Moss Hart
> and Harte Crain?
>
> Mike Rice
I certainly agree with adding howard Hart but as for bret, moss and
crain is this humor? i sure don't get this new humor. i understand the
hart refrain but are you disagreeing about Howard hart?
p
=========================================================================
Date: Fri, 12 Sep 1997 05:27:09 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: David Jones <71224.1465@COMPUSERVE.COM>
Subject: Re: AG as MONEY Magazine Publisher?
MIME-Version: 1.0
Content-Transfer-Encoding: 7bit
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Ginzberg was a publisher who had been an editor at Esquire Magazine in the
fifties. In 1958 his "An Unhurried View of Erotica" was published. He
published the hardcover "Eros" magazine in the early sixties and became
something of a cause celebre over an obscenity case (involving an issue of
that publication) which went all the way to the US Supreme Court. He lost
the appeal and served time in prison in the seventies, then wrote
Castrated: My Eight Months in Prison. Before they locked him up, he
published Fact Magazine in the mid sixties, which was mildly beat in that
it published work by Rexroth and such, and "Avant Garde" magazine between
1968 and 1971, which was a high-end periodical noted for its graphics. I
seem to remember a later version of "Fact", and Ginzberg also put out a
series of newsletter style publications having to do with money saving and
other handy tips (as you have mentioned). One, published in the eighties,
had to do with getting Social Security payments.
I'm not sure if he's still alive.
- David
-----Original Message-----
From: INTERNET:sgglbg@pacbell.net
Sent: Thursday, September 11, 1997 20:46
To: INTERNET:BEAT-L@CUNYVM.CUNY.EDU
Subject: Re: AG as MONEY Magazine Publisher?
-----------------------------------------------------------------------
Thank you, Mongo, Bill and Jim for leading me to the right first name at
last and the correctly spelled last name. Wonder what became of Ralph
G... Probably absconded with all of the "lifetime membership" monies
(for a couple of weeks in Mexico)!
(.) (.)
.
Thanks again. \___/ Laurie
=========================================================================
Date: Fri, 12 Sep 1997 06:32:27 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: hitchhiking
In-Reply-To: <Pine.LNX.3.95.970911181305.20530C-100000@devel.nacs.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
no, only easy thing to do now is hitchhike on the net; folks in chat rooms,
irc & at ends of internet connections still talk to strangers, pass ideas
along and take you for a ride.
_______
hi michael! loved the above, quoted from yr post! great analogy and reality
statement.
mc
=========================================================================
Date: Fri, 12 Sep 1997 06:58:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: list
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:08 AM 9/12/97 -0500, you wrote:
>Mike Rice wrote:
>>
>> At 04:44 PM 9/11/97 -0500, you wrote:
>> >Rinaldo,
>> >You should also add Howard Hart to your list.
>
>> >
>> >
>> Hell, why not add Bret Harte, Moss Hart
>> and Harte Crain?
>>
>> Mike Rice
>
>I certainly agree with adding howard Hart but as for bret, moss and
>crain is this humor? i sure don't get this new humor. i understand the
>hart refrain but are you disagreeing about Howard hart?
>p
>
>
I don't know a lot of these people including Howard Hart. I'm just sort
of gently mocking the wide world approach to beats.
MIke Rice
=========================================================================
Date: Fri, 12 Sep 1997 09:05:04 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leo Jilk <ljilk@GUINAN.MPS.ORG>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
In-Reply-To: <3.0.1.32.19970910183952.006e5b5c@pop.gpnet.it>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I saw Larry eigner on the United States of Poetry on PBS. Can you tell me
more about him in connection with the beats. I don't know anything about
the Black MTn school.
leo
"The whole problem with the world is that fools and fanatics are always so
certain of themselves, but wiser people so full of doubts."
--Bertrand Russel
"Time is an illusion. Lunchtime doubly so."
--Douglas Adams
=========================================================================
Date: Fri, 12 Sep 1997 07:34:09 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Hello Michael and everybody,
Well put I thought, until I got to the +ACI-take you for a ride+ACI- bump on
the
ride. I didn't know whether to take it as a very serious warning, are you
sounding an alarm, or just playing around , watch out, it can happen, sort
of thing. I understand well how you got to watch out in this world where you
can find everywhere people willing and able to take you for a ride while
seeming to just give you one. Especially when it is free. Email associations
is as yet uncharted territory, all these strange possibilities, and
certainly subject to these pitfalls. Still in many ways harder to take one
for a ride on e-mail, than in FTF (face to face) associations. Or is it? Are
we ready for +ACI-I thought I was surfing the beat web and got taken for a
ride+ACI-
stories? Any pointers for little red riding hoods, that give away the wolves
in surfers print? I am only half kidding.
Have a nice weekend everyone,
leon
l
leon
+AD4-On Thu, 11 Sep 1997, chenxiao wrote:
+AD4-
+AD4APg- Folks over there, is hitchhiking still easy thing in this continent as
in
the
+AD4APg- OTR time?
+AD4-
+AD4-no, only easy thing to do now is hitchhike on the net+ADs- folks in chat
rooms,
+AD4-irc +ACY- at ends of internet connections still talk to strangers, pass
ideas
+AD4-along and take you for a ride.
+AD4-
+AD4-
+AD4-email stutz+AEA-dsl.org Copyright (c) 1997 Michael Stutz+ADs- this
information is
+AD4APA-http://dsl.org/m/+AD4- free and may be reproduced under GNU GPL, and as
long
+AD4- as this sentence remains+ADs- it comes with absolutely
NO
+AD4- WARRANTY+ADs- for details see
+ADw-http://dsl.org/copyleft/+AD4-.
+AD4-.-
+AD4-
=========================================================================
Date: Fri, 12 Sep 1997 10:57:16 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeffrey Weinberg <Waterrow@AOL.COM>
Subject: Re: Visions of America
In a message dated 97-09-12 06:30:44 EDT, you write:
<< >
Matt - Ive been searching for "Visions of America" for two years and cant
seem to find it except through this internet bookdealer who wants 125
dollars for it which of course I don't have. Do you know of a way of how I
could get it cheeper?
>>
Jon:
Lucky you - the publisher of "Visions of America" just happens to be a member
of this list....
I published Visions of America back in 1991 in a limited edition of a few
hundred copies. It was hand-printed and handbound - priced justifiably at
$125.00 per copy as a collector's item. It's sold out and out of print.
"Visions of America" consists of an excerpt from Kerouac's 1952 travel
notebook about driving through Arizona with Neal and Carolyn on the way to
Mexico City.
The excerpt is presented as a print which is frameable. The text is decorated
with artwork by Jack - everything previously unpublished. The print is housed
in a handbound hardcover folio case with Jack's facsimile signature on the
front.
The printer did a few proof copies for publisher's inspection and I still
have them here.
They are not numbered nor do they come in the hardcover case but the print is
the same. If anyone here on the Beat-L wants a copy, send me $20.00 plus $3
for shipping. MC/Visa/etc. Satisfaction guaranteed.
Jeffrey
Water Row Books
=========================================================================
Date: Fri, 12 Sep 1997 08:14:58 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Hi mc,
I am rushing again. Am arranging to have Fridays off. but not yet today.
Please let me know if you got the check. I put it in the mail Saturday and
it may not have left until Sunday, but still it should have reached you. If
you did not get it yet, I will put a stop in the bank if it was not cashed
yet, and send you another one. I took the address from the return on the
envelope that you mailed the cassettes in.
Love
leon
+AD4-leon, thanks for the memory+ACE- being picked up by fellow fellaheens on
the
+AD4-road usually led to tripping, toking, getting out and showing the sights to
+AD4-fellow voyagers interior and exterior
+AD4-mc
+AD4-Hey, there was a time when we said inhale deeply, aaah, the breath was so
+AD4-fresh, pores opened up, dirt rolling off the skin, you could see it all
+AD4-around you, fresh faces with sparkling eyes, breathing out freely, taking
it
+AD4-all in, gentler everybody. Then came swallow it, wow, soaring spirits,
+AD4-mutual encouragement, a real pleasure to run into each other, the world was
+AD4-free for giving and taking. Hitching a ride meant meeting new people,
+AD4-enjoying more the trip of life, getting more places with a little help from
+AD4-friends.
+AD4-.-
+AD4-
=========================================================================
Date: Fri, 12 Sep 1997 08:19:58 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: tyler peterson <bepeters@AA.NET>
Subject: freight trains
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Does anybody on this list have an experiance with freight train hopping (for
current day routes and trains) ? If not does anyone know of any zines or
sites devoted to this type of "low-budget" travel ? America needs to
revamp its train system a la europe. Much more effective/cheap over there.
I can't afford amtrak tickets. Its ugly.
t.
===============================================================================
"There ain't nuthin' in school they can't teach you on the streets"
-The Straycats
===============================================================================
=========================================================================
Date: Fri, 12 Sep 1997 17:42:48 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: freight trains
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 8bit
The only thing I Know is that is a very dangerous way of travelling: some
persons lost their legs under the weels trying to jump on the train.
Francesco
----------
> Da: tyler peterson <bepeters@AA.NET>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: freight trains
> Data: venerdl 12 settembre 1997 17.19
>
> Does anybody on this list have an experiance with freight train hopping
(for
> current day routes and trains) ? If not does anyone know of any zines
or
> sites devoted to this type of "low-budget" travel ? America needs to
> revamp its train system a la europe. Much more effective/cheap over
there.
> I can't afford amtrak tickets. Its ugly.
>
> t.
>
>
===========================================================================
===
>
> "There ain't nuthin' in school they can't teach you on the
streets"
> -The Straycats
>
===========================================================================
===
=========================================================================
Date: Fri, 12 Sep 1997 08:50:01 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: der doc <der_doc@ROCKETMAIL.COM>
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I honestly don't see the point in all the argument over who is Beat
and who ain't. Beats are Beat is Beat. You know I know they know, as
long as we're all Beat that is.
===
visit my web site, <a
href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)
Regeneration</a>
(http://www.geocities.com/SoHo/Lofts/6131)
for info on the Beat, Beatnik and Neo-Beat subcultures
_____________________________________________________________________
Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
=========================================================================
Date: Fri, 12 Sep 1997 08:46:48 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: der doc <der_doc@ROCKETMAIL.COM>
Subject: Re: The Life and Times of Allen Ginsberg
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===
visit my web site, <a
href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)
Regeneration</a>
(http://www.geocities.com/SoHo/Lofts/6131)
for info on the Beat, Beatnik and Neo-Beat subcultures
---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:
>
> On Wed, 10 Sep 1997, Alex Howard wrote:
>
> > Just letting everyone know that PBS will be showing this next
Wednesday at
> > 10. Check local listings yadda yadda yadda.....
> >
> > Check out the pbs.org site. They have a lot of stuff there.
> >
> > ------------------
> > Alex Howard (704)264-8259 Appalachian State
University
> > kh14586@am.appstate.edu P.O. Box 12149
> > http://www1.appstate.edu/~kh14586 Boone, NC 28608
> >
> 10 a.m. or p.m.?
> jt
>
I think it's a little late to find that out... considering that was
THIS LAST wednesday...
_____________________________________________________________________
Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
=========================================================================
Date: Fri, 12 Sep 1997 11:20:25 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: R: freight trains
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In Mo. all trains stop in neuburg. It is best to pick up your train in
a small town that acts as a switching station. to get on and off there,
don't use the big cities as your depot. Both the hobo population and
the guards are rougher. Avoid amtrak for unticketed riding. Carry a
thermal ( metalic sheet camping blanket) Watch weight , go light.
Pick flat bed cars for easy exit, sometimes box cars are locked at
departure and can stay locked for days.. Switching stations can be
determined by track maps.
proverty is ugliest when you can't afford food or getting the cavity
filled but if you are unencumbered the old old story is
freedom and money don't necessarily travel together.
p
=========================================================================
Date: Fri, 12 Sep 1997 09:30:39 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: der doc <der_doc@ROCKETMAIL.COM>
Subject: a little permission if you please...
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I am a recent subscriber to Beat-L (just a few days right now) but I have
noticed that the topic matter has been incredibly interesting. In fact, so
many words, sentences and fragments have jumped out at me so violently, I have
taken to printing out my email.
Now this is the reason for me writing this. When I print out the email, I cut
it up into little snippets of words (sometimes phrases, sometimes whole
sentences) and rearrange them into a reconstitution of parts of the original
text which in no way resemble the original. Yes, Uncle Bill has influenced me
IMMENSELY.
Anyway, having done this, I find that I have an incredibly interesting piece of
work left over and I was just wondering if the technique was cool with everyone
else on Beat-L, as I may be cutting up anything that you say and mixing it in
with a million other things.
If everything's cool with you guys, I hope to post these composite texts on <a
href="http://www.geocities.com/SoHo/Lofts/6131">my website</a> (see below).
So please, write me back and let me know what you think.
Adam J Muszkiewicz
===
visit my web site, The Beat(en) Regeneration
(http://www.geocities.com/SoHo/Lofts/6131)
for info on the Beat, Beatnik and Neo-Beat subcultures
<hr size=1>Sent by RocketMail. Get your free e-mail at <a
href="http://www.rocketmail.com">http://www.rocketmail.com</a><br>
=========================================================================
Date: Fri, 12 Sep 1997 09:46:39 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: update 10 sep 1997 Beat SuperNova (Beats:The List)
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RACE --- wrote:
\the project of the
> expanded list is helping me considerably in creating connections between
> (as Lou Reed would say) "faces and names". The list of the "CORE" Beats
> is wonderful for providing focus and it seems like a decent idea to try
> and draw lines of association that connect (like those old sex chains in
> college) to one or more of these.
David,
Perhaps you remember that six months or so ago, when you were disussing
Beat texts for high school, sa griffin and I tried to get going a list
of this sort with connections drawn and a geographical frame of
reference, to be developed in the style of the "Exploding Poem" we did
in memory of Ginsberg. Didn't take off then, who knows why, but has
gotten a new incarnation with Rinaldo. I think connections would be
very helpful, as well as at least a tag line identification and in the
case of artists, a principle work. I consider myself at least
moderately well informed about this stuff and there are some names that
have absolutely no associations for me, and names that don't (to my
mind) belong even under the most liberal rules--but it is in Rinaldo's
Venetian hands now and he will accept or reject the suggestions he
wishes.
J. Stauffer
J. Stauffer
=========================================================================
Date: Fri, 12 Sep 1997 13:24:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Exactly
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when the rocketman wrote:
>I honestly don't see the point in all the argument over who is Beat
>and who ain't. Beats are Beat is Beat. You know I know they know, as
>long as we're all Beat that is.
>
he got IT. Beat doesn't come from a single era or group of people - its a
mindset that transcends lists and the sort.
Rinaldo, not that your list isn't great, but in the grander scheme of
everything in everything it really doesn't matter who is on the list.
-Jon
=========================================================================
Date: Fri, 12 Sep 1997 13:25:56 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: The Life and Times of Allen Ginsberg
Mime-Version: 1.0
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At 08:46 AM 9/12/97 -0700, you wrote:
>===
>visit my web site, <a
>href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)
>Regeneration</a>
>(http://www.geocities.com/SoHo/Lofts/6131)
>for info on the Beat, Beatnik and Neo-Beat subcultures
>
>
>
>
>
>---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:
>>
>> On Wed, 10 Sep 1997, Alex Howard wrote:
>>
>> > Just letting everyone know that PBS will be showing this next
>Wednesday at
>> > 10. Check local listings yadda yadda yadda.....
>> >
>> > Check out the pbs.org site. They have a lot of stuff there.
>> >
>> > ------------------
>> > Alex Howard (704)264-8259 Appalachian State
>University
>> > kh14586@am.appstate.edu P.O. Box 12149
>> > http://www1.appstate.edu/~kh14586 Boone, NC 28608
>> >
>> 10 a.m. or p.m.?
>> jt
>>
>
>I think it's a little late to find that out... considering that was
>THIS LAST wednesday...
>_____________________________________________________________________
>Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
>
Is it going to play again????
-Jon
=========================================================================
Date: Fri, 12 Sep 1997 14:11:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Just got my copy of Some of the Dharma an am going out to my spot under the
tree and am going to read for eight hours. Just in case anyone wanted to
come along on the journey of our minds that connects our minds.
-Jon
=========================================================================
Date: Fri, 12 Sep 1997 11:32:29 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: der doc <der_doc@ROCKETMAIL.COM>
Subject: Re: list
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Content-Type: text/plain; charset=us-ascii
===
visit my web site, The Beat(en) Regeneration
(http://www.geocities.com/SoHo/Lofts/6131)
for info on the Beat, Beatnik and Neo-Beat subcultures
---Mike Rice <mrice@CENTURYINTER.NET> wrote:
>
> At 04:44 PM 9/11/97 -0500, you wrote:
> >Rinaldo,
> >You should also add Howard Hart to your list.
> >Cordially,
> >Michael Skau
> >9/11/97
> >
> >
> Hell, why not add Bret Harte, Moss Hart
> and Harte Crain?
>
> Mike Rice
>
Yeah! Hey why we're at it, lets all add ourselves to the list! Me
first me first! Now that we're all on the list I guess we don't need
our own real "Beat-ness" our beatitude or anything to define us cause
NOW WE'RE ALL ON THE LIST O' BEATS AREN'T WE SOOOOOO COOL NOW!
If you ask me, this List o' Beats thing is pretty dumb. Like I been
sayin': Beats are Beat is Beat. They know, you know, we know. So
let's just cut the discussion.
"Gee I think that so-and-so is Beat"
"No way, they're such-and-such"
What's going on here? Is it recess for your brains?
Adam J Muszkiewicz
_____________________________________________________________________
Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
=========================================================================
Date: Fri, 12 Sep 1997 15:02:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dixon Edmiston <DIXCIN@AOL.COM>
Subject: Re: The Life and Times of Allen Ginsberg
Ginsberg-PBS-Wednesday 10:00 pm EDT September 17
=========================================================================
Date: Fri, 12 Sep 1997 15:02:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: list
In a message dated 97-09-12 14:36:56 EDT, Adam effused:
<< Beats are Beat is Beat. They know, you know, we know. So
let's just cut the discussion.
"Gee I think that so-and-so is Beat"
"No way, they're such-and-such"
What's going on here? Is it recess for your brains?
Adam J Muszkiewicz
>>
Adam, I think the list is meant to be historic, as a sort of documentation of
the ones who blazed the trail.
I do disagree that being "Beat" is a mindset, or something anyone can aspire
to today. In the 1920s there were flappers, but there are no flappers today.
During the Depression, there were gangsters, but they in no way resemble the
gangsters of today. In the Forties there were beboppers, and there are no
beboppers being born today. In the Fifties, there were peaceniks (Ban the
Bomb), and they've all but passed away. In the Sixties, there were hippies,
but no one can become a hippie today.
Know what I mean? What is, is. What was, was.
You may subscribe to Beat principles and virtues (by your singular
definition), but that will never make you a Beat.
Lastly, give credit where it is due. Don't try to co-opt a feeling and being
that you had no hand in creating.
At best, we are secondary and tertiary Beat characters, if we're Beat at all.
And I, for one, am not a Beat, but I thank god for them.
diane
=========================================================================
Date: Fri, 12 Sep 1997 15:29:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Paul A. Maher Jr." <mapaul@PIPELINE.COM>
Subject: The Kerouac Quarterly available now!!!
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This is going to the printers this coming week. A good many will be sold at
the upcoming Lowell Celebrates Kerouac! Festival. I am only printing one set
amount.
If you would like one please e-mail me to hold which I will do up to the
weekend of October 3rd. Unless you e-mail me again before the vents I cannot
hold it for you. This issue features 4 essays on Jack Kerouac, the Berg
Collection, and more...for more details go to The Kerouac Quarterly web
page. Thanks all! Paul of TKQ...
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Fri, 12 Sep 1997 21:27:26 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: One minute of "virtual silence" for Mother Teresa
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Rest in peace
-----------------
Francesco.
=========================================================================
Date: Fri, 12 Sep 1997 15:53:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: The Life and Times of Allen Ginsberg
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Its next Wednesday, September 17th, where I live, so I'm assuming
it is not wrong. Did anyone get the Tennessee Williams American
Masters, on PBS, a few weeks ago. I
mean, has anyone got it on tape. My VCR cut it off in the middle,
and I don't know anyone who would tape it here. Please write back
if you're willing to mail it to me for a price.
Mike Rice
At 08:46 AM 9/12/97 -0700, you wrote:
>===
>visit my web site, <a
>href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)
>Regeneration</a>
>(http://www.geocities.com/SoHo/Lofts/6131)
>for info on the Beat, Beatnik and Neo-Beat subcultures
>
>
>
>
>
>---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:
>>
>> On Wed, 10 Sep 1997, Alex Howard wrote:
>>
>> > Just letting everyone know that PBS will be showing this next
>Wednesday at
>> > 10. Check local listings yadda yadda yadda.....
>> >
>> > Check out the pbs.org site. They have a lot of stuff there.
>> >
>> > ------------------
>> > Alex Howard (704)264-8259 Appalachian State
>University
>> > kh14586@am.appstate.edu P.O. Box 12149
>> > http://www1.appstate.edu/~kh14586 Boone, NC 28608
>> >
>> 10 a.m. or p.m.?
>> jt
>>
>
>I think it's a little late to find that out... considering that was
>THIS LAST wednesday...
>_____________________________________________________________________
>Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
>
>
=========================================================================
Date: Fri, 12 Sep 1997 16:40:41 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: Adam J Muszkiewicz disciplinary hearing
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
To: Lieutenant Adam J Muszkiewicz, M.D. A.K.A. "der doc"
From: Sgt Maj A. Maloney - Disciplinary Officer
This is to inform you Officer Muszkiewicz that in my position
responsible for discipline on the Beat Liat, I am removing your Beat
priveleges. Until further notiice you cannot refer to yourself as "Beat" nor
can you make any claims to ""beatness". In the course of time you will come
to appreciate that ANYONE can be beat and you will regret being excluded.
In the meantime you can continue to receive mail from the Beat List
and learn about all kinds of people who are beats; properly used, this
information will lead you to artists, writers, filmmakers and other scions
of Beat Culture and you will gain an expanding awareness of the world of
Beat. Praise the Lord and pass the poetry.
Hoping I sound like your parents ....or Sister Mary
McGourty in 4th grade!
A. Maloney, Sgt. Maj. A.K.A. "Twerp" or "Twonny"
I'm back having fun after a short absence. Hello to Marie and
Rinaldo and Neil and Derek et al.....thanks Bill Gargan for the State Street
address for Kerouac.
Voice contact at (514) 933-4956 in Montreal
"Blessed are they who can laugh at themselves, for they shall never
cease to be amused."
=========================================================================
Date: Fri, 12 Sep 1997 15:13:16 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
In-Reply-To: <BEAT-L%1997091216404104@CUNYVM.CUNY.EDU>
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
re: unapproved absence from beat-L
sgt.maj. A. Maloney
Your admitting that you were in fact absent from beat-L without prior
written approval from either myself or Insp. Marie Countryman will only
make this disciplinary hearing easier. Your behavior was less than fitting
for someone occupying sucha prestegious position with the NOva Police. I
regretfully inform you that your rights and privledges regarding yr
position and rank and how it pertains in regard to beat-L and beat
Literature and Art in general is hereby under review. UNtil further notice
from either Inspector MC or yslef consider your badge and gun revoked and
yr position only slightly better than manny the mole.
regretfully
Inspector D. Beaulieu
Nova POlice
=========================================================================
Date: Fri, 12 Sep 1997 17:14:58 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Derek A. Beaulieu wrote:
>
> re: unapproved absence from beat-L
>
> sgt.maj. A. Maloney
> Your admitting that you were in fact absent from beat-L without prior
> written approval from either myself or Insp. Marie Countryman will only
> make this disciplinary hearing easier. Your behavior was less than fitting
> for someone occupying sucha prestegious position with the NOva Police. I
> regretfully inform you that your rights and privledges regarding yr
> position and rank and how it pertains in regard to beat-L and beat
> Literature and Art in general is hereby under review. UNtil further notice
> from either Inspector MC or yslef consider your badge and gun revoked and
> yr position only slightly better than manny the mole.
>
> regretfully
> Inspector D. Beaulieu
> Nova POlice
It was pre-approved by The Committee....
THE COMMITTEE
david rhaesa
salina, Kansas
=========================================================================
Date: Fri, 12 Sep 1997 17:44:57 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Crickets
In-Reply-To: <34189C55.1DDD@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>R. Bentz Kirby wrote:
>>
>> David:
>>
>> I found the crickets. In an ad for a Nancy Griffith show it says:
>>
>> Horizon presents
>>
>> An Evening with
>>
>> NANCI GRIFFITH & the Blue Moon Orchestra
>> featuring THE CRICKETS
>>
>> So, at least you know that they are in good hands and making a wonderful
>> folk sound.
>>
>> Peace,
>> --
>> Bentz
>> bocelts@scsn.net
>>
>> http://www.scsn.net/users/sclaw
>
>that sounds like Nancy ... used to be on her wavelength ever few weeks
>back in iowa city ... the Mill was kinda Nancy griffith kinda place ...
>i think greg browne or green or something or other too. used to goof
>off at open mike nites there with guitar and persecuting music for free
>... crowd favourite was acoustic-punk-angst-version of johndenver
>version of Leavin on a jet plane!
>
>dbr
dbr
Its Greg Brown. Long-time Iowa City resident. Frequent performer around
i.c. and college towns around the country. Generous with his time and
music. His CDs are amazing. Writes all his own music. For many,many years
he has been referred to as the best poet to emerge from Iowa
City--including grads of the International Writers and Poetry Workshops at
the U of I.
A few years ago Greg was a weekly regular on the Prairie Home
Companion--left after about a year for (I'm thinking) mellower gigs and
mellower egos.
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Fri, 12 Sep 1997 18:12:25 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Jan Kerouac books
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Help,
I placed a hold on two Jan Kerouac books with a book seller who contacted
me (I think) through the Beat list. A signed hard cover and the same book
in paper.
If this rings a bell with THE book seller, please contact me.
(I lost some E-mail if your wondering how I managed to screw this up.)
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Fri, 12 Sep 1997 18:15:06 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: freight trains-a long rememberance
In-Reply-To: <34196779.4B2A@sunflower.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
>In Mo. all trains stop in neuburg. It is best to pick up your train in
>a small town that acts as a switching station. to get on and off there,
>don't use the big cities as your depot. Both the hobo population and
>the guards are rougher. Avoid amtrak for unticketed riding. Carry a
>thermal ( metalic sheet camping blanket) Watch weight , go light.
>Pick flat bed cars for easy exit, sometimes box cars are locked at
>departure and can stay locked for days.. Switching stations can be
>determined by track maps.
>
>proverty is ugliest when you can't afford food or getting the cavity
>filled but if you are unencumbered the old old story is freedom and money
>don't >necessarily travel together.
>
>p
Having ridden freights for a number of summers during the 40s I learned to
avoid gondolas (the half-cars with no tops) loaded with poles, metal rods,
any cargo that can shift. A traveler can be tempted by the areas at the
ends of the cars where there's protection from the wind and a place to
stretch out. But shifting loads, caused by emergency stops, or jolts when
starting, have caused the deaths of the inexperienced. Trap doors that can
gain you entry to the space at the ends of refridgerated cars have been
used to hid in. Unfortunately, these are frequently difficult to get out
of.
If you ride a flat car with equipment on it make sure you leave onthing
onthe bd of the car to indicate that a person has been there. I once
crawled in the large scoop of a huge back-hoe. A bull would have to climb
to the top of a box car to look in. But, I left traces of lunch. Was
ordered out, and got out in Fargo.
When jumping a moving freight grab the ladder on the front end of the car.
If you miss-judge the speed and are grabbing the ladder at the rear you can
get slammed between the cars and the weight of your body is going to break
your grip. Don't boost yourself into an open door of a moving freight
unless there are two of you. One can boost the other on and the other can
grab your hand and pull you up. If you do this on your own you can end up
on your belly with nothing to grab, your ass off the edge and your feet
grabbing air.
If you're crossing tracks and waiting for a train to pass, hesitate before
crossing behind a train. Noise frequently drowns out the sound of a train
coming from the other direction on the next track. Lost a careless friend
who was in too much of a rush.
In the book of Meridel LeSueur's writings titled "RIPENING: Selected Works,
1927-1980" on page 154 there is a short story titled Moon Bums...three
women waiting for a freight in Mineapolis back in the Thirties. Two taking
off heading for the warmth of the South. The other (Meridel) seeing them
off, is a story that Beat-listers would enjoy. In a seperate book, can't
figure out which one right now, LeSueur describes picking up a hitchhiker
as she drives West.
LeSueur's writing and my experience with hitchhiking and freights made
these stories two of the most memorable I have read on the subject.
Charlie Plymell probably has things to offer about these two stories that
would reveal much better than my words can, what I feel about the stories
and about LeSueur.
I frequently hopped freights when I was a kid, but it's really dangerous. A
person has to be strong and agile, or very, very savvy.
Most memorable freight train ride for me was in 1945 a week or so after I
had turned 15. Two friends and I were waiting for anything heading East out
of Coure D'Alene, Idaho. We were already a week late to start our sophomore
year at Marshall High, East Minneapolis. We had stolen a hand car just
outside Spokane late the night before. It was a cold ride in the mountains
even though we had to work hard pumping up the grades. It was getting
light when we got to Coure D'Alene. We tipped the handcar off to the side
and walked into the yards. There was a line of cars rip-tracked. A flatbed
had a U.S. Navy bus on it and was blocked so we were able to crawl under
the bus and be hidden from yard-bulls. We slept most of the day.
Late in the afternoon we were jolted awake and ended up part of a train
heading East. As we slowly got moving more and more hobos jumped on until
it was really crowded on the flatbed. Just before dark I made my way to the
front of the bus and with the help of a small tool-kit was able to open the
door without breaking any glass. I remember being surprisd that none of the
men knew how to do it.
Everyone piled into the bus. I announced that my two friends and I owned
the two long seats at the front and the floor between them. There were no
complaints. In fact we were shown a degree of respect we hadn't experienced
as kids before.
By the time we got to Billings--probably 500 plus miles from Cour D'Laene
almost every seat in the bus was taken. The cars were rip-tracked in
Billings. We stayed low as the bulls walked by checking for broken
windows--no one climbed up for closer looks. Finally, when it had been
quiet for a few minutes I eased the door open and looked up and down the
line. There was a bull about a block away. It was beginning to get light.
I said adios, asked if anyone wanted to buy a used navy bus, and told the
group we were "hit'n the gravel and haul'n ass. Everyone agreed that they
should do the same thing. We waited until all the blankets and gear was
packed-lined up and eased the door open. I was the first off. As soon as I
hit the gravel the bull turned. He took a step in our direction, but just
as my two friends landed he stopped--frozen in his tracks--as hobo after
hobo after hobo --there was about 25 of us--made the jump and ran. The
highway was only a short run across the yard, but my friends and I stood
there, watching and wondering what the bull would do. By the time the last
few had jumped the bull started running, but must have decided it was best
to get help so he ran away from us. In less than a couple of minutes there
wasn't a soul around.
The three of us eased over to the highway and walked into an all-night
diner with only a cook on duty. The counter was lined with
punch-boards--which were everywhere back then, nowhere now. We ordered
burgers and while the fellow was in the kitchen I started punching tickets
out of the .50=A2 and the $1 boards. Everytime the cook turned his head we'd
punch. After picking out the winners we perched on our stools waiting for
the food. Once served we asked the old guy about where we could jump a
freight East. Since we were so young he was quick with fatherly advice.
Talk turned to money and we said we had to ride the rails because we were
almost broke. My friend said, "Let's take a chance on a punch board? " The
cook chuckled and said, "You might get lucky." Perry, (the youngest and
smallest) had a flair for the dramatic and took his St. Christopher medal
from around his neck and held it over the punch board while explaining to
the cook that he had fallen into the Spokane River a few weeks earlier and
would have drowned if the chain hadn't got caught on a branch. It wasn't
easy keeping a straight face when the cook said he'd read about it in the
paper and thought he recognized him from the picture.
We would punch, read the number, palm the piece of paper for one of the
winners we already had, hand it to the cook and he'd pay us.
After a few winners the cook asked us to try it without the St. Christopher
medal. We allowed ourselves a loser and did it a couple of times for
effect. But with the medal hanging over the board we won every time. The
cook tried to buy the St. Christopher medal from Perry without success. He
was pissed that it was an engraved gift from his mom and swore he was going
to start carrying spares. We walked out with almost a hundred dollars--big
bucks in '45.
Other than getting busted in Jamestown, North Dakota the rest of the trip
was uneventful. Once the freight was on the move they let us go. But we
were young, had all the energy to spare, casually walked a block away from
the tracks, and ran all the way through Jamestown--Jimtown to the
hobos--and caught the same freight. We got off where we got on--South East
Mpls by Van Cleve Park, a half block from home.
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Fri, 12 Sep 1997 18:25:54 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Subject: list
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
>On 9/11/97, Michael Skau wrote:
Rinaldo,
You should also add Howard Hart to your list.
>On 9/11/97, Mike Rice wrote:
Hell, why not add Bret Harte, Moss Hart
and Harte Crain?
Mike,
Like Patricia, I was completely disconcerted by the tone of your response.
You later wrote that you didn't know who Howard Hart was.
Well, his poem "exodus #2" was included in Stanley Fisher's 1960
collection _Beat Coast East_; his poem "Angel" appears in Elias
Wilentz's _The Beat Scene_ (together with a photograph of him by Fred
McDarrah. Furthermore, consider the following sentence from Fred
McDarrah's _Beat Generation: Glory Days in Greenwich Village_:
"The first jazz and poetry event in Greenwich Village was at the Brata
Gallery, 89 East 10th Street, on November 19, 1957, when Jack Kerouac,
Philip Lamantia, and Howard Hart, a jazz drummer as well as poet, read
poetry to the music of David Amram's French horn." (p. 81; McDarrah's book
also includes Howard Hart in five of the books photographs).
If you didn't know who Howard Hart was, all you had to do was ask. People
on this beat listservice have a lot to share with each other, but a
smart-ass attitude is not encouraging to such sharing.
Sincerely,
Michael Skau
9/12/97
=========================================================================
Date: Fri, 12 Sep 1997 23:09:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sean Elias <SPElias@AOL.COM>
Subject: Re: hitchhiking
In a message dated 97-09-11 11:12:22 EDT, you write:
<< An endangered species at best >>
Perhaps, also, a lost art...It seems that what we must do, in this age of
AIDS, mass murderers, and madmen, is protect ourselves...If I see someone
with an obvious knife sticking out of their back pocket (not to mention their
back, leg, liver or thigh) I'm not likely to pick them up....Which is not to
say that this object is not an unwise thing to carry with you??????????
The "Denny's" thing sounds o.k.....get to know the person/people you are
trusting with your life......in a 500000 lb. vehicle going thru a paris
tunnel.......
sorry, I'm sick...............s.e.e.
=========================================================================
Date: Fri, 12 Sep 1997 23:38:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sean Elias <SPElias@AOL.COM>
Subject: Re: hitchhiking
In a message dated 97-09-11 15:34:25 EDT, you write:
<<
I talked at some length with Don-the-hitchhiker-at-Denny's who is 66 and
fits the stereotypes of the hobo that are no longer nostalgically
understood. He smells. He has old worn clothes. He smokes
cigarettes. He is a "drinker". And he has a face "that looks like 25
miles of bad road." >>
Yea, that's the thing...you have to get to KNOW somebody at the rest stop or
there abouts (Denny's????) to go on.....
=========================================================================
Date: Fri, 12 Sep 1997 23:38:53 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Sean Elias <SPElias@AOL.COM>
Subject: Re: Hitchhiking
In a message dated 97-09-12 01:14:31 EDT, you write:
<<
But, despite this great trip, I don't really thinking hitching was that
great an idea.
>>
I have wonderful memories of hitching up and down the east coast in the
70's.....buying great mind expanders from a kid we picked up on the way home
from high (!) school.......getting a lift from somebody like rambling jack
elliot in vermont (who WAS this guy) or somebody like him....warm, friendly,
no scar(e)s.....
=========================================================================
Date: Fri, 12 Sep 1997 20:45:11 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: list
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
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Diane De Rooy wrote:
>
> Lastly, give credit where it is due. Don't try to co-opt a feeling and being
> that you had no hand in creating.
>
> At best, we are secondary and tertiary Beat characters, if we're Beat at all.
> And I, for one, am not a Beat, but I thank god for them.
>
>
Diane,
Thanks again for saying almost exactly what I wished to say in response
to this ever resurfacing thread. Probably on the flapper-L gen-x girls
are trying to assert their flapperhood--as pointlessly as wanna be
beatniks do.
Bird Lives.
J. Stauffer
=========================================================================
Date: Fri, 12 Sep 1997 23:46:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Antoine Maloney <stratis@ODYSSEE.NET>
Subject: to Michel Skau and Jo Grant
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Michael,
A wonderful, erudite response to Mike Price and in educating him you
educate many of us. Gives some of us new research threads. Thanks a
lot....and right on the heels of Jo Grant's terrific hoboing memoir!
It's certainly the beginnings of a memoir Jo. Do us all a big favor
and send out some more...or give us more of a description of the May Fest
celebrations that you once mentioned.
The train riding story was amazingly well timed. I've been thinking
about a compilation of train songs and stories that I've wanted to put
together and was listening to a new Library of Congress CD of railroad songs
that's just come out. Great stuff. Finished listening and came down to check
my e-mail and find your story. What a treat!
Antoine (still talkative despite having my priveleges
removed...thanks Derek, Marie and David; I needed that jolt of humor!)
Voice contact at (514) 933-4956 in Montreal
"Blessed are they who can laugh at themselves, for they shall never
cease to be amused."
=========================================================================
Date: Fri, 12 Sep 1997 20:54:13 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: list
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Michael Skau wrote:
> If you didn't know who Howard Hart was, all you had to do was ask. People
> on this beat listservice have a lot to share with each other, but a
> smart-ass attitude is not encouraging to such sharing.
Actually Michael if I remember the thread correctly it was not Patricia
who didn't recognize Mr. Hart. For the record, neither did I. I think
it is helpful for people nominating folks to the list to give some
identity. Few of us West Coasties would recognize every East Coaster
and vice verse.
But I remember Patricia seconding the nomination of Howard Hart and
joining you in objecting to Mr. Rice's (I thought) funny nomination of
Moss Hart, Bret Harte, and Hart Crane.
J. Stauffer
J. Stauffer
=========================================================================
Date: Sat, 13 Sep 1997 06:29:07 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: A Love Supreme by John Coltrane.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
A Love Supreme
I will do all I can to be worthy of Thee O Lord.
It all has to do with it.
Thank you God.
Peace.
There is none other.
God is. It is so beautiful.
Thank you God. God is all.
Help us to resolve our fears and weaknesses.
Thank you God.
In You all things are possible.
We know. God made us so.
Keep your eye on God.
Gos is. He always was. He always will be.
No matter what...it is God.
He is gracious and merciful.
It is most important that I know Thee.
Words, sounds, speech, men, memory, thoughts,
fears and emotions-time-all related...
all made from one...all made in one.
Blessed be His name.
Thought waves-heat waves-all vibrations-
all paths lead to God. Thank you God.
His way...it is so lovely...it is gracious.
It is merciful-thank you God.
One thought can produce millions of vibrations
and they all go back to God...everything does.
Thank you God.
Have no fear...believe...thank you God.
The universe has many wonders. God is all.
His way...it is so wonderful.
Thoughts-deeds-vibrations, etc.
They all go back to God and He cleanses all.
He is gracious and merciful...thank you God.
Glory to God...God is so alive.
God is.
God loves.
May I be acceptable in Thy sight.
We are all one in His grace.
The fact that we do exist is acknowledgement
of Thee O Lord.
Thank you God.
God will wash away all our tears...
He always has...
He always will.
Seek Him everyday. In all way seek God everyday.
Let us sing all songs to God.
To whom all praise is due...praise God.
No road is an easy one, but they all
go back to God.
With all we share God.
It is all with God.
It is all with Thee.
Obey the Lord.
Blessed is He.
We are from one thing...the will of God...
thank you God.
I have seen God-I have seen ungodly-
none can be greater-none can compare to God.
Thank you God.
He will remake us...He always has and He
always will.
It is true-blessed be His name-thank you God.
God breathes through us so completely...
so gently we hardly feel it...yet,
it is our everything.
Thank you God.
ELATION-ELEGANCE-EXALTATION-
All from God.
Thank you God. Amen.
John Coltrane - December, 1964
=========================================================================
Date: Sat, 13 Sep 1997 00:57:35 -0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>
Subject: Re: A Love Supreme by John Coltrane.
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
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Amen, Brother Rinaldo! Thank you for sending this to the list.
Bruce
bwhartmanjr@iname.com
http://www.geocities.com/~tranestation
=========================================================================
Date: Fri, 12 Sep 1997 23:41:05 -0400
Reply-To: Michael Stutz <stutz@dsl.org>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Stutz <stutz@DSL.ORG>
Subject: Re: hitchhiking
In-Reply-To: <9709120730.aa20270@mail.cruzio.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
obBeat: am 3/4 done with _The Western Lands_. Anyone in the mood for a
discussion on this book?
------------------------------------------------------------------------------
Leon--
> Well put I thought, until I got to the +ACI-take you for a ride+ACI- bump on
> the
> ride. I didn't know whether to take it as a very serious warning, are you
> sounding an alarm, or just playing around , watch out, it can happen, sort
> of thing.
Maybe a bad choice of words there. I meant "take you for a ride" as in take
you somewhere, go places, like the Beat-L look at all this stuff we talk
about & where we go --
But also maybe a small tiny part of it "take you for a ride" like use you,
take you somewhere and it's not so good. Sure it can happen, people can do
anything ("everything is permitted") and who knows where it will go?
Maybe a re-write is in order:
no, only easy thing to do now is hitchhike on the net -- folks in chat
rooms & irc, at ends of internet connections still talk to strangers, pass
ideas along and communicate innermost private thoughts, typing and listening
and open to anything, where we'll go.
email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
<http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
as this sentence remains; it comes with absolutely NO
WARRANTY; for details see <http://dsl.org/copyleft/>.
=========================================================================
Date: Sat, 13 Sep 1997 01:37:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Patman <INRUN8@AOL.COM>
Subject: Freight trains
This is my first post to the list. I am normally so far behind on my
e-mail I don't get a chance to respond to a thread. I have been
reading the freight train thread with dismay. Having been a railroad
engineer for the past 23 years I have seen a great deal of change
in the way railroads operate and in the hobos who still ride the rails.
Modern rail cars have very few places where a bo can ride safely.
Truck trailers and containers on flatcars are everywhere and the bo
is almost always exposed to the elements, we're talking extreme
heat and cold here. Besides the usual dangers of derailments,
shifting loads and slack action that can knock a bo completely off
the train while it is moving there are other hazards that you are
probably not aware of. Railroads haul more hazardous material
than you can imagine. Radioactive products, radioactive waste,
poison gas, all types of explosives,corrosives, combustibles, as
well as biohazards such as waste from hospitals and raw sewage.
A car that is empty almost certainly has residue, usually dust,
that can be just as bad. That dust that will almost certainly cover
you when you get off the train could merely be grain dust. It could
also be any number of products that will give you severe burns
when you try washing it off with water. Products that we take for
granted such as chlorine and ammonia will be undeluted in a tank
car and could easily cause serious lung damage. Also the hobo of
the 90's is a whole new breed of cat. They are bolder, far more
agressive and more likely to be armed. As a result the railroad "bulls"
who are actually policemen, and do carry guns, live ammo, the
whole bit, are much more likely to treat you as a criminal rather
than just another trespasser. In summary for anybody who hasn't
already deleted this post, I think this list has some really good
people and I would hate to see anything bad happen to any of you.
Take care and stay off the rails, it's a bums road.
James Patman
=========================================================================
Date: Sat, 13 Sep 1997 02:23:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: freight trains-a long rememberance
Mime-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
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This is the basis for a wonderful novel. Why haven't
you written it? Its the best thing I've seen written here
since I signed on. You are your own Visions of Cody.
Mike Rice
At 06:15 PM 9/12/97 -0500, you wrote:
>>In Mo. all trains stop in neuburg. It is best to pick up your train in
>>a small town that acts as a switching station. to get on and off there,
>>don't use the big cities as your depot. Both the hobo population and
>>the guards are rougher. Avoid amtrak for unticketed riding. Carry a
>>thermal ( metalic sheet camping blanket) Watch weight , go light.
>>Pick flat bed cars for easy exit, sometimes box cars are locked at
>>departure and can stay locked for days.. Switching stations can be
>>determined by track maps.
>>
>>proverty is ugliest when you can't afford food or getting the cavity
>>filled but if you are unencumbered the old old story is freedom and money
>>don't >necessarily travel together.
>>
>>p
>
>Having ridden freights for a number of summers during the 40s I learned to
>avoid gondolas (the half-cars with no tops) loaded with poles, metal rods,
>any cargo that can shift. A traveler can be tempted by the areas at the
>ends of the cars where there's protection from the wind and a place to
>stretch out. But shifting loads, caused by emergency stops, or jolts when
>starting, have caused the deaths of the inexperienced. Trap doors that can
>gain you entry to the space at the ends of refridgerated cars have been
>used to hid in. Unfortunately, these are frequently difficult to get out
>of.
>
>If you ride a flat car with equipment on it make sure you leave onthing
>onthe bd of the car to indicate that a person has been there. I once
>crawled in the large scoop of a huge back-hoe. A bull would have to climb
>to the top of a box car to look in. But, I left traces of lunch. Was
>ordered out, and got out in Fargo.
>
>When jumping a moving freight grab the ladder on the front end of the car.
>If you miss-judge the speed and are grabbing the ladder at the rear you can
>get slammed between the cars and the weight of your body is going to break
>your grip. Don't boost yourself into an open door of a moving freight
>unless there are two of you. One can boost the other on and the other can
>grab your hand and pull you up. If you do this on your own you can end up
>on your belly with nothing to grab, your ass off the edge and your feet
>grabbing air.
>
>If you're crossing tracks and waiting for a train to pass, hesitate before
>crossing behind a train. Noise frequently drowns out the sound of a train
>coming from the other direction on the next track. Lost a careless friend
>who was in too much of a rush.
>
>In the book of Meridel LeSueur's writings titled "RIPENING: Selected Works,
>1927-1980" on page 154 there is a short story titled Moon Bums...three
>women waiting for a freight in Mineapolis back in the Thirties. Two taking
>off heading for the warmth of the South. The other (Meridel) seeing them
>off, is a story that Beat-listers would enjoy. In a seperate book, can't
>figure out which one right now, LeSueur describes picking up a hitchhiker
>as she drives West.
>
>LeSueur's writing and my experience with hitchhiking and freights made
>these stories two of the most memorable I have read on the subject.
>
>Charlie Plymell probably has things to offer about these two stories that
>would reveal much better than my words can, what I feel about the stories
>and about LeSueur.
>
>I frequently hopped freights when I was a kid, but it's really dangerous. A
>person has to be strong and agile, or very, very savvy.
>
>Most memorable freight train ride for me was in 1945 a week or so after I
>had turned 15. Two friends and I were waiting for anything heading East out
>of Coure D'Alene, Idaho. We were already a week late to start our sophomore
>year at Marshall High, East Minneapolis. We had stolen a hand car just
>outside Spokane late the night before. It was a cold ride in the mountains
>even though we had to work hard pumping up the grades. It was getting
>light when we got to Coure D'Alene. We tipped the handcar off to the side
>and walked into the yards. There was a line of cars rip-tracked. A flatbed
>had a U.S. Navy bus on it and was blocked so we were able to crawl under
>the bus and be hidden from yard-bulls. We slept most of the day.
>
>Late in the afternoon we were jolted awake and ended up part of a train
>heading East. As we slowly got moving more and more hobos jumped on until
>it was really crowded on the flatbed. Just before dark I made my way to the
>front of the bus and with the help of a small tool-kit was able to open the
>door without breaking any glass. I remember being surprisd that none of the
>men knew how to do it.
>
>Everyone piled into the bus. I announced that my two friends and I owned
>the two long seats at the front and the floor between them. There were no
>complaints. In fact we were shown a degree of respect we hadn't experienced
>as kids before.
>
>By the time we got to Billings--probably 500 plus miles from Cour D'Laene
>almost every seat in the bus was taken. The cars were rip-tracked in
>Billings. We stayed low as the bulls walked by checking for broken
>windows--no one climbed up for closer looks. Finally, when it had been
>quiet for a few minutes I eased the door open and looked up and down the
>line. There was a bull about a block away. It was beginning to get light.
>I said adios, asked if anyone wanted to buy a used navy bus, and told the
>group we were "hit'n the gravel and haul'n ass. Everyone agreed that they
>should do the same thing. We waited until all the blankets and gear was
>packed-lined up and eased the door open. I was the first off. As soon as I
>hit the gravel the bull turned. He took a step in our direction, but just
>as my two friends landed he stopped--frozen in his tracks--as hobo after
>hobo after hobo --there was about 25 of us--made the jump and ran. The
>highway was only a short run across the yard, but my friends and I stood
>there, watching and wondering what the bull would do. By the time the last
>few had jumped the bull started running, but must have decided it was best
>to get help so he ran away from us. In less than a couple of minutes there
>wasn't a soul around.
>
>The three of us eased over to the highway and walked into an all-night
>diner with only a cook on duty. The counter was lined with
>punch-boards--which were everywhere back then, nowhere now. We ordered
>burgers and while the fellow was in the kitchen I started punching tickets
>out of the .50=A2 and the $1 boards. Everytime the cook turned his head=
we'd
>punch. After picking out the winners we perched on our stools waiting for
>the food. Once served we asked the old guy about where we could jump a
>freight East. Since we were so young he was quick with fatherly advice.
>Talk turned to money and we said we had to ride the rails because we were
>almost broke. My friend said, "Let's take a chance on a punch board? " The
>cook chuckled and said, "You might get lucky." Perry, (the youngest and
>smallest) had a flair for the dramatic and took his St. Christopher medal
>from around his neck and held it over the punch board while explaining to
>the cook that he had fallen into the Spokane River a few weeks earlier and
>would have drowned if the chain hadn't got caught on a branch. It wasn't
>easy keeping a straight face when the cook said he'd read about it in the
>paper and thought he recognized him from the picture.
>
>We would punch, read the number, palm the piece of paper for one of the
>winners we already had, hand it to the cook and he'd pay us.
>
>After a few winners the cook asked us to try it without the St. Christopher
>medal. We allowed ourselves a loser and did it a couple of times for
>effect. But with the medal hanging over the board we won every time. The
>cook tried to buy the St. Christopher medal from Perry without success. He
>was pissed that it was an engraved gift from his mom and swore he was going
>to start carrying spares. We walked out with almost a hundred dollars--big
>bucks in '45.
>
>Other than getting busted in Jamestown, North Dakota the rest of the trip
>was uneventful. Once the freight was on the move they let us go. But we
>were young, had all the energy to spare, casually walked a block away from
>the tracks, and ran all the way through Jamestown--Jimtown to the
>hobos--and caught the same freight. We got off where we got on--South East
>Mpls by Van Cleve Park, a half block from home.
>
>j grant
>
>
>
>
>
>Small Press Authors and Publishers display books
> FREE
> at
> BookZen
> http://www.bookzen.com
> 375,913 visitors - 07-01-96 to 07-01-97
>
>
=========================================================================
Date: Sat, 13 Sep 1997 01:23:15 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Freight trains
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
James, great of you to post this, the best response made. I feel
ashamed, washing memories like I did was stupid. Thank you
p
James Patman wrote:
>
> This is my first post to the list. I am normally so far behind on my
> e-mail I don't get a chance to respond to a thread. I have been
> reading the freight train thread with dismay. Having been a railroad
> engineer for the past 23 years I have seen a great deal of change
> in the way railroads operate and in the hobos who still ride the rails.
> Modern rail cars have very few places where a bo can ride safely.
> Truck trailers and containers on flatcars are everywhere and the bo
> is almost always exposed to the elements, we're talking extreme
> heat and cold here. Besides the usual dangers of derailments,
> shifting loads and slack action that can knock a bo completely off
> the train while it is moving there are other hazards that you are
> probably not aware of. Railroads haul more hazardous material
> than you can imagine. Radioactive products, radioactive waste,
> poison gas, all types of explosives,corrosives, combustibles, as
> well as biohazards such as waste from hospitals and raw sewage.
> A car that is empty almost certainly has residue, usually dust,
> that can be just as bad. That dust that will almost certainly cover
> you when you get off the train could merely be grain dust. It could
> also be any number of products that will give you severe burns
> when you try washing it off with water. Products that we take for
> granted such as chlorine and ammonia will be undeluted in a tank
> car and could easily cause serious lung damage. Also the hobo of
> the 90's is a whole new breed of cat. They are bolder, far more
> agressive and more likely to be armed. As a result the railroad "bulls"
> who are actually policemen, and do carry guns, live ammo, the
> whole bit, are much more likely to treat you as a criminal rather
> than just another trespasser. In summary for anybody who hasn't
> already deleted this post, I think this list has some really good
> people and I would hate to see anything bad happen to any of you.
> Take care and stay off the rails, it's a bums road.
>
> James Patman
=========================================================================
Date: Sat, 13 Sep 1997 02:43:22 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: Freight trains
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
What a spoilsport? You certainly know what you are talking
about. But where is the romance of the road if all experience
has to be politically, environmentally, and regulated(ly?) correct?
I won't be taking any trains anytime soon, especially on the freight
section. Interesting to read what you have to say.
Mike Rice
At 01:37 AM 9/13/97 -0400, you wrote:
>This is my first post to the list. I am normally so far behind on my
>e-mail I don't get a chance to respond to a thread. I have been
>reading the freight train thread with dismay. Having been a railroad
>engineer for the past 23 years I have seen a great deal of change
>in the way railroads operate and in the hobos who still ride the rails.
>Modern rail cars have very few places where a bo can ride safely.
>Truck trailers and containers on flatcars are everywhere and the bo
>is almost always exposed to the elements, we're talking extreme
>heat and cold here. Besides the usual dangers of derailments,
>shifting loads and slack action that can knock a bo completely off
>the train while it is moving there are other hazards that you are
>probably not aware of. Railroads haul more hazardous material
>than you can imagine. Radioactive products, radioactive waste,
>poison gas, all types of explosives,corrosives, combustibles, as
>well as biohazards such as waste from hospitals and raw sewage.
>A car that is empty almost certainly has residue, usually dust,
>that can be just as bad. That dust that will almost certainly cover
>you when you get off the train could merely be grain dust. It could
>also be any number of products that will give you severe burns
>when you try washing it off with water. Products that we take for
>granted such as chlorine and ammonia will be undeluted in a tank
>car and could easily cause serious lung damage. Also the hobo of
>the 90's is a whole new breed of cat. They are bolder, far more
>agressive and more likely to be armed. As a result the railroad "bulls"
>who are actually policemen, and do carry guns, live ammo, the
>whole bit, are much more likely to treat you as a criminal rather
>than just another trespasser. In summary for anybody who hasn't
>already deleted this post, I think this list has some really good
>people and I would hate to see anything bad happen to any of you.
>Take care and stay off the rails, it's a bums road.
>
>James Patman
>
>
=========================================================================
Date: Sat, 13 Sep 1997 03:00:14 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Patman <INRUN8@AOL.COM>
Subject: Re: Freight trains
>James, great of you to post this, the best response made. I feel
>ashamed, washing memories like I did was stupid. thank you
>p
p, I was not trying to be judgemental or put you or anyone else down.
What I was trying to do was inform anyone thinking of riding the rails
about what a mean and dangerous place they have become in the 90's
sorry if I made you feel bad.
James P.
=========================================================================
Date: Sat, 13 Sep 1997 02:22:18 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: Freight trains
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
James Patman wrote:
>
> >James, great of you to post this, the best response made. I feel
> >ashamed, washing memories like I did was stupid. thank you
> >p
>
> p, I was not trying to be judgemental or put you or anyone else down.
> What I was trying to do was inform anyone thinking of riding the rails
> about what a mean and dangerous place they have become in the 90's
> sorry if I made you feel bad.
>
> James P.
i don't feel that bad, one of the things i like about burroughs is the
unwashed facts. I was sentimental about my brief sanitized brush with
rails, enchanted by jo Grant's stories, but the beauty in your
explanation came from seeing. you know about it and said.
This freight thread has been powerfully evocative for me.
I don't feel it is sentimental to try to somehow convey the magic that
iron travel can charge within you. I remember taking a passanger train
from Jefferson city with a beautifully intense and obssessed musician,
sneaking to the back of the train, and listening to him play wild
trumpet to the stars, the sound bouncing between the trees and the the
water as the train drove through Missouri along the river.The whistle
playing against the stars that raced behind us.
The business about rather the beats were sentimental or not seemed to
be avoiding the difference between that great hard grab of being
attacked by your emotions and inventing feelings that fit the scene or
were appropriate. Some of the stupidest remarks i have ever heard were
people dismissing feelings and emotions, not letting them join thought
and ideas as valid parts of a whole. Is it sentimental to love so much
that you are reborn or to forgive shit so low as to raise bile to your
throat?
Thinking about that train ride reminded me that my favorite short poem
was about that guy.
Mr. Pounds
you remind me of a jackass my father had,
no one could ride him, he broke my brothers arm.
It made me like you
but it didn't mean I wanted to ride you.
P
=========================================================================
Date: Sat, 13 Sep 1997 02:12:10 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Hitchhiking
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
Thanks for the clarification. I am relieved.
I was hoping there were no dark foreboding underpinning there. We are on the
same wave length. Surfing the good waves. A bit of real danger is there.
Surprising, stunning new vistas all the time. Maybe even a cherished belief
threatened here and there. Right now a sudden thought. How many wonderful
people, creative outpourings, hidden corners of world wide treasures, leap
into full view in my mind through this screen. How much brilliant light is
jumping out of the many facets of the jewels of the best minds, turning
right in front of me, spinning, delicately engaging. Between the fingertips
of loving dedicated experts on life as well as on books , lucky to have made
their way close to the pioneering adventures of the mind, the great
adventurers who spin them, pioneers of our age. So happy to see you all
passing by. Flashes of the worlds of fiction and of reality. Had no idea of
the possibilities of hitching rides in the skies,
friends zooming by our paths.Look at that! Awesome. So much fascinating
stuff to unfold. The stuff of our lives, diamonds in the rough.The Beat-L
hitchiking gang. What a ride to hitch. Including our newest acquaintance
Yan who took us off on this ride where we also met the clear eyes of the
young girl begging in China. Don't we all wish we could know her more too?
Are we going to run into her another time?
My guardian cops are getting nervous. Aren't there questions already rising,
are we too romantic? All this flowery language. But how true it is. Why dim
the lights, bundle up in the cold, when the riches of life are here to
brighten and warm our lives. It is hard to find enough words.
So we keep surfing Mike. Not too carefully. Looking for for the next good
wave. Don't want to miss it.
By the way, did you notice Rinaldo's photo on his list site?
http://www.gpnet.it/rasa/home.htm I wonder what the huge stack of papers is
about? Ask Rinaldo? O.K. I am asking you Rinaldo. Where you heading there
with that mysterious armful load? Nice to meet the rest of the package that
beams to us these these refreshing flashes for all ocassions.
That reminded me to take another look at your site. So how is copyleft
progressing? It may not seem beat related right off hand, but I think how
relevant it would be for future Kerouacs, etc, in a world where copyleft
replaced royalties and other restraints upon creative happiness and gifts to
the world.
ciao
leon
obBeat: am 3/4 done with _The Western Lands_. Anyone in the mood for a
>discussion on this book?
>
>---------------------------------------------------------------------------
---
>
>
>Leon--
>
>> Well put I thought, until I got to the "take you for a ride" bump on
>> the
>> ride. I didn't know whether to take it as a very serious warning, are
you
>> sounding an alarm, or just playing around , watch out, it can happen,
sort
>> of thing.
>
>Maybe a bad choice of words there. I meant "take you for a ride" as in take
>you somewhere, go places, like the Beat-L look at all this stuff we talk
>about & where we go --
>
>But also maybe a small tiny part of it "take you for a ride" like use you,
>take you somewhere and it's not so good. Sure it can happen, people can do
>anything ("everything is permitted") and who knows where it will go?
>
>Maybe a re-write is in order:
>
>no, only easy thing to do now is hitchhike on the net -- folks in chat
>rooms & irc, at ends of internet connections still talk to strangers, pass
>ideas along and communicate innermost private thoughts, typing and
listening
>and open to anything, where we'll go.
>
>
>email stutz@dsl.org Copyright (c) 1997 Michael Stutz; this information is
><http://dsl.org/m/> free and may be reproduced under GNU GPL, and as long
> as this sentence remains; it comes with absolutely NO
> WARRANTY; for details see <http://dsl.org/copyleft/>.
>.-
>
=========================================================================
Date: Sat, 13 Sep 1997 02:55:22 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Where is Charley?
MIME-Version: 1.0
Content-Type: text/plain; charset="iso-8859-1"
Content-Transfer-Encoding: 7bit
I keep telling myself Charley is O.K. Charley is busy . Charley is coming
back. Wha happind? Sure miss your fine needle stitching our quilt with
dazzling thread. You here lurking Charles Plymell? Anybody know?
leon
=========================================================================
Date: Sat, 13 Sep 1997 05:19:12 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Crickets
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
jo grant wrote:
>
> >R. Bentz Kirby wrote:
> >>
> >> David:
> >>
> >> I found the crickets. In an ad for a Nancy Griffith show it says:
> >>
> >> Horizon presents
> >>
> >> An Evening with
> >>
> >> NANCI GRIFFITH & the Blue Moon Orchestra
> >> featuring THE CRICKETS
> >>
> >> So, at least you know that they are in good hands and making a wonderful
> >> folk sound.
> >>
> >> Peace,
> >> --
> >> Bentz
> >> bocelts@scsn.net
> >>
> >> http://www.scsn.net/users/sclaw
> >
> >that sounds like Nancy ... used to be on her wavelength ever few weeks
> >back in iowa city ... the Mill was kinda Nancy griffith kinda place ...
> >i think greg browne or green or something or other too. used to goof
> >off at open mike nites there with guitar and persecuting music for free
> >... crowd favourite was acoustic-punk-angst-version of johndenver
> >version of Leavin on a jet plane!
> >
> >dbr
>
Jo,
thanks for reminding me ... i got it now...
I didn't ever meet much from Writer's Workshop there. Seemed like they
either taught you how to stick your nose very high in the air and say
I'm from the Writer's Workshop or they taught you how to bum money from
poorer graduate students. I was a bit taken by the mystique at first
but soon got over it. I remember walking through some foreign festival
of writer's workshoppers talking with them about legends of iowa city
and kissing the black angel in the cemetery and whatnot and invisibility
at the hamburg inn and they didn't seem to have been taught anything
about living within such legends and then integrating towards writing
experiences. Never really figures out what they did write about.
So those of you who love the Iowa writer's workshop go ahead and blast
me now. I think i'd head west to boulder at drop of a nickel if looking
into such things.
dbr
> dbr
>
> Its Greg Brown. Long-time Iowa City resident. Frequent performer around
> i.c. and college towns around the country. Generous with his time and
> music. His CDs are amazing. Writes all his own music. For many,many years
> he has been referred to as the best poet to emerge from Iowa
> City--including grads of the International Writers and Poetry Workshops at
> the U of I.
>
> A few years ago Greg was a weekly regular on the Prairie Home
> Companion--left after about a year for (I'm thinking) mellower gigs and
> mellower egos.
>
> j grant
>
> Small Press Authors and Publishers display books
> FREE
> at
> BookZen
> http://www.bookzen.com
> 375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Sat, 13 Sep 1997 09:40:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: software nightmare
In-Reply-To: <3419BEE2.A6C@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
insp d: i may be lost in cyberspace for a while. downloaded new netscape to
free myself of eudora lite (worst mail program i ever had, can't download
attachments, missed all those great pics and jpegs that were sent, now
might loose all addresses, etc once i install in my intrepidly stupidity of
changing systems. but i'm giving it a shot. i have same isp and address.
wish me luck, all.
>Derek A. Beaulieu wrote:
>>
>> re: unapproved absence from beat-L
>>
>> sgt.maj. A. Maloney
>> Your admitting that you were in fact absent from beat-L without prior
>> written approval from either myself or Insp. Marie Countryman will only
>> make this disciplinary hearing easier. Your behavior was less than fitting
>> for someone occupying sucha prestegious position with the NOva Police. I
>> regretfully inform you that your rights and privledges regarding yr
>> position and rank and how it pertains in regard to beat-L and beat
>> Literature and Art in general is hereby under review. UNtil further notice
>> from either Inspector MC or yslef consider your badge and gun revoked and
>> yr position only slightly better than manny the mole.
>>
>> regretfully
>> Inspector D. Beaulieu
>> Nova POlice
>
>It was pre-approved by The Committee....
>
>THE COMMITTEE
>
>david rhaesa
>salina, Kansas
=========================================================================
Date: Sat, 13 Sep 1997 08:03:02 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: software nightmare
MIME-Version: 1.0
Content-Type: text/plain; charset="utf-7"
Content-Transfer-Encoding: 7bit
Hi,
Drank some juice, had some coffee, the bottomless heart nagging my brain,
decided to go ahead and ask you what you meant, and then looked in the inbox
again, here you are
I saved all the pictures that we got, no problem, can be forwarded to you
whenever you are ready.
Leon
+AD4-insp d: i may be lost in cyberspace for a while. downloaded new netscape to
+AD4-free myself of eudora lite (worst mail program i ever had, can't download
+AD4-attachments, missed all those great pics and jpegs that were sent, now
+AD4-might loose all addresses, etc once i install in my intrepidly stupidity of
+AD4-changing systems. but i'm giving it a shot. i have same isp and address.
+AD4-wish me luck, all.
+AD4-
=========================================================================
Date: Sat, 13 Sep 1997 12:32:14 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: software nightmare
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";
x-mac-creator="4D4F5353"
Content-Transfer-Encoding: 7bit
> sorry all: my and leon's mail going to list. i can't seem to cut and paste
> private addresses netscape is already driving me crazy as my life flashes in
> public before my eyes. and poor leon's too. ah, well.
mc
=========================================================================
Date: Sat, 13 Sep 1997 12:33:45 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Fog
MIME-Version: 1.0
Content-Type: multipart/alternative;
boundary="------------CA723C5BFAA837603DC21D2C"
--------------CA723C5BFAA837603DC21D2C
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
FOG
Fog-foam in twin fountains
Is art.
Cutup by the unseen artist
On a broader page.
It is assimilated.
Further,
Genetic imprinting,
Tiny Tot Coupe
Sits top broken,
Next to broken down car.
Abandoned.
Fog comes off the lake,
Like bubbles from a fountain.
As if sculpted by
Teen age pranksters.
Assimilated.
Fog,
Shrouding my soup,
Cooking below
The surface.
--
Peace,
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
--------------CA723C5BFAA837603DC21D2C
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit
<HTML>
<CENTER>FOG</CENTER>
<P>Fog-foam in twin fountains
<BR>Is art.
<BR>Cutup by the unseen artist
<BR>On a broader page.
<BR>It is assimilated.
<P>Further,
<BR>Genetic imprinting,
<BR>Tiny Tot Coupe
<BR>Sits top broken,
<BR>Next to broken down car.
<BR>Abandoned.
<P>Fog comes off the lake,
<BR>Like bubbles from a fountain.
<BR>As if sculpted by
<BR>Teen age pranksters.
<BR>Assimilated.
<P>Fog,
<BR>Shrouding my soup,
<BR>Cooking below
<BR>The surface.
<P>--
<P>Peace,
<P>Bentz
<BR>bocelts@scsn.net
<BR><A
HREF="http://www.scsn.net/users/sclaw">http://www.scsn.net/users/sclaw</A>
<BR> </HTML>
--------------CA723C5BFAA837603DC21D2C--
=========================================================================
Date: Sat, 13 Sep 1997 12:56:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Iowa Writer's Workshops
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
dbr wrote:
>I didn't ever meet much from Writer's Workshop there. Seemed like they
>either taught you how to stick your nose very high in the air and say
>I'm from the Writer's Workshop or they taught you how to bum money from
>poorer graduate students. I was a bit taken by the mystique at first
>but soon got over it. I remember walking through some foreign festival
>of writer's workshoppers talking with them about legends of iowa city
>and kissing the black angel in the cemetery and whatnot and invisibility
>at the hamburg inn and they didn't seem to have been taught anything
>about living within such legends and then integrating towards writing
>experiences. Never really figures out what they did write about.
>
>So those of you who love the Iowa writer's workshop go ahead and blast
>me now. I think i'd head west to boulder at drop of a nickel if looking
>into such things.
>
>dbr
This morning a friend said to me that I should put in the PR for my
upcoming reading tour of Iowa:
"Has not been part of the Iowa Writer's Workshops!"
Sounds like a good idea to me!
Iowa City is not on the schedule.
Michael C
=========================================================================
Date: Sat, 13 Sep 1997 13:26:46 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jenn Fedor <Tread37@AOL.COM>
Subject: Re: membership
Marlene - you are so cute! you mailed to the list and i got it! that's
sooooo cool! i'd like you to sign on too! i just had to reply! i know the
message wasn't even intended for me, but oh, well! love ya!
as ever,
jenn
=========================================================================
Date: Sat, 13 Sep 1997 14:49:29 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James J Stavola <JDSept@AOL.COM>
Subject: Re: A Love Supreme by John Coltrane.
obviously a great man COLTRANE
his
sense of exploration is a mirror
of
the writings of the beats
obviously
a great man COLTRANE
=========================================================================
Date: Sat, 13 Sep 1997 11:52:45 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: hitchhiking
Comments: cc: Marie Countryman <country@SOVER.NET>
MIME-Version: 1.0
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I read it as meaning that he felt America was changing even then, but if
you hitchhiked in the same area at about the same time and didn't feel
it, then perhaps this is another way in which his depression caused him
to see the darker side of things.
Hello Diane,
I understand that you would like to accept Kerouac's passionate
interpretation of his spellbindingly related observations as representing
what was really out there. Look how bad it was getting to be. That would
confirm my beliefs about the continuous change, decaying of the old ways. I
appreciate your supportive intentions and I thank you for them.
There is an interesting aspect here that speaks to a question that you told
us was a bit perplexing to you, although you did later tell us that you
might have answered it for yourself. The queston was how could Kerouac put
aside such clear and beautiful realizations that he described so
exquisitely, with so much insight and wisdom, seemingly forget all that to
yield to dark forces that ignored all that.
This genius-at-work story that is such a pleasure to read, tells me
something about your question. Like any person when depressed, brooding,
alienated and feeling helpless, feeling guilty and feeling that his worth
is unappreciated by himself or others, always trying futilely to break out
of the prison that his mother's need for him keeps him in, because if he did
he would betray his mother who would be left feeling betrayed all alone,
unliked and ungiven to. She wanted him to stay in her world, the fence was
to hold im in out of the bad worlds outside. Her world was dark and lonesome
to be redeemed in heaven only if you are good and stay within bounds. He was
bad for even wanting to run away from her world. Also, God will punish him.
That does not make him observe any less. On the contrary, people when
depressed can start straining desperately to notice every little detail.
Often they prefer dimly lit surroundings, or withdraw attention altogether,
partly because attention is too straining, a fatiguing effort. Minutest
details can become magnified until paranoia takes over. In my professional
practice days I have encountered incredibly detailed science fiction worlds,
where the the weave of magnified minutiae created astounding plausible
systems.
The dynamics of hypnotic story telling, oratory are interesting. Kerouac's
gift was not in objectivity of detached perspective, his huge intelligence,
gifts of observation and above all spellbinding story telling talents
(including speed of typing) were very much in service of desperate inner
struggles which always left him in defeat.
When I look at the piece, I see all of that. I don't see objective or
reasonable outlook on anything. He just doesn't like anything that he sees,
in magnificently rousing detail, his horror filled eyes show him only
negative aspects of things. Visors, these excelent protectors from the sun,
become idiotic fashion statements, wifes all run their husbands lives, with
mysigenous lack of compassion, kids are always screaming and fighting,
etc..
Maybe I am belaboring the point too much. but I do feel that when confronted
with overpoweringly brilliant presentations, we can be so easily misled that
we are being shown things as they are, when in fact we see the magnificent
results of inner overpowering feelings transformed into outer realities.
The magnificent descriptions of Neal, in my opinion, also were determined
more by his desperate need to transform himself. Neal was a human
representation that encouraged the possibility of freeing himself, of
becoming someone that he wasn't. In his inner eye, by the light of his
magnifying lantern, visions and shadows were becoming exaggerations
approaching distortion. The stuff that hero worship is made off, that also
has bult in disappointment for when the time is ripe.
Beginning to sound to me like psychological tripe. Still I feel there is
truth in them confusing words. Maybe I should wait until I can say it in a
sentence or two. Anyway, it is because I respect your critical analyses so
much, that I am trying to clumsily communicate to you what I see here.
leon
Either see the darker side of things, or paint things over with the darker
side of himself. For example, the visors may have looked idiotic to him,
they are quite helpful to drivers in the bright sun. Nor is it likely that
the majority of wifes that he saw exercised such power over their husbands,
nor would I conclude on the basis of Jack'e desperate mood at the time, that
the kids were all such spoiled brats fighting and screaming all the time.
To me it seems that Jack was looking at everything, always, with a foregone
conclusion that he wil be let down. No matter how promising he could make
whatever he was looking at outside the perimeter of mother's permitted
world. Wondering outside with a lantern that magnified and added brilliant
colors to everything he was looking at, taking snapshots and running
dazzling commentary to tell the world about his finds, he could convince the
world, but he himself was still shivering in the cold dark with a lantern in
his hand. Only at mother's home could he put that magnifying lantern down.
But it was dark and lonely there also.
Jack was +ACI-sick of life+ACI- through most
of Big Sur and many of his older joys (and I would see hitchhiking as one
of them) no longer held much meaning for him.
DC
.-
=========================================================================
Date: Sat, 13 Sep 1997 17:23:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: "Listen all you boards and syndicates...."
Comments: cc: DAVIDSROSEN@compuserve.com
Fellow Travelers:
Lately, I have barely been able to keep up with the fertile threads, let
alone respond to them or contribute my own. Two themes which have
particularly caught my attention are the ongoing discussion of sentimentality
(originated by Bill Gargan's question to the List as to whether this is a
general characteristic of Beat writing), and a more recent sub-theme
branching out of the hitchhhiking reminiscences toggled by Yan's asking us
whether it is still practiced here.
My Webster's New (very old and battered after decades of service, actually)
Collegiate Dictionary defines "sentimental" as "marked or governed by
feeling, sensibility, or emotional idealism...resulting from feeling rather
than reason or thought...having an excess of sentiment or sensibility".
Applying these definitions to the Beats, especially William S. Burroughs and
Jack Kerouac, with whom I'm most familiar, I can see that they are partly
relevant to their works. Certainly, both WSB and JK are tuned into their
feelings and sensibilities, if not altogether governed by them, in their
lives as much as their works. In WSB's case, a lack of direction and
ungrounded feelings drifted toward junk "by default" (read his introduction
to JUNKY), which proceeded to govern his movements like those of an insect.
A wandering sensitivity and alienation ironically led to the total
usurpation of sentiment while he was suspended in the metabolic grip, a mass
of "junk-hungry cells" clamoring to "drink from the needle". His predicament
resulted more from feeling than from reason in the sense of sensibilities
with nowhere to roost in a senseless society (maybe I've been reading too
much Dr. Seuss to my son), but ultimately from neither, his High Junk Period,
so to speak, cleared a vacuum and filled it with an ongoing and narrow cycle
of need and its relief, "perhaps all pleasure is relief". As for emotional
idealism, this is problematic. He had deep emotions and was an idealist in
terms of being a truth-searching visionary, but he was not "governed...by
emotional idealism. Anyway, in the later works, there is an aspect that
might be mistaken for sentimentality but which, I think, goes beyond it into
intimations of the supernatural, rather than sentimental. In THE WESTERN
LANDS, which we were discussing before collectively crashing into the news of
his physical death, there is the prose-poetic phrase "Flashes of serene,
timeless joy. A joy as old as suffering and despair". Despite the
world-wariness and pessimism that characterize his works, they also record a
search to locate the elusive mental and emotional connection to the ethereal,
even as the space/time-trapped body is ground down by "...the claims of the
aging, cautious, nagging, frightened flesh". In TWL as in other earlier and
later chapters of his "one long work", he probes and discards the historic
layers of cultural/religious/societal mechanisms of distraction and control,
where the celestial (or illusory material) reward is offered for towing the
line, and tries to get a real glimpse of what we're "here to go" to. In the
case of TWL, it is the cumbersome and preposterous ancient Egyptian dogmas of
the afterlife that he gets past, in other cases it is the Mayan Codices, a
myriad of control agents in our supposedly enlightened current societal
structures and, of course, words themselves and the images they generate.
WSB and JK got much further past the hurdles than most, but what did they
find? The disparity between the body and the spirit is not a Beat
phenomenon, it is the exclusively human phenomenon which they got especially
close to with an especially clear vision. We are really only (self)
glorified, slower-motion versions of the leaves that are beginning to turn in
their eternal cycle here in Michigan as I write this, the "quivering meat
wheel", the process of life, if anything, is endless, not our own lives. Yet
there IS a connection to that larger process through the life of the mind and
its emotions. Is this "sentimentality" or "romanticism" in its stereotypical
image of maudlin excess, or an intimation of something just as real as
"reality"? I think that the characterizing of WSB as severely UNsentimental
and of JK as overly so which is often found in commentary about them here and
elsewhere is deceiving, and misses the dimension of duality that they both
perceived and came to terms with. WSB was impatient to get past the
illusions, to "smash the control images", but was not a nihilist, he
definitely believed that there IS something past them, read the works and his
own quotes (down to those last diary entries) and there's no doubt of it.
His insistent pursuit of clarity and honesty might be mistaken for total
cynicism. You might say he seeks a sentimentality beyond "sentimentality" as
it has been appropriated by the forces of control in all their manifestations
throughout history. And "serene, timeless joy" goes hand in hand with its
equally venerable counterpart, "suffering and despair". The control
mechanisms he exposes purport to be the exclusive way to the former ("but
through (fill in the blank) can ye get through the gate"), and keep trying to
sever its connection to the latter while threatening its application to
maintain control. After all, "serene, timeless joy" can't be defined or
valued without its counterpart. And JK's image as a euphorically
rhapsodizing romanticist and mythologizer of himself, Neal, the very
processes of movement and life itself, belies a tragic sensibility that is as
much removed from "emotional idealism" as WSB. In ON THE ROAD, he rushes
toward a river and all the freedom and movement that it symbolizes for him,
only to run right into a fence. Our minds and emotions can catch the
"flashes", but while we're "here" before we "go" we can't quite get there
from here. JK & NC have to keep moving to get their glimpse of IT, always
preceded by restless anticipation and followed by letdown and the renewed
buildup of restlessness. One way to look at it is that he mythologizes,
romanticises and sentimentalizes, only to sharpen the contrast between
space/time bodily limitations and spiritual (sentimental?) infinity. But
that river IS THERE, beyond the fence.
Well, it never fails- the more I try to focus, the more there seems to focus
on, and now there's no time to proceed to the other topic I mentioned at the
beginning. I must stop, or jump out of the moving vehicle, or whatever.
Since there's no way to conclude, here's a great quote that I think relates
to "everything and nothing", as JK would say, and to the struggle to
reconcile the body and the spirit.
"My dear, I'm working on the most marvelous invention...a boy who disappears
as soon as you come leaving a smell of burning leaves and a sound effect of
distant train whistles."
-WSB, NAKED LUNCH, pg. 111
Regards,
Arthur
=========================================================================
Date: Sat, 13 Sep 1997 17:22:07 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: Iowa Writer's Workshops
In-Reply-To: <v01530500b0403cd1d0af@[204.181.15.86]>
Mime-Version: 1.0
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>dbr wrote:
>
>>I didn't ever meet much from Writer's Workshop there. Seemed like they
>>either taught you how to stick your nose very high in the air and say
>>I'm from the Writer's Workshop or they taught you how to bum money from
>>poorer graduate students. I was a bit taken by the mystique at first
>>but soon got over it. I remember walking through some foreign festival
>>of writer's workshoppers talking with them about legends of iowa city
>>and kissing the black angel in the cemetery and whatnot and invisibility
>>at the hamburg inn and they didn't seem to have been taught anything
>>about living within such legends and then integrating towards writing
>>experiences. Never really figures out what they did write about.
>>
>>So those of you who love the Iowa writer's workshop go ahead and blast
>>me now. I think i'd head west to boulder at drop of a nickel if looking
>>into such things.
>>
>>dbr
>
>This morning a friend said to me that I should put in the PR for my
>upcoming reading tour of Iowa:
>
>"Has not been part of the Iowa Writer's Workshops!"
>
>Sounds like a good idea to me!
>
>Iowa City is not on the schedule.
>
>Michael C
When in Iowa City, look up poet Chuck Miller. With 7 or 8 published books
behind him and praise from such luminaries as Meridel LeSueur, he's
willing--and eager-- to discuss his experience with the Iowa Writer's
Workshop.
Referring tothe workshop as elitist is his mildest adjective.
Plus a conversation with Miller is always a stimulating experience.
Unfortunately he is not on-line.
j grant
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Sat, 13 Sep 1997 07:05:58 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: hitchhiking
MIME-Version: 1.0
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> Leon Tabory wrote:
> To me it seems that Jack was looking at everything, always, with a
> foregone
> conclusion that he wil be let down. No matter how promising he could
> make
> whatever he was looking at outside the perimeter of mother's permitted
> world. Wondering outside with a lantern that magnified and added
> brilliant
> colors to everything he was looking at, taking snapshots and running
> dazzling commentary to tell the world about his finds, he could
> convince the
> world, but he himself was still shivering in the cold dark with a
> lantern in
> his hand. Only at mother's home could he put that magnifying lantern
> down.
> But it was dark and lonely there also.
Leon,
All your perceptions here hit me as being so excellent! Thank you
for not paring it down to a few sentences. Took me back to the old woman
in the store window in OTR where he has that great epiphany about IT, and
he hears the woman saying "O son! did you not ever go on your knees and
pray for all your sins and scroundal's acts? Lost boy! Depart! Do not
haunt my soul..." The whole hatred of self thing he was left with, the
depression, the drinking to numb it all. And think about it, how many
thousands of people have been lifted by his magnificent descriptions of
life, and its brilliant struggles? But he couldn't reconcile inner and
outer realities, he was continually let down by people, let down by
America, or so he thought. In a way his worldview was clouded by so much
psychological garbage (not that all of our's aren't), but your
observations on his mother are so acute:
> She wanted him to stay in her world, the fence was to hold him in out
> of the bad worlds outside. Her world was dark and lonesome to be
> redeemed in heaven only if you are good and stay within bounds. He was
> bad for even wanting to run away from her world. Also, God will punish
> him.
In spite of getting out of the world of Lowell, Mass., having experences
in New York, Denver, San Francisco that were opposite poles from that
world; in spite of studying eastern religions, of finally being a
successful writer, he was never able to escape from the worldview of his
mother, his childhood. And in the end, he dies young, and his mother
lives on. From a psychological perspective, I think it also paints a
bleak picture of how entrapping family bonds and boundaries can be.
DC
=========================================================================
Date: Sat, 13 Sep 1997 07:44:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: "Listen all you boards and syndicates...."
MIME-Version: 1.0
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> Arthur Nusbaum wrote:
> My Webster's New (very old and battered after decades of service,
> actually)
> Collegiate Dictionary defines "sentimental" as "marked or governed by
> feeling, sensibility, or emotional idealism...resulting from feeling
> rather
> than reason or thought...having an excess of sentiment or sensibility".
> Applying these definitions to the Beats, especially William S.
> Burroughs and
> Jack Kerouac, with whom I'm most familiar, I can see that they are
> partly
> relevant to their works. Certainly, both WSB and JK are tuned into
> their
> feelings and sensibilities, if not altogether governed by them,
If you take the meaning of sentimentality to be "marked...by emotional
idealism," I think you have to say that Burroughs, Kerouac, and Ginsberg
all then fit the definition to some extent.
>I think that the characterizing of WSB as severely UNsentimental and of
>JK as overly so which is so often found in commentary about them here
>and elsewhere is deceiving, and misses the dimension of duality that
>they both perceived and came to terms with...
I think in Kerouac, as a particular example, the sentimentality lies in
his descriptive ability and not in his sense of rushing toward the river
only to run into a fence. The "serene, timeless joy" polarized against
"suffering and despair" All of these are manifestations of his absolute
stuggle with the meaning of human life. The dualities are reality not
emotional idealism. It is passages like this one that, for me, take on
this sentimental quality (and who ever said sentimentalism carries a
negative connotation, anyway?):
"When I see a leaf fall, I always say goodbye--And that has a sound which
is lost unless there is a country stillness at which time I'm sure it
really rattles the earth, like ants in orchestras..." VOC pg. 10
or
"...We find the bar, rolling through October climaxes of leaves falling
and Halloween soon and I got red October shirt ah me so sad that every
year we have to lose our October!--poor little Rosie with her Thirties
style short dress, pretty legs, high click heels, pinched face, perennial
cigarette, drinksad eyes at the baron stool with little pimple this night
on chin where you might kiss her and it would break and I hated to look
at it though on her smooth face now in retrospect (and it's gone) it
memories sexily like a beauty spot kind I used to see on chins of old
movie queens in photos front of theatre--wondering if it was photo
ink..." VOC p. 13.
I'm not sure that Kerouac's sentimentality sharpens the contrast between
"space/time/body and infinity"; I think it's more an attitude that he
sometimes has that every little thing in human experience is important in
the whole of experience and by describing the hell out of things he is
able to transport us there, to what this moment in this bar was like, or
this moment in this diner was like, and it is there that sometimes the
qualities of senimentality and nostalgia merge. But he has made us feel
we were there, right down to the colors of the walls and floor tile. And
I think it is in this gushiness that he and Burroughs are on different
sides of the spectrum.
DC
=========================================================================
Date: Sat, 13 Sep 1997 19:00:04 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: Japhy=Gary
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Hello, All. I'm a former subscriber to the list who has now returned....
and I'm enjoying the threads. Here's a possible new one:
Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of
course, but has anybody else noticed a slip-up in the text at the end of
chapter 23? (second to the last sentence there, in fact). Kerouac writes:
"And I didn't wake up then till almost San Francisco in the morning. I had
a dollar left and Gary was waiting for me at the shack. The whole trip had
been as swift and enlightening as a dream, and I was back."
The "Gary" is actually in my text (the Penguin edition). Does anybody know
if this is a mis-keying on Penguin's part, or did Kerouac forget to call
him Japhy? I can't find any other editions on bookstore shelves to compare
it with.
---Wes
=========================================================================
Date: Sat, 13 Sep 1997 21:42:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Luther Allison
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For those of you like James and Richard who like the blues, you might
want to check out the September 26, 1997, Vol 23. No. 20, Issue 448 of
Goldmine. It has two pages of tributes to Luther Allison by his manager
and the likes of Otis Rush.
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sat, 13 Sep 1997 23:20:05 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@MAILHUB.JAXNET.COM>
Subject: Re: Japhy=Gary
MIME-Version: 1.0
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> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of
> course, but has anybody else noticed a slip-up in the text at the end of
> chapter 23? (second to the last sentence there, in fact). Kerouac writes:
>
> "And I didn't wake up then till almost San Francisco in the morning. I had
> a dollar left and Gary was waiting for me at the shack. The whole trip had
> been as swift and enlightening as a dream, and I was back."
>
> The "Gary" is actually in my text (the Penguin edition). Does anybody know
> if this is a mis-keying on Penguin's part, or did Kerouac forget to call
> him Japhy? I can't find any other editions on bookstore shelves to compare
> it with.
if i remeber correctly, somebody brought this up a few months ago
right when i was leaving for vacation. does anyone have an old
save/memory?
> ---Wes
thanx
randy
>
=========================================================================
Date: Sun, 14 Sep 1997 00:53:42 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: software nightmare
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 09:40 AM 9/13/97 -0400, you wrote:
>insp d: i may be lost in cyberspace for a while. downloaded new netscape to
>free myself of eudora lite (worst mail program i ever had, can't download
>attachments, missed all those great pics and jpegs that were sent, now
>might loose all addresses, etc once i install in my intrepidly stupidity of
>changing systems. but i'm giving it a shot. i have same isp and address.
>wish me luck, all.
>
>>Derek A. Beaulieu wrote:
>>>
>>> re: unapproved absence from beat-L
>>>
>>> sgt.maj. A. Maloney
>>> Your admitting that you were in fact absent from beat-L without prior
>>> written approval from either myself or Insp. Marie Countryman will only
>>> make this disciplinary hearing easier. Your behavior was less than fitting
>>> for someone occupying sucha prestegious position with the NOva Police. I
>>> regretfully inform you that your rights and privledges regarding yr
>>> position and rank and how it pertains in regard to beat-L and beat
>>> Literature and Art in general is hereby under review. UNtil further notice
>>> from either Inspector MC or yslef consider your badge and gun revoked and
>>> yr position only slightly better than manny the mole.
>>>
>>> regretfully
>>> Inspector D. Beaulieu
>>> Nova POlice
>>
>>It was pre-approved by The Committee....
>>
>>THE COMMITTEE
>>
>>david rhaesa
>>salina, Kansas
>
>
My Eudora Lite downloaded the jpgs but I couldn't get the
pictures because they are mimes. No problems downloading
with Lite, tho, just deciphering the pictures.
mike rice
=========================================================================
Date: Sun, 14 Sep 1997 04:54:13 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: software nightmare
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";
x-mac-creator="4D4F5353"
Content-Transfer-Encoding: 7bit
> hey mike: i was able to down load patricia's jpegs of david and hat and ohle/
> however james stauffer's (hi jim!) files were deemed 'corrupted' by my
netscape
> program. i'm getting the hang of the new "communicator' software. once i pass
> the techno-idiot stage, i'll be rock'n'rollin here. mc
> >
> >
> My Eudora Lite downloaded the jpgs but I couldn't get the
> pictures because they are mimes. No problems downloading
> with Lite, tho, just deciphering the pictures.
>
> mike rice
=========================================================================
Date: Sun, 14 Sep 1997 05:16:03 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: hi wes and an appeal to all
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sorry everyone: hi wes! glad you're back! could you please mail me directly,
so i can put you in new address book(changing mail programs totally crashed
and deleted all addresses.
btw: could everyone who is in the habit of backchannel chats with me just send
a 'test' message to me so that i can add you to new address book? right now
everytime i try to send privately, it goes directly to list address, can't
pull the individual addresses. with that i promise to stop whining and begging
on this topic.
thanks a bunch
mc
Wes Lundburg wrote:
> Hello, All. I'm a former subscriber to the list who has now returned....
> and I'm enjoying the threads. Here's a possible new one:
>
> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of
> course, but has anybody else noticed a slip-up in the text at the end of
> chapter 23? (second to the last sentence there, in fact). Kerouac writes:
>
> "And I didn't wake up then till almost San Francisco in the morning. I had
> a dollar left and Gary was waiting for me at the shack. The whole trip had
> been as swift and enlightening as a dream, and I was back."
>
> The "Gary" is actually in my text (the Penguin edition). Does anybody know
> if this is a mis-keying on Penguin's part, or did Kerouac forget to call
> him Japhy? I can't find any other editions on bookstore shelves to compare
> it with.
>
> ---Wes
=========================================================================
Date: Sun, 14 Sep 1997 13:08:00 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Out of This Planet. Au_er diesem Stern (bertolt brecht)
In-Reply-To: <3.0.32.19970910135820.00688d8c@maila.wm.edu>
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Au_er diesem Stern
Au_er diesem Stern, dachte ich, ist nichts und er
Ist so verw|stet.
Er allein ist unsere Zuflucht und die
Sieht so aus.
-- BERTOLT BRECHT
Out of this planet, I thought, there is not nothing, and it
is so desolate.
It is our shelter, and this
That is the way it is.
Der Rauch
Das kleine Haus unter Bdumen am See.
Vom Dach steigt Rauch.
Fehlte er
Wie trostlos dann wdren
Haus, Bdumen und See.
-- BERTOLT BRECHT
The small house among to the trees on the lake.
>From the roof climbs the smoke.
If there is not smoke
house, trees and lake would be dismal.
=========================================================================
Date: Sun, 14 Sep 1997 10:53:36 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Alex Howard <kh14586@ACS.APPSTATE.EDU>
Subject: Joyce Johnson
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I'm still trying to locate her. Does ayone have any idea of where she
could be reached? Publisher, college, etc.?
------------------
Alex Howard (704)264-8259 Appalachian State University
kh14586@am.appstate.edu P.O. Box 12149
http://www1.appstate.edu/~kh14586 Boone, NC 28608
=========================================================================
Date: Sun, 14 Sep 1997 10:13:43 -0600
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: Japhy=Gary
In-Reply-To: <19970914002025112.AAA207@tcpnets.tcpnets.com>
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On Sat, 13 Sep 1997, Wes Lundburg wrote:
> Hello, All. I'm a former subscriber to the list who has now returned....
> and I'm enjoying the threads. Here's a possible new one:
> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of
> course, but has anybody else noticed a slip-up in the text at the end of
> chapter 23? (second to the last sentence there, in fact). Kerouac writes:
> "And I didn't wake up then till almost San Francisco in the morning. I had
> a dollar left and Gary was waiting for me at the shack. The whole trip had
> been as swift and enlightening as a dream, and I was back."
> The "Gary" is actually in my text (the Penguin edition). Does anybody know
> if this is a mis-keying on Penguin's part, or did Kerouac forget to call
> him Japhy? I can't find any other editions on bookstore shelves to compare
> it with.
> ---Wes
well, the copy i have reads "I had a dollar left and Japhy was
waiting for me at the shack."
Kerouac, Jack _The Dharma Bums_(New York: Signet; 1959,
1967)pp.126-127
and by the way: as a side note: the cover blurb on my copy reads" THE
DHARMA BUMS by the man who launched the hippie world, the daddy of the
swinging psychedelic generation JACK KEROUAC, author of ON THE ROAD". what
a great blurb, huh? (smirk)
yrs
derek
=========================================================================
Date: Sun, 14 Sep 1997 10:15:05 -0600
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: maya gorton?
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hey there beat-l'ers
does anyone out there have maya's address as i would like to get in touch
with her but i have lost her address. thanks a bundle
yrs
derek
=========================================================================
Date: Sun, 14 Sep 1997 13:28:33 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: Japhy=Gary
In-Reply-To: <19970914002025112.AAA207@tcpnets.tcpnets.com>
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Probably was an editor's screwup. In writing Dharma Bums, Kerouac, as he
always did, typed it using real names. Kerouac didnt write "Visions of
Cody", for instance, he wrote "Visions of Neal", the title and names were
changed by some editor preparing the book for publication after Kerouac's
death. Neal had been dubbed "Cody" by editors preparing "Dharma Bums",
because for some legal reason they couldnt call him Dean Moriarty, and
years later I guess they didnt like the sound of "Visions of Dean".
Every time they did a book, some editor had to go back and change all the
names, because publishers were paranoid about lawsuits. Having to deal
with editors was probably one reason Kerouac ended up drinking himself to
death. This is like a great artist having some outsider come along after
a painting is finished and insisting on changing the colors. The work
becomes something less than the author's exact vision.
This sort of confusion is why I think they should defer to Kerouac's own
wishes and come out with a new set of editions of the "DeLouz Legend"
books with the real names inserted, so the works look as Kerouac typed
them and conceived them. So we can see the works as Kerouac saw them.
=========================================================================
Date: Sun, 14 Sep 1997 08:18:57 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: Out of This Planet. Au_er diesem Stern (bertolt brecht)
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Good Sunday Rinaldo
I am wondering about a couple of things on your translation.
First what does the _ stand for in Au_er
Then I wonder why you translate "er" he, with "it" which would be es. "Sieht
so aus" translates for me as "looks like that" If the _ replaces an "s" Then
the poem should translate
Ouside of this Star
Outside of this star there is nothing, and he
is so wasted.
He alone is our refuge and it
Looks like that.
Maybe I am quibbling here, but it sounds a little bit different to me. I
wonder why Brett uses "he" here instead of it, but he does. I would seem
just as easy for him to say "es" as it wouldh "er" But "er" is what he
chose. I am inclined to think that he wants to say that our star is a he and
not an it. Also "looks like it" is not quite the same as "that's the way it
is". What are you thinking Rinaldo? The poetic license in the translation of
the second don't seem that important to me, so I will stop quibbling. Have a
nice Sunday, and thanks as usual.
ciao
leon
> From: Rinaldo Rasa
> Subject: Out of This Planet. Au_er diesem Stern (bertolt brecht)
> Au_er diesem Stern
>
> Au_er diesem Stern, dachte ich, ist nichts und er
> Ist so verw|stet.
> Er allein ist unsere Zuflucht und die
> Sieht so aus.
> -- BERTOLT BRECHT
>
>Out of this planet, I thought, there is not nothing, and it
>is so desolate.
>It is our shelter, and this
>That is the way it is.
>
>
> Der Rauch
>
> Das kleine Haus unter Bdumen am See.
> Vom Dach steigt Rauch.
> Fehlte er
> Wie trostlos dann wdren
> Haus, Bdumen und See.
> -- BERTOLT BRECHT
>
>The small house among to the trees on the lake.
>From the roof climbs the smoke.
>If there is not smoke
>house, trees and lake would be dismal.
>.-
>
=========================================================================
Date: Sun, 14 Sep 1997 14:12:48 -0400
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: M84M79@AOL.COM
Subject: Subscription
Marlene_Giraud
=========================================================================
Date: Sun, 14 Sep 1997 14:07:00 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: Subscription
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M84M79@AOL.COM wrote:
>
> Marlene_Giraud
welcome marlene!
we are a dangerous crew......
david rhaesa
salina, Kanas
=========================================================================
Date: Sun, 14 Sep 1997 15:10:48 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Arthur Nusbaum <SSASN@AOL.COM>
Subject: Re: Japhy=Gary
Comments: cc: DAVIDSROSEN@compuserve.com
Wes:
After reading your post, I checked my 1958 first edition of THE DHARMA BUMS,
and saw that the slip at the end of chapter 23 is there, referring to Gary
instead of Japhy. Apparently, this original error (of consistency, anyway)
was repeated in some subsequent printings. I agree with Richard Wallner that
the ficitional names in all of Kerouac's works should be changed back to the
real names he used when writing them and that every reader now knows. By
now, the legal issues that probably were the reasons his editors insisted on
not using real names (and at least in a few cases the objection of the people
themselves depicted in his books) aren't likely to apply as strongly,
especially since many of the people are, like Kerouac, no longer alive. The
following quote (which is on the back dust jacket flap of VISIONS OF CODY,
I'm not sure what writing it was taken from) proves that it was Kerouac's
intention to ultimately unify the whole "Duluoz Legend" and set the record
straight:
"In my old age, I intend to collect all my work and re-insert my pantheon of
uniform names, leave the long shelf full of books there, and die happy."
He died, neither old nor happy, with his intention unfulfilled.
Regards,
Arthur S. Nusbaum
=========================================================================
Date: Sun, 14 Sep 1997 15:21:35 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@MAILHUB.JAXNET.COM>
Subject: correction
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> M84M79@AOL.COM wrote:
> >
> > Marlene_Giraud
>
> welcome marlene!
> we are a dangerous crew......
david- if marlene tried to send a subscription to the entire list,
one would assume that she isn't subscribed yet. don't worry, i
forward my original message of what to do to her.
> david rhaesa
> salina, Kanas
>
randy
=========================================================================
Date: Sun, 14 Sep 1997 19:52:47 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Skau <mskau@CWIS.UNOMAHA.EDU>
Subject: hitchhiking
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What a great trainstory, Jo, and very well told.
For those interested in hopping trains or hitchhiking, I remember that we
use to tuck a folded $20 bill under the inside sole of a shoe (under the
toe end rather than the heel). Small (and big) town cops used to enjoy
busting longhairs, and a common charge was vagrancy. However, if you had
$20 or more in cash on you, you couldn't be charged as a vagrant.
Self-protection: a condom in your wallet and a twenty in your shoe.
Cordially,
Michael Skau
9/14/97
=========================================================================
Date: Sun, 14 Sep 1997 20:06:53 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: hitchhiking
In-Reply-To: <Pine.ULT.3.96.970914194606.26482A-100000@cwis.unomaha.edu>
Mime-Version: 1.0
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>What a great trainstory, Jo, and very well told.
>For those interested in hopping trains or hitchhiking, I remember that we
>use to tuck a folded $20 bill under the inside sole of a shoe (under the
>toe end rather than the heel). Small (and big) town cops used to enjoy
>busting longhairs, and a common charge was vagrancy. However, if you had
>$20 or more in cash on you, you couldn't be charged as a vagrant.
>Self-protection: a condom in your wallet and a twenty in your shoe.
>Cordially,
>Michael Skau
>9/14/97
Thanks Michael.
And by the way. I was just sitting here wondering how I was going to find a
copy of the post. Just got some requests for it. But when a checked my Sent
Mail and I discovered I didn't have the box checked to save my mail.
I recently switched systems and made the oversight when I re-installed
Eudora. If you have that piece of mail would you forward a copy to me?
Thanks.
jo
Small Press Authors and Publishers display books
FREE
at
BookZen
http://www.bookzen.com
375,913 visitors - 07-01-96 to 07-01-97
=========================================================================
Date: Sun, 14 Sep 1997 21:10:54 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "R. Bentz Kirby" <bocelts@SCSN.NET>
Organization: Law Office of R. Bentz Kirby
Subject: Link page
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A friend of mine who knows that I am on this list sent me the following
link. It leads back to many familiar sites like Levi's Kicks page.
But, if you are trying to learn about the Beats, it might be a good
resource page. I found a site at Abeline Christian College that I had
not seen before.
http://www.netguide.com/Life/Arts
Peace,
--
Bentz
bocelts@scsn.net
http://www.scsn.net/users/sclaw
=========================================================================
Date: Sun, 14 Sep 1997 20:28:26 -0500
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Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: Re: Japhy=Gary
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Arthur Nusbaum quoted JK from the back of _Visions of Cody_:
"In my old age, I intend to collect all my work and re-insert my pantheon
of
uniform names, leave the long shelf full of books there, and die happy."
Thanks, Arthur... I've seen this quote many times, but somehow it takes on
a new meaning with the posts on this thread. My experience with editors
has been, ahem, stretching in many ways, too. Sure, they know their target
audience, want to avoid legal problems, etc, but I can see JK's
frustration... and relate to it.
Shalom,
---Wes
=========================================================================
Date: Sun, 14 Sep 1997 20:17:37 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: Re: Japhy=Gary
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Richard:
Thanks! Great response and great information....
---Wes
----------
> From: Richard Wallner <rwallner@CAPACCESS.ORG>
> To: BEAT-L@CUNYVM.CUNY.EDU
> Subject: Re: Japhy=Gary
> Date: Sunday, September 14, 1997 12:28 PM
>
> Probably was an editor's screwup. In writing Dharma Bums, Kerouac, as he
> always did, typed it using real names. Kerouac didnt write "Visions of
> Cody", for instance, he wrote "Visions of Neal", the title and names were
> changed by some editor preparing the book for publication after Kerouac's
> death. Neal had been dubbed "Cody" by editors preparing "Dharma Bums",
> because for some legal reason they couldnt call him Dean Moriarty, and
> years later I guess they didnt like the sound of "Visions of Dean".
>
> Every time they did a book, some editor had to go back and change all the
> names, because publishers were paranoid about lawsuits. Having to deal
> with editors was probably one reason Kerouac ended up drinking himself to
> death. This is like a great artist having some outsider come along after
> a painting is finished and insisting on changing the colors. The work
> becomes something less than the author's exact vision.
>
> This sort of confusion is why I think they should defer to Kerouac's own
> wishes and come out with a new set of editions of the "DeLouz Legend"
> books with the real names inserted, so the works look as Kerouac typed
> them and conceived them. So we can see the works as Kerouac saw them.
=========================================================================
Date: Sun, 14 Sep 1997 22:22:09 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: new from City Lights
Chatted today with Charles Plymell, 9/14/97. Told him I'd post this to
Beat-L:
====================================
"The source of power resides in the interstices between one world and
another, between the known and the unknown, between who we are and who we are
becoming. It is our willingness to put an ear to the ground that brings the
trembling of horses from a far distance. We become like the moving water,
taking the river bed with us as we go. The universe loves devoted travelers.
We are her witnesses."
----Janine Pommy Vega, Tracking the Serpent.
The book begins with her as a 16 year old meeting Huncke and Allen and moving
in with Allen's friend Elise.
She's gotten pretty good reviews except one. In essence the reviewer said she
needed to get fucked.
cp
==================
diane
=========================================================================
Date: Sun, 14 Sep 1997 21:33:33 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: for marie countryman
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sorry listers....
marie, I've lost your address. Would you e-mail me directly?
---Wes
lundburg@tcpnets.com
=========================================================================
Date: Sun, 14 Sep 1997 22:51:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "PoOka(the friendly ghost)" <jdematte@TURBO.KEAN.EDU>
Subject: kerouac and cliff's notes.
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
for those of you who know about these dreadful yellow/black booklets that
many adolescent summer readers turn to instead of reading the book,
cliff's notes has published many cheat summaries of stories including a
recent one, "the Invisible Man" by Ellison and by other great writers.
What if somehow "On the Road" was pillaged and turned into a 45 pg
summary book? Would this encourage young readers to read the whole thing
or just to skim it in time for september english classes? Either way i
couldn't begin to fathom the results of taking "naked lunch" or any other
liteary masterpiece and condence it into a paper-thin booklet.
paranoid and frightened of
pillaged literature,
jason.
=========================================================================
Date: Sun, 14 Sep 1997 23:03:51 -0400
Reply-To: Greg Elwell <elwellg@voicenet.com>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Greg Elwell <elwellg@VOICENET.COM>
Subject: Article about Lowell
MIME-Version: 1.0
Content-Type: multipart/alternative;
boundary="----=_NextPart_000_0000_01BCC162.776CB520"
This is a multi-part message in MIME format.
------=_NextPart_000_0000_01BCC162.776CB520
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Over the weekend I was reading my newspaper's Travel section, when I =
stumbled upon an article about Lowell. It mentions Kerouac and all, and =
about the Lowell Celebrates Kerouac festival. I found an on-line =
version at this address:
http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm
ENJOY!
Greg Elwell=20
------=_NextPart_000_0000_01BCC162.776CB520
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1008.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<P><FONT color=3D#000000 face=3DArial size=3D2> Over the weekend I =
was reading my=20
newspaper's Travel section, when I stumbled upon an article about =
Lowell. =20
It mentions Kerouac and all, and about the Lowell Celebrates Kerouac=20
festival. I found an on-line version at this address:</FONT></P>
<P><A=20
href=3D"http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm">=
http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm</A>
<P>ENJOY!
<P><FONT color=3D#000000 face=3DArial size=3D2>Greg Elwell =
</FONT></P></BODY></HTML>
------=_NextPart_000_0000_01BCC162.776CB520--
=========================================================================
Date: Sun, 14 Sep 1997 22:39:48 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: "Listen all you boards and syndicates...."
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Arthur Nusbaum wrote:
>
> Fellow Travelers:
>
> Lately, I have barely been able to keep up with the fertile threads, let
> alone respond to them or contribute my own. Two themes which have
> particularly caught my attention are the ongoing discussion of sentimentality
> (originated by Bill Gargan's question to the List as to whether this is a
> general characteristic of Beat writing), and a more recent sub-theme
> branching out of the hitchhhiking reminiscences toggled by Yan's asking us
> whether it is still practiced here.
>
> My Webster's New (very old and battered after decades of service, actually)
> Collegiate Dictionary defines "sentimental" as "marked or governed by
> feeling, sensibility, or emotional idealism...resulting from feeling rather
> than reason or thought...having an excess of sentiment or sensibility".
> Applying these definitions to the Beats, especially William S. Burroughs and
> Jack Kerouac, with whom I'm most familiar, I can see that they are partly
> relevant to their works. Certainly, both WSB and JK are tuned into their
> feelings and sensibilities, if not altogether governed by them, in their
> lives as much as their works. In WSB's case, a lack of direction and
> ungrounded feelings drifted toward junk "by default" (read his introduction
> to JUNKY), which proceeded to govern his movements like those of an insect.
> A wandering sensitivity and alienation ironically led to the total
> usurpation of sentiment while he was suspended in the metabolic grip, a mass
> of "junk-hungry cells" clamoring to "drink from the needle". His predicament
> resulted more from feeling than from reason in the sense of sensibilities
> with nowhere to roost in a senseless society (maybe I've been reading too
> much Dr. Seuss to my son), but ultimately from neither, his High Junk Period,
> so to speak, cleared a vacuum and filled it with an ongoing and narrow cycle
> of need and its relief, "perhaps all pleasure is relief". As for emotional
> idealism, this is problematic. He had deep emotions and was an idealist in
> terms of being a truth-searching visionary, but he was not "governed...by
> emotional idealism. Anyway, in the later works, there is an aspect that
> might be mistaken for sentimentality but which, I think, goes beyond it into
> intimations of the supernatural, rather than sentimental. In THE WESTERN
> LANDS, which we were discussing before collectively crashing into the news of
> his physical death, there is the prose-poetic phrase "Flashes of serene,
> timeless joy. A joy as old as suffering and despair". Despite the
> world-wariness and pessimism that characterize his works, they also record a
> search to locate the elusive mental and emotional connection to the ethereal,
> even as the space/time-trapped body is ground down by "...the claims of the
> aging, cautious, nagging, frightened flesh". In TWL as in other earlier and
> later chapters of his "one long work", he probes and discards the historic
> layers of cultural/religious/societal mechanisms of distraction and control,
> where the celestial (or illusory material) reward is offered for towing the
> line, and tries to get a real glimpse of what we're "here to go" to. In the
> case of TWL, it is the cumbersome and preposterous ancient Egyptian dogmas of
> the afterlife that he gets past, in other cases it is the Mayan Codices, a
> myriad of control agents in our supposedly enlightened current societal
> structures and, of course, words themselves and the images they generate.
>
> WSB and JK got much further past the hurdles than most, but what did they
> find? The disparity between the body and the spirit is not a Beat
> phenomenon, it is the exclusively human phenomenon which they got especially
> close to with an especially clear vision. We are really only (self)
> glorified, slower-motion versions of the leaves that are beginning to turn in
> their eternal cycle here in Michigan as I write this, the "quivering meat
> wheel", the process of life, if anything, is endless, not our own lives. Yet
> there IS a connection to that larger process through the life of the mind and
> its emotions. Is this "sentimentality" or "romanticism" in its stereotypical
> image of maudlin excess, or an intimation of something just as real as
> "reality"? I think that the characterizing of WSB as severely UNsentimental
> and of JK as overly so which is often found in commentary about them here and
> elsewhere is deceiving, and misses the dimension of duality that they both
> perceived and came to terms with. WSB was impatient to get past the
> illusions, to "smash the control images", but was not a nihilist, he
> definitely believed that there IS something past them, read the works and his
> own quotes (down to those last diary entries) and there's no doubt of it.
> His insistent pursuit of clarity and honesty might be mistaken for total
> cynicism. You might say he seeks a sentimentality beyond "sentimentality" as
> it has been appropriated by the forces of control in all their manifestations
> throughout history. And "serene, timeless joy" goes hand in hand with its
> equally venerable counterpart, "suffering and despair". The control
> mechanisms he exposes purport to be the exclusive way to the former ("but
> through (fill in the blank) can ye get through the gate"), and keep trying to
> sever its connection to the latter while threatening its application to
> maintain control. After all, "serene, timeless joy" can't be defined or
> valued without its counterpart. And JK's image as a euphorically
> rhapsodizing romanticist and mythologizer of himself, Neal, the very
> processes of movement and life itself, belies a tragic sensibility that is as
> much removed from "emotional idealism" as WSB. In ON THE ROAD, he rushes
> toward a river and all the freedom and movement that it symbolizes for him,
> only to run right into a fence. Our minds and emotions can catch the
> "flashes", but while we're "here" before we "go" we can't quite get there
> from here. JK & NC have to keep moving to get their glimpse of IT, always
> preceded by restless anticipation and followed by letdown and the renewed
> buildup of restlessness. One way to look at it is that he mythologizes,
> romanticises and sentimentalizes, only to sharpen the contrast between
> space/time bodily limitations and spiritual (sentimental?) infinity. But
> that river IS THERE, beyond the fence.
>
> Well, it never fails- the more I try to focus, the more there seems to focus
> on, and now there's no time to proceed to the other topic I mentioned at the
> beginning. I must stop, or jump out of the moving vehicle, or whatever.
> Since there's no way to conclude, here's a great quote that I think relates
> to "everything and nothing", as JK would say, and to the struggle to
> reconcile the body and the spirit.
>
> "My dear, I'm working on the most marvelous invention...a boy who disappears
> as soon as you come leaving a smell of burning leaves and a sound effect of
> distant train whistles."
> -WSB, NAKED LUNCH, pg. 111
>
> Regards,
>
> Arthur
A couple of definitions from my "The New Webster Dictionary and Complete
Vest-Pocket Library ... 45,800 words..." Copyright 1893, 1894 purchased
for a buck at The Source Bookstore in Davenport Iowa back around 1993 or
1994.
Miraculous. "Supernatural"
Invention. Invent. "find out; devise; frame; forge."
Sentimentality. "Affectedly Tender."
Affect. "Influence. Assume."
Tender. "to offer; sensitive, kind; delicate."
david rhaesa
salina, Kansas
=========================================================================
Date: Sun, 14 Sep 1997 23:17:56 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: "Listen all you boards and syndicates...."
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Diane Carter wrote:
>
> I'm not sure that Kerouac's sentimentality sharpens the contrast between
> "space/time/body and infinity";
Kerouac's examination of these things is very different than Burroughs
because JK looks at these through the prism of his physical experiences
while Burroughs through experiencing the dark humour of imagination. To
limit the idea of experience (and i'm not sure you're doing this) to the
"REAL" world is a very very limiting perception. Burroughs being born
into a different chemistry was sensitive to the imagination and keen to
every intricacy therein in the same way as Kerouac was sensitive to the
imagination in the physically visible.
dbr
=========================================================================
Date: Sun, 14 Sep 1997 22:00:41 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: More Berthold Brecht: The Smoke Out of This Planet.
Au_er diesem Stern (bertolt brecht)
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-----Original Message-----
From: Rinaldo Rasa <rinaldo@GPNET.IT>
To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
Date: Sunday, September 14, 1997 4:47 AM
> Ok I received a backchanell challenge. What poetic license?
Here is what I believe a more literal translation of Der Rauch would be:
The Smoke
The small house under tress by the lake
>From roof rises smoke
He felt
How bereft of trust (untrustworthy) then became
House, trees and lake
Original German:
> Der Rauch
>
> Das kleine Haus unter Bdumen am See.
> Vom Dach steigt Rauch.
> Fehlte er
> Wie trostlos dann wdren
> Haus, Bdumen und See.
> -- BERTOLT BRECHT
>
Rinaldo's translation:
>The small house among to the trees on the lake.
>From the roof climbs the smoke.
>If there is not smoke
>house, trees and lake would be dismal.
>.-
>Under the trees by the lake is not quite the same as among the trees on the
lake.
> There is nothing that says "if there is not smoke" in the original
> The implication of untrustworthy is not quite the same as dismal.
I do not cherish making these corrections (?) and I would be the first one
to agree that it may be trifling. If we don't need such nitpicking on the
list, I will gladly stop it. But,, here I go correcting and I have left
out " I thought" from the first line of "Outside of this star" poem , and
even misspelled Brecht's name. I am no one to point fingers, but I do
believe my corrections are accurate, and a challenge is a challenge. I love
all your contributions to the list Rinaldo. Bless you.
leon
=========================================================================
Date: Mon, 15 Sep 1997 09:38:41 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <sk312@pophost.city.ac.uk>
From: Daniel Fascione <m.d.fascione@CITY.AC.UK>
Subject: subscription - OFF
Aplogies for posting this to the whole of the list, but could someone
send me deatils of how to subscribe to this list.
Thanks in advanced
Daniel
=========================================================================
Date: Mon, 15 Sep 1997 05:25:07 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Re: hitchhiking in New Hampshire
The last hitchhiker I picked up was Soloman Paul Hobbes. He told me how he
was hitchhiking in New Hampshire one night and set up his sleeping bag at
what he thought was a deserted house. In the middle of the night, he gets an
eerie feeling, looks out from under sleeping bag and sees a mountain lion. He
starts staring the mountain lion down, while slowly gathering his stuff. The
mountain lion just stared back. Soloman slowly backed down the road
backwards, eyeing the mountain lion, with his gathered stuff in his arms
until the mountain lion was out of sight. He walked down the road and came to
an abandoned old farmhouse, and he slowly made his way in. On the second
floor he found an old bed, and he knew that this was where the mountain lion
slept. So he set up his sleeping bag and slept there, surrounded by old tin
cans that he set up as a barrier to warn him in case the mountain lion came
back in while he was still sleeping.
I dropped Soloman off in San Anselmo, not far from San Quentin, and he gave
me a pen. It was a nice pen.
He also said that Calvin and Hobbs was named after him.
so it goes, Attila
=========================================================================
Date: Mon, 15 Sep 1997 06:00:13 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: kerouac and cliff's notes.
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At 10:51 PM 9/14/97 -0400, you wrote:
>for those of you who know about these dreadful yellow/black booklets that
>many adolescent summer readers turn to instead of reading the book,
>cliff's notes has published many cheat summaries of stories including a
>recent one, "the Invisible Man" by Ellison and by other great writers.
>What if somehow "On the Road" was pillaged and turned into a 45 pg
>summary book? Would this encourage young readers to read the whole thing
>or just to skim it in time for september english classes? Either way i
>couldn't begin to fathom the results of taking "naked lunch" or any other
>liteary masterpiece and condence it into a paper-thin booklet.
> paranoid and frightened of
> pillaged literature,
> jason.
>
>
If otr is taught, it is certainly cliff-noted, isn't it. The only
way it wouldn't be is if the Kerouac estate said no, or is that
true? Don't really know myself.
Mike Rice
=========================================================================
Date: Mon, 15 Sep 1997 07:06:50 -0400
Reply-To: cosmicat@erols.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: cosmicat@EROLS.COM
Subject: Re: maya gorton?
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Derek A. Beaulieu wrote:
>
> hey there beat-l'ers
> does anyone out there have maya's address as i would like to get in touch
> with her but i have lost her address. thanks a bundle
> yrs
> derek
maya gorton: marioka7@aol.com
=========================================================================
Date: Mon, 15 Sep 1997 08:42:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Maya Gorton <Marioka7@AOL.COM>
Subject: howdy
just wanted to say hi and please write to me....i'm not re-subscribed so
don't post me a message on the list but write to me personally. hope you're
all well. I saw Jim Caroll read day before yerster. It was invigorating.
He's a great storyteller. know of any of his stuff on the web anyone?
---------maya
=========================================================================
Date: Mon, 15 Sep 1997 14:48:28 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: More Berthold Brecht
In-Reply-To: <9709142201.aa14683@mail.cruzio.com>
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Leon,
i'm sure yr knowing of german language is the best,
yr translation helped to open my eyes,
(mine is only to the very very lowest level, having some
relatives emigrates in germany and suisse, (others in Canada),
but this isn't a matter that justify to translate Bertolt Brecht.)
i've tempted to react to brecht's poems as Zen Poetry
_koan_
of course, i'm always have been a great admirer
of brecht's theatre & poetry (i.e. Beggar's Opera collaboration
with Kurt Weill) despite his political choice, brecht is
a valuable man, his approach to chinese lit is laudable,
in the early 70's i was an avid reader for brecht's works,
but unlike the Beats i read brecht in translation and a bit
to following the german language,
now u are right, that Stern is "Star" and not "Planet",
the word "au_er" is "ausser" meaning the _=ss as in "Strasse",
the word "verw|stet" is |=u: "u" umlau
in the poem Der Rauch
the word "Bdumen" the "d" is "a" umlau
the same for "Bduame" and "wdren"
what i was surprised was that the listserv has not recognized
the german alphabet 'cuz i've post correctly the character but
tha lserver transform them in anonymous character, if this
happen to language with characters not english-like (i.e.
german, spanish, french) i have surprised again. with italian
the snag is smaller or non-existent 'cuz the stressed character
are easily transform as "a acute or a grave" a', ... etc, if
a chinese or japanese wish to post in his native language there's
impossible, i'm afraid,
the bertolt brecht's post crossed in my mind as unconscious
i apologies,
cari saluti a tutti da
Rinaldo.
At 22.00 14/09/97 -0700, Leon Tabory <letabor@CRUZIO.COM> wrote:
>-----Original Message-----
>From: Rinaldo Rasa <rinaldo@GPNET.IT>
>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
>Date: Sunday, September 14, 1997 4:47 AM
>
>> Ok I received a backchanell challenge. What poetic license?
>Here is what I believe a more literal translation of Der Rauch would be:
>
>The Smoke
>
>The small house under tress by the lake
>>From roof rises smoke
>He felt
>How bereft of trust (untrustworthy) then became
>House, trees and lake
>
>
> Original German:
>
>> Der Rauch
>>
>> Das kleine Haus unter Bdumen am See.
>> Vom Dach steigt Rauch.
>> Fehlte er
>> Wie trostlos dann wdren
>> Haus, Bdumen und See.
>> -- BERTOLT BRECHT
>>
>
>Rinaldo's translation:
>
>>The small house among to the trees on the lake.
>>From the roof climbs the smoke.
>>If there is not smoke
>>house, trees and lake would be dismal.
>>.-
>>Under the trees by the lake is not quite the same as among the trees on the
>lake.
>> There is nothing that says "if there is not smoke" in the original
>> The implication of untrustworthy is not quite the same as dismal.
>
>I do not cherish making these corrections (?) and I would be the first one
>to agree that it may be trifling. If we don't need such nitpicking on the
>list, I will gladly stop it. But,, here I go correcting and I have left
>out " I thought" from the first line of "Outside of this star" poem , and
>even misspelled Brecht's name. I am no one to point fingers, but I do
>believe my corrections are accurate, and a challenge is a challenge. I love
>all your contributions to the list Rinaldo. Bless you.
>
>leon
>
>
=========================================================================
Date: Mon, 15 Sep 1997 09:19:07 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: kerouac and cliff's notes.
In-Reply-To: Message of Sun, 14 Sep 1997 22:51:13 -0400 from
<jdematte@TURBO.KEAN.EDU>
It has been -- Monarch notes includes it in their Beat writers pamphlet. It ma
y be long out of print. Frankly, I'm surprised that there isn't a Cliff Notes
version.
=========================================================================
Date: Mon, 15 Sep 1997 11:03:26 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Neil Hennessy <nhenness@UWATERLOO.CA>
Subject: Re: "Listen all you boards and syndicates...."
In-Reply-To: <970913171957_-1933747394@emout04.mail.aol.com>
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On Sat, 13 Sep 1997, Arthur Nusbaum wrote:
> relevant to their works. Certainly, both WSB and JK are tuned into their
> feelings and sensibilities, if not altogether governed by them, in their
> lives as much as their works. In WSB's case, a lack of direction and
> ungrounded feelings drifted toward junk "by default" (read his introduction
> to JUNKY), which proceeded to govern his movements like those of an insect.
> A wandering sensitivity and alienation ironically led to the total
> usurpation of sentiment while he was suspended in the metabolic grip, a mass
> of "junk-hungry cells" clamoring to "drink from the needle".
In terms of motivation, rather than just "lack of direction and
ungrounded feelings", you have to add a fierce curiousity and a scientific
approach to experimentation in all aspects of life. Burroughs has referred
to his work as "pure science", and when faced with a self-imposed
question, he was fond of Korzybski's line "I don't know, let's find out."
His search for Yage is a perfect example of how Burroughs was extremely
directed and motivated by the need to experiment. Assigning clear-cut
motives and causes for people's actions is a dubious undertaking, but I
think there are more factors in Burroughs' case that need to be
considered.
In no way could the Burroughs of the cut-up trilogy be called sentimental,
since all feelings were subsumed or controlled by the need/fix dichotomy
of junk (or control structures operating like junk, as in the Love Con).
You're bang on there Arthur, but here I think you go astray:
> As for emotional
> idealism, this is problematic. He had deep emotions and was an idealist in
> terms of being a truth-searching visionary, but he was not "governed...by
> emotion.
I have a problem with the term "truth-searching visionary" when applied to
Burroughs, who espoused as a dictum above all others Hassan I Sabbah's
"Nothing is True. Everything is Permitted." An ideal, singular "truth" was
foreign to Burroughs' understanding of the world, as it smacks of the
Right Virus (and all the attendant evil pinch-faced decent church-going
women). His belief in a polytheistic universe of many Gods is a testament
to his escape from the religious-based logocentrism that characterizes so
much of Western thought.
Burroughs was more of a freedom-fighting visionary in his efforts to
escape Control.
> WSB and JK got much further past the hurdles than most, but what did they
> find? The disparity between the body and the spirit is not a Beat
> phenomenon, it is the exclusively human phenomenon which they got especially
> close to with an especially clear vision.
Hmm, Burroughs (in the cut-up trilogy anyway) had an extreme revulsion for
the body that is singular in Western literature, and in that way he tows
the Christian orthodox line. The setting up of a mind/body and
emotion/intellect dichotomy is one of the cornerstones of Western
philosophy, present from Plato to Descartes and beyond. Whether this is an
"exclusively human phenomenon" depends entirely on whether you believe it.
In opposition to that view, I refer you to Blake-- so beloved of
Ginsberg-- who won't accept the Western separation of mind and
body, and the body's attendant degradation.
"Prisons are built with stones of Law, Brothels with bricks of Religion."
William Blake
Neil
=========================================================================
Date: Mon, 15 Sep 1997 11:29:50 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
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From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
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Just got back from a couple days in the woods reading Some of the Dharma -
Almost, if not more, as artistic as VOC.
Was reading article last night about Kerouac, saying he died a racist. Can
anyone tell me anything about this?
-Jon
=========================================================================
Date: Mon, 15 Sep 1997 11:51:03 -0400
Reply-To: mike@buchenroth.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael L. Buchenroth" <mike@BUCHENROTH.COM>
Organization: Buchenroth Publishing Co
Subject: Literature Online or consciousness evolution tax?
Comments: To: webmaster@chadwyck.com
Comments: cc: cveditions@aol.com
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Dear Chadwyck-Healey Ltd Webmaster:
Why would I or anyone else pay for access to your literary database when
practically everything you store exists elsewhere in public domain free?
Your site taxes the spirit of the web; defrauds the human species . . .
***
The evolution of human consciousness, if up to institutions such as
Chadwyck-Healey Ltd, would begin immediately following birth with an
electrode implantation into each new-born human brain stem connected via
infra red to a meter not much different than an electric usage meter
power companies now employ on the side of houses to measure and bill
customer electricity usage! Only your meter would measure and charge
thought, for learning each new declamation; every CNS protoplasmic
propagation, aha potassium reduction the wheel spins 10-cents faster;
sodium rushing in there location cell AX2956892919 degrees,
BY2956891219568 degrees, CZ34589, the meter trips signaling Dave's
Culligan on Main Street that humanoid Dave2001xyz99 needs electrolyte
home delivery (must keep protoplasmic harmony, electrolytic super
efficiency, the business plans calls for it) the power grid network'd
measures blip blip, somewhere a first grader for first time speaks
"Alice meets Jip. See Jip run? Run Jip run." Elsewhere the grid hums,
Chuckie learns a pun.
***
"Ouch, I burnt myself!" thinks the baby, "That flame means pain. Do not
touch from now on. OK?"
***
Kabing, Chadwyck-Healey Ltd's thought meter accrues $2.99 for
significant life-preserving lesson. Around universities and public
education facilities huge power grid networked measuring stations would
process abundantly.
***
It was a dark and stormy night, as Chuckie thinks, (sentence cost=$9.95)
"Who'll stop the acid rain, (sentence/question cost=$4.95)
The chadwyck clouds beat down upon us? ($1.95)
Oh well, I'll continue reading,
'Steal This Book' (5th edition),
Introduction to Chapter Two,
Chadwyck-Healey Thought Meter Removal,
'Steal This Book' is, in a way, a manual of survival in the prison that
is Chadwyck-Healey's Amerika. It preaches jailbreak. It shows you where
and exactly how to place the dynamite that will destroy the walls. The
first section- SURVIVE!-lays out a program for the most important
lesson-get rid of that damn meter! This action separates revolutionaries
from outlaws . . .
***
Ah-ooooo-ga!!!
Ah-ooooo-ga!!!
***
Charge all funds left in e-wallet, then apprehend,
Charge all funds left in e-wallet, then apprehend,
then apprehend
apprehend . . .
(dots will echo)
. . .
***
Reports, speeches, papers, essays, addresses, $1.95 per occurrence;
Analyses, themes, lectures, discourses, orations $2.95 each;
Homilies, diatribes, harangues, philippics, allocutions,
verbalizations, words, tongues $.99;
Declamations ~special today only~ 25-cents;
Morals, maxims, adages $5.99 first occurrence, $1.99 thereafter;
Cautions, admonitions, warnings, deterrents, . . .
Oxymoron recognition $8.99
***
Evolution of consciousness will occur only when the Chadwyck-Healey
consortium schemes to not only charge for thought,
but to sell it as well,
(tax the tax)
hell!
2+2=$5.00,
Chadwyck-Healey network'd vendors on steps sell,
Thought at each educational pillar!
Good luck in your space~time~string.
Ah, your meter just dinged.
***
--
Michael L. Buchenroth
Buchenroth Publishing Company
www.buchenroth.com
mike@buchenroth.com
=========================================================================
Date: Mon, 15 Sep 1997 13:33:56 -0500
Reply-To: Matthew S Sackmann <msackma@mailhost.tcs.tulane.edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Re: Visions of America
In-Reply-To: <3.0.32.19970911193636.0069ede4@maila.wm.edu>
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On Thu, 11 Sep 1997, Jonathan Pickle wrote:
> At 04:43 PM 9/11/97 -0500, you wrote:
> >On Thu, 11 Sep 1997, chenxiao wrote:
> >
> >> Folks over there, is hitchhiking still easy thing in this continent as
> in the
> >> OTR time?
> >>
> >> Hitchhike to America, hitchhike to moon;
> >> with bag empty, with hair long.
> >>
> >> ciao
> >> yan
> >>
> >I'm afraid not, Yan. It's illegal in many places. Most depressing thing
> >in the world is to see a road sign with a thumb up held with a big red
> >slash across it. and you read or hear about people getting killed, raped
> >. . . all the time . I was lucky enough to hitch 1600 miles down the
> >Alaskan-Highway last year, through Canada. It was fairly easy for us.
> >But Canada and Alaska are a lot different than the rest of the U.S.
> >
> >i like your little poem. reminds me of Jack's "Visions of America."
> >
> >-matt
> >
> >
> Matt - Ive been searching for "Visions of America" for two years and cant
> seem to find it except through this internet bookdealer who wants 125
> dollars for it which of course I don't have. Do you know of a way of how I
> could get it cheeper?
>
>
> -Jon
>
Hmmm...I may have misled you Jon. I was talking about a little poem that
starts a essay in Lonesome Traveler. Goes something like this.
Visions of America
All that hitchhiking
All that [oh man, my memory is bad, what does he say here?]
All that coming back
to America
The exact quote is not neccessary. It's nice sometimes, but it is not
neccessary. Sorry i led you astray. I've heard of the Visions of America
that you speak of, but little other than that. Maybe some other
listmembers would be kind enough to fill us in.
And coming down from a high i opened up Some of the Dharma to a random
page, and this is what i read:
"God is a warm idea for the cool void."
Makes perfect sense, doesn't it?
-matt
=========================================================================
Date: Mon, 15 Sep 1997 16:30:13 +0000
Reply-To: randyr@southeast.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Comments: Authenticated sender is <randyr@pop.jaxnet.com>
From: randy royal <randyr@MAILHUB.JAXNET.COM>
Subject: Re: hitchhiking in New Hampshire
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nice story.
> He also said that Calvin and Hobbs was named after him.
tell him he was named after a sixteen(?) hundred philospher
> so it goes, Attila
>
randy
=========================================================================
Date: Mon, 15 Sep 1997 16:57:53 -0400
Reply-To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>
Subject: Re: kerouac and cliff's notes.
Reply to message from jdematte@TURBO.KEAN.EDU of Sun, 14 Sep
>
>for those of you who know about these dreadful yellow/black booklets that
>many adolescent summer readers turn to instead of reading the book,
>cliff's notes has published many cheat summaries of stories including a
>recent one, "the Invisible Man" by Ellison and by other great writers.
>What if somehow "On the Road" was pillaged and turned into a 45 pg
>summary book? Would this encourage young readers to read the whole thing
>or just to skim it in time for september english classes? Either way i
>couldn't begin to fathom the results of taking "naked lunch" or any other
>liteary masterpiece and condence it into a paper-thin booklet.
> paranoid and frightened of
> pillaged literature,
> jason.
"A NOTE TO THE READER: THESE NOTES ARE NOT A SUBSTITUTE FOR THE TEXT ITSELF
OR FOR THE CLASSROOM DISCUSSION OF THE TEXT, AND STUDENTS WHO ATTEMPT TO
USE THEM IN THIS WAY ARE DENYING THEMSELVES THE VERY EDUCATION THAT THEY
ARE PRESUMABLY GIVING THEIR MOST VITAL YEARS TO ACHIEVE."
This is the "surgeon general's warning" (as i like to term it) found in the
beginning of Cliffs Notes. I thought it was so funny that it was my sig
file for about a month. if it hadn't been for cliffs notes, i would not
have survived my 18th century lit course. this was partly because we found
the material so dull & uninspiring, the professor didn't even want to teach
it. But I digress. IN my opinion, as a current high school student
teacher (meaning I don't yet have my certification), if OTR ever becomes
high school canon lit, there will be Cliffs Notes. because there always
will be someone who really doesn't want to read it after all & looks for
the short cut. The thing about teaching kids is that for all the kids who
want to learn, there are also going to be kids who don't. Or who don't
want to learn some of the things we want to teach them. Young people who
discover OTR & the other Beats, I feel, will keep doing it the same way
they always have...stumbling across them some way or another, Cliffs Notes
or no Cliffs Notes. Chances are that if the kid opts for the Cliffs Notes
rather than the real deal, he/she wasn't going to ever read the book unless
made to. My favorite memory: when i was in high school, we were reading
the great gatsby. most of our books had this blue cover with a pair of
eyes on it. Ed, who was a bright kid & is currently in law school, had a
yellow & black striped edition. Like I said, he was bright, but
literature wasn't his thing.
Diane. (H)
--
I should have loved a thunderbird instead. --Sylvia Plath
Diane M. Homza ek242@cleveland.freenet.edu
=========================================================================
Date: Mon, 15 Sep 1997 16:49:00 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: Visions of America
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At 01:33 PM 9/15/97 -0500, Matt Sackmann wrote:
>
>And coming down from a high i opened up Some of the Dharma to a random
>page, and this is what i read:
>
>"God is a warm idea for the cool void."
>
>Makes perfect sense, doesn't it?
>-matt
>
Yes, yes, yes. I read it too. It was all so perfect. Am going to reread
it once I get a break and can really understand it as it relates to my life
as meaning.
I read something that Tricycle serialized Wake Up - Jack's biography of the
Buddha. Is there anyway anyone can get a hold of that. On the net or
something.
"And any time you need
me
Call
I'll be at the other
end
Waiting
at the final hall" JK - 80th Chorus, San Francisco Blues
-Jon
=========================================================================
Date: Mon, 15 Sep 1997 14:20:51 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: der doc <der_doc@ROCKETMAIL.COM>
Subject: Re: Adam J Muszkiewicz disciplinary hearing
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===
visit my web site, The Beat(en) Regeneration
(http://www.geocities.com/SoHo/Lofts/6131)
for info on the Beat, Beatnik and Neo-Beat subcultures
---Antoine Maloney <stratis@ODYSSEE.NET> wrote:
> To: Lieutenant Adam J Muszkiewicz, M.D. A.K.A. "der doc"
First of all it's PhD not M.D.
> This is to inform you Officer Muszkiewicz that in my position
> responsible for discipline on the Beat Liat, I am removing your Beat
> priveleges. Until further notiice you cannot refer to yourself as
"Beat" nor
> can you make any claims to ""beatness". In the course of time you
will come
> to appreciate that ANYONE can be beat and you will regret being
excluded.
In all of my posts, THAT is precisely the message that I attempt to
get across: ANYONE might be Beat and there is no point in attempting
to enumerate the masses that may or may not be BEAT. Besides, that
sort of thing really doesn't go along with "beat-ness," now does it?
I mean really, would Kerouac or Ginsberg or anyone have really just
made a list
of Beats or anything of the sort? Think about what you're saying,
man! My own personal message about Beat is, as I have said: Beats are
Beat is Beat. You know they know we know. Knowing is enough.
very confused,
Adam J Muszkiewicz
_____________________________________________________________________
Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com
=========================================================================
Date: Mon, 15 Sep 1997 23:42:00 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: Etoy
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Please, help me to understand this !
www.etoy.com
Ciao !
Francesco (...a sort of confused beat)
=========================================================================
Date: Mon, 15 Sep 1997 15:43:56 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: your mail
In-Reply-To: <3.0.32.19970915112950.0068b080@maila.wm.edu>
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jon
where do you read this? (not that this would be the first tiome ive heard
it, but just curious). article? book? etc?
yrs
derek
On Mon, 15 Sep 1997, Jonathan Pickle wrote:
>
> Just got back from a couple days in the woods reading Some of the Dharma -
> Almost, if not more, as artistic as VOC.
>
> Was reading article last night about Kerouac, saying he died a racist. Can
> anyone tell me anything about this?
>
> -Jon
>
=========================================================================
Date: Mon, 15 Sep 1997 15:47:20 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: kerouac on william f. buckley?
Mime-Version: 1.0
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does anyone out there have a copy (VHS) or a transcription (even better)
of kerouac's appearance on william f. buckley's "firing line"? i would
really appreciate any help you all might be able to provide. (curious abt
kerouac's comments concerning links b/t beats and hippies as well as
his comments abt ginsberg and gays, etc - and ive heard A
LOT abt this particular interview and would like to check it out myself)
THANKS ya'll
yrs
derek
=========================================================================
Date: Mon, 15 Sep 1997 17:15:04 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MARK NIGON <Mark_Nigon@CAMPBELL-MITHUN.COM>
Subject: kerouac on william f. buckley? -Reply
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Hi Derek,
Some of the interview is used in the documentary "What Happened to
Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in this
doumentary will answer the questions you've asked about though. Sorry,
I can't help you with locating a transcript.
-mark nigon
mark_nigon@mail.campbell-mithun.com
----------------------------------------------------------------------------
>>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
04:47pm >>>
does anyone out there have a copy (VHS) or a transcription (even better)
of kerouac's appearance on william f. buckley's "firing line"? i would
really appreciate any help you all might be able to provide. (curious
abt
kerouac's comments concerning links b/t beats and hippies as well as
his comments abt ginsberg and gays, etc - and ive heard A
LOT abt this particular interview and would like to check it out myself)
THANKS ya'll
yrs
derek
=========================================================================
Date: Mon, 15 Sep 1997 18:30:46 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: your mail
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At 03:43 PM 9/15/97 -0600, Derek wrote:
>jon
>where do you read this? (not that this would be the first tiome ive heard
>it, but just curious). article? book? etc?
>yrs
>derek
>
>On Mon, 15 Sep 1997, Jonathan Pickle wrote:
>
>>
>> Just got back from a couple days in the woods reading Some of the Dharma -
>> Almost, if not more, as artistic as VOC.
>>
>> Was reading article last night about Kerouac, saying he died a racist. Can
>> anyone tell me anything about this?
>>
>> -Jon
>>
>
Read it partly from an editorial in the Austin American-Statesman (Austin,
Texas) around the time when WSB died. The author referred to an article in
Esquire around the time of JK's death. I have heard it someplace else, but
can't remember.
-Jon
=========================================================================
Date: Mon, 15 Sep 1997 18:43:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan or Jennifer <jt712@NETPATH.NET>
Subject: A funny thing happened the other day..
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I was in Barnes and Noble bookstore, browsing through
the Jack Kerouac section, when this lady in her 40's-50's
and her husband walked by. she pointed right at one
of Kerouac's books and said in a loud voice to her
husband: "Know that guy? He was a hippie-beatnik."
then she left. i almost burst out laughing. obviously,
this woman knows nothing about Kerouac. he was totally
against the hippies! Just thought i might share that
with everyone.
-Jennifer
-jt712@netpath.net
=========================================================================
Date: Mon, 15 Sep 1997 18:46:52 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan or Jennifer <jt712@NETPATH.NET>
Subject: Re: howdy
In-Reply-To: <970915084232_-1063756835@emout01.mail.aol.com>
Mime-Version: 1.0
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At 08:42 AM 9/15/97 -0400, you wrote:
>just wanted to say hi and please write to me....i'm not re-subscribed so
>don't post me a message on the list but write to me personally. hope you're
>all well. I saw Jim Caroll read day before yerster. It was invigorating.
> He's a great storyteller. know of any of his stuff on the web anyone?
>
>---------maya
>
I, too, am a huge fan of Jim Carroll. I recommend getting
the book "Fear of Dreaming: Selected Poems of Jim Carroll," and here's the
best page so far I've found
about him:
http://home.forbin.com/~laverne/carroll/carroll.html
-Jennifer
=========================================================================
Date: Mon, 15 Sep 1997 16:57:05 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: knowing the lingo (was: A funny thing happened...)
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<snip>
husband: "Know that guy? He was a hippie-beatnik."<snap>
A question for those of you that gathered in the Haight, Goa, the
Village, attended Woodstock, etc. all those years ago. I know that the
phrase beatnik was/is derogatory, is the term hippie also, or was it
acceptable at the time?
While I'm on the subject, did anyone on the list ever travel to Goa?
I'd like to chat with you backchannel if you did.
love and lilies,
matt h.
mhannan@usoc.org
=========================================================================
Date: Mon, 15 Sep 1997 19:08:05 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Re: knowing the lingo (was: A funny thing happened...)
In-Reply-To: Message of Mon, 15 Sep 1997 16:57:05 -0400 from
<MATT.HANNAN@USOC.ORG>
Hippie was cool and acceptable, though I'm not sure most hippies referred to th
emselves as such. Yippies had a lot of fun with it. Lots of people said "Yea,
man I'm hip." back in the late 1960s and early 70s.
=========================================================================
Date: Mon, 15 Sep 1997 16:15:54 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: knowing the lingo (was: A funny thing happened...)
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 04:57 PM 9/15/97 -0400, you wrote:
> While I'm on the subject, did anyone on the list ever travel to Goa?
> I'd like to chat with you backchannel if you did.
What is Goa?
=========================================================================
Date: Mon, 15 Sep 1997 19:50:18 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: kerouac and cliff's notes.
In-Reply-To: <Pine.OSF.3.91.970914224538.20808A-100000@turbo.kean.edu>
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On Sun, 14 Sep 1997, PoOka(the friendly ghost) wrote:
> What if somehow "On the Road" was pillaged and turned into a 45 pg
> summary book? Would this encourage young readers to read the whole thing
> or just to skim it in time for september english classes? Either way i
> couldn't begin to fathom the results of taking "naked lunch" or any other
I think both Kerouac and Bill Burroughs would turn over in their graves
at the thought of their works being cliff note'd. cliff notes work fine
for regular works, where the stories are straightforward and not much is
lost in the distillation. But the idea of doing a cliff notes of "On the
Road" or "Naked Lunch" is absurd. I personally couldnt imagine being the
cliffs notes editor assigned to do "Naked Lunch" I dont think it could
be done. It just isnt possible do distill these works into a few words
or sentences.
Richard W.
=========================================================================
Date: Mon, 15 Sep 1997 19:54:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard Wallner <rwallner@CAPACCESS.ORG>
Subject: Re: kerouac and cliff's notes.
In-Reply-To: <1.5.4.16.19970915045343.1b67be54@mail.wi.centuryinter.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
> >
> If otr is taught, it is certainly cliff-noted, isn't it. The only
> way it wouldn't be is if the Kerouac estate said no, or is that
> true? Don't really know myself.
>
> Mike Rice
>
There is no doubt, none, in my mind, that if Kerouac had known of Cliff
Notes when he was alive, he would have written specific instructions to
never give permission for any of his works, except *maybe* Town and the
City, to be cliff noted.
Kerouac saw himself as a poet, literary jazz musician, and in jazz you
dont distill notes, or attempt to explain jazz in anything less than the
full form. You cant explain a Charlie Parker record by only listening to
a few notes. Some things cant be explained that simply.
RJW
=========================================================================
Date: Tue, 16 Sep 1997 08:54:36 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Re: kerouac and cliff's notes.
In-Reply-To: <Pine.OSF.3.91.970914224538.20808A-100000@turbo.kean.edu>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
A SUBJECT search at Amazon Books produced a reference to a MAX NOTES
treatment of On the Road (however, a negative find on Naked Lunch). Notes
for OTR are there for the picking. Now . . . as to whether or not anyone
would want to read it, that's a different question. Choosing between the
two's like choosing between eating a real peach and a Xerox of a peach.
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Mon, 15 Sep 1997 21:59:30 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: A funny thing happened the other day..
Mime-Version: 1.0
Content-Type: text/enriched; charset="us-ascii"
At 06:43 PM 9/15/97 -0400, you wrote:
>I was in Barnes and Noble bookstore, browsing through
>the Jack Kerouac section, when this lady in her 40's-50's
>and her husband walked by. she pointed right at one
>of Kerouac's books and said in a loud voice to her
>husband: "Know that guy? He was a hippie-beatnik."
>then she left. i almost burst out laughing. obviously,
>this woman knows nothing about Kerouac. he was totally
>against the hippies! Just thought i might share that
>with everyone.
>
>-Jennifer
>-jt712@netpath.net
>
I think by the time the hippies came around, Jack really wasn't into
being against anything. He had slipped so far into his depression that
it didn't make much difference to him. He wasn't into people like the
Merry Pranksters and the hippies, he lived his own way, I don't think he
was really <underline>against</underline> anything. That my humble
opinion
-Jon
=========================================================================
Date: Mon, 15 Sep 1997 19:50:28 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: Re: knowing the lingo (was: A funny thing happened...)
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
>
> A question for those of you that gathered in the Haight, Goa, the
> Village, attended Woodstock, etc. all those years ago. I know that the
> phrase beatnik was/is derogatory, is the term hippie also, or was it
> acceptable at the time?
>
Of course by the time the mass media had tracked it to Woodstock, et.
al. it was over anyway except for financially exploiting the rock and
roll and t-shirts. I never heard anyone refer to his or her self as a
hippie except sarcastically.
J. Stauffer
=========================================================================
Date: Mon, 15 Sep 1997 22:38:02 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marlene Giraud <M84M79@AOL.COM>
Subject: Re: kerouac and cliff's notes.
I'm not too sure about the cliff's notes, i think having cf's would help and
hinder students while reading otr. by the way, my old english teacher has
decided to incoorperate otr and some beat poetry into his class this year. he
asked me for some suggestions on themes,etc..., now i'm asking for some input
from the list. What poems do you suggest for a highschool english 3 class?
What points would you like acknowledged from otr?
--Marlene
=========================================================================
Date: Mon, 15 Sep 1997 23:22:34 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan Pickle <jrpick@MAILA.WM.EDU>
Subject: Re: kerouac and cliff's notes.
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 10:38 PM 9/15/97 -0400, Marlene wrote:
>I'm not too sure about the cliff's notes, i think having cf's would help and
>hinder students while reading otr. by the way, my old english teacher has
>decided to incoorperate otr and some beat poetry into his class this year. he
>asked me for some suggestions on themes,etc..., now i'm asking for some input
>from the list. What poems do you suggest for a highschool english 3 class?
>What points would you like acknowledged from otr?
> --Marlene
>
For a couple of years now I have gone around to my friends who have
discovered Jack Kerouac and the Beat Generation after me and sat with them
for upwards of 50+ hours talking about On the Road and other Kerouac
subjects. I have a list I am trying to clean up to give to a teacher back
home: if you want I can email it to you. It will be pretty long once I am
finished. But in the medium I like to emphasize the recurring themes of
the shroud, ie shrouded figures, the cowboy fascination, facades - things
constantly are alluded to being fake from the elluding dress of some one to
the fakeness of a joint. Also the repitition of the word 'crossroads'.
Thse are a few of the questions I give out. I have much more chapter
specific ones i like to use for when I have more time.
As for poetry: I like to use
"How to Meditate"
"My Views on Religion"
"Skid Row Wine"
**"Tales of the Buddhas of Old"
Always throw in some Haikus
-Jon
=========================================================================
Date: Tue, 16 Sep 1997 13:36:44 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Feng Yan <xbchen@SUN.NANKAI.EDU.CN>
Subject: Re: kerouac on william f. buckley? -Reply
In-Reply-To: <s41d6c0b.072@campbell-mithun.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Mon, 15 Sep 1997, MARK NIGON wrote:
> Hi Derek,
>
> Some of the interview is used in the documentary "What Happened to
> Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in this
> doumentary will answer the questions you've asked about though. Sorry,
> I can't help you with locating a transcript.
>
> -mark nigon
>
> mark_nigon@mail.campbell-mithun.com
>
> ----------------------------------------------------------------------------
>
> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
> 04:47pm >>>
> does anyone out there have a copy (VHS) or a transcription (even better)
> of kerouac's appearance on william f. buckley's "firing line"? i would
> really appreciate any help you all might be able to provide. (curious
> abt
> kerouac's comments concerning links b/t beats and hippies as well as
> his comments abt ginsberg and gays, etc - and ive heard A
> LOT abt this particular interview and would like to check it out myself)
> THANKS ya'll
> yrs
> derek
>
Mark, Derek and others,
I am also interested in Kerouac's comments. Anyone could post some here?
And your opinion?
Ciao
Yan
We share the Moon.
=========================================================================
Date: Tue, 16 Sep 1997 13:38:00 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Feng Yan <xbchen@SUN.NANKAI.EDU.CN>
Subject: Re: A funny thing happened the other day..
In-Reply-To: <3.0.2.32.19970915184315.00688df8@server1.netpath.net>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:
> I was in Barnes and Noble bookstore, browsing through
> the Jack Kerouac section, when this lady in her 40's-50's
> and her husband walked by. she pointed right at one
> of Kerouac's books and said in a loud voice to her
> husband: "Know that guy? He was a hippie-beatnik."
> then she left. i almost burst out laughing. obviously,
> this woman knows nothing about Kerouac. he was totally
> against the hippies! Just thought i might share that
> with everyone.
>
> -Jennifer
> -jt712@netpath.net
>
What had Kerouac said against hippies?
Yan
We share the Moon.
=========================================================================
Date: Tue, 16 Sep 1997 03:07:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Attila Gyenis <GYENIS@AOL.COM>
Subject: Beat Trees
Hello,
In case anybody is following Headwaters forest stuff, there was a rally this
sunday in Northern California (Stafford), and there was 400 cops there in
riot gear, ready to arrest the environmentalists. OK, alot of the
environmentalists are the granola type, but the cops has gas masks on their
belts, batons in hands, and face shields. What the hell are we fighting for.
I thought this stuff went out in the 60s.
Headwaters Forest - the last remaining old growth forest, Redwood trees 500
to 2,000 years old, that are privately owned. And owned by Mr. Hurwitz
(Maxxam corporation/Pacific Lumber) who is tying to get ransom money for it
from the government and taxpayers in the amount of $380 million dollars USA,
otherwise the forest, nature, animals, rivers, all go. It's 10:00 pm. Do you
know what the fuck your government is doing?
I don't know if Jack would have stood for it. Are trees beat?
peace, Attila
Joke:
How do you get a logger to cut off his own foot?
answer: Tell him it is made out of wood.
Well, maybe it is not a joke, who knows.
=========================================================================
Date: Tue, 16 Sep 1997 16:02:24 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Feng Yan <xbchen@SUN.NANKAI.EDU.CN>
Subject: Re: More Berthold Brecht
In-Reply-To: <3.0.1.32.19970915144828.0068cdf4@pop.gpnet.it>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Mon, 15 Sep 1997, Rinaldo Rasa wrote:
> are easily transform as "a acute or a grave" a', ... etc, if
> a chinese or japanese wish to post in his native language there's
> impossible, i'm afraid,
>
Yes, it's impossible unless you listers all have some software
like Chinese Star etc. You know, I am working on a Chinese Version of Win95.
Also, because of my low level English I am busy running after the threads.
But still i feel great.
Ciao
Yan
We share the Moon.
=========================================================================
Date: Tue, 16 Sep 1997 04:36:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: your mail
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 06:30 PM 9/15/97 -0400, you wrote:
>At 03:43 PM 9/15/97 -0600, Derek wrote:
>>jon
>>where do you read this? (not that this would be the first tiome ive heard
>>it, but just curious). article? book? etc?
>>yrs
>>derek
>>
>>On Mon, 15 Sep 1997, Jonathan Pickle wrote:
>>
>>>
>>> Just got back from a couple days in the woods reading Some of the Dharma -
>>> Almost, if not more, as artistic as VOC.
>>>
>>> Was reading article last night about Kerouac, saying he died a racist. Can
>>> anyone tell me anything about this?
>>>
>>> -Jon
>>>
>>
>Read it partly from an editorial in the Austin American-Statesman (Austin,
>Texas) around the time when WSB died. The author referred to an article in
>Esquire around the time of JK's death. I have heard it someplace else, but
>can't remember.
>
>
> -Jon
>
>
I read the article in Esquire back then, but it was published some time
after Kerouac's death. I don't recall the remarks about racism, but that
doesn't mean they weren't there.
Mike Rice
=========================================================================
Date: Tue, 16 Sep 1997 04:36:55 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: kerouac on william f. buckley? -Reply
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:36 PM 9/16/97 -0500, you wrote:
>On Mon, 15 Sep 1997, MARK NIGON wrote:
>
>> Hi Derek,
>>
>> Some of the interview is used in the documentary "What Happened to
>> Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in this
>> doumentary will answer the questions you've asked about though. Sorry,
>> I can't help you with locating a transcript.
>>
>> -mark nigon
>>
>> mark_nigon@mail.campbell-mithun.com
>>
>> ----------------------------------------------------------------------------
>>
>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
>> 04:47pm >>>
>> does anyone out there have a copy (VHS) or a transcription (even better)
>> of kerouac's appearance on william f. buckley's "firing line"? i would
>> really appreciate any help you all might be able to provide. (curious
>> abt
>> kerouac's comments concerning links b/t beats and hippies as well as
>> his comments abt ginsberg and gays, etc - and ive heard A
>> LOT abt this particular interview and would like to check it out myself)
>> THANKS ya'll
>> yrs
>> derek
>>
>Mark, Derek and others,
>
>I am also interested in Kerouac's comments. Anyone could post some here?
>And your opinion?
>
>Ciao
>Yan
>
>We share the Moon.
>
>
=========================================================================
Date: Tue, 16 Sep 1997 04:36:59 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: kerouac on william f. buckley? -Reply
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Write to one of those outfits who provide
transcripts of the weekly Sunday morning
political shows and see if they might have
it. Those people have been doing this kind
of stuff for a long time. I saw the Kerouac
film in the 80s on Bravo.
Mike Rice
=========================================================================
Date: Tue, 16 Sep 1997 04:37:01 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: A funny thing happened the other day..
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
He wrote about his dislike for hippies in the
Chicago Tribune Sunday magazine in late August
or early September, 1969, if you want to read
it. You could look it up!
Mike Rice
At 01:38 PM 9/16/97 -0500, you wrote:
>On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:
>
>> I was in Barnes and Noble bookstore, browsing through
>> the Jack Kerouac section, when this lady in her 40's-50's
>> and her husband walked by. she pointed right at one
>> of Kerouac's books and said in a loud voice to her
>> husband: "Know that guy? He was a hippie-beatnik."
>> then she left. i almost burst out laughing. obviously,
>> this woman knows nothing about Kerouac. he was totally
>> against the hippies! Just thought i might share that
>> with everyone.
>>
>> -Jennifer
>> -jt712@netpath.net
>>
>What had Kerouac said against hippies?
>
>Yan
>We share the Moon.
>
>
It was
=========================================================================
Date: Tue, 16 Sep 1997 05:28:34 -0700
Reply-To: mike@buchenroth.com
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Michael L. Buchenroth" <mike@BUCHENROTH.COM>
Organization: Buchenroth Publishing Company
Subject: Re: Beat Trees
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Attila Gyenis wrote:
> In case anybody is following Headwaters forest stuff, there was a > rally this
sunday in Northern California (Stafford), and there was 400 > cops there in
riot gear, ready to arrest the environmentalists. OK, > alot of the
environmentalists are the granola type, but the cops has > gas masks on their
belts, batons in hands, and face shields. What the > hell are we fighting for.
> I thought this stuff went out in the 60s. It's 10:00 pm. Do you
> know what the fuck your government is doing?
***
Perhaps we were just practice'n. The gun battles between police and drug
dealers in inner cities across Amerika is war! It is people fighting for
their right to participate in the economy as it allows them; deals them
that little piece of turf no one wants; and then turns to wage war
against them for trying to work at the only job it allows or gives up
that can pay all the bills, buy all hierarchical needs--because rich-ass
folks like this Mr. Hurwitz (Maxxam corporation/Pacific Lumber) feels
selling drugs means something not right and has the power enough to
force his will failing to comprehend a larger picture! --never knew
Bigger Thomas or even heard of him!
***
What will folks do when they seize their grandparents' house for failure
to pay property tax payments five times higher than their monthly
mortgage payment back when they still made 'em? They had too much pride
to say anything until its too late. How far will folks go to prevent
that seizure? --to prevent the system from disallowing those old hard
work'n folks to participate in the system at the simple level of
remaining in a quaint house they worked and sweat years and years to
own and live in during just these years????
***
Examples exist everywhere when we look! Yet most worry most about what
product acquisition they'll make next; what mind massage will they watch
next; what next, pop corn or chips?
***
If the environmentalists numbered 5,000, how many riot gear-equipped
cops would show up? National guard? Who in the armed services will join
which side?
***
Don't think the revolution awaits in the future. It rages daily in the
streets. Millions of folks do not get a chance to participate
economically and they fight gun battles over territory with one another
and the system. And if you can't eat the 2000 year old tree, it assumes
less priority to the millions who do not eat routinely. They fight for
food--for the right to eat! Or to work to earn enough dollars to eat!
All priority levels exist intertwined confusing the overall perspective
provided you see it through the NBC or ABC or CBS or CNN nightly portal
presentation like most do!
***
The grandparents hate the inner city war, the drug dealers, drug users,
the police, and the damn hippies in the forest. The drug dealers can't
trust anyone. The poor see the steaks in the grocery window and smell
the BBQ cook'n. All the rest through their Ottica Meloni's see succulent
nipples protruding from her Gianni Versace dress, or speculate about the
size of his Dockers Kakki dick, hidden . . .
***
I know what most of the cops are doing, thinking about their next
product acquisition like all the rest . . . pop corn or chips
***
=========================================================================
Date: Tue, 16 Sep 1997 07:02:20 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Jjdorfner@AOL.COM>
Subject: Kerouac in Rocky Mount, NC
i'm working on a home page for both, Lowell and Rocky Mount. each will have
a bunch of photographs and text. for right now thou...one can go to
http://members.aol.com/KerouacNC.index.html
and read about Kerouac's life and times in Rocky Mount, North Carolina.
enjoy.
john j dorfner
=========================================================================
Date: Tue, 16 Sep 1997 07:13:31 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: 36th anniversary on terra firma
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Full Moon tonight
and anniversary of my birth
36 years
give or take a century
someone asks me
"well, do you FEEEEEEEEEEEEL older?"
tough question you know
hear it
every year
every year someone's gonna ask
do you you feeeeeel older and
kind of like when asked
how do you feeeeeel
everyday
on street corners from
this person or that person
that don't
wait for the answer
cuz they didn't even realize
that they'd
asked the question
and so
the answer is
yes
i feel a distinct
impression
that i'm about
a day older
give or take
and wonder about the
correspondence of
birthday and full moon
and
certain wonderful Lunacy
somewhere in
the universe today.
[Soundtrack: two boomboxes one playing Pink Floyd the other playing
George Clinton]
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 16 Sep 1997 07:26:44 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: bardo
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Saturday September 20
Bardo is a tibetan buddist tradition. Approximately 49 days after
death.
images and or objects associated with wsb will be burned.
p
=========================================================================
Date: Tue, 16 Sep 1997 07:53:52 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: bardo
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Patricia Elliott wrote:
>
> Saturday September 20
> Bardo is a tibetan buddist tradition. Approximately 49 days after
> death.
> images and or objects associated with wsb will be burned.
> p
I'll be in Disembodied errand to Denver/Evergreen/Boulder/Aurora so burn
a few for me....
I'm visiting the Bardo before and after and will be certain to sweep
the floor
david rhaesa
salina, Kansas
=========================================================================
Date: Tue, 16 Sep 1997 09:28:46 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: rights & permissions
I doubt that any author is ever consulted when Cliff or Monarch notes
decides to publish a volume on his or her work. These are critical
works that include paraphrase and biographical and critical commentary.
Rights and permissions aren't necessary.
=========================================================================
Date: Tue, 16 Sep 1997 09:27:15 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Neil Hennessy <nhenness@UWATERLOO.CA>
Subject: Re: bardo
In-Reply-To: <341E7B04.79F3@sunflower.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
On Tue, 16 Sep 1997, Patricia Elliott wrote:
> Saturday September 20
> Bardo is a tibetan buddist tradition. Approximately 49 days after
> death.
> images and or objects associated with wsb will be burned.
> p
>
What is this about? What's being burned? And why? Please explain.
Neil
=========================================================================
Date: Tue, 16 Sep 1997 22:16:34 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Feng Yan <xbchen@SUN.NANKAI.EDU.CN>
Subject: MoonFestival
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Sitting by the Net, guys, have you just looked out of windows
to take an eye on the Moon? It's round and round, right?
Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.
A special day, families are long for getting together,
travelers'd be homesick. Folks take watching Moon
as a great pleasure, wherever they are and however they are going on.
A hope deep in hearts is that family is as round as today's Moon.
Thus the Moon you see now has received billions of lenient gaze
last few hours. The road connecting Earth and Moon is so busy
and is filled up with affection. You will never be refused
if you wanta take a ride to Moon.
JK was getting his "the greatest ride in my life"
from Gothenburg to Cheyenne
under cold shining star
he bought boys on the truck whisky
"You can have a couple of shots!", boy
Now,in warm moonlight
folks on the list
would receive the old Chinese feeling
and a piece of mooncake
digitally
Ciao
Yan
We share the Moon.
=========================================================================
Date: Tue, 16 Sep 1997 09:24:07 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: bardo
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="------------697B57345597"
This is a multi-part message in MIME format.
--------------697B57345597
Content-Type: text/plain; charset=us-ascii
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Image, picture
object, thing,
death, travel
49 days, time
buddist, seeing
burning, energy tranferance
neal which part didn't you understand,
how should i elaborate, which direction
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--------------697B57345597--
=========================================================================
Date: Tue, 16 Sep 1997 08:29:58 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re[2]: knowing the lingo (was: A funny thing happened...)
Mime-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Goa is a region in India. It was a very popular destination for
hippies in the late 60s and early 70s and had a huge drug scene. I've
read one book on the subject, Goa Freaks, by a woman with the first
name of Cleo but her last name escapes me now (scary, because I own
the book)...just wondering if anyone on the list has ever been there.
There's possibly some Beat tie in (Ginsberg?) but I don't want to tie
the list up with too much discussion of it.
love and lilies,
matt h.
mhannan@usoc.org
______________________________ Reply Separator _________________________________
Subject: Re: knowing the lingo (was: A funny thing happened...)
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 9/15/97 4:15 PM
At 04:57 PM 9/15/97 -0400, you wrote:
> While I'm on the subject, did anyone on the list ever travel to Goa?
> I'd like to chat with you backchannel if you did.
What is Goa?
=========================================================================
Date: Mon, 15 Sep 1997 23:33:20 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane Carter <dcarter@TOGETHER.NET>
Subject: Re: bardo
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Patricia Elliott wrote:
>
> Image, picture
> object, thing,
> death, travel
> 49 days, time
> buddist, seeing
> burning, energy tranferance
> neal which part didn't you understand,
> how should i elaborate, which direction
>
> ---------------------------------------------------------------Patricia,
My question is what does it symbolize or do? Does it have something to
do with the journey of the soul? And does this burning of possessions
give energy to the soul in its journey in whatever dimension it might be
in now after death?
DC
=========================================================================
Date: Tue, 16 Sep 1997 08:26:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: kerouac on william f. buckley? -Reply
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:36 PM 9/16/97 -0500, you wrote:
>On Mon, 15 Sep 1997, MARK NIGON wrote:
>
>> Hi Derek,
>>
>> Some of the interview is used in the documentary "What Happened to
>> Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in this
>> doumentary will answer the questions you've asked about though. Sorry,
>> I can't help you with locating a transcript.
>>
>> -mark nigon
>>
>> mark_nigon@mail.campbell-mithun.com
>>
>> ----------------------------------------------------------------------------
>>
>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
>> 04:47pm >>>
>> does anyone out there have a copy (VHS) or a transcription (even better)
>> of kerouac's appearance on william f. buckley's "firing line"? i would
>> really appreciate any help you all might be able to provide. (curious
>> abt
>> kerouac's comments concerning links b/t beats and hippies as well as
>> his comments abt ginsberg and gays, etc - and ive heard A
>> LOT abt this particular interview and would like to check it out myself)
>> THANKS ya'll
>> yrs
>> derek
>>
>Mark, Derek and others,
>
>I am also interested in Kerouac's comments. Anyone could post some here?
>And your opinion?
>
>Ciao
>Yan
>
>We share the Moon.
>
Yeah, happy moon festival, y'all.
I saw this movie a long time ago and I remember that this Buckly show was
the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot
Floogie with the Floy Floy.
=========================================================================
Date: Tue, 16 Sep 1997 08:34:07 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: 36th anniversary on terra firma
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 07:13 AM 9/16/97 +0530, you wrote:
>Full Moon tonight
>and anniversary of my birth
>36 years
No way!!!!?????
It's my birthday too yeah.
Well my birthday's really in october but it the Chinese calender it's my
birthday.
Same rat year too.
Amazing.
I thought this made me the Moon King but maybe you are also the Moon King.
Happy Birthday David.
>give or take a century
>someone asks me
>"well, do you FEEEEEEEEEEEEL older?"
>tough question you know
>hear it
>every year
>every year someone's gonna ask
>do you you feeeeeel older and
>kind of like when asked
>how do you feeeeeel
>everyday
>on street corners from
>this person or that person
>that don't
>wait for the answer
>cuz they didn't even realize
>that they'd
>asked the question
>and so
>the answer is
>yes
>i feel a distinct
>impression
>that i'm about
>a day older
>give or take
>and wonder about the
>correspondence of
>birthday and full moon
>and
>certain wonderful Lunacy
>somewhere in
>the universe today.
>
>[Soundtrack: two boomboxes one playing Pink Floyd the other playing
>George Clinton]
>
>david rhaesa
>salina, Kansas
>
>
=========================================================================
Date: Tue, 16 Sep 1997 08:42:45 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: MoonFestival
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
My daughter and I were looking at the Moon Sunday night, a couple days
early. It was hard to do because all the clouds covering it. She's three
and as long as she's been able to talk we've been looking at the moon.
Sunday you could see the glow of the full moon spreading out through the
clouds but not the moon, until if you looked long enough a hole in the
clouds would pass by and the moon in all it's near full glory and brightness
would pop through. "There's the moon".
And when it went back behind the cloud, "Moon gao gao?", that's local baby
talk/english for "moon went to sleep?" No, today the Moon is awake but it's
under the covers.
Today I hope there are no clouds to block your view, and if so I hope the
clouds are moth eaten and swlirling.
Don't think of Un Chien Andalou, but I couldn't help it later.
At 10:16 PM 9/16/97 -0500, you wrote:
>Sitting by the Net, guys, have you just looked out of windows
>to take an eye on the Moon? It's round and round, right?
>Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.
>A special day, families are long for getting together,
>travelers'd be homesick. Folks take watching Moon
>as a great pleasure, wherever they are and however they are going on.
>A hope deep in hearts is that family is as round as today's Moon.
>
>Thus the Moon you see now has received billions of lenient gaze
>last few hours. The road connecting Earth and Moon is so busy
>and is filled up with affection. You will never be refused
>if you wanta take a ride to Moon.
>
>JK was getting his "the greatest ride in my life"
>from Gothenburg to Cheyenne
>under cold shining star
>he bought boys on the truck whisky
>"You can have a couple of shots!", boy
>
>Now,in warm moonlight
>folks on the list
>would receive the old Chinese feeling
>and a piece of mooncake
>digitally
>
>Ciao
>
>Yan
>We share the Moon.
>
>
=========================================================================
Date: Tue, 16 Sep 1997 17:06:36 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: bardo
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 8bit
Thanks Patricia for the great, intense photo of WSB and for your sharp,
direct poetry.
Ciao !
Francesco
----------
> Da: Patricia Elliott <pelliott@SUNFLOWER.COM>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: bardo
> Data: martedl 16 settembre 1997 16.24
>
> Image, picture
> object, thing,
> death, travel
> 49 days, time
> buddist, seeing
> burning, energy tranferance
> neal which part didn't you understand,
> how should i elaborate, which direction
>
=========================================================================
Date: Tue, 16 Sep 1997 10:42:51 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: Re: kerouac and cliff's notes.
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Richard...
Isn't this true of any works, both literary and musical? I certainly agree
that jazz needs a comprehensive ear to fully appreciate it, and I'm all for
reading all of JK, not condensed versions. But, the point you make here is
no different for any other work of art. So, in short, ban all Cliff
Notes... even though they have the "surgeon general's warning" at the
front! What author WOULD approve of their work being condensed? I also
agree with whoever posted the bit about using cliff notes in her past...
there are some other helps in those cliffs notes besides the summary.
---Wes
----------
> From: Richard Wallner <rwallner@CAPACCESS.ORG>
> To: BEAT-L@CUNYVM.CUNY.EDU
> Subject: Re: kerouac and cliff's notes.
> Date: Monday, September 15, 1997 6:54 PM
>
> > >
> > If otr is taught, it is certainly cliff-noted, isn't it. The only
> > way it wouldn't be is if the Kerouac estate said no, or is that
> > true? Don't really know myself.
> >
> > Mike Rice
> >
> There is no doubt, none, in my mind, that if Kerouac had known of Cliff
> Notes when he was alive, he would have written specific instructions to
> never give permission for any of his works, except *maybe* Town and the
> City, to be cliff noted.
>
> Kerouac saw himself as a poet, literary jazz musician, and in jazz you
> dont distill notes, or attempt to explain jazz in anything less than the
> full form. You cant explain a Charlie Parker record by only listening to
> a few notes. Some things cant be explained that simply.
>
> RJW
=========================================================================
Date: Tue, 16 Sep 1997 11:00:43 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MARK NIGON <Mark_Nigon@CAMPBELL-MITHUN.COM>
Subject: Re: kerouac on william f. buckley? -Reply
Mime-Version: 1.0
Content-Type: text/plain
Hello all,
Well, what I remember is that Kerouac was drunk and seemed very bored or
irritated...Slumped in his chair...eyes closed while he
answered...smoking a cigar. He said the Vietnam war was a conspiracy to
get jeeps into the country. He explained that the Beat Generation
originally intended to be a movement of beatitude and piety but the
media used the words like "Beat Insurrection" and "Beat Mutiny" and the
movement was subsequently taken over by hoodlums. He also said the
hippies were "good kids" who were following in the his (Kerouac's)
footsteps. And your right Tim, Kerouac cracked himself up answereing a
Buckly question with the Slim Gaillard line. That's what comes to mind
right off the bat. I'll have to watch it again.
When I first saw it, I had read Kerouac and knew about the myth
surrounding his life, still, I couldn't help but see a man that had
given up long ago. He seemed to be a shell of a man grasping for
answers but truly uninterested in everything. Made me relook at Kerouac
the man. That there is my opinion.
Good day.
mark
mark_nigon@mail.campbell-mithun.com
----------------------------------------------------------------------
>>> "Timothy K. Gallaher" <gallaher@HSC.USC.EDU> 09/16/97 10:26am >>>
At 01:36 PM 9/16/97 -0500, you wrote:
>On Mon, 15 Sep 1997, MARK NIGON wrote:
>
>> Hi Derek,
>>
>> Some of the interview is used in the documentary "What Happened to
>> Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in
this
>> doumentary will answer the questions you've asked about though.
Sorry,
>> I can't help you with locating a transcript.
>>
>> -mark nigon
>>
>> mark_nigon@mail.campbell-mithun.com
>>
>>
----------------------------------------------------------------------------
>>
>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
>> 04:47pm >>>
>> does anyone out there have a copy (VHS) or a transcription (even
better)
>> of kerouac's appearance on william f. buckley's "firing line"? i
would
>> really appreciate any help you all might be able to provide. (curious
>> abt
>> kerouac's comments concerning links b/t beats and hippies as well as
>> his comments abt ginsberg and gays, etc - and ive heard A
>> LOT abt this particular interview and would like to check it out
myself)
>> THANKS ya'll
>> yrs
>> derek
>>
>Mark, Derek and others,
>
>I am also interested in Kerouac's comments. Anyone could post some
here?
>And your opinion?
>
>Ciao
>Yan
>
>We share the Moon.
>
Yeah, happy moon festival, y'all.
I saw this movie a long time ago and I remember that this Buckly show
was
the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot
Floogie with the Floy Floy.
=========================================================================
Date: Tue, 16 Sep 1997 12:00:54 EDT
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Bill Gargan <WXGBC@CUNYVM.BITNET>
Subject: Mime format
As most of you on the list have noticed, mime format and photographs do
not travel well on Beat-l. It might be better to mount such files on a
web page and provide listmembers with the url so t hat they can download
them to their hard drives and read them with their browers.
=========================================================================
Date: Tue, 16 Sep 1997 10:55:53 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: bardo
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Diane Carter wrote:
> My question is what does it symbolize or do? Does it have something to do
with the journey of the soul? And does this burning of possessions
> give energy to the soul in its journey in whatever dimension it might be
> in now after death?
> DC
more information at clip information from
http://dove.mtx.net.au/~jrowse/dead/tibdead.html
The Bardo Thodol, or Tibetan Book of the Dead, is an ancient
text that was first put into written form by the legendary Padma
Sambhava in the 8th century A.D. Translated, Bardo Thodol
means "liberation by hearing on the after death plane". The book
acts as a guide for the dead during the state that intervenes
death and the next rebirth. This intermediate state is called the
Bardo and lasts for forty nine days.
p
=========================================================================
Date: Tue, 16 Sep 1997 11:40:39 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: jo grant <jgrant@BOOKZEN.COM>
Subject: Re: 36th anniversary on terra firma
In-Reply-To: <341DE443.3B99@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Happy Birthday David.
Tell me, Do you feel any older? (choke)
I just rolled over # 67 on 09-01--Labor Day and it aint stopped since.
Morrow sent The Herbert Hunche Reader. I'd never read anything by him.
Started last night and felt close to him. I've got the basics on-line at
BookZen at:
http://www.bookzen.com/books/068815266Xb.html.
His stories, so casual and positive, but self deprecating seem touch so
much.... But I've just started.
Please feel free to share any thoughts about Huncke with me--and that goes
for anyone on the List. Just type HUNCKE on the subject line.
Couple of thought about birthdays:
I've always found it interesting that some families really get into
celebrating birthdays for young and old alike while some only do so for
young children. Those who celebrate--equal treatment to all--with
elaborate cooking, baking, gifts, etc. seemed to be a more close-knit--a
tighter family unit. Happier.
Over the past 60 years I've watched the birthday celebrations in my
extended family almost disappear. I'm first generation, so growing up the
immediate and extended family surrounding and supporting Gramma, were very
close.
To my great surprise, many years later, while in prison in the 60s (and
uncle was so pissed i was sent to the Federal joint at Leavenworth as a
first offender in a population where the average prisoner had five previous
incarcertions) I found that the prisoners, and they were a tough lot, went
to great lengths to celebrate brithdays. Small gifts, handmade items,
smoke, books, etc. were given. Cards would arrive from the families of
fellow prisoners who had tipped off wives, mothers, friends.
The first time it happened to me caught me by surprise. I'd observed it,
but being so green--a "fish" in the venacular--I avoided much socialising,
didn't ask questions, didn't get into the endless I-can-top-that story
telling. As it turned out it was respected behavior. It was, "doing your
own time."
So birthdays, in a harsh, repressive, "time" oriented environment that was
completely alien to free-world home and family, seemed to provide an
opportunity for prisoners to become, briefly, a "family."
Again, Happy Birthday David...and do you feel any................Argh.
j grant
Authors can display their books F R E E !
http://www.bookzen.com
22,000 visitors since July 1,'96
=========================================================================
Date: Tue, 16 Sep 1997 18:36:11 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Rinaldo Rasa <rinaldo@GPNET.IT>
Subject: Re: 36th anniversary on terra firma
In-Reply-To: <341DE443.3B99@midusa.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
=========================
Happy birthday to YOU!
HAPPY BIRTHDAY DAVID!
WISHING YOU ALL THE BEST.
signers:
Dr Ink
in the name
of
REVERSE ENTROPY ENGINE Ltd.
&
Duracell
in the name
of
THE TIME MACHINE Corporation
&
Rinaldo Rasa.
===========================
>Full Moon tonight
>and anniversary of my birth
>36 years
[...]
>david rhaesa
>salina, Kansas
=========================================================================
Date: Tue, 16 Sep 1997 12:46:33 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: John J Dorfner <Jjdorfner@AOL.COM>
Subject: Kerouac in Rocky Mount
i typed in the wrong address
correct address <A HREF="http://members.aol.com/KerouacNC/index.html">Kerouac'
s Rocky Mount, N.C.</A>
=========================================================================
Date: Tue, 16 Sep 1997 11:57:52 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: 36th anniversary on terra firma
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Rinaldo Rasa wrote:
>
> =========================
> Happy birthday to YOU!
> HAPPY BIRTHDAY DAVID!
>
> WISHING YOU ALL THE BEST.
>
> signers:
>
> Dr Ink
> in the name
> of
> REVERSE ENTROPY ENGINE Ltd.
>
> &
>
> Duracell
> in the name
> of
> THE TIME MACHINE Corporation
>
> &
>
> Rinaldo Rasa.
> ===========================
>
> >Full Moon tonight
> >and anniversary of my birth
> >36 years
> [...]
> >david rhaesa
> >salina, Kansas
Virgos thrive
patricia 47 no 49 no 107 no 24 o forget, my dear one (BOB) and i
begun the same age, since we married sometime i am older sometimes he is
older, silly guy insists it stays the same.
9/8/48
=========================================================================
Date: Tue, 16 Sep 1997 10:08:18 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: kerouac on william f. buckley? -Reply
Mime-Version: 1.0
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A couple other things I remember. He also said the Beat movement was taken
over by hoodlums, but he also added communists as I recall.
And he made a statement: "I got a ticket the other day".
Buckley played the perfect straightman. "A ticket? For what?"
"For decay".
It got laughs.
At 11:00 AM 9/16/97 -0500, you wrote:
>Hello all,
>
>Well, what I remember is that Kerouac was drunk and seemed very bored or
>irritated...Slumped in his chair...eyes closed while he
>answered...smoking a cigar. He said the Vietnam war was a conspiracy to
>get jeeps into the country. He explained that the Beat Generation
>originally intended to be a movement of beatitude and piety but the
>media used the words like "Beat Insurrection" and "Beat Mutiny" and the
>movement was subsequently taken over by hoodlums. He also said the
>hippies were "good kids" who were following in the his (Kerouac's)
>footsteps. And your right Tim, Kerouac cracked himself up answereing a
>Buckly question with the Slim Gaillard line. That's what comes to mind
>right off the bat. I'll have to watch it again.
>
>When I first saw it, I had read Kerouac and knew about the myth
>surrounding his life, still, I couldn't help but see a man that had
>given up long ago. He seemed to be a shell of a man grasping for
>answers but truly uninterested in everything. Made me relook at Kerouac
>the man. That there is my opinion.
>
>Good day.
>
>mark
>
>mark_nigon@mail.campbell-mithun.com
>
>----------------------------------------------------------------------
>
>>>> "Timothy K. Gallaher" <gallaher@HSC.USC.EDU> 09/16/97 10:26am >>>
>At 01:36 PM 9/16/97 -0500, you wrote:
>>On Mon, 15 Sep 1997, MARK NIGON wrote:
>>
>>> Hi Derek,
>>>
>>> Some of the interview is used in the documentary "What Happened to
>>> Kerouc" by Lewis MacAdams and Richard Lerner. The blurbs used in
>this
>>> doumentary will answer the questions you've asked about though.
>Sorry,
>>> I can't help you with locating a transcript.
>>>
>>> -mark nigon
>>>
>>> mark_nigon@mail.campbell-mithun.com
>>>
>>>
>----------------------------------------------------------------------------
>>>
>>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97
>>> 04:47pm >>>
>>> does anyone out there have a copy (VHS) or a transcription (even
>better)
>>> of kerouac's appearance on william f. buckley's "firing line"? i
>would
>>> really appreciate any help you all might be able to provide. (curious
>>> abt
>>> kerouac's comments concerning links b/t beats and hippies as well as
>>> his comments abt ginsberg and gays, etc - and ive heard A
>>> LOT abt this particular interview and would like to check it out
>myself)
>>> THANKS ya'll
>>> yrs
>>> derek
>>>
>>Mark, Derek and others,
>>
>>I am also interested in Kerouac's comments. Anyone could post some
>here?
>>And your opinion?
>>
>>Ciao
>>Yan
>>
>>We share the Moon.
>>
>
>Yeah, happy moon festival, y'all.
>
>I saw this movie a long time ago and I remember that this Buckly show
>was
>the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot
>Floogie with the Floy Floy.
>
>
=========================================================================
Date: Tue, 16 Sep 1997 19:13:43 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Dufour <dufour@ULISSE.IT>
Subject: R: 36th anniversary on terra firma
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 8bit
Happy birthday David !!!
Ciao !
Francesco
----------
> Da: RACE --- <race@MIDUSA.NET>
> A: BEAT-L@CUNYVM.CUNY.EDU
> Oggetto: 36th anniversary on terra firma
> Data: martedl 16 settembre 1997 3.43
>
> Full Moon tonight
> ...in
> the universe today.
>
> [Soundtrack: two boomboxes one playing Pink Floyd the other playing
> George Clinton]
>
> david rhaesa
> salina, Kansas
=========================================================================
Date: Tue, 16 Sep 1997 14:28:47 -0400
Reply-To: "William N. Gay" <wgay@zoo.uvm.edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "William N. Gay" <wgay@ZOO.UVM.EDU>
Subject: Re: R: 36th anniversary on terra firma
In-Reply-To: <199709161819.TAA04263@ns.ulisse.it>
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All this talk about birthdays and the moon is great. I woke up this
a.m. with the full moon shining in the window. There was a cool breeze
blowing in, and for a moment I thought I was in the backseat of this '66
Galaxie 500 I used to have years ago (and often slept in). I must have had
a similar experience awakening to the moon back in my early twenties, as
the experience was familiar and quite pleasant.
Happy birthday, David, and all other Virgos on this list. Mine was
8/29, same as Bird's.
=========================================================================
Date: Tue, 16 Sep 1997 20:42:15 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jens Koch <jenskoch@POST1.TELE.DK>
Subject: Re: Hypertext notes (& re: kerouac and cliff's notes)
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----------
From: Wes Lundburg [SMTP:lundburg@TCPNETS.COM]
Sent: 16. september 1997 17:43
To: BEAT-L@CUNYVM.CUNY.EDU
Subject: Hypertext notes (& re: kerouac and cliff's notes)
As a teacher I am supposed to be against Monarch, York, Coles Notes - =
and I am - but at the same time, if the reader would never otherwise =
have bothered to read the original, it can't be all bad. Now most of =
those of my students who don't read what they're supposed to might never =
get around to read the original if they passed the first chance by - but =
there's always a chance that the Notes edition might tempt them to go =
looking for the original - and that must be good !
As a student I was grateful for the "help" in the Notes, and well did I =
know that it wasn't the real thing.
And what about the notes offered in hypertext ? For instance the =
hypertext used for Dharma Bums in the CDROMnibus. I thought it was =
brilliant ! Reading a CD_ROM is never going to happen, it's too much of =
a strain on my eyes. I prefer the book version, and I always will. But =
studying the hypertext notes bit by bit every once in a while gave me =
tremendous enjoyment - and taught me something about things I had never =
given thought to before.
So much so, in fact, that I have started a project on hypertext using =
the Beats as a starting point. This project, which will be located at =
(http://www.systime.dk/fagbank/engelsk/beatgen/beatgen.htm) ,=20
is not online yet, but it should be in a couple of days time (it's out =
of my hands, unfortunately). I've probably been inspired by each and =
everyone who has contributed to BEAT-L since May when I joined the list, =
so if you feel like stopping by on "The Danish Pathway to the Beat =
Generation - An Educational Site" you'd be welcome - as will your =
comments, even if you should choose to crucify me for turning hypertext =
into the Monarch Notes of Cyberspace. Comments are welcomed at:
beat@systime.dk (which is the address of the site) or
jenskoch@post1.tele.dk=20
=========================================================================
Date: Tue, 16 Sep 1997 21:25:06 +0200
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jens Koch <jenskoch@POST1.TELE.DK>
Subject: I HONESTLY DON'T KNOW WHAT HAPPENED!
Comments: To: "lundburg@tCPMET.COM" <lundburg@tCPMET.COM>
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
I honestly don't know what happened when my post on hypertext etc. came =
to be posted as a letter from you, Wes. As this post was intended to =
invite people to go to our Danish site (in a couple of days time) this =
is quite ridiculous - if a little comical. I sincerely hope it doesn't =
bother you!=20
jenskoch@post1.tele.dk
=========================================================================
Date: Tue, 16 Sep 1997 16:15:12 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Michael Czarnecki <peent@SERVTECH.COM>
Subject: Re: MoonFestival
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>Sitting by the Net, guys, have you just looked out of windows
>to take an eye on the Moon? It's round and round, right?
>Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.
>A special day, families are long for getting together,
>travelers'd be homesick. Folks take watching Moon
>as a great pleasure, wherever they are and however they are going on.
>A hope deep in hearts is that family is as round as today's Moon.
>
>Thus the Moon you see now has received billions of lenient gaze
>last few hours. The road connecting Earth and Moon is so busy
>and is filled up with affection. You will never be refused
>if you wanta take a ride to Moon.
>
>JK was getting his "the greatest ride in my life"
>from Gothenburg to Cheyenne
>under cold shining star
>he bought boys on the truck whisky
>"You can have a couple of shots!", boy
>
>Now,in warm moonlight
>folks on the list
>would receive the old Chinese feeling
>and a piece of mooncake
>digitally
>
>Ciao
>
>Yan
>We share the Moon.
And just before reading this post I was saying that the moon is full
tonight and I will gather some wood for a fire as our friends come up to
gather in the next few hours. We look east across the distant ridge to
watch for the moon from this 2,000' hilltop in upstate New York. We will be
looking east from Wheeler Hill and I will think of you, Yan, as the moon
sends its first light over the ridge.
Michael
=========================================================================
Date: Tue, 16 Sep 1997 14:12:46 -0600
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: romantic lit. / shelley&wollstonecraft listserv?
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
hey there?
i was wondering if anyone out there knows if there is a romantic lit or
mary shelly/mary wollstonecraft listserv in email land. my girlfreind is
doing her masters thesis on shelley/wollstonecraft & the figure of
prometheus & i was wondering if there is any any internet resources that
you folks would recommend.
(aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist
?? haha.)
thanks a HUGE bundle
yrs
derek
=========================================================================
Date: Tue, 16 Sep 1997 17:56:14 +0000
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Marie Countryman <country@SOVER.NET>
Subject: Re: MoonFestival
MIME-Version: 1.0
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x-mac-creator="4D4F5353"
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mike, when you have the time, please drop a line to me at country@sover.net
enjoy yr moon. i will be on a hilltop over our 'cold hollow' town of
montpelier. every night this week i have been walking in the clouds that
shroud the hills, up from the clarity of the hollow, feeling like i am walking
on clouds. tonight is clear. will think of you and your celebration.
mc
Michael Czarnecki wrote:
> >Sitting by the Net, guys, have you just looked out of windows
> >to take an eye on the Moon? It's round and round, right?
> >Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.
> >A special day, families are long for getting together,
> >travelers'd be homesick. Folks take watching Moon
> >as a great pleasure, wherever they are and however they are going on.
> >A hope deep in hearts is that family is as round as today's Moon.
> >
> >Thus the Moon you see now has received billions of lenient gaze
> >last few hours. The road connecting Earth and Moon is so busy
> >and is filled up with affection. You will never be refused
> >if you wanta take a ride to Moon.
> >
> >JK was getting his "the greatest ride in my life"
> >from Gothenburg to Cheyenne
> >under cold shining star
> >he bought boys on the truck whisky
> >"You can have a couple of shots!", boy
> >
> >Now,in warm moonlight
> >folks on the list
> >would receive the old Chinese feeling
> >and a piece of mooncake
> >digitally
> >
> >Ciao
> >
> >Yan
> >We share the Moon.
>
> And just before reading this post I was saying that the moon is full
> tonight and I will gather some wood for a fire as our friends come up to
> gather in the next few hours. We look east across the distant ridge to
> watch for the moon from this 2,000' hilltop in upstate New York. We will be
> looking east from Wheeler Hill and I will think of you, Yan, as the moon
> sends its first light over the ridge.
>
> Michael
=========================================================================
Date: Tue, 16 Sep 1997 15:18:04 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: MATT HANNAN <MATT.HANNAN@USOC.ORG>
Subject: Re: romantic lit. / shelley&wollstonecraft listserv?
Mime-Version: 1.0
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Sorry to post this to the list but I can't get return addresses from
my program (plus it's good info to all):
to find a particular listerv send the command
list global XXXXXXXX (Where XXXXXXX is a key word)
to the address:
listserv@listserv.net
this won't give you every list in existence, but it'll come close
______________________________ Reply Separator _________________________________
Subject: romantic lit. / shelley&wollstonecraft listserv?
Author: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet
Date: 9/16/97 2:12 PM
hey there?
i was wondering if anyone out there knows if there is a romantic lit or
mary shelly/mary wollstonecraft listserv in email land. my girlfreind is
doing her masters thesis on shelley/wollstonecraft & the figure of
prometheus & i was wondering if there is any any internet resources that
you folks would recommend.
(aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist
?? haha.)
thanks a HUGE bundle
yrs
derek
=========================================================================
Date: Tue, 16 Sep 1997 17:35:32 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: bardo
Comments: cc: "Beach@qconline.com" <Beach@qconline.com>
MIME-Version: 1.0
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Patricia Elliott wrote:
>
> Diane Carter wrote:
> > My question is what does it symbolize or do? Does it have something to do
> with the journey of the soul? And does this burning of possessions
> > give energy to the soul in its journey in whatever dimension it might be
> > in now after death?
> > DC
>
> more information at clip information from
> http://dove.mtx.net.au/~jrowse/dead/tibdead.html
>
> The Bardo Thodol, or Tibetan Book of the Dead, is an ancient
> text that was first put into written form by the legendary Padma
> Sambhava in the 8th century A.D. Translated, Bardo Thodol
> means "liberation by hearing on the after death plane". The book
> acts as a guide for the dead during the state that intervenes
> death and the next rebirth. This intermediate state is called the
> Bardo and lasts for forty nine days.
> p
this is so funny. guess we were just a bit ahead of schedule. Rod came
down on surprise to visit me for pre-birthday weekend. One of the many
things we did was play Timothy Leary's cd taking "Ralph" through the
Bardo chakras on one boom box while playing clips from many of William's
cds on another. Highly recommend "But I'm dying, no you're not" during
the FreakOut section on the 4th Chakra. Much of Breakthrough in the
GreyRoom "shift coordinate points" "mr. martin" "how random is random"
"you can only call the old doctor once" "brings down his blue hands to
quiet the Marks" fit along very well during the Descent into Heaven as
well. Rod left me on loan with a bit of audio fun. Right now i have
Junkie, Breakthrough in the Grey Room, Call Me Burroughs, Elvis of
Lettres, Dead City Radio, Priest They Called Him, Spare Ass Annie, and
Seven Souls zooming in and out of my boombox. I might have another one
or two i forgot to mention!
have fun.
dbr
=========================================================================
Date: Tue, 16 Sep 1997 15:43:45 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: bardo
In-Reply-To: <341E760C.516F@midusa.net> from "RACE ---" at Sep 16,
97 05:35:32 pm
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
Then there's always the quote from an early David Bowie song
(Quicksand from Hunky Dory):
"If I don't explain what you want to know
You can tell me all about it on the next bardo"
I always wanted to use that as a .sig quote, but I
figured I'd have to spend a lot of time explaining
what a bardo is if I did.
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Tue, 16 Sep 1997 19:11:19 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: something to SPIN...
SPIN magazine, October 1997, p. 76
The Priest, They Called Him:
William S. Burroughs, 1914-1997
Why was the death of William S. Burroughs such a curiously uneventful event?
Given the superficial resemblance to the recent passing of friend and fellow
beat Allen Ginsberg, for example, the two deaths couldn't feel more
different. Like Burroughs, Ginsberg was a writer well past his prime and a
spotlight addict inclined to interlope on passing youth-culture movements in
order to extend his legend. Nonetheless, Ginsberg remained a force to the
end, an artist with a sincere political and spiritual agenda who saw his fame
as a way to provoke cultural change. His death came as a surprisingly
powerful blow, even to people who'd long since cringed at his poetry.
On the other hand, the 83-year-old Burroughs, who died of heart failure
August 2, was an active relic who had exploited the mystique around his early
work for so long that I suspect even he didn't know why he was famous
anymore. While he continued to write, he was less an artist than a retiree
who dabbled in his former craft. Despite the omnipresence of his name, he
had ceased to participate in our world decades ago. He lived quietly in the
middle of nowhere, invisible, apart from the occasional cameo, attached to us
only by that famous visage and voice, and by the well-worn anecdotes and
crackpot theories he respun endlessly for any interviewer willing to make the
trek to Lawrence, Kansas.
Don't get me wrong: Burroughs was a profoundly important countercultural
figure. Before heroin addiction stunted his talent, he wrote a handful of
brilliant, groundbreaking novels, including Naked Lunch (1959) and The Wild
Boys (1969). He perfected (but did not invent) the cut-up technique, one of
the touchstones of postmodernism and an influence on innumerable writers,
artists, directors, and musicians, He popularized the idea of experimental
fiction, if more by dint of his persona than his craft. Along with Jean
Genet, John Rechy, and Ginsberg, he helped make homosexuality seem cool and
highbrow, providing gay liberation with a delicious edge. In his day,
Burroughs was arguably the most radical novelist that America had ever
produced.
But the rest of the Burroughs mystique -- the gun toting, the conspiracy
rantings, the heroin cheerleading -- was pure showbiz. Not that he didn't
sit in Orgone Boxes daydreaming of enlightenment, or do drugs into his 80s.
But the mythic status of those oddball personal habits had everything to do
with the contexts in which he was placed: To most of the rock bands,
moviemakers, and Gen X advertisers who dropped Burroughs's trademark exterior
into their product (notable exception: Gus Van Sant), he was a signifier of
their own daring and little else. And in allowing this indiscriminate
dispersal of his image, Burroughs the complex artist became Burroughs the
simplistic icon.
In a way, Burroughs died in the late '70s, when he was resurrected from
relative obscurity and repackaged as a kind of outlaw comedian/philosopher.
Victor Bockris's 1981 book, *With William Burroughs: A Report from the
Bunker,* a collection of transcribed dinner conversations and photos,
presents him as a cranky, befuddled living legend who, when not putting on
clownish displays of outre behavior, was propped up in front of a passing
array of worshipful rock stars. It's a well-known secret that, beginning
with his 1981 "comeback" novel, Cities of the Red Night, Burroughs's prose
was a product of partial ghostwriting, and that his involvement in his books
steadily diminished. Perhaps this is not a bad thing in and of itself;
everybody's got to pay the rent somehow. But the result is that his death
feels abstract, only coldly fascinating. The Burroughs whom most of us know
and love is an echo, which, thanks to the miracles of sampling, will continue
unimpeded as long as there are young rebels in need of a transgressive
figurehead.
--DENNIS COOPER
=========================================================================
Date: Tue, 16 Sep 1997 16:15:37 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: something to SPIN...
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I saw this as well. Thnx for posting it.
What about it? Not the opinion, but the claim that Burroughs books were
written by ghosts beginning with Cities of the Red Night?
True?
At 07:11 PM 9/16/97 -0400, you wrote:
>SPIN magazine, October 1997, p. 76
>The Priest, They Called Him:
>William S. Burroughs, 1914-1997
>
>Why was the death of William S. Burroughs such a curiously uneventful event?
>Given the superficial resemblance to the recent passing of friend and fellow
>beat Allen Ginsberg, for example, the two deaths couldn't feel more
>different. Like Burroughs, Ginsberg was a writer well past his prime and a
>spotlight addict inclined to interlope on passing youth-culture movements in
>order to extend his legend. Nonetheless, Ginsberg remained a force to the
>end, an artist with a sincere political and spiritual agenda who saw his fame
>as a way to provoke cultural change. His death came as a surprisingly
>powerful blow, even to people who'd long since cringed at his poetry.
>
>On the other hand, the 83-year-old Burroughs, who died of heart failure
>August 2, was an active relic who had exploited the mystique around his early
>work for so long that I suspect even he didn't know why he was famous
>anymore. While he continued to write, he was less an artist than a retiree
>who dabbled in his former craft. Despite the omnipresence of his name, he
>had ceased to participate in our world decades ago. He lived quietly in the
>middle of nowhere, invisible, apart from the occasional cameo, attached to us
>only by that famous visage and voice, and by the well-worn anecdotes and
>crackpot theories he respun endlessly for any interviewer willing to make the
>trek to Lawrence, Kansas.
>
>Don't get me wrong: Burroughs was a profoundly important countercultural
>figure. Before heroin addiction stunted his talent, he wrote a handful of
>brilliant, groundbreaking novels, including Naked Lunch (1959) and The Wild
>Boys (1969). He perfected (but did not invent) the cut-up technique, one of
>the touchstones of postmodernism and an influence on innumerable writers,
>artists, directors, and musicians, He popularized the idea of experimental
>fiction, if more by dint of his persona than his craft. Along with Jean
>Genet, John Rechy, and Ginsberg, he helped make homosexuality seem cool and
>highbrow, providing gay liberation with a delicious edge. In his day,
>Burroughs was arguably the most radical novelist that America had ever
>produced.
>
>But the rest of the Burroughs mystique -- the gun toting, the conspiracy
>rantings, the heroin cheerleading -- was pure showbiz. Not that he didn't
>sit in Orgone Boxes daydreaming of enlightenment, or do drugs into his 80s.
> But the mythic status of those oddball personal habits had everything to do
>with the contexts in which he was placed: To most of the rock bands,
>moviemakers, and Gen X advertisers who dropped Burroughs's trademark exterior
>into their product (notable exception: Gus Van Sant), he was a signifier of
>their own daring and little else. And in allowing this indiscriminate
>dispersal of his image, Burroughs the complex artist became Burroughs the
>simplistic icon.
>
>In a way, Burroughs died in the late '70s, when he was resurrected from
>relative obscurity and repackaged as a kind of outlaw comedian/philosopher.
> Victor Bockris's 1981 book, *With William Burroughs: A Report from the
>Bunker,* a collection of transcribed dinner conversations and photos,
>presents him as a cranky, befuddled living legend who, when not putting on
>clownish displays of outre behavior, was propped up in front of a passing
>array of worshipful rock stars. It's a well-known secret that, beginning
>with his 1981 "comeback" novel, Cities of the Red Night, Burroughs's prose
>was a product of partial ghostwriting, and that his involvement in his books
>steadily diminished. Perhaps this is not a bad thing in and of itself;
>everybody's got to pay the rent somehow. But the result is that his death
>feels abstract, only coldly fascinating. The Burroughs whom most of us know
>and love is an echo, which, thanks to the miracles of sampling, will continue
>unimpeded as long as there are young rebels in need of a transgressive
>figurehead.
>--DENNIS COOPER
>
>
=========================================================================
Date: Tue, 16 Sep 1997 19:24:49 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jonathan or Jennifer <jt712@NETPATH.NET>
Subject: Re: A funny thing happened the other day..
In-Reply-To: <Pine.A32.3.91.970916133714.32326C-100000@sun>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 01:38 PM 9/16/97 -0500, you wrote:
>On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:
>
>> I was in Barnes and Noble bookstore, browsing through
>> the Jack Kerouac section, when this lady in her 40's-50's
>> and her husband walked by. she pointed right at one
>> of Kerouac's books and said in a loud voice to her
>> husband: "Know that guy? He was a hippie-beatnik."
>> then she left. i almost burst out laughing. obviously,
>> this woman knows nothing about Kerouac. he was totally
>> against the hippies! Just thought i might share that
>> with everyone.
>>
>> -Jennifer
>> -jt712@netpath.net
>>
>What had Kerouac said against hippies?
>
>Yan
>We share the Moon.
>
now that i think about it, Kerouac wasn't against the
hippies, but i read somewhere that he opposed many of
the things they approved of.
-Jennifer
=========================================================================
Date: Wed, 17 Sep 1997 08:48:45 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Re: bardo
In-Reply-To: <341E2830.6A7F@together.net>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
>My question is what does it symbolize or do?
Bardo--although I'm not familiar with the name, is a Buddist
practice which takes place during 49 days after the a person's death. In
Japan, where I live, some families hold "Shijukunichi" ("49 Days")
cermonies after a relative's death. Families will gather at the Buddhist
temple for prayer lead by the temple priest. Afterward, they will often
bury the ashes in the grave.
Other families, depending on family tradition or branch of Buddism
will hold similar ceremonies 35 days after the death or 1 year after the
death.
I've heard and read (Tibetan Book of the Dead) that at least in
Tigetan Buddism these 49 days are not spent idly waiting; the time is used
to prepare the departing soul for the transformation, hoping to help them
reincarnate at a more enlightened level, by reading them the Scripture from
the Book of the Dead (hence the title).
This is my humble and incomplete understanding. I'm always learning
more, in fact, received my awaited copy of Some of the Dharma yesterday, so
there may be more to add to this message later.
>do with the journey of the soul? And does this burning of possessions
>give energy to the soul in its journey in whatever dimension it might be
>in now after death?
>DC
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Tue, 16 Sep 1997 19:23:29 -0500
Reply-To: Matthew S Sackmann <msackma@mailhost.tcs.tulane.edu>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>
Subject: Re: something to SPIN...
In-Reply-To: <970916190955_1123414625@emout19.mail.aol.com>
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
Yeah, i was about to post this too. I was frankly dissapointed with it.
It just seems to me that the writer knew very little about William S.
Burroughs besides the cult, cliche knowledge of him. And many parts of
the article seem downright rude. (im paraphrasing) "Many people felt the
loss of Allen Ginsberg, even the ones who had spent years cringing at his
poetry." and then "While he continued to write, he was less an artist
than a retiree
who dabbled in his former craft." I dont agree with this at all, and i
think he just switched mediums. He went beyond writing to painting and
collages. It seemed like the article wasn't even really a
tribute to a great man who had just passed away. It was saying something
like: "His artistic genius passed away long a go, so we need not mourn his
body."
I don't know, maybe im too harsh. but i think it would have been better
to keep the article out as a tribute to WSB. Now, on the other hand, i
liked the article in Rolling Stone. THAT was a tribute.
-matt
=========================================================================
Date: Tue, 16 Sep 1997 19:27:05 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Patricia Elliott <pelliott@SUNFLOWER.COM>
Subject: Re: something to SPIN...
MIME-Version: 1.0
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I wasn't going to say anything but wasn't there a study on coopers that
they caused asthma. tim, your such a heavy hitter, right, william not
only couldn't right or think, after all he was old, uh, but elvis really
wrote and imagined the trilogy, they covered it up because they thought
william's name was bigger. Then didn't he have a trust fund, i mean
cooper not elvis.
how many legs does dennis have?
p
spin sure spent the money on that.
p
=========================================================================
Date: Wed, 17 Sep 1997 10:23:00 +0900
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Timothy Hoffman <timothy@GOL.COM>
Subject: Re: something to SPIN...
In-Reply-To: <970916190955_1123414625@emout19.mail.aol.com>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
I gotta say, I was disappointed with the tone of the SPIN article.
If Cooper and SPIN had not felt the man deserving of a tribute, why
print anything at all? Why not just let him pass?
Burroughs' death received a more respectful and humane treatment
in People, for God's sake. The People article, brief as it was, did at
least pay heed to Burroughs' choice of vocation as a way "to write himself
out of" the hellish situation he was in after the accidental shooting death
of his wife.
Cooper seems to take offense to the fact that Burroughs had been
enjoying a period of resurgence in his popularity among the
counterculture/young/personalities of the music industry when the same can
be said about other Beat authors. The fact that Burroughs had "dabbled" in
media other than writing should only confirm the idea that he was an artist
to the end, sincere in his beliefs, as human as anyone else, and, because
of his obvious talents, in death, deserving a fair tribute.
:::===:::===:::===:::===:::===:::===:::===:::
Timothy Hoffman
Komaki English Teaching Center
timothy@gol.com
=========================================================================
Date: Tue, 16 Sep 1997 21:03:09 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Wes Lundburg <lundburg@TCPNETS.COM>
Subject: Re: I HONESTLY DON'T KNOW WHAT HAPPENED!
MIME-Version: 1.0
Content-Type: text/plain; charset=ISO-8859-1
Content-Transfer-Encoding: 7bit
Hi, Jens! Bother me??? Heck no. Those who know me know that precious
little bothers me! But I was wondering the same thing. I'll bet you hit
reply while reading my post.
I'll look forward to seeing that site. Would you post it again when it
goes on line???
---Wes
----------
Jens Koch wrote:
I honestly don't know what happened when my post on hypertext etc. came to
be posted as a letter from you, Wes. As this post was intended to invite
people to go to our Danish site (in a couple of days time) this is quite
ridiculous - if a little comical. I sincerely hope it doesn't bother you!
=========================================================================
Date: Tue, 16 Sep 1997 21:44:12 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Roy Murray Moore <unde0297@FRANK.MTSU.EDU>
Subject: something to spin...
MIME-Version: 1.0
Content-Type: TEXT/PLAIN; charset=US-ASCII
if spin is going to condemn performers for living off the laurels
of past achievement, why then didn't they give jerry garcia the same going
over?
=========================================================================
Date: Tue, 16 Sep 1997 19:36:46 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: 36th anniversary on terra firma
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=========================================================================
Date: Tue, 16 Sep 1997 21:43:05 -0500
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>
Subject: Re: Beat Trees
In-Reply-To: <970916030733_928094125@emout09.mail.aol.com>
MIME-version: 1.0
Content-type: TEXT/PLAIN; charset=US-ASCII
On Tue, 16 Sep 1997, Attila Gyenis wrote:
> Headwaters Forest - the last remaining old growth forest, Redwood trees 500
> to 2,000 years old, that are privately owned. And owned by Mr. Hurwitz
> (Maxxam corporation/Pacific Lumber) who is tying to get ransom money for it
> from the government and taxpayers in the amount of $380 million dollars USA,
> otherwise the forest, nature, animals, rivers, all go. It's 10:00 pm. Do you
> know what the fuck your government is doing?
>
> I don't know if Jack would have stood for it. Are trees beat?
from Desolation Angels, ch32:
"As far as I can see and as I am concerned, this so-called Forest Service
is nothing but a front, on the one hand a vague Totalitarian governmental
effort to restrict the use of the forest to people, telling them they cant
camp here or piss there, it's illegal to do this and you're allowed to do
that, in the Immemorial Wilderness of Tao and the Golden Age and the
Milleniums of Man--secondly it's a front for the lumber interests, the net
result of the whole thing being, what with Scott Paper Tissue and such
companies logging out these woods year after year with the 'cooperation'
of the Forest Service which boasts so proudly of the number of board feet
in the whole Forest (as if I owned an inch of a board altho I cant piss
here nor camp there) result, net, is people all over the world are wiping
their ass with the beautiful trees--"
*******
Jeff Taylor
taylorjb@ctrvax.vanderbilt.edu
*******
=========================================================================
Date: Tue, 16 Sep 1997 21:18:52 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Levi Asher <brooklyn@NETCOM.COM>
Subject: Re: something to spin...
In-Reply-To: <Pine.HPP.3.96.970916214039.10951B-100000@frank.mtsu.edu> from
"Roy Murray Moore" at Sep 16, 97 09:44:12 pm
MIME-Version: 1.0
Content-Type: text/plain; charset=US-ASCII
Content-Transfer-Encoding: 7bit
> if spin is going to condemn performers for living off the laurels
> of past achievement, why then didn't they give jerry garcia the same going
> over?
This is true -- I don't know what the hell got into Spin. I've
sometimes critiqued Burroughs myself, but one thing you've got
to say is he aged pretty well, and always kept us guessing what
he was going to do next. I'd rather go out that way than a lot
of other ways.
------------------------------------------------------
| Levi Asher = brooklyn@netcom.com |
| |
| Literary Kicks: http://www.charm.net/~brooklyn/ |
| (3 years old and still running) |
| |
| "Coffeehouse: Writings from the Web" |
| (a real book, like on paper) |
| also at http://coffeehousebook.com |
| |
| *---*---*---*---*---*---*---*---*---*---* |
| |
| we might never, never, never live in harmony |
------------------------------------------------------
=========================================================================
Date: Tue, 16 Sep 1997 19:45:25 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: 36th anniversary on terra firma
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=========================================================================
Date: Tue, 16 Sep 1997 21:17:56 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Leon Tabory <letabor@CRUZIO.COM>
Subject: Re: MoonFestival
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
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=========================================================================
Date: Tue, 16 Sep 1997 23:33:35 +0530
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: RACE --- <race@MIDUSA.NET>
Subject: Re: 36th anniversary on terra firma
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Leon Tabory wrote:
>
> Happy birthday David!
>
> A bit late again, among other things work does is you get behind , running
behind the threads as as Yan would say, but it is all right in many other ways
and I am not too late yet to wish you a happy birthday or to share the moon
celebrating...
>
> I am no longer shocked that you are only thirty six, I got over that after
seeing your picure. I had pictured you as having become wisened through the
years, but I saw that your mind was way ahead of your years by that much and it
obviously didn't hurt you none in the body either.
>
> So now I have an acceptable reason to congratulate you, and since us oldtimers
ain't doin our job if we ain't givin no advice, take it from one who is going
to be doubling your years in a couple of weeks, You can pave your road with
rose petals no matter what curves they put in your way!
>
> Had I only realized it was going to go on being that good I would have saved
me some pretty heap of waste looking for the ravages of age. coming at me. Sure
can bet on tha.t but it ain't near as bad as you might imagine. You even get
used to those wrinkles and the grey hairs and there is more fun awaiting than
you can shake a stick at. And not only that, you get smarter to dig all those
goodies. Ha Ha! Have a good one!
>
> One thing though - Is it all that firm? sometimes it feels a little shaky to
me. Maybe that's my age creeping up on me. Got my sailors' legs on though, it
all is fun.
>
> leon
>
> -----Original Message-----
> From: RACE --- <race@MIDUSA.NET>
> To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
> Date: Tuesday, September 16, 1997 5:18 AM
> Subject: 36th anniversary on terra firma
>
> >Full Moon tonight
> >and anniversary of my birth
> >36 years
> >give or take a century
> >someone asks me
> >"well, do you FEEEEEEEEEEEEL older?"
> >tough question you know
> >hear it
> >every year
> >every year someone's gonna ask
> >do you you feeeeeel older and
> >kind of like when asked
> >how do you feeeeeel
> >everyday
> >on street corners from
> >this person or that person
> >that don't
> >wait for the answer
> >cuz they didn't even realize
> >that they'd
> >asked the question
> >and so
> >the answer is
> >yes
> >i feel a distinct
> >impression
> >that i'm about
> >a day older
> >give or take
> >and wonder about the
> >correspondence of
> >birthday and full moon
> >and
> >certain wonderful Lunacy
> >somewhere in
> >the universe today.
> >
> >[Soundtrack: two boomboxes one playing Pink Floyd the other playing
> >George Clinton]
> >
> >david rhaesa
> >salina, Kansas
> >.-
> >
thanks for the kind note.
of course it isn't always that firm.
many many methods for dealing with the anti-firm moments. my most
successful is probably to count to 100 than count down to -500 and back
up to zero.
there is rarely something anti-firm with the patience to withstand this
procedure ... of course, i often fall asleep somewhere along the way...
still hoping to come out that way later this fall or in the spring.
this weekend taking my mother to denver to visit my sister and i'll play
with nephew nate and move up the road to evergreen to an old friend and
to Boulder to seek out the Disembodied Poets....always have wondered
exactly what that means...hope that they ain't so disembodied that they
are invisible.
i'm blocked off the computer right now so will send this in the morning.
thanks again.
words of advice to young folks are always in order!
shalom,
david
=========================================================================
Date: Tue, 16 Sep 1997 21:41:59 -0700
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>
Subject: Re: 36th anniversary on terra firma
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 07:45 PM 9/16/97 -0700, you wrote:
> You too Tim! Last but not least of the thrty sixers! Greetings from your
ols stomping grounds! Not only a full moon but the sunsets from Natural
Bridges are more stunning than they ever were. Happy trails Tim
>
>leon
Thanks Leon you make me nostalgic for the old town.
I bet the moon is great from a Lompico view through the redwoods
>
>-----Original Message-----
>From: Timothy K. Gallaher <gallaher@HSC.USC.EDU>
>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
>Date: Tuesday, September 16, 1997 8:44 AM
>Subject: Re: 36th anniversary on terra firma
>
>
>
>>At 07:13 AM 9/16/97 +0530, you wrote:
>>>Full Moon tonight
>>>and anniversary of my birth
>>>36 years
>>
>>
>>No way!!!!?????
>>
>>
>>It's my birthday too yeah.
>>
>>Well my birthday's really in october but it the Chinese calender it's my
>>birthday.
>>
>>Same rat year too.
>>
>>Amazing.
>>
>>I thought this made me the Moon King but maybe you are also the Moon King.
>>
>>Happy Birthday David.
>>
>>
>>>give or take a century
>>>someone asks me
>>>"well, do you FEEEEEEEEEEEEL older?"
>>>tough question you know
>>>hear it
>>>every year
>>>every year someone's gonna ask
>>>do you you feeeeeel older and
>>>kind of like when asked
>>>how do you feeeeeel
>>>everyday
>>>on street corners from
>>>this person or that person
>>>that don't
>>>wait for the answer
>>>cuz they didn't even realize
>>>that they'd
>>>asked the question
>>>and so
>>>the answer is
>>>yes
>>>i feel a distinct
>>>impression
>>>that i'm about
>>>a day older
>>>give or take
>>>and wonder about the
>>>correspondence of
>>>birthday and full moon
>>>and
>>>certain wonderful Lunacy
>>>somewhere in
>>>the universe today.
>>>
>>>[Soundtrack: two boomboxes one playing Pink Floyd the other playing
>>>George Clinton]
>>>
>>>david rhaesa
>>>salina, Kansas
>>>
>>>
>>.-
>>
>
=========================================================================
Date: Tue, 16 Sep 1997 23:19:51 -0700
Reply-To: stauffer@pacbell.net
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: James Stauffer <stauffer@PACBELL.NET>
Subject: PBS Ginsberg
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Just noticed that KQED in San Francisco is airing a show on AG--"The
Life and Times of Allan Ginsberg" Wednesday night (tomorrow) at 10pm.
Public TV viewers in other markets might want to check their schedules.
I don't know who is producing this one. (I saw the ad as I was on the
phone with the sound off on TV).
J. Stauffer
=========================================================================
Date: Sat, 26 Apr 1997 15:16:50 EST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Richard D Raymond <madhatter20@JUNO.COM>
Subject: kerouac quarterly?
My name is Ricky Raymond, and I am a relative neophyte to the beat
writers and the world of bickering they left in their wake. I was going
through some old messages from the list, and found a particularly biting
response from you to nicosia in which you mentioned a Kerouac Quarterly.
Could you send me subscription info? thanks.
=========================================================================
Date: Wed, 17 Sep 1997 08:41:47 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Mike Rice <mrice@CENTURYINTER.NET>
Subject: Re: 36th anniversary on terra firma
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
We got old timers and prospectors on this hyar hookup!
Mike Rice
At 07:36 PM 9/16/97 -0700, you wrote:
> Happy birthday David!
>
>A bit late again, among other things work does is you get behind ,
running behind the threads as as Yan would say, but it is all right in many
other ways and I am not too late yet to wish you a happy birthday or to
share the moon celebrating...
>
>I am no longer shocked that you are only thirty six, I got over that after
seeing your picure. I had pictured you as having become wisened through the
years, but I saw that your mind was way ahead of your years by that much and
it obviously didn't hurt you none in the body either.
>
>So now I have an acceptable reason to congratulate you, and since us
oldtimers ain't doin our job if we ain't givin no advice, take it from one
who is going to be doubling your years in a couple of weeks, You can pave
your road with rose petals no matter what curves they put in your way!
>
>Had I only realized it was going to go on being that good I would have
saved me some pretty heap of waste looking for the ravages of age. coming at
me. Sure can bet on tha.t but it ain't near as bad as you might imagine. You
even get used to those wrinkles and the grey hairs and there is more fun
awaiting than you can shake a stick at. And not only that, you get smarter
to dig all those goodies. Ha Ha! Have a good one!
>
>One thing though - Is it all that firm? sometimes it feels a little shaky
to me. Maybe that's my age creeping up on me. Got my sailors' legs on
though, it all is fun.
>
>leon
>
>-----Original Message-----
>From: RACE --- <race@MIDUSA.NET>
>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>
>Date: Tuesday, September 16, 1997 5:18 AM
>Subject: 36th anniversary on terra firma
>
>
>
>>Full Moon tonight
>>and anniversary of my birth
>>36 years
>>give or take a century
>>someone asks me
>>"well, do you FEEEEEEEEEEEEL older?"
>>tough question you know
>>hear it
>>every year
>>every year someone's gonna ask
>>do you you feeeeeel older and
>>kind of like when asked
>>how do you feeeeeel
>>everyday
>>on street corners from
>>this person or that person
>>that don't
>>wait for the answer
>>cuz they didn't even realize
>>that they'd
>>asked the question
>>and so
>>the answer is
>>yes
>>i feel a distinct
>>impression
>>that i'm about
>>a day older
>>give or take
>>and wonder about the
>>correspondence of
>>birthday and full moon
>>and
>>certain wonderful Lunacy
>>somewhere in
>>the universe today.
>>
>>[Soundtrack: two boomboxes one playing Pink Floyd the other playing
>>George Clinton]
>>
>>david rhaesa
>>salina, Kansas
>>.-
>>
>
=========================================================================
Date: Wed, 17 Sep 1997 08:53:21 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Howard Park <Hpark4@AOL.COM>
Subject: Re: something to spin...
SPIN is just very uneven. They are not as predictable as Rolling Stone,
which can be refreshing. But SPIN lets a lot of silly stuff into print -
poorly written, poorly researched, poorly edited if at all, and the Burroughs
piece was an example of all of the above, more like what you would expect
from a college newspaper, just one guy musing about his poorly formed
impressions rather than anything resembeling journalism.
SPIN's list of the 40 most important musicians about six months ago was just
hysterical. Warhol was wrong, at places like SPIN fame comes and goes in way
under 15 minutes. SPIN has trouble dealing with the fact that sometimes
there are a few folks that actually are famous and "in" for a little more
than a few hours. Like him or not, William S. Burroughs was one of that
breed. Its not surprising that some have trouble dealing with that.
Howard Park
=========================================================================
Date: Wed, 17 Sep 1997 10:02:51 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: "Paul A. Maher Jr." <mapaul@PIPELINE.COM>
Subject: Re: kerouac quarterly?
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
At 03:16 PM 4/26/97 EST, you wrote:
> My name is Ricky Raymond, and I am a relative neophyte to the beat
>writers and the world of bickering they left in their wake. I was going
>through some old messages from the list, and found a particularly biting
>response from you to nicosia in which you mentioned a Kerouac Quarterly.
>Could you send me subscription info? thanks.
>
Hi...the info can be found at The Kerouac Quarterly web site at:
http://www.freeyellow.com/members/upstartcrow/page1.html
=========================================================================
Date: Wed, 17 Sep 1997 15:22:26 BST
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Tom Harberd <T.E.Harberd@UEA.AC.UK>
Subject: Re: something to SPIN...
Mime-Version: 1.0
Content-Type: TEXT/PLAIN; CHARSET=US-ASCII
On Tue, 16 Sep 1997 16:15:37 -0700 Timothy K. Gallaher
wrote:
[snip]
> >Don't get me wrong: Burroughs was a profoundly important
countercultural
> >figure. Before heroin addiction stunted his talent, he
wrote a handful of
> >brilliant, groundbreaking novels, including Naked Lunch
(1959) and The Wild
> >Boys (1969).
Pardon me if I'm wrong here, but wasn't Burroughs so much on
smack whilst writing Naked Lunch that he claimed in the
introduction that he could not remember writing bits of it
(a claim that was taken up by Kronenberg in his film of the
book when Ginsberg and Kerouac visit him in Interzone with
his "book" and he says that he knows nothing about it.)?
In his day,
> >Burroughs was arguably the most radical novelist that
America had ever
> >produced.
As far as I'm concerned, he's still the most radical
novelist that America has ever produced. Who else tackled
the theoretical premises that had been taken as being as
natural as breathing to novelists both before and after, and
did his best, if not to destroy them, then to subvert them
by showing that great literature can be created without the
traditionally accepted guidelines. His un-systematic
destruction of the narrative structure was (I think I'm
right in saying) the first of its kind, if not only the
first to push the boundaries as far as they could go.
Cut-up was important not just as a new method (and Burroughs
was arguably the first to bring it into widely-seen word
collages) but also because it shows us what had been taken
for granted up to then, and what could be done by breaking
the rules. Kerouac is often seen to be a more important
literary figure, but his theories of spontaneous poetics
were mainly distilled from Joyce and others. Personally I
find most stream-of-conciousness-type-stuff completely
unreadable, but it's important for the same reasons.
> >But the rest of the Burroughs mystique -- the gun toting,
the conspiracy
> >rantings, the heroin cheerleading -- was pure showbiz.
I'm sure that his wife would not be happy to learn that.
And I think it's a little unfair.
All great figures of the sixties (and, yeah, before and
after) were eventually taken over by their own myths, being
consumed by the legend and eventually disappearing up their
own arseholes. I think Burroughs fought this better than
most, and I think his memory deserves better.
It's a well-known secret that, beginning
> >with his 1981 "comeback" novel, Cities of the Red Night,
Burroughs's prose
> >was a product of partial ghostwriting, and that his
involvement in his books
> >steadily diminished.
And yet, inmo, The Western Lands was Burrough's second best
book (first being the sublime Ghost of Chance). It drew all
the threads together and illuminated many dark corners of
his mind and thoughts that would have otherwise remained
vague impressions only.
Burroughs is the most undervalued writer of the century.
Tom. H.
http://www.uea.ac.uk/~w9624759
"To know, and be not knowing."
=========================================================================
Date: Wed, 17 Sep 1997 10:53:58 -0400
Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>
From: Diane De Rooy <Ddrooy@AOL.COM>
Subject: Re: something to SPIN...
To Tom Harberd--
Tim Gallaher is not the author of that Burroughs stuff, but just one of the
respondents to it. The author is Dennis Cooper, and the article appears in
this month's issue of SPIN magazine.
I posted the article to the list for comment. All those who disagree with
Cooper's assessment should also consider writing to SPIN to register their
complaints formally.
These are addresses for the editorial offices of SPIN. Take your pick.
Spin Magazine 6 W 18th St, New York, NY 10011-4608
Phone: (212)633-8200 Fax: (212)633-2668
Spin Magazine 11950 San Vicente Blvd, Los Angeles, CA 90049-5013
Phone: (310)820-8183
Spin Magazine 447 Battery St, San Francisco, CA 94111-3202
Phone: (415)981-7746
Also, they have a website titled "Spin Online," apparently, but I haven't
been able to divine its whereabouts. If anyone knows the URL, please send it
to me.
Thanks.
diane
P.S. I haven't had any use for SPIN magazine since its 1995 article on
celebrity "male bimbos," whom they referred to as "himbos," which was so
baldly sexist and offensive I couldn't believe they didn't get their asses
sued off.
Always, consider the source. Never trust a magazine to present facts. They
are all in the entertainment biz today.
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Date: Wed, 17 Sep 1997 10:46:16 +0530
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From: RACE --- <race@MIDUSA.NET>
Subject: Saturday in Boulder
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Since i won't be able to be in Lawrence on the 20th i was going to take
my little Pocket Tibetan Book of the Dead in pocket and head up from
Aurora to Boulder. Have my only little Bardo moments there.
Wondering about directions? I've heard that Arapahoe and Pearl are
streets to wander along. Are there others? Any doors i should knock on
unannounced????
david rhaesa
salina, Kansas
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Date: Wed, 17 Sep 1997 12:14:37 +0000
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From: Marie Countryman <country@SOVER.NET>
Subject: Re: romantic lit. / shelley&wollstonecraft listserv?
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derek: i'd try asking the bohos as well. they are more eclectic crowd. also
i think your needs would best be served not on a web site but on a specific
lit list. i don't have the info, but i hope someone here can give you a more
detailed response. btw: have you ever seen 'frankenstein unbound'? it's a
great scifi/time travel/literary adventure-but not helpful in a scholarly
way.
mc
Derek A. Beaulieu wrote:
> hey there?
> i was wondering if anyone out there knows if there is a romantic lit or
> mary shelly/mary wollstonecraft listserv in email land. my girlfreind is
> doing her masters thesis on shelley/wollstonecraft & the figure of
> prometheus & i was wondering if there is any any internet resources that
> you folks would recommend.
> (aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist
> ?? haha.)
> thanks a HUGE bundle
> yrs
> derek
=========================================================================
Date: Wed, 17 Sep 1997 10:39:51 -0600
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From: Sean Young <syoung@DSW.COM>
Subject: Re[2]: something to spin...
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Ed Sanders has a word for this sort of "Spin".
He calls it a "Poe job". It's the same old establishment
bashing the artist while they're alive and after
they're dead. Edgar still gets this once in a while.
The sad part is that WSB has been on SPIN's list of
contributing editors and WSB gives praise to Dennis
Cooper in a blurb on one of Cooper's books. Dennis owes
a lot to Burroughs. Cooper doesn't even have his facts
together.
Burroughs deserves better. It's magazines like SPIN that
capitalized on Burroughs name. It is the media that has
treated Burroughs like an icon.
Burroughs has always been 100% himself.
His work will stand up.
Sean D. Young
-------------------------------------------------
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Date: Wed, 17 Sep 1997 11:10:26 -0600
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From: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>
Organization: Calgary Free-Net
Subject: Re: romantic lit. / shelley&wollstonecraft listserv?
In-Reply-To: <199709171631.MAA11562@pike.sover.net>
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mc
done a serach (listserv@listserv.net) for romantic, shelley,
wollstonecraft, romanticist, byron, 18 th century literature with no dice
so far. no help from boho's either. theres gott abe something on all them
listservs out there. gotta be something of use, no?
thanks for all the help ive received so far - i really appreciate it.
yrs
derek
On Wed, 17 Sep 1997, Marie Countryman wrote:
>
> derek: i'd try asking the bohos as well. they are more eclectic crowd. also
> i think your needs would best be served not on a web site but on a specific
> lit list. i don't have the info, but i hope someone here can give you a more
> detailed response. btw: have you ever seen 'frankenstein unbound'? it's a
> great scifi/time travel/literary adventure-but not helpful in a scholarly
> way.
> mc
>
> Derek A. Beaulieu wrote:
>
> >
hey there?
> > i
was wondering if anyone out there knows if there is a romantic lit or
> >
mary shelly/mary wollstonecraft listserv in email land. my girlfreind is
> >
doing her masters thesis on shelley/wollstonecraft & the figure of
> >
prometheus & i was wondering if there is any any internet resources that
> >
you folks would recommend.
> >
(aint that strange - a beat "scholar/enthusiast" and a 19th C
romanticist
> >
?? haha.)
> >
thanks a HUGE bundle
> >
yrs
> > derek
>