=========================================================================

Date:         Tue, 12 Aug 1997 09:55:40 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Wall Street Journal 'n Fruity Pebbles

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

<<ahem>> and we could all use a good editor too...

 

not the new york times ..... but the Wall Street Journal

 

sorry to waste bandwidth on the correction.  Douglas

 

>----------

>From:  Penn, Douglas, K

>Sent:  Tuesday, August 12, 1997 9:29 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       RE: Wall Street Journal 'n Fruity Pebbles

> 

> 

>and it goes to show that if you can't keep a good dog down in life, you sure

>can kick em a few times in death.  fuck the new york times.

> 

>Douglas

> 

=========================================================================

Date:         Tue, 12 Aug 1997 18:54:39 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

In-Reply-To:  <970812013625_1848781656@emout01.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01.36 12/08/97 -0400,

Pamela Beach Plymell <CVEditions@AOL.COM> wrote:

>In a message dated 97-08-12 01:01:05 EDT, you write:

> 

><<  WSB:  Well, you'll notice more subdivisions now  as it's modernized

> > and is no longer cheap

> 

> Sharp as a razor. >>

> 

>In every direction we look....

> 

>C.Plymell

> 

        ENTIA NON SUNT MULTIPLICANDA

        PRAETER NECESSITATEM...

=========================================================================

Date:         Tue, 12 Aug 1997 10:12:47 -0700

Reply-To:     "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: who's who?

Comments: To: "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:55 AM 8/12/97 -0700, you wrote:

>I'm still working on "On the Road," and have a character question.

>Don't jump all over me for this...if it screams ignorance...chalk it up

>to unfamiliarity. Who is Remi...and subsequently Lee Ann?

> 

>-shannon

> 

> 

 

Henri Cru, as I recall, friend of kerouac from Horace Mann prep school.

=========================================================================

Date:         Tue, 12 Aug 1997 10:25:30 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

Comments: To: Rinaldo Rasa <rinaldo@GPNET.IT>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Rinaldo, you are such a tease.  Somebody please translate?

 

Douglas

>----------

>From:  Rinaldo Rasa[SMTP:rinaldo@GPNET.IT]

>Sent:  Tuesday, August 12, 1997 9:54 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

> 

>        ENTIA NON SUNT MULTIPLICANDA

>        PRAETER NECESSITATEM...

> 

=========================================================================

Date:         Tue, 12 Aug 1997 14:48:57 -0600

Reply-To:     Sorted <junky@BURROUGHS.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sorted <junky@BURROUGHS.NET>

Subject:      burroughs.net, asking permissions, possibly some other meanderings

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

to whom it may concern,

 

i've shut down burroughs.net indefinitely...in its place is a photo of wsb

with the dreamachine, his dates on this planet, and a link to some site

info...site info is two short paragraphs as to what's going on, a short

list of other burroughs sites (Levi's, Luke's, Malcolm's, and Critter's),

as well as what i'm hoping is a pretty complete index of the recent news

articles on his death, and another index of the tribute and memorial sites

popping up...@

http://www.burroughs.net/

...his death has not really hit me yet, i think. i felt a need to shut down

the site, and i feel as if the last week+ has been spent on some mutated

form of acid, what with all the event cracking my head open across that

time, there's no other possible explanation other than this is just not

real.

but of course, it is....

 

One thing i have been thinking about recently is possibly taking the posts

to this list about WSB's death and influence and archiving them on

burroughs.net, sort of a memorial of my own, wanting to show what he and

his work meant to so many people...please let me know what you all think

about this...

(and, maybe to ease some minds, i make no money from this site...been

running it for over two years and not made one dime, in fact lost a bunch

of $ when i registered the domain...so for those suspecting me of

profiting, nah. i just love the man and his work. maybe this whole

paragraph was unnecessary; maybe not.)

Seeing as this has to do with almost all of you, i'd appreciate as many

responses as i can get, either privately or over the list. I really would

like to do this, but i won't go ahead without talking to you first...

 

thanks,

 

-zach.

=========================================================================

Date:         Tue, 12 Aug 1997 16:58:16 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      FDA

 

Next thing you know they'll try to regulate sperm.

=========================================================================

Date:         Tue, 12 Aug 1997 18:28:32 +0000

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <letabor@mail.cruzio.com>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Burroughs Obit

 

Date sent:        Tue, 12 Aug 1997 09:22:24 -0700

From:             Leon Tabory <letabor@cruzio.com>

To:               "BEAT-L@CUNYVM.CUNY.EDU" <BEAT-L@CUNYVM.CUNY.EDU>

 

hmmm. No one offering to translate this interesting obit from Der

Spiegel?

Well, my credentials to attempt it ain't exactly impeccable.

Sure,learning wasintense when you were trying to figure out what the Waffen SS

 men were saying was

Waffen SS men were saying to each other. Subsequent living in Muenchen for half

 a year helped,

especially the loving attention of Herma "dein Munchener kindl" in the

only language she knew helped broaden content and style. My new friend

old Herr Doctor Karl Hagenmueller helped with pointers about grammar

etc, but that was over fifty years ago, and soon forgotten. Never did

bother to get a german dictionary since, but I did get the gist of

it. Amazing how things come back. I thought some of you would like to

get a look at what Der Spiegel had to say. If you are curious and not too

worried about total accuracy, read on.

 

Words that I knew stomped me I enclosed in brackets followed by a ?. The

writer of the obit is not identified.

 

Here it goes:

 

OBITUARY

 

William S. Burroughs

 

Naturally one could talk with Bill Burroughs about literature, as well

as about polishing of furniture, or pop music, because he was a

gracious person. His shuffling, monotonous voice betrayed a cultivated

disinterest. But when the conversation turned to weapons, it took on

color.

 

Then it became clear: not a doyen of the american underground, or

head of the punks, or member of the respected academy, but Marshall in

Dodge City - that would well have been his darling role. That or the

scoundrel at the other end of the street. Drawing the line between good

and bad didn't interest him particularly. Presence of wit, that's what it came

 to for him.

 

William S. Burroughs knew how to pick up (?) unique (?) illusionless

qualities. "I could always take up(?) with doc Holliday", he

said at a shooting practice at his ranch in Kansas. (??)

 

Bill Burroughs, the farthest out avant-garde that american literature

produced in this century, was at the same time as american as

cornflakes. He was a member of the arch reactionary "National Rifle

Association" and felt comfortable under the rednecks in Kansas, where he

died last week at age 83 of heart failure.

 

He knew the myths and legends about the o.k. corral inside out, and

before he was inducted in the temple and seminar halls of literary

scholarship, he resided in the cosmos of the penny notebooks. He was

Harvard reared with a passion for the trivial. The crownprince of an

industrial family, who was at home in the fixers (junkies?) scenes of

New Orleans, London and Tanger. He was a remarkable buttoned up traveller with a

 love

for dirt and trash of all kinds. THe was also gay. Basically

Burroghs was the nightmare of american society - because he came from

its innermost midst.

 

He functioned as a stranger in the beatnik circles around Ginsberg and

Kerouac, whom he got to know in the middle of the forties. There is

hardly a photo of these early years in which he smiles, and so his face

remained a shocked  Buster-Keaton look at

the bad play of the century.  He was married twice. His

first wife was a german jewish woman, whom he enabled to emigrate

through the marriage. The second wife he shot during a drug party. It

could never be clarified without a doubt whether the accident was in

fact an accident. Shortly after the deed Burroughs gave a deposition

(testimony? confession?)  which he later retracted.

 

Still, the scandal lent him a sinister luster, which later made him a black

romantic pop-icon: He was the writer outlaw, the pistol hero with a

typewriter, who didn't worry particularly over the laws, whether they

applied to life or to literature.

 

Already as a youth Burroughs dreamt about a literary career for

absolutely nonliterary reasons. He wanted to write, "because writers

were rich and famous, hung around in Singapore and Rangoon, wore yellow

silk suits, smoked opium or hashish in the native quarters of Tangier and

patted a tame gazelle".

 

He got it, the drugs and the gazelles and later the fame and riches, but

it was a long road to that, and his sheer longevity belongs to his most

amazing achievements. For decades he hung on the needle, he climbed

out and got back in and back out and back into other drugs, and he

(strapazierte)? (punished)? his body to the limit. Yet when he died he

had outlived most of his fellow treavelers, Ginsberg and Neal Cassady and

 Timothy

Leary and Kerouac anyway.

 

His debut novel "Junkie" which appeared 1953 as a cheap paperback, a

book about the logistics of the scoring of drugs, the horror of cold

withdrawals, was his most readable book. Still he became famous through

the phantasmagories from "Naked Lunch" (1959), that obscene,

halucinogenic penny novel about Dr. "Fingers" Schafer, "Lobotomy Kid"

and William Lee, that is at the same time a satire of society gone

too far.

 

About the invention of the famous cut-up method that was employed

in it for the first time, there are various versions in circulation,

and one of these, not the least likely, is banal. In drugged dimness, in

the middle of strewn about manuscript pages, in a hotel room he supposedly was

 staring

at his feet, when Ginsburg dusted those up and stapled the unsorted

texts together.  Later Burroughs found the accidental sort most highly

interesting. Thereupon he cut the pages and put them together anew.

 

"Naked Lunch" became subject to scandal because of its pornographic

passages, and because of its neologisms and Hieronymus-Bosch-visions it

became a quarry for pop groups, who borrowed their

names from it and from following novels, "Steely Dan" or "Soft Machine",

and other groups named their music "Heavy Metal".

 

Still, Burroghs hardly interested himself in the entire Rock theater. He

was no world improver like Ginzberg, no dionysian visionary like

Kerouac. Deep inside he held the Beatnik-pose and the following

Pop-pretense good for kid stuff..

 

He lived his last years disciplined. He got up early, fed the cats,

wrote. He never took the first vodka before four o'clock in the

afternoon. Now and then he visited his old weapons-brother Fred, to

shoot.

 

He was the Deputy Marshall, and he held up a long time, until in

the end it caught him (?).

 

DER SPIEGEL 33/1997

Well, I did give it a try.

 

leon

 

 

 

> Date:          Mon, 11 Aug 1997 14:18:05 EDT

> Reply-to:      Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

> From:          Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

> Organization:  Brooklyn College Library

> Subject:       Burroughs Obit

> To:            BEAT-L@CUNYVM.CUNY.EDU

 

> Attached is a Burroughs obit from this week's German magazine, Der

> Spiegel. (http://www.spiegel.de)  I replaced the umlauted letters by

> ae, oe, ue, etc. to make it readable.

> 

> Fred

> 

> 

> 

> 

> NACHRUF

> 

> William S. Burroughs

> 

> 1914 bis 1997

> 

> Natuerlich konnte man mit Bill Burroughs auch ueber Literatur

> reden oder ueber Moebelpolitur oder Popmusik, denn er war ein

> hoeflicher Mensch. Seine schleppende, monotone Stimme verriet

> kultiviertes Desinteresse. Doch wenn das Gespraech auf Waffen

> kam, gewann sie an Farbe.

> 

> Dann wurde klar: Nicht Doyen des amerikanischen Underground oder

> Pate des Punks oder respektiertes Akademie-Mitglied, sondern

> Marshall in Dodge City - das waere wohl seine Lieblingsrolle

> gewesen. Das oder der Schurke am anderen Strassenende. Die

> Grenzen zwischen Gut und Boese haben ihn ohnehin nie sonderlich

> interessiert. Geistesgegenwart, darauf kam es ihm an.

> 

> William S. Burroughs wusste die eigenen Qualitaeten illusionslos

> einzuschaetzen. "Mit Doc Holliday koennte ich es noch allemal

> aufnehmen", sagte er bei einer Probeschiesserei auf seiner Ranch

> in Kansas.

> 

> Bill Burroughs, die aeusserste Avantgarde, die sich die

> amerikanische Literatur in diesem Jahrhundert leistete, war

> gleichzeitig so amerikanisch wie Cornflakes. Er war Mitglied der

> erzreaktionaeren "National Rifle Association" und fuehlte sich

> wohl unter den Rednecks in Kansas, wo er vorvergangene Woche

> 83jaehrig an Herzversagen starb.

> 

> Er kannte die Mythen und Legenden um den O. K. Corral in- und

> auswendig, und bevor er in die Tempel und Seminarraeume der

> Literaturwissenschaftler einzog, bewohnte er den Kosmos der

> Groschenhefte. Er war der Harvard-Zoegling mit Leidenschaft fuer

> das Triviale. Der Kronprinz einer Industriellenfamilie, der in

> den Fixerszenen von New Orleans, London und Tanger zu Hause war.

> Er war ein merkwuerdig zugeknoepfter Reisender mit der Vorliebe

> fuer Schmutz und Schund aller Art. Zudem war er schwul. Im Grunde

> war Burroughs der Alptraum der amerikanischen Gesellschaft - weil

> er aus ihrer innersten Mitte stammte.

> 

> In den Beatnik-Zirkeln um Ginsberg und Kerouac, die er Mitte der

> vierziger Jahre kennenlernte, wirkte er wie ein Fremder. Es gibt

> selbst in diesen fruehen Jahren kaum ein Foto, auf dem er

> laechelt - und so blieb sein Gesicht eine unerschuetterliche

> Buster-Keaton-Miene zum boesen Spiel des Jahrhunderts. Er

> heiratete zweimal. Die erste Frau war eine deutsche Juedin, der

> er mit der Ehe die Einwanderung ermoeglichte. Die zweite Frau

> erschoss er waehrend einer drogenberauschten Party. Restlos

> konnte nie geklaert werden, ob der Unfall tatsaechlich ein Unfall

> war. Burroughs gab kurz nach der Tat ein Gestaendnis ab, das er

> spaeter widerrief.

> 

> Der Skandal jedoch verlieh ihm jenen duesteren Glanz, der ihn

> spaeter zur schwarzromantischen Pop-Ikone machte: Er war der

> schriftstellernde Outlaw, der Revolverheld mit der

> Schreibmaschine, der sich um die Gesetze nicht sonderlich

> kuemmerte, weder um die des Lebens noch um die der Literatur.

> 

> Schon als Junge hatte Burroughs von einer literarischen Karriere

> aus absolut ausserliterarischen Gruenden getraeumt. Er wollte

> schreiben, "weil Schriftsteller reich und beruehmt waren, in

> Singapur und Rangun herumhingen, gelbe Seidenanzuege trugen und

> Opium rauchten oder Haschisch in den Vierteln der Einheimischen

> von Tanger und dabei eine zahme Gazelle streichelten".

> 

> Er hat es gehabt, das Rauschgift und die Gazellen und spaeter den

> Ruhm und den Reichtum, doch es war ein langer Weg dahin, und zu

> den erstaunlichsten Leistungen Burroughs' gehoert wohl seine

> schiere Langlebigkeit. Jahrzehntelang hing er an der Nadel, er

> stieg aus und wieder ein und wieder aus und stieg um auf andere

> Drogen und strapazierte seinen Koerper bis an die Grenze. Doch

> als er starb, hatte er die meisten seiner Weggefaehrten

> ueberlebt, Ginsberg und Neal Cassady und Timothy Leary und

> Kerouac sowieso.

> 

> Sein Debuet-Roman "Junkie" erschien 1953 als billiges Paperback,

> ein Hoellenbuch ueber die Logistik der Drogenbeschaffung, den

> Horror der kalten Entzuege, wohl sein lesbarstes Buch. Beruehmt

> wurde er jedoch durch die Phantasmagorien aus "Naked Lunch"

> (1959), diesem obszoenen, halluzinogenen Groschenroman um Dr.

> "Fingers" Schafer, "Lobotomy Kid" und William Lee, der zugleich

> eine ueberbordende Gesellschaftssatire ist.

> 

> Ueber die Erfindung der darin zum ersten Male angewandten

> beruehmten Cut-up-Methode sind verschiedene Versionen im Umlauf,

> und eine davon, nicht die unwahrscheinlichste, ist banal. Im

> Drogendaemmer, inmitten zerfledderter Manuskriptseiten, soll er

> in einem Hotelzimmer auf seine Fuesse gestarrt haben, als

> Ginsberg ihn aufstoeberte und die Texte wahllos zusammenstapelte.

> Spaeter fand Burroughs die Zufallsreihung hoechst interessant.

> Daraufhin zerschnitt er die Seiten und puzzelte sie neu zusammen.

> 

> "Naked Lunch" wurde wegen seiner pornographischen Passagen zum

> Skandalerfolg und wegen seiner Neologismen und

> Hieronymus-Bosch-Visionen zum Steinbruch fuer Popgruppen, die aus

> ihm und den Folgeromanen ihre Namen entliehen, "Steely Dan" oder

> "Soft Machine", und andere Gruppen nannten ihre Musik "Heavy

> Metal".

> 

> Doch Burroughs interessierte sich kaum fuer das ganze

> Rocktheater. Er war kein Weltverbesserer wie Ginsberg, kein

> dionysischer Schwaermer wie Kerouac. Tief im Innersten hielt er

> die Beatnik-Pose und das nachfolgende Pop-Getue wohl fuer

> Kinderkram.

> 

> Seine letzten Jahre lebte er diszipliniert. Er stand frueh auf,

> fuetterte die Katzen, schrieb. Den ersten Wodka genehmigte er

> sich nie vor vier Uhr nachmittags. Ab und zu besuchte er seinen

> alten Waffenbruder Fred, um zu schiessen.

> 

> Er war der Deputy-Marshall, und er hat sich lang gehalten, bis es

> ihn endlich doch noch erwischte.

> 

> DER SPIEGEL 33/1997

>  -

> 

> 

> 

Leon Tabory

=========================================================================

Date:         Tue, 12 Aug 1997 21:47:47 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Village Voice obit.

 

Reply to message from WXGBC@CUNYVM.BITNET of Mon, 11 Aug

> 

>This week's issue of the Voice carried a full page obit on Burroughs

>with articles by David Ulin and C. (I assume Lucien's son Caleb) Carr.

 

 

I was just flipping through teh issue with the Ginsberg memorial stories &

also noticed an article by this C. Carr....& wondered if he (or she?) was

related to Lucien.

 

Diane.

 

--

                Diane M. Homza <---Professional Rebound Girl!

2 Years Experience; References Are Avaliable!   ek242@cleveland.freenet.edu

"I can't imagine how I ever thought my love might make a difference to him."

                --Richard Powers, _The Gold Bug Variations_

=========================================================================

Date:         Tue, 12 Aug 1997 22:13:38 -0400

Reply-To:     Richard Wallner <rwallner@CAPACCESS.ORG>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Was Burroughs really a beat writer?

In-Reply-To:  <9708121837.aa12617@mail.cruzio.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Heard an interesting argument recently in discussions about Burroughs

life.  It was argued that Bill Burroughs was not really a beat writer.

Jack Kerouac, Allen Ginsberg and most of the other beat writers, saw

their literary efforts as part of a religious mission, a search for faith

as it were.  Most of them were into eastern religions and philosphies and

the ideas of finding peace in mind spirit, and soul.

 

Bill Burroughs hadno such mission in his writings, he was totally anti-

religion, anti-society, anti-everything.  Burroughs, it is argued, was

not idealistic, had no hopes of changing the world or acheiving greater

purposes with his writing.

 

He was a total libertarian who had no use for most people, and for muchof

the world.  Kerouac was an explorer, he traveled to experience and to

write about his experiences.  Burroughs traveled to find drugs so he

could escape from the world, NOT write about it.  Jack Kerouac dreamed of

his hometown and yearned to find new ways to write about and understand

his past.  Burroughs lived in exile most of his life, desperately trying

to convince himself that the world he knew knew outside of Tangier, or

wherever he was living, didnt exsist.

 

Burroughs was a great writer, therefore, but has he been inaccurately

cast as a beat writer because of his friendship with Kerouac and Allen

Ginsberg?

 

 

RJW

=========================================================================

Date:         Tue, 12 Aug 1997 19:19:09 -0700

Reply-To:     Levi Asher <brooklyn@NETCOM.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Bill faces judgement

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

At least the Wall Street Journal article tried to be funny

("an insult to nullity" ... yeah, yeah).  Really, it's

their job to insult people like Burroughs, and I'm only

glad the Wall Street Journal didn't suddenly decide to

embrace Burroughs and call him a genius.  Then I'd really

worry.  Like when Bill Gates suddenly embraces Microsoft.

I prefer to see my adversaries standing across the street,

not to feel their arms around my back.

 

Here are two more "tributes" to Burroughs, one from

the Black Mountain poet Robert Creeley, who's now teaching

at SUNY Buffalo, and one from Carolyn Cassady, the longtime

wife of Neal and frequent Kerouac fictional character.

I emailed both of them asking for spontaneous tributes,

so don't blame them if you don't like their words, blame

me, because I'm the one who asked!

 

I also wrote to a few other people who were likely to

have interesting memories  ... if more write back, I'll keep

posting them.

 

This is what Robert Creeley wrote back:

 

****************************************************************

 

"Here's a brief sense of what I quickly remember apropos

Bill Burroughs.  I can't now recall just who had told me -- like

peripheral gossip -- but sometime in the early '50s I heard of someone

who'd written a 1000 plus page ms with the only objective action being a

neon sign going off/on over a store one could see (in the novel) across

the street, etc, and of someone else who had killed his wife

acidentally, attempting to shoot a glass off her head with gun he said

later characteristically undershot.  That was Kerouac and Bill Burroughs

respectively, though for a time I reversed them not yet knowing either.

In SF in the mid-fifties, and meeting (though he said we'd met briefly

in '49) Allen, he gave me the Yage ms to read, which fsscinated me --

and you'll know I printed "from Naked Lunch, Book III" in the Black

Mountain Review No. 7 (last issue with Allen a contributing editor and

stuff from Jack, Edward Marshall's great poem "Leave the Word Alone."

Cubby Selby, Phil Whalen, Gary Snyder, Mike McClure, Joel Oppenheimer,

WC Williams, Ed Dorn, Edward Dahlberg, Zukofsky, Denise Levertov --

etc.)  I was also fellow contributor for the Big Table business -- and I

remember writing a statement in support when Naked Lunch was to be

published by Grove.

 

We didn't meet, however, untl some years later, must have been at least

the mid-sixties, when he was living in London and I was there for

something or other, and John and Bettina Calder had a party variously

honoring various writers, particularly Burroughs.  We were both John's

"authors" at that point and I was staying with the Calders.  Alex

Trocchi was a good friend and he too was much involved.  Anyhow I

remember making the classic gauche comment when we're introduced, saying

I was stunned with the pleasure of being able to say how much I

respected his work etc etc, and then stumbling on to ask whether or no

he was thinking to stay in London, etc etc -- to all of which he replied

briefly, dryly, yes, no -- etc.  In confusion I grabbed Ed Dorn who was

there, and pulled him over to introduce him. Instantly Burroughs

brightened, asking Ed about a recent piece of Ed's in the Paris Review

-- and how he'd managed the montage, etc.  In short, this was work and

had substance -- not just banal social blather.

 

Thankfully I saw him again quite frequently over the years, and got past

my school boy admiration (though never entirely).  Anyhow we'd meet most

frequently on the road and I liked his droll humor and clarity, call it,

always.  One time after a talk at Naropa wherein he had recounted his

experiences with a device he'd assembled permitting one to track by

thought "traces" or manifests of the physical entiry itself (he said

he'd found one of his cats who'd got lost), he was bemused that none of

the young had asked afterwards how to actually make the device, despite

he had emphasized that all the necessary components could be got at any

place like Radio Shack. Where's their curiousity, was the question.

Another time, when mutual friends were sitting around him in sad

depression over fact of an impending death much affecting him, as I came

in, I am convinced he looked up and winked at me -- certainly a

communication, like they say.

 

I've always thought of him as a literalist, as I think I was -- saying

what he felt, understood, recognized, respected, abhorred, in very

literal terms, including the fantasies.  Thinking of an early common

interest in Korzybski, the non-Aristotelian sense of "meaning" and

syntax, his use of cut-up was very practical and effective.  It broke

the classic "order" or narative as simply a "cause and

effect,""historically" ordered sequence.  I'd already connected with

Celine, for example, and Burroughs was the solid next step.

 

I'd get occasional Xmas cards I am sure James Grauerholtz helped get in

the mail -- I am grateful Bill Burroughs knew I cared, like they say.

He was the impeccable "lone telegraph operator," as he put it. He got a

lot done for us all."

 

(Robert Creeley)

 

****************************************************************

 

   And now for a dissenting opinion, here's what Carolyn Cassady

   (of Neal and Carolyn/"Off The Road" fame) wrote.   I hope

   it doesn't seem she's being disrespectful of Burroughs here,

   rather she's speaking her mind because I asked her for her

   honest thoughts, not just an empty polite tribute.

 

****************************************************************

 

"Trouble is, I don't feel like any "tribute" to BB.  As I

wrote, he didn't want to know me nor I him.  He represented all

that I think negative and counter-poductive, if not downright destructive in

human life and the antithesis of what I believe we should all be about. I

felt somewhat better about him when the TV interviewer asked him if there was

anything in his life he regretted.  Bill's reply was "Are your kidding? Everyt

hing!"  I wanted to say, well, duh--I coulda told you so.  "Wise men learn

from the experience of others; fools from their own".  I know, there's this

theory that in order to appreciate the heights, you have to know the depths,

but I don't agree.  I have much to learn, but I don't think his way would be

rewarding.  So, sorry, Levi,--but lemme know if we scored on this.

Cheers, CC"

 

(Carolyn Cassady)

 

****************************************************************

 

(And now, if anybody out there is in touch with Gary Snyder,

could you please go nudge him and tell him to write back too?)

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

=========================================================================

Date:         Tue, 12 Aug 1997 19:22:02 -0700

Reply-To:     Levi Asher <brooklyn@NETCOM.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Bill faces judgement (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

I wrote (2 seconds ago)

 

> At least the Wall Street Journal article tried to be funny

> ("an insult to nullity" ... yeah, yeah).  Really, it's

> their job to insult people like Burroughs, and I'm only

> glad the Wall Street Journal didn't suddenly decide to

> embrace Burroughs and call him a genius.  Then I'd really

> worry.  Like when Bill Gates suddenly embraces Microsoft.

> I prefer to see my adversaries standing across the street,

 

Oops, obviously I meant "embraces Apple" -- see, I'm

totally confused already ...

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

=========================================================================

Date:         Tue, 12 Aug 1997 21:30:58 -0500

Reply-To:     jo grant <jgrant@BOOKZEN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Luther Allison

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Luther Allison died today, 08-12-97, in Madison, Wi.

 

j grant

=========================================================================

Date:         Tue, 12 Aug 1997 19:35:12 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Church of St. John

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Beal-l folk looking for a more attractive religious organization might

be interested in the St. Johns African Orthodox Church in SF, since the

St. John is Coltrane.  Was going to post a reference to a story on this

unique church but got lazy and then the Burroughs death dominated

everyone's mind.  For a more complete report one could look up a story

that appeared in the SF Weekly for the week of July 23-39.  Services

with Coltrane's music held every Sunday and special services on the

anniversery of Coltrane's ascension. Any Coltrane fanatics out there

interested in a copy let me know.

 

J. Stauffer

 

I guess until we get a St. Williams, this will have to do.

 

J Stauffer

=========================================================================

Date:         Tue, 12 Aug 1997 19:40:32 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Luther Allison

Comments: To: jo grant <jgrant@BOOKZEN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

jo grant wrote:

> 

> Luther Allison died today, 08-12-97, in Madison, Wi.

> 

What a year.  Think I'll put on "Reckless".

 

J. Stauffer

=========================================================================

Date:         Tue, 12 Aug 1997 19:23:03 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      [Fwd: Re: Wall Street Journal 'n Fruity Pebbles]

MIME-Version: 1.0

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

 

Message-ID: <33F11A46.61A0@pacbell.net>

Date: Tue, 12 Aug 1997 19:21:58 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

X-Mailer: Mozilla 3.01 (Win95; I)

MIME-Version: 1.0

To: "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject: Re: Wall Street Journal 'n Fruity Pebbles

References: <c=US%a=_%p=OEES%l=SD-MAIL-970812162945Z-458@sd-mail.sd.oees.com>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Without a doubt the WSJ  piece was poorly thought and badly timed. As

someone who usually reads the WSJ editorial page I was appalled. But I

am still for free speech, even stupid speech. Good art always seems to

be able to outlast stupid criticism.  Such a tirade may even attract

readers for Ginsberg's and Burrough's work.  Think of what a

masterstroke of marketing the Howl obscenity trial was--no publisher

could or would have bought a poet that kind of a high profile.  Same was

true for Joyce and Lawrence.  Remember how delighted movie and book

distributors used to be when they were banned in Boston so that they

could splash "Banned in Boston" on a marquee or a book display?

 

J Stauffer

=========================================================================

Date:         Tue, 12 Aug 1997 21:48:06 -0500

Reply-To:     Patricia Elliott <pelliott@SUNFLOWER.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Luther Allison

Comments: To: jo grant <jgrant@BOOKZEN.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

jo grant wrote:

> 

> Luther Allison died today, 08-12-97, in Madison, Wi.

> 

> j grant

who was Luther Allison? Pardon my ignorance.

p

=========================================================================

Date:         Wed, 13 Aug 1997 03:09:44 UT

Reply-To:     Sherri <love_singing@MSN.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Re: Luther Allison

 

Damn!!  is there anybody left?

=========================================================================

Date:         Tue, 12 Aug 1997 23:47:23 -0400

Reply-To:     Alex Howard <kh14586@ACS.APPSTATE.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Was Burroughs really a beat writer?

In-Reply-To:  <Pine.SUN.3.91-FP.970812220342.23103A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

When discussing this in the past and asked to name the big three, I always

said Kerouac, Ginsberg, and Corso.  Burroughs too, but always I list last

as he seemed to transcend beat.  He was beat and something more.  He, like

the others, sought to break literary and (insert conceptual term here)

boundaries, but only as a means to better communicate.  What he wanted to

communicate went above, beyond, and sideways to the others.  As beat as he

wanted to be, no more no less; but so much more.  Years from now when

post-modernism finally gets a real name and is figured out by academia so

they can teach about it Burroughs will be there just after the sophmores

finish their papers on Beckett.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Tue, 12 Aug 1997 23:54:10 -0600

Reply-To:     stand666@bitstream.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         R&R Houff <stand666@BITSTREAM.NET>

Subject:      LUTHER ALLISON

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Thanks Jo for the post, and Bentz, James, Charles,

for your kindness. My father was with him earlier

yesterday, and called late last night. When the phone

rings after 3:00 A.M., you pretty much know what's

next. I've spent pretty much the whole day and evening

on my back steps playing bottleneck. There's a band shell

amphitheater 100 miles south of St Paul. It's a nice quiet

place that is no longer in use. I think I'll head down there

for a few days and play some slide. About a month ago I was

there and it had a beautiful sound bouncing off the walls. My

dad wants to give Luther a Scotish rites farewell with bagpipes

and drums. Play The Black Watch and Amazing Grace. You know,

Luther would probably get a bang out of that one. All these old

white guys from the Masonic Lodge, honoring him. Maybe there's

hope after all. It seems strange that my interview with Luther

would be his last. Alligator Records loved it, Pulse Magazine

prints it, and two days later he recieves a terminal diagnosis.

But the blues never dies. I'll be interviewing Homesick James for

Pulse. Homesick James is probably the last living link to Robert

Johnson. He is the same age as Burroughs: 83, born in 1914--and

he plays on a Fender Strat with Marshall Amp, slide, and all--

rocking the house!!! Now that's cool.

 

Richard Houff

Pariah Press

=========================================================================

Date:         Wed, 13 Aug 1997 00:58:20 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Last look at Walgreens?

Comments: To: junky@burroughs.net

 

In a message dated 97-08-12 23:53:00 EDT, you write:

 

<< has been spent on some mutated

 form of acid, what with all the event cracking my head open across that

 time, there's no other possible explanation other than this is just not

 real.

 but of course, it is.... >>

 

Damn right. I caught that same "bug." Something did happen, I'dsay. I've been

through 'em before. I knew that old con man was gonna restonate the hell

outta things. "Look at these paintings, Charley; this is great art. See the

shapes of things that keep forming? I did.

 

You can have anything of mine. Sharing love for the old man is enough.

Tonight has been the first night I started to come off the "mutated acid"

jag. I wonder if Burroughs cut to another stratasphere, or is he peering

around  in a black hole looking for Huncke to ferret out  the scence?

C Plymell

=========================================================================

Date:         Wed, 13 Aug 1997 01:33:27 -0400

Reply-To:     DawnDR@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: Village Voice obit.

 

Just a response regarding the C.Carr whose byline appears in the voice.  That

is Lucien's son Caleb --- author of  THE ALIENIST (a very dark, literate and

engrossing novel ) -- as well as much other work.  I saw interviews with him

in '94?  when the novel was climbing up the bestseller lists.

 

Dawn

=========================================================================

Date:         Wed, 13 Aug 1997 05:41:14 -0400

Reply-To:     Mike Rice <mrice@CENTURYINTER.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Bill faces judgement (fwd)

Comments: To: Levi Asher <brooklyn@NETCOM.COM>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

No, you had it right.  Gates certainly embraced

Microsoft before Apple so you had it right.  I wish

the sledge thrower from the 84 macintosh intro

commercial by Ridley Scott, I wish some had had a

hammer to throw at Gates' massive TV head during the

Apple symposium in Boston, where Gates appeared as

a new "Big Brother."

 

Mike Rice

 

 

 

 

At 07:22 PM 8/12/97 -0700, you wrote:

>I wrote (2 seconds ago)

> 

>> At least the Wall Street Journal article tried to be funny

>> ("an insult to nullity" ... yeah, yeah).  Really, it's

>> their job to insult people like Burroughs, and I'm only

>> glad the Wall Street Journal didn't suddenly decide to

>> embrace Burroughs and call him a genius.  Then I'd really

>> worry.  Like when Bill Gates suddenly embraces Microsoft.

>> I prefer to see my adversaries standing across the street,

> 

>Oops, obviously I meant "embraces Apple" -- see, I'm

>totally confused already ...

> 

>------------------------------------------------------

>| Levi Asher = brooklyn@netcom.com                   |

>|                                                    |

>|    Literary Kicks: http://www.charm.net/~brooklyn/ |

>|     (3 years old and still running)                |

>|                                                    |

>|        "Coffeehouse: Writings from the Web"        |

>|          (a real book, like on paper)              |

>|             also at http://coffeehousebook.com     |

>|                                                    |

>|                *--*--*--*--*--*--*--*--*--*--*--*  |

>|                                                    |

>|                  "It was my dream that screwed up" |

>|                                    -- Jack Kerouac |

>------------------------------------------------------

> 

> 

=========================================================================

Date:         Wed, 13 Aug 1997 13:37:46 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: who's who?

In-Reply-To:  <Pine.SOL.3.91.970812085153.12553C-100000@baskerville.CS.Ar

              izona.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Shannon,

 

the writer Fernanda Pivano in the '60s was in correspondence

with Henri Cru (in OTR he is Remi Boncoeur),

 

exempli gratia:

#1

''Dear Miss Pivano, please permit me to introduce myself...

My name is Henry Cru and my best friend "Jack Kerouac"

sent ne the enclosed postal card on my trip around the

world. I am an electrician on the President Jackson and

we are scheduled to arrive in Genoa June sixt or possibly

a day or two later. In Jack's best selling novel On The

Road he named himself "Sal Paradise" and he called me

"Remi Bon Coeur". According to his card he wishes for me

to tell you that I am Remi and then he sent me. I have no

idea why he wants me to tell you this but knowing Jack as

I do he must have some kind of mystical reason. I would be

delighted to receive a card from you enlightening me to

Kerouac's motives. My very best wishes.''.

#2

"Dear Nanda & Ettore, I have been on the road ona on the

ocean for many years but when ''Mon Frere'' Jack Kerouac

forget about ''the Beatnik Generation'' and starts to

entertain notions of scraping all his nonsensical ideas

about non conformism and starts to formulatae a gospel that

will bring peace to this miserable world, peoples in every

land will find love and genuine kindness like I found in

this home where I was treated like a King... Merci du fond

de mon coeur. Henri Cru "Remi Bon Coeur" ''.

 

 

Henri Cru, (Remi Boncoeur) is very important &

Jack Kerouac devoted alot of pages about him  in "On the Road"

but Henri Cru is not mentioned in the Legend of Beat, why?

Boncoeur said "You can't teach the old maestro a new tone",

i consider the best motto in all OTR,

 

saluti

Rinaldo.

*

"Aaaaah Paradise, he comes in through the window,

he follows instructions to a T."---Remi Boncoeur in JK's OTR

*

 

At 08.55 12/08/97 -0700,

"Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU> wrote:

>I'm still working on "On the Road," and have a character question.

>Don't jump all over me for this...if it screams ignorance...chalk it up

>to unfamiliarity. Who is Remi...and subsequently Lee Ann?

> 

>-shannon

> 

> 

=========================================================================

Date:         Wed, 13 Aug 1997 08:03:19 -0400

Reply-To:     Bruce Hartman <bwhartmanjr@INAME.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <bwhartmanjr@INAME.COM>

Subject:      Re: Church of St. John

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

J.,

 

Resident Coltrane fanatic here. . .   what exactly are you offering copies

of?  I've seen the article you're talking about, and I must say that sounds

like the coolest place in the world.  I just hope one of these days I'll

make it to San Francisco to experience it personally.

 

 

If you've got leads on any other obscure Coltrane info on the web shoot 'em

my way.  I surfed well into (probably a few thousand sites deep) the

altavista return for "Coltrane" and was pretty let down by the majority of

the tributes. . .

 

Best to you,

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Wed, 13 Aug 1997 09:04:35 EDT

Reply-To:     Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>

Comments:     Originally-From: Matthias_Schneider

              <magrobi@mail.zedat.fu-berlin.de>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Subject:      Help! I am looking for an citation by Ginsberg

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi folks!

I am working at a thesis on  Contemporary American Literature, and I have

once heard a citation by Ginsberg of which I have lost the source.

It=B4s about his attitude about literature which he considers as  something

like leaving traces that can be followed and by this have to be

interpreteted and even translated .

Any  idea?

Thanks,

M. Schneider (Berlin)

=========================================================================

Date:         Wed, 13 Aug 1997 09:40:21 EDT

Reply-To:     Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>

Comments:     Originally-From: Ddrooy@aol.com

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Subject:      Re: Help! I am looking for an citation by Ginsberg

Comments: To: Bill Gargan <wxgbc@cunyvm.cuny.edu>

 

This isn't the citation, but it does have the essence of the citation, one

thing leading into another... and you may yet find it useful to your work:

..............................................................................

.....

In 1948 I had some kind of break in the normal modality of my consciousness.

While alone living a relatively solitary vegetarian contemplative life,

reading St. John of the Cross, Plotinus some, notions of "alone with the

Alone," or "one hand clapping," or The Cloud of Unknowing, or Plato's

Phaedrus, and William Blake, I had what was--for me--an extraordinary break

in the normal nature of my thought when something opened up.

 

I had finished masturbating, actually, on the sixth floor of a Harlem

tenement on 121st Street looking out at the roofs while reading Blake, back

and forth, and suddenly had a kind of auditory hallucination, hearing

Blake-what I thought was his voice, very deep, earthen tone, not very far

from my own mature tone of voice, so perhaps a projection of my own latent

physiology-reciting a poem called "The Sunflower," which I thought expressed

some kind of universal longing for union with some infinite nature. The poem

goes, "Ah, Sunflower/Weary of time/Who counteth the steps of the sun/Seeking

after that sweet golden clime where the traveler's journey is done/Where the

youth pined away with desire/And the pale virgin shrouded with snow/Arise

from their graves and aspire where my sunflower wishes to go."

 

I can't interpret it exactly now, but the impression that I had at the time

was of some infinite yearning for the infinite, finally realized, and I

looked out the window and began to notice the extraordinary detail of

intelligent labor that had gone into the making of the rooftop cornices of

the Harlem buildings. And I suddenly realized that the world was, in a sense,

not dead matter, but an increment or deposit of living intelligence and

action and activity that finally took form-the Italian laborers of 1890 and

1910, making very fine copper work and roofcomb ornament as you find along

the older tenement apartment buildings.

 

And as I looked at the sky I wondered what kind of intelligence had made that

vastness, or what was the nature of the intelligence that I was glimpsing,

and felt a sense of vastness and of coming home to a space I hadn't realized

was there before but which seemed old and infinite, like the ancient of Days,

so to speak.

 

But I had no training in anything but Western notions and didn't know how to

find a vocabulary for the experience, so I thought I had seen "God" or

"Light" or some western notion of a theistic center, or that was the

impression at the time.

..........................................................................

Here's the link to the entire interview:  <A HREF="http://www.shambhalasun.com

/ginsberg.html">The Spiritual Biography of Allen Ginsberg</A>

 

Good luck.

 

Diane De Rooy

=========================================================================

Date:         Wed, 13 Aug 1997 10:29:49 EST

Reply-To:     DUST MY BROOM <breithau@KENYON.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         DUST MY BROOM <breithau@KENYON.EDU>

Subject:      Kesey schedule, attention Canadians

 

Just a reminder to check the schedule of Kesey and his Pranksters as the bus

heads east and north once again on the Grandfurthur II Tour. If I remember, he

is making some stops in Canada. Click on the GRAND FURTHUR II Tour via

WWW.INTREPIDTRIPS.COM

 

They may be coming soon to a town near you!

 

Dave B.

=========================================================================

Date:         Wed, 13 Aug 1997 11:48:06 EDT

Reply-To:     Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Organization: Brooklyn College Library

Subject:      ANother German Burroughs obit

 

Sueddeutsche Zeitung (Munich) August 4, 1997

 

Bill the Ripper

 

Zum Tod von Amerikas Saeulenheiligen

William S. Burroughs

 

Liebe Kinder, bitte nicht nachmachen!

Nach Augenzeugenberichten war es nur ein

Partyspiel. Aber weil zur Bowle Peyote

gereicht wurde und Marihuana, pflanzte

Burroughs seiner Frau einen Apfel auf

den Kopf, spielte Wilhelm Tell und

schoss. Der Apfel ueberstand das Spiel,

aber Joan Vollmer war auf der Stelle

tot. Halbwegs vernuenftige Menschen

wuerden jetzt das Fixen und Kiffen sein

lassen und nie wieder eine Waffe

anfassen, aber William Burroughs knallte

sich weiter rein, was an Halluzinogenen

zu kriegen war. In der Einleitung zum

Naked Lunch (1959) spricht er von einer

45 Jahre waehrenden Sucht; wer ihn

besuchte in den letzten Jahren, musste

mit ihm zuallererst auf Blechbuechsen

ballern. Der Mann war offensichtlich

verrueckt.

 

Oder Amerikaner. Da stand er 1990 auf

der Buehne des Thalia Theaters in Hamburg

neben Robert Wilson und Lou Reed, ein

hoffnungslos in seinem Buchhalteranzug

verschrumpfter Opa, zerknittert und bis

aufs feinste Knoechelchen entfleischt,

nicht mehr von dieser Welt, aber durch

saemtliche Formen geschritten, ein

Saeulenheiliger der Avantgarde, der alles

ueberlebt hatte. Aufgefuehrt wurde sein

Musical Black Rider, eine

Freischuetz-Geschichte -- und wieder eine

toedliche Kugel aus Liebe.

 

William Seward Burroughs, 1914 in St.

Louis als Fabrikantensohn geboren, war

nun wirklich fuer Besseres geboren. Wie

sein Landsmann T. S. Eliot ein

Vierteljahrhundert zuvor ging er nach

Harvard zum Studieren, dann nach Europa,

aber irgendwann drehte er durch und

machte seinen Unfrieden mit dem Alptraum

Amerika. Meldete sich eines schoenen

Tages beim FBI und wollte Geheimagent

werden. Sie lehnten ihn

vernuenftigerweise ab. Ersatzweise wurde

er rauschgiftsuechtig und lebte nun

selber in bestaendiger Furcht vor den

Haeschern. Einer wie Burroughs war

geboren fuer die Grosse Amerikanische

Paranoia.

 

Mit der Verbissenheit seiner Vorvaeter --

dieser Geldverdiener und sittenstrengen

Stuetzen der Gemeinde --, mit der gleichen

inbruenstigen Verbissenheit setzte sich

Burroughs jeder Sucht dieser irdischen

Welt aus, lungerte in Tanger herum, wo

er die Sonne nicht vertrug, schrieb,

obwohl er nicht wusste wie und wovon er

leben sollte, schrieb auf Entzug und im

Rausch, wie ein Suechtiger.

 

Sie sind ziemlich schwer zu lesen, seine

Buecher, cut up. Zerstueckelt habe er

seine Texte bis zur Unverstaendlichkeit,

immer neu zusammengefuegt und dabei

zerfleddert. Aber brauchte so viel

Wahnsinn ueberhaupt eine Methode? Sie

sollten "reines Fleisch" sein, schrieb

ihm sein Freund Allen Ginsberg ins Buch,

"ohne symbolische Sosse". Weh dem, der

Symbole sieht in seinen Tausendfuesslern,

Halbtieren und Dreiviertelmonstern!

Alles Fleisch vom Fleische Amerikas, die

schlichte Wahrheit, wie Burroughs sie

sah im Wahn. "Ich bin", versicherte er,

"ich bin nur ein Aufzeichnungsgeraet."

 

Roland Barthes harfte ausgiebig ueber den

Nullpunkt, an dem sich die Literatur um

1960 angeblich befand, aber Burroughs

beschrieb diesen Punkt nicht bloss,

sondern stach immer wieder hinein, nahm

sich staendig neue Proben ab, zerfetzte

sich und seine Texte. Der Dichter in

seiner besten Eigenschaft als Schlitzer.

Entziehungskuren mussten dann sein, mal

bei Dr. Wilhelm Reich, dann bei L. Ron

Hubbard, aber weder die Orgonmaschine

noch die Scientology halfen. Und so fand

er nach zwei Ehefrauen und einem Sohn

zurueck zu den Freuden der Jugend, zur

Erinnerung an die ersten verstohlenen

Griffe in die fremde Unterhose. Gegen so

viel Leben kommt das Werk nicht an,

schon allein, weil es nach den fruehen

Buechern Methode wurde. Aber: Von Velvet

Underground ueber Patti Smith bis Kurt

Cobain folgten sie ihm nach -- und war er

nicht ein Heiliger?

 

In New York verschanzte er sich in einem

Gelass in der Bowery, vierfach verriegelt

gegen die Penner und Junkies draussen,

die ihn, den alten gebrechlichen Mann,

vielleicht haetten ueberfallen koennen,

waehrend er sich drin, umgeben von

Stahlruten, Revolvern und Pornoheften,

ausmalte, wie es wohl war, von den

wilden Kerlen ueberfallen zu werden.

 

Zuletzt kehrte er zurueck in den

Mittleren Westen, zu seinen xenophoben,

dafuer gottesfuerchtigen Mitbuergern,

schiesswuetig wie sie und nicht weniger

paranoid. Sie wussten genau, dass die

Kommunisten (wahlweise die Juden, die

Katholiken) das Trinkwasser vergiftet

hatten oder der CIA das Aids-Virus

gezuechtet, um die ganze Menschheit

auszurotten. Burroughs sammelte all

diese Geschichten und bewegte sie in

seinem Herzen. Dann schoss er wieder auf

seine Blechbuechsen.

 

Aber bitte, liebe Kinder, nicht

nachmachen zu Hause! Am Samstag ist der

gute Amerikaner William S. Burroughs in

Lawrence (Kansas) im Alter von 83 Jahren

gestorben.

 

WILLI WINKLER

=========================================================================

Date:         Wed, 13 Aug 1997 11:48:33 EDT

Reply-To:     Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Organization: Brooklyn College Library

Subject:      Oops

 

Sorry about that last post. I hit the wrong key too soon. It was a

Burroughs obit from the Munich paper, Sueddeutsche Zeitung. Thanks to Leon

for translating the other one, sorry I'm too lazy to do it myself. If

you want to do this one, too... :-)

 

 

Fred

=========================================================================

Date:         Wed, 13 Aug 1997 09:29:54 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Wall Street Journal 'n Fruity Pebbles

Comments: To: "stauffer@pacbell.net" <stauffer@pacbell.net>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

James writ:

 

<< 

>But I

>am still for free speech, even stupid speech. Good art always seems to

>be able to outlast stupid criticism.  Such a tirade may even attract

>readers for Ginsberg's and Burrough's work.

>> 

 

good art,  <hm>....  Been talking backchannel about death and

aesthetics.  How death always wins over style and substance and whatnot.

 At least I'm assuming that's the end equation.  Can a writer/artist be

immortal?  That's the question.  Will the remaining works leave enough

of an impression to live forever?

 

And then we get talking about "art for art's" sake.  Yep, I'm a firm

believer in that; but I don't think it's unfair to also ask what *work*

does a piece do.  What *work*?  And not *if* it is art, but *when* is it

art?

 

driving into work today, thinking of all my old friends.  5 years oughta

college, 10 years oughta high school.  and all them before and since.

Promotion?  What is that dirty dog?  A:  It's an attitude I haven't

quite grasped yet.  The citation and linking of "new" and "cool" with a

person.  All these newspapers, all the television shows, all the fucking

middlemen mucking up the works, taking their 5-10%+.  Promotion taking

it's cut of the action.

 

PJ Harvey's "driving" pumping on the car stereo, waiting for the light

to change.  Attractive executive woman in a uptown car applies makeup.

Nerd boy to my right thinks about his code unraveling in various places.

 And where am I?  Who am I hustling today?

 

and death?  you wanna piece of me?  come and take it

 

>> J Stauffer

 

Douglas

> 

> 

=========================================================================

Date:         Wed, 13 Aug 1997 12:35:51 -0400

Reply-To:     CVEditions@AOL.COM

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Bill faces judgement (fwd)

Comments: To: mrice@centuryinter.net

 

In a message dated 97-08-13 12:20:02 EDT, you write:

 

<<  glad the Wall Street Journal didn't suddenly decide to

 >> embrace Burroughs and call him a ge >>

 

I'm with you there. Though, I think the writer was some of that new

merchandise who will never have that old spirit B talked about. That is

sad...for them .Oh Brave Newts.

C. Plymell

=========================================================================

Date:         Wed, 13 Aug 1997 09:42:59 -0700

Reply-To:     "Penn, Douglas, K" <dkpenn@OEES.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Last look at Walgreens?

Comments: To: "CVEditions@AOL.COM" <CVEditions@AOL.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

C writ:

 

<< 

>I wonder if Burroughs cut to another stratasphere, or is he peering

>around  in a black hole looking for Huncke to ferret out  the scence?

>> 

 

and death as in life Charley Brown?  Interesting to read all these obits

and questions of beatness.  That Burroughs wasn't an optimist, wasn't

this and that compared to Kerouac and Ginsberg.  So he didn't care what

people thought?  Didn't care about this and that ideal?

 

and in death?  free of this mortal coil, so to speak, then what?  Maybe

he's living a completely different life now.  Am feeling poetic and

generally pissed off this morning.  I'll die a 1000 deaths and report

back later.

 

>> C Plymell

 

Douglas

=========================================================================

Date:         Wed, 13 Aug 1997 12:44:04 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Thanks Leon

 

Good shot at that translation.  My buddy Fred who posted it said that it would

be tough to translate because of slang.

=========================================================================

Date:         Wed, 13 Aug 1997 14:47:58 -0500

Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      burroughs

Content-Type: text

 

Hello again.

I've been out of town for a few weeks and quit the list for that

period. I saw about Burroughs's passing in a newspaper.

Has anyone seen any comments from either Corso or Ferlinghetti on

his death? If so, could you let me know where you saw them by

contacting me on the list or privately.

Thanks. I appreciate it in advance.

Cordially,

Mike Skau

8/13/97

mskau@cwis.unomaha.edu

=========================================================================

Date:         Wed, 13 Aug 1997 18:36:01 EDT

Reply-To:     Bill Gargan <WXGBC@CUNYVM.BITNET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

 

I've had several requests to change the reply function on the list so

that all replies default to the list rather than the sender.  Since

traffic seems to have become more reasonable lately, I've asked Fred

Bogin to change the default tomorrow morning.  After this is done, your

reply will be sent directly to all list members.  Please keep this in

mind to avoid sending private messages out to the whole list.

=========================================================================

Date:         Wed, 13 Aug 1997 18:59:29 -0400

Reply-To:     Judith Campbell <boondock@POBOX.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <boondock@POBOX.COM>

Subject:      McCarthy Review of Naked Lunch Online

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The New York Book of Reviews has posted the entire content of the first

issue online, including the review of Naked Lunch by Mary McCarthy.

 

The url:  http://www.nybooks.com/nyrev/firstcontents.html

 

 

Enjoy!

 

Judith

=========================================================================

Date:         Wed, 13 Aug 1997 20:04:12 -0700

Reply-To:     "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: Was Burroughs really a beat writer?

Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>

In-Reply-To:  <Pine.SUN.3.91-FP.970812220342.23103A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 12 Aug 1997, Richard Wallner wrote:

 

> Heard an interesting argument recently in discussions about Burroughs

> life.  It was argued that Bill Burroughs was not really a beat writer.

> Jack Kerouac, Allen Ginsberg and most of the other beat writers, saw

> their literary efforts as part of a religious mission, a search for faith

> as it were.  Most of them were into eastern religions and philosphies and

> the ideas of finding peace in mind spirit, and soul.

 

Oh, Burroughs was at least as religious as Kerouac, Ginsberg & Co. Ker and

Gins were more in the extroverted, extrojected Catholic or Tibetan

Buddhist line. Burr had religion, but it had no deity-object, no cathedral

(other tha, perhaps, the experiential soma), no Holy Book. He was in the

minimalist-to-negative-theology family of Zen, Nagarjuna, Pierre de

Caussade S.J. (_Abandonment to Divine Providence_ - *good book), and

minimalist good-works Protestantism.

 

"Beat" perhaps has no wider meaning than Kerouac, Ginsberg, Burroughs,

Ferlinghetti, et fils. What does "Impressionist" mean other than those

painters? But if "Beat" has any general meaning, it would seem to be the

the following:

 

- sacredness of immediate inspiration

- defiance of past forms/formulas

- Whitmanesque onward rushing motion

- concrete-oriented street-grit in style

- sexual and pharmacological themes

- nomadic narrators

- combination of cynical or even resigned-depressive tendencies (style

  often emotionally flat) with idealism.

 

Highly religious, and fits Burr perfectly.

 

 

 

+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

  Michael R. Brown                        foosi@global.california.com

+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

 

  "Wittgenstein said that if the universe is pre-recorded, the only thing

   not pre-recorded is those recordings themselves. In my work,

   the cut-ups and all, I attempt to get at the substance of the

   recordings."

                                - William S. Burroughs

                                  (quoted from memory)

=========================================================================

Date:         Wed, 13 Aug 1997 23:27:50 -0400

Reply-To:     "R. Bentz Kirby" <bocelts@SCSN.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Old Bull Lee]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------9DEC3992ADB3BC61D795DE66"

 

This is a multi-part message in MIME format.

--------------9DEC3992ADB3BC61D795DE66

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I thought this was a particularly good post from the Dylan newsgroup.

Patricia, maybe he could still come to Lawrence, but what would he do,

maybe he could feed the cats or something.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

--------------9DEC3992ADB3BC61D795DE66

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Path:

 Supernews69!SupernewsFH!news.maxwell.syr.edu!news.eecs.umich.edu!newshub.tc.umn

 .edu!news.d.umn.edu!bulldog.d.umn.edu!mlenz

From: mlenz@bulldog.d.umn.edu (michael lenz)

Newsgroups: rec.music.dylan

Subject: Old Bull Lee

Date: 12 Aug 1997 20:42:38 GMT

Organization: University of Minnesota, Duluth

Message-ID: <5sqhru$6h1$2@news.d.umn.edu>

NNTP-Posting-Host: bulldog.d.umn.edu

X-Newsreader: TIN [version 1.2 PL2]

Xref: Supernews69 rec.music.dylan:89808

 

 

i'm not a regular reader of this newsgroup.  this is my first visit since the

 death

of mr. burroughs.  i have to say i'm apalled at at the general brutality and

ignorance that is reigning in here.  you cannot place a value on literature.  it

 is

not quantitative.  you cannot say that hemingway is better than burroughs or

 that

burroughs is better than hemingway.  you can like them both, one of them or

neither.  i think to fully appreciate burroughs you have to here the voice.

burroughs voice is that of a withered shaman.  his work is about culture's

 absurd

attempt to keep up with the technological explosion.  it reflects in dark humor

 the

entropy and isolation that has come to earmark postmodern lioterature.  for me

 he

was among the best.  i value cut-ups and other such experimental forms of

 writing.

i put only pynchon before him and i hesitate to do that because as i said

 before,

it's not a quantitative thing.  i was planning a trip to lawrence next summer,

maybe take in a few horde/furthur shows on the way and sit on the old mystic's

porch for a while.   (i know people who have done this.  burroughs was always a

gentleman to the wayfarers).  i don't know who said what, nor do i care, but the

person who said that he never wrote anything good after Junkie (it was

 origanally

published "Junkie" then reprinted "Junky") and Naked Lunch is ignorant of that

 last

triumphant trilogy (Cities of the Red Night, Place of Dead Roads, and The

 Western

Lands) and the short, but beautiful "The Cat Inside".  Burroughs caused me to

question in my own thinking and writing such elemetary things as words and

 phrases.

to discount his body of work as a "blight" is ignorant and short-sighted.  i for

one will miss the voice and am sorry that my plans were a summer too late.

mike lenz

 

p.s. Check out Ports of Entry.  it's a book of Burroughs artwork.  he was

 equally

talented and equally inventive in that as an artist and a writer.

 

 

--------------9DEC3992ADB3BC61D795DE66--

=========================================================================

Date:         Thu, 14 Aug 1997 00:47:55 -0400

Reply-To:     Antoine Maloney <stratis@ODYSSEE.NET>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: LUTHER ALLISON

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Richard,

 

        Thought you'd like to know that our local paper , the Montreal

Gazette (founded by Ben Franklin believe it or not!) had a nice obituary

about Luther Allison. They described his great show at this year's Montreal

Jazz Festival (which we missed!?!) and what a great receptiion he had.

 

        Also, CBC (the Canadian Broadcasting Corporation, our counterpart to

NPR) had a nice bit about Luther on their national radio news at 6:00pm

yesterday, finishing up with "Walkin' Papers". Very nice.

 

        My regards and condolences,

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 14 Aug 1997 10:17:51 +0200

Reply-To:     Rinaldo Rasa <rinaldo@GPNET.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      about razor

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970812172530Z-539@sd-mail.sd.oee s.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Rinaldo, you are such a tease.  Somebody please translate?

> 

>Douglas

 

>>        ENTIA NON SUNT MULTIPLICANDA

>>        PRAETER NECESSITATEM...

>> 

 

please, excuse me, the translation is

 

        "IT IS VAIN TO DO WITH MORE

        WHAT CAN BE DONE WITH FEWER"

=========================================================================

Date:         Thu, 14 Aug 1997 08:44:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James J Stavola <JDSept@AOL.COM>

Subject:      Re: Was Burroughs really a beat writer?

Comments: To: rwallner@capaccess.org

 

Certainly WSB was a beat writer,maybe not in the total sense of religious

mission or so called peace of mind that you mentioned but all of them were a

reaction to that little white house Leave it to Beaver mentality of the late

40s and early 50s.I think the begining of the beat movement was actually a

reaction to the boring mentality of America at that time by the showing of

the fringe livers.WSB certainly fills that concept.Afterwards the writers

went in many individual but loosely tied direction but the original bindings

were still there.most of these guys lived in some kind of exile WSB by

himself or in a group type exile as some of the others did.The idea of

beatness goes farther then just writing anyways.The ultimate beat(terrible

term) who most admired and was a starting point for some of them Neal C. was

hardly a writer at all.I think WSB fits the beat mold.

                         thank-you

=========================================================================

Date:         Thu, 14 Aug 1997 09:04:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Lowell Schedule

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

----------

From:  Mark Hemenway[SMTP:mhemenway@igc.apc.org]

Sent:  Wednesday, August 13, 1997 9:57 PM

To:  Hemenway . Mark

 

10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997

Lowell, MA Jack Kerouac Celebrates Lowell

 

THURSDAY 2 OCTOBER

Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry

9:00AM-11:00AM

Lowell High School Poetry Competition for High School Students-

for Information call 508-452-7966

 

Downtown Kerouac Places- Walking Tour

4:30-6:00 PM

Roger Brunelle leads a walking tour of  Kerouac's downtown. Begins

at Middlesex Community College, ends at the Pollard Memorial

Library.

 

Images of  Kerouac '97- Reception and Photography Exhibition

6:00PM- 8:00PM

Whistler House Museum of Art,  243 Worthen Street Open exhibition

of photography inspired by Jack Kerouac or the Beats. Entries

welcome. Deadline 12 September. Co-sponsored by the Whistler House

Museum of Art, 508-452-7641.

 

Jack Kerouac Literary Prize Award

7:00PM

Whistler House Museum of Art, 243 Worthen Street Presentation of

the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored

by The Estate of Jack and Stella Kerouac, Lowell Celebrates

Kerouac!, Inc. and  Middlesex Community College.

 

Dr Sax Nights- Walking Tours

8:00PM-10:00PM

Roger Brunelle leads a walking tour of Kerouac's Pawtucketville.

Tour begins at MacDonald's Mammoth Rd, ends at  the Spaulding

House,  Pawtucket Blvd. for discussion. Rain or shine.

 

Friends and Music

10:00PM-12:00PM

Greek Band, Greek food and Lowell Poets. The Athenian Corner

Restaurant, 207 Market Street.

 

FRIDAY 3 OCTOBER

3rd Annual Beat Literature Symposium

8:00AM-5:00PM

O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00

Noon - Presentation of Papers 2:00PM - Keynote Presentation by Ann

Douglas, Columbia University 3:00PM-5:00 - Panel discussions

Leading scholars present original research on beat authors,

writing techniques and cultural phenomena. No charge.  For

information and pre-registration, call 508-934-2446. Sponsored by

the English Department and the Department of Continuing Education,

UMASS-Lowell.

 

Mystic Jack- Walking Tour

5:00PM-6:00PM

Begins and ends at St. Louis Church, Centralville. Tour by Roger

Brunelle.

 

Memorial Mass for Jack and Stella Kerouac

6:00PM-7:00PM

St. Louis de France Church, Centralville

 

Listen to the Beat- Readings

8:00PM-10:00PM

The Parkway Cafe,  350 Market Street Poets Vincent Ferrini,

Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith.

Singer song-writer,  Bob Martin present and evening of performance

poetry and music.  Suggested donation $3.00.

 

Friends Music and Lowell Poets

10:00PM-12:00PM

Park Way Cafe

 

SATURDAY 4 OCTOBER

Nashua - Bus Tour

RESERVATIONS REQUIRED

9:00AM-1:00PM

9:00AM- Depart from Lowell Barnes and Noble. Reservations can be

made in person, or call 508-458-3939.  9:30AM- Depart Nashua, NH

Barnes and Noble. NH. For reservations, call Laura Eanes at

603-897-0777.  A bus tour of Kerouac places in Nashua, NH.

 

Small Press Book Fair

10:00AM-4:00PM

Memorial Hall, Pollard Library A sampling of local presses and

Kerouac material. Co-sponsored by the Pollard Memorial Library and

Friends of the Library.

 

Commemorative at the Commemorative- Honoring Jack Kerouac and

Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge

and French Streets

 

Strictly Kerouac- Dance

12:30-1:00 PM

The Courtyard at the Market Street Visitor's Center, Lowell

National Historical Park Jan Zwadney and a Feast of Friends

interprets Kerouac in dance, music and word.

 

Allen Ginsberg and Friends: A Photographic Remembrance

1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center

Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred

McDarrah. Exhibition open from September 25 - November 16th.

 

Gallery Talk- Gordon Ball

1:30PM Brush Art Gallery, Market Street Visitor Center

Photographer and Ginsberg editor, Gordon Ball talks about

photographing Allen Ginsberg.

 

Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot

Street

 

Anne Waldman and Friends- A Tribute to Allen Ginsberg

8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-

Admission- $7.00 Anne Waldman, renowned poet, performer, and

editor leads a tribute to the Dharma Lion. James Cameron on

saxophone.

 

Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs

Cafe, Merrimack Street

 

SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM

RESERVATIONS REQUIRED Departs from  Middlesex Community College,

Merrimack Street Bus tour of Kerouac's Lowell. Call 508-452-7966

for reservations. Please give name, phone number and number of

places reserved.  Words and Music- Open Mic

1:00PM-3:00PM The Coffee Mill, Palmer Street.

 

Lowell Celebrates Kerouac!, Inc. is a non-profit corporation

dedicated to the celebration, enjoyment and study of Jack Kerouac

and his writings. Whenever possible, events are free, however,

donations are gratefully accepted for continued support of the

annual Lowell Celebrates Kerouac! Festival.. To make a donation,

or to find out more about Lowell Celebrates Kerouac!, Inc., write:

P.O. Box 1111, Lowell, MA 01853.

 

Before he died at age 47, Jack Kerouac published 24 books

chronicling the lives and adventures of the post war generation in

America. The raw energy and beauty of his prose established a new

standard in American literature. Jack Kerouac was born, raised and

remained a native of Lowell throughout his life. 5 of his novels

take place in Lowell, and the city is mentioned in virtually every

one of his books. His descriptions of Lowell are remarkable for

their beauty, power and timelessness. Through them, millions of

readers have come to know Lowell as a universal hometown.

 

This publication is funded....

=========================================================================

Date:         Wed, 13 Aug 1997 21:50:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: [Fwd: Re: For Diane M. Homza, "In regards"]

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I am forwarding this post for Arthur so he doesn't have to retype it as

 we start our discussion of Naked Lunch/On the Road/Howl.  There is also

 quite a long essay on how to approach Naked Lunch at www.bigtable.com

 DC

 

>     ---------------------------------------------------------------

> 

> Subject: Re: For Diane M. Homza, "In regards"

> Date: Thu, 24 Jul 1997 15:07:38 -0400

> From: Arthur Nusbaum <SSASN@AOL.COM>

> Reply-To: SSASN@AOL.COM

> To: BEAT-L@CUNYVM.CUNY.EDU

> 

> Dear Diane:

> 

> I would like to offer some suggestions for your reading of NAKED LUNCH.

> It

> was also the first WSB book that I read in its entirety, almost 2

> decades

> ago, and it can indeed be a little daunting as your first exposure to

> one of

> the great literary and cultural figures of our waning century, and a

> prophet

> of the next and beyond.  In the intervening years since I was in your

> position, I have read, seen, heard and interacted with virtually every

> published item that I am aware of by or about WSB, including the great

> man

> himself whom I visited 2&1/2 years ago.  Besides my posts that are

> flowing at

> a steady rate on this List and to some of its correspondents

> individually, I

> have done a small amount of scholarly writing on him myself.  So, I

> believe I

> am qualified to answer your call for support and advice.

> 

> After having read NL several times and absorbed a lot of commentary on

> it

> from many sources, I thought I had a fair handle on it.  But luckily

> for you,

> there now exists an unprecedented guide, a key to understanding this

> kaleidescopic work.  An audio version of the book, read by WSB himself,

> is

> available.  I have the cd version, I know there is a cassette edition

> also,

> and it should still be available in stock or by order, it only came out

> about

> 2 years ago this fall.  Although abridged, it is 3 hours long and most

> of the

> text is there.  I cannot stress how highly I recommend that you listen

> to WSB

> read NL, it is clear, well-paced, and the very ways in which he

> emphasizes

> and modulates words and sentences bring them into focus and out of the

> fragmentary fog from which they can fade in and out of the text without

> this

> aid.  You could finish reading NL and then obtain the audio edition, or

> better yet obtain and listen to it (at least twice) now, then return to

> your

> reading.  My listening to the cd's no less than doubled my

> comprehension and

> appreciation of this critical work.  But I should note something at

> this

> point-  what I've said above does not mean that you can't enjoy or

> benefit

> from NL without hearing it read by the author, one of the greatest

> pleasures

> I have gotten from it before or after being exposed to the cd's is to

> savor

> the evocative and poetic phrases that have a life of their own and jump

> off

> the page to burrow, so to speak, in your brain.  Some of my favorites

> from

> this rich treasure trove are:  "The days glide by, strung on a syringe

> with a

> long thread of blood", "Motel...Motel...Motel...broken neon

> arabesque...loneliness moans across the continent like foghorns over

> still

> oily water of tidal rivers" (one of my all-time favorite phrases in all

> of

> literature), and so many more.  As the author advises near the end, you

> can

> re-order the pages and read them in any combination, this is a roiling,

> organic work that should not be read with an attitude that it can be

> reined

> in, amenable to cliff-note condensation.

> 

> After you have read and heard NL, I further advise you to go back and

> chronologically read all the works that precede it, in this way you

> will see

> how WSB arrived at NL and further appreciate his achievement in the

> context

> of his life and work up to that point.  The books, all still in print,

> are in

> order as follows:  JUNKY, QUEER, THE YAGE LETTERS (with Allen Ginsberg)

> and

> THE LETTERS OF WILLIAM S. BURROUGHS (1945-1959), which were written,

> mostly

> to AG, during the period leading up to the first publication of NL.

> There is

> another volume of letters written by WSB to AG, many of which do not

> overlap

> with the ones in the other, but it is hard to find.  If you can locate

> it

> (it's just titled WILLIAM S. BURROUGHS\LETTERS TO ALLEN GINSBERG

> 1953-1957),

> I highly recommend it, some of the letters are real gems.  The best

> letters

> of all, in my opinion, are those from WSB to AG in TYL above, it is a

> perversely hilarious and quintessentially Burroughsian work that is

> often

> overlooked, short and fun to read again and again.  All of these early

> works

> are written in a lucid, easily comprehensible style, although you'll

> know

> that only WSB could have written them.  Along with the above works, you

> should also read the biography LITERARY OUTLAW:  THE LIFE AND TIMES OF

> WILLIAM S. BURROUGHS by Ted Morgan, concurrently, before or after them.

>  It

> will give you a good initial grounding in the life and experiences from

> which

> the works emerged, it was published in and goes up to 1988, beyond the

> NL

> period so good enough for your purposes at this point.  As with the

> other

> major Beat figures, the life and art are particularly intertwined and

> mirrors

> of each other.  Finally, you should attempt to see the film biography

> BURROUGHS, directed by Howard Brookner, originally released in 1985.

> Like

> LO, it provides an initial overview.

> 

> I can assure you that you won't be sorry if you follow my suggestions,

> and

> would like to know how you're coming along from time to time.  It may

> seem as

> if I've burdoned you with a semester's worth of reading, listening and

> viewing, but if you catch the WSB virus, you will quickly devour these

> items

> and want MORE.  A few more NL comments to conclude for now-  The

> introductory

> essays which probably appear in whatever edition you're reading,

> TESTIMONY

> CONCERNING A SICKNESS and LETTER FROM A MASTER ADDICT TO DANGEROUS

> DRUGS are

> remarkable in their clarity of language and are in themselves minor

> masterpieces separable from NL even as they enrich it.  And your

> comment

> about Macbeth is interesting.  While an undergraduate at Harvard, WSB

> studied

> Shakespeare, and he is familiar with and weaves quotes from the Bard in

> his

> works and conversation.  WSB arrived at his avant-garde experiments,

> which

> become literally more cutting-edge with the cutups after NL, from a

> firm,

> rounded educational and reading background, not to mention his myriad

> experiences right up to and over the edge.

> 

> Well, enough for now.  Good luck, and I envy your reading these works

> for the

> first time, there's nothing like that first shot......

> 

> Regards,

> 

> Arthur S. Nusbaum

=========================================================================

Date:         Thu, 14 Aug 1997 09:00:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Lowell Kerouac organizers

In-Reply-To:  <c=US%a=_%p=drc%l=AND02-970814130400Z-14979@and02.drc.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>----------

>From: "Hemenway . Mark" <MHemenway@DRC.COM>

>Sent:  Wednesday, August 13, 1997 9:57 PM

 

>10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997

>Lowell, MA Jack Kerouac Celebrates Lowell

 

>Memorial Mass for Jack and Stella Kerouac

>6:00PM-7:00PM

>St. Louis de France Church, Centralville

 

 

It is a disgrace that Jack's daughter, Jan Kerouac, dead slightly more than

a year, is not being included in this mass.

 

This is such an overt act of hatred for a dear, compassionate, generous and

talented writer/daughter that I am without words.

 

I can only hope that beats, be they students, scholars, readers, or

wannabees with heart, brains and gonads, will see that this kind of crap

ends--someday.

 

j grant

 

Small Press Authors and Publishers display books

                FREE

    http://www.bookzen.com/addbook-form.html

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Thu, 14 Aug 1997 08:03:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      patti smith news (boston)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

got some more news about patti smith

and her continued support for beat artists

burroughs and ginsberg

 

Interesting to note her attitude

towards performance

towards friendship and art

and <<ahem>>

that she made drawings at AG's deathbed

anybody from boston seen these??

 

stolen from the babel-list (again)

From: JP Jacob <jpjacob@bu.edu>

Date: Wed, 13 Aug 1997 23:04:50 -0400

Subject: Re: Boston show

 

Douglas

 

=-=-=-=-=-=-=-=-=-=-

Thanks to all who came to the Boston show for support of the

Photographic Resource Center. It was a great evening for me, and Patti,

Lenny, and Oliver were also very happy. Before they left, much later

Monday night, Patti said that the band will be doing a limited tour this

fall that will include Boston, followed by a full scale tour next year.

Something to look forward to!

 

I haven't compared this with Mitch's note, so sorry for redundancy, but

here is the complete setlist:

 

1. Footnotes to Howl

<<[snip]>>

9. Psalm 23 Revisited [her WSB poem]

 

What was wonderful for me about the set, since this event was put

together in conjunction with our exhibition at the PRC, was the thread

that Patti wove throughout the show with pieces by and about the

important artists in her life: Ginsberg (to whom the exhibition was

dedicated), Burroughs, O'Keefe, Pollock, and Mapplethorpe.

 

It's something that hasn't received too much attention, but the two new

drawings in the exhibit are the first new drawings that Patti has shown

since the 1970s (anyway, so she tells me). They're expansions of

sketches and notes that she made at Ginsberg's deathbed (she was

carrying the original sketches in her pocket while reading the Footnotes

from Howl to us), and the performance seemed to me to come right out of

the passion and the love that went into those drawings. That was the

starting point.

 

<<[snip]>>

 

There's one other thing. I had a real introduction, but Patti asked me

not to read it. What I'd wanted to talk about is how impressed I have

been by Patti, Lenny, and Oliver's ongoing support of organizations and

individuals, taking positions in relation to small causes as readily as

to issues of global importance. I mean, it's probably not too hard for a

celebrity to support one or two important causes. But I think that it's

exhausting and to some extent precarious for an artist these days to

support many causes, especially the small, unproven ones (for example,

it's easy to do a benefit for MoMA, but the Photographic Resource

Center? An artists space with a staff of 3?).

 

I remember that the Seegers, Mike and Pete, could always be counted to

show up in support of local causes in the Hudson River valley area where

my grandfather lived, and where I spent a lot of time during high

school. I was always so impressed that they could function

simultaneously on local and international levels that way. I don't feel

that many artists today have that sense of commitment, and to see it in

Patti, Lenny, and Oliver makes me proud to support them. Their

commitment to the values that we share enables me to be *not* just a

consumer of their products, but, to some extent, a part of the its

creation. That kind of sharing is absent from most other

entertainer/artist/audience/venue relationships that I experience. And I

think that's what makes shows like Monday night's so wonderful and

renewing for us as supporters of Patti's artwork.

 

That's enough for now.

 

John

- --

jpjacob@bu.edu

Photographic Resource Center at Boston University

http://web.bu.edu/PRC

=========================================================================

Date:         Thu, 14 Aug 1997 11:06:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: about razor..Occam's

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

This has often been referred to as "Occam's razor", the desire to shave away

any excess conditions in an hypothesis or theory. Occam (Henry of ...?) as I

recall was a contemporary of the monk-philosopher Francis Bacon, the central

figure in "The Name of the Rose".

 

        Antoine

 

        ***************

 

>>Rinaldo, you are such a tease.  Somebody please translate?

>> 

>>Douglas

> 

>>>        ENTIA NON SUNT MULTIPLICANDA

>>>        PRAETER NECESSITATEM...

>>> 

> 

>please, excuse me, the translation is

> 

>        "IT IS VAIN TO DO WITH MORE

>        WHAT CAN BE DONE WITH FEWER"

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 14 Aug 1997 11:06:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Lowell Kerouac organizers

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Jo,  ...please bear with me on this Jo; not a flame war, and especially not

on the first day that we have our reply priveleges reinstated!; read on.

 

        "It is a disgrace that" you have to be so vitriolic in your attack

on the idea of not including "Jack's daughter, Jan Kerouac, dead slightly

more than a year" ... "in this mass."

 

"This is such an overt act of hatred for a" situation that I suspect you

aren't that close to - although you were clearly very close to Jan. Why not

try to be "compassionate, generous" and understanding to those who are

celebrating this mass. Following your argument, one could easily ask why

Nin, Leo, Gerard and a host of others are not being similarly memorialized.

Why not Bill Burroughs since he was far closer to Jack and far more

important to him than Jan - or Stella for that matter!

 

Jan was a "talented writer/daughter" who unfortunately was never able to

forge a relationship with her father, but she has many friends and defenders

outside the Sampas - Kerouac circle, and there shouldn't be any need to

force Jack's error down the throats of the Lowell /Sampas group.

 

I - like you - probaly think it would be a nice closure to have Jan also

remembered in the way you suggest - but to force it grudgingly would not

honor Jan's memory.

 

"I can only hope that beats, be they students, scholars, readers, or

wannabees with heart, brains and gonads, will see that" this vain attempt to

form a union that never existed in life "ends--someday."

 

A lot depends on your perspective Jo, and mine has nothing to do with anyone

in Lowell or anyone named Sampas.  Far better that we find our own ways to

honor Jan.

 

        Antoine

 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 14 Aug 1997 15:40:39 UT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Sign-off

 

well, friends, must sign-off to make my trip to the Fringe & International

Arts Festivals and a poetry class at the Univ of Edinburgh.  will be back on

9/1.

 

hopefully, the damned unsubscribe thing will work.

 

enjoy the rest of the summer and keep it beat.

 

ciao, sherri

=========================================================================

Date:         Thu, 14 Aug 1997 12:32:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Sign-off

Comments: To: Sherri <love_singing@msn.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Damn shame about you having to go to Edinburgh.  I will pray that you

are delivered from this doom.

 

 

Sherri wrote:

 

> well, friends, must sign-off to make my trip to the Fringe &

> International

> Arts Festivals and a poetry class at the Univ of Edinburgh.  will be

> back on

> 9/1.

> 

> hopefully, the damned unsubscribe thing will work.

> 

> enjoy the rest of the summer and keep it beat.

> 

> ciao, sherri

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 14 Aug 1997 09:58:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

Subject:      spiritual glimpse (personal request)

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

There is the potential for this message to go non-beat.

I'm discovering a spiritual apetite that was once squelched by

overbearing guardians with questionable intentions...

 

I'm now ready to re-investigate this side of experience and was wondering

if any listers would point me in the direction of beat or non-beat

spiritual script... My definition of "spirituality" is

limitless...perhaps you would be willing to share what you have found

meaningful...

 

I'd appreciate starting my search with some input from the list.

 

Thanks...

feel free to backchannel if this isn't Listworthy... although I would

enjoy seeing a beat spirituality thread start on this list....

 

-shannon (in Tucson, where the heat has somehow prompted my search for

god...)

=========================================================================

Date:         Thu, 14 Aug 1997 10:25:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: spiritual glimpse (personal request)

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Shannon writ:

 

<< 

>feel free to backchannel if this isn't Listworthy... although I would

>enjoy seeing a beat spirituality thread start on this list....

>> 

> 

Well, in my mind, application of spirituality is always a good issue.

 

Was impressed, and am impressed more and more, by the example set by

poet, singer, artist Patti Smith.  She's holy, holy and still retains

her personal space.  that and she continually pays tribute to friends

and family that have passed away.  She doesn't shy away from hecklers,

politics, or even uninhibited love of the Dali Lama.  She is mercury

with a lizard gaze.  Truly, she transcends, transcends.

 

Surely this is a beat quote unquote trait?

 

My "advice" would be to start reading more biographies.  Pick someone

you like.  and if they aren't famous, don't have anything written about

them, well.... you'll just have to listen.  yep, listen.

 

Douglas  :-)

 

PS:  and people keep mentioning archives for this list, but I haven't

found em yet.  There have been many posts that aided and abetted my own

>spiritual search.  Maybe you too can find some solace in them.

=========================================================================

Date:         Thu, 14 Aug 1997 19:51:11 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      (FWD) burroughs' letter to kerouac on buddhism

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Return-Path: <bofus@fcom.com>

Date: Thu, 14 Aug 1997 06:33:45 -0800

From: bofus? <bofus@fcom.com>

To: bofus@fcom.com

Subject: burroughs' letter to kerouac on buddhism

 

Derek B Monypeny <dbm@U.Arizona.EDU> wrote:

> 

> 

>  scene: burroughs is in morocco. the

>  accidental shooting death of jane burroughs

>  has already occurred. burroughs is in the

>  process of writing what would become "naked

>  lunch" and pining for allen ginsberg. he is

>  replying to a letter from kerouac which

>  stated, among other things, that kerouac

>  had devoted himself to the study of

>  buddhism and had renounced sex for good.

> 

>  ...I can't help but feeling that you are

>  going too far with your absolute chastity.

>  Besides, masturbation is NOT chastity, it

>  is just a way of sidestepping the issue

>  without even approaching the solution.

>  Remember, Jack, I studied and practiced

>  Buddhism (in my usual sloppy way to be

>  sure). The conclusion I arrived at, and I

>  make no claims to speak from a state of

>  enlightenment, but merely to have attempted

>  the journey, as always with inadequate

>  equipment and knowledge (like one of my

>  South American expeditions), falling into

>  every possible accident and error, losing

>  my gear and my way, chilled to the

>  blood-making marrow with final despair of

>  aloneness: What am I doing here a broken

>  eccentric? A Bowery Evangelist, reading

>  books on Theosophy in the public library

>  (an old tin trunk full of notes in my cold

>  water East Side flat), imagining myself a

>  Secret World Controller in Telepathic

>  Contact with Tibetan Adepts... Could I ever

>  SEE the merciless, cold FACTS on some Winter

>  night, sitting in the operation room white

>  glare of a cefeteria - NO SMOKING PLEASE -

>  see the facts AND MYSELF, an old man with

>  the wasted years behind, and what ahead

>  having seen the Facts? A trunk full of

>  notes to dump in a Henry St. lot?... So my

>  conclusion was that Buddhism is only for

>  the West to STUDY as HISTORY, that is it is

>  a subject for UNDERSTANDING, and Yoga can

>  profitably be practiced to that end. But it

>  is not, for the West, An ANSWER, not a

>  SOLUTION. We must learn by acting,

>  experiencing, and living; that is, above

>  all, by LOVE and by SUFFERING. A man who

>  uses Buddhism or any other instrument to

>  remove love from his being in order to

>  avoid, has committed, in my mind, a

>  sacrilege comparable to castration. You

>  were given the power to love in order to

>  use it, no matter what pain it may cause

>  you. Buddhism frequently amounts to a form

>  of psychic junk... Because if there is one

>  thing I feel sure of its this: That human

>  life has DIRECTION. Even if we accept some

>  Spenglerian Cycle routine, the cycle never

>  comes back to exactly the same place, nor

>  does it ever exactly repeat itself... When

>  the potentials of any species are

>  exhausted, the species becomes static (like

>  all animals, reptiles and other so-called

>  lower forms of life). What distinguished

>  Man from all other species is that he

>  CANNOT BECOME STATIC. "Er muss streben oder

>  untergehen" (quotation is from myself in

>  character of German Philosopher)-"He must

>  continue to develop or perish."... What I

>  mean is the California Buddhists are trying

>  to sit on the sidelines and there ARE no

>  sidelines. Whether you like it or not, you

>  are committed to the human endeavor. I can

>  not ally myself with such a purely negative

>  goal as avoidance of suffering. Suffering is

>  a chance you have to take by the fact of

>  being alive. I repeat, BUDDHISM IS NOT FOR

>  THE WEST. We must evolve our own

>  solutions... I am having serious

>  difficulties with my novel. I tell you the

>  novel form is completely inadequate to

>  express what I have to say. I don't know if

>  I can find a form. I am very gloomy as to

>  prospects of publication. And I'm not like

>  you, Jack. I need an audience. Of course, a

>  small audience. But still I need publication

>  for development. A writer can be ruined by

>  too much or too little success...

> 

> 

> 

>  From "Letters of William S. Burroughs

>  1945-1959."  Edited with an introduction by

>  Oliver Harris. Viking, 1993.

=========================================================================

Date:         Thu, 14 Aug 1997 20:09:33 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: about razor..Occam's

In-Reply-To:  <BEAT-L%1997081411062000@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hello all friends,

 

William of Occam, of course...

                        &

 

                THE NAME OF THE ROSE

 

 "stat rosa pristina nomine, nomina luda tenemu"

"the ancient rose is necessarily connected to her name,

        we have got things without their name"

                        &

 

          the medieval prior set the books on fire,

 

saluti,

Rinaldo.

*

BTW, i found a Ferlighetti's poem:

 

Walking through the University of Bologna

                the oldest university in the world...

The usual protests by the usual students

                stoning the administration

                for Giordano Bruno

                        or Garibaldi

                                or Pasolini

                                        or Lotta Continua

The usual statues under the arcades

                or under the trees

                        Great yellow leaves

                                falling on them

And the gardens full of

        stone philosophers

                oblivious

                        above it all

                having survived their own

            dying fall

As I release a singing bird

from under my hat

And join the rearest demonstration

against virtual reality

led by Umberto Eco I suppose

or a wit that looks like him

                waving a rose

 

--Lawrence Ferlighetti, "Italian Scenes"

*

 

--------

At 11.06 14/08/97 -0400,

Antoine Maloney <stratis@ODYSSEE.NET> wrote:

>This has often been referred to as "Occam's razor", the desire to shave away

>any excess conditions in an hypothesis or theory. Occam (Henry of ...?) as I

>recall was a contemporary of the monk-philosopher Francis Bacon, the central

>figure in "The Name of the Rose".

> 

>        Antoine

> 

>        ***************

> 

>>>Rinaldo, you are such a tease.  Somebody please translate?

>>> 

>>>Douglas

>> 

>>>>        ENTIA NON SUNT MULTIPLICANDA

>>>>        PRAETER NECESSITATEM...

>>>> 

>> 

>>please, excuse me, the translation is

>> 

>>        "IT IS VAIN TO DO WITH MORE

>>        WHAT CAN BE DONE WITH FEWER"

>> 

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

=========================================================================

Date:         Thu, 14 Aug 1997 12:42:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      in search of western lands

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Burroughs.

 

am beginning to gear up my search for his work.  Have been trying to lay

some groundwork for his arrival.  All the posts on this list regarding

his "western lands" and "letter to JK" have been wonderful.  absolutely

wonderful.  It's very unfortunate, therefore, that my local bookstore

doesn't carry these two items.  :-(

 

So......., in the meantime......., I've been trying to build an

impression, the connotations, the questions I would bring to these works

 ---->  Here's a snippet from Isidore Ducasse, Comte de Lautreamont that

sparked a few connections:

 

"Go on, keep marching straight ahead.  I condemn you to become a

wanderer.  I condemn you to remain alone, without a family.  Keep

walking, until your legs refuse to carry you any further.  Cross the

desert sands until the ending doom and the stars are swallowed up in

nothingness.  When you pass by the tiger's lair, he will run headlong

away, to keep from seeing, as in a mirror, his nature raised up on the

pedastal of ideal perversity."

 

(Les Chants de Maldoror, 1868)

[from _Surrealists & Surrealism_, p21]

 

=-=-=--=-=-=

 

and then mixed in, all these stories about tapes being played in cars

returning from the WSB memorial.  I wonder about the road kill, the

smelly remains of animals trying to cross the road.  Horrible sight, I

know.  Silly, inhumane to even mention it.  Too obsess over it, the

headlights faint glance, the possible swerve, and the possible, minute

bump in the road.  Perversity?  Alone, without family?  Desert sands?

Running away, mirrors, and pedastals of the ideal.  Ompholos.

 

and Carolyn Cassidy's comments about fools only learning from

themselves.  ??? This is empirical knowledge, yes?  "Doctor, heal they

self" and all that.  And being able to plumb your own depths/deaths,

well, who wants to advocate that?  But how about being unable to face

yourself, being unable to avoid others who have made similar "perverted"

paths?  I think being able to map out, within personal experience, via

biography or wisdom, that is a a a.  that is enough, I figure.  Chit

chat might have been useless, I don't know.  <<probably>>  But work, am

definately thinking about that.  and Death, death, death does work.

 

sorry for the meandering, the philosophical babbling.  [[and then

there's the WSB quote about death laying the seed for life...

 

Douglas

=========================================================================

Date:         Thu, 14 Aug 1997 15:14:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: in search of western lands

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Penn, Douglas, K wrote:

> 

> Burroughs.

> 

> am beginning to gear up my search for his work.  Have been trying to lay

> some groundwork for his arrival.  All the posts on this list regarding

> his "western lands" and "letter to JK" have been wonderful.  absolutely

> wonderful.  It's very unfortunate, therefore, that my local bookstore

> doesn't carry these two items.  :-(

> 

> So......., in the meantime......., I've been trying to build an

> impression, the connotations, the questions I would bring to these works

>  ---->  Here's a snippet from Isidore Ducasse, Comte de Lautreamont that

> sparked a few connections:

> 

> "Go on, keep marching straight ahead.  I condemn you to become a

> wanderer.  I condemn you to remain alone, without a family.  Keep

> walking, until your legs refuse to carry you any further.  Cross the

> desert sands until the ending doom and the stars are swallowed up in

> nothingness.  When you pass by the tiger's lair, he will run headlong

> away, to keep from seeing, as in a mirror, his nature raised up on the

> pedastal of ideal perversity."

> 

> (Les Chants de Maldoror, 1868)

> [from _Surrealists & Surrealism_, p21]

> 

> =-=-=--=-=-=

> 

> and then mixed in, all these stories about tapes being played in cars

> returning from the WSB memorial.  I wonder about the road kill, the

> smelly remains of animals trying to cross the road.  Horrible sight, I

> know.  Silly, inhumane to even mention it.  Too obsess over it, the

> headlights faint glance, the possible swerve, and the possible, minute

> bump in the road.  Perversity?  Alone, without family?  Desert sands?

> Running away, mirrors, and pedastals of the ideal.  Ompholos.

> 

> and Carolyn Cassidy's comments about fools only learning from

> themselves.  ??? This is empirical knowledge, yes?  "Doctor, heal they

> self" and all that.  And being able to plumb your own depths/deaths,

> well, who wants to advocate that?  But how about being unable to face

> yourself, being unable to avoid others who have made similar "perverted"

> paths?  I think being able to map out, within personal experience, via

> biography or wisdom, that is a a a.  that is enough, I figure.  Chit

> chat might have been useless, I don't know.  <<probably>>  But work, am

> definately thinking about that.  and Death, death, death does work.

> 

> sorry for the meandering, the philosophical babbling.  [[and then

> there's the WSB quote about death laying the seed for life...

> 

> Douglas

 

penguin paperback edition $12.95 us

isbn#0-14-009456-3

 

just to ease everybody's traumatized thoughts out there - rest assured

there were no roadkills from my legacy west from lawrence.  not even a

bug splotch.  but several birds successfully relieved themselves on my

little white automobile.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 14 Aug 1997 23:35:46 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Lewis Warsh as a translator of avant-garde chinese poetry

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

THIS IS NOT THE LAST

 

 

This is not the last

that's punished by language.

A new wooden house

is knocked down by a tree.

 

The prisoner

makes traps around himself.

If he's let out alive

he'll take the crimes with him.

 

He has no other shortcut.

A knife between life and death.

Light is cut open

and bent by the lonely sky.

 

The world is as painful as fate.

Words are shackles.

Once he's learned how to confess,

no one can ever defend him.

 

Translated by Wang Ping and Lewis Warsh

=========================================================================

Date:         Thu, 14 Aug 1997 17:01:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Connie Urgena <connieu@COMPUTIZE.COM>

Subject:      Re: spiritual glimpse (personal request)

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

>Subject:     spiritual glimpse (personal request)

>Sent:        8/14/97 11:58 AM

>Received:    8/14/97 12:07 PM

>From:        Shannon L. Stephens, shanstep@CS.ARIZONA.EDU

>Reply-To:    BEAT-L: Beat Generation List, BEAT-L@CUNYVM.CUNY.EDU

>To:          BEAT-L@CUNYVM.CUNY.EDU

> 

>There is the potential for this message to go non-beat.

>I'm discovering a spiritual apetite that was once squelched by

>overbearing guardians with questionable intentions...

> 

>I'm now ready to re-investigate this side of experience and was wondering

>if any listers would point me in the direction of beat or non-beat

>spiritual script... My definition of "spirituality" is

>limitless...perhaps you would be willing to share what you have found

>meaningful...

> 

>I'd appreciate starting my search with some input from the list.

> 

>Thanks...

>feel free to backchannel if this isn't Listworthy... although I would

>enjoy seeing a beat spirituality thread start on this list....

> 

>-shannon (in Tucson, where the heat has somehow prompted my search for

>god...)

 

You might want to think twice about searching for god ...

 

"... the very nature and essence of every religious system is the

impoverishment, enslavement, and

annihilation of humanity for the benefit of divinity.

 

"God being everything, the real world and man are nothing. God being

truth, justice, goodness, beauty,

power, and life, man is falsehood, iniquity, evil, ugliness, impotence,

and death. God being master, man is

the slave. Incapable of finding justice, truth, and eternal life by his

own effort, he can attain them only

through a divine revelation. But whoever says revelation says revealers,

messiahs, prophets, priests, and

legislators inspired by God himself; and these, once recognized as the

representatives of divinity on earth,

as the holy instructors of humanity, chosen by God himself to direct it

in the path of salvation, necessarily

exercise absolute power."

 

--Michael Bakunin, God and State

  complete text at

 

http://www.pitzer.edu/~dward/Anarchist_Archives/bakunin/godandstate/godands

tate_ch1.html

 

Granted, this a pretty hard line view, but upon careful study, it makes

sense.

 

Although you may get a lot of advice from the list, you will ultimately

find the answers within yourself. Douglas offered some very good advice

about reading more biographies. Take a close look at the people you

respect ... what do they value and why? I have recently been working on a

WSB memorial diptych and it has really given me perspective on who I am.

Creativity, brilliance, nerve, individuality ... these are the things I

value and admire, and they are the paths on which I travel.

 

Connie Urgena

connieu@computize.com

 

Web Development, Computize, Inc.

1030 Wirt Road * Suite 400 * Houston TX 77055

713.957.0057 x213 * 713.613.4812 fax

 

http://www.computize.com/

=========================================================================

Date:         Thu, 14 Aug 1997 18:25:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Double posts

 

Bill:

I tried doing this by backchanneling to you directly but the post came back.

 

We are suddenly get all messages in duplicate.  What can be done? Do we

suddenly have two subscriptions? Please help. There is enough mail without

getting two of everything.

Thanks

Pam

=========================================================================

Date:         Thu, 14 Aug 1997 07:15:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: spiritual glimpse (personal request)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Connie Urgena wrote:

> 

> You might want to think twice about searching for god ...

> 

> "... the very nature and essence of every religious system is the

> impoverishment, enslavement, and

> annihilation of humanity for the benefit of divinity.

> 

> "God being everything, the real world and man are nothing. God being

> truth, justice, goodness, beauty,

> power, and life, man is falsehood, iniquity, evil, ugliness, impotence,

> and death. God being master, man is

> the slave. Incapable of finding justice, truth, and eternal life by his

> own effort, he can attain them only

> through a divine revelation. But whoever says revelation says

> revealers,

> messiahs, prophets, priests, and

> legislators inspired by God himself; and these, once recognized as the

> representatives of divinity on earth,

> as the holy instructors of humanity, chosen by God himself to direct it

> in the path of salvation, necessarily

> exercise absolute power."

> 

> --Michael Bakunin, God and State

>   complete text at

> http://www.pitzer.edu/~dward/Anarchist_Archives/bakunin/godandstate/godan> ds

> tate_ch1.html

> 

> Granted, this a pretty hard line view, but upon careful study, it makes

> sense.

 

It makes sense only if your view of God is limited to that of religious

doctrine. I think that all the big three beat writers believed in God,

though not the God of the Bible, although Kerouac certainly carried

around guilt from early Catholicism.  Most of his writing is, in fact, a

spiritual quest.  I think that if you follow the spiritual theme in beat

literature, you are more likely to find a definition of God as an eternal

oneness in all things, even in man.  In Burroughs even God was more seen

as an originator of things, even if the pre-record universe needed

shaking up a bit. Ginsberg would probably say that if God is truth,

justice, goodness, beauty, and life, then God is in you and in all

things, hence his thought that everything is holy. The text you quoted

seems to put man in the Christian context of needing salvation, of God as

an absolute power.  Maybe God means more an absolute freedom, Burroughs'

universe without order, the ability to see eternity in all things here

and now.  Others can disagree but I think the beats tended to look within

for spiritual glimpses as opposed to looking outward to a church-based

definition.

DC

DC

=========================================================================

Date:         Thu, 14 Aug 1997 17:09:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Sign-off

Comments: To: Sherri <love_singing@msn.com>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

 so now -

- you're back.

 

gotta get off sherri

clean the disaster

have to pack and pad

the baby line

 

it isn't a ciao ,

when i get most...

rofl

 

Douglas

 

 

 

>----------

>From:  Sherri[SMTP:love_singing@msn.com]

>Sent:  Thursday, August 14, 1997 4:57 PM

>To:    Penn, Douglas, K

>Subject:       RE: Sign-off

> 

>rofl Douglas - you're the most... gotta get offline now - have to pack and

>clean the pad so it isn't a disaster when i get back.

> 

>ciao baby,

>sherri

> 

=========================================================================

Date:         Thu, 14 Aug 1997 23:54:27 UT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@MSN.COM>

Subject:      Bye Bye

Comments: To: Stef <Ad_Libitum@msn.com>, HJW II <ArchibaldLeach@msn.com>,

          Stuart Crosby <BRAVES10@msn.com>, Ron Vassel <BlizzardKing@msn.com>,

          Michael Riddle <CENTERLINEDESIGN@msn.com>,

          Cari Who ELSE???? <CittiGirl@msn.com>,

          CURTIS SHIPE <DONDIMARIAN@msn.com>, db <Dee-Bee@msn.com>,

          Don G <FarmCityboy@msn.com>, Homebrook <Homebrook@msn.com>,

          Jason Tinling <JTinlng@msn.com>, Kevin Mathers <KEVMATH@msn.com>,

          Kel Rayner <Manatbar@msn.com>,

          the little people <MarmaladeSkies@msn.com>,

          Kent <NoixDeGolf@msn.com>, Jim B <PBRUEGEL@msn.com>,

          Ask and I might tell you <Peaceful-Warrior2@msn.com>,

          R <ROcean@msn.com>, Blair <Reepoo@msn.com>,

          James Sims <SimbaJim@msn.com>, Sharon <SopAndBass@msn.com>,

          Tom Gummo <TGUMMO@msn.com>, tim/reba <the_saluki_experience@msn.com>,

          Life is a sick joke and I'm the punchline <The_Boogey_Man@msn.com>,

          rico <UNIR1@msn.com>, Mark <Vox_Amicus@msn.com>,

          "e.e. cummings" <What-is_death@msn.com>,

          Tanya Ceccatto <_AngelBaby@msn.com>, Michael <_Prometheus1@msn.com>,

          S Johnson <doc11@msn.com>, Drew Eskenazi <drewesk@msn.com>,

          Robert Lear <king_lear1@msn.com>, x <king_lear1@msn.com>,

          PAUL KOLJESKI <koljeski@msn.com>,

          Silver Surfer <mad-chatter@msn.com>, david simoni <oak123@msn.com>,

          Kash Philips <philkash@msn.com>, Rico Mariani <ricom_ms@msn.com>,

          Robert Eback <rleback@msn.com>, Stephen Baldwin <sabaldwin@msn.com>,

          anniepoo <annh@ccrtc.com>, Doug Penn <dkpenn@oees.com>,

          BigDaddyRico <Engelsguy@aol.com>, Joe Locey <JoePlaceb0@aol.com>,

          Don Green <NYCDBG@aol.com>,

          "S. Coart Johnson" <scoart@mindspring.com>, cj <sjohn111@aol.com>,

          CVEditions@aol.com, Kent Smedley <Kent.Smedley@clorox.com>,

          Arthur Nusbaum <SSASN@aol.com>,

          THEBODYIS1@aol.com, runner711 <babu@electriciti.com>,

          "R. Bentz Kirby" <bocelts@scsn.net>,

          Marie Countryman <country@SOVER.NET>,

          Diane Carter <dcarter@together.net>, jo grant <jgrant@BOOKZEN.COM>,

          Patricia Elliott <pelliott@sunflower.com>,

          RACE --- <race@MIDUSA.NET>, James Stauffer <stauffer@pacbell.net>

 

well, all you darlings, i'm off on my dream trip of a lifetime.  off to

Scotland and England for 2 weeks...  those of you for whom i have addresses, i

will try to send postcards, but please forgive me if i miss you, i've tried to

make sure they're in my address book - but as usual, i'm way short of time...

 

anyway, hope you all spend these last two weeks of the glorious summer

thoroughly enjoying yourselves and i'll see you online in a couple of weeks.

 

Diane - please continue to send me the "Ulysses" posts.  i'm taking it with me

to read, so should keep up with the group...  i'll have access to the internet

in some form at least during the major portion of my trip and if i'm inclined

and have any interesting thoughts will post while on the road.

 

ready to take the high road...

 

hugs & kisses to you all,

sherri

=========================================================================

Date:         Thu, 14 Aug 1997 19:12:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <boondock@POBOX.COM>

Subject:      Burroughs Obit in Atlanta Creative Loafing

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

http://www.creativeloafing.com/newsstand/current/v_bill.htm

=========================================================================

Date:         Thu, 14 Aug 1997 20:11:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Kerouac Festival Schedule

Comments: To: bfoye@aol.com, jsaint@tiac.net, tongues@tiac.net,

          holladay@woods.uml.edu, fisher@program.com,

          milton1@cliffy.polaraoid.com, wakonda@aol.tiac.net,

          schorr@world.std.com, whalec@boat.bt.co.uk,

          danbarth@mail.yokayo.uusd.k12.ca.us, cusimano@fas.harvard.edu,

          valcomb@aol.com, goslow@phx.com, wxgbc@cunyvm.cuny.edu,

          brooklyn@netcom.com, jhanson@penguin.com, hpark2@aol.com,

          karmacoupe@aol.com, mhemenway@s1.drc.com, kalron@ix.netcom.com,

          BeatRyder@aol.com, dave@scryber.com, radiofreeal@delphi.com,

          news@globe.com, 100120.361@compuserve.com, iht@eurokom.ie,

          nandq@guardian.co.uk, ciweekly@mailnfs0.tiac.net, arts@globe.com,

          mnews@world.std.com, norbull@aol.com, 73174.3344@compuserve.com,

          sfexaminer@aol.com, nlnews@ozarks.sgcl.lib.mo.us, greenwre@apn.com,

          brandx@winnipeg.cbc.ca, bnw@babylon.montreal.qc.ca,

          the_future@tvo.org, iac@bbc-ibar.demon.co.uk, lateshow@pipeline.com,

          foxnet@delphi.com, etv@unlinfo.unl.edu, nightly@nbc.ge.com,

          wesun@clark.net, radio@ohiou.edu, wcvb@aol.com,

          74201.2255@compuserve.com, wmbr-press@media.mit.edu, klmcomm@aol.com,

          general@the-tec.mit.edu, wmbr-press@media.mit.edu, wmfo@tufts.edu,

          allie.cat@genie.com, DawnDr@aol.com, kh14586@acs.appstate.edu,

          skolowra@rykodisc.mhub.com, clv100u@m.BITNET,

          ozart.fpa.odu.edu@mailnfs0.tiac.net, madhatter20@juno.com,

          poetrypiza@aol.com, carter@mvlc.lib.ma.us, myhorseisdead@hotmail.com,

          kathleen_fitzgerald@dbna.com, bookem@pacific.net

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

From:  Mark Hemenway[SMTP:mhemenway@igc.apc.org]

 

10th Annual Lowell Celebrates Kerouac! Festival 2-5 October 1997

Lowell, MA Jack Kerouac Celebrates Lowell

 

THURSDAY 2 OCTOBER

Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry

9:00AM-11:00AM

Lowell High School Poetry Competition for High School Students-

for Information call 508-452-7966

 

Downtown Kerouac Places- Walking Tour

4:30-6:00 PM

Roger Brunelle leads a walking tour of  Kerouac's downtown. Begins

at Middlesex Community College, ends at the Pollard Memorial

Library.

 

Images of  Kerouac '97- Reception and Photography Exhibition

6:00PM- 8:00PM

Whistler House Museum of Art,  243 Worthen Street Open exhibition

of photography inspired by Jack Kerouac or the Beats. Entries

welcome. Deadline 12 September. Co-sponsored by the Whistler House

Museum of Art, 508-452-7641.

 

Jack Kerouac Literary Prize Award

7:00PM

Whistler House Museum of Art, 243 Worthen Street Presentation of

the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored

by The Estate of Jack and Stella Kerouac, Lowell Celebrates

Kerouac!, Inc. and  Middlesex Community College.

 

Dr Sax Nights- Walking Tours

8:00PM-10:00PM

Roger Brunelle leads a walking tour of Kerouac's Pawtucketville.

Tour begins at MacDonald's Mammoth Rd, ends at  the Spaulding

House,  Pawtucket Blvd. for discussion. Rain or shine.

 

Friends and Music

10:00PM-12:00PM

Greek Band, Greek food and Lowell Poets. The Athenian Corner

Restaurant, 207 Market Street.

 

FRIDAY 3 OCTOBER

3rd Annual Beat Literature Symposium

8:00AM-5:00PM

O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00

Noon - Presentation of Papers 2:00PM - Keynote Presentation by Ann

Douglas, Columbia University 3:00PM-5:00 - Panel discussions

Leading scholars present original research on beat authors,

writing techniques and cultural phenomena. No charge.  For

information and pre-registration, call 508-934-2446. Sponsored by

the English Department and the Department of Continuing Education,

UMASS-Lowell.

 

Mystic Jack- Walking Tour

5:00PM-6:00PM

Begins and ends at St. Louis Church, Centralville. Tour by Roger

Brunelle.

 

Memorial Mass for Jack and Stella Kerouac

6:00PM-7:00PM

St. Louis de France Church, Centralville

 

Listen to the Beat- Readings

8:00PM-10:00PM

The Parkway Cafe,  350 Market Street Poets Vincent Ferrini,

Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith.

Singer song-writer,  Bob Martin present and evening of performance

poetry and music.  Suggested donation $3.00.

 

Friends Music and Lowell Poets

10:00PM-12:00PM

Park Way Cafe

 

SATURDAY 4 OCTOBER

Nashua - Bus Tour

RESERVATIONS REQUIRED

9:00AM-1:00PM

9:00AM- Depart from Lowell Barnes and Noble. Reservations can be

made in person, or call 508-458-3939.  9:30AM- Depart Nashua, NH

Barnes and Noble. NH. For reservations, call Laura Eanes at

603-897-0777.  A bus tour of Kerouac places in Nashua, NH.

 

Small Press Book Fair

10:00AM-4:00PM

Memorial Hall, Pollard Library A sampling of local presses and

Kerouac material. Co-sponsored by the Pollard Memorial Library and

Friends of the Library.

 

Commemorative at the Commemorative- Honoring Jack Kerouac and

Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge

and French Streets

 

Strictly Kerouac- Dance

12:30-1:00 PM

The Courtyard at the Market Street Visitor's Center, Lowell

National Historical Park Jan Zwadney and a Feast of Friends

interprets Kerouac in dance, music and word.

 

Allen Ginsberg and Friends: A Photographic Remembrance

1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center

Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred

McDarrah. Exhibition open from September 25 - November 16th.

 

Gallery Talk- Gordon Ball

1:30PM Brush Art Gallery, Market Street Visitor Center

Photographer and Ginsberg editor, Gordon Ball talks about

photographing Allen Ginsberg.

 

Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot

Street

 

Anne Waldman and Friends- A Tribute to Allen Ginsberg

8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-

Admission- $7.00 Anne Waldman, renowned poet, performer, and

editor leads a tribute to the Dharma Lion. James Cameron on

saxophone.

 

Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs

Cafe, Merrimack Street

 

SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM

RESERVATIONS REQUIRED Departs from  Middlesex Community College,

Merrimack Street Bus tour of Kerouac's Lowell. Call 508-452-7966

for reservations. Please give name, phone number and number of

places reserved.  Words and Music- Open Mic

1:00PM-3:00PM The Coffee Mill, Palmer Street.

 

Lowell Celebrates Kerouac!, Inc. is a non-profit corporation

dedicated to the celebration, enjoyment and study of Jack Kerouac

and his writings. Whenever possible, events are free, however,

donations are gratefully accepted for continued support of the

annual Lowell Celebrates Kerouac! Festival.. To make a donation,

or to find out more about Lowell Celebrates Kerouac!, Inc., write:

P.O. Box 1111, Lowell, MA 01853.

 

Before he died at age 47, Jack Kerouac published 24 books

chronicling the lives and adventures of the post war generation in

America. The raw energy and beauty of his prose established a new

standard in American literature. Jack Kerouac was born, raised and

remained a native of Lowell throughout his life. 5 of his novels

take place in Lowell, and the city is mentioned in virtually every

one of his books. His descriptions of Lowell are remarkable for

their beauty, power and timelessness. Through them, millions of

readers have come to know Lowell as a universal hometown.

=========================================================================

Date:         Thu, 14 Aug 1997 18:33:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      The sword-stick of truth and justice...

Comments: cc: Gerald Houghton <houghtong@globalnet.co.uk>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

More from G. Houghton

regarding WSB

anybody out there feel like doing a little typin/scannin??

 

Douglas

 

 

<< start of forwarded material >>

 

 

Date: Thu, 14 Aug 1997 23:35:46 +0100

To: runner <babu@electriciti.com>

From: houghtong@globalnet.co.uk (Gerald Houghton)

Subject: The sword-stick of truth and justice...

 

'New Musical Express' ran a double-page obit for WSB yesterday,

concentrating in particular on his connections with music. And a very fine

piece it was, not least because it made the point about him being funny that

so many have missed. It was topped out by a surprisingly good interview with

Bono of U2 about meeting/working with the man.

 

Nice pictures too.

 

And Tower Records book dept in London ran an ad in 'Time Out' magazine

saying farewell to the man. Didn't even say "come and buy all his books

posthumously" either. Wonders never cease.

 

This Saturday night (16th), BBC2 television in the UK are repeating their 90

minute 'Arena' special about WSB as a tribute.

 

 

 

Gerald Houghton

e-mail: houghtong@globalnet.co.uk

The Edge magazine homepage:

http://www.users.globalnet.co.uk/~houghtong/edge1.htm

 

 

<< end of forwarded material >>

 

 

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Thu, 14 Aug 1997 18:41:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Burroughs Obit in Atlanta Creative Loafing

In-Reply-To:  <3.0.32.19970814191222.00a12c28@ellijay.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 4:12 PM -0700 8/14/97, Judith Campbell wrote:

 

 

> http://www.creativeloafing.com/newsstand/current/v_bill.htm

 

this WSB synopsis is a real send up.  Slams Burroughs for just about

everything except for humor and a good reading voice.  Oh, and Naked Lunch.

Author liked that one, the rest are shit apparently.  Will gladly post or

forward as needed.

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Thu, 14 Aug 1997 23:01:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: PLEASE MR. JOHNSON

Comments: To: love_singing@msn.com, jwhite333@sprintmail.com, jamesstauffer

          <stauffer@pacbell.net>

 

Gots to get some nice mail to you i worked on today. still on trip. dance

till 2-4 in the a.m to Luthur Allison, Elmore James and Big Joe Turner. Over

and over again baby, that old and backporch slide once in a while a good

blues sob with 'em good  then put on my old lps to send messages. Chet Baker

singing old junk gone saddle oxfords and 48 ford conv. juck seater girl

heartbreack and now its more heart to break. and  put on James Carr's "At the

Dark End of the Street" and some funk great earl hooker. even some george

jones oldies. that's really booze bawlin'

 

But every night. I wear those cd's out..can't stop...plus my baby's gone. the

one who drove me to Kansas and my other, Sherri, has hopped that plane and

gone.

Please Mr. Johnson....don't play the blues soo sad.

Spark the spirit

luv

cp

=========================================================================

Date:         Thu, 14 Aug 1997 23:41:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Lowell Kerouac organizers

 

I have ended this kind of crap! It went out with greasy funded french fries.

Who wants to see Kerouac's Lowell in that kind of crowd, anyway?

C. Plymell

=========================================================================

Date:         Thu, 14 Aug 1997 23:58:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Please Mr. Johnson

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Well, Charles, a wise sage named Jimi Hendrix once said:

 

"loneliness is such a drag"

 

"Well the morining is dead,

And the day is too"

 

but i say,

 

when you wake up in the moring,

and there ain't nothing you can do,

you know you got

dem Robert Johnson, dead shrimps, no ride, pass me by, on the riverside,

lien on my body, mortgage on my soul, hellhound on my trail, hot tamale,

chocolate malt, rosedale, no body seemed to know me, beatl blues!!!

 

Our thoughts and/or prayers are with you beatl blues buddy Richard.

Wish I could be there for that bag pipe jam.  Not to mention the old

band shell.  Should I bring my SG, or the Yamaha acoustic?

 

Peace to WSB, peace to Luther, and peace to all of us.

 

Think maybe Neal and Jack are diggin on Jimi, Luther and Train wailing

throughout the universe.  I figure Bill is just taking it all in.  I

guess they might let Miles sit in, eh?

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 02:41:26 +0000

Reply-To:     letabor@cruzio.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <letabor@mail.cruzio.com>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      The Suedeutsche Zeitung obit in English, close, not perfect tran

 

From:                 Self <Leon>

To:                     BEAT-L@CNYVM>CNY>EDU

Subject:           The Second German obit approximately translated

Send reply to:    letabor@cruzio.com

Date sent:            Fri, 15 Aug 1997 02:15:15

 

 What a hatchet  job! Note the title "Bill the Ripper". Her

 Winkler

says that Burroughs was a crazy man, or maybe

just an american.  Here comes another pseudo translation. Glad

to oblige Fred. Receiving thanks from Bill Gargan alone made it

worth doing. I am serious, Bill.

 

BTW some of you Beat Heads will be interested that the Cassady

home on Bancroft in Los Gatos,  ( I also lived there with them

in 62 and 63),  the house that Neil bought with the Railroad

accident money, was demolished today. Unfortunately John learned

about it only yesterday. It might have been another wake

occasion for us around here. Here is the Sueddeutsche Zeitung:

 

 

Bill The Ripper

 

At the death of America's prop holyman (?)

William S. Burroughs

 

Dear children, please do not imitate! According to eyewitness

reports it was only a party game. But while in the bowl proved

to be peyote and marijuana, Burroughs planted an apple upon the

head of his wife, played William Tell and shot. The appel

survived the play but Joan Vollmer was dead on the spot. Halfway

sensible people would now leave alone the fixing and the kief

and never again touch a weapon, but William Burroughs blew

himself up (?) further, what could be gotten with psychedelics.

In the introduction to Naked lunch (1959) he spoke of an

addiction that lasted 45 years; whoever visited him in the last

years had to first of all shoot tin cans. The man was plain to

see crazy.

 

Or American. Here he stood in 1990 on the stage of the Thalia

theater in Hamburg near Robert Wilson and Lou Reed, desperate in

his bookkeeper suit, a  shrieveled grandfather, wrinkled and

scraggy to the smallest knuckle, no longer from this world, but

paced in his bodily shape (?), a funny pillar (?) of the

avantgarde, who  had survived everything. His Musical Black

Rider was performed, a free defense (?) story - and again a

deadly bullet from love.

 

William Seward Burroughs, born 1914 in St. Louis as a son of

manufacturers, was really born for better things. Like his

landsman T. S. Elliot a quarter century before he went to

Harvard to study, then to Europe, but during that time he turned

around and made his enmity with the nightmare  America. He

presented himself one nice day to the FBI and wanted to become a

secret agent. They sensibly turned him away. In response

(substitution) he became addicted to drugs and lived alone in

permanent fear of the police. One like Burroughs was born for

the great American Paranoia.

 

With the obstinance of his ancestors - these money earners and

strict moralist pillars of the community -, with the same

obstinacy Burroughs sought out every mania of this earthy (?)

world , lounged around in Tangiers, where he didn't tolerate the

sun, wrote even though he didn't know how and from what he would

make a living, he wrote in an intoxicated fit, like a maniac.

 

They are pretty hard to read, his books, cut up, he broke up his

texts into pieces until they were totally incomprehensible.

Repeatedly gathered anew  and scattered again right away. But

did so much insanity need  any method altogether? It should be

"pure meat", wrote to him his friend Alen Ginsberg in the book

"without symbolic sause". Woe to anyone who sees symbols in his

thousand-feeted, half animals and three quarter monsters!

Everything flesh from America's flesh, the plain truth, as

Burroughs saw it in madness. "I am", he assures, " I am only a

recording tool."

 

Roland Barthes harped extensively over the zero point (freezing

point?), where  literature in 1960 ostensibly found itself,  but

Burroughs didn't just describe that point, instead he pricked it

all the time, undertook constantly new experiments, he tore up

himself and his texts. The writer in his best quality as

slasher, withdrawal (drug addiction) treatments were then

necessary, one time by Dr. Wilhelm Reich, then by L. Ron

Hubbard, but neither the orgon machine nor the scientology

helped. And so he found himself after two wifes and one son

back at the pleasures of youth, to the memory of the first

stolen grips in strangers'  undewrwear.  Against so much life

the work does not hold up, for the one reason alone, because

after the early books it became method. But from Velvet

Underground because of Patti Smith until Kurt Cobain they

followed him - and wasn't he holy (a saint?)

 

In New York he entrenched himself in his small room in the

Bowery, four-fold bolted to protect himself from the tramps and

junkies outside, who could possibly overpower the old infirm

man, while he inside surrounded by swords, revolvers and porno

notebooks, painted how it was, to be overtaken by these wild

fellows.

 

In the end he returned to the middle west, to his xenophobes,to

the god fearing fellow citizens, fanatic like them and no less

paranoid. They knew precisely that the communists (alternatively

the jews, the catholics) poisoned the drinking water, or that

the CIA bred the aids virus in order to mess up all of humanity.

Burroughs collected all these stories and weighed them in his

heart. Then he shot again at his tin cans.

 

But please, dear children, not to immitate at home! Saturday

the good american William S. Burroughs, in Lawrence (Kansas),

at  the age of 83 years, died.

 

 

Willi Winkler

 

 

leon

Leon Tabory

=========================================================================

Date:         Fri, 15 Aug 1997 05:43:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Please Mr. Johnson

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Well, Charles, a wise sage named Jimi Hendrix once said:

> 

> "loneliness is such a drag"

> 

> "Well the morining is dead,

> And the day is too"

> 

> but i say,

> 

> when you wake up in the moring,

> and there ain't nothing you can do,

> you know you got

> dem Robert Johnson, dead shrimps, no ride, pass me by, on the riverside,

> lien on my body, mortgage on my soul, hellhound on my trail, hot tamale,

> chocolate malt, rosedale, no body seemed to know me, beatl blues!!!

> 

> Our thoughts and/or prayers are with you beatl blues buddy Richard.

> Wish I could be there for that bag pipe jam.  Not to mention the old

> band shell.  Should I bring my SG, or the Yamaha acoustic?

> 

> Peace to WSB, peace to Luther, and peace to all of us.

> 

> Think maybe Neal and Jack are diggin on Jimi, Luther and Train wailing

> throughout the universe.  I figure Bill is just taking it all in.  I

> guess they might let Miles sit in, eh?

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

lets not forget the "i followed her to the station with suitcase in my

hand - love in vain" blues . . .

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 15 Aug 1997 09:52:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      New!!!! The Kerouac Quarterly Web Page

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Well. . .back from a trip to the Long Island Vineyards I have finally

finished the second Kerouac Quarterly and a brand new web page. This page

will highlight the latest goings-on in the Kerouac world . . .things to look

for in the future. Book reviews on Some of the Dharma, latest publishing

ventures, and whatever pops up in the future. If anyone has any news please

let us know here at the quarterly for all to see. Also, details about our

second issue. . .50 pp. in all. The Kerouac Quarterly can be visited at:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

Thanks, and bookmark the page! I will try to keep this as updated as possible.

Paul of TKQ. . .

=========================================================================

Date:         Fri, 15 Aug 1997 08:27:30 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      WSB Journals

Comments: cc: dan@pint.com

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it's always reassuring to know

that if I want the latest WSB info

I only need be subscribed to the

patti smith list

 

props to Dan Whitworth for da post

-Douglas

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-

 

From: Dan Whitworth <dan@pint.com>

Date: Thu, 14 Aug 1997 13:59:05 -0700 (PDT)

Subject: WSB journals

 

The current New Yorker (Aug. 18 issue) features 2 pages of excerpts from

William Burrough's journals -- various entries from this spring up to August

1, the day of his heart attack. (And no, it doesn't suddenly trail off at

the end...) Plus Mapplethorpe's portrait of WSB in profile, eyes closed,

hands grasped (from mid or  late '80s).

 

Now we wait for the inevitable Rolling Stone tribute, I suppose.

 

Later,

Dan W

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Fri, 15 Aug 1997 08:31:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Please Mr. Johnson

In-Reply-To:  <33F432D1.58FF@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 3:43 AM -0700 8/15/97, RACE --- wrote:

 

 

> R. Bentz Kirby wrote:

> >

> > Well, Charles, a wise sage named Jimi Hendrix once said:

> >

> > "loneliness is such a drag"

 

<snip>

 

> lets not forget the "i followed her to the station with suitcase in my

> hand - love in vain" blues . . .

 

 

yeah, and how about the

"waiting by the telephone, toothpaste in my mouth blues

she ain't ever gonna call, might as well rinse blues

might as well shave, might as well shower

come on momma, give us a call blues

 

 

 

 

anybody interested in doing a tape swap??  David?

 

> 

> david rhaesa

> salina, Kansas

 

Douglas  [[headed to Lala tonight, to see my gal

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Fri, 15 Aug 1997 11:45:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Theory about Burroughs death

In-Reply-To:  <l03020900b01a25534c32@[208.193.147.146]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Heard an interesting theory about Burroughs death.  Specifically, it has

been theorized that he lost his will to live, because the great love of

his life (at least in his mind) was Allen Ginsberg and Allen died a few

months earlier.  And so he lost the will to live.

 

If you ever read Burroughs "Selected Letters", most of it was

correspondence between Burroughs and Ginsberg, and it is plainly clear

that Burroughs was obsessed with Ginsberg.  Living in exile in Tangiers

in the 50's, Burroughs was lonely and isolated and fell in love with

Allen through a long correspondence.  He returned to the states and was

intending to go live in San Francisco and start a life with Allen, when

Allen finally made it clear that he was *not* in love him.  Apparently,

through the years, Allen had to deal at various times with Burroughs

obsession over him.

 

Anyway its not inconceivable, given the timing of both men's deaths,that

in some way, Burroughs was still in love with Allen at the timeof his

death.  That he felt such a strong connection with Allen, that when Allen

died, there was an emptiness he couldnt deal with and he was finally

ready to die himself.

 

Perhaps, inside that cynical old body, was the heart of a hopeless

romantic who never stopped longing for the love he could never have.

 

 

RJW

=========================================================================

Date:         Fri, 15 Aug 1997 12:04:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Page updated !!!!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The Kerouac Quarterly Page has been updated to include details on the sale

of Edie Kerouac Parker's personal Beat library from her estate.

 

Have a ball y'all!!!!

 

Bookmark to:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Fri, 15 Aug 1997 11:49:58 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Theory about Burroughs death

In-Reply-To:  Message of Fri, 15 Aug 1997 11:45:11 -0400 from

              <rwallner@CAPACCESS.ORG>

 

It's real romantic but I don't think it's true.

=========================================================================

Date:         Fri, 15 Aug 1997 10:53:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Please Mr. Johnson

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner wrote:

> 

> At 3:43 AM -0700 8/15/97, RACE --- wrote:

> 

> > R. Bentz Kirby wrote:

> > >

> > > Well, Charles, a wise sage named Jimi Hendrix once said:

> > >

> > > "loneliness is such a drag"

> 

> <snip>

> 

> > lets not forget the "i followed her to the station with suitcase in my

> > hand - love in vain" blues . . .

> 

> yeah, and how about the

> "waiting by the telephone, toothpaste in my mouth blues

> she ain't ever gonna call, might as well rinse blues

> might as well shave, might as well shower

> come on momma, give us a call blues

> 

> anybody interested in doing a tape swap??  David?

> 

> >

> > david rhaesa

> > salina, Kansas

> 

> Douglas  [[headed to Lala tonight, to see my gal

> 

> http://www.electriciti.com/babu/        |   0   |

> step aside, and let the man go thru     |  { -  |

>         ---->  let the man go thru      |  /\   |

> super bon-bon (soul coughing)           =========

 

i was talking another robert johnson song.  tape swaps???  hmm.  i don't

have dual cassette technology.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 15 Aug 1997 11:03:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Theory about Burroughs death

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Bill Gargan wrote:

> 

> It's real romantic but I don't think it's true.

 

More likely that Fletch's death Affected him.  i believe that some

research suggests more than merely a romantic connection of pets to

health.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 15 Aug 1997 10:07:09 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      patti smith list name, etc

In-Reply-To:  <BEAT-L%1997081511505586@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hey yall

i was wondering if anyone out there might be able to send me some info on

how to subscribe to the patti smith list that i read so much about in

these parts. sounds like something i should check out & if anyone out

there can help i would really appreciate it. (then again i already receive

enuf mail to keep me busy, ah well)

yrs

derek

=========================================================================

Date:         Fri, 15 Aug 1997 09:22:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: patti smith list name, etc

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

ha, my fiendish plan has worked...  ;-)

but of course, I don't have the subscription info here at work

but if you head over to:

 

        http://www.oceanstar.com/patti/

 

you should find all you need to know

(check under mailing list, I believe)

there's also a site-specific search engine

and while I haven't done this yet,

one should be able to conduct beat-specific

searches, Douglas

 

>----------

>From:  Derek A. Beaulieu[SMTP:dabeauli@FREENET.CALGARY.AB.CA]

>Sent:  Friday, August 15, 1997 9:07 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       patti smith list name, etc

> 

>hey yall

>i was wondering if anyone out there might be able to send me some info on

>how to subscribe to the patti smith list that i read so much about in

>these parts. sounds like something i should check out & if anyone out

>there can help i would really appreciate it. (then again i already receive

>enuf mail to keep me busy, ah well)

>yrs

>derek

> 

=========================================================================

Date:         Fri, 15 Aug 1997 01:08:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Theory about Burroughs death

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> More likely that Fletch's death Affected him.  i believe that some

> research suggests more than merely a romantic connection of pets to

> health.

> 

> david rhaesa

> salina, Kansas

 

You know I thought the same exact thing when I heard Fletch had died a

couple of weeks before.

DC

=========================================================================

Date:         Fri, 15 Aug 1997 10:14:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Theory about Burroughs death

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

there's more mystery than we thought

deep caverns of pets and animals

sucking silently

oh deep tendrils, mmm sweet chastity

pent-up frustrations

harbor dwells

 

how many nights would I have died

without my loyal pets

<ahem> by my side?

 

 

 

I know my grandmother, when granddad died, lost her will to live.  "No

more salt," we'd say.  "No more coffee," we'd say.  "Take your vitamins,

do your exercises," we'd say.  And then that look in her eyes.  She

wanted to die.  Oh, I know that look.  A succinct haiku that said fuck

you, I'm dyin.

 

We all cried.  Who can say if this happened to WSB?  I know I tried to

say that I loved her.  That I'd be there for her.  She didn't listen.

She died.  Grandma, I miss you...

 

Douglas

 

>----------

>From:  Diane Carter[SMTP:dcarter@TOGETHER.NET]

>Sent:  Friday, August 15, 1997 1:08 AM

>To:    BEAT-L@CUNYVM.CUNY.EDU

>Subject:       Re: Theory about Burroughs death

> 

>RACE --- wrote:

>> 

>> More likely that Fletch's death Affected him.  i believe that some

>> research suggests more than merely a romantic connection of pets to

>> health.

>> 

>> david rhaesa

>> salina, Kansas

> 

>You know I thought the same exact thing when I heard Fletch had died a

>couple of weeks before.

>DC

> 

=========================================================================

Date:         Fri, 15 Aug 1997 11:08:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU>

Subject:      Searching

In-Reply-To:  <33F31314.2157@together.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

My thanks to all who have taken the time to give me a little info as I

start an investigation that I hope continues for a very long time.

 

Many of you have taken a minute to share things that you have been drawn

to. That is exactly what I was looking for. Diane's post re: the

spiritual "motivations" of the beats is primarily why I shared my

question with the list.

 

My search for inhanced spirituality (and isn't it a shame that words do

very little to elaborate on what that may mean) is not limited to my

finding a "religion" in which to drown my sense of self. I have already

been exposed to that and in fact, that type of education in early life

separated me from any spiritual pursuits thus far.

 

I don't like using terms that seem to over define what I'm doing. I have

reached a point where I want to feel more alive... different levels. I've

had musical suggestions as well as text. All of things make up the

components of what I believe to be a full sensual life. Hell, if someone

suggested a great restaurant I'd give that a thought too. Nobody can

place someone's hand in the grasp of "god", but people on this list have

a knack for openness which I believe to be first and foremost the most

important aspect of spirituality. It's a search, a process. Thanks again

to those of you with the heart to share the two cents.

 

My question helped me to devour a bunch of pages of on the road last

night. Maybe I am becomming more open as well.

 

-shannon (nights thick with rain and electricity, temperatures going

down, expectations for a desert colorless yet joyful fall ahead...)

=========================================================================

Date:         Fri, 15 Aug 1997 14:22:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FIRST_Rebecca LAST_ Last <Becca91894@AOL.COM>

Subject:      see ya later

 

i hope i'm doing this right.

 

unsubcribe beat-L__rebecca last

=========================================================================

Date:         Fri, 15 Aug 1997 14:34:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Theory about Burroughs death

In-Reply-To:  <Pine.SUN.3.91-FP.970815113103.11569A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 15 Aug 1997, Richard Wallner wrote:

 

> Heard an interesting theory about Burroughs death.  Specifically, it has

> been theorized that he lost his will to live, because the great love of

> his life (at least in his mind) was Allen Ginsberg and Allen died a few

> months earlier.  And so he lost the will to live.

 

Recently lost one of his cats, too, though I suspect others more close to

him will have more to say on this subject. In retrospect, I do think it odd

that I chose a sample of his ("When death becomes you...") as part of my

contribution to a net-based tape loop project going on in the weeks just

before his death. All those unsuspecting tape recorders playing this

message, just before he died -- hmm, I wonder if he would have gotten a kick

out of that.

=========================================================================

Date:         Fri, 15 Aug 1997 11:55:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: see ya later

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:22 PM 8/15/97 -0400, you wrote:

>i hope i'm doing this right.

> 

>unsubcribe beat-L__rebecca last

> 

> 

 

No.

 

I believe you need to send it to listserv@cunyvm.cuny.edu

 

also don't put in the __

 

you'd send

 

unsubscribe beat-l Rebecca Last

=========================================================================

Date:         Fri, 15 Aug 1997 15:00:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Burroughs and Ginsberg

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Regarding the speculation about Burroughs loving Ginsberg, the diary entries

in the New Yorker offer some interesting grist for this mill.

 

May 5, Monday

Allen died April 5, 1997.

        Is it not fine to

        Dance and Sing

        While the bell of

        Death do ring?

        Turn on the toe

        Sing out Hey Nanny Noo

If I should die think only this of me. That there's some corner of a foreign

field that is forever: Tangier; Mexico, D.F.; St. Louis, Mo.;...........

 

So why bother? You are old, Father William. Why stand on your head?

 

June 4, Wednesday

"J'aime ces types vicieux, qu'ici montrent la bite." I like the vicious

types who show the cock here. Anonymous, outside pissoir in Paris.

 

"Is it not fine to dance and sing while the bells of death do ring to turn

on toe and sing hey nanny noo." Yes I love life in all its variety but at

last the bell ringeth to eventide.

 

        No mention of Fletch....who was one of his cats?

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 12:34:06 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: see ya later

 

----------

From:   FIRST_Rebecca LAST_ Last[SMTP:Becca91894@AOL.COM]

Sent:   Friday, August 15, 1997 11:22 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        see ya later

 

i hope i'm doing this right.

 

unsubcribe beat-L__rebecca last

.-

 

 

 

begin 600 WINMAIL.DAT

M>)\^(A$3`0:0" `$```````!``$``0>0!@`(````Y 0```````#H``$-@ 0`

M`@````(``@`!!) &`#0!```!````# ````,``# #````"P`/#@`````"`?\/

M`0```%$`````````@2L?I+ZC$!F=;@#=`0]4`@````!"14%4+4PZ($)E870@

M1V5N97)A=&EO;B!,:7-T`%--5% `0D5!5"U,0$-53EE632Y#54Y9+D5$50``

M```>``(P`0````4```!33510`````!X``S !````%P```$)%050M3$!#54Y9

M5DTN0U5.62Y%1%4```,`%0P!`````P#^#P8````>``$P`0```!\````G0D5!

M5"U,.B!"96%T($=E;F5R871I;VX@3&ES="<```(!"S !````' ```%--5% Z

M0D5!5"U,0$-53EE632Y#54Y9+D5$50`#```Y``````L`0#H!`````@'V#P$`

M```$`````````S4U`0B !P`8````25!-+DUI8W)O<V]F="!-86EL+DYO=&4`

M,0@!!( !`!$```!213H@<V5E('EA(&QA=&5R`& %`06 `P`.````S0<(``\`

M# `B``8`!0`D`0$@@ ,`#@```,T'" `/``L`)0`8``4`. $!"8 !`"$````X

M-#(T.40Q,#8Q,35$,3$Q0C-%-T-#,C P-$,Q,# P, #%!@$#D 8`+ ,``!(`

M```+`",``0````,`)@``````"P`I``$````#`#8``````$ `.0#@"*@QLJF\

M`1X`< `!````$0```%)%.B!S964@>6$@;&%T97(``````@%Q``$````6````

M`;RILC&>$)TDJQ5A$=&SY\P@!,$`````'@`># $````%````4TU44 `````>

M`!\,`0```!,```!L971A8F]R0&-R=7II;RYC;VT```,`!A"U*0MF`P`'$+,`

M```>``@0`0```&4````M+2TM+2TM+2TM1E)/33I&25)35%)%0D5#0T%,05-4

M3$%35%--5% Z0D5#0T$Y,3@Y-$!!3TQ#3TU314Y4.D92241!62Q!54=54U0Q

M-2PQ.3DW,3$Z,C)!351/.D)%050M3$!#``````(!"1 !````N $``+0!``"#

M`P``3%I&=42?#E7_``H!#P(5`J@%ZP*#`% "\@D"`&-H"L!S970R-P8`!L,"

M@S(#Q0(`<')"<1'B<W1E;0*#,[<"Y <3`H,T$LP4Q7T*@(L(SPG9.Q>?,C4U

M`H '"H$-L0M@;F<Q,#.O%% +"A11"_)C`$ @"H5!"HML:3$X, +1:? M,30T

M#? ,T!YC"UE<,38*H -@$]!C!4 M7R"'"H<?.PPP( 9&`V$Z#R&.( 8,@B,0

M25)35!!?4F5B!9!C82 L3$$E<28081/ 6U.@3510.D(ETCD=X `Y-$!!3TPN

M0_A/35TA+R(]!F ","-O0R1\!1!D87DL%+!U1&=U$\ @,34LT#&(.3DW+5 Q

M.C(6,69-*%\B/51O*I\D>T(`14%4+4Q 0U4P3EE632@`,O$N18Q$52Y_*6YU

M8FH@0<<PGR1[$;!E('DF``M@S1/0<AR/'9,S-A\'&]5!( 9I(&AO<#A :2 G

M;2!D;PN 9R 4=&@$`" %$&=H='HN..QU`( UX 4!)< @YR7 .* RL%]?%Z E

MQ M@>Q/ "H4N(18X[SG^%6(R+Q5@( 8*A1;!`$4@`P`0$ `````#`!$0````

M`$ `!S"@SA5&JJF\`4 `"#"@SA5&JJF\`1X`/0`!````!0```%)%.B `````

"9L<`

`

end

=========================================================================

Date:         Fri, 15 Aug 1997 16:29:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Please Mr. Johnson

Comments: To: jwhite333@sprintmail.com

 

Thanks Bentz

Read yr post at the right moment. thanks. Robert Johnson always there.'ve

been playing that old bobbie=sox juncky, Chet Baker's songs over and over

today. "there will never be another you,"  "I get along without you very well

(of course I do)"... and "My Buddy" My Funny Valentine."  I'm trying to kick

everything, today. Even Love. I've been drinking a bile cat's claw tea bark

and diet coke mixture. Not as bad as peyote juice though. The idea is to have

some nasty to remind me of the toxins i put in my system. I'm also drinking

"Ensure" which Beat-l member Mike supplied me (many). It tastes like

decontaminated, processes and sweetened baby shit! The idea of all this taste

and stomach distress, is, I guess, so my heart will direct its pity to my

guts!!!!!!!   Now there's one for you. Anyway, I decided only a  aged

suicidal maniac would listen to Chet Baker over and over, so I'll find my

Robert Johnson. Or maybe Mississippi Joe Callicot.."You don't know my

mind"..Ya

 

Charles Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 16:55:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Sun Lao Tze

 

By God that Tuscon heat is enough to do it every time! I used to take  Peyote

there in my ritual northest of town out toward that facade cowboy town. Walk

out there barefoot an lie on a rock. The stone is cold and moist in

its manifest part, and in its hidden part is hot and dry

Seek the coldness of the moon and you shall find the heat of the sun.

C. Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 17:00:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Please Mr. Johnson

 

In a message dated 97-08-15 06:45:39 EDT, you write:

 

<< lets not forget the "i followed her to the station with suitcase in my

 hand - love in vain" blues . . .

  >>

Ah yes,  and "I keep folding up inside just like the clothes I'm folding"

-George Jones

=========================================================================

Date:         Fri, 15 Aug 1997 17:05:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Please Mr. Johnson

 

"Every time I pack ,I doulbe up inside just like the clothes I'm folding/"

was the line from George Jones

C. Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 17:17:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Please Mr. Johnson

 

In a message dated 97-08-15 13:00:15 EDT, you write:

 

<< 

 anybody interested in doing a tape swap??  David? >>

Oh yeah..why didn't you tell me in lawrence, and i'd have dumped a whole

bunch of never to be assembled again rarities.. cp

=========================================================================

Date:         Fri, 15 Aug 1997 17:22:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: in search of western lands

 

The number of dead animals on the road is something i've been remorsing with

too, it's a sign

as far as C.C. right on. Finkout.

C. Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 17:48:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Please Mr. Johnson

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

 

> Thanks Bentz

> Read yr post at the right moment. thanks. Robert Johnson always

> there.'ve

> been playing that old bobbie=sox juncky, Chet Baker's songs over and

> over

> today. "there will never be another you,"  "I get along without you

> very well

> (of course I do)"... and "My Buddy" My Funny Valentine."  I'm trying

> to kick

> everything, today. Even Love. I've been drinking a bile cat's claw tea

> bark

> and diet coke mixture. Not as bad as peyote juice though. The idea is

> to have

> some nasty to remind me of the toxins i put in my system. I'm also

> drinking

> "Ensure" which Beat-l member Mike supplied me (many). It tastes like

> decontaminated, processes and sweetened baby shit! The idea of all

> this taste

> and stomach distress, is, I guess, so my heart will direct its pity to

> my

> guts!!!!!!!   Now there's one for you. Anyway, I decided only a  aged

> suicidal maniac would listen to Chet Baker over and over, so I'll find

> my

> Robert Johnson. Or maybe Mississippi Joe Callicot.."You don't know my

> mind"..Ya

> 

> Charles Plymell

 

 Charles:

 

I must say that I enjoy your company, even on the www.  I hope to visit

with you one day.  But, I will bring my own food!!!!!!!!!!!!!!!!!  Try

some Colt 45 or Country Club Malt liquor.  That will knock it out, and

cold.  Me, I take a Bud or a Beck's these days.

 

Going down the road feeling bad,

Going down the road feeling bad,

Going down the road feeling bad, Lord Lord,

Ain't gonna be treated thisaway.

 

She can break in on a dollar most anywhere she goes

 

And from the Alpha of the Allman Brothers:

 

I fell like I been tied to the whipping post,

Good lord I feel like I'm dying.

 

And from the Omega of the Allman Brothers:

 

Nobody left to run with anymore.

 

Figure you can feel both of those blues.  Take a listen,

 

And damn, how can your system tolerate that much Chet.  He was a sad sad

case, beautiful and could play, but sad, sad sad.

 

Allmans one more time:

 

Just one more morning,

I've got to wake up with the blues,

Get my self together,

And put on my walking shoes,

Cause I hunger

For those dreams, I've never seen.

 

And to my main man Van Morrison:

 

Call me up in dream land,

Radio to me Sam,

Get your message to me

Any way you can,

Never to grow old,

On the saxaphone,

 

In my own words:

 

Death's Hand is a Loser

(For Patricia and Charles who have lost a friend.)

(For Richard who has lost a blues man.)

 

 

When the cards are dealt,

Death's hand is a loser.

And loss is with us.

Beyond this we can not say.

But have you seen death alive?

No. The losing hand.

And what is that.

It is loss.

And what is that.

Loss is gone,

But you're here.

Loss is selfish,

What you're missing.

Loss is true,

What you need.

Loss is false,

The illusion.

Loss is hurt,

Part is gone.

Loss is maddness,

Unresolved, broken.

Loss is death,

Part of you too.

Loss is gain,

Winter blends to Spring.

Loss is broken,

Knowing feelings never come again.

Loss is us,

Born to die to birth again.

A touch, a glance,

A calm reassurance.

A certainty, now uncertain.

A feeling spinning thorough cosmic dust.

Creating, playing, play on.

Play on jazz man,

Play on blues man,

Play on Chet,

Rave on Charles,

Rave on madman,

Rave on Charles,

Rave on Angel,

Rave on Buddy Holly,

Rave on P,

Rave on sunflowers,

Rave on cats,

Rave on James,

Rave on Bill,

Rave on Allen,

Rave on Jack,

Rave on Neal,

Rave on Junkie,

Rave on Junky,

Rave on Bull Lee,

Rave on Sherri,

Rave on James,

Rave on Charles,

Rave on Arthur,

Rave on Roland Kirk,

Rave on Richard,

Rave on Luther,

Rave on Miles,

Rave on Train,

Rave on Jesus,

Rave on Judas,

Rave, rave, rave, rave, rant, rave, rave, rave, rave,

Rave on me.

 

 

 

Take care,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 18:02:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Re: Please Mr. Johnson

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

          Hello Bentz:

somewhere in between reading your last

post ("Death's hand is a loser...") and

listening to Blonde On Blonde I managed

to see a bright side to....things.

 

          Here's to a great weekend-to

you and everyone on the list.

 

                                               Chimera

=========================================================================

Date:         Fri, 15 Aug 1997 15:04:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: in search of western lands

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

C wrote:

 

><<The number of dead animals on the road is something i've been remorsing

>with too, it's a sign

>as far as C.C. right on. Finkout.

>> 

 

you're being poetic cryptic again, Charles.  p l e a s e translate.

 

the C.C. part reminds me of broken headlights...

 

 

>> C. Plymell

 

Douglas

=========================================================================

Date:         Fri, 15 Aug 1997 16:17:44 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      ferling, etc

In-Reply-To:  <c=US%a=_%p=OEES%l=SD-MAIL-970815220410Z-1943@sd-mail.sd.oees.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

yall

i was just wondering if anyone knew when ferlinghetti's newest book of

poems was due (wasnt there some talk about him writing a book of poems

that was a "reply" (or something along those lines) to _a coney island of

the mind_?) also- is he witing or solely involved with painting/sketching

(which i understand he's emphasizing these days) and running city lights?

thanks for info, etc

bahoo.

yrs

derek

=========================================================================

Date:         Fri, 15 Aug 1997 18:14:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Carl Jung prophesy c/o Burroughs

 

from Albany, NY September, 1909

 

Everything is too big, too immeasurable.  Something that has gradually been

dawning upon me in the past few days is the recognition that here an ideal

potentiality of life has become reality.  Men are as well off here as the

culture permits; women badly off.  We have seen things here that inspire

enthusiastic admiration, and things that make one ponder social evolution

deeply. As far as technological culture is concerned, we lag miles behind

America.  But all that is frightfully costly and already carries the germ of

the end in itself. -- Carl Jung - Memories, Dreams, Reflections

 

Charles Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 15:28:36 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Bentz, I've remixed your poem.

 

This goes against all conventions, I know.  and I'm sorry if this

version offends you in any way.  I like the hustler card game images,

the ranting and raving, the thrufare reethum of it all.  Let me know

what you think.  Since, Douglas

 

+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_

 

 

R Bentz writ,

runner mixed:

(v8/15/97)

 

>In my own words:  <ahem>

> 

>Death's Hand is a Loser

>(For Patricia and Charles who have lost a friend.)

>(For Richard who has lost a blues man.)

 

 

>When loss is with us

we can not say

>the cards are dealt,

>Death's hand is a loser.

 

>And .

>Beyond this .

The losing hand is what

>No. .

>And It is that loss.

hav[ing] seen death alive

>But  you  ?

> 

>And what is that.

>Loss is gone,

>But you're here.

>Loss is selfish,

>What you're missing.

>Loss is true,

>What you need.

>Loss is false,

>The illusion.

>Loss is hurt,

>Part is gone.

 

 

>Unresolved, broken.

 

>Loss is Loss is Loss is

>Loss is

>Loss is us,

> 

        maddness,

        death,

        Part of you too.

         gain,

         broken,

 

>Winter blends to Spring.

>Knowing feelings never come again.

>Born to die to birth again.

>A touch, a glance,

>A calm reassurance.

>A certainty, now uncertain.

>A feeling spinning thorough cosmic dust.

>Creating, playing, play on.

Rave on

 

 

>Play on Play on Play on

> 

>       jazz man,

>        Chet,

>         blues man,

 

>Rave on Rave on Rave on

> 

>       Charles,

>        madman,

>         Charles,

 

>Rave on

 

>Angel, P, Buddy Holly,

> 

> 

>Rave on

 

>Rave on

 

 

>Rave on sunflowers, cats,

>Rave on

>Rave on James,

>Rave on Bill,

 

>Rave on

 

 

>       Allen,

>        Jack,

        Neal,

        Junkie,

>       Junky,

        Rave on Bull Lee,

 

>Rave on

>Rave on

>Rave on

>Rave on Sherri,

>Rave on James,

>Rave on Charles,

>Rave on Arthur,

 

 

 

>Rave

 

 

 

 

>on Roland Kirk,

> Richard,

> Luther,

> Miles,

> Rave on Train,

 

>Rave on Jesus,

>Judas, (Rave on)

> 

>Rave, rave, rave, rave, rant, rave, rave, rave, rave,

>Rave on me.

(Rave on Rave on Rave on )

> 

> 

> 

=========================================================================

Date:         Fri, 15 Aug 1997 15:31:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      green tit

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

from Last Words (New Yorker p37):

 

<< 

May 24, Saturday,

 

[snip] A few drags on the green tit and I can see multiple ways out and

beyond.  so why all this head on this harmless and rewarding substance?

>> 

 

problem I have with marijuana is that it occasionally leaves me

jellyfish, pocked with enough holes I feel beehived.  sure it brings the

rain, eases the pain, and generally lights up my life.  sure.  then

there are days that that suffer upon fools their fate.

 

and talking to people, fixating on objects outside the self.  walking

around with my hands high low.  the air parting my lips in stuttered

thoughts.  just another asshole flapping his lips, I figure.

 

that's what's wrong, Mr. Burroughs.

 

Douglas

=========================================================================

Date:         Fri, 15 Aug 1997 18:35:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Douglas:

 

Thank you.  Does this qualify as a cut up?

 

Penn, Douglas, K wrote:

 

> Bentz, I've remixed your poem.

> 

> This goes against all conventions, I know.  and I'm sorry if this

> version offends you in any way.  I like the hustler card game images,

> the ranting and raving, the thrufare reethum of it all.  Let me know

> what you think.  Since, Douglas

> 

> +_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_

> 

> R Bentz writ,

> runner mixed:

> (v8/15/97)

> 

> >In my own words:  <ahem>

> >

> >Death's Hand is a Loser

> >(For Patricia and Charles who have lost a friend.)

> >(For Richard who has lost a blues man.)

> 

> >When loss is with us

> we can not say

> >the cards are dealt,

> >Death's hand is a loser.

> 

> >And .

> >Beyond this .

> The losing hand is what

> >No. .

> >And It is that loss.

> hav[ing] seen death alive

> >But  you  ?

> >

> >And what is that.

> >Loss is gone,

> >But you're here.

> >Loss is selfish,

> >What you're missing.

> >Loss is true,

> >What you need.

> >Loss is false,

> >The illusion.

> >Loss is hurt,

> >Part is gone.

> 

> >Unresolved, broken.

> 

> >Loss is Loss is Loss is

> >Loss is

> >Loss is us,

> >

>         maddness,

>         death,

>         Part of you too.

>          gain,

>          broken,

> 

> >Winter blends to Spring.

> >Knowing feelings never come again.

> >Born to die to birth again.

> >A touch, a glance,

> >A calm reassurance.

> >A certainty, now uncertain.

> >A feeling spinning thorough cosmic dust.

> >Creating, playing, play on.

> Rave on

> 

> >Play on Play on Play on

> >

> >       jazz man,

> >        Chet,

> >         blues man,

> 

> >Rave on Rave on Rave on

> >

> >       Charles,

> >        madman,

> >         Charles,

> 

> >Rave on

> 

> >Angel, P, Buddy Holly,

> >

> >

> >Rave on

> 

> >Rave on

> 

> >Rave on sunflowers, cats,

> >Rave on

> >Rave on James,

> >Rave on Bill,

> 

> >Rave on

> 

> >       Allen,

> >        Jack,

>         Neal,

>         Junkie,

> >       Junky,

>         Rave on Bull Lee,

> 

> >Rave on

> >Rave on

> >Rave on

> >Rave on Sherri,

> >Rave on James,

> >Rave on Charles,

> >Rave on Arthur,

> 

> >Rave

> 

> >on Roland Kirk,

> > Richard,

> > Luther,

> > Miles,

> > Rave on Train,

> 

> >Rave on Jesus,

> >Judas, (Rave on)

> >

> >Rave, rave, rave, rave, rant, rave, rave, rave, rave,

> >Rave on me.

> (Rave on Rave on Rave on )

> >

> >

> >

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 15:49:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Bentz writ:

 

<< 

>Douglas:

> 

>Thank you.  Does this qualify as a cut up?

>> 

 

or a fuckup.  Stole the idea from my friend Annabelle who did the same

thing to me once.  Took my email and snipped and tucked it into a new

machine.  Have been reading a little bit more about surrealism recently,

but haven't really absorbed anything that would allow me to be

definitive regarding a name for this process.

 

cut-up works.

 

have a bunch of those magnet poem words on my fridge.  can't figure out

for the life of me what to do with em.  On other people's fridges, they

are easy to spit and parse.  But my own works....  so, I steal and

borrow and beg my influences most of the time.  If anything, if you take

a given work and dice it up like I did yours, then you have to figure

out what to do with all the *extra* pieces.  As well, when you <ahem>

deconstruct a work, you get a chance --as that anarchist's WSB .sig

says-- to see what message the recorder was playin.

 

and I'm still rereading both versions.  goin for the big picture.  glad

you liked it.  Was a bit worried how you'd receive.  Now if only we

could put it to music.... a fast, choppy chorus <perhaps> with lots of

bridges and transitions, but but .... with a really cool Leonard Cohen

"hallelujah" overall feel to it.  ???

 

Douglas

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=

>Penn, Douglas, K wrote:

> 

>> Bentz, I've remixed your poem.

>> 

 

> 

=========================================================================

Date:         Fri, 15 Aug 1997 18:56:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Penn, Douglas, K wrote:

 

> Bentz writ:

> 

> <<

> >Douglas:

> >

> >Thank you.  Does this qualify as a cut up?

> >>

> 

> or a fuckup.  Stole the idea from my friend Annabelle who did the same

> 

> thing to me once.  Took my email and snipped and tucked it into a new

> machine.  Have been reading a little bit more about surrealism

> recently,

> but haven't really absorbed anything that would allow me to be

> definitive regarding a name for this process.

> 

> cut-up works.

> 

> have a bunch of those magnet poem words on my fridge.  can't figure

> out

> for the life of me what to do with em.  On other people's fridges,

> they

> are easy to spit and parse.  But my own works....  so, I steal and

> borrow and beg my influences most of the time.  If anything, if you

> take

> a given work and dice it up like I did yours, then you have to figure

> out what to do with all the *extra* pieces.  As well, when you <ahem>

> deconstruct a work, you get a chance --as that anarchist's WSB .sig

> says-- to see what message the recorder was playin.

> 

> and I'm still rereading both versions.  goin for the big picture.

> glad

> you liked it.  Was a bit worried how you'd receive.  Now if only we

> could put it to music.... a fast, choppy chorus <perhaps> with lots of

> 

> bridges and transitions, but but .... with a really cool Leonard Cohen

> 

> "hallelujah" overall feel to it.  ???

> 

> Douglas

 

Maybe kind of like "So Long Marianne"?

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 19:02:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: ferling, etc

 

Derek et al -

 

The Ferlinghetti book you mention is already out -

It's a hardcover titled "A Far Rockaway of the Heart" from New Directions.

The price is $21.95. (shipping included) -

We've got plenty of copies in stock -

 

Jeffrey

Water Row Books

 

Did you get your Beat-L T-shirt yet?

=========================================================================

Date:         Fri, 15 Aug 1997 16:08:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Bentz wrote:

 

>> Maybe kind of like "So Long Marianne"?

 

 

Don't know that one.  Why don't you hum a few bars.  Hell, if we lived

closer, we could probably burn a few bars, cutup style.  We'll give CP

some peyote and make him drive  ;-)  <<wicked evil grin>>

 

> Douglas

 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 20:03:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Please Mr. Johnson

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

...or "We didn't know what to call it

        So we called it quits...."

 

                Antoine

 

        **************

 

>In a message dated 97-08-15 06:45:39 EDT, you write:

> 

><< lets not forget the "i followed her to the station with suitcase in my

> hand - love in vain" blues . . .

>  >>

>Ah yes,  and "I keep folding up inside just like the clothes I'm folding"

>-George Jones

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 20:47:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Thought the text further on was a great description of Kerouac:

 

        I've read the parts in "On The Road" that refer to Jack and Neal

watching Slim Gaillard in clubs, so it was interesting finding this

interview, with Slim talking about Jackl. Anyone who hasn't had a chance to

hear him on record, search him out.

 

        He was one of a small group of unique performers that straddled the

Bebop / Beat era. They included Harry 'the Hipster' Gibson, Richard 'Lord'

Buckley, Babs Gonzales, Leo Watson, Lenny Bruce, King Pleasure cooking up a

melange of songs, spoken word, great performance, vocalese, scat....all

intersecting with each other.

 

These quotes are from a large format paperback pictorial called "The Hip:

Hipsters, Jazz and the Beat Generation". Published in England in 1986 by

Faber & Faber; written by three well known English music journalists, Roy

Carr, Brian Case and Fred Dellar.

 

*****Slim Gaillard on Jack Kerouac**********

 

'Having Jack write about me in "On The Road" is a nice thing to have on your

report card.

'He was a great listener=85really admired my work...

 

        ....When I played "The Say When Club" in San Francisco, Jack showed

up every night.=85would stand with his back against the wall and while he

listened all the girls would cruise by and admire him.  Between sets, I'd

stand there right next to him.  We were both so sharp we made a Gillette

blade look like a hammer.

 

'There was one girl =97 owned two-thirds of Palm Springs =97 who'd keep=

 telling

me, "Slim, you're the most fantastic guy I=92ve ever seen!" Anyway, I wasn't

about to argue=85Then, one night when I came to the club, there was a key on

the piano with my name on it. She'd gone out and bought me a brand new car

as a little token=85hey! It's good to be handsome!'

He laughed, wiped up the remains of the eggs with bread roll, and chased it

all down with a bottle of Perrier.

 

******from "On the Road"*******

 

        Now Dean [Moriarty] approached him, he approached his God: he

thought Slim [Gaillard] was God: he shuffled and bowed in front of him and

asked him to join us.

 

        'Right-orooni', says Slim; he'll join anybody but won't guarantee to

be with you in spirit. Dean got a table, bought drinks, and sat stiffly in

front of Slim. Slim dreamed over his head. Every time Slim said, 'Orooni,'

Dean said, 'Yes!'

 

        I sat there with these two madmen. Nothing happened. To Slim

Gaillard the whole world was just one big orooni.

 

*******from Miles Davis*******

 

        "There are only two men that I look up to...

        Slim Gaillard and Dizzy Gillespie. Without them I wouldn't be=

 playing."

 

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to=

 do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 18:19:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Cool cool post Antoine, appreciate it

 

all I can say is

 

flat foot floogie with the floy floy

 

(OK OK for 20 points and the lead what PBS show did our man Jack utter those

abovementioned quotes from Mr Gaillard?)

 

 

 

 

At 08:47 PM 8/15/97 -0400, you wrote:

>Thought the text further on was a great description of Kerouac:

> 

>        I've read the parts in "On The Road" that refer to Jack and Neal

>watching Slim Gaillard in clubs, so it was interesting finding this

>interview, with Slim talking about Jackl. Anyone who hasn't had a chance to

>hear him on record, search him out.

> 

>        He was one of a small group of unique performers that straddled the

>Bebop / Beat era. They included Harry 'the Hipster' Gibson, Richard 'Lord'

>Buckley, Babs Gonzales, Leo Watson, Lenny Bruce, King Pleasure cooking up a

>melange of songs, spoken word, great performance, vocalese, scat....all

>intersecting with each other.

> 

>These quotes are from a large format paperback pictorial called "The Hip:

>Hipsters, Jazz and the Beat Generation". Published in England in 1986 by

>Faber & Faber; written by three well known English music journalists, Roy

>Carr, Brian Case and Fred Dellar.

> 

>*****Slim Gaillard on Jack Kerouac**********

> 

>'Having Jack write about me in "On The Road" is a nice thing to have on=

 your

>report card.

>'He was a great listener=85really admired my work...

> 

>        ....When I played "The Say When Club" in San Francisco, Jack showed

>up every night.=85would stand with his back against the wall and while he

>listened all the girls would cruise by and admire him.  Between sets, I'd

>stand there right next to him.  We were both so sharp we made a Gillette

>blade look like a hammer.

> 

>'There was one girl =97 owned two-thirds of Palm Springs =97 who'd keep=

 telling

>me, "Slim, you're the most fantastic guy I=92ve ever seen!" Anyway, I=

 wasn't

>about to argue=85Then, one night when I came to the club, there was a key=

 on

>the piano with my name on it. She'd gone out and bought me a brand new car

>as a little token=85hey! It's good to be handsome!'

>He laughed, wiped up the remains of the eggs with bread roll, and chased it

>all down with a bottle of Perrier.

> 

>******from "On the Road"*******

> 

>        Now Dean [Moriarty] approached him, he approached his God: he

>thought Slim [Gaillard] was God: he shuffled and bowed in front of him and

>asked him to join us.

> 

>        'Right-orooni', says Slim; he'll join anybody but won't guarantee=

 to

>be with you in spirit. Dean got a table, bought drinks, and sat stiffly in

>front of Slim. Slim dreamed over his head. Every time Slim said, 'Orooni,'

>Dean said, 'Yes!'

> 

>        I sat there with these two madmen. Nothing happened. To Slim

>Gaillard the whole world was just one big orooni.

> 

>*******from Miles Davis*******

> 

>        "There are only two men that I look up to...

>        Slim Gaillard and Dizzy Gillespie. Without them I wouldn't be=

 playing."

> 

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to=

 do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

=========================================================================

Date:         Fri, 15 Aug 1997 21:45:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

And to add to Tim's quiz...

 

        Who was Slim's musically famous son-in-law? He even had slim on a

record of his in the 80's!

                Antoine

 

        ****************

 

Cool cool post Antoine, appreciate it

> 

>all I can say is

> 

>flat foot floogie with the floy floy

> 

>(OK OK for 20 points and the lead what PBS show did our man Jack utter those

>abovementioned quotes from Mr Gaillard?)

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 22:41:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pamela Beach Plymell <CVEditions@AOL.COM>

Subject:      Re: Chet and I

Comments: To: jwhite333@sprintmail.com

 

God, I didn't know you knew him. I used to fantasize to his music  in eary

fifties. I had a vision of him beside a 48 Ford conv. with his arms around a

chick in the perfect new suburb, but always saying goodbye so beautifully

frank. That's  first tip somethings happening! He sand his sad subtle songs

so mellow it can make your bones cry, the whole flower bleed.

C. Plymell

=========================================================================

Date:         Fri, 15 Aug 1997 23:20:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Chet and I

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Charles,

 

        Who knew him?   ...have we got a hitherto unknown jazz resource on

the list?

 

        Ross Porter of CBC: Canadian Broadcasting Corporation put together a

great three hour / three part series on Baker that aired earlier this year

and again this past three weeks. It was a great blend of music and history.

Ross does a late night jazz show five days a week on the national FM band.

 

        He interviewed a ton of people and even went so far as to spend a

night in the hotel room in Amsterdam from where Chet fell (...or was

pushed?) to his death. He spoke to the police locally who were sure he was

probably not pushed. Ross did think that it was pretty unlikely that it was

an accident with Chet just lounging at the window since the window

construction would have made that awkward. His girlfriend seemed to think it

was probably suicide since he had been so distraught about her going back to

the States when he got to be too much to deal with.

 

        The book I mentioned earlier tonight had a lovely section on him.

One of the writers describes bumping into Chet late one rainy night in some

town in the midlands of England. He was bent over sideways looking into a

pawnshop at a trumpet trying to see if he could make out the maker''s mark.

The cover is a great bluetone picture of Chet, tee-shirt and jacket, sitting

on a folding chair with leg, white socks, loafers,  tossed up onto the next

one; a shockingly young looking Chet taken by Bob Willoughby in

1953...especially so when one is used to his appearance in later years.

 

        In Ross Porter's series he described Chet being stopped speeding by

a highway patrol officer who was all set to slam him, but then caught sight

of some albi\ums piled in the back seat. Asked "Chester Baker?   ....are you

Chet Baker??"   ...and collapsed in dizzy fan frenzy.

 

        Where did Chet stand in the Beat musical pantheon? Was he considered

not edgy enough?

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 23:20:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: about razor..Occam's

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Thanks for adding the William for me Rinaldo and for choosing such a perfect

Ferlinghetti poem as a response! Which collection is it from?

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 15 Aug 1997 19:28:31 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Lew Welch Events, New posting Format

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

This am. Chron here in SF had a nice story on Lew in connection with the

releast of Magda Cregg's book on Lew which I have not yet seen.  Magda

was a sig. other of Lew's and also, as a sideline, mother to Huey Lewis.

 

An even is happening at noon Saturday in Bolinas which I will not be

able to make.  If Beat-L folks know of any others kindly backchannel me.

 

The new posting format appears to me to be already generating unecessary

mail that would be better backchanneled.  Here is my one vote for a

return to the interim format in which backchannel is encouraged ( a good

thing in my view,) and a post to all 200+plus of us is required a little

thought.

 

Just my two cents.

 

J. Stauffer

=========================================================================

Date:         Fri, 15 Aug 1997 23:33:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Chet and I

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Pamela Beach Plymell wrote:

> 

> God, I didn't know you knew him. I used to fantasize to his music  in

> eary

> fifties. I had a vision of him beside a 48 Ford conv. with his arms

> around a

> chick in the perfect new suburb, but always saying goodbye so

> beautifully

> frank. That's  first tip somethings happening! He sand his sad subtle

> songs

> so mellow it can make your bones cry, the whole flower bleed.

> C. Plymell

 

Charles at the risk of losing all my Southern Manhood self image, I will

venture to say, that in addition to being able to blow the trumpet like

no one else, he was a beautiful man.  I wonder if any of the women on

the list noticed his fallen angel, needing mothering, impish boy nature.

Just had to take care of him.  It would be good if some one some where

would put together a real jazz sampler with all some of the best of all

those who played from the heart.  Train, Chet, Miles, Dizzy, Byrd,

Charlie Christian, Wes Montgomery, at least that's where I would start.

 

Maybe it's out there.  Tell me if you know.

 

Peace,

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 15 Aug 1997 22:33:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      I Guess I Didn't

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

That window makes you look really ugly.

I should've told you but I guess I didn't.

That sunset is rising from the greatest depths.

I should've told you but I guess I didn't.

 

Wake up.

Get undressed.

You fell asleep in my dreams again.

 

 

                                           James M.

=========================================================================

Date:         Sat, 16 Aug 1997 11:04:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      The Flood of Dr. Sax

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The Kerouac Quarterly Page has been updated today (8-16-97)!!!

For details about the Images of Kerouac '97 Exhibition go to:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

To see the painting "The Flood of Dr. Sax" go to:

 

http://www.freeyellow.com/members/upstartcrow/page2.html

 

Let me know what you think!!!! Thanks, Paul of TKQ. . .

=========================================================================

Date:         Sat, 16 Aug 1997 11:00:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Burroughs]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------7728E3029820A3D2CE567CEF"

 

This is a multi-part message in MIME format.

--------------7728E3029820A3D2CE567CEF

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Well, I have been scanning the Dylan list for some more good Burroughs

posts.  And I couldn't find anymore, so the action must have died down.

But since the beats play cosmic baseball on the net, and since the

action has dwindled, I did find this fine reference to Cal Ripken and

Eddie Murray.  Seems timely since Anaheim just cut Eddie.

 

But on the beat list question.  I know, or at least believe Jack was

very much into baseball. How about Neal, or any others.  It would not

seem to be Allen's or William's kind of thing.  I know that James and

and few others had some good comments on Neal playing pool.  Is there

any sort of information on baseball and its connection with those who

are considered beats.  I personally find baseball to be a very

interesting game when seen live.  On tv, it is much too long.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

--------------7728E3029820A3D2CE567CEF

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Path:

 Supernews69!SupernewsFH!newsfeed.direct.ca!logbridge.uoregon.edu!zdc!szdc!newsp

 .zippo.com!zdrn

From: judy

Newsgroups: rec.music.dylan

Subject: Re: Burroughs

Date: 15 Aug 1997 22:03:57 -0700

Organization: canova@hay.seed

Message-ID: <5t3cbt$s2r@drn.zippo.com>

References: <1.5.4.16.19970808102856.1b1f1c80@mail.mpx.com.au>

 <19970814.195351.4391.0.steve_lescure@juno.com>

NNTP-Posting-Host: ww-ty03.proxy.aol.com

Xref: Supernews69 rec.music.dylan:90208

 

In article , Steve says...

> 

>I would say that songwriters are certainly better judges than the typical

>music listener (Steve Earle notwithstanding), and probably better than

>the average critic.   Look at  baseball.  When the fans picked the

>players (maybe they still do, I don't  follow it much anymore) the

>choices were often ludicrious.  When the

>writers/mangers picked it came out much better, less choices like

>Cal Ripken batting .250 starting at shortstop.

> 

 

Look, it's one thing for folks in this newsgroup to take on Baez,

Burroughs, God, Ginsberg, or Calvin.  But when you go after Cal Ripken,

you've crossed the line.  What's next?  An attack on Eddie Murray?

 

--------------7728E3029820A3D2CE567CEF--

=========================================================================

Date:         Sat, 16 Aug 1997 14:58:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Cut up method

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>From the Beat Book, edited by Anne Waldman 1996, page 182.

 

The Cut-up Method of Brion Gysin

 

At a surrealist rally in the 1920s Tristan Tzara the man from nowhere

proposed to creat a poem on the spot by pulling words out of a hat.  A

riot ensued wrecked the theater.  Andre Breton expelled Tristan Tzara

from the movement and grounded the cut-ups on the Freudian couch.

 

In the summer of 1959 Brion Gysin painter and writer cut newspaper

articles into sections at random.  "Minutes to Go" resulted from this

initial cut-up experiment.  "Minutes to Go" contains unedited unchanged

cut-ups emerging as quite coherent and meaningful prose.

 

...

 

Tristam Tzara said: "Poetry is for everyone."

 

...

 

Cutups are for everyone.  Anybody can make cut-ups.

 

This is from William S. Burroughs, The Cut-up Method of Brion Gysin

which first appeared in the "The Third Mind (c) 1978.

 

I was just trying to dig into some better understanding of Burroughs and

stumbled across this.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 16 Aug 1997 04:40:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      On the Road: first 2 chapters

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Is anyone ready to discuss books yet?  In rereading On the Road, I'm

noticing how much more romantic Kerouac is here about life, still in the

early stages of captivation with Neal for his love of life.

 

pg. 8, "...and I shambled after as I've been doing all my life after

people who interest me, because the only people for me are the mad ones,

the ones who are mad to live, mad to talk, mad to be saved, desirous of

everything at the same time, the ones who never yawn or say a commonplace

thing, but burn, burn, burn like fabolous yellow roman candles exploding

like spiders across the stars and in the middle you see the blue

centerlight pop and everybody goes 'Awww!'"

 

Interesting perception of Neal meeting Allen: pg. 7

"Two keen minds that they are, they took to each other at the drop of a

hat.  Two piercing eyes glanced into two piercing eyes--the holy con-man

with the shining mind, and the sorrowful poetic con-man with the dark

mind that is Carlo Marx."

 

Also interesting to note, is even that in starting out on his first

hitchhike across the country, where his plan is to take Route 6 straight

across the country to Ely, Nevada., he has to give up because there are

no cars to pick him up, and a passerby suggests he give up the plan

and head to Pittsburg to Chicago; he says, "It was my dream that screwed

up, the stupid hearthside idea that it would be wonderful to follow one

great red line across America instead of trying various roads and

routes."

 

So, in his eyes, is the American dream already starting to topple?  Is

the spiritual journey also begun? The fact that life is lived and

knowledge is gained by trying various roads and routes, instead of one

answer, analogous to one gigantic thoroughfare cutting through the middle

of America, but no one is on it.

DC

=========================================================================

Date:         Sat, 16 Aug 1997 05:01:33 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

The most amazing thing about the beginning of Naked Lunch is the flow of

language.  Very much different than Kerouac's type of flow but very

compelling from the perspective of keeping the reader interested.  It

is a keen flow of dialogue that keeps things moving. As for subject

matter, mostly I've learned that the heirarchy of junk on all levels is

all-consuming and everyone is the chain is addicted to his own level, be

that user, seller, buyer, agent, etc.; the system goes in circles,

everyone is affected, infected.  Not a pretty world, lots of drooling,

vomiting, spitting, nightmares about rotting ectoplasm.  Also no real

sense of who I is, or where he is, except caught in a vicious cycle.

Does anyone else have a perspective about the beginning of the book?

DC

=========================================================================

Date:         Sat, 16 Aug 1997 23:03:59 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      The Darkness of Buddishm.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

*-

"A man who uses Buddhism or any other instrument to

remove love from his being in order to avoid,

has committed, in my mind, a sacrilege comparable

to castration."-- William S. Burroughs' letter to Jack Kerouac.

>From "Letters of William S. Burroughs 1945-1959."

 

*-

        "When the Vietnamese communists

        took Saigon in 1975, they put their "class

        enemies" into re-education camps. In

        neighboring Cambodia, Pol Pot built exter-

        mination camps. Techears, doctors, people

        who could speak a foreing language, even

        people who wore glasses, were purged as

        he sought to reduce all of Cambodia to the

        level of the peasant class. The Vietnamese

        could be cruel captors, but their Confucian

        heritage left them open to educational re-

        form. In Cambodia, by contrast, Buddhism

        encouraged a belief in the ineluctability

        of karma and the idea that evil suffered

        is evil deserved. ''The idea of karma

        goes very deep in this society, and I

        think that was part of the mentality of

        the Khmer Rouge when they were massacring

        people,'' said Francois Ponvhaud, a priest

        who first went in Cambodia in 1965. '' They

        believed their victims had made errors,

        political errors, and that killing them

        would allow them to be reborn as better

        people in their next lives''. Pol Pot has

        admitted to some mistakes in the period

        from 1975 to 1979, but in his eyes they

        were mistakes of policy. About the million

        dead, he has never expressed any remorse."

        From "Terry McCarthy-- TIME,AUGUST 11,1997."

 

*-

"I repeat, BUDDHISM IS NOT FOR THE WEST.

We must evolve our own solutions..."

-- William S. Burroughs' letter to Jack Kerouac.

>From "Letters of William S. Burroughs 1945-1959."

*-

 

        DIED. WILLIAM BURROUGHS, 83,

        countercultural hero, whose

        delicioussly delirious novel,

        ''Naked Lunch'', was cleared

        of obscenity charges by the

        U.S. Supreme Court; in Lawrence,

        Kansas. A literary junkie,

        Burroughs was hooked on heroin

        and words, which he furiously

        pieced together to exorcise the

        memory of having drunkenly shot

        his wife Joan instead of the

        glass perched on her head. Of

        that stunt gone fatally wrong,

        Burroughs once said: '' I have

        had no choice but to write my

        way out.''

        From "TIME,AUGUST 18,1997.

*-

 

saluti fraterni,

Rinaldo.

=========================================================================

Date:         Sat, 16 Aug 1997 17:14:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Smoke Signals

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

Sam plays the blues

His left hand action

Could break your heart

 

[Dark Cipher

Show Judas mercy

He was dealt a raw hand

Shattered faith and broken connection

He took to the highway

To be born again

You need distance]

 

Rick pours a drink

And waits for her return

 

[Like a killer

Firing blanks at a photograph

He seethes

Like an infant

Being smothered by a pillow

Thinks he sees the light]

 

He lights a cigarette

And lets time go by

 

[We surrounded the fire

Dancing and ripping the flesh

Off our screaming sacrifice

Our hands covered with blood

And offal]

 

Ilsa's eyes still watch him at night

 

[Menstrual mind shaved bare

Severed ring finger

On a drift of snow

Coyly removing her shades

Tongues of flame lick the air

>From hollow eye sockets]

 

"I miss you, kid"

 

[In the apartment next door

A body is being slammed against

The wall again and again

All I do is sweat my sheets into slush

And follow the rhythm in terror]

 

She's always another drink away

 

[The knife thrower

Over there, wiping his steel

Is Anxious for his turn on stage

He makes sure these parties

Don't get over crowded]

 

He's always a drink behind

 

[Her room is gaurded by statues

Of saints, candles and prayer cards

Holy water by the door

Someone outside crying at

A lovers' breakthrough

Swallowed by black night

Playing burial drums in the street

Acceptance at her outstretched hand

I lay down

Whose lips enclosed

Whose touch could save]

 

 

                                           Chimera

                                            '91 (cut-ups)

=========================================================================

Date:         Sat, 16 Aug 1997 23:15:02 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beat Writers.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

http://sfpl.lib.ca.us/nbe/beatwriters.html

 

 

List of Beat Writers in The Collection

 

 

        The two sources used to determine if a writer/poet is to be included

 in the Beat Writers Collection are: 1) A two volume set entitled "The Beats:

 Literary Bohemians in Postwar America" (edited by Ann Charters. Gale. 1983).

 More than a biography of 66 Beats or Beat Era writers, each entry includes an

 in-depth critique of the works of an author and includes at least one

 photograph and a bibliography.  The six page forward written by Charters

 serves as a quick socio-historical analysis of BEAT.

        Poets/writers listed in this two volume set are:

 

Amari Baraka (Leroi Jones)

Paul Blackburn

Bonnie Bremser

Ray Bremser

Chandler Brossard

William S. Burroughs

William S. Burroughs Jr.

Paul Carroll

Carolyn Cassady

Neal Cassady

Andy Clausen

Gregory Corso

Robert Creely

Diane DiPrima

Kirby Doyle

Robert Duncan

Bob Dylan

William Everson (Brother Antonus)

Lawrence Ferlinghetti

Allen Ginsberg

Brion Gysin

John Cellon Holmes

Herbert Huncke

Ted Joans

Lenore Kandel

Bob Kaufman

Jan Kerouac

Jack kerouac

Ken Kesey

Seymour Krim

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Norman Mailer

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

John Montgomery

Harold Norse

Frank O'Hara

Charles Olson

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Michael Rumaker

Ed Sanders

Gary Snyder

Carl Solomon

Jack Spicer

Charles Upton

Janine Pommy Vega

Anne Waldman

Alan Watts

Lew Welch

Philip Whalen

John Weiners

William Carlos Williams

 

        2) The second book is entitled

        "Women of the Beat Generation" (edited by Brenda Knight.)

=========================================================================

Date:         Sat, 16 Aug 1997 17:47:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

         I found out quickly that the best

way to approach NL (for me) is as a

long poem, rather than a novel.

 

           Being spoiled by mainstream

authors (hey, I was young!), I wasn't

expecting the sharp turns in the middle

of a sentence (in the middle of a thought)

or the playing with the flow of the plot.

Once you sink into the rhythm and

_expect_ high word play and serious

surreal imagery, the book comes more

easily. Anyway-just me talkin'.

 

            As for the subject matter, even

with my limited (by comparison) drug

experience, one of the things that I was

affected by was WSB's dead on (and

heartbreaking) descriptions of the users'

denial of self (except when it comes to

scoring). The loss of shame, vanity, etc.

It seemed to me that while putting down

these scenes, all his fantastic wordplay

was put aside just for a few sentences

and he was just "putting the feeling

across, straight". All the more jarring

when he'd get up and go again.

=========================================================================

Date:         Sat, 16 Aug 1997 19:53:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Lew Welch

Comments: To: dcarter@together.net

 

Bolinas 7.16.97 4pm Western Standard Time

 

Lew Welch Birthday party-Book party

Hey Beat List

this is my first post--

Just back from great reading, singing, dancing,

homage to Lew...  Happy Birthday,

Ring of bone-

Robert Hunter the long time Greatful Dead lyricist

sang to the crowd

Magda singed copies of her new book

"Hey Lew"

People read from Lew's poems

(I got to read Taxi Suite)

All in the sweet down town

of Bolinas

ever wonder what

happened to all the hippies?

They are alive and well

in Bolinas

more poets per capita than

any where on the plant.

Also in attendance

Joann Kyger

You can get the new book

by sending $12.00 to Magda Cregg

Box 964 Bolinas CA 94924

(for those not in the know

she was married to Lew

and the mother of

Huey Lewis)

Sweet stories in the book

of Lew teaching Huey

about poetry!!

 

Love,

Gary Mex Glazner

Headless Buddha

http://www.well.com/user/poetmex

=========================================================================

Date:         Sat, 16 Aug 1997 18:51:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Cut up method

In-Reply-To:  <33F5F86D.548BBCEF@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:58 AM -0700 8/16/97, R. Bentz Kirby wrote:

 

> Tristam Tzara said: "Poetry is for everyone."

> 

> ...

> 

> Cutups are for everyone.  Anybody can make cut-ups.

> 

> This is from William S. Burroughs, The Cut-up Method of Brion Gysin

> which first appeared in the "The Third Mind (c) 1978.

> 

> I was just trying to dig into some better understanding of Burroughs and

> stumbled across this.

 

 

driving down from Lala today.  thinking about The Big Lie and how cutups,

collage, and that compacted shape shifting style familiar to david salle,

burroughs, and a whole new generation of graphic designers.  Got to

thinking about how otto dix and george grosz with the depictions of post

wwI germany, their crowded political scenes are very reminsecent of my WSB

view.

 

to crack the big lie.  to be vigilent on the truth and not be snide, not

play stupid, and to crack the commercian veneer that often surrounds such

enterprises.

 

yes, "people have the power" as patti smith often says.  "people have the

power to dream, to rule, to wrestle the earth from fools"

 

and how refreshing it is to read some straight commentary, not some alien

this and hanging boy critique of capitalism art statement.  props to the

New Yorker for getting ahold of those journal entries.  Wonder how they

pulled that one off??

 

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sat, 16 Aug 1997 20:50:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> The most amazing thing about the beginning of Naked Lunch is the flow of

> language.  Very much different than Kerouac's type of flow but very

> compelling from the perspective of keeping the reader interested.  It

> is a keen flow of dialogue that keeps things moving. As for subject

> matter, mostly I've learned that the heirarchy of junk on all levels is

> all-consuming and everyone is the chain is addicted to his own level, be

> that user, seller, buyer, agent, etc.; the system goes in circles,

> everyone is affected, infected.  Not a pretty world, lots of drooling,

> vomiting, spitting, nightmares about rotting ectoplasm.  Also no real

> sense of who I is, or where he is, except caught in a vicious cycle.

> Does anyone else have a perspective about the beginning of the book?

> DC

 

It has been some time since i've been through this book.  As i may have

mentioned i gave my william burroughs collection to a dear friend for

hannukah last winter.  i felt it was time to pass it along at the time.

sometimes i have regrets - especially when specifics are being

discussed.  The local library which does have a copy of Naked Lunch will

not be open until sometime later next week.  Hopefully it will be

available for checkout.

        In the meantime another library in town "MAGICALLY" had a copy of the

Letters 45-59 of WSB.  I checked it out yesterday and have already made

it to December 1952.  It is good reading and quite a warmup for moving

into Naked Lunch - as i believe Arthur had suggested previously.

        One thing about what you've recognized in the opening portions of the

book is that i believe that there are many layers beyond mere junk at

work here.  The nature of the vicious cycle is particularly important.

It seems to be (as i recall) that the beginning section of this book --

with minor modifications -- could be a recurring preface to most of the

works to follow with differing emphasis concerning the specifics.

        Without a copy of Naked Lunch before me it is difficult to explain this

very well as i am unable to provide any textual references.  What i am

suggesting also in no way is a claim that your current reading is a

misunderstanding or misconception.  Rather what i'm trying to find the

words to breakthrough with here is that the beginning section can be

read as developing a far more general theory concerning addiction and

control and even Control with a capital "C".  Such a reading views the

poetry of junk as a poetic example of the larger notion.

        The particular kind of vicious cycle described here is a powerful

general theory which can be translated across addictions and even as far

as considering addictions to the virus of words and the control of

space/time and the addiction to finding immortality.  Throughout the

writings of WSB, it always seems to me, that coming back to these

beginnings in Naked Lunch can provide a powerful lens into the future

project.

        Two other comments ... it seems that it is important to view Naked

Lunch as more than a junk novel from the outset.  The junk experience is

already described in some detail in Junkie/Junky (or as in the letters

simply Junk).  Viewing as more than a junk novel helps discourage the

tendency to pigeonhole the writings of WSB as a junk novelist.

        The second thing is that the technique employed in developing Naked

Lunch of cut-up (cut and paste, splice, word montage - whatever) both

presents a clear picture and something of a non-linear image that breaks

through pre-recordings.  In reading WSB, one can merely accept the

pre-recording of the book as published or appreciate this version and

also glance around the montage of words for portraits of further

meanings yet to be exposed.

 

        Just a few thoughts.  I look forward to being able to check out the

necessary books to keep up with you on this very very soon.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 16 Aug 1997 22:15:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Thanks to My Friends of the Beat-L

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Thanks to all those who have visited my web page for The Kerouac Quarterly.

I must solicit one thing from those who can help me. I am looking for any

current or upcoming reviews for Some of the Dharma. This is an important

publication and should be widely discussed in a controversial way. I think

you all will be surprised by its contents as I was. For now. . .I have the

negative review from Kirkus added to the page ( a page I will keep separate

for Some of the Dharma). Thanks again. . .please e-mail me your reviews

should you get them. Regards and thanks from The Kerouac Quarterly. .

.Sincerely Paul. . .

 

 The Kerouac Quarterly, a journal for the legacy and spirit of Jack Kerouac. . .

=========================================================================

Date:         Sat, 16 Aug 1997 19:22:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: Naked Lunch

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

  Like David, I haven't reread the novel in quite awhile.  I have to agree

with his idea about how pervasive the metaphor of "junk" is throughout the

novel.  A scene which has stuck in my mind since I read it, and I believe

it's in the first chapter, is when a guy approaches the narrator in the

subway (?) and the narrator immediately recognizes the guy as someone who

isn't "in the know" and who, because of this, is ready for a fleecing.

  And I keep thinking about how "paranoia" is so often justified and I

wonder how truly deep the "junk" goes.  Maybe I'll reread it after all.

 

                                                   Your's,

                                                   James M.

=========================================================================

Date:         Sun, 17 Aug 1997 00:20:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Some of the Dharma Review

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have posted on another page at my web site a review for Some of the Dharma.

 

http://www.freeyellow.com/members/upstartcrow/page3.html

 

Enjoy and respond! Regards to all, Paul of TKQ. . .

=========================================================================

Date:         Sat, 16 Aug 1997 21:34:09 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

In-Reply-To:  <33F658EA.50E2@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 6:50 PM -0700 8/16/97, RACE --- wrote:

 

 

>         The particular kind of vicious cycle described here is a powerful

> general theory which can be translated across addictions and even as far

> as considering addictions to the virus of words and the control of

> space/time and the addiction to finding immortality.  Throughout the

> writings of WSB, it always seems to me, that coming back to these

> beginnings in Naked Lunch can provide a powerful lens into the future

> project.

 

Ok, cool.  Was watching tv tonight, "Valmont."  This psycho thriller of

sorts, involving love, death, manipulation, and in the end, "the viscious

circle".  And we see it all planned out.  down to the details.  Human

beings controling the outcome of events.  Mixed this all up with my working

WSB ideas of the "big lie."

 

Went to the bookstore today and came up with "the western lands."  They

didn't have the WSB letters book, nor the Umberto Eco I was looking for.

Got a S. Dali compendium for $6 (quite a steal!).

 

 also realized the you can translate the control, the viscious cycle you

are talking about into visual terms as well.  That's where the green tit

comes in handy, I guess.  The Gaze!

 

then from what your talking about, don't forget what an old carny WSB is.

I liked how Eric Blanco talked about WSB and his few true sentences.  And

seeing him start, jarringly, up again.  The lure to keep the carny suspect

hooked.

 

and from "Valmont" realizing that your own actions are possibly not enough

to prevent the big lie from happening again.  that lies are necessary, that

love is not always fulfilled, and the harm might willingly be caused to

others.  Needing people to respect and violate these personal laws.

 

then death, how it works.  death is indeed the seed.  burrowing down deep

like the fucking fleas in my apartment.  bring the heat and my blood is

ripe for the picking.

 

http://www.electriciti.com/babu/images/Big_lie.html

 

> david rhaesa

> salina, Kansas

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sat, 16 Aug 1997 22:49:11 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      green tit (1997)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

http://www.electriciti.com/babu/images/Green_tit.html

 

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sun, 17 Aug 1997 10:17:28 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Lawrence Ferlinghetti, the Prevert of America...

In-Reply-To:  <BEAT-L%1997081523204008@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Antoine et al. friends,

 

the Ferlinghetti's poem "Walking through the University of Bologna"

is printed in the book

"Ferlinghetti, SCENE ITALIANE", ed. Minum fax, (c) 1995, Roma

in the cover a Ferlinghetti's painting titled "Morning Vision",

 

in previous post i noticed thet Jeffrey Weinberg <Waterrow@AOL.COM>

have alot of books in stock i dunno if he has a copy of "Italian Scenes"

by LF,

 

saluti a tutti, e buona domenica,

Rinaldo.

 

 

At 23.20 15/08/97 -0400, Antoine wrote:

>Thanks for adding the William for me Rinaldo and for choosing such a perfect

>Ferlinghetti poem as a response! Which collection is it from?

> 

>        Antoine

=========================================================================

Date:         Sun, 17 Aug 1997 04:28:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Lowell Kerouac organizers

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:41 PM 8/14/97 -0400, you wrote:

>I have ended this kind of crap! It went out with greasy funded french fries.

>Who wants to see Kerouac's Lowell in that kind of crowd, anyway?

>C. Plymell

> 

> 

The Hemingway ancestors have ceased control of the Papa

image in Key West and are trying to the get the annual

event to pay them (the Hem foundation)tribute for using

the Hem image, etc.  If Kerouac's relatives want to make

a case which makes all public beat knowledge accessible to

them.  It could be the Dow is starting to shift downers.

 

Mike Rice

=========================================================================

Date:         Sun, 17 Aug 1997 05:02:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

runner wrote:

>   Mixed this all up with my working

> WSB ideas of the "big lie."

> 

> http://www.electriciti.com/babu/images/Big_lie.html

> 

> Douglas

> 

> http://www.electriciti.com/babu/

 

I'm not certain that "lie" is it.  Unless the Lie is in only one angle

on truth.  It doesn't seem to me a particularly moralish notion as Lie

sometimes suggests - what constitutes the Big Lie is factually accurate

from a particular point of view, from a particular angle.  What is

exposed is the multiplicity of angles.

 

i like your montage/collage.  it reminded me of an old friends stuff

that he used to send through the mail - addressing the backside of

something like that to friends.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 17 Aug 1997 05:06:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James William Marshall wrote:

> 

>   Like David, I haven't reread the novel in quite awhile.  I have to agree

> with his idea about how pervasive the metaphor of "junk" is throughout the

> novel.  A scene which has stuck in my mind since I read it, and I believe

> it's in the first chapter, is when a guy approaches the narrator in the

> subway (?) and the narrator immediately recognizes the guy as someone who

> isn't "in the know" and who, because of this, is ready for a fleecing.

>   And I keep thinking about how "paranoia" is so often justified and I

> wonder how truly deep the "junk" goes.  Maybe I'll reread it after all.

> 

>                                                    Your's,

>                                                    James M.

 

i wasn't going to re-read it.  i felt like - been there, done that.  but

i know that i missed so many angles along the way in first readings and

the idea of reading it with others seems a nice idea.  i hope you decide

to read it.

 

this and the message to douglas are probably examples of what just as

well might be backchanneled ... i fall easily into the trap that the new

format creates and James Stauffer so elegantly slammed.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 17 Aug 1997 07:14:11 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Fred Bogin <FDBBC@cunyvm.cuny.edu>

Comments:     Originally-From: Matthias_Schneider

              <magrobi@mail.zedat.fu-berlin.de>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Subject:      Burroughs/ Ginsberg and David Leavitt

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi,

thanks for helping me with the citation search the other day...

=2E..by the way, I am studying the Text The Lost Language of Cranes by David

Leavitt for my thesis and there are at least two references concerning

Ginsberg und Burroughs.

(1.) a rather middle-class gay couple distance themselves from Ginsberg=B4s

social life

(2.) there is a scene in which one of the protagonists (Philip) is in a

porn theatre an he has sex with a guy, although he does not want it until

"the strange man=B4s hand unzips Philip=B4s and BURROWS into him."

I wonder whether the verb "burrows into" (It sounds like "Burroughs,

doesn=B4t it?) is a textual reference to Naked Lunch to what happened to the

boys. I have not read  Naked Lunch yet, but as far as I know they are kind

of raped and die at the end of the story. Is there any other term (that is

perhaps more often used) that describes fellatio, instead of to "burrow

into".

I guess David Leavitt is pretty anti-beat.

 

Do you think the latter clue has any sense, or am I overreading? I would be

grateful for any comments.

 

Matthias Schneider (Berlin)

=========================================================================

Date:         Sun, 17 Aug 1997 13:49:48 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      la Repubblica quoted Wall Street Journal WSB's obituary

In-Reply-To:  <33EFFFC8.5258@buchenroth.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 23.16 11/08/97 -0700,

"Michael L. Buchenroth" <mike@BUCHENROTH.COM> wrote:

>Last Saturday morning (Friday night) I read an article / bio / slam /

>insulting and frightening propaganda bullshit narrowly filtered opinion

>in the "Wall Street Journal" about Burroughs and the Beats, etc.

>***

[snipped for brevity]

> 

 

Friends,

the newspaper "la Repubblica", printed in Rome (the 2th most

big newspaper in Italy) today sunday 17th august 1997, has quoted the

Wall Street Journal article concerned the William S. Burroughs' obituary.

 

        *********************************************

        Dopo i misurati elogi della stampa "liberal",

        il "Wall Street Journal" parte all'attacco.

 

                BURROUGHS, L'AMERICA SI DIVIDE

                        di Eugenio Occorsio

 

        Era inevitabile che l'America giungesse ad un

        ''redde rationem'' con William Burroughs, il

        controverso profeta della beat generation morto

        di infarto il 2 agosto nel Kansas appena quattro

        mesi dopo l'altro ''poeta maledetto'' Allen

        Ginsberg. E' un processo tortuoso e sofferto,

        questa rivisitazione della figura dell'autore

        di ''Naked Lunch'', che si sta consumando in

        questi giorni insieme alle celebrazioni di

        Elvis Presley: il New York Times ha pubblicato

        un obituary volutamente asettico e didascalico

        pur definendolo ''scrittore rinnegato'', il

        Washington Post lo ha definito senza mezzi termini

        ''una genuina icona culturale'', il Los Angeles Times-

        citando peraltro i tanti ammiratori da Norman

        Mailer a Lou Reed- ha riferito con piu' convinzione

        nei giorni successivi le serrate critiche che lo

        dipingevano come un ''ciarlatano incomprensibile''.

        Ma e' soprattutto il Wall Street Journal, ultimo ma

        non minore, a scagliarsi non solo contro questo

        ''debosciato pornografo'' ma anche contro il resto

        della stampa americana, ''che lo ha trattato come fosse

        un'importante figura letteraria''.

                ''Burroughs, come prima di lui Kerouac- scrive

        ora il quotidiano- commetteva, fra le tante, una

        mistificazione: diceva di ispirarsi allo scrittore

        Jonathan Swift, per i suoi toni satirici e disincantati.

        Nulla di piu' sbagliato: Swift prende le distanze

        dalle aberrazioni e dalla degradazione che dipingeva,

        Burroughs invece vi e' immerso dentro. E' un opportunista

        che si autodefinisce ironico solo perche' cosi' cerca

        di proteggersi contro le azioni legali a suo carico

        per oscenita' ''. A differenza di Swift, ''non ha

        nessun ideale da contrapporre alle brutture che descrive''.

        Certo aggiunge il Journal, Burroughs, come gli altri

        Beats, ha lasciato il segno nella cultura americana e

        ha contribuito ad infrangere il muro di "reticente

        sensibilita'" che circondava la pornografia. E la sua

        "religione della droga" ha fatto si' che di questa si

        riuscisse a parlare con minore reticenze. Ma il tutto

        ''non ha rappresentato un successo, bensi' una penosa

        degenerazione''.

 

        copyright "la Repubblica" domenica 17 agosto 1997, p.34

        *******************************************************

 

i must note that in the italian media (Tv & Press) WSB isn't caned,

here there's an acceptance of the beat experience,

 

Rinaldo.

=========================================================================

Date:         Sun, 17 Aug 1997 05:23:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: New Format

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

  What's the deal with the new format?  Are we supposed to be doing

something differently?  I'd backchannel this to Bill but I don't have his

address.  My apologies for wasting bandwidth but perhaps there are others

with the same questions.

P.S. I haven't noticed any difference in my mail from this list.

 

                                                James M.

=========================================================================

Date:         Sun, 17 Aug 1997 11:03:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Burroughs and musical influences

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

After someone dies, everything is written in the context of the fact that=

 he

is dead. All writings about Burroughs and Ginsberg now have an obituary f=

eel

to them. These days, obituary feels hyped, forced, politically correct. S=

o I

was interested to find these three older music reviews at Rolling Stone's

website (http://www.rollingstone.com), written about three distinct music=

al

contributions, as disparate as night and day, written at various times wh=

ile

William was still alive.

 

His influence is named, rather than claimed, in these reviews. I thought =

a

bunch of us might enjoy them.=20

 

The last sentence of the Iggy Pop review is a great philosophical stateme=

nt

that must have been intimately understood both by WSB and Kurt Cobain. Ma=

ybe

it should a tattoo inside the elbow-joint of everyone making art with wor=

ds

and music in the nihilistic Nineties, right where that vein pops up.

 

Diane De Rooy

........................

Clear

Bomb the Bass

 

In 1988, Tim Simenon was a teenage DJ making cut-and-paste hip-hop single=

s in

the style of fellow English mix masters Coldcut, S'Express and M/A/R/R/S.=

 His

first single, "Beat Dis," was intended to be a simple, faceless dance rec=

ord,

but it wound up catapulting Simenon into Britain's suffocating pop spotli=

ght.

By 1993, the DJ and producer had released two albums in Britain, "Into th=

e

Dragon" and "Unknown Territory," as Bomb the Bass.

 

Simenon has returned with his third Bomb the Bass album, "Clear," and it

demonstrates just how far he has come since those early days. The novelty=

 of

samplers has apparently worn off for Simenon, and what has emerged is a

proficient sweep through dub reggae, hip-hop, jazz, techno and the litera=

ry

collection of William S. Burroughs. With fewer electronic bites and more

original instrumentation, "Clear" is Simenon's most sophisticated work to

date.

 

On "Empire," an emotive ballad that plays on the similarity of the words

empire and vampire in describing England as a bloodsucking entity, Sinead

O'Connor duets with the delicate-voiced newcomer Benjamin Zephaniah to

beautiful effect. But it's the Los Angeles rapper Justin Warfield who is =

most

responsible for "Clear's" edgy, Beat-like quality. When Warfield waxes

lyrical about Willy Wonka over Simenon's drug-addled bassoon foundation o=

n

"Brain Dead" or flips the lines "Bug powder dust/To mugwump jism/The wild

boys running/Round interzone trippin'," on "Bug Powder Dust," it's appare=

nt

that this music is a far cry from typical hip-hop fare.

 

The album's smooth-flowing, laid-back jazz quality stands in stark contra=

st

to the original European release of "Clear," which carried a frenetic pac=

e

similar to flipping through television channels. Alternate versions - and

even song omissions (including a contribution from the author Will Self) =

-

make for an entirely different creation for the American audience, althou=

gh

both albums are equally worthwhile.

 

On "Clear," Bomb the Bass reaches well beyond the boundaries of the trip-=

hop

appellation to present tunes sweet to the ears and lyrics that stick in t=

he

mind.=20

-- TAMARA PALMER (RS 732)

.................................................

The Chronic/Black Sunday

Dr. Dre/Cypress Hill

Death Row/Interscope/Columbia

 

Wrapped in a Batman cloak of larger-than-life mayhem and straining its pa=

nts

with adolescent horniness, it's beloved by millions, black and white; the=

y

devour its percussive snap, crackle and pop. To adult white people, it's

anathema. But California hardcore rap is simply one of the most imaginati=

ve

sounds in the world today. Its radical wordplay mainstreaming the

scatological cut-up poetics that William Burroughs debuted in the '50s, i=

t

hurdles the aesthetic line in the sand that original rap drew when it beg=

an

to rethink rhythm, compositional method and studio technique so decisivel=

y

that it redefined the very perception of music itself. Along with the 12-=

tone

scale of modern classical fare, Ornette Coleman's free jazz and the trium=

ph

of punk attitude, the rap revolution is 20th-century fact.

 

At its vanguard are the gangstas. Formerly of the trailblazing N.W.A, Dr.=

 Dre

is the form's wizard producer. High-volume hypnotism, "The Chronic," like=

 the

marijuana it's named for, alters the senses. Mixing loping beats, smooth =

and

gruff voices from South Central, giggles, snarls and reggae intonations, =

it

updates the aural movies P-Funk (and psychedelia) once made. Its sounds a=

re

as raw and complex and real as life. The assaultive Dre and the more rela=

xed

Snoop Doggy Dogg (the latter formally charged with murder in September) m=

ay

be, to put it mildly, problematic souls, and romanticizing criminal behav=

ior

sucks. This music, however, cannot be refuted =96 or easily forgotten.

 

With "Black Sunday," Cypress Hill make baroque rap so arcane in its sampl=

es

(Bobbie Gentry, Black Sabbath, Joe Zawinul) and verbal references (sumo

wrestling, Louis Armstrong, "The Wizard of Oz") that the mind reels. This

crew, too, is made up of potheads. And next to their musical inventivenes=

s,

black-Latino hipness and zany comedy, most rappers seem as lame as old hi=

ppie

bands did next to Frank Zappa. Skull-strewn, their album art looks B-movi=

e

Gothic, but what's truly scary is their titanic, subversive intelligence.

--PAUL EVANS (RS 672/673)=20

......................................

Naughty Little Doggie

Iggy Pop

 

If Iggy Pop had died when most people expected him to -- back in the

mid-'70s, from an overdose of bad drugs and stage violence -- we would

probably be sitting around now wondering what kind of music he would have

made in his middle age. But the heavy chemicals and broken glass didn't k=

ill

him, and he's still cutting records, so here's your answer: In 1996, the =

Pop

is still singing about pussy. About needing it, getting it and how just

thinking about it is good for what ails him. With its hip-swing rhythm an=

d

irresistible idiot-mantra chorus, "Pussy Walk" is top-grade, lowbrow lovi=

n'.

Because in rock & roll, as in everything else, life is too short to waste=

 on

double-entendre.

 

At 48, Iggy Pop isn't punking out. "I'm better than a Pepsi/I'm cooler th=

an

MTV," he brags at the outset of "Naughty Little Doggie" over the shake 'n=

'

quake of "I Wanna Live." "Step up, it's fight time/ Kick, scratch and bit=

e

time." He's as good as his word for the most part, turning on the power-e=

lite

pricks in "Knucklehead" while losing himself in the burnt-heart howl of "=

To

Belong." And Iggy has not lost his lyric gifts for Burroughsian sleight o=

f

metaphor -- "The music sounds like dead ham" ("Knucklehead") -- and sly

menace. "Strangle that rock & roll star," he sings on "Outta My Head" wit=

h

just the right trace of irony. "Make him eat jizz."

 

But Iggy also carries the great weight of his own history; at this point =

in

his life, nothing short of total meltdown on record would eclipse the Mol=

otov

cock tales on "The Stooges," "Fun House" and "Raw Power." And "Doggie" fi=

nds

him struggling with the uneasy balance between the eternal joys of electr=

ic

fuck-you rock & roll and singing about the hard truth of being an outlaw =

for

life -- that you'll probably die alone. Iggy almost nails it in "Outta My

Head" with the wounded-animal way his voice bends slightly out of tune, b=

ut

the song cries out for more explicit guitar madness, more real blood on t=

he

frets.

 

"Look Away," though, is a potent admission of screwing up on China white =

and

cheap attitude. Amid references to Johnny Thunders' fatal mixed-up confus=

ion

and Iggy's own near-death experiences, electric and acoustic guitars blen=

d in

eerie, milky strumming as Iggy intones the words "look away" like some Ze=

n

chant and shows just how low you can go to get by. "I got lots of

feelings/But I hold them down," he sings at the end. "That's the way I

cope/With this shitty town."

 

If Iggy had died ahead of schedule, he would just be another rock & roll

martyr. Instead, the fun house is still open for business and, as he puts=

 it

here, "I'm deeper than the shit I'm in/An' I don't really give a damn."

Celebrity is great, but survival is the best revenge.=20

-- DAVID FRICKE (RS 728)

=========================================================================

Date:         Sun, 17 Aug 1997 09:34:24 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: New Format

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

<<   What's the deal with the new format?  Are we supposed to be doing

something differently?  I'd backchannel this to Bill but I don't have

his

 address.>>

 

You point directly to the difficulty with the return to the current (and

original) format.  Under the interim format we have been operating under

for the last few months the default address that appeared when you hit

your "Reply" button was that of the person posting rather than the

list.  If you felt that your reply should go to the list rather than

only that one individual it was easy to erase the "Mail to" address and

plug in Beat-L from your address book.  Under this format the default

that appears in your "mail to" space is the list address.  It is easy to

change that if you have the individual in your address book.  If you

don't, however, you have to copy the individual address from the message

and plug it in.  This format makes backchannel harder unless the reply

is to one of your regular on-line buddies.

 

I am using the terms from Netscape mail, but most of the other mail

programs have very similar functions.

 

What I liked about the original format was that it made one think at

least once about whether the reply was one that ought to go to all 200

or so of us or was more personal or not global enough for the list.

This reduced list traffic alot and encouraged backchannel both of which

were good things in my view.

 

I think some folks failed to understand how easy it was to plug in the

List address or were using mail programs that may have made it harder.

This produced lobbying for a change back to the original format.  There

are some that liked the personal tone and the sort of cyber soap opera

that the original  format seems to me to create.  I can like that too,

but it takes a lot more time, and we keep losing good people from the

list because they know they have work they ought to be doing and the

list makes a marvelous excuse for not doing it.  The higher and more

frivilous the post volume  the greater the incentive to leave and we all

lose access to some wonderful expertise.  People keep leaving to finish

books.  Those are the sort of people we most need on Beat-L.

 

J. Stauffer

=========================================================================

Date:         Sun, 17 Aug 1997 09:44:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

In-Reply-To:  <33F6CC50.10CB@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 3:02 AM -0700 8/17/97, RACE --- wrote:

 

> runner wrote:

> >   Mixed this all up with my working

> > WSB ideas of the "big lie."

> >

> > http://www.electriciti.com/babu/images/Big_lie.html

> >

> > Douglas

> >

> > http://www.electriciti.com/babu/

> 

> I'm not certain that "lie" is it.  Unless the Lie is in only one angle

> on truth.  It doesn't seem to me a particularly moralish notion as Lie

> sometimes suggests - what constitutes the Big Lie is factually accurate

> from a particular point of view, from a particular angle.  What is

> exposed is the multiplicity of angles.

 

 

yeah, got to thinking about that "lie" part also.  Was it similar to the

"original sin"?  Was it the "fall from heaven" that is basically in every

religion across the globe?  As if by being paranoid (as S.Dali does in his

paranoid-critical method of painting), one is, as you say, exposed to

multiple angels.  angles.

 

that you can't really trust anyone, and this is the foundation for

something larger.  Oh,  I don't know.  Have kinda lost that train of

thought now.  But, aha!  I now have a good set of questions to begin

"western lands" with (and perhaps some q's on Bloom, too....)

 

 

> 

> i like your montage/collage.  it reminded me of an old friends stuff

> that he used to send through the mail - addressing the backside of

> something like that to friends.

 

Thanx!  yes, part of the diatribe that followed in my head rang with

Buckowski's great line "too all my friends" (as superbly announced by M.

Rourke in "Bar Fly").  And from there, got to thinking about the big three

beats and how they are now dead.  all dead.  But not all dead.  Wasn't it

Rinaldo who posted the "who'se who" of beatness?  All these people.

Including Buckowski (sp?), I suppose.  I guess I'm saying that we have a

lot to talk about.  Or possible to talk about.  A lot of friends left on

the table...

 

I'd like to know who the beat artists were.  Robert Williams and S. Clay

Wilson come to mind.  Then there's the guy who did Hunter S. Thomspon's

novels.  The photographer Robert Frank has worked with Patti Smith a few

times.  Don't know if it's fair to include Robert Mapplethorpe or Annie

Leibovitz for their portraiture.  Who else?  Brion G. of course.

 

ah, time to find some coffee.  and perhaps a used bookstore or two.  Need

to find a Yves Tanguey book!

 

> 

> david rhaesa

> salina, Kansas

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sun, 17 Aug 1997 10:20:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Naked Lunch

In-Reply-To:  <33F6CD13.40EA@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 3:06 AM -0700 8/17/97, RACE --- wrote:

 

 

> the idea of reading it with others seems a nice idea.  i hope you decide

> to read it.

> 

> this and the message to douglas are probably examples of what just as

> well might be backchanneled ... i fall easily into the trap that the new

> format creates and James Stauffer so elegantly slammed.

 

oh god, what is the list thinking of me now?

another round of arrows or a bbq in my honor?

oh, it's a book signing, oh hell

 

I had the same thoughts on my cutup thread with Bentz.  How would we put

this poem to music?  Who cares?!  I don't know.  Am glad that it ended when

it did, before someone pulled out the machete and started hacking their

computer to death.  Surprised James didn't write me personally and tell me

to shut the fuck up.

 

Basically, I'd agree that the previous format was good for backchannelling.

I actually liked it better that way myself.  so Bill Gargan, considering

your email always bounces,  I hope you're reading this:  add my vote to the

idea of returning to the previous format.  and who knows, they might start

regulating sperm any day now, too...

 

 

 

it's the miracle of the lie.    yep, that's what Exene and Lydia Lunch, I

believe, talked about when they cruised words and attitudes thru various

towns a few years back.  Trashing Courney Love, the Unabomber, and the

media that permeates this planet.  How fashion and their zero dollar

attitude can revolutionize life.  That if you believe the big lies handed

down to you, that god is good, that big government is out to protect you,

that your doctor knows what's best for you, that that etc.  just manhandled

here and there without any factual support.  If you believe, then yes, you

are saved.

 

 

> 

> david rhaesa

> salina, Kansas

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sun, 17 Aug 1997 13:18:36 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      new format

 

I want to thank James for summing up the pros and cons of both the past

and current "reply" formats.  The current format will make it easier for

those who want to send their message to the whole list.  However, this

means that you have to think about whether you want your message to go

to the whole list or just to the person sending the message.   If people

begin to post messages to the list that are intended only for the sender

or begin to engage in private conversations on the list, then James is

right:  the traffic on the list will become overwhelmingand people who

find their mailboxes full of irrelevant messages will sign-off the list.

I guess if we find that this happens, we'll have to change the

"reply"default back.    Also, please remember when replying to long

messages to "snip" or summarize the message you're replying to rather

than repeat the whole message as some people have been doing.  This will

save us all some time.  Taking care to correctly identify the "subject"

of your message will also help, allowing those who are uninterested in

that subject to delete your post without having to read it.  I'm very

happy to see some exciting threads developing and that we're back to

discussing literature again.

=========================================================================

Date:         Sun, 17 Aug 1997 14:04:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: new format

 

In a message dated 97-08-17 13:30:06 EDT, you write:

 

<< Also, please remember when replying to long

 messages to "snip" or summarize the message you're replying to >>

 

Yeah... puhleeze...

 

Since the posts come out of order frequently, it seems like it would be a

good idea to make sure the original sender's name is in that line at the top,

the one that says, "In a message dated x/y/z, Suzie Creemcheeze writes:"

instead of that stock retort, which says only "...you write:".

 

That way people can find the original post, in case it did arrive after the

reply.

 

But if the only thing that results from the formatting discussion is a

cessation of personal posts to the list, that will certainly be enough.

 

ddr

=========================================================================

Date:         Sun, 17 Aug 1997 14:15:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      format

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I can elect to reply to the poster or to all.  This was true under the

old format too.  I then can delete one if I care to do so.  The "old"

format is easier to back channel.  The new one is more difficult to back

channel but easier to reply to the list.  Under the old one, people

could get messages twice when someone wanted to reply to the list and

hit reply to sender and and all receipents.  So, it is possible to get

dual messages when one forgets to erase the individual.  To me, I don't

care.  It just seems you make a choice for it to be easier to back

channel or easier to reply on the list.  Either way, duplicates or

undesirable email will be in the mail box.

 

Bill, I vote for either way and do not care.  I presume that you

switched back because of requests.  Now the other side requests to go

back.  Suits me either way.

 

And it does seem that your email bounces.  Why is that?

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 17 Aug 1997 03:17:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: new format

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I, for one, am thrilled with the change back to original format.  Thanks

Bill!  I don't think it's terribly hard to remember that your post is

being read by 200+ people and should be written as such.

DC

=========================================================================

Date:         Sun, 17 Aug 1997 04:01:06 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> What i am

> suggesting also in no way is a claim that your current reading is a

> misunderstanding or misconception.  Rather what i'm trying to find the

> words to breakthrough with here is that the beginning section can be

> read as developing a far more general theory concerning addiction and

> control and even Control with a capital "C".  Such a reading views the

> poetry of junk as a poetic example of the larger notion.

>         The particular kind of vicious cycle described here is a

> powerful

> general theory which can be translated across addictions and even as

> far

> as considering addictions to the virus of words and the control of

> space/time and the addiction to finding immortality.  Throughout the

> writings of WSB, it always seems to me, that coming back to these

> beginnings in Naked Lunch can provide a powerful lens into the future

> project.

 

It is easy to view the beginning of Naked Lunch as about junk literally,

and on another level, as a breaking down of society as a whole into

groups that feed and play off one another in terms of who has control and

who is caught in the mirky depths of no control, those people scattered

about, needing the kind of hand-me-downs, caught in the you-get-

only-what-we-want-you-to-have spiral.  Space/time distortions are evident

in the movement of the narrator. There is an analysis of need that

transcends time and place, so to speak. I'm having trouble here, early

on though, in having any grasp your "virus of words" concept.

 

> The second thing is that the technique employed in developing Naked

> Lunch of cut-up (cut and paste, splice, word montage - whatever) both

> presents a clear picture and something of a non-linear image that

> breaks

> through pre-recordings.  In reading WSB, one can merely accept the

> pre-recording of the book as published or appreciate this version and

> also glance around the montage of words for portraits of further

> meanings yet to be exposed.

I am trying to be open to all possible meanings as I read this.  Is

Burroughs' pre-recorded universe the comings and goings of daily life,

touched as it is by the element of fate?  The individuals in the junk

(broadly used) world he is writing about seem to have little power to

ease the futility of their situation.  Does the narrator have power in

his observations and the words he uses, or is he merely a scribe forced

to write about that which he cannot change?

DC

=========================================================================

Date:         Sun, 17 Aug 1997 04:18:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> I'm not certain that "lie" is it.  Unless the Lie is in only one angle

> on truth.  It doesn't seem to me a particularly moralish notion as Lie

> sometimes suggests - what constitutes the Big Lie is factually accurate

> from a particular point of view, from a particular angle.  What is

> exposed is the multiplicity of angles.

Maybe I'm missing something but where did this idea of the Big Lie come

from?  It seems to me that Burrough's notion of the universe is equal

part big lie and big truth.  The notion of a creator playing with the

creation comes to mind.  There's a natural order of things and an

inversion of the natural order of things.

DC

=========================================================================

Date:         Sun, 17 Aug 1997 15:24:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      missile anus

Content-Type: text

 

Greetings!

1) I like the new format (that is, the old format to which we have

returned);

2) regarding the romantic possibility that Burroughs died because his

true love Ginsberg died: as Jake says in the conclusion of Hemingway's

_The Sun Also Rises_, "Isn't it pretty to think so."

Jack Kerouac: "Unrequited love's a bore."

3) regarding C. Plymell's "remorsing" over the number of dead animals

on the road, you might find amusing the following poem of mine published

in the _Kentucky Poetry Review_ (Fall/Winter 1989/1990):

                SIGNS

GAME CROSSING the sign read--

I imagined them hunkering across

I-80: Monopoly, Clue, Backgammon, Chess.

The chicken that crossed the road

to tell a joke. Debris is grimmer:

prairie dogs crushed on the pavement (blackbirds

dart down, daring the traffic for a carcass

morsel), and wolves, raccoons, and skunks

punctuate the margin of the highway.

Were they thrown there by the impact,

or did they drag their battered bodies

there to die, escaping further

shame as tire-desecrated corpses,

cantilevered jaws agape in deadly empty screams?

Cordially,

Mike Skau

8/17/97

=========================================================================

Date:         Sun, 17 Aug 1997 16:28:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      bless you, bill!

In-Reply-To:  <BEAT-L%1997081713294955@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Also, please remember when replying to long

messages to "snip" or summarize the message you're replying to rather

than repeat the whole message as some people have been doing.  This will

save us all some time.  Taking care to correctly identify the "subject"

of your message will also help, allowing those who are uninterested in

that subject to delete your post without having to read it.  I'm very

happy to see some exciting threads developing and that we're back to

discussing literature again.

=========================================================================

Date:         Sun, 17 Aug 1997 04:38:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch passage

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I don't know if all editions of Naked Lunch have the same page numbers,

but this passage is on pages 19-20.  It seemed important, beyond

elements of pot paranoia, and effective, but I can't explain why.  Is

Jane is real-life wife?  Does anyone have any ideas about interpretation?

 

"...Jane meets a pimp trombone player and dissappears in a cloud of tea

smoke.  The pimp is one of these vibration and dietary artists--which

means he degrades the female sex by forcing his chicks to swallow all his

shit.  He was continually enlarging his theories...he would quiz a chick

and threaten to walk out if she hadn't memorized every nuance of his

latest assault on logic and the human image...He was a ritual tea smoker

and very puritanical about junk the way some teaheads are.  He claimed

tea put him in touch with supra blue gravitational fields.  He had ideas

on every subject: what kind of underwear was healthy, when to drink

water, and how to wipe your ass.  He had a shiny red face and great

spreading smooth nose, little red eyes that lit up when he looked at a

chick and went out when he looked at anything else.  His shoulders were

broad and suggested deformity.  He acted as if other men did not exist,

conveying his restaurant and store orders to male personnel through a

female intermidiary.  And no Man ever invaded his blighted, secret place.

So he is putting down junk and coming on with tea.  I take three drags,

Jane looked at him and her flesh crystallized.  I leaped up screaming 'I

got the fear!' and ran out of the house.  Drank a beer in a little

restaurant--mosaic bar and soccer scores and bullfight posters--and

waited for the bus to town.

A year later in Tangier I heard she was dead."

=========================================================================

Date:         Sun, 17 Aug 1997 16:37:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

           I like "There's a natural order of

things and an inversion of the natural order of things." I feel that

best sums

up the world NL takes place in: if not

the inversion of the natural order of

things, then certainly the world (or his

view of the it) turned inside out (?). The

negative of what we perceive as reality.

=========================================================================

Date:         Sun, 17 Aug 1997 17:07:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: Naked Lunch

 

In a message dated 97-08-17 16:58:34 EDT, you write:

 

<<  Who cares?!  I don't know.  Am glad that it ended when

 it did, before someone pulled out the machete and started hacking their

 computer to death.  Surprised James didn't write me personally and tell me

 to shut the fuck up. >>

 

Is this a disease of newsgroups? This pissy, petulant sarcasm launched

against even the slightest of rubs?

 

This is the kind of crap that has made me sign off three times so far.

 

Douglas, shut the fuck up, okay?

 

diane

=========================================================================

Date:         Sun, 17 Aug 1997 05:31:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

This actually is beginning to read more like scenes from a movie script,

or maybe it's just that the content of Benway reminds me of some old

fuzzy Planet of the Apes movie.  Close to walking through the wards of an

ugly insane asylum but I'm always wondering why the narrator is on the

outside looking in.  Couple of things to note:

 

pg. 37

"Gentle reader, the ugliness of that spectacle buggers description.  Who

can be a cringing pissing coward, yet vicious as a purple-assed mandril,

alternating these deplorable conditions like vaudeville skits?  Who can

shit on a fallen adversary who, dying, easts the shit and screams with

joy? [this was reminiscent stanzas of Howl that all being with who,

and especially where Ginsberg writes, "Who let themselves be fucked in

the ass by saintly motorcyclists and screemed with joy"]  Who can hang a

weak passive and catch the sperm in his mouth like a vivious dog?  Gentle

reader, I fain would spare you this, but my pen hath its will like the

Ancient Mariner.  Oh Christ what a scene is this!  Can tongue or pen

accommodate these scandels?  A beastly young hooligan has gouged out the

eye of his confrere and fuck him in the brain. 'This brain atrophy

already, and dry as grandmother's cunt."

 

You have to admire Burroughs vivid descriptions, although it's hard to

figure out what brings about these visions where everything is out of

Control:

 

"Rock and Roll adolescent hoodlums storm the streets of all nations.

They rush into the Louvre and throw acid on Mona Lisa's face.  They open

zoos, insane asylums, prisons, burst water mains with air hammers, chop

the floor out of passenger plane lavatories, shoot out lighthouses, file

elevator cables to one thin wire, turn sewers into the water supply,

throw sharks and sting rays, electric eels and candiru into swimming

pools (the candiru is a small eel-like fish or worm about one-quarter

inch through and two inches long patronizing certain rivers of ill repute

in the Greater Amazon Basin, will dart up your prick or your asshole or a

woman's cunt faute de mieux, and hold himself there by sharp spines with

precisely what motives is not known since no one has stepped forward to

observe the candiru's life-cycle in situ), in nautical costumes ram the

Queen Mary full speed into New York Harbor, play chicken with passenger

planes and buses, rush into hospital with white coats carrying saws and

axes and scalpels three feet long; throw paralytics out of iron lungs

(mimic their suffocations flopping about on the floor and rolling their

eyes up), administer injections with bicycle pumps, disconnect artificial

kidneys, saw a woman in half with a two-man surgical saw, they drive

herds of squeeling pigs into the Curb, they shit on the floors of the

United Nations and wipe their asses with treaties, pacts, and alliances."

=========================================================================

Date:         Sun, 17 Aug 1997 05:38:05 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      On the Road: drunkenness

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

On the Road, pg. 39, when he is describing Dean's (Neal's) father,

Kerouac writes, "His father, once a respectable and hardworking tinsmith,

had become a wine alcoholic, which is worse than a whiskey alcoholic..."

 

>From Kerouac's descriptions in all the later books, he was himself always

drinking wine and not whiskey.  Why is a wine alcoholic worse than a

whiskey alcoholic?  Any ideas?

DC

=========================================================================

Date:         Sun, 17 Aug 1997 14:39:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Naked Lunch

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> 

> This is the kind of crap that has made me sign off three times so far.

> 

> Douglas, shut the fuck up, okay?

> 

Diane,

 

Thanks for rising to my defense.  Hadn't noticed doug's little poke

before you pointed it out because I had been instantly deleting him--as

you tend to do with folks who post so much that they need several

different addresses to avoid having any problems with the ten post

limit, or whatever it is.

 

Was it Yeats who said, "The best lack all conviction/ While the worst

are full of a passionate intensity"?

 

J Stauffer

> diane

=========================================================================

Date:         Sun, 17 Aug 1997 17:45:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: On the Road: drunkenness

In-Reply-To:  <33F6F0AD.1B7B@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

it all sounds like changing seats on the titanic, to me.

hey DC!

mc

=========================================================================

Date:         Sun, 17 Aug 1997 15:08:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      event horizon (theory & spoilers)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok, just mustered home from the movie, "event horizon".  some comments:

 

ok, perhaps in the battle of death vs aesthetics, I am willing to concede

that death has the final hand.  <<perhaps>>  movie questions the big lie,

technology, human experience, and the reaches of understanding.  Very

similar to Lem's "solaris" (and as filmed by Tarkovsky).

 

you build a machine, you keep secrets, you explore.  thing returns with

life of own.  Crew destroyed by madness and their own hells.  The machine

is alive, sir.  The machine is alive.  "do you see?"  "yes, I see".

 

oh, how technology is used to enhance our lives.  this goes without

question.  optimism has seen blood shed, has become academic shooting

galleries.  heroine for the brain.  william tell for the soul.  fuck you,

fuck you.

 

oh, I have to admit the movie scares me.  Scares me like Naked Lunch scares

me.  Remember making it thru half of the book and then putting it down,

running in horror.  Still don't think I have enough of a grip on life to

read it again.

 

and then writing out of it.  believing that creativity is the life raft of

a consciousness.  not blocking its progress with the whatfors, the

questions of what makes _its_ inner workings tick.  This is another lie.

That outside of technology, outside of humour, outside of it all, there

rests another solution.  Well, I guess there are solutions.  There are

fail-safe plans.  And the overrides?  What of them?  The machine is alive,

I tell you.  Do you see?  "yes, I see".

 

Oedipus and his mother, his father, his adopted parents, his children.

Fucking tragic tale.  Wish I knew more about it.  How it relates to the

popcorn I was eating, how it relates to the lady behind me who jokingly

remarked to her companion, "ah, the best capitalism has to offer".  What is

that,  I wondered, not wanting to turn around and ask.

 

and in this chaotic vision, there are those that refuse to return.  those

will live.  yes, those that will life.  Probably why in pre-enlightened

days, such knowledge was preserved in a few people, knowledge was granted

over time in strict, controlled ways.  All of that is gone now.  Reading

before the movie a new book by Todd Oldham, fashion designer.  He's talking

about how 100, no 30 years ago, "creativity" must have been different.  No

pressing techo eyes forcing their, causing your own eyes to bug out.  He

says that only he, he has survived because of an "idiot savant" tendancy.

just flits and trusts his way around.  Takes care of his people, I imagine.

 

and it's why I think literature and all it's cracked up to be on this list

is such a big houey.  Life is bigger than a few interesting posts on

"literature".  Oh, so glad to be talking about "literature" again.  Just an

academic shooting gallery for control freaks, IMHO.  been there, done that,

and don't want to return just yet, thank you.  Oh, I don't know.  I don't

know.

 

am wondering if and what WSB would have said.  Does Naked Lunch have a

happy ending?  Thinking about a question Diane Carter asked a while back

regarding Kerouac and his view of the world?  Something like, "where has

the joy in the joy/darkness paradigm gone?".  Hm.  You create something to

run away from something else.  And what you've created begins a life of

it's own.  And then wham bam thank you mame, you're back where you started

from.  The vicious cycle.  the vicious cycle.

 

so what role does death play?  The movie "event horizon" gives a few clues

in that direction.  It fuels the fire is all I can say.  all  I can say

without rambling on more.  without bringing in other references.  Fire walk

with me.  Firewalker.

 

returning to the son, I used to be.  Hell me, I'm falling....

 

>> Douglas

 

 

http://www.electriciti.com/babu/        |   0   |

step aside, and let the man go thru     |  { -  |

        ---->  let the man go thru      |  /\   |

super bon-bon (soul coughing)           =========

=========================================================================

Date:         Sun, 17 Aug 1997 15:13:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: new format

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>In a message dated 97-08-17 13:30:06 EDT, you write:

 

>In a message dated x/y/z, Suzie Creemcheeze writes:

>If the only thing that results from the formatting discussion is a

>cessation of personal posts to the list, that will certainly be enough.

> 

>ddr

> 

  What's a "personal post"?  I've got an idea but it's making me giggle.

  If it's left to the individual subscriber to decide what is

list-pertinent, there's still no way to avoid getting messages which may be

better sent privately [like that one which told Douglas (I believe it was)

to "shut the fuck up"].

  Anyway, I'm all for the new format as I understand it.  It's no different.

People are going to be shits under any format.

 

                                                    James M.

=========================================================================

Date:         Sun, 17 Aug 1997 06:29:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> James Stauffer wrote:

 

> Was it Yeats who said, "The best lack all conviction/ While the worst

> are full of a passionate intensity"?

 

Yes, in his poem, The Second Coming.  He also said in the same verse:

"The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world"

DC

=========================================================================

Date:         Sun, 17 Aug 1997 19:42:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Some of the Dharma - Publisher Weeklys reviews

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have posted Publisher Weekly's review of Some of the Dharma:

 

http://www.freeyellow.com/members/upstartcrow/page3.html

 

Please send me any clippings of this book via e-mail for web page posting.

 

Thanks, Paul of The Kerouac Quarterly. . .

=========================================================================

Date:         Sun, 17 Aug 1997 19:28:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carrie Sherlock <csherloc@UOGUELPH.CA>

Subject:      Lou Reed and the Beats

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

What was the extent of the relationship with, or the influence of, the

beats and Lou Reed?

=========================================================================

Date:         Sun, 17 Aug 1997 20:41:47 -0400

Reply-To:     Corduroy <corduroy@earthlink.net>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Corduroy <corduroy@EARTHLINK.NET>

Subject:      DigitalDharma

Comments: To: Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU>

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 Digital Dharma

 

 

http://www.microaero.com/snarg/index_main.html

=========================================================================

Date:         Sun, 17 Aug 1997 18:04:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Some of the Dharma - Publisher Weeklys reviews

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Thanks for this Paul,

 

The Kirkus review was strange in its' hostility.

 

That bothers me none.  I have no problem with opinions.  But in this case

the writers ignorance was shown.

 

He/She wrote that it seemed Kerouac was trying to imitate Burroughs cut-up

technique.

 

kerouac was working on this between 53 and 55 or so, a number of years

before Burroughs began the cut-up as we know it.

 

The writer acts as if kerouac read Burroughs books or something and was

imitating them.

 

 

At 07:42 PM 8/17/97 -0400, you wrote:

>I have posted Publisher Weekly's review of Some of the Dharma:

> 

>http://www.freeyellow.com/members/upstartcrow/page3.html

> 

>Please send me any clippings of this book via e-mail for web page posting.

> 

>Thanks, Paul of The Kerouac Quarterly. . .

> 

> 

=========================================================================

Date:         Sun, 17 Aug 1997 22:16:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: Some of the Dharma - Publisher Weeklys reviews

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:04 PM 8/17/97 -0700, you wrote:

>Thanks for this Paul,

> 

>The Kirkus review was strange in its' hostility.

> 

>That bothers me none.  I have no problem with opinions.  But in this case

>the writers ignorance was shown.

> 

>He/She wrote that it seemed Kerouac was trying to imitate Burroughs cut-up

>technique.

> 

>kerouac was working on this between 53 and 55 or so, a number of years

>before Burroughs began the cut-up as we know it.

> 

>The writer acts as if kerouac read Burroughs books or something and was

>imitating them.

> 

> 

>At 07:42 PM 8/17/97 -0400, you wrote:

>>I have posted Publisher Weekly's review of Some of the Dharma:

>> 

>>http://www.freeyellow.com/members/upstartcrow/page3.html

>> 

>>Please send me any clippings of this book via e-mail for web page posting.

>> 

>>Thanks, Paul of The Kerouac Quarterly. . .

>> 

>> 

>Yes. . .it was a very slanted view from what seemed to be a critic

disturbed by Kerouac's seemingly misogynistic tone "PRETTY GIRLS MAKE GRAVES

F**K you all"

It is best not to approach such a biased review intellectually. Kerouac put

up with such nonsense (i.e. Norman Podhoretz for example) all his life. I

think Some of the Dharma tops the best of his published works. It is a

searching, mature, experimental writer we are reading by this time (mid -

1950's).

Best, Paul. . .

 

=========================================================================

Date:         Sun, 17 Aug 1997 19:31:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Please Mr. Johnson, Hand Me a Winner

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Bentz,

 

I was reading too fast the first time this came through.

 

Was going through things to forward to a friend and reread it.

 

Flattered at being mentioned in such exalted company.

 

Nice work.

 

James

=========================================================================

Date:         Sun, 17 Aug 1997 23:15:03 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      unfair aurguments with existence

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

hello all. just returned from a trip to new orkeans, and been

listening in some to know what's happening. picked up a cool little

ferlinghetti book, unfair aurguments with existence, it's some of his

drama. anyone know anything about it? i guess i will buy a copy of

naked lunch too, as that seems to be the current topic. anyone ever

listen to the movie's soundtrack? that is just phenomenal! one of my

favorite cds. is gregory corso still living in italy? i heard he

moved there for heroin cy~a randy

=========================================================================

Date:         Sun, 17 Aug 1997 20:19:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: On the Road: drunkenness

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding:  quoted-printable

 

Just tentative impressions, not hard conclusions, but you asked for =

ideas. =20

 

Whiskey alcoholics generally more alive,  tend to act on their stirring =

impulses, to splash about vigorously except when approaching total =

collapse,  the periods of recuperation when they are totally passed out. =

Winos tend to be more slurred, defeated, drowning, vegetating, more =

inocuous, less combative, less aggressive acting outless destructive =

actions or poor judgement exercised, more chronically douzed, less =

alive, less effectively dangerous also.=20

 

----------

From:   Diane Carter[SMTP:dcarter@TOGETHER.NET]

Sent:   Sunday, August 17, 1997 5:38 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        On the Road: drunkenness

 

.  Why is a wine alcoholic worse than a

whiskey alcoholic?  Any ideas?

DC

.-

=========================================================================

Date:         Sun, 17 Aug 1997 23:40:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: On death and dying........

 

In a message dated 97-08-15 14:39:05 EDT, you write:

 

<<  In retrospect, I do think it odd

 that I chose a sample of his ("When death becomes you...") as part of my

 contribution to a net-based tape loop project going on in the weeks just

 before his death. All those unsuspecting tape recorders playing this

 message, just before he died -- hmm, I wonder if he would have gotten a kick

 out of that. >>

Does anybody else think it odd, that having lost Uncle Bill, then a few days

later Fela Kuti, that I made a special visit to the Indian/Pakistani

neighborhood in Chicago,  to buy a hard to find variety of couscous and a few

CDs/cassettes by Nusfrat Fateh Ali Kahn (sp?),  to find _his_ obit in the

Sunday paper?????????

 

   Seems like all my heros are dropping like the flies........

 

                                                r.i.p. et.al..........

=========================================================================

Date:         Sun, 17 Aug 1997 23:40:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: D & D

 

In a message dated 97-08-15 14:39:05 EDT, you write:

 

<<  I do think it odd >>

 

 

Can anyone give me a clue on the Burroughs track that I know I have but

cannot locate--on On-U records---a sample of him chanting "

pay it all back, pay it AAAAllllll back" (inimatable style).............

=========================================================================

Date:         Sun, 17 Aug 1997 23:42:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Morgan <Ferlingh2@AOL.COM>

Subject:      Re: ferling, etc

 

Ferlinghetti's newest book "A Far Rockaway of the Heart" has been out for a

few months now from New Directions and it continues the tradition of "A Coney

Island of the Mind".  Well worth looking into, one of his better efforts of

late.

Yours,

Bill Morgan

=========================================================================

Date:         Sun, 17 Aug 1997 20:53:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: [Fwd: Burroughs]

 

----------

From:   R. Bentz Kirby[SMTP:bocelts@SCSN.NET]

Sent:   Saturday, August 16, 1997 8:00 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        [Fwd: Burroughs]

 

Well, I have been scanning the Dylan list for some more good Burroughs

posts.  And I couldn't find anymore, so the action must have died down.

But since the beats play cosmic baseball on the net, and since the

action has dwindled, I did find this fine reference to Cal Ripken and

Eddie Murray.  Seems timely since Anaheim just cut Eddie.

 

I know, or at least believe Jack was

very much into baseball. How about Neal, or any others.

 

Neal didn't talk much about baseball. He followed races with intense

enthusiasm. Watched all the races he could on TV, kept track of outcomes,

drivers, etc.. Tried to make it to the horse races whenever he could. When

he worked in Los Gatos he tried to make it to all the Saturday afternoon

last races at Belmont which were free. He also collected all the Chronicle

Green Sheets with results from the horse races, compiling proof of his

theory that if you had simutaneously stationed people to bet on third

choice in all the races across the country that you would win big. Never

was able to convince enough investors to follow through, inspite of his

closet full Green pages that he used to try to prove his theory.

 

leon

 

begin 600 WINMAIL.DAT

M>)\^(A0#`0:0" `$```````!``$``0>0!@`(````Y 0```````#H``$-@ 0`

M`@````(``@`!!) &`#0!```!````# ````,``# #````"P`/#@`````"`?\/

M`0```%$`````````@2L?I+ZC$!F=;@#=`0]4`@````!"14%4+4PZ($)E870@

M1V5N97)A=&EO;B!,:7-T`%--5% `0D5!5"U,0$-53EE632Y#54Y9+D5$50``

M```>``(P`0````4```!33510`````!X``S !````%P```$)%050M3$!#54Y9

M5DTN0U5.62Y%1%4```,`%0P!`````P#^#P8````>``$P`0```!\````G0D5!

M5"U,.B!"96%T($=E;F5R871I;VX@3&ES="<```(!"S !````' ```%--5% Z

M0D5!5"U,0$-53EE632Y#54Y9+D5$50`#```Y``````L`0#H!`````@'V#P$`

M```$`````````S4U`0B !P`8````25!-+DUI8W)O<V]F="!-86EL+DYO=&4`

M,0@!!( !`!4```!213H@6T9W9#H@0G5R<F]U9VAS70#E!@$%@ ,`#@```,T'

M" `1`!0`-0`Y````;P$!(( #``X```#-!P@`$0`4`!P`(@```#\!`0F `0`A

M````.#8X-CA"1# S-S$W1#$Q,4(S13<S0S(Q,#1#,3 P,# `U08!`Y &`& &

M```2````"P`C``$````#`"8```````L`*0`!`````P`V``````! `#D`P#IU

M6HJKO $>`' ``0```!4```!213H@6T9W9#H@0G5R<F]U9VAS70`````"`7$`

M`0```!8````!O*N*6G70BX:0%S<1T;/G/"$$P0`````>`!X,`0````4```!3

M3510`````!X`'PP!````$P```&QE=&%B;W) 8W)U>FEO+F-O;0```P`&$"CF

MPB4#``<0&00``!X`"! !````90```"TM+2TM+2TM+2U&4D]-.E)"14Y46DM)

M4D)94TU44#I"3T-%3%130%-#4TY.151314Y4.E-!5%521$%9+$%51U535#$V

M+#$Y.3<X.C P04U43SI"14%4+4Q 0U5.659-0U5.644``````@$)$ $```#E

M! ``X00``/$'``!,6D9URF?]+?\`"@$/`A4"J 7K`H,`4 +R"0(`8V@*P'-E

M=#(W!@`&PP*#,@/%`@!P<D)Q$>)S=&5M`H,SMP+D!Q,"@S02S!3%?0J BPC/

M"=D[%Y\R-34"@ <*@0VQ"V!N9S$P,Z\44 L*%%$+\F,`0" *A4$*BVQI,3@P

M`M%I\"TQ-#0-\ S0'F,+65PQ-@J@`V 3T&,%0"U?((<*AQ\[## @!D8#83J/

M(8X@!@R"!_ N($()\ !T>B!+:7)B>4!;4TU44#H&X&,`96QT<T!30U/ 3BY.

M151=(2\B/5\&8 (P(V\D>P80= AP9(AA>2P4L'5G=1/ !B ?T"PP,3DY-R!L

M.#H>`!2P32>?(CU4!F\IWR1[0D5!5"T`3$!#54Y95DW"+C(R+D5$52W/**XX

M=6)J($$O[R1[6T9T=V0UD$((< -@+&!HYG,GAAS],S8?!QO5( 9*5R:P;"PP

M22 1@';H92!B">$@!/ `< ,`D1J@('1H/"!$>1J!WB =P"R1`A %P',#<#P@

MXP1@%Z @9V\$<#?("H6T<&\3P',E4!2P;C\@@SO0!:!U;&1N)SWQ_PN /R `

M< ; /K$L,#Y0/1-Y`-!T:0(@/I L@COS9(,(D#\@9&]W;BX*A?<WT 5 `)!N

M)J ]$SQ *\ +!" +47E!$7-M:6/=/#!A$;!'(#N0($-!/2+^;A' +# `<#\@

M16<*A4,%VQ& !"!D`_! T&P)@#NR_T00/R!!LST@! !!HCP@%Z#>9@20"?!%

MDD*@0P= !_"=!2!K/&%(<0J%161$$?\%T#?A+!! D09@$^ $($,@W0> ;$:0

M161 P&$], =P]"!J+()C13%.<T2F"H7Y.]!K;D1P+# %L2O /;"O1A LD3Q

M'<!E/!%*`-"X:R!W1S *A3P0<D:0>T-P$7 @"X!,\4<F)5!(_T1P0? &X$4Q

M!\ '0%-$0A!_1Z ](1&@0)$*CPN1%6(R_C0<Z%H)+8!7PDL207(!D/YL5-!5

MXU=D5HD\( (0.Y#_1'!$,4\`)J $( /P/2!6(NL)\!&P("6!:"R !S!&T/TE

M4%<KP!%P1#%'<CTB7U3G/3%!(T>B5%8L,$V0!3'F=%]15-!O9D>@13 %H'L'

M@2PP9 4059%D\1' 8_HN)5!4"(%+D4*@`,!-D/=6(%S10J1H!;!@45]5/3"_

M2"!5D6*782%H86*2=P6P)TV0/R +@"!,0% @1_\KP&JQ/3%C\&8_8;<KMD'P

M_P& !)$_`#VA4^)?5%.1)7#^; 1@`C!H04;P5A!?$#[!_P-0">!><P= 0I$7

M$4JP(%#989E#: -@`P!C2K!JT+\)T@8`/3 1P%^5%Z!S04#?1C$#4F=.+#!D

ML7 #$#SB_R !9%)D8$O"/2$%L$:0/2#S4Y$&D"!Y"& [X4B20W#W`9!(( A@

M<U "`9!#(D0Q_G!WH M03-,\0 5 1[,EX/L_(!%P;T;P9M%-L6';`-#_`V $

M$3TB02$",'?&>')J`.=B\DIQ/#!I9R50!\!HHL]4\5=1>K0%H&YV17,)\/\X

M$E8A/! 3P&>A3.)>Q#T1]S@#+# +@'-V0!/0=P9RT'M 4'LA9D% `R!S%%E0

M9_\'D7?S/3$L@&ND?E-"H" !_SP1=T@E4#A\2K "(!M?'&<%%L$`C `````#

M`! 0``````,`$1 `````0 `',&"2+\^&J[P!0 `(,&"2+\^&J[P!'@`]``$`

0```%````4D4Z( ````#4]@`'

`

end

=========================================================================

Date:         Mon, 18 Aug 1997 01:30:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> Maybe I'm missing something but where did this idea of the Big Lie come

> from?

Douglas was using it.

 

It seems to me that Burrough's notion of the universe is equal

> part big lie and big truth.  The notion of a creator playing with the

> creation comes to mind.  There's a natural order of things and an

> inversion of the natural order of things.

> DC

 

inversions twisting angles all seems good.  i think big lie probably

confuses things somewhat.  also humour especially dark-types is one way

to invert and twist the angles of truth and justice and american way and

whatnot to get all the shitout of the shithouse.  i believe that is

about all i have to say until i get the book tuesday or wednesday.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 18 Aug 1997 00:50:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      don't go to sleep mad (was:  Naked Lunch)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

who gave that advice?  And what was the second couplet line:  "just go

away..."?

 

I figure I oughta speak out, get what's off my chest before I went to

sleep.  Have been thinking about this for a while now.  Still not sure how

to accurately respond.  You ask me not to speak, not to post to the list.

Have been thinking about the obsecenity trials, about WSB's reflection on

Ginsberg and his fight against the big lies.  About the youth of America.

about my life.

 

Hopefully my dreams tonight will guide me to a better answer than this

rambling mess.  Have to ask "why go on?"  Love, I guess.  that helps.  But

it's more than that, I suppose.  Why creative types do what they do.

Popularity?  Control?  Fear? and back again to love, I guess, but eeew, who

wants to say that?

 

It's so simple, I guess.  My two best friends are out of town tonight.  I

wish I could call them and chit chat over all of this.  get some good

advice.  Started "western lands" tonight.  need to get back to Joyce and

Dali, too.

 

I don't have it in me to fight with you.  Just don't blame me for your

decisions to unsubscribe.  Don't make this into a popularity contest.  And

please, if you're gonna criticism my posts, please have the decency to read

them first.  but I'm not even sure I want you to do that.  It's obvious

we're not going to be much, friends.  But I'll tell you anyhow the "beat"

issues I'm currently dealing with:

 

        - the role of death in the joy/darkness paradigm (DC, Kerouac

discussion)

        - "Why go on?" (WSB, June 6)

        - the big lie, the green tit, and hole punching holy holy across

the sky (WSB, May 25)

        - WSB's relation to music and the arts (as exemplified by the LACMA

show)

        - the land of the dead, the western lands, the event horizon (what

are the links?)

        - soon, WSB's relation to James Joyce's "Bloom"

        - the paranoid-critical method of salvador dali

        - the "surrealist" landscapes of yves tanguey

        - the cut-up method, appropriation, escaping the vicious cycle

        - writing a way out of death

 

and then some.  Check out my home page for the visual interpretations.

Maybe we still have something to talk about??

 

and I kept thinking of what "cute" comment I'd make.  the snide jab.  The

best I could come up with is from WSB's New Yorker diary entry dated May

31, Saturday:

 

        <<snip>> "No letters.

 

        How good will it be to have total conformity?

        What will be left of singularity?

        And personality?  And you and me?"

 

That and how it relates to our new techno-email age.  Nobody writes letters

anymore (snail).  What will the historians of the future do with all this

"ink"?  And singularities, my god.   Soon, I will have an engine capable of

dealing with those entities.

 

oh, oh, oh.  Hopefully, I'll be able to fall asleep soon.

 

Douglas

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

At 2:07 PM -0700 8/17/97, Diane De Rooy wrote:

 

 

> In a message dated 97-08-17 16:58:34 EDT, you write:

> 

> <<  Who cares?!  I don't know.  Am glad that it ended when

>  it did, before someone pulled out the machete and started hacking their

>  computer to death.  Surprised James didn't write me personally and tell me

>  to shut the fuck up. >>

> 

> Is this a disease of newsgroups? This pissy, petulant sarcasm launched

> against even the slightest of rubs?

> 

> This is the kind of crap that has made me sign off three times so far.

> 

> Douglas, shut the fuck up, okay?

> 

> diane

 

 

http://www.electriciti.com/babu/        |   0   |               The map is

not the territory

                                |  { -  |                --Korzybski

        ---->                   |  /\   |

                                =========

=========================================================================

Date:         Mon, 18 Aug 1997 11:02:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Re: Lou Reed and the Beats

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

          Hello everybody:

I don't know if you would consider any

of the following a connection, buuuuutt...

according to the booklet that came with

the LR box set, "Between Thought And

Expression":

 

             In 1959, while at NYU, Reed was

an avid contemporary jazz buff, programming a jazz radio show, and into

the music of Monk, Coltrane and Coleman.

 

               He was a great admirer of the

poet, essayist and short story writer

Delmore Shwartz (In Dreams Begin

Responsibilities, pub.1937). Would he

be considered a Beat or an influence on

them? Shwartz inspired Reed to study the

works of Joyce and Keats, and it was

during this time that Lou wrote the Velvet

Underground classic "Heroin".

 

                   On the back cover of Reed's

"The Blue Mask" lp, Lou dedicated the

song "My House" to Shwatrz. Burroughs

might have been a big influence as well,

at least during Reeds' VU days.

"Waiting For The Man" ( "The man is never on time. This is no

accident."-taken

from the intro to NL), "Sister Ray", "Venus

In Furs", "The Black Angel's Death Song"

(his vocal delivery here, in fact, his way

of talk-singing in general, might be considered Beat-ish.), probably any

of

these songs, or the VU's first three albums, would make a terrific

soundtrack

to NL. Junky-according to the booklet that

came with the VU box set "Peel Slowly

And See"-thanks to WSB's confessional

style and wit (still going by the booket,

I haven't read Junky yet) inspired Reed

to write Heroin.

 

                     I'll be the first to say that I'm

reaching with all this, but any excuse to

talk about LR/VU is a good one. I wish

everyone on the list a wonderful week.

 

                                           Chimera

=========================================================================

Date:         Mon, 18 Aug 1997 10:23:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: On the Road: drunkenness

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     No, I'm not starting my "alcoholic" diatribe again but I thought I'd

     respond to this.

 

     In the purest sense alcoholism is alcoholism; however, I will concede

     wine and whiskey do produce different "drunks" due to their chemical

     compositions.  Strangely enough whiskey and other hard liquor destroys

     the mucin lining the stomach at a quicker rate than wine.  So maybe,

     (or maybe not) if Jack had stuck to Tokay we would have had him around

     a little longer (probably not).  It's *my opinion* that wine is more

     aggravating to the system and hence produces more vomiting which would

     have lead to bleeding varicies in the throat and a hemorrage vs.

     destroying the mucin lining and dying of a "middle-gi" hemmorage.

 

     Jack was right, but he didn't know by how much.

 

     love and lilies,

 

     matt

 

 

______________________________ Reply Separator _________________________________

Subject: On the Road: drunkenness

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    8/17/97 5:38 AM

 

 

On the Road, pg. 39, when he is describing Dean's (Neal's) father,

Kerouac writes, "His father, once a respectable and hardworking tinsmith,

had become a wine alcoholic, which is worse than a whiskey alcoholic..."

 

>From Kerouac's descriptions in all the later books, he was himself always

drinking wine and not whiskey.  Why is a wine alcoholic worse than a

whiskey alcoholic?  Any ideas?

DC

=========================================================================

Date:         Mon, 18 Aug 1997 10:25:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: Lou Reed and the Beats

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Correct me if I'm wrong, oh those more knowledgeable than me" but

     didn't WSB hang out with Andy Warhol?  If so there's a connection, if

     not an influence.

 

     love and lilies,

 

     matt

 

 

______________________________ Reply Separator _________________________________

Subject: Lou Reed and the Beats

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    8/17/97 7:28 PM

 

 

What was the extent of the relationship with, or the influence of, the

beats and Lou Reed?

=========================================================================

Date:         Mon, 18 Aug 1997 11:56:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: On the Road: drunkenness

In-Reply-To:  <01BCAB4B.0EFEAE80@mbay69.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Whiskey is expensive. Whiskey alcoholics have more money. By the time the

alcoholic gets to wine he/she is usually close to the bottom of the

economic ladder.

 

j grant

 

 

>Just tentative impressions, not hard conclusions, but you asked for ideas.

> 

>Whiskey alcoholics generally more alive,  tend to act on their stirring

>impulses, to splash about vigorously except when approaching total

>collapse,  the periods of recuperation when they are totally passed out.

>Winos tend to be more slurred, defeated, drowning, vegetating, more

>inocuous, less combative, less aggressive acting outless destructive

>actions or poor judgement exercised, more chronically douzed, less alive,

>less effectively dangerous also.

> 

>----------

>From:   Diane Carter[SMTP:dcarter@TOGETHER.NET]

>Sent:   Sunday, August 17, 1997 5:38 AM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:        On the Road: drunkenness

> 

>.  Why is a wine alcoholic worse than a

>whiskey alcoholic?  Any ideas?

>DC

>.-

 

 

Small Press Authors and Publishers display books

                FREE

    http://www.bookzen.com/addbook-form.html

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Mon, 18 Aug 1997 10:18:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Diane writ:

 

<< 

>pg. 37

>"Gentle reader, the ugliness of that spectacle buggers description.  Who

>can be a cringing pissing coward, yet vicious as a purple-assed mandril,

>alternating these deplorable conditions like vaudeville skits?  Who can

>shit on a fallen adversary who, dying, easts the shit and screams with

>joy? [this was reminiscent stanzas of Howl that all being with who,

>and especially where Ginsberg writes, "Who let themselves be fucked in

>the ass by saintly motorcyclists and screemed with joy"]  Who can hang a

>weak passive and catch the sperm in his mouth like a vivious dog?  Gentle

>reader, I fain would spare you this, but my pen hath its will like the

>Ancient Mariner.  Oh Christ what a scene is this!  Can tongue or pen

>accommodate these scandels?  A beastly young hooligan has gouged out the

>eye of his confrere and fuck him in the brain. 'This brain atrophy

>already, and dry as grandmother's cunt."

>> 

 

Diane, as always, thanx for typin out all this.  My hands would hurt.

 

I especially liked the 'eye gouging' part.  So many poets have eye

fetishes.  The denigration of the bodily act, the removal from the body,

and it's associations with dark and perverted actions.  Then associating

all of this with different layers of meaning.  Goes back to the Oedipus

thoughts I had while watching the movie "event horizon".  One can also

get into dreams and their visions from here also.  Perhaps this is a

clue towards your questions of why Burroughs is always writing from the

outside <??>

 

<< 

>You have to admire Burroughs vivid descriptions, although it's hard to

>figure out what brings about these visions where everything is out of

>Control:

> 

>"Rock and Roll adolescent hoodlums storm the streets of all nations.

>They rush into the Louvre and throw acid on Mona Lisa's face.  They open

>zoos, insane asylums, prisons, burst water mains with air hammers, chop

>the floor out of passenger plane lavatories, shoot out lighthouses, file

>elevator cables to one thin wire, turn sewers into the water supply,

>throw sharks and sting rays, electric eels and candiru into swimming

>pools (the candiru is a small eel-like fish or worm about one-quarter

>inch through and two inches long patronizing certain rivers of ill repute

>in the Greater Amazon Basin, will dart up your prick or your asshole or a

>woman's cunt faute de mieux, and hold himself there by sharp spines with

>precisely what motives is not known since no one has stepped forward to

>observe the candiru's life-cycle in situ), in nautical costumes ram the

>Queen Mary full speed into New York Harbor, play chicken with passenger

>planes and buses, rush into hospital with white coats carrying saws and

>axes and scalpels three feet long; throw paralytics out of iron lungs

>(mimic their suffocations flopping about on the floor and rolling their

>eyes up), administer injections with bicycle pumps, disconnect artificial

>kidneys, saw a woman in half with a two-man surgical saw, they drive

>herds of squeeling pigs into the Curb, they shit on the floors of the

>United Nations and wipe their asses with treaties, pacts, and alliances."

>> 

 

Have you ever been stuck in a bathroom line, Diane?  just holding it in,

watching all these men go ahead of you into their own stalls?  Questions

and visions such as those above begin to creep in.  Destroying the order

as it appears to you thru a yellow, jaundiced eye.  Rationalizing the

acts of madmen who do all these incalculable things.  Inverting the

natural order and following that back to it's source.  Makes me think of

the TV shows "x-files" and "millenium" (by Chris Carter).  Getting into

the mind of chaos, as burroughs says, unable to stop his pen or tongue

from writing all that out.  And I won't go as far as say that his

descriptions are an apology, are an act of "writing away death" per se.

I don't know.

 

and by the way, did you ever get a satisfactory answer to this question:

 

"Does the narrator have power in

his observations and the words he uses, or is he merely a scribe forced

to write about that which he cannot change?"

 

Douglas

=========================================================================

Date:         Mon, 18 Aug 1997 11:14:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: On the Road: drunkenness

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>Whiskey is expensive. Whiskey alcoholics have more money. By the time the

>alcoholic gets to wine he/she is usually close to the bottom of the

>economic ladder.

 

>j grant

 

     "...the bottom ofthe economic ladder."  To keep this within the

     framework of the BEAT-L list I'll phrase my reply this way.  Since

     Jack was never un-voluntarily homeless, always had *some* money, and

     most likely died from the consequences of alcoholism, you can draw the

     conclusion that there is no such thing as "economic alcoholism".

     Alcoholics come in all lifestyles, economic classes and ethnic

     backgrounds, from both genders.  While there probably aren't as many

     alcoholic millionaires as there are broke ones, the view that the only

     people suffering from alcoholism are "bums on the street" went out a

     long time ago.  Heck, I even know a recovering alcoholic who owns a

     computer :-)

 

     love and lilies,

 

     matt

=========================================================================

Date:         Mon, 18 Aug 1997 14:12:15 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: On the Road: drunkenness

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Whiskey is expensive. Whiskey alcoholics have more money. By the time the

> alcoholic gets to wine he/she is usually close to the bottom of the

> economic ladder.

 

perhaps jack just liked wine?

 

> 

> j grant

randy

=========================================================================

Date:         Mon, 18 Aug 1997 15:47:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Lou Reed and the Beats

In-Reply-To:  <3F87BB00.@usoc.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 18 Aug 1997, MATT HANNAN wrote:

 

>      Correct me if I'm wrong, oh those more knowledgeable than me" but

>      didn't WSB hang out with Andy Warhol?  If so there's a connection, if

>      not an influence.

> 

>      love and lilies,

> 

>      matt

> 

 

Actually, it was Allen Ginsberg who hung out with Warhol back in the 60's

when Warhol was hot.  Burroughs was living in London so wouldnt have met

Warhol until many years later when Warhol was past his "fifteen minutes"

of fame and past when Burroughs hadwritten mostof his works.  So Idont

think there was a direct influence.

=========================================================================

Date:         Mon, 18 Aug 1997 13:34:28 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Hey Lew! Homage To Lew Welch (fwd)

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

yall

i thought that some of you might be interesteed in this, which i found on

alt.books.beatgeneration (man there is a lot of junk and trolling on that

newsgroup, egad!)

yrs

derek

 

---------- Forwarded message ----------

Date: Sat, 16 Aug 1997 12:48:34 -0700

From: Richard Hughey <rkhughey@pacbell.net>

Newsgroups: alt.books.beatgeneration

Subject: Hey Lew! Homage To Lew Welch

 

New book on Lew Welch: Hey Lew! Homage to Lew Welch.

Interviews, poems, biosketches, photos, drawings etc.

on S.F. BeatGen poet Lew Welch.

Edited by Magda Cregg, who lived with Lew 1964-1971.

Contributors: Snyder, Whelan, Creeley, Meltzer, Kyger,

McClure etc., also Peter Coyote and Huey Lewis.

Write Magda Cregg, Box 964, Bolinas CA 94924.

Copies: $12 post paid.

RKH

=========================================================================

Date:         Mon, 18 Aug 1997 13:13:36 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <prinzhal@IX.NETCOM.COM>

Subject:      Re: On the Road: drunkenness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>>.  Why is a wine alcoholic worse than a

>>whiskey alcoholic?  Any ideas?

>>DC

>>.-

I think the high sugar content (seems to me Jack often refers to "sweet

port") tends to deliver more brain-mash effect than the same dose of alcohol

administered through whisky.  That would help explain why the big sellers on

skid row and in the inner city seem to be port, tokay and rotgut sherry.

Plus, since the alcohol content is lower than whisky, you can keep drinking

longer...

=========================================================================

Date:         Mon, 18 Aug 1997 14:49:18 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: Hey Lew! Homage To Lew Welch (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi all,

 

I recently read Aram Saroyan's Genesis Angels (good book!) and it

mentioned something interesting. According to him, during Lew Welch's

last few days at an advertising agency he culled the famous Raid slogan:

'Raid Kills Bugs Dead.'

 

How true is this? I'd like it to be true, it'd be cool to know there's a

little conribution by Welch to 20th century pop culture.

 

Anyone know the truth behind this?

 

Adrien

 

Derek A. Beaulieu wrote:

> 

> yall

> i thought that some of you might be interesteed in this, which i found on

> alt.books.beatgeneration (man there is a lot of junk and trolling on that

> newsgroup, egad!)

> yrs

> derek

> 

> ---------- Forwarded message ----------

> Date: Sat, 16 Aug 1997 12:48:34 -0700

> From: Richard Hughey <rkhughey@pacbell.net>

> Newsgroups: alt.books.beatgeneration

> Subject: Hey Lew! Homage To Lew Welch

> 

> New book on Lew Welch: Hey Lew! Homage to Lew Welch.

> Interviews, poems, biosketches, photos, drawings etc.

> on S.F. BeatGen poet Lew Welch.

> Edited by Magda Cregg, who lived with Lew 1964-1971.

> Contributors: Snyder, Whelan, Creeley, Meltzer, Kyger,

> McClure etc., also Peter Coyote and Huey Lewis.

> Write Magda Cregg, Box 964, Bolinas CA 94924.

> Copies: $12 post paid.

> RKH

=========================================================================

Date:         Mon, 18 Aug 1997 14:59:30 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Lou Reed and the Beats

In-Reply-To:  <Pine.SUN.3.91-FP.970818154533.29685A-100000@cap1.capaccess.org>

              from "Richard Wallner" at Aug 18, 97 03:47:28 pm

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Well, Lou Reed was one of the speakers at the memorial

service for Ginsberg at St. Mark's Church this past

April.  He read "Magic and Loss."  I've often thought

of Lou as fairly Beat-like, tho I don't think there

are many actual connections.

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

=========================================================================

Date:         Mon, 18 Aug 1997 15:16:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

About the Slim Gaillard trivia question posed by Antoine Maloney,

 

I don't know.

 

That's why I didn't hazard a guess.

 

As I remember it was who is Slim famous musician son-in-law.

 

OK, times up I give and it seems like no one else is going to pose an answer

so...

 

OK,  who?

=========================================================================

Date:         Mon, 18 Aug 1997 15:18:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Answer to my trivia question.

 

I asked what PBS show did Jack kerouac say the slim gaillard line "flat foot

floogie with the floy floy"?

 

If I am not mistaken I believe it was on William F. Buckeley's Firing Line.

 

Apparently Jack got up and said it somehwhat out of the blue.

=========================================================================

Date:         Tue, 19 Aug 1997 00:38:12 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Awww, mama... can this really... be the end...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        memphis blues again             by Bob Dylan

 

        oh the ragman draws circles

        up and down the block

        I'd ask him what the matter was

        but I know that he don't talk

        and the ladies treat me kindly

        and they furnish me with tea

        but deep inside my heart

        I know I can't escape

 

        oh mama can this really be the end

        to be stuck inside of mobile

        with the memphis blues again

 

        well shakespeare he's in the alley

        with his pointed shoes and his bells

        speaking to some french girl

        who says she knows me well

        and I would send a message

        to find out if she's talked

        but the post office has been stolen

        and the mailbox is locked

 

        mona tried to tell me

        to stay away from the train line

        she said that all the rairoad men

        just drink up your blood like wine

        and I said oh I didn't know that

        but then again there's only one I've met

        and he just smoked my eyelids

        and punched my cigarette

 

        grandpa died last week

        and now he's buried in the rocks

        but everybody still talks about

        how badly they were shocked

        but me I experienced it to happen

        I knew he'd lost control

        when he built a fire on main street

        and shot it full of holes

 

        now the senator came down here

        showing everyone his gun

        handling out free tickets

        to the wedding of his son

        but me I nearly got busted

        and wouldn't it be my luck

        to get caught without a ticket

        and be discovered beneath a truck

 

        now the tea pitcher looked so baffled

        when I asked him why he dressed

        with twenty pounds of headlines

        stapled to his chest

        but he cursed me when I proved to him

        then I whispered and said

        not even you can hide

        you see you're just like me

        I hope you're satisfied

 

        now the rainman gave me two cures

        and said jump right in

        the one was texas medicine

        the other was just railroad gin

        and like a fool I mixed them

        and it strangled up my mind

        and now people just get uglier

        and I have no sense of time

 

        when ruthie says come see her

        in her honky tonk lagoon

        where I can watch her waltz for free

        neath her panamanian moon

        and I say oh come on now

        you know you know about my debutante

        and she says your debutante just knows

        what you need

        but I know what you want

 

        now the bricks lay on the grand street

        where the neon madman climb

        they all fall there so perfectly

        they all seem so well timed

        and here I sit so patiently

        waiting to find out what price

        you have to pay to get out of

        going through all these things twice

 

        oh mama can this really be the end

        to be stuck inside of mobile

        with the memphis blues again

 

[Bob Dylan, Blonde on Blonde, 1966]

=========================================================================

Date:         Mon, 18 Aug 1997 16:36:54 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Stuck inside of Mobile

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>         and I say oh come on now

>         you know you know about my debutante

>         and she says your debutante just knows

>         what you need

>         but I know what you want

> 

 

Rinaldo,

 

Thanks for posting and refreshing the memory.  It is just unreal how

"on" Dylan was in Hwy 61 and Blonde on Blonde.  Wore a lot those records

out myself, as I imagine most of us did.

 

J. Stauffer

=========================================================================

Date:         Mon, 18 Aug 1997 07:41:52 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Penn, Douglas, K. wrote:

> Have you ever been stuck in a bathroom line, Diane?  just holding it

> in,

> watching all these men go ahead of you into their own stalls?

> Questions

> and visions such as those above begin to creep in.  Destroying the

> order

> as it appears to you thru a yellow, jaundiced eye.  Rationalizing the

> acts of madmen who do all these incalculable things.  Inverting the

> natural order and following that back to it's source.  Makes me think

> of

> the TV shows "x-files" and "millenium" (by Chris Carter).  Getting into

> the mind of chaos, as burroughs says, unable to stop his pen or tongue

> from writing all that out.  And I won't go as far as say that his

> descriptions are an apology, are an act of "writing away death" per se.

> I don't know.

 

No, never been stuck in a bathroom line waiting for the MEN to go in

before me.  But are you saying that Burroughs' descriptions in the quoted

paragraphs are just the kinds of things that come into people's head

every day as they run into things that make their bodies uncomfortable?

Is that equivalent to the discomfort of waiting for junk? Waiting for

anything? Waiting for Godot perhaps?  Dark humor.  A horror show in the

mind.  Burroughs seems to take us on a journey through the

deconstruction, perhaps de-structuring of society/the world through

horrific images but what does do his images actually evoke?  It seems

that this line of discovery would be important since individual words and

images are the only thing that hold together a work without any real

characters or progression of events.

 

> and by the way, did you ever get a satisfactory answer to this > question:

> 

> "Does the narrator have power in

> his observations and the words he uses, or is he merely a scribe forced

> to write about that which he cannot change?"

 

No, I'm still waiting for ideas, I was going to say answers, but I don;t

think there are any.

DC

=========================================================================

Date:         Mon, 18 Aug 1997 15:57:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: The Darkness of Buddishm.

In-Reply-To:  <3.0.1.32.19970816230359.006adf80@pop.gpnet.it> from "Rinaldo

              Rasa" at Aug 16, 97 11:03:59 pm

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Slightly slow response on my part, but:

 

Rinaldo wrote:

> "A man who uses Buddhism or any other instrument to

> remove love from his being in order to avoid,

> has committed, in my mind, a sacrilege comparable

> to castration."-- William S. Burroughs' letter to Jack Kerouac.

> From "Letters of William S. Burroughs 1945-1959."

 

As somebody who calls himself a Buddhist, I'd like

to say that Burroughs comments about the religion are

at least very intelligent.  He grasps the essence

of Buddhism, which is self-denial.  I like it

when somebody comes up with a *good* reason not

to be a Buddhist, and Burroughs' reasons are good.

 

Reminds me of when I first read Neitzsche's similar

scorching of the Buddhist religion in "A Genealogy

of Morals," when I was around 19 years old.  This

led me to a crisis of faith that lasted a couple of

years.  I respect Burroughs and Neitzsche for

understanding what Buddhism is and choosing to

position themselves against it.  That's better

than flimsily paying lip service to it, or

attacking it for misinformed reasons.

 

All I can really say in counterpoint is that we

all come up with our ways of dealing with "the

slings and arrows of outrageous fortune."  I've

written somewhere that Burroughs had "porcupine

skin" -- that was his defense mechanism.  Neitzsche

never got a good defense mechanism going, maybe

because he was schizophrenic, or maybe not, but

he lived the 2nd half of his life in horrible

misery.  The Buddhist practice is just another

way of surviving.  Ultimately I don't think

there's anybody in the world who hasn't sometimes

felt what Buddha felt when he said "All Life

is Suffering."   And I also don't think there's

any Buddhist out there who hasn't sometimes felt

that life was just peachy keen and a whole lot

of fun.

 

As for this though:

>         "When the Vietnamese communists

>         took Saigon in 1975, they put their "class

>         enemies" into re-education camps. In

>         neighboring Cambodia, Pol Pot built exter-

>         mination camps. Techears, doctors, people

>         who could speak a foreing language, even

>         people who wore glasses, were purged as

>         he sought to reduce all of Cambodia to the

>         level of the peasant class. The Vietnamese

>         could be cruel captors, but their Confucian

>         heritage left them open to educational re-

>         form. In Cambodia, by contrast, Buddhism

>         encouraged a belief in the ineluctability

>         of karma and the idea that evil suffered

>         is evil deserved. ''The idea of karma

>         goes very deep in this society, and I

>         think that was part of the mentality of

>         the Khmer Rouge when they were massacring

>         people,'' said Francois Ponvhaud, a priest

>         who first went in Cambodia in 1965. '' They

>         believed their victims had made errors,

>         political errors, and that killing them

>         would allow them to be reborn as better

>         people in their next lives''. Pol Pot has

>         admitted to some mistakes in the period

>         from 1975 to 1979, but in his eyes they

>         were mistakes of policy. About the million

>         dead, he has never expressed any remorse."

>         From "Terry McCarthy-- TIME,AUGUST 11,1997."

 

I'm sorry, this is what I'd call the kind of

misinformed criticism that *does* piss me off.

Cambodia and Vietnam were both Thereveda Buddhist

countries -- this notion that some vague threads

of Confucianism in Vietnamese culture were what

saved it from the evils that befell Cambodia

may make a nice little Time article, but is

way too flimsy to stand as a philosophical critique

of a religion.  And China was more Confician

than Vietnam -- how would he explain Mao's crimes

against humanity?  This just doesn't stand up,

it's just the kind of dull analytic blather

that keeps political pundits employed, in my

never-very-humble (but I'm trying) opinion.

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

=========================================================================

Date:         Mon, 18 Aug 1997 17:50:08 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The Darkness of Buddishm.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I wondered when or if anyone would comment about this.  Glad to see it.

 

I did note in Burroughs letter that he talks about Buddhism and then

mentions reading Theosophy tracts.  I think this is an indication of maybe a

watered down or distorted understanding or view because I don't think the

Theospophical Society has much relation to Buddhism really.  But, that's

another argument.

 

But as well another but, I hoped to make the same point about Vietnam and

Cambodia in light of Mao and China.

 

I don't know how confucian Cambodia was/is compared to Vietnam but China

certainly was confucian.  Interestingly Mao hated confucius more than anything.

 

Also, I wouldn't take at face value that the Vietnamese communists only

re-educated their enemies.  And also remember that they didn't "win" until

1975.  If they'd have come to power a decade earlier things would be very

different as well.

 

My in-laws are heavy duty Buddhist and one of the things I've noticed is

their Buddhism seems to be very different from the sort of dry and

intellectual or philosophical type of Buddism that you hear most about in

the US.  It would be interesting to hear about these differences between

"real" (real in quotes in quotes) Buddhists and American's who practice

Buddhism.

 

At 03:57 PM 8/18/97 -0700, you wrote:

>Slightly slow response on my part, but:

> 

>Rinaldo wrote:

>> "A man who uses Buddhism or any other instrument to

>> remove love from his being in order to avoid,

>> has committed, in my mind, a sacrilege comparable

>> to castration."-- William S. Burroughs' letter to Jack Kerouac.

>> From "Letters of William S. Burroughs 1945-1959."

> 

>As somebody who calls himself a Buddhist, I'd like

>to say that Burroughs comments about the religion are

>at least very intelligent.  He grasps the essence

>of Buddhism, which is self-denial.  I like it

>when somebody comes up with a *good* reason not

>to be a Buddhist, and Burroughs' reasons are good.

> 

>Reminds me of when I first read Neitzsche's similar

>scorching of the Buddhist religion in "A Genealogy

>of Morals," when I was around 19 years old.  This

>led me to a crisis of faith that lasted a couple of

>years.  I respect Burroughs and Neitzsche for

>understanding what Buddhism is and choosing to

>position themselves against it.  That's better

>than flimsily paying lip service to it, or

>attacking it for misinformed reasons.

> 

>All I can really say in counterpoint is that we

>all come up with our ways of dealing with "the

>slings and arrows of outrageous fortune."  I've

>written somewhere that Burroughs had "porcupine

>skin" -- that was his defense mechanism.  Neitzsche

>never got a good defense mechanism going, maybe

>because he was schizophrenic, or maybe not, but

>he lived the 2nd half of his life in horrible

>misery.  The Buddhist practice is just another

>way of surviving.  Ultimately I don't think

>there's anybody in the world who hasn't sometimes

>felt what Buddha felt when he said "All Life

>is Suffering."   And I also don't think there's

>any Buddhist out there who hasn't sometimes felt

>that life was just peachy keen and a whole lot

>of fun.

> 

>As for this though:

>>         "When the Vietnamese communists

>>         took Saigon in 1975, they put their "class

>>         enemies" into re-education camps. In

>>         neighboring Cambodia, Pol Pot built exter-

>>         mination camps. Techears, doctors, people

>>         who could speak a foreing language, even

>>         people who wore glasses, were purged as

>>         he sought to reduce all of Cambodia to the

>>         level of the peasant class. The Vietnamese

>>         could be cruel captors, but their Confucian

>>         heritage left them open to educational re-

>>         form. In Cambodia, by contrast, Buddhism

>>         encouraged a belief in the ineluctability

>>         of karma and the idea that evil suffered

>>         is evil deserved. ''The idea of karma

>>         goes very deep in this society, and I

>>         think that was part of the mentality of

>>         the Khmer Rouge when they were massacring

>>         people,'' said Francois Ponvhaud, a priest

>>         who first went in Cambodia in 1965. '' They

>>         believed their victims had made errors,

>>         political errors, and that killing them

>>         would allow them to be reborn as better

>>         people in their next lives''. Pol Pot has

>>         admitted to some mistakes in the period

>>         from 1975 to 1979, but in his eyes they

>>         were mistakes of policy. About the million

>>         dead, he has never expressed any remorse."

>>         From "Terry McCarthy-- TIME,AUGUST 11,1997."

> 

>I'm sorry, this is what I'd call the kind of

>misinformed criticism that *does* piss me off.

>Cambodia and Vietnam were both Thereveda Buddhist

>countries -- this notion that some vague threads

>of Confucianism in Vietnamese culture were what

>saved it from the evils that befell Cambodia

>may make a nice little Time article, but is

>way too flimsy to stand as a philosophical critique

>of a religion.  And China was more Confician

>than Vietnam -- how would he explain Mao's crimes

>against humanity?  This just doesn't stand up,

>it's just the kind of dull analytic blather

>that keeps political pundits employed, in my

>never-very-humble (but I'm trying) opinion.

> 

>------------------------------------------------------

>| Levi Asher = brooklyn@netcom.com                   |

>|                                                    |

>|    Literary Kicks: http://www.charm.net/~brooklyn/ |

>|     (3 years old and still running)                |

>|                                                    |

>|        "Coffeehouse: Writings from the Web"        |

>|          (a real book, like on paper)              |

>|             also at http://coffeehousebook.com     |

>|                                                    |

>|                *--*--*--*--*--*--*--*--*--*--*--*  |

>|                                                    |

>|                  "It was my dream that screwed up" |

>|                                    -- Jack Kerouac |

>------------------------------------------------------

> 

> 

=========================================================================

Date:         Mon, 18 Aug 1997 18:14:50 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Penn, Douglas, K" <dkpenn@OEES.COM>

Subject:      Re: Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Diane writ:

 

<< 

>Burroughs seems to take us on a journey through the

>deconstruction, perhaps de-structuring of society/the world through

>horrific images but what does do his images actually evoke?  It seems

>that this line of discovery would be important since individual words and

>images are the only thing that hold together a work without any real

>characters or progression of events.

>> 

 

Well, let me steal some words from "Surrealists and Surrealism" (pg34)

to answer your question of what his images actually invoke:

 

<< 

A trite phrase or an illustration from a mail-order catalogue:  this

external element was essential, but as a starting point, not as an end

in itself.  A bulwark set up to stem the unwanted influx of the

conventional, the aesthetic, the bogus and the shallow, its function was

to get the self-imposed censor out of the way.  And because we come

smack up against that commonplace or that borrowed drawing (or

whatever), the cloud bursts and manna comes down.  The familiar, the

already seen, the already read, crumples up and reveals the never yet

seen, the never yet read.  But the operation would not come off if it

were merely a montage of external elements:  for those externals to be

seen through, they have to be shifted into the realm of mirages.  The

disconnected words will only cast their spell if borne aloft on the

breath of poetry.  The fixed planes of the collage are the unpredictable

episodes of a film whose inner impetus alone keeps the machinery turning

over.

 

We are as yet only in 1919, and these initial soundings of the depths

may be mistaken for the unsubsided effervescence of Dada, on which

Aragon commented: "Anyhow the world gets a good laugh out of their

antics."

>> 

 

Thus, if I'm translating correctly, his images [nouns] of junk, society,

and (please add here) (a) remove the censor, (2) reveal the unseen in

the seen, (3) and translate the commonplace into poetry, (4) reveal the

"fixed" planes of his cross topics, and (5) give a clue to the "inner

impetus" of "the machine".

 

But what his inner impetus is, or what the machine actually does,

well,...??

 

and then there's the idea that the medium is the message (Marshall

McCluhen).  That the collage technique that WSB uses is meant for a

specific purpose.  That besides the basic organization of the novel,

it's possible to use the resultant chaos to interpret words, characters,

scenarios in new ways.  New ways to write a novel, ways to live, to get

junk (in a non-physical way), and to escape death??

 

and lastly:  humour.

 

 

BUT:  the surrealists were always using "commonplace" items and

subverting them.  WSB and the associated images seem to be starting from

the opposite, with "highly charged" subculture items and working them

back to commonplace ideas.  I could be absolutely wrong here, but it's a

theory to work with at least.

 

- not just rebelling against the ordinary

- not just organizing and editing the surreal

- not just idealizing the possibilities

- but starting with the idea of a fucked up universe and working

backwords in a purifying manner to a universe which contains it's

[opposite]???

 

[[I'd really like to pass the painter Yves Tanguey thru WSB, but can't

find a book!!]]

 

and if I had WWW access, I'd give you a link to a Robert Williams or

S.Clay Wilson graphic.  Same ideas, me thinks.  I DON'T KNOW.  I should

spend more time building the engine than analyzing the race.  Going home

now...

 

>> DC

 

Douglas

=========================================================================

Date:         Mon, 18 Aug 1997 22:19:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Enlightments by Kerouac

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Coming soon:

 

     On The Kerouac Quarterly web page, paintings based on Kerouac's

"Enlghtments" in POMES ALL SIZES. . . .as they are completed..these oils

will be photographed, posted and auctioned off (with a set ceiling price of

$50.00) and minimum bid feom $5.00. If you like the paintings try for them,

if you thinkthey suck wellll. . .. .don't.

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

For an example of the kind of art they will look like go see "The Flood of

Dr.Sax" go to:

 

http://www.freeyellow.com/members/upstartcrow/page2.html

 

I want these paintings to be low-priced and accessible, not a ton of money.

Because art, like the magic muse that inspires them, should be free like air. .

 

1st Enlightment: When you become enlightened you will know that you've been

enlightened all along. (Jack Kerouac, page 66 POMES ALL SIZES). . .

=========================================================================

Date:         Mon, 18 Aug 1997 20:06:49 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      Re: Naked Lunch: Benway (Sekhu Surface I)

In-Reply-To:  <33F85F30.E1E@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 7:41 AM -0700 8/18/97, Diane Carter wrote:

 

> Burroughs seems to take us on a journey through the

> deconstruction, perhaps de-structuring of society/the world through

> horrific images but what does do his images actually evoke?  It seems

> that this line of discovery would be important since individual words and

> images are the only thing that hold together a work without any real

> characters or progression of events.

> 

 

At 3:57 PM -0700 8/18/97, Levi Asher wrote:

 

All I can really say in counterpoint is that we

all come up with our ways of dealing with "the

slings and arrows of outrageous fortune."  I've

written somewhere that Burroughs had "porcupine

skin" -- that was his defense mechanism.  Neitzsche

never got a good defense mechanism going, maybe

because he was schizophrenic, or maybe not, but

he lived the 2nd half of his life in horrible

misery.  The Buddhist practice is just another

way of surviving.  Ultimately I don't think

there's anybody in the world who hasn't sometimes

felt what Buddha felt when he said "All Life

is Suffering."   And I also don't think there's

any Buddhist out there who hasn't sometimes felt

that life was just peachy keen and a whole lot

of fun.

 

> DC

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

 

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |               The map is

not the territory

                                |  { -  |                --Korzybski

        ---->                   |  /\   |

                                =========

=========================================================================

Date:         Mon, 18 Aug 1997 20:32:53 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      (Sekhu Surface II)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 7:41 AM -0700 8/18/97, Diane Carter wrote:

At 3:57 PM -0700 8/18/97, Levi Asher wrote:

 

 

is Suffering."   And I also don't think there's

any Buddhist out there who hasn't sometimes felt

> that this line of discovery would be important since individual words and

way of surviving.  Ultimately I don't think

of fun.skin" -- that was his defense mechanism.  Neitzsche

he lived the 2nd half of his life in horrible

all come up with our ways of dealing with "the

> characters or progression of events.

> 

> images are the only thing that hold together a work without any real

never got a good defense mechanism going, maybe

 

> Burroughs seems to take us on a journey through the

 

> deconstruction, perhaps de-structuring of society/the world through

All I can really say in counterpoint is that we

> horrific images but what does do his images actually evoke?  It seems

slings and arrows of outrageous fortune."  I've

written somewhere that Burroughs had "porcupine

because he was schizophrenic, or maybe not, but

misery.  The Buddhist practice is just another

there's anybody in the world who hasn't sometimes

felt what Buddha felt when he said "All Life

that life was just peachy keen and a whole lot

=========================================================================

Date:         Tue, 19 Aug 1997 06:50:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      "it's all right ma, i'm only lurking

In-Reply-To:  <3.0.1.32.19970819003812.006870dc@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

in the midst of post  bashing and furious reading of many texts this past

month, i find myself uncharacteristcally silent. if i have sent this over

the list before, please fogive my lousy mailer and memory. just wanted to

say hello to all.

mc

 

on not writing

 

i have not been writing

i have been painting

i have not thought of words,

but rather of

colors, shapes,

        blending, edging,

worlds building on the page

is it sleep

is it dreaming

who is doing the painting?

landscapes of the mind

appear regularly as if

plucked out of thin air.

no memory

        beyond the intent to paint

dreams of eternal landscape

        building word less poems

not asleep

        nor waking.

mc

=========================================================================

Date:         Tue, 19 Aug 1997 06:57:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> Is anyone ready to discuss books yet?

 

I just got OTR from the salina public library yesterday (is a public

library more communistic, socialistic, cooperative or what??? never

mind) . . .

SHOCKING.  They have a sticker on it as Young Adult Fiction.

Now part of me drew back in horror at the thought of them doing this to

a wonderful book

but a sinister and subversive side of me likes very much that this book

will be in the young adult section.  i may even begin to roam the

shelves of the fiction section and make other suggestions for Young

Adult classifications of REAL authors.

 

I have started Chapter One.

I guess it is sort of beating a dead mule but i'm asking myself about

JK's treatment of the character MaryLou.

The most troublesome thing to me is not that the character is described

as dumb and as a whore and whatnot.  The most troubling thing is that

the character is compleatly silent - voiceless.  Some woman - and

perhaps MaryLou will be one of them - are dumb and whores (just as many

men are).  But the dismissing of the first woman in a voiceless manner

is troublesome.

 

I am not dwelling on this though and will continue to plow forward.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 19 Aug 1997 08:39:44 -0400

Reply-To:     Greg Elwell <elwellg@voicenet.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

HA!  This makes me remember back to when I was in eighth grade, and a

classmate did a book report on OTR.  This was back before I was into

Kerouac, so I didn't know much.  All I can remember from his report is:

"This book really isn't about anything.  It's just this dude driving across

the country."

Greg Elwell

elwellg@voicenet.com || elwellgr@hotmail.com

<http://www.voicenet.com/~elwellg>

 

-----Original Message-----

From: RACE --- <race@MIDUSA.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, August 19, 1997 7:59 AM

Subject: Re: On the Road: Young adult fiction???? and Chapter 1

 

 

 

>Diane Carter wrote:

>> 

>> Is anyone ready to discuss books yet?

> 

>I just got OTR from the salina public library yesterday (is a public

>library more communistic, socialistic, cooperative or what??? never

>mind) . . .

>SHOCKING.  They have a sticker on it as Young Adult Fiction.

>Now part of me drew back in horror at the thought of them doing this to

>a wonderful book

>but a sinister and subversive side of me likes very much that this book

>will be in the young adult section.  i may even begin to roam the

>shelves of the fiction section and make other suggestions for Young

>Adult classifications of REAL authors.

> 

>I have started Chapter One.

>I guess it is sort of beating a dead mule but i'm asking myself about

>JK's treatment of the character MaryLou.

>The most troublesome thing to me is not that the character is described

>as dumb and as a whore and whatnot.  The most troubling thing is that

>the character is compleatly silent - voiceless.  Some woman - and

>perhaps MaryLou will be one of them - are dumb and whores (just as many

>men are).  But the dismissing of the first woman in a voiceless manner

>is troublesome.

> 

>I am not dwelling on this though and will continue to plow forward.

> 

>david rhaesa

>salina, Kansas

> 

=========================================================================

Date:         Tue, 19 Aug 1997 15:05:11 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: The Darkness of Buddishm.

In-Reply-To:  <199708182257.PAA12729@netcom18.netcom.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hello all beat friends,

 

                        --**--

i was *alot* staggered by the TIME article (quoted in the

previous post), the Pol Pot *violence with charm*,

the only XXme siecle utopia realized (1975-1979)

& one million dead, (Pol Pot was in childhood educated to

become a buddhist monk, & was a gentle schoolboy),

 

                        --**--

the beat's acceptance of buddishm & the Jack Keroauc's tragic death.

JK shifts from the catholic religion to buddishm as better resource for

a safe life. But at the end JK undermined himself, i think,

& i maybe wrong, that Eastern Lands aren't the response anyway...

 

                        --**--

 

Levi Asher wrote:

[excuse me for snippin' for brevity]

>I've written somewhere that Burroughs had "porcupine

>skin" -- that was his defense mechanism.  Neitzsche

>never got a good defense mechanism going, maybe

>because he was schizophrenic, or maybe not, but

>he lived the 2nd half of his life in horrible

>misery.

 

        The "porcupine skin" was an apologue written by

        Arthur Schopenhauer (Nietzsche's master of philosophy),

        the first western philosopher who studied & embraced

        the eastern thought (id est, ''Parerga e Paralipomena''),

        also Freud at last quoted the "porcupine" in his

        thougth 'bout "the discomfourt in the society". Both

        Schopenhauer & Nietzsche promoted having for

        themself darkness & pain. Perhaps giving unconscious thread to

        future nazi ideology... pain as a value in itself without

        any salvation.

 

>The Buddhist practice is just another

>way of surviving.  Ultimately I don't think

>there's anybody in the world who hasn't sometimes

>felt what Buddha felt when he said "All Life

>is Suffering."   And I also don't think there's

>any Buddhist out there who hasn't sometimes felt

>that life was just peachy keen and a whole lot

>of fun.

 

        "Vistors to Cambodia have come away charmed by the lush

        beauty of the countryside and the smiling people.

        But the violent side and the Cambodian life can manifest

        itself without warning.

        ''Cambodian have this darkness, which is part of the

        shadow of their sweetness,'' says David Chandler, who has

        written a biography of Pol Pot and several histories of

        the country. ''Many of us who keep going there still hard

        to understand.'' Chandler observes that Pol Pot, with his

        gentle voice, never failed to charm those he met. He

        liked to quote French poetry. This was the same man who had

        his staff executed after his house in Phnom Penh had

        power failure."

 

 

>And China was more Confician

>than Vietnam -- how would he explain Mao's crimes

>against humanity?  This just doesn't stand up,

>it's just the kind of dull analytic blather

>that keeps political pundits employed, in my

>never-very-humble (but I'm trying) opinion.

> 

 

        "Ancient violence takes on new forms: the

        practice of setting fire to brides because of

        the inadequacy of their dowries is on increase,

        there is terrifying evidence that ritual child

        sacrifice is being practiced by some followers

        of the cult of goddess Kali, and communal violence

        erupts regularly" -- Salman Rushdie, 1997.

 

 

saluti,

Rinaldo.

=========================================================================

Date:         Tue, 19 Aug 1997 08:36:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Darkness of Buddishm.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

> Levi Asher wrote:

> [excuse me for snippin' for brevity]

> >I've written somewhere that Burroughs had "porcupine

> >skin" -- that was his defense mechanism.  Neitzsche

> >never got a good defense mechanism going, maybe

> >because he was schizophrenic, or maybe not, but

> >he lived the 2nd half of his life in horrible

> >misery.

> 

>         The "porcupine skin" was an apologue written by

>         Arthur Schopenhauer (Nietzsche's master of philosophy),

>         the first western philosopher who studied & embraced

>         the eastern thought (id est, ''Parerga e Paralipomena''),

>         also Freud at last quoted the "porcupine" in his

>         thougth 'bout "the discomfourt in the society". Both

>         Schopenhauer & Nietzsche promoted having for

>         themself darkness & pain. Perhaps giving unconscious thread to

>         future nazi ideology... pain as a value in itself without

>         any salvation.

 

i've had the feeling many times that WSB lived in many ways a form of

buddhist life without claiming it - or perhaps explicitly denying it -

and being willing to cut off the arm of youngsters who claimed this

connection.  at the risk of my arms i'm throwing this out.

 

david rhaesa

salina, Kansas

> 

=========================================================================

Date:         Tue, 19 Aug 1997 10:05:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: The Darkness of Buddhism.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Levi--Good to have you back on the list (my own slow response, I know).

I agree with you that Burroughs's comments on Buddhism are intelligent

rather than purely misinformed.  I do think some questions of accuracy

remain, however:

 

>Slightly slow response on my part, but:

> 

>Rinaldo wrote:

>> "A man who uses Buddhism or any other instrument to

>> remove love from his being in order to avoid,

>> has committed, in my mind, a sacrilege comparable

>> to castration."-- William S. Burroughs' letter to Jack Kerouac.

>> From "Letters of William S. Burroughs 1945-1959."

> 

>As somebody who calls himself a Buddhist, I'd like

>to say that Burroughs comments about the religion are

>at least very intelligent.  He grasps the essence

>of Buddhism, which is self-denial.

 

I've never had the impression that this "self-denial" is the "essence" of

Buddhism.  What seems denied in Buddhism is a belief in an essential,

unchanging self--a self independent of and unencumbered by historical and

material conditions.  Buddhism denies this kind of self, sure, as much as it

denies the opposite idea of selfhood:  a self so mutable and changeable that

it cannot account for (and be responsible for) the joys and pains it creates

in the mind.

 

Then there are ascetic forms of self-denial or self-aversion (the "world" is

"illusion" and "I" cannot have "pleasure"--and suddenly every means of

experiencing the world is framed by scare quotes), which is what I think

most folks think of (wrongly) when they consider Buddhist self-denial.  But

you countered this asceticism best in your closing words:

 

>Ultimately I don't think

>there's anybody in the world who hasn't sometimes

>felt what Buddha felt when he said "All Life

>is Suffering."   And I also don't think there's

>any Buddhist out there who hasn't sometimes felt

>that life was just peachy keen and a whole lot

>of fun.

 

What has always motivated me about Buddhism is the Madhyamika (sp?)

"middle-way" school, in which both self-cherishing *and* self-aversion are

considered dangerous extremes.  I find that too often in the West, we focus

on Dharma teachings about self-cherishing without adding that the Buddha

also cautioned against self-aversion.  The two, for me, seem inseparable.

 

>I like it

>when somebody comes up with a *good* reason not

>to be a Buddhist, and Burroughs' reasons are good.

 

I also like it when one finds *good* reasons not to be a Buddhist.  What I

like in the quotation Rinaldo posted was that Burroughs was not reading

against Buddhism so much as against how one *practices* Buddhism.  If the

core of many Buddhisms is non-violence and altruism--and I think it is--then

Burroughs is right on the mark, and is speaking against those who misuse

Buddhism when he says, "A man who uses Buddhism or any other instrument to

remove love from his being in order to avoid, has committed, in my mind, a

sacrilege comparable to castration."  The little I know of the many

Buddhisms in the contemporary world suggests to me that any person who uses

Buddhism to "remove love" from one's own being--rather than habituate

oneself to love--is indeed committing oneself to a form of self-aversion

that is a sacrilege.

 

So, what I see in the Burroughs quote, isn't so much a good reason not to be

a Buddhist, but a good caution against how a religious practice such as

Buddhism could be misused.

 

(Life *is* peachy today--my cat-skratch'd-infected thumb is healing [I can

hit the spacebar with hardly any pain], and a big old cup of coffee solved

the suffering of waking . . .)

 

Tony

=========================================================================

Date:         Mon, 18 Aug 1997 22:54:41 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> I have started Chapter One.

> I guess it is sort of beating a dead mule but i'm asking myself about

> JK's treatment of the character MaryLou.

> The most troublesome thing to me is not that the character is described

> as dumb and as a whore and whatnot.  The most troubling thing is that

> the character is compleatly silent - voiceless.  Some woman - and

> perhaps MaryLou will be one of them - are dumb and whores (just as many

> men are).  But the dismissing of the first woman in a voiceless manner

> is troublesome.

> 

> I am not dwelling on this though and will continue to plow forward.

 

I think I've read five Kerouac books in a row and unfortunately this is

the way he portrays all women, except for the one at the end of Big Sur,

who actually was given to philosophical dialogue.  I think in On the Road

this type of woman characterization is more prevelant too because he

spends most of his time trying to imitate Cody's relationship with women,

which in the across the country scenes is no more than random sex in

different cities.  I've decided the best way to get past Kerouac's

attitude toward women is to ignore it, believing that in great writing,

there is no male or female anyway, only the experience of what it means

to be human.

DC

=========================================================================

Date:         Tue, 19 Aug 1997 10:52:24 -0400

Reply-To:     paw8670@mailer.fsu.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Preston Whaley Jr." <paw8670@MAILER.FSU.EDU>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

David Rhaesa,

 

Your post touches on my own problems with JK's mysogyny.  Visions of

Cody is particularly egregious.  Nevertheless, I still think VC is one

of the most forward looking works I've ever read.  I take the sexism and

its result -- inability to hear the woman's voice -- to be a confession,

driven by the artistic need to exorcise bigotry, i.e. blockages. Kerouac

acknowledged the problem of patriarchy somewhere.  He said bad gender

relations are man's fault.  I think it's in On the Road, but I can't

find it. If any one knows please share.

 

glad to be in the circle,

 

PW

=========================================================================

Date:         Mon, 18 Aug 1997 23:09:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: The Darkness of Buddishm.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Rinaldo Rasa wrote:                         --**--

> the beat's acceptance of buddishm & the Jack Keroauc's tragic death.

> JK shifts from the catholic religion to buddishm as better resource for

> a safe life. But at the end JK undermined himself, i think,

 

I don't think that JK's shift to Buddhism ever held up well, or got him

anywhere, it was only one more thing to try in his search for meaning.

Perhaps the new book will prove differently, I'm beginning more to think

that he found that there was no earthly use for any religion for none

could prevent death, He goes on and on about what is the point of life,

birth, or anything in view of the fact that we are all going to die.  It

seems also that the more he tried to get into Buddhism, peeling off

layers of self, the more he found self-hatred.

DC

=========================================================================

Date:         Tue, 19 Aug 1997 11:14:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      Wino -- more darkness

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Hi.  Finally something I can (maybe) sink my teeth into?

 

Jack's LOVE of wine...

It's just one part of Jack's search for his truth.  Many of you who have

read VISIONS OF CODY and other of Jack's books will recall his disgust

towards the American dream and how he says that it robs people of their

instinct, how it makes them forget what true happiness is... Well, it's

my belief that Jack found the most beat characters he could find and

emulated them in hope of finding satori or whatever.  An aspect of this

was the wino.  Jack loved winos!  He really didn't have to be poor... he

could've gone along with the MEAT WHEEL but he didn't.  He intentionally

dressed like a bum, hung out with bums (in back alleys of redbrick

drinking WINE)... it's kind of a retarded version of Sidhartha (please

excuse my spelling) and his quest for enlightenment -- when he became

(crap! I forget what they're called!) one of those little indian guys who

sits by the river and doesn't eat and seeks enlightenment thru it and he

realizes that it's a whole bunch of bull to keep tortureing yourself and

eventually becomes the Buddha.  Well, this was Jack's road too, forcing

himself into the bottom of society... except that while Jack had his

enlightenment he was too addicted to the lifestyle to ever enjoy the

satori of the good life.

 

The Naked Lunch being like a movie comment was right on!  I've always

thought of that book as a sick movie/dream inside Bill's head... being

directed by little globs of heroin... it even literally becomes a movie

during the middle of the book.

 

Chris

=========================================================================

Date:         Tue, 19 Aug 1997 11:17:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <dumo13@EROLS.COM>

Subject:      one more thing...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sorry, I forgot to tack this onto my last post:

 

What is up with Jack Kerouac and the use of his word "redbrick"?  I mean,

in VOC he uses it maybe a million times!  It's also persvasive in his

poetry.

 

Chris

=========================================================================

Date:         Tue, 19 Aug 1997 11:23:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Mysgogyny (was On the Road: Young adu....)

In-Reply-To:  <33F9B328.552E@mailer.acns.fsu.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 19 Aug 1997, Preston Whaley Jr. wrote:

 

> Your post touches on my own problems with JK's mysogyny.  Visions of

> Cody is particularly egregious.  Nevertheless, I still think VC is one

> of the most forward looking works I've ever read.  I take the sexism and

> its result -- inability to hear the woman's voice -- to be a confession,

> driven by the artistic need to exorcise bigotry, i.e. blockages.

 

The sexist attitudes of many of the beats is a real stumbling block for me

when it comes to talking about and teaching the beats.  One of my friends

gave up completely on the beats because of this after reading Dharma Bums

and Tristessa.  Trying to get people to look past that is sometimes like

trying to knock down a brick wall with your head.  And its hard to

contradict those attitudes when you only have a handful of really

productive women whose work you can showcase.  Even then most of them came

later on.  In the beginning it was Jack and Neal and  the boys and that's

about it except for the girlfriends who rarely lasted that long.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Tue, 19 Aug 1997 11:36:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Answer to Quiz #2:

 

Slim's son-in-law was Marvin Gaye, one of the crown princes of soul music.

He had Slim Gaillard sit in on the album "Midnight Love"; he added

hand-clapping!?!

 

Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?

 

Antoine

 

        **********

>About the Slim Gaillard trivia question posed by Antoine Maloney,

> 

>I don't know.

> 

>That's why I didn't hazard a guess.

> 

>As I remember it was who is Slim famous musician son-in-law.

> 

>OK, times up I give and it seems like no one else is going to pose an answer

>so...

> 

>OK,  who?

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 19 Aug 1997 08:50:40 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Slim Gaillard and Jack...and the hipsters

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Answer to Quiz #2:

> 

>Slim's son-in-law was Marvin Gaye,

 

Wow!  That's big time.

 

 

 

>one of the crown princes of soul music.

>He had Slim Gaillard sit in on the album "Midnight Love"; he added

>hand-clapping!?!

> 

>Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?

> 

>Antoine

> 

>        **********

>>About the Slim Gaillard trivia question posed by Antoine Maloney,

>> 

>>I don't know.

>> 

>>That's why I didn't hazard a guess.

>> 

>>As I remember it was who is Slim famous musician son-in-law.

>> 

>>OK, times up I give and it seems like no one else is going to pose an answer

>>so...

>> 

>>OK,  who?

>> 

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 19 Aug 1997 18:33:57 +-200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arno Neele <arnoniem@TIP.NL>

Subject:      AW: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding:  7bit

 

"The truth of the matter is we don't understand our women; we blame on them and

 it's all our fault." (OTR, page 122)

 

 

Maybe this is what you were looking for.

arno

----------

Van:    Preston Whaley Jr.[SMTP:paw8670@MAILER.FSU.EDU]

Verzonden:      dinsdag 19 augustus 1997 16:52

Aan:    BEAT-L@CUNYVM.CUNY.EDU

Onderwerp:      Re: On the Road: Young adult fiction???? and Chapter 1

 

David Rhaesa,

 

Your post touches on my own problems with JK's mysogyny.  Visions of

Cody is particularly egregious.  Nevertheless, I still think VC is one

of the most forward looking works I've ever read.  I take the sexism and

its result -- inability to hear the woman's voice -- to be a confession,

driven by the artistic need to exorcise bigotry, i.e. blockages. Kerouac

acknowledged the problem of patriarchy somewhere.  He said bad gender

relations are man's fault.  I think it's in On the Road, but I can't

find it. If any one knows please share.

 

glad to be in the circle,

 

PW

=========================================================================

Date:         Tue, 19 Aug 1997 10:09:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: The Darkness of Buddishm.

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

My in-laws are heavy duty Buddhist and one of the things I've noticed is

their Buddhism seems to be very different from the sort of dry and

intellectual or philosophical type of Buddism that you hear most about in

the US.  It would be interesting to hear about these differences between

"real" (real in quotes in quotes) Buddhists and American's who practice

Buddhism.

 

     There are many schools of Buddhism.  The theology heavy schools of

     Tibetan, Korean, Vietnamese, etc. are very different than the Zen

     Schools of China and Japan, as different as Catholicism and the

     "lighter" shades of Protestantism.

 

     matt

=========================================================================

Date:         Tue, 19 Aug 1997 12:54:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Dawn B. Sova" <DawnDR@AOL.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

 

David R. noted that the public library has OTR classified as "Young Adult

Fiction."  I had to comment --- and hold onto your hat when you hear this.

 

Just completed for reference publisher Facts on File, Inc., two volumes of a

four-volume set on censorship --- my two volumes were books that have been

censored/banned/challenged for "Social" content and for "Erotic" content

(summaries/case histories, etc.).  Couldn't find my copy of NAKED LUNCH, so I

ordered a copy through interlibrary loan from another public library in the

county system here in  New Jersey.  NAKED LUNCH is  classed as "YA" in at

least 5 of those libraries!!!  (Of course, many others have "lost" it.)  Know

something??  I laughed, and felt very subversive as I said NOTHING!

 

I'd be curious if other Beat books are similarly classified.  What a

wonderful way to let the system open minds.

 

Dawn

=========================================================================

Date:         Tue, 19 Aug 1997 09:45:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: The Darkness of Buddishm.

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding:  7bit

 

----------

 

Rinaldo Rasa wrote:

 

i've had the feeling many times that WSB lived in many ways a form of

buddhist life without claiming it - or perhaps explicitly denying it -

and being willing to cut off the arm of youngsters who claimed this

connection.  at the risk of my arms i'm throwing this out.

 

David

 

Am I too literal here? Not literary enough?  David, I can hardly believe it? You

 mean it?

 

leon

 

=========================================================================

Date:         Tue, 19 Aug 1997 13:04:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      Third Mind anyone?

In-Reply-To:  <970819125241_655415373@emout12.mail.aol.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

According to a recent book pricing publication, "The Third Mind" is worth

about $45.00. From what i understand this book is no longer in print. I

have only been able to take out a copy at the local library here in NJ

but recently it has vanished. Is there any way of obtaining a copy for

sale? It is one of the major books missing in my collection, along with

"Tornado Alley."

                                        thanks,

                                                jason

=========================================================================

Date:         Tue, 19 Aug 1997 10:08:24 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: The Darkness of Buddishm.

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding:  quoted-printable

 

----------

From:   RACE ---[SMTP:race@MIDUSA.NET]

Sent:   Tuesday, August 19, 1997 6:36 AM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: The Darkness of Buddishm.

 

I'll get it right this time=20

 

David Rhaesa wrote:

=09

        Amorphous regions overlaying the literally with the literary are =

getting         fuzzy here for me. Cutup confusing Rasa with Rinaldo -- =

Apologies       Rinaldo and Rasa for my last goof with attribution. In other =

words just      getting confused here a might.=20

 

Hey David, you still got your arm, right? Sticks and stones will break =

your bones but words will never hurt you. Yeah, right?

 

david rhaesa

salina, Kansas

> 

.-

=========================================================================

Date:         Tue, 19 Aug 1997 12:34:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Darkness of Buddishm.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

> 

> ----------

> From:   RACE ---[SMTP:race@MIDUSA.NET]

> Sent:   Tuesday, August 19, 1997 6:36 AM

> To:     BEAT-L@CUNYVM.CUNY.EDU

> Subject:        Re: The Darkness of Buddishm.

> 

> I'll get it right this time

> 

> David Rhaesa wrote:

> 

>         Amorphous regions overlaying the literally with the literary are

 getting         fuzzy here for me. Cutup confusing Rasa with Rinaldo --

 Apologies       Rinaldo and Rasa for my last goof with attribution. In other

 words just      getting confused here a might.

> 

> Hey David, you still got your arm, right? Sticks and stones will break your

 bones but words will never hurt you. Yeah, right?

> 

> david rhaesa

> salina, Kansas

> >

> .-

 

arm is fine.

=========================================================================

Date:         Tue, 19 Aug 1997 10:43:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Third Mind anyone?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Really???

 

I remember back in 80 - 82 this book was available in scads at $3 or so for

the hardback.  Moe's in berkely and Logos in Santa Cruz had bunches of them.

 

I may even have had bought a copy.  Don't know where it is today.

 

My how times change.

 

At 01:04 PM 8/19/97 -0400, you wrote:

>According to a recent book pricing publication, "The Third Mind" is worth

>about $45.00. From what i understand this book is no longer in print. I

>have only been able to take out a copy at the local library here in NJ

>but recently it has vanished. Is there any way of obtaining a copy for

>sale? It is one of the major books missing in my collection, along with

>"Tornado Alley."

>                                        thanks,

>                                                jason

> 

> 

=========================================================================

Date:         Tue, 19 Aug 1997 15:10:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Third Mind anyone?

 

Jason et al:

 

Regarding the Burroughs/Gysin collaboration, The Third Mind," if you can find

a nice copy for $45.00, grab it. The price guide has underestimated the vaue

of this gem from 1978. Viking (Penguin) should definitely bring it back into

print.

 

As far as Tornado Alley by Burroughs goes (illustrated by S. Clay Wilson),

we've got plenty of copies on hand in two editions:

1. paperback: $11.95

2. Hardcover: $20.00

shipping is $2.00.

 

I've got a Third Mind first edition hardcover in dust jacket signed by both

Burroughs and Gysin in near mint condition - If interested, drop me a line

here at Water Row -

 

Jeffrey

Water Row Books

=========================================================================

Date:         Tue, 19 Aug 1997 16:31:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Books by Jan Kerouac

In-Reply-To:  <970819150914_1883943480@emout03.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Jeffrey

 

I have two of Jan's books on hold somewhere. I got side-tracked and do not

have the phone number to call. A hard cover in mint condition of either

Baby Driver or Train and a soft cover of the same book.

 

Do you know who it was that had notices of collectors stuff--Beat Stuff--on

teh List a few weeks ago? Was it you?

 

Thanks,

 

j grant

 

 

 

 

Small Press Authors and Publishers display books

                FREE

    http://www.bookzen.com/addbook-form.html

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Tue, 19 Aug 1997 07:37:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Benway

Comments: cc: SSASN@AOL.COM, dkpenn@oees.com

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Penn, Douglas, K. wrote:

> BUT:  the surrealists were always using "commonplace" items and

> subverting them.  WSB and the associated images seem to be starting

> from

> the opposite, with "highly charged" subculture items and working them

> back to commonplace ideas.  I could be absolutely wrong here, but it's

> a

> theory to work with at least.

> 

> - not just rebelling against the ordinary

> - not just organizing and editing the surreal

> - not just idealizing the possibilities

> - but starting with the idea of a fucked up universe and working

> backwords in a purifying manner to a universe which contains it's

> [opposite]???

 

I'm not sure agree that he's working backward to commonplace ideas or in

a purifying manner, although the act of writing is surely a release of

some kind.  I think the whole universe of Naked Lunch (as far as I've

read so far) is based on the premise everyone needs something and their

place in the universe is defined by what they need at what level.  No one

gets what they need or want.  I'm not sure they even know what that is.

I'm also not sure that his violent, dark images are surreal or that these

images are meant to come from an unconscious level.  The narrator's

reality is perverted and dark, fucked up, if you will, but his reality is

"out there" as they way things are, the way society is.  This is not a

dream from which he is trying to awake but a script written by his

conscious mind.

DC

=========================================================================

Date:         Tue, 19 Aug 1997 19:27:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Kirouack@AOL.COM>

Subject:      Re: Burroughs and musical influences

 

i enjoyed this stuff diane...thanks for sharing it.  i'm going through my

files from beat-l and deleting stuff.  maybe i'll catch ya later.

 

john

=========================================================================

Date:         Tue, 19 Aug 1997 21:31:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

 

Tired, tired, tired of the whole women question. Similar to the race card

that is played now and then. I was asked in my PhD candidacy oral defense

about the portrayal of Mexicans in Road. The young Mexican-American professor

questioning me went on at some length about "Kerouac's" assertion that

Mexicans do not care about appearances. The prof explained the inaccuracy,

described just how much Mexican culture is based on appearances, how white

American imperialist it was to impose readings on another culture, and the

"R" word came up of course. How could I defend an author who wrote such

things?

 

Weellll, whether Kerouac was an "R" or not, I don't know and don't care. But

I asked, did the professor really expect a young white guy circa 1950 like

Sal Paradise to really have the PC race/gender/orientation ideology of a 90's

liberal college professor? If he did, I would find the chararcter pretty

unreal and poorly written. Kinda like "Dr. Quinn, Medicine Woman" where we go

back into the Old West with all our PC assumptions. Cute and cuddly, but real

it ain't.

 

So are you "troubled" by Kerouac's treatment of women and blacks in his

writing? Don't be troubled (a typical weak university term, like

"problematic")--be terrified. Don't suspect that his attitudes weren't PC.

They weren't even close. And don't think that you might be able to find

something that will redeem him. You won't and who cares?

 

Kerouac the man had every right to his opinions and to put them into his

writing. English Departments seem to aspire to be amateur sociologists,

psychologists, or political editorialists. They call into question every

philosophical assumption except their own political correctness. Personally,

this is not the path for me. Whether Kerouac's view on race, gender, or ice

hockey conform to my own or not, I am still moved by his artistic brillance

and will not say he is a bad writer because he doesn't agree with me.

 

And I will not write off his complex themes with one word answers like racist

or sexist. Let's go deeper than that. When someone says his portrayal of

Mexicans is racist, I answer, "And....?" What does that mean? Where does it

go? These days EVERYONE can be smeared with those kinds of words. So those

who use them be warned: they've lost their power. With Kerouac, I want to

know more deeply the particulars and motivations and symbolic resonances of

the writing. One word write-offs don't make that.

=========================================================================

Date:         Tue, 19 Aug 1997 20:48:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mitchell Smith wrote:

> 

> And I will not write off his complex themes with one word answers like racist

 or sexist. Let's go deeper than that. When someone says his portrayal of

 Mexicans is racist, I answer, "And....?" What does that mean? Where does it go?

 These days EVERYONE can be smeared with those kinds of words. So those who use

 them be warned: they've lost their power. With Kerouac, I want to know more

 deeply the particulars and motivations and symbolic resonances of the writing.

 One word write-offs don't make that.

 

Perhaps i was misunderstood.  I'm about as politically correct as the

pope.  I was not saying this makes JK evil.  I wasn't suggesting that

one not read him or suggest him or praise his abilities.  It does seem

that he continually is unable to provide female characters with nearly

the same depth as the rest of his writing.  Perhaps this is due to the

experiences he had.

 

I'm sorry that you received such harrassment from the Race angle on your

committee but please don't turn around and play the same game by

accusing me of playing "a card" when that is not what i said at all.

 

respectfully,

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 19 Aug 1997 18:49:24 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         runner <babu@ELECTRICITI.COM>

Subject:      build an engine

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

am trying to build an engine that will take

beat lit theory to

art history methodology

to artistic product

 

wish me luck and thanx to all on this list for

all their ideas, info, and whatnot

 

<<unsubscribe>>

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |               The map is

not the territory

                                |  { -  |                --Korzybski

        ---->                   |  /\   |

                                =========

=========================================================================

Date:         Tue, 19 Aug 1997 21:19:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      how did you meet the beats.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Charles,

         How and when did you meet Allen or William?  As much as I sympathise

with the ernest academics about this being a place dedicated to

discussion of literature, to me the literature comes untidily wrapped in

the social life and community that the literature evolved from. I am

interested in the travel and points of contact people had.

Patricia

=========================================================================

Date:         Tue, 19 Aug 1997 19:31:47 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: build an engine

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding:  7bit

 

I do wish you luck. I will miss your creative  piercing contributions. Please

 keep in touch and let us know what you are coming up with

 

Bon Chance

 

leon

 

----------

From:   runner[SMTP:babu@ELECTRICITI.COM]

Sent:   Tuesday, August 19, 1997 6:49 PM

To:     BEAT-L@CUNYVM.CUNY.EDU

Subject:        build an engine

 

am trying to build an engine that will take

beat lit theory to

art history methodology

to artistic product

 

wish me luck and thanx to all on this list for

all their ideas, info, and whatnot

 

<<unsubscribe>>

 

Douglas

 

 

http://www.electriciti.com/babu/        |   0   |               The map is

not the territory

                                |  { -  |                --Korzybski

        ---->                   |  /\   |

                                =========

.-

=========================================================================

Date:         Tue, 19 Aug 1997 19:59:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: The Darkness of Buddhism.

In-Reply-To:  <199708191405.KAA05111@lynx.dac.neu.edu> from "Tony Trigilio" at

              Aug 19, 97 10:05:37 am

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

I wrote:

> >As somebody who calls himself a Buddhist, I'd like

> >to say that Burroughs comments about the religion are

> >at least very intelligent.  He grasps the essence

> >of Buddhism, which is self-denial.

 

Tony wrote:

> I've never had the impression that this "self-denial" is the "essence" of

> Buddhism.  What seems denied in Buddhism is a belief in an essential,

> unchanging self--a self independent of and unencumbered by historical and

> material conditions.  Buddhism denies this kind of self, sure, as much as it

> denies the opposite idea of selfhood:  a self so mutable and changeable that

> it cannot account for (and be responsible for) the joys and pains it creates

> in the mind.

 

and also:

 

> Burroughs is right on the mark, and is speaking against those who misuse

> Buddhism when he says, "A man who uses Buddhism or any other instrument to

> remove love from his being in order to avoid, has committed, in my mind, a

> sacrilege comparable to castration."  The little I know of the many

> Buddhisms in the contemporary world suggests to me that any person who uses

> Buddhism to "remove love" from one's own being--rather than habituate

> oneself to love--is indeed committing oneself to a form of self-aversion

> that is a sacrilege.

 

I think you're right, and I guess I'm being overly

extreme to say that self-denial is the essence of

Buddhism.

 

It's important to realize, as you said, that Buddha

did not teach extreme asceticism (self-denial) but

rather pointed towards a "middle way" between

the two opposite traps, self-denial and self-indulgence.

 

But I think it's the self-denial aspect of Buddhism

that people think more about, mainly because humans

tend to be naturally self-indulgent, so reaching

the "middle way" is usually acheived only with

strong doses of renunciation.  Very few people

are so naturally unselfish that they have to reach

the middle way by becoming *more* selfish.

Nice thought, though.

 

About the difference between American Buddhists

and actual Asian Buddhists, I agree that they

are worlds apart.  I remember when my wife and

I, looking for some enlightenment on a hot summer

day in Queens, wandered into a Korean Buddhist

temple in Corona.  They stared at us like we

were insane.  Looked kinda fun in there, though,

wish they could have let us stay ...

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|                *--*--*--*--*--*--*--*--*--*--*--*  |

|                                                    |

|                  "It was my dream that screwed up" |

|                                    -- Jack Kerouac |

------------------------------------------------------

=========================================================================

Date:         Tue, 19 Aug 1997 23:57:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Kyle Mays <kmays@VOICENET.COM>

Subject:      Subscribe help

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

I was wondering if anyone can help me subscribe to the Beat-l.  Thanks for

any help.

 

Kyle Mays

kmays@voicenet.com

=========================================================================

Date:         Tue, 19 Aug 1997 21:47:09 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mitchell,

 

Thanks for you post which is excellent.  It is entirely bogus to expect

the Beats to be PC.  In my comments on JK and women I really wasn't

meaning to suggest that.  It is more my contention that JK wrote very

poor women characters.  I personally don't care whether he was sexist of

not.  His problem rather than mine.  A more relevant issue is whether

his inability to see women in any sort of totality limited him as a

writer.  Sort of a problem for a novelist and, if we were to follow

Leslie Fiedler, an endemic problem for American novelists at least.  But

I can think of a lot of American writers who wrote far more realized

women than Jack could. Henry James and Scott Fitzgerald come to mind.

Jack writes wonderfully about alot of things.  But women aren't one.  I

am inclined to agree that the painful relationship with Billie, which is

no fun at all to read, may be the only time he got it very real.

 

But thanks for your refreshingly non-PC point of view. And thanks for

reminding me why I shouldn't miss the world of English departments.

 

J. Stauffer

=========================================================================

Date:         Tue, 19 Aug 1997 23:02:37 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      710 Ashbury and other treasures

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Beat-L folks with lots of money and a Deadhead orientation may want to

know that they have the chance of a lifetime to buy the Dead house at

710 Ashbury.  Just bring your prequalified loan to bid over the 900,000

minimum bid and you're in the game.  Butterfield and Butterfield is

doing a "Summer of Love" auction in which the house is the featured

attraction, other items include the original contract for the Charlatans

to play at the Red Dog Saloon.  I will send off for the catalog to see

if there is anything literary included.

 

J. Stauffer

=========================================================================

Date:         Wed, 20 Aug 1997 08:33:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Jan Keroauc First Editions

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Can someone help me with this?

 

I reserved a couple of First Editions of Jan Keroauc's and before I had a

chance to call back with credit card info I misplaced name of the book

dealer.

 

At the same time my computer ate some files.

 

The information came to me via the Beat List.  If the book dealer sees this

please contact me so Ican get the $ to you.

 

Thanks,

 

j grant

 

Small Press Authors and Publishers display books

                FREE

    http://www.bookzen.com/addbook-form.html

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Wed, 20 Aug 1997 10:12:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PATRICK <EASTWIND@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Slim Gaillard and Jack...and the hipsters

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Antoine Maloney wrote:

> 

> Answer to Quiz #2:

> 

> Slim's son-in-law was Marvin Gaye, one of the crown princes of soul music.

> He had Slim Gaillard sit in on the album "Midnight Love"; he added

> hand-clapping!?!

> 

> Anybody know if Kerouac - Cassady were into doowop, Rhythm 'n blues or soul?

> 

> Antoine

> 

>         **********

> >About the Slim Gaillard trivia question posed by Antoine Maloney,

> >

> >I don't know.

> >

> >That's why I didn't hazard a guess.

> >

> >As I remember it was who is Slim famous musician son-in-law.

> >

> >OK, times up I give and it seems like no one else is going to pose an answer

> >so...

> >

> >OK,  who?

> >

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

 

 

I never met kerouac, but I met Ginsberg, Corso in Paris at the Beat

Hotel in the late 50s'- and can tell you with assuarnce that the music

of the beats was American Jazz---Coltrane, Bud Powell and the early Chet

Baker when he was just starting in Calif.

=========================================================================

Date:         Wed, 20 Aug 1997 10:19:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PATRICK <EASTWIND@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Cross posting from RMD

Comments: To: "R. Bentz Kirby" <bocelts@SCSN.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> >From time to time, I check out the Dylan news group.  I used to post

> there a lot till I found the beat-l and found it to be more fun, and

> less spam.  (Wonderful spam!).  There has been raging a fierce war

> between the condemn Burroughs to hell and the Burroughs just told the

> truth folks.  I have found several posts that are quite good in the

> defense of Burroughs.  The ones that lead into them are quite bad but

> have been repeated in the follow up posts.  I sent two that I thought

> were particularly good to P and she said that they good food for

> thought.  I am going to post those two to the list, because I think they

> contain good summaries of the merits of WSB's work.

> 

> The posts are not intended to draw comments, and we certainly do not

> need to discuss the drivel that lead to these posts.  But, I think it is

> helpful to the list to gain a perspective of how some who are not on the

> list perceive and defend WSB.  If anyone wants to comment, feel free.

> But these two posts are cross posts and will be labeled as such.  I do

> not intend to comment on them, just cross post.

> 

> If you care to see the full exchanges, point your news reader at:

> 

> rec.music.dylan

> 

> Then check out the burroughs rot in hell thread, or something like that.

> 

> Peace,

> Thanks.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

Doesanyone have any information on the Beats in Paris,France at the Beat

Hotel?--that is, articles etc.

=========================================================================

Date:         Wed, 20 Aug 1997 08:24:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: The Darkness of Buddhism.

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>"A man who uses Buddhism or any other instrument to remove love from his

being in order to avoid, has committed, in my mind, a sacrilege comparable

to castration."

 

The word "uses", I think, is the key here.  I don't think he's suggesting

that *Buddhism* removes love but that someone can mis-use the tenets of

Buddhism to say "I don't/can't/won't love because that's 'attachment'".

 

     Do I have a firm grasp of the obvious or what?

 

     love and lilies,

 

     matt

=========================================================================

Date:         Wed, 20 Aug 1997 11:18:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Jan Keroauc First Editions

In-Reply-To:  <v03007801b020a1b737ad@[156.46.45.72]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 20 Aug 1997, jo grant wrote:

 

> Can someone help me with this?

> 

> I reserved a couple of First Editions of Jan Keroauc's and before I had a

> chance to call back with credit card info I misplaced name of the book

> dealer.

> 

 

Call the rare book dept at the Strand in NYC...last time I was there (a

couple of months ago admittedly), they had a Jan Kerouac first edition,

as well as a first ed. of the paperback of Desolate Angels.  If they dont

have those anymore, the folks there would probably be able to figure out

your dealer'sname, provided you give enough clues, since they deal with

most any of them in the area.

=========================================================================

Date:         Wed, 20 Aug 1997 11:14:02 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: On the Road: drunkenness

 

Reply to message from jgrant@BOOKZEN.COM of Mon, 18 Aug

> 

>Whiskey is expensive. Whiskey alcoholics have more money. By the time the

>alcoholic gets to wine he/she is usually close to the bottom of the

>economic ladder.

> 

>j grant

 

This past March when I was writing my "senior seminar" paper on the Beats

(how I first found this list...) I decided that, as research, I had to get

a bottle of Thunderbird.  It was research, pure research, I kept telling

my friends who rolled their eyes.  So, at the state liquor store in

Aurora, Ohio, I asked the kind clerk if they had any in stock.  He laughed

and said no, but "This stuff is the next best thing," and pointed to a

bottle of Wild Irish Rose.  So I grabbed a bottle while the clerk continued

laughing and asked, "Is this a gag gift?" "Um, no, it's research," I replied.

 

Well, about a week later I found the real deal in the 24-hour Giant Eagle

in Ravenna.  Granted, the greenish tint that I was never quite sure if it

belonged solely to the bottle or the liquor caught me off guard.  But let's

just say that if you've only got $5 to spend on liquor, the stuff will do

the job.  So then my professor found out about my research & shook his

head, remarking, "They still sell that stuff?  My roommate back in college

drank an entire bottle of that one night, and later on he was puking green

bile..."

 

So maybe it all has to do with desperation....

 

Diane.

 

--

                Diane M. Homza <---Professional Rebound Girl!

2 Years Experience; References Are Avaliable!   ek242@cleveland.freenet.edu

"I can't imagine how I ever thought my love might make a difference to him."

                --Richard Powers, _The Gold Bug Variations_

=========================================================================

Date:         Tue, 19 Aug 1997 23:33:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      On the Road: Chad King

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Does anyone have a character list that identifies Chad King who is in the

first part of On the Road?  Also, when he gets to Denver, Sal stays with

a group of friends who seem to be on the outs with Cody and Irwin, does

anyone know the social particulars of the time and whether it was just a

personality conflict or did it have to do with views of literature, as

one of the guys Sal stays with seems to want to write like Hemingway.

DC

=========================================================================

Date:         Wed, 20 Aug 1997 11:38:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

 

Mitchell Smith wrote "Tired, tired,tired..."

 

Thank you, thank you, thank you....

 

Dixon

=========================================================================

Date:         Wed, 20 Aug 1997 11:07:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Subject:      Bay Area/Beat-L Group

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        I remember reading post about a Beat-l group trying to get together

in the Bay         area.  Did it happen?  Any interesting news, ideas or

topics for discussion come        out of that?

=========================================================================

Date:         Wed, 20 Aug 1997 13:05:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Brosnan <coffee@MAIL.WDN.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapt

MIME-Version: 1.0

Content-Type: multipart/alternative;

              boundary="------------19CC5EE50031385F5C96532E"

 

--------------19CC5EE50031385F5C96532E

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> SHOCKING.  They have a sticker on it as Young Adult Fiction.

> Now part of me drew back in horror at the thought of them doing this

> to

> a wonderful book

> but a sinister and subversive side of me likes very much that this

> book

> will be in the young adult section.  i may even begin to roam the

> shelves of the fiction section and make other suggestions for Young

> Adult classifications of REAL authors.

> 

 

This is my first post to this list.  I'm 15 and going into my sophmore

year of highschool.  OTR was on are recomended summer reading list and I

just finished reading it.  I've read Howl and a bunch of other  Ginsberg

poems along with some of Jack Kerouac's.  I also read and loved a book

which was a collection of stuff from Woman Beats. As part of my

Humanities class next year we are going to be reading some Beat stuff I

think.  Which I think is incredibly cool.    I'm looking forward to

hearing everyone's insights on Beat literature, and adding some of my

own.

 

Sara

"I saw the best minds of my generation destroyed by maddness, starving,

hysterical, naked."

http://www.geocities.com/SoHo/Lofts/1988

 

 

 

--------------19CC5EE50031385F5C96532E

Content-Type: text/html; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

<HTML>

 

<BLOCKQUOTE TYPE=CITE>SHOCKING.&nbsp; They have a sticker on it as Young

Adult Fiction.

<BR>Now part of me drew back in horror at the thought of them doing this

to

<BR>a wonderful book

<BR>but a sinister and subversive side of me likes very much that this

book

<BR>will be in the young adult section.&nbsp; i may even begin to roam

the

<BR>shelves of the fiction section and make other suggestions for Young

<BR>Adult classifications of REAL authors.

<BR>&nbsp;</BLOCKQUOTE>

This is my first post to this list.&nbsp; I'm 15 and going into my sophmore

year of highschool.&nbsp; OTR was on are recomended summer reading list

and I just finished reading it.&nbsp; I've read Howl and a bunch of other&nbsp;

Ginsberg poems along with some of Jack Kerouac's.&nbsp; I also read and

loved a book which was a collection of stuff from Woman Beats. As part

of my Humanities class next year we are going to be reading some Beat stuff

I think.&nbsp; Which I think is incredibly cool.&nbsp;&nbsp;&nbsp; I'm

looking forward to hearing everyone's insights on Beat literature, and

adding some of my own.

 

<P>Sara

<BR>"I saw the best minds of my generation destroyed by maddness, starving,

hysterical, naked."

<BR><A

 HREF="htttp://www.geocities.com/SoHo/Lofts/1988">http://www.geocities.com/SoHo/

 Lofts/1988</A>

<BR>&nbsp;

<BR>&nbsp;</HTML>

 

--------------19CC5EE50031385F5C96532E--

 

=========================================================================

Date:         Wed, 20 Aug 1997 14:04:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Ron W and White Fields Press

 

Does anyone know what has become of Ron Whitehead and why White Fields Press

went out of business? They had such an amazing line of publications, I can't

see why they gave up. The difficulties of being a small press I guess.

 

M Smith

=========================================================================

Date:         Wed, 20 Aug 1997 12:18:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: On the Road: Chad King

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Hal Chase and Ed White (Chad King and Tim Gray in On the Road) were

     roommates and sometime college students in Denver.  Who Kerouac stayed

     with when he first arrived in Denver.

 

     Ann Charters wrote in Kerouac - A Biography:

 

     "Jack described the mood as "some kind of conspiracy," even "a war

     with social overtones," because Neal was the son of a wino bum and

     Chase and White were college students from respectable homes.

 

     But Chase and his friends didn't stress the social differences when

     they objected to Cassady.  They told Jack they thought Neal was "a

     moron and a fool" for rushing around Denver making love to any willing

     girl:........"

 

     love and lilies,

 

     matt

 

 

______________________________ Reply Separator _________________________________

Subject: On the Road: Chad King

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    8/19/97 11:33 PM

 

 

Does anyone have a character list that identifies Chad King who is in the

first part of On the Road?  Also, when he gets to Denver, Sal stays with

a group of friends who seem to be on the outs with Cody and Irwin, does

anyone know the social particulars of the time and whether it was just a

personality conflict or did it have to do with views of literature, as

one of the guys Sal stays with seems to want to write like Hemingway.

DC

=========================================================================

Date:         Wed, 20 Aug 1997 12:47:59 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Ron W and White Fields Press

In-Reply-To:  <970820140206_1359674217@emout11.mail.aol.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

m.smith

as far as i know they havent gone out of business - at least not as much

as ron has mentioned to me ( and you would think in his wild enthusiastci

nightmares of posts that ramble & update in a fury/flurry of wrds he would

have said something) i know that he is still planning some publishe in

heaven posters, organizing a reading for oct 9 in lousiville, KY, heading

to europe for readings, etc sept.10, working on research for new book on

l.ferlinghetti and working on new poetry as well as recently submitted

manuscript for final editing of _william s. burroughs: calling the toads_

so i dont think that whitefields press has bit the bucket yet.

have you heard otherwise?

yrs

derek

 

On Wed, 20 Aug 1997, Mitchell Smith wrote:

 

> 

> Does anyone know what has become of Ron Whitehead and why White Fields Press

> went out of business? They had such an amazing line of publications, I can't

> see why they gave up. The difficulties of being a small press I guess.

> 

> M Smith

> 

=========================================================================

Date:         Wed, 20 Aug 1997 15:37:18 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Lowell Celebrates Kerouac 1997

 

I was wondering if anyone else was planning on going to Lowell in October.  May

be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or some

thing.

=========================================================================

Date:         Wed, 20 Aug 1997 15:34:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      OTR -- chapter 1 still

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I'm moving along at a snail's pace.  my apologies to the quick readers.

 

"The whole mad swirl of everything that was to come began then; it would

mix up all my friends and all I had left of my family in a big dust

cloud over the American Night." (p.8)

 

This sentence just hit me hard.  I'd turned the page and there it was at

the top of the next . . . bam! . . . It seems to say so much of the tale

(as i recall from reading it long ago).

 

I guess it also says something about some decent ways of reading OTR.

It seems an easy way to fall amidst the whirlwind and madness and let

the story take you along.  I have done this when i read it before.

Another is to be more of a twister watcher (albeit not a member of the

p.c. police) and observe the whirl of mad connections from a safer and

saner distance.

 

This time around i will follow the second path - the first is far too

likely to land me in a hospital.

 

This quotation as i said hit me hard in the middle of some synapse and

seems to say so much -- not just about chapter one -- but far far far

into the narrative.

 

"And this was really the way that my whole road experience began, and

the things that were to come are too fantastic not to tell." (p.9)

 

JK slides so smoothly out of the narrative and into the role of

storyteller...the author sliding into the story a bit.  i've always

liked this quality.  And the notion of "TOO FANTASTIC" along with the

"WHOLE MAD SWIRL" begin to create something in my brain which i missed

by falling too far into the book the last time i read it.

 

"Somewhere along the line I knew there'd be girls, visions, everything:

somewhere along the line the pearl would be handed to me." (p.11)

 

I wonder if the pearl was ever handed off.  To JK, to us???  The

fantastic tale is certainly in store and it provides everything - but

perhaps not the pearl.

 

I'll lag along slowly pearl hunting.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 20 Aug 1997 18:11:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

In-Reply-To:  <BEAT-L%1997082015402243@CUNYVM.CUNY.EDU> from "Bill Gargan" at

              Aug 20, 97 03:37:18 pm

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

=>I'll definitely be going to Lowell in Oct.,and hope to meet

assorted Beat-L-sters.

 

> I was wondering if anyone else was planning on going to Lowell in October.

 May

> be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or

 some

> thing.

> 

=========================================================================

Date:         Thu, 21 Aug 1997 00:11:42 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Wittgenstein's dream (Re: Was Burroughs really a beat writer?)

In-Reply-To:  <Pine.BSI.3.95.970813195003.25110D-100000@global.california .com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Michael et al. friends,

 

Ludwig Wittgenstein (1889-1951) was indeed a very tormented soul:

 

Ludwig every nite dreamed of cold & deep place into himself own

mind, lifting up a handkerchief & scared of worms &

creeping slimy beeings found there.

 

saluti,

Rinaldo.

 

 

At 20.04 13/08/97 -0700,

"Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM> wrote:

>  "Wittgenstein said that if the universe is pre-recorded, the only thing

>   not pre-recorded is those recordings themselves. In my work,

>   the cut-ups and all, I attempt to get at the substance of the

>   recordings."

>                                - William S. Burroughs

>                                  (quoted from memory)

> 

=========================================================================

Date:         Wed, 20 Aug 1997 17:22:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

In-Reply-To:  <33F6CC50.10CB@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 17 Aug 1997, RACE --- wrote:

 

> runner wrote:

> >   Mixed this all up with my working

> > WSB ideas of the "big lie."

> >

> > http://www.electriciti.com/babu/images/Big_lie.html

> >

> > Douglas

> >

> > http://www.electriciti.com/babu/

> 

> I'm not certain that "lie" is it.  Unless the Lie is in only one angle

> on truth.  It doesn't seem to me a particularly moralish notion as Lie

> sometimes suggests - what constitutes the Big Lie is factually accurate

> from a particular point of view, from a particular angle.  What is

> exposed is the multiplicity of angles.

 

In _Painting & Guns_ Burroughs talks about points of view in painting (this

was actually an essay that appeared elsewhere, but I don't recall the name

right now). His paintings, he said (I'm paraphrasing), were made to be

viewed from "any angle." The idea was to destroy the notion of one point of

view, one framed image with one place to look at. But with a framed image

you still have notions of left, right, top, bottom etc., so I wonder if

anyone has done something like this -- it would seem that a good way to do

implement "multiplicity of angles" would be a circular shaped canvas, and a

framing device that does not rely on hanging the picture in any particular

direction. To see this implemented in music and in film, that would be

interesting perhaps.

 

 

I liked "green tit."

=========================================================================

Date:         Wed, 20 Aug 1997 18:34:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Ted W. Nagy" <tnagy@PASS.WAYNE.EDU>

Subject:      unsubscribe

In-Reply-To:  <33F76F7C.D8C@pacbell.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

unscribe beat-l

thankyou

=========================================================================

Date:         Wed, 20 Aug 1997 18:51:19 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Rare books

 

Bill Morgan and Bob Rosenthal have issued a new catalog: The Beats/Edie

Kerouac Collection.  They have a number of items on sale that once

belonged to Edie, many containing her signature and stamp.  I found the

prices very reasonable.  For a copy of the catalog or for more

information, contact Morgan & Rosenthal, P.O. BOX 1631, Stuyvesant

Station, New York, NY   10009

=========================================================================

Date:         Wed, 20 Aug 1997 08:12:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: OTR -- chapter 1 still

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> "Somewhere along the line I knew there'd be girls, visions, everything:

> somewhere along the line the pearl would be handed to me." (p.11)

> 

> I wonder if the pearl was ever handed off.  To JK, to us???  The

> fantastic tale is certainly in store and it provides everything - but

> perhaps not the pearl.

> 

> I'll lag along slowly pearl hunting.

 

 

I think JK finds many pearls but never THE pearl.  The flawed part is

probably that he kept searching for THE pearl instead of accepting the

many he found.

DC

DC

=========================================================================

Date:         Wed, 20 Aug 1997 20:58:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

In-Reply-To:  <970819125241_655415373@emout12.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 19 Aug 1997, Dawn B. Sova wrote:

 

> I'd be curious if other Beat books are similarly classified.  What a

> wonderful way to let the system open minds.

 

Yup. Several of the larger regional libraries near me have whole Beat

sections in their Young Adult area. Come to think of it, the only time I've

ever seen one of those newer (Penguin) Kerouac paperbacks in a library was

in the Young Adult area.

 

Despite the years of living with me & my Beat obsession, my little sister

(18) took to the Beats on her own just recently. She got Ginsberg's

_Cosmopolitan Greetings_ and Jack's _Book of Blues_ from the Young Adult

section at one of those said libraries.

 

 

m

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Wed, 20 Aug 1997 20:23:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: OTR -- chapter 1 still

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> > RACE wrote:

> > "Somewhere along the line I knew there'd be girls, visions, everything:

> > somewhere along the line the pearl would be handed to me." (p.11)

> >

> > I wonder if the pearl was ever handed off.  To JK, to us???  The

> > fantastic tale is certainly in store and it provides everything - but

> > perhaps not the pearl.

> >

> > I'll lag along slowly pearl hunting.

> 

> I think JK finds many pearls but never THE pearl.  The flawed part is

> probably that he kept searching for THE pearl instead of accepting the

> many he found.

> DC

> DC

 

i'll try to look for "pearls" and not "THE" Pearl as i hunt along in

chapter two and onward.  the great pearl hunt  o o p s  i means "A"

great pearl hunt . . .

                        . . . in a whirlwind of madness on route ...

of the          AMERICAN        NIGHT   !

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 20 Aug 1997 21:28:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Morgan <Ferlingh2@AOL.COM>

Subject:      Re: Books from Edie Kerouac's library

 

We've just issued a catalogue of books from the library of Edie Kerouac that

might be of interest to collectors of Beat books.  Featured are a large

number of Burroughs, Ginsberg and Kerouac titles, many of with annotations by

Edie.  Anyone that would like a copy of the catalogue should e-mail me or

write to:

Morgan & Rosenthal

PO Box 1631

Stuyvesant Station

New York, NY  10009

 

Thanks, don't want to clutter up the list with advertisements, but thought

some of you might like to know about this.

 

We've also just published a beautiful book by Lawrence Ferlinghetti

illustrated by Larry Collins.  It's a poem called "The Hopper House at Truro"

he wrote after visiting Edward Hopper's house on Cape Cod.

=========================================================================

Date:         Wed, 20 Aug 1997 21:29:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      next post

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

If you do not want to read an experimental work and tribute to your OTR

readings, please do not read my next post.  It is Georgetown to

Richland.

 

Any criticism is welcome, as long as it is not malicious. :-)

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 20 Aug 1997 21:42:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Georgetown to Columbia ( A Travelogue)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Georgetown to Columbia

(A Travelogue)

 

At 12:00 midnight, the Georgetown steel mill

Is belching smoke covering the sky

Demon-like redness.

At 12:00 noon, there is no smoke.

Georgetown on 17 Alt is cheap commercial construction.

On to Andrews, Panola, Burnt Gin,

Greelyville, Paxville, Pinewood.

Confederate navel battlejacks are unfurled,

Close to Mt. Zero Baptist Church

and the Pentacostal spirit filled flame.

Cotton, tobacco, strips of pine trees

Gobbled by giant beetles into trucks

To shed bark on your car.

 

Dekalb Corn signs like Detroit Red Wings,

Turn to Jesus or burn in HELL!

Columbia's free weekly.

At Coopers Country Grocery,

A bbq sandwich, crackling (low fat)

And Clearly Canadian.

A men's room with yellowed baseboards,

And ammonia eaten pipes.

Manchester, Wedgefield, knee high grass.

10th Anniversary Special Issue.

 

In Andrews the boys n the hood are

On the street.

Fierce, scary, no respect,

All is lost and gone, gone, gone.

(Probably real excited about workfare here.)

Yuhannah, Highway 261,

Thinking about youth

Imagining linear life.

And innocence.

 

Boiled peanuts are better for children than candy,

hulls flying out of window.

White cadillacs on blocks

White caddys on the road.

How could Antoine have known?

Tenants are people too!

Inside

The first issue.

Charles L. Griffin, III highway.

Right over Railroad Avenue.

 

Free Times.

Times are bought with a price.

What willing payment?

What extracted?

Jesus Saves.

Cross on the side,

Public boat ramps,

Pinewood hazard waste.

When will it arrive?

Hopkins, Lower Richland, Manchester.

Linear is not life.

Life is not linear.

Free entertainment,

But not linear,

And not necessairly pleasant.

Inside,

At the silo,

The chutes on the ground,

Corn scattered round.

 

Sumter F-15's thundering

I am in a vertical climb.

Is it possible to be

A dishonest polluter?

A white man barefoot,

Talks to the black woman.

The Confederate Navel Battlejack,

Flies down the block.

 

Like a river in fast forward,

I am flowing here,

Georgetown to Columbia.

Waste not want not.

I am here,

Nothing is there,

30 years in between.

Free times.

Columbia City Limits.

An All-American City.

Bessinger heats it

In a microwave.

And Garner's Ferry melts into the Devine.

Melt into the Divine.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Wed, 20 Aug 1997 19:52:13 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Bay Area/Beat-L Group

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Ron Guest wrote:

> 

>         I remember reading post about a Beat-l group trying to get together

> in the Bay         area.  Did it happen?  Any interesting news, ideas or

> topics for discussion come        out of that?

 

Ron,

 

The SF Bay Area Beatle Bash (First Annual or whatever) occured on August

2, the  evening of WSB's death at my place in Redwood City.  It was a

great party, lots of great discussion, although I cannot recall any

dominant theme that called out for list discussion.  Just wonderful,

raging talk.

 

Heartily recommend such gatherings.  A very unique event in that very

few people had met anyone there before except online.  Made for a really

great exchange.  Very little "what do you do for a living"--a lot more

about what folks had done, were doing, and were thinking.  Some

nostalgia, to be sure, but a lot of what's happening now and some great

cross generational discussions.

 

Will be posting pictures soon.  Stay tuned.

 

James Stauffer

=========================================================================

Date:         Wed, 20 Aug 1997 22:51:21 -0400

Reply-To:     Greg Elwell <elwellg@voicenet.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: On the Road: Chad King

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

 Off hand I believe that Chad King is Hal Chase.  Is this correct?  I'm not

totally sure who Hal Chase is either.

 

Greg Elwell

elwellg@voicenet.com || elwellgr@hotmail.com

<http://www.voicenet.com/~elwellg>

 

-----Original Message-----

From: Diane Carter <dcarter@TOGETHER.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Wednesday, August 20, 1997 11:40 AM

Subject: On the Road: Chad King

 

 

 

>Does anyone have a character list that identifies Chad King who is in the

>first part of On the Road?  Also, when he gets to Denver, Sal stays with

>a group of friends who seem to be on the outs with Cody and Irwin, does

>anyone know the social particulars of the time and whether it was just a

>personality conflict or did it have to do with views of literature, as

>one of the guys Sal stays with seems to want to write like Hemingway.

>DC

> 

=========================================================================

Date:         Wed, 20 Aug 1997 20:18:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      OTR -- chapter 1 still

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>"Somewhere along the line I knew there'd be girls, visions, everything:

>somewhere along the line the pearl would be handed to me." (p.11)

> 

>I wonder if the pearl was ever handed off.  To JK, to us???  The

>fantastic tale is certainly in store and it provides everything - but

>perhaps not the pearl.

> 

>I'll lag along slowly pearl hunting.

> 

>david rhaesa

>salina, Kansas

 

  I wonder if the pearl in the quote transcribed by David is an allusion to

Steinbeck's novella _The Pearl_.  I think that _The Pearl_ was published

about ten years before _On The Road_ so it's at least possible.  If it is an

allusion, the pearl Kerouac expects will be handed to him carries some

negative connotations.

 

                                                   Just musing,

                                                   James M.

=========================================================================

Date:         Wed, 20 Aug 1997 23:32:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Makar <dmakar@CCS.NEU.EDU>

Subject:      Re: OTR -- chapter 1 still

In-Reply-To:  <199708210318.UAA21431@freya.van.hookup.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 20 Aug 1997, James William Marshall wrote:

 

> >"Somewhere along the line I knew there'd be girls, visions, everything:

> >somewhere along the line the pearl would be handed to me." (p.11)

> >

> >I wonder if the pearl was ever handed off.  To JK, to us???  The

> >fantastic tale is certainly in store and it provides everything - but

> >perhaps not the pearl.

> >

> >I'll lag along slowly pearl hunting.

> >

> >david rhaesa

> >salina, Kansas

> 

>   I wonder if the pearl in the quote transcribed by David is an allusion to

> Steinbeck's novella _The Pearl_.  I think that _The Pearl_ was published

> about ten years before _On The Road_ so it's at least possible.  If it is an

> allusion, the pearl Kerouac expects will be handed to him carries some

> negative connotations.

 

 

Wow James,

        That's a pretty good idea, seriously. Perhaps there are more

litterary alusions that Jack slipped in secretly.

 

                        -Dave

 

                    David Makar <dmakar@ccs.neu.edu>

 

    "I've never been too lucky, but I've never been too unlucky either"

 

                                        -Mikrad Vada

=========================================================================

Date:         Wed, 20 Aug 1997 21:11:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: OTR -- chapter 1 still

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:18 PM 8/20/97 -0700, you wrote:

>>"Somewhere along the line I knew there'd be girls, visions, everything:

>>somewhere along the line the pearl would be handed to me." (p.11)

>> 

>>I wonder if the pearl was ever handed off.  To JK, to us???  The

>>fantastic tale is certainly in store and it provides everything - but

>>perhaps not the pearl.

>> 

>>I'll lag along slowly pearl hunting.

>> 

>>david rhaesa

>>salina, Kansas

> 

>  I wonder if the pearl in the quote transcribed by David is an allusion to

>Steinbeck's novella _The Pearl_.  I think that _The Pearl_ was published

>about ten years before _On The Road_ so it's at least possible.  If it is an

>allusion, the pearl Kerouac expects will be handed to him carries some

>negative connotations.

> 

>                                                   Just musing,

>                                                   James M.

> 

> 

Musing meself,

 

I'd think that the pearl (whatever "the pearl" actually is--kind of like IT)

probably more likley refers or comes from the pearl of great price.

=========================================================================

Date:         Wed, 20 Aug 1997 23:49:43 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jgh3ring <jgh3ring@IX.NETCOM.COM>

Subject:      Re: how did you meet the beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

there is one aspect of the beat generation literature that it is not, and

that is timely.

 

Jason "donutman" Helfman

Three-Ring Creations

=========================================================================

Date:         Wed, 20 Aug 1997 23:50:27 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jgh3ring <jgh3ring@IX.NETCOM.COM>

Subject:      Re: how did you meet the beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

oops, thought you typed untimely, you typed untidy....and that it is not,

as well

 

Jason "donutman" Helfman

Three-Ring Creations

=========================================================================

Date:         Wed, 20 Aug 1997 23:51:28 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jgh3ring <jgh3ring@IX.NETCOM.COM>

Subject:      Re: Bay Area/Beat-L Group

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

bay area, meaning where specifically?

 

Jason "donutman" Helfman

Three-Ring Creations

=========================================================================

Date:         Wed, 20 Aug 1997 23:54:36 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jgh3ring <jgh3ring@IX.NETCOM.COM>

Subject:      Re: On the Road: Chad King

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

does it matter who the character actually is, would it change your

perspective of the work, dull it numb it shit on it enlighten it...I

don't think their are many distict similarities in Kerouac of

Hemingway...they are writers and they write to write....

 

Jason "donutman" Helfman

Three-Ring Creations

=========================================================================

Date:         Thu, 21 Aug 1997 14:46:38 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      wsb's death/ recommendations for US trip

In-Reply-To:  <199708210459.XAA03288@dfw-ix14.ix.netcom.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hi folks,

i just came back from vacation when i heard the sad news about wsb's

death, so i turned back to good ole beat-l as fast as possible. i am sure

there were a good deal of posts saying something nice about him, his life

and his works. too bad that in germany he was only worth a little note in

the papers. would anyone be so kind and summarize the talk on the beat-l

for me ? (Or is it possible to get the collected posts, bill ?)

i didn't read much burroughs so far, but what i read fascinated and

disgusted me at the same time (don't get me wrong), he was one of the few

writers who knew to wake emotions in me i never felt before. his radical

lifestyle, strange and somehow familiar attracts me like only jk's could

do.

 

but i guess it's also just the american lifestyle that attracts me ( the

ambivalent (or is it -lence?) of nature and city, literature and crap,

mcdonalds, barnes and nobles, cars, weapons, beaches, all that stuff i

love and hate. yeah, i know i got a pretty sarcastic cliche marlboro

country conception.....anyway, i am coming over and need some good tips

about what to do. i start in nyc, then pennsylvania and then i wanna do

the "driveaway"-thing wherever it may take me...new orleans and mexico are

possible aims. Lowell, ma. stands also on the list, maybe we could arrange

a little beat-l meeting at "lowell celebrates kerouac" ?!

 

any recommendations welcome

and please excuse me for going to far into this slightly off-topic theme,

i am just so excited :)

 

            //

          (o o)

--------oOO-(_)-OOo------sincerely

                         moritz rossbach

                         saarbruecken, germany

                         moro0000@stud.uni-sb.de

                         http://stud.uni-sb.de/~moro0000

=========================================================================

Date:         Thu, 21 Aug 1997 09:42:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Burroughs Tribute Site

 

This is a great place to read expressions of condolence and memorium for WSB:

<A HREF="http://sunsite.unc.edu/mal/MO/wsb/">a living, breathing and ever grow

ing William ...</A>

 

diane de rooy

=========================================================================

Date:         Thu, 21 Aug 1997 09:46:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Fwd: burroughs site

 

I'm never sure if I'm sending links right, so here's the path to that

Burroughs site again, just in case the first one didn't work.

 

diane

---------------------

Forwarded message:

Subj:    burroughs site

Date:    97-08-21 09:43:46 EDT

From:    Ddrooy

To:      Ddrooy

 

http://sunsite.unc.edu/mal/MO/wsb/

=========================================================================

Date:         Thu, 21 Aug 1997 08:05:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: Books from Edie Kerouac's library

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     What's the e-mail address...

 

     matt

 

 

______________________________ Reply Separator _________________________________

Subject: Re: Books from Edie Kerouac's library

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    8/20/97 9:28 PM

 

 

We've just issued a catalogue of books from the library of Edie Kerouac that

might be of interest to collectors of Beat books.  Featured are a large

number of Burroughs, Ginsberg and Kerouac titles, many of with annotations by

Edie.  Anyone that would like a copy of the catalogue should e-mail me or

write to:

Morgan & Rosenthal

PO Box 1631

Stuyvesant Station

New York, NY  10009

 

Thanks, don't want to clutter up the list with advertisements, but thought

some of you might like to know about this.

 

We've also just published a beautiful book by Lawrence Ferlinghetti

illustrated by Larry Collins.  It's a poem called "The Hopper House at Truro"

he wrote after visiting Edward Hopper's house on Cape Cod.

=========================================================================

Date:         Wed, 20 Aug 1997 23:03:43 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      On the Road:  sex

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I found this rather poignant description of sex and culture on pages

56-57:

 

        "Then I went to meet Rita Bettencourt and took her back to the

apartment.  I got her in my bedroom after a long talk in the dark of the

front room.  She was a nice little girl, simple and true, and

tremendously frightened of sex.  I told her it was beautiful.  I wanted

to prove this to her.  She let me prove it, but I was too impatient and

proved nothing.  She sighed in the dark.  'What do you want out of life?'

I asked, and I used to ask that all the time of girls.

        'I don't know,' she said.  'Just wait on tables and try to get

along,' she yawned.  I put my hand over her mouth and told her not to

yawn.  I tried to tell her how excited I was about life and the things we

could do together; saying that, and planning to leave Denver in two days.

 She turned around wearily.  We lay on our backs, looking at the ceiling

and wondering what God had wrought when He made life so sad.  We made

vague plans to meet in Frisco.

        ...Boys and girls in America have such a sad time together;

sophistation demands that they submit to sex immediately without proper

preliminary talk.  Not courting talk--real straight talk about souls, for

life is holy and every moment is precious."

=========================================================================

Date:         Wed, 20 Aug 1997 23:13:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      On the Road: strange passage

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

This paragraph was written in the section where Sal is unhappily living

with Remi and working as a security guard.  It seems very out of

character for him.

 

pg. 73

 

        "Meanwhile I began going to Frisco more often; I tried everything

in the books to make a girl.  I even spent a whole night with a girl on a

park bench, till dawn, without success.  She was a blonde from Minnesota.

 There were plenty of queers.  Several times I went to San Fran with my

gun and when a queer approached me in a bar john I took out the gun and

said, 'Eh? Eh? What's that you say?' He bolted.  I've never understood

why I did that; I knew queers all over the country.  It was just the

loneliness of San Francisco and the fact that I had a gun.  I had to show

it to someone."

=========================================================================

Date:         Thu, 21 Aug 1997 11:02:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MiKe KaNe <SLPrdise@AOL.COM>

Subject:      bye

 

bye bye.

=========================================================================

Date:         Wed, 20 Aug 1997 23:24:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Luch: Joselito

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I have read this particular scene several times and I still don't have a

clue what happens here.  Any clarification on any level would be much

appreciated.  I take it Joselito (a boy?, a woman?) has tuberculosis and

Carl has brought the person to a very strange doctor, who insists on

putting the person in a sanitarium even though Carl wants chemical

therapy.  Does Joselito ever speak here, or is it all Carl and the

doctor?  Does Joselito die? Help!

DC

=========================================================================

Date:         Thu, 21 Aug 1997 17:23:09 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: On the Road: Chad King

In-Reply-To:  <199708210459.XAA03288@dfw-ix14.ix.netcom.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Good mornig friends,

 

(stated that CHAD KING in the JK's OTR novel is Hal Chase)

please check:

 

http://www.charm.net/~brooklyn/People/

 

"Hal Chase left Denver to enroll at Columbia University, and Cassady

traveled to New York to visit him in December 1946."

 

saluti,

Rinaldo.

*

The bus came by and I got on, that's when it all began

There was Cowboy Neal at the wheel of the bus to Nevereverland'

('The Other One' by The Grateful Dead)

*

=========================================================================

Date:         Thu, 21 Aug 1997 09:01:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: The Pearl

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>At 08:18 PM 8/20/97 -0700, you wrote:

>"Somewhere along the line I knew there'd be girls, visions, everything:

>somewhere along the line the pearl would be handed to me." (p.11)

>david rhaesa

>salina, Kansas

>> 

>>  I wonder if the pearl in the quote transcribed by David is an allusion to

>>Steinbeck's novella _The Pearl_.  I think that _The Pearl_ was published

>>about ten years before _On The Road_ so it's at least possible.  If it is an

>>allusion, the pearl Kerouac expects will be handed to him carries some

>>negative connotations.

>>Just musing,

>>James M.

 

>Musing meself,

> 

>I'd think that the pearl (whatever "the pearl" actually is--kind of like IT)

>probably more likley refers or comes from the pearl of great price.

> 

 

  I think that's what Steinbeck's pearl was all about.  Whether it's an

actual allusion or not, half the fun of reading is reading things in where

they may not actually be.

 

                                                  Throw the pearl away,

                                                  James M.

=========================================================================

Date:         Thu, 21 Aug 1997 10:58:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      nakid lunch and western lands

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

have recieved no beat-l mail for three days.  Are we being quiet or am

i unsubxcribed?

 

I tried to read naked lunch but found it too distrubing.  The raw truth

of it is so beautiful.

I will go back to reading western lands.  It was thrill for me to read

it the first time, it is thrilling to reread it.

p

=========================================================================

Date:         Thu, 21 Aug 1997 12:48:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Reich books

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Flatland #12

Rare interviews with Eva Reich, MD. As Wilhelm Reich's daughter, Eva Reich

witnessed the development of his work over 30 years, from the worker's

street demonstrations in Vienna and Berlin in pre-Hitler Europe, to the

discovery of orgone ("life energy") biological auto-genesis, weather

engineering with the cloudbuster, UFO sightings, and WR's persecution and

final death in prison. She talks candidly about her differences with her

father, as well as confirming his incredible discoveries.

<http://www2.flatlandbooks.com/flatland/Flatland12.html>

 

 

Many Reich titles at <http://www2.flatlandbooks.com/flatland/reichbks.html>.

 

FLATLAND, P.O. Box 2420, Fort Bragg, California. 95437

=========================================================================

Date:         Thu, 21 Aug 1997 13:01:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: nakid lunch and western lands

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

 

> have recieved no beat-l mail for three days.  Are we being quiet or am

> 

> i unsubxcribed?

> 

> I tried to read naked lunch but found it too distrubing.  The raw

> truth

> of it is so beautiful.

> I will go back to reading western lands.  It was thrill for me to read

> 

> it the first time, it is thrilling to reread it.

> p

 

P:

 

Did you get the poems that I posted.  One was for you and Charles and

for Richard.  I posted one yesterday on Georgetown to Columbia.

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 21 Aug 1997 19:07:05 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Hal Chase.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Chase shared a room with Ginsberg and was a close friend of Kerouac's. In

the fall of 1946, Chase received a visit from his hometown friend Neal

Cassady, which is the event that begins the book 'On The Road.' Hal Chase

appears in this novel as Chad King, who later snubs his Denver friend 'Dean

Moriarty.'

=========================================================================

Date:         Thu, 21 Aug 1997 13:52:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      renaming Characters...

In-Reply-To:  <3.0.1.32.19970821190705.0068b7ec@pop.gpnet.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

The idea has been kicked around Kerouac's estate supposedly to re-release

a new line of Kerouac's books with the names of all the characters

corrected.  So you'd get an OTR with "Jack and Neal" instead of "Dean

Moriarty and Sal Paradise"  It was Kerouac's oft-expressed desire to do

just this eventually, that it was publisher paranoia about lawsuits that

prevented him from using real names in the first place.

 

Since Cassady, Burroughs, Huncke, Ginsberg and many, if not most of the

peopleinvolved, are dead now, the time may be right to start

straightening out all the confusion.

 

But would it demean the books to change the names of wellknown

characters?  Would it make any difference to readers if "Old Bull Lee"

was "Old Bill Burroughs"?  Is it taking literary license to change

character names (even if it was the explicit desire of the author himself?)

 

 

RJW

=========================================================================

Date:         Thu, 21 Aug 1997 13:09:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <boondock@POBOX.COM>

Subject:      Re: renaming Characters...

In-Reply-To:  <Pine.SUN.3.91-FP.970821134624.15260A-100000@cap1.capaccess .org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:52 PM 8/21/97 Richard Wallner wrote:

>The idea has been kicked around Kerouac's estate supposedly to re-release

>a new line of Kerouac's books with the names of all the characters

>corrected.

 

((snip))

 

>But would it demean the books to change the names of wellknown

>characters?  Would it make any difference to readers if "Old Bull Lee"

>was "Old Bill Burroughs"?  Is it taking literary license to change

>character names (even if it was the explicit desire of the author himself?)

 

Kerouac stated that he would someday redo the books with a common set of

character names, but he never indicated, that I have seen, that he intended

to use the real names.  The books are , after all, novels - even if much of

the material is biographical.  Standardizing the character names from book

to book would certainly help the continuity when reading them.  Also,

certain character names seem to stick better to the actual person - to me

Neal is much more Cody than Dean.  But unless he gave instructions as to

which names to use, I wonder who would decide.

 

I wouldn't like the books changed to reflect the real names, and I doubt if

those who are still living, Carolyn Cassady for one, would want that

either, as some of the character portrayals are less than flattering.

 

Judith

=========================================================================

Date:         Thu, 21 Aug 1997 11:23:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      On the Road: strange passage

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From: Diane Carter <dcarter@TOGETHER.NET>

> 

>This paragraph was written in the section where Sal is unhappily living

>with Remi and working as a security guard.  It seems very out of

>character for him.

> 

>pg. 73

> 

>        "Meanwhile I began going to Frisco more often; I tried everything

>in the books to make a girl.  I even spent a whole night with a girl on a

>park bench, till dawn, without success.  She was a blonde from Minnesota.

> There were plenty of queers.  Several times I went to San Fran with my

>gun and when a queer approached me in a bar john I took out the gun and

>said, 'Eh? Eh? What's that you say?' He bolted.  I've never understood

>why I did that; I knew queers all over the country.  It was just the

>loneliness of San Francisco and the fact that I had a gun.  I had to show

>it to someone."

> 

Diane,

  Sometimes a gun is not just a gun.  (insert winking emoticon here)

 

                                           James M.

=========================================================================

Date:         Thu, 21 Aug 1997 14:35:49 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: renaming Characters...

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

as just another reader, i personally don't give a damn if they rename

all the characters. but as being somewhat of a historian, i always

did find it fun to try to reconginze real-life characters in

kerouac's fiction, which would be taken away if the litle switch up

did ocour. although this would save me and others time about figuring

out irrelevant tidbits like the hal chase/ chad king thing, and help

us greater appreciate the literary value of the work. i don't know.

whichever desciion is made, i am happy.

cy~a randy

=========================================================================

Date:         Thu, 21 Aug 1997 15:39:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      New Yorker

 

Anyone read the New Yorker? I heard there was something on Kerouac in the

recent or last issue. I don't know what it was, but I'd be interested in

knowing.

 

ddr

=========================================================================

Date:         Thu, 21 Aug 1997 14:35:47 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From: Judith Campbell <boondock@POBOX.COM>

>I wouldn't like the books changed to reflect the real names, and I doubt if

>those who are still living, Carolyn Cassady for one, would want that

>either, as some of the character portrayals are less than flattering.

> 

>Judith

> 

  Aren't the true identities of the recurring characters in Kerouac's novels

relatively easy to discover?

  Still, I wouldn't really want the character names to be changed either.

The allegorical names represent the author's poetic penchant.

 

                                                    James M.

=========================================================================

Date:         Wed, 20 Aug 1997 16:04:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Frank Nunziata <Frank_Nunziata@BMGE.COM>

Subject:      Re: Lowell Celebrates Kerouac 1997

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

 

I'll probably be there on Saturday, October 4. Please let me know if you

folks plan on getting together.

 

 

 

 

WXGBC@CUNYVM.BITNET

08/20/97 03:37 PM

 

 

Please respond to BEAT-L@CUNYVM.CUNY.EDU

 

To:   BEAT-L@CUNYVM.CUNY.EDU

cc:    (bcc: Frank Nunziata/GC/DDI/US)

Subject:  Lowell Celebrates Kerouac 1997

 

 

 

 

I was wondering if anyone else was planning on going to Lowell in October.

May

be we can wear our Beat-l shirts and meet for drinks in the Worthen pub or

some

thing.

=========================================================================

Date:         Thu, 21 Aug 1997 18:05:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: wsb's death/ recommendations for US trip

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

What's going to happen to Lowell celebrates Kerouac when

the heirs of Jack get legal control of the legacy and

imagery of the most famous Beat, as Hemingway's heirs have,

in Key West?

 

Mike Rice

 

At 02:46 PM 8/21/97 +0200, you wrote:

>hi folks,

>i just came back from vacation when i heard the sad news about wsb's

>death, so i turned back to good ole beat-l as fast as possible. i am sure

>there were a good deal of posts saying something nice about him, his life

>and his works. too bad that in germany he was only worth a little note in

>the papers. would anyone be so kind and summarize the talk on the beat-l

>for me ? (Or is it possible to get the collected posts, bill ?)

>i didn't read much burroughs so far, but what i read fascinated and

>disgusted me at the same time (don't get me wrong), he was one of the few

>writers who knew to wake emotions in me i never felt before. his radical

>lifestyle, strange and somehow familiar attracts me like only jk's could

>do.

> 

>but i guess it's also just the american lifestyle that attracts me ( the

>ambivalent (or is it -lence?) of nature and city, literature and crap,

>mcdonalds, barnes and nobles, cars, weapons, beaches, all that stuff i

>love and hate. yeah, i know i got a pretty sarcastic cliche marlboro

>country conception.....anyway, i am coming over and need some good tips

>about what to do. i start in nyc, then pennsylvania and then i wanna do

>the "driveaway"-thing wherever it may take me...new orleans and mexico are

>possible aims. Lowell, ma. stands also on the list, maybe we could arrange

>a little beat-l meeting at "lowell celebrates kerouac" ?!

> 

>any recommendations welcome

>and please excuse me for going to far into this slightly off-topic theme,

>i am just so excited :)

> 

>            //

>          (o o)

>--------oOO-(_)-OOo------sincerely

>                         moritz rossbach

>                         saarbruecken, germany

>                         moro0000@stud.uni-sb.de

>                         http://stud.uni-sb.de/~moro0000

> 

> 

=========================================================================

Date:         Thu, 21 Aug 1997 17:04:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <boondock@POBOX.COM>

Subject:      Re: renaming Characters...

In-Reply-To:  <199708212135.OAA31119@freya.van.hookup.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:35 PM 8/21/97  James M wrote:

>>From: Judith Campbell <boondock@POBOX.COM>

>>I wouldn't like the books changed to reflect the real names, and I doubt if

>>those who are still living, Carolyn Cassady for one, would want that

>>either, as some of the character portrayals are less than flattering.

>> 

>>Judith

>> 

>  Aren't the true identities of the recurring characters in Kerouac's novels

>relatively easy to discover?

 

Yes, but I would think there is a difference between being identified as

the person that a character was based on, and actually having the character

in the book named as you.  The first leaves room for literary license, the

later cuts too close to the bone.

 

>  Still, I wouldn't really want the character names to be changed either.

>The allegorical names represent the author's poetic penchant.

 

Agreed.

 

Judith

=========================================================================

Date:         Thu, 21 Aug 1997 18:18:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: On the Road: strange passage

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

"A woman is only a woman, and a good cigar is a smoke!"

 

Rudyard Kipling

 

 

At 11:23 AM 8/21/97 -0700, you wrote:

>>From: Diane Carter <dcarter@TOGETHER.NET>

>> 

>>This paragraph was written in the section where Sal is unhappily living

>>with Remi and working as a security guard.  It seems very out of

>>character for him.

>> 

>>pg. 73

>> 

>>        "Meanwhile I began going to Frisco more often; I tried everything

>>in the books to make a girl.  I even spent a whole night with a girl on a

>>park bench, till dawn, without success.  She was a blonde from Minnesota.

>> There were plenty of queers.  Several times I went to San Fran with my

>>gun and when a queer approached me in a bar john I took out the gun and

>>said, 'Eh? Eh? What's that you say?' He bolted.  I've never understood

>>why I did that; I knew queers all over the country.  It was just the

>>loneliness of San Francisco and the fact that I had a gun.  I had to show

>>it to someone."

>> 

>Diane,

>  Sometimes a gun is not just a gun.  (insert winking emoticon here)

> 

>                                           James M.

> 

> 

=========================================================================

Date:         Thu, 21 Aug 1997 18:22:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: renaming Characters...

In-Reply-To:  <Pine.SUN.3.91-FP.970821134624.15260A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 21 Aug 1997, Richard Wallner wrote:

 

> Is it taking literary license to change

> character names (even if it was the explicit desire of the author himself?)

 

If it was the author's explicit desire that would be more the reason to do

it. And there's no reason that several versions of a work couldn't exist.

(Question for those in the know -- how many revisions did _On The Road_ go

through from Jack's first scroll to the Signet paperback or whatever the

first edition was?)

 

But a text can and should be completely changeable; you do this in your

head anyway when you read a work because your experience (and definition of

words & their associations) is different from anyone else's. You could, say,

buy a book and physically change the names in it, or just read it but change

the names in your mind as you read -- but this is where digital copies have

an advantage, as any of this can be changed instantly.

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Thu, 21 Aug 1997 18:28:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Beat fiction and non-fiction

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I wonder how much of the Beat canon is pure fiction and how much of it is

non-fiction [auto]biographical account. All writing is pure autobiography,

but it seems that a good deal of Beat works (such as just about everything

Kerouac and Ginsberg wrote) deal with non-fiction, actual events. Why is

this? And can a Kerouac expert confirm how much of the big works (like _On

The Road_ and _Visions of Cody_, say) are events that really happened and

how much are make-believe?

 

Out of all of them, Burroughs seems to stick out as the one who has written

the most "pure" fiction. Even if much of his writing is allegorical musings

of real-life events, it seems that a lot is pure fiction, _stories_.

 

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Thu, 21 Aug 1997 18:52:12 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

well going by the "first thought; best thought" idea, one would

simply pour everything out onto paper, which is what a.g. and kerouac

did alot. so you would ultimately be getting a variety pack of loose

fiction and non-fiction. spontainity does not always follow the laws

of fiction and non- fiction.

 

that's my first thought.

cya~ randy

=========================================================================

Date:         Thu, 21 Aug 1997 17:51:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

randy royal wrote:

> 

> well going by the "first thought; best thought" idea, one would

> simply pour everything out onto paper, which is what a.g. and kerouac

> did alot. so you would ultimately be getting a variety pack of loose

> fiction and non-fiction. spontainity does not always follow the laws

> of fiction and non- fiction.

> 

> that's my first thought.

> cya~ randy

 

What are these Laws?  Are they on stone tablets somewhere?

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 21 Aug 1997 18:55:14 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: On the Road: Chad King

 

Reply to message from MATT.HANNAN@USOC.ORG of Wed, 20 Aug

> 

>     Hal Chase and Ed White (Chad King and Tim Gray in On the Road) were

>     roommates and sometime college students in Denver.  Who Kerouac stayed

>     with when he first arrived in Denver.

> 

 

I thought Hal Chase was part of the Joan Vollmer apartment crew from New

York....

 

Diane. (H)

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 21 Aug 1997 18:55:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Re: On the Road: Young adult fiction???? and Chapter 1

 

I'm sorry that you received such harrassment from the Race angle on your

committee but please don't turn around and play the same game by

accusing me of playing "a card" when that is not what i said at all.

 

respectfully,

david rhaesa

salina, Kansas

 

 

Hmm, doesn't sound to me like I was "play[ing] the same game" as my

committee. Rather the opposite. And I do believe I was accurate in my

response to the language that you used--whether your language as given

accurately represents you as a person, I have no idea. Furthermore, my

response was directed to the feminist position as a whole, not to any single

adherent of it.

 

One more point on the subject (again, directed toward the topic, not any

particular person), Kerouac's writing pays too much obeisance to women rather

than too little. Fawning statements such as "men are too blame" strike me as

shallow and far too guilt-ridden.

 

mjs

=========================================================================

Date:         Thu, 21 Aug 1997 17:46:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LISA VEDROS <2ndbeat@TELAPEX.COM>

Subject:      Second Beat #4

Comments: To: BEAT-L@CUNYVM.CUNY.EDU.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

The fourth issue of Second Beat, the "religious persecution" issue, has

been completed, and I must say, all humility aside, it turned out ot be one

HELL of a great issue. The writing crew relly came through with some

powerful defense of our rights and our beliefs. I strongly advise that you

check this one out. I am SO impreesed at the work that was put into this

issue.

 

In case you didn't know...after the first two issues of Second Beat, my

religious nutso uncle wrote us a letter of chasitsment condemning our work,

our beliefs, and our very persons. He even got one of his "legitimatly"

published high school friends to write us a simple-simon "You need saving"

letter. The entire tone of his letter was one of superiority and sarcasm,

therefore we devoted an entire issue to this, and other forms of religious

persecution.

 

Send a buck:

Camellia City Books

2034 Johnston Station Road

Summit, MS 39666

 

Also, we're still accepting submissions for the Burroughs Memorial issue

until September 15. Please feel free to submit any type of poetry, prose,

artwork, or photography.

 

Thanks,

Thadeus D'Angelo, Camellia City Books

 

----------------------------------------------------------------------------

----

Camellia City Books

Thadeus D'Angelo & Domenic Salvatore

e-mail: <2ndbeat@telapex.com>

web site: <http://www.angelfire.com/biz/2ndbeat>

=========================================================================

Date:         Thu, 21 Aug 1997 19:01:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Re: Ron W and White Fields Press

 

It's very strange if they are still in business. My store and others (who I

referred to WF because of their great line of products) have had no luck

ordering from them. I have tried email, mail, telephone, and their website

address and have gotten no response. I assumed they had called it quits since

they were turing away paying customers. Derek, if you or anyone is in contact

with Ron or his business partner, please let me know how to contact them. I

have good cash money!!

 

mjs

=========================================================================

Date:         Thu, 21 Aug 1997 16:49:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: Beat fiction and non-fiction

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>And can a Kerouac expert confirm how much of the big works (like _On The

>Road_ and _Visions of Cody_, say) are events that really happened and how

>much are make-believe?

 

     I've seen, somewhere in one of the assorted bios on Kerouac that "none

     of it is wholly true and none of it is purely false".  I also have

     heard a quote by Snyder that he hardly recognized himself in DB.  He

     also commented, humorously, that he wish Jack had told the "kids" to

     "roll their sleeping bags up tighter when they put them in their

     packs", since he saw a lot of kids in the aftermath of that book

     hitching down the highway with sleeping bags trailing behind them.

 

 

     love and lilies,

 

     matt

 

=========================================================================

Date:         Thu, 21 Aug 1997 16:52:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>(Question for those in the know -- how many revisions did _On The Road_ go

>through from Jack's first scroll to the Signet paperback or whatever the

>first edition was?)

 

I know that it was written in several different "voices", one that ended up

as part of VOC (correct me if I'm wrong), one that ended up as Pic and one

that ended up as OTR.  At least three....maybe, four?

 

love and lilies,

 

matt

=========================================================================

Date:         Thu, 21 Aug 1997 16:56:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: On the Road: strange passage

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Blatantly off topic post, delete now if you're easily offended (by

     off-topic, not off-color):

 

>"A woman is only a woman, and a good cigar is a smoke!"

>Rudyard Kipling

 

     Q:  Do you like Kipling?

     A:  I don't know you naughty boy, I've never Kippled!

 

     (from the first humourous postcard ever printed. I love it!).

 

     love,lilies, and wasted bandwidth,

 

     matt

=========================================================================

Date:         Thu, 21 Aug 1997 07:42:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: renaming Characters...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Richard Wallner wrote:

> But would it demean the books to change the names of wellknown

> characters?  Would it make any difference to readers if "Old Bull Lee"

> was "Old Bill Burroughs"?  Is it taking literary license to change

> character names (even if it was the explicit desire of the author

> himself?)

 

 

I think that using the real names would do a lot to add cohesive unity to

the works and would also honor those that have died.  The following is

quoted from Kerouac's introduction to Big Sur:

 

"My work comprises one vast book like Proust except that my remembrances

are written on the run instead of afterwards in a sick bed.  Because of

the objections of my early publishers I was not allowed to use the same

personae names in each work.  On the Road, The Subterraneans, The Dharma

Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions

of Cody and the others including this book Big Sur are just chapters in

the whole work which I call The Duluoz Legend.  In my old age I intend to

collect all my work and re-insert my pantheon of uniform names, leave the

long shelf of full books there, and die happy.  The whole thing forms one

enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise

known as Jack Duluoz, the world of raging action and folly and also of

gentle sweetness seen throught the keyhole of his eye."

=========================================================================

Date:         Thu, 21 Aug 1997 19:40:21 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: renaming Characters...

 

Reply to message from rwallner@CAPACCESS.ORG of Thu, 21 Aug

> 

>The idea has been kicked around Kerouac's estate supposedly to re-release

>a new line of Kerouac's books with the names of all the characters

>corrected.  So you'd get an OTR with "Jack and Neal" instead of "Dean

>Moriarty and Sal Paradise"  It was Kerouac's oft-expressed desire to do

>just this eventually, that it was publisher paranoia about lawsuits that

>prevented him from using real names in the first place.

 

but are they _really_ Neal & Burroughs & Allen & Huncke, or jsut Jack's

interpretations of them?  These books are suppsoed to be ficiton, & even

though based on real people & real events, it jsut doesn't seem rite.

Mayeb I'm some sort of literary purist, but it doesn't seem right to change

their names around.  It seems to take the book out of one realm & place it

in another....

 

Diane. (H)

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 21 Aug 1997 19:52:22 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: renaming Characters...

 

Reply to message from boondock@POBOX.COM of Thu, 21 Aug

>>>> 

>>  Aren't the true identities of the recurring characters in Kerouac's novels

>>relatively easy to discover?

> 

>Yes, but I would think there is a difference between being identified as

>the person that a character was based on, and actually having the character

>in the book named as you.  The first leaves room for literary license, the

>later cuts too close to the bone.

 

I think this is what I meant when I was talking about the different "realms;"

nicely put.

 

Diane. (H)

 

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 21 Aug 1997 19:55:34 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Beat fiction and non-fiction

 

Reply to message from race@MIDUSA.NET of Thu, 21 Aug

> 

>randy royal wrote:

>> 

>> well going by the "first thought; best thought" idea, one would

>> simply pour everything out onto paper, which is what a.g. and kerouac

>> did alot. so you would ultimately be getting a variety pack of loose

>> fiction and non-fiction. spontainity does not always follow the laws

>> of fiction and non- fiction.

>> 

>> that's my first thought.

>> cya~ randy

> 

>What are these Laws?  Are they on stone tablets somewhere?

> 

>david rhaesa

>salina, Kansas

> 

 

 

you know, the LAWS...show, don't tell.  Write about what you know.  And

isn't "never use the second person in a research paper" on the tablets,

too?

 

Diane. (H)

 

(but aren't rules, even literary rules, meant to be broken?)

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 21 Aug 1997 08:04:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Michael Stutz wrote:

> 

> I wonder how much of the Beat canon is pure fiction and how much of it

> is

> non-fiction [auto]biographical account. All writing is pure

> autobiography,

> but it seems that a good deal of Beat works (such as just about

> everything

> Kerouac and Ginsberg wrote) deal with non-fiction, actual events. Why

> is

> this? And can a Kerouac expert confirm how much of the big works (like

> _On

> The Road_ and _Visions of Cody_, say) are events that really happened

> and

> how much are make-believe?

 

 

This is an interesting perspective on Kerouac from Ann Charters in her

introduction to The Portable Kerouac:

 

"All of Kerouac's writing is autobiographical, but he fictionalized the

stories about his direct experience by changing the names of the

real-life characters he described and by altering the settings of his

narrative if he or the publishers feared libel action would be taken by

the people he was writing about.  For example, although his affair with

the girl he called 'Mardou' in The Subterraneans actually took place in

the East Village in New York City, Kerouac changed the locale to San

Francisco.  This means that books in the Legend of Duluoz are a unique

blend of fact and fiction.  Because they follow the details of his life

so closely and yet are totally imagined entities, his books don't really

fit into either traditional category of novel or autobiography.

 

Shelved in bookstores and libraries as fiction, they have been described

by literary critics as inhabiting the murky territory of 'fictionalized

autobiography' or 'autobiographical fiction,' genres that are difficult

to pin down.  Certainly Kerouac never presented his work as

'autobiography'; he called his books, 'true-story novels' and insisted

that 'narrative sections of one long life story is what my 'novels'

are.'  The term 'autobiographical fictions' suggests that Kerouac took a

literal approach in his books ('autobiography') but combined it with his

view of himself as a storyteller, free to change fact into fiction and

use different narrative strategies in the various books ('fictions').

But this term is unacceptable: Kerouac's approach to creating narratives

solidly based on his direct experience is a world apart from Jorge Luis

Borges's brilliantly imagined 'fictions,' and the term is indelibly

linked to the South American writer's short narratives.

 

Kerouac himself stressed two essential qualities in the various books he

wrote about his life: first, that they were picaresque narratives based

on 'true life' events, and second, that they were told in a confessional

manner that heightened the emotional content of what he was saying--as

if, like Augustine's Confessions, his books continued the Christian

tradition of self-examination of the mysteries of his interior life.

Perhaps the term 'confessional picaresque memoirs' is the best

description of his work, suggesting the originality of their form, which

was as unconventional as his literary style of spontaneous prose."

=========================================================================

Date:         Thu, 21 Aug 1997 19:59:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Beat fiction and non-fiction

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

In-Reply-To:  <199708212355.TAA00584@kanga.INS.CWRU.Edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 21 Aug 1997, Diane M. Homza wrote:

 

> (but aren't rules, even literary rules, meant to be broken?)

 

And isn't that what literary movements do?

=========================================================================

Date:         Thu, 21 Aug 1997 20:13:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Memphis Blues Again....and again, and again

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Rinaldo,

 

        It was really a treat reading those lyrics.  They weren't available

when I first bought "Blond On Blond" and used to listen to that album and

that song by the hour, just soaking up the words and making up meaning.

 

        But I have to ask you whether you were just testing us or what.

There were a few wording differences from what I remembered. So what gives?

Is there a secret tea message?   ...what kind of tea?    ...my Darjeelig or

that wacky tabaccy?   What lovely sonorous memories!

 

>        and they furnish me with tea......tape?

 

>        but me I experienced....expected?    it to happen

 

>        now the tea pitcher....preacher?     looked so baffled

 

 

[Bob Dylan, Blonde on Blonde, 1966]

 

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 21 Aug 1997 20:29:44 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: renaming Characters...

In-Reply-To:  Message of Thu, 21 Aug 1997 13:52:42 -0400 from

              <rwallner@CAPACCESS.ORG>

 

On Thu, 21 Aug 1997 13:52:42 -0400 Richard Wallner said:

>The idea has been kicked around Kerouac's estate supposedly to re-release

>a new line of Kerouac's books with the names of all the characters

>corrected.  So you'd get an OTR with "Jack and Neal" instead of "Dean

>Moriarty and Sal Paradise"  It was Kerouac's oft-expressed desire to do

>just this eventually, that it was publisher paranoia about lawsuits that

>prevented him from using real names in the first place.

> 

>Since Cassady, Burroughs, Huncke, Ginsberg and many, if not most of the

>peopleinvolved, are dead now, the time may be right to start

>straightening out all the confusion.

> 

>But would it demean the books to change the names of wellknown

>characters?  Would it make any difference to readers if "Old Bull Lee"

>was "Old Bill Burroughs"?  Is it taking literary license to change

>character names (even if it was the explicit desire of the author himself?)

> 

> 

>RJW

 

 

      God forbid!

=========================================================================

Date:         Thu, 21 Aug 1997 20:32:09 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Lowell Celebrates Kerouac 1997

In-Reply-To:  Message of Wed, 20 Aug 1997 16:04:27 -0400 from

              <Frank_Nunziata@BMGE.COM>

 

so far, three of us are going to Lowell.  Let's email each other closer to the

conference and arrange to get together.

=========================================================================

Date:         Thu, 21 Aug 1997 20:41:12 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      oops!

 

Sorry about that last message.  Forgot I changed the "reply" button.

=========================================================================

Date:         Thu, 21 Aug 1997 21:51:30 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> On Thu, 21 Aug 1997, Diane M. Homza wrote:

> 

> > (but aren't rules, even literary rules, meant to be broken?)

> 

> And isn't that what literary movements do?

> 

> 

exactly. only i think there may not be any unbroken "laws" left

around.

=========================================================================

Date:         Thu, 21 Aug 1997 19:11:53 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: Beat fiction and non-fiction

Comments: To: randy royal <randyr@southeast.net>

In-Reply-To:  <199708220244.WAA09233@mailhub.southeast.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 21 Aug 1997, randy royal wrote:

 

[snip]

 

> i think there may not be any unbroken "laws" left around.

 

yes. so it is the ideal time to rediscover the good in the classical and

romantic traditions and fuse them _all_ into a maximally-expressive _new_

style. solution to post-modern chaos.

 

 

 

+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

  Michael R. Brown                        foosi@global.california.com

+ -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

 

                o                                       o

                o  The electrical depths of personality o

                o                                       o

=========================================================================

Date:         Thu, 21 Aug 1997 22:04:43 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: Re[2]: renaming Characters...

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> >(Question for those in the know -- how many revisions did _On The Road_ go

> >through from Jack's first scroll to the Signet paperback or whatever the

> >first edition was?)

> 

> I know that it was written in several different "voices", one that ended up

> as part of VOC (correct me if I'm wrong), one that ended up as Pic and one

> that ended up as OTR.  At least three....maybe, four?

according to what i've read that's it.

> love and lilies,

> 

> matt

> 

randy

=========================================================================

Date:         Thu, 21 Aug 1997 22:37:11 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> On Thu, 21 Aug 1997, randy royal wrote:

> 

> [snip]

> 

> > i think there may not be any unbroken "laws" left around.

> 

> yes. so it is the ideal time to rediscover the good in the classical and

> romantic traditions and fuse them _all_ into a maximally-expressive _new_

> style. solution to post-modern chaos.

 

this is a very good idea, but how would we or anybody go about doing

this?  any takers? i would but i'm just some dumb teenager.

> 

> 

> + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

>   Michael R. Brown                        foosi@global.california.com

> + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- + -- +

> 

>                 o                                       o

>                 o  The electrical depths of personality o

>                 o                                       o

> 

> 

randy

=========================================================================

Date:         Thu, 21 Aug 1997 21:45:08 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jgh3ring <jgh3ring@IX.NETCOM.COM>

Subject:      Re: On the Road: strange passage

Mime-Version: 1.0

Content-Type: text/plain; charset="US-ASCII"

 

nothing is out of place when you are an alcoholic

 

Jason "donutman" Helfman

Three-Ring Creations

=========================================================================

Date:         Thu, 21 Aug 1997 23:16:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Georgetown to Columbia ( A Travelogue)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Bentz,

 

        Do these places - some of these places appear on a map? I'd like it

very much to be able to read this again looking at a map of the travelogue!

When I and a friend hitched back and forth in the USA and Canada in 1970, we

kept a diary and I've occasionally had it out to reread with the set of maps

we had with us at the time. It's amazing how many spots on the road remain

vivid when I'm reminded of them on the map - even when we didn't write about

them in the diary.

 

        I's odd thinking back how little an impact "On The Road" had had on

me at the time. I'd read it and some othe Kerouac things plus Frerlinghetti;

didn't really connect to our trip at the time although they have since. The

connection for me then was much more to Steinbeck's dust bowl and to Guthrie

and the New Lost City Ramblers, to Doc Watson and A.P.Carter....

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Thu, 21 Aug 1997 23:16:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Goose Bumping Records <frsn@INTAC.COM>

Subject:      Richard Brautigan novel

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I recently came across a used, hardcover copy of the RB's

Sombrero Fallout : a Japanese Novel, it is rather expensive, and I was

wondering if anyone could fill me in with any information on it.

 

Thank you,

Steve Voss

www.beatcafe.com

=========================================================================

Date:         Thu, 21 Aug 1997 23:42:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Needs your input!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The Kerouac Quarterly Home Page needs your input for its success. Let us

know of all your experiences and such concerning Kerouac. Any news you might

hear, book reviews you may have seen, poems written, photos, etc. etc. What

you have or want to say is valuable to us and we want to share it on this

little bit of bandwidth we're allowed. With Some of the Dharma on the

horizon give us your favorite parts, your own review. . .the 40 th

anniverasary of On the Road is in September. . .drop us a favorite quote so

that we may list the "top ten" favorite passages....this will make the book

live a little louder as we raise our awareness to what it gives us as a

novel. .....thanks, Paul of TKQ...PS I hope to see some of you in Lowell in

October!

=========================================================================

Date:         Thu, 21 Aug 1997 23:33:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Georgetown to Columbia ( A Travelogue)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Antoine,

 

I am responding on the list because the poem is to be related to OTR and

you hit on a cruicial part of what Jack and others have done for me.  I

especially like your connection of your trip, Jack's vision, and the

resulting impression.  As I collected the names yesterday, I thought of

how Jack's descriptions of the road and Big Sur has always stuck with

me.

 

Some of the towns are no more, Manchester lives on as Manchester State

Forest.  The railroads moved their tracks up a piece to Wedgefield and

so it survived.  Burnt Gin is no more, but it the site of a camp for

children with lukemia (sp?).  Paxville is a crossroads, but will be on

some maps, as will Greelyville.  And the towns are not in order of

travel, but the order in which my mind recalled them.

 

Sumter, Andrews and others are large enough to be on a map.  The path is

17-A out of Georgetown, to 261 through Manning, to 378 just outside of

Shaw AFB to Columbia.

 

Some notes, Andrews is the home of Chubby Checker, so I guess I should

have put the twist in there.  Sumter is where the A-10 tank killers are

stationed until they are decommissioned.  At Wedgefield is Batten's

store.  That is where I bought the boiled peanuts.  A woman who weighs

at least 325 pounds told me that it was good I was buying my children a

bag as they were better than candy.  Some of the National Guards who

were in Desert Storm erected signs of Wedgefield and Battens in Saudi.

The pictures are in the store.  There is a tie that binds.

 

Thanks for the question, and it is that detail and love of where we have

been, what we have seen and how it is part of us that makes the journey

worth the trip.

 

 

Antoine Maloney wrote:

> 

> Bentz,

> 

>         Do these places - some of these places appear on a map? I'd

> like it

> very much to be able to read this again looking at a map of the

> travelogue!

> When I and a friend hitched back and forth in the USA and Canada in

> 1970, we

> kept a diary and I've occasionally had it out to reread with the set

> of maps

> we had with us at the time. It's amazing how many spots on the road

> remain

> vivid when I'm reminded of them on the map - even when we didn't write

> about

> them in the diary.

> 

>         I's odd thinking back how little an impact "On The Road" had

> had on

> me at the time. I'd read it and some othe Kerouac things plus

> Frerlinghetti;

> didn't really connect to our trip at the time although they have

> since. The

> connection for me then was much more to Steinbeck's dust bowl and to

> Guthrie

> and the New Lost City Ramblers, to Doc Watson and A.P.Carter....

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 22 Aug 1997 00:41:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      See the cover of Some of the Dharma!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

The Kerouac Quarterly page has been update. See the cover for Some of the

Dharma at:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

It is in black and white...picture it in red sepia! Gorgeous!

=========================================================================

Date:         Fri, 22 Aug 1997 00:39:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      New Beat Catalogue Now Available

 

Our latest catalogue of Beat books is now available.

"Catalogue 71" contains a vast assortment of new Beat-related titles as well

as

some great used, rare, and signed items.

If you are not on our mailing list and would like to receive a complimentary

copy of Catalogue 71, send your request to me.

 

Jeffrey Weinberg

Water Row Books

=========================================================================

Date:         Thu, 21 Aug 1997 21:43:53 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: literary rules

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From: randy royal <randyr@southeast.net>

>> On Thu, 21 Aug 1997, Diane M. Homza wrote:

>> 

>> > (but aren't rules, even literary rules, meant to be broken?)

>> 

>> And isn't that what literary movements do?

>> 

>exactly. only i think there may not be any unbroken "laws" left

>around.

> 

  The rumors of the death of literature have been greatly exaggerated.

 

                                                  James M.

=========================================================================

Date:         Fri, 22 Aug 1997 01:16:55 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: literary rules

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

>   The rumors of the death of literature have been greatly exaggerated.

 

call me a skeptic, but where is it?

>                                                   James M.

> 

> 

randy

=========================================================================

Date:         Fri, 22 Aug 1997 02:23:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Beat fiction and non-fiction

In-Reply-To:  <199708220244.WAA09233@mailhub.southeast.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 21 Aug 1997, randy royal wrote:

 

> > On Thu, 21 Aug 1997, Diane M. Homza wrote:

> >

> > > (but aren't rules, even literary rules, meant to be broken?)

> >

> > And isn't that what literary movements do?

> >

> exactly. only i think there may not be any unbroken "laws" left

> around.

 

I think that during times when it seems like nothing's left to be broken,

someone is about to break something very big, and it's that big

unnoticeable thing we're standing on. If this theory is true, it wouldn't

even work to talk about it before it happens, because such discussion would

negate the widescale effect this breaking/movement would have, and so could

not happen (the cassandra syndrome).

 

This is getting off topic, which in a way is too bad. I was thinking about

Internet mailing lists tonight and how they compare to the "old days" of

BBSes. I'm on a lot of mailing lists, and many of them, like the beat-l,

are really great -- but for the most part none of the same people are on any

of the other lists. Contrast that with a thriving BBS, where there are tons

of different boards with subjects just like all these lists we're on, but

it's the same group of people on all these boards. Sure there are downsides

to this old setup but there are some distinct advantages (namely that these

different conversations can be a bit more dynamic because they're with

similar voices, people you've discussed other things wit). This maybe is why

The Well is still such a touted phenomenon in virtual communities -- the

same people cover more ground.

=========================================================================

Date:         Thu, 21 Aug 1997 23:52:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: literary rules

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>   The rumors of the death of literature have been greatly exaggerated.

>                                                    James M.

>>call me a skeptic, but where is it?

>>randy

 

  My skeptic friend,

    I think that the thing to keep in mind is that it takes time for

contemporary authors to make it to the classics section in your local

bookstore.

                                                       James M.

=========================================================================

Date:         Fri, 22 Aug 1997 03:05:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: literary rules

In-Reply-To:  <199708220609.CAA29769@mailhub.southeast.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, randy royal wrote:

 

> >   The rumors of the death of literature have been greatly exaggerated.

> 

> call me a skeptic, but where is it?

 

cyberia.

=========================================================================

Date:         Fri, 22 Aug 1997 04:33:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Subscribe help

 

In a message dated 97-08-21 08:51:03 EDT, you write:

 

<< I was wondering if anyone can help me subscribe to the Beat-l.  Thanks for

 any help. >>

 

To subscribe, send mail to listserv@cunyvm.cuny.edu.  Leave the subject

line blank.  In the body of your mail type:

 subscribe beat-l first name last name.

=========================================================================

Date:         Fri, 22 Aug 1997 13:38:55 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      The Eyes Of The Sardines.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        many people

        almost unknown

 

        canned sardines

Henri Cru aka Remi Boncoeur

                                        (has capital letter

                                                message illiterate)

Neal Cassady aka Dean Moriarty

                                        (has a book

                                                the first third)

        packed like sardines

 

Jack Kerouac aka Sal Paradiso (has desolation angels

                                                part two)

 

        packed like canned sardines

 

& others

& others

                please before eating

                close the eyes of the sardines

                those big 1950s windfalls

                please before eating

                close the eyes of those canned sardines

 

&others         &others         &others

 

i think of you often BEATs!

 

        before digital tape

        before 'puter

        before the yellow radiation suits

 

i think of you often...

gregory corso aka gregorio nunzio corso

 

                                                (the bomB)

before

        get rid of everything, funny things are everywhere

 

        they wear radiation suits,

 

before pre-taped-recorded world wake up say something

        EVERYONE HAS THEIR 15 MINUTES OF FAME!

 

& bob dylan can changin' lyrics

& neal young was young 20 on Sugar Mountain,

 

        you are so sweet!               YOU are so sweet!

                        AND SO ON...

 

packed like canned sardines     many people

        almost unknown

 

you can't eat those sardines with such big open eyes

        myself image one time is gone.

 

 

Rinaldo.

=========================================================================

Date:         Fri, 22 Aug 1997 06:48:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:

> 

> On Thu, 21 Aug 1997, randy royal wrote:

> 

> > > On Thu, 21 Aug 1997, Diane M. Homza wrote:

> > >

> > > > (but aren't rules, even literary rules, meant to be broken?)

> > >

> > > And isn't that what literary movements do?

> > >

> > exactly. only i think there may not be any unbroken "laws" left

> > around.

> 

> I think that during times when it seems like nothing's left to be broken,

> someone is about to break something very big, and it's that big

> unnoticeable thing we're standing on. If this theory is true, it wouldn't

> even work to talk about it before it happens, because such discussion would

> negate the widescale effect this breaking/movement would have, and so could

> not happen (the cassandra syndrome).

 

several have mentioned "movements" in this thread and that seems an odd

word for the type of breakthroughs being discussed.  someone says about

a movement which side are you on and should answer "not yours"

regardless of the side . . . that is the self-determination from which

breakthroughs move forward.

 

while i was joking earlier about where are the laws and stone tablets

and all that ... i was also serious i guess b/c i really have no clue

what these rules are.  i wouldn't note a literary rule if it slapped me

in the face or vice versa.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 22 Aug 1997 10:02:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe Buschini <joeb@SMPLANET.COM>

Subject:      Re: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Jack never intended to use the names of real people; he hoped to use

uniform names for characters that appear throughout the "The Duluoz

Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become

Cody, etc.

 

>"My work comprises one vast book like Proust except that my remembrances

>are written on the run instead of afterwards in a sick bed.  Because of

>the objections of my early publishers I was not allowed to use the same

>personae names in each work.  On the Road, The Subterraneans, The Dharma

>Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions

>of Cody and the others including this book Big Sur are just chapters in

>the whole work which I call The Duluoz Legend.  In my old age I intend to

>collect all my work and re-insert my pantheon of uniform names, leave the

>long shelf of full books there, and die happy.  The whole thing forms one

>enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise

>known as Jack Duluoz, the world of raging action and folly and also of

>gentle sweetness seen throught the keyhole of his eye."

=========================================================================

Date:         Fri, 22 Aug 1997 10:44:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: renaming Characters...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Joe Buschini wrote:

 

> Jack never intended to use the names of real people; he hoped to use

> uniform names for characters that appear throughout the "The Duluoz

> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become

> 

> Cody, etc.

> 

 

It seems to me that if someone were to issue the book with the "real"

names, it would be more like gossip than the great writing it is.  I

hope this never happens.

 

 

> >"My work comprises one vast book like Proust except that my

> remembrances

> >are written on the run instead of afterwards in a sick bed.  Because

> of

> >the objections of my early publishers I was not allowed to use the

> same

> >personae names in each work.  On the Road, The Subterraneans, The

> Dharma

> >Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels,

> Visions

> >of Cody and the others including this book Big Sur are just chapters

> in

> >the whole work which I call The Duluoz Legend.  In my old age I

> intend to

> >collect all my work and re-insert my pantheon of uniform names, leave

> the

> >long shelf of full books there, and die happy.  The whole thing forms

> one

> >enormous comedy, seen through the eyes of poor Ti Jean (me),

> otherwise

> >known as Jack Duluoz, the world of raging action and folly and also

> of

> >gentle sweetness seen throught the keyhole of his eye."

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Fri, 22 Aug 1997 11:07:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: renaming Characters...

In-Reply-To:  <v01510100b0234929bf2d@[206.183.148.32]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, Joe Buschini wrote:

 

> Jack never intended to use the names of real people; he hoped to use

> uniform names for characters that appear throughout the "The Duluoz

> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become

> Cody, etc.

> 

 

Its hard to know if that is true.  "Visions of Cody", for instance,

during all the years of it being an unpublished manuscript and

underground legend, was supposedly "Visions of Neal".  Kerouac didnt see

himself as writing fiction, but rather the story of his life, *non*

fiction.  Taking literary license with characters and events occasionally

but there was a journalistic sense to his work.  In "Dharma Bums",

Kerouac recounts the historic night in SF when Ginsberg read "Howl"

publicly for the first time.  There is nothing fictional about his

account of it except the names.  Using real names makes the events

described more real.

 

I think Kerouac *wanted* to use real names.  I believe it is documented

that he had to change the name of the woman in "Subterraneans" to Mardou

Fox because she threatened to sue, (and even had to change the location

from NYC to Mexico City because of publisher paranoia about fiction that

is really thinly veiled *non* fiction dealing with real events)

 

 

Perhaps now that most of the main characters are all dead, the real names

can be used and Kerouac's works will be seen not just as great

fiction, but also as the historical narratives of the times that they are

first and foremost.

 

This not to say that the other editions wouldnt still be out there.  The

Kerouac estate could release a "Legend of DeLouz" series of Kerouac

hardbacks, where he is Jack DeLouz or Jack Kerouac and everyone else is

their real names.

 

I think other than "Town and the City", Kerouac wrote all of his books as

a running autobiography, that he didnt think of them as fiction.  Cody

Pomeray and Dean Moriarty werent fictional characters.  They were a real

person, Neal Cassady.  By changing the names, it would make future

readers understand the true nature of the works.

 

RJW

=========================================================================

Date:         Fri, 22 Aug 1997 08:49:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: On the Road: Chad King

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>I thought Hal Chase was part of the Joan Vollmer apartment crew from New

>York....

>Diane. (H)

 

     You're right...and so am I.  Hal Chase was a Denverite who went to

     Columbia.  From what I gather Chase was the person that introduced

     Kerouac to Cassady, either directly or indirectly.

 

     matt

=========================================================================

Date:         Fri, 22 Aug 1997 08:55:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: Beat fiction and non-fiction

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>What are these Laws?  Are they on stone tablets somewhere?

>david rhaesa

>salina, Kansas

 

     No, they're in the IBM AS400 Database that the large publishing houses

     use to turn out modern pop fiction.  There are no modern authors, just

     a database and a random plot generator.  The names Steele, Grisham,

     Higgins-Clark and Clancy are just names the same database turned out

     from marketing surveys as "those most likely to be associable with

     grocery store check-out reading."

 

     love, lilies and my continuing diatribe against big publishing houses

     and 6/7 figure advances that could publish a novel by every (244)

     person on this list.

 

     matt

=========================================================================

Date:         Fri, 22 Aug 1997 11:16:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Kerouac ROMnibus

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Does anyone remember the url for the sampler site?  I know there's one at

voyager.com but there was another up (better) by the guys who produced it.

Remember them being out of the North Carolina RTP area?  Anybody got an

idea?

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Fri, 22 Aug 1997 08:32:03 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      More SF Beat-L Party Pics

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------24AA8FC762D"

 

This is a multi-part message in MIME format.

 

--------------24AA8FC762D

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory, Estelle and Jerry Cimino, J. Stauffer

 

--------------24AA8FC762D

Content-Type: image/jpeg; name="leon .jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="leon .jpg"

 

/9j/4AAQSkZJRgABAgEASwBLAAD/7Ra0UGhvdG9zaG9wIDMuMAA4QklNA+0AAAAAABAASwAA

AAEAAQBLAAAAAQABOEJJTQPzAAAAAAAIAAAAAAAAAAA4QklNBAoAAAAAAAEAADhCSU0nEAAA

AAAACgABAAAAAAAAAAI4QklNA/UAAAAAAEgAL2ZmAAEAbGZmAAYAAAAAAAEAL2ZmAAEAoZma

AAYAAAAAAAEAMgAAAAEAWgAAAAYAAAAAAAEANQAAAAEALQAAAAYAAAAAAAE4QklNA/gAAAAA

AHAAAP////////////////////////////8D6AAAAAD/////////////////////////////

A+gAAAAA/////////////////////////////wPoAAAAAP//////////////////////////

//8D6AAAOEJJTQQIAAAAAAAQAAAAAQAAAkAAAAJAAAAAADhCSU0ECQAAAAAVQwAAAAEAAACA

AAAAVAAAAYAAAH4AAAAVJwAYAAH/2P/gABBKRklGAAECAQBIAEgAAP/+ACdGaWxlIHdyaXR0

ZW4gYnkgQWRvYmUgUGhvdG9zaG9wqCA0LjAA/+4ADkFkb2JlAGSAAAAAAf/bAIQADAgICAkI

DAkJDBELCgsRFQ8MDA8VGBMTFRMTGBEMDAwMDAwRDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAENCwsNDg0QDg4QFA4ODhQUDg4ODhQRDAwMDAwREQwMDAwMDBEMDAwMDAwMDAwMDAwM

DAwMDAwMDAwMDAwMDAwM/8AAEQgAVACAAwEiAAIRAQMRAf/dAAQACP/EAT8AAAEFAQEBAQEB

AAAAAAAAAAMAAQIEBQYHCAkKCwEAAQUBAQEBAQEAAAAAAAAAAQACAwQFBgcICQoLEAABBAED

AgQCBQcGCAUDDDMBAAIRAwQhEjEFQVFhEyJxgTIGFJGhsUIjJBVSwWIzNHKC0UMHJZJT8OHx

Y3M1FqKygyZEk1RkRcKjdDYX0lXiZfKzhMPTdePzRieUpIW0lcTU5PSltcXV5fVWZnaGlqa2

xtbm9jdHV2d3h5ent8fX5/cRAAICAQIEBAMEBQYHBwYFNQEAAhEDITESBEFRYXEiEwUygZEU

obFCI8FS0fAzJGLhcoKSQ1MVY3M08SUGFqKygwcmNcLSRJNUoxdkRVU2dGXi8rOEw9N14/NG

lKSFtJXE1OT0pbXF1eX1VmZ2hpamtsbW5vYnN0dXZ3eHl6e3x//aAAwDAQACEQMRAD8A9A6r

dQzIY23SWyCWuc3n95rXNahVtoewPY1j2O1a4BpBQPrDlZFHUcVlVPqstDWuJcGhs2Na9+vu

c5lf0WImEf1dvk6z/q3qIn1FKcVVf6Nn+a3+5L0qf9FX/mN/8inBTyipj9nqIkVV/wCY3/yK

G+msf4Jg/sN/uQ+q5l+F045GOGG0WVsAsBLYe9tbpDC130Ss6j6yZLmON+CHlpEnHtBmfzm1

5Qo/8+IEgGlOiWV9mM/zW/3KJZWTJrbPiAB/BPiZ2PnMc6uq6ssO1zbaywgxu+kC+t/9h6k6

NxA4TgtLTsxbhZW/HsIf7i8MawPftbta5rne32/9t/zX/XMvP+1WUDG+z2W011mwkgUuJrPq

0+1zfV9381/I/wAJ9BdLWG7BpqJE99VE1EFx3FzSDuYdNYG3a5u3ZshSDIQKoFjOO+pH1efD

s+yqvHGPe29zG1OFe1tZe0bi++zbU1jmu9N1fs/9FrRrwTlWXtybyHtZ6Zqp9gabJa7Ifu3+

+z0d1P8AN0f8H/OKw58WCzdBaTEmRrH0/o/RTnMcT7YkxxCEpE9h5JjEDqT5tpxJM+Kg7cR3

VKzNO6PUMeH/AJyED1jbPuJjXUlMpfxN8tcexQarqTksrFrC8PbLA9pdyPzZ3Lk/rDg5fUbw

yi+0NYWsNDXAVifpv9LT1d/773LOoxPsOf04XU1saMvH+zurADgX3Nr3N/P9H9Ht/nN/84pP

u54BMndbx61T/9DuOvsr+102O9QFrCJY1zmxuDtrtjHt/NVJtt84VddjqmX2ZO6AASG7rKv5

1jvb+etrqJi1n9U/lWVmf0vAd/wlok+dL/7lERqUsvWuawvZkNt2hri0tbO130foNp27lddo

SPBZNWNlUMyTa9jq3hgraxxcBtLW+1jmt9Juxv5q1j9I/Eo/2Ic76xE/sd5GhFtJB8w9pC4D

E+sHVKvqyMqyt1nUsrMOLji1k8Mrt/m6mU+p+e2ljf8ACrufre4t+reURY2l0sDbXu2NY5zw

yt77P8H+kc33rhul4Gz6rem7Jrsyqs05GFl4ljXiu5ldPpt3NDa3u+l61D/8ChpdlRek+rh6

hhNpy8rIyMv7bU05NFuxraniBvrr2sbTZS3fvr3/AKWv/h10hIJkGQdQRwQe4XI2deoysJ4e

CW+37SxzHEsaTFuRV6X89VU1r7fZ7/YumxMzEyMZt9GTXk1NADrmEBsgcvb/AIH+pYpspxnh

MCNR+isjGYsTBFH9JvVfQHzUjwfgUOuysEVbh6u0v9Ofdtnbv2/ubnKZOh+BUa4OXltdPtO3

cQJQqXFodY50ydPl7lHrWfj9OwrM3JMVUj5lzvZWxv8AKe5cPf8AX3M9bHd9na3Fpsa6+usS

9zPd6lfqvdt+i7d/NV+9OEJSsjotsA07jrbb6rP0l9djX2V10sbIJbY+hu7ex29/t3/TYxW/

q9lXZOCbL9vr+q+u309G7mO2y0S76X9Zc31DqOD1PqORXg51P2Sqv7Rc+9z2s9WNr7sOtlb3

ZXoV1Vb6P9N/RrFj4X1y6n0yy1mAW5GHZYbam5jJeS7+du3Uvr2/aLd1jmb7GVqXJwHHAxjR

/FABs629567asi4vc0Pc72B5iRH/AJ0oM6fkdQzMPIrAZXTdQ8udEEMsY4srZH0to/62rX1X

eerdGqz87FrY/LDixn0x6YOz1P0o3Mba9jn7P+LW9TWxltexoEOaPDQEcKKfOkQ9uMRxfJxn

XTwj+8yRwjcnxp//0fRepfzrP6p/KqNlFN231mB+w7mT+aSCwuaf6jtqvdR/nGf1T+VVhyoz

uUohhYmn6Fp+Mnj4lWNUmwnkapKcD69Y78r6p5eNWWh91mOxpcYbJvq+kVxvTOmNw+k00WAB

wNllxkEG2Po7vobfb6e7+Qu9+suJdm9DtxaLTj3W20hlwElhFjHb2+5nu9v765DKozKcN+FW

8WZOM707BA9/snftJ2t9TdvUPMXwAA9dmbl/n+jUxzdhvbl1N3Cst9zoja4e5u53tbuqdsWn

Xn4XR8q57d+PjZzBsyafSD6XNL7HyMjfVtczZ+hZ6n+jWfh3xiuodVa59npsFZYfcYDOw2N+

j+cpfWL1XdAwiWv/AFN1lYfs027dLWObvfscxvp+o/8AnX/zaHLk8E41fD+sj/V1jCf+NBPM

wvJCR9PFeOX9aPCcmP8AxMn/AE3exbs67BL8TKFrKbPVw8i+s443a+p+iG70atn6PK2VV021

X5P6rR+hVHD+u/Us/KfXUzEoxKrd1+UXWPa3Hc5tTNun5v8Ahcn+ZrsfX6vpUe9cU/Iz7BZW

91uPVaDUMYPcxr3SQarKGua36THfoXf9cWn9V8LNdn2UuddQ0PGNl1MOx3o3VW37bfzvTb6D

PpM/0asSvhj6TGX6V92lMVMiBMo3vs9t9ZPq7mfWDpjWY9wx62fp2OjeLIadvsZ7nf8AArk/

rhj1dM+r+HiVVhrbyK2PnabBWPXybvS/wv6Rzd935nrr1Hpt1V+Iw1M9FlRNPpae30j6UDbt

9nt3MXHfX/6t39czWXUZgpdg42wY9rSat1ji8bbKzvZZb+jb/Nv/AMGpYTkImI6/kycMdJPl

lF1uNfVk0kC6l7bK3EBwDmncyWu9rvcu3qz+mfWvpZxMnAsofjAFuTUJZQ87dzKcl521V3/9

xH/9t+oxcn1nBo6b1fKwMbIGVVjPFYvEQ4hrfV+j7fZd6la6f/F59rvrzcbGspBpsZd6duj9

trTj33sMO3sr9Otnp/y/5z9IjjyCNiZqB3tUok0Ru99gMpGDQzHY6uiqttVbDIgVj02tDx/O

N/l/4RXam7Xsns5o+chOG11VsorGyusANaOPJoa1QfaA+sCJL26f2gs6XCJEx2vS92cXWr//

0vROpfztf9U/lVUFWupz6tcd2n8qzMbqGDlUOyMfIrtoYQ19odDQS1tjZc/b9Kuyuxn8h6iO

5S3AU6gCpcCSYHidAkpB1A/qjCO11X/VrgvrDkXY3XMj0rPTdayl2zhrgWhjt1g+jscuky7B

j9SyrbLiMVzK7Nsn02ek5r7rXM+g2z0m/T2/QXLdSy+mdd+sNGN07IbectteOx4DgA/3yHbm

tdtb9LcmZMcpDSJlXYWyYJxE9SBpWrOzK6m3GFpuqrhrnMFbSXe0OaPa76P6T8z3/pEfFr6n

b0ex4uc+v1G0MqIbuLXtayyx9zvo1faN7W7P/RaXVvqr17AupqoxreqB9QfZbjNaGMcC79XH

qPY9/pwx7LXfTVz6s4GS37Z0m+u4vzaGuFdz69tRHqvLPTbN1L2+q11jLGep+iUcIZo3XEOI

cPp6hlySxER+WVSvZ40ZObhnFyfshzJyq/T9RxPqZFdj3VvZs/S7rNjmfpfU9T1rV6JnUYWL

kZv1hZaRVlVUm26us2taMcW1OuLqw/e2xljaX/Q2ej/LXFfXD6vfWHoxxM7IyKW0V3EYf2ex

wsrsP6Z7mzXj2/4P+cZ6mz/riB0nq2RlWPs6rm33P9oodbvyHQBYXt/SWt9Kt9vpM/7c/wBC

tbDyc8vLnmMkjCMDGJ9Mp8Xp/Rr93h4WhnnwGXABPX0x4uD9L996uv61fWLApqDf2fkNdaxn

pP302P8AUMOuwh6jn5FLZ9S9vperi/8AFfzNbrHXeqWEusbSxt72WWem1x9zA30WfpHfzf6N

rv8AhFDq/Run5eBhdfZc5l9+Xj4VGxsCt1dljfVrb7XOda5u+71W/T+gqWDmU3YLGOyarcmu

pxtDY+l7nOBpJa72f9NZfMSy4q4JSOpEjw8H/ojZ5cxmTxxGgGl8Y2/5zg5XS8Szc+suZY6S

5+rjunc4vYXfpPU3K10x931Zuv6kytltrcZ1dNhsFjN9prbvdV6VD9n0v8J/24rfS+lnPtws

e7ObVdnAipnoucwWNNjfR3+tua13pO/WP/A1kdTssZdj4JPohz5yH7PUc0seB7qY/SbLG73/

AOlSAyiQhI2Cdb10G/qZZnCYmQ04R09P919J6f8AW/AyOk4mXl+qMi9jBbXTj3PBtLPWf6Ar

Fns2n6W9WK/rDiudQ5mJnObbayqXY7mbCXtY19xyTRsq9ywfqD1G7qP1fOPc0V/YHNx2OZIl

gG+vf/wjHfTXSyGBhku97PCfpt8f3lDM1MgiqPdbHUA93//T7v6w9TwOmBuRnZDKK2Mc73H3

ED9ytsvevEsY1Gr1jY031itgx2zucLKvTscz6G7Zuc29n/otewfXP6nM+s9dVf2x+E9mjXtY

LGkT6m19ZNT/AM3/AEy8py+n9Q6Rl39W/Q5NWD1B/S9zmBhdZVWPSvbQ3d6DnU1epXkVu9Wq

/wDSfy00xFnxBT/EOzgfXBuPhV0nqd7i6Nwfve8Ha1vss2eynT9DXU5b3S8DOz6quq5uVjnD

Nkl9dj2vAafayMz1P1vdt3t9Rea4+bkU1Gu2yz7K95Nz2aulzv0r/wA3e/8A4L1P8xdd0TpG

bn2ZGX041s6bS0sqGQAx3qAs9wa1tjvT/S/pXu/nf5tXJfdxjx8AnDLIesnhli/d/wBXL5v9

owmJ1/Sro919as7onS8KjDzBu9r3V4+wuD662ltz7W1+3azfv93+E/S+mpdLqxs2rGzcfBxf

s7mh9FoYwWbHe1rm7W1+m53+E/m31/8ACLhvrtj9UzOndP6rlPx3NZV6DMbGrexrZD7XvY17

tzfRZWz2bv8AB/uLZ+o31hy6Ok42Pk/ZvsTWkVvL3C5rWktfurDLK/50fo/5pWp8lAclDNA8

eQzMMoP6PzfL8rH7gErJ4Y7fwepzfRwaPtVz9n2eX3afmz7fTYz87dtYxZmOOl001vx2MN1b

nWDJdkDcd26z3WOsbY53vf8Aon/mf4L8xP8AWPrfSbsRzLcutm12tPpvcXQf5dft2/v7Vm9O

yvq/m0WOyraWEPimu6WjaGj9NXVX+/v9LeqscMiOIwlvrUUyzQBIE4nTS5OT9ZvrB0XOzKb7

6LOosxiW2VWPfXQGnl7No31+/Zv2UfzG/wDkLYysr6v9PZb0/L6HhYDhIqdZaxodobabLMn0

muq9T/jf+ATZ/Tvqi3CyLi3Atsrpe6prSS4vDXelH7zt/wCauT6oabN7cQtpx4b6dbd412fp

Jb6rq/5z6O1nvU3tHIBGEsmPHH9GfycX70f/AERaMwjfFw5JH90pes9Zz6sNnTKqm00YuRiZ

2OxzSfTssddZZVk5Hvqa2tx/wqJ9afrZ9Xup9F/ZuJgtZlE1udeGMDGOaZv9GxrW2+/b6f0W

MfVZ/nq6ikfVW3Mgi+3IoYbTJcW1uft/eb+fYuUtre6po3h1TZ2loGk/Snb7lZ5TkuWnKUss

pCUZUCDw7fN+hk/SV72gHy2Nmw7qWdjV4WRi5JZbTDpZYbNr6i6ul/oXb/R20/8AWrVd6B0/

rH1u+sD4up+011Oybn2D0g4F7WP2jHY9u9z7N/0FkNquosqvIY8Ah4aQHtcAeLK3S3a6PouW

p9W7PrB07qdmR0B1Nlxocy/dtewVzvc22dvpv9Rlb9rP6ir8/wArihKsXq0+aVafvDj/APQF

8ZiYIJ9Mhwyeq+p2P+wr+q9F6hbWMuvJa5xZudWZqbZ7Lnsr/f8Az9i6f1GtfXxO9pHf85vC

83/5zZLcjOu65X6WXcMgkta4NdfZVjUMoNbd3o2NrxWbXu/fVvpHWc3HsxY3OquurLqLZcB6

ljfdp/NP935n9tZGblJkkjfepNuE4iI7P//U9Ms3ftCmfU9P03xG30t01/zn+E9bb/Nfmfzq

806n/wA0/sHUPtf7T9H/AJwH1tvobvtey/d6W/2/Y/T3fT/TfzS8pSQKej659Yf+Z/8Azf6D

9p/aH2P7I37L9l+z79v6Pd9q3/o/tG7+e9H/AAnqb10HRP8Am7+xX/s/7R9j9EzOzd9Jnqx/

w3rfzn5m9eBpKc/zMd9/8H9JjH85Lbb/AAv0X3x3/NLZi/bP5j1sj0vtXpenu9P9Y37/AGen

6f0Pz0Hqv/Nf7ZV6nr7Ps7PS+zej6Hpb37dn9rf9D2LwlJT4flH85vP/AGfzS+X+t++xZv5r

9H5o/wAv+9fdOs/81/sB+1favRg7vS9PdMu3fyd3p7/+t/8ADrn8f/mPHt/akRpu+z8dtu1e

VpKxg+X/ACm52aefr/NbDd9Yb/zF0j9o/L0f++qN3/MHePV/aMx39OIXlKSfPY/z312Rh+Yf

zHX5fn+r7Bb/AMzP2bTu/af7N9T9FG3098O8P7aon/xtIG/9oR5zx8l5akm4/lP8/uf5v5f/

AEZmO4/mvr8z6cf/ABrJ/wC9GPL1I/6K2+k/+N9+0n/YfX+0ekZ+ls2y3f8AQ9vr7tu//Crx

ZJVuY3j/ADu0vn/wfl/7tsQ6/J02fZD/AON19ozPU+2ep7/tO7145b6m2Pbu/d2IOP8A+Nd9

oq9P7b6nqs9Pd9s279w9P6Xs+mvIUlBPf9P6ssdv0fo//9kAOEJJTQQGAAAAAAAHAAYBAQAD

AQD//gAnRmlsZSB3cml0dGVuIGJ5IEFkb2JlIFBob3Rvc2hvcKggNC4wAP/uACZBZG9iZQBk

QAAAAAEDABUEAwYKDQAAAAAAAAAAAAAAAAAAAAD/2wCEAAICAgICAgICAgIDAgICAwQDAgID

BAUEBAQEBAUGBQUFBQUFBgYHBwgHBwYJCQoKCQkMDAwMDAwMDAwMDAwMDAwBAwMDBQQFCQYG

CQ0KCQoNDw4ODg4PDwwMDAwMDw8MDAwMDAwPDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DP/CABEIATABzAMBEQACEQEDEQH/xAESAAAABwEBAQAAAAAAAAAAAAACAwQFBgcIAQAJAQAC

AwEBAQAAAAAAAAAAAAAAAQIDBAUGBxAAAQQCAAQEBAQFBAIDAQAAAQACAwQRBRAhEgYgMRMU

MCIyFUBBMwdCI0M1FiQlRRdQNCYnRzYRAAIBAgMEBQYICQoEBgIDAAECAwARIRIEMUEiE1Fh

cTIFEIGRsSMUIKHRQlJicjMwwYKSstJzkzTw4aLC4kNTgyQV8WPDNUCjs9NkBkRUdCWFEgAA

BQQCAQMDAwUBAAAAAAAAEAERISAwUDFAAkFRYRKBIjJgccFwgPChAyMTAQACAgEDAwQDAQEB

AAAAAAEAESExQRBRYXGBkfChscEg0eHxMED/2gAMAwEDAhEDEQAAAd/BAbM8GK+AYAg8gY+h

1nUcDg/CCHgCHA4AEFh5BaYBCAQ0Qi0DqvT5NSK6hbRqJz6JB1ObFIQozn7Lw341dGpXRpbd

mFZFxyIRdTcOzOskcSAHEAEmApBIimEgnSALgT8vslaoNPLE5VDQawxMQGAIYg6Hg8n4OB1A

WBQBBIFxCmATLACAgMOjbYSTVyj/ADughovNjJ3uoheWSC2D2TfL4+qthU6ZBrzrtWWZ3ReJ

QUyApFgAOAnESBTRYFITiLDwWGr7HNNW2ZIc6ZAM8kNAwMGIOj6jweDweTVM4xOkTFkiKiyQ

AAAAmBAUcH1B408LGuLjWHa0UzrGUFl8XCmT2DBKu2d+VfOE0urVSPMAICQAAPgJhEgARTCU

EgWl5lhK6xTTV9uOppUoRS2FkyGMY0CbEAk+BwPB1C5y7OIQLSJBPBpohCZKfBBGBLiYUHKR

EZvdtbdXNmjIpwbYTd7YkIGKa3wg9U3ucH6a4HGEpBApCdCIEweEwRnBK7oZCxuhJddm1RYX

JO6pr8UFnQbFk12TwkYAkCbEAk/M4jgeBYpDsSFRNDwcAtMoCIhEWniEpiRwahD1Y+CbK5x2

A6ziOQJDLXICUy0R40mTLQFpFFoUiGIotMhKBslV1WnOOfpIFGcqMhtri5HXdmTUGqdA6MOc

7c1w02OkLJ2SMAYxh0Op+DwcDqa1siSwgskmJzmLmpOZjemxjCglNurfInW1SbxYFi8Lg2aI

amSDVBjkBR0DZCZCppviJkJwCCaLNYSKEV7K35/oYdbkDOtuszPU6dWyzaf1ug78merMttVz

X12TwkYzoGI6MQeDwcT6CoZM1iWznSCyJkZPGLXFEzx6Mtcmci4tFU+DGg8brNBYIPB5pNGT

LXIiImDgFtJ2hMIE3xErCRJULlJ0BAyC5uupx9ol0hu0RC3i01LNseWXWOx0lfiqKeeRwmsr

nPXISZgCGIBB5PoBDgKxkTWKHil0ontSbJpSJsidz3OaymjraOD8mYAwdpHQ6zgvAmUmGpx0

RTSZpKhZIcWREijQ3ppXEkc7hN0JN4QHN35lk6C22tPa6shjqqzHsG3Dp3WVNdkpCeaUxl6E

48NeorU1Izxv5KRN+RwOAqGRZHCWemmXdqO3K503ZihrkPM7NpW49g9flpK5Iq30BgaDvI8z

wca8hOSYaiNNMDilEjZKxqGVokzc30SenoxG/lr9/CvFDipN6ug+P0k2pmotEBbA6nVunkax

t5WndhW1mWrZ5hAljbGUT1xeJHgKTb65zRy4jweBQ2TOODc9WYnv2rZzaTq1wirXvbidxIrH

DpcW0ejzUVb6ISZ7HaRxnQ4HmERbDBsgmBxA0mE/tpEUpRtn3M9I6WOo0qr2+f1tfz16kgZC

sfoJdTrb3qJU2wEPc8Xf08d+0b6wnnqN0AB/JQlk8IIapLOZqfOvlZIuaOXk/BwSkkTOOEc9

dEy064sxZJq3aQwda+8mpbG9JKh963nnucfI6hSx1kcDrOC8xMmyVtA1EiIWgsWMbwrfN01+

DvkGj0oUrdw9TbOMuTb2Q2vc05+s+VdZfblkXf8ACL9vHtfn9e1snUiE6IPKjwDTqRqZkWB0

RvN662rfOM4ps5dT6HAVNp5x+deVU89Gw7sGfq9unuL6C0q5uN1VZmiZdDzcwur4gQKgdJHG

eDjXgSRkyRG5qPEELHJjS1EYj3DXV/P9BEbrGhUwS/j6/nhmEm1iaLK5R0uciWx7uwCnmd42

2bi6dgZOlEJ0QeVPQEFUClSjAKrI2p3dOKRxnLkIfQ8hS2mnH5n5pU49O27ec/U20dl6mtOX

12crjV+WwehzJtfR4BJrGOTPM4HBcBMNjg21xj7Vb576/wAW2ttEZPfi0Voz0THVXmbrq0kM

Sp9vLmBGUqOgrsV/dHCCdahPwEuFiYunYmTpxGdEGlT1HgrZp0UJdOTPCxxlBgrc5JDYMYUK

20so4LywE3bltUdxa6X9TzHKOy4vM92u+rytDxzWRkt6mMFja0DJHgCLrEsWyxba41vCzH+H

pMVybJNoto1RZgz8aNdcvtwu+rJO/llNdEIN59Lg3DbU6qRLinlWapWLi6dg5OnEJUQSVIgG

FbSTVXU9yBphGpU7GcxgMZYHgnnH5A5tLXJ6x0c6L9nHGdaJuivz2aT+Weuzj9D85N6Iaz4+

0hJSkiTc5EttYQ6xKmzxbbKOPM22l46J3RqmFOyj93Nim3ngCUU22fn6U0arXRiqWzLJrc/0

a6fAdlM8AygNSGFhYunYWTpw+VEGlR0YgANEgxhgCBamoEIYhliUkk04/HnNp5or072uJDuj

nROaCdiypXz4XvzDzvSo72nA1TiupuitvgXHdZEFVeF9zVBFSi01SkN84sGF8HVZZS3Tl3wT

QYs6HEZ5wELqem+d1dJVb5BKjF+7myXqec1ZpxAlBLOlZG1xhYNqwMfSsTH1IfOiCOnwDAaB

DGwwOgNHExM6BYKhp5r5J4NLp3ebeu7A07ckenclcgsLxatifJfYU16DmvGznW4Ti0gOTU0Q

0VicyspQMro0hddc+vRHpRhsdUV53XtSNlN7I4328YIxCCjylo/k9u8MG57189B6Hylpb+aR

KPXWrjaY4jHOsXRsXJ1IfKiCzp8AwGmIDAGAgMH4PI8BYKRp5xwLRXzu82XaFDtmNis0O+WK

+Kilt9weL78r4HVzF9B8u98e+UbbNX+U9aCZlCznU7Z5295uSRjoLbpsbVNUFScXvKJwzV1e

PkOEgJiAtHmCRbubZo3FrldGyZ+g8o7dLjdcFZI4SVxm+Po2Tj6sQnRBp0eQNPozRDAYxgaP

gdQIZAjhkWR+euWwfouRZ04V/rxQi7XIstdjZlDtMnDl9LYfzf1Pzk+oeYarISQJ1we0Ll6q

Gs4y+NN4EJjI0ju1WXdMQyYW9sq+Ttc6/QQpdAIGC6n9AeL6OYyGfbhufs+VRW50cqjQ6DXO

qb4+jaOLrxKdEIlRwPD6g0Y2jUzRmAAOoEBAGjIsj8wOZ3JZ3OTZfS4dNdCMVr12TVhm2eDX

IbVp2H8s9phH6N5yvdaWW1s/ntj5zszU7SiU1ry6d0S13t2KJHGz04XI+XlNkLcZi1Aq59YN

oaNJc/r3TTusjveSn9+FluyDTNGncGedUux9C48PZik6INKgQBH0FCfWjUzB+Z5HEBAsFIyL

I5mprYOrij+6mK6is69L6qZvTRGJWy2kv7597zM3s/K0pfaRy7HbnwktOSOW60LL9jmvnTJ2

q6Oi+jQqGWEdjOqeT14Xtyv3Q5Xzay6gCEwQta6MFsF1taecqaTuvohDRyhFp0WLi6NzYe3E

p0QWdHkCAYzQ6gwOh0fg8HEwAqGRZGkYUoNVWde3hnVMo7a0DmTKDtTKT87beXjPZ1P1MNHd

HhIeL65Vt5Ff12atnxswwWoXG19CaYW6F2p1U+hV2XW25Nlf2Qp+/PkiynzQmhInMs/0Q38q

SsE0jlAlw4xqdaOULCxdG5cHch888CnR1AxmDMQMBgIPB4fQCgCattLZCloUrro4p7uZ/vof

KiU0Mpzj7kw5tt6+H9iZopoD1Hm2Pzvo3ooT34/oDo5uOKp2hBTOxCkrn0zfHMTKdw7y08+O

dHa8UB15UGS4iExCCj6VdHgzFjxIKcUcq07gFhqJrj6NqYezDp54FKjoCGMDUzAEHQEHA6HE

wsWJprI0bCl0tjijs1guE6R8oL6rSNNBlbkvH0zTbmqPaNXkPQFia3Vu5UrJJwCEqOcnmTdO

tu5HSs3pZiN2SuN0CJQMnFGWNtNsf5XQdcF6addxasNdY7/pb0eYhnALinDzgFqeYujamHtQ

+eeATziTEMSBgYgbOjEHg6jrAprG0040TXTJrY4X6qDdWv0VWNTQmbjltkZJ31hi/SoqG++r

uX05DgnUFevfnNd3dPFDIlCUTR97hO9ko3x/Qk+h8kffmg09zEaC2/AmU/IndWGJT1xXmdBg

5OzW2rn+tjVakfZTZt1Nf1Xawx365o6kPnngM8/U+gJMQzQ6jrBIEwSAg3Jw5EjmqrKZXYsP

9qEeuDyM+WVitkjJJc999cwvnRhyPrtR4+i5cDo0dOzffJ9LIdmGH+VtiNVrp2+NRuyNW6sl

6dznh7HmGqxs70xZbi0J3IVclUYGX1xLkdI3nz2b2/MOsNKKzK/VXL1JusU3w9HS3N7sNnng

Es/RiASYhmIEAgGHmDQEEKM4okEZLLM8rtWM+zVF9kQRkrriKyKdyb8trlxDf/R52fL7KEr3

wrg9SPx13D5f7sCfLuzyvi3yea0/UcnIXU4qRYoX2b7L9B5Zfpzt6uqzP2ymzCKxxVWVAyzr

rz3ZcCrbHY81YeiqO2VPNOpyjYjkp7k2aB53dhs89fTz8TEA0xAYmMBsMT60MfRI4umhFQYr

KpdZHH+5RPdXpPPbc+Hd869eckb+VSfBVoyzE+nWqSWmjufqrvNtsLz32dBfwrpv+ZTP0vnC

YT3at3z64WCB+hv96Hy7pKhrhprjzvrrujBwhS49KnO3XwwjgdXmG9ZBSC3n7y7vDJkKYyNb

ZZ1yjF0tO8zvw6zPXcs9XNU2R1HXOJslClIWzAEmEBA1VzKrIxCyDVuEl9G59bSXu04fVPp8

oqRRdcwFjMoV5WrKru03NlqVeUafnPwfs/o6l0uSXq+bu08z9KH0u9BxfmpigZvhWWql40Yl

dueK8v0Np5baojn3xpyYL9Fjrzz/AFD+QFzH/Zl+hna4qScANGjYbaJTk6up+R6CGTz15Zmz

y3lhWEYdD/uyTbNdoAjPSyN57muuyG5riC28stV/dmqn8rqK1zyU+kSXXZeiCHNc0tL7K6Dj

bJJRTVyuy6oyynJmPo1jzvcWOabW1eXerOPUlFsQT+hXa5XzXxu4uzz7Gx9LmXRgSrR26pXX

q4YtZWc+j+/hz7y98p83nIlHnff0T6vHTSgknAxDfOqzsHXvPn9uF2Z66lmzQ3l8uc8GojoY

n/nbrayaXGNgRV7VKXRlYeqvWG7JNpEIosgvM3OREjTV2ymTkzITRMjtUkGvLONdTVTqYqtL

iyms04zVK/Oxw5fGxcFfU6KIxb86a+Wn0StjHbuy2MdUvmpn6LAOY6stW1S4gFudstzT7k85

OgHoIfQLrcdWpppVicW+VcyydHRXM78Lsz1NLPjWNtUSncOPRSGqlyx6by43tE9esy3JZ3Q8

5b27kv5OeSUnhPPHH9XU3N9DYVXGtDscBz1Z3h1nXVJaZVxRpYr5uN+b1WkFWioOX1qzhOmO

15nTO/KTb0D43nHDjvM6OW7oPt9E54XoZ/h7kG2ThdqGqpdr4NVSzIHDpBdpwfVvRmjcI/Oq

yGtunyZ/OlDOkidaGUJvi6elOZ36LUcH1zom+pXYk2fTKb6EMJTLgfTJLR2AU6JLs4Wnuh8/

htc7M1ZLslL5j+N+9KNEbMs8ltDu/NnbVUrmkkHFcVuY8fRblbKtWUHL2x/mb6qr6LRZZDO7

w7/6XDVa89SCiGfRfPP3VRzuxItdMNx+9Jl0xQSZoLkONiS7ixDp+BST5zps5f2c00BZ8oal

PtamNudbo5cq0c1osqsjB1tTcr0Oe4P5wSUHlXKdUIdlt0Dsz0lnteMfSsnj/VWfTwXno+OY

s2a58G7RnW5z/j6OEfOfbybpS2Xm989n5PK99B1kQsrLHfTlGkSk22Uz6mSfPcUhAT5Jwejb

F69EKq0RhWzOmmd9LlMl91R871yyzrIFobHAuVHm0lmF963z+vKYpNvJ+jd9Aozyyg/dTKHK

qs9srKrB63mbsov1RyvQxi2mmrnBnd896KeKbZA9FmV6HCN9qXc2XTjSNF+oOZ1onztttyKo

r99BKfVvS5Mop8NpvocW5PRcRG4tknUvO2sNM5S67O0ZWuiwtpZZAMjO3J7cKwd1vhdE9OKV

5YaE73AqDJ1qlxdZpu2iXTA7UlkUNvPRW8sOrhMmzjI6tYp5mqyqTxuuXdE67PX2dv0LEiho

xYt7TsSyizXVnF3xpWbe9tnzexyOjNcpKsHbjm7iTpG35lpWRqnk9W7efppKHSzJm+oejZqa

35K4qmRXUp65tEJ1PVui2DbY+jDaezAc077qPZ5xiu/OvO6qfZmSx0sGmpbE091OBSfM7dP1

7VNV6aY1aEupm7GaLaIJLczh2vLj5Xb0BrwVbToq6yMa3c9QWSudMoJM869AY6folsSKcYtb

Fe7PjpXn+gNtnzjyKzJT2pdPGHm/RQe/JdSs1R2eJYM1R/J7Mtnwa+5ntSrvTvurJ7znBZsN

rt0cclimaq6nMe6H6ySYL3SiJsRPKQmhxkYk0dGmH9nGWh4UNK7eXRPn/SQ01jUiJJvvg3X5

jUgKXrc6T0XjXrj+h1F0OSxV2Zwo3vu3MwacyF1KVMuJfOan6H9CiBKQ5RerT561x1vYspUF

lWGo3LJ/I67YO8t3PlWjPJwhWbaonzh19KZaZ9brXz+vtLdN+aQX0M+a6MY9canI6LeKF1oT

AzSXfmW5NAE0ehGTqcKZCtg2xtPiy5pRELnHrSeysEoq7aFmjEVl6NgXZGonGZNwnX5tM4+c

Bxckif/aAAgBAQABBQJbTqL/AG4K9oxeyiXsIV9vrr7bWX2yqvtdNfaqK+00F9p16+065faN

avtGtX2jWL7RrF9p1i+1axfa9avtmtX23XL7dr19v1y+3a1yOsqtXs6KFTXsjs0qk9OOnQgj

oz6jrmOvltmrQ9pdiqmCs2UzUaMEldxiqz2dpUnp6yWpYdI3NrYbKr77bzOFav6LoPlWV1Fd

ZReV1FdZRcVlFZ4/8Mtp+p+FPDK6l5ixB6sTIHRt2cDYoKcURbJXNezUj6IKZ6W+nGtP7OrF

ZZBfmfAKj2WKEZv7qy+vqNBE1l3WwW60MTYIfCfAfB/wq7g2FalLBs9fYQKHww3KMaLSiFhY

+C1SfzoIopHmPbSwJ0jXsfpZlv6Hr2q+pbro3bSbVPrzXZW6zVWa0dN0vsYer0fGeGOBWFhY

X/DLuAfPLTqzoauuxaSWaWn8JvgLQixFpRHja3qW2Mvpw59OaKJ6np1XKDWeg+7T91XfrKwd

BCBBUqxda2lOY09bFLFS8PJOkYxe5gRtRJtmJ5t7atWNrvClAyXvWSRk3clyBlDu0TS+sP8A

F13PM6ARu9RhxjRf+t8JmUTgNsRPHUD4CAugIsKI8DPq4PeyBsrrDrokh+4WanqQEuFvH+iq

OsCTrZl7msHuGYNlGd2DbevXnTi9OWRgtb1LfbSeq2aa+TA+GZ7oxXDpw6o6Gs4//nC72lbE

65u5YYNfNLYoaP8AR+Ezyn/Rq/cjWj3XclQVO85CIu7da5QbWjaQe13F/lxZ9XDkVhNpRtty

T/M6w/pjDQ3pCwMOfldQXqtQfgEnqaeovPLOV+Tl5K7FG5mxYAodUV6LYCJJ/ce6pvHT/wDX

K75qx2ILGvpSKnA2tT0f0fCYp/0dcP8AbJHfPFG2Q2tZRlT9DCo4N/TVMbAwsD8PPLiz6vDL

9LjhOKLuZeOkvaGdQwMEyTdK91z9ctc6dzgJZEwkp6mPyjElqatFIq2qyvZskksxNqv2nQbX

qP8A+r13i57WRMinhqf+rpOGfgsU/wCjquiXW/S2KFzlLy4W9pTojV7GrfrR/TJ5cWfV4Zvo

k8y9xkLsJj2FCWMqIhNdh9i50z+4/kzWgGMtSPlM8gUKepuTHjqkYGsT+UEDXQjZguktVPUs

/wD50u6K7JwzWxMUEfpQ6X9TvSaaDVR0XtY2LZsTZd2xC/t2mjedbPgapf0oyRoHPyu3Mfat

3sodXFsd9d2cmu7XsXI9FqbuivxnLJPLiz6vDL9L/qx80nJQjohb8sEIwCcLYvbDI+K1cjOk

lVuS9rn0NtBsVD5ZVr6YJvVmj5qWZjWeo56twArYCeqc/wD1yu4fLhpv1++B/stZoePbhe3T

oi0a7/3PA1S/pkA9tLtT+ydz7J1y9VHRPrGCXX2sNfXvW9ffk8uLPq8Mvk/6i13VJG8kwv8A

R9q9w/Kby7jf/uEEscYlLRDbnZYOmqitsovIK0VVJ9QEdDowFHISJWmQy6Zrx7dn+FLuTXwX

2/4/EF9kshazXuoLvf8AsdL6a9kvuyzWI5i7rg1//veBik/Ta3r7f+3Vwu2oo49LcjcLuv7K

l9prhNHVsVBKnW6sSoW5LcXFn1eGXy/if9EhdmwTmHLpZTgTHrb3Fr33IxUbZbPVLYhFE+qJ

C7Zx+TVaWJWRu2ldkgtNcIYnyJsTYlhxb0v/AMbW18uPe39ho/ptbFVuQbOwLLXdVbX/ANw8

DFJ+ndvvp6IW4Au1nCTSdza6XX7Xtrds2VP1WtHUFsKssh0jmmnxj+rwzfSfOT6AGmR5YXxN

a1lmaOIaS/U2FWw1slbVbUQxvFu7PWkj1LoNk2vc1WzrbOtFzNk5eGdSh1jIg/WwtkjhYY44

Amx9Jx/sq2vlx70GdBr+cNiR0BbKXOqlvsaH9y8DVJ+nuv7Cu0P7DtBQ2kXbzYdZsfkkhMlm

NP2c77utqXYJOMf1eGXyKf8ASeQ2W3hpmTf2phZ2uykh7N2cNeXzj7vjhgZS2dUJmuk3trub

29EQ2LEBrdybuqYe89s1/b+2h3bo8dTh1IMwnYQd0nL/ALGtr5ce7G9el1h/kFscgdrde8lr

I4aH9y8DfKT6K9Whf1UXb2gK18NepRtWXe1nY9qo9wX9eafcFDYg7XYaPdavu3XbRuVnhF9T

Xtcs+CU8ipPLd3/t1W7d9eWZ8kjH56GPkgkr92UINdsN3NtrtCHS36/c/cketje90juAXZms

bQ04P8tg6Gk5R6iWhf8ACLbfTx7t/sNDYURSGy16+565fdNatVYgsbHwNUn6dl5EvqOXbW0F

TQ3LLvWmmkkQPQo55oq5o1N7o7Wsu6+TTbjbURTtC3DJDJC7XbGrdfsdL6jdTtYtlHxm8vyk

8u8b3r3ImjGr0lnYw/45XdDsoxBIsLW7S1q5fsDr+r1nYlHr3/aV3THC09A7LZdLIoo8MHqh

yzyXksf7Itt9PFzGvHs6qFOsvaV17WumRsZ4WqX9Ox+tWg9xNSiEMAY6V0zPl8xC/od27uK0

c+4pVtlB6PsrvuZW0dnv+5dU+Pf1dzKze+1p7uz9rvVrUdmCnbNue7u9brzW31HZSZ+XYyPZ

W2jpXy62Kaxap1YoK82pL5rtl1uzx7U7qgbFFRpNRbHLB3j21Hq39kaazXe5uE6MSr2YaIYv

TXksYWf9kW2+ngEPhNUv6dilY9PTRZLvlqU213Nnl6rDmFkmDiOd9eaHbU79Lumq6KbX950I

Klbb622tlptE+XS/zBs9VYq9u7WruKevpT3a8kDrtmx2trthVla/5JMzOtdpO2z6Ha1ehsCM

s7i29irQ8AcWnU94uLKe8rTq7PTnrULDXScnOa0480xuABknz/4Rbb6fitUv6eqkBqW/SzjL

AfbPuyMms2I2vnGuc1jhHFL29bruWzBsUbJjhlu9wzTzUa1nZ3q/TUjMoLu7d/SnU2Z5u3Yq

t/T63fW9MNWIb7fRjCZGrVZ0FqOh7t37n2ooXHgceDQdrbfbqxq62upgtmVGk9sfouaunLn+

QHyu5L/g1tvp+K1S/p1dpDrqvU2WKN2Xvlrujtj0ZJuU9WVxivVQB2s5o2ZqwNr365Flh9Se

refrJK/fd6BbLviW3QBy8ei09rdwV9NY3ex1mzt9q6yHXavCynQNkke5sbO5dmdvuD4tXD7f

RVKdaMR6+T3MeAyYpjeZZlFOK/4BbX6fGOI4tU36To7diOoCypA44tTOEhLnvlhdJaoOEpme

wzRS+12To78zNvF6W1a4te6dD+dI/mjkxs6+p9eeKbVampNXgjijrM8sI8hvK9y5q9jo9prp

HBV9HNY0fg7W3DvaRXfTGof68UTcNkI9VvI5ypDgSO6W+p/8aW0+nwDgOOVlZ4N8pf09ZVlk

1W/qyRQ1T1VtnCwvc2RsjLcgl19uCKOa0JHyH2o0m0u7CDegDeveGKOOW1JHHhj+rpbDIJPo

dua0rK2ojljqMuyUtpH8wTgc7Kf2tSCPI3mg0ctebT09H2i7wftzBUtUR241tqpG1kMvq4a3

C+VBykKnd1nA/wAZW1+n4rfKT9PSj/a+4o+vW0rXpyiB6t68Tr7PG6Juth9KnqK8Tz/qtwxk

LBuO2ad41tFFJv2QiGV1F081Bzuqj2kxjNpSk12wijj2kMbOht2B874fkAPMruSX+RAzpj2V

v/Xd+dx33QHwdvbmTTbGnbhv067v5cgyZGcmBoDnOUhlejCQOn/40tt9PxW/TL+lpSPtWyaH

UfW9OWPazsbBKXvN2CCOa6xtf7sxkUO4nlva7fxWBY7g1Zm3Fv30teaSYxzN6zpJ6+0aAG/u

NRlZsdHFjtuK5WkaZ2NfUuVbcTHcy4LeyiW/btwVYWbKub+7cdlfkpSNLopGBcuGqkr1dJUs

1pVL9Ocgt4OR8+kfY1t/o8A+CPpl/S1H9qtjqqPjDpbkE+vsh9+xIyS0xSU77YLFYtg13SBo

adl+8vaeWras9bzSs14o5rFSe43dXevtDby7fVdzaQ72j7eOnDsNXBZrVIrVWWeGzSDu7d/R

tx927+Zj9nuXqaaVz2kORAUkeB0snY+lLCTsKzGN2kMa7g3Fa32tpbdyXexu629JB6ntXrxl

Oc1Ar/g1t/o+K36Zf0tT/ay3qbeHpzzWDYgjjcalKM26dx8/TsRJFDC0e27TjFJvdNR89Oxr

Wxa2pVbLsZtXXaOhzXdpQfYda8vDbXvc7LuK1XNuyy+u37Wu1my72odqeoY2tsPAa21D0OWS

F6mB0jERPVZbVma6rAw7R+Wxzvgt/wCTbGO33P3pe12yd3tvZlBvO5JZX3NnaqfbO6PU9hsv

+vFt/o+JZMgik2v2/Y1tpT2dfU/2pq2zXC83Hp1+rIdLHEJD1EtfZDyWRXi6W1AJYLrbIi1k

Lvunc1+SlPqn0vuItft/sq9zurtStXi3957dhRj29mDRAnujaF75L0kl2WzHPqGP9WF7Q1SU

CQQ3PyNPIOjcAY55g4lXw+WSnXmpbrX0YgybWQW3VpYwOpvV6Tni1rG2ovZf/CluPo+JP+n3

Q3/ce0W+nBqf7U0LbQu9+GjEbOhASIgtAxiWq6cfbtibuXkdxwFly3J0S37s96WP6o+Yn6Yj

FsaZhr7Sg807VYB+pvR2e59dHWvG3JT12pse4oP5KQtjrmxE9dTs80Wl7W/OrU7Ionve41rM

jLWl3tXcRv6XNkidmEva1pcrjsQ+m7/FVuPo8Y8M+PS7iovfN27LWC1GPtTSF3A2Rm1gLOut

2BsL7bXZ2h1+ikk6HNsYVdzrAn2L6T9RtLk8Wx7d3uzV/wDbTuSdmz7E7n1Uft2iWuSGXAXR

+71jdButhrZY5GtZWjA6P3MmDN33br47N2sGMrRuaVP0Nir1KLL2x1GlZV0tbs2wO6e2acFT

p533dVjWRVZr+3gp1r+gtPrXxlGNjkxoWWhWH/y/dSf4Qtx+mu7NzPpdfN3LtqjxdqqXujUR

HXbKrs64WV1LqXWpdjTiUtqJW4tq9ehPUn39m1rKMu12pc9z3nWwiS7HPXDbJimitdk9v3JR

2B2mUe1KHbzrlmJ83apZFMRO4kWs9wXJ6GqBDjkL04g0MCia5RZY+DnF+6Uh/wAl7kgd60N1

8SF+MqazWmrwtfLHdePttn1GbCaFt/W2IpIpLhMlhlKV77NeZjtO3qttael3UE1zl1FXC5zP

bu/whbn9NfuK/wD2u18ibJI5+quz16fbvdX2TXdv91/dzLuaESk7iypb25kY+zZcQ4FUq/3G

0yt0wdyf6NX+3q88tPszSiGTs7WSGn2TraNhlF4TYSiXMlhc5q7kuX59gzt0zuGp2NWWhbsP

jv7eGiN/v72ynh1lt0kPYe4cqX7c0zVPYOqarXa16oW1y2Wqcw/uh0u7oho63Z2a/Z2mYth2

borUO0qmla1F6SjX+/OfrdxsGXn6ru7RzQd1srfdbHOxQOZb5+fR/wBwZzT2INwsBPj6l6bP

8bW5/TX7kH/S2Hh7qtSzLJRcWrQwwzMj6Y16gT3O6B3Bvp7tOSaaHUURfta/W1oFnnuY2ObN

sWPsi1UqobuRjorD5nSZlZUgERuxCMVvUc6Zsfu4JasjLUwiebbHJ0zcbXX0tgNHvtU2vX7l

0r6dfuTQyNl2mtctnsIolsZ23p292bmnsu/Z3y9z9k7Zrdr6zWvv2GVoNvZht7Crangnv2Y5

dHzC+cL5ipCfV1Deu1eYRLof7gz6ncCQE85HRD/iy3P6di3WqjvreVtlPeFatNqbdbYvdYNW

zQ2ElaCjuaDKsm0ic5t+MrU6vU3y3QULYg7fpVY9d6ntvJ+87uruVju26Vpp2bot19sD7b6a

bXe+MNkjD+mQbrZsoQ1nidkNaSBkdCypo7FB1ve14pLm7v2jbdLM/Q6CnuNfZ7Pr66zPrKFB

+z7T1tjX6OtZbSv1nxbTuu1Ds97raUMFebe9NafY3pon13lzajQrepiGrsN9FwAWSFqYmT7v

/D+3Ouf9vu2JSGt1+8p7ypMnvDmEpzwnkL1IP8UXfVuxVp7vYPrw/W6zEInMnfEtA6869f11

7UWdfHLai+3W0IfRfTvPisu75Yp+4Njbf253BCG23GKvNNIJ9hdbZd2XNi0G+ojza3mHMyZg

6Mb+x7y3WNuMslsPT9g6GzsLTJlOzKBLRa/mR9ldx0O3mbu12du7N2hpYT7WM34rbWuYxst3

uinXh28sb2NY2SVFkjQXYXWFkFSRQSGauyF60f8A/QGRrAXNc2rR+5dzVPUL5bc1SxFvIDI+

TqY53Supn+Hr9wf/AE+4vU95E/odu9nBs7LujOrko7Gnelnms0Lk1aB15voxXBOpLIgfDvJ2

zMd6sXbHcemjobnf1nax8nVNOIAtFZ9s+lahnY0gqM/K4rbW3iG/Yc6WpL7esIWPX2Ok5rtN

qV9m1hB7e00iHamocaGspSS3qmmaZ4KCljjZJUdE5UdIDJ3tBCNvNYlcm37TRI71ZTC4r0Xd

LmPCdZZEDtKI0rmkKna9hs9Z+5Ok3c1X9z+1nRdohl/e6ivIdj3KLMewdK580Fy1UNO/WtH+

X/iS2UfqN2HZeo3kkn7SdvhtuuIZrtZ1ew172I/T8wj9aWNmqGrGs7hbUbs/QdYuCndrwN1l

iS59ssR0LumlpRqkStK/aU1rdl3C18NiZ8TRbeJte2WO3VbWdI5abosWHte8mEtPouBEBBlk

ENbRzMbPs6bI7ctNoEkLg+vJERrYx6feQDrk8YcDE9i5EdATuSeHIsCELXKPqmXodaip2Os1

5M66d1A6Em3f7lktVdoycSy5BRK9eT/rpSMD1GMTXOVXYAi33dWry9jkc+nn6TjHYrkVRkGe

tZsP1tOrXhvRiGK3I9tyrcE0Pd49epLV9GCnL6FlliKuILftVBtZ3g7y6H2u5bPp2u4Lsjxe

dZZ2/t26QN7vjkQ7oPUO5o1/kjVt+4obFBkvUPclj3WI097FVw6WiCyPu54fafb9MRTtmEkS

c6RhY4PFlsDWvYCgwsMm0hhngqss2aHblOtNJ25M9voCZMdb11iS1Zuz6+AtDmBOieDl/wD1

wp5GRMpzwWzsXdFDYPMlzcf6j9uomdc/bGjZv93tu0tRpO3djExkLYGl2j18fvazOlb1mK0k

RmZqLd567wqXbOxl7T2NinQ7JpVnbaMM2Xp4j1omTa+TYqtjh2kA6KjZVkylkTmJ7TgRZTfl

X5iMKeNGKTqfVmWvrytmrW4WxbSw25alaC5sDcOynRdS9uWkuOXN6U2MSOn7fnL6nqQ3YG2A

LmI60bQHwU4rc1vWw17fUQvUC55z/wDXy39GzsK2m181Krsa0lijY/azuiWV3b19/Z1b9qe5

Y7Pa37fbzS9w7rXSbDXT/ttu5mx/tZuWiPtG2yBuhtCzstdNcbX7asxyavtyzRmv9uPv2oqD

4ojr3K/2tdu2h2nY6Ye2DEK2nkiP+OP6rPZHuJX/ALcuem/t24JvYmEexAv8EandhtcP+vm9

Y7DYEewYXI/t1XJb+3lZqHYVRf4HUX/XGuyf261ha39t9U1f9dalf9b6ZH9t9IU79stC9rf2

v7eaI/210EZd+3mjcyH9udDA+Pt2hGp+0NTYaP257caYuwu34Xv7C7dkef287YK/677WX/Xn

aoX+JaH7d//aAAgBAgABBQL8ZldZQK9wvWJcH8nv5Nes8nPLU6wcRuRdhdRz1FArP/isLpT2

OXSVgtWSm8wVGU7Lj6eFgng1iIQ/AD8dheXDCynNXkRlMZhNQ/BD8Hj4T0EU5q6V08ulBN4E

Jvl48rKyi5da60HFAr8k3ifP8Hj4JX5kL8/yGeOVnhnxk+L+FN4/n8QNyunhlZ+LjnngPFn4

DllArPH+BN4/n8Rnl+BP4CRFNCAQ4fwJvH8/iNK6kD4AeB+EfwDneDPD+BN4/mfLHwxwHAp1

nCZNn4h+C9+eDHrPgdy4Z4hfwIcfz/ILCx8EcG8HrpWMKJ/4OTy4YWfBJ58cZUFbC6fmQ8H5

BfnI+QPHMeMcBwMiKITU08vgn4DygV08B4CzK6DwbGXKKEN4fxoeFqI5ZTfL4LeDxg54ZTPL

4J8YThyLcILzWPAE1uEYmuQaG8f40PC1GRZBTPL8/gNWcqaN2OABKYwj4R8DpMLrcgUDwPlh

F2FGOGFhMHPw/wAaHhHDoHwRwCdGZRC0NEtNj1JUcxVw17HxkfCPFxwgEOLUfLyTGZ8LRgeH

+JDwjyysrPwmtymRoNxwczKdI+rNFM2VszWhA5WEHJzMprs+N3PgXLqKi58XNyuvBMqDs8Gj

JHi/jQ/Axt6jheXFwW0rEipOYTI/ri/IlyzlBycgcppyS8BdeeITkEeaaMeB7ccAU12VG3hl

ZRPH+ND8AHjNYJvm5BBFSM6hLEY3UJMo5YuoLpys9JXlwwmMxxMeUfMebWZ8T4iFzTCmTjx/

xofgAoAhxyg5FbOLCrHEjoxIPbuy93ox5KymtWUOaB6U3nxkGCxnUj43EIO6V1ZMAwPD/Gh+

AzgQPyOGeXAFXm9UYPMHqA83sDhNXYAGI8GnpRcCmDHEjgfGUAmQ9SAQ8P8AGh+AeFR8jwPn

nk5BO5tPIwH+WEXKeTq8ICHjA8L28wohgeL+ND8AByr+ZTHIg5wnILzUsPzVf0i8BSTrGeGe

BCannHgccALKHhYvRGUPF/Gh+Ab5Rnn5hCRda60XqXlGobHQpBlPUCeF0o8XDPgm+loWcIPJ

8IKz8D+oh+Ab5BNKIyuhdJXSuhSx5a+N0ZZC96iiLY3hM5J3Pg5DyzwzxmQajA9R1np0BRaR

4B8D+ND8A3yCCysldRQdlAZTgnjLupYTm4dhYTUQvJYUcXUZIwmJjHFe3bnpx4CA5PrFfM1C

QhOPysOT4v40PwDeAWVlE4TU1OKc4FMTXc7IwRwjsNceBKgHyzcm9YTHdQ8eMroCs8GuJTn4

Qe5AvXzL0nLo+ZD43kg7Kb5Jg5EILz4ycgCEEMZuDLGDCPJMdCxe4YU7YvCN+RyZsJyI3SEe

agJwOGVlZ4ZX5qymD5iso8MoOWf5iHxneTE3yTDy454TM6gGc0FP9GE5OTQnQPy2vLmtG4J7

X59VpLX4ERyOHqNKysrk5BTS9CLsoOwmP6uJ4/1EPjfk1N8kwrrC9cL1SjYavche5CdIM9a9

RPl6hhFwT/OHzJ+eF7VG8GRStzJHH1IDHBx5OZz/ACJwYXcLB+blwhPzeALH81DiRyz8DqCL

giUHJzsDqysrKzw5FckQspx5818ycSseNw+YPIQskIWmozNIc/qR8pE0oc1OfmMoCa8FRfV4

Gr+qhw/J3kmLKDl1hGVFzl1Z4NHU7p5O+UuagwBckBwD11IORPAoELkpWOcjA9e2cmwr0l6S

DUE76o3ANdO7JdngEScFyD1C/IsfVKOUKi8/D/GhwPk88kxPWeM3NNQGV6TRwenWsOMgBDkH

p/NRMwnfKmHPAYTuGUTlRnn1ZWV1BSv5ZymtRXXgdXAlZIXXlvAOws5UqjUPn4f6iHDPJ+Md

K8iQnvQlXqqMNcvTBXQE3yKfYT3uKbCJCInBenhdBK5hEolNdwwielOmQeoz8rDhF69fC6+p

OTXhFwUpQkehNhesF1hDpIxxCIBXpNQPSetDwf1ETgN58HBEZTORc3CkhOfRKxhRnmbC63OT

H8n8HHKj8weOEQnkpvUsFTk5e5A8IpMITBeo1dTU94RcvzmOHrpJ4YWODXEIOzwbxPmAgutD

h/UTvIDAUj88GFSci5dPUhW5mu1oMQWUx4xPJyRwm+bHIFDg5OcgcDCcwL0mL0moRsC9FqZE

0o9ARKyVnCiarBHVhdRReSupdSyg3KaMNTfIFdSJ5hFEpsmE2XK/qJqyhhPGCR4G4R8vIFOh

Kf1JsGAY+GcEyc4jME1YK6U4dK6sqN2UV0ldJXTwiODIcOJWEWEKLynPzByzwzwCymSIrqwv

UXWs82J3LweqeA4N83+bPLi13zJzuBUwymSOw1qPCWx6aZYCFxNuuR2JXuHuTuoKGwWr3pQu

le7Xuyn3MhsmF0LoKwUQmhS/UI8pzOlNcsAo8AVlBycebAAsJqyieGVniODPN3mzwfn1qPmU

VIoWKaM9ftSQ2q0K/wDqRAIRIQYMkYa2Lkn4RGFnKCyiERwjkwusYEoRlahIE92S0ouQQcut

Y4N80/GWopqb8AJrsEppxwPnlGEr0SmtwFldCYOlFuSFlWKfqu9ihWTIule2T6GT7FewX2wL

7avtwQ14XtGL7e1fb2ptNoRpsK9ixezYvZMXsWL2TF7Fi9mxezYhWaEa7UyFrVgL0GLoC6Au

hqwFy8GAv//aAAgBAwABBQJOKysrKysrKysrKysrKysrKysrKysrKysrPgDeAjRjwCEwZLmo

DJa3KEakGCGp34D8k/8AGAoOC6gurKwncChyXUi5FErPx/yT1n8bnhldS8hng4olH8D+SkWf

x4KysrPA8B8QNyvSXpL0wizHGTiP/BH4rG5XT45eI+KSupZWVn8dCMnCIXSiPBIs8B8V3n/4

GtwKeB0uCPGXiPiuCwsf+Ahi6eLjlOaiOMnEfFPAoBNYm1+U0GPwmMqGABYBUtdEY4td0mN/

UCgFhFuVIMcZOI8Q8f5p3m0Jq6ljKnZ+DgHNZRKlZjwQNw1BFZwrd3K6v5aesBYHg6gUA3CH

jPn1IoIRIJpT0fwVdmVhAhclOeXFk+E2VpQCllbGrNx0nD+mn+Jo+d8LCwoePGThO82qN+Rj

g3CeMH8DC/pLJMroLkcMT8nwFOcShdlY18plQHD+mn+IRc8Fqch42+ad5+SgkbwwnO6U93Uf

isjyvTavTCe3hG4hNlWOsyuGFhYT+SCKxx/pp/gPDK6zwHjzz615rIYXHJjsOamWWuVjIcHf

FaMnwdKaMIc09/T4Xuyc+H+mn+ArKys8B8F55k8QVylZI3pLT4D8CMIJrF0hTgDi15ahF1N9

vhPjxwkdgHhnwf00/wDABPd0jKyhxqSKaMPWMOXPi48S7Ca7PgZ5rGE52TxilWSiFIzCnfng

RldCa3j/AE0/8AFYK/I+BpwmO6hYYs8Y4SU+vkPHRwICYMcWSYQHIKR/R4o5gVgKXkpKxWPF

/TT/AMAVIeA5ocMppVR6l5tCyoI/VfjhYLSMrzQOEOMZyHv6V5+NrCnR9aDcC0QXYWEeP9NP

/AMj63WIjG5NTeaHAecDsPR5E8gxxBjsOTrCccrmgcLqyhxDsfBanEqax0InKd4Cv6Sf+Aql

oW1x6gTW8PyWE3hL9RQavIL8yvJAeLHDPPwQyclaf1OR8+BRX9JP/AyoIoYXSjlYQ5LDQyb6

sL6U7zA58CE1Rc/A0ZKIX5+B5Id7p2EVjwFf0U/8AU7yRKaOPmoPrwpa4cgelRYcLwAUKfzP

FrsHjD5krp6k6MN8MjcjieGVnh/RT/wB4FuV0YRdhZXWsqJwY5j2vT52MUjw59d3Kc+omP5I

eOFFwTZ2KacFCULqz8T+kn/gDx5FYaukItAQPNxXVgAdSCB5LpRGEOMjsKOTKaMhz2he6OM5

RWUCslqbMCukOTolEPmkA6fF/ST/AMAeAWOZ8ys5QX5vaQh5pp5ZPCSIt4hhKmd80B+bHUpG

lnBjs8ccCmlwXqEqFYyHRgBsPUvbtRjjC+QL1I11D00/8AfA5YWF+TQpAUUAq7ub+aa3Jdr7

KOrmaPYtTa7Wo0YQ6ZzU13Spw1xcMEISeDCLRwhUp+TmU3PHC6V/RT/jfmUfgNf0oWGuCDlF

wjUR+W8/EXqNw6VileEV1hdAcrDcPTfPpPHOEVGzKAT25D2FvDKaRw5LH8lP+NjgeJaU2Irp

QiK9Er0Sn1OpRxvyyDCbEGrCZE5VT/L25/lBp6Z2vxKw+mpG5d6nSH+aj+oScjzWSnc+EQ5O

8gpxyWFjhlf0U/iFlZ8eFhdK6UyME+kGrpRHEOwutE5WEByGF8qiaHObI3HUFYjEwe3BR4Ec

+lpTqocjScmQPa5seF0L8uEYw0vCa4FTeXgev6Kfxbwd59KwugoRLoagBw8uIdheoSslc1hd

C6VhNbxwU93SqWyqwqPc1JE7dRKfZSSL1ivUXXxPV1BgQ5cMcw1pXpr0yE4Jn0vUam8vAQsf

ylJwHm1YT01DiyLCIwvJdXAIVyWhhKLV0pnJSOym808YR4MCwg1dGFLGPBGxdOE4cOjlhBAJ

0bXIMIcsFFuURhSeTVP5BHwf0U9AIBNXUUW5TGqHWPcDqXJ2qcFPHJEg8oEo+ag1vUGa2MK0

010ZAuvKzwCY3JczCwhgoBpQgRjVgHqrxxIw1yI9Y2ZOj9JzE+JyDSoYy5N1bivsy+0SBO10

oTmSMOcrCypERldITmdYMLmo8Dw/pLGU7lwaUxxaXJrlT2Tej3zV6hkFuD5BXK9NrU9vOMZL

GjEUXSty3l4YmotCJCiAwxqB4WIepGByLHLpcmRoMKLvlrfMyDAb6oC9YL1gvVCyCp6sb1PB

6TlJx8l1J7AU6Ao8P6KCPmU0HgQSmqLkTLDCx+6b0ybGSZesVjKc05pxEytHJuVtR/LI8ATG

p3MlybKQvXkXrvXuJF7p6fM4JrnlDKDQnBSyKpnphd0oMjcvQGDAUazl6TgprDWKewXyKQcH

NxwcmhYwpIA5SVyxf0k5NxwafBlTFxHks5IQeE17WplsiSttBI5XWdUb4m4kZFgjh1Jp6l04

UjfBlY5y8xDgtGCutZUiqfSEyUhCZeqjMnvynFTw5TCvTynQr00GJ4ZgNCI4YXpjgeATfInl

wCkj/lJrCjwjAALQq7v5kL+oSt6m+kSnRIwL2wQphCBrUGhTxda9qvbBe3Xt1HXwXxIFdS5I

lPVby9TpTXdSwV6hXWuooojC6UPpc/K6gnItUbefmcLp4lA8B5fl+WeHVloYFJyaUE36Z5XK

jK1ij2EbTNtHuUJy1xReutMfkoFDjlZWeBblY5li6DgsULcDjhYwgeEhw31E36CgiU7yx4Pz

QR4BqxyLeWODZmges1Odnj6mA9vUWS9K9Veso7LWj3QRsZTpAV66bcwPehG8vfL3q98ver3b

l71e+Ru5XvCvele7K985e/cvfuXv3L3z1756NtxQtOCknc8DkvcuRehIQvVci8ldZXUVlZWV

/9oACAECAgY/AsBFTZKLEZRij+v/APnr+kYzjYCbXtjotvmmvP45T8/0DH7pmlHyQPmPmJ0t

T335rVsF6j4L5DKbW3qgoDLgU7BAwYRxI5aVqSKTKIE5ZMm1Xb2CcZ8BolJh8vFSZFeqBlDo

gbte0UYVqmsPYkQJxD2nvaoZ8DoQbIiD7ya0mLZh+KjRNkWp+g2OxpW3AfBwJTBIiXotQcYD

4qJpfgNyJtsiCSa5FE2d1awMFCsNvhGpiiLLUaGholpey1/QW0wntRAnFKPpbVVNkQoLVOxs

bQMJrjhfX+OEkiZp9zfn/X+OI7jZ7DuPyGx+Q/IbGy2NjZeR5HkeR5HkeR5sar//2gAIAQMC

Bj8C/vMbjaokRxZKKHD898A3UPlGOQyat/b4xrCbb4aSZP083Bih/InBtxmwrj5Uewi03mqS

kOmsC1bWXrc45DBUrQlJ0E42Q6cBrzYRPcLxmwGyQ29CTKMEVRAZVEF+1uRsRhnvIim2Sehi

gMt7Y2Wg7cuSc4Gg69TdQ3WmcUvqTUIHLZspLaYTgmUbGy0E/YMG9xodcohstUiFJIEhcFu1

/wCjqogQg9qvbCfK7pxFh6JDcZ4GxsTS/dWEdlHsU25D/wDRxtR9vYL1o+LFsR2KetbWWN0N

EUoCuXqSGi2tNTqqK2sRak/moVkkfdR1f1Kbexs0KTYoEoIWiZD+DkRwUepO3x0E6r1Y5EVP

YURakOlcUNaRaXLqw/YKgmjdWlGlDiK5KMAyB1Cs6husf7Wtsg9nQ0NDQ0NDRaGhotDQ0NFq

lrn/2gAIAQEBBj8CoLnZRb5ptX38/wC8Nfez/vGr7yf961feT/vW+Wu9N+9f5a2zfvX+Wv73

96/y1sl/eyfLXck/eyfrV92/72T9avuW/eyfrV9w37yT9av4c/vH/Wr+F/pv8tfwo/Ob5a/h

F9LfLX8Gnx1/BpX8HHX8FF6K/govza/govzRX8DD+aKt7nCPyRWGkgcdBQXrHQxDtjFSmTQw

Bg104F7tSHS6KAy6c5mMar3PRXtYoS1wSxVcBtpWbQ6eaMyGPNy0y+kippodHAkMY7mRMoN8

vFh00dWungIjOWYBFw6Dsq6adOlRGqgmtSbMyqbZtw6t1ZVHMkdfaSW7vyU0KxRyJGubl2u4

T6RwpNLFowWnk5aOi2f4xhUuiE0banSkiRensrTxCEWzASju2UYkk7qjaHTq45uA3ZOkfz1F

ly8nnAMwwJ37qiKBcpUWtXd+Ktlbq21tPp8m2tvwv5fS8ifZ/wDFYinRGyM2yl/xAPvI8Del

lSJ5GI/1FhwnpwNq5ekuqSZZtWGGYCTqvvFRqZpNQJU7gBMLqw6NhrURNqRGk8V8ub5tsDsp

Q3tFR7vqG6bdOytWupMYeWQZYx1WF61/+rMaugBCvcb926tYjQahcuRCbFXkt3VFus1JFBI2

bTxhpFBuULL3c2ONFoPDzDEtueiGxZvrGhFpopI4Jo7Ln7wO/iG29DU6wc13HDEdgo6awiXA

3UdFRwr3YxYfhv5fS8kA1BZBIps4VmGHSQK9jrIZD9EML+j8Lj+GHRQEa3CPirdFaqCIDTZH

VkIHVso+F67TSO0nc1Qw5dPp+c5jWLLiBsAIAWuCZ9Zo48ueK44Wbz1mUGOa0ZglRhkVVzHY

Mb3OFSiOeXWc7lhXwAdSuKr18VNPFp31mpdcq6iVgeXuzYWBpoeZnbXOHeO1sRsqQzol2ucu

0nCmRgEnVLoz7LVHnIZsuLDZ/wCA/l9LyQfZNe208cv2lBq+nkm0v7GVlHovavbymZ45pY+Y

20hXIGz/AMTlOxsDV4Uy3KjKnVSFhZiOKpWkRXKNw9OyowNNwuLtKvCaaGMqukvnyW4uy9Ry

PwyiXK2zZe1qTkxiKcLmSYDeuFagPkmlUG+AAvtNaSf3ZeY0WMg3eSQae8kh4bb8t71BHP8A

eKuPwttAswF9lfeCsOIdIq3d340VZ1vuuawQs/QcP56/08QzHeQcKR5ZSc+wFTb4q93nk5X1

9x6r7q52YWtmzX+v5NMyhSTcWalfJbML0CN9Tjo1U/6Z/CX6KuGuOmsDf4XT8EdvllkeO924

bHfuNQq0nLTLmY7iSakjBvMEx6K5cPCc4f46VSeFYDh56lmjBfmbI/q7xWlEoyJy22/FVs4v

0Xq5oEY9NEqLgUSFwFWyjtojN8VcTkmr3xNbdm2h0VauVpI80hGL7bdlNLMpufnHbWWXMSTi

dtKNIM6ydePx0ynKN3Gozeemtl5tuEb7Cv8AI/6nk8OLtlX2l/6I/HR0UD8uZWDRydNz3a0k

02Mrp7TtrV9Wrm9f4SX7B9VDVwSFCceBilBzJ7xHYG7ZX+MY1/qIBmGDZTb4moCZzCT9MfJe

vY6lJPssD6qwYH4a+XHyPq7nO4tbdWSN+Ne8tfdjZjjQRbgLsBrabUek76xxGzybKxxwoisf

m7KJoY7qNDyMxAzswC0IlABtYC1MTg30RhShrjzUUijMkAxdD0b6ygCJlJUKe96ayf8AJtf/

ADfJpyy5njDlPSt6vJGWlHEyq247K08Kd2MWFa4dGrk/F+Ek+yaFlXufS6zSC8bcvIL2rUZl

ilBKE9G2sdOo+zw+qrw6iSM7r4/z1/pvEOcv0GP4muKiaVluygtRzkYdHwV/Abav5AL43xrb

esKYGr2PFWA213bUNlNSdlGnzthGcAaLfO6qMuw/QpI+XiSympo1uksTC3nprYShcQBvrP8A

P91/6nk0vLF2s9gfyatLld27zLu6qS+1WdfQ1q8SHRrG/RX8JJ9k0qjvd3FD09NX4ySwO7d2

1IduZVAuAcRS9nkHPmUFti3xqJtNMJLKLjfTdnwR8M9lOL4Cu9WDXpje/TR8kiWvl2VzCLWN

qDo6kndSp825plzbGp6T7I8gTezFieqloviM2GGFqeZrk2tEN9qOpkFnJGUX39dNKOG3EJK2

/wBzt/zfJpM63y57fFTcuWRQzZjc3x89KmfPi3F2mvFh0az/AKaVG8Ezwt7wgLoxU2x6KHL8

R1keH+Ln/TzVweLyP+1jjb1Ba/iNJMOgxMnqc1x6HTyL0pMQfQUqdZNO2mkgIDKSG2i+FvhS

fZNRsJOU3Lm9r0ce2vaeOOfshz8laXLKZhj7VtpxoTTYlsI0G80FivBFsWFT665msd483cH/

ABqJ01PN0jtZwcLUSMcPgr8Idvkc9dSdZtUr9VhRP0jS+k0TTSObDLiaEceEdBjLltuWlmit

KI+/Ed4omPgfDmRndUnmpeyrU4IHs8P+NWrlnGjfAU9jZjsviBQbOkqE4WwNXw+5833vk035

X4vL4x//ACh/6SV2Tp+Olv8ARrbXeq+6vEf8r9E/CfsNH9hqP/U8mi7G/SNNpRJzIdISoZrb

fiqKQAFkIOTbj11DqMlroGtSI5yBziwHTuqHRsvO0OoAWOQbm+Cvwh201HDCrW2kmhGO8dtI

mFgMfJttXhEL/cSuWfrK2tQGdQdpozPOMoG6ssdmON0vxeqmM5yR88xJ2kXFSeah5CbYbL1l

U2aszG9GtlzuoPqRmtiIvlrkZBky2ybrczyaUTGReXmymORk22+iRXs9fro/84t+leuDxrVj

7Qib+pWpL6ltVJqZOY7sAuxQu7sp+qVKT7AqVTLezlcm6wFPiRFuwrN02rxD7MPqb4Pmp+w0

I75A0eoUyHYLvtwri8V0/mzn+rWmEepWRRmCyWtfE7jWoRiGIkYZgOuo53nWPVNHdYx83D5x

qPTyDJy+H0VxANjmpI5UObaFX10S8ZUKeB+kfAHwl7aNemrA9ApADbdTtfBaC/SprHuj1Vpd

TGbNoXEp6cvzqRVd7NiyKbXPXWqiLgCLitcAeahLEylrcVumo47d3XISesrT+ah5A0R73eU0

IZHaKY/MZbY9RrLXANu2hsL9PyUeHGrWOe2z8vyQ+f4E/wC0T11F9geqpJFk79zl7f8AhTSS

3tOcoi3L10D0ivEP2cH9f4J7KfsNeHBVDLqTqUkB6M9fwcbHpN/lrSMEEYOfgGzvGpy4vDqW

MsEnbifRSB3/ANREuSZd/Rfz0AcfrVcNgadhMqoB9zbE9dEAnOH4wfgD4Qo+S99lzQuTfbVx

vxqSZ9kCFieypJNIsipnfOJTdszcR9dFTfKwKt2HCp4ZW/1WkupXZmtsI7a1Euo1RjRwRlXu

5eimkinLRZWBQnDz0uu1EDzRtMZLDDHdQn07bRxIdq0tN56jjG3YK5ljNLffsHZRmkTiOxBs

89cKcv6PXWa2O69DeTX8vpeSHz/A1P2k/SqC3+EPVRWXRuoFw8gOFz86gXLEEW2heKkybLYe

mtf+yg/r/B8xp+w14N+11P6fk0f+Z+mafSyRtKt7c1R3GG8E0wmY8wtlhk2Lar5saCqQ9zw0

uh08I1MxxOUXy3p5Jxy0fal9/wAAfCHbR8j9fCPPTgWZ+joFPk1fu+W2GFTLLrS6OCrJcYip

9JK3L94ymHouMDUq/RNaLVRycvXN7JFHz16+yv8A+wjJeMWCWrNpYHg0APtpW39QpPDtOeOw

5w+iNwq8MzxHpRiPVV4vEZsPpHP+leg05j1C/OBW3qq8KtFJDYzIdw7acg8K1bb019b1eT6T

9HRV8M/9vyQ+f4E69LxfpitKf+UvqqzAMp3GrnTJ5sPVWRBlVRgBWu/YQeuT4T9hrTxatlYw

GUxRl8mJY7a9qIxhunJ+SuToRmhizcsA5uvb21pVjjA1aSjmac4ZlG+mvgV76sLddDK3P0++

J8f56Iz+76lxlSNuk9BrVTQ2AmbZILhkBtSo7jSarfC+w/Zb4Jym9to+CO3y8z5+4dtO4YnC

9qUocufFN1+mkHMxYYiswuChuD2UJtRJzJ2SwgXvE1p59SAkOnYZI13Le5qPVGKHUfQlygnz

17j4eB70697dGvy0zuxd3N2Y7T8CKRsJ9b7aU9XzR6KyrgWJoeqvXVhs3msPTW3+WfyQ+f4G

sPRkP9MVpL6yEHkpcF16K/joP3i1/HQfvFr+P0/7xflrXtBMkyCCAFkIYXvJ0fB8xp+w1LZj

bMcK75qCMcUpZyb7hmNM3elPfx2dV99cbE/RG4VgMysO6a1EMeXk6m3NwFxlx21pC0WU5OGQ

YMHGBNPAU5g3Mu8euhDE8si5hk08oumX52JxWhLkKdINGfSN9vSE8Ddn0TTQ/d6hLibRy4Ov

mppvDJm8P1i4qyGyt1EU4ytFqtKcmrgfarfAHb5DXLR+GIbOuiTsGJAozuxTT3vGeupnclkj

wRvrVyw2Y7/LzNO3C3fiPdNReIcep8W8UlvFbBVF99GHxTWZ5yLrHE1gPTTzp/qNBfhnG1ft

DyaTRjZK/GehRifiqNFHCBlUDqwoFjgOmrA9vksKsNtW/l3/ACQ+f4GVlDLvBr+Hj/NFfw8f

5or7iP8ANFfcp+aK4FC9g+D6afsNS/aNLHu+d2VFYABQXt1IM/4lrDFnwH2qWw49jjrF/JmY

XjOEyDeN9TeHRxS+7O2bSoeJkwxHX5qdIpVXU2OQd1r9FttFxYIzkLEx47bcaSXSafnysg5U

Nwox6SaCz6SAiXiSRFLAfVqGVYRpvGNMLpc8M9tsd9191ReISZ9R4ZNtm2yQH6Mg32rTf/Yd

BKDp9alpwMUkwwvbqqPUROGikW6uNlaxx9xA/Ji6yvePprLqNSBJ/hLxN6BRTSl2dEzvdbWF

6FTcr7zKclMzjFqjgjGL94HoGNRxIqpEBbJbCpnMuTR6XMU08TEBjt4hsqWdrDOcFGwDo+BD

4P4hHaNRkgmHqNZ4GC8w5mewLHz7aOmmyyKRYg7xQ1uiW2mlPtIvoHq6q/3fUKI45o8mkB7x

zfOtUW/IMaxXN0Vhw/Eaa7FsfJc7a8/9fyQ+f8O/2TUmry3hzkE+eppbbLKKkwueTb44wfVU

uZrMy8N8LNuxovILPcLKN2fp89qlj3KbVf6XrFQzRtlaJgyt2fJQ1HI5p5d3jYdeU/HUGoTB

1GNjfBtn9LCtNBqUl5qAKxVcLdO2kEGsildxmWPNxeik1mokTw2dDminQrHd9tz014jpyo1m

k8RRXOQWj5jr7QCo/C9NF76UkHLy2ujFscxw6a0/h+s1bZ/7jQafuBd5k3k1ng1TaOzMqlXO

bPa9igxx7KymQSPJxAs6i/nrUvrNK8KSRcEjW3V2UTlLLuXprMf9Lfa1vxUbytLlLDMOHunq

rJmyrHUs2mikjikvp8xUWzkdN/xfBDKbFcQaWLU2jddp2K3XjvpbTLm6L08epUSxy8OQ7zUS

SR8uKAZYbd0AVm2qBV1exX5tqxbzVc1m9A8nn/r+SHz/AId/smsjM1ldhl5QYdP0TXsgAote

yBPiAFSJa949SPzAjD1VFOtspweJtnYe2ppI0yI5V8vQb2pnBCqzXuejlihh94nMg+0hxqN3

j5kVw/Kva43i9apeWUS/MWJThkLBWBO01qNPZABFhkXp499zh20nNVZMlhIgOBK9Y6qg/wBt

0qeHJpRkiKAFsdoJqOPW6xdUUX2kitmAH0RSpy7RgWUiiVTgcXU9PSppYtLLIfENHMUU2tlT

Yyk7652YZmxsBl9VanQyaOSbxDRvzNNJCBnCybOI9dP4d4zFKqZfYORit/xVHLE4lg2lhs7K

sABV6kY4cxyVP1T/AMaVQuSEYvJb4q8P8G04CJEDPKg6Tgv4/hx6jTn3XSk295Y9G2wqLRye

JPq9UGwUC+Y2x6bYUA+JC7sKLl2s+xKwoXXEb/gflf1/JD5/w7/ZNFJVOaUhlC7cRa49FcxC

zK5vmbb56j4LhpJV/eQrQhlmKBuldnnrKGDrhkkG9f5Coob9/lf0sD6qjEovLonu69S8L1qg

v/48oKfYk2VFFKLpnFwehtn9LLUkCRrGjg3Ci22jDfGOVo3bs3/Ea4FskYsg7NpoywNe/e/l

11kdU1UW8EW+OjFpNNLpNUzgpNmBCjq81O88hLTYvIdtzvq6ISV3k/zVrVnjaVNRkuybrX3e

etHqnjkSBeB5sCrpjwsB10eQ/Mj1UpmRvqnZ5UdlBEYNMx4VUXNa7XX4JJLQj6i4L8XwR5NJ

EJxGvKThX5165kaq08g7coqXkNcLY8XzjvpVXYBVt9HHGttdXk/K/r+SHtP4eT7Jon3do0jA

ymx4rHb8dZGwKyEfjrS5O8Wjs/WYiB8Yp0Kd0lS229WF+ulzHIzJdR9mnfPxPIRKbbiL1p1J

79o3PZhWmlH0L/lJ/OtC+rSKIjB4k9ow/KwHorxNbmySk5tpsGx/Sq9A7DsNKM3AcCd1A5ct

h7Nem+/0V00uQZjfBemmMyGKZWImjbAg1p+YMoliQaofNbMBiRUaQWMcagJl2WHl6K1um0DK

mqnjKRs5sBfbiL1Kuq0rZYzZ5U4kw+sPJ4j41/d6KSONEG+5Gb0A/B92nvImn4R1A7KfJIuV

zdhfip57WDtZOwV2miwxrMe8a7tddXNZ/r/9TyRef8Maf7JrTZbcUOFaeQiwXgNWVrGQctW+

hIjMyX7c1e9ZbNMx5ul3o+/zUXCZEY7qSY3bItr+n5anOYWuLE9SgVePitIStvTWeXToxmyh

HfaglxzrUPL5Rh0WWLWbb7LA1rQLEah5I7dZFYniG2ljUhAxtmNcleMIxM2GItvoAJn1OrxV

RjZPmqK5LAghspA21cbjhXgWomcmXXaa7FtuZTfHzEUomYM2wEdA2VCiSlBqY8RuORujz1fp

8ss3zgLJ2nAVlPEG716eSTw+Pm7nj4GJ/JtWt0YUvp00srzg7WYrj8HxSCWMO/MQkdVjag4c

+7rxOjbey9IoFgNgrDG+zoqzVw2rdV6yjz1bdn2fl+SLtP4d/smtD+yWpT/hlWHpp43+5n+8

A6sQaeaeRTzDjNg0MltgYbsMKz8mTTRr3ljQyKwO9D/PWYTyRixsZISo9dN/rdM+5GuwP5uW

9Z+b72EA4Iu7fpZ2Fq0y6rkyrlQLGpuLLe191Hlrkv8AeZML177ptVytUWHWCSaOn1pEcUmY

5f8AmDC3pqWFluYnKN2rhU500P3eimklIsMBvqXMSSowrwLUMvMleTPqzb5hXmAHsIrU6SRS

GhkOUHeL4ekV/wDVH1a81JdHqEdj9IBf1aC9FaQQreQTpj0AkBvioL6K6621p4gb8yXEdmND

ptWh0y2bj5rg/Rjx9dqj8PSblw6i/PRBbMBuPwYdSJZF05NtXGnz07DUeq0xvFqhdWOBt5MS

bdF6wJ66w27zWHx1lsFo22isv1/6+3yQ9p/DyfZNaD9itatTiOU3xUdtlO0UVhzFWwyEk381

f6nT8nKvEczp6FvSEyyQ5haKBH4rdJ4TjQczzi98oMSEjta965pLzJEfZxzGylupVrn5FvAh

ZlVQuzspTsP0DgfN00wTTNqJlORsotj0Em1TayJZIGilPAd3Cu/tFPPOMrvxljvvvppgjNE0

DRMwNu91b6ERh5en1syiH6odu7Sj6IwrT6+3sdRGI83QyXwrwKWTjeGRmQjcrllt8dSskykR

ECRtwuL7fPUbcwCzDEHpoPp50nQjapv5Ma0WmBvywZH/ABV7SZIz9Y2rW6uecKLCLTj6o2nz

mi4PsI0tG3nrgPMHorMyEKcM274HheeVI4V08fGxsO711aCeOYbeBgfVV6FEjyCsKtu5n9by

Q9p/DyfZNaD9ktalRtMT+qhGzZTIwGfoxqSESccDZcy4ddZmfmM3z3b8dNlh42/vL7OytLM2

XLqc2UZsRlw4qQSS5ilyuQcOP1jtrVWAzS6cqGPTXufMVoIBnnKWdWsLWzVrJIzFp05Z1CXY

L92wYqBUj/8A7C5zjvG3ZUC64PJpotSq6qOMjmGPE4V4gfDXfT+HxxM2kGouz4AcPB00LykA

LlwJ7Qcb7DjSyT4zQHlvJ9LrqLTKckkc6uHO5djfFWn0cI9lpI1RPNWoSMZOfxSL812G8/LU

2mz2hRryKoIOZTgOL01rddo5306kf3bEWN9otRfT+JytmRBlfEd0bqRF1MkWoH3shUWsdm2n

lfWEyuAGl+cQOvdReWR3Y7XJvXerE/lUWvXKfDo7auBzrfMO2oIpPCY4ZF+/lFyWU7LB72NL

y9BHcCzMd/XgBXhmngm9pGYw8d+LhU3w6jWjZZyJWaJM17YCwtWV+8BiKYZyvRWJB7cK4iEP

XXeB8n+Z/W8kPafw8n2TWg/ZL6qZekWqRd6sa5shzTZwHe+4DCmeNyUDBTs2nHZSFgqtGbLM

h3b8yVHGNT7wNHwx6dxhj9EVbVsJddqLcH+Eo3VqDtcDKq9tSnUx8pp1jaCR0NyGwG6mkIu8

HFfqrR6y9s3C/wBmSoo3AtIuKnpHnHZWtOkCldPoubM69Jc2+c24VkIsw2io4fEpEgfWNzIS

ThxYZb9NXjXOfo3thWfT+Hu5Y4q8iL6iaWCXQcriDfecYyt0W31HqY0MQdOMMMfiqOfxSULo

srK2ZbrxC2zGtE//ANadZdXJJfVRRMSoTdtwFSJsy220Qd+ysy/d/Sq1srfEaxojvIdtXGI/

FQV+NL2HSKUPGsg6bfR4RV41GGzAGoeEXzG7DfQmhbK6NdXFRafRzx6+EPDGTMpVzzLd1lON

NodGY5UiReaWU3D9G2sFTzIT6yaDGPUMp3JHb8VGIeCymR/715CCPjqMe+PpFlvYc5rD0V7n

783v/O/i7tf72+3bsw8kPafwp5RytcY1MmslyaVNOj444tbdU76STOFU3wturw/9kvq8mrAW

4Er+upBs3irC9m2iubGyyQS9/L3kYfSFE7STe9Zic8cI4ifnbzWpLNlL+skfLWkWWZWt4bGY

QW+hmwpuZjzltl7RT6JkYtA2WRjjbLsA7aicxXNs27DZc+mljjtGmv8AD2imsu0Emom8TWSb

StcTBO/iLXF+itNp9VLK4gtyxLzQ3pWm931sjvGvs1RGOz7QFKxjjXMNlj8te8z8DlAhCYCw

x3g1HygZMuGS+BtUnhUUcUcUElp2VcSy7r9Ve+yKgcZc0aLlWyADYOyk8XW/vEupMbLw2yhR

1XpGf5wNzVmxR9hotAeHehrIz39Yrbmqyd3ooht2K/ir6lrZTROUqemtPEq53c2VRvJwFRae

aEiaGdVeJsDe9Gfk5HkbOykYeahPJGrTriob52HdoLmgcpw8OzChgo6K4VGzcbUwZijKCVIc

17rzG+9+839+/kh7T+FPmom+E2mC/mmtcvUfVXh/7FfV5NaQRbnycJ+1UmzZWcYNuq4Pf7wz

DbVyyr0Y0QMSfjNMkT5WBw6+mvDY9Rqmm0ZaOJZgcFQHu0AFOA7xoHm8rTTZXljPdZlw4vNR

khkaBEbgZes9orPqJTIseZYcLYbavS9e+rOwKK4DONlr7a5/vCckNl5l8L9FWGshb8sVHaeJ

eYDyiWHF2U8mu8N1CyISxV42sxJud1PL4cnKgZV9k/exXipdJIjxytLzFRxhkIwNRc0ZWObI

3nplYcPxVLvbLw3q4kXNQta/kU78axwYbRWDe0PdWsxbiGw0uqdjJKrZ85NzcUAS0epQccQ/

FWW56r0cEkx+cMfTQHLuOi/y1ihA6LrR5DXmbC2B8261cu5vz+nG17+SHtP4VundWlnC8yMo

wfLuv01rI4wwkEZzA9leH/sV9Xk1gy2j5hKkdeNC5ts9dQyOY4YZgJPeGa5CtjZYx+M1rVXS

IZYdNIRrJMXzBe9c7KbC5G+tlMINPJPIvHJlW+FRRvpTleKG8T3B7u6gF00msAITPcBhm2Br

+ukMeh08BW9mnkV+8LbMppsraQk2FuYRs/Jp5dT4czQR4tLERIPixpFhLOGjGZmXLZyuI8xq

O+0DGso2moNKro+oTTIHiy/PDX6K0sOiMGIzyyJlH5NeDyhgcWBF9hLA0vZUyj/CTDzVoZml

y/6TTQ5OyLNUSDBE4ezroo+3r30+dMyAbDuFBJNPzdIBmsx4j5xUcml0qxRc4xxwBi0ubDDP

0Y0keogSPXZirQTO+2+G076XxDw6FdP7r9/EmxkO/wA1G2Dr8dX2WUYVpodfM2n0ruBNOouV

HTap4tBqfedMjexntlzDsrTzRnKcy385saFZjc0LVsNSZU47Eo3Xur3i/tObb47eSHtPkSbT

W500mQFt2BNeGSf7gupXWBHmiyWy5j3asdRGG6MwpwJ+dy++YxcDz17zpH5kVyt+sfC9pqEB

6L0C0gRT3b0JNNGeQ4tsvhXvCYF0yy3W1aSLRs2kMRCZfqW4dte2107I31yPVV5CWY/ObGtJ

G5tHJMiueomo0je+Fo1HQKl082VklUqwOzz1zJM0bfO93sg9GysuTUxvu9p/NU2q0czSRzcL

862ZbfRIttqKSaCOYhbWfHbsowX4Ws6KbYGgUkCADu5b3oe2Sw2jJ/arWyZzKyxsVwxqwxJ3

eSKSRw+e+aJe8tjv7a4atZeu4pLYi4wpPsitQvRHF+jUWpWdBkh045DX/wABcb7KKkXvgRek

zhlK76ntKM2Q2BwqTUxC/u+VJfPf5K8O8QTiQatrL05bGodbkMazyCZB+VTwNs1MOW/aKaNu

GWJihH1lwo9JtWFu901ivnrTj66fpChRrtq1cOIItXKyC/vPc/K8kPafJpF+lqPUprR8bM2Q

EXN7dlCznMT3r14nplXmLqI/aYDhsek1JAsBnllmL4mwGAFSCeJdPy998K++5h6Exr2Ont1u

fxCg4VkRhmXItsO017WaVsNjE+SGGckKQbutr4XoQGVnQLlubXtWl0ejgW+ruWc4twdFI82p

vE3G2YG2bopX1EMU28WHDTLFoo0VsOH+WFc2EM0gGx2zZT1YV96e7a531ZSMDZjto4nDZmoS

HFVrTJAJNTCbZYU2Fwd/ZUM82YO2bm32YbNlczT6ZpMjcHEBh10qzxy6dhgy3U/HjQMjzuu8

ogIHabU6aS8ekyshDPi4YWNxsFXg0q8xMbgnfQLNBAD1kn1VEdU8r6nbJIjZB5hjQjJmRnvl

e9/xUwEfOjUnK6Y3822gL9w8QOB9BqIg3UotvRWrGbiEcXD+SKkh1ljMggVcLmw06EYeelWT

SRzEG4dlt8QtThNN7u6XtJHw2J6q1Oj5gm5LlOamw14noZdO8g1yLymC5rOmz03qHwkxALDP

zVbeL7a0SwH2eigWMyH5zXzMahifV+7yqgBEoyj87ZTTaaVHi1qCVHjIIz7DspjsOGFINuOy

n7a0/wC2j/TFY9HkHkturJm4ede/Xt8kPafJ4cNxkf1VpwCOFQKjKxHLe+Y4CvEkG9G9dTGW

NXZGwzY/FXCoA6B5GyYuBwg9NDmuvMVgFUiwUjZQbUG8oJDnroQNJy0GLHf5qSSO+dd96tSy

lRniHC9sQCRe1SaN4cFty36aCWJa18iisrabIHwVqYK13U4muU5ySWvfpqXjz4DGueGyCPiO

F6zKtlJzE1nhtEycUv8APQLTcVuJMKbvW3CrAHbSnMr3+ZsrUO/s0S5EmC5fPQhn1SaWZE5Z

MmAbLvz9dPPHqIxpYLCSTdjcDHzUoTxbS3t3eYB66QprtO2O3mKaR4zGgueYxYKh9JpZEt7M

WMqfOqRNH4pqNPpxJl5Ic5cPqnCvETIcxHLF/wDLWtBE7NzNTwtIcQ3swBt7Ksy2NsKn1EjZ

dNCheY9I89a3V6dSkOolZ1RtuNRvDK8LKRihtUB5QOvl1khl1l+NltsNd+1bQ1X2EdFYm566

hHSRUnaa037eP9Kh0dNA3rHdVumrXsOmsmfg967199/JD2mrzzLH1b/RWl0umuRpM2dj0tat

J7rqU1QSJGdlFhnOLDHooQZxFqGtyuY4RT049VatUs2Yst9u+m5QTMX4rjaKI1GmaadzcNuA

9NEpFkB2Cu6wr3l5Y3lRczaRu+SPXSuYGRQtrRXthUmo0xlhmtv3/nVg13vhfGvyal0mj0km

qK3R5Sci7d2+gG0EIW+FyxYeejk9nqoxtJzLYejpoxvypBubEfLWfTxJE+89PooCTJn35b0V

LZhurKy3G8VEquInmfJCSbdtMdOVzv3ze971mD5JDg0XQO2uZh9WLPfE9VPLIsTxKCeY7ZPl

peXK82S9kXujtNMqqqaUYcvbt6TUGlnnGn0Vy6WF9u09ZrUaPwzWe8pIYjNzM0fK5d8qg5SD

XJ1XikEb3DGNpxn7eJBUPN1ZdnvxIyTYDqpdfJ4uNKEjMkJugvhhhV52LjDIxrUYHle8Mc4G

7NWs1miLSQS5AjZSO6gG/srQzzWtYMe2p9HBqpxDMLGzsbfZLYio9PJr59RAhHspWJBt040W

Dhh9Fh8lBswvvU3rTaiHVZ5ixeeDhIUHrBv8VZJAMd4xrheuL014bHIoeOXVRK6HYQWGBoSr

4VDFIuxouD1UWfRvj/zW+Wp1065k0uttHGehHO+lEl9O/wBbZ6azKQw6a6qFG/c31mt7L3vZ

5NH7vJyzLIwZhttas2ctqJjwMcT1msxN74tVlOZTYqe2uA47jTw+H6BPEdVqonjEMiZ8G2sO

uvd/EdMdPNYMYjbYeyhyVuFwNzavu1P5Ve2HLO4ghvVWlKoTymDysm0qpuaUaXRnL87MQtj0

b6coRoo32mM43rSeG6iKdZ2AWKdlOSTsap5dnLic+gVLxHvG9Q5MwCQojZrbVGOykFtkwBPU

yMPXWcMbjdVyeyvVTU7E3vsoeyvHphkQnf04UV0ylmHzVxHmpJNTJlvgQdtcuKbkplA5h29O

6jzNY+obo3UeUvbTbumo1aIeyODdtaxZNJPk1OQjl8WK9Nz11NrdRP4hptXNbiy4Cw2WxqA6

DxqeVjicyZCnqqItqzqlz3kJHp308UduWh4VvceY0BIubNLj5zWpWJQicJsN11FKS9wFXKD0

Hor2cbP9kXq5TqriBA8m2vagsOkYH8dMo4hubyeEj/5sP6YoZja+yiQb14lDnyKk2olY/YY1

HEsUeqa+HX5qaNtI+lIPHEl7eg3o6fUHlNufcaBjOa+wivaNcfRq/K4PfPu7eTw+2PtX9VKr

qVyxiwOG2lNhYG9jTzxaKPRBsoWKLBQFFtlcFyuG3460vhfgPgZTx6NObL4oZspumLEdtSya

ls8zN7Q3vj21qDG1hdTSySSk3FPljay7aj5ZEUUqjmMTt3kUAUV42uT02oSKLZxeoNJqdbHp

9RBgyS8O/devETopF1q8llaSE5gmbDiqR+liaj5MplvGpluuWz7wK1MwfJyVSW/7Nwx+Kkli

lV0k2FTcUR0VboonZUYi75fIzHYtMsgRmy2zrgKm4nhLbHHy0qJcZu8dt6EmoiDs2/Gj/phc

fWND/S4ju4tVn0pu27O1YQNlH1zXieaEGLTy5NO3n/mpgL8xdtje9RiJGIPfvRyIV2774UxW

5XYhItUeojbKScxU7Kd0a7OqFm3HCkVjhEMqp1UoWUqFFgFoSuqM3zr4Zu21YEdl6s27u0gz

rZRuqxOY9QqXRv4ejayaa6+IkXypusb1bfWk1pTONLOk2TZfKb2qHSRwTaec5myzZVXhUnvA

mpefPJpWU2VCjNfr4RXjOpjktCwmYsfoSFqRYnOfPwOKmWdy0vzmGANDPja2Neymuv8Ahtsr

K45Uu9SfUatm4Pfdt/JEAoJudtNJ4jF7deESoSptTt71q1wJHEv6tNGpuAbCnjaMxWtwHrF6

ujFT1UOneasDgajzHMjCwFT+L60CaeLVRwReHB8me4zZjXhXvHL0Wi10UTzGJcI0OGzsp4tC

smp04lIhYLjlvgTaor6OTKV4LjbbCkzQG8nzN9ajRrzdMuqK51QcNl6emnmZmMY+cy28mpTH

2sLplG/MpFW0WpeEEDmhdh83TUPPaN4HTOxdRmI8x20zKlnP0sNtEtxdK3rji4QLHMaFlz7w

5vs6TVnYCIHFl6aYJZxDizLs6hXzlHRVwhNttXWPioNjU0jbY1ZvRUwmfLzLlkPS1SiEnLm2

1A0cpZit5lOwG+yswfhv3d1KgXJ2VH2Um7g20lxtXbXSPgbL1x0Y9iv3L42NGBhkmj+7826r

M2NX07HMt8RWO2mbOUEnC/XUCwT5GlfbuqeHUzLqDG+JWgUGHRRs1YNjV83F/uGW/m8gvuqU

dY9VTnoQ04bbmxrnmBDII4GSSwuMV31h5BYbrmomJx3DyaKMx2MyJy8b4HAVDHDAsapwgKLe

etPfHgwrQSRYKrnmdlqJGV6miJ5OS0hzYA9ArSvzEfnx58q7VxIsaikIuqsMy9IqKLSokF1D

5uo7MeymdY842dIqVkv02oqxGQC1u3rooIFzWw6KzOUz5ShJGFrW31ynJH01GFam97T5Tsvs

rhlA7Ur+Kht1xn5a/j9L+7b9ar+96Vh9k/LWqgVoyZUK3UG+PRVmx+jINooiUXw2/jq19u+s

MKQbLml34UuXHKKQSqb7rVwbOg1ccJrHEV00iImVh3/IMOGnv4bpZGQkCQg5u3A1Cu1Jipv0

XpnlU6iIxNZVwINqllTLkUmwPVUkHLZOg7qVkZ4JojdWFPNqJWld8XY7Sazvv8nCat87/dLf

0fIXdsija1NqIJM8bnhfprVN9GJz8VSudrsSaD//AA4W9GWlXpaoPDXm5CSZi8gFzwi9a6LR

w5pXQczUvxOcfiqNVFDDDdWmbIMsCGVvydnx1pEvYspY+eoLbltXQyOjA9jV7usvAjjtOOyl

06xl3WzgXHd6ccK8Ojklg0ghis3OlXeScAopZdXK+uIOC5TFDftPE35IqQFcqhEygYWso3US

SbkbKZuu2TpqXmpwkYDrpQUzS5jZvxVfKeYcQaY2yhPnGsp89dVWBy3rE3rKQfqk0R8VdB30

RYY7qIOK9NcALVG0nAAb0BzAcop2BwvherMgVejca9mADVmHn8mGBrLIMreRQpsWppUe8RxL

HG1RCEjKjBAV9Fe0TOtu+n4xUtjtBpu3bUKSLdcwx89TrGt1D76ts+qa4uE1fNcV/wD63/T8

kcMALLm9qmbLcUkMqhMuxb3tWqghtzJYnVN2JW1M6rpgCd8v81DwRuX797oIe9w5h11HK50m

RXu3tTs/NrT+J6h9N7rEZMwRyWsykDDLWq0sJUSzJZS2y9W52kH5b/qVjqNHmvhxv+pUEY91

jeOERMylscbn5vVUcvMi5caqtrm+H5NIqMgCjHMT8lMZZYih3KTf1U0kuojkBYMAt9tSamQa

cF1yLfjy9dilRR5xwKFOWyfopV1K5jtc3vbtNyfSKkm94hRTYKOK9h5qynUx+g03t1zfMsDT

maVJLiy4UW95U3+p/PTP78AhwVMl7fHVv90ULuHK/tUCfFRmHzuT/brHxO/+V/br/uX/AJP9

uv8AuX/k/wBurf7n5+T/AG6Df7sco+byfx56/wC5k/5P9usfET+6/tVf/c3Fv+WP1q/7lJ1j

lj5a/jpPzRX/AHCcdgWrnXz49S1lbWagj8n5K/jtV2cH6tY6vVHzp+rX8Xq/zk/Ur+J1n5yf

qVlbU60j7cf/ALdWGp137xD/ANOswn1t+t0/9usnP1n2uYl/0KWRZdWxXEZnT9SuFpvzh8lF

ZOfY7bPb8VEganH/AJv81CRI58w2EyUZHhmLNt9qax0sp/zWr+Dk/fP8tfwL/vpP1q/2r3M+

4873jlcx/vLWve96/9oACAEBAwE/IZkFbZVHcjD7b6u8Pqn8y3cFdt5O5L27vP3Wl8jJ3Xk8

zB56T/ai9V6w3V0v0/7H959W/wBxP+p6QSf0JX/aQ7h9Wok90CfxF75mH8qgN3+v+GAmEuCw

XZUHw49WmcVXd6iGspmUmWOYzmrTaxdSVzrYxrGmBG1z7V+A0qcw88Bm8Shh5XJnBtz2lJlk

AQ977JbS0qE5qGeO8MdQTYN20fKUlILdBq1p+YFjI6ghoeHHeaWAEyogl5vcIgVQAB9jiKwy

CPEwg10T1/yei9D/AJHu5/oEeKPdRO17xfeKKlz3lbc9A+p3hCEOh1v+LfVixZcehlvWfDxu

NbAd8zDGMtl+ks66XaXJzBrOuY7gNYTxvsRf3Hu7kVItSKjWYkZMaPPeK0GXBZaumGptNNkm

XF/BxFUSvLoBoqy1qXnuEWcOlOYrcoDjJORsq/Wc23KKGPsSzLip2+6uZjU+juCOAmVRPJe5

3gvSQBuHRUbPjox6PQxj0MYdRFcAJsbKt8xWvrBDcBMNnf8AgOh/ITtMGH5nZRYwqJE8RJUS

VOcYlvPzHlL5X2gKFtfzyfIxWV5hw2x3hjKUm7sBvQVnibk66hRta5b8TTTFRJ9F0avPvDTe

4NwK/ZgXzEgtKRjaLoORdd49/QKQWZYZcQe4bFDOShT3jkvnkwHjDLg/ZIBT2qcYtzT4lSpU

YkqJDEjCQRi0tK16LPpckvT65NRCxmj7kvtjHTy8iVA0dCEJn+JNPaZ6JcV4iQ0oiSojKlRg

f9ATQJUGg0S+hL5XKOwa4NJmD1gMmMU5jOsCObyXEwusChT4HYmMr2UKrJ6M9ecIaj0vcLRN

KVSqx3e8ZRmFBiyw8zVhAuzxKlRIkqKMUE8woE+SPqXGZ3Gr6rqVLarhMHvB9QZDnzXaMkzt

KPoFqKQrdrfFRAwbDfOn4m3C2WtfJTH4AhXnfRQT2dFWXmG0ayLqrPvBQKyw+J7c/vQ/8N9N

jgKlgtC1lA6aOT5MQHYeRLjUYjZFLg9FPETs/EVxWelQ/ClQjvydNmB7TCH6LofZ95fILcdL

4jNVuHfJmVdD5bL8R56QR6Pcji7lMKyZe0tQpbAlqcdptC16aDlg1yqnnEbnlDFOGLVBsu+E

3wXC1UbeJ81xoFFGWffcIJat2V8ZlgY0ep/UQjr730B5ipPMqHxc3jCg+rkj5VFpQ9wpiOYt

nOHCLN+0N7SXIci8cd+0tyv13+XQedK8tH3hiFEF0e1273K2LJFGzeprf9V+hD/weRH9Dyng

bwgvcWA/cB4VoyEmSyUOx91+88oCIfNcK3XCHwlm+jsPV5x6/eEXogUBOzENNa0wnsdvSFfx

Mrty4jlarSmWYCQVZ1d5RbQNAQwFmwUYmpanK9VKuzYZHvqNKFjVHiDlu30uZIwFt+39yyaX

lObUK8Y1MSdIKr3VfuDMuee5KvLLlvf2gOAAd0QFaq2Ee8cQqt3z8xjos/b6lymv1FhXEd5+

hy6E9sy1WT8JpzY70W7lxV83e4voOxfuDL6D/NY9mL6fiK3Cy3YeJSCgVWwZvnPmVIpV1g+M

xkzJu/6Y6/AwT8fdGi8dLYFPzYtZTOrPtHoNGsvvjrTovkIv8dTvMZFOealoXoQNkBg5CFTK

q/EvKXI38wkOeX2hCx4rxGx1mcen9RzA5DM9IXdxYsCqrL/UYK9qmPssyXf9EWAWWaJ22mKX

GKrwI+8ES6wmwvMbIIzu9NvrKk/7Pqc1ODexzeHSvx1wBpt9oUPRAC+cjJGo7I3zcvSLP/Yv

L6Lh/FlzR9GL6fiVKwMqWHdc6gtS6Gb1QrTtDbMwPWWmMQYHYIIZujvGXSWPshxYQpTHPQNP

r/BfOdDpfT80VSXRigBDDm0NlxfdC3NylRSretxSOBD5noNV9peWJfkRqMwUiuAzYeI0EsH2

UiWBWHpmK7+CKyR020VBp/TA/wC4Z58SySGI5naDoKxzyXnvLjen9AoTJAaUy5vHMo4a7P4d

LKM6infwnaA4gASLZhqWMqtYrkr2j9Qfd4sB2CAsWhl4xTl+GPZQPymiWeIRfP4MoH0px/eG

lP8AziKf8dX0Z9Y7St1Nmlxl6ziW3038kwlhjUEycorLbO+Kr8EfyjYsvdYtZad5hVl8uUAM

Bl4eXiGkA4JqafX+A+b+RuTN+kV3TF8GxH17TIXczyZa9CUx5h6h1DK7x6/7EAb7SZ4VWXkb

i0dOrY8JMrhVtKu/MfwQ2PCs0dn6mahioz60mYwcYYOoPJxKywY7RSKPkRl0WLhjg0SnZZV3

cOps95a47TEvP8zuD38GViw/iHC5bj5S/URMC9f8Tn6LMvrsQxzj7cNXM5Nf6egu9KYwxAIS

jwQ5wjIocfkiG5gYg6Z8witsNvt3qvEWHr0uD119dRTcLtX2l5tZw/MoDIr4olb+TONjDneb

zArD0I3ExI+oShrB3oF8WxU0OTgdajSV419uI015dR50H5jf7SGr/eI69KHft/cwPpCt5fSZ

TdyZmZz9fvOUCODJ0Jwns8ez8T4MzuddL2NbTyW2NczR9E/Ez9n35aRAxJ4aCiGoNv3/AN2Z

L3/AR1TNK0wMalcXBfTXeABzVRY/J/E0fVPqXaM4L8e5tRwVmWsP0QVVdpDKXZjUXOuoXn+Z

SKPDW4Jd2NOIJKkoN3oEBPFGypdMp2xM5cSk4Vfqv/y7kfr9I6fqpl7eDPLmDT0T7P8AZmVV

QeXU76qiGa4YK7r/ACDVaPK+B7Fy0KzakbdqKlEKrO5UP6hbFQAsHk3EeK8WjH2nziMz6czd

PrUqgWzyvRiyAoZZcaH2iNZa0ysurZxHUd0txqlWW+PrtPw4L6PrfTpiUd4ByaWHaXv8SHow

OhwxdHdSxVd928afuCOmCki+Y/i/In1LtNSxCneQOu+JLFkhpYuZSMPCjie6AzBlckDCeFzQ

5hK1fEsACVRnZxtdOw5angiEizFdGYgm+v8ABjynDNn1mVPD92DLFSldsRloNfVhC2uffiKY

nAwArAw8hLCzHCxoJFNYLaldS5dPLVpCs60s6UbDXeUSxFu8UFNvDDiAnogDKPco3euzMdAB

5HxiMg5lHlg5ApQZHsjPActH3dM+8rFQyF250x3dtrKq5f1CQux/s4On779f4egfxou4NL7Z

X+tLKqi7s0QUJHV1jbSUV448xusaB8Q8P13/AB6sPoXaC0k0959/Dbi50Vlf0Fy8v9a16vs3

BHgOLHki4dgOPmCIUFABdvtD8ZdBvhguq6n8dz09vG/kswkXjdPuH8xKA4y0Yj6wxDg6NTb5

cw4+8qLENdJC/Nkx3xfaB2IFas/Lp8w8yRn5cwkETaKfduUgNsKwbPLudxZocQButCt8Q4pK

ZpzmtQQxs/zbNG4L6e48ss9jTMvih2eEQMZuGhV+uPqZwmTXHR99+svoTP8AVa/UJlDh/HjX

fytGVhXuP6I4JQcYnz4/O4da270/iP6rib6B9XZGcwguNjNeqxheD3RVbPKc4xKibBjePeHP

O7CLeF/hp8QwWzcPs6fWJYDoYDBgxt5qWiyKGOA7K1hiXnQmm8lD+YBBHemINtEuLH3/ABMO

VjzHqdFy+lUz15WZ0OZfmlLc88q8QW1tlslSXROQKH2iXwRlgCphsbR3oGquM8HqzxCULcjl

YoXos+QZE8weHnGrWmvs+ZfXB9o7VemSWuD3QOZf8WUwjsWWnsZhrcNYhUhrnKMa2/WQTBvv

GfJe+j7j9ehXQYXMvaIwVEkjXDmGfpPmYM4/o3GFCbKDGndugda/R2lfotQeFgha3P8AusIr

FUuQH4/U5OiptbuGUc8cUysON005oDBMFCi4a7SqoNylmmWRjLHCCk5nNp7xrFWL6LX6Tg0D

td12KqZ23Gl7PJFoOM1R8/Yw8nMTWJRu6vkeTE271tR6cHwfMpf4dXL8I1iWd5ZcviLlh1lL

bquZRtatHH9psY6DbUucmvCeHBAEBr5cRfjmXq5KOaL7+pEvFygle8eWcWf6p38y3cKsm9iq

LV1ogMA4XeGFqS9ku2nHa9dSkvzBHrB+EuyPD6gnok/J943x3yHXiJxl8ld5e9l9p53r0fef

r04hG6lpCPsz6/8A1Pov+ID9B9oBr6zxAXL7oPx0JeOnP0/CfSu0+od42ibb7DcwS1PCliVB

VlX5HzODQP0BxArrnXrxDJWfFP8AigtXnJCZu1WUZR7UrSjZ1lBJFKKGUo2oVV3uNhIwsh4A

EwhgZ3NrMnmBcfSBeqL4XTCt/GMUaQaLFme9wM0OtZlHJ0fEHrpi1fmYqfq/uw9JWHu57lle

8uyCatAq314hb0I7gboeXiWpMrity1ldxtxYMvFGjnE7a2KOPCs4h5r28tD0JvpjHeGc1CHj

yQC03FJ5eXjMvHIQUncjS64SxefJ9pembn0exQ13mUaCcLzUPDn2riXFc90/ghAKo237TTzw

Qp5EtnXo6Pvf16X/AAC4Qlfw5ls+jPpHaVjfAuTTJ6y88D7jL+oaxUHvfwCH7Fp9THqiWZdp

jnswipmT8cy2hurX3D3I8b1ymL+mIBtdOhANt6X2hhHE6bq4v/pAxSENWMkaiOGmGHryRTLA

oGIpWUFxk4YJc4vtiN7yCTKyIrP0iCS8PNsKsOOObgmpCwDcXavCDrZXS822r95UUViHJdMx

uNG4K1egWFFjeQ/aAZIBLUFZyzUF8jtDFg6mOhT5VdHID5cx3CZ6NwVT2JqIaEVpR8mIANzT

hzfZlvmTpQ1Kxs3bwB27QHhNuc3BZtU5GmNlsWs0p+JxhWamZf4TLX2nq9fR99+vUhCHQhKl

RPE5mr9cT6Z2ji0ziS7LdvvM3Dp3C94nsrrX2hD2O/LOfQ4PDK5pmnAJ71AvoRWZTj7RetbX

eie5Uvo6+R6Wu0JwYrpQONAiZ/MuRc6ih2WRn3S7zdm4hrgaS+fqUhBgpPFeYX8zRDWSgHJd

TjIA5A9JkFG3udj2MQxaUPYRRa288mVbDC5S6boVasBKNjBJalnfyLzTUbO8ja7f2l09KEE8

IauDnDcQ707lEOD3Z5ch8v7kBuY6DxjMKbhVVCg0g4wqRZftLbG9wGhoixgYYlaOxOMLhxXe

OA3eMXA9zdDEoVhgNKWxFD7yz09H7j9ZT0CEOoSowiYjuaen9M+udogRVA1Z8WHVgIVQAH3o

LzKiM7DtbfEEnGNS7U+vEps2k3oq69kwDlW6CkFLQfAA/wAyrv3Dc/h95TpFRQ0mHOEHDLEG

GXEN+WDg5IA55hKbHlyyyCVWND3OQfedhiSdej+oJ9ScqaXnDUsM+1tZFPmVpy3X30KhFCxa

srbd+c0vVaGyguFi/McnsCvWEfQlVw3U+2YcyCctVK6nm7BuN6yFXjFfC5SeJx0x4YzKmWFR

rRLpO873DnI4zqJWhi8hd+PEpNhjDGuxk8QkVFcu8RaCK7x3dGEcca4Zbyzz6fqPiV1/cDoE

HR3MIxlafrhn0LtFdU6rPLd+iUn+GEP2jSAWkWDX22jGzP1wfGI+0qPHN/qA5872rVrTEK8C

n3He5gdBXyR+CUWKNJyr9viqUYecoNNp+VGBZmnlJ1eIHDYJL60IyZEgQqWatlrLxMSnBHay

F7CVWhi+5MWtMLy1XmFGP2u4r0jGiS6EeSXsjlhWsBoqvScnfcaN8MVnBiGtqVtKjhqXXbK+

+T5iBqHtTIDe5fAJm4TtKiMoDau4leNcFmdsxb3XFVeO/mXq8iXLn5bPJGMl8JL5fJnM5cEJ

dwYJ3vbfw6fc/rHow6NzYIibg9RhzUfuf1MvP+CEGvLurK7QT6KDvWPxKnfL4UHIMHzHJoir

vRw22PtxMc1G2DCP2ZY8NZ2xYqFHTPUJZDLZXClvm4txLIaIoPLDPNjtwFf3ojmol8DB90lk

VrQ5lTtG+rfQZug1AANo5wLBTiipw/RHK+IxrKS1ziZB0bl2pgXkuXQB5NGzAqOrOqq7LlvD

gubJel1NBDYBIAIVbFG84hX30PPLMOciN3uCi8dY4M5Le8ZqpeTOXrghBxAhMRFwVbe0ZKRi

8Fm6Vqh0+kBWeiMBA8TzGqQNdot9f3LP6X+4HcHrmC3pUzhZznBmjouvrdS5cIQegpVOpcvq

9P3/AIj+g4nvTfafS2B+4Fvbjc4w7ifqWVQMKvGVYtM/mAetuyZ2fI+6LIRQMovOX2Gd0C2Z

Rba7W6qNEcpKt2GAeLmnlqjVclLshPSFdi4a3Ej0bnv6b54gUlTWwadY2O8OkvK2raWa+wRM

slzBdJZuqx+JgZGqVtI3jX5hHDfVZ9yIy8ezqrTe0xaBi14x+oPQwc1we6W+6/xAaQy+CRC6

B9i/lMyhYQvbXJa9CHu7ehZN1bFfMHpxC8NRPIaGIOpPW9LUClZrEoHwBBCdB7vzKNYELDcR

1CT6SO/eBWGx5nZZxv6vXp9Z8S5cIQhP1L6X0eipejF9TxMwf+MFy1sZyFm+oitleIwNCPQP

aWsLt2yaDl6RwhkgtKBLeVlkjDDVWjs/3Gpn0u5bp5b7rC6MyRWS4ZaZv6tFqJv5OIDAKNQ5

EBj6zHEWgc12C6tKl8ouCP7sYoVxfH2PHMSgFg7Eu1DjvD2FEeNFTI6X4qSvUbncOdX8RstU

OKkDdjUBNGALND8TSNx9e9LUJpetd5cR+RJWzjA1dFpX0RwL2IO3ZE8oVez7T3Uoim8ekxq5

uR8sFrylNu16jUulJMcFE1XLS9HMX9E25H1SlDw5gKRuOWd8QdCJKXbfeUpTZSz5tr59PoPY

65mYpcGWzMzBjMzdD9PxPq3aNpgB74NW5WS9LxuXgjW22KJfeAecxB8kms5UoWPK4nm/tvyY

BuyrxBBssXcfUHBCJaFNLFq+sv3Q+ECjhX6qD0gpFMVVrwRZU04zb2qXbhgSiDNFbVXLYXn8

BeyCrpcHMcuKmwZAKogWIEfsMlnq7w16Fq5nzlg7zIIVdw5XzzBSsZbxAGnw97lthhDnVdGz

RcO8wIJhH1Fp3GGEzkWPtm/O5dyDNVGgXCJ5uY4+qVP0VEdtu/vc2Cb5/wAZ6M0c16kpgnas

37xcG63wPK+GMRAdi3s59mWRA1jbUgd/tNsqq77BgMEkJMioWvdckfPdDtXr2Ii0FS7fmaZD

bO0StCbgOBDoRn0icnuiUucnDcvv6X0nsdToYhCb/gzmfR7T6/2jd/egO7XyJxIB6dopVai1

pBU1/WAiYWb4nwj2RE49I6nxIJEYI9Ny6cg2xnNTAvNQiNCvO19glSUcFnQow0eJfY5g1qn7

i4bxOwNPrmLmoA2KCDeVvkesXzxG71qkAOZYvwl3cr9mHHQFlcJWqdZZOVPeXq5yosd4bt6l

67viom9Q0SmEfZyih6k5NQaYZiMCvTBalt4IbjCAter5hE5jVhlrczwzHAWv0RxFWMwpKaE/

JEXRu/t7ROqfkHiH0F0rNbCZzmFqbMNGs9j7wDIFFeHFAe0q1zwiOyX7ZAcXSSi5xiZ1cCVl

uDRUZPNqWEGHwb7/AN4GukG46S7YiCHdjEoI2e89T/21y6D6D46kJmEtg5Tk6HRuZiEPEXMu

vzitQBNstx4R26y9UtCX7Sux72vUByVgE3TEcZdX27xiVyvYHcHi+Y+5WBKa5sRlqSzyBs9W

COGq6NJFN2SHBRsZuGBo78aq+8ZZkLljuMMRbTL2i1/AURViybFzWbMszgps2iiC03mFejbQ

7jT8zGIG10YLB94qgBdS+IrhhLKrasjMrwiWADQcEotqIcNF4X3hOkMdgHBD6imOkn1zvGpj

iPNKa9owPv7B8MJBgvCrtCut58EdInanPrF5L2uL2RVzGxOde6ZMHkJi/PmJsLIGPep0tSBX

lgcLmoBwkVnAzG7PSRwRtI0sCviU1naqClVaS25zi4fbELhZha/gTiBUCH7lOH7z7zp9J7Eu

X5g9Bg+YMPWe8vddGd3VKfmOoHm1N/7l+otw9zpqsnaVR8ogEVZBnxNkSvFT8Mao6Og8nfMR

JHAov2uC1aIGMl8+ZX2KzdF+jLt9C0HRcVepgeAG6jtGCrGM3el0osTace0hZi8HvDJ0Qilk

GPLH7Uxd6HhG3LK1YUeKlMEBqgreTWalxzyCY+Y3IVJ2MbJeZaKU3IliHL3jmGPAd7Gpj5WI

8VHObc6h/LKM5dnWxfL+mV4uBqTnftLEThmWWPwMXe81i+87haTuAFJHsOGdjtL5SdIfeD32

Xdk5xC22SlS7Vyw8LXUTvBzHe1uNbg0EOQAz0ovvKIwNLFnoh7F+gf8Asw8FYW583IDmfLJ6

Guu3T6X2Oo9BlwmXEpgSo13gocq+6WIReeKj7JwaCWsuI9mIfmZhBCu935hzp3ZTsHJC+QH0

IAY3A4PVFsfVO2IYr+zEubvBRCsFRYKJeHuxyzgKqWHm+dwSZYvPVX0YBYorC14hebHvB4mI

YHrHaDBdP05UaPiW+ds+pPGEeYnHGp5JTu1mbfgLbneTLgMQUuqLHvZKBuKDQt14iLgbEZKs

aPM401wygLfuEOEwtcjXugeevglJsrHfcrPaV1CVYatyYe0tUPLEMWApw7d4nl5KBSgphWIR

toXBGvdb4jeztHjM0yELhg+FpNdzcR07ZcueyaMJOEEPcYkWFs2RijuZqaQgcbjZfsQdOU3a

Np84H0cdPofY6DNUnWCw/aYwIgG56qmCkeZ+Y3XJrJ3wIGtjEUmwSKFYviWjXfG5YgTdC/Bc

DSDgqW/EHOW1NUvLZWYZgeTQ5GsekcKxAKq9kLKVlCwBfhES5NrKfNs7vZNAi/Er3K8Hg1xH

dqM1CaHMq08HIK4wcpuaHd3pILj5Q2TQg2SyuImE4Aocx6feUmq8BFbs+0YXi1Sn3HEtjVAC

teWFSzStrHGtHpBnZwyw8kqhc5wAblG1bjgpTsGOyq7hfzM/mOezPEVnv+CEtYwvbM2aQhbK

te2qu5SKP7kbI2uG1JDAT5UacZieamGiucVScicKh7w3akuA/Woo9PfZz+0sI7FS2PeoruAK

ekz/AFKXF400URlhdip0Apo3cFwd8XMZ/KPtbXMSCsFxP6Xnu9eir6PB0qq5NHn/AKZe0MtP

wFtTFZdWXbKXHWE0bch7TisDA/qQeRFxvVqXukaX79feOH0H1j5lwbYAU0V3F7w3mcvwyxbF

sUDS0SkNPaaTgDQrglk7URRYTLG2CrNhK0yojmnB+sO6nqzOR5QCnsOfZBuPyk71hmVA4cAa

fiJbIoDce6Z+8KDeKN962fEVyRin4lYB57tCmqweZVl5FMGuFvZmY8KgHhZRIIO7tGDtsmmB

PgRTbVp7WwTgmKI7R8nzCzh7NfjD7xHGHYlatOHeBGdbxodoQyQHYXQ5V+IpQuIUetEaxAIy

aSmsYxkuwJJKhEN5UKRBb1dmJa5tRDvi1Wmei5WH1nzGBEqWa+oCJfJdZSCg8x3SYFLruKtq

WjSfsDPL74apv9blXNXGXVFvVzDSC5teY9ZgFghWhuzjatt8IBdDk3KVtNxSsPrDdbfKfZYn

o/OOn0fsS4ufkk9D/cf20niVhIo8A+ZdjWT0gTqyqhZ7OIQ1vUB8EAC8RSEuCYRq/eVqtHde

F94rTSxdssrRDl07WlKLG+3f5hk7AjlGQBAgnV4lfM7vGhu69oxTXfngLJlIFKyvUdwn1yTr

tdOJXiFClnuhlsyCm82RRliylbOOItqYjFva+010dFXTeKeY8HFRy7gFw4aqr915DvKYBpjJ

n5i3AORX5So+pglCsndOdwxDzzWUWMO+ZQHmxSvQZtWZR1gKceKQw3iMNofMxToFKscG+SFh

2tWv7hxE4ETB1QsFp2i9acm8QpKwRuULsTeXAHLPrO+PPBF7M4mL0BgveQvmKvuE6MYtmvan

Y12hRWTsk7XsJWi0Ktm40KcrtGPL1pcgA4oPr+EdW7GINUYu7mGzk3L4a5S/wW45L+6N+vT6

l2Ip7eTl6bTOwSoXqewSwBy5DdobNQW0cLr2uIULbrxcqn680q2RNwlq/KWjvcIzAdGFg/xF

/wC1pifhxX9y/wB1YHqwGHZZplrB8sH6gyE8NsGdFmCBm2aXnJUuxfV7MxdGBYBbZWu0T45g

PxjMBsoYLPLcUFPwPguCsoUtst6YVKtRMsHtczeLBrGO8aiM5voldiVsDbOJQdyLdVm13dyk

d2jfCgdPaZVTeNym8sEtbwRlThoG+0pqaLZauEq8dodw3FkYf0QSvOw3BQLQDb8R2STCcwQb

uYIuNu8mwJkqgFaHgY8S2nwCW5bb1iEhIJc0l37xhWpkOTZbgaktmoBMwwZNy13Vwx6Lmp8s

v4GIwleAPbqMwS1Qx6wgBjJ6eyDCMCW4NKTbGREvbQWJWnyROfamSi/CEoTOwpB4YPn+Ea+z

D7RhFyQGL9LOZqgV4JtPwr8UH7NsCZI9q4wbJnjIyvgpm09mHqvpZEZwaC47S1kQXR6naAkh

ryeZgpFpmhYPnvOEOBBh5YqGAoA7y1xsKeJze0ZjbcGRxmc/xv8Acqh7RPMdzKUDmJRjFxgi

bMgbohgB4QP9JSoHK974CJYYiuaH8s74yX5IkB0gt3ccCbyyKIoYfmJnlt/WgQgD7rYsgdAD

AZxrqorVsyiSjqNWsN05bW89ofq3YoXmkYSZFeWwIGo4WyszgUUOi1Vgt4CArOOLzDdBTG2n

Bb4jD1qONgv4Cc6QsiRSwpi5jtRBq7ha/mljmwsKzpEKhv05SJ53DtGp64IwQjllrNlzVw7E

M1+7fwlwBnCy7Nlbi591JNF4ss9OiXlBtj5WEZ5aqw9yWUiY4mq7JFP4n1ShkqP7UZ0x0SQp

ly5tcq4IwF9p8Sgk0e/c5IYgc2WMzgkzXK+Knto5PjpfAVgDLrEbfg7sW6ZciAWhrj3mgsBX

ancpazXZDIg3XZfMtBSnQ5RMA1eLix1FVf1FuUYww520yjSJq3niipguU4aeZXcWzYMx81GP

dTwAqI61LZAIvyQMGKXccsGVNTX1dprcxAaj1bjHf0JHKbDvFcHhKhbH2MJKYjWeGHlkWvWV

+xgXsd4GV6Ycm3wxGppuwVSUZYqQKDcuMmiYYuds9bSmjTMC5ZJxoAE4iUUaKz/dZmGTdObu

3GzS1C/ZKODblt92BdSxuhXdbxA2haNTAyVB96KSteszR7a19qBU0UBOt5ZT7fyy5Zjg8YZe

DcJryqMEY5egCvIbl851CPKwl80Pr2yz4RX3h9ngtjeabC6mZr3m/OJYvGOhTvjkSorYx4IL

w1XwnmzV1CUE6guasLqjBAZet81oqSvj4KvMZ1wwhYeMRwwXqQG4hmkmYxQ76MSkXe8ymqG7

0wr60jv0YIVXZiMxQBJpgsw+4xU1iRzB5m7R6PrM6iAUoDl6x/D9W6acMoim693xLQgTJ6Qy

KNFYB4+IlejlFpy2jx8wqV0zy6rNoP8AJd1Im2ujFkB6ZMSmz7TPNneu+BDYTNlCze3iHNHO

zXV2zi+82BC+5EHyyz2utg1YbHiaJi0loBLKCKFeVTgFxIxJX+RzFQ2a345c6fSYvmk5cI4J

ZmREY8sQ0RhnAclcsG0AxhRL7bb/AFBCws3V165iwMu9WL4jgNoaq0LFS8MRalYowcC3hzFv

vJ2FfCowsWWj3V3mGxwcJcjVJbZcHizhCq9GJmNenmGE3iPc9JZI34YPWbncZpXcYK9DbGle

EfOmo7VAm99zv7RttPDGZgMJGBAM5PEIj1hlZP4FAbpqAcDppRXHeVKKKwmMXEIl/VGyyVqL

eQE/4J8+hsAkcYPZFWcn4ILFFV7NzkCjlA1S+ZWzIvEcRXEzHbSBovbKYA+9KwzOHXhstmFr

0hFKKQU36mKTAYKxW5pkDNbz7wAcFWAy0tXAxCrGrtxiIzuSe4EM4uGz1CayZIuGJ3aLqs5U

TKRFnJuwMEpJW08T5lsNOBwx4VF5481baupqwwz4LC/MfLeRR+KgYwlnl+fMvNDi2NWDuhVW

2rZRFWXjB/ecJrqBFTrdo0TmSqZhvH5TIsKVSWHkbGcmgwa9YaUgF9/9ijwrxUKqoqrZ63U2

W6I5hboCveECXguZQeW3LLOypuheF5sP2MWTzz6ytuIZVM8ekvGvg1h8yn5fHLtxLmSbaQms

wM4X0bHCMeHS3aJbVvQftEne+eYwvTi5yz87pAGNWaAO80Ci7AGOZWf9I2UpV+YBW6lK67+c

X6nZ2CSiYiGoDy1F6gsNBavh6Sw7Raekx4ukrL8A6/wTiwBy3qvgmKNXy/5BVYaN8n2ibTpK

o0LM5sjZZGTIxXQhLzpOnuzBGR9iD8bklO1I60AUWjxLlq2Bwq4uK1WK3l6nrMjtZ3YsrcWD

ypWK+xgyhxCgSKcoh5nipmW7zxc8yko77jLlcjcPkjN948ir/wAUG7OeIymu0YT7wfqWxtaB

QnqTtj3dfpgJp2WSNhWLvKxorVZ6ekP6sHmrswoQWaIQtHtDhrPcgourQ6jDhWLyPowKLk7y

+gNS42L61m8pUTEacENiIXKA7UaRuhfkijkIC2bG3kaeJdHajb5JZo2MA1qC0B+jmNRZwFDP

MdG9cKYwsXdXmZHtrFF6suAYitaXhn1YnGiU3mAbqp8OHHWJU7wxHLMIJaqbJQbTmLuk6nYt

Bhu8NXItx4WVT2g5Spfii+p4dJn5eYDbBQWnoo4i7EcGzZggqMKbJk1cFykRo0KV3DhY4pYK

xQ/eWOD7n1E9FVKA7UtTougXORvk/olfCavQ83NcFxlNVbbC4b1tMIsMVOj1kyttdlp76zs0

0dLiU3iwKg+2bjC8UxujyTDcewR+uKSFtpUiwgdgB9pHhc7f7zEgV4iubLt/znY1GJoWU+UL

YBBvS8EW2h1jjxACqTv+cpb04OH6UJYYl3T8hx7FliLPQy13iswrquEfhNwFtHfgaLkb7TOo

R0/ifd5/vgfL6xGlJfewH7FuLqf/2gAIAQIDAT8h6VKlSpUqUSiUSiUSiV/4XLly+ly+YwpN

xo95mobJneROWYxykRRLyrj4dA0TB0XLly//AB46H/030bRCVAEDlRqcwhexn3xMjFRSWTFj

0hfaVZYCVBR/7cdNP/YzKlf+rqZ2GJbdFz1l6XhMpZqF2doaV3iRYJp/8HHTWVKml/8AM/hX

Qn/jasTSC7gJqFfSVikG4NPS8hTL+dynQQBKxUV/BadGbPrj/wAzfS/5V/IdVq2XuWRho6M2

SarlkuupfRbH+FnTajZqBeWEJ+/76ayqgx2+uP8AzN9KkUTJ/If/AB5o5VLZh0xLly+i5fS/

4Oi5tLOgrpf3fvprOJVR29vx/wCfPTV0unrUCVH/AMz/ACqJ0qVK/hniCc/QFTM/bo16M5e3

4/8AM6GBKS2O+lwn+Q/lp/AP41BGVK/hdBgcy+gZ+376mMdvabIRUpmf5HTXppGdzCVZQ2Xj

o6/gfy06H8lqKsS6nDDqS5mqBmYxblTOV937/jfwjt/AVHf8TfTTppEzBZU59BR5R/gfyf5s

cgyjvKmYZnUiuCV1tiKYeemkz3mZncdukXeNq+2Ohjv+enTWMu9J4RKhuM5fwP8AxVK/hirv

0Nug6kPKIcdGKjKuX/wOGcIOOX3FZnP8Toa6aR30fHpQjv8AgP8AwH8lkM4wxEkyg30qG2HC

11MYRZv+ZxNCYsI4EX/hGumkyYjayAsgs1f8RP8AwHTUN9BblLnoRymOpR8x1tKJXpRhYRYf

+BxNSIO+jQFE5/msS5pBpmjlgAziKfEzWyHgh6H/AAIJ/wCCtO7AEIlxS7SC4TZdSv45X/nE

cUlJWXb/ADOjiYIWkrEBDPUz5IZ/4QLh/fpKkeZCWncHTDNDk/g9VaLK3E5pbN6nvNTgmSF/

ECv/AJgmHlLo+uP76iYMQPyN/plI8j+4WDinxB4QEeTcwXs/EQIYYuW3jHSAqiEdR5mseYjC

pQr+CrkSypTjpuboU/8Anh5TNz7QX7/7loKKimUBXpxG5xMrVpDhIdDGlMv5itUxoVKIhjK4

QJbuOq9ojaL4P4pc8YmG4yxQszBl/wDzglYeZt8fuOcQKCFSWzI8xV7LL/5IhWOT3istfytQ

LLMozvUwlBVXHwZXqdfMdeJgUfz1twPU+IqD2svof/GHXEzxFr68xM3Mo4uJn1l1Tyoz8SgM

8yH5mcPQx9Zlrb+pl7JlqZrMThK2yGMc9RUYf+DK1gsE3zKDoZfX6/H/AMA6I1jiWweI8v1z

AxFAIVRYguIRJcvg+0uPQtV2hNdGyCkpx/AjuoywX+LliCumsNdSE+vx/wDHjqkGbfo5ie38

QkaQXBi54MqQ5faK/RguXMu9JZ2Qc+CZFnTDcCGZZH+FsxLBwh/ECUwHoUl9SE+vx/8AAOmq

UGJRW4dj+k/uUeft8y/b7xw2lBQV6/1NDd/EuOTYmKdvzBTHdnQLBBTDIPWEp1/B10Du/lND

CxfQh0qV0+nx/wDAOiwjzO/DzjTNy7t8S/Y+WfD68xmGXoBA0Ih9SZJaQ5dN5+aUgwDHpxIj

ojUgG8QXdNgfwwJYw/l9fj/4J00TeKGGIBHtRUg1OVAJWviVoPaUqW3ZKXKxOpcStI2j+hKq

IEMxzJiGY5gNOtQChC73+ZeEfJGOPiWt7xP/AJy56aHR3UwgLlqU9LmTjUqI7iKmWohB3SiR

xGRq9eTojHIuXebEabhANfyCWkoMwA1BQTnE0kaVahXECHuS35Ht/wC51O6BrNHS0SjpK9Uq

Zj2TgxRj1Q/cgWDUVJlin14mhb4/uLIV9e8Q0fXvP7+X5l427RwpgPFHjpTrXGmIdnR3SYAx

UzHHE93VROX61/7mZdPV0xJslEOi5o9kbCErvmG8oAcTSYMRaNwGZe47D4GI0oqaYmt1Gkor

0Y8yZzGPQ0MbYztlm4QxDoJUBl/T0/8AexhzV1kOZRqUZuG1COXmeuTEi9V94uFUxlabOjjp

qxf3m8iVC7/WOmd8EDJCFHSpPVAoZWwly6Du1McaiFOlxegnF9a/h4WVdYP8kuZ3USrnYY0h

nfSQCXHkgdkIzB8R8o3bGJ3QZVxUqDWoLzMEMw6Gr6CHbI3zxKRUU93iVoxUvpDP4fEqV0X9

fT+F2ho9E5jRndjLsSlcvDKy3c4Lg74gsCuLwhdpcFeg1l7Do55L7JT4hAQbbBDUqx7GLc0i

TTEtDGZKI20fEswGjMIQ+YVdzZMyDBD0j1Gpe/8AD+WBSLNmPMbS4ShyuJXMJ1ConEd1DZcw

9XZmaNyvtMkuNzPvNw6JtEC5ZN5cY7qIC7ahulYd6XU+8OgHMPcYZRl0CYnKntLOgWbYbKjx

0X+BL+np1qG43pBRUDF3BM2ZW0Sg1AvEyPM5REzE0TeZWLUibRkhmUuMShmYKl2GU8QnUGjc

YbJnZgjuEckYUc7iBxLcD2iDpKcR5uWLm5GEbjcJZsqD8xVDL643BmpfeVepiTaBAYuqlHqD

pnqCythmVwBTE2EfbmIddHNmWidknpYwbH1jxfiEwfBUxiwuOSGY5RCG4ljQhsYaBhy4o3Ns

1IGDbIvqEh3RKdJdBLuGoSs103ldMc/xb4ksSg56PSU/Xx0F+/8AuUEGUQ7Rh+769YFR2dAs

Nsal66AcCNWoaqwL7Y+Ogwr6ZbSDe4TFGBQjrDNAMdsjEV10AEdRXtIcAs7CzFuNktq0Zj2h

3SvmbmAlblWPpO+oMUM4guToa9DJEkpvqsK/+oYjhjkGLKlS1Mlmpk83PGbMCxwy/LFlZYjX

TAY+GzHTGolIck0h6So3LCGagWIaJ4ILcujMvb5lyGpQFQvuMbuGPtekFmugiIdkowwztQMB

M423E6QbvpaTPd819uiqM1z76PI8uqYmeS4OITWcfcsionAlO+/tHvLhQ5mc1LryuKW5VqDM

jS7xLmuZnz+JZ0+Jrr8T/nMdsc+s1IbZM9IkkqI+lk26BAK6ISrECZlRi3M+Evu4WjwaOmss

voGXcGMdqP8AD+IQM5i4Zq8VUCdwJpBmFl7zDcVAYgr33P8Akh8bg+w6ClslgpiEMbTu8yr3

hYImFTGLc9FWMIZBObLkoRFYgYYvM8JRKM7iDcs0lEY6TxN5tFLiTUXqN1iOiECzJYe0DMW0

IW7J5yIBBjhGzbBtUa6KinoTV+0H/wAwg3HWW5vf4TDq+3+z6q/2BPF8f7H/AIP9lf8Aj/Z9

U/2Cf6wrqorygfL7Tl32/qdy+vaef7P6gHP2f1HufZ/UDbv5H9RXn7P6nl+R/U83yP6h3Pkf

1FrF+vaJ7xGyKcTxQCL8Q+g/3AOPzEXH5mO35lnaY7TxT//aAAgBAwMBPyGUf+rAFpaWlpaW

lpaWlpaWlst6A4jmPWYGWduJDtxIBpKWPCzMpKOP/h7f/WMUY/fWKDNsT0h1DUiazAi7dMp/

8PeU/wDs5hTcsc9FbpmIE2JAv0l82/8Aj7EFMdoa/wDgv/xGXfQYoxtG7L1FieiI/wDjUqLp

LQEehOOjpJfTT/1v/wBxhmMucQq4OtSpUqV/LnQVagEej13Jvpp/60sA89an/rcr/wAa/mlf

RnjFUZWenGHRp/67ugy5cxDof+R1vpcuXLly+l/wICwMRWzKdZz04Q6af+q2/wAar6H/AJnR

6X/BelPU6BepSt2xzKzUKg6lz04zHTSMKmJcuH89unaWTg6ZSvKH/mf+AlRDb2jxodXD/wAm

AFW5U6bfl56cOukf/Q9O6VEdN9BRcpx/8yPRJUrqUiQHaXFRwvnqyhe8uOCUFwH96W9jpXtP

B+f7ng+8AI9NA4jvOP8A4j0M3msqL5nlBIyntCXj/wAiPVej0CzeSZEOdGceerGNtTlpSQy3

OFPygfznpRTvKcsi77wZ/wDASX7wZRYgTYupcS1P/I/iTccPSQNQBaw6Gbk11VE1kyrMlvL5

r+Y66chDKIc/+DZ03QuLNc9EQJzH/kfwTfXSQlOToxiUFQ+IQkSDKxl1zDM4QsuZ+vn+TToU

nkl3/IdGsW7y7S457RLNTkbmAcMzfEF3/wCR/DrDBG2JiJLXUCaZE1DcW/4XbDCBF6E+vz/J

pKSkpL/lOgSoI4EuOZSwrTKoi0dRguD/AAOtBcEvyw0xGurQQle0KLyiZnTNzEhjpvrX19f5

rZb0v/w0mUhbL0PMupuCL36hnk1Drl95cQpOg3A2gadCrlURVFznu7jXP8NXKIcSzM2iFgSu

ixlEen1+f/iaTURhIylJdgwwy7ZDMTidFxTmZOP7rFFPRUfqQ0y2TxD7v8QzH4ss1EGLNcMV

iOYY6cz6/P8A8TaZZx8zuTWDj67x089PdItiTU0zCodGY40Su8sfcKkaE1WK+lQDhjzBUr+d

WjUqFw65VBrmPWEcT6/P/wARKsYvEDJ9cQPB0hz0wtLJ3xHMVSciHcDLeJA4wx3MtsoSmEOO

rBCMP54gV0VoEwyxcXEInV9fn/4iGWbhyF2TQ+vErgAQaiujGnswyTBEAnQ+aXbDEUZZA4fx

v04v42WS7mF7Qjg/gX9fX/4i5hsuKj63smWT3iRV5iKqC0O+Fwe0GVtjE+AkGzG05JfTg+ri

VubleYMQAT+FMRAgcwzb+N6Ip3u/S3TXR6Pp89OH/wAG0Nwlb1MF/fZ7zlqYHNx3Cc8+kyvl

HcusUxMu4pMTCyUBiuZVzUCZqHU302Kv5Zpt/wAQ9LaM+vz04/8AwbR1KkFAYbgXV+0A4tjZ

5euZoCuC2ozFfdWoRXtCyNRW+9dTLlwYS4dsM5Q8LcozeIDR/g5gx6J0elfT1/8Ag8dNoy8X

A2SgivMK8pxiZj1jCuzH9ouZzF8ysuRdGe+YiymDAm1mgwS0JlpbiCLJusTiL8yzlijE1DSd

LqXHp9Pn/wCDx/EK0ncgCcDK3jUcmNWxp0MxmLhmfWMddDD0al5xB4Q9yQlDz0qZS25WrNx3

DUNpnOJpZapQtajzL7Tyj1nmPi5WcvaeMdvfpx/9lzXTboMXMEflGNeTMhUx2MMyrwhEWoxS

Iacz1JiiDyQ8sHmQW9cQOPE4kUd5chMsk4op2SllYzHkSt0wFmenaXkeJZnmAm6lTOE/t++n

H/2I2m3V3FuNdEly2cLdkbjBSYPmF1MGWN4hOsa+83LxCGkSXcOWpngIuYJDuQrNXEo6GiYx

nnUAK6WYi4vkvoLJ65wef3/8FyjN+iRWicqU1Exg+OIbumOpa5l+0/Fx6/wnjmdy12iN/ZGx

csteUOpaC8P7hKmOPWZdbE5IVHEY439d4snoGkv4lUpIdkvklIRiUlvy/fTj0S5lKdA/yGwc

JMszIov1iVNSmJLix6enJJylJk+89D8/5MBQ4zCDQtaeILBEeg6CjGegW6RlvYXMgimHiBkd

EproAiGTfAjLlxNS/v8A3049DczWJiC4sxZBeJ3YBOMdVzZOPHlTyxu5XTh0rICZiwBlUXe/

j+o8vaMamCD8QBniTmuyM79omoRu5glaQxHBMM4lZdyzceNM0FCDEHTIkqVLZTH+IMuwZIcQ

V0wwI0o4XLPXWD7TTHSVO5MCcc0Ipb1VkqzD7oQWgP1UsGu0GMVe0oKlDDUHwV0C+nqUZDUr

z0C2IeB1H4ekdGOZRh560dR7uJzBGicqKuGFbZR3H4miEx4x346G1lmyEUAl42z/AJoilOV7

RbcZKmo0wVNszUY56nImva+8JG5jwV+YVQoUD4mCG+Q/TBl1+0yRaNS1ZhM1GmmH0tBcgfXi

XeB8ziD6zRg+j/dRLeROVTwZhuPCwdpVPaE8h0XF0x6b6JWYDBLqXTlRMnLKHEAzkg3P2mk3

9pQ73o7TkNSzmMpNStd0lLiVW6yrPlH6iV0ZcIPebrNMzFXS5S4h3I5iZQvEFB2IjBZYB7Jg

XKqkRZa6oP0huQHvMgjOfW2jKJubGELyIZ6z9um0dwLnIhcwFISsR5obAL+ZequF8zDVoeCZ

PEKJoSAmGEpBG7pWcc47y+/ZjRI9BKC4KqijNE9RHuTDuBZ5SbcIFdCbFRqmBRENMQx59NDG

6C4NQ59Qelbx/cs7HZE5JkZRAbLgFZhg1Aqb/cezrvK+/rY2RrZLCDEuBNImuysQRd5tVBNS

KXuao+ETo34l3LIixTUcsrgDGoIYkCWIgeUMS76i0YtERV3Dke0SYhtHnpeM2vTrA6a+Akoa

neejaEGZn+YohhOiGdtjoLgZ6hm/XJmUMrqAXLy7y9YykBcxlPD1nnQllveaiPMEq40y5ek7

9UH6y0eI14j2GfQ/5KQccpdmONlIwFRWwpLwIIsjyIBuLSEsokbbixWLpiMKuKZTuA5aI+10

2mb6LoHSrOL0BCWEimMYPSLo3niWDuEzBUTxY8D28wig+powe7G9x6QOGPbF8Ey6l+UdYdxh

1KS4GUeaPxHcjX0c8yjo2i9IOmOILMAy7l26TmdzpWSXLlde0NsJSbIaJoX01KRKu8tRydDE

IYdk4N+eIl2fv8v6lHD9fgPhlKpj22FwmkKle0CjoIP+p9Nz67/yfTf+T67/AM6F/wDqW/7j

n+8B4j2E8CBcJ408JPCngJ4CGaJ2aXJrxDa4uViI9EWnJQMq4tLQctdz/9oADAMBAwIRAxEA

ABASFjpB+N1+6HNo2erFNtxJSPZ1eDt4MbrXU3bIFR3AUTvj+6dTpYO0dkbwgGEboh8nXPVX

mby9Qn3Pq5Ctgfs2OkVR+eBaRiDlOpi+s7srX7TYYbBNA3gELROFGioD/wClPinmxUtY8RXk

a4FcDBAooJ/NRSbHb6PiiaKCnSp/ZSdizwAMSEeRsX13aKkaKsiqD0BR8xrJgC6Fq5z3uS/0

3Nn2ONvj6KIsW/YUra4xFYIqBgXuNvOrq2JehcevErW27kesBDtDmswyAtnz3izVNgikEV7X

m+UodUCzmzfZS+SD/B4CVH3NSxmn3STclHdA9ZqKN2wGzrbpktIxKkcBtngwJqvMEEPT1OAQ

iQVDu5x+H5JwczIIYlQGyAh7vWHowzyJpSac0nFBnMQZjzWM5xCBYx2MOl6Kj1v8H4byAED4

Po/ubUqGZudtTIkFd83N4Z5JOqfMc+/lOSHxAFvMheDhAIRDaR1I8X0QdINwt3vtOHkqwgA/

n/eJT11weZr9IKlnnHv3hNGJc7StaOugf95f+2mkPZ6ZNqe3v/qAbHxWZbO47dTy85jhD2Kj

I9qhWjBEGzwR2gWGKCwUyQAIQBErsirFxB/8zACYt1JqGhTcjewGuYxFf+nWqDb2n2HnQay8

C2vrh6UOFYd2lhoNKEhNqUXHTh22NqnM6p9OaoA3nR5RcHGtzYxjBHH/AHLWQl2Gu749L/i1

a0XSiSOhJ4QyD4FfXw9YnttEOR1szRdqvQsiwcDxWL432X+gz5vRRcMy1aFglJx8iIdUBzBu

0EYcaKych17G1xbRv3kVSrlOCwc8VJVptprP4+k4+MsZDsjXvnzF0IAic2NGttvzXBgNyoyn

7CKyJGgGFxuBH4vUMVwpuvYolYn79Ks2cMef19LWAD9Neh0vKkJi9MeYXnpSqSI0lhoNrRaY

ptcNX9DnT+V+YV6QaMHN5yYzyXQ5Lrxz+h5hZCDjwsJFZBnufiJBR77QuWG5L2QWUwPFf1mn

e8K8Alh9frccAvKXfa0FQwO8177lChadiR0X9BLGZQDAOcUFco977ElpSmnxCjyAr80DTABu

p+OlZI9JEz1EJohxeGVXehqwDsfP/9oACAEBAwE/EJzH2uVpsjrS7gP4m1/lZF01Js2TQBTy

zUPds0j7Pe5D5yuYS/dP1SJvAzc1my8x24b/ACqytvkZlcGR5U/mA8o7rcqFiG0tvxmEMiV3

X8yndeC0/MoXl4yScPbzfuFaaO5fzMM04FL+ZZVJ9J8JAUp+4r7o/uKyi9OP05lbZbCh4NX3

D1i5ctKJb5w+Gag1/lK7Y7PMZblQNk3bGjaiCbW/8bLEDd6qGdSGq7Cp4yXviHpBUBFzFBtD

ad4e5XGVjoDRt832EppykkCrXLbqPRYPnu6dmBivZqECYYp5KwZZalsdeCpePgNELJS6iVYN

4bvpqrBaJRkjDxwGiAld4wqcRC2mGQ8xbz2rELgVoMYzukRSuxKEUuLXKyKpt4tlQ06UpFaI

1UHsFA+4RQnbVB+0TyK1tF+binT4ao/NxmVqc2H4SBqyeqv5my78Ze/rNqvCf9leldtxdi0a

IzVZ75i7c0G0x+Y2ubZ1O/0u66cwGVfaLXdrmB192a+U3LJnDzBb9O8tR27Qu9svzBVuo5gs

VXG01PGG+IOV+rL+Y37x4T2jXubi/QlrW8R8mb7xIp+SBDdSpLoGr/UGGGl7YRIx6tA+v+zI

FYxpYtceCpZ6i2JChVeFuMxUujAiSAHKaVvcoeFixUSdMUxewhwOioiAcy0FmVqR68dwZSBa

ECy7zhJRe28kV9oFA8NFzKYiwJ+grlKXBxC0YiyrMZcslLa3dTBccuatbRWAO7QIAZEC46h5

UJkuFrOy7UcKc7syuIaezCvaHE9jGcwnYx6kdtunxAQvHImMYvBU3DA8QhbG+faJ0e0ODEQ0

3iG+LlaPPeE3e/xE87iaU9ZekV8YjMltzZAvsxXeOcM9XF9IYQ8kJoPawudz5097KA9yE0m0

GyWQ2W5YCY7QHtPR6Qtopp1BurnI5PERzifMzAV055glCoKpSu+qlKvb4o/eBUbeTMBeE8OI

mbHEJgj241EyPoYz3l2it944fmPF9ZSWtbGJ2VvZv5IBcw28KGVuEMckFBCnYOrYjjSXihaI

2rllV/7WTrFUGxjPANWyKQ9aFZXbvcUgcIATYFs3abBuD44Go2VmJaqXBZoXq4CAioGA5VAL

a0E0IFArQEvMogc7rigy3oaOJcFheUIxwpvHMpB3es2x0TdebhS442qRkdmCtX4jbMWNmoPD

LO7mNLxzGDBnNxdtk24vzG7buW4pOZZjQTNkZmtL7d4YGvaU8ldNiq7CoDCjWWvlT8MNj5CL

z/cS/VZLeds1ChmGeYF9eYGisVLd7gf4lPq95T783EbM+0bljMLcu8E+Y8TMTd7dTUQfWZQM

uSZwInBVMsMPYaX8RBr7R71n8wVHfj/JYS/tL15Kj4QZMZNhMCIGCxrBpizfWY19iFtpbM7C

cODmDvpotVwUzduD0hgaSKjYuTZNk5nQEGxhwc92ETD4BziGA98yq1IEAFYVo9IIqa114XN3

FrTiZPUjThajA8Lgsp+ZhzsomcR9GeIECKFdOk+CC4+YvL8RPiVP4ivHvLxZAmwTLRSzeG6C

1jKuxoUt8VcBl2ygVZsyi51/QhyN2lqBQrIugtpe4BLauoWLWnZQHvKynROw4G6vWUU+317C

sJvMWSk2piiw2N/uf6EpX6XnpU90h0iwWwOB+JklAS2xBMU9IpjVkDSq3HSWqw8P7EeoJzjE

IaHtDt3glYamM1H58QpZahii7gSLYj3UbPzL6gy1VBl3iAMqkD/P90pgHkE+0p6HExFalMmr

iuBa3zMeUfOZU+sIH4ahFKEc2ivklgbIGd+pKLnfMPRgs+Y3u+HUVcBGF4WCpQ8YVGGHeRce

B02eajLAuyysD73UUpRFNIHe3Ux5Z4t1CqrQD3hN8VRJahTa0WViWFXCAcDTUG07AJfi7ik5

w5PoRrElRg7gNQtl9K6U7hFGrAKbV4NQwodDKs0KPEKWaAyydIVg3MfNNwjJgUjBrIUorWrz

ywgXAqeVvQGOxEoDVEiqaCpTgDgqqndAqz3m2YZpTjULyXXBHW4nHw5mq+fMEU2wuvJR/sxC

q1PymzWbwxZSyLsEAM5fZKdRgVKxVDcwCPIPicfZ0WohWlyAHoagUtzRYwpiUNOMRR6vAJJZ

VxxKgyjZ+luHFRYMRd8BDHtB94ec+I+lebn2lwuy+IFDOF/Eoc4pIVpiC4YB4KuxEtoAqwZG

rjMXSpJBikrvFYxWXRbvH3pIQUMqi9QHuEwAjYLPU3Lpu/eK2V21iarOS/mAy689AVO00vqu

VfOIt3zMqLFASzJhiSFcmMickrxQBQbTnNRu0CiBXIhbCrgI38wgaKGiH1roRcMGct3MBvVl

hvO09IpEiA7PUvbcqLCIoKigwOeYt8/Qq0A+2+YGtGB1ja78+IiULPAWVY3bcvh0LFr5VWo0

JCDaYQ7/AJjtN0UiryJkUFjTV4IjWwM9Vt+ZpCrMeBcxgWrYvlWPBnsG+voKcQlAdtbLYVkZ

aE9WWLKyntLGHMoqabro02RankC1L29rtwwxb68JXg07pUal9GuedjPWs9LxfB1Y5usnPtHU

NAysbuAlaDdznTmILpfzKdbuv+nDNN34hb35g62RNrzBzm4NZ/MvXmL5xFzv4gjHEW/8JyLz

PvjVaIQ0ocBqoRrWmXmFsB3R3tU4qVaXBzBJgFVL7lrxMFtjH+zUqLXdNUaAy9mP+nRYVFMc

9ouNCEW080P2jWO6RyC9pZay+sCr5vvECv8A7RHnG5lagOMx/EH/ALKlcpekviOdLKoDHn5j

WBrzyLv8RA1g57oMKA0D1XLCEKmhLoX8MMDBWMVgQwKCeyLfdjc5jQLV2tHeDxL9itspGL7Z

WFDS3b4ldRzcvHYP3DYubWit42lvqir2iyXlverKCrSafo7x4C9SjQYvsdoBszGY44/qIdfc

BeVOjeWYjBrUqO15PaDZm2m8ACtNhBmcEkovuQihdBPVW6Kc3gABUXZyYbVbwUlrAbbLYe7Y

Vq2yHKnIl1Cmh9BzAB+YDw3zD5cMWv1BzdcSzEvMXnoMvWJTdXfiImaq++U0JaGqbQDNsWXA

JcWnwLdtwGIuQMhVGWZKKNKDIVoxCFeQao948hEUqi1ysPWIWB2UAgF5Jyc+XrME3YxNCbzB

ftLxcuM4gONwXd+0fxGnDBvXxApexlArA6vuy2sgK5SZaCGbXBj3hRAOt5G3KwDMFu8EIWLA

YNNQBHRLtygINLJQhk+blfdwb2EMvpETF0wc8XfaKD4gcYj4gUYrYbmH2gcCvvkH0fn0hEDd

XBlzG3R5mcGi9MM7SACl4DUu+5dsHV0qnMHI9EPY8Mp5ZW2FRybF1gzl/uUgeBILpuWaS2gA

KmhwHDw5+3RiLdBBvIAcjdwQXWioVyLtddotgAiVpiAotRzErcivgPmcP+jDcg+ssz6W5yCt

AgC12mvd+9TELOTp5K+JpRhub0rSSwQ4m9BExkHx0f8AsdOjtC+5ceF5q+0zDf8AfgYmIUYE

yZ8Fw9J83W+CtF5uWJXsEeNsUI3j6lzoDKv3Y9l+eHVF2FUQGdsiLK0D2l3vglVIKsOUT0gI

TqrQ5EZemwH9HxAx3rcGrzLsLweZqu254uGM95+iO8P+wbYwrwiz2hovGZ6WyxdJrnlg1B6n

3bDNJR1NtZ/UzlAS/I1+2JRCi271Uso6NGOWdsDJSvKpAiDEH0XeM34YZ/JM063iOVQCgkO3

2X2gK227QhoaXpjW3V+3HOugPpiMbyFHG+XPmVPzxRW1KBajuo0TLfgKL58S2HhfVERPvCym

nblExXeD6bLtOVCXZibu5YGgrit0X5Wcf3n3OXa8dMeK63N7iHnt9pUtpLXl3KpmvdQVLeT+

B+4mwWw5uvCZPobpljRPof0xBRgau8+0xbFtPqH6jLNx5xmWPiC/RJQHcvugJsIfW78w24rU

Na0KLOK8PEYiEAoKTcIDfLecEQz3GVWVVmj9Ti4kxbKKMC6riAPbpSBVyrzWu8uyriZ4PBFX

fGUgL8or4YOKy98zlVksPEy9YnH4gO2Z9uNx76OJYsXUbW1sehE8psPp6ykmq91Mg+0dLzQl

X7fzEGx6kBvOfSMfNTaya48zDKtPejBGE1mXSRT3jn55hNmZBNd4DxEX5iso/Jjqy910H1gQ

sbYGkWwXkFiUfZPtouGxBRCAawr2IOS6AHymBeyvdD9SwKl1rZfzHE02wrG4QglquB4EEBRc

W/F5itaa2VeMbik7haynL2j4KR2LCqr7dKUfTdOYmmi1SgmDTRe0SxQBuofYfvBgYtAYrNOa

3KOaVn1D9x8nge8NQmNZTLLNtZubiFZaoUEd5iWWve6jUK/aD9Tn8zHErG98TKzZ5p/E9BX5

kWDqZJUiwMlRES3Y/jwCZeiaPjBVPwlLJvlA2NrSRByR46YgCUaKKhhwzDvwgDpVZomMoApS

Kx9R1CQAcM4olzNlnvAsiKw116gq0xAxn1qevPEKxW+bh+bXpHvRcO3PaVvsxOLo5jhuVMvZ

KrrVKfZLwNLaO4Vf3l4DaujKp+1RQFhVFrLUBuuYmmgwfBKWUCRurtYMJ0OwztcjRhKuEKYP

YV6yoiMiDKSjYwHhcXVLdH1SFSzZhLD+DwaXtKq3MMwY1W/Z2fvMe1U9rlrHjHbKWrNOL9kw

TMAWtq8Qp3IWDL8qUDM3pMfBKzYIPOZQW6DXuqwfhDj0s0fywtuCoqpkvuvd/k9ZrHu6rV1x

0I+pOjOT4lcnerhgr0RSf8F/cPJF9O6g/klK2rfYeQ3UvLq68LA+WeBvRE+hOQOYNBySvNP1

LHn1lGHiUU20Qq9+0pXdz+0PL/2RWRMtjIDdy8LzJb9gh8R0zk6CYVlzV7i57sSL0TBaj7PM

Y9GzKvkKXBi1JZwqEa5FMZxG+zUK0mb9ILV+qLyHaFA4DiPVqQJpGVaMwrv7soO31gI3fiEk

fjwwWUU7sSsnG5wX7kxjPvMNccRKC3TxqM+u0EVtv9v+oqNQoGtb8SiLkgK7zfoVKIDre9j+

0dE4kGKz2C4h+PSzO0EaOPSEFR5lZBcviXoVe2B2IKW2VACSY5MlgzlFvBCqJWxHC8HmpYPI

zERXVJfkxCUKkSzx4wiWYjLG1491habX6h6Q0SJFGYDMCATvQZCwNXOXjSyURgOwDnMwDVS0

F6ItHN5lGb2AcjdyWYRqCqX55+Zby3rpVQZtcZhRd0veAXs8EoRtf2P3ASizTuwXR249MyES

wQs5l6mHSpRrm2j2MM4VLhS0bWl1ue8j7f6hnHPabjr2h4grh/oJ2l1+ZGpMA362jTVVmrmf

NX/KhJjxqCRp3gSxlUP3S8AbFcKSr5ijtlakKgCr6ycjsbYpm/wAvRWF+5dQQwuWDYcUXzLM

Zi7K9pRrGeIHhum/hmArv2lYwFzDswRRprtMesGwvYezUrVj+1Obxp+vWUAzeQpyfTEGyAqA

wF91rBD6HUE1kW+bajhz5YS5VCAxiCZt4gieCaPSbCLkDwf7hK2DLnsES08lOZeAagFhtbUc

MA33A0ii4SONXmAX0tRWUGnpHb1md9FguGUagbGCqz0Tz2lp1ZvXA7m3NJ4gEDATwGAIQ0+J

UIiOpfQcuMrmYsIZRYfFLWPSEEOB1KkK+PlDn9Ew2PDodeSfmSdmvjpg/wBNT3XL+YinjOoK

1CvblvvDpIsq4z35qDZPVBuUqaq0uqpYJxDp0IoBKAiS8aQewQyOBs5lmJjGJ+Y3a1ielr+8

oxCfuSh7uEOBdChmmu0a6Gc+6swAZ4hBiJpSC9mTb4ia5YW+cthuHNimCnlnkJFmHta7IaFr

0z3Gy1qmu8UHAcpNgQrAGy+Jl3xPwCojHATnFR47W2ZsgV0NeEEIlEMjfaoDZBtcEDsbISq0

An5RYKXAfslJfknZz2lczbzBf8lwC64eSWWMiPlg4L9O/wB4Yqsksv1NobcTClrs8G3V549J

Rl6OQTLA3aWEK7rA208Hhv8AMQe06o7B9ZmybIa72l2oY0LiGCoHdtxmYbaOwRwQNUUYCDQJ

lLcwD0CgGFmjoy4Fq/FzO7Aqu1ZqgN894ZTGfeo8F4WDPaAMTDfCHqWVsGEuA7DmVGU62+N2

/mJRtd+/Eb2M9Dx5OYjqik36WysXTWC/TU2iGoBSXCqpxNgCu5t0J2gEBoNxEcRUJDqfI9WZ

x7C8xAyRKBlsBpGpQ8YgCSilHEavbMiXmBZWj8yKbDUJajlKMhUuZn3CRy3kBtpySyhfOO5S

psCwvAuVNN3dAAYBqsEts8QWly7VsTXEzwPe7jRQXDVuM3BTBUSD02S3YIvjosUW1AjVNsal

KSQa4VQIGg1nvB/buaSVbUepKbumrLm54KODgIlnGQCW1vMliHcFtKtW2AbkBfUKTGUinbKO

2aj7Si9nvKBmndQyyqoQ+HZ3xM1GsHruMJoqZVRy/eBagtIFcoNer/YwVtUG5ii8W2Qj9UAD

YXA1x4jHJZgFAtAD1ZDmG2AYRYFYF2kIZFft9oXpjhe4Tklmj4QShsGeNWSvN6ZTSk42sAK8

hGL9cVWUczeBKxC8pi7a4EFhapl41FjOzFMAUDPhOjhK8yodlSVXA4rUNACwgr/TMdQrBCDs

qB7OMnlqD4l2H7TJomect3LbLXeGeV/vp9P7Tq1g+4ixkHtiVdxKNslgjmAX64yAyBfbBCWC

ePHGgHpEGD13mu9C4Ou/DKGY5Cql5z8xFYZxMc/FNfuhtMVjx5TXcChdKx5dHlmWwxhQh7KH

3h9ybJeVOvR60RsqhBVIkzWqEtKHS3FL9jdQ/Ul0loXTTkXWN8RxTHrhYyoUCMLm4HHWXK0P

hpLlJEA5uWiFicjmXWi2INgtrdvYYYQTh3Am05ovNpG2wBECOBd3c15N7eRMf5zXWVQWU1a3

bRIC0XsHyYXjGYjbXg4zmV7JPpsX9yx4LcxGfNQcWUVfhpEHjTBZIy33DzAaGW3xMeBl1S0h

olL56tmsgtW53G0FFh44GqKruysqHAhhYc32lRQG50xc2BpbjtG3Ep1gi8AB94Cr+LgU2g4j

ksKMlazxAlwV5MB0rwm3zM5koeqqSAYGhgohIqSmEb7uxpikOvMsGNaadqrDQcztYRaKY3xv

srKxLYWgnM16CwXgVIFLUZOKgXBNuuRy5eI/zQqJhaqDt5imYz08sehHKnNs8kw6Dr6vE84N

aqWLe8WM5xEyvUXc1A5yRYrkmXtnMPu1KSucwWLiXhzEBHB/JUb339qGBiTqivtrS42QsHvy

IovoANIVZaQPeWiiBIpT2DTD8yo0ABYOM5Ba5e0LYpQBdAsWdq1MmigGLPMQMVw1vE+4CznC

MAGkYWRwUWGRJxYBV3u6CIq2C01kXcOhRZcgDTYC9oHuIxv7uMXkSyZReJF07hFUviZR3iLH

NTC2EPNyxRjeOAggNHwtGiJSaRm6B0bGdFR1A+vKw1oqs+3DAyZUQLQN372bllpaZkhc0lJZ

TxK3XBZwq1v7SzEaSaaKBx3lfcLJYt1gSte9xyhMwSdgBtRaTGoy8ixRaKuEwkT7CApUpRqJ

bC9ouVrmWzwOvMaF0hnPk4iOOHt/sC69WkRQmkdQLW4zAL4Kt0l8dpoTa2Ee5fr7zDTAa4za

w+feCBd4UYkpYCCDiYGq0EQtzpxUcOsKK7dlXWoq8VKAYzlmU14FEZzv3l+NBhOO71ZRdcbu

vWYx8Hq6QNv1kgckQXW5U49W5QqjPJKPFEBZhzCsYaYRzWYCplWIV4lB4cx0KZT2n8ozx7T1

wLkkayldluYw4zuiWwody4awGUHwNmwSIkFxDmVpRcvkNXL9ByXILQsuqmVM1xF6rbeGlhMK

hjuA+PvpnreYVF7G1NuI5VgzktZU2TyKh0RgGChYbgdirVBWED7wePODu+YQWjJGpfocmQTe

ZQ0ZYevYsLfduVWDcQSqa6e8MAgtU/GRexLi8RpmOLE6KNUBehvBCPLiAa7oGqy4VzuV7AC1

pyNrcOCdpViUmW0LS0yFmhEAXwlCdnsc4hxghg/GI5iFrOACOSpHEAB8i3uS4Kt0epcZ5exC

c+QgJZ7tXXnNyhS7OIIz39YqFc8ZgKR7FwaF7xMgYrUDIEXUIeFsyheYPu5wMAa1Brb6sGO1

DqAoE7c75g8JuMfeEaXxxLPnibB9SlhdsAr5KV7DBZW8XAoUFm4ts70/M3q4K6Cvj/HPYwyn

08kwVAW+sV44gd8kAx28TxekPHUNce8zO3eBlcPZDk+Vwtjx/bjdy9XepmCyDbMYQ8Yogg0c

CkIoYDF5gxbKPOpsVATjrUVLum8d1xbQZwLk2nJk8x1lTBsAZOCgoRRKRcegFVeUhdKh2DZ5

3BMESdGRIRoIpa8MbPooLCULW9ylKqTlZDdAjniY0GxbW0N2AkRSrfrdqwpEXkHcJT2VsQDi

qq8qVzBLCE2CQphjN2R8jpJBUWrkLlz5iNs225wFMg6oyxmV6G1pRVLWFQGtDyiBUgRkcNRs

sRoQeFwFXeCbcKt7vzCg5s4D/I5qpM3asdir9ZUfAigdprQBFJYLCgIdWCO6wU5umveXTh4v

1zFKY9YNi15IW0phTNwCmMuJSqUu1oMvNc3Lcyi1MRTdHfvCfKsdHGXDhUxkcqVRVLL97QYe

BrvDEMUmzgHR6QhH7eDOSAhUNX6R7Q4Nu+cTZt8i+nsu4+0tK5uIN96zATLzrmDlr1fMatQO

e3MuLgBxBhWAoHnmVOdQd27mTowpdST6dPzjmJhz+6VJtto8S6WgjkIjyN4S04SiGdLQi4zG

veQhnQ4qq2uUxjCFvLBdhwp2IalmTSgUzH/QaCi0UJcGOWABGhswh8CWdRN8cC7yabcI7hE1

KsIAozI5DwJNM3Qwb+Ra+8fhWFWUFdnxDdEYNhmkcJ+JmedEO+WoFX8RFF7ugT3goVxXeDlF

otBx8yxdcpKRXe4VOEHIEPgSBXtBKHDdkQNHcobOYeWfiEGzgixhpy8lmBHbrd9pj2hV5aNw

eV/cuzQ3dNwyF01yq2hz3D4Je9yqhvD434gxpfK3qNBjPM5PtRDs9GCTYdoaBAxQVK2tie0K

yG98BOKOcAS8ALNAItcNqeY1oABhRfEdaqAQaCqzCV5rnoNGO0cFnmkq/aKoHS7LhYd4al9b

4lf1dHXz/tKbb7zCfiaY71KtHeYUGYVaFQZXAd5pVXpwj6MHvEK0wyHmbs/3Np4bM1ECxVr+

UKDFjr3zP4sSWUXCncIiLLpXdBDFagSDuhyuM21HmavBs1CPaPKzF31rxASLtcpjvBgTNV3A

bOAS18dOQspR2JFqzaqrRQ4JUupI1fIBsz88koqnBDUrNbFwPNQLOI53EGKR6MQv3PzO4ekI

ILBuAu5lQwedCy2Yn4VomwU3z6S8zKgDO6y5RgcMQI4cwcNxXAPkik8Oq8h8kBMOlEdWy0Wa

N4mQ4aiGdpYAGo8jycBBS0jynHiI/qEe5APgLk7SpdMw0H9y1AACtLGA9SWYwXeLzte7VuJt

orePitqBtM8W7BGkKzKNAdpktR3ZWeeWYAT1ZQofMFGbcTE+7BmK0swb2wMJhV7VtpV3auYK

c4YBoA4CAR5Fohm80pXaH3uK1aItxil8mYXNHKY2eEVKCJFUVRjwxa6hzmGjrcfA8HlnyUnH

G+/TY9/glF3dV2xMTee0fdTtK7Godb9IXe4wqHRh5+sLFwbcM9598XyehMlnNYe6EPdUj8of

ZoEvm0oxVLebN+Ioh0VYQpth0ci8oQDcJRBHVSZ5oi5qAuCIBQXj0OhQD70ZgFrkq2/S6u/Z

6WYlIDyUd4OepRUXklzYHdMXgiqKQJQyBALbwYlZ2mvRtYKHn1nZ+iCRw2tqry3FH366RJaF

ZhwA5lWIwqocOsDXrB6N60hZdAdbYIlTsZhBVoABXEPANX7WzFHheGqIVUrrsSeKSgOmViUI

oQSFjYWur5h6kJp3CKKrCL4DGBF8ELlaAVhrYgYGlLyFSwGjBs/ExLzw5Mph1SI3RZfvAqlr

5Cg5A/MlrmhVGrN3BYOa7TDMm9RneEDiDRnDBz4NxOSdjktS42Xk4SV7a9Eu7w2J+ImxRqvw

1+plldXB6CQaEQZPP3VDjZBVX5NRQW5U3g8mZThhSpp3EH4hTVtI+SZbl9PuGLy5X6OjrPX9

M7aL7QD694tXjtH3zFoCYZ5eYZp9hKZhVH5lALIN8Rnt3JtcYmYGDJ7R7PMfOYoCbGpuV+ug

bryRGV63bsv2MaSIkgMW0QWwqxyVAb5KoFQoSpwL4TgyC7er5YGlBRd4lBbfuFm5ocGcdg9L

noFqtBNJimxxSBKQFFlDgC+0ThoheEJwCuynYiBDswlIXBzQobErIhqPY9iQtebl/pyAMlmi

1r5iABRYQpVIUuI4U6jCj5UTVVUwVoDDdgOcRVpQD2lw5JDYAcIx3p7QVDbEsUAWgWB28RuW

nq8DQsF0405jklntAW+Wh3cQHSnH3BAxHNljuNScWymXvUv/ALXuB2xBPYI6/u+aZgSMX1S6

RFjVCfa3EDwDwGIVspcrEb92TiFfHlewyfMs2katW6G7VxcQCjjv/cKIUMqWP9faNksR12O0

aN3ft8Rl8xylhO/xRN3iKgVxOzBBG2XDjzFqvnXD6QsuDSyhkUWu69EpUa/MJw/1T89PWyRb

vmC1WIaaDmeWPNxkbLrBL8MTvCFjWtRbaMVUS/xBVhj8SwtsvdhzX2WNdjZ98VYqvG+mB7Z3

5WkPVikPZISwZUFWoMKjdJWzUKS8w3maoEKyZdYzAharqC7qwGtw5i7gQWAjgZDBaiDUa+UA

UgNgFrmHxB7BZpBeF8Sh3Wf0I8mNDxdXDnYMkEC3RHftKypZ16g4ycNkSu3HYjrtTN15GV0f

fMzriMCq15jwiB6hEYXUIkRTYlGxpAwhPVK4VpSLQpuO4LBmWkNLVhHkGk94GOwwyHMsHCrW

EqJEqhOuSsSkMEGfKQI0Bi4NF8VUc0GC43MTY02u1VUcDVIYkEKoGRbCXFqhfKCgo7W1XMYP

lSXLlO35jdIOwbDz+phGkAiulsJiT1IrItOYX0gK/cJ8gq3mwAuq+SpYQoXtbSBr/RAVyRWI

q9bKKN6VMBZLu5XQlXfmpV0B2IktAaI4zBvvWWVhLAxHdSoBABXafDBhBdRatbKiBgdKwVjJ

Y/BEkAgzTChpiQuHNXfmGBRcjorbL5e5fq6yat7d6gUYm9X7TLXaOyHfctTmJFX0r1g8mvSW

Y4vRLHm56fM4d63c+RuAt2FX5H7m7eeD1xNuF4O9IhDD3ohCtqBR4KB94qim1C08lGCsUHaM

3nBBQSKLa7q79ZZoc6hDw5tOLm7qJqecXNwLKGVFcVF5CsKMJx1QYMS1wI5vYw2XszvDX+5n

JhG3eUjaT4ZquG3oTCsfBiPeQB8XXECbJs69QwDieEa+eOraEiWMilMxUv6+gOE7xFvcKjVJ

toYeFiVmJIu8hMNXQ9zcDjUIw0Wy4MVFkpVGmrCmGGyuZVQPjSO8DFriorRlRAFYlWp/cro8

wZhFkAbDtWWS8RDULkrSb5iDac+6Gr4Xi4rIjyC5AJj3isVcL7s5wxBRzKLFt772eI9gCXqz

ijZRwxMB0Exbwep4fEzvTa1irTull8FeGOsChCXxA9XDLcgtZDsEnKkDgAiaCuESbn8pCehV

ktQZyDFOSWLyEmBxZWXKEsX53CI1O2k1f4UKLgc0JiodWFD1l4oxtKgcihkxuLz2LoRMgo+k

+nV21eS9eOmP12Jauwx3l4TvFx9tTw5hbPacq/5LmrxNQQBz2Y28MtwZIXrOTMStcdiPtIeO

BFkeINRgHqRVrnhUcqJoAXAGG8by+4lFXsahsQG6ycwLrEfCi4K4S1Sltd+/EFtnGQwQQIYW

y4dRpqAAVwKsbKFq5RCVrkdEIrbTLzXMcpe14cPSIIhgGE2cFCOx7Qgs9oVS4OgIf0xMipC8

rWTHLg3DSDjHQUIc0sO3CTZ2d2BcEyGc1UQzkgKMUWqAsFol6Z2wVDwQVVZmCOHAM6G+T2S4

pyKqGWa2n1iFk6yxakyq6mnL3UZGKc2+CUEniQgE4OyTOEOPK0LIpTY7GRBkUVWUhQqhltgv

6xTKdBZaxrAJWt8DWtIvjzHdFuOXveW93frGlA2A3W55xMi5R2W23dQiCRQOLWBVWd4dstsV

iFKwxARc3fDV6fiZp83TJYQIq2/PMrKmtGBvvhO0tTUUMhS7wV3jWXzWI3gbz4gaHMKFADQm

sSmKCIDponPfZGOQGplhY0GcwCklhLqsIrCZiLIW+xalsyzobUbvQrvPUe4DRlesb6KvLIyX

OIccvqpwrBxu7nkxEDOWTBG9uRiz3O2C7fdUtgrTV6gr77qX444l0Kph6H81AVLRagEIrWAx

U1n3CKmvaByNb/WviVD7QtxKNwBM8eIbTwSopSgrNsO5hCpBEpeS6rUKXMknCqEYJkYtoKNE

di7L3l6rK3IstypRxxLwIUUDHFquneAs2skXLG6tzELhwXWAq69WpZLJpGsIAGw8944EsoIB

XYiZ07y8C2z6AebG1fMUYcqx9xliCUBNZcr2jRQIQQ7QuRMXUzdce2tYFF1MNhtKyy1xjvSi

dV74Vg1zKCFePxuMa0qMts3VwNgZLR2i73Zzc+GOglgwsovQTs2/Ob1Eo1vdGy7ceQ94MGrL

E7FDJSjSIcQll4wtwEEQ06DxxLrSkN1PhGcBedoG+BsYGDCGJVHJqq4guh2eIXaLcFR3ugUI

NLFVTqoJT9RgNqWbuXlDkpYa1UMWJZ6ZgcFFkVOVEYThMwpQw0eMumO6CYwxRTAV/mL5HRoe

4i/KYOeeKp2NoAXWJ6LuD7Etda+erCzP6ltOMcyrN98QU797ifMKVFjAvfmBeNIMBVRLqs9o

VM47Qbu0eFGkO7SJYy1FAcAFfx7zFbALIGrUwQNFqv08QotbY8TGoOmhYKUjCoWycJ5AMQOK

7PRXHV+52j9NhENkCqIUHE4io2sasTHoxrB4IWPnnk3zxGIqF48xcAcHvCXU3FQsAKziBN8S

uCaIwCAu2AaTQdvi9uBTTQpYsAmYCAu1jowrgDxN1VSyoypDmBIHiAkrbKcGhdEBjWqYop+8

wF2V6Zi5deAGWIBwt6e0qJIQHbENlqztDlrdNRCssMdQEZL48w3zoQOW35lAWXXQY0XU9bgh

bDQ1PxMveVm3hpjwXzcPPHQAcgurVbvxLRN00MaQyJkhebqHlpxMbq1LW6YaSppzYK0tiiot

Q90iAbXuny4U9iXHIRrArd2YSKl/NqbxWcR5siiMjBTtBFzuYAVFKutVK9CIKJMCrFlRaEtH

01FCaua1nOYEpBYC2KlYNW0s7MURDAWsOKAdNZnGu9e3ff0dANnGCC8EVWPzVzFq8AslGYNM

AX7RyxHpomYWq6qFizDeWFtosc3ESIqVe87XxFxVR9PtLNqsVdwttc95iNAGS4mSBay63d77

Qg6yUIDds89o62OUvZiAG8GuZirNwWEGMrW96fEUq8KUyUgbu6q4PwWej+leKm5aOnKFetnN

xWpwg4b2cJi5wtmgUuuBVZhEUJcgpEHcrMXHJGYLbDAcgQxpUrImVlHNhXtC1mpBxYOwLYMY

FCVvmc2NkwgIrwYIRsbYaQtX41A3+PmAFaliyn1l/EJakAtgzdFV6wql4NElQYUyWAz3hib4

bV3gLuLxh2oFuGf2z4kq6FuwW7qJp5A+/Jp17QlFGFiG6o0YuBVI4aSv4R+VR9kINaDsVYtV

ittY6OJnlVZgQMqUFHJmyXAgxTkAUIjfHaKxzsvHCpbdagN835GFtUiuFa7ACtA01gGYb8S8

VBPdWOMBvaoBfdTH2tw0pq9HuhzBuYLFNQW7IEc1upU8gQZYU/eYtc73QqJAyhgSi+DklDYq

6cIDEtdFLbiFoBcYJzzMDyhgKbf7n3aHhvy2vv0SjzAtW+zCfClDAtU8aQWUDWAbsMDsSkUQ

2RGVu9s5ych1jKtvKEoJqBxFgrb2RpKi3Iiy8KDETDnvoakA11q5azS4INF0JIzRUAGTctiO

Aw3Y1LspKxB9FXIZ1z53CbaIewI4mS69ZVVuqrAFE1zUTn5s4LbQoXxFmdTeOsClcAY0xyLq

FolCKkcJBMckiB5mzda4ne2uvF4qKFycQ4MO1C6uKtjfHvGaKhw3hItMQWmKyib0ZBu2AQvL

3Nl0LMZzfiWaydUbIPIFPOLhShkcBRZRMhbeCWIAGtjZMYtKh4YCHAVNxerYj67OIAgBktZP

RJUPRnzhiwBlLW80HhxKlVwopk5GoFYWKwM4Be0iDQEqoYEINrq4C8IVXgoA+dYga4lAvfhM

1aFmgJLG2gsd6h+HjCDkEvEI4HGxLruu03VjzXxvneXtA5uSfGgyg3suX+aWhDdLZCBWzmKY

Wdb8VByI2C2rFu47h0RV0Btcl8RZqnBoRQrTvjiby3iV6uisvaDeIOBjBydzLRqsuLCDSu9x

obOFLcB7KsW+CBYqjASpaAvFZhgiANXfJ7RgLG4uD2vDLutwa65wxMiUAMec2yoIKDctSs5Z

Uy3bXB71mc/8KeBqvc9+ujB83iHCBLOcEil2ioaTkxfaaQ7YUVGt0dpWEGXUcte0sjLIBnbL

PIj4QgbSWisEdPb3a6MRJ00CVZpWKZzMmi7yChAOyr9pfyYCAdBnKrDUmHLG4DC3zHDL0YqL

LGtlQxLm1lD63/U7om7ZCDkO0V2UCPMXutI1NHRDK1jKEcLdQYPVB7oQaPNkrMs1RXApkdtR

1BJBrVJ3FQIcNIJsIZR5ZSFOZQFWvuyFxHnHMWVC27D9MRZRsFaiJrYuzVcwXnKZE7vK3QSl

xLIOQfMOHNVHMuRUF60BZdeAFG+yR+Y+aKTTVGIBpg2XcJj/AFGmHqmqQbxe5fipy2KKmDXq

XS0D6tijjSS7D1AAQVnd1KlDZe8ZRYo051BVblF5gt06NvxN6PYxJbg1GcrLTMMnqyqVaZzm

GpJhcwuUThlZppZrvE/toAiQKFYFbgEzFoK7AFS0LVyrI8noeMa7ypF6FUASjYUC6Lme1e19

sOYNqe7RDfZpiyq0KobY0wC0Rcqru+0v3EWLp7QOuiyatU+IjnrGOua/tKHcpArnce3j0Bw4

PEvnDlcFc4mISFlXD4CO/rSwhzmetrz8PLWle3TfuqmCFQUv2S17E0l18pgAqbN5zAGjkUil

KxtZqJ6oaazSlUEoEC8xvWMKMWPJCMkTYW3QBnGvSBhfWurNk2OYWzooDur9ZjVoFraZ9kBE

mOzWwGAweR2hiLDEBQCXWigsMsJRIleWrGI76iesMUoDzoqNyAIVwWf3HCsBHclgc6d4rgvM

Bw0F5y1mBqqmHBXx1VmmnEGGxL6WLAhHLVxX5putk7BuycmIyN1diJm8RFFZKEFDuh1EFprT

kTSIGhRw1OlCsFHO5VvrnAsgC7MPpW4sNqWxtNgdG2UhSwLveuIbfe4vUi7wCCeYnkqSpjYX

gbFRcV6xhcguxyAAY6SwfBXoQUGKROA5NghOUqrSlwMQ4KZYXDdJni4E5dY+BVE3yTeuK1WY

lqtbJgV2bzKgqEEhN25YHQQbWAncGjNg6lassKvxQm8zEXgtTmKEXZzL6jtmJZQbCwhJY6s8

IRkJTFr7TXpUIlQuFq+YSXqASW1v2skB5gKy1KxCAfEBzlNKWEVr0ixWXN3HbmaQx+rmDZyE

UUqQUR2RfKFxnebLdZIV+wizVQVZlhaC9wW+WHmvhCvWoxsBUEyUkAwMBx8ZYRVovHf8QzPI

NbKyVc4P2hrv9956C+AIAQkcu5mLESyDW21tgPL4jE0rlduVu13G4C2CDYkwGgaZY9w4DVWK

dmDBL3YnIphtFxOPy8tMTNqLuYUEIhDsLwkKMFWqX9JuPQuWchowshQQWgKHCr6MZHon6NBt

4LjMZyu5UROF4BsVvUbKyAqiCLnYM3LFUpWQqUcdoi0M27q53bMYaGIEkELLvuZTEnJqna45

cfA2LhBoKq67wazJxFbbO0JiYIlQpP8AJrKoau6fBr3iebOyy0ataivqohViAUhzsSgoxaAt

iwRzFh/0KBoNo549YyXCNOso5XGWiB3zvg5ILnP/AGDqy0pujl7+YyDRZgGaTTqVbr2jt1Al

DGaqMMyqJShgf7TCT7W9Vcoo0uMS/DB4JmzNtlRFd+iFxNybSaRyugALVYUXRD3mjih3AHNO

YS1BuIdSxBXeZjcyIikMhZ5zvdhmD9u3zVgQSsLIqyMh2VARI2wK8WBE8LWtxa0niHbB5mhU

mFZRQDDwjEpYLZOYsunhpSAdrEf3FWAcB5/uiCSrqXReB4JnGDPtF8iXBACOdKmTMEbO5cAQ

XdJXvNGSnOUtv2kdlhgl1CwW5zeDvA7xTAdxFPvGDLU9XATnn0tfd56B2JIdi6yHeMBo8AMN

cYhGr6qLu1ZrRpiX4sFoxHlJviEboqGvIQrOs6qMyWYYVRFYMCwOYnDQ7ZnJ/KMIKdQUrES0

TPiEcTjmRpUcwBo4sKBBVqk1m4vovgmKkCwaNoHiNp6L3diWBeSCVJ6zuBNcwOiZ6qBpYE07

g5wmQNoUCqvSIsq1wy5eI7pYCvSNUMb7QOoEEKuOAOlNinqq88ToIDYiOHkqBYICTQB5lp4R

5rVeKjQCC67vvLd3PDKsqFOgz9oHV7hmpBlRWcTmxVMmIDswOb1F38lbKiovJy59oYpYoShQ

oAqXTjZTSxKAjW8QEg4guN7GKlzsNmFc01HM0t7gLMmQQ8mYmRi5XMgMAxC9QsmU7Ds+bgTo

gmmoKboUOTB6SswCgkYsaCBuFAOJHVkgOSjMObXUUV5DWS4OjlQtqgqlNBZwVkMwbFE0Yze7

uCJ/fLCqAIrbmY4iWcG6M10pVzNjqgFBsCxxLdLdaoOdtp4gkENIuu8JKLk7NTMFUCGkMcWr

szCeEaRtyKlMKWxRjigFqGnInCJkTcCaq7U+wswXTUGJ8kqRhBA2MDGQdooMi2UtxHTgjWX2

QOTmAUCLV2sCt4YVdwg8WI9/6mxiHYrOyCEGQlHm60vcCFiUqim2s59Nzi2vDd8eN9H56IDk

LS4DymZA2tBamNxAkZOdRCwfmJe2VEGF16Q/E2HJO7W0ZoSL6lCxMI0zKDdqqEApoql94gO5

DThvPdjsYyEhuWEyL7ksSzDMExqdMojlUaWOM2pbXS6z8I544dXMgKVvUD5z4DYN8wrMWea7

EUK5qXd15yI82pURYY2Q+ihANbEd03KsBEGElArGSmGAzQMubpff+ERZsfE3BDEBnVRCzzD9

pRd0h0NlW37RiT7tKL00WrUyjBCnyGBbODVQuB1V6QOEjnNErUIU3TWWCNbvMHOgKzBeNJmu

w+JcyzjN5VLrjEGJBoBw+WeKjkRUKtc1YRATBUD0Lq/MdrWCqQAVyVD86UKJYbwoMxsSkChH

PMPmdACKI5EpfMvppXCrIdoC+Ih0AYXc3Tst7wCZot8GYNoMw9ASI6GDluFEqsYhAKsIaZ04

/MqWSGwzC7WdrqvhhosOLWn7zM1tNUN9HhGN52RNvc1xYCrsM8SwGe2DW8aTLhvEZBAC4B7m

yDtIOVBp6iXJGaBu5ULZdTF7JjmD0hCnwXWEcrEe56hpMYbI3Xhu4Cru80d5bGDJuvXzB8o7

vVae5Pt7S+bdb876Vmsama3HnEtLNXyStVIgeVhi7KubF3zdw8F8M5J0BOLAGUI44vGLjYXB

+Y31LQKCPYDvKeRcOEtjw8zHCbEDlIudjp2Ra8FSdoYlRojOF2mVVtYbflJoloZe8coquDIR

oVQYIVLxp7rWmmMjvolQymMXb8RNilhEJQBahcJHEdWQAi8WEa2XwrKvVQXPzLZFcVEWUAsx

LIQiUBwBjlxqH7kqN1NkLbTrUAiZWCgV2Wkstz3hO4EeNVtcFVSxBiTfZTO6HCx7xx7ok41u

w2nGHIBCmUvcGas+wSt7oxtmjMwfcalE7FtsL7sZw0XZS4yChcziLS8d4I5+8AYHIJR7XBBK

qaG/P6YY0XgFC6yav68SkSyK2yzD6uE8ACsQO3D6zFwsfmkobN73GDaNfY3ah8I6ANa6Gsl6

fmGV+jkLXmpl5oeb1jbUw0svuRK1jzcVXqvWPm26XmobpcCXeLITzAruLTm5LfdDsQi1CMDe

LVuGuhQDXNQBeH5lsXteN8kueOIqKMHW1alYsh9gnoSNssxHVvtY4t73GorqxwcN8RK4WKXA

9efeJKI2A+zpnvKsd3oZFDQC1TgCMnuqAo0oYsSNTFBvX+dHPIXWChf2iGUBnlqLzyAT3zBK

tQNioGhbqUHT9TcACwuiHrMdR7A0SmyXBUlMBeUedwyi47cslvdGVrw7cCUvklqURRzVGLgq

WEwAiZyqiRxlQ1xV0mHFw8xkmHgWhXJx2j8/GNzSXDdqvaDFpYXYA3OkcIRCpgoqQAVS6MW7

h4fcGgB2hG5BaAcogJayRwBy5aylw0q8Ss3CygCSOMl3WbgkuDwbTYmciXAIr1DAWWNvYa8M

w3ay7BaDtbqIhmlAGHdekdUwaCgefMMRBIJjwdR0J3EUKcF3p3BFKqsqzHfk88TFCNhC83ep

Uqgt2KDStjLerFyOFHBneoOqUYJWOauFW5ppcXkr2l0vVWqBrMvFsACjSvKu8c9AAOQxYeaY

sJygZapsDtLRs2arw9vWVURXyyy5r2PbJqMZIF52bobgQxM8glGFABhObNYgiGTZLFS9XlCV

HxuVxIXdlt88xwOcaxG8yPesek1UU0VaGOIihKwLPRhRsBigJKlSPpDDXXmNWUAMLSVbgTAT

VyoYcus+H7mbGMgE9SpwYMNY5VV9HrIN4CrYANXHLNVsCRKHfeFsNsgKrBYZi1ToVF2FBqF1

7RzTm2qEfsgtDQKrXmXeppQkrHKIsMJ7ZG0wx2lIMBbBRTpx4FgoQq3v2nc4VRaarZRfK3M4

lCfcppm0BsMM0M+ulUC0I6IZk7wikEwNkIaMP2JUmCWNVab2vjUTAsF/ECngELtA4VZoR+Hc

CYgBHjUwmbqugo0YIZ04BwYdsIwBllB53TeNTAZZzUVhdlQd7SOYUV4bzLF8jTbCwvbxUS5S

BwasXMdXmCYtd758zi2IJesaq8YurTA51J0VDLQWwnEwl0n+YCsgXZ3VKApbnXjM1fpWh+VY

jQrdXx9oD+3e7um1fvKn438rRXtAFNKxw9OExHJAKr7XceCvAX62j7SlnbUp6Np5mgCRSAs1

h3CiB4JD0tyhpJyCzvgZR+vmOSlQYrxjSpJ95u+CZnVwtFfIK9oMG4WJYt37zDgsleH2EZPN

txdXgPtLotu9hfSLjQKQADVeSLZvAyu2qEHo/sz4oV7Q6k+q0/YxwRoU0Q+oAn1+lf4/wJ//

2gAIAQIDAT8QgWdFJSIlZWeKeKeKeKVcE8BEdiAdj4JR2PgiHY+CY7HwTHY+CWdj4JZ2PiPY

HwRHY+09J8Snj4i9vwTzPxKLdo+92dsY/e/iKSp59oOOxdXoPeXbIHCtHFtS6XXa/aCP4Zl6

nuu7/f7hfpVfMSB34zdd7v8AURAouMt7+0z/AC9Zyi1rfHeGQa8v1Xm/iNVvJrtLRTFEv3l+

8v3ipucSpZLqCS+l/d01OgVHovQly4vS5fRl9LidKYuJctJ5QcQgneWpK3pyvOe0DDndd867

4zBKHDP05+I4BaE8/XEXA95PXvN6djGIcbjXv51jGYowAMNZ9vvBdwCw4a1C9WgaOfWpWZSJ

Wc/eEDIzhW4BB0qY61LuYr+DU1P2/fQRTUSM3L/hz/AgFGVRGMSpuX0rrZFZcCmjnntBPQVW

Ig27f4YioaVj60TFYfp9feKWQ1+bxr0lQqC188jzzLxhYxtfrtcuA8bgttQJHeZelvTccyv4

HQ6V0z0x8v31EMbMSk8P6HovTXTHVJU36MYmMqSqjD+F1KuHD4S9L3ByF5/RBgl/UJ0eVRC/

NxvMU1uONstQEqLqEegho6PMuE1LLiLmSV4huI7mLaLnZ18RK9xWr5n7/vobcoeIKn3J+EOj

/F6mLhbUs6rEGJYqVLjKmx0u5VQuWgWsQxeagrwW3LoHiNvIUSp1FM80argWK4i5fUJBjnMD

zGrlEIaOeZkyztlTyCGx7wJnj6/Mz0u31iA+R9v+5iIr3Yvs/h/C+h0vHVQwzbLT6zFtv5/M

dDv4/uY7lHEGPR4i9RyTmX03AeWC0OT69I+KClGJjcNokmNErqFC2XlrisO6XDMwQXh3M0uY

XcxIHnvHA1OeuiLR6/iN/D7fRADE+m8IRm+hL6XL7dCCYZO8MnPMVyGI7ZZzCmsRaMzCaxxE

6DmPSqldFiJi3KgR7Q1DOcEq+hcJrM0Y6Kxwh8yg7oq2wLDDT1l9Fs9f1DuwZTzH6XhKjDHR

jCE1GbdDZdSs41LF8esNKXEQQqLBiPXaZJXfo7hOSPMDMaroe3QKlLHKcxHC44e0d+0rEMVF

uGoF3zErl4mJcLtsu63MrzFlzubQV6X4RUh2lgZYsdwLk+P9npILdJXV6bdAZesKlYdMQHYl

RaHM2kfaWJZ1mM2I9CJfU5myyumLgYiwSrolKwILAYt3fmE4d1NR1KVMDBwIUVKEAOYQUOZw

9HT3jNQlvR+59t+4bD0lOhRPwH5ei9Emjp+2EVxkVEXWyByrX3gFnP6gJNH7TM6XDM263FzA

msMMCDU5l5hqUjDSOzLDMeIffMNQ7Z6UVBEo7Q4lAnpBIDKwO/7Th8cPe+mVLrMocvt/Urv+

xKspvAfH/Z9h+5oekKlbaDxXb1lP3StuO9d4qm0IvtPy/wANw2dH+UxKnuiq5aqj8pbAhGP7

rj0Qz61954d57/wGeh0rosEC2cYmD0AQmESIY8B+YlVVwdlqBZlyStHuH5elVBGKYZurfeUj

XMqRDfcYpcx6L/XTSXiLOJXxfuLHogEmS/MauePaOpi/afl6V12I1LgrzKZ+2DLzcRB1x6RA

qFtI4lFHcPD361cGYQ6Y6LHUZ6b6WWkmGC0gLHOIlTiO9adwWhWAxBVcnTCKB3g+d95e36Qm

miV4nlPp8dNOlwmLek+wlKfh/cGzAqE4mLfzH8D8v8Khs6Xr6sJlFkopf1v9XD1gb7/HaBk3

AuEiNZDAc9Myocw8yq6n8ANsKp3Dfb9o/ZnqiGmeNPr6/wBi1ekB4R+3FspMn/Z4LNS1zLAj

qWwXKv0lfT06aR6XAbekx9CH0BI9kI8ER/H9setw2dKIDzUWdZi3aDgwfm+0bhQ0ub+P+eYB

Z5WHyafz5jyDzn7N/k8xOqsGtjd5+vSXNl9xr/PrMpjLmDFYJcOgYixHE1MmbYrnZmBcx5Wo

BipTx9bhQOzEl2eJ4g+8AYP4Vhy7jlFvECYIz6/HRYZWOp3xiADPEQ5I9w+Z5SUwt4/fSujD

ZKmvQomBjp7fn+vyzFirjbCNFyRYFQW9O4+3xHUw7O7sxwgAbHPZ2P1mZSqlDpe3D/Xqe9zU

rsfrJAr9cY/Ez0JsP3Lh17hDpNEzQqh69oZjqUkagV0G7u80Ha9fplAwBNLuXKgn4xbhWBLm

5f09OmjGZlwYB2mOmo/x56akUOO305l3DAD3w/PwiAOAjbmCyN+CYTOCvl/JjjiNbEqPjs4s

3LKLQDXdWH03FQjKTAtZ7Exq0NPD4fX3rvcQJ8mc/wBj7+sQDZXvxcyFiKnhU/b+vaYFc9iV

8bq/x5huXFW+Iir3cRfvx6xgLEaA8n5gmOldHQyNpyf5+INtic9qFi7PvFM4OE7zYIX3mXOq

hcufT46av13j0YPU30qBL6myMXm+nmVL80Py/qAMFiJ/yYA61+oKXKYEJGzUeH9mybMn8nD7

mZWVZPoZUIrhxk+d946s5faJdUr4M/aIxNFmq5XLlit4NMyBvx29Su+vzMw6fv7Vmc1XrcTr

SYzNYi3xBsYZcbCT9f8AJm9IyCwPs/uV/AhTpmWd9nP15irgkx9aSooL2goVKLVY7woi2zio

an0+Omj0qVGBEjr+FdQyRYaGM+n+RlO0sFB8/eiIs3PeKZ3W/SJ9HeWMOt+8u4Nd3mbhWXed

j7kC4aPzRObDZWQy162Mqgwc8f39ekO7kjs05e9RRyXt2zQmv32YrZ1xde3NzFSe8aEuRXHD

mNVNduT/ACbpkIRYrOlZ7wApX5+CAMqOrrpXTPRaNqTTHD3lxYUVzohKtQRcwJX19OnPozcz

0Myno9L6i0jEAvb/ACEk+jUpPej7OLiID0pt9lyhVof8nvh9zcelwD6eFi2GRv4icsT8B/TM

1MAUfP8A2IiVs5HgReK+cr8P3+05AfBfr7wNA6l4EfH+zKZWd+2orZK9L+veIXTLpURHFwdo

rWcR31uMAkYVagA89u3rHlqDKI7Q8zCEEDqascR6c/xf47EdSzCxtE2FW/2fef2fsxm2aYCg

dGf1BI3mAKD0mVHf2ifOP3Ailpca+vtLo+pn7QAXOyAZWkmJNmn918Ts3NljTuXKeKg9SsRU

DQj09eilrDXbopzj6ft/BiosMt4wxQXbmLMOkW8SvM36K16Fh9o56VKmo9WV1Ybi4iIb4iuu

SWsMb9UB8KuVLNow8PB/slyCx3X5/wCS1isRURTsMu5aBuua4YyDKKeTfm6L5JkPd+f8lMwO

JUpa+m4U1mvr8RL8dzvy/oiNhcMtRw3ux/dfZ+0AlGMO1eH7V+4MYangEjl3mVw3f1uEVxWf

3EhDozAR3KYv02T0gEe2XK6B1tWOP4suX1vrkkYIIwjK16/r3jNDjj7LgX7esyBS+si9n9Ht

GqgvoH6+0RHD4PzdRw9R/QZX4hvsUu67jXMrl3e957+s1wWg5N6YY8x8dj6/nHaIhLFnGPiB

YHLET5H0K/z7zDfVcMQxaWH2H+oKnvs/P9SqIwmE7oTFmWTlcYtceIQz0dyuYUCZ6KMSUgTM

N5mOhq/XeVfROh/B6PTU2jqXehKDTBKprc1T07+sqUavgblxwnu/6/UxJo7VfFVBVmm4xa/O

nsTGeQtWtkYkWfvXz9EIDeCp+24EooNB96iIrkmjZb/TCClf7DBA5cVCJaulXyn7YJedQTk4

+81DmCBFdfe4XTL4JWCqvH9wgoWc5NTPr8WHiwTMuJEeCGo5ggQehOJe3Ry9v30SMZzHrUem

XpsRNxfBEVvvAb9IyXPGtf5F8Ah9fWI4D35jsju9Tv8AXaMrdfXvKlPfzUMgwhzjV4+0L0L4

He6gjO2IiJb+Fn6jkVV9s19e8CH08f1KyuJgoEA4hnOH+vr19ogW62NWlIX98fuI3dZO3nx6

QLy8Lrj7RMUJwt4PfL9ZjaavLj4hdCiAQKIiOTP1+YXdD2P6P2fEGUHtQPzWfj5lgr2U/D/U

BnDSvkWu8G2/8lJMSiUwY5n6frpq+37mI9blw/mGEZk3iDTMsNd4IHjtHCt1L3kYCqFtk/cR

2L7wckI3xVfEOg5jfQ4ho4V9z+5YnIOe/wBfOZizDLexJoas/wBjdYqJLA93/GCUgPvw+kYH

jY1qO7PCX+J2Jk4SOTaIQzKdQ3TNZ3Aq9wDezzNQE8lyqg+IhsVf6lpbaU/hbZjz7+sQAOM3

OTPQYll16V+YvgPCkTmoeFf+znl3f0P76avt+5iP8PSV0oJUqMOVRMW4r1hSx9pDctBTggmw

nJqBKdO/MrVQAUFTeqzAYYWsziQEqDod4Ovsz4/5G7dP2TKJYcRCw0TS7brbmBLLcZEDQwUG

nNcwUXCcCQHxhQ/QRE9PgrR5yzAyHtDGgPPftqXd0MZJUUxFUkEcQ7ISvzLNFVTjMsC5bmEO

SCgVqsc+sae9XtmF2AJdHMKcy9Wx8Tsvb4dNX26NS+hK6suanpNZk33mAxfBCU0PGYJa7hVj

iKmA1CXc3LPPj3m6Y257bM8+JUJfSLFg8npDx7pMfXMaIq/K+m2ZRkeIqy0a8tNThm4Vmrq8

cSoJ9G/UsmNrEr1vUdVqXKF4+u0c6IrCYvfr9pdjkOOMzE1cFI/E4TfrX5iuR6x5nPmGhHIS

g1yTH+B48xKtrKE8dGMNkKTCn4+It7+vvL/VyyYKHzKZY19PnoLH26MdSpVSpUZUNY6EwIhZ

e/1DtCL4JqVpeoNknuRyc/rvFVqB8VMGrlHN/XvOCLHglgg2t+XT6QOT45+vMZYVPaj+GMDm

rN3p9IrKZmzHkgGrVyhZ4INM5Cmlf6S+gNctfmVwJpnsIGat/wBGUtUVmvGfvCAUB9pkYhmw

ZRWkKvePsxQFNe7/AKxdvxltMyl4Ov6n9CNS8BHtfB1uUMWfLcoTUsg+OgWxLLcSn0+XTR+u

8qUDOP7lVyYDvAVwSx6MuDLnHoJyCYo4fDAG80GA0/qYIrPLBPMt3iKoIkhSxcs/2f7glLPH

9QOzUMS1im6TH4lMEDirH159KfWITt8b87/yM9ue1934PjzLeYqPVWbyePWufFx2YMjn5lWV

hJqQ1Pgln4HIpk8TXD6X/sAyH3g+G1bxxO4oUxW3n9RNncPkI3aKgjb09Za1NEya9doZhglb

gIjoJeZTO8dGj7fuVUVeavzfSCUy1g4v8R9UzVQheb9Jhw+YSzBuBW1sa+vrUGMSmJk9vMsh

uq8f1KUFBy5bPVwSqW307y6KiFAL6QGhfpNMtSkBi67/APIsb0TDGZAfAQCFucwBojsDcXLC

+/8AbKcBGjC45TinU2Qey/3NAfXxOXHur/cFAlL2YApa+n5zBbn4+zmIQkSvAZ9oTRKrlDjn

UqTfJO+051+Iy8vmb4aTg+GLqqlyPP3gwAn14hQB4+Ir+viNYYxKfSl3sjjpXBZvS/1dq6aP

t+4xAvR+4oDghjmZUdmKHPEuZjkQO4hJnIpr9Six3v1uoYvRGAU6QB6EFOQb53mpcJwLNPvD

gKjGqfTJG327fX9QFBmoxBTfF/eJevY+0e6UFvfOMVCIVDn6vzDfau0ZUGfeKsD68xKahlMG

9oPoiEcmuT1fqo5aJXFfqVGbPUT9S4IINAF4wx77YzFrEoBze8KbfG5k+34nZFezdGOJpJLr

jUtZxMiYiRxu/f8A2NOcveW9yMsMQJaxfIah1OSG/ZDiHQzBUvnWa6NX2/cNvAhAOUfj/srK

ymfGYPb34l2A1izT6Q7KW/tBQJjn7ptIWLaZGYHBEIaa4/25l6X12jo+kdQNWWtfHP4iGhuk

173ADhdV5POMRbQ+dfG/MzJB7vP9ETLFna4PJVKdGIYKw8TsiBwGIFiXwf5LOhDNuPr2iqae

rr2r67zGrOaxjMwgrnjMV0G1i9+iSnAlb5P7j5L3P9S0AHFb95kU0H38/eoCoWfOI7IV/kdK

JXEzVjs1XxEF+5s+EifKvDj4ZiVB6f0sGC9T/wAPcmyX6RWhKQdBNvvY/MYwD0X+4buDX3hv

YZlpgdAxrc+ev10d03YfZlhrgXODzOAEF7TXb/kYMHYpiBq5j3CJpfxT+I4A1t8fqFdP7v8A

2JcNfH9wA3KwsfN/3K12KWPDcHnwZN5IgyuT8J+YRDfMWSYo6pcrAAKAbzLqw/b1JgYe8ClA

rPOfSG0Z12JSHRlAJmAc8RK8a7w0+S/9nIJiBczKB+n6/wCwpHJ17zxLGvbjtAvW/p+8YbH0

LiBLCbgnWZRLEo612hhmbxDYXAhAIPL+5exUT/s+qhQYRjniVemZ3Ga30MlZw/EIJKu2VPaD

2rV8uVz817Sl4iaNDhaYHvZcKGKVjWIB1utxtz5LWj8EYTyu64jBLaVd/W4oypluu7B4hO8W

Dva67uWVZcAZdF38q8TU2THsjE25fmEIcTFXaK4pdmsy5qcbzLksPGf9hGL/ALhtkj4iVEX7

/qFwPvz3lYYLxb+4vSh6v9wYS0oy4+8wOJ2YGM72g1G9e0Rt15dMVnlv/IQFmmYiVlCmDK19

c+8Jyz3Kv+vtDbPtKLHvOyWP2KPMBKHlzf8AkyZiUTcUwB+317S9VSPGYTc5bPmPLtEgVr6x

FBRiMc12gVDT2ls64/XRb9v3CQEEO/1f3iAVff8AtNDSB7Sgawhn2ijY5lk2uMXFvMTUs4x5

iBtq5v684itUY4mRrf13lz6oiEbABV4xfHaM4SlhvPjoTC2K3hQr60cdrgkrS9i0YrGbeJZQ

BTmV7pcS5BMyPOeDvFSxQ5pgOjwfaL4s+0VLGpksy/EMiuF3svLiZdx8FYQHCCHZM+G+I2Bp

78x8/wBkoBEBUMLXE8GxtXBR2XGcxyGduHcPdSujEtFmfETqFdDUKq6EpbWJzD9qChnM3Z5d

s8Z9csHpPuIbTuol7Wj2v9Q6OWqDSMREHSy2C+IKDFBTAa9YJORjUSNMDcIpAtrDyrPruIER

dNyutJlXfWdysNqx6894xYozTj+/xA4gHGefPc3CYF13+8VzBCtca88RMcn1mdxqcHF/3A8g

fTzE8X1f3Adz6v7lfL7H7ZkQpWuUtcX19vxMSu37Pqobaj6vMdjf5JUwmviZCzzb9Ma7/Etw

lkMxFfaHDeeme5g0KSuQ7RAsLdSgKGLFbfVGErfswRhjTdrPWmCvEWMk9r0rGIGOJYHk/M9w

y4fqyjuiGVi8gop/ECy1WwtLybi8rKuaob90swwkzS9lJhgWsZ/N8zI4F72XgAMeuZSNl5/s

L3aYZieL5jUHC/AylceK+vtHsJGjz9fEGG9mf19cs0l7yL0H/blA5Bk719fucyj9U+fPMMzu

FkLimQqLhTyRDNfX9wm2yEi2o4fczOWD68kTURb9Iy1hHrk49PEtCL9z1i3NSIcqAoBpyTAt

sj4EJGXaTtNEuA23xDRhv8/7AVKEPC4DSojllPlArUpvpO05fjMxbNRAn5jGd2KehPkSVhsw

wFDUGkeRl6Puf1FHNHv/AFGRWCoIjAaeYXGRHIjLhoQo9JW/R9yIqj6+veYLYgGWvNkNV6fT

mKhzxWNfeIHO1jX3YG6tff8A1AbwRnUAG7E74u7CaNL4zhq/xg72Rpu/TzAZGdx66fj+piPr

e0vaUd5he25+SM1/egpf3oL/ALo0BfCXT8kQtdMoQwH3kJCtuXhD9SgCvl/qoJSPl/uKN2v1

f7mvPuzbfc/3AcPmGvPz/aZBP09YJ0fp6xTj9/7iPj9/7ma6bvndV37T/9oACAEDAwE/EJZq

ek+/9z0H3/ueg+8PEnpnolu0tLS0vL/yqpk96eToeSeSeSeaeaCADyQClePM3AVHpwx7ygAv

uGXnEv3ccQaZrmElmVDQS3o+vFzMLotxiWjQ6noR939xVe5z+Ziu2ue8FqWy5cuZ6X04gy5c

WZ6NEGX/AAP410qVKlSpUqVAlSpUrpQl8S1DGR2+8qb9vb+ogXVfmZCmWKQXd6EBUGYNZ3GA

5a85/EpU5e/j0h4tXf64irjBEV76J1qV0SV1SVKldDQUL6ZiTS0+cfmCcS4Ev+NdL6Vj+J0x

EhK6V0CWWzWJjbDNClPEBlHTmNDYkusq3/kAbdF/X2gaDhmUrshPEphxE6srrXSpV9AlXKlS

uqDwLLWx+PxUzw6H/gR1KlTUueUIMr+B0ob7SjuXGEmOPtLtu4+TVQSq4uaJlF8xlibtSpUq

JKlSoELRjRocrUv5VnHsh5GZR0tkd5acTV0IfwDqTNRlH+QwepDqQFIDLcCekybZX3TAG/MD

Nd5UD+KIhUJcplMHNe0PYwmkmZ2BKRzHslZ6Kvc/Up21KwTX1qv4aldTXQWG6GaqCS/Qs6m4

dCVHHW61GxUuF1CJeYiymAwJUSUlEqJKxGXDPDbAhiARjwRFqNumcHTb3SjBVy73NHQ/8TTN

w/LMjdmJYWVLVDwlrWIk5hnqIRl/yFQZtFhhGGCnTtLroJfTkQ/ibFQaeImgCqhWPDATPR+6

LFceYYP4x/M10Zi2y8caWGug9C4dmCG/5X1etQYQNwYsoYMQNS3nquK6yWVXkPHiXCECma8Y

NylqUHX+yJ2V6f6wACOCO8yjj7v6ZduT3/sY9i/Z/qHY/av7ivoQ6Guj7bzA7fKoUeK8RXRD

s2WG2dLwRU1vn/YIdK6cfzscRgS8dLgnIsDHf2ExyJguohTBlxCAKSn0WLF9NHVgG+YoVOfr

G5a9LL68kOmIfyGumA9SE+6mYeZUjd4gms7iOH27zSKvcN9LmofxvqPQFU06MQF4lDMuUL3i

XJwBKfuEWOFUU5MVcZwQYspoO8WZzn+n9zlM8ugVWH1h2fyPwI+F6L9rAKL92/0TT67wIGqz

t5eYaX7oKU/lNPQbeYOTtrjxGVqCaX8IaMMkwkJYjy5+0I+HH/hvrUzF6BmKulS5BjxK3ODv

AA8wVZBSmrfb+A0Nj5mprDBikgfd9COt/a59X9RTeWU+uv304QJUJr0p+H2SmHIYezfHpKlF

N/wNPQWzVNxTl9v6lQXcuPiDzklzZEiKvm3nH7jM8PQl/wAq62YiwVNpbJuU6tDYx0GwmCQe

LD3yx/fh5s9tQi8FiKphFgIzxPtDGWtWWh6xq++F/wBSlcoxNsz8f304/wAYzLAdbc84/URz

N4Th+JQx+sdVQvoah01z63pKIqGPmXiac58RzHObh9Dcv+BHrY9FbwgLFXM0BLHFzOZWoSgy

Sgao9rhr3JvC49uY8NQaOUoV4gv3leeYJADnLLyc9HCHSpsYMRWMDhaV30V1qadEamsyv/BH

JeeZeGrDwc/qogZl2+v8jVYDh/TKbJcP6YGZ2120TCYMEely49L/AImYTiYHBKE76bxiKB/U

3mc5jEoY45H2iK2X0WdlDB7SrHasoLei2uILcaladA10OmS5lHM808kDx1HXToSale0MPT8E

QtwTm4O6kmMvP5hQeT1pnBqZPP6l0faNm4nPMvc4ZR7Pf63L2nZ/Ix3XMVlHu8RVML8wG139

ovRi17S1loTOrfxX+QuQe0tMh9zpZjej1YADvKk7EQsbwMRawS2PRwhK6+ZnmZb3lnmXDrcN

da558esbuG39z5/19f3KkLj/AJGzPEQRjJkmshl+0Btcn9PRiV6zVe318RuIfN+JmlM8StWR

nJtplm4VqhWUBYWJC9XMUO0oIFMxSybMmTxfMYQGX0BFwMDw+vmIq5S5TmVOKU2an76/uN0X

iJglkaO0M7ViDE1uX0uMP/I6modCkPy/X3j7+P2QFqGJe6en/WFg3URk4/HHxGDcN/Xr+ZqA

ZUA639eCZ8QPRCG9bW/rvMKW8eo7kHC+HivGpxb9e88Q3Wb/AHLy4tRt1KYWQAaygywtduIJ

kbLF15Ew+L9ot9WINm4DhDnhgG0JM+FMdYuVF2/7GFsqo7Bz2lhBSGW456rh/A6EuErpXU0w

lxVfz/sR54KzAuvj8BjBQ19f97nkIUHv8VcqB4PmGbJyGI1ezDLb8U2en1iLRzhjF5StF+0s

+hYd4PYnEsGWfx2SJgwfSnljUJ77llizXvHgIiRCGUdDgB9T/kd03x8eWMTa89aj11Uff4jO

bYb5faGDoiIHdyWK6gBzuLEBUZF79HHrf8T+FdDTCXwC777m0NfnJLuxf5kOdHZ/W5iWqc2d

n6blx6H7ZPzGxTs39e0FgcM7SBX18xoRgcAOPlP6mLbK5/R+ImdB7JyPvNsPTD+5XS1P7l+M

o36/W41VgfFfu442Yfr9RXY1DMOhFoq473BRXTjprqyrKAX7SxTombgG+5qpedzKcOmzonqa

nW+tQh0YdNw1DcuYixuoQgAtjyWfqDU1k/D+UA4S/iu+/hzMz51NAXB2WzV8RjDhf197v5iA

c5gADa/KWfclInC5gXP+oNs3nL4MV8395SzUAN4jgdAV9esRS7gKxCX0svMwWGGEMPj/AM/h

cKwya9PrES+NSxGjX7YcSyxMMsu+JgRUZnL0ceh1roRxLlwc9TTDcqfr+5Q9kMC/Hy/wiLYM

7cPv9oLzD/v6loOX+v6ggVlH7rHzpZ/n9SyDdviNtAN643da92/EeTVj+/zNSYYhWLYhs7Fd

suvtEYCevl5Xd7HmErFc549ohg6gDww/eV0cxVltWQzDcSeVWVgcRNukSA2s4jHobdGsfe46

rVNP67y1y5Y2YhGEFjuMWpRhxfVb6H8D+L0NdNnqwEIWWwp+ceMbhATZxsfoykMC9snqRLFH

t+7hooA5M/1CDa3lXysbTCWnfjHvMUo1oYezAdc45Pad8avUwj8V8wpIcckZRGc0cEutGoIH

f/IUdvrESlcXKCIR+riYbjLleCZ4Wb1ZDxLXz0euuYa/fzAymn+oOItxJroqjKtTnUz8ujSL

hmXDrx/A68QZs9WbvSY0puXItd6178fPzFqBl9WlHtHKGHdR94lS72/NRKQr2DymCAvhhQci

awQJE8qvIF/gZxWMnlyXXpRL0cfpMbqDS4z48QMn/CXHBMJTcFiLiJUemSzAHll2I+/9Q7eh

7fnzUF5vmNUC/f46riJVvKzgixFsimSHbpcOJTHz0aEqXDrj/wACCbvWCyLKDBLEOHOY0xj2

f9lbeJxTn1gtJ6B/rmCJ2Vvfxx7sZs0QV45vFeu40g4vbvGPeEJnavnX3hsGqSzDQ7GrlGvr

6INEAcxV6CIXWzwd8fH0zFwXnGSv1u/+y5OHOvWArFWUOV+s4qVW/wAmfMW3u+8BxOx8f1Lw

ptP/AF+yE4+rj/PeUhwnhU+GoJQL3X5FRiNNs1j51GeNXXjtFZmIl5l9pTC4jCXmX9/RodDr

now6X/A2hNn1YJBZVTFNVj6+mM0F/wCS0PPO/bv6/mXAzjTf1+IOyH3YEh6/EFDQmD339ZhJ

Y3n5+P8AkoQuH+/6uGybqmuMOuczsQ69IYa5eYEryff+octMfHzLRWcNm5bsKHzCE7adRmVD

Z6xW44gUPsgc3Z94ByfX9SqvSS7s/v8A3iEalL8MvKac+7+puLPlP3+IW3bo3/1+8oTdkWK7

L557Qrx6Kgf2B+odgeT+t/qCFKVzZfuH6AFzgGXZ0adRNTf/AILU0BARpxN3q9B71ERAeykF

KvDjx9a+gCq+vvAaQr7Hb7S6pdH4v+ows4szxfEDWETwfvv8wyXgs78Y95ZXdvxcqyGzepRU

NnFP3RiiprVxHsr9ostfmf1KRlL5zGrK0qzlntdTFkoWgHxGRpLWLSN+07MH6+0TwE39fXxL

0DPfv6woor8Mo9oNtt9ZjIe5+/aZPN3sx2/FfbiBmiklXtRFam34iEV7LjHJMveM0k+d/eWX

iY9EobxfzK0x7PV00hf57/gxMTm8f1Mo3er+YEUGokEbBLJwvHh/riCLgfj+4l2w6m7P+f1L

yELyy+o/8qJYqJbM8XEi8iY4qpW/vGq9hnkgP2lrgaN7LF3+4Ph8LlsSPKSqCjrP4mYC2usy

6gnr3m8shmVZ3VfggukyfXxAS68QxVVGrMA7Rm8IkeOI7phK8MQk0GUL2JzFhQy7i+x+ZQMI

QPbFQ3lXHeW6AsHQag9BYdef4oBKhbLgy9WGYLdbhVo+kJVwOxl93EHMIJdVE4iMWD19PEL1

DgfRfzG1LuOH35+rqB7MC/pAAvXdG/dhZLie39NfaXHDa5f1GffJ61UENhnxb+ol2MgXxVd4

IKF9l1LlG2WV6v1NSX2sAfllqLAK91P1Ld25frxK2BOOTx3l1L27XzALkc1R2lBqjwH9S17z

AL2+01fLLAe/pzNnkgL3Lr4X9QNRZzCI0mTVeZu3nD8OmvQiAaguguJ5J4jLIa6VA6ZYGJ0X

O8S6ga4lWNn12lNSrmr/ADAVAD0lRTtE2wV4czZZ9Yo2fv8A3BpRVRT1I1KYyb+yX9z3hQKv

cpX2ZdGrvR8QOACzle359ah1TAcxBZEhG68k4zmubrxGjGlL7+YwpTHiFr26Lw+P2ylLXRrw

vHvByh2s/wCShEPqRiegyZr4l/Qcn2liDof8iPIyQLJbLX9wgO1zI71KAM/I/DHCJLg4vTNZ

mWz56GvQ8I6FBmCRWOs1nnnH0S5h7R+t+0/vGIzvXpAstvrCU4IJ2htjUTd1LMv0RVQz6TEC

zMe5GhUPF4hCxd/qNicZEOj37TgNQSnHzFVbgFmnhNfBYf1g2VRvF5W/+RZdQFGuJWmPF0EB

s3QwV5rMBuql28PX6PvGOxPb9ktDU1it+7ArF5C757eZckt8tx8AKeI+UxAgoauzmJFsKpD/

ALOY5YXm3pn/AGVBr1iA9ZSnxKQuOn6P4ZmZ5hkxlGBjOQxfTQhNEctrmAMdps+GBabxBxbH

Sy+XVc5+IWLOI1Xn6/EzLhkuW13hG0ZvkZhGgOe3rFdDjv8AX9wRbi4hKLg1BVEYrlrg4jKz

aY+I5rceRYDuFXDCuN+svfnCZc6fENBW+Cv8RYCPKoCYjxUsy+i8vtFIN234PT9y4Dh/ctX0

gRwMbE/TF1ZLQcxgOcZmmb+uYzLQKribVh7RDSM5AlgFBMVEAVnBHn6otTkjmINR6TmMf26a

kRoWwV1Ym4HLzcrYHy8eD+4yypGNvBGPUL5/qK3R6L+5t0+RP7gigtgZ+XHvU9XfeILQ/XaE

AG8719obJnigAfd4PlhVJa4C3tmAeY6t+yY8T4YFhKfiW3JPMCWYjOxzLYA5zLFgvFTmWDmN

KVHLX77ygHS6+l/MarPoBfu6z4jFStvP3eO8Ssu1OK+ty0YWgjd5ttPrEsDzGl+Q9YtFw2b/

AD8zOhJZ5GsRgjVc52eIi2o5KzsggzekGrdZKv5hp9//AFhP0pl/X2imwvB/JD19PPo+Ziw/

Dx5qn2agdvslKuStcJBzAqFzgE3irX6j+qdz+tx4jR8QIg+k+s89BRwhoNX+I01KeYHehzDm

pV+V9ZsuSVVCqqZyz5S8xPI/c4ha9ZNKqM854isn6Lf6iQr3TRPL08TwKPliDRo48Rg3UlXp

VN8/btL7XA+H+01GBTUwgKiGqiBUWzAWvzLj6KZU+WvtzM4f5RtLMoMzFTM0n0+iYOADdZkk

pPeGF1p9YizhPhiNfk5z7xnkGbTubvz+IGS9TX5gzhGd+cmfM7qM+2Bh+1X7xkzcidphvU0E

UNyxMSgG45hD7f1B7ovsPyV94s/af77RDjMzFnD6PTVLn2laGbprQcxUzhmvh3/Gz+4WVI9X

rvWYZiAgApTjbMZSgc8trWqOLj5uSqPHlxcLV1l9pkY9WN9s/iEBRTOLpvFzwIB9phHRFHLg

sFL2zUM0Yye4kNhNRjMGZUO28YuU12r1zBxD4+typUTHVV6QAxh6H9Rsv8CeVDwRPIX6EVil

p+veECge5CPQsesHkD2iBdX4guAaxL3kF9T/ACXh9zyPqQCyt5M/nUuMKsXs9P1cTpH3iKtS

8+niAXWvd/7LC+wf2xG2MKPDz55/yY7LlpauI7UdzP8AURqim6r2zLlGQ+8MKe0T5QDWmBtA

4Jh+vWXYX2v32lMb+r0KhUIq5OYWIRbmJVO4GxKnx2ggBEdBTwB195nRY4idFjRL3MwbHzLc

PEM3GU22rZz54luLaVHEveIAWahrl8+lZYlhY9PnxFhgtALV+5olYXHzKXEuQyyFrxj4ljDf

khtCeW/+QAzSwJpaljhcfXiIqiIAG6lQZCs+CO7VckQDAGlylf3caUsPvNuXOCl6wIujFqx8

8R0zTLu57zWV+WVMFve5UxEhDxmot1ofsx7t9pgabPMTwxGOr/JKs28vHaBLV0Eac3UNrczd

5dcX1SinL0fxMMJkbJBwRY2iXZAaO9y91UQKGC/tA9+Jc3O2sX6OJV4D5gImbdcCb9twEIWL

OsBszrNcZjENKV61By9FTyOcesrTCKBFfXpKpFX64ihZ7I9TZPfN36ReqEauYqYtzW6gcj7k

Ac/qf1F3xepF/D7n9R3FBvNQDz9v6mPMJ955or3BPiCsYocwVSZcUfRM2PchM0MXpUywDGrb

ZO7DFNUxbkiO5NrcICiv5jkMLjWoL63nZGVDEaaEv9QNjpqOGYg2Mr1+lBHFE+Zq+jDLQvEp

tKKHeMSzdBriXmsOu0LCl/6+1y+2OklHctfbMJQCf8JzmCad4xjPvKnbJ2wMqrZwGI7tpuyn

6NxbiBu1yb53fPrF7WHzCKE8y4B5HcTAhQ/7FXSiLe0TTM48D58kuPiWYIhlSwsjfUc7o4h1

6Sjun15mbVeNwOkpe9QAVT9SoxiN1CDcYWFcDCRrnQxTWYRATygFxiPWp2EeSbmQNPGp2mPW

Vd4gxu8THx6VLNY73AVIMJ3JgW73/qKK5k3x/csQF15/qCKbMev9TYZcg36QNg+H+wlRUVYc

HMBsYdI3VeMlQlYVb5rUrg6djZ9xi6pl5v8AV+6VqGjRir9D3FszvOXjb7xTf4v7jBlXOoYD

d0awEV5h5JeW9w5k+5/UBM7NP/ER9H9QMFyC8Cl4+/8AkD4/T0me6fT0lYR8v6hoVx5if7mL

f3MJo+5H/o/3Ae37/wBxf/X+4t/v/c/4b/coz8b/AHCqBHm39zAk9Qv5WCZzXfUucp6f7NnU

Ssr4nIfaCU/hKQw9puG/YgWLg9M9Qn//2Q==

--------------24AA8FC762D--

=========================================================================

Date:         Fri, 22 Aug 1997 09:58:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Although he wrote that he would use his "pantheon of names...hence he would be

Jack Dulouz" there's something that tells me that when he wrote, he didn't use

the fictionalized names.  In the next to the last sentence of Chapter 23 in

Dharma Bums he writes (and no one has corrected it in 39 years (that I can see)

"....I had a dollar left and GARY was waiting for me at the shack."  There is no

*character* named Gary (but of course Japhy = Gary) in DB so it should have been

"...Japhy was...". I'm quoting this from the newer Penguin series, does anyone

have a first/second edition DB that they can verify that it's always been this

way?

 

love and lilies,

 

matt

=========================================================================

Date:         Fri, 22 Aug 1997 12:32:25 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: Beat fiction and non-fiction

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> I think that during times when it seems like nothing's left to be broken,

> someone is about to break something very big, and it's that big

> unnoticeable thing we're standing on. If this theory is true, it wouldn't

> even work to talk about it before it happens, because such discussion would

> negate the widescale effect this breaking/movement would have, and so could

> not happen (the cassandra syndrome).

i agree. i'll shut up now.

`racnydya

=========================================================================

Date:         Fri, 22 Aug 1997 12:34:39 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: literary rules

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> >   The rumors of the death of literature have been greatly exaggerated.

> >                                                    James M.

> >>call me a skeptic, but where is it?

> >>randy

> 

>   My skeptic friend,

>     I think that the thing to keep in mind is that it takes time for

> contemporary authors to make it to the classics section in your local

> bookstore.

  ah.

>James M.

> 

randy~r

=========================================================================

Date:         Fri, 22 Aug 1997 12:36:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      The Rules (was Re: Beat fiction and non-fiction)

In-Reply-To:  <33FD7C78.2080@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, RACE --- wrote:

 

> > > > On Thu, 21 Aug 1997, Diane M. Homza wrote:

> > > >

> > > > > (but aren't rules, even literary rules, meant to be broken?)

> > > >

> > > > And isn't that what literary movements do?

 

> several have mentioned "movements" in this thread and that seems an odd

> word for the type of breakthroughs being discussed.  someone says about

> a movement which side are you on and should answer "not yours"

> regardless of the side . . .

 

When a breakthrough is happening, who calls it anything? But after the fact,

don't they call the winning breakthrough a movement - for instance, wasn't

it called the Beat "movement" only after the fact (or at least after Jack

was on the Tonight Show)?

 

 

> i was also serious i guess b/c i really have no clue

> what these rules are.  i wouldn't note a literary rule if it slapped me

> in the face or vice versa.

 

Our preconcieved notions about "literature" would be my guess. What is

literatre & writing? Define it, and those are the rules. How about that as a

definition?

=========================================================================

Date:         Fri, 22 Aug 1997 12:40:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: renaming Characters...

In-Reply-To:  <v01510100b0234929bf2d@[206.183.148.32]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, Joe Buschini wrote:

 

> Jack never intended to use the names of real people; he hoped to use

> uniform names for characters that appear throughout the "The Duluoz

> Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become

> Cody, etc.

 

I think of Dean Moriarty...             great line!

 

I think of Cody Pomeray...              still sounds great!

 

I think of Neal Cassady...              hmm, dunno why but it doesn't

                                        have the same ring, does it?

=========================================================================

Date:         Fri, 22 Aug 1997 12:52:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Re[2]: Beat fiction and non-fiction

In-Reply-To:  <3FDAA651.@usoc.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, MATT HANNAN wrote:

 

>      No, they're in the IBM AS400 Database that the large publishing houses

>      use to turn out modern pop fiction.  There are no modern authors, just

>      a database and a random plot generator.  The names Steele, Grisham,

>      Higgins-Clark and Clancy are just names the same database turned out

>      from marketing surveys as "those most likely to be associable with

>      grocery store check-out reading."

 

Plan to destroy civilization #589: Replace grocery store check-out pap with

literary classics by Kerouac, Burroughs, Snyder, Ginsberg, etc with

"appealing" modern covers to make it attractive to shoppers. While it

remains a nice idea (and imagine cheaply-bound paperback copies of Hesse's

_Steppenwolf_, Somerset Maugham, cummings' _Enormous Room_, etc), this will

never work because the access to those grocery store isles are all

controlled by the multinationals. Steer the sheeple.

=========================================================================

Date:         Fri, 22 Aug 1997 12:58:54 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: renaming Characters...

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> On Fri, 22 Aug 1997, Joe Buschini wrote:

> 

> > Jack never intended to use the names of real people; he hoped to use

> > uniform names for characters that appear throughout the "The Duluoz

> > Legend." Thus Sal Paradise would become Jack Dulouz, Dean would become

> > Cody, etc.

> 

> I think of Dean Moriarty...             great line!

> 

> I think of Cody Pomeray...              still sounds great!

> 

> I think of Neal Cassady...              hmm, dunno why but it doesn't

>                                         have the same ring, does it?

> 

agreed. however, if you were someone who hung out with the beat crowd

whenever, and knew the guys, you would be prompted towards the third

choice.

sal paradise never did seem to fit my image of jack, and i'm just

some dumb teenager.

~randy

=========================================================================

Date:         Fri, 22 Aug 1997 12:59:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Re[2]: renaming Characters...

In-Reply-To:  <3FDB87D0.@usoc.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, MATT HANNAN wrote:

 

> Although he wrote that he would use his "pantheon of names...hence he would be

> Jack Dulouz" there's something that tells me that when he wrote, he didn't use

> the fictionalized names.  In the next to the last sentence of Chapter 23 in

> Dharma Bums he writes (and no one has corrected it in 39 years (that I can

 see)

> "....I had a dollar left and GARY was waiting for me at the shack."

 

Great catch. Didn't someone here say they saw the original OTR scroll and

the real names (Neal and Carolyn) were on there?

 

=========================================================================

Date:         Fri, 22 Aug 1997 13:13:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Re[2]: renaming Characters...

In-Reply-To:  <Pine.LNX.3.95.970822125836.5542K-100000@devel.nacs.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> 

> Great catch. Didn't someone here say they saw the original OTR scroll and

> the real names (Neal and Carolyn) were on there?

> 

Of course they were...Jack was writing spontaneous prose, he wasnt

writing meticulously crafted fiction with characters and names laid out

ahead of time.  He was writing exactly what was in his head and memory,

and that was Neal, Allen, Carolyn et al.    Changing the characters names

came later when editors became involved.

 

Therefore changing the names could be said to be a way to be true to what

Jack actually wrote.

 

RJW

=========================================================================

Date:         Fri, 22 Aug 1997 11:08:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[4]: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Great catch. Didn't someone here say they saw the original OTR scroll and

the real names (Neal and Carolyn) were on there?

 

     I have a postcard a friend sent me with a picture of the original

     scroll copy of OTR (in really bad shape) and you can read where it

     said...."first met Neal right after my father died..."  Proves two

     things, Jack wrote with real names and also changed significant

     facts...."father died" and "...wife and I split up..." (or was it

     divorced).

 

     matt

=========================================================================

Date:         Fri, 22 Aug 1997 11:12:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: renaming Characters...

Comments: To: randyr@southeast.net

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>sal paradise never did seem to fit my image of jack, and i'm just

>some dumb teenager.

>~randy

 

     After reading more into his body of work and "true life" it fits

     perfectly in my mind.  He was surely a follower and a chronicler, not

     a mover and a shaker, those roles fit squarely on Cassady and

     especially Ginsberg's shoulders.

 

     A dumb teenager that recognizes it may not be one.

 

     matt (a dumb thirtysomething)

=========================================================================

Date:         Fri, 22 Aug 1997 14:58:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Neil Hennessy <nhenness@UNDERGRAD.MATH.UWATERLOO.CA>

Subject:      magazine editors

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Howdy all,

 

Does anyone know if ATOM MIND editor Gregory Smith has an e-mail

address, or if they have a web site?

 

How about BOUILLABAISSE editor Dave Christy?

 

Thanks,

Neil

=========================================================================

Date:         Fri, 22 Aug 1997 15:41:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Kerouac ROMnibus

 

Alex:

 

There wouldn't be a sampler of the Kerouac Romnibus at Voyager.com, I don't

believe, because it wasn't Voyager who distributed the CD-rom. It was Penguin

Electronic. I think I once saw a sampler at the Penguin site...The name of

the production company on the box in NC is "Mind in Motion." Their email is

Mindmotion@aol.com.

Jeffrey

WRB

=========================================================================

Date:         Fri, 22 Aug 1997 14:53:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> The most amazing thing about the beginning of Naked Lunch is the flow of

> language.  Very much different than Kerouac's type of flow but very

> compelling from the perspective of keeping the reader interested.  It

> is a keen flow of dialogue that keeps things moving. As for subject

> matter, mostly I've learned that the heirarchy of junk on all levels is

> all-consuming and everyone is the chain is addicted to his own level, be

> that user, seller, buyer, agent, etc.; the system goes in circles,

> everyone is affected, infected.  Not a pretty world, lots of drooling,

> vomiting, spitting, nightmares about rotting ectoplasm.  Also no real

> sense of who I is, or where he is, except caught in a vicious cycle.

> Does anyone else have a perspective about the beginning of the book?

> DC

 

I finally was able to obtain a copy of the book for purposes of

re-reading.  Have not fallen too deeply into it yet.  My previous

comments about the beginning were about what appears as "Introduction"

and not part of Chapter one proper.

 

One thing that i have found particularly amusing is the contrast in

views of "America" between this and On The Road.

 

NL pp.12-13

But there is no drag like U.S. drag.  You can't see it, you don't know

where it comes from. . . .You walk in and it hits you.  But where does

it come from?

 

And the differences in attitude towards Chicago are unbelievable.

Having grown up in the Midwest i have to think that JK's view is more a

happiness of leaving behind the known behind than anything peculiar to

the Midwest and West.  It is the newness of it that grabs him and shows

through his prose.

 

Oh this post isn't about JK ... oops ... well i'd say i'm about to the

Benway part.  Must admit that i spent much of the morning leafing

through Nova Express, Soft Machine and Ticket that Exploded and feel

perfectly prepared to dive back deeply into Naked Lunch now.

 

I'm up to 1955 in the letters of WSB book and they provide much insight

into NL.

 

Happy reading all,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 22 Aug 1997 15:55:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      New Kerouac Books

 

Today we just received copies of Some of the Dharma and the 40th Anniversary

on The Road hardcover.

 

To call SOTD exquisite would be an understandment...

It is the finest work Viking has ever done on a Kerouac book..

It is stunning!!! And the text by Jack ain't bad either....Heavy stuff -

will be a difficult read for some folks.....

 

The OTR 40th ed. is nice but doesn't have the same impact as SOTD. I thought

Viking would iSsue the HC in facsimile of original first edition using dust

jacket art , etc. but no - it's a new design. NY Times review from 57

included..

 

The cover price of SOTD is $32.95 -

We have copies available for $29.95

OTR edition HC is $24.95 - plenty in stock.

MC/visa accepted. Satisfaction guaranteed. Shipping extra.

Write me for more details or to order.....

 

Jeffrey

Water Row Books

=========================================================================

Date:         Fri, 22 Aug 1997 16:04:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      HELP!!! - Jenn's Kerouac/Ginsberg tutorial

 

beat members,

 

i desparately need the help of anyone who wishes to contribute!  i am trying

to start a tutorial at New College of USF (which, if you do not know, is a

student run and organized course offered for normal course credit) on Kerouac

and Ginsberg work.  i would really appreciate all of your input, because most

of the vocal members on this list are much more versed in the subject than i.

 

i will probably be asking many questions along the way if this is successful,

but for now my big question is:

Which Kerouac novels would you chose for a course if only 4-5 could be read

(please give the top four and a bonus just in case!)?

 

What Ginsberg stuff should we read?  i was thinking kaddish and howl and the

neal cassady elegies (where are those located?)  what else? would the

Collected Poems (1947-1980)  be sufficient?  i want the kerouac and ginsberg

to be equal.

Thank you all so much!  i really appreciate the input!  i need as soon as

possible!  you can send it directly to me, or through the list - which ever

you prefer!  you all are the best!

-Jenn Fedor

=========================================================================

Date:         Fri, 22 Aug 1997 16:24:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I say there is only one Kerouac book, On The Road.  You

should read any one or two of the others to determine that,

however.

 

Mike Rice

 

At 04:04 PM 8/22/97 -0400, you wrote:

>beat members,

> 

>i desparately need the help of anyone who wishes to contribute!  i am trying

>to start a tutorial at New College of USF (which, if you do not know, is a

>student run and organized course offered for normal course credit) on Kerouac

>and Ginsberg work.  i would really appreciate all of your input, because most

>of the vocal members on this list are much more versed in the subject than i.

> 

>i will probably be asking many questions along the way if this is successful,

>but for now my big question is:

>Which Kerouac novels would you chose for a course if only 4-5 could be read

>(please give the top four and a bonus just in case!)?

> 

>What Ginsberg stuff should we read?  i was thinking kaddish and howl and the

>neal cassady elegies (where are those located?)  what else? would the

>Collected Poems (1947-1980)  be sufficient?  i want the kerouac and ginsberg

>to be equal.

>Thank you all so much!  i really appreciate the input!  i need as soon as

>possible!  you can send it directly to me, or through the list - which ever

>you prefer!  you all are the best!

>-Jenn Fedor

> 

> 

=========================================================================

Date:         Fri, 22 Aug 1997 14:42:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>Which Kerouac novels would you chose for a course if only 4-5 could be read

>(please give the top four and a bonus just in case!)?

 

     How advanced is this course?  In my mind there's two ways to go:

     Others are welcome to disagree/agree with me.

 

     Underclassmen/Lower level/etc.

 

     On the Road

     Dharma Bums

     Desolation Angels

     Big Sur

     (Selected Letters -57, to be read concurrently with items above, gives

     a lot of insight into who's who and what makes them tick in the texts)

 

     The above is divided equally and chronologically (w/except of age

     0-26), it's not very wide in style or voice, but does give a fairly

     broad spectrum of the "life" of JK during the period 1948-1962, If I

     could add anything I'd add Visions of Gerard at the beginning to make

     up for aforementioned age gap, possible in place of selected letters.

 

 

 

     Big Heads/Upper level/ etc. (especially those already familiar with

     JK)

 

     Visions of Gerard

     Doctor Sax

     Vanity of Dulouz

     Visions of Cody

 

     Not as broad chronologically but it touches on the literary genius

     Kerouac was.  Doctor Sax is the key to this. I would also assign Ann

     Charters Kerouac - A Biography (dodges thrown objects who think

     Charters was too much an apologist for Jack's alcoholism).  Tho' she

     did tend to underplay Jack's more troubled aspects it's still, in my

     mind, the best account for the # of pages (trying to stay on GNs good

     side if he's still on the list).

 

     How's come no Kerouac Poetry?

 

     >What Ginsberg stuff should we read?

 

     I'm not qualified here (others may say I'm not qualified for the

     above).

 

     Again, I welcome and expect disagreement on my choices.

 

     love and lilies,

 

     matt

=========================================================================

Date:         Fri, 22 Aug 1997 17:08:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

In-Reply-To:  <1.5.4.16.19970822111951.08979464@mail.wi.centuryinter.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, Mike Rice wrote:

 

> I say there is only one Kerouac book, On The Road.  You

> should read any one or two of the others to determine that,

> however.

> 

> Mike Rice

> 

Thats an insult to Kerouac's work.  "On the Road" is a great work, but

Kerouac himself felt that it was worked over too much by his editors.

He saw his work like poetry...with an uninterrupted flow like jazz.

 

In many respects, I think Kerouac's best work was not "On the Road", but

"Big Sur", "Subterraneans"...works that he was allowed to publish without

having to be worked over by editors willing to sacrifice his "voice" in

order to meet some definition of "accessible"

=========================================================================

Date:         Fri, 22 Aug 1997 16:28:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      NL: The Senders

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

         "....A telepathic sender has to

send all the time. He can never receive,

because if he receives that means some-

one else has feelings of his own could

louse up his continuity. The sender has

to send all the time, but he can't ever recharge himself by contact.

Sooner or

later he's got no feelings to send. You

can't have feelings alone. Not alone like the Sender is alone..."

<snip>

 

           "...Now one sender could control

the planet..."

 

              All the above taken from the

chapter "Islam Incorporated And The

Parties Of Interzone"

----------------------------------------------------

               Hello everyone:

                My question to the list is, do

"the senders" represent writers?

 

                   I wish everyone a great

weekend. Have fun.

 

                                          My best,

 

                                           Chimera

=========================================================================

Date:         Fri, 22 Aug 1997 17:17:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Morgan <Ferlingh2@AOL.COM>

Subject:      Re: Re[2]: Books from Edie Kerouac's library

 

Matt:

Sorry, I thought it automatically appeared on the top of the window.  Our

e-mail address is:  FERLINGH2@AOL.COM

=========================================================================

Date:         Fri, 22 Aug 1997 17:20:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: NL: The Senders

In-Reply-To:  <199708222028.NAA17114@mailtod-103.bryant.webtv.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, Eric Blanco wrote:

 

>                 My question to the list is, do

> "the senders" represent writers?

 

I think so, but am interested in seeing what everyone else's take on it is.

But one sender to control the planet -- who and how? Certainly many have come

close or at least very pervasive, smearing their mark on countless facets of

the planet for ages after the words were writ...

=========================================================================

Date:         Fri, 22 Aug 1997 17:25:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

In-Reply-To:  <3FDFC2B0.@usoc.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, MATT HANNAN wrote:

 

> >Which Kerouac novels would you chose for a course if only 4-5 could be read

> >(please give the top four and a bonus just in case!)?

> 

1. Any Kerouac course has to start with "Town and the City", because its his

   first work and shows the influence of Thomas Wolfe...and also because

    students should see the contrast between the voice/style of that book

    and Kerouac's later, more famous works when he had found his signature

    voice.

 

2.  "On the Road" of course, and selections (not the whole thing) from

    "Visions of Cody", exploring the Jack/Neal relationship.

 

3.   "Dr. Sax", because you cant understand Kerouac without reading of his

     childhood.

 

4.    "Subterreaneans" because it is exemplory of his jazz-like style of

      writing and shows much of his attitudes about women and love.

 

5.    "Big Sur" because it shows the post-OTR Kerouac and what happened

      to his life and attitudes after becoming famous, and how alcholism

      affected him.

 

I'd also put Ann Charters "Portable Kerouac Reader" on the book list

because it has a wide selection of letters and excerpts from other works.

 

 

 

RJW

=========================================================================

Date:         Fri, 22 Aug 1997 16:21:45 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: NL: The Senders

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Eric Blanco wrote:

> 

>          "....A telepathic sender has to

> send all the time. He can never receive,

> because if he receives that means some-

> one else has feelings of his own could

> louse up his continuity. The sender has

> to send all the time, but he can't ever recharge himself by contact.

> Sooner or

> later he's got no feelings to send. You

> can't have feelings alone. Not alone like the Sender is alone..."

> <snip>

> 

>            "...Now one sender could control

> the planet..."

> 

>               All the above taken from the

> chapter "Islam Incorporated And The

> Parties Of Interzone"

> ----------------------------------------------------

>                Hello everyone:

>                 My question to the list is, do

> "the senders" represent writers?

> 

>                    I wish everyone a great

> weekend. Have fun.

> 

>                                           My best,

> 

>                                            Chimera

 

NO.

 

david rhaesa

salina, Kansas

 

(sorry - just joking. . . senders would provide psychic scripts to

writers)....

=========================================================================

Date:         Fri, 22 Aug 1997 17:40:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Jenn,

 

A seond thought regarding Matt's suggestion     "I would also assign Ann

     Charters Kerouac - A Biography (dodges thrown objects who think

     Charters was too much an apologist for Jack's alcoholism).  Tho' she

     did tend to underplay Jack's more troubled aspects it's still, in my

     mind, the best account for the # of pages (trying to stay on GNs good

     side if he's still on the list)."

 

I really enjoyed "Desolate Angel: Jack Kerouac, the Beat Generation, and

America" by Dennis McNally, which I read after I read the Charters

biography. Found it more widely interesting since it took in more of the

cultural surround. It's not that much lomger....345 pages of bigger size

with smaller print vs. 399 for Charters. I think the idea of reading the bio

is an excellent one.

 

I would add that listening to Kerouac is essential and you should be sure to

make room for that in the class room - even if you had time only for

"October in the Railroad Earth"!

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 22 Aug 1997 17:57:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Morgan <Ferlingh2@AOL.COM>

Subject:      Re: Richard Brautigan novel

 

Dear Steve:

Maybe it was our copy you saw, but we have it for $25 in our newest

catalogue.  If you want a copy of the catalogue, e-mail me at

FERLINGH2@AOL.COM or write

Morgan & Rosenthal

PO Box 1631

New York, NY  10009

=========================================================================

Date:         Fri, 22 Aug 1997 18:14:02 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> On Fri, 22 Aug 1997, Mike Rice wrote:

> 

> > I say there is only one Kerouac book, On The Road.  You

> > should read any one or two of the others to determine that,

> > however.

> >

> > Mike Rice

> >

> Thats an insult to Kerouac's work.  "On the Road" is a great work, but

> Kerouac himself felt that it was worked over too much by his editors.

> He saw his work like poetry...with an uninterrupted flow like jazz.

> 

> In many respects, I think Kerouac's best work was not "On the Road", but

> "Big Sur", "Subterraneans"...works that he was allowed to publish without

> having to be worked over by editors willing to sacrifice his "voice" in

> order to meet some definition of "accessible"

> 

agreed. i think on the road is probably the worst kerouac book i ahve

read. visions of cody is the best, imho.

randy~ cya

=========================================================================

Date:         Fri, 22 Aug 1997 18:14:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: NL: The Senders (fwd)

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

[forwarded with approval from author]

---------- Forwarded message ----------

Date: Fri, 22 Aug 1997 16:41:47 -0500

From: RACE --- <race@midusa.net>

To: Michael Stutz <stutz@dsl.org>

Subject: Re: NL: The Senders

 

Michael Stutz wrote:

> 

> On Fri, 22 Aug 1997, RACE --- wrote:

> 

> > >                 My question to the list is, do

> > > "the senders" represent writers?

> >

> > NO.

> >

> > (sorry - just joking. . . senders would provide psychic scripts to

> > writers)....

> >

> i think of them as the voice that the writer transcribes. this about what

> youre thinking?

 

yes ... the writer is a receiver of telepathic messages that are

transcribed.  the sender is something or someone else.  i believe that

the notion of pure sender is considered an evil as presented in that

section.  also the sender sort of implodes from a lack of reception and

another sender must be "Crowned".

 

i believe that we are on a fairly close wavelength.

 

it seems that a writer would only also be a sender if the writing was in

code which would appear to mean one thing but have a powerful Control

affect/effect subliminally on the receiving readers.

 

who are the senders?  line from Leonard cohen says the rich have

channels in the bedrooms of the poor.  i doubt that it is - but the

senders may not be conscious of their actions.

 

it is a very interesting theory to play with and at least in Naked Lunch

i think WSB just touches the very very edge of the possibilities

concerning it.

 

have a nice evening.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 22 Aug 1997 17:22:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: NL: The Senders (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:

> 

> [forwarded with approval from author]

> ---------- Forwarded message ----------

> Date: Fri, 22 Aug 1997 16:41:47 -0500

> From: RACE --- <race@midusa.net>

> To: Michael Stutz <stutz@dsl.org>

> Subject: Re: NL: The Senders

> 

> Michael Stutz wrote:

> >

> > On Fri, 22 Aug 1997, RACE --- wrote:

> >

> > > >                 My question to the list is, do

> > > > "the senders" represent writers?

> > >

> > > NO.

> > >

> > > (sorry - just joking. . . senders would provide psychic scripts to

> > > writers)....

> > >

> > i think of them as the voice that the writer transcribes. this about what

> > youre thinking?

> 

> yes ... the writer is a receiver of telepathic messages that are

> transcribed.  the sender is something or someone else.  i believe that

> the notion of pure sender is considered an evil as presented in that

> section.  also the sender sort of implodes from a lack of reception and

> another sender must be "Crowned".

> 

> i believe that we are on a fairly close wavelength.

> 

> it seems that a writer would only also be a sender if the writing was in

> code which would appear to mean one thing but have a powerful Control

> affect/effect subliminally on the receiving readers.

> 

> who are the senders?  line from Leonard cohen says the rich have

> channels in the bedrooms of the poor.  i doubt that it is - but the

> senders may not be conscious of their actions.

> 

> it is a very interesting theory to play with and at least in Naked Lunch

> i think WSB just touches the very very edge of the possibilities

> concerning it.

> 

> have a nice evening.

> 

> david rhaesa

> salina, Kansas

 

on another note . . .

 

imagine the impasse of a One Muse Universe.  The Muse must be strictly a

sender for to receive would disturb the continuity of the Muse's control

over the message.  Unable to receive, the material available to the One

Muse eventually runs out.  The pre-recorded tape slides from the feeding

reel of the machine and the sound of the near silent slapping of the

receiving reel of the machine is heard momentarily.  Until the One Muse

is tossed in a ditch somewhere near Wamego and another One Muse is

"Crowned".  The technicians push the buttons and change the reels - no

clues what tapes they're playing.  Ran out of King James and

Shakespeare, Joe, better throw on some of the KERRRRROOOOWWWWWAAAACCCK

reel.  There are to many Ted, which one.  Look Joe it's all one big

recording does it really matter.  Just throw 'em in the middle and we

can play to the future and the past as the reels spin along. . . . . .

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 22 Aug 1997 18:32:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: NL: The Senders (fwd)

In-Reply-To:  <33FE113B.F5C@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, RACE --- wrote:

 

> imagine the impasse of a One Muse Universe.

 

classic.

 

> The technicians push the buttons and change the reels - no

> clues what tapes they're playing.

and since have upgraded to the new universe with fractal muse choir, no need

to change reels...

=========================================================================

Date:         Fri, 22 Aug 1997 17:57:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: NL: The Senders (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:

> 

> On Fri, 22 Aug 1997, RACE --- wrote:

> 

> > imagine the impasse of a One Muse Universe.

> 

> classic.

> 

> > The technicians push the buttons and change the reels - no

> > clues what tapes they're playing.

> and since have upgraded to the new universe with fractal muse choir, no need

> to change reels...

 

fractal choirs ... ???? ... is that like strawberry fields forever in

MUZAK in the elevators?  good reason to take the stairs i'd say.

 

remember an old friend an i had a theory of taking brain waves and

charting the sine curves into music generating machines and

experimenting with alterations in the curves.  that is probably the

future of the game.  i buried the idea deep for the control dangers but

it is out of the bag now i suppose.

 

word to the wise ... stay out of those elevators and bring your own

tapes and walkman with you at all times.  never trust the radio stations

... even the koolest of the kool are sending death ray auditory

symphonies in the montage combinations of the larger sine curves.

 

i believe that will be it for a while.  the receivers need to be filled

once again.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 22 Aug 1997 19:07:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

In-Reply-To:  <970822160155_-601714287@emout11.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Well,

     certainly ON THE ROAD, and it would seem THE TOWN AND THE CITY (lots

one could do w/this as comparison/perspective), VISIONS OF CODY, DR. SAX,

DESOLATION ANGELS, with selections from the letters and poetry. I hope to

someday teach a course like this myself. "Enlightenment comes when you

don't care."

 

WNGay

=========================================================================

Date:         Fri, 22 Aug 1997 18:08:34 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

As far as Kerouac goes, here's what I'd choose:

ON THE ROAD

DHARMA BUMS

DR.SAX

THE SUBTERRANEANS

BIG SUR

(VISIONS OF CODY is one of his best, but it's really an acquired taste)

 

...and although it's not a novel, I think MEXICO CITY BLUES is

absolutely essential when studying Kerouac and his contributions to

poetry.

 

As for Ginsberg, Selected Poems would be a good way to go (tho I don't

know if it's in paperback yet), you could select the classic pieces like

Wichita Vortex Sutra, Wales Visitation, Kral Majales, Who Be Kind To,

Mind Breaths, After Lalon...ah hell, just do the whole durn book!

 

The Portable Beat Reader would also be a good thing to cover.

 

Adrien

 

Jenn Fedor wrote:

> 

> beat members,

> 

> i desparately need the help of anyone who wishes to contribute!  i am trying

> to start a tutorial at New College of USF (which, if you do not know, is a

> student run and organized course offered for normal course credit) on Kerouac

> and Ginsberg work.  i would really appreciate all of your input, because most

> of the vocal members on this list are much more versed in the subject than i.

> 

> i will probably be asking many questions along the way if this is successful,

> but for now my big question is:

> Which Kerouac novels would you chose for a course if only 4-5 could be read

> (please give the top four and a bonus just in case!)?

> 

> What Ginsberg stuff should we read?  i was thinking kaddish and howl and the

> neal cassady elegies (where are those located?)  what else? would the

> Collected Poems (1947-1980)  be sufficient?  i want the kerouac and ginsberg

> to be equal.

> Thank you all so much!  i really appreciate the input!  i need as soon as

> possible!  you can send it directly to me, or through the list - which ever

> you prefer!  you all are the best!

> -Jenn Fedor

=========================================================================

Date:         Fri, 22 Aug 1997 19:28:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: NL: The Senders (fwd)

In-Reply-To:  <33FE1956.3269@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, RACE --- wrote:

 

> fractal choirs ... ???? ... is that like strawberry fields forever in

> MUZAK in the elevators?

 

dunno, senders made me say it.

=========================================================================

Date:         Sat, 23 Aug 1997 14:23:20 +0200

Reply-To:     Matthias Schneider <magrobi@zedat.fu-berlin.de>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthias Schneider <magrobi@ZEDAT.FU-BERLIN.DE>

Subject:      Re: Naked Luch: Joselito

In-Reply-To:  <33FBDF30.294C@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Hi Diana,

 

the morphem or dimunitive -ito has a Spaish origin and is used for male

childen i.e. boys.

 

Matthias (Berlin)

=========================================================================

Date:         Sat, 23 Aug 1997 09:13:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Kirouack@AOL.COM>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

 

how many of Kerouac's books have you read?  for me...On the Road is a great

book, a fun book to read.  but like The Dharma Bums, to me, this isn't the

Kerouac we know and love.  read Dr. Sax, Visions of Cody, Big Sur, Visions of

Gerard, Book of Dreams...now, read these books...and tell me that again.

=========================================================================

Date:         Sat, 23 Aug 1997 09:44:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: New Kerouac Books

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Jeff....that invoice is on the way to you. Could I have a catalog?

Thanks, the next quarterly will be available soon. Thanks, Paul.....

=========================================================================

Date:         Sat, 23 Aug 1997 06:44:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Rinaldo's poem

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

Hi Rinaldo,

 

I tiught this response was more appropriate for so called backchanell, but

the robot says uou are unknown.

 

leon

 

------------------------- Message log follows: -------------------------|

no valid recipients were found for this message

|------------------------- Failed addresses follow: ---------------------|

<:Include:rinaldo@gpnet.it> ... unknown user

|------------------------- Message text follows: ------------------------|

Received: from mail.cruzio.com by gpnet.it with smtp using sendmail

(rfc1413=mmdf)

(Smail3.2.0.90 #1) id m0x2FP0-000rJeC; Sat, 23 Aug 1997 14:34:50 +0200 (MET

DST)

Received: from mbay69.cruzio.com by mail.cruzio.com id aa17782;

          23 Aug 97 5:21 PDT

From: Leon Tabory <letabor@cruzio.com>

To: rinaldo@GPNET.IT

MMDF-Warning:  Parse error in original version of preceding line at

mail.cruzio.com

Subject: Re. Th Eyes of rhe Sardines

Date: Sat, 23 Aug 1997 05:10:58 -0700

MIME-Version: 1.0

Content-Type: text/plain;

charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

X-Priority: 3

X-MSMail-Priority: Normal

X-Mailer: Microsoft Outlook Express 4.71.1008.3

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

Message-ID:  <9708230521.aa17782@mail.cruzio.com>

 

Rinaldo,

 

Your poetry does something to my eyes. Suddenly whole layers of dust are

cleared away and light enters into the fuzzy periphery. Wish it would go on

like this

for awhile longer, lots more questions waiting, but you can't expect the

bright light shining on all the time. There is lots to be seen in them

shadows. Wish for more, more, clearness, but I know more will come too. In

fact I am amazed that you come up with what you do, as much as you do.

Another pearl of the llist.

 

leon

=========================================================================

Date:         Sat, 23 Aug 1997 07:33:12 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: NL: The Senders

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

+AD4-               Hello everyone:

+AD4-                My question to the list is, do

+AD4AIg-the senders+ACI- represent writers?

+AD4-

+AD4-                   I wish everyone a great

+AD4-weekend. Have fun.

+AD4-

+AD4-                                          My best,

+AD4-

+AD4-                                           Chimera

 

 

You are asking if all writers are telepathic?

 

Is +ACI-Senders+ACI-  a phantasy, or a telepathically received notion whch

 generates

endless phantasies about telepathic all kinds of other notions. Personally I

think senders would like to be gods. but aren't, so they recruit armies of

scared receivers to foverpower other aspiring sendersafter defeating

themselves, first. Shut up and listen, receiver. Make me, sender. Sorry I am

not allowed to listen to you being a sender my own spoken (not written)

self.

 

Be careful with your lunch box of telepathic messages, it'll run out you

know, don't let it get wet, it'll spoil you know. You know, you know? There

was a telepathic message in there, you listenin? Don't answer if you are a

sender. But if you are a talented writer imagine what you can do with it.

 

leon

=========================================================================

Date:         Sat, 23 Aug 1997 10:01:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: NL: The Senders

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

> 

> +AD4-               Hello everyone:

> +AD4-                My question to the list is, do

> +AD4AIg-the senders+ACI- represent writers?

> +AD4-

> +AD4-                   I wish everyone a great

> +AD4-weekend. Have fun.

> +AD4-

> +AD4-                                          My best,

> +AD4-

> +AD4-                                           Chimera

> 

> You are asking if all writers are telepathic?

> 

> Is +ACI-Senders+ACI-  a phantasy, or a telepathically received notion whch

>  generates

> endless phantasies about telepathic all kinds of other notions. Personally I

> think senders would like to be gods. but aren't, so they recruit armies of

> scared receivers to foverpower other aspiring sendersafter defeating

> themselves, first. Shut up and listen, receiver. Make me, sender. Sorry I am

> not allowed to listen to you being a sender my own spoken (not written)

> self.

> 

> Be careful with your lunch box of telepathic messages, it'll run out you

> know, don't let it get wet, it'll spoil you know. You know, you know? There

> was a telepathic message in there, you listenin? Don't answer if you are a

> sender. But if you are a talented writer imagine what you can do with it.

> 

> leon

 

imagine you know you know i think you're right about the sender have a

bunch of receiving sheep and whatnot.  important to keep a good dose of

humour in brain - all life is tongue-cheek - when imagining about such

things i suppose.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 23 Aug 1997 11:26:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: NL: The Senders

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

 

> +AD4-               Hello everyone:

> +AD4-                My question to the list is, do

> +AD4AIg-the senders+ACI- represent writers?

> +AD4-

> +AD4-                   I wish everyone a great

> +AD4-weekend. Have fun.

> +AD4-

> +AD4-                                          My best,

> +AD4-

> +AD4-                                           Chimera

> 

> You are asking if all writers are telepathic?

> 

> Is +ACI-Senders+ACI-  a phantasy, or a telepathically received notion

> whch

>  generates

> endless phantasies about telepathic all kinds of other notions.

> Personally I

> think senders would like to be gods. but aren't, so they recruit

> armies of

> scared receivers to foverpower other aspiring sendersafter defeating

> themselves, first. Shut up and listen, receiver. Make me, sender.

> Sorry I am

> not allowed to listen to you being a sender my own spoken (not

> written)

> self.

> 

> Be careful with your lunch box of telepathic messages, it'll run out

> you

> know, don't let it get wet, it'll spoil you know. You know, you know?

> There

> was a telepathic message in there, you listenin? Don't answer if you

> are a

> sender. But if you are a talented writer imagine what you can do with

> it.

> 

> leon

 

Leon:

 

If it is just a box of rain, how do you keep it from getting wet?

 

And it's just a box of rain,

Believe it if you need it, if you don't just pass it on.

And it's just a box of rain and some ribbons for your hair,

Such a long long time to be gone, and a short time to be there.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 23 Aug 1997 10:38:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

>   Does the narrator have power in

> his observations and the words he uses, or is he merely a scribe forced

> to write about that which he cannot change?

> DC

 

This is an incredibly difficult question.  It touches on the stuff in

the NL-Senders thread somewhat.  Luckily you bring me back to the

beginning of the book.  I received a do not pass go - move back to

chapter one signal - and just in time i suppose.

 

I guess the easy answer to the question is -- Yes!

 

Copout though as well.  The narrator is a scribe of sorts -- what is he

scribbling?  In ordinary writing the scribe would be scribbling the

signals of the prerecorded universe - perhaps with minor modifications -

but still easily for the Controllers to drag within the messages of

social control.  This particular narrator is attempting to slash through

such prerecordings (perhaps analogous to the way Joyce is slashing

through Aristotelian grounded thinking???) by the use of non-linear

forms and methods to find the script to scribble.

 

Of course, one must wonder how deep these control notions -- whether

considered metaphorically or literally -- run.  Perhaps the river of

scriptural prerecordings is so deep that even the cut-up methods are

just another branch of possible versions of the script that the

controllers pre-recognize -- merely permutations of the obvious script

afterall -- and so the freedom suggested by the cutup is another tool of

the controllers.  I can just see Benway with a whole cutup wing in which

young WSB addicts are cutting up the "Life Rule Books" certain that they

are going to find freedom.  What do they find - another script.  And so

the words are still there -- grounding the controller's method which is

based so clearly in words. . . .words.

 

What does this all mean?  Not a hell of a lot.....

 

On to Benway ......... ------------<<<<<<<<<<<<<<<<<<<<<<<

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 23 Aug 1997 08:34:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: NL: The Senders

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Sender : +ACI-talented writer creates wet proof rain lunch box. Where is the

rain maker? +ACI- +ACI- I am coming, I am coming+ACI-   El Nino would answer if

 it

could. (If it were not a sender with message under way..)

 

Leon

 

+AD4-Leon Tabory wrote:

+AD4-

+AD4APg- +AD4-               Hello everyone:

+AD4APg- +AD4-                My question to the list is, do

+AD4APg- +AD4AIg-the senders+ACI- represent writers?

+AD4APg- +AD4-

+AD4APg- +AD4-                   I wish everyone a great

+AD4APg- +AD4-weekend. Have fun.

+AD4APg- +AD4-

+AD4APg- +AD4-                                          My best,

+AD4APg- +AD4-

+AD4APg- +AD4-                                           Chimera

+AD4APg-

+AD4APg- was a telepathic message in there, you listenin? Don't answer if you

+AD4APg- are a

+AD4APg- sender. But if you are a talented writer imagine what you can do with

+AD4APg- it.

+AD4APg-

+AD4APg- leon

+AD4-

+AD4-Leon:

+AD4-

+AD4-If it is just a box of rain, how do you keep it from getting wet?

+AD4-

+AD4-And it's just a box of rain,

+AD4-Believe it if you need it, if you don't just pass it on.

+AD4-And it's just a box of rain and some ribbons for your hair,

+AD4-Such a long long time to be gone, and a short time to be there.

+AD4-

+AD4-

+AD4---

+AD4-

+AD4-Peace,

+AD4-

+AD4-Bentz

+AD4-bocelts+AEA-scsn.net

+AD4-http://www.scsn.net/users/sclaw

+AD4-.-

+AD4-

=========================================================================

Date:         Sat, 23 Aug 1997 12:57:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         George Russell <CodyPomera@AOL.COM>

Subject:      Tangier and the beatz

 

Dear Beat L-er's,

 

My names George, been on the list before, but had to cancel for awhile for I

went traveling in Spain and the rest of Southern Europe.  Very beautiful and

an astounding experience, my first time out of the U.S., cept' for Canada,

which don't count.  At any rate, while there, I made the pilgrimage to

Tangier and resided in a hotel for a few days, where Bill Burroughs stayed,

wrote Nekkid Lunch and all that, plus I was able to stay in room four, where

Kerouac and Ginsberg stayed while they visited Burroughs.  Saw the garden

where the picture was taken, the one with Burroughs, Ginsberg, Orlovsky,

etc..., went to a few haunts of Burroughs and got drunk at the bar where they

kicked it, the tanger inn.  All in all an ecstatically beautiful experience.

 Questions I wanted to ask the list; Anyone else been to Tangier and

witnessed all this?  How was it, etc...?  And if anyone would like the phone

numbers, addresses, etc..., feel free to ask...thanks.

 

-george

=========================================================================

Date:         Sat, 23 Aug 1997 13:00:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "L.W. Deal" <RoadSide6@AOL.COM>

Subject:      Re: The Kerouac Quarterly Needs your input!

Comments: cc: mapaul@pipeline.com

 

Bar none, the quote  from OTR that has stood out most often and been copied

in each and every journal this boy's ever owned:

 

What is that feeling when you're driving away from people and they recede on

the plain till you see their specks dispersing? -- it's the too-huge world

vaulting us, and it's good-by. But we lean forward ti the next crazy venture

beneath the skies. . .       Chapter 8, first paragraph

=========================================================================

Date:         Sat, 23 Aug 1997 11:37:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Re[2]: renaming Characters...

In-Reply-To:  <3FDB87D0.@usoc.org>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 22 Aug 1997, MATT HANNAN wrote:

> the fictionalized names.  In the next to the last sentence of Chapter 23 in

> Dharma Bums he writes (and no one has corrected it in 39 years (that I can

 see)

> "....I had a dollar left and GARY was waiting for me at the shack."  There is

 no

> *character* named Gary (but of course Japhy = Gary) in DB so it should have

 been

> "...Japhy was...". I'm quoting this from the newer Penguin series, does anyone

> have a first/second edition DB that they can verify that it's always been this

> way?

 

well, i have the signet books, 2nd edition, december 1967 (which cover

reads "THE DHARMA BUMS, by the man who launched the hippie world, the

daddy of the swinging psychedlic generation, JACK KEROUAC, author of ON

THE ROAD" and the sentence in question reads "I had a dollar left and

japhy was waiting for me at the shack."

can anyone else shine light on the anomaly?

yrs

derek

=========================================================================

Date:         Sat, 23 Aug 1997 02:28:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: On the Road/was Naked Lunch, Chapter 1

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> One thing that i have found particularly amusing is the contrast in

> views of "America" between this and On The Road.

> 

> NL pp.12-13

> But there is no drag like U.S. drag.  You can't see it, you don't know

> where it comes from. . . .You walk in and it hits you.  But where does

> it come from?

> 

> And the differences in attitude towards Chicago are unbelievable.

> Having grown up in the Midwest i have to think that JK's view is more a

> happiness of leaving behind the known behind than anything peculiar to

> the Midwest and West.  It is the newness of it that grabs him and shows

> through his prose.

 

In On the Road it is the newness that grabs Kerouac and excites him.  It

is really evident in going back and rereading On the Road after having

read later Kerouac works, how enthralled he is with the whole process of

discovering America and the people he meets along the way.  Later this

excitement fades into as you said before somewhere, a "been there, done

that" syndrome where the whole process becomes one of incredible

saddness, a place where seemingly there are no new roads to discover.

And an America found, in Big Sur, where he can no longer hitchhike and

get a ride, being passed by a wave of middle-class Americans and their

families in station wagons (probably upgraded today to minivans), who

have no place in their lives for strangers standing by the side of the

road.

DC

=========================================================================

Date:         Sat, 23 Aug 1997 03:41:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@AOL.COM

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

 

> Of course, one must wonder how deep these control notions -- whether

> considered metaphorically or literally -- run.  Perhaps the river of

> scriptural prerecordings is so deep that even the cut-up methods are

> just another branch of possible versions of the script that the

> controllers pre-recognize -- merely permutations of the obvious script

> afterall -- and so the freedom suggested by the cutup is another tool

> of

> the controllers.  I can just see Benway with a whole cutup wing in

> which

> young WSB addicts are cutting up the "Life Rule Books" certain that

> they

> are going to find freedom.  What do they find - another script.  And so

> the words are still there -- grounding the controller's method which is

> based so clearly in words. . . .words.

 

That sort of opens up my thoughts on cut-ups and the pre-recorded

universe.  I don't see cut-ups as shaking up the universe (real or of

words) for they only reorganize the pre-recorded script.  What ever

controls there are, are not subverted by this but allow for it in

whatever master system is at play.  What freedom does it bring?  It would

seem that a pre-recorded universe/script would take into account all of

the things that are possible, thus doing anything is playing it out, not

changing it?

DC

=========================================================================

Date:         Sat, 23 Aug 1997 14:57:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> > RACE wrote:

> 

> > Of course, one must wonder how deep these control notions -- whether

> > considered metaphorically or literally -- run.  Perhaps the river of

> > scriptural prerecordings is so deep that even the cut-up methods are

> > just another branch of possible versions of the script that the

> > controllers pre-recognize -- merely permutations of the obvious script

> > afterall -- and so the freedom suggested by the cutup is another tool

> > of

> > the controllers.  I can just see Benway with a whole cutup wing in

> > which

> > young WSB addicts are cutting up the "Life Rule Books" certain that

> > they

> > are going to find freedom.  What do they find - another script.  And so

> > the words are still there -- grounding the controller's method which is

> > based so clearly in words. . . .words.

> 

> That sort of opens up my thoughts on cut-ups and the pre-recorded

> universe.  I don't see cut-ups as shaking up the universe (real or of

> words) for they only reorganize the pre-recorded script.  What ever

> controls there are, are not subverted by this but allow for it in

> whatever master system is at play.  What freedom does it bring?  It would

> seem that a pre-recorded universe/script would take into account all of

> the things that are possible, thus doing anything is playing it out, not

> changing it?

> DC

 

i suppose that requires getting past all the questions about determinism

vs. free will to answer.  have to get far beyond this book to get close

to those notions from WSB's perspective.

 

it seems that the recording is altered whether the overall system is.

so my experience within the universe is different than it would have

been otherwise.

 

but best answer is probably

 

maybe/maybe not?????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 23 Aug 1997 12:49:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

+AD4-Diane Carter wrote:

+AD4APg-   Does the narrator have power in

+AD4APg- his observations and the words he uses, or is he merely a scribe forced

+AD4APg- to write about that which he cannot change?

+AD4APg- DC

+AD4-

 

This is from a died in the wool fan of Diane. I would love to read any

literary reviews that you wite. Good stuff.  Let me confess that I suffer

some kind of a reading disability, don't read much, although I always loved

to read book reviews. My connection to this list to begin with was an

interest in what is being said today about my old buddy Neal. This is to

explain why I don't feel knowledgeable enough to enter sophisticated

discussions of literature. I do appreciate them a lot from a lurking

position. I got hooked on all these very  alive minds trying to enlighten

themselves and each other. In this instance tough I have a problem with the

posed either/or dichotomy.

 

Could not a good narrator, restrcting or forcing himself to write accurate

descriptions of events that transpired, that nothing and no one could change

any longer, still be aware of the even greater power his words have to

change things in the near or distant future?

 

leon

=========================================================================

Date:         Sat, 23 Aug 1997 17:03:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Cross post[Fwd: burroughs and dylan]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------6C36629B871EB5E1E0EFB74A"

 

This is a multi-part message in MIME format.

--------------6C36629B871EB5E1E0EFB74A

Content-Type: text/plain; charset=us-ascii

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

Content-Transfer-Encoding: 7bit

 

Can anybody explain this to me?  Thank you for your assistance.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

--------------6C36629B871EB5E1E0EFB74A

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Path:

 Supernews69!supernews.com!news.gv.tsc.tdk.com!news.iac.net!news-peer.spinne.com

 !logbridge.uoregon.edu!news.maxwell.syr.edu!howland.erols.net!portc02.blue.aol.

 com!audrey02.news.aol.com!not-for-mail

From: petekon@aol.com (Petekon)

Newsgroups: rec.music.dylan

Subject: burroughs and dylan

Date: 23 Aug 1997 01:37:38 GMT

Message-ID: <19970823013700.VAA05849@ladder02.news.aol.com>

NNTP-Posting-Host: ladder02.news.aol.com

X-Admin: news@aol.com

Organization: AOL http://www.aol.com

Xref: Supernews69 rec.music.dylan:91164

 

a most accessible and bite-size dose of big bill are his alleged last

written words in the august 8 (?) edition of The New Yorker. Spare and

stark as ever, you can see the man writing like a beckett character

because he cant not-write, even now, with the darkness closing in.

Interestingly, bill shows himself to be a deist, as he says something to

the effect of man being left on the planet and then abandoned, the

frightening thing about burroughs is the eventual realisation i got that

he is NOT a neo- or avant-garde anything, he is completely issued from the

mainstream of western thought, one tentacle of the logical conclusion of

cartesianism.

 

-p. kondrat

 

 

--------------6C36629B871EB5E1E0EFB74A--

=========================================================================

Date:         Sat, 23 Aug 1997 17:05:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Cross post[Fwd: Burroughs goes to Hell]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------662C9C891236B154CFA432D5"

 

This is a multi-part message in MIME format.

--------------662C9C891236B154CFA432D5

Content-Type: text/plain; charset=us-ascii

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

Content-Transfer-Encoding: 7bit

 

Now, this one I can understand.  TIMHRK must have been the one wishing

Burroughs would burn in hell etc., I am not sure.  But clearly the

karmic wheel spin thing I like.

 

Good sensible thought here.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

--------------662C9C891236B154CFA432D5

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Path:

 Supernews69!supernews.com!news.IAEhv.nl!news.oru.edu!news-spur1.maxwell.syr.edu

 !news.maxwell.syr.edu!howland.erols.net!portc02.blue.aol.com!audrey02.news.aol.

 com!not-for-mail

From: petekon@aol.com (Petekon)

Newsgroups: rec.music.dylan

Subject: Re: Burroughs goes to Hell

Date: 23 Aug 1997 02:03:41 GMT

Message-ID: <19970823020300.WAA07834@ladder02.news.aol.com>

NNTP-Posting-Host: ladder02.news.aol.com

X-Admin: news@aol.com

Organization: AOL http://www.aol.com

References: <EEqnxF.JFu@midway.uchicago.edu>

Xref: Supernews69 rec.music.dylan:91167

 

really, man, dont worry about burroughs's soul! with a little luck wsb

will re-incarnate as TIMHRK's grandchild! i believe bill gave a mighty

spin to his own karmic wheel, lived through much hell already and will

re-surface on a higher plane...

 

peter kondrat

 

 

--------------662C9C891236B154CFA432D5--

=========================================================================

Date:         Sat, 23 Aug 1997 14:12:43 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

+AD4-In ordinary writing the scribe would be scribbling the

+AD4-signals of the prerecorded universe - perhaps with minor modifications -

+AD4-but still easily for the Controllers to drag within the messages of

+AD4-social control.  This particular narrator is attempting to slash through

+AD4-such prerecordings (perhaps analogous to the way Joyce is slashing

+AD4-through Aristotelian grounded thinking???) by the use of non-linear

+AD4-forms and methods to find the script to scribble.

+AD4-david rhaesa

+AD4-salina, Kansas

 

The first breakthroughs begin with pioneers who manage to survive and signal

each other about inadequacies developing in the shapes that define and

control, them, and weaknesses in the controllers, their need and ability to

to become better informed than the present rule deems safe. We are using

these signals that extend the reach of our skins right now, breaking through

traditional forms of control

 

Brings to mind the old cliche about trying to jump out of your skin. Since

the beginning, the shape of living beings was defined by their skin. Not

necessarily the seven layered universes that protect and shield our bodies

with windows to navigate in the midst of forces that would instantly destroy

us, that has built in systems for communication that allow us to perceive,

communicate and manipulate the physical forces, using teamwork. I use the

word teamwork here loosely because ordinarily the slaves and their masters

might not consider themselves as part of a team that accomplishes something

together however unfairly to both sides or through what methods of control.

We take life too seriously yet, we are too frightened of what's outide of

it, to imagine ourselves, like actors of a play, sitting down to discuss

their performances after the play is over. But it is a possibility.

 

>From the early viri and still moving on, there were forces of control that

were there to eradicate any action that threatens to break out, and weaken

the defined  shape that provides limited safety. If these controlers were

ever alloted permanent power, there would not have been the progressive

modifications and elaborations of those shapes.

 

In other words, I don't see any inconsistency in biological developments

with the arrival of our newest and most powerful tool so far, words. Or with

the processes of control that try to stop any punching of holes in the

structures that protected us in the past. There always were the controllers

who like to hang on to all the power they can. Dangerous radicals were

always to be eradicated, yet pioneers never stopped trying to jump out of

their limiting skins, stretching them as far as they could. That's how

change continues to happen. Changes in understanding and using words as

well.

 

If words are an interfering virus threatening the +ACI-freedom+ACI- of humanity,

then that virus had to start long before words, with life itself.

 

I don't think the prerecorders(?) or whatever engineers who are fooling

around in our LDB (life  development laboratory), have total power.  The

products betray a striving for something that has nowhere and never yet

fully realized. They (?) keep having to experiment further and further.

 

Yes, fooling around with prerecorded forms seems part of the recording. Each

designed species has its limitations and shortcomings. Our very survival

depends upon destroying others. Unless, of course, you don't think that

bacteria for example, who have a procreation lineage longer than ours, do

not qualify as +ACI-others+ACI-. Or that you can solve that nasty by going

 vegan.The

creatures' powers are immense but never perfect. Life span itself is pretty

limited. That seems to me to be the case with control as well.  My bet is

that we will continue to stretch our mastery of words but only within

permitted limits.

 

leon

=========================================================================

Date:         Sat, 23 Aug 1997 17:27:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: On the Road/was Naked Lunch, Chapter 1

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:28 AM 8/23/97 -0700, you wrote:

>> RACE wrote:

>> One thing that i have found particularly amusing is the contrast in

>> views of "America" between this and On The Road.

>> 

>> NL pp.12-13

>> But there is no drag like U.S. drag.  You can't see it, you don't know

>> where it comes from. . . .You walk in and it hits you.  But where does

>> it come from?

>> 

>> And the differences in attitude towards Chicago are unbelievable.

>> Having grown up in the Midwest i have to think that JK's view is more a

>> happiness of leaving behind the known behind than anything peculiar to

>> the Midwest and West.  It is the newness of it that grabs him and shows

>> through his prose.

> 

>In On the Road it is the newness that grabs Kerouac and excites him.  It

>is really evident in going back and rereading On the Road after having

>read later Kerouac works, how enthralled he is with the whole process of

>discovering America and the people he meets along the way.  Later this

>excitement fades into as you said before somewhere, a "been there, done

>that" syndrome where the whole process becomes one of incredible

>saddness, a place where seemingly there are no new roads to discover.

>And an America found, in Big Sur, where he can no longer hitchhike and

>get a ride, being passed by a wave of middle-class Americans and their

>families in station wagons (probably upgraded today to minivans), who

>have no place in their lives for strangers standing by the side of the

>road.

>DC

> 

> 

 

Kerouac wrote a piece for the Chicago Tribune Magazine about a month

before he died.  In it, he said he tried to go back on the road, but

couldn't.  He was too old to hitch rides.  I've tried it too.  Its

hard to hitch rides if your not in your teens or early twenties.  Its

hard especially when everyone has read stories of serial killers.  I

mostly don't give rides myself unless they look young and innocent.

I'm afraid to give someone a ride who might look powerful or slightly

sinister.

 

Mike Rice

=========================================================================

Date:         Sat, 23 Aug 1997 16:30:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

 

.......

> That seems to me to be the case with control as well.  My bet is

> that we will continue to stretch our mastery of words but only within

> permitted limits.

> 

> leon

 

Leon,

 

As usual i found your post -- the entirety not just this clipped part at

the ending -- compleatly fascinating.  Smashing through false

distinctions and revealing what should have been the obvious were it not

for so many mental blinders blinding the supposedly non-blind thinking

creatures here and there.... if i follow you exactly as far as did at

least i seem to have compleatly agreed with everything you wrote - even

those parts that smashed through things that i may have originally

written.  wonderful feeling after reading it.  Going to print this and

read it again after siesta.

 

thanks.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sat, 23 Aug 1997 23:29:52 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      The aggressor.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Don't use the telephone

        People are never ready to answer it.

        Use poetry. --- Jack Kerouac, 1970.

 

Jack Kerouac must have changed the names (using psedonymous)

being afraid of the retaliations.

 

id est,

JK after have published his novel "The Subterraneans"

was beaten violently by a person represented in a character,

(who was the aggressor?)

 

This aggression frightened much Jack & he started to attack his

old beat friends & take to drink.

 

saluti,

Rinaldo.

=========================================================================

Date:         Sat, 23 Aug 1997 05:47:33 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Cross post[Fwd: burroughs and dylan]

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Can anybody explain this to me?  Thank you for your assistance.

> 

> a most accessible and bite-size dose of big bill are his alleged last

> written words in the august 8 (?) edition of The New Yorker. Spare and

> stark as ever, you can see the man writing like a beckett character

> because he cant not-write, even now, with the darkness closing in.

> Interestingly, bill shows himself to be a deist, as he says something

> to

> the effect of man being left on the planet and then abandoned, the

> frightening thing about burroughs is the eventual realisation i got

> that

> he is NOT a neo- or avant-garde anything, he is completely issued from

> the

> mainstream of western thought, one tentacle of the logical conclusion

> of

> cartesianism.

 

I don't know if I can explain it but I'll give it a stab.  What were

Burroughs last words as printed in The New Yorker?  I couldn't locate a

copy.  What he seems to be saying is that in spite of all of Burroughs

ideas of defying convention, pushing literature ahead, and all of his

many ideas of man's sense of power in his universe, that, when it came

down to it, he was a deist, believing in one god as a supreme being who

created the universe and the natural order of things (that is a basic

belief and does include the teachings of Christianity) He is also saying

that Burroughs was not really challenging the mainstream of western

thought because he was himself putting himself in the same place as

Descartes and his followers, who way back in the 17th century, used

logical, mathematical reasoning to arrive at the fact that there was a

God, and that it could not be any other way.

DC

=========================================================================

Date:         Sat, 23 Aug 1997 15:00:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Thank youRe: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Thank you David,

 

I appreciate a lot, not that you agreed with what I said here. Actually it

is quite good to hear a different take to, even if that is not as reassuring

and helpful as encouragement is. What I am thanking you for is for making

the effort to sending me a good word. I am always a bit concerned whether I

might have offended or been just been quite wrong, maybe even worse,

misunderstood.  I too feel much better and my thinking gets a lot clearer

from a response like that. I was going to send you this thank you privatrely

but it might not be a bad idea for all of us to realize how helpful  a word

of appreciation is to us. We are not doing it enough yet, I think. So,

thanks again. Enough computer now.  Later

 

leon

 

+AD4-Leon Tabory wrote:

+AD4-

+AD4-.......

+AD4APg- That seems to me to be the case with control as well.  My bet is

+AD4APg- that we will continue to stretch our mastery of words but only within

+AD4APg- permitted limits.

+AD4APg-

+AD4APg- leon

+AD4-

+AD4-Leon,

+AD4-

+AD4-As usual i found your post -- the entirety not just this clipped part at

+AD4-the ending -- compleatly fascinating.  Smashing through false

+AD4-distinctions and revealing what should have been the obvious were it not

+AD4-for so many mental blinders blinding the supposedly non-blind thinking

+AD4-creatures here and there.... if i follow you exactly as far as did at

+AD4-least i seem to have compleatly agreed with everything you wrote - even

+AD4-those parts that smashed through things that i may have originally

+AD4-written.  wonderful feeling after reading it.  Going to print this and

+AD4-read it again after siesta.

+AD4-

+AD4-thanks.

+AD4-

+AD4-david rhaesa

+AD4-salina, Kansas

+AD4-.-

+AD4-

=========================================================================

Date:         Fri, 22 Aug 1997 07:57:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William H. Rose" <dharmapoet@JUNO.COM>

Subject:      Re: New Beat Catalogue Now Available

 

Jeff,

        Please send your recent catalogue (#71) to me and add me to your

mailing list.

If by e-mail then send to DharmaPoet@juno.com....

If by snail-mail send to:

 

William H. Rose, III

1515 South Melrose Drive #28

Vista, California  92083

 

Thanks,

Bill.

 

 

On Fri, 22 Aug 1997 00:39:56 -0400 Jeffrey Weinberg <Waterrow@AOL.COM>

writes:

>Our latest catalogue of Beat books is now available.

>"Catalogue 71" contains a vast assortment of new Beat-related titles

>as well

>as

>some great used, rare, and signed items.

>If you are not on our mailing list and would like to receive a

>complimentary

>copy of Catalogue 71, send your request to me.

> 

>Jeffrey Weinberg

>Water Row Books

> 

=========================================================================

Date:         Sat, 23 Aug 1997 19:36:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Cross post[Fwd: burroughs and dylan]

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

  What were

> Burroughs last words as printed in The New Yorker?

 

patricia wrote, I jhaven't read the New Yorker, but  Williams last

written words were in his diary,

he wrote

"Love? What is it?

Most natural painkiller what there is

LOVE"

=========================================================================

Date:         Sat, 23 Aug 1997 19:44:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Thank you

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Thank you to the people on the list.    I felt such a kinship and sense of

mutual support when we lost william.  I thought it was lovely that

Charles p could come here and David.  Many of you made it much easier

for me.  I sat at williams house and read some of the poems and writing

you sent. Noone else was there but that old house rocked with williams

spirit,

p

=========================================================================

Date:         Sat, 23 Aug 1997 21:56:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

 

Is anyone else getting mail from the list with weird characters where they

shouldn't be, like so:

+AD4-In ordinary writing the scribe would be scribbling the

+AD4-signals of the prerecorded universe - perhaps with minor modifications -

+AD4-but still easily for the Controllers to drag within the messages of

+AD4

 

Where there would usually be a little left-hand carat it says "+AD4-"

 

All my beatlist mail is coming in like this today. Anyone else?

=========================================================================

Date:         Sat, 23 Aug 1997 19:08:00 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      beat-l party pics

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------62BA6BB6585"

 

This is a multi-part message in MIME format.

 

--------------62BA6BB6585

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Trying again to post.

 

Sherri, James, Anne Murphey,  Ernie Edwards, Glen Todd

 

--------------62BA6BB6585

Content-Type: image/jpeg; name="Anne.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="Anne.jpg"

 

/9j/4AAQSkZJRgABAgEASwBLAAD/7RaiUGhvdG9zaG9wIDMuMAA4QklNA+0AAAAAABAASwAA

AAEAAQBLAAAAAQABOEJJTQPzAAAAAAAIAAAAAAAAAAA4QklNBAoAAAAAAAEAADhCSU0nEAAA

AAAACgABAAAAAAAAAAI4QklNA/UAAAAAAEgAL2ZmAAEAbGZmAAYAAAAAAAEAL2ZmAAEAoZma

AAYAAAAAAAEAMgAAAAEAWgAAAAYAAAAAAAEANQAAAAEALQAAAAYAAAAAAAE4QklNA/gAAAAA

AHAAAP////////////////////////////8D6AAAAAD/////////////////////////////

A+gAAAAA/////////////////////////////wPoAAAAAP//////////////////////////

//8D6AAAOEJJTQQIAAAAAAAQAAAAAQAAAkAAAAJAAAAAADhCSU0ECQAAAAAVMQAAAAEAAACA

AAAAUgAAAYAAAHsAAAAVFQAYAAH/2P/gABBKRklGAAECAQBIAEgAAP/+ACdGaWxlIHdyaXR0

ZW4gYnkgQWRvYmUgUGhvdG9zaG9wqCA0LjAA/+4ADkFkb2JlAGSAAAAAAf/bAIQADAgICAkI

DAkJDBELCgsRFQ8MDA8VGBMTFRMTGBEMDAwMDAwRDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAENCwsNDg0QDg4QFA4ODhQUDg4ODhQRDAwMDAwREQwMDAwMDBEMDAwMDAwMDAwMDAwM

DAwMDAwMDAwMDAwMDAwM/8AAEQgAUgCAAwEiAAIRAQMRAf/dAAQACP/EAT8AAAEFAQEBAQEB

AAAAAAAAAAMAAQIEBQYHCAkKCwEAAQUBAQEBAQEAAAAAAAAAAQACAwQFBgcICQoLEAABBAED

AgQCBQcGCAUDDDMBAAIRAwQhEjEFQVFhEyJxgTIGFJGhsUIjJBVSwWIzNHKC0UMHJZJT8OHx

Y3M1FqKygyZEk1RkRcKjdDYX0lXiZfKzhMPTdePzRieUpIW0lcTU5PSltcXV5fVWZnaGlqa2

xtbm9jdHV2d3h5ent8fX5/cRAAICAQIEBAMEBQYHBwYFNQEAAhEDITESBEFRYXEiEwUygZEU

obFCI8FS0fAzJGLhcoKSQ1MVY3M08SUGFqKygwcmNcLSRJNUoxdkRVU2dGXi8rOEw9N14/NG

lKSFtJXE1OT0pbXF1eX1VmZ2hpamtsbW5vYnN0dXZ3eHl6e3x//aAAwDAQACEQMRAD8A9C6h

ZW3J9z2t9gMEgaS7xUayHCWkOHMgz+Red/40DZ/zqrLQSGYNR0nQmzL9xj+qsvpOV1GpvrYz

3B9DXPqe15bEB1nupb7bmafRSECdQozp9Vzs2nAwrsy8xXS2Y4lxIZXWP+MtcytcY/8Axg9c

xribMLHsxgdQC9pIJG30btz9/tPv/V1v/W5n2j6vkAhwfZS48w4T9L2+5ux7mXbvzNi5/Hwc

SzHrN1YBjc4cCB9Hc381n8hS4cYmCSLWTkQaBrR3bPrJ9r6dgZuLQWPuy3YtlNxLdp9G69x3

hj9/9H9vsU2davb/ADuKXf8AFPa6P+3fQWVbcH4eFSJBp6oHEHgCzFztm0fS9ykH2gaPPzgq

HLExmQOi6J0FvR0ZIycc2NBaCD7TyPuUKHS+PH+9D6US7C11JmVXxepdPs6i7p7Mqp2YwS7H

DhvHH9n+ygNkno3QJgul3mZKLuaxjrHubXWwS57yA0D+U76KG36I/rO/76uU+vnTM/qeR03F

ZcBgvn1aCXNaX7v52xzf5z9GNlVadGJkQB1RdavW9L6t0vqJtHT8unK9EgWip4dtmdu6PzVx

X1v+uX1hZmnpvRqLMYmyyutzWiy+70zsseGlr249P+h9P9Zs/nvWx/5pc82/M+rPUsfqdezH

GPkODscGLL8YEVuZHvb+sM/f+hb+lXd/s3GHWLsi4TfRY97X6yBeXZLG2N/fx227XqXHiBJB

6C0GR0fPcLqXVenXNPVx9oxHWerk12R67Tq19gyLd1nq/wCkotf+lXZ4HVPXL733iqgfoqw0

APJsBd6rrHx/Mx+al1/pPQ3Yl2fmtO57TUHtE2WWmNraqjPqWf1/oMWdiW5WLcH0UuabnNAY

I07fnE7FDn4IT4eIcS+MZVxUeFH9bn0O2Ytb32XUVO3tkNPu2w6za386P5r/AD1U+q2RlXdS

wWm91jG57DewyXbzW79Yvtum631nVf6T06/S/mKV0VH1cxc192YCDdeZsc7dP5tZZu+i5n6L

2qt07omF0zq2EKA8PdmAul25uldxTOidX//Ql/jKruyPrRVjyW4xxKTY8cAmzKZ7v3t30GqP

TsSqrFuuscIcDjtqYNm91pbU9u78z/RM2/2FrfW+mh31rY7Ia4Mdi1BjgYa9wfk/oXO/M27t

3/CJum4DH1fasi476rQMfBY4CmuofQsIa1jrbX/4T3enV/4IpPcjDGZbkA6LRAykOzq41N4p

prtfvOOxtbQIDQA3btY3aqN2Bjtz6KvUdU3ILg2trfzmD1H+i9wLGfo/f6Lv+trUpcOJ5JIP

zRLqi9kNImQZPkZDv6zFQhmyQJlCRBlv4tgwiQARs87exwyKW0y6pmRQb7ODMZVWO3+1ut3N

RAPaPgFYzMQ4lNgZNgtysS4PA+iGu9G31P5Ld25CjT5BWsmQTmZA3oGARMRR8W3ZmuwPq7mZ

bCGvppsLC6YDiRW1ztoc72793tauTtwq6ejV5eM+qvNppdfRlsLg/e4fTaLN3vsyCzZv+h/p

PWXRZLBmdNf0+5odiW+29gcWucJ3Ruad23cPoNQj0/DOIzFcwPoYABS4A1wBp7HbmuUf3/l+

WMoZ5+2TETjpxe5jl+5wcX/P4ESxynRiOKtP7snpIIABgnc6SOD9FZP1iysFjasey6pmZBtq

peWhz2Ts9gd7vdY3/B/pE1HUrMchtk2Ut02DkT+5/m/RWH1VlPUPr6y9rt9WBgVuDm8iy3c1

n+bvUXKc9izx48Z4ZQ1lGXzR/wDQWSWMjQ9Wh9Zm0DpGV1N4Y2+kMZisuHu3m2tm5ldnue5t

XqW+l/wfq2/QVPB/xldRy8upubg0vyrHNrGXjAstLTO71KnudXkbd3qVs30Vqv8A4xs8vzMf

prIa2hhyL2NOgtt9jGx/IorZZX/4ZWJ9Vsf1ussMS2pj3uPYabWf9NytZM8gDkJ1jHT6IjjB

Ij3Or3HU+pP6hmC8DZi0yzEqdEsrHutvu+lutsf7/b/UWXXlWw8vJLA8ezu1v0drdf5Su2VN

EtGr3aPd/JH5v9VVAwBlk8S7759qyTMzJlLUyLqRjERAA0Ggew6Hnvu6FZc5v6XGml7RA9rR

spe7+wf/AANUemic3pjydzzlua46yQ2jNLXOd/ZWL0fqdmPj3YbNG9QaxrDqTuYd2wNHu9S2

n6K2un0vr6p0wuY5u7Jd9IEanE6g/wDOHkr2OXEI9+rRyw4ZkdNw/wD/0en+tWHXk9QcLXtr

rbQxznvEtADrBLv85c1j5NlLQBDLGidriXtMfnV2tj6a6r6z3GrMcAJa+tjbCeANz3tcR/xj

WLlOuWg4x9LYbWzBIAb7xsfv2j+b/Oeh0Nruz0uHa+7Grs4e4AyWls/ynVOh9W/9z6daustj

Qzp5T+RUab2VufUxjDRWQyt9RJBI9vtZsH6L6G1yO3MqMQHa94MKgDTM0+oXZVl/2HYKMC6q

1l+a4taaxZW+s5FYe+vb6Nnp/T+ms3peS3I6Xi3NILjRSXt3bi1zq2WbLPzt+17X/pPfs/SL

U6puy8WyqppdusxXFjho4VZWNlWu93t/Q0VXu/Sfzn+BXP8ASei9bp651LNyq9mJkl4rZvY/

1B6n6q41VOd6f2bGZ6bfU+h6vps/wqnBBxkRlGEjHhB/rfvsUgeLYnV1K3gkR4D8J/vRz9FV

/RFDw0bhumQ4kkEH6Ov0UadFy/OxyRzzjkIMhVmPy7aNiFcIpFTVdk3iusH9I4t3EQ0BgDnu

L/5O/wD8EqrVYYtFP1uzqYL/AE8LFa8tHuc53qPc7b9FbPScgNLsV2ge4urHaQJsn+w3/wAD

WM5zT9cetEugsrxQDoQAK3zz/o927Yt34ZgwxwjLDWUwIyP7vDw8UGHJI8VHo8V/jBxfR+sL

rtf1zHpvPxAOK/b/AG8Zyt/UzANOBZ1Bw1zLDXUP5FO3c7+rbZb/AOAI3+MltRPTLQIsLb6n

niQw472u2/ubrrPzla+r+XXd9V8BlAc+3p7bqr2N1c13rWZO6CHue30b930Fb5n+ZPiQPxXY

R+tH1bpqhm4HdJMuGolUMpprZYCPpFrgPHgOarNOc+58yyyoxJZuBAd9F22yHfS/kIHUjLwG

+6ysiusmI9R/0v8A2HZ/r7FQiDbeFg0WlcHsDW1v22Vw5ljeWvZ+eF3PSc/L67V03NFQDMXJ

c/Kf6oJD24+XiOZ6OwO978uq2v8ASfzP6RcO5jK2uYz80a+Z/O3fynSuk/xeveL+pVNM0tFL

iO28m1m5v9Zlfv8A+tq3y51ruw8zEGF9Yn83/9Lofrpk042b6l9oopbXW6yxzHubAe6GOdUH

bPd++uPszcXPbHTLW22G2vGre7c1rrbj6dW0EB72Vz6t+z3+ku3+tFja+pBwNbbCxjWOsjQk

vj2uVe26kUsuxCyx9l9bMZ7IPudY1vs/4uv1H2f8GyxMlPhoVdndeBY32CNuA/pRr6c55srZ

U2uuwiA9rBt3f1vp+o1PlPfTh3XMIFjGbmlwkcgfR/qrocylt+LdS4Ayx20kTDgPY9v9V3uX

n/1v6jbhdAeaSWuynNoc8kna13us0/qjaquTHUwB+mdGSMvSfBkfrNlXfVrKzGWtpzca6you

oAJ2s9Rldvpv9RrP0llDn/8Ama6PoGe7qPSsLLL22W3Usdc5kQLNrfWZtb9B2/8Awa8a+1Gv

/J+91uJ63qEMApc87dsNc5trqv6npr0D/Fbmvt6VlYznSMa1rqp1IbcLPb2/Ox1LkxCMbBO/

5rITJNF6Pq1YZnV2mGjIrhxOkvrPt/8AAXOQaWi64Utc0udMCQdBHO2f3la65X6/TjtEurc1

wnwJ22O481m9NwjiWuLnC31A0EtYQRBc7bXL373Ohn+jVKfw7k8uT3MuaQy5OKsEYHhn7UPm

9/5YforZ5c0ZiMcYOPTiycXy8R29tN0+/HuyqzTa20V3+i8sMxYPa6t38prnKXTui5uV1rq/

USCzHszg2ljxBLaqmUvvYT9Kt383/wAIs/ptbMN+Yzb6djsj7aBp7mXu31X1wf5v2+l/xtVi

7rGIhw8HHX+5P+GQEI58IuseXTi34Zwhwlfk1IPg+af4zen319M6bdc2CMiytrTq/wDSM3/Q

ZP8Ao2Kl9W8DKwulMAvZTbbYbXgtmxjnDa1lf9atvve5el9RLBdDwLCGlzKyQfbtduc1n7zr

K/TXG9ZzLq6b8vBw6mYn2s4wyN+4bmloe92Oyyn025O53of0n+Z/S/Z/UV7mMEpYo8BBs6hO

LJGMiZdtGjkU04rm5DXBuS5p2M0AfP03Xj6Po/y/9J+jqVRj3vJMh7qiRV4vJG31rP3Xu/P/

AJdip22vfc52Q82P3Dc50e4Dge3a32t9u1VbXFwMPJnxJLSPpBrmH2qAclKtZBm++Q7E+ejp

dPxLsrJGDigZGZaXPFUgQB9Oy17v5upk++z/ALbXffV7oP7Gpt9S4X5GSWm0tG2tuwODGVbv

e5vvd7nrmv8AFpij7Z1LN2thlVVLSB9F7ybXtaf5dbV3JcpY4hA9z3YZ55ZPCPZ//9Pd+u2Z

ZjdSpfVaK7KnU3NaW7i4NNnrsaId7vs3re78xUPq5ZgVX4LnXMLXHJuoLngg2XBrmPqEu3Xe

m2/3f4P9L/pFk/40bw36zuYWveGYlTjtc8Bo32sLv0X0d273LmKs7Mw8+nMocGW1Amsgh2mz

brHt/m3KaPLccYHirXiq4y/q6xjLij/hscsvDL5d/T9B6n2mzJqGPZZ6rGDYYe5waJIO36S5

LHw8LrXpYHVsN12I8bgyuxzXssa1mw+3Z61VvqXbH/o/0a42vMz+qZFd2ff6ha7c3cJazWd4

rH7q7b6u5f2rrWI4NY1r3WfzYDRs/SGrc33e/Ya/Z/g0s3KRhUj6iNunCux5uI0NA4+V1Lof

QfrxnX3Yf2jE9EEMeG2uNl7cQ+oX3eo7ax2Nd/U3/o/5xWsL64jM67lWOwm4/q4+PUyplgew

Cj17BFjWM+k3M+iyv8xc39b8bfknPJ95DaXCewNu0x/YUOgYHVOpddorw6/Sd6dYsdsIrY30

m7X2xG31tm/+WtTl/huDJ8PyZcg9frIkTKPCMXD+jGX95bLJKMvT9nd7jM6+XUup9Jobc11Z

cXOkSNu4D0/5S0Pq3jDqDhkAsP2ZzmFjgHR7KXV2s3tO2z6db/8Ag/5tVOl9NwTlsrDH9Rsa

2bnWOaa2fvPo2fo7P+D3f9uLqaaiwB+HQypjhq9gDSRPgsqeHDEgwh6oiQjM2P5z5/mn+lwr

RLJI+s6aeker5f7sY/pObjfVbDb1O3Kyv0hqp2UMa8srZXY5z7GljPT/AMJW9/8Ao/8Ag1l5

n+MLomO4Y3R2W9Rvk7a2tc1rw36bmXOG72tbv3ensXSXUV2xZcLPVrBZ+6dr/pVvcw7Xb9qx

elfU/wCr+BmnJre+XtfSca0tDYsOrGbGt3bmtUvLQ5UHJPPGU50OGMPT7kh/nJ/OvJkABEiI

cZnXmfXCh1LekWsux2vdTmNc79G5zdrqxl1CuyhmT/N3fTrfX/PVLO+snVMZ3T6eiYvTMnp7

8S8W144a11bq2NNUA0Pe63Y39Y32f4Zen04mHUwV0UtqY0tOxo2gRqz2tWXl9Ax/VZkdPqYM

utjqxbe+zYxlgDLJZS9j7vUaxn03ISny8pkxxSxx/RhxmevjKSqlw/NZ6mnyO15d+sCqzY4C

XGshknv6xbt9yrt2FriYgEmF6hnfU3LL3Hd9uw4JZgmx9Za98er6N4e2utjXep6TfRf/ADi8

76h0TMwbTRm1mi0AHaS0gg6bmvrc9j27mv8AoOT8eHFkBqdS7fN/3rFPJOB+Wx3fR/qrgVYH

1fxAwHdks+0XWERufZ7v/A2ba2LTJXlXSMvqeNc2vG6s7p7DDQ6x7jVr9Frm+9jG/wDQW/R9

bOtYV7sbqZxcx7TG+r2uABj3Op2s3O+n9H6ChycrOJ0Il/zSvhzESNQQ/wD/1Kn+M/8A8Vzv

of0Sr6fHN/8Aq1c9/g6v5n+js+h9P6J/nP5S5ZJaGD5cXl/3cmrn/S+j2GL9FvPb6f8AM8fn

/wDDrr/qr/yp076P0T9H6P8AhP5r/gv+/ryBJDJtk/l0krHvj8v2voP1g+gP5v8An3fzv9X/

AM9/6L+X6y6jo3/JPVf6P/Rav6P/ADn9Hr/pH/dX/uN/7UV4sktHN/2vj9f/AErBOHeX+F/3

b739UfpZ383+b9Djk/TXU438yz+qvltJY/MfPL6f9FkwfLH6v1BlfQ/N4PP0v+trPyO/83x+

fz+byvm9JDH081T3Pk/Ug+k74DjnuoV/0qz6X0W8/Q/86Xy8koiyh+oL/wCdH85/Z4XCfXD+

ev8A6Lw3j+kfQ/O/kfuLxpJP5f8AnAty/IXuLv5930PzOf5vhn/Q/wBIqWJ/PW/1vzf++LlE

leh/Mx8o/wDRaZ/nJfV//9kAOEJJTQQGAAAAAAAHAAYBAQADAQD//gAnRmlsZSB3cml0dGVu

IGJ5IEFkb2JlIFBob3Rvc2hvcKggNC4wAP/uACZBZG9iZQBkQAAAAAEDABUEAwYKDQAAAAAA

AAAAAAAAAAAAAAD/2wCEAAICAgICAgICAgIDAgICAwQDAgIDBAUEBAQEBAUGBQUFBQUFBgYH

BwgHBwYJCQoKCQkMDAwMDAwMDAwMDAwMDAwBAwMDBQQFCQYGCQ0KCQoNDw4ODg4PDwwMDAwM

Dw8MDAwMDAwPDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDP/CABEIAVgCFgMBEQACEQED

EQH/xAEaAAABBQEBAQEAAAAAAAAAAAAGAwQFBwgCAQkAAQACAwEBAQAAAAAAAAAAAAABAgAD

BAUGBxAAAQMDAgUDAwMDAwQCAwEAAQACAxEEBRASICExEwYwIhRBMgcjMxVAQiUkNCZENRYn

NhdQQ0U3EQACAQIDBQQFCAMOAwcDBQEBAgMAESESBDFBUSITYXEyBRCBkaFCILHBUmJyIxTR

sjMw8OGCkqLCQ1NjcyQVBoNkdJOjszREhGXx0lTiw6TEJXUSAAECBQIFAwIFAwUAAAAAAAEA

ERAgMCExQAJQUWESIkGRMnGhYPCBwQNwsSOA8VITMxMBAAICAQIGAgMBAQEAAAAAAQARITFB

UWEQ8HGBkaGxwSDR4fEwQP/aAAwDAQMCEQMRAAAB39ICW0i7J3CrIssWJUEXh6kUB9g/QtpJ

tx1IiIkD+krasEli+ydydydyfgfZOpGqmDQpwLmSFq8CM0LWT2M8BdyLEKyKGKSdSStirxkF

LaD0wZEyqppuo6CvoqxZazqXO36KREi8nJUJhoGqwUSwudLkspEgTpD9B6tYJbSLOigKkiwi

wKsK4Psikn4yCQ1NntYEmL12Tako09ko+pSuxXZPIL6BxCoIpB1C3BgqykQsZI2L5VYwgXM7

EXMUhUIUk9McCdEylqrqUgRqTFVVmfkthwWMBOa9K3ZLHtAuoFRLXsg4YaGVlBT1bV3Xonik

SZNlNDyv6DVbQW2kWZOoVZFgVZFRHAPUPZnAmRedupSnRBWI3UmNR0LpyaX6GXF1avHoWUyx

jotKLJ0k/ZpaN+EHkiMixks47rdhApD3B0T7B2YuYvIrJ1DK2KuDXyPgTLrBo4bZn4klDE1a

VCabvxwoB/YC94RvGslWkUTUwHVe4dbDaofB0VK9+1ba8toEGXiRYGUhWEcSOYewe5KdptzH

g2R7NHoYlbGtdxas2f2OJnZqju/NwTwAmDyIqGscWG8f0QYQtpFiJlw4reMEctEQHRK8Cpih

gFWaLqeSB1htpkIc+06Ka4/osudHjGq2T9o4fKGwN0LoUnrUXloSNaEpn4zOdTRrATS2KV59

qbGtruMDeVO3Ihrx6jTAioNhlZCC53W4LYuD6ZjbBrqOm8yE7W1pn0drfYl6ag7PnMnVqZ6M

3sisbqDiT0E6ruOyfQRRIzEVMmrFc1WxsEu0ZgLkqEISYrz25tlkqC9k0OE3ZtoqzB1aO53Z

o7Th0c1linblLTxa5bLHIXD4jVq7KsQvtJY4pCp6Noc/vpGywDTdPvXYVlV9Sbkp2YaleKq7

piThSQIS2GbKaVuoue6dSYs524XS0vJMF6UPlJFanBe5Op5zN0qKL80JRYpJ2R0I6YWibDkv

2IJpGUisk3ajum6LglzGUC5i0mXEsyLTcQEkwMOYKldxvRYOfsDGLsiNuO5bqY1NrYpW4paO

lTa/NOmRQwvdSN5XYaYIeso8IFq0kwSgvoHbFOzBQrx3Xo/SPwZat5lSRK2iNODRukKSY85+

4CovPpeev0pJKWiMMMl99Hh5wbISX5o2izsjyTmBWG0mY2LLCCKFjIpJOWK7rsjAJolgQ4kW

ky/XozTm22KVDrc6KsEuh9TPoTpNV870BwpKdGWNNjqGGqbzocnJfoPNM+Zc9x3x7g2eHLGW

aPTGAEJFVgr4PayrsynbgtFyLVq8IdIxJU9gq5WNBht4+otNfJmVcmkVwdY1r2EFtiwCKKPO

5Zq44dq5MnfkZ0W+ydEcydSWc5No7iQSQ1pnsgFN5bKJtLIcCZJYwLwrQAq2595vobVselr+

S5llYWY6mC/UqygI53qDIByy8SxRwU7+NhP0/n630UnCZFubpiedvuIPLwWYxLyzaCuYoSEr

hWveDYVG3FtTZmTQFBXVN5IpOEa47dNfXcjam7KB35a71Yojzvt1MfURk9NbqB6YLLnc9fzT

u/I3z2+NOxPJOiLLcmcd3Jm7m689c/rQby5bsGtelgQImGMfA4MWkg02UXzvUTylW3PWVN2d

NnBYPi+umvPn3F3FcmmxbY2Wyc2c/L/qPL0N0MRMuV/E6it0sIuF3b0ouIpCYmCi1fECQsEr

39BrKjbiupsc13wqNa9Vs4VeU6bpuvr3RzLn7PnIK/M/hdkDXA9mP87uOGo7KkNYjlgR0vOk

W3nrU2qReieJOiLKclYbsNhnh9a2qtyTPXjZjnbyNG7KpoyPgXkWM/GUll6cVXrdEBuPqN6r

6J9B4badZuBxX2Xrtcu6etqDfR+Yxr3OXNvkSDB02EsydCPKn0v5ztWIGcQgEWmhSXs1eI+l

ANSUbcFouRadZbTaXI8nJcI2E1rVfu41i9rysuS4BVDclRDlekZ3Zbfo0CfF749W1H6+RbfV

43FFqsnpnEHoNk2wrDVbVbjvm9bRQ0T4argqerja210ThLCBeRYxcinqtdb57pOxOsfeddLh

/PyzJHI0kBcQlg5tew+ll+fnp+HJX4mzTkwUGyWNCaORTLK8Xqbl5+3qSlIlYSqwY1ch9MoN

M07cMVNj6rTaGe0qeEqX3G99Y6+bP9jyxfbXIQqSNYE5AoiNovslpEeW9uGZ7Ivr+fl9eFWm

xWDmHmTqSx3hUWoTJoq3m9bQNt0erxj0xt3IvbZROyMIHEKzAQAFVeraNEVTvsLTWR9DjfMn

PqaKeoPJJN0vD0nH53YZOVRz2RQuHxommz8B0Az3K+9/OdGSY0QKgYpaheqVbVNTaLq14szX

0Hm1MZCaW2m90ullRdTg391vOqMsrC7E/SR0iAamqNFt35h/yPv4hsRp1eSB2ZXtTqSfoeIP

wli2kqjZPyaKOwdDYR0R92qsKcUxZzdO9DNPEx8DiRdh8/BZT6LqnRSRTQ6eigRM3Z9XknsH

kNk+g5B31uZ3AxjTczirbY0XSko8hRV5BBqTznTvau7NEpFohHCGB9bVWaBq1YrzW54z7jFb

TaWwd+cSfKbdjz1sa8S0kwG6kVhXEYERBSJS5h4736evlGPQ51YWZpiqzuTyTkDkyxbDNFMi

Up1wvWXUxSYQoMd6n5jMdLztk8v15lj7riFww+Z4sEAuzb6iqNCPXgenSOo3IP6Twy8vU+aI

tWePZpaURZuYS6JlsrKVAB8a5UU2lxtmuMG7KyUIFHhI8H2VVdfNWnG9Zp8XWpm3wENX6ORu

bbRSPR4k29fYaVDu5HYdODiAfKxS2T3M7gdUTh6qeNBFW/bTqDgHgggW0U3+ZE+14Ut839KM

+R7BzYod1vIhnpflvjVICy0OL7u4ud61wZ8rVssd6NJOz2SqGGLaNCInkPknImlfXeR9uj2U

8mD76vZIVdD41v1rgzoaLZLZDpTh769SqYJkYwODs6m+869GJytFpbarGKR7CsxXNelQ9Hiy

LKoVeLZJhnAZ2D0I0MRBkFtAIkBnuFs2goR1oPYfIOA09g7zw0A3b8GO+j+bqEKAt5OIUQ6M

sSDGnM9Torke6+RC3a3uz2S05JzXVbnlH4h/ScKXdtWm/WeSdMjUxibGLW8yQU0yopVAFjs6

AdUw35mwj50IYz8wDV9qU23ZXpzW4y2HSqYtesrYEj0surwVnSUEdwu1slAzhWXB4IRITVk1

tG3or/DsmsurszqTiSP0c6f5Hq5HRza+9V8jjtnH7IUBSI4BZi5AP+MbrYR8n2WEeT7Pf2nE

61cggzd354UaIaRBW/Scg2J1uTcfc4TwrCu6MdyEZlx4ap00R4tGDqeBJOtBOrbq3hXWUjoy

UuDr6h7nr05ycUJIOpZDRCwwmMe255rpcOVsqcK7qFYNIBnalSH2GEizC3DEFIZrOsG2wHHs

ibLBb/OytHRFu9899v5PZCknUKEHEZmtrFL3D1tFuIMXcxbwfpG4L8ky8XLfOfJq9YIK36Tw

G/vS+YLtuL0mIZnIXgshGHZrm5mhpogzdIxF65CV6bOwW7P5mmQhzkBpqlrmq051aU8xFikH

WxDGZgNisvozWp0+A8haUdGRAd25HgK8KwaIBFM+oD5nXcdPjwPP1WC08kguh5+L18aXxd2I

7Ph+dHKVKKQfpEY3IMBVv5JWKL1a9A8P6D8xsvY3jozGJfsr88KNIgCgp9keAai9d5DixEC/

cr8Jbwti8RNC0WMlsK18yKYuu/tGiJZt/g6bZpszuRpKhrqq00BYK1YEenPnHJrTAJFKRkpf

lIel581Y9SdBlBHoZ0rug0Kr5/8AP+qgVfRvoPLZQ5G/Rdo8gDO94CNtwvqtsfu8/ItnXNah

CkjUMiHgaOpMUdFor6k4f0GSZvk1U27tecgS1dpjOu6l0jdW9kve2k39V5Xhk7BkCkYS3JQh

Zm2KF7NmimvlxTFpdyjMS8/gu0tw9oso1PFvOrTQdgBraBRoJ5dUOZBBZMyL18y+ehyJYO6k

cA/oW0DlXch0AYKu/wAWysaVpvn9C0itkWoD+h+cQOjmLMi5SQbO7NShCgLSM0FsFzfQ2ZNx

zyfWWHVuimPyurm3tNJotvTLmyPl6i1CHoDa27CMeh874y+RnMV3JDEJQ8hh46oR7uyOAzZX

TDcBo9LN3ec1XNTb3BatOih7VHbs4Atrim6JUg1lcNKV93MvHTinA/pHcjtW8B/SPVdENCw2

Lzevh1KiZTmem3VdtJFr5tbdnxKD5p3Rgeml21XUCkiULNbf2Hv6v4X0hsGVkFWPzTA2Zozm

K3INKqkxjm0IA8ifUzo8/NXoPP8AESRAZk9QJGIRnIgXNglbpexYiWvgrtVZC2NFlu8t97cj

Z0Za9F9E2rWd+aGq0o1PzCPSVNblsndx7fuofAuy3sDpX4BUkThehhyAg5/Vy3Sg2tlJ57bW

evSd6R8Lbbxwru/OXr0PDT7IqQmI3FjVbb78x9XMk3LGBBPz+Uav053wtKZIp2+cuS9AFQL9

VOngy33fPxzNzIwd04CNKeJGYYQO3u1Q1NxFZmQR+q2Zhmpd3Sfo35reTSWxToou1aAsrUov

eGIqRwymrsuj0Rh0eS3tpsSHkrIJdwVRgkg/5SPUabhydLE1dAmm2lKl1lbRZDL+kS186svQ

fNHzUPWp6gUMTEQjskvMub6e+OP7p2WrwtgpF1/rpnks7BQsHzcy6EpOAforv51Q+h8+H26H

ESIa1qbJtM5ZXn9SwBs0xLXolpg0MK7lpIlLeiU6W+jfm9xRGtyi/P7ipL6xHPbKExYMAUCL

8t61JDdfimDI0WzuRCBSH0q+BSk6DyaszMeCzmF6s5rZtm1JoaZ9H8sfvmfNT1B0RyCgHbCx

UrZvnvpNv5e9WUb58xdqXVPY/TJ+h+d2bWgJ+Eubbzrg9DwIN9FTW7Zps86mb0ksqoE12+3U

gh6JS2RkLWVVz8VQ00NK2dZ2+nPA2LE2/RfnlpWtigkLSp2DQfKRrVjduHRvS5EmwmVsHyrs

j2RQT2R2HeAvQ7kHuFYHqB6rPw9E01Cfd+bLyt01XUnknUCUZMN0RO8X2+iuZ7Kkoc2MttW0

WibuiHcPzeovhEPINgb+dd/oeCUIQO+0AfWzDWmvKVrcRfQ5ZRqaiA0AVfQljU6VfwKavPc6

76L8nX+kt+jRQVi0eSIoVI6QkCQLWUDUz6K6/BTdC5bECvhj0N1Fr+nQ9EsmxazpuoLFvvbb

gua2twCvDJq4mjUB1PnExbkWKeyeSKFUwyYZQrLcf2ujuX7XNQbOAGlNFFhiyMMfhsCJYF1s

iCd7cF6+i4odbd1EmTQNTT1FTod5fXES54UYS4Zq1TzUO6x7C2rss7katx4r/SLfz6M7WV0s

8i0seq8KAMmAL06OrC/W4kLfkIw3JC8KkDsNnjn9TN2fZvXr8Acquzfg6hxpxa71ZehJOGSS

1ErkzV5Ej2efcGviN0DL5up2ywmjlqxZjlev0TyPeZGV4p0vCwWKHDCrmDCqX1jWU4NI+r82

hpEotfQqkijKWNKLha6wIm4vfE6IH01JK0tK3KBpg16g5erQ9bdSfoLfo0ZtsXNpQGr1Q1V4

aF0Jdkq96vpEQOW1Zu6PDnWWSjrAuIFCM54OlnfNv2Rq5iMbJGPoWjpx7Q389aCZWx8tn4jM

tnCV6Xi1inEMl5r21vY/bMOhy8xdPwx7u4CWDu6r4P03IKtr29TKO3BEiDAz5z1WZ2rBr2MF

w9bilsqh7IkQ7Ah6rwazQjYzMtKrV4x4DxiXfqYbcHZtyi4pM4k5k8gt+jRnF5Ujmv2rhCqF

ueybMzXHs1+HVkFra6W2cyMtyyJLiHqHI/L6dUUbdG8Htp6M1C9XCuk27q59ldTmkCOsHWkr

ji9YX8P6bnHoZ13PNSHvv/LCW7lYPVtSeh+UrrdqPyv1vu0H7vIK3cLMhMjJ2TrwYtG/Q+dH

unwp8UtXXoEfp0Vhbv8Azr2w7pfkiRxtC0aGfJ1NMlu8L6L1sHJnAnJn6S3qL892CtnEfblI

78rCzPOrYI12Xrh3T7HqFAjJXX86pZSuQO125A4Xp4kPaXO3hO7HDWVoK2sN3K1HtxPwewzk

EezbAT5b9Ej+do/Vwo7WCa9z5iD6XGxZr5d/db57JRbw8l9iNnsKnaaDoCNDA3L2G1Op869O

ucvS+MKqmovp8sA5nRHF195bnWDRIwjdbcGMRJMhoAgi/U/bQtJwZwJxD5BcVN+fbVqMOH2Z

7Q6HHXIeI9W1XaDw7zFipD6ZmHqcCP0ZXcOTeV2q3x9SQsEFVPAbBjAgln6ef9BOlzuoHgPo

b2GifA+2G+z45r6PyJ/5n3Zfp28dTlZN6Pkra6HkZBq7W8t9csyveYWM7DKAtoBDJ22EPY0N

AmTOnwYLVzag5vQMc+iLActE4F4Ykj8QyEiiJJQ+Wv6e7a0pOJOJE4OJLopvz5alVh4bRjMt

PPXsrXV6Sw6tl17F5FIfSM/9HjiunDyyY14npYPNqUMHQ3kMykjSTnRj+ifV5DuTuTqFYGqO

F3Rf2nw5SAv8P9nkNqifR86D5u0h3Pm5XdzrE839QtrP2SCyEi2fiW8grTugqOjHh68QCOzz

wwxp3NbNlhKB2pUYJyIwIGN4PBOotqNVu7UnMiYiRnMH6S56b81vKVehPl9Fjz+1I+v8CU3V

jfK6uqrGUE6h7Mo7fyq228uUD444voBzPrMWFcpZKtLELGJgwc22etxJIzuRdX6khOF3aG9T

8hKG0Enn/oXuPo9bcJhj2Yv6XDujvfOD7hfQLmx+jLXMnG6hYwDMbGPO6uihrybMGgNvLsey

YEyXkUsF4qJPAVvIiwdwsIPSO1GwrqNDXDmROTgTgjyS6ab8+W10MS/8/wBeuNmPrvee9E2P

l6cuQoJ3D0Znno8Yb0ZHcamuZ3oqjXYZWhM808x3fYeJPmbXNHdfhSboqI6DpRUef0s0dHwR

hv5R780+33T0cyLrTuC3LHa52kex52ys3RMaOkWx+jFoWEDqSmRbkHLbpTTmsxq6dSzJea8l

DQJjEBdg2giJHpnBHYE+E+jmupeROBMziDmTyS66b802CjSaXxarGOeY7fDTz261p3uJFQFI

VDMr2Z2z2RddWohouCvQJWT5NZKtOWW64z9ivMvayDTruzs+EmdfPeUX+JZHZb2OLQJtjl7a

bg53VKNnHmGeksqFnR2Xtuq9E8hizK55+4X52n10mbq0d+SpVN0XUTT11WbcT47pWO5kgSvp

DCRtA7MUi8g64uz6EuHMiYiZHAnMHhl2035ntFMqlYB3T5Dq2pu9eqKNzgnpYuSrBQ+PfVGP

bO7ueSX12s8Qk+YeYWhh9eScf6ZIugpi6U/2vm9sP5uSg4AYc3V5ni2ip466x6/InN2V1Cq5

rmq2yb6mAaguR6+pOf6cGo7AXj6vILx8pXu4V193wWfefprvDcQWVCrK5epW+hhdnZWU820o

vVIlVIWQG+9GaxLJzJxAkJwZxBzBeVOjJTJlXHqluZrrXrY7oiDuXRY2sXTNktZTGLZXdNIb

W5C6tXBZsz3K61PQ/wA8EB5yffyvI+klt2KDza1Ov4WzN/hpQTqsxuC5GuSr1voNV7ufZ/Vy

pwoyVjTZZt9Wa+V7PI/m/o7U65K7Ncuvy9U4vQWR0OJqDv8AgnT0AeXbTfM6dCcq65u1xKqA

LNuF9fK64/Uief0WllXGnI305W92XdO/lWboTmTmROBOTiDki9aNGCMN+Zeb24O+ifvokMlo

m50Rfqt1dFY5NNZwDWrDfenlEmzDFVa5jTnv21c+Y9eJ1rnuP9JIub7iyOhyQDm9hO/ztuc/

wxLmb8hdgWZ6XlGPUwk1iOjST6qGlVnFTgNWmCy3hN3doLje8a0pbvQ8naHb8wZXY5s0TjLE

DTWufoQFb0Hgv0r3fO12j19ztCXL6kbXeCU6WQLV42ZPIemrL9WC0NeCyNuE80ZZG5EhPCL6

o0YFpFA8ztRt9C2O+KreHuebl/Kao565at52C0EyyMLvr82T6XP0yxyhk20aF54H1L3F6sjf

PA1am9vKJbvmFv2rZPQwTe7AWrDuKqRDq0VDOWIhW0jajVSkXr/D6SIr22Bt8zZGrmvAEGnE

CsKoEKbBuSrOTs6DgGLdXWS/QFtVMS6lqdCUiCs1ccmJsnbJwys7Ese/BbuzCW6cuwbR8/uZ

3s78f3bO6uO2+I/VllGc2p5TukFkuROFLbGcWjvOtzyjbk1M9eRsm8LSQvnvq0Hm9JKRWiOi

+bVHe+RmOrmNZnDM19igWlEcFW+LSvoRtar26iQ0VfpICqxzWxZdSqImCqyuLUTkcEJQtY9f

2RVCQQdWKOsal4XXpTm9EFVm0jVo1MalHiNZTc4/6PPqjH0YTSPM1ruV/Un0XB+b+PTmxLWb

WEvLtcu8OHkW0IVapKsz8WUuq4qBJ0ufJWw31UaU1ZMo8/qC2bVDcn6cK5e6aaecK5N159bx

+me981rDBaB4ddivTeG7nxWHWX9HC/vq9MTRoim9pYreRmGZgt81itFpRZTLdDK2Blr6fAW8

eIWTNtPML4DmTkxswjY1J4ujlTgdqGLxTnhJ6ApU9iTmzNuWntV3CXyAX6veh8985cGvO+L0

bqZYuzKdtGHKuctujJa90Y+t/Pf12TGPUfqU9NZdqo0b0ubmDzXoEudsry76JxTpuLs+c/Rd

C9vwFa5soLwerwj6F7HHPNeWLz2FmzMs6qEcw8IWVdrSt4jDqUtSOLt4fc7HfX5jEtJtXwG9

gEGku1c8QukibJByJwJk1dVfVfP6FfZNYK+Vy9TDB2HOcL1sJ3NDbchQscxf/9oACAEBAAEF

Alk/3+IIcEB56O1kNPIKqqrxT/adI+qMsbE+7AXeuHrtOJEbPQCk66ZLMY3E2/kHn2Iu5opo

Htdi2TY+2hNtPi4jbNi790rp0cStxHBFeZIukBuY4s411xaQXf8AF3FhePsL3KeR5HL3niQk

kxuXy0U8DP8A/MllP3kNBqOC9yVpjxceYRQF3n8kCtfOsNOYchYXbdMncRweUsle9dycL5TQ

mTMcu41bwdZvsOjeoCuWtJa1rRxb28AUnXI5C1xVlm/Oc1mHmeCB0t2ZT8iSll5FkLQYL4+a

tLi1jhi/lbm3e+4ju5cN3ZIJ7DLRvtbJ8NrnLZ7221lbPhkb2p8bkbnGyxl8yv8AbbwtH/q5

ZP8Ae4hq4hoy14L+bZ8e4uby4nPvEdlkJYFhvKJbdRSsmZ+SG08mOMtky3vIUy+8khQzWaCZ

5LsUHkeOuHsla6JnNTj2O0b1U/BuaFuqqPKEaDGjUILybPQePWF9cZvP3V5ce09AzuGCz3B9

vb7MPd3uKv3Zt9+bp7ppMFiIgX5W2s7iK9Y9j5wVnpoYLF/bUgcZNoiGIxovbC/nuGWzaf8A

1esvNFHP8mBOvLaNQ3dvOtwVdBr5fk/g2zJtzr+1dczuxkESvY7ZyjgNfhzwO8WdMcb+ShTy

LqtrVsC7YXbUYc2S2/2jOs37blVNPOquNJY3MdsCAA0GmS8nwuKfefkoAYb8jtuZLeeG6iXm

1hLesurMRYq6iMb8d4vc5O2b4ndYxCJhIt2sXf2txl24kSSSyYu6c1r8jZvvLXIT5Bt5N8W3

mvPkz27TLKWOle4ndjL25t58zbMjxgjH/wBZL8jPdHeOylxG9uWvU3IXrzb5/MQw23mOVEmH

8pssg5uvnE8smZj3XUrTcRSOgnujPbyyCwsZmS3MWxmPLHWf5R9uW3BVHB9bX/at+6b9t+je

qmq4K5+8IaT3ENpB5H55eXxMhe7bMHQ291Hc+LeVsxV6xzXjyqU7Mv8Aps+LGvGImmF+6RuS

x/w3SRSCG7hbcDC2rlJujdjJw9sWPvWyPZ8aDyu5eG7S446KJilD++8nfY7A/KTd/Cgf+tV+

Wai8G5z3BsYY6Qtx91NEGMuJGixexviuTluY66ZOVkt/HcY20mtwyYm2MTRjdz47eONtwwdn

xt5fhPytyu5h/pu2UGzBbroLv3KiuJHSWn+2b9037b9GnmE/9tXP3BDT8k5vtW4Bc3H49t0C

y2tI4ztF1cNafxhn5MnZeUD/AFYjZcr+Jtm3NpE2GJnclU9jb3Ecvjdi+4zOGs3WeHEfamaH

utKsjbkrpNlc4Zy2muMmcfjrl5xZtH/x+y4fgmSX8GCmguMvaS2+DA/9dL8uf9y+nVNYmCsW

Nv57ZWz5LiTwSA9vTyO1lGSZFFG7Hydu+mkd3BI10G0UuB+vhr0XEH5ZHJ3O0HMU1j++z/YZ

90v7b9B1CkJDVcfdr51g/lXV7Zz278RhrqW08ig7ElhYd21u7Ask8RyNzgcvmrCTKxMuZYyy

FgQc0p9u7uTUpIyiu2WePsrzLvv7l1wx0Vm79CS8DZba4qIRb3V27BW3cmwd29psbi2M3tTT

2x5Q9rsDT/gC/LY/ye0hzopQ2EGRsdu580MNsbKzsomQ+DzujySc4Mb5I+O4v3x36soXWyMr

CohshfOI2Tco/Hg68vfy23/Ht91m3oetFQpld9l+3EpP25Fk/ILLGi08zxVxNFLHK24HsCue

oQQXkDmttmxQWd3bmWWLJYO+vHwxtx9vfX9i8zFlxL4tYyWGDvHd7JMrt7vaT7kysirI1jIL

WDyrySXP31pBNeKKxbGpbZ5ibZ3Dn2FgIYsZdiV1s9z5vrN+3ctG1trJHJ5FywtP+CL8kW3y

M3esjtre5uKxw27+1FFJSCHt2bLZsVp45eFnlqzN/D2BC2Vklq+AsNEXNco7ii7VVHG2SePt

RT/lUifCQf7Fn2nrTRv32H2RKT9vyTMmN/wpchLc459ssDk7q2tGXDLm0Vx1GuVa9+Pu2ieW

KdrWye4ZSBklvNaTbMHbTTZs+05m3ucXFj790zR25WFrArC393mnkhy8rLbcPk7EJeXe7gZP

zGXu51Z2jYWWTAJqq+nENvPdieI3DF5EY34TZ/w1fky47GUuLh92eyHT289vIbACJQb5Zr/2

wWFpc4fKXGZurlrX7RD1BOy4t+2hJtIldKBLJEtsrYZLdjLLz25Nz4hiYRFjIv2j10b92OUP

S7nbBa92zv1j7GEQ3+KZcMvd2JxXgucfdRq44Hs7kYuDZyQdqYvPbbcR8nWbb6zvMpHgfJ7L

8j+KZBW9xBdRZq2Ecxm+K2yDb+TzLPNs7Z0gkMbe46SVsr5Lqdz7aaPbIO1LvdXD5RmRtbNt

GOJ3Z9/6Ns6kssS8oNMDT/ia/LP/AHZ1xU4m3M7cfj1BEXjDY0tOR2xxfJusjYW8U0bR7U3Y

Xkb01205Cw7dvbxPbJHj8DfWUTaC95N8nc6bxvEndi4f2najrjvui/b83vTaYDF4mWXJSfyc

TnOmix38fNOvx7aPZdAq46Ia5SH5EU0zreWeQ7YoO7FAwMbdXDrm5qrW9u7KSH8jeTstvH/K

MvnsnBLPiMRcXM2Su4I9sfcKuD2oQHGWKIwKrw7cKYXI/Cycbe2120LLXAnmqGPbDcPj8wG3

B0/40vyp/wB0ZYyvbBI2GCVzoLbHtbPM2cNjyd9aSjCW/wAbFye5sUbdhYKvaUHVWWuJcdY4

HJfzGLgmfbuZMCsrO1kXlmJGO8DwnPEQ/tnlqFjf3Yf2vOLlsbMblYr+K3nHYmZIYMheM+D4

PA1tmFcdENM5mrfCWxkBbdOayQy3GRnjeyFsQtmSTRuhl1trV906e+yl/ZwCMxXDfbAyjLl2

+Xn3Qp/tYJnujHPE3Pz8bdxyi2dSOK5LjJHI0QeYSF+Fp/gl+S9n8rbuaLeztnFd26knxuOe

GPdshntjd5OPm0e+QFUqOqkYKbGzMscNJgck19Wwvpb45jL3P/kttfEvHueEj+x2lNMZ+7F+

z+RJKLHXm+4tzHLBNYSsb5FkBFa+G5WNqCuPtQ0/J16+48igzuYtW4+yunpze1c29tuf5dk2

xxcGIh/0207ai3ax0l2+vICoA3Fgopx+nDJskgoXeDXgfZK8NX8mISP3eWS7sVT/ABK/JNm+

8zdwWW8llZXMjLeA49mQzTIEzMZjNOxWNufndHxc3kbms3Iuag4FSQ0VxH3QJNtvG2lv4tGD

n/yK3d4j40a4JnR/TXF/vuuYbaDPWN1nshj/ABuzsi+3HbljdttreJ0dwBG6HLXsKt/IYLwo

ILz2TueXeP2pu8vHG7vXrWsXet4oMnenI3/BY2w/jSE9nyH9trGTktjc2jI+ZaFI2om5W0Q2

s8SvPi5e9uPi2ccpLCx2472u8l2y47/+avyPdfFydjZxNUJh25C9jtGYbHTeWZpjWQxtb+oP

c22PtYaEiiHMGNHeFdOcxNthOpLFhiwcrrTNedOZN4f4oa4FhoX9NW3BidcWjRAxxUVzHMY4

YXM7Nsxk9/GwElx0w+aO4ILyqXveR+C2QcjD/qYLi2MPl94cZgDwxDZbuBCjYImp3vmkbyiH

uPWnI7RBDVz23L7VeS5n5eAjBAi5uJXkjnMsf+gX5O3/AMpYXr4CxzZm/Cbl5/FporBsrtsP

2yD2llFVMdVDkVyT2temRuYtrmrJW7refyWcjxzxA/4Bn3yfbpyUW75d3jo7yO9so8cRodSm

orE5ua0ma9oF/c/MvvFIreHBRkS3Ih7a/IuS+VlUdbePvXBHuLaIlOftYyOieEwbZJB7S4iK

Y0trc1Jb3LTx7IwPsovfBas9zWEP8voMf/0a8zZG/IXmP7TrS9Nu985ZMZYrwMy9xDBJLV3f

oyFwDOiaU1yadOieF3zE2eBtzbFsd3a28Mfjpb+5J9ulw8hjrxu2a7fG28upLy40Ork37nBU

qjmrm1wvQWIks/H7J8s8d1K7sZO8ORv+Dx6233H1k+w+4uG99E4LpMGqf2suKuNsKK0oY4eQ

wGHGVxkPjxhX/jz153Yus7D/AKdeYt3X9zHJR1pBcq2kIvo5O0RcBi7ckDobgSkAIODWtYHt

a4g1VVUIhTffG5rYnRmS587vCzDeMXM93ipPs+teUMonvc05rXHuNOlEeiKcmH3krduWJh7+

VyEEdre4uHbEy3mjt8kd9r9ODC2/bx31ujSNgLRSi2p3NSij4+aun0ZNyZCKCD2OmGyfxXLv

sLvuu7ben5K/2H/6F5d/3FzOUsTnC1uIzPNEXhjiF8+6sFLf1bG4FrOrmOY+OaOZcwmu0D3B

NKvb6Kzn/nfh5DzfH/Owfi80U+Kk/bKvZe3HYU+Zl5Hi6luHyvGlUemly40ax7VtTY3zvwGI

ONDj8rIQumntzBIYbXdPLnbI47MHT6W9vLd3LYhAB91zzcyPaHUpRFTsKgr27pT0LwKNm/fm

9z21DvH77+ew/Qfkof4v/pl5W3dfRN9jLW2gsMxjy1QzXEccL7e7ZJGAbKXFQ4rCCRmIb7RX

kGVXd2OqU1w0uZm2UMveKkYFJdW1zg/BLh+5/wBivSHTxSmG4vrllzPTnr9EVyLrue3kfY2d

1k7mxsrfH28r9kOJbvycRken3ce+3jcbjzu2fb+RHXwCya/KNBDB1ZFvuHMThoRVSNJDKtdc

/vQt3zO5Genep7nCixmRydjM7E/kkLK+L/kDMQduf+OXlVfnY2CWeS9yF3Hbi9CdaGNwbDLL

BdTzTNsPl5m19kbCXKgQcjGNjI2xiWJwOyYBlv78hBaMUFnjLBZ/yvBSYTw3bbsxXk9plnq7

5XFU0e1jqvrz0+ieebojNLl8DPZM8fxL8ZAFk39rF4ppdkYo45V8dihkMV1+SLMsuDoF4tj/

AIXgrlH1fP2Aw3b1JHVtE0c5IyFL7DdyfrQN2R99ofOf1i0sE9K8l4Vlv5PE6+T/AO/w9xDB

NJA83z7GQD48TDmbIAWhN6cDZST3LG1LAFTkAhzMVC1tYyz9NSAsN21txbSTC+wPheMxl9Y5

p1phLWI7HYLMty0F3aC5bM34xZfWspj5OHVVX0UistrckJY5rMILyJ23x7CQ97KfdahvdleY

BdecWLXYc9NMnA2LxqRQU3O2CT5G075SnArova8X9GKGIvddSbRHDvW2ksv7M4qdjV4Zkf4/

N6+Tf790sMTLiWO4uqlOHK7c7tCQ28ni0wfE1wUb4ZW8jozoWkEgSMa4lV5S27JJcPMZ8H4B

/sPOHn59S1eGl4ySubS3vIbi2ggxMRqm6jR3JD2t8cfXBBBeUu2+M+KsLs3AH/FnbcMWNuIX

tzlhA/xt3RRlokz53YN9XGWBrh37KFrsiEy89zHiQOUccjHXtbifY2FhPelbGQKfrzg9g+4U

conOZPh73+RxmnkvO/zXtsgaoJ5CnfyyJLF4T43afwd3BFBlcXjmWb2ychc2jTJPtQuookzI

Wcjy5rkZmplxLkTa46PG4r8fn/R+cSNdlu41p8cxBxtuvpct3WEXRnTQaHmne5YS7+FetcHA

LzD/AOLeKzNg8huvbKw/6oyv+Vcvfd2H9qKtMsMl4Q97YmmTGSn4NvIpbR8a2urbPex3NTPE

UVtuLb+WjbaLkQqfqbe41nON/wB0fKTCxdjD6eUupkb6H5di6XYRMKTSpz6qbnL4nnYLDFQu

uJJmPmjE8M1Zx7x81yZZxRu7dsFRwDWkpkQCDrhRWscKNrE8usbdxELivi1Mtq9jYo2zxM5B

vTgcV0LhuHi1xVgXm0gj8Uw8Mkl7byumsp57dtxLskvYZ7W1Y4Fq+h6+K5e7YIS0XOUw4IBd

C921zLO4F417HsdH0ycvyJjRil/VuQAGyvDRuBUZbFBGxzBK80th3ZI2duPTyv8A7jFcG2kg

ImiPIy1o4uCd1D9uYidsjtJTLGTRjXvlRq1N7mxgLQXew7tshbCDTZtq5pZuHZTK7WO3N2gr

OmbC3u1AHh+v1C8eftzAX5GmEfi3g8Ec7LXdj4jCbiHZ3rh8BacizZe/ReMN3Za4jncLO87s

V/j2zSFjoiyQwzMcy4i7otreOKeITuFLNu98jmMa5zpXRN3KRrnjbubRgOEFczr5QA7IXMjW

ttZqHqiwyK7aI07cGW47+bbI2FsMsvyHve4VMSBawRtIG8qDPRXGRxPklhlXNIC8xvLq0weT

ufiWHinkdznU1wJHVheHt3sXkFh/J4eyuRd2mg1PX+4dMGxxzYX5Skph/EJuzlGNdLdR9+Ky

LWNF4HQx+RRGLM/2rxsP/lpsxaW7JspcTKAXkhnMTmyY9k0dhK6F+RuhNNJKwOuZnbYm9ht2

4lf3w8kxN2tNBTwu0vJs5r5aAb+TCz3bTibjH3W1rRLcUUjCr+6cxvg/iF1i58pY/CyT2EKF

x7YpSOMrm8tiAWGZPaebyj9TASPOI8x93juU2OwHgHO7a0ACTcmtatkjVT22EXxZf7tKVUVr

NKp7O4hR6hYeTs5kL8qSVf8AjrBNvm3FpcY25jtgMa+LaHzBtv5kzb5DTk1m4w4t3xYsRPT+

O7IaS5oiG0W+ybL3jbJllaW0Q3PE9vb705+1ObMXfGNSISmso6KOa7usR+P4IntYyNuvl4/y

DL19peP8skjuLjzCch/kWTkXjj5YLHJPjv8ALtG0ZbG/yFs/eHs5guBbUofcZFZf/O7wFt14

7dwR4LyaWO88elFMf4LMIc7zc5jQXRjuExmpFBl4vieVU931KtHiOeExnIeQTRQO/wDI8e57

Htkb3exOvyRZ3lzl8Hi7XE498DZGutXfHhwUDXQWttA/8oc/Lacsfj6C1c4Ke4Tb7uJn3uV9

korGOG3mkT5H9p0VtSCR7GiTcnMawfYS+ONuAw9x5Pf4jC47B23D5Y54ybri1kF143gb7Ize

G4JksngMW+4xTDD494yLXygIK/w1lfPyNjcYyRk7CmzNW8uQkiCzd7e23lNw+YzeF3PaZ5Pl

ZrO0e/HnF4/vtl8aZd2dgwACNGgRd7cxZRT3HZa0kRp5YrCMvvrx+3LZSWS88eoVYcre7bui

tZO/bXUMU8Vu6kXtOjz7gWtXkfiUPkGaj8Ax1s7IYKaxUFrK4/Fo1rNot4zTJZSOzQ7nedJL

K5hJTWbS2QNU04aw3dU+bchEQvx5Yi18e4vKW1yJigCur6C2ZNDbiRsUJfSrcs99vicddi+s

gipGsdG6KF7xDCmwQg5i8tsfbDKX0eSMz3yePZaHHXOXyk+YyIil7THlh8IyocYxtQPP27SQ

sgwm2mVEWrCQl+XupN80nPBR23dFm09hwqsA7fhlDVh0cObgJkxpTO1I64toriPK2QsZMh47

bWmHaYpW3OWJEcbgBE9AAKZrKCNpT4AhIYj3w9SVCjYLiaKKOCJV4fJjTJucXOyYM7DCaMjY

0VXlF0LbCYKB1rhkdL6E2t03ryXmN26bJWVpNfXd1h8naXTDzZsZJFn5mYCaQzz+Nz9nLggr

qoqIv3D2lXV6bbFy3GZkY2we9eNxPtZ7XuXE9/stLWJsduLRwMLuni7v8chtK3bkFIi4Uvp3

w3F1MGW2Quxi8Td+UyZKJt2zIWNtHJdtMYZGz7i3mWtCeQqUe6oTmNctjo0P1WYe2dLmijxe

Tln8jIwBR/GZeR3+NuV9SQGZdhyWbaKII6eQAjJUDVQryXd/M429u8deZC+vLy809zk1Yoll

+1wQJTeZJf3SvJIGjCddMa3tRvkaGd6k/kfjpjgxEzZbUrxc0VVaA06LmU/77sRQvuozc2eY

kEeN8zlc/AeF2UdrhvIPALTD2kQpJT2vY9kkcnKqkl2xu+8uVao8i0hi8Hs/l+Uang8rH+V8

ngucfjvH8Jjrmxz1vb4628Wv7i/x2QvIbaPwe1uMlkQODyWkV63e8j3Hygf5vF2ou7/y/Csw

Odjjc91ni8lkDZ+MeR97Gfi7y67kzWGf45nYjVNPLqnOoiDSe3ZeqwkMlrC4NT3sjsbOY3Sz

UDYJsUW3mPm7mHy0D2Tx+OUbfijjF1po8+/MWMuQx0nn2etXZXIttfHbryLI5W08Vsr6C38q

dE3x2I8y32ue9pJfX3p+9b6yckZAublyYvxzjHW2L4/IJRDn826W5g8Z8hsL1vlG3b4v8yCy

zlt8ya1t4LSAHgz9w65yrSXJrSsp4J5JmJ7D8eeaQXXmng/kN7eeHnZ5B+GXbbncdPynRnk0

B3MCBodwbHWoPslxX7bOpn+ZkoZn423v7m+kfK6/srnMQ3eSzeB8KzTLSz8ZvbC++NO17AGN

3Fyqj+5yp5d47isrZXHj17BfeLeGjBux9Zrj8lPk/imn9KM7mz8iJWKrVLUjlu2ktEYYKLFY

ubOZOKKOCJHi8q55a+7l3beHNvGZTOwz3Nth44rnx+5ZFP5OCgVVV08iubq1u8i2d2ClvJcL

iPDr5mQwYK8iG/AeMvDPIfxM+mdvPKfH8eZvyRgWHzO6g8myuPvrdlm3K2pX8jGE7Jt2PzBY

pMrLKLW0ht2hvPO4qytp8MJtlxLMZstBud4626jmXJGqmh3i8vc5YJvl8ij8pBkb5TZOOSv4

8xZXdxHjMle5mxZa2Vv8a089tjcePsIpA8hT7XjstCJa1OdVBnOvIDk47R+O8R8TF+h5gK38

12GRS3l+chYvt3RWbniG3tSc2HClVVV08ihnCt4J7ywzdjZ5DCY98mOgku5+xl57sYTFy7Mp

j7y6tMpDke1atsrf+HBdWCZ8bYngtPRsimctzUH82uYu1DdXkNlZgfDtU2KFisWf5stBUvbh

ZkvPsbaOufyDnJTN5b5DIjdXczxcXabkbxhw95kWG6xUmStPIcLkILmL5Vuf5bMOiDNpbuYT

MpJUGueiKKu4sFAU9eIn/jPoebOcMtkr24kunf8AkUcVvcy2sx8gguLXI3WZspPCRkRjWR3z

z35oWjOMeyXz+FS3U2UX8daHGfqE2RY+bIhzbTITHZeR/BydtKye6VnPd3g27Zxzt7YSGLY8

psT6S27iRj02yoviClhJuyadzDeQtriFueDg9fkW4n7PQ3BYZMdj58jcZi2ZYWkcDjFi/F5L

+LG4e1t4JrKOSKWV9u67xVrfybGGS48PjscbcY+8spZfG7oq68NyVpb39pcY+5dG4HtVRjLU

RItp2+GyRv8AG/Q/Jt/c22e71X/O7RwN9DbZCaXIWdnaHY7w7NYW0gfnsSW/+U3kcmSzE17N

A1hOBsp7u0jwveguLODHnGOL7nND/STzB7/IGuGWxLdtisPim3LXU3l4azGvD7PcwLewqK3E

zrXxiaa1svHrR8Q8esXKCz+PknXUaddld1xWfxkd422E9qM/bX18ZcaO0+3gfb+FPvIHvwLL

q9h8dtoU7FzUlsXTWtrj7uyjZ/LxXD7LY67xL7TyHJSQZm1u7TPx46z8jjZibqbMyXLcZmcW

pIpYyWyU94RIVEKsdbeSZ+zNp59dMUHmeAmVvfWV0Dwfkjtf+RtdFHCXt2G+ZIJb3u2Je9Y+

4ltjNeXch/1L1FGQIe+Fi5bv4ltef6Rg32eCBdfeQMpYyuDH+S2HfZC0txqxl1JaXDk+m3H3

1oLXF2UuSgZ4y/49g+0s5bWa2vXCMdsOG2eeri2Vj/hzOIZLubb3EgnsQUYYZxD4bbFsvhlx

GMTjOxCyJrR0RFU7oCQK1U1jbzC6vbbFQXPm96YcTeZjODyjF2uOE95NdyW+Yxk68ucx8ro3

12VRiYtrVRdFQFGKi2OacZn8xaC28sloPJsaYl+S2/8AJLftgmiaWdxjHummY5jLfvV3TOMb

CmMKiA2surdnjdlbntTb3HAxSsvs/X4VzGFloe9ZX0DLfS1P6kn3f3eO4X9GNk8TzlJLZ3vu

pcbZzQJkjpE5slDbuKMd21Td2B8E/am3755J2tQmcXw37mTNnY4EKrmpshI5IN5rcA6WZrRk

bMZCzt/HcRBFDhcbCZsRZzOlxbY1k8Lf3E+Sxt5CnRrkpE4FGoTVjsfibuJ3jVlcLI+P3ED5

7F1mxsiB0/Kkjm+UWVq7uG0kjnxF623cZu1msk+M3kbRsoKxtamlMY4p9yxgiyLDbP8Auw1R

PnRvsrhivGuMObbsvw1WGKu5bWVlDiPGIlYQ2uLtb/ySW/RjibJiLH5pZDFCyRjgbX3REBba

jtsUlqzdE0xOnZ23bQBcs2FszgHZW5KtJpJrfb7ieyeVaAu2srK6piLXh9xDHPzXuVXJ3NXE

sVtDlcX45lk5lE/o6q5ocl3XMWE8snx9zlc3YGzffm6DeRG/avyezf5TDua+4impYMf381YC

1y01jaxpsQFsHOLnPEAbkmqOG6uSzE2u+1ihtrQxt3Y7cJcxU4+dqtbMXdxexie9ZZgrGWFr

/FYrx23yN1ZRE3XkdxNLdPtghbMfL481nwpPapW7ZYvt0IXIqSLe99sGpwkUjN7XW8bxHDzi

jmhloFOw9tv27kaNVzONuPnEsYZzU8pY19xcBfIuVO2W4jyth3Y5MDJGprNsUktDNdfHimc4

U2N2QWgnkmLQ2F5L27kHuX//2gAIAQIAAQUCQ/ovr6B1GtVX1qqq3emFuQR1Hp1ou4u6u4Fu

Gv1/rK600HPgHBTgOo9Nxrwtk0OlNOeldT/RFFyHDVVRQVeMI6j0pDQcBOjOh660VOA+ruW4

rcQga6P6NKBW5ArlwhV1rwAo8NdKrct3BIefB10Cd/S9eAHbpcGjQgiVuVVVV0KGrtBqEdTx

FMOruZ0K26s6OR1qqqvrO4mKdDUI6VQ4TpTSiojq7U6HRmr+tVu4AmOqneifTeqoc+AlObvB

FNaIqijiquwKPgc1D0Tq7SqJVdAmddJ20RKqq6V0j6u9N0lF3FWvG7oeSY7TpoUwcn9dNyCY

xRR7VVEp0FUWEegemkipxN6pgTmhwlg2cIVebvSlfRbqIPTHUQNeJ3Rw0qtyDqo6Oj1oo2KC

KmlFRURFVLHt4z00foShodG9QzWlVNBt1pqHVaPQKdzTWosTVHy4ydqHNUTmqIbi9bkDVSt0

Y2qhjrqOB7dwIoeE9PqnqifqAqJsR4nwAoQNALNCo+g9B/Ry26BtE3m7icNCnKCLYjrRdtRt

TRy4Tpct4j00ei5DUJoTeIppqiKp3I9Vto1vTjl0BVNIuI6vcomLojwNaXGKAM0HHIKjhOsu

pKjFSohX0KUKf1h5l3RvTjkThRNR0jPHRAURYCU7pwWjeXolObR3AdZV0VdAFtUbKegE7lpA

E7o3pxAVU0bmg1KrRbyttVYxew27SpIS3hHAeGAUZ6VwOE6uC2BFqAVEB6ThVPtwVCxOTenC

6QNUV0uThLYlGEhNgJUVm4oCms0NOBugR4mig9KRtR04DwkVTQhyQ9QBTBM6cJqmzOCtZJX+

jLDXUdNDwsFT6ZUo4DwEaHQciPSpqW7eFjVtqmxGsEXbb6M7KaNUjaaHhtW80PULdp0PDRUp

qHEJrq+pKfaNQpWbYrQe5tK+lP8AadCgOKAUah6YU7NT6TDQ6OqmvrxSShi+R75BUa27am6+

y0CazbxnV8ganv3nQaHrwDp6J1+qc3aeAIIcLaIei7mgFVDW3FGyN3iBmxvGVBu2SybeM8DB

U+qdJ2VFFz1CaiaKvBH6RotwCdIKLdpAfb6NwaMbOKPduPE7gg+70RwHV7dp1CCk66BEJg9R

ifoCo5NqEgp3AfQmjLxwN4D01g6o+gOA6FXLeWoTU41PAzp6R6xp/VDWHqPQeKHUL68UP3a0

9J3TRwrwDjaSm1p09Bz9I0/QDWLqPQuI68I0KpwQdeE6hFDU6u6cDefCEOtNQFQcW0KmtFsC

LE1D0ZhR+gGv04Lf7ig7i68R0KkdRvAE7rwN6/0O33ejc6t4Trb/AHKiB4Cm+jcdPSrz4y8V

Dq6P6EpprxMduHoXWo4X9dIB7qKmg16n0CVM8O4aItpwdEAmmvGfvPVSfa7pFxQ8PeYhK0nS

6HJFM0roE7QJgDRVV4CUBQHjknATnF3G93Peqr+2Q6NNOM/c7q+dkbRK2Rn0i4o/u1y1exAP

Yz7u+3S4HtR4jpBFoFTUlNFONzw1OmL/AEKrYHLtNC7IWwUe3noHUTXV4ZK71es91h7GJziB

aSd2Pgvt4Y68uEbuZfImTXveR9tOdE1SCoHQcTnoPIUE+/hLk1tNd7UXAJ10wI3YTpXO0b6I

dTgcEOfANXODQTVVVzHv0ppCAOGZu5j0VVWgrIznGfuDapqOg4Tz4IZN4ZPucpLgBC6aA+6J

ReSg8/0A4HHk3pq3Wc8wiwjUOKqo+vDJZfqR4IJmOgashA1kkIpCeo5IaP8Au4SvqV0FtyL7

hrS6Vzv6VnBMeXBH00l+7iZ14ZeUukzDLODuLmKqjNQVL96PA5qGsaLfUb6NFLJRRE9xldK7

jwRazfcnCmgFV2yti6HhvFA/eyRSStao5N7jIWnvhxZJRVqrj7uGlV7ggeW1NBHqtHou5oR7

VD1YFN9o4YxQaSNq7Yi2qb1GrkDXhuW1ZZftSdJTV8dWp4KcACzoyXaJTvQ4j0LOYbTR3T0g

K+m8FyjaasU3Th7tFv5NmRNdGdWr6unYF8tqN0CYJ27DO1G5C+Sn3tE69cRFePY030imYC6N

PVCRGOGQyNXzV84IXjSmybk54C7rEEenpNHpitTQJr6qT3DhkBVCWs6KmgUztiEhC2DYrbmK

6yHQaN5uoqaDqqp940I3byu88ohbQm+1Mleqktkat67pXdK7xQnQlC7jVUcLenoFPc0t7gY8

TNTrhMuaiq5rcu4jOjVzdvtbyQ4Lo6NNU7krQ8yW13BbwnzBd5dxGVQn3a1G5Xf26NYXJ8aE

ZKjt6pjQBRcwns3IgtQtmgOgY1fFYviw0famvRb6ITFfIXdamOB9GYAly21QcGF0kckhW7ae

81GVyFXLooua7ejdQrnqoowdIzR01xR/yiu88pscsiiseTIWrsNTY9rkTpJDvTYS1OYaGPS2

Br2wtqpoBRUdUsT4ju2oBwaLjaH9xUe1OJJ4KpshCbcFCdqDweGQMXyTUXG4vjZu7dHp7aqg

XtCLtDyTHEiNu1rOCbqg7bo3q+GQlts9Ns2hCgRcNKou02qipqI12VGKehVOuaJk5cpwE6Ql

NuGlPOtTwBVVUJCEJ13hpcnm+qFVtKk9qaap1Fy4C6jIBo06vPKTUIFBu4hpatyLtA9OJVKr

3hVog7Sum7nu1rw1QWwKgQ0uLUyFtrI3SioqKiomvaCGhwFSXxbeCZD3mQhqmjqZ21EIO2ul

UFVbHOUcVBVMOhKnd7JeqZGSFFCgKB0ydJRM92jmKPoqLai1BEaOVVI97VC8uaunpk0RdHIq

c1TU0K5sbXctxoTrcFP5iI0R5q45Pa9xRKohDVCFoW9rU6ZyjlKJTCU48pJ6Jshmc/m6iiA2

RwhyAUxKctorF0RQ4TzJFFvK3VVUBVRxbTpVE6U4qqqc0ORtgu3RRx1MsYVEQjyDQqKgVF//

2gAIAQMAAQUCR/8AyNEWn0qVRCouVR10PqbF2ytp4D/WhuldC2vo10I0Gp9No1otqczQ8FdK

/wBMyNHlwltURT0igNXek0cFEAnBFO/p6LbrHzJFAQhHVOhI4HcZ1cE3Uqi2raFtW3hYNQm6

OFQj/S04CNLVvucnKMUXJSMW1bU7hHCU3r9OKipwN0ATIwjy1d1PDRU9YcFNCrRdE7SuhaqI

9fQ3IlNX0X14AqcDdGtTRyognBSx7D/SM5rYU4beAhRSbU01R0BQ0knonymrX14qcAX0X1oq

IBU0AT+ukDt6EaDVt4J3VCHpBpK2H0G9W80+NbKJgqTy1iFGqlUG0RUsqc6qJoiU2ZBwPoNX

0Q1poNJvuUj0x5Ybe5EmpVUekgq30o2VQYnRqSPjgpvY5qK+pjTonDVtwKaBTyUUkiLlTUcl

G7cOJq+iGlEdGDS4bQOk1BLVbXXc0PA9u0+jHyVVVOT+NjareQu4onVUrwxo56271VSSbRLI

qURVKINCc0ocwx20g8QX9q+tU3XoqqS6BGldByUN4Qn3j3ubKToFN19BvUNpq9O443UVaoFR

cldT7yNRyXyKKV+5PKcdGcz9C6usfEF/agg3SiYFRSv2o8TRzIomuom8w40TnV9GNV1ceT+M

aQx1VxNRV4SaJ0id1BTim9NGrkhwHQL6JmrWVT+Wl28gcQKrXRnS46eixAqqqF9ykHHQLqhI

4BAVPBO7muqPt4Cm9SEU014vomLqgxc096MpU0m70Co+ZVx14wnPDVbXUcjwAFSq2KtFm7k9

yPJStVvkGSngdwDhkd71WiqmII6BN6lRnQHiqg8oOqi+iLqqqOg4iozQx3bgrmTnxtiL1d4m

g90LrXNRuTLhjk+5YxXeZjanvLzpY327gd10HEeoRNdPoEdfqU3rWvB9NaIFOdVFH0ho88oT

xDSS2Y9ZOC0iZxHSzvS06V56DheaDgJQRQ0b1cv7hy9CqOrmo+lXTog6qHBNIWlzw0XEze1e

3XyJOEIoaY25J0J5WMrpGocN0/lxfRNTU5O6lBUVOKvA6MPT2FpQFVTjCIqoxz6ak0Vpcd66

zElIZi8R8QR6KlFjwTKmprQOOd1XocIRTAmooodG6nhB4Zm7m6RFrlJEWcUUBkXxfYw89cjL

tZif3sy6ikuDLxxhEqqhgfKba2ELSvpxu6oIngaU7qxN0HQaA14weEkj0QEygBKojrkpKyWs

3Zff3Hek42db9sfetbXukCgTunG8614Qim9Dy0HTQLlwuTRXhnJHpBxVHFNaalEaX4pMiiOX

CFZM3yT45wdBD2m6O6I6Dgm6aU4QU1NCPNbUOiGjTwu6s0qnIPUrq8Q4KoKq663Fs2USQPYT

A9qdxBWdw2F3A/oNRwSfbrThjTimBE6DqFVN4X9QODoZPuQNfRj6FN0Ot7+05HhC6q3fuj1f

wDUqT7ECqErYizgbyHVdBVfRvXjPCUWtKkDQ7m46EKq3DSqawlBFMZVtEdboVjcjxBY25DVX

VyOteB/JtKqjwu4UH10doBVOUYTna9OAcB4SFuotxJGhKBchyVdarcVUrcVuKqUHlB6cNyd1

PCNAsfJujQT+n04rn7UHUXXRzdqCCZyCHIIadUUFThcEOGYe1A1VVWvEeDkhrM4iOvo4s6BO

XTgGt19o0bIq1RFR0QFS4gpoTyhzXRHSug4hwvFR016aDRsRKcNujBU7QU9u08M0fbf6GKHN

BO0Go1ufsDCUIwnbU1CSikbVMbQAJoR9yZoUdWjh3BA8B0lbQ01ouqomn2jSP7m9bjrw5FtH

6gVLbCZyksZYxpine5BFU4BoVvqS9btaqNlU9xKpyc5ALkty56NYgKcRCji5dtbF/c7qnt3A

inE37Wplu+R3adG8dZ+LIsrHrgafInd77obo/wCOlAIose6knoyPTtKasZuTnKiBKIVEDoBV

NZt9CiM5YvlFG6qu4gdXMDlJHThjj3ABWj+V63c9BocbqLtP4LRrHEWNuhaQhdiMIsaxO5v3

VYSp/utnUcjxNh5fHaVcWpjR4GR10oBpzVE2FyEKDAPSqngqureF3XRrd5a2gord+3SqIU5J

4YHbXt1n+13KWP8AbdLtU33R9WmoQ4I20R1uYe2XQANoo7eq7RKEIW0LaOI+k/SmjeGUUOlq

2gVdfopumg1bd0jk8kapc3cPWJuXzxvNZR7RJVylHNqtjWPhZ0P2tHP63Tw8RwoMHpu9KXUK

McM/XSD7VThk+3hj90OlnSG3d7BHPtJbUXbNr2qx/bQ4I5UV0T+TT1B9R3ovdQWbHFs5HaIp

oBThn1g+0mibrTR/Thsyr2HszWQBUcTi10dGOtmuEcRYLq2D1s2nGn2cIQRG5GXkUP6Qrou9

uVw6qf1iPPhmNXKigHtIqgKJ3BREU4bZ1HZj/c2n7jGna7mguqI5z4/uOtrbsjiDkX1ROjfT

J9OKIKYoqLiMNV2hR8PKPkNPoorCeVNwc5X8E+l3aPEgtXr4bl8NCxTbMA3GMhme3E27V3S2

MJp9zh73cLGMcvir4hRtXIsou2Si06N/pTzW1c0+Kij5cUVF7QXhU1+mKh7srrerqnu7Qsw2

kmrdDpXlQKmjtAKq3w0j1HhIQm4y3CETAu0xOtInK5x9spLZgfG11O2CvjsXx2o2zUbVOtyF

2XItI9anNjDXbUOhcU23KdbtTIWrttXYqjZlfFKHsO81+iCppgm81I1rFXlmm8hVUK2lBpWx

bEGI9NTpiGjc01TTymuBE23n3uM4rcZQRma7e8ibmOaqQK1RuiS2d70bty+TIo7lpXVFgKNu

1fFRt3BEU9FlVE1OFFtJWw0+gbvHZcu2xF20dVccj3F1TkzqndcI32KefaVkm1iazlsW0Iua

E+5FXSld9yLuSA0jl2p0gcrCZjCHc/fXKbV8ohrp3OW5NdQueHJwjIEhK37mtJaaAu7HNmwD

9N4aANeWhCdA0p1qjA9EEcLTLvdi3uDsdJEI3zdtqconGgJR3FAAKqdzJY0F7quemdSnBYn9

tSsDwrwVibK2hkCdcIklU0oqaV4A7av5N6GUBVxKXniDiqJtvVGINURqmx0RjcFHpXSvDROg

BRt12naWUbXlqcYypnNUaeowVU8FKvlOkgTeqCxhrEnaTCrXFrA81RYtuhbRNAVQF7VSqLdK

abVTWnCGouXdct7luK3KG4DR3WnSqrwPe8J0z6tlTJQ/gi63DXQK2iMwHSPknGqbw7g1OdUg

J4TeoCgb78eP0lLO0OBV3fqV24sjotif7VVNKf10qg5FAqiComRtKkaGnWqqVTjAqm9xmtVX

SifBzDOYiDXU1hFXQSiI3MrJS0gNjeKJrVVOmojM4rtOcmxNCcxAJ7Uwc2sVNgt/bGXqeV3d

ub0xNmPJgQVVL1QR4QUHVQAQ0qnuBCHo0VFRMcQhMUHq5nMbba4L9Krcqquv/9oACAECAgY/

Av8AT4yGmH4DFJ+HXpikxXTgbyuZulIVLaRqbSPSZNRFW3A80noiD8IczMNGOIPoxq+4y39d

AKb0BI1SyNFmh4rEPKRxxrkulFxqO7Xk8ky7U1JxSes2vdHgb6C1DpK8CrUr6ptNedqXlK+o

ys8EKun4w6tQtrn4MeNCiCOBNM2s+vGRSHD2pvRGstpjQIlym1ttO+4sn23qW5q0h/OKTmvb

FRqmzeCt23rBwu6V9hYhfM+6+Z918j7oAl7o1m9aOY2GrBEhaUiQI6BoWhayys8J7XXluXxW

w7LG/wBkH9ZTSyuuqauJgYknG2y7Wg3CHriYFAxcRfgd6uaojaGUOBsIitmGEHjhYTMmEBG0

1rrCwsGF1nU3oWWZrI9U8Gr2vDMbKyunbUG5T0HTTCHb6QOitC8nJXT7k+YN9143rh+S/WDr

ELwsr03eTCwsLyMXlyr0wsKy8lcsndeU2aA7lgJin2p57IglNSsr7qp1d4j6RujOQn0NtHiR

7LE7GcfSIW5D6VCmh3cqD0/FXrXn8YXkELULT9iMCn0edV//2gAIAQMCBj8C/ru34DeU8eMj

fga2pbgglYSXVtK4XXVh6LxZNp+6R0xzq3BkJkbVtN5LkNb0ovxh12jXtqPX3ptO0eukvprl

dm0ygbThc02DWMj6N6dldA0TvG4lAg3TfyWP2ViCrkBf47n7JzmPZv41dct/p+cUe3dim+pt

o9u0Z3H/AHXcfRd725hd3pS7D+kCUdxPrO3C3T+jWXbzW3acZrNwVt/uuYmsusvbz/tDavKl

4hdeH2mbkhuTjHpQC/x4/ddE3ELQxIaW1eFwmpnWNoOqZk5DUH3cbNEHSvo8K2h3UTt3VDG8

zcFak3KveR+DEikRo7a28jTHbRJ0F04T60SiYHmJfi31XcRaJFN5uiaDaG1IQPaE26AmB5fv

JflAiI/OdDZPoMLCs0t6G7agYdpXaJe3eHC/89vsvht9l8R7IkBoPTvBxiXpr2CaBBkDyiQo

I1bronheF+BtQ7l47SrFlu/7LsUei3BYiJgjFmV+EmYiIbO667yfb1Tldwo3idPZPuCL6IzE

Ldt6o/8AJfou1MmTJqDQbiRQTyu7I34C5ousT+O39ldgvkHRtHKyndd27Kx91uXyTT5WVmNt

VihdYmv6LaXNl2+jfrAGu+7x/uruV8AsBYCvtC5fRNt3LKusab0WZst9bLKafdA/yNeANY7o

uV3bzBtt1mPOHiFZoOrzXo2jaPirhYpEw7W9M+n0ntRaF11TK8ngbp/dGFyrYVoWmwrLEzfx

q/cSu7aSER/I0WlunAoNDdDFS0MMnpc69o9V4lXLptnpX/WQjW5KzSvKyZro9ICqE/OA2Pcw

bamlancq2ldXms68nP2nsrmd0BAJhnglkxof/9oACAEBAQY/AqX7n0n9w9vyP48v63pHplHH

SJ8/7j6/k4sAdw3+yrKmP2sPdi3urAEf92Pacze6ru+PZj73zVe1zxbmPv8A3RtTr9UkSJ8N

wWJ4BdteS6jQRzTt5XrTqZInXJcdMptx+tUeoEJvLKXuTha+ytH5nKoyyt4NyhsBhQbo9TpF

uRth7WrM9rvz22DZgKzviu0tay9wG+kZ+edjk0+bwqTwFBQcx2s3aa/L6cJnXxzSeBf01+NL

msRzrwqPSovUlmmzAn4cu+pj+Xi1N0aKz4gE7602riNnga9/dUcseaN4FK6cQ3z23k2rU63W

+cS6cZ8salwAtt/NXmH47as9Jo4ZCOXLfb66mb+7v/8Ayl9C/c+n9w9Z9KnUyWZ/BGMWNEaf

pqc7NaY/W+7SCXQwz3xzwy4EeyisheDt8Vu+kbTayKbNsAYX9m30oJNTHpxJoBbquUB5jX4U

kc3+HKjfOBXNC/8AIv8AqFq5rL3kr+uFrlx+7Zv1b1ibd+Hz1gb+n1+kVxocOAw+arKoUcBh

8vb8qfzDWydLTacczbydwHaakTybP5Z5UVMTMcvUe+0lrXGHCvwV6svxzuTj2WqxRFULgEGU

X44UBu+Gki6zS6VWzflmPKDxFDoPYg/5n69+BroqGPHNttRjuFifw2woCSXptuzkuS32QMak

SbYg/DbZcVbSrAA555XTqEj1jCpEmYOzjmVRZR2AVDd2hijOTqKeY3FxU+d/x1bLFHTK/wAB

qTU6NUaV1KEuL7aKztYE3zHiTU2ngJeIRcz7je1SYf1F7f8AuB6E+59P7h6/QWY2VRdjWqdt

Sy5nPSNrKBuAPdVlOZ93ZTI2pkeOPFVZr0r32434UoPrpY5XOp0x+Bjdk7jSyIbqwupryU3I

WbTxqbEjDqtfZ31ymWPulY/rE1/l/NtVHwBsR/Ny1ZfNY5+Cypb/AO+vx/LdFq/u2v78lfj+

SamHiYHY+5M1LFfVxSt4Y5Ylb5xejKrhgpsRkaM/PW/aa27/AEj0D5PKt62gVi162fJbWyp1

XY9PTQfXf9FSarzacvBH+L0c34Ua8FUYfTTRwgRLuA391LbhYisN+6maTYm1SbEcDVhMfzJs

Y8ORlbieIqOaA9NwcrK3hbsas6r0iMJoTtDb66j2yJi5G87q/OS4yHmUcKkjkuWIwRcaWQAq

ri6Fhajw+Kk0TOSxcP8Aayjf66VtPcMQSxO6jf4qI6liwwtWpfOCwOAPw1qdJqEVujHaOQD7

Qp8f/R+/rD0Rh5FUlMAT2mv2g7xQvLc/VW7H2Cj03vlwZSCCO8HZWOHyPX6IdOsmQ6q+e23K

O+ky2Uu+B6mdhjtsAcPXWaB1kQHGc8q376eRg8iTgAuBkVFH2ntcmunpolRFNhFmLcw23Ow9

9IPi4fMKVgDlfw0vWva56ZPCv9uNxjX3TejZ6dtKd1T/AH1pu/5A9A9Fs+G0ViSa2fI6Or1g

WUjwrze21N+Uh5xszAgGul5jpcgPhlT+Gkn08glifwuK41HKdmlHJjgpb4rV0VP38MSN5oqG

LDZjsPAil1EEqgth03uPeL0ZfMYCYMb5cR2G9ZXdXEyZUZuI2XoTAAGJTJIg2ZTejPICH6Nl

O0Em+U0WU78R6qTMScuNuFFXNlFO0EMLulryyMFxp1k0rRCI4S7Ae69KQ+QvIOfgo5nP8kVN

qJ2zNK17dm4eqnY4KATfdTN4QMcaN8bUIYmOXUMFda1kpBE4C82/xrTC3/oM3/eA+jSnOUX8

tjY2+M1+HNJmvhaQke+hLLN03+J/irrJqZCx4NfZxvQySLMuW7xMMBQV4o8h2Lj896/Lyg6P

W3s0D7Cfstv+QQLtp9JGoIX3++usdLEMpKxx28TcTagCOrLv2Kq4fCu4UAuoJC+J+mPal/nr

KuZwi26jlc1u/CsyQ4cWxpTbm8Q7600sa5UljV8o7RX+2X7G90qejA3+QK1PetN3/KLfCDb0

L935Eup1EgiggUvLIdwFPB5Zm0mjOHU2SuPorOxJJ8RJx9tRZZmVJhlTmuKjDRO0ZNw+XbQ0

jZh5fN+3idr9M7My0GU5lYXVhvBrRaUf+plzMOxP4TV2bKkvKr7hR6sDzoGzfh82HaBWonRL

aW4/KLiH+1dbcaMMyg3HMhFuWmdrCPOw0x34Gxwp4ZQTNMSCoOxTjamxGnjsLRrzDAcuNRYX

6jZz2AUbYMMA1R3Fyws1N+UeOGN8S2UXHdWV2zvvJ2k1o4VOEqO0nbiMPdQC7eFFJlaUup/B

bZmp49LGZ8i2kS2AFHMO8UJrHPFioHGtXMx55FjyjhzrR/8A+Z9Po8sOawOnfl481DD17KsZ

UduCfpoMNlsKcDBXIXEbTxxpZmIdJP2S0+obAqUyvwI21LBLJ1vy9grnb6BU5mFru/4narm4

9gNS/ki7TOQGNrjE7BRKIxeVrMZBw3U77AriG9ha/Cs/RC5fEc2BIpWQ2fbWY4ZeNaJmObx5

fu5zav8Abb/4w/nx1If7raO6uWaQfxs36165Z/5Sr/Ry14429TD+k1fs0Pc//wCkUitCVv8A

Fy2/WrVD7tP3/QKPpHofb4t/oX7vyIvIdP8AtNVabWNwjB5V9ZpvCCvw2pmK5SvxcKVHQyEX

w+sf376ZlmIj2oXJUx/ySaAuJgf6xdo7K1Xl2ofPJ5dbosdvTb9Bryxrfs1lN/5NMs0fUjOJ

U7KHSTpyj4lww7qVYwq3NlO4UmpZFQFcr247MOykM0CyEra5GNjT6hozd8GGzDZanSCBY3CW

BG2pQLEx8jdnZTd9Bl3Ej30FEhShmcue2tHlHJ00UFtm0k0pjCxyobFu2l1LTBx8PdUup0xZ

DIvqNZ2DdA4t31N00z6WRbX761YI5EEYB/4i0R/8V9Ho8r/6V/e9W4mh+r2UAPAL39VXjNj4

FbZ32qTKt1XaOFM0dwNrRk4e+tbqnx6jBR6ttez0aldMyKYpurGp43ze/MalY9SFpZWD6UYi

wGBDb8a0olDL1QxDnwllHKO/bQsuYTP1EX7e+rEbcJRsxrk95vhUQf8AEhc2kjr8s/LqNJys

lrXT4WtX+3n4POL/APZ03bD/AEaHd8hO+tX90U/q+YU3yWGUAE7fQn3fkQeZobMqCN94wuRT

ZY7LLjYbO40TqNNJHGcRJewPaN9RLEhRLcr437caMjFvvbdtFAxeTepW1Quk6wJqLJqb4grw

rSy6WdY3gu6XFw4YeHCjp5Imilvkkia2YEb+6kkI59l6UAYcKItbTH5t4ocKva4qXzLzd+lp

I9kXxOTsXvPCjNp9PF5bpf6nTRoow4uwAua5WzMDzZcau2FyaGTm7TQO6oo5YzNaPLkI5Rvu

aEmlZtM26PxJ76VFmhK/FfNVni/D3MuIqzrYNsar3uvCtao25ov/ABBRH/xP9H0eVcfyrf8A

iUABsb56Lqto9l+zZXZezNSwgZY8QW35RixrKq4ySXNuFv0USilQLg15toC3J+1RfX/DX7+N

M7GyoCWPdWm1nl91ec/5rTyi1yq2Dq2O0VDl0nUhsetCGQ7fXQUOXWxylvFib2PdWV8eB4dt

ZC+fac3fX2jsppCLsdlQ6mPVQwflWcSaUX6jLa1gLWt6zXkkm9dTIP5oP0UPtQ/0aHdSDjet

prxe6kx31qx/diu8L+qKb0DM/Va/gQg10nz6c7mfYfZQaNw4O8UvoT7vyI1m07S6eVwskiPl

ZD8J7adUEvXD2d2Y5FOOOJ91Nnk6mGRM2weyniGZYw2Y+Er7QL0IpJoyFFjankKydSNuVAwt

b7wxq8Qsf7PjWggllaVygY59ovurM1srSyKP3+qgjWw9lXIsBtpWGxgCtENiQafXa6RYYYF6

jM+xAN5pmjUro9ID+VhbYg+u4+s1ZsrON0jk29gsKxkv83srpxvh8N/mrZf6KEszYILtTyor

WzNtNwOFrdlJ7beiTurEcuy3CnKv+FJ8Na2Pb+JEB/Loj/4n+h6PK8bdPSG1+2SlIAMkgurc

RxqGJWJXIOXt3msgXmcB07RxoZMXIY27K0YuDLI5XDeL2Nc/K216BEZVdQpiy77WwY+z0SaS

Ns0j2EhUXCjtrLMism3L9INbc0R8Mn6a+ejbmNFCCCezCg70DlukOLLxNajW6eTo9PVZhLuU

pZWNvbevL5I2UiHVZnBOU2dCBZWsTUPbAP1aQ/ZFJ3/R6V761X+FX8VP1aan0kTWjiw1DDe5

2LTOTyjf97ZRbdmw9VdXMW/L+JTseM/oqCaM5kkF1Poj+78iZY0zklb77C+J9lDWJjY5Gy38

I33O2kRDy/povcYjZUg00YErE2b2XFNK8JggF1djfKrA2ryzTQ5HeXUxlNjBhe9vZXduqfU9

GXUws5KnTp1JDe5AP1cTtpElJLqOWUjKc31CDSg0QMb02ok/ZjBF+saPl+iN/L9LJi/9vKuG

b7q7vbwpQReINml+2f0CkIGVWwVdll2VnfwfDerp6qGVsrbq0+g6Y/MvKuSQWAkAxt+mjyKs

krF5gnhzHhTt9Vbe30M5PAVLGjWZhge7GrFvDsJqcJjeSEe+ilsP9Ltb+J6PLwMC+kPNws5p

r4RFvHa3srIvKCMN9qnw5EVY1ZuC7FH3vmqSQsAzrmVuGNacRjMsU1g/2r8KbLGHYDa+y47K

0PnGqKz9cldUiYBM/htf2UUjT8vEfqnmI768Ab2imKXCfVPHipo5hddjp+mi6EmI7L7u+j3X

tWCN96ua5HGnWFwJ5fi22vvpoLfsl9vf668qErX1Gi13QnvxELWPrFaVerLNmhDZpWzHEbqj

+4PmqPv+g+le8VqB/c0p4onzVNKxtkWhPPqVjEksjMrbSzY/NUmQgrIVAPdTAbMzH+d/BTqm

VytlkO9QxqTyyU5ukM+nb7I2j0Rfd+RJHfLnUrmG69TaTURq8cXKNTHsppRyWbBadrDHHLbd

QddvDhSQkgBxzk+01pvMPKIIo20Fi8NuUs9+op9R9VLm1zeXSv8A1WqQqAfvi6++ln0eoj1U

LeGaFg6+0VDrEueu+TULu7D7qGc/h+8UOmbxLjI9f6Xo3y6jVqUupxig+J+9tg9tdOLCJcLj

5hXQ+EftLfq1dAOnDgJfny1yzNkOxCSR76XO3SZrW4e2sp3nlNK4a0kJDRuNoIrPh+Yjw1Cd

vH11m3uxPsw9Ecfe5HuFLWxSlsBvqWwyHrQ4e2iP/jP/ANv0eWDjo2/XNWOBvzjhUs5GY9QK

Bu7fdTahReIMemb79xqaSRsJD+G23lTZ76WSRMi7Yk7eJpweFPBodDLIHvCJHyqitszXJv7q

SKYhpUQdSTbc8a5h2G2IohCOwC16w5XI9tdPJi22+N+6n1WijaQLdugLc+XxZL/TQ60Jl6bf

iRFmQYbVwtfvqXUQ6BQwiZsjM2ZTbD4qBbetNfY9s3cMa1bmx/8A9SBy2/mhkFaA8dOnzVH9

0Unf9HpHfU3+Caj+4vzVqgl+tqbQRgbefxe6o4dZG8UQ/EseXMPht31+X03lSvpcCkwlCntv

WCX1GcILW8PfxrWxy+VHTQzRFZNQ0vUvbw4Vq5n/AKpWUjvIH0eiL7vyZHXDE99aZVuEksG3

3NqVvDGyXUe6rnDP8PZR6YfqDms6nKUBscN+NT6ltszs2GzHv9HV0Wqm0kn9pC5jb2ram0uo

1EPmEZ8L6mO7rbgyZT7aj07SeVwSgfhwatniEnZG1nx7K1up86Om0SRyksYCX5N1iVUkscLW

rWaqRj+PIXfu3L6hhTzWwTwntP6KOnjv1Jf2kmyy9lZFw3JQVCFbcTV5GzSN7q6Z2HFO+r76

ix/CnIhlA+2eX30i/UUCr1MFPKnJfu2++r0rZ+VrZMKa5zE6mH+lRX/463/d+jRNlDBNC2Ha

XIrmUs0zDEbTeh5fplHVPKDuuR4jUaQAkNYuFGHZ7ahjmtnQFpI1wy8KIvY2x9VGJp5BM3LB

DAueR3tvte1aVMrpIV6kqSeIO2LVa/i8NEYgHc28cTQuLH56x5l4b/VVmN/qyfv315pqFUyy

LpmZccD8Nz3bah1ZNplIg16r/aJv/jCxrPHiU5ZE3MhrlH4Yvl9VA77bOPAUvUX/ADc+rhn1

R+0wNh6ga8tP/Lp81J3UO/5En+C1R/cX6a02b+r54/v7q0GnmiZdfCxH5jc0a7PZWVkHU+sa

ePDMzBlkvyi3vpnsBYHmrUTL8ZUe9vRB935EMk1mn1ko0+hh2ZnbeTuVdppt97m/bUZlBxv0

wu253AV0o75IjYjZlA3YUkUSZmbAtmts4X21DFBKszWyahVN2XOcpDDG1SwN4oXZG71NvkEB

ljjQXllbwr7K0ul1nmE2q0uhGXT9bae236bmii3Mpbm4Uq5/w4R/O3mi3xS/NWW/LEMe+hV9

tKdmU1tyKDTWHh2d4xHzVodXvliUt97Ya1BhP4ojYxfethSpe9htNADG/uqPG+RBhS/hBb6y

Kx48r0V3/kv6Ho0Ia1zpMAfvtWolRcY1KoW3KBzGo9QcM2OVvh7T30I9OvWdW/8Ape1c8qrP

kd+o5t4Rm29tq2+LfXlGnBWHMzSNP8Z6XNlFdxpE2dPGsp/f21x7ONYY/Y319njvFGGZFlDA

qQ4urA4EHvqVdCzTeU+aLkngY/iaaUXMLdq3wv7aSbs5/pq+Fzsry6NwGjVjIycSq5hWrPDU

QH+favKz/cLXt+eh94fIb/CeovuD5zWh2eN2NLIzCHLLmS32mGFHSz+K1j+kV01ZGFrdXIl/

m21pvL4fEo/EYbAF3euo9GHX8TAxX9nog+78j8nm/C8t06IicGlGdj68Kji0+vlVIv2UXiGP

Yb1HFrdUZ9TOA0s5VVRZEPMi7MF2bK6McZhJQSTlF5GFsMt7cKkAEarFEerqMAL4E5R7MaTR

QsRPN0nkPgKCMXvg28/N8lnZQVeS/wDJFhurgONEoLnwoK58II/EBvPCix9VPIfjv6TS5jeO

XZfcavtz3/grUaC/No3zIPsSYj0ShMQGI9lA7Twq2xRWnzAf+fi5f4r1/wC0/o+jy6NTl/ye

Lf8AEamg06XiC9ADbmO+w76LzXBIGH6aydLqp9dLZ/WKj64/K6bNsOMkltwUUqeSeVS6kI2V

5WHJid5FgPbUeu8xnWTUQBo4oIhyI3xY76PBxUrcKDDaNlXX1rV2HTbc26ublYfFWdMbY5R9

FCZDlk+IjjuNajObXjZh970OxH7KCRl9ZArzH7Mmnb/vVryz/CruZv1jXrHz/I/4bVEZXC8m

89pp5XlGl0sQyaceNjji1sLXrqPmmYYiWT+itR/CwUWO/Cjmkkw2g0uSEvNjm4bd5pVVVRvE

2XjVurnA3NjUEEkR08o5A17qSfm+R5yR8LxJ/JhQVo1y544X68w28sePvNhWnM+p/GS5hhGI

F/ChbaTjSKJjLPCuVUswG/bfvqbqS9OGZ25yOSwJLFjwy41q9bkWP8w+ZY1FgF2L7vk6IDBn

Gc+sk1b4RWS+C7T89CJMEWun8Tmwo+gVxuKvssajN9lsDWmxsmrB08nftWtTqf7GNnHqFYm7

NtNId18RXhOGNr1oQvx+Ywj+a1Ef8t/R9GlKLeZ9HZZDsUZ2vUWritLJbEvzA9lF15ZDYPFw

NNLLsXmautqkI8t0eOoHw9kY+mlSNRHGg5UUWAAqe2FyJPbS8b4VY4Y4Vasw9dX28a5TXLu2

1mjW/UwZR+iskmdsrZpFta43DCm6AMTD4NorUyZcOiEkHe2I78K82dGzJaIgjslStB3EfzjT

j7b/AKxr1j5/kBUlMJZSGlAva+4dtPq11H5mIAkuGub9tZ1wIofmbAjY1qujA+uiZZl7Qxop

Bz7R2Vcm5O0+i/Co9HrGuGwi1B9wb0+eyf8AOzL/ACDl+itdrbp1My6dEO23jb6KAuqTpnLl

7x5L8o41KYT1pGzCAp4cy4NzX9VSaKSILP5jlhgIvbKMZj7AB6/lacEeCJF9woYY8O2rbztN

WHrpm+FOVRR7aa+6lvsvX7xV3UMAL2pL4hMB31Bq08Wk1Qkt2B7VpJtIC0PmE0ccrfU3lT6x

ar76jG4HGhlAvvry6TYR5lER/Iav/b/0fRo2F8g0Yz/9o1ZfFFfZSzQtiPA30GtQsgx08YKa

Q3ObNtYW4bq/0eWMQsCTpJtgl+y32x76lPBG+au8Cvn76Oblx22+eu3aDWNdlfTWysVBG+9W

aYqDsbdWOHB6/OxDN+aCxd0nw+29ecR5ssM+lvY/2iSJb11o+9/1jUv+I/6xo+r56PoxoxgL

DPEAAZkID/dv9FSt+StNcCV1G07QD7KfTyIPzLZXXISVVTuN7Y/Lb0JHqpDJo25TfHJ2iupm

HTAz5/s7b1rdX/8AlTyzf9oxb6a8vVLafWavqSPKxAuM5Nxe24AVqHSUNCy5T1cXKpxPbvpJ

dJoVigLfgZAI7M2N1jts76h0YbNF5fFc/wCJPZj7rUPkQRAX6kirb10BuFX4bPQ7jxeFO+vn

9FuNXtRYb8BSj61hQqdRtKufeSK1/lWtIGm1kRk0zNsSZRdT66jbw3ArZhXhHT3tvry+2K/n

x+oa/wCB/R9EAcf+mGP8ZqLwC6riyDaL7xW3A+IDYw4ioNVppDFJHzRyqeYca/HCxzuRlOOW

Thbgf3ipNNrFM6FMq6geNfvjf31niQzqVGVk2Uc6tHhvH/1pMnOn1q+z8xq2+tvp7DWXcVNM

rr1VtiDttU+mkbkbAHeN4N+ymh1USte8OqhI5bjBhbgai0Dt/wD52qkI8unO1HPN0XP6p/eZ

f8Rqb0hV8cmC0PziCSHDMPiB7qWSPUZtNgPzceMoH1SrceNSTPfHBATeyjYPlv6fONELyf5H

UGBr4xnpnZ6NDHZM6aNUJBx/Z5jsx2itTNqHGWRwJeYKt2tjlA7tldRGcCOUL1DxwJt3XrWa

5sPzUzSKu2y/CPUPkyapvBALKftNQodpoC9ADwx/PW2tt/TbZYfv20APBENv2qXfSX9frp4m

+Esh9RtUGpTXJmX8OePpnBl9frr/AMyrfxT+mh/ml/kmvKw0ofNrsLDZyVb+6+j0Q/8ATr+u

1B4jlkTZ/DQLN+Wu3NYXKOdothg1JoZ0kWOUlUl289sLjdTQSrdNhFJ1XvGfBNvX73EUZICE

zYsnwN+iin7OZRzRtw4jiPQWbwr4jQ6bBh8JFWPoF6x9tDdU/AKPfQEjXkFs6LtuBata8IIu

Y2eM8ctrj+TUWmPi1WoFuzpc16hl1BJkzMOofitsNP3ejE7KTDlW+X1VpFHikuznsqNJQRkj

BiBFuVyTf0ih6TR7q7qsPbWggMfVRnPVT7BHPm9Va/SxMXi008sUTNtKoxUVo+oGPJzGT1DL

7KT8rHBFDnz62d0zMbDmCn4d1LB+Ppkm07k4MzeDKCFTEcaHyYSRjLeQ+s4e70LbbjQAP4j+

4VYejj2VsuK24U5OPCiPVegayjcSPfWpX+8v/KF6Ol6xih19o8wPge/K9Txv+HqIUOa3uZew

0uO4V5Of+e/oGv8Ah/R6If8Apl/Xatm3fReMZmHK6fWHCoxIfxUObTyn4h9Vu0Vma2fcaMT+

HhQRfxdKcBmNun/BUWpMXTn0LdRh9eLZKt+7HvAoMpzKwurcRVuG+hJALBb50XfVrjPwrs+a

uyuzjVqlY7DJc9y1GhDuzgyakKdl+w9tajzFg35WbKkunJxyL4W4Zhcmp9Qkd5tIU1C2+raz

/wA3GoekMoj5GHaAKfuo0sd7NKajU774+qtOMCI1NmZQd/aKVpRHcAXZECEhcLcuHywoNsce

4CsNvbQzc3ZQhgRpp28MKYt/B30Z9Tl/NzYFVxEabct95O+iTc/mtTc2/vH/AIaMgkPShGRI

tuUHDbfbUDdRY0axkBX4VXZgRiakeGWweKNlReHNmTbsrzPRsnT6GofIn2GOZOPwkegejT6S

AZptVIsUS/ac2FdAG66f8MNxyYV21GOAwHE0Sxu5xY+gmttX9tX44E1Gn12F/npI12XxoD31

LzkDlIXvFZ/rxD+bhWbfS3lyeY6IdFpt+zAniGG2gK8rb6uuH6jVm/ur+70Rf9OP1mpiy3AO

IFa4KocaodeBt46a1+ahXOl80sY+cUs0En5/Rkc0bftFrqQPfiu8eqiGF0baN1auSfM0/lyu

skUjhA6jw5MCWwtWgSTxrCoNYbtvfR9rGlJQMdwPw0+c2VT46wxHZXzisKl1DLmEIzJFvkkP

hX205d88zm8rcWpM4D8wYx7S1jfL661mt6bwxS6SVn6o5guQ1r9IfAMsg7zgaf7p9AAGMYte

kkGOQ+3jV05lApeHywXNgviPZanl0iMIiLrmGW/G1DTxNlvzSP8ADGg3m37zSabTJlRfE3xO

frNUz/UjdvYK8qX62qgH88UNGz2j1OXqgZLA4HA27DWm8uzjri0jqcSVJKZgLWtekjhUc0Sd

Q3CgXzbvXU5fLeeGKTl7Bk/o/I1fmsq5oPItI+o/4rDLGPnrmxO+ge2i5N8nhHCtnyONKOJN

RgfCC30UzbQOUULV3op+eosLDmVfn+iuFAeWeYf6bJqGWOWdlV0yk7WDK2zbX4f+5/L5BxMQ

H/8AXNR6bzDzLy7VwxP1EC/hnNa20Qrxro2X81+XyWvy58ttvf6I/wDp1/WapUUcuQ48DUWk

RcfxAWH1Ta4rJMmXdTanQnKTi8XwtRl07todWPGu6/aKbSTwjqj44za442NDRTyFdJMn5hVU

ftWS2BNKCOy1W2DjWT4Rt9VEkY7hTAi5YEtQNyYm7fAf0UG6hyDx7L99XSXMPu/oNCeR+u48

G5RfgOPbR1UumEyHlcDBvVU858mn0piUtqJ208hyqMTzW2V5lpfL/MFl1Goh6MMSq4PMQDtW

1rV5tr3BZYVAKoLsd9gO2m0nRk0mrZGeOF+YMoF8G7vQ/bY+6r+yv5xq1sFHi7aHyRUelW6n

VTxQ5htAkcXt6q6uljk1Wkb9mEGZ1+yQKlecr+a1RUui4hFXwrf14+jzOT+z0k7eyM15aAQC

J4zc/ZN6il6xikElirYJkBuMPpqDUSSQq0b3Q3DSZXZeS9r7RspZhZsseZ0O6zNuJrQ6wKxV

s8Est7rmAV1X2E+gejV6vZJ5xNnO78ONsg/T6QAM0spzZd9t1ZioUdtX+IbfTtqI9uNTMuOX

LGD7/pobuJ7a20pU+KP6azXJysp99cPQkMjX1Pl9opL7SvwN9HyIx/y6/rNVmJDTkRr3tgPf

WpD5lMPJbbiSTV2AZe3+GsFyd1LrIeV08VdJi0U1uWdGIOU7dlf6rqNRyaaR4tHAMWNsCTWY

jKDtFD3VmNXO2v4tMjV0X8J/ZMfmrL8J8NFkFx8aj6KmjX+ujNu+pZ2GGq8ud3X70RvWok1m

gh1UqTWEkgzYZa1w0cEWmbVZEghjWwzFcWw4WovGzROLgSIbMLjiKYMoj1ensJ0G8bnHYauG

yTL4H+g0fzZEGXazkBfUaEUGpimkfYqMGsBvNqsNi4fK7q0eokNotLOJXtiTysvuzXrSzQyC

SKQXRxsPp8+bh5fqP/DNaRPvkd6oxFI9wBlyldvxC5ue+kOq5M9svUOGVs2y57KkCsMFCcti

pY8p/TWtnzW/LatJYEx5gT02PDf6BRpIljXTrp9Pp16SeFbZbgegAm3bTFLFjtYbhWRQZW+q

v6a/E5fsD0XrMMb1djyolzShvvP3msq1jUYGPIfnqXsFx6dOhNoNd+BN6/Cfb8iP/p1/WajL

IVVYnjdycLBXBrU6iLNF15WdbHduw7qxct2+gqdlCxy44GtelrZJ8wP3xc++r3FqJjlSUDBs

jA29lZaUe2seNEiiN+6sj+Jd/H0QMdsciuB28ffXmMVrR6Y6qCE8Vy5sO4tataOEw/VFaaP4

RCH9ZNvoq3xGtSoPIdNzjuZcv0+hoNXAs8L/AAOPm4UIoIUjjg6axgDYAQNtMe2j8knhRNaa

O4zaeaZGHC7Fh7j6fPj/AMjKPaLVpyFDZEkY+y301rNEGZI7jo6cjaXb63ZWnYxokORxrZCx

dgWChFiNzcHf200MgMjbSTmxU4AFbXwtXm0EadVo9E7iS2JKDPf3egVGz+BWXP3Xqdo9h6JP

3SRVgMTX4+pES/UX6TWQEyDvqyjKOyubYd9XBorWW/I26hAvHPJ91dnvo++uPCu2u6P6am+4

aQk2zDG1WtftqPLysvMh4HjWi1rDK08YLj7QwPpQf3C/rNU4/tMq+1gK7Kveu2mSmyC7qCb8

Lb6i1mpkknm8z/G5JHQRjcBYjHjUywdTUaWFwvSkcyAm3NhvxrJodNk6rG6IoUEXwuQd1Hqo

8dvp7caxkHde9K0kMsQcchZdtc8o7Re9Whmuw8YtWG0bDVncC9FfJEGvmkzquqDDoRZcGZm7

L7ttHQxXYRwSZ5Dtd2UlnPea14/vl/VFRx3F49Ml/WSaPNiKeWe35rWBSwX4UA5V9+Ppn+7f

2GvX8q1AduPqq0suTS6mMhydgdcVPzigykMrbGGw+jzz/pj84rywtlZZmMTB9nOuB9RqTplJ

I0GcSHxYcwAb+LaswyfhLlH2OJzW7awCHrfiCTuGy4415nBnsPys1kGGAUrbaLYUO6h6NPqW

N5HgSCW/9rE2Q/NepGYMbWvlxrmYxN21eHUfTXK6ydxx9lbCCNoq1iRVxsou+Fh4qknIIOoI

Iv8AV3Csg31m3n0Dt5amUbkPzV3HNWGyieANeVw/U0sf6vpj/wCnX9Z61lrmSKPqhf8AD5vo

ocDWa9q2+h1bENtFT+Vy3XUeWxNqNFnP7WJ2OW3ccKP1GVvxb/E3DtqPpXXKAVa/6KWVdS6x

yczhRfm4c1/4aBM3UZwGHSQW7DXPq5iG+BpL+4U3Ubml8Ua3ue+l/CRfhTC59VYcv2OFE++v

w1ynawTDbX7aQKd2c/po9CFIgfFkXL81FjCjOfiZVJ9pFANpIWO4GNP0VlCiw3Wrw+yiy8wG

3jXTvdJhlzDto0Pk2Fd1cOHfWr0Z/qnE0Y7HwPvHv9HnJPxxKg73dRSyply6QGSTN28oA7Te

jN+zmYHOh5trKl/Ze1Q6XrMzGNlySn+r5dh37dtacvJEIWjymSMmJLKco3jCmWLp6mdup0kA

z2PAtnG0UVPw4Wr1+iXyQsH0GovOsbfBIu9T27xVj4ZBlajLAnsq27eKzxNzDdRSXDUR/FxF

bdmwVek0KHlFjqW7OHro0F4VlHtrt3UnZcmndjjwoZuFqCA2a+NLCu2VliW+3mNqjjGyNAo9

Q9Mf/Tp+s9LKMQDzJ9ZTtFHCwV3UdyMV+iu6r1es1aAfWLp/FONXViuG0bR3UeTJjcKSDhfs

9vroqw5DtK7u0U/4f4TE5dzZt5UXtY10o2XN8XH11kdVMkh+DDk7akdokzA8tmOz111njbEX

yh9vAeukkeG7m2WHPyj2UHVC+Y2yFuX3V1XEha2EK5aC5XW44YD2Uyoc8o2yMpyrWXnzX52t

bN81qcGURqm1R+nGkYp01bw5tpqx9VQzaYW8u81JhnTdFqCLqy8M3z+gfuEY3SwzIfVlb+j6

J02HUaiCMfys/wDRrztWt+ziDlsUyN1LhtmF6kWV203VdWKyC+Frjm7CRUQSBJeq5VZVAwGJ

34/vtUTBInVo2jgLgNk6Z2WKjbWnBSONHvFIZVVcoI8QOHtrWpfNk1Eov3OfSn93E5tTyQ4G

NxjWaSPIw8fCnnhFr49MUb4WoOONd4qSWXZAuYju/TSvqEtNOepMftNj7qJp32Y4UW2WoufZ

Q7cKyqtxHzHvrcq9lXKgG1ia8oTpddTqo8yKOBvs7NvyFBGzTrzfxmpq1cQN7OJF7pB+kGia

sB66yXud1qN68riTmfqeEd16uzH7NttZ8zdO3LEo3k2P7/4KKkW/R21tu7bBwq5JJfsxY1gc

TWVOduH6a1Hl0GmfVa3S9TPdlRAI/FYtU6j/ACssOW4mZRmvfZjV/E24inm08rwyNMis67Qp

vX+3ddoda41epj6mtHXzEyK3xLflHZWph1MUUUkFnzRA8wPHE1lQgD4m4UOkRYbG/RxrCxsN

r42J2VZ2zNbmrWaZf2vT6mmPCWPmQ+0Vp9UP6xLsO3fVvR66Pf6BRoVp8o8CTSSH7OXL87D0

eWRf2mtLfyI2/wDuqUFyiy6Z/CbYi1hRWfqRNKuZlfLZ1tjex3HjU0UiKsgc/lipIuvEm+F6

SVWXM0o5QTa8iN4vXSTNkyT4dHt34kbu6vM1JzHrl8xvjnAe+PG/pgZQSiB+s25VKnEmjFH/

AJhybkL4b1a3TQbFFXWUx9tZXiV3tzvsFdbS7R+0h4d1dCdSAfDgaTQwjOkLhtRb4n+FPVvr

omQGYDEUI0NmfaKQbNxNFaA3GuYeHZ66z5ebHGmHKl94xvesfh8VaPV6WB20ulZvzOqtaMDK

VIDbzju+Ql51i/y68tiT4m4UX0epTVH4wjYjvU2NFNSyF208ZZFNyOZrXo1liGNXbxMcBxJ4

U+RM0kcgidGuCGa+71VL5v5uiDWyrbSw5sxQN4i1sLmplI/Bfn0/3T+igyEKfh7Se0CszgK7

nYNwHfRfceNFpPEf32FWJKr9UVgMgrzdNG6K2TUftQWFnsfhK8afPuONaBn29IXkatW23ni5

m++NleQsFAdOqrNvPNvrzBM+UlEw3nE0A+z+zG+rJi1+XgLb6AviMSePE0zSPm6nhthXca81

8vtb8lrZFjH2GOZfn9LUbeykCrjIbION6bPHbpNZ+zd6dKd0+eE/xkzfOno8igvsTUSEd5jA

rzHVyxZs5XT6aQ/Bl53b22opq47wZQItSp8W2+NGVYzL1mZYr42BGHba4qaGUC+RyxG1bjOt

7XtiDSvMzFgY+nIq4jM3N7OyvMeWQZ+k34q5WN4lxt6FW4XMwFzuvT6HRhDD8UinFn4vX7MU

WMdz2Y0uXDNQwwoPFsbxLSaeN0Gt1ItGX2Rrvc114znCAkuTmObeb9tdS9mLEijOwtt7fXWR

kw+GRcRV2jOU+HNgaVjcJci4xpbmzWFiL29lZBcrszdtR6DQxHU62R8sca7O88AK/M+eyrr5

QVaPSRXEK2+tfx0EjRY0GxFFgPUPkA/8sn6z0ryIQgPhFawyaPrNLqGdmMltlgBsOy1fhaGN

e0uzfQtG0iQg/wBmg+dr1/tjXaoCfXavzhTpJHUF+lmsce4NapVh1I1R8080SRnVSmJOIseB

ci++1KvAAVZLDUxc0DH9X10YSpDISJEOBB4UE+HZbjQFsN9C9XGNd2/dWu+1m96CtSpwIkb5

zXl+eTNJ08F2nDgorzJ0bqdMx52sRls6m1sK08ma4llkUrZsCuXecN+6nQ3IkhI9hFbL8SOH

AUco5Bt7av8AB89Z8wyEZVG/C2HtrZU2Fk800qTA/biOQ+63pPdUbNF1lvitaQRoReWEJDIc

VN99q80M56YgznDG+00qgvjhmtxrMuw1p9Rs6EschPYrC/u9HkuSI9DURrpdPN8PWeTFfmrT

+X6CP8GAWLnEs3xMe0mmSWNZFbarbK6EVo1VcseJw9mNf5pzqXbCUbA301+BCsYUWFtvtrWf

4Gn/AFPQJpl5j+yjYXt2kUkxIikXk6ym3UHBh9NKFhOzAHC/dVokOfZlP00Rt3tasLsRtUba

AjhMurm/8tDxPE9gqXUa5ItRNObsxuX7FAFxavyyq8cYNjYEe80wc2bArmazVlkZgoFo+7jh

t9tAKjKPh2CrE3/f21cHIrjJnps72y4Lj81SaZZn0Wh0yBtXOoBa52KO+vyvl8OQbZJm5pHP

Fm+UuX/8dP1npl8w0SaiPZmX8OQdzD9FTCB9Xok6SyKl0OY/GRt32pIH8+kg1EoBjhkC5jc2

4CgkHmHV+sGZVY8MorynTxSyRSeU6fJpOx7WzMB3Uk0xil0cMHW8uYixkOzZ9ZN/pMzgx6gr

l66fSN9Dq3khb9nqlHL3HhWDlu636a8JPfViyoP38a3yH21qz5WrJq5HRY8i5pGJRcAMa1An

BEub8TOOfMDjetOIuhJPIzAxyDMR8IuljfsrX+WSwjP5gVCt4MqxnHkIvUMafmv9U/MO+ozZ

Py3StZcnxZuNRy6XWnRTeB5FNmAPxd1dDU6hvMJ5JnkOqkzeEgYEkmrnHN76F8KU9POwJCkf

PQrQ6h0BkiMkcchHhzrf+jWPq3VcMw9deJ795/TWlW5bqbQccMyitUYbQpDL+HkAFiG3Vqpp

rySzQz9R/t5jR9VJfhUi/XRh7q0039tEj/ylvSCaMSCKVJUvudDgw7qQWwtuFYg+v0G3itai

WIVEHMxrWeZSamZF1PTXTJGAMEQLc5gd9BkQ6l9xeS9j3AAUXERkivjmvdaYm0Nhstj7TVjn

yDt5h20c/M+zqW299NcZOONdKDn1Tj8KD+k/ZTzSP+Ynk8cp+Ydlc8hNsAL4eyhdeYYA2q7t

jipXfarM2A2UgjR32XKi4tWEbD71WCGT1UZZcMuIFJqWW03mUjTMTvXYvu+WuF/wE/WalzeL

htrSRpEVyan8eU7Sr8lr++szRiR0+I47O+s2Ulwc1r7/AKKF8SBWt1UDdPU+Wums0j8GBsf5

QNjWk1qiw1USyW+8PQKdZUDx250Ivcd1P+CoXMbLwFW6YFeHb2mvzbN0zEOXT57GVvqi/fX+

qwahoNcJDImojNipPCnllczSSktKz4liTc3PbUUvUKqjZyN/LjatX5jqMJNVIXyDYoOxR3VJ

ME/DjKh3+/e3zUrDapuDUnlkjXXGfRXxwIF09VXO3jwFLUmZ2QeJiDbAVy4rUjKMYsso/iHN

Rtj6OJrT4WCZPnLVOmN85YjdzPWsXLh09SAPWaJApcN1Dvry7+6i6R/4RyfRV6CKeT6vD0k0

+pmYlY3PTg3cBRn1By9nAcKzKLDed9bmVhjfgaaIGwOKN9mh5kmreRwqMc1jGc/1BxFS8uZU

/rOHrr8v5XfUS7Jda2McfdxNSqvO74zSttYneazZ7FBbCgbXoHJtzXIo2uCNuPo7PRgTWmgY

4TTxxt3M1qihiUJHCgRFGwAD5fdp0/WaiWONLAn7XUSpFH3sbfw1zyMbbQOT5sawQBRu9HmA

36potNGOP9Y3uFeV6d/HFpow3s9A9E2nP9W27eDjesMTVuIrobE0qhF7ziTUGj00L6jUahsk

MMeLMxrV6OfQypqdAhk1kNrmNFtdmtfDEUzZlWynA35r4WFqX8xG7JtaNTkYgjCxIb5qm8gf

RaeSOWVZvz7IW1CiOxyKScBh89SzsFDTMXZUUIoJ4KtgB3V5M67SAD6y4rtrhQ3/AFqBMZh+

w3ZViMLYjvrzHWNp8z+WawaHoM1uobqA+a2F81ZI49JpCf6zO8pHcMiiv835lrNS3xWkMKfy

Y7Vk0RdfHISWLG47XzUBJ45pEQXOBOavMNIzK7rLPE2XYOpjRXrDD6KGN/RKn9jqph/KOf8A

pegODtFYbN7VfcNgq3Gp1XYk23115a9lMfWXqVqJNk0pOX7zVNqG5vy8Wa3HKKHV02UISTKr

3y/ZtlFasP57pvKdPo7iLT6mRi0h22CJc+wV+NqWaCQ/+WQsIz38aZI1CKuxRR7RsoMN+2r+

+ox9Z/oqQZtowrH11s7quMRxFduyvKNPtLa2O/8AFa5/cCrNlP5eP9ZqsO+9JqtVqIok0ngD

uBjIp5v38a6cOuhnc/AjgmrXNuNA8dlf7e8o8QMv5nUputIbi/8AEWgBgBgPQPRN9oIfdRWh

fdv7a1+Y7JT8wqLV6LUHS6mI/hTrtWtTqdZqZJ9TqD+PM55mHA0PRCExYoygDtvV+2vJj9uw

/wC0NX4VYi49DqYSiLslJuHJ4ejz7IMerDrJP+7H9Cr9nokmWTKeZbdm+o3zXs1oU7eNLFqE

DpqLs261HzLS26R+EfF39tJY4gY+jzNL/wBbG9vvJb+jWNG/h+CsfR3Cr2N9deNVG+Sxb6Ki

Kv8AiCRMvtozbGR0a/8AGFSZHOR2jzHsLCvONbMkeq6xyxRML3IGVRjxJqfzTTalnjhSNZNG

6352IVmzUnDdTdpq9sDtFWYVhiKx7DR7fp9GHo76jl2x+WwtM7fbblX5/wBwFhcnTxgKPvNS

pIckxkXrBTiA26mn800smomLXh6jEcv3akk8tiEGpX/y7ReO/Zemk1kpmlWQoHbA29VSyzsI

9PplvKd5v8I7Ts9deYf7o1kYTrkx6Nfdh90DL8mOX60Q9Z2UX3bxR7cK1x4uD7UWtLp2JVJH

HVYWBCjba++tX5ckpmSLIVc8GUEUMsZkscVXbaph5f5dqdb0P235eJpMmbZmyg22VpZF/wBu

6+TpOCUOmcD15gKj62gTy6G4LS6mVR/NTM3urSeWvONQ2kmQmcLlBz5X2Y7M1eK18a799d9R

rZs5XDDACvtVq9FJ4Nfo2iJ7jb+nUYc3lgvDP9+I5G+am5VJIsC18O3CmLk/itkuBc2FNo9P

oOo8uUKzfBlxwtQH5VoAmUkg82zEc1TaKWJ+VcyMwwIHdWrgU/hxykZfs7R7qDbbitao2Pp4

j/Jd/wD7qAOwkUbbFrH0zQaaTo6xLTaGa9ssyYr7dlDyyby2GTUaeS08bhhJhiRbDGn8x5f2

SSRZsbsbWFReUR6bNJJJcmO7M5vcBV3Vo/L9ZE0N5m1skbizBIiMgPe5HsrzgznKvQOU/b+D

30pt4rUw2VxtW8dtYNzULp32rNu9HLt9F22Cp/M5lyzeaveP/CTw+39whmYArp4FlbNswLW9

9S6+SZ1mTNMoB3DjUum/JST6iKK7GWVrfrVq5xGmnnEqaaOJBgyMuZmue6pZpJelpZG/y8Tb

L7zfdXkWn1Duseu1oSRM1jkNub72J7tlRaXTxiKDTqEiQbgPSPQY9sWktGF7dpp72AFHjup/

NPK9JHq9NqPColRXGQZTcPl4VFN/oZHTNxmmht+vXmfnwghh0cGnWWQPMDIelEM1go7K8v24

tIht2xNX+404x6Vrdxkrf6HcDHJG38xaRgcGUH21gPXS1dpRGqnG+/sokYrWnl2ZXyt3SYfP

ataf+e1P/iGhR8ucRpposRLsxtsIqOPT6FtVkfMGgXccMav/AKfgeXmxt27KUIUh00l+vNvF

9gArUjRaebVvKUsI1LXOQcKi/PTQaZ2H7C5Z17GthQ1AliniaB45ALg3LKRt7jSgx5ccW4UA

MFWsBh6D6DrdTp0Gv0pj6OsAxILhcr/WGNRaeKLqLr2ZvLY0PIMSMFJ5a/P+YOs/mRHIi+CK

+3vNeYa04iST8vCfsQXB/nlq0EasVjk1X4nbZDahxW2NXzVzre3xCrY1dRettceyu+tlY791

abymHCMnqa2T6sY8VRQQrkihUJGg3KuA/cCG/ZLp43lHcXsK1zDYIJAnabVP0dPI7/l3zqOW

w4nurzN5EkySSQvpHGKHJ4zfDdwqG46h0Gp6skPEIb2+mv8AasZVNSHkkkL/AAkWzL7LX+VP

Lp/LfzEU7501PWQC97WybcCCK8mfy8TQ+b6gyfnDbLsNthvsJ3Udb5lL/qRfUrBGYgFK4G+Y

4Zr24VpNTp0ywyZ7XwbBiDcY19Fedrx0Oo/UNeVXwvPa/epFf7ii2XgBt92U/popqfM4uovi

jjvIb/xAaIjh1k/BlRQP5zCvzujz6ZTGiCOcC91FvhJrSrJKodIVVrAnYLVlUTNxPTIHtNE5

G9dEdE2uCDnt9FculA72ojpot9+NOqIX6sjyuWueZzc7LULRptF73oamCIRSStaQA4eHhX4e

sMcY8Q5Tb21JA+oMqiO42DH1UeQyFhyovNjWl07rkEUV3iyjDDfWKisDatxrkPTbcbXHsou2

ig1cA/rYc3vFyaufL1fhlkt84qRpdDIqsRkAYG2Fc+n1CeoH6al8u8uWVtZPkMSMAvhdWuST

X+2oNSvQm0hkGseWwyXzY333qabT6yDUuqExokiks24beNafT36hhjAdxvbax9ZqWUKSdDMk

545fC361YG+HCjiLfv20ffW30Wotm2CrC57auaLcN1P5rMP8z5scyHhEPD7dv7iQTkQwoZX7

BmrJAgfZ0+awtxNEeU/m9RrZFZWTTdTkjtzgW29tCOaTV6Xe6MQFFuw/oqbV+X6pRoM4WXrY

ZiMLC4ryHUZ+nD5XI6zZuEgNubZ2VxHyWm0ckcUsRl/MakEGSKM43y7R3gXry+dp1iiWSTNq

dROEsMwzW6ji57q8p0b6wzamfzHN14wTeERsWe7Kt72tfGodHos0Gki8EKscvbxuTWmdM5AW

zMA1r9tatYdf+PrtNLHHDluouh2lvory2a9smqha/c4rz4xyuq5ZNKyg2wM+YDuwNa7TflYp

Dr8gM7C7RhDf8Phehr+tN1/zDRsmT8KwF8GvtrlqM9QqeIpTmvmonLevBl/jCsK22NC1vtGx

q7ZSwtjao+qiyrkY5Wx3LV10iR/ZtV/y6X7q5I1XuFasnGwPvtXGnlkcQxxi7yMbKB2k00ei

hfzFl/rf2cftNyfZR/Lpp9Iv2ULkDvY/RRv5vLj9QKn6oFM35iaR2N2OZjtq6zz4bSGamy6q

Tmws3Nh66l/L6fTyxzWWWSZMOU3tcWqLVzacaTM2VWiC5GG0gg2PuomLRiPSLGt2Tmx+swwt

V4p3gPGNynzGptM/muobTzoUlieQuCDus16AwArMu2v2YrYQTuokXOXxmxw9BHZXG1Cn+yp+

avJP+mX9xJMlo49PGxTdtbE1pNN5feSTq86ocG7KXWaAxaCXNIrzJqLS2LG4yk4CnOp00Wpk

bxNLmNuPZSaPy3y7qSN+0eUXRMv2RWn0OrkCnVWMmnXp36bHDOqDC/CpRDJLKBqDaXx2FsvT

5zbA47Ku0+qVvsqPmv8ARRLahXyeISRMp9op5IIl16RC8v5OVHYfxGtsr/KeWs3Bp5AvuW/z

0J9emkGm8zl6kEV2z54uQhDbZbtrQwSyAx6fUShHxzHPj9PfUQkKtHFf8quzKFupAXhmb3UQ

5K8t02m7cKiiVemhRWl7bUDe/TttqeLdp9Qcv3Q1191ed6mM/hz6q8e7As7D0abydte0GiaU

sqMTkDkbbDjTIx2ZlJ91R42szDH1fpqPmwI214u6j+IeyrCVlofisxq2ZvbW/wBtFfqof1V+

RrYmmRHWPNlY2NsKwIa221aLRI+WF80sy/XINl9m2g72aPPZkJ3UelyruAqKCGB3DOBLOAcq

A8TspfL/AC+IIsly9vEVG8mpXXMZYmAyheUhu2kn1UbRHqcyHC6VCI9PB1E54H+BRwIqWLqF

i56gCAZQ2+wNRyMvX/LmxeQ3UfZkFtnbT/5ZdLMznmU2247LU6DB42KumzEG1LrPMvM00Mj2

yApmUE7Ad9KurU9FjyzwgMLHZa54UZYJGl0d/wAPULZWItvDDIbb7GupqPNNNDr5HiEHlUls

VkbLnMl+XbU+k1MMkcun5Z8Myg/eW4ogqwPA7q8N65UrmUWpuJBryqNXVpIocssYPMpG4j9x

RYcv4elikBZc3MS+44bqieFwRHD1NRNAHBTHfmtx+GiV5uBkvb11Hqdb5cPOtMuZX0hfKuZh

g2zdWrbTTNpNPrCP8sDzZW3E1p3YNnMwzXH771q4tdq5IpvzTWCLJs7MoNStB5nq0B8B6bXH

8sWqURebtPp12GeFM7fycKM0z5SEyDLENh+6KsEk+82FW/MyJp9NqAW0+a42g3Cm9t9SrLrJ

myv1RG0tuIJ5fVX5SBiyxYM7bbk5j7L0tmO0bKZv7NUF6yXxP04VqS3x5T7Bb6KJtjJMcewK

tvn9EOsGoillGoKf6Yp/GyqmfqW+qKN9l8Ren4bRUD3vdasSK8VcnNfbavzZfC3JDsJtR6sV

mW2VR/Soo+njtbaMKOoz2VlsyHuA+iiFbEVYi3DtoGwqPVxRh9Zo8Uf7J2qazMoP1rHG9LM8

LdOKPC5ueOFdTNmtJYwjxWte/CnEIKS8W2m26p4lBXTSR5nvhcjZQ1rSHPvEWy3DGr6dAmYX

OHNftvSgSBU3rx76eBpChI5Hj5SK1DpleewXTxkkjKNuJ3mpB5roydNqL5nRQcp4YbqbSy4I

cfL9bwH1GpPzLdGKWRJevlLj7RsMTiKRv9D1Xmun056sa4wq7ZbYfEdteXnTeRYaWLUCXq85

SG/4asNpZQTatf5bqdNPrJ9QhTSzx3XI+5zmtsPDdU6a8uolij0mr3J0fgBtUep0cUkQkGaO

XTvmuvbbjVmVo23hhY0SDhxwrFz7avm9d6/hoOjFHGxgbH2igIfMpGQfDKer+vegNfoVmG94

Tkb2G4pc2ok0zH4ZY2w9YuKvpdXDODsyOD7vktmN3GhiKx9xkpTAoV5Y/wAVO3v30hk00TsP

G36KjWJsiZ0umC7+NLB4nRgufdhSXIJRrD1VqsqBmeUm5G+ufE7xfCtvSHZWLySk8a5Y0Xdc

kn9Faq8oGV08LFLrfZt41q4J58z5CIY2diS9yFtamkwGRE/nH+CkGc4uKnx25CfVQINT+Yqw

B0pCsv1g7Yey9eXhjzWkw7A+UfN6Hlj/ALGRW7mW1D3019lsaj/Bkdkw5VvUk4gOmAwjEi4n

ieyhq+aZPqKvDb20uecLl8eVC5sd1dLTTz5IHYyPKRlx8OUCur1TnY8y0QASfrV08SWONBWG

UnADvohpBeMY3pjHm/B2sMaz58GxY8b0G4URKCR4eyplOqc3a8dx4RWaGePUkfA65fYayzQ9

NxtGFYeqr+/0Dm7vRxrmjUmpp5dMpGmXly2v3UH0flkKZ/CZpC3uUCtUnmPmv5YLlI02iQR8

jfabM1aZ9MW/HBQrJzty777d9RtK3Lkgjly71htahGZUib+9GQ4+wVpEVw8iZzdceU8awItv

rmt21u9noPCv/rQF1raKBVlVtzLe4rL+faVPqy8wt66A1OmST7cWHz07/iB1/qcuPozjx/ko

gD/GeupIS6g5REPun6a5sbdu+kjWNc7yR5Au0nOBXQsbnUBMvrtTE4MkmUrTMLBCxPbRBIxO

0ba20BlHbV+VjuNNpQkYnbUdVpd4sbZb9tDUFMDLi+PbWDGxNRvmW2cGpuZbyRqR7au3Nzb8

akhAweaEMBtxcVo4o81hACQxviXY+jKdkgyH10SNlDv2VFCiB5wucJgE7/VXQSPK3V/bKfdj

TwRy3luWzyNuF74DChzBY2Xny3OHbQMWC32WsMK4VljUux3UhLES/VGFBn58pBBrMzFur4zR

uL/TROKjeqmisSFgni42rqqMPq0RItw+IIobs2yreysKzNsrDZvokjE+gqcN96OXnPAVLp5A

c2pJvbdwpIW0vUdVszuTdqV4dKsUiCyONoB3Vnl0scz/AFnUH56/B8r0Lf4i2+ZTXWXyyBFt

Zk05Fj22JodbRyxKuFyhtQK4gV4fWawGY7hWzbvqx5id9qFx32r8RpXmGDR3AtSaTy3Tc2Xq

6nUSnOwAwsveal/Lw5+iT1UzbLVA7yxOJRcGM3AP1T21lwx3U3Dh6FyeMaOCx/jPUwllMcgt

gN6sGuanRT8Oaxw21l6WcyPHjcfWFdRfBHrmazC2xzWssbf5h8v8o13nZWFXIt2ChaPKeNA5

D37vXWRnAUfDe9QwpFK/Vk/b4ZFy7rX+ehSMCQQQQaViSSYa7mqVQcSyH2EGjB0fy500UURi

N73CC979p9E/mKwZ9JpnVJnuBYnHCjhbbYVFPqznlazCC2w7cBvoa9lkvFmWWU25kPAXoDlj

0/VzrGi44De1PLk5r8ryNs9VGYnMoNk7+NKg2geI1HIDs20rEYn08e+sMPqmjI3KdlXRsyzC

96UC4PxVcNe2+udsNtBdNCHYY52O7upTIuV741wHGszcybCRu7a399Xx76PIMPjpbvgfi+G3

bQI2DfUcDShZJReOLefTsr9mDTTSqwjT9pl5rDuqXUQ6v8nrSvLIqlVJ+0uWmF72Nrjsq3o4

3rZY1njfKw37KP5kYOgUuOwg0+oj16zanUZ0OlW+b8Rr5jutXSKYKb/ZPtq4QA9lHDH0f+0h

xvb6531d2Mi7xdbn6adzLy8FbLt9VaQcv4s6C/iPjFeYqWV/83IUOUuvjvwtXW6fViNuQ3Vv

dSEKoAPHjVhlHsoF+cngp+e1Do6W7DaZXw91vnrPqZYzfYq7PdWwtj8RrURxRKvUy81scDRx

NJYjb2Vp+bFoeaj30IMBn8TNwGJrUyBcgeRiFv29tba1UkjSuUlQiHAIe/GvzEpA0sD2aG4z

E7fZUWULGijNAL35V+tbZWi8vwGljdnYX8RJ30sOAC3sb8TTZtmbjQKjKcxBHzV1duQ+GjY8

rYrQ+R21l3WrMDiNlcpHE3oNs4iju3isLA0JI5ABfnjJuDQ4Gp+bAjkHCkJOPZQ7aY2xrMQc

t7FQDxtup1UZem2Vrj14Vm3nf6Lrt77UPBj2iiT08vYcaCsI3jPiRmy3pUjjh0wQ2HTktcHi

ScakBkivutIrbfXRRjs+qQa6Ud7sdrbKVIVkxGJfjWAIO+la1820VNsXpqCPW1qdOmL3PPjf

CgBcVtorX//aAAgBAQMBPyGfVeAQ9oQhFFnxDNTt/lDw/ZL8O82fnPZPI8B/0l+B0h23BioW

AmEv/Zw9mb4lYPOW16DMXuPQ/wAdkZNHxQfAfRh8AG33PioZMNpkPRvCEGeahOIOZv7M2+hX

gdpjW9RMyCbMquYC16uZfpLLyAKCzWXI7EuAaRi7lbQ5F0Q5Mxo27IAmh0l939j5Yv1Ne8Hc

EgAQ32us+RqLYvvGSm7V7G1mMHKXFGJF4UAN2Yj+KScCGdVL42Gg7FY9GFgSybsuz0egS8pg

MBaqu3iJ4zRikYUbXMZjbw+B9P8Al4cPuHgITfqQ338TM7tV9KEqtq8qqbs1UsBqN91rFqnE

QklWqyZoH6uCiu43qqD7TI5w+DvIwkGtGrlYi8Z/2T9zio6r+34c1m/RiDnx8nKK6ye1/RDQ

PSj4Dc/Cjz6S46IavCzlb9f9S9iqIshzyUv3naSbT4ITmBDMJf8A2IZj9ThhMH2Z0ZmZJVaM

D5TAR1dGKTmmVp2bvoW1d6IMgOjvcBu9W9wwuNsXkeOjXxGkZ3NDFHDFey6cUXUYIMFasXFG

iIfjnoNWM3qheq1AeEGZKJX0DnJFHcnxMWU4+7j4r8FdhY45YQ0OTi3GIvEot5ejmbOKZ7zX

yDDq4MaqA2EpWtprW2ZVrPtWkPSz978POd05mYEIEJwqVn1UqD9eboDbKh0OilDL6D03EtkO

TvLdN59b95Yy1ZY7/wBGJQW4cGMrx3yR3DK3Fs3y/qaGkfRXf7PtKn/dgx0iRsIAWjccmuMV

6BZ75hJ7ftmFTyl/VZ911/OmxEH/AIeodNrJfYpMS1eQ7Y/UOWcA3/kQ5CkxnrMvXhqHPpfz

AzAhy4CdQPpLbEHnH6/uDtvpMgG+rv5fDhzNIc+zMA721aWC8AyvSJRfav2jAWsdUK5HQSvP

ZXSPIuHdG2Jh2jQ64nAxdxL+yLytKWAt5BkxG49c4ao6XDqqtCCwPS49qUYCjSuVmMLTA01m

rPaF1gttQ9CXc7Ab8zKFr+WJSaCrpu3c0XxKen8D0TuMZgrd4FvSLGgQZQde8CsBUECa0fBb

9B8+AMloQvYjjznqExyTQp9tZvXdofdAH3ShDK6vED1zqHh5fLXgtuKugqyrwBesF7GVXDQw

cdxNVZX0VvMoa4D7yDA36Y4BxRmWOcaa6ltb6kj7LTHPsFcwWADbohpg/aN0evO9y1cBr8nW

IbZl3H1CLcPsxbr6y9YGfaWwsPXtHkvSXBR9HPzk3noq58xj5hHLvcvrMKrFgZgzfuNTXA6S

59oagFvkKxh0ul1C/M64HXeZRpirpL4Tb6hlDv7I9HtBS0ypxKFr1EKdATuPmU5ulHoLTlZc

s99gNvvFZvgbOTIe1TAdjcg1jFY9ag3XezkzdqN8QQ156BJVvhx7QdsRoJSXpwsYfeL5q+7e

oE2qnH2SgNLXVRw70cppM216SjM1xx8UIvrUxAdvXfzoktDorbq3wjEX4E70AIJ3Ov8ApDGu

9Ko4DpvHM2LTztomJtOHvk+BgaYgy5WmWrmBN7D9RraNVU0MGdnxLyKDTeoI86mU9sjultv3

Ai0zYKdGsPriHyC2/SD8pkT+z8eC4bEK7wL7qiHWNlh6ounatTLO7xs9slFdbZl4ir021Tv5

e/EwqEWKbsKU+4p7w27oF/MbWN/g/iBHLgoKlIeBK79Z+5gG6xm4PogvcxMcQ+zEfyrPN9ib

64SbekvvFh6wyRMKsCnu48F2MP3/AAMR4oQdsvH6x9Qvi9PuPUNnld2ODAAV8l3o7wSVEArt

yX+YnlbiNtk7PHJAd7eAFiPeGW39UYkFTVbmXnD0FjhGsIsWydxzkTvLwUDJMGR1NnErBmdg

NXqPuaBbSosY2dNwpguKUixm+nBNoJ3Q5Tq1HpDUwo3RUPvKw3/KK1KuPekwxkq1iI7tVzKH

aq+rYEW6eRzOn2lGG7pAxiAKt1GqKgYjbLFoYo5U9eHWXpKHAM0wPr+j4VtUdXY39rjoKF1l

T5mPllo4susQPudgg3eLSUiCFDRlwMvQIpWHhMXArEFlqsMVoZl/GQUerzLfFQbcOZhfeUuk

RxuwTvS/ziUo14zZoIhQdXW02Xi4t0mnTkAzcwoUVZrF9us5UZZYou5qki+gp+xC9i+B4lRS

k2U9wk/Eb+nIeV8rSDpdxdhRS+aafzQ0s62D4T9TzXrH7Ah8OpjfEvOpwHg2dnWnfVQm12fl

8ChFs226yQvat7FcxT2HJXvGKbd6yN0X+I2QlQp2KVoNmDAyIsZFN2N9H0zB1fmzNpTRqsNa

+Jl4Lsx17DLrCkD64Q8TBLDHX2iqd43Oes51qZipDOwv0uZLFAVayovq/E71AKGy9ljF4M+U

YUNNBURKkYvjGeZcvGZSsoFz1hNRW6d2C5xGetQb1giNzpytlKFq2Lc52lB8BwI5esyRQUNd

HvBUIat2ZbJVXqx5XuH1hX7DSEiKT1bAcLrr2Pgijku9P8YHYyY6dJxIUumMtWxnIUDuiuH3

EYK6GnR3VcyiZN0bYmZp2ruuu6C0jXN80/MazNKlRqRh6AZlYMgeSZVb6PUl8MFM4BdYZQhO

dxAVv7XKM7FLhw6Xpe+YmM8BQyB6zYKnZ5Me7MfBmo2B+j39YRWPzh/qZvqMZitifCVE+4S7

tua98t+8d+pF+N+ZfMZq6dYoibABt3DmH4P5YHPMIS+sZJZdOTu2afycVoqWOqPA+bjjEo8p

0ViLhxAss7LbKxFLQfQaLaP3AA5px9qvcQnASX2xznpFy5hQGyxdTuM0MNAhy03dkKAdGBkC

xsdLKG869ICgY+cT0UNkemU5dRBlTh71BGVSoH1A9u64mLVlR0YlFzIdOWDAp3guWlWVBqAY

N6s7F7brX6h+oIWPpkfMq4grR60UxtbBl8fz8kp1fUTP9YEaGAdde7xnDA+f18CdNxDtFWoA

+hTEcs+HRltKZePRM4z8QGw07gJmagh/DXMZGmkEYMtHlOc/1OCNfdCq6+E69aI7V4UBbLUr

Al6FIyUnYZWwkbIFmh6LxCBGCWhj/wALgdIvkHDowb9zGMq+syXOHy7w9BifWGxnpniYFdG7

CswD+yeQrfdv1g9nB+pbIQVq7FngPWeuUASmDM+uT7mSt7F+sPx/z4KomRaCuuYSsCUB96DZ

XYnWZDwD4/5f4A8EhrvAIgvZzDjBLLDZb00TOK1LgKtVg7cvVuMH74hmh8VlqGJZwnb8+zmN

D0AnMgAPvpNttpbk8XGzR2FO8eKlolJuSmtQ79anqPuNnMHRjmWrhVXD24i+BYOuo/LqFfdH

T+57pRO3mdLgx1tBd3p3rUijUVaoPZSpkNKtnvZrUrIS8vVNmjadOYoXYKL1YdLybyQEW829

GYZUw1cfmZqx+8f1MNkcnUDuXddYHQr+jw05ZoXlAmCEqGzPufOpUFAFp5Z64/G4OwRSspm1

8VH5qPS7d41zEIKc+zOMR/YIUcaOsMXaGVU+synD6fuAQPoAG0X9XL3Hktl6EfZC1XFFXsdL

9Qd/fKCsliGotSqh5OsvaDmw9O0oNYLeHXtKXOXbyqbMUG8yr/bqqO4uhgyw3T9iD1lt9T5r

/OewnXPtMPRw4et/uPA9aPhON0PzMT2bQmF6HMvuK9MFqEJy0V6yWqV5gLXklwMpfaoQ0k+r

/PgO8I4CsgtTrN4jL6tRR0KB2GYrX5StyJPo6VHmeWoq0uutGMYW+lYi/gUSLb317y5lQwEP

C+LZ7MOEK6RX1LngTXI0yTJRhNsLeJbSZp8srTZRnhI4q3KLonNIPn0JbA6ha6A5L72BOloX

7iwyWHtYJ/bMW5J0Dk6+8o6A1hxL2p8o2PaWbsgEUQ4HHqPovdecLaYGPadAUHuv8jTmb9SH

zM/Qg2OyVVOpe95xgcOt2BzX/CeDoP8AaS9Y2DAIA5+gwrUPFeB5V95XhVEoT9+jP9pYQ1Q1

cVZFSZskVG9O0WZZRmoWKBXMQ+2UYcuWNZiuTmD/AFjJYazY/wAwC6re71j566eGIS2tuvQd

zMr8i5t0W/fy4LnKiv1Kx7ZNZPpX8R14bSjtXsm7bCd3PValeCxVuRvZYDA4reWlRg4Ju+Wk

v72Xdj8XqbHH7JpZtfklsiymdJqakbO2dRa9SjYIuhcYSgK1YsHViPGzOjUhkzt6KTLTjpGw

BuRgE+SE5p+yEJkH1QUVcB9Fhkh0emk4hGUdI3bfJ0gVyh2iCTWyvqaffUQM10dZNzgZy1sg

YukQ+kQpALy5FePqiGkG38eukOisa22ijkdImQ2csKj8B8HS+rDwFShptWsvu8JX7cYrPwSo

6N5OwiCyHeHsaorfxE9D9IJMVrEvht56Io6rA5HpXeVd3eUB9v8AITFKDfXjW0RUfScEag6x

KWfoP7Jl1oPrzBBpy1GR7x07npXOMPwb2eFwBimVi5UV6FBoGsyxAU8pbk9atDUvdzW1j1MR

zpX5iUA4vKKAAUHLHrMVK7e+JkxABfIaJzRI/mdQwHUwspxr/sHJLi1ltGG6KPuUkd1VYCbq

+nIw0w4sWTHDHpMXjy35yRntw5l6Xaqe40HQvWqxL+h0bdtkOTDHPfH6xjOofjQSwLBtTehi

p1Csvtml5qmy6Z/KLxU6deZ0vCatb/THa+e01Wgtq2ntYVsMWjUpOzsjSHYMC2k5K3iYwhvg

V1ljDrzmOUJxyyWfvzUxpONt/vPgLLuRihBrjBAY5PRwtcwhGBVhL/JZTRLwvLXJCIsim78r

hZqM+8CRcQ3xjqShy+5bMVk1XWXibUauHqKVAkQ3aKmTraGtRYTqifrUvF8H+YTNA0RRlO83

gFst3d0q9kxWoyUB1oEA/uYt3g1OZUHEo/HiEWbmxWrbqUbPwYzUapwjPr99Jv8A45Lq+Hwu

D1cE9MxLhvNwNzjfjQg11rtKmwHoQqKVB3XQ4PA/4PAUuhyUUd8S/cmk+NHoSoALGjrTqZa5

hZP0YPrY+IHBo4HCoQOIOjQcyopq2qQtAiOis7lgLuwGisVniHPpQwrPNZq/SXmGVuaaPUPe

FDKX29xOKcC/Db6/nUMAk68Xx7Dz1gUxmmYEDVZ3rdVuAFdI5Z9FVxmoDqD0CaeyQksKVt0k

Bhg1x5K6o9UmNdN5QHs4HrcffssDVwPqbusSPkmJgjxc0eH9M2JL15t7oselTU41MyG7sbFl

ShR0MVdX3jiwkATr/wATYlFc4C9/qcf2rtyL778J96TcMDrF4Sy09khk9jKRyqp6G28F8y2y

oVY3A7X6e04OrygAzwshyylIKVPafGZpNpA1IsMnO88T7WcgvxOPEBwruhaNFVdAX7CxOqVd

8ennQujFzF+MVgHThlCEKWnC8+zojv8AWLu+kZgXBIck4dwvLLa7hAOQZeI/+yV1c94g+ZW+

la/MPcY57D8hLKQA8BflLYsG6PW77ys2/wAtQBsrgvg6ygKP2vAhqDTVdng8s7frrWdJU31w

aAOWty4lMvWFmi0fmX0cFkFwqqo/yDANh3ao9SGoEtCz3jQTQRAtd7isW5nKdbkefUfRiCq0

Zvk7P3BWWW9RAFjDyvwX9xSEvnXL3iJwxA9D0GH5mX03iaHxLJfTcyPi1OP+HM3bIU9LuJJE

GkkfemZI3Xk7zqBz+xDRMFI+xDv5blZmkIF+M+PC65DlcvQAPgiD4RDaRB53EkODwoafuQ7d

Oy4evQxc0t9DlrGhWnPBEPVxBMLvV16TXw8MeEILXZY+ExPtLycFhwKot2GF4BJYgPA0FuR3

CoqqbyLqVzsNG+LapYSgbQmcA6PW43K6VpRbm8Dqzuo736s4h99PAVQAbF5C3V1LgVxU+/6g

GouVWeVx0hCl+7tfkTZ6o5Rt0SvtxLUxhtvzmcrZzEWMUX0mqeR7dzHtG0bKn5RmbEeau52e

cJDpwWcUnHMRqFHauYYZUCuPSIOi4WMCNwyleR8Ks1o/A6OriCvB3hGYGVXtUd02L5oMFOnS

Mrb74B4ZPqEree/DYUcN/u5ZqIVCFWO6vCGo9KNZWzyIYg7wHU3FR8ivbt+5sDyOkQv3zVxl

ZD1FMGOjcyrnHsGnDtxK+zo4wzqeYfrjCsjHviGAvQz8eah+MU6N38LMCLuPi/cJnQnpTN50

P0QYYqt/oib7R5nX7JlThjxnIALWsZjERxdtWoMAysKjpBKPYLeF1xKAGEumFky/FRtXfpmJ

zbAFbnJjUq17DNtZqGA4Iz7ufuAiAoNO7wY9Sas2h0SvWVr7I72EY2ytc/YQnNhrOBYyX16w

5RtVCnw8dPG5SriXAWFcjTzGCV6VwBR0BfeOP1HU9PCwzcmP+CyloVp9YIlD13Nx+akzHmZQ

OzOTUFFs6G849pf0Z9pcjhTviACtrqhVAwdZ7RxI7tbKfIwsFvnVK+5rksnVzLztoo9rmYBK

C2o0umw3uvHO4HwPgxkgBeXvV0R/2tOZQ4DpU4UB8PBQcdI+GBo3RoL5XEN91MZztK/v2lcH

YwzgJSmrOzn+ZS40Mn5J3nfyz9wKmL1/USjtcIA7UdGaKyuHXpZLNhODZKfuugeeF/JmIBA9

FcBWlBZ1m6sAL1+tn4iBaKRViUX6h6d4TJp0vQfxoAIQuzXL7J9cR+bJTTiW8FXiNHV9GZVn

0Yw1WHWOq19vZFP1D0VxQrHfiZcIxRZRiLxOfntDGRg4N9evtHl5XC6l3YwxygLcjynjoyxi

qlbIrnJPRZF31H1tLSuuHklmsMIULk0ou3N8alPg1BboLApx64iUGP5HNQrAm65Eeb6RjOs4

Y1cGnpau+5iluPUuJl3m5VdxtSjOjmdce+uf6gVZwMdJWCHb16RU1tE5cJvND5YrsJaY0upl

KiewzGPQ8imjKEjn0PvkVY44/wDZpO0jtrmZw4NCpiouNagGR4AIaCr0jmbeXx3LnNEt9PJd

HklriX1m18Z1FxbfEHmapS5Djk9xyDdb32gC2Z/zzCRxWXo8kqCMuMUnshZp09VB7nJ0ZXvZ

jDvhEad0rukov3il0MmyuniYJV3hcPbtGbxanGtk7Nu0pqt+G0a92TvGewElRcoEPtfgl/CO

KxFA6AN/8ldz5bpeVL7qYwSiwMuAFF5fc59LGmq95wzSdpV4qpUqOo9d0/qKsOpjy6Zunlo5

OkC3LoawwdqmOaxruojmkBVp08ptMd5aPcHXmtdtDPpKh2UlIFkS2WxjPqvX+TFDR6GftOz0

jOsX4EQRcJigybt9YGLLvNMfYLorKAerWX7lQ9e3J2lrTv8AeYQGEuuhLlKGCq7mRlR17Ln/

ACXagFNZ6EQphfqfipwO0JdL1h8x2Ah1d6+ZYg0OSFikblcu0L1EwnM6LFdHguE6OibKdGxo

4HJ2lRq1uRUxoj8Nwq3g/wB+5LVQg065Zr6Xvbgf547t1wezPUZs0SBRl694FPXifkOEAkoX

Ws3LoZO4/BHHL03+5cU0mdOfzL4MdT9xLZz9EuK05L8QrmOA6kXAKF6ofqVIxHhnRTzHqHZJ

UcvzyaV1y8hhyXAOvze89lh+ycvhcjZQb9oRSfO46nJxqLhDQspZLmmG4iB5cmbk4ujnwJxr

p4MdR4fR+oT9VDBfvMgbjY19nZWa44igVoMRpV1lBRge1Oq+p61RQCJ3XBfMWbn+oXkeynbi

HBa6G01bReEnTqkevedfDHQU76vQ/MDJ2yd3MNGYsx7E5J4ozj6m1e5+8qDWQ1BbK+qVmKta

/wAmDqN4iLvVbz00JSC676FV7SwLpuZKs0OgmDeAX2aDIrlo9dXMoY5gFFDe6K+GX3b65g/O

+wYLrK+h4eR9qOR0uWROkZmidlR2bBaz6wGpGOVgXR95zIS847QkMelz0BfZs56wbAqjPdxt

3JSRDeqNX9Tk1zURdYOQav4iA2V7UD8xk3DvJSuup0YW9awzqIaEN6Lr1I68lI+s3jZFdn9w

UHKRWlfEUg0kFRuF8Q7dg2adwdxo95cQdyIX4J9pFyuIE0AtXRUeehXqJQzlE4FFe7L5Q78L

hq0e8DvKzUSC6zgbCvEbIv7puFlew9ZZ8L7JjQFtFAuzM+ptVg0OtYtCcSebdFND13xTHYQ9

/wAadZN/EcBYe7si+Rac94Hx5jxP7nErO5j7QPP+ARMet7+pR9kCgcg/dKEoDhM76xB68d4T

AO6E1No9oK2k4rbmOYNAmDtidaaHqj6/1jaTDr6KovHYXsX5yz6nqWgocYum+IrnUFpeH2R7

aZykuRcs2WiDl4HtckWtaoYg44G/ii1dHk6S8vpuk0/BwHcTfSOkNFeTb9S4y3Sis4B1fi9e

mjwp8DJouuIgHyIHSafiZUcb9XSaRUUM9Nc/mVgum7S+zmGFHfJzlDSqpdZjBvhwgrSw3cvQ

XVzdJR7st9zKNRxK25PXEXRtw1vMK2EU6azRA7ME9L+llenaKPsEmPzB8ivaZKJWWJHWjp6s

GZA6ji9oDmhp7RsYcHMrWuorgqGBgoxOHp4WaHickYswtG9eUMQtGOh/UsqsT236c+801r1n

F407qDll6ghGk0cgWtYAurcGhcFUtxbXyleRljgR8jd9LlSG7UwRlodafzhsLucgBwHxFiAL

UVwBB3U4SvtPy3O/xwgfcwbWPbFnnrU0HBJ28RnyOCNuMjn/AAgq3jmaB+WiPW3QMxXJ2wsf

sijn/O8piLph5p2+JV/kpjBAqMb4RUDYitWjdw4zWeDy1X7VLi32I+bdtZYH0B1OpAUNgC95

R5K/qmO1u+fhjAqZ5isqo2a7wsDueZTXW7l29BtrNp6YY5Sywi5p5SB63T7zY7QQBq2IcMIC

2fw2ahfHGZzP7ZSzF+hUqGxkusZkI36InXzDCDh9YIFADb0LlDdWy/4lLCd2UJf+o5J4nQiO

bgAj1po2776OCpql3s34hnETAGxEglW0V8y8V1fyGpr47npHLuY2Cfe5/cMvCU6ND3GVPaJU

TCVke7BVH/DOTvCBKyejH6m50RhvgnoFDCfZGuuRc16kFJU5WgcK84C8u1oCI2sOSoFq/wBG

Jmui89dmvxuFr3Yfc9VVcKU1QVe5V7M8aUDZZxyR27giCEFXb2+ktXOlNX2ZmfwnSccT0n4a

pnyj0liViWOrDAtsry64YmwfR1lbVe3WbxyY/wCx9A3gZWALGeKh6DDArlcvrR/MqI5b9xFB

cDa1XrlIhapdRchC2iQV0WgFNAX0LlUviy19IWXp+ZAttpT1TdvtzXVXgVTDsKK3hQ1frLko

qVuL73WOtZdOL9IRP8odnD3JqYF1bo1pKofvEbLcPe49ClsUx1xVNS1SV29Yqu0oeRnohYDH

s0ioyDEPyGTCc3FZZOkErDaoHQ1mJZ2eeG7NkZIXgVTwWxyMWXkxbBKBsPt0WM83XrDKSeAb

XHQLxBuLw8ZsNnmPAWkHPUrASxFhTJIAztSa0s/7A2cYnpSYL1x7hbevSPX+0dHt4oRzMXx0

qPMoDrEk610Pg5LwkMbsccHb2Q9Ymo4tO6K0soxbRYW9M4TynqZUcAmCjP4iBc1kg7m2h09u

MD1hXBCHOcC3tnZKZBWtQMgidZY+XcBxnfAxFzU/SfpLlvKgIKfoo+6WDBz+IbGKrpce5yoL

ojMxZoZ/MdqGyDFuW5go0PEsNmtJhlcbvbkPxMqXGy0W+4H3xOYwiV+ZbQuUM4fXW4AVBByD

Tr6xBoZS8jk3c5cu2n6mj3Hh18M+uhsLxFrNy6tCCCKxuobMaCWNYVpwejvBlsdFhl6PDcl8

+kAkCpkS94wWP5gB9idlPbe3PtHey7uy8QRTBVj0jg0b9WIcyPaukatcU+czdIRKSPJn/UYL

GG3s7S8KZ5XfujRCBsbJj3q4B54QWoV6wzgjaKEC8cxnyAHEDoW9ajETo2JNNenrDZLqTFdC

g44faDFG6onR6RAjbMvUoblpAzmwWHBcAmgBFN4hhUHLw2uBTxAMAleoeyPmi3gfB9p1cp/D

MDi3hLYQUnJEVlwS8hOxHJywzlCWdWyFBhOuJXJDoCcFKYu1VjMs6es61bAR9XtBTsc6eI/h

HXoxAHHj0F7hmqyzNGXgHrAndUtWi5ehU0XV9dIcDbl16sRo9uY1VNcsXCR0S9jILCZ4MXGw

tMXuQbxHgI+dgOkBjQpv0Quetp6UwOtXHrLL3HE8CdX+NU95+vE2/ENC9v5NOfSOJfnAt304

QbHuDN9oWXOznMR6pNxCylXekz9hKcfVsEPgzB7pesRQxqWI4bOYgA1neIJwhckDoun1+IwP

NkbXQro9YSpq9rmJXi26uIrhlnppTuoxKmPoXYgekzuf2pGY17wT+hGgAo1xLrjUjHXPeNzd

0ywX1W13MwsqAd8ALcbZYu3LzB4cvSMrb0LSPOFmX1gXtyRyX6iz6eDi6/K3eFwbzbRvwPI/

EOlT4R+lGSqYrvxEM7mDAQMKKOVdQal3i1jRo83BVow1bly3doLtfFysO8dZtYIGcBf1Fo1c

EgDFlr06zuUK5fUmCcNNj1eGGw+GgYj27w4TNQfEA3FGtP6ilfmDrc4YbPUo33/aYDivfEbe

VDcFapvp71NGOo9V9PaVPF5MTLDAHUY1MytmBiMTugOCk+gxelp9sDspZL8Cc9j7zuHiq9c5

+YCUrLEB2OvnMrYg+ZZXpCxQJwYW0SFE5ID5UOfSXnsyyx2ctMxuLI2JdkOtxvbH2c1jGGc2

L5f1BzgzpTrea9HM1xAtQj2FlLoaRBfvWpaq5AgW45JeWHHoIsi75tQCq1pqitz57CMsNE3V

kBmAjUtfxVQuao2VVdJdVViy4sdtp+GaudonluUbnCek/qYpep/E3PVhqYjzca3xLhpuWR6+

bb9QEM12vxX+YhQQtlh2SfaYPcrKDHFLBPZfaVME1TKm43wOag8q1y1ZdRSgKzo7xPV6K5XY

bs16RyHem4tUlKesX1mLx6qmz6TEZ1m6Ke9PdBK9TCqbXXeLLI5y/wBlapnnT8kx+TwBf5Qw

F4qCU+kysPPMpUjbpxOBwcPf2i0tAlCz4s+8c0R3DvK/bIQUQFlOw+mIC4A+ukFVZqPo1A7q

RllWece045SvqhfzL3vwSjU41FLhchsIrer03iVuRsiF8ltqFZvLzcwBm7q6R5wiCu/O3uej

MYXcUF38tpcQxNxpuwGxtOvehPK1fpQcI2hfNRLAzGiLg2lqsBj5iCwmVaqrz6dZa1hSYI6W

LL9DvBItbNsA78/EH4edD0uW4CNJzWqnK5lCsgFVt8V2RmxQ1r+oC5TTwWDpByDhdxzCqr7D

8S2z3/zLEj2axOtcwuwnuFXLGXNyLMO/DwNxzPgIGZ2sHQg03bfKhFp99Acael0aTiMd2L+Z

v4E6E99GPTfEqVTshZOXPaJfWCswcBTZzY2u2u800FtBiadNw1FCHXX0c7ey4qagKv3G4a+A

5Y6ArvOxK0c7ishSDq4PqttK+Y1Zg1M1W5+rEpiBR+VMid2xYZjbxlOZrvLDA8tuuvzKnXWP

bRcKRxv5leNcJoWXLyRQhugn0omjYzyV499Quqpo6fEZoefOZbFVHkP94WpjdgPG3xUi8xTa

BSnciWZk8tAz6QmgsNJU7ZdEA4c3/eo6LorN9pWxQm804na4gJL4+CrwYWLQmSXbf+ECnI2y

rcI9Jf7XHsJNm5NXxmJSzGg5VZdrzzLNw2+FM8/qUdPqCybQYrgJq/bWcqISKEbQmA7WnHrG

RlAQfSh9w0rGQ+BTLFdccS85S8amZtc1V+kCKN+WEuz9EKRO0bQOop93GUBF357lswOxUP4z

LTL3Js1S9rdclBicDjcFgxenzBedzN76Sr9Rn7JrfaKbpv2EPERzRjrVn1AoWoqwqW9AbOZZ

LVktwPHUP1BK2Zjq2ugVoelMESwjjUAPKjBgccxcI15cZFGyhD6TtVLC9ijExxjn1rXeWC69

TYCvuPHZO56ReBGm77wlodgsPSaeeomOesn+4OaPolT251RoH4RYCTPYfhK924NGw53LdMqc

tThUbuGRdMIhnudsv5lgTzBtaPi2YrdjV1/ye64lfF6v7gXzb0d6hrZ6TmYz4UQLf4stRoRx

zDITSaoyflUyvk7x9vhtagrkdsveHk7nvU0QtDO34jAmow2elzGkzVBgFUN6y8cYUQHbQ76m

LZSEFGjy8EBJjFW668S4Ubkz7Xcbt51a9WoNPUtvJmfzBHG1OG5ouqzOozrRvpMWP+sgz3qp

j2iGVXTmdhZMlcguWWHJ7yhIY+1XViKKJWkOuGV9TfKid9h1a/3ENFAy83041CwZq5XQzsTE

5gvGo9m5ruan9Rb7KfSDcPuWT2hIYFd5xgU/N+94c1707Cg7NQbatLrl1GNWo0eYUGEQGdWZ

gHi2SDHGY2i1euI346XkKkqWKnGzUWADfVNLcgfpGLowg6wy5YkOiKqgToDhBdczJpH5QlH6

UR8EpGDldV6QUJ0S7AzVbljHSrfcrddoqblcB4lpOuigye9s/CcsKZ3tmPBFWN4Jd4WBC3fX

0lC3n7hi0059SNOlC6XnCgIFmc61iXINihRd1ckVOIWE69ZvwNhnJiwYjnfjT2GWhz4alLkX

i+I3JnIEJNKKkvToM8zP1ExdQNyigHKuusxrtEUoKM7zGtR2bKtoFC0c5lJFJ0jaHqxKCmqs

VgC2MdLJsfqxQFZ9V/8AIhmnLkv7tgnurGiGgBkamGBkLxQvvEIU27EoWrvDMKsF1+rsTFe+

Inp1lQsM256TiUYWGYjC2/SHgph6USl/p/OefxArxA1i5K3WukrW1O/X8HvK491kUoMZ59ZZ

p3PaWLSQ+dkXdeAnJHD8oIAWvCIWRV7SrBLSiqc8svmYF1iCg7EyFX0afT4WMx9ZxfTMNxSd

gNfRPRIobMEbgAuzm89qiFCqVLnHKRrvFQh0IbKGEM/mN0kcR4HLlpXWYXbjdmW0KF1Npieh

0GsC2V7Wi4NscN9nXEpRE5to9oVwyZ/olSsfSqOsKdUY7/MJjkp/1LLSk+w8cdXrFFTEk5or

ZiyLaHnM5lPYrqY6yNwK9OMQ6BgaPuY1V3g/GP38TqDPaaKR1lGicH1k3AlCDlQ7hl+NXvZJ

uy60dswBq4r01B/C3tI2a5JvuGLzxT1ZZY6UUKbiU3EQynBPb90T9XA+zAPYWAVrL3ssCVxC

5KBCkOfiKshif80gqFnhcBfVPB+UZXNHqSH/AJEIFEPQ69vzNGBsPb1qWKXc6V2gKA+o/MQc

K96vlgmFzeFq4ThzQ9iKZhR+V3GPLMBbmO0LBGGELiETihAWA5YvMQXoa2DHvNPYXodPrQ46

yORxfQnIDR68PY7TL69ewpo7B+ZZDStdJgq4MFwkDJ6SsIG6xYJa69mEuuYnbxIC6Ue+II9a

53qPllOEWR1kQQl6JYx9zBfnhhS4BYKO7Kx4aVXJdaZV1RsjtHKF6ThYPXD5+ZkcAThnen2m

GMiBqG2121SPdjPLzG125W7Yb26NfbKX956I8APMxfT5mD48AFwq8hoTQTuChny3DwHYNIxZ

9qXL0mF0Bu2j1mIyW17Dk5GaeemOApHVQLsEWWnWmoZMVKrL2nEwj8tYHYPUQqtq4tnGaOWP

LvbjF9rMvrEm2rzWesGeNcucU3uakTy0ZFDn1CskJ3Fc6eGp20YOJ6RjPfwsfU5egyzHhD+V

EnF5ccXh9jvolDoBEooci16wmXB1VYGI24y+l6lqEClqHGM7Z3GcOVB00yzLm3kfTwMyPwpo

qrMaVB7lZK7Gb9oYfIEcBzi0Yr0ueuYN/wBPqCZeI0/B1BjSerYSy3wQFHdaRQNwbvcoFeDr

wClM4blSorvI729pVtfUe9i4UI0Dem2KlOizarFERerp6QW2wEBAktI0XzMyEjW/ZwEDixnt

KlipDi92hBOO8KxoRVo+tyfU0Vb1nqxEiKoWMFiCRXt9Fgb949Uct1oGlVqKKJcjkOemoVCq

eXvUKNW0zKe/tXDFbD3rR+0EJji8x3kAHSiugz9wsQwY18wbsqL/ALmRsS6D3YU2jjvSsyGq

DEAXtpQ7gfxPUSBV6az7xWAsBervZUQoB7FzOC3+Y2zWxtrjDpL1nLZ6OR7yqMqL6rvGvy4n

FGOFr4C8EuleEI6sCV9+KL8sNRUsjLSJYPPeJQKaH7F5vq/UWwDgwTPtf5iZc7qrOhaRIgTg

nsTnWwQF9ul+/gxZc814W7iquoro0nOaO8zo3rBdqs0X8JwfGewxnDmYAbyUpkG6B2ml4y77

5iHws4c/RXWJ6PgdkSK3U/J+omhrGALqLvaa68mB9pU9pFKONM+6Wn7gLlpkcA2s2XgtiBO3

LUZ7qsemI3QImylsqsrKuut07TDdYlXNx1vX2xa++Y+qNyingrbd9SqvOH4e0dMTYW3p36uZ

SZNd5kicBeq6wsFSN2N0vrHAjJi5ec+Fi+QSWvQ4zv0mdWbMMGqKHmEmP9P/ACQGL209dYdc

SlBA765plzsIQcKGJWw4XKxdo+ok9VSwS5mJ6/4P6n45lrbdGiEMMAVB7FC0RwGlerN59tHQ

aEq61wIE3d6jS7WbL2Ed0evvs9pSC+/NtezF3Heh+eabNarHaKab1Yd55uYVLUdHmJtuAqyk

mCHrK7GWa3fXEPisALzimr4uF0bc229LYes+rUqhdocvLw1LpaxjP3G3D6bpKvmYmgLUYAj6

e8YXrMS814ZHOcZqNkS1nzKwVURWr1GjLsSwtRVO3uLXXWCjhLx3qBNuO0ITXPyy/CU1XPd6

sGcnfXszFdmGKWmctB9oSq6N1jvKOTgr9+LiGlCFe1u9h7SrKKuAB++2YVGidMig7tZhD2IL

3IqOaVzRjehsVJ3GB0rY7WfMxTBrSKoPZgeqLizTjaEEvAAOkR6HA4iNww0LpprP1NLoS4eJ

ntR1fn09ZkVrqu6W31i2XXTdZtNnmkqEBAAcjEY/pZTqlj1glodLx20/dmiBJweXSxKPaRD0

AOIyGJpUoMvS5nFpEdjgxx4sxmZ6S1LeA6VH5zg0MdVlTOLzHE62P+lMvRK+Z1sXDrl9sq6R

HsWlHqVCDliOpg+WZiN6+Rk3yype1NmnuiZ36R+NUc3Rkp2nSbvd9emrpH1+HCCUPeP6QtgY

ryRgOMws90TqH9M/b0+5botmA7uXmRjlFTZCqmf7oziy4cF9RNmKLzFn5nNeFPKoX0jRrd6f

8hrEyFhhm5ox7ozSqhp9jLDCfoGI0qGx8ZmDUcsFHycwCABT2PBn7j8PhamRA7VhbLtMGdQc

qp5tEKnY0r7pL31qdiUuRNMyzPTeDRRVBjsSte8PXBES0WjLT+8BWFoA6ZJr21s5T+yUuilj

q57wX/IHiOixKAq5AnZNgvDtiJRTDkLX7wSgcIT4h2yx3VRLUZ8xetanDuhjRcqmw7Q4vzM5

9zZYq16KZ7yqNoDokyD1mM5A+zL+ZalrEOiaqB5tv61ABawS7ODg5noUETVPUSTpk+syXNb1

r0vhqHl9yh/XFDrUdoPaBT3K8WLDSx1hnEBFENsF5CvqVq6wFwYxMkUdjrL6yoN82F9Sol0H

bcyMt9V+KmSeBBq6preesqtVBab7sQgqzGQHpNdKYgNZ4Zzw2i1HaCwH2+JmMz18Xm/DdBzL

Vwh6xeuKsL0vGLmCSMcpV0q88zMVfQAVV2Q1YICUNgNSjufZKth6Jg8TQFFYXpAHnMogx49T

wOh6HQUfBGFq+ELqHJygsFdCFQ0E+olnNo5IeigY7wlwDwWyqW8O8ehCyqkyrZwW6IiRohOx

OaLVfeX/AC+0DZQfMyIcVUd76kdr8a+xJQWG+LiFCzJunE5T0ZfUb0bLV1IdzIiYBq1vrAFX

DP6lZ/mJW9soci5jVyj1bQV2pci+hYz9S1AoITIuDrBWE7HblmqzHpLrLvMO8AaWL7NQuyqa

94ndbnyv2peehaiXLpvckajAPpczQZqPWFsvP4i6D3i2OtV8R/7gMhyvTZ2Y6Id7LsBB0NdH

MH+tio7o1VdQ3p3sxlXNXriKCMNAA8Kh2UwgSZ3cofGKNsWfPrC/HecyoijqyFbmkoNRTu7g

iFP4lZ1Fin+Rdxp3nlPea453xxB4VjpB3vOo0VWW+K3NiQ7DcnsSp2qM+Y/EfDPgKjky5WQN

OavxqGV27+CBnPHp9T9ILtAnZgUt4GYnEsVEn8JKOcPl+Q6rLeVJpdFWejwLuL+EFqe1Xkul

fdgVFhgP1AXG1nlmrIiWwq2blywpYvus6TV1JCf1CXH+VXURmx7oPKAW+NXTfzLeKd/+xs5V

qECgvdUW/qZ1C3sJTPM3wiK0bfe5dWALr6HeG0R55jKQ91Vfue0d9VAxbGzHuQ8LPnicK7ub

HsGMfuQawX5MBpHVB3usQtm16wQYD+nKKL7zO0CxR1QonQWVxyIaHQRO5LTLZuQdbJgiG2fu

XmGXSjUyfnAPpFE0rUwxW8Y9X2hpVvzJLwZWehpl1ijNAaL8kStQ+UF+IQKIVTVqH8wknIU7

iLdDgHHUrMr7o34cMxKAep+4Lg9XrLvTp53DCDcG+vHSZXVNHLBmHSocBXQmBwLNXx93B3SC

lw/AFBF8D9zeuIsvnwW3dTWVern2lSdYcrCq+IhLjfgU5TVMxykL8cF0VWap8wy0Z0c/1uro

cpUYDwARBCuKBNngHojprNfmXojNFLPZFm+QTE1U5oBdtoFjOfSKAAJW1pVaMKrmOPRRiOoD

feMl5OmEw3rTuqV7upYety/K9Pav1BGa1SfQlCdaYKu+V9R0w2krhUJeJtCGpgtDyRV6JVfS

g5mGPkrE/cVkgpbZxhbgeAStvotTBIsBVOxPRzMnaUFuvgtxGK9sDr4zL+sgWoN2xuNFWXTY

4xFJt2VqOYTrPksq0TLdhWP0r5jV5H0zvO1JZjHEpo8tl97F/MP4IAoeiPs7zKGOLS7/APWJ

KCcAAeKc5gY7Aa/pGF0eaOAwAJoXHZ4nlTgj8SuxA/Go5YRuWA4fh9VYFBENM29i0dSvs+qU

rCxYHxAcKDs+pesXqn7iO7xk+YwRo7wBtHZxnEvzTFdTGyOi4e+rjqlWSbvHT3L8PBjL7Ri+

8vfgFyROCzC4jTaaWdpTn0iAUxB2loQ4VGQFej4cEPiFQ1lih+feFHCQaCukBoHSIsNmkzDC

fPpNemD8we+pyPGnPyL8ZQ1L5L8uQPJHSu4yUwoSQUqBg6XMh5FYW2mrIy25l6r0CEtctzeA

jKdwN+jcXZfp0JhDwojf9AcXf1hPmLzZduT2yvBCQhKDad66TCbUt1etvxBaxeTCDzeOsu/Q

H1vtGFpXIWR02HUS/YitH5QBtHcVZRknyGpWEsD2veWito6DspmVg2jEXFGkJLxf5RJQgrLh

0D1S3OhoLboTHNJvl7B7KneCKEU65FURiT5ElNhUvBdlzzD2F2g+5jhBanuVYWPpePBsWfZZ

dXvamsqb1Fke60Rd0MvMQk/f45StHWH9KTB7SmHQQuvXMTBNMuk9pzUJmxfxTHKpBTTGcECO

WrRwLmjTRwQWyNK4yS0Ft5VFg69JVBsye6vxPgKL8+C/7H5i/wDZf3L8AIOls8piibJEp7kC

5Q32ZQwVcwlhMFfuKMgxTLSqs+kTIWw+uFg65o63qOaapBiwrZIs1uIQpzI7qCQHDZ3KXHpQ

Y7GQoHC6md8P1DEooTvNs9M5jsZChf3CS1JAJlnbZLeovtO0gCGopiyj+RLKGENKUUCYGq4M

oXFE2QC9rzDgC0DIbV6TIg3m2M3DOKcPmDSXIrminGnokJ70BTjQdDu+sKetjWy6cGBYFK8O

UM+Aejj3jjDDkY/UyjPzb+0hJIvC5+5maaYHffMIC4bLfqZKWxdXjIcEPVYQ4S/aHHdDkHvm

AjZWo6XnvLrMKSuno1A0HWuiB6mdPfiAUOmiX1WdYmEfCVxHTn4bDgYGrmJwWXUvP3BpunFR

LB0TVZi5+k1arG+M+8fqb2Lsc2OesM9MHFytLpiV81UukoHBxFd1rKL1WohfrG/W2AWmKznp

Kzj+nfWS9iVsCFqFpBd5GM8XKaibzYOWBbAnSYHOah9RQiNibLjUBGzEHTS7Gy4IZ7xPsmVc

nLi4OD7MWfLzFt4DFLfxUTwrS4dpDH2KqTdux9Y2LxFixjF39zr6eAj1xGw+R0chlGRXcxAV

lThCnVqOZ9aG79YWUW1qQZZ4lfqJo1Xu5SD455jDRjTciZXaWH6qPgG7gYYQfUzO94t723XO

+EITsKcicrcF0mwPwg9YXDcNWyUO8WmS549Y+S1N12CWVdWNBDMGNLG/eJSKs1vLUI5qRN7b

fMuAsWPZlYdX17f2h4VG3VutNJSG384lCDbRlV9czcoGi7anDgevPrAPcq5l26GeZuH1HMpK

bmyjtl1qM6EXAWOwRFWe4y27JwDVpg5ccxklJsd5VS+IaILrbMe/Hh/6XtFqtpHEdalj5AKA

ra0xfkmLLD7K37QpgBCRO517RoutNTtnsxGzEt9AWnrLvT45GskcU5yv9kFnLcJmvR5Ip+co

Jdslu4DytAUW1d5YfmPXLod8B4wcQAz/AEsAp9gOs2iIqB4NedYO+cSp0EFu7ZCoQXKijTS2

2dHc5OHaNGrNdRNinrd9Y4tEIrGkpspdJFKoXgjjCY7QaUPm68S8jF57p9M4r6RtzcHMM1x+

BIlRsmHpRR7M7J8w72J9QXlqdbuf3wXzUP8Aa4qxTcX4l416ngVggjk/KuUwWIYLarVMahbQ

LUCZahwC8E61lEq3MbS2ZmBXRxSOjyrFLpoPaI6PA8nxFx+sP+z1nto+okanA1HqLT2jKnsl

SHYe1Fcvire6II5l0YBS03di8uBC3VhdijiZpl7I3+5jGdcGnDbMWRcxTUeVflLlhFpVK8DQ

kKml5ilCpd1v1vj2iwN30q+JX9yRsdNxcemEubK4V7wlK9VA9hTBlgMXPmF6MfmXWcxoVhW2

r1F5K1ZV+oQQI5yTHSMlsqmdGIyHHWIaJmTxHpUwJWNBexqXhc0dX6EDsvoMfiKuxVGqVqoD

xVTbNAia7xrqrwmmxz6yuPiLZbMtmKhYqGhRAMm+YB5dRJQ+0/cvCY6sQOA8RhmHJj4mQqcL

A0FFLiZnh36/mohvLDzbUthWEiWwveE58vVLcQ1W7ZXLRAL95Wo2zXwMCRA4RXX0hQlYqRHf

aUJTXM/2K0I57vUjqH6qJLcOmYhRSrzkH6iNs2s3+omg+6fqO3U8odSmVSQ4tLo3fudEBUb+

1pqRdrKqGHXPgFgwvPDaV7wW8PAWbDWqSruS8As6es1NCY5gqj/Z7rYF2Ri+nEzsIveLP1A1

WBbl+T5lDtwWPujlu/VLibqOzjvEjY0GT0h3YPAwAZKguUUlkS1UK567gtAyi2sa4SKlDSZd

8VxVsRIJjlycyxjFlbLywegCEhVk4zKlT2fLWO/jMomUsgt/cqsF4QlntcELbpnLmF8DdQpX

Q3mXWhNmgo5CcwQdot5wqMy9eKtBWswWrLOyl1O1AWA9WCGHipcvOIiLRHEqDjw8+vSoyrSV

h0czFbwdI9o6CFgz1GOWmefXhlH2UWe8T+XYhOdWxp1U1fMABTwhu+8F8LZU58Fl9IJ/kqAV

KdkpIh571N+xAWqoA4ajGQH1KytNRXsLO4ttenpKDOYZ/Rl49OiT1KNhmdI37TBtmmUeDDMx

fQZPSLmOQ363TMC5XbxfiOaoO1fwwZ7hV/O4R2HlQbgRt7I+8Osld45Zh9PhIB0JegiVOAUt

vFzu/Epu0MLl9ZOx+rg0s6VR6nhdlKSapY4NKWX1RcNS4RyGRavXcRKh8SgR6uiE+IBoKwnp

LU1eSnGZsxM0tLpQqAqr8bJYFD3F7gyytEZy+rlqVO01TuhbTkGvLQQtDRdGx3Gc0IboKb9N

/PSAnRDivaJZAVvbjdRD18m4ceuVnH5w6zMFeiCzQMqRHiWZ61iigW3HaPWZuy3i9d5WdNuj

YHL+permSgYF4NYIDsbJJQZctSum4bHtx37wVIegx1AcUQUzWyOJd1VZNZ7E0YzstazMgdMG

2dHKXNL1i4jBUHdKTHhy76jTxOVYzqGAt4Dnkj4sOIukzKP420AXqg+nMyXYb9eYVotx2Tw/

MyFmmOMvqL1NRwzuNsp1uVu26gV/YlQKNaIxoRNgTaV0icJ6LlG/tL290ofqALS0fWIzUuYu

wG25qN8pmXqzZa8tn6gXofmK9J+pv7hiZ1snJqWrT7DlEHdnVZtmauqj2rIMZaZwS9mnQMFV

fK57gUZ+YqNrHXv558Fx4obk4WyguIt1t/zgRfbTj2FVdOuYDXehUbC095U1CzAoWIRXRYSu

k5Bxkbh7zWQBty5Lic6GhafmDM2WqGO4Hwsug0aNVrGD5R1QoBsHpQ+ViW3lXbXXgPuKdqqi

hZh/2ZmOkov6xDUThiN7CcLeBlVGtc7/AMlit9VUex5oarmAcflKGlub7zII+SEMH9xzeWXt

qVhMDcy1BmhzyxFoSTXBXIb0ygR4mPevBqBxIMuX9BDRrhKpg63EJRtllDVPaCxowdRr9x81

I4kb1UFsAWWkrMqdDCQtqvh+4AWoW94XmDhcY1humHpNTWMEM0wOzcVzVUXX3OOQOO6fR6QK

rlIqxtbkm1ywPpFpkitkB4SMpm/WoR3gXFyJSosNuCU4ArnDCHhqa5rpc0ZiILtgR+TD0OGw

/Pm5TrmjeiUAzNUV8UBajGHwiumBWR1Vb6iNnIUD5LhAho0FDmBzDCbrsQpIO2sZNPyQsW5l

x8Tuha2l+1ys2HobVV6RcbaHDHYt+e9TYm6u6xs7T//aAAgBAgMBPyGaf+h4vj+v/jp/Ff8A

8FTwozAEuBUJuMJcIxa1FmKcE7opx56eGv8A5oh6J3QkJp8VJx4nhfi+J4Of/KvB8WbWV4NR

kMWX4EhGbRwwYKzWce368Nf/ADuTLAi5ipqVbm5uSvDXeXAvSZdfPr/8pUQyC8vjVzUaTPHg

MaS/Balzc14dZx56eGvjf/gFRsZbBzfhEvvNXjR4GKjz4aeJ/wCSCKTmQMiMwt0iLfgbeKfA

xNxTbEF8EsMyrZc4prPP14Ojz0lxi24KXgdP8NSXUuOYty1TTFZOEv8Ai68XX8Xwr+KsVXhs

ljtLsmE6w1mNuWMt4K+A3MPDVyqix4CouY+HTx1Pf9RalRj4ZEsx45sCMuE2hR4a5xmnhmWi

5bXi6/i+D/BceF+Flyoqg2eAUx8CgzCVjBlsIbmHwVcbMOia+Onu/Xhfiwlw5XxOcRO6Xeov

E9JhK1ck4zj+J/IeFfxIMXA1A+iJUJcczBg2LAqbnVBGHRe+kuq786neSaSvGiVK8dH3nPv4

a+79RfFYE3fb+AJQtEhGO4twjUo7Z6TWcfxPF14BhudxACyPieKrsn1RJdzTc3FUphW5xUGp

Z8PPzK3fwqy5Zjw1X/hc+/gvy/Uwhgi58OPBYeC3coBZFWP8QPGqm0BmYms48K8TxZpE6Uva

ipqALP4V4FWERIPSCqY47wI18EtGZkaYHg5mdxRLmPiGMz3rzX9Qj/HdOffw/d+otSghrz9y

8zt8MxUMmvBGE2NPx4HgvpKqVE1h/HmEVEKukwvedCF52zJ/NzoTPw80UhDqsQ6j9wNJcdXh

Zl6+CGZrMESNwYKKOy8ePHd55J+3hp7v14mVqVHgpauGvCvBJeavTiUjb1gmKgVFPzzUhL8N

+HPgtOsWILRRKxXMVT6n87iaqvAblC3bMnwQZpV489YwUxuV0naPhX8Gv+Ops88kr8+Dx6n9

TkmGXMuiLqKX+f1BRD+LxcreCzJ0Qwpo/wDBYj0lBU0q4NwZX+JFUZzOLwwqDSn8NwGEd/Px

/M6lS/IQ8SLD55PH9n6m2vNxzKItTzDfjj+LN414LL1gPBNH8yZUSpKRVpjjEUf4kZSaMIKa

m4tP40rrx7eG/wCTGZkujwd+Kw+eTxWPd+oBlBcQDfWYsQHiK/kpiYzM+Boj/JNMyl3t+3z8

RvnBMsYBF8yhI2/E7VA72eJGBZ5/cWVFb/IB4X/Ei4nE0d0IyvDTz18b7ev6ihTENy2FqEo1

A8H+RmEKZ08/Ueg7IMPhO5r+HcHpL0QPPSZQmIFvI6c/7MQqaAZkMDpzBFGvHsXnt6eLOqes

o54goX+VQdCH/kDkRteyEvw0+Pz4uj3/AFLqAJTMlM2h/wCL4BfrMF+A7fCvBxBbzmXpsdcm

ekYt03dfHX+Z4EOX8/7CMDGu0d1H4PjTnfwP/B1DUFjNPVv0fGpp8TjwOJbNMyl3uPZBZK/8

cvDc9r+I78HwJE0P+QSpleI64t77+/zBP+cj4H9r+/DKoCA6StzJ8HxtXTDwa8b/AIVOPAMJ

6y46Px4Yn7E48OJUbSmFxwy5qYZx4OJd/wAiMHwGXiLaJfHcuW9j9wJj0/8AAcx8HXu/2bSo

l5nN/Knh4V/m6nE4nOXFePx/kPDT3Jx4cQiYiR8Lr+GEZ+PWFjp6c/ypLIWseXXwUb8fRX5m

yXQOz+bgSpsn9x/wees2wMykxX8o0PA1/Fl/wEIS52t5/Hg6+PzOPDTwAjn+BTX8DK/gsuoz

4zMi9R+OU6y9jCO+ZX81FRTP6lHuxzuHhqLzUeIaqHjWn/geL4EGYzLGydilQrw08NWu8PBU

uAc/+Q2ZwvxGqG4W8LD4jn+TMM5x8sdxPnUS54ENxzDUuZB/A4eDKuIQfB/mPg5lycbP4aeH

RKlSmpTBP4v8Us8NZh4iemNyQVSt/mygcG/Xt/HaVPWOpV/gwMIoeFfwvHgcQjuaQglnY/hp

NHxy4TZ/KZf8OJumnib+BNfgP5aJTu9/OfEhzNQfiZJa/wANUPCnwJ/Cpcu5i47mXiAUzWOn

jpDA+jDUrx4uG5lm0o7PHfhXiBg8NJmypQfxQ/kxULs+n+P5/gbIvEC/4a+0JaS4Uxgj4COi

GjwvP8Dr+Agv3Yl48SKodEAblXN+A9GOZnwSJc7EQ+KYrxK9ZiqmaQ/8Lz3e+n9eHEuYbxFC

NZTkjh8cPbNJd4XHExGB4HL4M5i8H0lxDX8HTHn4ngqPgypVTfgzt4GZ28GZ/hscLmV/4nbv

X1/ng6m8SGYa3Lm74/jhUc/AqXNeHSEvw2wjmPg/4Twd+fTxITA+J4srwQfs8HTqUAyvb4p4

Jcof/FTDvf1/vg6m81GDuB/AZuQcIalpfDEZxdPNfv8A7CM4jqXUPEDLMR/Aa8CAfX9eNxeU

sbZWg/w1Lhy9psucTCGmPf8AC+ngsdB/Of4LUeK3pmVI58cB6P5K/NfwKzCOfAcwgtJTiJmf

itzj6wqCbeLK8NRmsn6Ipb/nhfiSszK8C4br1PzL7fb0rH6PC9BxL/jv9psg4WHnEbPSLDbT

+F+Dr1n48amVwpfc6fNQwmBXrUdBlzBuXdov8vFqX4GP4aepxA4g/gc7vn678Tn758MRJnw1

MsscqxABr+d5jMdyV5bqbDVzA6fvznxfwa/4cBeImW9ykheqS/evf5i6pbt9SyqiOxQ0YZSd

a99Y8HxQLg9MP+1OR8iN/tSz+5FHdy5hVq/3ChJaazDR2Ht/IsyYIrZVwcmPy9JcuXFlGDL5

+psbevnj/scQiTSL9ZllJ3D0nWEctf6jDj+ZqJCGI5I3olSwfT8Zjpfibl6zK8LEy6rLXcvb

okCXq4YlG5N/x9GPvZ4+TPdtz7D8zE+EGJrArHRT4ZtH+Dt6SnmVbDqTab5jYcuYzeYMN+dz

B/3TdJgyhfMXwY+DD+ZHwAHgypvb84g/gdnjfXpKXmOV2v2hCDsvDx5/qNoq8T4usUzjHDnt

At29gqB4D65gFWGnkc9IvNA+XMFhlBHiMNH3/p/k8srCPFx0Q5quNTGC+ybhly/Bl+NyvDn/

AMDjw3l+DMTqfP7/APC3+C/wf5r45/Xj0M8dby/17QfyXEsKIcnijf6H7h/FyHpMollS7jq2

BVkZcqH8U8GZP/h0mkBUdOIwUsSMzUezH8civHbAtgLEMxdZT/0/udyfn/PuIfyASrv+qg9R

I0p4iWWsx4GmXBXhjLohVZBi9T8f9hH+DRUeTD+/6mMwswWmOmd/CvCpX8sX8L8K8Kuouepd

wu9Q12Vfn5mCY++Civ45Dr43GahR0lvCX7xQMsrw4wBf8bJ6Z8PtgULiVKoka7Alzy9JqEwj

mWhOL+/+QV/LOKb4zDh34FeLL/huMsQx4sf4OibalMGblVjFU+s0qO/U8H+HFN1+0oea+5fv

w0zjDabH9o9NnRCVBZIAudGxk3F8xFRkr5gauiJ5+phDzUw7RRkEKHp/HLAPw/Evz9v8mfMP

Vkgjk9cSl0z6/eoNofMWILUX+Xr4sqL/APHgl1CjnPnrCtrMNQlh1v8AlsYeczcUPiUKbiTT

wwlZ6nzfniEkqBnVu/aVKqpS2XM+ENwMqVt7f1KdJTw2y4gyzCGNRR573HeXn0gLbVs7ZMl4

QvVC9MzH0QHEB0vzO/Ap2I6d6DafG/8AzngPO2bhXfz9QPKJ2sP7nEWwiX1ccwdtS0y0I6BG

pa6fiUrTFzN4HUuMu8CbKgfCAEwMUROdCQPBAvgWP0/rxJmEGNoSqlxnEYKMMcNyheDBR/2J

bi6OIDbyY3UWMfaAisPT/jCvBvrx6J+yVXbOrH4gaYPPv9R4MHoznsBzBoZh8b/kQJp01yxY

p5wGs/HpzL7/AFBqilD+j08+k3a1UqzzjfzHv7wdd8EbOyVDAMoNQx14lj6eBHJ08/17+FUy

2KlkOpDWH+I+WT6lOkl2/BCxyGYGM68i4OZIpqqjrcQRuUNSkQcQhUotshe34lOprqFxsVl6

/wC/uaIE4v6gIIjvsB9P53B9PhL5tBJh4gMuEDbQW6Yjz/U0TD+GY6P2xDEAceeswCVAAH8w

sQBCQrxM+4PcjLgCFcq+feCjdI4BeN/3KzoIcTZ4d4Qx58GVkJoj9rUd1O3+zIKvqwRVgxBE

u4XlMXieqXXEFFm9w8IqAK/hjxuXCDwjdOIIEMwzPSpsmvWWayQrkY41KJmEBYEheUmkuP4h

TzNsuwY7+/8AUHCCFxzOBhL2iqekTeLCiKzupLUjb4RqJmUtupSym8eA58FGfD+AmOCWMRgO

JXraLpbmJkWKVvMoYNsTxDdzC00icS0g+YSvC/AIDoR6B8RBLeGHgW+Llrk+mfxKqxl4RSUY

x5CsYIQ0GVbu4EvwOfJtjC6fvEqJZL1cA3UYT034jFxfE9VypzFuBqMdxylk0RPDsMFUEWK8

K+3pLzLaWBmnT1NgjcpRqZATLOVMiBmSpjOYg1KQpBMLmLcwIFvCvDmMDHhiYhKFzrfvkY6P

BiiJNBzBoZ5gsyx5vEKos/fgY8KPZ+2F/wC0QcIR1M4NUc1shtXT8n34FZ1sEznz2jqP1H4K

IBzmCrBSiAwpge9DvjBmpfxTyF9dJXCB0l1CDK/BYacTM8WWMOCVtxvrwKFyjUTH+xNR8FMu

YZZYxfA8RGISA0xS4m70Q2THhPwGXcSEPAf/2gAIAQMDAT8hm/8A6P8AJ/8AE8XxCV/73RIi

Ef4vgPgXEK7j4Afv9+G//mCwTuPgVV/Bfjf8SX4P/wAN0oPBcKMjT43DwqpqLIalkcameYa9

/wB+G/8A50cSiVCG8o8NfDz53PPnUtL8F+B/8JAuK5j0P48iIs+Nfw9Yam48wrxOPf8Afgsy

5f8A4WPga8NPAqJtNPnwPC4MIeB4v/luE9ngQU9UOiVsr4gV7jN4hM5g8HwqVFLrwHcwZx7/

AL8BmUlP4AifyAPAJivEdfn+RD/2PDXhd6wlnYguC5UzDolDApY3HDP8B4LmGs+F3H8A7JUY

SvACJT44EbfAoZ9Z3JVsWibJrDwqUSkwh/F/8DzK/guCmfojhDCFCLhXFJmBEMvxZxL8HMsE

Rm0vwVh4hHw5ix8ciV4NrOkvcFSxnoLrz2jqH8j+L/B/gbVGTbQb8bZbuXxIrlTH38O5qfPw

QfVOf5Kj4b+Ph4uLwczBBT8blIlyudRHcrMSPQmOsf5j+OMK/nelbl8K3DqmNuYNTAqEdz2N

HdkJCqmLLOhPa/mFj+JbKPBKvA8GPht4zm4xbmkILhBXgCqlsIfTjy1HP8BaTAvSMP4sPAmx

D5lJZLP5sJpLUN2xqBbTaS5Uj4MI7qcd0bMkTNbuZqe/9Sv1/H+yzK4jEuyHJ8WX4beN5gLC

7XgrHg5J1W8xXwqOU4h8D8puYRl5l3Lg81/K4eBF4JNX2gzf82Ox0iOncbeDdEuJnkgjERfH

g9SlRfMw27irMwesEal7GZsRLCWeL47z9PDh4HzGobh8oCPAdpVeBDmNUNrI68y2HoTlYvgz

9v7/AJngbhnfxPWWX2iuY4/8A7PCYJgjSCivBBmexltiCr1KWWtSuUGSKGU4uphLgRY8X+D9

PA2+D2mbM9xhRprrxHcdQ1L8LmrEt5xEWJispxEv8zw2lq8Llajz/K4peIZ6IAi2/ie0y0S2

Uyevmpk9Ia9U4jNooiyQyf8AhHU1NeHoTtOIZ4vg78K8aog95xDh6RVSP8zx3XBDMN16LV/d

RFdpS/yNeFdIzDuE9I/jpIVKvmEOIqOEI4i8C8xsmMqeDHHgafEM+AJYxuAVDdYivMuHgX/A

3nmY/eEWEdR3Lj4vgHsj1mVxq79ODq+cwDEqcwh9mAriM134+vubZ90Jf7O38OJpAgS6gr+O

VgzHM22AuFmYS48ngq2ZK/iGn0nHgVxANw4IRlaNo7Zcf8K8MMxLuEYrM+4BxkgiRhH+GLGj

rz7X+ZgRN3v/AGDQQart594b71y/Z747wGzOyTMeuIQWvV8P79sd41e1vwMMXMzw9ez3/Prv

xyp4axM9/wAla9WIiZeBiNvHzC9ZiT8UwQ8eXpOPCsx6Ih4I1NI+BDwP4qjez9zaMd+D45MK

DtMHnfRRfWqsiACw0v0vsw9+kfBfEnCEsTb+v88dng25h/jb9BBl+AW1xLYosRwMzb4RoR2p

nHiaZx4kC/HAw5cNTUGEv+AyMu3p4TTxuaxSew2viJVo5Q+hi2d+271/UZ9dA7H978V/g0Ip

dRveeVenhX6x/cslaemP9mv5KB1x8NS6PXwJdxcyZU9XwbIs3CJ4tUM4/gUit+JXfr53K0/9

8LlEwx4X41GLHglmtPEwrRBHgR/b3z7T1o+jP9SwQyB6+X+C+B4DATqQwnG/TX5fC1QtBR26

9Zz4H8Ljtjw2jnPlnrLgzMmEyzNm8zzFY9IqfHRnHizNUvxTmL3DJ6/7qDiEWs9OiZT3DXge

Awll0RB2fNf13lcHjjW/xb/qGy9B8/E0+89+nDKqg17fiP8ALNbBZ2YlQs78Hq684lau1t/R

2PvntqwhhD+C0XA2vcfDZ6Qlw8Q5M0tnMGE1945JU8HU48WJfgdvG0lw8BYP8MlQCNJgc1iY

Nfwehlfv9zsO59OfqG+uB3cv2/iXj+RNbqn5llYVutHKvz7ztI2/o7v19QyGjXhunaVic/xo

PPEc58HCpqbhBjmUwh0qEUXiEYOfBRKx4umWJVRzF6yphOvn5moR6QlSqI+BAw7R9/7GbIMx

Tfg9nmvxKizKorHieBgWsmX4P7qW3M+T17d/nufPeXq+BHlCufA7/hYpX4Fo1x4EuBMhmI+Y

7Rj838Nx/B8A0S/AMYlyFSx2SvCvA8FViBUYUY9RRCHO5VTIsDT+vT8TI5eKzcItg6le0yI6

8Kh4ytlJXpaZ+oNl+JvwNLlzmHP8M36RleFqjjw34ZynUt3K5xD4pU/wZolRrxqck3S+YGkf

AJXgS5zFYiz4q+FpM/b/ADDr+ToiWhHdA+MfrxNx0e83ZExCHp4jE3ekWV6Lm1UG7nQlVCKP

hl38JtP2miBMRcQceLNz+Xahgun/AH3uci/eI8wQiGyEXal34M5rz08+sFYJtFsJe4r8fYX+

/wA8xMMyzFDk9df18QsWeBuaweA3D+DESy8BRpC2iw2QlyVunHlme2ZoTiDhGEZp41Mf4Mum

HMIFiqlc9fzHJ1E6kprxtKOfCOu/M77DrQMs3BCtOIY2/iJdxUyp9D9nnt4bR1A3AS8yz+Aq

3eG4++ogIOai7jUV+Afiwz4F6weDlUVsPMMj+NhNfFIzMg1Kkwht/wC+vnccYhaZ3DBLxbGV

MkTFsxCtS4HeDZnw2CB5fbfgXxrw4nEZn7Q+fnxbEIvE5/iX3lOZfEoxKRjpvNVOyP15z4FF

ELhOiKoNb58GZv8AwYvgrwYy5JcXbGEWQVL4mSaj1wzCEYwuFdZtlkGXBbhZPPtO2L9eL4mp

xGI8Kg+/8/g1cEYuJr4026k7BBd5RxAmoir5eAM+516cv9Rd1iHtitBX8JzCKZ/gsLqgL4Ph

eOJn+GPgOs7pUHgjUmr9Wapsgv3P1CX4U78PMpWJx4oAZWc8+B+HMdxDUZX1h+H/AHxZswgS

sfwKi4u9vzXgqZVM3GxNtMPNeeIvaUwlGEsyQ6J2QpFvMVy6g6fyuIjtFnP1AG2LXoR34Bqi

qmErwZbPK95qQAsy+h7uIjBTN0GF3/XgFwzK58O4Ly+ouPAhb5Xrs4/Vzl5Wdc0x68RuGvmO

6Z7vr4V4cQzKlR/hxkpryRYsj4IugbfPMEw0D49c1AX1eek4P+Q1xMJYxzFWCDtl/nVzDvME

YSzy/wBjYZO/n9fEsPrL+fHQIuezwHx3N/j8Q6KiNVobs79/b4nRKvVlQfpXD55gdgO0IeFx

GBDSXk9Zw/gz+mv9Q1vjf1KYlXAH4govdfqFtZ39eA85TvRH7mppDxYENHKIqzM0X+EZKWM3

GdunP6I1VaPP3DQI4iIwS7oiMsTnxB3/ADuCjLuFHEAu2XcUNfwravC4sASHgMc0iruVupYV

Gk7xXx/crwPC5ecweKr0J5jtMqu81GLKOKt6n5j/AAMAlbTcwwS0IdBNbtr+pVW5YjZmjp51

L3GJ3iAcR6RK/jgf+DAiojcIGbfxsDxyPWUupSMb4nm88wIM+z/Xg+BYMKyaJR/Q/uJaHy/1

9QxWB9msVMC1b8R0nf7zE8US6Z7T/GPA8WDJ2nC5/cwjgm08Sl6NxXbEO3WfCvCv4s1NP/B3

CZH/AJDqoE0xIHx4hD4lRu9eA9Cf78CE/rz9fRqWXEgi6lg8BHW5vHZ9Xz9/xMoK4Qmen9Qc

nwBxZD+ZDwYv/AjKrM3KXizj3lRpVekJ0f3DOCV/44ozO4TTKkTzHUqXT/ZR18+e8Fl2/heP

AodkcPR1FQB0Xr27yi7fygQM3i4STZC3majkpYzvGHiyt51BnPDzdY94ViJ9U2m8P/C/Fy/+

IN+YYga9v+wAXEFpdaP8cJ0hm/Bg5nZeAVniwtjt/cseI48MD1x4FV3WvmYwXXgaQsZKlyZh

fwRgZX+pUP41FOSUpd4j/wAL8Kv/ABNx1LFle0NOPbyzOyc/5X0TENuZThuFpZfgzUMta6uH

3UAy95/RAbvzK+cfiD0LaqHOkvBv+IesxFBtu8ZEyO6Y01g/MsvL4ibLgORePuCv4Ewlh7x8

x/seigOSLsnzcpO8HsfiXc3gQ/8AFbf/AC4JeqCUsUfSUekVkZv+K1+HX+5kH4Sy6KzCalSo

C7MPPvqBURfF4b6+k4E2b6unSMKZ5PxOPERIvDBk7RAH8CugtYPaDpv+h8zZ/cr8f3P3Jn8s

Fqo9CPJ8RCK+FNpF936zECFOu/khKZR0Ax3V/EejFdZ0HwPok2B/C/8AyygWlkT534mCKwO/

PzAZP7iDP9RI0fMqsX9MC0+xftmFmR7Z/qUMXr2lTY1icvm2am3hqZDsEIll196mViI99+f+

TDLPETL4A14TwDR4XiWmPT/uoo6McyjxjWDrP+fL6SgLKf1EzGH3HdqnfVjAfbvUBjdX0/J3

7Rur+EoJTLPyxZKk6xPNfuCPR6Y8+8I4v0woWZJvAY3QxfDOCjuhX/jmi5yNVnEuuH1SUoBy

YnOUtbrfrAqp+f6zHsns4+8w6C692APT74hPZlL4goti8Ctw1FHXPg7WBl3lr3TiX/avBVlW

2bGYAQbAOZZT+Cm2pwUcXyvtBaGMb4/uYcx2iqPXCinzN/gJkI+DrmWnAmM+z9kCo+JhjTFb

qcHXcGXL6oBUvk694lBPmCRU1FioLucePr/J1XzARtCv413Jz3lkbDOSpbRG7RPj/sQouic+

0yKhxUMx1lPWYOxNyr6xXQPuAwRhEIenHhDmE7TAdYEd+ceF5dT6fD2lKGbWkRwAeEiM1Hde

AmpWWcxSEZXFSNEwivRmZCuL/IGpZfWJyn9+/wAqNh0nB7/c4T9+FWC5mPBcuXcqKcT/ABI3

KcVeFMVM6r0lU2+5xh/ctQAbyVnqfeYR47XyY1v9TeKpm6nHfxA8RexN52hXgYWi3N9XHuSs

v14HF9IandwfD9HL4JUmPDIbdQuYxC+CAODURJWIKJiNzxUR/gqJziUOOJ3ZdzO+wXPk95RF

e8NFPGystJbCsBKAupT+0tuIyvBKREVez09o0VSLbxEqiUocDHvKlRYjDaS4bVLiY4PA2wxb

XZfvwXFCslhFL1dfOoqdUyl6RylcJZYNKmFJcuXi1M5Z7SzLxnjaVlYiy7JcseG1M/zv0R4a

xLx4ZR8GRLJLgMRBRiU8Syajb7qf9gmtGtUv2z9xBiUgGcRRdSrEYLjF6oee8f8AoJuMsJ1K

CBXgLZTzdxclQeDRCsjnmcnJvj/stXPX/IbbEVF8eGdJkTbxJqVlzQ8Fg+DRmZHg8ngEuXE8

avwW8CW4rcsJYtmP/Z/yZg7m0ZusVjP/2gAMAwEDAhEDEQAAEBur4Zd+CWJP9ChT1e3zo9j2

I9UGhDkT4S4Bfbslo2WSaLDE1vk7z2nE5NoQ3T+812S6RXeL9K4UmH9jXzHe/wC9z0IDJNeu

NnsqX0ahisfnLHEWiMT0HcTLbfZ1fhnN3OhMLb+G0MvNAs56GY2dP/E3x5RmkAwdGonOiSxa

PgAmPXjdJPNKO8tsIFHLNvaAXzPOUGwmipjwWqRt51E36UQC0V9ZR6tndb7WKint+ZRbziSl

hhanVEhIKnGEURPld/8AA/8AGyIJ16C5nxCbHRzZqZh/517ric3vb4JWijAAHDpMiM0M12YP

MlnrKIzgOGjeBeCXvWIt5AevqVGFARV8KRIfhgnXLi62PDioTlmEAQ1GKn8lNOOKDDUNbYIu

afIa05AG1P6LZJT9w31/uYMxvA3yRQcJDESrqWRVzCrJ65p1APzE8r2XGHn4tDBAefvFkmk/

tMc1n+yLkGeUjvs13uhZLzeFZCXA1swKyAJ0MIvg45DyjAAfgW+cDybwjMO/SXqUpD/G7xOR

h1YdFG5Brr9oSxnWXoqKnfku3sSch45jN/xTjgZJLosyJ2KDV5PaxQyOa++Uq3RQcUt9B78l

u8tH+gmPRoOKpkp/buCzxht2+9NDhKta385cD3qnMSMoQlsrqcerGgEkmB9bNP7AfeE9jD0M

XxNwjDleNEho8UFLWa4xEQ81eVScaIb00H5wmKJdetQO28dAyTrySCruZ5ShLGlEAIiQCdAK

PtnkCt1TvBamr+f2kSnKAuUFZh67TvTuNaWCG+DLGMndkg3x7nJGl+nDBVJVrQYxyB/xCzTV

itUHSOBKkMi4FFCUGh864EbBQSYPvo22DoF6wQb1w+m77t/zpul6Zcr36P5zwPa8WKHAYF4x

CH1k404COd98iHf3M5pgliOfeIre5m+dWEW5sMuccEHPIGhfC35SGNdxScv4n5V8nz59I2/1

dDv9ihw2Tjc2dOyQOHvDctIZ7ICoh9LNB+eGa4LpJxNq+JKYz2h9xtm/0OpgzIb3NSD4Xyv9

Nv0KxTzL1fSkJT18OgxKTkwRitrBocRBE3pJ/EipXM7eTwvGT3bbHnevS8jbnhUW83JATYL8

LZfb2yWNi5VPxYMEm6+Ts3N7qOkRBrJngDyXM6Wign6aopr5QRK9whS2y4Z66S00OnFCjPUn

S0IwJVvwsiy6nGCZcZIGfjtT+8jVzHJMoK2Q28V/wicko7S8yOEuqYs4jXLzYgIsDCL8eN1A

HppyLvDNkfWDaR+w17k5kCaUPs8/IFQn1HJSL528H22ASZ82pY+fpjRsgVa+CLyyKYo8Lt5S

j4xyxsGTt0e/QpAdsWfyvyw9bQcxmQeeNFnatv8AJJlVeVDgRWY/DhLuVmgjjPNCDYW3ZGD9

9TWJlhff/A3w0FU00bYZnAafgyxA8t3JKTkYfHDJa1yTzglvnYK1PvVf/9oACAEBAwE/EIGy

iidlSs28QXZjjGjEwqtMFYhtvBy1/wBmPJ9sZWs896hWad66fURF1WFZ4Q/EG8gdX394tGs0

vNRLMmzjIRhLgr2BT7i/WWDZ77dRt2x/xLXvm/uKnTtcMsNK5oL+qhcwYFnWoIxZqkQS9C7t

3Gl1XQL3+5YO3CXLe/bm4hWge+Za0zpUMytQ3VNjG229jmo27gcstRYnFYHm++NQXAy9emI1

phfYgp9CA9Mlh61ewkOOXqD6r+3rCR3avZbPf9uIG+feoTPaExYUYSv1LmjfXyzHwO+M+stR

RFN+j4noz6/uZt2Hzc7TGH3i6Kuy96eSdAFcDpFtzTfT6itDoy4iObGcxsMjNBqb5mJbdxsw

qsr2Mp6GhOvvbTuzPpKVRuiVoLQLyTdYt2roi3aeXUPRzyGNKwLkHV1BSW0iVasiDoXoMSlm

xgNdw0LacBbitv1eiutnK90T2Ah3TYOxGjrKdvEF2g6rFu71CWVHLRFBTYKONbmcfblKc5ap

RVkeKqLQ7x2hUKfsNZhVrkqga3D68C2uXEmVYurZVN5J3oAUNN8YqH1AadW/rwOd4p/PFbLe

3achvhrr0iMXzz0iTJV8UdPaJX50+0A10szBhShiu8xJksW4dkLHjPFy0waNe8w1YfI30XFt

QL0gCtagxcrviUwq1FyrU7YVvpE7JQAhoqVnNfWnEzhTCWGBXYG00LWWlFytfD0g+hkXeG1c

jqH8goo4y6S+ttlMyF4XBv4C/KgumyqC66/bjiv7B6CM3fWD+Ih7l0n+TCclc1Gi409azqUi

tZJ+Jem2qzVXl9o9JOzZ7MBAMgJkOns46S1diQyrvD2mEmhuva50BfXEGA28VATRvV3/AEzQ

meR7SyDYVvNLxXMIOTC54qFRbq9rHtqA2D1q37MfcNF3h0+Jlou61uoSxvGsdI0do276MNcw

BfpXWNmJMmun3IDayzqomkCWuBwEGLPuAoWh7Bykm+hvJkZFomxeHULtHZTsh3gFxhILJWVq

WFdRjoBJsxdAKOEdPXiZvYbWC0Wkd7c7jQjGCBKWIjg0UdJjFDTBpUwcFoM5l9g5F2GAicNm

It7CDjqEJ8KFysqLzbisVamFvX0JZAYROMbRaBUFdbgcSGL2xBc3vjPSCOoRhgcuxyxUFNLZ

wFmBKaebI1XYu4qFMjr0icQB24/WC1ZDDoVTF4/XZ4HLV2T5jgw1e9fMCwFJeW5ky+tSzdNd

ab/UTal/vv8A9h6ZvmG1IM44gzgtLHZhnsu4l7AsPaLwBLaMI882XgMIq0ByuQTrUKKJhWyg

M4wZn8IjSCpbBQQNtYhoBrIaBWrRQrd+hCtXK7saLYJVNg9CFqwA7blDiZ3lbEAlzzPUDk5i

H4sKUQKVaSW2wqgalVSddiAlvTi2qrBu+bQKtdDdFt+uIzZpa+861g+Jay1Ukm0b75dmS0M2

D2uYEAXkcwQxiAylvMqMArwIbq1Rim6eSK3FGvJLvg54Y/Yb3+oMXl9esIZp3Pum8Jm+ufqU

FtNaOfmDKNja9oHuo6M/vB8wM8k23R6Yr7ldYeKS/wAmA+0zk522/cCpEalw9SNvJk1+YdI2

XVvM6nOISmyqt7xKaeAWiiyEmGh6RQGmyEHk3mnWthrrrajVErwb5N3CrwlwbQr3TGOI35EU

5wFGSIDAl+pptNYVnC9tYZA3xaLSBRTKr9SaEvcLxV052TJ7wY6K8oKYsmOBQ3I02pWIMU4Q

w2AVYHkfqGU+6hjobvjcNVbqsACJTjMvqDt3ikbHd3M6Cc7opCgvaRfqqXf02jWe9bYorKSm

+craufWPgRxq4MPVjvMmcyEt1c6iKiwJFyhdmGXUTDQHHddKvt4FG4YAVibcnSAtaOEPeq2H

iy2pbaK/iCNlCcdn5GwBZksYCJUUKHnEKh6ALT2lHJrRBahv3iFDgyHpl+4AZvDr/YgZshgs

IOKVQAUAehp+ValF2NQIbw64MQUGwdDZATFJhIgwgByMWXc5icWQDaKzS4Ljb36w6Ggvoeq7

jdK1yOLh6/cJCxKZF2pTJobarNQ+Ro6zn3jjKapatg715Zbvlb/MSoItVDam9atjtiebUvzj

7iaRCrJ7tKRlXE5F2DEKlTJP3WoGgBma3T+4AV6Cd9GYqnC7zdxRhoya9cSxOg+AO8D1Vw32

4qEGqjTPq/EBQBy5+fQi01RIUVwhp9GFlxw0fVv3KhcHKs/Lb3llLsVtdLL1ixCKP97jdGvV

zg+ohHEzigyIQKVeGoFRrXtKrZyzgriGE2XMqraqdfc3V2Wd9Y1oNIOFFjKM0NlV41bguVJS

gjBAG6C0tAFZhfRA8ACdQy6McEJWLAvFK5AGMWauobVKHZUDLdjejcfR2TAhG8qQuNpVzigs

bUKESgNi1tRKNCEtiy4wFaZ5N1BVGVQj2DSOCJsm5pxqeBLZaiFwEpfjPsTUqApeKAvJ7bh3

olqNER0gJdwco05cEY6KMIh02LI8jmq2kNUN07leKIMfmOoMKNqL0X0gwBADnOVc+sAQkUVq

sc3efWBbMEWoGQ0l7uUxMrwxNsPNhAUy4xp+UYvXhji3HVViF8UXG9YFKWjRGzB/WFjXyE0f

WbwemojNKbL1PlUVp7sCcXCDbQKiFCgavFUx2eaICOIJh6l06gEHAVNXi2DDQss5iLAL2Jl9

rJSLhTBWbizpl1F4ozT2IIqCrrzCeilhtlgIBgmNmT+ilMcqdkgHrG6Jt9QpshS21eo4FCIA

OUcUkR1VrbzuA53HEhSTLhKF5a3AmhUhxLSPF0hItbJNg1TFQMvG+7dpufRVGFFC29PWFqcm

ArfUpYbWLrbvijqOoiDHGNLk+e0RN5LZZmvmogGnQ4H3qWHsLrpnmKjBy0zwvCI9CzreYgV1

t/e+0crUZ632JiMaKOJUOLaQqod7WCwgW28QVymm8entOAs5H1h6t1p9z7iwc3d4r/YNuGjr

7x2wnFsCvbjlipWKaI2OWcMpuLHuGjb2FtbVf+oCuEiRpM0aldeY/bTioY8tc0sN6hOOwCQz

cYh1pTiFF6uUozYGxh/hqnAYbxVC+kMzUqwx8KKDW+GGCDlrAa3oISi1RbpwpUhW0bNl4cZd

8mwA1RQaEuJDXqlGoiqRBsAbGKFCPRu1kFYV3aYlFCXe9AyIFRbOKlpgPRLC1TWF56xCiafA

OVVGuI5gQkwZCuijozEj0llWhFulsF7V4iFtj+gxB2ikZpgypoUNgvGIWGgIUU7zjN/9mnEd

ELqW0Bea6xEV6Gbi3QOB/EwjKo0O9fM5s8SsssZxuBn6DNIDsy9YuG3V558JeIepEdsHA27w

nUS6Q9XqOQLBOoE6TN1S79ZjSKKapcHOB5XGoeiFIHaHAcVhvN6gYzBAK8Mi9KtdZmqLTKiq

2MNjRT3fQ3wCVVddKq4pdm2O+GdZKWRYYIajPNFEd4ckFsQ8x3iql1vjMOlRRvNuttGh9+kx

eINhgwJY5ACt6lWlZ29UGyqquDpRN1oCUg2La9IY16My1Zb2dPWFBDcLRdvbCVuAEJvrXvAU

AJQ1fAInUcQLI2LFlhwxqtVZeHs/uzOFQ1YHjKH1L/QoWzO4zCC3uAvlbqps0s0qfUaZcWF0

D3IBBNqh68x2CYbMfGMRLTIeCZhW9N5ziM2GnLslBIQWAMVGi0e7cW2rzizd8x6iK7zyRaAq

3WOPSBQUUtmtczNVtcU18x2MKqcugzyisKEJhCQm4ycDQu77TUrP3ymSC8Xc6xXQ4+Sw0UFD

ZhGXrKrsoMeSirdchATSLXEoq2DsIXKhD+ejHRKt4StCQ1XVh0npXzdyoLeBDi2cJl8Q40Sw

5CAVWsp6lVULg1UVBAAKoSMgIJbEEDtRbVIl29PtOEIGqaU0sAu+UmgQEgK6ER1wdSgIBoae

N8TNMDoGQ0XJGH0rEjkdNpqvPCt4WGzWfTUJFAAqIJ/24t6YTawtavHaNQAsDqayGSdwlaiE

mFolCXXSHbpQlqrJ6v8AsVmC5UK2oN6gSk5aXjtVC5xeILom09kFUJdWce8qcgvYIxqUGrou

7B8LzzZhbaBRdFWz3jbb51qoD8PapTTR22qBYbbfol0rRgVQVUIIp1eXEYQIgBVK0AEtl+pc

oiq1doi4yAOrITScIa3WiLc5sMkKIaYWEbZO2GBNAXbdQbAapG5xJvyGIF9iIxNqSvcYhIEG

hoAdIE5i6DUFbLiGHbZp9MEsJ9XiVznk0UR0FcgobRjEjMGSrl3mEZJtLnQbKIKddSy9Z4hg

oAEMOiuATOu6c1RYRUVUXxdoKLYdsg+8sOrD3H57TGqzn99F4mDKBscX8QQdtAvB8VFjC8d2

XDAZe1pvniZytGe+jEYxd7eQzzFWbCst3o517xj1yWNY9u8AL6brY+sK+YZNpvrhMwlcBv46

9pqS17GuCEepj1hyWnbLub26xScHaOY8sFWKIlYIDnIEOPCUJ2EByRpGyCR0OBtKgKwBR1hu

eyKDjhqutG5yQvyKBM4U3utElDiRumFeo6VmuJY4BKPvCigKxfTMvRUm/WlbjTnPEw2JcUFQ

yrw3E9oW1KYKPVLorUq/MACCO8HTE5Dy+gSOwyqrNMIFQ3WBrFW7THqC1qu2x254uVmpAcKp

+NCW7QGAglCt9eqLZi2210GqyYZK13X7ijdL2GFyq0Fct1G2X0oq2Awr6vOo98VUFJwaedXH

INKjiqCgp4bu4woyXKygsqXeUE4sNVMgOfBmELwUWmg1TvRFlNEgOKc4qoFNMtjEorL9wpD0

IriWefxM6OBnvd4VArDFXZZTZnH/AGFYDzKoShxpzfzEVXZQssFAIg564NTPikxDKBFADnSR

dIPFsxTkGM9tlACAcXbQVLkJS36kb7KcdslRMtAqN8DfLLEvCQFbu31iWoOTlk+CCNoHyPuh

3KOZr5PYSEMbuOCpeBdhofJQCN3ZdHdjBB7HCUtB0mZaNXhs87C1B7wYIsAA5Dq54THxLvI6

OFsHmqmdcGC+DKOEKDFBVDUxX56MwtCAjp84Ylw0rb6PSagQLq7ciduk1KuEpQzTXaWYpRy0

B4yNxCLkCI7O0Dju6cZ9omiFnsthYLscVhs06SpbdVlX8xPYwxqW4qPmLgNN5Q4Vr3IHwltE

F11v1ICqlTjBogxRxeS98+8yCmK9wGXI1henTUGC6p2kCFFYwH5JTwBMFlc9rVLyG2N2AQUI

AnSBsiycQxlwtAMLqkXSZ77pvIlUWrL6LiXkevtFledHJ9JcXd02wHWUUSWmy4yyldfqVS3T

m1Xd5hbagUHUlpegtjmhquR7nLW3q1uWykdVVHFXb7i1IejIyaNjRlxLbRY8iI0eFb0Rzssp

e7DJ7EBh4Yla7vo7uqLEsrjVHiarTFxTCYZM/LQCqqoOIdWlRALyBX61feDGgkHbgMg6Kxzx

QE/loOgTCO+mJurcFALa032zFtplyvvKtAKzCDiOjV0cBV8VE0XA5f8Am425YUhLHRKhTZl0

DUxS8uJzBg6qqsExLvIi3bWvVraX/cxFZ7d1a8G4HcF2A4sS/Qj7QBRSqrTRNW5PYGzHLjtk

PUg4OhR/oEUTYypRvVCzNGRo1bgrsDrggaQEbrFYsrAQw3hjETyHM4UNd4UHjUO0sAOTScwH

AXdOMoHHzES1cMQqZUBAjNnEwe/kHwwonCdnklebOXfS+xxyTNVEpo+zonMr2A265m1vyseT

sxW3bfjvLlqWQFKvS6355Wd1grhKPBbt5rDUYXSOs4FKa3IDmNHigapBIttdAZjZgo5dHDJv

HMB1HBbS31huvYQz5cSloADeS7et3+oY4Kqhn4qLUMnnDlKv56y6jSHdgwxSg5BZn+mZArX0

WhKnXtRfjaAW6vrjaLUvkFDuih/MQliUpofuV52ezithB2uWiHZS9YWU8crUmxHDcGBV6Oaw

3/yFs16nVx7wGMKvMKVZ/v3l3NDVJLloFj11drnF0QkRETEQTbHImDRio59Z+RQWq5t445rU

pu5BrNaCmzbCJzI/WgkdiiGqQ02HXHQVUtA1QOsMjLuJkIDkqI6GGBQAKgoMAsIK1Ln1dFgC

OO8OsSsVCNUCNGwQjOWEOn32XpqIhQDe6poxgqtTVCDaFV7rXlffTLiJByCtC1n4dSutYUSb

tJraxl9rcYztKAAoxVKcXzKF/Yb4cuyyVxBfgk2sLwxG/NfDN4U+iS6LScZYRSAayBshHFA3

YktpQGB2gGyG3Dtdwlmu6Cpuq9YYwy95bNHNBcI52+MCs3iG4nPrwEocRkBc8O29aZ67CN1U

7vAW9YVWcvhCviC6q1YUA0529IfvjXYlhWIWWsViIemvFqXkscCt4U4QAUjeSqKwUNZcxiDC

U4ZVZgtd4OXSMfFcwwGJXSmQZYTQQVVTVYtiAmO+iuCOoT1Zyc1IPWhV32lsV7FiouAziilM

F0HNdw03QaBWiY6QqBqo5uuw4NXTmK2WjF0EMCKz0ggdBu0s4TKxa9ftpjTDl1xAqnZocEXd

NW5oIOLKFVswudriu1W4mA8Q2Wc74ct9I5HE1oWlDNUYKJlaM56DWRmY0JVR8kaswXxRoLvm

WCimrWOelyhnGU+ztglWk0zeutGD1RfhGVcZ6w3A7kSlkW0BfTcpIhdzowGWDfSyFQPUk4xk

1Z6tQMVIrQvWOLrziFkcIUAcy8L4ajEnqDkjzacXTvFfItX7e8CNFNfXbASkcmO3+TichVn7

m5koPnUe0lNbCrOauNqCZeLmZtYRWrlNwZcitRQFQGAhabCio8FoKCr0zuAL4xGpvDhQZUr6

S7MwVwWAUUFMVdYqD19e1qx8pYLlZkNrs3wtpSsyHSEu8lNpPlTHCLfWBlWwYYxeHdZKJYgL

exyErtHZjdBQooOmZcSawRzg4tzUFPoTPCAKKqzsynaU6UILWvLKK1n/ACO6WqEmAprA3+0u

ygxeLC0Fbu7mLaIatwOFXSkaEC1SW3LhtjsQZA1Zb0u60acrc2nAQ0sFDxvjcC7TPUs+lh+X

SGzo1v2g+eBZccx0ymXQGHq0K4rhjxUAPAsL9UXYBNydFlxbcPFvTIobN68FYsKk5YssvnEI

zVlFKUoMi2ua1B12dyWWsisZ3XM2po82kabAqVmvXBv3MIKZtraVDWZeCoA0j6HAOeeAiOEQ

axhwea57wp1eNEvOLVsHW5eGodOndGKWDfvCTdslzl1rk5K7y3/HfECOQr1GLgnArcilryOi

fmMRd5iqWpZc0pzqB1XF1gEC7GpNlinFfzDCzVivLKZIDDoX8eKDIFjXWUHAc1k0WSu8FNsB

VeFZcqH+w8lqsny4CBTI3KHLwpe+ZzACi0O+cDZxBVay1PupfrAtsBc847RzbDwaXzcWvKx5

dmCM6t3HRxhIVs30DmLBo5cakL7XPzMzMZJSM36zwEsYiMrh9EW5gIK74i7cGRKJTRcHBomp

ZZj1WsYLtyMhiPRSfbU8PC/9wkU5F4X3zDVFEtX3c+zL94t5qNRi7L9Ic6odUErXlkXWKjkA

glq0wBQaO5BbKkUHWLKQ5chm5rFjQqylrCs6TMGRWC6mMrVYxC+lsqAhPOCqcGS1bWcToDoU

Cy1uZbMZtaiEGUaDYKzOaWIsWqp1xgWK+uMS0cjxUQNLSD2Ew6oV7DEbqHQQhaJrLTHKyAXq

kPEWNAgbCdW+kHmFBvEu5mxizFO7h2pIoUMLwUDc4AMsEOVN8TB9xurVrIz7EU1UWm5YFhlz

UaAENKp6PRa8XXtCoUYzewIFNo5dmoFi2k1Lkr7qx0Mb0hlNnTFSiKN43uXQSb2Sy60q6hE3

XPpKyukwXYq5Vj3matDSFuKxOYz0Kuit14XHR0wc1hBanT5iJxCDhBHiy3vA7i17b6ZQSwVR

1ZVNYfVoJzNrLaVO4sJABFFb5sqY/wAYlCwunbO4ptEmXDwRcMHIzFcrDS6FlI1Ka3bcFGNi

zPCNgkuk5ceqtRDVmwDfSpFFuKDpCCZHVVNi7vL1lVFbYAEw1a8WYZdQNjKRTDKmnoGm8PEK

shSZa4RtOy0QGhNq6UKqlsq2eZls/wDNAaN+5PUmAbeym8TNFZxfMQBbCjigBW1F+vSAL5iK

WUUMQcuqEMUrpxiNrjHaZMNi1osXBYloB1scXXeAWhp2ru7FBZVFtCmjj95hCi6a3VXtiGzY

A600xLqNt5k1T9QcEUmF7KV+yVSCstt3pRJRRbtqMOksaAKB50QJYSULCZwotLVrtzzCAWce

TFYcrS25YIKGLVSwecF6w4qitVjefxEuUc7vrlzDi4ORMcb1BSynr276ljQvsWV3gder4eqo

Qy9VYSViAAbRmaUG1F+kxEo3SARStmNM1VhFee3KwAlC15DFbTJWsEKvWcLaEWSqVuVHZO2g

gQZURlKC91TSWbWo4fA5mGh+ukC3dZzMahR7jRfqeWXAAu8SqEFNmlDziXKBaNRtLAcGq3Dx

YQlspyvUaprcvABpCGSirylsQ2GC5pXQWGeaj0O0DY3dYf6jKdlLa2vbus8RVRgi1b0Hbl8k

bAAtXZcAEzhb61gpj18zTQzubusWyz9wU32YZQFz12xZxjqhcDpic5IFKrV3cBfTUpsFrbZx

GKE2AsRCx9xRBVnIVXJmN8IdfS1XhYdCUKaRg1ljv2jS0rY2EZbUBYCZzFR8GFoVMsCgSq2F

mQAWgWjqYHKXjjh2u0KtjlYKeugjyiMwxtm+/EJOBLMINNtJb1eKQCBDfXFmR9YLNjwZB0IP

Q5ORgsKII5eTdPD9wYRPGo6ms9ILhpkgL2Yz6bS1WZFAdVqwOvHpdompCBSWKqOuG5wfhSjV

ZXzgKtgDrQaRVVDVYHZ7Qq9TdrbLIBTXEJ6z12HHAaNRXjmz3K4hFZgMt0HFSsmgsOKcd9Rq

uLAvdaWdsx2WS1ub1es4gKG+l9+edQw2uBmiBViar6UFtkBRH85ZtmA1fRjkjFCRcOEH5PGS

nGmTdKS6aHF9Ju8hDm6xpZS3V3QEdk3NPQBemXeSUFQGgwasLAh3iOrh0cqa6PeDMPve5Cws

a0PEshsW+4+WMLabLarzmPVcCqOXG0lvGMTDWgKabgyAdBcq6lzekqXLBYZYgGzvbFKWcvRp

0xp/mBWxN7LAQaUGo5taictXM0QkG05W3k29eXcStvWItzhQUwiN5emOPiFNZpvi9R90QrdB

j0Lgr3ZUUsDViqvgb0unWcpwCEewBtlcWaIbOTw5icNWpwCqo3RRWCUy0X3OHntLLWWuQPR1

T3lSkCCOumfz5qCvajTQpss4yNZlV0AKnTyNhbriPgg5XTalAJQhGs38daqHYqiCXNW2rOkZ

siYOgMdGGU/MLAAzWBKXvLqAgLyMCujNd4/BVkhCFtGvWBw7VKdaPAB9oyCJCFqLkAtWPbQT

ThnAjfQehK5KeUYMzWzQQOc4lWbQY4jbLWhWuCJ7pUhj3RUtZiynAknlsfuNBeQOMRSrqHqM

9iUNHe8UaeUaxPhzhIzBSmtzW7E1bsBTrO4DEztlrOIVQTN8ep6RHCwU9EuK969YjWoVkBxf

WI9Pjz1S02zsdQVHplFGIBVDT1HOo/6sTOFFpzdRRLIE8UVVIVZQdYqF9FSuxMC3qFmpfdkB

YBY7SNMD7nJh6Q7e6HlNrPBqUUHAtnz3Moa2/eYLOhu/2fDEwLc3ZjUFmoL8HqQGykOUDgLx

xFRmoAS8IKigCwJnbytdtAAsWOhcQ0wWiAP1W+fbMRRSsXHAYArOxhTNaJtwEUwLG+0IcflA

0NlKNRjJMEUN1AVrAUh6CaAu8u4LN2YG9y+ABEr1jG17LW9fEoaXTiwSZuyVn8iESqYHTT1U

Whj0B2dqmDEKGwgWXqbZS8poootAF1ESo6oFBSoGQLchTCB/iDnKjLKzZ5lAvLn+0GVvOomn

BFgg3eLbmC3xphhuhqjr+IQKIBEpo0WdB+/SIicZN8gpWMF1Hey2F25LhvrXPWEWliugLWrv

V8whA21Dri694bB2L0Vhte2Zg0ywE6LoWMPLAgx2F0Y89CjRwTTe/wDJed2sTQNUOrmW8MRW

j1kA94Bm15tLRe2EoTHO8ZXGNvMTQQ3bpoBp+sYjVntAA3Zbx1qOFe6KKywMOA9pyzNjjpLr

Xg9FJytu6K8F+uCOQIl28L2obcFOS4JorItyrCl5UYezYBqrmq2oaLqA5ecTPnHDjvj0aacH

BppBWYgBgAEYwYL0ZQA4Gz7y/PfZBMJuxhmcArK+gF0oBdYvdXmZnm9HTjTjG5l2MY/d9s7g

4BMDFGMmCWqpODSvI4Om4VYGDBuzV/qWDlY5UVK2F0IGXNQ0R3rtIqAo2esDx1QC8ilX1jfs

jvtDTZTgBAehotGKf5u0icJpHIzKMusLsHaVAEAuuPRly5dvFVXP9TQjVFDhwUXgzLVdWsHo

mL11jjsAcZwd+czVhE5hSTPdgtlNQAFDKkbRlTaVLF1savIpzaykhDOczNEq274qUp5KQraF

OPeJpdI8tV0u1pQsS8+aDEVRpo+UR9cDF+3AGANRQKd9OMSxYoqzDo5gbjrT79C0jjA4yMFL

DkreuIkTyhfBncQ7N46E+AxhDF4tWpgmRArNtJQ6azk4QJoJ0mEBkx/5jTA5Ms9DJ7LBZp6N

CdqNc5ZQMbrVmeIMN5Vp+Zfn5mz3RKTe7PaEQVVsKgRW9OmFxCwyOvC629bXoTBbci8sn3Zc

wXVhgcZzz0lmFAXrOSBzvaoVVrljjm8Gu8IEkWurLgVvv3jqqgxAyaU+ohTRBRMvOcZfFxAn

FaxAIrtUu6iozdFjjGjH3AXvOlqCGabPzB2cewanqm1v9ko44AA08CLNYuIFVy4sp0ZevxAF

+gOxaaL7dZTY+FC3ZQtOvZnsocVdM/Pgb9hN5VNGROE9yoHuZV2VFiLD3YH0JLQ9SHR7hTUU

Ide1NYMUCCqDgJR8RGWHKtDgaWBrVhXThtV1hKZZC45LaeIzYW8GwW65gPx01YACgUELsK4t

3GRS+iiIzY9GYwAKbCgHjEIBFyUNA8NQcHeqTjOT3mK3DpNv6haugmWDILzY5s/Mc3FUFdRK

hSqsp4biguCzE5EJdnhUeGMpAcf0zAg6EHJFE8M0AyascXRzRKRzs3VUVjBArETO6hW3mIVR

acetc8cgqrwHAdyZNAuOnzGeyhBdAZrC2o2KISk1p0V8hIAL9MFgRooiQVym86olVwAya45A

thZSAqr94wACxOvzmNOLQZ3naFTRS1lvXaWDYCehSF3SuMKWfhj4bEk1ApGxyVwLmeIxCxeh

tC7IILJIhQ4nGAMNwFegwFCNAIvNCnBQyZqKOWky7QpL4Of5VU1jI5KokfqRlbFEC8mGbXSR

FwoWl7emJTAhyUf9iLaMjvE0UPRjoXSKtE2s0sXVCZoKULar21yw4C2NCkEWt9dQVrOJqa61

eNxERpCMShUrBv2jpRuFFquxrN98x7VYWGlHDWmOkFSpLaohXoQBoWYlUwudw8DZsgTJQbHh

G4Q+1hCyIut8LiMMCmiltGm91eMdMS6Sq4zQCJyPNQT+mUvWwsFOMDrCbaaozN3bp6xHu1lN

4LEW/bmZlmvyrjDnrLUF24KZnUOo3yU8CVMy9IS+HncSUglLNne93ahdBFynYSUa5M8OpRvE

gro8gLdBEUQxFSbQtJdunAis5QLDUpATB1SXi7xbEog42C20Xd/jMITGI9LlUCjLUWggJbIJ

Q0PU+oGgCwXZsZWh0kuKjoNFbE6HjEYbjNPfv0l5qbZqjCpREMOP6ZmXVK6q/ReMesaiDLYb

aoHvz0ixulCUUw2Vks7XGR1ciHArMC7BgwoAroMM2ZNuhDFqqxINtkdTKKCuy+q9/cwYcDJe

KbMdey0Npi+udxqrC92+vWvSJlvfSXlHUUD1iTJJNatWsEKAeMxUVC1MPgKhOV9lmdCkaqls

DK2qwU59eIx4vUtRRk09oh8781MeN/Ee2SrG6qX6wtXZJ+YQ1hdmdMtvhkOsWJ9xtbFmlNIS

c40XoiAzOGcAXWoRWfkyGTklsr1QGs4MUMx4ha4yWmNgD3dJsABWyYCwy/zs3BtUBCpkL5hY

JTSazTXaNaTn8zeYayN3Cs5LuNQzMGw2kw25qK3WUsLdthzWCiEgVZ00J6WwBZbdh0bvbfDB

Tl81ZHJsaLlQsBsNFfOz3hrgAaareqeyzEdXRurukUaj3sqbGkS6BpxrWI0AS0QqSrCCnpZM

cQcNWJinJuClVrIrnj0mODDr8mrPNaqWoVtXgRbjB/U0vtBMpDzimINVbSSX3lsHGAqdidN5

1Ybs3cBe2GjPo8Fp5FQt2Oq/cYvMMZe6Hi/IsQayWMrAQu3APjUNosKBRQCKW1nfXFRNIFHC

E04v+4BT1rSwg8lX9QYKG3udCsqF162TEd1M+ywFoxByKgJLTNnS6zZtsbuWNQyN2Wi6m+3W

EA5cWYDRxTrpAyqNFfuQK0iMDFnnvAJZRrNt16xK76ayvQHMeRKGLppi3XN5lXishb63XAIb

tiBJKVgF7WZl35WzqvTAWiNdpVWn1G3PBLb5dpY+SrQ1m1wjG1aEydHV12m6VTV8vdrvBLrZ

oBaq3rmCZUjOtjnNXlcchDXbIi0itprbmVzqwSywqjw1hy12hV0agDQVsjoSss1ZnkhG1lJe

S8doiuXPIyobvGO8RhwZdVUEQ0Wl4sa/cPYoRRyM9tTAg5HgrNnW9dIjA0OQjcXWPUGUJS8m

jHRihrVFy18nTeZQUDoFzXcx4TR422iAqYLYZfQPSqHiaRdC0XYrahi8j345hxp32YTv/cdG

eu/+wMnu4mngO+IxtlVEVuqN/I6TS6WMtWDNMapNrq5a1nYVCA4gMOZr1poOXtcSmBq5krvb

LdtmYi0JnTDyXG3GO0AwV3QYHCPs7/M1kkyOWrQ1m4Rid2QpjeGrI9yoJlsMABd3UsilRGsq

FzznpDYVsK2o4KP1CyuFxVg9qTEw2BvtmD3MeQ1MCHoQ0OCs6j9B7RS7rdljqHMZSvmU1GjK

u24bIKF4fLiA83O78IR83AB17pGPZFF888mYqeSBvhxLi1dh4WYLFC0t2KbLlKepLiahzxW7

Ky6UIaSilWvZlJFc8Cr1sLQZ4sgxBTAIoC28FvIjYRQsGzb5QxCpYmHCHHLXxFxjWt23EZTY

ZcXBQXAwu6aN/c3mVFlIsDURFNfEAOovYU6YXrAqgppwnjI94kMQDVHVJAK2ujoXd1gVmEuc

oJXCFAlWA8BCgwScOBBmhy7ULYdiWAQ3QD2sLjebuRtVtbGwtLd9F9+kZjFt5w4zWIIMgY8N

Tk4D0uLUGclStg4EuOu9wkgLhdQTteYCMHnSjkCIPR0jSiW03Mma3lZR2MLZYFNYzEc/MrKU

FtXUexYZo0C+4PtGKCqo5Rzo6xqIFErgU2uWTzZ7VDjBkzOCKU8rtUR6rj10ScAB8gEBhR5Q

BfMphdL2xPgW2SwVlTwrTQR3YUsRKYEja2BbGIQb6qu8pBS5OGipY9GAqpL4ihVq8QVT3Uvp

XWZZDlcykoPIAuQRp95nRrzQoaGii2sQI+YD6BOVvEO05Bt5xEogKS2cBM4aXkIpxtS3hQHQ

MAcRtncFlBzdjKrGDY6AeUZQVVii0edPr0jN23Au7KzEPKLOAG0wnLGVw1pKgWiYNVXTBVZc

YAVoKr7hA0bGgZvKYxLcC8glQrSm4Yks0EqpHVeyC3cKKsDs3jeItvVCMGM1T0hsRAZiMHDZ

QBrUTIubbwpfvF2J42Wt9eCvxmk1xXCibGJOVAYOLlSvEUSUVJVIH2qPYVpqJhml0NmTJmuU

RwLIGhuEcysP2JhvQnm42dCMCRpvDeRg7xBKExpyXI2welSFQtNs2sViuX80DyVtIOkyJusy

hfNMTYx3EELCV3vmMI2mc0JzTbTnW+sxkjwlvnS/UjTgasCPaZNvGQume1lQuwDNhTrUhdZi

CZVazRsIApHAMVKlPs0MvB0EUXJmOHefugkoxkpncQTDSlh7DqH0nwgbG08QUPReBxfSCGMk

85NSqZXnw0G9oPWVBVq6ixClwHIXDsLZwt1cp7Ie0FE6vaBU6SqqMVU4y8F3x3Lm9V0TA+Ev

2hJtjRRk0Z5dR479qPgWucFusZjXRAUkZZStslFCIKezn2zM5cUaABLHCBZxy/tDFcAMLRtW

GLzNxdhTLI0BuVY9dEEEURKjSnAaqOwVgONEgsaMjAgGp2CslsLZUXhM3gbkq3kOjkzKxryj

AsF5X7ypskrwSiWvQkMvlUAUUBuni31l1Yql447Rir3TJXNWUihaN0LPZuXa5GK3yHPRhdgC

t1ukS8iuIMNYpZHunV5vczgijhvGtFmbjoqxi7oLyHfEsQXEXD0G/wATDY7NF3u9a9YXA6Gh

dG6zHJ2GVdcBvgDEYVPY4WbWDa9RB0GQu/ccERHPgpHCCtSBrcRC4vyloA0TO4XONVNS6AlL

WZfXT/Mr2b0OPDAei4TrJGzytTPUtaVdYvZcAJfIt8Zi1QbApzKw4yBsoLVjNdZmLW2mw0Nh

j5Bl7ZjDbKi2ZyVe7ieCRTUbcVXYWeI49oSMUFiEt8NMqOGpo2ApWGD0la1ZKjlsevntA51W

rtSwfVr9xKYotAomF7PacCZq21fqoqTYOxqVyBOERpzpYHyoyU0IAORg/sWstygCI6Vn6hn4

KIu10ZhSkKBEcpVUSgzR2YxhqP8AMTCYZm1Woq4kRK4oKqk3BAotSZWcNDrGFgeVMx7tNvS2

gbsvQJTQAaFd5xmsQOCl3C0e5UClu4d5Veui83xCE3bsK6Fegf8AJkAYKS0oQVobb3jiZBfD

8ywCwvftCbcUf0RVTToc7sllWLjAAZOfSAzHiB05AtyxMZExL97YDKcoeiPRy9srLEWy2EKY

AQq1pT0ziDamDOKLHtBxIUNgIMpT1MC/kBQUAy0qlHKoOLgz/sGBsIW2QD0CvA55uhprNShw

lOMRoBTSzeVJwqN5svO+vSNgKMYNS1AlVYxoZkOYdoFxRp50i0RE6UwxvuwhoTLMmRx1jOCx

5smIKG3MRBGKi7BtsB6VKbh0BRV95t1IJfQ6+hCLRMWMLz151HgF6IGwq+tm/WNy3eSBWEsG

GzFw7DQkWywU8hEBC2stLVzmuNYg06tNAOxzcISqYVtQU4d0SiOkICkvsV8TP87bpG3YGOOk

MUlDQYTNiNYzm4KEx1mSZVVsl2sOlBoEgnRo6689vBCI0u7TI9Ygv1lBgsdkI2Yu4sI0moX3

D5Iw7oUMpVAGcME63feWY069of6lqtnZoAPLrD1EPPQAz0VjXRBpW0NrW0a2jK2hkkupGRRb

eMVgYD1u4mBZL9orkED5qa/ULLrIQwGKHrKE3lZtblD2iYN5ARdJ0pjNBwuOC7Z5OL4+7Noh

e7Xn0ZxLNjRkA4dQdRz6xnd/ZZNRG8QK+yOEMOS4+xJU4xhBWpwKxyzFsIJmdVKr8ehLoG5Z

DENoIaKVUV0y916uDG6lSopaqgpck1C3LDsdYUaoV06OroODeOQcQnzseDO6RdVruacaL6ZX

O1uXdpnzqAQvBKOheu80Jdg3nGeJZbeZkDnB+N37RPb1tFIEMg50C5aoEZhLGhGxEaRKZoZr

FuHtK3d7WmtdpRLSvDKbjvA5gnQaEKkGd1eNr3ZKlgWLWrkJUK00sOFdE8AbpbfQNTC8DRYF

S2VAq5Td8AoiYGDaIipfCqozTrHrKIlDnW+eesdFaXWnVMEqPzUEBVgUzuYEoMWtu87z0JQh

iZixm1QUd4I7QwIKAUDxBVWgaQMXUPduAInLbUDjRnEZSwRoNdR+I1qN2NiA1lMXxqIiFcdQ

2nacn49AnAZFK25hhX5Fgly3ONehML9C6VjRjX47xy/IFLW6urPuWEc2K7Inf9S5ldfXfoGI

Mw5Lo5MjfIfUq4BLQzbW6b895n9oFb7tb9MFApR1hWs9Jw8cng9oFJXFZX9TfpeoNw0Blitr

LMcT38v3ZC1GVQ5u1XLLDLBKjIuGBnn1lbahMIpwl+kbeC1COpm9ortGdewlcAAYRjVyqpZq

RQwTPcgeFWZL1jqEguHTQr2d5ZtpVXZYrXossxfUrsKoNuqQe6AanjZVdiZWygYuzS87NysJ

ca2CuCFZMpFjATV5tu64gdM1ApqBSoXNnWMdIIwLwDHZMIrC1suv+mcNLBu5Vzql094csffB

e14CuYWEteyZFLEeb1mgnTJ7YWqhXMqokYqAeFBw3K5gj3kUm5Dbyqy4KKF+gH6l2bID9uIm

vySqDtxMqjVq6/uDI67/APJQJ3Kvt6sVlBS79BZ6EOwTzYVK2iM9e0VmfIndjev0wUkyExur

9JS5DoNooWkAWrTcapRkVSOMBZXjlYKU6iuCURfTQwCb4Ycp7RCKCqpqgRnb5vuCRZOMekBz

YwOUBrjRKOAojl8YIWNkVZdNWXYcKe0eFqvChYGsVy1DCoBQ6ijHTrB1UoFuNZF09q/MS77h

KN6CtEEDsoggO2NNf3CGRVtBh0xRXrCj1LbOXI486h5CWsBTqlY9YZOl6TY2aQxS1CeWwiQL

iyuoTPEUDMLSrYarQl+kYqtsLFlmD3Yd0QKWgaxahz/UuVWMRdclwxFHNhqipYuUvU05lAXe

UbqjcKEC1q2GxrXOyHENAmDO1V5HxA90oIrLWsmnRgLa3duf3XgsrDig5WmXtLl2RBZzYzhK

9ZdCGhDBwc6g6FK4xTPaMA9G9FHTJ+Y9AJg4weX0lXsxLDPBdmD5hhoRgKkijLDeGhAqMZCq

BBp2GKzWWfQHpQCmerCwVE5NABApGiS6L49WEQzSD2cKttvA+YWsE1oCAU2NA5CBJWQiUNWg

Z1UOOLVOdYodqr5JbFUp5tM/EBUMpwDqtUc8YllqC0pIgw2awWK2zAQgXhJDBYGCAyvUNpzN

Q1KEQPKXQ49JPWGV56R+2hdWWq2h4uhgReblBkM1xwTeG7cO07b+I4xgAHdYuh2h9hFaNli6

wFzMa1ARWuhDAAXOHOiJLwaIBjrR7iNyvV0b6ZMnsltwibBvS7D6mJQ7atnSpEeoxXYu31Or

mczm4g4toL/lJdXjfoYXvkiHCLRc9StFQyIWmrGAA08HFSE1G5BUDiEKaAGamerIAZYyRW2m

TVQlWqO3sdsQy3dlergxatnTcyd+0Wf63uLYGS5ibxV8IBZetBNrnVhiQpQpi4HOihZQZpKe

PAwrjRCXxjbpYYv0JmsYLosuBHuuLMRGRDJRV3BbL4l4SzDUUbY9GWUPDgu+zbXTTcLKMtW7

avmukE98tLoBuu3GoDdDLV2U6QxRiC1QzTQU1k6wV12YLsAI9XBKgrDGnDavm4elTtSW9rrN

VmNlHe9Va3g1FtEbvUL5UFyy551+fAuwbWnOwEYZRyFEYkRKOH3KWqxyxYyTVXKSWkaAeLvZ

7QV1GHva9tehEqLYq29yWEKq6wRYN8i5M9Juz5iPWw9K6o3RcRsy9OlW/sJT12UlgrZsN8Xe

ocRNJynMmhaGDhwarqaOA1gMUrL2bjwKBalFVQ6xkdFqLJYuFcPV1XgtWmyAWAZRB5alvYWx

0Fe1hgXvK81Rz207BqIvgoC2IQcgVa53DVC1iBpSBXIrUMwsq6FDcnFuoJLqSagKLw4zH4Yu

lGht8mKqGhkcNV0BTVV+o3yNKNIhqr27hpIb42FAaYto9ogg85R0ixoeI1DV38ByR03NjnoX

OjmsQemusxzzu4tFw74xFbK3ZOPJHF6rUYQ54lC2UauQEPbMcGiYxZ5Slvv3R6F2c8fFTC7k

av2bCBG+jNFNVTUKKxRU5RwBmsLaVNpgEoP0nrjW+01ihTBuK0oA75OCznGSlSO6jK0QcWxQ

YKBA3xaaehfTDrEpQ7NOhCGxkbQikUG76IULQbYNBUXXJCkCL0ybliYGgS02AKL1EoVb2aur

OHcXnoGAUZGgB85iwPQVaYGlZKrMa5hkabszaaxmMGwphWDXSx94V7B8WlkXwG3BbiYBQSIK

O8cA1AAAvHA8wzjHWasRnpnrUQhirc4L6oL4lUSMLDAkd3a9oDZa00uDYXZBrMSeyTTHBVtZ

43DR2SNgVPcs5hlN7ZWNxYXzgCdVBhP1MHJb/fhdisp7GSJVFruWiqVMxFlt9Aw5ZozeZfay

EnDv0iZJ5hEvN9CiVkFzAU1gqhyHtCWq9YisXdY97xLSNvmA0YpmByscH7gLPA1nGH04jkhE

SBBFXiiDgqqgufK0SNwyqb/NQN6aXXavo21EFBaHhkQXIqGDqt9K3HRoaqbiGipCslzUt1WS

QBYotWMBfNQOB+5RUK9WWqcykVvmORdVty6Q8WgG1ltHOAVxQtChTvZVXQPrzA3ywcgWLtau

sVnUZcJRs6ELndOTLRmD8RwIcKAt4pYSoZix1sIOaKzSnEsmUw9TozmVIKAFLLov0ZVuigBM

vCAMtCAsCCgZyuCAKCgDkpo6y1dFVmLSlPWuzUcS3QPVjmIrelr3IYAAzs021fxC3YY8wbS2

CzUtFW8u4770hpfL2aHrNjN7EDn0hL+p9YjrlfaAqGiQoNihOoApGpl0MXAihTQFKMBFux2k

+VzUsWcAh2rp6Emp4YMyRwYCtmIwQMptcoOxLGQ4gLq8HpKowq2uL6efuZrtcBTPo/yCjWrY

K4K/f6E2oGBizXtVc+8wH/STYRMB6kbDHAB+3xB4UkRLE4NJirv7iHjtqoRbot77e0M6tDgQ

pV32uZh7pH5kVR6pSgLu78nOKG9BiHDbqaRyDENN4PjmZfCZMDChxmyIlNtU1016MdG0q5rd

4r8QJKGChVEo37OI9VLmDunxgekXXmnETDSGaKe0tqFpFJasbri14QIKRJUVksKnS7jMUXzu

nXbUHByY17a8LxKxuDSvjHrKB6TonsuLIDQHVAXEXlG8wV4luDWza0QyqKIle616wOW5ojGz

16WStS0osBy7l/fzAv8AnsqNR4XQvj0g0+9OntRkq6+L1AVvZUeWwN1ALXjDhYaptwBwHyuD

rKlU4NY2MdOAc0Yow0MYPeYp0HGuCUsA1QF6tWdV224ub/xg2EdpHPTtcvewInKVZo5Lqrlq

NwXCVhbLZycVGS5ZXHDLqqexM14Z4IJBBH3RGft26yagq2YMxRdiLSiKBOKUaI5Wd3JlYwsC

q2DFaJ4QLgqIT0PVgiqI2ZBF8pM28sIThswoeLoZdVQDBLUsStkQnosNorZKsPagmQWqje9r

f4qPHVVXEQ9A+7csewLPYIij6iQB9gsrkpPq4iZqEp63/swnFZecYlzIvG+BsxQAXJyrFqKP

0xsCUTmy+g9MObqIuNBSoDK/SpzWhxYwDowogMT4AjcHUswDWwwdYdZFXqVKZOFwfuztPmUF

VdJeerwHev7EccBdiOoDcoPesuOO8KBjN45vHaP7vG5zKlVF5KBmXJWrMgFJ2AaJalzWDCZA

LNzGzSOeUttN+kACpVOYFXurXWLgGpDDdlSVYVvxN4mcOwJS09agCELCNhWIGPgpOdieKSpU

cldZeOGyjhlynL3mmUqJayw4Zgt0WUOxTRzx03FVXizWzGzO+kSZSdgCNq3V92JOaSnYBC6A

q1O0QKtuKKUJSwyFCestGZwNdWc7xdy1jzoCFlOXKGWiUcHRsYG8maxx8+GYUfJ4xS8MZ4Zn

ThjOoEhsLD3h1hLhpEasFus9LD2Xliqr6lZ1KZFqGsDjDTXrHhS41hx61AAFrVxExeXO5KsK

s7pqAXCPK+ESooDGQlbB9TY6zTfjw3FKtRjK4GW6w3ZiXJJ02K9zgLoovQYDb4NgJi3HQmaB

lRQGBrhW4ArLz1ZTzmKEaqk4KzKYDnaC3kddRU18Z9y5J0UNjHtuMmNrOAvjiIeNWWXTG0Aa

x3mSKvg16fuzjUrb+sCW8qAstjpLUxlcIN3TNvBuHJxtW3NqOGXQ5uNLWQg7BcisChJRcq8y

CogFzNrVlOBolHtQAKgvbalVlYmI1oHi1Vc+sUs4OAm9GRQGby9xQ/MrMZsSvuMBdWg+owTU

C1ToVuAWUxhhAFctQ1KAC1E1YYtV/MBbFmp6I/uaVp9uYKyGY1kd9j7y4Vg3isU/iCLUQ4tA

9jPeVuIqKCArWtlSVmYJdCHn2Fl9LvYx6xyiZiPJsdiVrSJKgGpCvFGT8oGBEJoDmVCUJ4OW

7jhr/FunKODl3ENBYxvHS7Os2zYasm/Qu2EqPWJ8pYqaQCmQZNTgDIU6rxriPY5oggO2Z856

wSJYgyDsZ1o78S3yajbicbZ+4ITKlFMArBZWbOYpESTIcUQUQ1dOAJEIBXiEoJbBZfFEMI2i

8FlEmUpa210ukFY3eDsRqtDVculZs44YpoMR1KBkusgkOK1dKIsKQpCkYuoMzzAmEFlVVr5x

MIph3dx0XtaiywINsFUJFSgNwZYeF9eA10gpNhEqpGBw6AMS6c7NX/sHC01rn+vDHpdgtltw

OLi55WkNNGsBRnpAsjm4C3qPbboXMgQHqglOeIAGJb2/IJ+owEkyhFOYqGmjELpFDVzhpmwZ

0Ok1qdCtrtKtbERfShVdAPWFjMtpaLW0XkB1ZWtqY4HBEVoW22u0MFw8rTA0oZuqg0hWAylV

cvslQe5pUKcNNV3jhty1R3wXT0FjUirUUpNN5x/s3jJNBRC4WcFtVRgLFRYeoiW1kGBwgaNU

nzC1V0SdWHllBi1D8KMZWptRjT8yi4wvUHh12Cyr36w7DRb6Q5zVjeiMBFmUFNhpehTiWNHi

oAWtosBDolgQVK7VZNdXrB6OPEnXuqdSplsDl3le1cToece47j6S5fJncoIDdFbZgNAxKRT6

tW+qij95ZUUes9Qi4FtkgMJWPcBxfG6jBMp45ixPW4V76ovZYKxUKH47QFxTtSgsies2LYnR

KMVmPC5DgaKACt6B2KIaJwGziKtCyyiGRqDZZ6waHBAxzjbKAumi4+3QI2J7dpztZnJe8G7M

/PMSBEL/AA4z+ZUGuUwPA6ldh19GSTqLUgQuoI1hKjhg4Dw5FsWmmzDiUQi2QrZfVGZ0mcAL

2A3WWPEpBRAu6WB6sLRBgIYSSm5t6OxAhL6Dg1gYVyzfg8O1r4DgRaKjYHHFyIAu5paDC3xa

NKgJQiMzjQ5YAgokqgkZxDbcwmEazaW4QHlAlr4jbVcxGbIMNLgZYJYCqaZrrcZBPkuJJomL

QSlhL1SpBYiCqAwFgAVEpehJdwXeaee0CPPcIGVt68/nwfUAmFLRHSdCDX5JQG6Asc8yVuYT

OWq7YKLsA1BGyZiqUII05QGWHmV3OQsPyKasdsDIVnmuB3AJlihlcaPrctLccw5DwYy983uG

6xWMPO+InMVWoJ3GAWc1i9UK6AcKNKw3thNLB5Eox2Pe03FiwYstL8IHEDKoyqRv1N/aF3h2

4Q9F81B0ZaJmYXQFXRm4pUvV0hJvVN3cs7pNkBUWKLZ0YuBhIG5NTJmAmqVQWXS5nEOxa1FW

1VmgFsqK3AFUVl5SyoSle0Ahz6MsU0wtKpyIKeCa+4FZPQgU4vonEdRZEKi0Wi00WwABtKjH

W0ze4EmFBZrBqtTm6medi2VwzVAqvWCraBugc6V3FFNGAK1n+sacbIlMuXjTiyH6wyOZIoi8

csTvhRQEq7ClC8FBK4VywyNbYe8ps1/XiIRzZhbZSvdgliNRNL4hAZlgRWc7ZE3i7RELEQpG

5YdfoL5qoBqUCi1Gel1LBAAIXlb9naP0EQZ9q0B8y0grf9z7ugwbbwqqQ5OxoBhrLRC1BYG3

wbIN0C8xuxaNWAuTepMZSB6WCuBVJgmXOydNU5AAqBsUPbOSJBM16NkFOtoHVsdDousRcg51

5JSZcMC0wNYTEbFcqGlhQC2LaPWalEJOXNFoffvLBqxccinC3rvCpG2sC7KC/k3A8RczRAQR

vwVDdJbMQ2lXnuJWsdIVdLahDQ9N5gkPDAWrwVtKioi5ZOxeVL3cy9qjv/O0RscOaPLOS7PT

9R1rpZjnsmOZewMu/d4AwjiLmODkV/S6OM33fSPTTvUIiL5QoWPYdi4wxiC8Jo3hhq9/VsyZ

BShyesSQ1sRcpomMXYTHwbJq9sxM5OcSjz+eY+0VlBf4VN1i7ffCPhmOflZQuMeWMxh9l3cd

JQrNdWHQBYIVKcbLxFbiUeIOQag9Ossayk1CwrUMWdmKds3nRwWA0ivNiNKKa0sJAobXO4Pr

Y5cc+wHfTppjQ2aLXchqGMtrKi+XiKKsIG+EKzUUEDoEToOFXSPHaXIYHph0NlhZ2hk4YTkC

hV0Ox4hmvILC3Kyu7NEpF8gAKGmLmj4D0JhVDe7JRxIc21kfd3WUBRHcFPwHrDPsKEoLMIuN

upgZOgFtrft6xloAoZZ1UcU+YDOSZrY0hgujPeBPn+SFgiO9zIeMZxsTjtL9sovTUIWVJTLT

h47wSGprtsQ3m5FxFEJYil37QpDLyr2l10vLUEBxaNoXejYdK3XeCRqC4Q6nvD3Dkbkm1jsc

VFrlAw7FVc8cyywq2EUoorFZIU3HwAmR+oqJ4mjTQQs0HwReTMIEQYtCzR1L0I2aOLtaFlKH

HZdwOgTYxKCxbPwJLDEI4J7LQJWtRN3BjiFcVOwSrFA+sdy/e4jAmJJCmARXwth+FLZWgc8n

GusQYrtVCj2rt8wJujZkrFL71MwrFgWKtyWbgrFQ8FJ7DM5zZTA+4OiENc0IjGAA1FehYHD3

yVKrxrOiq56Sraytf7e4tqQVyd33m6+KyYx9eAA21OoHbZG/Os11fZxcFSh2DCUiM5NjcEgI

obAG6AAovOWVmmoi3d9S0zd5ZUZ6lFLxv19oVdpgUpot8gG0zBIobCAWHtcqc63T6VFbciDs

V2TJDdCPxX4h5GaqVxYNmnEShsZmqhXv2gRu2gUXIot6PxDAllGAFbCVdh7GyblhguChylAC

kBiLMm75ywDfAN0wnRgsqVLKouhbQGjDA6Dhg0V4DYCJpVBWu8kzA6bsZSfIkzyUBGAGIEgr

Wj/hnR6yzAXVuggVdjkjeaRYqm8l8dcRo7UdfigE5VslrIeRwYrDHCmpv86YYARejX1LITNA

6OEvRu24aelydskOMi5UWg4MM1qroweqUksgMU8TBsy2oKAuyXmxYFqHtAcHPQcEWWGSx2Rb

Kh4YobxiswiUIUcyyRFrou/aHdJ3JRZPR8kVF4q633rEqQmc6sG5hXo7Rr06vWAwQLk4NphO

Gg6qGxSdBBQb0UktvDFlCuilRyqrvikhmj5aun29kbqhEAkkaVoHrEFEhUaNIYBck2lv22K1

gvjP3g8QuB2+wAqbzSrON8GP1zYNugxXLi4WsK168VlXk7blESsKtNl5FUkOQeRffVHF618R

ANUZIqGLQbxXlgCGjKW1raGG6itGgQ15Xw1zC1mZANrx7mcf9tNLeRANLWvzAypqhdiqrO/5

iOOey5cBysZQGOKOS9ymwyNZqDeV07/IzdXy8XzFHmho7vrMbGnm/Cxz5s3m4DrBsagZqq1Q

feAiYOgUXW61oZ1LFAOs6jaB9NxlJ5eQVGdnOJ15jRW3GKotiKUzCoYYvGjr1w2AA6AoD0CB

LznZ5YBaNIOTNBn0hduBUwfcZLDs5KeuuJoAqIAo4uspvUu6LSBQRKR61sjGlBWwAHwntHWU

ATIG6QbHpH8mK0D2bdKACglkFtsBtzVQjhpsdvejF/Mu0NM0iqLynwm5DZbYZrBdqcMPx0aU

cL3tlRgA2MVnLJZTZshrBTdkewnoOZrjXgWFYF6breJbPhw4YNoq61xFWBZ2WlZ1rU5efV5D

fvBLikM4QkNiW5MXNAypPRLmcgjp3RxSVmsjdVwesL5mvFyOuDV8wssLihWtAHDAHmoI0I+9

wSWEcWa6Bd49IIMeGwDg5T4mDAXK3QKD+Yk1c0VctOaDSUXCWri3pENiv1Xr09IKBldLu7a+

D8wTLmLQgQoFS9XS2Eib7zA6W7KaXEFmQFbDgxwzBsBxbahGxumWV0Zw0UwZaFlu2YlhtZql

odC9sOy0AI0UCehLPsI4ZLoSO72e0YIHs7Xg4GauvWPs8ha32RIoW0LMKw5Us6alEEwYUuFB

VZDmBWb94pyKwVrvKvZraeqh6sTfgxq91hHHWveBFrd4upR7f3GhS4UcDxg18ZjvbUaIIawo

x6pdt49fi9YgpS6s2RyMMYO1zYd9O1YiI3spxx6y1TJRr9PBFLCgOBOVNQA7FMSpcinBZ6S/

7ZepWAGdIvpikrY8QGUHGitdLxxCGTBshQXKrivgiKqxaOru8NRSR5opTrdXGRFDfr+4N9+3

vEVbufcEpOte47gdbOFYLwrYBftNYAsF5tL3TnP9wWESAUvJXa+npBZHjigrnWOsDcRlwruk

qo3QpigkU3gjqixk+hBxJoIy00CWhg3BeCYhoAGGK6pdM3YBKuwVebVGiopAlqKkOGzVkv8A

SPm9dAG1fBdSspqOyWYpRhWAEAxKg4cldOstJghjQYRzzrn8zJ7rR1albBi/aEksyUWrpxgq

POqZcGKd0fZEq/SbLnYsdkitCwoGhoAlCrlkY6ELSkB0OcTYA6JSsLEVW1XMzEAkoULOV3UF

8e69WwGDqjTUHocBpYhfIOefuGC7EXDpHncW5lMCoX4FwVcEXNIL9QtoM7g4PSI83jnHogF1

abXf1ltZKCOgF2e8ZKqZ30OmvvsxgiQqCWyghwU2riBor1BqQcr7kWI8JdmRMNWBLVRmb/lo

QHIdsELipoFMwstwQLlZBSqZawrn8zE1G63rBsyZM2IygDIbVrrqY5UnRB5LHr7x7NJAHXCL

9wl+SqvMbergWXVTgipFgunAQTrmpVzS1ogeFfOP3G1VCqYXnV4WG0zlh3c3WPW2EbrtbSAA

Qq8hWauPdDzA2t8llGPJnAXFDB6qv095gJbTJKWmjaH+xaQCxwXv0Joj6nTwHbu4K3ILbCdy

+Ig7jLXnAFLGikKJfhoTU2Ui6tqgR74cfIKRSocKjnBjXxxWzumVlF1gtIZI/RRBbm0Fr0ZA

dK1EAO7WV2zDVnQzjtC7GH3JiAF+zGfWIXeCARgjRBLLwHtCdSGABjGXIpCLFKF2DyatrpGA

ptMIeLV01a1KtFt7osl1dblo+0cYzayKtW8wcornVv4KG3rKLKYbKNnKUFxMgO0pft/aMlds

Gg+DmVMxexGE57IIfd4KtRjrTKd0EcylrVZv03zFMIb9ANKW8JFpa0xuGtU3OM0OIhNCqw0s

BxmzvFilm04DzdXIVHn2Wbr1qJyClXeQb9Rh6UwFZsCxNiazcurMLzlgr1NLg7R5EoIclAKe

VSqA4Wq0mMLaxDcvqYMrsC2gDdEbiQwLcDrCEdZXqEl52IA1YsjRx1atFSiWVj2h+FCNnHK8

rzCzZXSk9u8TmAK3oT/sVthHWAa+46qhQB9YaRtEgCoVOc5EtBc/ocJCfcGo9fU6WUrKuLhg

ADN2FixcqmnVE1skzgJbaLeQVA4sviAg0Fx1G+IFQ0ghwgN8PNQpLSo2V33AIEPABzPUpj2l

O4GrN0DrX6gJRR0RRXTdfKMPVNKgu2bOBmE+wrKKO2OsUglLLl46WuZhQ7BL2N33gMpTMvAa

wxADNww0RLRABCKqgJgUcVdxWN8a9d6lug9DePli7dQoPfbAeLKs6MKLhnnHUz4EuLPACLph

VDxF+9I4hoAdKApuBmzK8rG5lOMwogiKHCoKAmF6hhaQUsRUUQxwVMrIPAcPJmd011usha3b

3imd33zUN4wytykVYEX0wgmyreLl1f6VU5UaCtJ0Y6oJ08EQAUbKgwJx2maxVKBg7ILUGU4M

y0RQjsKl0Wrkt8JK9aghu7v1GoC0NiBwol8wDir2KK5bx/pFToq/bTV61BKA0TNpTA+t4qwz

4kYjAZ0ZmxkQbw1khhYt4WLAD30P7lRzEWluqFs6QoMGowS+mGkrMNmZ2oUuAu3r6XE7Qrzu

scFgaQH4+6oNYLVEwcu4bg5IJWRZl+s1XRRiW0O1nMGKSsqUEs3nPFROGBbQVTmq1ftCKtk7

LAZqWneJVswxqtKlwFu4lRHFtfWwKJ2TJftBkHLLp+59V19Na9BPbsrIL0JtAIsVDq7yGDmO

YvCsftFoCEOHisRrg6frtQLz0g7QBe4KGLm+guJY4IxLDDdIJAXdrBL19bIJSXFKgLqGwNk9

U88w+R/0BP7WnYim6VpXzydS/XPS41SC0ZpKoBRM1mqic0RQMNAhc7uN1qiVrEMQkMFsNpW2

DEbDdlwpzd1+ofJS6VYou64ZQSUAaujCmq9ojViGBh5r2GCAbyAFwsLK6ZojY/aCvBtpbrsh

1FFpSmi65zE5EdZOkd3Q9yuJxMK57YjcCDZn03miCXRSywMNw0Z+9eBxKx6USda6XFU9L0BR

qKNAQ5ziZrDqqosLouIzxLEzB5wchUHIvtOmcr04J3tEN08Ai1So0QCwMYuN9TRsmsHekuYi

va6/uCBQwGlgvzghsKWgzr/cccbN2h+ow/aBcGsAEI2BlgtD9q4S1whdBmVkV2AyoGliFiN4

6qKjmohWWK1zHgDLTIKho1e6jvsWjZTApgL/AEDMCCrAdr9Az5vRD4HPmbE23TVIvztVBIS4

C7RUesIJBdDWL3MYtcAsWWAC9TAuAmercRQm1tte8cNd2uiiFB9IChICCtYylEQiVyHqOQi9

BTIYuGuH8wwKUpgGs239QkV2LBKyUjgXnd9o6lUrG3dhkdQtl9SoYZAChpS+84K3ZKHGMwKM

tUj4CHJvKSvdC5aKFjnJFj0KCD00dNvuVBlyDtQAOty5u4HWxRI7guIoRwKgyJ1e6zs9iHTG

H7Q40ZRV0HlLcRNKOJlrKY9IMqbU5YKEaq0CETRgQAzBT8DrU7qQNI4Fxq0lkqjBhYJLIIAK

K3BYglnHF3vnmGJbSS20tpVZsJaxC2oWsEdtXKqAAwd0KmziowirCPLThBfTM2kEBbgI23dU

krk8NrEuBQKhms0EQZC6EfVv9kIDUyqrNjnA28zekVXXyfWJQBDjTBd3f7jOlWQpnL5cPzM1

Zg23VnEEemx9XFujKc/1csEaa7jziLO6OKzZA6jg90wSlvhuCLzl79/SvAQCgjkFJoAZcOZV

Zckq2cKKWgBHmGtw9p03jTZQdEBXfTBQLBF2qt8wCZB70uvhgWAzAVXmzIHQynpShqIbW5XI

+/mkDEH7ixTJvY+CH+pJwF0APraXIdyckE6LdzA6gC6tdaNDgsciPiv0BCRoqqskEKLlQuLl

ApFYLvOAOhzgIpxGhgNBMFRU24Gyyajz4zW+DF2irhjNxIA9zj9S+SCjQBqq9r3ioSWr6ryW

5Ev9pKpjYSRHFrMgq10LUZmxSfL6EXTMBKRtSm/9TGcs5BCFGnTnMWxNkumm2ilU4i6dYo5C

msDfNdI6AIpRVbnLhSiV2RKuRVKLm8F+scJBshTur6tZiQNdSBUOc/nEatBBzQOL7+B0QWlu

1WXVZgLYhVbyaZ1uY3TQawEKaTI+qfQp2M51HM2igCjZyBi6g+qoACuOa6OT9wHuo8daQDjZ

zFmMTWV1W3Ai05iCO4K8gsQDb2KIB2YqXMXYKWztUrJZ6AJTYbCUU5hIVGEtdUJCBVdpcgos

RtHIc6tdWGQKbgCD3DYmuWhpOXu5ohErBbpWXcxpJZpAX+Q9dSySCGSqoZd6umJlVT1uim5q

jajKoAFCcOHoCs9MvyKM9eEhMlZeodPrWgKIXCqCPMRNbWWJi1SYR1kg0BS2NAYzm/PwpW5D

UdysPmDKKhWlUdAT1gC3gchA13gh3veQlF0EoCGJh3WczA3zt2ygqu9/5FvI44/WIuFPX/Jk

Tii+RB2voD47eFGeWbiKYApYHMtVHwibBZdl6oxTshe1xN6FWDd3wpWe+hB2DkmbERQxkQVa

65AUVpoTB8Pw7y5ay6x1l/uoFQBbWBQ3ywRufa1VyZsla6whQhPVslROAV+I/sj1SrUuBbbW

LzKug2w1WKTY+2O0sPdpVGAl5QOC1KbsXkTQXRUNLWHIas5Eg823NgYx1YGAUgBTrEzLHRtq

spaZ6xFUprasxPRHMJOmMGMP2MZtGjHVNxmGEx3EcH8ZAUBRBwRWaaCVsDFdc0+8EqALQWz2

yBbXTEK15ZUrEZLGAyb7QUZWK2XKttHSgmkgtmJYbMnoXBwWbQowptJWhCaRI1gpai86joLL

13Fktwaeseuqo80poCesajNDdz/PYVuY8+o8l5F/MqtJzWP1AwFEzrUs8HNQLfoRoWYUGhex

6yqFIYHZwF47xifKMDBQveMNRwKxDtQCmtJAEabDceYjtS21jTla1cIc00VrezaDTgqJzdtG

XCNjYEc2REyZBRmU0clNdoJx16qN6AHk1LUt+sOBLCoADF8xy+OrE1WxVK4AuaW4GMVlgPHo

iW3s6oteQrNtK2tWYlSTkVHbCsUdmHQiiTzFNl4WjIEwBGDnKR/FHxRyZ3jHYoqQDpUymVka

6pb7HuiIppdpSbqoMolKVYygjVszVkagBo4pgqjUQE4qQ5FLpFii66sqnLTSy1LupdLzKUdn

IeKJmN7g1nfTvmM8C35WxEekBBJXdJgUdxlxnMQcaPhizoKcnTGjO5TrKF7o4heFL2SJkoGt

Xj4lLa0PRfqFFQybMeCopiG7C3VGQtSq6wq8hiooshC2N05qV1bBAIiClFbc9iYP6qYaqLVS

qNkvnWFLDANOaBqIc8SGuEqtFdYI42KRdCwK9SaqMmQVJZNlLhjpGmlqwFTR9sZiU3kMZm+Q

eqRYyscRXkfo2YwWxgE7MCEcWbIPQGgYxQWoWv5tGPJRY6AQzg5h294UDAmF7OvMI1IIuqot

dfwhGTS6N2tgw4lKI4FN0aAoziL2tljhaB2zbCNiGwpuHV2GEx8QVAnGSrKsOMN83LJVCdiD

NG2JidVEsoKGa6kxYLubAAbKg22mTjbSLo0hQA17VGoACQRgAKUrl+kpL5YvG5XKCnu1Ci3k

UXWo4NxwK0tTgHp6wBnjkFwB/JFDSZw4UdHfWKMP7ecm4rDmZWCmAHZ5rHSFwUVC2HWsZhWR

doncoUyzno3KYoVq47KKWDNVNOXfMNR4PMaIguFVi3LjuREKAdSOPxBFAASwHFEQoLFUENBO

zWQNxdAimRXu37wIiu9j3qVJ6wLKi5aDlUJScM9ZpBICFpAofniY+hXpeWuOhB2JSUmlRZb2

jGdvtyKL0ohtRisYlX30rmFsCHl5qLyZtAyjLq3su3MRhEijrA1a3PmehBivCq2aqLsC7FLe

QJQr1x1mmK2SxyUouWBNmxSDeBDnmF2PAgq6zVxtgZvRC6WDtFKVdG3minbR0l8hXYVn2Kal

vc0gewXkLLvvApbo0xpiHkZjlBsOsZHOujUMICKasty6Qres+DqGsMEFVhKS4j7OYnShFyu1

OTrCwai73BCsjdejxU2SevhdgKrnoxTLLcWzMU3YqDI/aSpx2imUGrGmiIstK8R0PUpLEcoq

TrSsVwG5m2LdFbq2rMdGJ4GbLxS8rdcRphEFShga55XcsV+1MOgnBoButvJkZxwdCrLhEQ0W

AqUUE41QPpLoe2BQRbUOhAtQKoXSSsGbxMCciFLNALpfZhNNRUIqhQhm2g9ILxdahAQVkP3B

dIAaw0GYBbwMLekLDSWKYLuhee0xqcRWbtMe8KkRuFw1yUsOdEwPuOKQoHSyqGetRxcsx1qO

MTPctBmDZ30GXprRPIiwLyt/EOWUisUnQc09Z1XZi9bbPtE4gNUTwtWve4GEEQ4s3undwlqw

pQreBonWukMAlTFhkc31gla8heFI4bytS6uyGrmh1h5hVHQEDrSs+sG3TQotIQrHSCFvVjN9

InVb0w31rrMY7wCoJwLp7Sw3GuQMYcQ4ah0NEy0KChNKqXNZza6cyjQz4BXr0qJQK0AlnVUP

dg0BSMUZUD13KNhcSMQyehEVGwdg0qZVZcaE4HMNAuDsTuUbJrV1vuUT0OlRqKjTQutRINYL

2MiFYvCk0wyZTRsQnTVY6Rq6FoAVna9WXiLD0Uqtyq4GXdQISV1KEHoZ9sxE6MpQONPGMY7R

9NQAGDGDWedRgYM4rpBqJvKHzvzJ0zHAB66mQonuWmVECre2CAu68SBsjCusWckJ6sLQOdNl

iu0vfGaBs3d/XhlPyNUOnR6wtcY5oRleA1u7qHRos7uCXgJg3ntcCXQa3YBUdIGevESfnxBX

eG1Vdd5k01wOAKrDimpRO5jQ0FN4aLjoGmrtaXpaqHFTZXSaANnMolWAFG6sWRrFHvAdUh8z

NjjneIE00IFeD3S8EJMeuUUNypBgcUvK0QLXfKDTY9T8yhUMKpCNq6ekz+b8NjWw2uYg3VHZ

VCZchKvow1Z9Bm2wugDe1amf4HGmwUCIVqphvk44vcAdnQARWpsQKQXR1IgYWMIKMcynbpNC

ESUm1sPHMGfaAJAZGvkNLmDBuz29duxN0GXoEEOKOBRQoVXKhStlKWw44It54i8AzOQUKBVr

MDclrfdfsYsCDKUraa3xFBojbWY+zLU0i6sDTpmLauHL7DsR8DNtM4wO7hcAjRi0UBjNEa3k

irQoV83GD73U5FZKlVZ75kKeidoHUZbWOQA2a3mCIMtUuVcoXA01exLR4FeuYVRpZUUFGKF0

/UzZKAK5HWb8ogCF7wOoxDhbHSA25H3ljg02twQZEHpAIGAWXCclEpHWxUgALVs8QF5/X7Ji

2ehZKGWuw/uXLdCs+l+YI2jFIg3CC5oa6QJ5wu0GrNWFM7mCv5AlCysjSw8oZorly1gMmdy7

wjStbTFY6RsKcFmFVwUaITKtbVD1pdyn0aI9rAG+j6S/PdISWYkFYw2Oor7B1gKeJapx11bi

EpWpUJkra9IbNZUShw8oCkAM5tEwXdU+AmZgQCoBEFbTg5jWoAWo2uyQ6vPeLJjS96QLYZWx

rbUNAQtqCwxBdiAdkyl95qqKerrhhJsayKrfO3WFXSYg+TUSuqrodaV32hIzXJTvB+WKIxDQ

gq1BMG5EFaHAmM5PyZCR6sGxc6cKO7EqvDQraqi33ekZDamDsZEWqXhE5NK0FTOWOuL94iEU

yFEbGqWLvtANJblzCDNrUc4bPrGJWNcokUOGKygJf76/sHKKMuV/Eqn62HS7pco6+KMVlJCr

yDNI/teJTSAUdHDdoGlqwdwwWhdBhgiEVCBVkVcUOWHHYN1Aq6BQAl5AXsrYepRGGNUJrDVU

O7mBVA2lstdM1YnRmHjWESwJQw0B5d77wrZqvXMMRMG6jbrlC6fWEyVN5V7UqZ/eZrbgqIE5

AAGbxBOqqwrgNNPMNwex2L055i8VQloGh5prMNjKxhrgtXXrDFylpvBsobRzGFJRWVreYJYA

+k6jy3mJ2EuSpbtRd5ljZ9EMnXskAAPrt14QG6eY7O0Dzgg65S+MwVNxF6FACA1kbGaJPBdb

RddriGQoGa/yVH4AV0ymfMbEypi+AUy5S6iIarEMxbxSe8AD9wEUi1pFsSnmPOD+Ip3TVpmP

bsB5FjSCVmHYmYiE1QTPWpXKXHFStFvT+oDiyQlLaKwNIBqVS270BrIBSeuYIeLEqC8afiWY

2FaHdfQ8NVEoJNUuARqwDg3zAOpRRrm23NeSLuNlDTd96L3xcp6QFuBwZXmf/9oACAECAwE/

EPGrFSqj2lRxGMPHd89P4L8B8neLXgxj38My/Aojjz5ud3hQ5jljjfnP6lnz/r+SX585+4NM

FnEv78CZmo+Hr4dy4npmx+PuZBw3587vpLArFf1UsYxnz6/6zqgeqKiU48+fNRpjwLD0lns8

5lN3mMdTz5I0Cme+4VKcd+3pOvt4RcZJ2hEmv4VKmYYI43n/ACYaHsxG7IDgfCoAX06d+pBW

k+f8lK/8/TMm/wB/1Fmj8kuuJTw7TWAxxrz5+puR7Sm0GZlz0hOjC5nfxGMcTLwULuXF6lHM

F1YwDSvPn5mIdkFFdff/ACIalHD9f9+4evnz9xc0/wB/qdS2wUY9fPSAKMOBlBZ58+dS3t2x

hjC/CrTvMcQCJK7eLGXiVzFdHBrpj+/PJBDz/n6mK3KvgGLUWhp0X8P61+IMW83WIcvPd/EB

eFPSv6uCNfl/cbconz+ibH9fwv4lsK8vREa/z+mViHEBJVYg5l8yrYOPCvAHU9ZZDMuoFzca

qZCKbtZghAJqDhvhj8f32qbBxmG85N94rc6PPnpAr1gqHLJFGCHG+OIDj38kQXnyfmBW4R95

YRx/kz8PB+SKTBtlFYnhqEfBcG3z/wBmbfOO/wAf107EsB3Kwvj1y59opk36a/rp5uy3jrBZ

384mIf6i8nebJiXcR4XEvrFjZFZDVswgSv8AZxMn3jmPXwoIYg8EvTM7mI9W3tnz5xNEV3/w

YO1TtdkAssmkVvqRC9+fP7OLPP5hRDgOYC7z359oIrg1W/PLAD3f7fPXtLN9/fzcd6l07efP

tLGpnThGuTz7xcY8v+fqIY8/fPkl0+f+S1n++BSoOd9H6JxXt4ElHVhXL+Il4vz57TcV9fxC

6/uIl1iMdD55/X9S/G8dB8XuNwH+sXa19ec+jWoXG78+emukyu29/mGMyfX9TINN2esqXqTF

936gBintPWD7scy0JVxuZwBz4BmZmF+sesYZawmhXUUrR06+ehCijEKTWn4/r9ygu/Rv4/5E

tNt/356ylhpiiOdfuISn9/nO9czSOE/5V7/Jmcbo135b0mvv0gDTrz07QvR1849It36VXz5/

yAT08vnyhbRKvHnvEfqX0cQAqUjz7T8VE9X1+YziXnXHSJvMoN1c39KfXX681PP14NK9Xb4h

B5/EHti/P3GDRuDXp/nXGoV7NefNxc3Hn08KhyNl+3kPn3gGRXpj/kV+/nz/AMgtLz23FNkM

b/s859oAs/55/ENnnz5zEKedzZev6iz9IGd/b+4UNv1/X9ynnz8wbfn6P3BmxuPMridaXLag

MZs+v9y2K6JxvwpnnefOIYaj8fPn+pge/nr+MZ1BL156nP8AUzPXj/sRK1Vn7JpXLm+xx3lr

89IU1nff1gp/f75g0vHtez38+sQLPPyRazhlKV1x53mcGF8/uIdeePJ8Rq8/M7kUQjwf3x08

8Q5OPNyjziAyYdjuGMG36P4mbvvvz/Xg09Ty/UHpLcy5jmZv08nvzFft8zKjr5/fnMVR4EQo

aHP7/wCTUcOqOn49oUR5fox5Yo3yfvGvqADTMSzh57xNnzXmsf1Gvf4cP994+XViKvT9Q1Cn

cd3LvE2vz587jjE1BiXUogLuOo0XpKUlaYQae/gT83p57fpjA+fXz6MUX1aTyzj6/frLq0Pn

z7SgXfnz8TE2q/HPn4hQWs2O+H++IChk7/uVb8+al1K8/UatHGNb8+kKsSriUota/t5xDiJy

cejVep8Qhw9Q8/5BCvbp57wxrz8eSGUx589pdxT28/1AHPn5ny8/PxD6gBg3PrfhLPN18Puf

jJViVujfTvKmjcXUZfjLiWWc+Wn3zGL6Pn4IqR1JuBWiKSVdHrvP6gDFV25x585iJRZ55rHx

jpAg2gBvTKDEFHeZjVfs+D15qavWOfZ+oKEbrM5vwCMK+oNw5dfBOmXQ/L2gRtg67+a16/iX

hsmEu49YpzCLZV8t/Ptv2lW6P7acdt18dWZ41FJrz59ouTy899VMG637/nj94iB6RjNLmul8

Evbq6+MQIWzp58/5HcxiJSnz+ZVSMtHT/YOXfb07X5+pjn/V/Ve0wdY8+kFls8cf55qP4V34

x7EBhZdr5/5M14GyZ8+fxANk3X0fSI+br558MB7++iTIrynbz59RkrNt++vqWJ9v+Ss+/wAV

388ygWi3B8QyZ8+ekEX2mpSMx+YqAnD5x67jZsrV79XHo/vdW451BSzPx59malj2q+1xzagn

tg7+fuC7XrzzC/h5895xNpqWjFT3h+vAYYn2/Pm4sPLz+5klw245rtz+2viGcw5mIt16eG06

TIgpr8+8vRsT4zXN66TSaefLfzcQjn9+f1A0VVlde3H4rnEaobfL57QDTrR8tfns4gQQrdWu

c7vtni3tDA0ejYnyacQkp3E2hHX4pX5Bg6H9v4+tA158+blB6TaiNMJFABGM8K6Hm+r9vZgc

3uDUxAxniDxAzU+h/UrXzz4YD7/jNUHfn+vmNf0+/PSJg5x8PP6HfMrngKa56fifNYwzQu5r

pV+XvELczMWe8JVp8/ES5Xz8uO/z3S2u3n7+YCs+kp0isnL36zZ1iMdiD8Q0fTz/AJBQS9Ra

zEetQMkGo2lyxm3TeRd30PLBcgn4eb6RHPU/aHTt3xCYpZmm6+HH+xqvWztWz06dJWMR49JX

t41jMGwLK2efOKllXHx5/v3ly0/vzz3hF6LMFluXODl9tHH5bqZAvXPfqV+esoMh6FPq2vUO

82Qa+vXmAJMEH0zs+vfI4iY/UXsm4Qo5+z0P7hcePz/n1HHy947l5gXjHxBTV/cJL3Dow+fX

+t8TYEc9Tr69e8rNyuPBWZm4Et6QfJ6+G69fxkqdP33liw4P+f7ERyN9/wDLmFuqxfF7f6PS

Oc3mWgM5la6ob8+e8NRcQ5g05lhbGFTk7n4/HYmGheX67eXMyYnsefPEsX1Iwun+uYlS9H48

/cGbsR9Iw1eJZHvBrwVe0/v6goHnfp5x5uOMB3PP+S98MvY92Amjpi/Xrzg54qPIaPy/5DE6

RIE3nwsvPtKsF5PJB1cf1/3/ACJw3x/sFAr66rVe1/5HYyrm1BqN1ZYqnP2F+/SAItO6Y321

0M17x4bd1R/fz0/MrjgD5/7Kqur8f7CrmFAx14lefNwU9bl4zEKON+mJ0mNxan4hbM1O0HIP

LPgAL/wJpHo+Dp8tfUC6bft29sQy73vF33+sZl4Kq3HGvPm5w+0JmReR3+3gipuO87lRiJuU

1Vjz56QDvZ+eIQqXFwL9fMPk4ncDS+v+TL0IO+vt18/uFcRO0a1/n/IMzfzDr55jJNZ/6+eY

KrgJnmumvIF5g4BfXz+JVxD54lUyY5/39fiZE5aPi4JzHRNQmmJUvnzuWTJuJg1bn19smOba

IluVleh8b1jrxFSgOn99u0sXdJnp/XGDLAMyCn341Bw2efjvAVdHV9jo7H3Cx7fmLb5riYvU

TRUaMwxM4V7QEM489JiU7IM0w6vnr58hVX58+0/KNV1CDoe/gMPozEsZrvyv3waz1sirZw1v

b/Q35qUgMp08+bzMDsvvj4/uFPRfnvBS6blUzA9YYl14VBBh2D/Z246n41uC08r8wy46+vn9

TNe0V+hFL938ztKWVmZGYHz5895R8+sdvUg4DX6JgyWfMOgnmvf3+462c93OfPkiMdLusPv1

v6Z3lFD54iYlTogp9o8H5a/NQGZF3f644r7fawNsPXOnubz+GWLoPts58/MHLWb6OL8nziV4

V4Fzqp6P9/Eu8xKBHGomYYuCjFgG7jov58/cF/n4/Uapq8n7mRj4ym4ZJZ7UOPfwrEy3U9pq

bZLV7vmqitNa7ea1+Jd4u139efeLZ54vRnpdN15YVQte3pz096lEX4/f/IkaUQm4FeFynDqI

Y8D+I75IA3S/z5POd3t+SHJ58/8AIG31fzDPWGcblWQlZLiFF9BFqqEKN1fwF8Z9YFPpDF/d

+dQWDB0mYVUJItXavfz+ZqswCYrlWtv1MgFu2PqcJHQcHVO3NeuDR6yoJtmYU89YoXvIY8ue

Kx0qJVF29n11lhlz7S2bvz7xlRmpROpfy3FNHnz6w5S+SD0gxiw1M1Zjbki+hSUU6Syr1lKq

PR5lFe34R0evhdTQ/Lz88Vsz+H9+kZ7DykZd/wBf5/m5Z9y81/bx27wAGkrdzcNMrwupdEuA

VXUF5B35xiFLneVjr1PiGwCG/TJ57ViMFWSaPebHu/mNRm4yuJmEydX3WfY/7k3XFWfYs7cM

qwyKR0jLld9gdr1+XrHaR7lfr4m5D2H+owe5rXua97YTOgUHQ8EEhirsH27OpxvR4AzeYiuC

JTwz/Xn89YqBSKziu3X8cxgMjjjnP4zrccR5iV49pD8TIjmDAgWQcxIr7+ekK4hk8+fPSOT2

emv1ftBDhgfei/hxXrFbmPKGp+aDdVzfh60uKcpSPJDdPP8Az/fjpO2HT+n9dZmDvHCMqvBe

nhaS6nURb3Ll00v2l9Xo/kmj3ixesdYxLVLuYL3AG2lyKY9T1++2ouj2AstTcd1srOzoSS2p

DoulbFnbr0hLqBKgRnKPeUAocHDyx8PbKdUdVGn19o6GVd/Xlx+IWypzb1v4r7lVHz59vuFw

Rrw7zg9rzO07PBsr5l8dfPn7gsrNxjmHI9oIqXWz5xFqvADv5MdOfXtANO4uKjGrpf5MfC6P

U/gg6b9fPn7FYfPz8QUKc38T/d19fNRw2B8+d+sIEcTaOXMq4kYlRJuGp0GBTNM/9hLG78nj

nHR9t5TT6X+uP9iXB2jddpsZL6qJ9swqWpTbxvBfXjvCYBsAhpzTgLpusXdI5bcq5yu98GA7

HiHgxYssE3OElaHGn5XXr671K0Xuun+amPj1Xf8Aeq47RsQ7JUG4eDoaFHrz8H5gmzOqXiYl

IuSJgneWTpPLz8xwL6/mXsMWPv8AqXLyx+D+vUlATbE0HyXL8Jp6v6hYrz5/yAc0ed/p/wAu

FhJPNefqK4WOHrHdK5OPPclmw7RIgdJUXxGVHtEl46+AZx59YhDKdUP3L2vzjz/2N+fPn1g2

ymC1aK+opGWz5a9DHvEvcPvD8XKClwvU2fjXSV4hXi8z6EVZlrqG5yivWz8BZQXG4gDD99vO

JVt8drx0++PnmJVjOOT546e0vJFi3B5m4o0pS/nX1XgGWFMm5dwY0TiJjHEbHQyrgZ9r9B+S

DS5tfV5fse/WDIbH7/3r8mKg4J7v9r47o+r+p1RcjHnnt/2drn4/x4gvPn1hZBaODz6SsMU4

/r+uZuJUogLN+TfSZMPKiv8AR6RlX4IRJTrr6bDr+CPWNyq58r+IyVsLPb/Ifsr8VEsviVlg

W9fbh8b+JiHCl+fWDTbRWSzd8jLGwHhyf39+8PF8GXFRTmGV78+dwPQ8G17b98B1htSgwOnV

9WL3QV1VNHMosvXv+Xt/kFLb7Pn3laOr+uxUNP5+c/vwrENQyyoGgPxBojr1QSpcfSd5lqUu

LBo6v4ixlp2/uYUOnn8zIvmWj5Wda8q7m8MBCZtOv4idHhkPV/UHE2uEp9c/0Sgvz/3/AJKH

W5Y6mPeCOWHz5uUQm5VMAlOY9Eo5iZhKy/PtC9Dbu+O3t6d4gK4N1r2Dk9esFhOF04feVPZI

pXtMe8cU7L+v1Ds6sw99n39RA3Vey8BfOAm38HwZgXoL9MXYA1e3gu0eM5xO66i8eqFYPvWs

xKVKrb38/WtTjBpL6n5jSysv21uVKufxy7r9xCW6v3h+PmDg6ft/zwVCL1xPzNR1iGPeDMxw

y4rIVdTCkWfSVGiwgNeWZG/qbuLUoynJx8dajYH3B/rD0WN9m+l/c6PC3yf1Bm+LIzcuXsyj

cKdYjdlyPU2Y89vHvHtL1HPEKiE1qPKRDOS8H9ToB6f4gsNqJp/KeeJh3B5/EuUlXqsmr7PX

ivfEcwaeyz7YdYGPuI9nhqXLlxVEsqafCPxfpOCzoLddn4ikqxQdDpfLdr8Zq0pizTBYOrLZ

N678+c2R0i7Onn0/2aGeV/L39oLRVD+c/rf+QPDLDse/4hFULrgNM4Ipcw1BhuaX586gcVH1

lZrj/kx+0HGYjDtKdwvgdns67J4c+Gr1f1DhV1mO+Db81/TM+/nzmYal2Wp1+OO9zS6YsIRa

mEcMepFuOoKDpx84haZ3UIvA59ZRNUX6d78+kTFR3D589I9Rat/353LsId0PaACp0dVy19de

OsN10l+FxZc0l7Cwo9A+zdl89NyxPRfkwnqOHwKhMiQDg6V/n5qYAw81cvVq6v16X7kaCs7+

8/S7jHUqXC5wzBmztFYRBzKeDkgswTBgiNoLlDKOsN1KJogsATt37OH+/bwvwv8Ab9QWAcP4

gWDigv0/tjNIk1FK31l4SmDxBrMrMUyg1NSooISyEBOv5LftYLfrDhnj9sOtxaHR/UrpFiKj

zWfxFd+A8GMXmCWSx939jy+33E4jLmidmOkO/wCGGJbDz/f5mKJVLPV6VXpSb10lrjnqN7yZ

9ZkByP2Qz7zUcSvs/qOswbYNmoXJ0WO4sXmAUvzzAMo66S4LD3isDo/iGsbl0R5kEz6SrNrs

nrXMvwI/L9RWen4GYjNTaNHrDHnziG/V/wBzD1GC6HH9XL+8nV+3TrEygA6FfghXERgiQdRL

l+SVUqCOV10Pd38DM8tvXrAjlBrg/Mbk7lfnz3juViKkvnz3mv8AJVyy13l2JLo3bI9XJjeb

W5pb35vzviMDD6TFjXklyA4XvzhxxnJ6xWno+f3w/jKwfs5xmEOfb76fjMJcrMy9QfBC6gio

EMnn/OIk3Xr/AHBUBJhG2YSI1bh+bz+PSYuKiqgwo814XCcDBsXqr9zHg0Dz0ndQfkVUcEMz

bOj+/qUgcj1IbmUrX7PaCD2Y/uItcQw0j8n+/MBLz8/8htCdAwSllbiFwKg5Ne9S10+CZBlA

dpWIkpIZp7Yi5YukWpsf3FGhcP4OYFMSzpHZwPg/R95iXVmNgaotvpyfEQUw816dTMpLaXWd

9ePT53CrGwazjf8AVHm5iwKL7ccij79MhDYdGpWJdMOU5V9+nv39vQNE2TVdxahfDF7IaRUS

1XHPnvr9wLgpvFZ8/cbH9RQdTZKGF1mUlLL03CVmgrv0/wCQUCV4Gj3imjVS5QoW/nOveOIP

O5h5/UVcenn59JofP639RLckNO78+fi5kxtq/Pr1hWWfPSNDjR16zJC/PzAzRJuy/qWwaIbp

X3LxeJbFmPUns89YudXcotDMbIjiAPVx7rheccxgK/iTmEteW3yT+kctxUokXt/vtnPtUzqD

g40vT+j4ibZr16/EVLSkE/HOvUhQy18f3+8dIaueX8+0NeAHbS/UsojFCXAMvGMqMCCqu3f9

XzWu9QcXNpn48/8AJa315/EFqzJnFefP3N5dPnzWZp319/JB8TYQw4i+R9n9Kistdcxrrz58

syw9KjavCffz5+ZQ6lUVz58/9hzHPpN8RXxDq151AI7K+8/UvzXKJZUZ+CB9ofuCTsTle+cx

E2DxE6zjMCv6jTrUpJ1+nj7neUz6zj+Lcdw1F3SvUCH3szUv8v7iAsezTY9cV817d91UwpT2

/wBzXaoCWOC92ZrXs8VMtl3VfHnzU2Pp+CDiDDgNG3pZ+e0Y3r8yjvAMv+xDTiUXk/MFndeb

l9tRfyerl0K3G3SKsc+fPPMfh4GQ7wfcw95VYfPnmA2UHx9yhS6543x1xyNd734jBvrLpY56

efPWdYnk/J02TfrMEBrjvg+f+SiiyFpnGu3Tg43sicNx69f6mXbv9zG+fPrLUrcrgimiWDvG

+4QvFL6Lg6rL8wtF7o/EFDtEtnFfiYi5yfuNyviLKOIue6Dyesu3wYAVaDl1BaA9VPkxPZAJ

FhqX9G36JBqcZha+ksYa/f69/bEwY88Th3x8/wCnm2XWqc356+eZRpVh/XnvcGJUloUz0uGs

AHv69/32heYpT1g57ylnZFECDpesbXsfahZdhw97et5Vxt5/qUD38/r2hhzuXkRx586iXpUQ

l1k8+fuDR2jy7+fP9RRX5xXr2M++JcG+2hXQv7fqXcyxK48DYeeZYHnz+4ZidB7V/wBfVhY1

9z30N5UaPWn7v4xLLYUEdip3wl9VIGA7RbuGG2vz58s6vDmDiUEr7P6S3vsNyI3lcGha9+Dm

WGUcl7N4aSvSY9c+TPMBW2H1/wBh1i0ZjiHDm56S8OPuX9MDMqK6QGxwer7PyPQh2IaKYNmM

fEDo9dsY9pgC/X3hiyWb/oH61O8KgnX7gUo1CupYsJkbIuJuHb9sFmGfYeDr69Onq4pLZPx2

9Ijz+4ocxOs4riYgLNB5wNug7oKhVa2oPYV0cGeVysTNpv2+G4qwh55v+mBV159decEbb/MW

KC9ZhSI3z+vLHKdBgV/NdpiNInhfiNB55jfXTz2hZLHTTh+th06dYYKaWuM/UHCnsr+opUsB

M8l1n88dtVWld3o4fVwf68EzNG4IPqgNT2jZ28DZmJgennzUYuNMMRwVcZG2tl3pi8KmEHAV

NqBChWtelkMkZvDfHJWunnRDoFSwOlb1mOgIEBbZbapsce/Mq2KpvmBmP1BtFwEdX7hAj5Z2

85i94PLzn2nN24v+z+oTupQkHctrUd7AUxgwDHHrUqzB37kAvjXncFEgIixE+Sp34D9Q21s/

e47leBAC+JcCwrrCl4dS8+7uYIxa49z8SkAdM+fmHAlHt2lyq3RxXV6Dl9i3EDZbvT2Og6e6

3MAvX/v/ACWqukrVB0j1reP1B6I7pMAL5utenlms3qwfVy4kOg4fcfWUZTcNwZcvw0e/5ghb

589YhNmq7V5r3gqHT6Ro7Ff3BhUq/d7Io+yeblKuSJBzGmDGIAeD4iCYCJBHpG5V0x+IByLv

vGFWt3MnPQr4gi0b8/cvdcFff5iVZCBhweqA++D8xZUbxi5XtGP2qvR+wJqhi3zrUzWg+PPm

+YMEv1rt58k9w+Xni9H6mX7/AJWD4X4IAuUGDKA3j8gH6jS0HzGVBxHRbpa6wRva6Dz1lMmE

9mNEekbGBfowO/X3l8EMhW8cMSdCE7Org79/bHXpM2q3dFtcr/WNGIZodd5e2O/+R/mOVfji

NAL6KvPz/aKrl3EawefeUrcS+vfzUTn08+fzO7U0CGvBljL8NQ7P5Y7cszagABFuaQmuo8nu

/wCSo3HHhzDJ6y8ZmdxA4j7YEBYj9g9BEeodP543GXbGDnJASdYPDjWaNdTeRIyt3KnuP7/r

ziGGWkcrO79JVZgaArY1cDeQUJrvAaicgvq2qe56ytLdRb7t+4TK56FAprI2zt3gk3MX1egP

xM3Yoc+kdQYSEms4A2+T9kGouKmo5hATOv8A2CXug/qALqgwnNfiXuYyqic8tIdfxHBcGxfy

8/MYbPQwV6R5bhkefPnMG+fmLHnzqWBXoedV0jsrz8yq4m2fOv3qHOXTrz54z6yrHMCfUuXc

M+Ovo/bKA3dytvn78vsQK4T6jFUoBv8ABj9qYMEuD1h3jwl3LIzD2/BFNOviIvsHXB4MNvg2

L5/uVPSLUArZfncYTrAvVzX6IZLjqJZRIrLgvsLtRVhpTBYVlWmg1x8USrfIY7RfRx6f329i

EHWUqYj3PsfqbE2lS4EBasuXG9P6+JYGc6/X1F6rz5qOGvWUAfX0Pr+5bWCGjXGpjrzmPw36

+fJmPKGnr5+Jjj/ZVFM3a+fPnUrmp1ItvPn9ealHOIcl3Xnz+fAp8BzLb8aEt0/bGt02XXv+

4uajgtPS/jmIvWbX5v8Ac1LfniNBVwc9PP8AUtacB5/OdqRy34EJZRCgqLUwDsSgHmEDRL+6

/UCqMsao37n7qWlQPUPzHUbsZfUBUVyb9YupqYJXSYY5tYX0cv2gO4LgNjVyHnX/AGWgx8q3

VRrmHrqj/sPoKHz+oCUsaevZIbG2/wB/cIYCcyn5Qs48F3iaIEJG1ZV9HY+zT7TNEBwl9mRy

u2zmbgX269M5Pf0Y2PNutb9+J1iuuxXT29oqs6MTh595V5PPnvLpXn4gYw+SUvp589IWMtRK

Kv8Af3Dz5+b/AFKBzEx0P66RUviVJefOpUtJdY/iFXnywCgtY89v13jKkLWv9UV+JZ1w274O

uq+kfRucZ2P356YIBAxKuJ4VzA6qLqsywhsrwpv8gn4lYuHu/wBQD0lVyc81WfX4mIk+a/uU

gRpY4uEByDHPgluC4k6yMHth+lY79A/BMu2L8ZlEouvWuvn1hxYN3de1f7LO6jn5794AtDsG

3RnP18wqRxj7dwssvr7g4dQU84dOn0YquPhqD4G4eDDyVnH9OPzDqCs5oHdZ8pOdt6+fzKKe

mP359IPt/cu4fP4g359vO/iA8+e/P9QJfnXn+5tnHn9wKQW5dmJ+vPn5gxtiJS6gBUSNczCU

J9SvBYDkfy+fnpMBwloivlhK94dsLbEvox6nPPSClrZj1/2q94XSP9fz+pj4gieG4KtwNd/x

+IlvN2bt9x+ty9bQKzy9/NQEOnrEmHqkVPsiv1n8xmgvtfyoa94BoWucV+b+oQpe478e/WBx

Eqt6wPuVMmX8fhYDX1f3Bcj93/IL+5/RK0InJ0TqffTU4epktoKy8uPSHtkKdGYDUN+/V1z/

ANgRYV5jpVqepMFZXgzOQAJrw0TiH+jl/Yb9r9IXUI9LFPTbPZz1gCErs/OwladhQvwMWAWD

p/acxhq0jK1geW4Sq67ISKR9Ou/zKhXF/G/qcHnfn31FsE8/UEx58+SYq+kWvPnz9Dnfnzcc

pSBXnz1gCSxlncD41wSs0ypXDL8DFBmq+2FSj+8/1KDpoGDOKtw9M9IhWd7bfnpM8vHIbhtq

rZWcl/Eu5cW9eBncyFEOW6QrTPTpmByALler3ydOeW5SNVWHOaS8tXj3mADME2IUO0evH7gs

dpcAC3vYW92vhCo6uPxx9bzuLGkC8e3731xUoGYzS6cdSz5jUVSMS36RUZ836w/b+vmpSoN5

1788xBrD6X55xB05Q4z9Q2APcXTh7TsPg/Uu4PiGIqKEEqUG+kYULro+dvxT1l2Lo0Fw0Q9G

v0iwVsWlV3a5blufrP67/cDs1Vh4/ZG6SHFIJn79r6SqDPA69T9X7QC4tOG/jnv9yxe/pn8T

I9xlVc9vk94U3Z9alddPt588S1z9oDpKO3n13K0Gi8PnyQ/B7P8Av4+IV9/rz0hg8+eYnjHn

5iHTMpHvOZfnz51GVN9pWPCkXJ5PP7ihzOKWV9bt2L5LuVoZK0ACWF5F2+piAtWG7dzJOF1e

D3zfet94iq5Y4a4v2eHPSpSfx16cZ3DcPnz0gWFz6MCm6s2Xz0zz61Mn5X9AxiiyDRvu3Z8+

nSLsCdq/fV9IFVKAo6+tYrGLqK2mKtomZMBDuv6jCxNHWz4xeeOsoIZt+Hc52Af1HdVcpXQn

pDsU+efP4lixfz9koNB7RSsXjz6dIKZfrXt/YZ63KF5bRlXiAJQhLCA6YgLQue9Vj7v2lKO/

35+oWVrErt6xxg9WIblrjmjv57RyKNfmolW2XvCV/cNgFaa29d/Yc7lGq7/P487mR/NYfs98

ROAhbHGc+5n17keFm66zNGrOgfTf1Hsrm1RTzWh4b7NMoFE6rfqRd7o+y7l1ZsbKHRNuc6xg

6JxqzhF6mMZGfhxEqmnozdB8wTjx1PP6jShfn1ju69ZTyW+vn/jClnMMsEL/AI8YQDR69ZeO

0VY00NphwJKbPP0xEgIOuF9qvVej2qEjSNlh6dx9/qGiKutHTLPrWIQlSmGfnHELoBRE6V9T

XK9n8zeAei/rpxTF7r0Fh+tccxXXDwZfeFcc2XVZ+ukEcNLeVx/WJerzeZfmDP3hV1uWBHh/

2Wgcft4DmKrXWVu7sz6MRSFG/n/sX1MfPrGKWH0+u/8AcMkVuMcwltquj1xx85zCxYeap9/i

HJx5oPs/5HsNnt/334jhCz0l4XCV+P6gEIcV+4mrW4dVp3fRPNPaZt+GK3X1vju1Bl7zk5rs

/wBh1tg2zXc/d88R/rRPV/zMGPfxjz7wFQ8+fLLssAtrzqU05dv4jbqTpn+vTrKtJnzyv6hL

W6tWrya6b9YjsB4qa7Yfp9wUHEFThDB5HrfvcJMacDnkL9GkeHNXFNUAU11lCg2y847AkS9V

+sMVXLbyJ7xLkt94mgTSr6hTj6jzCv0fd/FThp7j+/xDM2fca5fedXhePCytsFBiy7L6/jvE

ZnspVKrXGW/+y4TbihGuS/Xn8w/JpsVyOl38xXWhtr9f1LjVln7lWzDz6/HrArH0zOM90sVE

7P8Ad/JA/fAA/VoL2cXmreMgfrEeFig2t1jhvl+pywgSjPmDb6M5Tc2uhj8eeksm1l9X/nhf

HNJ9Ma3LFHU/Mqq9Wb43/UERzDAfe1QqwnCV8afOIWF64PxOvjnyzks+aqVkCXEiXaU5/aXH

I84hC1zGqFYC4pCwWzMqOb9c/wDPb0lJ4hRLuWS4q4E7ooZoO/8AUFw/n9Y/MQDerDdnXqel

4m+Ar1xZXpXwwVXIddgrl9cfhIKFjs/PHRhCkWWemvXP/eIX+BXvC2z98/id98y+ZLLX+QT/

AJ/cWvPx/syBv4P7hg39RE1dLshCh0z/AHCtc358/wCeAqAmwzrU2c+qmOd2qbQS9YblmNjV

446dPUxKNIG57QSGm1/H9wxN2D0/UFgPvR5+YDrHxF1Pz5+rnQIQUW1Z69vr4j0Sg79u0yhf

/fXPxjr3hVu8f88/cWmtwTLOP17wnBg5df8APWE4KhvhtXHaXCBfPtFiaDjPxLxcOy1qta6x

9Fhe/wDsbnZ/Ufp+3kjsuiO9XnUBVtdI9cz1rMTzMkto9XnpPe5Tvnz56RGBkjVd0Ve5lG7i

5yOfaDqvMoDpEOptLzK3U7JaN8zjz6D9tr7zRfifWMe0GoA9pcUR7f0zHUqUtdF2VjjniZUS

7/Z5esyBp59e5W4XWOOh+MedQt2Ab9PPfcKLXmChCg7sydj1jY6HSrQrJZRZCrYwBy97b15u

VjBv/m/PXcQBQ7xSPp06LXpFAy/X/PnrHTHnzy+A3urSGR5qvQ0PfN5+YwRsWhM9Onn1i42X

c9H0PuE28I65P7loHU+HX9yjjRUVzNHKG21eXMND2ecee0PNBzo+WWZGm3N/B+9TI1vzrz7y

9jz58sWyuv6l6yEI3VVXueeZhU1lXfA5eudm4JC12C09WlYOqdrhVCV+pV2XIdv7+vXcsgBO

efeG4T/QbpmUAPVddcbupuFl4v7iRbKefzGbGxtlwdonpEIMLx8wB/CEzbshiNvz9wQDcLMM

Kw6YGo7l17f7CSRbNc94YvSZJyfiPpEbqaaA/qGmf69GKiI2CCeCuqCuZaPNF98dPNzULVWg

/F13hCKNKXeGuT1gC+TyQTPeAQHC489PPTMVg011PX/YzsokFznYPPvn9jHTIYYxS4U/DG3E

c3+mMc6iOG07y7Vf/K8M9+N76Wf8zCWhrGMPbU6jN7de9RHd1XQyffeoeQGwFhvNqI8tSqa/

J8FUX2/uOtqvt5/qYObe/wC7COboe9/hqXy/sWLMXGNfki/iZpHisvvbGy2yDzj2/qWhe+n+

xQz29vjz6y1ef8jDodnz8D/ZOsrTWDgN5T17AR02MvPT1f8AIHl/HnzuGVFRvLWfTF+amOlH

ozzntxzfcloeKx/tyhKs51cFxoy4xm4r5cfHn/elEIVmChekvFYczESG4eARXMrBjFxURNEJ

RXVuvqCAuL6TAJioQ+XzEym9eT/JYD1lQWAAXmBQbg1TA1DcW0ekEIXiYa8BiFSneHx+IdQx

zVPtRqFru6/7nz81xseuf7gavJS5hgfoyn3n5/ESFOvTz2+ICz7plByvs6D0lAbcY4yek0S/

b/IjFfUolZr388z/2gAIAQMDAT8Q8K/APAhnwCV4V4q8K8Dp8a8bmP4M+KrMRXz5/M7/AO/P

zAPP+f7DXgP8jcfAhnWZhCtfTL14Zou47fTziBn1m41CI5Zn2lDctRH/AJLc9/iCMx/EyAxW

POYUBTOXlp/CqEuH8lKCbRXoXBGH5E8+0R4v0ithPF1X9QPU+/8AYX5r/Ienn2uU8/8AYHhU

q5t4NxY8HJG2GfAajiXBh0l+BBzGBbRFVbYYuPbz+I9modsIXT53Ewi/OYnzDDnmCss8/r/d

EGa6Rx58+fnwLBf/ACMW69Ir03CZbUI7GfSZhc/7EW8tP4S+N+BiHiYNvPn/AJC6+sRmsQa+

pzCJkYfp89T3hmG1i8PfpOMB7Y/FTBsrz3gc4X8wcD8/0D+YXdHrj+7hbY/f/IW1+mPgZcdQ

7SqITcZcuF+CQmvErqdBHXz/AMhYOOvWGpUaGFLXn3/vUM1h36eekoG3nU3jyTe5bpB9otQv

RC87Zgi961KcdylVy/uG54YBuVYZYti1sr18b8DwzkwD0ron3Zn5iofv+pYuDtn+jPr/ANjg

s+vTznmX1eP6g9hm+tQW76fgQi6S2EBV1FmaeG0vxDLxBjcqBNx8ARYX583LNxwy+ZrDvwKB

y+v+QmSpjjX5lQq14q/3KsAbaz8m/wBd4HjjjtFo6RwlIgPn9zVXLfMtcMMIvEIqUFQAjB5h

Kh7/ALgfm8AIvz59ou4D7/uWYjRgPxX5law/Z+P8h3zYa6kJuVKgev3AUyylv+/6hAyPzv1r

8VB9+ma/cQbX584lgdpVbhtHb8JcuXGtQjGPHgOYy4sdyhMeDDxMwjLmJmdELOf3K9h/bzsi

gMtH8/8AIgqtSs4GPxFc4NHvN3s631lsLq2v1+uksYPSNGm5fYcfnvAd3n2iqZ4jneZUzXzB

C2N/mEpavPn8wKKIQeqcPnTB+378CSLRDgz5+YHmFss67z57/wCwB8yy8NSwVNiqiXUeHdGg

8ef+QXTK+2YKqsVDQ6TpKtgy9H8Q2nMKTJ+ZS/P7ueb/AJUs58/LO55+CVqceF5l+AnB6TmV

B8LjvgU8/wDfPrAvAfP9dyPV+L8/MF8efPmzw8/mG3M8mM+iONzEBujpAyFRvz59YBUerAWA

iojGQj/csL5/2JdveFVqLEGqdYqquUe0tQIUH32lD25ly+ILz7+DaQDMPnE5mCsefjpAupim

zXxGXUPCp27PP4g23eLvjv6X+Y9XxX11/EJBpFe2av8AEHo8efiZA/UAr1GoOsvyev4Uw2vP

DBVSiM1rz5/2VxFomkNQiHPhYgQ1CZSpcZUHd+f881eqnz5/zmCBTHv+P3GGestJ7YhDuZPP

6iNSxrUvhjrDScS5fE8r9+eZlY7g0phhWq3/AE/v4mRVfVz/AHKsSuhx/wBioswFzfpLuDVR

BmXMUTql9GHcleXr4grigviZzxM23R8doKU4Tv5/M3O0p3f/AHwWi4KcJvir/N/UvLc46wTn

EEMM7BV9INmw9IUaWsWr7d+2Lmnv+mZB0g3N+BcRmc4hKmVMHeEMU+n+yw0lMNTMPCvD1qKg

casXz6OO3nrFc7cx2L57/wBR+TVfHToebiEK3v07QWmMxikKmB7o/Of3EdREdDuMlsUjLjBL

ilcnr/nX+pfC6vR1XU6B8+kLpQ9Afa3LFtHpv5u4f7CCZX587inBL8HMp4H1g+dzPxvwts4/

f/IhUOPPnvLzUKA6kGOksV0/MNAERLM4/Hhdly9OIbUJ8PZ7duO0xoHZ17/02eE4hL9J0HEX

A0vaEgXl+3HfpMgvqe/m48EGzwGVcFzPwWZZt588f3PQOkKBRLwun9e/36ykw4YeNy4/YBXt

YKX71GGm6H5fPnMFJV+sIF6+pYvQ7dTz2NZlwoC/nf8AuublQc15858AiQArjBWOstAKTo6e

0TQRlhjkbeg8er+JsVB5f2/7dpeZQdH9vqKGnXvnn6uNMN+ecQI0+fPnc6PJeLyGfPR+tQEH

4lxYlHEui5+yX9fCgHWO9vPr7QOijzR5/wCb+ItB3zMlOO3aAtkV0oPHFcJV0GnistQ+jBAH

UF1s/cEIitnHSDDHlWd+p8Y0VSFyrEWIBs2hKbmGLwtierX9QpMFdicxhGo28ZzUoVVuJayy

mpxPQ/ECqOMv+X8wsHO/WU3HX8BpIMAW2u69oYb8sfmYJx581HoLg358kMO6KDquD269oUKu

XHt2+bl8z2z5+JoIqWBZ85/NwyqaTbR56fmI17evXr7eeZb/AJbu9/3EF9uund58+sFQueHT

pfN9u+ZnovqAPyQipQ+vb/IsHLz6/r/sMcm/3/vSCRILGOp2jnMP5fjxBaCOetbnI7+n9RA9

X68/9lkFd689pizny8/7KV9Jkuoq9dNb+swSp45/cBMmYhi8ccfrH3MGMd4JDDe/66QYbkC3

DhPw76xIiGjWuq5t9KrR3fM3J+ZaYmnYisro+gQ1ElYhc9I8zd8KTtnz7y+ivYnk8kGkVZXn

iLc8Lim8V+ncNDu8/mcxfC6iQl+Lbo/uW55lyeDfnUrtrju8vbDRKronE3gMKbhPc+40dXU/

ef8AO8YEpVZ/XT9wL6tddv8AfPeOQ2+a95g8Ro4vv6b3EtZ5fO7loCkA0KHbf+fMfoX9efJl

rD5/56sYonnT5r2hrwdsUuwlYuYvszye3hnekZK6+X2iCgaD6/7AUdOfO6ICujr54lWYtslj

CrOgXHp3jJXd/PHlmeUZgHzLSr1AYej5uNkd+fPlla9M+rDo9HvctUesAfkhKxkc/wBkbt9X

wWB3mSJfPhMw3nqoYiVUGwVxA3YLKJlvH6g49L/XjdxYxAK6MzLibM458+sAL/WfPoy6XOa/

H9/E4x37/qFOT+AtwV8h0NB69uhg4iNmqx1fP/YxQLfwxX9uuGsS+nH5cu/bsTLVn8Jpj0ly

O0PMKrb5/XnLKbnf4bH8x0MqL8+fPSWcX58/7MVMb9H8T9fAFXLHA4vyHn26Q2u7T48+TcQW

4OvT55/7LwYEHs4rzzUU98atra4vq+n5qWMyB08+bifcyl0wrjz56SwJxqbMBNdv8cna4Wwo

TeB+I4W5gw+eSOVO7+Zd0xMXLrwqOdY0VPO4lTz+eIL1f5g9nkDnZmvbUToLbYNX084mY8+f

38eC+KwV6vP6gVuvdD84l0bxZQ8c/LK6RjfPet1fX4ipOpy5rof3+4CKDTOnOe3Rz6neGPFj

hSqDpznqduPSIN7Xz5ees0tNv+ef8ojtHPB6cefScA8/7KWGvP5iRjz/AFKPPnz6y9L8/jr0

lg4UX0TzmJw6V59ZnPPf7m4sxWOZSN9Jd9B/Er6+Bueo2wPU9P6rfEsl58+c/wDZVpga4/OP

e/aIrA4BtvhaxjirzyaS7AOr+uvtcydaP49Jt6zJZxANRcZjn16yjiOaNDz9f3AlrLPm8/3D

R7RUoMpuvq/mFKixB8O6ZMq4eqD8yvhFsB7k0ZeKLIpRz3bfPpXeFFtCMWo98RkmhGWLqVJf

CToWqMDW7L+9/cRAoYFKRsN/F7rriDLZmXh55uIsPOPnf1cBr3enbvg88Q1uvPn/AJEC/P8A

2UAhv+CqCwa+KP12lhlzmbaFuf69pZ9j56nn3iLjARFpvz51MURTXnvjz1mQMfrz/wBlsOGW

5lv6lC6P32/E0XLDMS6vz+4mcEVOdUr6+D4tv6joPrBMYZYniMvY89IitzGR7zSYG56SqgYj

fTEeInRf1FwU5D6lX0vzUBerUA+N/mCRt35w/cVJkp/EWX1mkWJdw6RaZnBW2K9mQ7qExW3F

YaVFUUPOAHJYkHki0siufX3A1nJBfy5brz6NhABg5QfTCKB1A/MTdqojdc0+mihXzVTtXz6G

jEC4kk3v3jB3X8jofRwi5cvXofiOroL+cfVY9YtYJlWM9/Pv6ZlkA1n4qvvMLlv8ME5T5X9f

oiLdH6jtj/IYtZiDhcvXt2jhqCc9pVjBv/K/iXUSZ89v3EpRV58/mNHXI+QGFROfmWrDBzMr

UHL3T9PDMssp28/cRxhh1Kf1fTz/AHFduR+uz26PzME9LjrcMMSXfXzriKzMN5gzMSqjkqA5

YAlTeS32Pq/zM6MVj1pMTd6w0edwS7YY1iCg1b+YauqcVj4/DUBRoM0IcX0ujeMYIwkZLq5L

BsVDhV4l1S5cNw/T9wuzcPpoFu3w38E42aRESLEPUz9Y7+/rcG8+3pXv3x+4rW2vVb8+fRKV

5/UuDL8DtqsfqYFjhV4h5ZXq6Zecfvp3jLH9efj1qBf9+fzN148+cRLp9JeTz9V9lTNvXz8x

Bvzjz/Uvi6Q+qessdXnz7dZVp9oFZlV5/wA+4X2mfr4KjiPeP+/7MFPPZ/rrKM2e0GjOTrX5

/vXpHNzGufbr6Psxhqtb6+jdUwdNiee1x1hkg2xqWHrLwuy4495WancSARHT+GC3Z5fubTvn

/O377RUIuGD3gIFV+gieg5dLviCQNatFd/8Asah2paAw1aicQxdti4IBAHbLt90qM1dWhGJM

J6S4Q3Dm9fzKo5IF0Fpc4r3010qta3K9Loo+RxdvbOZe2tBVAAoBXyzidDfk8+ssAMuEWLCB

y5Poaxzn8RH3+Jjzr1g1vXn5hmOx04/7Bt6xhkJTJKvPnUSb/X6x/wAlC3CX7X9X9xt3qXPU

mMez8154l6OsqR7p70T9PC6SOKdE26v4+c+e25mqKv666PPMbvEBNaOP6/r46S8OOA378DyV

OuEw8DqemLHJZwij1iEFq0Qaa0mzXskGnwcZgngyWGZ7gLos9JD54qUSNETEvETmgVXFBlX0

j+wCvpauiT4DjLAWuPrlfcXkjiCmU97RC9cYiy44BOYCHidJKR6x33mC4N/BVcFEV7B7xy3F

Srx/yvf7hM0twA/Z/WI2kD9681mCeDnxxd4fAz937xxBfZ7zkaPt53xG7vaCrOvfySpu4rKY

lazf+zFOmef9lLYrgnQumBR7PjH9RauFr3jiyGor9Jn6eFZIMS5cjz7kcKdfjzxKlTge/wDf

9/MVhn4Bx7F93aE2HD+OJk1EjhazfHua3YVxuY0iYMy9d09vhYK+8WJjiIYlssBTDlel6etZ

+LlRsyN8PXrrqr4MQO8CWPV9xbPqLWKma8+fOp7mnZBXu13CwFt0vXX5MqMDZ0gMA5DK5xn2

hN8YWA66YB8j42ECBBsF4x6qEDzrtKA/Jz88e0u5JvT1jD026FxkNv1+nqDWBsoMEOu0P1cV

Yb8/5LdfX088+TJ9poQPBhsuJrZs3XW88avzcsXBvzjziBoUNTfEsYIc3584gennXnEp+XnP

3UeOgP3j99Y0UkS0O4Cyz4fzLhOi+6f7mhU9cJU2HZl/XwWkiqUp3lWY358+SG/04l327RUZ

00Dh/BwDxnfBEUppVx3WECDi4fTQmfTvFIPJm4YgFSwWoevniIkejz98w0nIs9LKuZeCjVmf

hwwZHqfj/s5l4uA5KD9Tm/Y09mNuTANrwDWdi8XUbrslhmrjIehaIsu/3HUYsNQmsBwAXyPx

K9SD3UDAEaMFLRxUCsMNry3qyz2MBW9ijo6HAe/2uVy23AIvjYUno79fzFl3Wr/XrUBF6V3w

8b/5LuHg4hZdbfTKK6uc+fPSLZiaiu/V9Y8JfCYaZRjX3+OJS7x+YKqdvPnUYj1Q/b+JWp3n

+oF8+fuNp1T8RyX2fyfuLF7l6FjjFnn3lV0+feNdZ8+8vj28GUgb851DtHGHz2g4G3Pnfm4N

0KfuWMPn+5Whq2HphcfIzA03BxKFcI6FgcwyOPOf7gzzUO2YpuzeqGhfkLfyQZsT0N+mS/bA

jQbyVMQOnn8TTjPT9w7R6GLD0ofkT2jeifoH7h2Xlddv9/GZslRKgKYSwYRGiw4zVcB5W9KW

r1VfLoL4XBUORaKs6G6KAvLtq6NMFp6krbt+WoA9V9/xr6gxTfX859PmDbz53OXt+4eGES46

V/f5qIeJmvPnMe64rl/3mEPL0r+o2trfn1mUtVxj3gSZ7efOY9bja98fr/sVYmwYeXHs1Btq

jT+P+QqVK6kwDs/iaETGYSXn+j3gR3KLEbbETMry9q+rz2l7yRf5/rMOqBHlC98+Huh6Dj+v

CiVFb/ZkgNvSUwNFE4nK9enn8zDyi3S309P7/wC40Y18gXX8mTkc9xwNHUrZ98PMcVqtSy6F

hl+jPqmx25hisxgeHT1gI2NzOYsbTlWa0OoRBscjxWz58WU9ZUZ1o+UlgAhR89jywTfofuNn

1PwQykNxl7fl7wPLuWAesW98efPWWWcD159Oa+vSM0feHNwryxLSBwNr3+969u8EqN4PTUur

pB0lq1xk/DMTu/3EmvPn84grlL0f4LMCe55xKi/J/qBXES42JWAYfOZjVyD+T9EAFmBWh9GU

0SwoIQVG2ollROoAgWEckVj1/DX6lHsPyzmEwsGDz/coYMsal+TVvr/coB2hwRlwhLtDmUJ7

RpbzOyBHs/tC/A4Sh9H7ZQA3n7/1grBzwBiuXXkh4TPnz5qAIaXDwZYbR/ETaeXP1AOahrc7

/o8/cW0pft585mWWfPn0gBcPuwYxPX+tx526o9XfwfklxJXYlq+I/b4fcJi6nn0lV1xBtd+f

zEy1zGQ6leCpgtO/hfaGYsSodJmENXWfSykPRmAMDIZXLlrSfHWGbYq10HS147Q5wj0DFKZX

j63LGWYGKBU6TdXf7el0dm4NQoOPPlcz5K/bOcVuOpjz3llKz3li+nn2l1Uu5Qu9+P8AEzcd

JvUfDTAlVcqVdMe8VNYI3XIdCzZQ02wiSx0mT5hmXp54g3TSfmvwsAvPF9pyPId+Zc894tln

P+9IEqmViZjwJ/X0kKDn1r/IcGw1Vf5/s1fyHrMhY9mvmoKWJ9Z971xuDZeSZ7iAbfPExEEx

9+XzgzxL9ioTSG6WOK30fmWFzZCXrt8TWCwOr5/yCgeNFuBp6kCswziLRBGSmyNhxMvvyevJ

1iJKzdvr0x5/NLRWt3j9wQ5L3WV8vji93MBa2cB/XEQ5fp5wQCtZlOAA/cO8FDtOMX7nCXyw

3C16s0AvcEDazerLWF8zlL9YVAUzVcK9HDNbdf3BajEjqGJyMaKOZltn6g84/hs+0gmjzxBo

dqV7N29pnHd19L5v0iVYNHnzcKA69a88ygTk9PUxUxeJzDUwTkD+n1KM9PaqU6eePP8ASmS/

L08/qXvFpvyRipQzObcwRj37Qq9oDc2z1dfb80cw2I8nWWu0ud/UBBPT+/aY48nWBYevvDFR

iIyMEvwNy768do3JiEq5QcsHzLK+z915/qCML+/aJZVXnY+t9N291mGnJ8Sk0aeHbs0HfBy9

WoCXzjz55io1t00fn8w2NF33jpM1dX8eWYFpn1xNEte+IBkX0sgLGfPvM1FvrV159YJjN9+f

qIjfVglA4XqFM2+2q3Wn1G/QV0nXAzEiQ6ohxMaRa939Meai+aLrwbzFuaa+S/WXFOLb6lYL

xr3r7uCKGTnjz/2Cg7358/UVO9Q0B2l5hqUA6n9v6hN8XHfszlsdZbtr9Qq1mEi6eaiOQyRz

OfPry+n1UVpYUHoP39mJdf2/50z+FlL/AAiHq6ef+wAAxB24/frCyVOHtz+vuAGjL9ef+TPl

rz6/qFbeal+KplhXhFO8dwIRz8qV9yypF+vnpL2Ze3Tt59fRtUmfPn+oHuXtEOXPyylcUtMs

KMR1l/AThAMPGOthnPmoqyZmUEbx1x53D65pgLN0jW+T5jgEgtoXjevUdHSAtGvPm45Yhqfn

rBgW2COHI4TqsJ7kR7oD12H3Km8+vgNek6ekdR5S8fWPLOKrvLbfh/UJuwAHr/v6qFgPJ53/

AM77jefOZYR2j/2WUevn2+Jrvz0nN+DKNsHek17X7QbVHlxCLWK9NnzzKZSHGl97lS/Sm/U/

Z/sA3FVnXnEtsaHLj2G9e5uUq0t/yGaMC12+vaXiZ8/k84lwYmLdko4Hc6Bsx51A5CvrxX9f

iBvHtKBefPf+FTpvz3moU7zh9r/UdV5ZdwSgaMro2r6R3bKP6+/n2lNG/mXg6vvyfv3lSPrX

n+4FLVe3n/PSabQpnZi1OkefxLAfT4s98ESETDpoo9Lalle766Y8Xr/c9lwoYYF1t+oBqJZN

3qA1UpTQfN/wCVV5xAsIeagAC1XAAZV4qWl0MUPxH09LgcKbRGs7rdTKFbLp/wB/6nMzAfPW

Og6b99fX5jXezz57ysx587lML0/4/rj8RMYzDgvv+WJmX9Lov61CLL06odDgOjzTy2WN58+e

8x9xWTNfnz/ktXeNU7Nfsgpc7A5ejv16dDUqDS8AhXSnp/su6QESmT6lay+oud+uvxKykWZo

yb9PxE6pe848+nzBZjHN1fXcIaD07X58kByiPNf3D66d8+G5fgqMsE+fP7hpoXfH3s3H7q84

V/b+JshPj8UywFQK8vJ/y/eXW9Gz+l6ddbmqil747P8AvMbhSefNbgecHTrzMpRzBTFGghfc

YHejy63PUbzgXvLfQZzD8yNjYIilX93eYFKtB0psdZv5rXSehqfK/qUuJaxr8w27R6hVVNcS

rdqPoP7+0+zLwxGPWVQsu6vIF7NxfdOYg8UAd7MJ2/qKuZB6nV61FwaXVLwM5AE9bpeifkEM

wKb0/r/sTlz4BQcQfiGA9P2ysx9+OUeegn3GGuQyHPorh6e8wBg8/Uxrg7P4gXcq2o4VPZB0

PwPd6KB6LPUlJeVz2Ju47bHjpy9pawsrNF+zr6HtrN+I8vJfS3XuXOZR+X98V6cRrg/WPY/u

DmXWa88QNkvf+vpMsT8PSKuX+QdovU9D5H4Y6Ef2+ThKv7ZyPs0e4D2u6gSFtUJz1ydONHrG

Vqnc53rN0e76yuKletfHFYMHS+8thCjI9efPqRGj3Onr09dekvjp6SyGYC8Qzts0C0y9i/MC

isrrjPaK4xHEIBawBFDmFtwHXZldjVarfMKN1xXnz1lLICwsH6ro6ke0JZqmTob497lDMGus

srV5jQ1L/uqQUOML59oP9l/UwAHpFrB6RBKzJQaHCgaHV8xB5rn7rt5jNLm3qr0rEDD6/iA0

HLGuq+mH6ladJgo6CYlTaItG+kWGgNFYyvfOf1Lgp7p/eIX6xAv1cV3Prc0qV9f0b95YyHxi

vOv+RZo0fUQVbvt56zSjZ5GfxzqkokqMH7eq5X4htUc3WfdgLI4357QQpWxrHn9SvkXsRRAL

us9+np16wewemf8AITQZ+4RWnwr+JR8F0UMh3P8AMRGy6bT23mHwbu/OveJ1IFJ5vh8+nLGo

esIysMso0W66XLjlez0g7AlX279Pnbi5oYDz0z17xsUYjN0N6LVe1+bitq8V8REtyih1rfxZ

8wGWnz/zvE6U29U/Qv0qFMsvUIiKhuKcanQO6fTB/Msb8Aqe/h8xnoK+5MPp/dlkTHkgqXzK

D3l58D8B/cNksekIS1w0FmX1ZrsHbcYPnZ3u/j/YhG4OEnk6OfZLr4F3eH+vaKKeeP8AOfJF

voRfXOHpT6YiSqDSroOgHEBp6OIRgHtENvwEwxHWJzCziXq9x2MD+FTHioKITr0YkZbrz6fU

AzUqh4efLAoqEZVE+UPnzmULjj2lGup53Bw8q/jB5xuaRt+PX0xAGlL1vmXSsvm89vl/MKMg

e4p8CfmLVBQq4xd5tKzoXegOJWVuiM9o/P8AaOfA8kRyldpkxiJE7kvdb81FMIvKeT1zXRiC

jiq/cV+hlRwEUrVexhLu+a1Dceo9KdesPKEbV2f2gW2V6xlEqMKQW7xPJ6Sp1T0hBHEb/r/R

MC2ofKr+4nRh8HP1MO6Wy2kLC1XlMJxzK4ejrYeyl17ekHAI5rPs8Q7zy8+e0cXDl1lRxGZx

KaiWLjzlXCHh6S/BOsdsejr3zW/XPrplYyJ7IfMCAS4i2xIETwG3Y/MSK2+e0XTx58sPw/tl

9PJAZQXfvkvtGEQyesGGWqev0QTfSGXULbgXAdb3CVbun6hEx0gXUP7Q7h01gAOrlLmPXiK7

Li313Lz6V2bvz+oM2s1+4WihbO/SaK3MP4D7uHAw0TXiq2wxGuNV/X+Qgei/y/UV8ASyTCnH

SM4Yr/v1FdacseQjnc2Ym5UvEXUHfz5+phLuBWWAeFx8N+KpuUKBWausloda1EQlO1ynSGl5

2Z9KhaMqVjLiqrN949BrHXh138sSjZ53+X0laXnz+YQjqGJ7XYW28+c/uEbuNbPOWZDmLsH+

nt8eEX1F017D9xIbB9v9RQXKr4f6hmDxK6Rwb/UzHDFgjXURH6I3DIrql/Rr2iTNLfFp6C9Z

p6FZlXitLvkVd9rWXqVilOuNfEtZ6nROTcFgWL6nc/7HkHI+w9GIo6idG/MP68BgeJg1tYfT

/NwaqwBQW9WFpjPMzXQj56S+x0W7H9x207f757wY+cS9+k3z+prUczjcvFReJzbETDmUrHZ2

xDxZfi3RMINBvz/fWOk0b2/LAjdbxdHXpfrviNNOHOL9OvHfUFUDj9/j8xcyv4MJ1x7v+S0l

PPp+pVjXXfrfTvKFWJUtT0z/AF+4FvFH5htPX9Qqor0Qmrn9hEQdmH1JXTMJyGoN6leuP9j8

T6p+416qBeiD81LRVBdZriNV595jgKxNQo8vEEjIuzUBj32ZevJKAix1VUTq9SLgom/BMx1F

YNmPbY8fjqR67oNnp16+1e00uJ087/yoS1mDmAPnz55IzXgNxrUXljSDZvz6yp3cQ8DEIt+F

48Bt0gyfrzmOVMHU5vX9S2Wqqjo75yreoB1Z/wA/ZjpmHKHp+4zF+FeFYBXrePaz94Y0AAdv

TOt9uYaAC5zg7Yt+fggICzGNSlagW1OfsfkjRbhxlaoT0Xb2lo7Msnyn3EdSvAKmzK3luDp0

t3g3nl/UwIO6/wBXOM/l/UNafYf7m8ft/ZlrBQ6DXHWou3sphjtHr2DamTXMM9iF6oaLfpOe

HvaXaqCzRn2mWRpgt90yyqzocf141AXkx8f3+Jg3SqfTgicSILPc8szWH1T8kWohnIOD0hQV

StJnV0XftMSL1R+pSNh1Pxn9fqFcsefxL3GVDrMTvRG528+fqX3bBGV43GY8BznUS6YPOoJm

E5f1/wBlxBOcq96fzEtG7obaz5xx9xDGHk15z17TGkISvBTvuui2jaU7a6xTFlrFm8dAav0l

lUKY1WdbaovpnFEDOPCAz58/qJGHRhqk1DLeHsVe19ZxpQ0pB6zhEHdoDyNG64NVfXniCyl+

sC5mB/CvZgNFdwIHaLxENzoMWtwQjuh7mcfMSf0H9TIAHsS2UQo4PxKh1yKALV6AQAsdH1Ce

5Y5IWXPcF9iP2lFXzPzIGAhRg17RuMjr/RByvOAZ9qmACig15xdqV8HeAQG8GnyFcuem5qst

rn2OpAc53D9xKUE0h+mH0r1iX9VP3NBT3P6iY+0/qcsPzF9rXSPZz1H+o7gZgQsw59WM3/Bq

XnwMhcfGfqWQoZzTrb6Hm4CFOuKe2n461MKD9Pvv4YBbAvKZv4URGyxOu3rr4slgFGeTl2Fr

t+5Slj5fKD9wGob1kP7+4CI26o30oM8OIFBaa4Md/wDUvxcRdZ87cc19bpiD2KHt/n164mIl

5Hnj5MWnfMqlkFwWwTBSVPNeV8xMFBMigXDq3QbexzRGkW6a+GGA1T4P9IELZrWw57gjKzNe

b9YoXBsx9y19T9x8Dll6pzqVBYwA9wq/s9uYgM0Yx+oQM3vAlkSiWjVG3NXWpYXkoLcFeBrX

97h2AS2pZhw/nioQI0TNfhr2iAUKFlnW/SgLoJTHRkr2LTfXOIYjlgMvdvlvlxuGCxRvasbv

DMpaVuY31459g/2EJcNJGvrkp6O4ONEcAIubvJ59YlTpgy7u/q6clQUMfW6Oo/TenEdsELEp

E9b/AOT7bAmYMvRr8zNauzn8TU29PNxehdEqVKj478S64d6zrrxiO966xtzW89cU9SWQAXCA

9+ty/WUc0vwNfJLozWQp8+dzWWef1n/nxKobsYdTy/8AIRY9Sme2X0zCAvbKj4ZdT7l+QG+7

xjMU0N5vyfggMTs335s5r4CLYGlavB6wTyZ9tH4ZWTIekwOwg2HIP1Uvq7H4qEYawsNTmptj

dA8KVmcK6ecYmp5S+6/cxuMRLknEPmH5B+YO09WY6xCyDws4+rf3KZdmVVly/Mlw/qVgU9dQ

QUFxlxmpWZtY2tdV+Wqq8jEOv1WDvR+4R1IoHIN39kSET6d5QWtaOILPPWCdbzkc+WXWGSqB

t7HAagmiuBXPcvnqfHQM2p7vXpLz131ihW0mg5K50h55lyLVbmuvY+dShtu17EaDil6watzq

Hr69To16zVJVHl+HpqUb10CU807OmyBitHR856xEx3ReV5rj4iF3fvD6Aj1yfEWfcCr4Pyhc

x7H7K/c5E108/qIUy7ifmMGZ8Kpgjamleh7HTmADg0uC1nrx0lV0rgA5o9DOMLxHBl5FIeMD

XFF9piD09oB6nELXAua+eKiAetSfuY1a9qf3DEs+rHwee8tYB6v9PzABgXi+HNNw1AbUFGF3

ZzmWzdWvwYlrFQRVT2hPTfi/LBgVSHwP7hBXVj1BI3coHe/GZnQvn3+f+ShQ75U30Dn9Rb1x

i5laX4I5Ye379IKwajT0l4M6xsgGirhRXKBajIFakzF6bFNYv13N0DlfBKMenSK8Z127esRc

x/gY1EbSMRs25TbkOx/cfEu3VVJxye8GU0K+2fmVqelF/SZ2ydv+oEGsD+fxOCnntGcICZTi

JjXNfmJwxOFH2wVQe9yyWh7K/wC/UN+yIJyd8eBxabUGQNVTvO/mFrTKMpQywrfVzRuAdzrC

1gIX7HvFqWwqq8l7J3a3xQKX617edSgY5grDRVzd/v7gGYvsv5x+iVFrefP/ACZT/JYc/Uv5

YFP7emLzKaX0e5COM+fR+WClkqKiKwgxVdpeaR+4lO3BnAALvmBPUlfxBWU5WpfIzA6Wqusj

0Oh9wzooNar9wEFx6fUy7nPp+4oxyldYgGWhoecSkAepzMvB7ynlfl7+GWs7bzCw5lHTqLH0

g8y/MpUNzJFxEgkxmK4Dq+bghwwO/wD2LFXPSogpdMpKPmqb5PRv9JYO6fpc3KfUirVOoVKl

BVX0i2URZS37S6+WXSwX39/SJP1n0gmmvl0/VRQAo68nX/ITZE2dPAELVx6tB2mbJqjK1d9V

e3EHBqirxeAaz9d4ZHI/jt5feXA4r5K37xgzqvfE+8fv3lDVntE3nEZOkUQpynvEimvf36a7

34BQrCWD1gPxA7K/w6lHKy1tGKXFHVlhLOgBS2GLWqM97aZUZuCkoWZb43w++8GFVRDv6ykC

1oK4F5qIgXFGA3jroi0KUhYGmKA3BYNEHBDcS1iZxz1h0Mko0mVFqxrFS7IZizZ2BGNinkmA

isG5aoArHwQoq2njUVHg1XP/ADwpq+PDMvwUdjrNfmUiTbVj8ZYUF8/vzmUc58CxyQazVTrp

XmqSnrA3hbfaIDLMX5/uUWhTUXJ548Bh61brt3hm2LnKXW26dhqIS/MkEcUeEdmD1fxj5r0g

3mGSWYDjnz3hHC34+cVKFq8+fWUj0Pn4IlQmu1f79SyFvp+X+pQPf3+GD6mULLggA4wRh18/

9iViEk7ygNnnz1mo2mAM5wt/cuxwV1XHQxFNEpOQTknVVRj0cMrktoo0LrerPHBLUqlrBMud

tneOLtPioAtdIijC4mw5J9kVVx1FxYo3GbFtwmI3Alo9CoBjdQWyWTKVkNOmNtsowesatA+Z

2SLQFwecRa0RBzz59vC5kolmYNy7WYmoPrk+5XBMdMfmUVX7j/yA8mIw0d1j3OmsD2r6NRbb

gdvxBov9RqXcxVvyQD2mxP/Z

--------------62BA6BB6585--

=========================================================================

Date:         Sat, 23 Aug 1997 19:12:20 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Beat-l Bash Pics

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------AE261606BC4"

 

This is a multi-part message in MIME format.

 

--------------AE261606BC4

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Lisa Rabey and friend Michael

 

--------------AE261606BC4

Content-Type: image/jpeg; name="Lisa.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="Lisa.jpg"

 

/9j/4AAQSkZJRgABAgEASwBLAAD/7RUIUGhvdG9zaG9wIDMuMAA4QklNA+0AAAAAABAASwAA

AAEAAQBLAAAAAQABOEJJTQPzAAAAAAAIAAAAAAAAAAA4QklNBAoAAAAAAAEAADhCSU0nEAAA

AAAACgABAAAAAAAAAAI4QklNA/UAAAAAAEgAL2ZmAAEAbGZmAAYAAAAAAAEAL2ZmAAEAoZma

AAYAAAAAAAEAMgAAAAEAWgAAAAYAAAAAAAEANQAAAAEALQAAAAYAAAAAAAE4QklNA/gAAAAA

AHAAAP////////////////////////////8D6AAAAAD/////////////////////////////

A+gAAAAA/////////////////////////////wPoAAAAAP//////////////////////////

//8D6AAAOEJJTQQIAAAAAAAQAAAAAQAAAkAAAAJAAAAAADhCSU0ECQAAAAATlwAAAAEAAACA

AAAAVAAAAYAAAH4AAAATewAYAAH/2P/gABBKRklGAAECAQBIAEgAAP/+ACdGaWxlIHdyaXR0

ZW4gYnkgQWRvYmUgUGhvdG9zaG9wqCA0LjAA/+4ADkFkb2JlAGSAAAAAAf/bAIQADAgICAkI

DAkJDBELCgsRFQ8MDA8VGBMTFRMTGBEMDAwMDAwRDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAENCwsNDg0QDg4QFA4ODhQUDg4ODhQRDAwMDAwREQwMDAwMDBEMDAwMDAwMDAwMDAwM

DAwMDAwMDAwMDAwMDAwM/8AAEQgAVACAAwEiAAIRAQMRAf/dAAQACP/EAT8AAAEFAQEBAQEB

AAAAAAAAAAMAAQIEBQYHCAkKCwEAAQUBAQEBAQEAAAAAAAAAAQACAwQFBgcICQoLEAABBAED

AgQCBQcGCAUDDDMBAAIRAwQhEjEFQVFhEyJxgTIGFJGhsUIjJBVSwWIzNHKC0UMHJZJT8OHx

Y3M1FqKygyZEk1RkRcKjdDYX0lXiZfKzhMPTdePzRieUpIW0lcTU5PSltcXV5fVWZnaGlqa2

xtbm9jdHV2d3h5ent8fX5/cRAAICAQIEBAMEBQYHBwYFNQEAAhEDITESBEFRYXEiEwUygZEU

obFCI8FS0fAzJGLhcoKSQ1MVY3M08SUGFqKygwcmNcLSRJNUoxdkRVU2dGXi8rOEw9N14/NG

lKSFtJXE1OT0pbXF1eX1VmZ2hpamtsbW5vYnN0dXZ3eHl6e3x//aAAwDAQACEQMRAD8Avf41

cgV5uAwgGabHeB0cz6LkL6r43p4TxzuvxiSO+5tV0/5tq0v8YX1YzOtZuLkY2RTT9npcwtuD

4O527R9TbP3f3FX+qnRMzpPTnY+Y+qyyzOrsaaXF7Q0ClkS5tbt2+mz8xCwAe5STt4Od9cHb

Op4beAcV5/8ABVmV2kEwfPlXv8YLvT63gt4P2Jx/8Gd/csGnKeByHAdu/wD0lNi4a1WSvo64

vrDhW+xrXv1Yxzm7ufzRu3+5HbZYCCwub5SR/m79yxzk1uuo9jXFhcWuc0Ej2n6Lvl+arX25

ok6GdAAO6kMILOKTr09V6jRGzJdr9FjpcPucXM/8DV6r6zZ7GzfVTcByYDT97fT/AOoXOuzn

RJP8RyojLDiSTBHbxUMohcDfR69n1n6a7S+g1Hvo0j/wQUq3X1PpFw9llYngWM2fi9uz/prh

m5g2naYjka8/erHT72u6jinSTaxo0jlybSSHtX11kBzWsIPBAaQfuCA9g7AD4CFbrbNDDyYP

5SqmZk4uKWDIs9M3bhX7XOnaA6z+ba/bsa76T0lttazeOHOHwJH8VWstyG8W2D4Pd/5JWRdj

5DPVx7GXVyW763Bwkct3N/OVe0IqtrWZmYNBfcPhY8fkcquN1Hq0sd9qymBtrWbja8h5dkBn

tl21zW0Maz/r1jEa/QIFZ3Nrqazm4Ent/Pes3/PSITb/AP/Q9B6pi1XZDHu3hwbAcyyysxP/

AAFle7+0q9eE0PY71bnBhDgx797ZH0Z9RrrPb/xi0Mxs2t+H8VBrU07qfOf8YuR9l6020VC9

zOn1NYxwlu63JvY1z/5Pt/NXNdI63QzJbZm4VTvSItrdUHVtLmEWCmz0xdt/4303/wAupdf9

dscZX1mOGRrk9MprDv3Sbc54f/Z2rMZ9WqMeuqxkPyKSdznCN25rqnd3Mb9Pcz2fo3pwyRhw

2dVcBkDTlm7pNnpX5Tyy0tfZe1j2aXFu9jbLHeyiu6zf/Nt2fmItVWHkV10UufjZYYbra3e7

2PcBUxo9jPTq/wBKyyzf6v6XZ6atN6Fg5dwAqax+8MI2Dc0ta+p9btsfTfZ6z/8Atyr/AEqr

4/W/qxXbaK2W0FriHn0ZDYhjvfT6j9j9m/3qeWW4gfj5+piECCSr9l3tMstY4+YLT/39Q/Z+

a06MBH8lzeP7X/kVoY3Veh5djasfMBseQ1jHMe2XE7Wj31s/OQ8XrPS8vNfhY92+1hIaS3a1

+36fpO/P2qLddqGk7GvY4News7jcBEfySrnSqI6lhlzy6MiowOJ3t/OROrZGNisrsyHitpBA

5JJ/dY1vucqfSOuYNvVcJrX7GnJpbueCxs72z73e3/po0EWX0+pv6uz5/lK5z64tccbHbXPq

O9ZtYbYKXF0U2ba7i6vY7bXu+kujsvx8PCdkZdjMeikE2W2kNa3Xb7nOXN5v1y6RkBlfSbqM

+w3Gu2mxlk7BXbd6tFW1tl7XWVsq31ts+mmgG0basOhbzgP9Xd6u9nqB7tzg70MfcLH/AJz1

YtCfpmV9pqvH2enFNVjQW0aNdvYyz1S1zK3Nf+Yp3NRU5mQ3QqGO9n2ikHvbWB83tCtXNnRC

xMSi3Jq3NILMiqHNJB0NL/8AqkiuBf/R9NyBLx8FENTWZVf24YZB9Q1+oHabYl3t537vZ+6i

gCYTTup4X6w1iz642v8A9B0/HA/rPfmD/qXuSLJc9vEDXymUD6y5bKPrX1F1jYqqxsXfeSGt

ZpeYs/wjmbX7/Y3/AM+IOJ1eu6o2142Q5hMNsua2oPEfSZ6lgs2f9aVfNfF9jPjrhef+uOTZ

j5jKKrLaftGzIeaiWn2tfQ6bG/uubjrm8e9lmJdW4PN9dT3OsdGoafo7vp/nLW+snUjm9Yx2

Gt1dlFZa6QHTv9/sLdvqVs/0n7/qLDw7qw7I3mfUotAPjJY//qWuVqH81A9bIYJfPIeRTYOV

ZjvrvpqNz6rmuayYBDf0r2Pc33e/8zYhV9S9DKoyaKwWYzxbW2wAvid3oOt/OYydjLNv/Dfo

/oK30tuE3FyLcl5BrY52Gxphz79vpsd/xNO7faoUdOxbqmWjc6sAhxn+cfOro/wVf/VqWMCR

UTRPzDuOioxMjQFtr6yZ7ruqWureDXTSxtA7gOY3ItdtP5+9+1dH9ZPqx0rD+qVd+P0+3H6j

j1VG+xzw5xB9Nl9l36Z7PTu9f2bGez/ga1zrcbHtyqb8iv1wzYx1TnOYHtYAyul9te2zbsb6

fqfzq6PqX1lo6y3E6LTVbgYmXZVi5uRdcXuZS6xm9tW/e3e5za/Uyr/+2/T9VOEBES4u2lKn

jnGtNBvTpW039c/xedAbYH+k6+tuXt2l5rrGVj12M9Q/6ZlO1YvXvqpgYWG67pL7i5rgbXXu

G0FkPtqbaQ2z18f0v9f0a6W/rdFGBV0fpWO1nT8UMrqyLpLnClzXV2111+nt3WV+r67/ANJb

9P0a96o9SteGU1vxSGC2vItFpa5j31OFrKmen/PY9v8Ahr9vqeipMUY+3LiHq1rv/wCgsJPZ

1+jdMy+nUXUZQ1mtrHGwWOcGNLHPsewNR7xCB0/6zYnUbhjW1uxcuwn02uO9lhA3FtNwDf0n

/BW11/8AB+orOREKsbB13SK6OdbymwAftlY/etpPn9Pb/wB9RLQTMAn4JunAnqGNrLS+qG6R

It9x/wDBGJLn/9La+sDMlv1sys/Dyq8a7HwqqXF9zKiKy67IdZstDnvZ/VWVj/WjOOWw2ddb

6dFjH3Q6WPY0iy2mp7qNllllf6LbvRfrfXjW/XHIusx67n0YlFIFrHOZ+kdbcLNzLK/07fT2

M/4JZbqqD7vs1DZHZjv+/WvV3l8PHAHQb/oxl/3TXzZRGXU/VXUPrBjdS+sPUcimm1uPmsor

qfZsbBYx1f6T9Jt9Ozf7Nv8A6MVwBtGPvseGV1gufugBrQ3a7t/J3LJ6hRRZ0/JHo1gn0trm

N2uG/Iopftc12731W2MctW3Hobj/AGFo21PYccNk6VhvpubudL/bUqHP4o4pxjZOlnRtcnkO

SEjVa08z17JxrqmOrYHbHOsNrfbuDzsp22bXWe23DtZ6ba/+1H88udY2oNe0ywkxteA4Fg94

Hqx7bN7G/wDG/wDBf4TbzcQ0RQ4PNFe5olwP6NltF36Rzdv6Ta7Ksf8A+B/o1n04L83Ldj4V

XrONjxXUCPoN0a6bHNb6f79j3qfJjjjlGERpwg2e7FCZmDM78SmYjrcW66ppcaX1sNTRM+qL

PTfz+9V6f/XF6dV/i96d+wsequ12L1GmoepaXF9T7CN1vrUuPsZv3e+j09n/AAq5bF6K/oWR

jO6hl4z8fJtpbYymwWFoptqyvUvft2MZW9vo/wDCetvXorKMDrWHYyjLeachha92O+WbXDa4

Nd7tvtUmKEeASBIl+kd/0lTyZIzsaRv0/wB2o3/e9b5O9pO4DaWyQHsO4GD9Jjo+g78x6gWl

z2PIne5riOdS7a9uv/CVuXc5X1J+reGCLuvjHPZlj6Pu2lvqOVXC6J9TCTTd1M9QsBL2Nqe6

oNA9zvT9Fn6W/wDRs/VmWev/AKNieaOo1+hbEs0SLo/Yte33acE6j491Wc3Ugu1ADWgmYH8h

v5rUfqOX0xlz24l7n0EMNFz2P2vscdr6WWen6btu71Pds9n6P+frVKywuIcx3kY76/8AVINI

ikF0PeWtOwsI22DlrhBbY0/yHfRXR5/WXO+rzep17W3XtbXG7aBeXejdW2z27dtrLvTd/wCf

Fg43T8i3Ay+qtIdTRcKLK9ZhrGWvyGk/SbvymVeksjM6f1zJz7qemes4MYy2+lr2ta0klge2

t7/duc33bf8ACpko8QsGuE1a6O9d29nWPtw25OS4uy6mVuqBtdcGvuc1m6ve5279GPzP0f8A

4E9Weh5mRlZOBXkvudY3MxNosD9XevjWWHc9jWuf+hd72WfQXPuxPrZjPc815tdjo3WVtcXE

D831aN1m3+2j9Cy+qP8ArL0puU+5z3Z+NuFu+YN1e47LPo/5qbIbm707rgKFP//T2PrPhY3/

ADgycoW11XWMrZZudYSWtaHMaaq63sbz/wAYsdzaW6faQAY+hW//AL96X/VI/wBdMq9n1jzK

62ghoq/89sd4rGF4NRdYSHtIIaAInT+21anLioRrSwDo0c5uR1vWk3UH1ClrK3Of6t+LXLmh

uvr1WdrLP9Ggu6mH9fuxmkluPW3gTqTuvM/9dpQeo5DK202v/macnGsf8GOe7b+Cw+h5ZHWG

2ZGpzN7LDxD7CLW/+Ct2Kh8ShxZbP6OP/upNrkJgY6/en/3Lt9XY42WY7Dsa4El0fm3V347W

iP37LWVf9sLkGbS0nxaT/wBErrOsY2a/Ir5FR2U1WMje1wJsa+3+p6bnb2LExrfq8xs3/brf

BtQopb/nv+0P/wCgnxkMmHDLiHpjwy13lFaYmGXLGj6jxR0/Rkv0trH02na0O3CRAaDH0fof

mq1XTXY7c5oJ7kiNP6n0WqIv6acd2Xg492PUy5mPcy6713/pGvspt0rp/Oqez2Vqf2zEZq6x

rRzJIBP9n6SkiAANRs3ME4yjV0YkiQP+M6XTcCmy0kt2U162bYBM8M/ru/O/cYtvIyun4mMX

CprWNEQfLyXKnr+NXU2il249g3u4/nHaqVmX9qymstsFzdADrs1/6T/7aZkya6G1k58Z8Bs9

S3qnT+t0XYlfte5u3ZxPwTdMPTeozi59wxurY/tL7tasmvT08m5wNezLq/m77Gv9S7+d/Seo

qN/SqMbB+345NOXQ4FjmABpHO18fmuWfm5T8r0us4TvTyqSDY1uhnjfp+Y/6FzEyUpRB2lpt

dcX1WGINdKetysLqFdjOl11msFwyLqmuDqnsYNzcmv6LX7bm0/m12+p6f/GIXRsV9OXd1TKH

psz2V0YfkC4u/S/6J2U/0vQb/wBb/nP0a0emdUxsvFwM1lrHWfZvTva0iW+1ldjPSP6Svbex

lfu/z1n9SyHt6ZdTU+TaRVjEgn3Oe1uOR/Krs2en/LrQz/qcOOMPknPWzxH1dB/VRjHuTlKX

zRj0206ujaJKysFxZ9fOlOJ+kwM1P/CH/wAkt3Ioix0vHJ4CxqaSz69dEgeoHBxGoBG1wc52

v7qjB38kkF//1On67/zA/at/7Y/5Q9vrf0n9xnp/zH6L+a2fQWc7/wAauTO6e/8ATV4okrmP

5R/ujb9D5f8ABa09z/M7/pfN9X2jO/8AGn+zu+17/R3M3f076Xu9L6H9tZg/8Zjc30vtG6Rt

2fbpmfbE/wApeVJKHmPn/wApt/lvnZMHyf5Pf/JfK+2Zv/jdfZnfavtPp95+1TO13H52/ZvX

N3f+M9Hs+3x22et/6NXm6SgxfzY2+aXyfzf6P/O/eZ5/OfIfP8/6X/NfTcX/AMaz7Bn+n9v9

HbT62/6c+p+h+zbvd6m/6e3/AAW9aXRP+aMu/Yn7Un7PZv8A5mZ7f0//ALU/R9Pb+qf6deQJ

K5h2/wAp8v6H9+X/ADGpl6/zfzD+c/uR/wDHH1y79n7m+t+39sjd6f7N4nXf9i/Tbf6q5e7/

AMbz7RZ6/wDzg9fd+k3/AGPdu775/OXFpIZ/kj/O7n+dRg+eX8zsP5nf/CfTOrf80fsn6f8A

bX2faN/p/ZPox+dv/kp/rF/zN/aX6r9v+1bB9p+z+h6UQNnr+t7PV9HZv9L/AK/+mXmSSq5P

5yG+xb0dpeY3e56F+w/teR9l+1+n7d3q+h9Lc30tnp/9+9i3Mr0fXwPs2/1/tDfQ+0bfS3+n

d6Xq+n7v5z+Z/wC7HorypJV8n89Dfp83/cskf5qW3XZ9L6h/zy3HZu2/8B6Efh+mWZ0P9pf8

8ej/AGv7R6/2ln876m7b/hdu/wDwX+m2/o1w6StDbp9GrL6/V//ZADhCSU0EBgAAAAAABwAG

AQEAAwEA//4AJ0ZpbGUgd3JpdHRlbiBieSBBZG9iZSBQaG90b3Nob3CoIDQuMAD/7gAmQWRv

YmUAZEAAAAABAwAVBAMGCg0AAAAAAAAAAAAAAAAAAAAA/9sAhAACAgICAgICAgICAwICAgME

AwICAwQFBAQEBAQFBgUFBQUFBQYGBwcIBwcGCQkKCgkJDAwMDAwMDAwMDAwMDAwMAQMDAwUE

BQkGBgkNCgkKDQ8ODg4ODw8MDAwMDA8PDAwMDAwMDwwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAz/wgARCAEwAcwDAREAAhEBAxEB/8QBHwAAAQQDAQEAAAAAAAAAAAAABAMFBgcBAggA

CQEAAgMBAQEAAAAAAAAAAAAAAQIAAwQFBgcQAAEDAwIFAgMHAwQCAwAAAAEAAgMRBAUQEiAh

MRMGIhQwQQdAMiMzJBUWQiUmUEM0FzU2RUYnEQABAgMDBwcGBRAHBAkFAAABAgMAEQQhMRJB

UWFxIhMFEIGRsTJCFKHB0VJyIyBiktI0MPDhgqKywjNDc4OTo9MkBvFTY7OEFTVAw2Rl4kRU

dKTERYUWlOQlNmYSAAADBgQFAgYDAQAAAAAAAAABERAgMEAhMVDwUQJBYXGBEmCRcKHB4fEi

sdEyUhMBAAIBAgQHAQEBAQEAAAAAAQARITFB8FFhcRCBkaGxwdHh8SAwQP/aAAwDAQMCEQMR

AAAB7+k50vq4IYsdZf8APt6ptx7Gud1tXpPN8uNDGKxcJYJZXMm8GYFSuIrgyv4WQqZKslai

SALwpyJEJiJwomIyICaGIQpCISIwoyaGaSJSJSJk6yJSaSZM1kzIsw1EBaN4h0h8ljAXxY3M

d9HCF8bamnfO63TmrloRJ2jVrDzOut2RyQyyuSI4lNATGVNSa6IgItMGvSAtlUgLIlirKVkn

AlSh8BTISBRE1JGEThHkFkGjIyDGDGCQiyDCBkjSDyBQoSCmIECMImIeRoJYqDu7TOVbaOAj

Z6p7vo6PQmjlNoSeo1XxuXq97zXYUHJrYiFdS4gJmHlBFijL6xPFFbEWKowDOFYMQbQLFXxR

JBJAskiyTVwtilAgCKYNIgCOxHkDhGkEkFkGJEkDhFEDaCGBSV/A9wOEFnqvcOk8jvTwDLdV

a6svT6s1cZniz6s1JH5Pr6DrXc712E1s4Bso5SyrtFM7raXIcOqbIVdTqyDsEiihTBGGVvkW

KjGYgIEXE8DZlQtFQ/mBiIECgoEjmBwiCCwjGDmBQhghyCyCtASGECYmRyGcVp3brnHD08EL

YhC5po+kL4WCCwEamY3Hy7DkscK7nWq12rdRXdK2bAZGsUesNg4OibV+sQFlw1ajIGYEVLI1

ZPEqRU4FTBlNv1C0UkmiiwjECgoEjSCkiCCAikiyCSBmCwimBGAyNRErkjME9rXuXXOZGq4u

jwwNGgPqMc8XVrCSUczcZDSaGVVy0scUtdK3WVmIGRglQbEFFG+BV03ZByEHVUqQVSITZdoM

mYE2K7qbhrFuIJPFRhDEFMGJHkEhDhFhGkFhDhEhCgFMCMb2DMskZEdMnFad5azWzVVtZVgH

ymQgRes2EpoBjxUdDmDgMejkrYTXakVaxJQG3k2gDZXBR5l8wDK7lR2DiFQYoxTBFIAWhQi4

l0VC6lkriCmCKwzSr48bELgmMm8IkIxgkIkgZgsLXA3Es8Uhxu4n6L3JcaeamnWR7iSuF4Vo

tXLBLc5huTReYSOGTUumbdd3D6dEd3lI49pOnLo9ZrVJMupRIrqwNEbiFjCQNDEyFBPSbSLw

LK151C9VWWFRJBQRjOfjbE1sJUyFkswoIIISLIGSBCDIAQ1tN3HnChWyah2PcYhKYWVaYY0J

6LLlMqk5rj85rpTgYIbDraw8HSdMWyuOry4nzOzOjni3RwW5yuhzf2+Qk9OhCkikXcxCHYha

TYTEGZFIfCEqeiahd8SUlRZBpByaAltV7qw0lv4b7HaoGEWQGEWESQGFsaNZitq7spbS0KU6

yuaISmJRFQFAVjFxFQeY4/Kc0VOyLRila+seuM1X2RoxtfA9LP8AThpro8y0UtRvxtxAbAUg

SRvcBKQoFpFTNQFJHJWcVJAa6RVdMWUugoAsiBahluoPRSgsvmjRZTUgAgkiyBkhwiSN5LSw

SsGSFGFv0p1le0SNEWCqQKgkCLw7icsyzmVdVYldIyqxwWyQ0XbKyYKaWSpqYcwuOzK7QZI2

aYWbEbmKyDyImRytkgcybwqE3itV0RJVYg0Awgsaj5dAq7hQssdLQNYRgMg0IBI0gwLcY0PG

5ho4TgvOtOsr2icpjsRQRcRaRUHaTlCW0zXqqKXlqzpt57rkucFdmVm569a7LAihSTNkIgwJ

kjMGCdhNpFYCAWKt2MTxJBmsl3Cq54kssQYQYQQwSEMyNsUFhCsHICYCYECMWHkCga2jY0QE

YYegkp631tFZSwxFBFhFgdzNoeRBZUqaI9dW+dXmO7JH8WyWc7c2K5UHjJ09bdGJi6iJyaCY

kHEFWbmKqSJGKp2WEVoITrJfwpvOVyplQJEAFhrRmqjPcS6yspMzBBAzASQZB4RSQoBGiECs

jsRczLfVxjEpYwikKoisikm0PHgtomW2p1eUTpzuaxjV4xm1OnJ6Zsjww5msqGBdJHyB3ke4

JSIwV6qTktEVWAAUCxVtXLGDWhuIeAes6U6AlcrdUZKrS2kY7yZAM2h1sV1VLuuoGMDMEhDh

EhCMFEFYIyIkPrC52W9rTHZSyhVJFJFZFBPQ8Ux6btly9fkrkIMmEsTRq65XVl+bQxsvPTI1

AyALEGZV0crFsipmLL14iyNF3P7HoZ2EpQtUemsEFyBEkmtU+gtNdwWJx0NPF9jDMshpusOp

LSjPla3rfnFkDkCYiKRGAUIUg0g5gpEkIuMi+L5H5S0xd5FRFYcyek4hD15tosjoc4kwRqyA

VqrqqxbIDg31GLtXon616xoSWzYr8Um1djVXrTx9ODbOR1AlT7DyNcHUvJ6bu3sm+oJbyB0O

H2TlnbllXzOG1hzb0HRQGvdOC1qJetLXnoyBwhyBEhmBGBBggBWgkKLLI4LbWdBagwyhsi7w

rAqSZk9JwmLGjpYJJryGkN5DgVUpurajTTfJ7DDn3xrVzpW+d3Mr9LNJH8rGg8sUxVoKRPq5

c4PNztllvvHu74zaYBL/AJqdPiXhnH0tan5209brDmd6ZX5qTrv4V6fn+gcqyi2rouzKGSJI

3wt5IMIZgYgpgciDCQSXuEurSWQ0AAKSKA7mbiek4GFpfU5xurIdI0Oj7IJTbFK7eQOJ3nOn

Uw6MSbV2E1cFS3Ux8Ww+jow7TzEyuZNpLtqNRWMWV6q5/Z6yybo3YfnP0/Pzymn6iNTznn7u

M/SzTsGtpos5uvNflCmgMgcIpIEjZCCSJIDILIKZsyugl/hbi0lqNAUG8igmxORN5OA2Lf1+

W8vWXJi2t1UZrtiq28UcbsWh570MB7XGbdGexwldrZ6GXpcRm6MS085qso2kzDc6vTjKcJ19

ze91VRtYRPnz1ODfFePu+yqra+hHub6qNC97Ofm3Rwe09XFRkEkBkGJb4WowEMI0DkEIEh3i

uRnRKra+ktpoFgzJkTaFeHcz54xju1yRmQt6n8FUhprth6PyVx+zMOR1od0+bpdXY4rglduk

lh17bG00UNj0zvP0IH1uXLdG/AUBa5VQO/eHvla2cwX5+dN3E+hdVMpL0ZRrbcXo5Q+6Orz6

w1cPpi3nvjgSAMEIwGFpLAyBsQ4BIQBGhkmMPR6rZ+k0oK5MVlpX0OohkO5nzWTRF9uN/wCl

zIbRolAUm6uL12wXHqgvP6Mqw9KIbcIN+WcFYxW+I17VbwbssDxdInqs8672+upIqeLd0oyk

es0qy3F2Riw2FTopHPtPDug3Hsa/ilDGwsJS1HQt2F6dBIwBjUGBMBJCgEJEM0ivpnSyrY2g

8hxLDUXPYmomoixKsPzURnlzSGzLJNWWxLqBYGGPUvP3wHn7pzx+tXXa5GCrvA2K7ulsmp2R

67KyWUW30u/tGGKDopjWA0Z3l2j1dIxFj4s9h8zQ9RxBHhXsGa6waiMnOCCGY3tX1xfzD2gp

LVC3GBmQCEpScwVIFW7q96bSuX5UJLnxdCeiJo4alyup6k6PM+ZKGYGyA9DEtu58jKoAowxP

HsF5XSom1QAdljmyh2Am0bI6MV8qv6gv7lR6nFgEVNGidde1VTSRvDKcqXzy7EkCUIsjeBtD

4wcANo3yS6zH0ZoyiBo9Xpqjndlvdat6vE2ZH6rTIDSBWe2tOa87T828+hzydVqrZCmzZS9a

M3dfX8/8tleyyY70cBG7E/gtixvjhcTrQfJuilwjEjy+SPLbnbnXInXJ6sG6nK6g5PX+gmWx

j21cMdXoVDcgSotCLVSTCKJIqa+guTYiC0Vqq5EC7hkYBWjAZqCK9fVWjllM1HF6DKXRg64G

3m0pdneq9MtpskAr7W0Z7suPFFcv9tXPUlKmhyVbHrsoqGo3SULZYPoeBKHrdVLeGr/ndIrx

3roZoqgPc8+ysvgXrLtE6PPyydKeG9jSPf5f0FzaOgmyEPXX6bfm56iwZwiqB11uihtBfqKL

+5dmqxtWEGNkGwKRjdBGGhynDLY93Pt2+rl5ywqZZzOu4dLl87W0l1Xyap5Uo76vy3Le3yLo

j7y/S7Z9gVdyIsUk3V9hEQYf2fPWj7Dwz0yohub/AB/sbn43XiOvNU/f81rJqCPIqSdpp6L8

p6RHJ1u5dWOSpQrYnHPUs537iFvb6ABKnStGoR5w571xMpGblGwLeobiVYGhhGmV8R0iAbs1

nOlCWh/lYld74qnmFmMilper6USqz9Q+YLJYXJ7jhn2D02pZb8VlIlTNZJmq4k+g+Cv3qc45

lahKq8z6eTef7sG15Yx6Lz+1lbRi0LV3F12o9Ln2Fw+vfXN6/YBUCqxmFtBdMVpuobbwhYGO

1ZFSbtws8rnVWqDIrfA2BcwsBOYGxpFLKZxTduZFba6VvRQH0XaDJXLoWCRASE+ueaqyOhPl

zZnlvkPblU2K1vqjq1v5GTaPxp5e+l/Obk6PP3JZFhvmfSwfzno47sxxT0XADuzt+PQstskS

22deNTPrmuTv9d8ppJdhPso8Rs08YOHY6NYhbF1BoDa78ovVIajXL0bBgxGwwF1l1+I9L4fV

pRFlGaMwou1KYIVgSKYKbFVhV9m66ZptnyPRLb4HrScmgvPbsrercIFatnS7NzV9K+c210cI

kIAjxxOzHfI+vYbs8V6fNr3o83atrKFnQjUySLVero1uu26OVpvDFfaRoOuyRHQkNueE32Qc

3tWfObnkrLRZ2ij1xlaJLhvXajUxKFmtrum3BcNqcs8j0x9Gmu+v53oHVmjUaPQsCljjMckP

rYuVfZQUSLVPkPmvurB2DMPQLx6VKGFBVrdJTrfjoP6V87snoYoXXa8WIbRcv81+iAI0P6vN

pDtcXaR/z7W3RiMrulnT2igOd2gOqoquwy28l23YkOJZhzTrJU4AqEnsoSvDlNaV5r85PVpz

oc3PR5pPS502FT5yOw28D1MeKVD2fO9j35gDG+QIkSBohoejTZFuT6fKD7jw7xPSxvLclVd6

o7LYdUXGptVeNbcNN/Q/n8825KNwdCxuhhlcrW+c/Q4fh2RDr82ru1wfSPmPqMGvmutGmc9n

oqs7dVQSbV2c02E2OqRN8+e3ednPgEhjxXexUhEY1HItoc57vy9Kne3xGTvebLvohfnPT2F5

r1MD04wut53pyxQIG+EOEQxqMorPqnVuP6oCKWzlPgehFz6c0OEjh1WNbjVHaUau+nzoX7rw

pViUrx+rbfoOTNpQF471w3nvRMe/DRXoPOKAvmTox/XzyEazet2VnZqqoVlpzudZao8da1tb

lYtlBRjaZWj0Q80SaPaAsiAsp5cfX/G612U6IxZOePQ+e15vWl/J61aej8rL+rx5zyegSGEJ

DEFhaSaOz6JJbk+sDzzTgjg+nCqtznt9RZrVY0X0uWTRo0gnT5MW954aF5tEE5++9vR8J6KO

nne+z+P9dCepzqk7HFKSw2rRoU2klnU1umm8aL5Y42XqGLsbN5WQymsNkEZYXErRsselRga3

hstKx6UrWu7Of0ffV1P5/wBFH6NjUmgy2uAe4+cO5lWc7oW7g2DSBiIks8NIU3mvm+uloQY/

Pjz3pRKrkqLda3UqcO2t6x3gOIJ1OSy+68RTHK6Qtdt/ej4W5B/L3xzxPtq+6eBp05d1ZVbZ

UI/IzbouR7oWdly+sBBeQY65Hz6mSKyPTDrMjA2d3lktr3FI8HbFbj35sWiK8ZenH2pi6lj8

b0UdqskOivn72Pg3rXzo1Rqk3A68haCSImM8NHU3yJs/1htDZZPmT5z0YYvbyZHnab8+1CWJ

pY2OkJ6fJgPsPJVzg2+htrscuc7ccA5nV94z2T9j1OBplN9Mh15G6yiCsD+V2aw9vzXS6/aH

YEgh04tSMVjfLH7sjY9QwkrXXZabbIhhUFJnm2bbfC5TXaZ+muN3+pRphy3yppR3pPKNfb8x

A8e23OL1ZZYBSE5BmPOua9xmf61u0fZvm95X0wq3+hKUuWZxi7hnsHdYp0uRRfp/NNdVqkj/

AK89/drjt0aH5dR/g/b0X6HzuIMGeEzJ1/4n2HK3s/NSLTrLvdYlux5Raam56gWrkRtjr0JA

T9tduHTLkMLj0OeWeRPbbq1qodc1vcfO9AiLW6WV76XyTd2/MVfzOp1fg2FGN5g5gcNE5tS4

z/Vx5FA/zk8t6VFb11iLHFdi6u85LBzIr1uLQvf87rDmTYi+fRcd8atqqvY/nnvqS9F5naHx

nhN5OlPNeipHr80ivVZHF61zip7vras7A0Wo0W1p0sPPfrPN6NW8M19X7nKuyDVrH9vE9aGH

JrfJbBaqnTm9G9evn26fLN6PGGWRXzvf6nLNxgwkdEhCtUtFjzVX9d9U9JpCNLA1IgI6TwPh

NTEHRkvrBkAEFQOd9RxXVHAy7IzpoBhCUi1jIk7y6Y60ab0k2Ham1TTFgGnM321udF59OiId

LAIwzDMZeEjRRaZbv5lgbM/POPfHE0tUkUziyOtyn/VldYAYYR53vvkeEVtD6iCIiAHBIKU+

z3QH/9oACAEBAAEFAl9R6ft1xH2n9w0tYXUw4pjIuedC8sO3x+3P4W+h3VTXNTTz3gJr6jY0

Idyu68avdPYIr1r1Ff3ESj8hyEah8lY5Q5fEzKP2k69vbr21qvZ2S9jYr2Fgv2/Hr9ux6/bs

ejjcev23Ho46wRx9mF7K2XtIV7di7VEQ8LdcBd+7CN1fBG/yAX7lkl+7ZQL96ywX7/l2r+Q5

hfyXOBHy/OMQ89yfdl85y8ED/PMhbM/mQ9svqc8sx8k+5Oe16hZ+lxjaY+3/APPALzHl49bl

vZYAjRNVS5dVtKaHtQPOrnKpaiWyrtRIOlCbLdNXvwEy5bIoMxfQqDyi7Ci8ns3GLJ4+ZdQU

dToeApyKKKdoUdCUXJ5KY9rc1lN0seY9cO0eyX1UdSwkKtj+pyEEkV3YtpZ2Y/vdF5ry8etT

SJta0qm1qdyAcE0ENDnpxVWoVRZRUKY4ldyidNuToIZD2WhH3TV3Zo0MjE0w3b6RZzJRKPyp

6i8ixsiiu7S4RConIhFHQhFFFOVEU5OCIRTlfvkhyUThkcnl5DFa/wDxi+rDqWj3c4pCyS4y

3vprZv6ew55gBedVHjlvIey11UCXAdQ4pstDK6cwyZPMwuxV1f3Tfw61joTRbd42cnQElvpV

aIPoi5V9T31abWJ57UzAJLtq9zRC7tHHH++KtnXIc5EIo6OTkUUUUUUUQinhDllqLLR1s+/H

/Gl9XTSFxVU25eDEyjMYP7oGr6gcvHLc/hCQpklE24QuChMNwdzvHj3DXOpuou63eHIOoe6K

GWq77audUuexpAc483ob6sIYvvP3sKfIzawNevGdkVnb85nIhFEIoooohEIpyciiinrtudkT

1y5pj6M/ia+o+Du80248J8iiU+CzdsntcwhtFiB+vAX1G5eN29DEHVABTN1InOiUc1WbvRNN

H3WuoTJvXqI3+jucw9q77hI943l7Ag9kgbyJ2VDqIPdued5B9DXJveYvGf8Ai2o/GcEUQiEU

UUQiiiiEU5EJycnOLb2eZsKnlNwzfJ/E1nqmWZ3ai7zWyMmtblgasM39UAvqZy8et3Ht9Fuo

gWUoHL8sOe4Kd3ra+jXTLuslDpWgslc1rHR0cVvNQdyDjX3O4PL3uEhYWPCdI3cyRwQk3A1p

4lU2dt+c4IohFeQZyXDIeWGNM8v8ekdBc213GUUUUUeSKcnnlI10km0klnPZ/ii8ryP7eR5V

gyos349cFkNvOtpCwY9dF9UP/X7PHultTi7hft901diRit4wTmfHLexwZA33VrO0h8jjuk7v

IJ0sQcZBXuEBrntIJ2HcqkIONHBya3l91Ulr3WUdLvEgjiXhlDaWw/HcORCKK8zH6jI+RQ46

/s8tYZdeItDLMoopyKcnJyetjQtqLfVs/wATWULgTV6lxmNuA7xDxmQt8WtIli8aMZAvql/4

PGilndZe2tHjyM9y0vre7GLitp7zyuGzjyfs4GPubWj7vB5C3yUtpLNkbzx21i8UlY+F1XFb

nBb3BVXOm6iqxNjNHMXNbpGu/EVCmW7nHxCHtW9sPxiEUUQvNW+rO2jZch47A+O68XFIyEeS

KKKKcE9f1c03qWiuz/EFk+tFRAKiogF9Vf8Aw012+zxSFVFM+OSHIG8s7g51mUtpXywzZa2t

r3ybL5i9y+LvMjHPfXD/AG7jVGG3cjYWiOMtynYlydi7gL2crCYyEyJbHNRMhUYQgeU1sbTu

5eJflW/5pRRRXmw9Hlcjo8x4tT9y8Z6lOTkUUU5OT0SgVu2iv+DrI/epoFTX6rH+1T2vfwvZ

DWBjl2WsZBBC6KF8ltG+9v4zcXPv1Ll8nJJD7el2y6jurCV1xaa0GnNVToonL2VsVPaRRvAo

B1VF4iPwofzSiiivOYZX2c/keDcrfI+KNk8Wljmc5ORRRRRCcFIFuW5dzlz/AOvlkPzKKiAQ

GlF9Wf8Ag2kYNlfw9m6gspJjJhLzbgLVS2tve3GUxltbLJ4D2jI8XM6wZhWLGY60faxQRwR7

daKmlFTS8HromjntCqzb4jXtw/nEciEQiEQnVVxjrC4VvY2VixwTk4IhEaFOCe1Oj9Ps5XwS

tliVT/1kr78yiohwfVo/p7KSF0GXxxupLTFbA/FtoyCSwuYzHILywjvldW77i2hxLPY0UVtb

wDtsK7TF2Gr2wXtzQxOAVEEFeffQc8SPewIzEO8NcZGw/nIooryfKXGGw8flPkexvl+RBxPk

EWYnKKcE4IhFORTghRWB3Y/5U/wpXv5iAQHB9WqUtmtD4bZkjBF2iKPbPHVTQS2zIJoriIKH

8vJZzKwZRvlGbYo/M74JnmrkzzOyKZ5XiHK2zGOvFnM0MaweS5Auw+bZkiEFeUDrvLQ2yfnL

h5OZkL4soyReDyskbH+YUVfeV4ayX/ZUr7jyjM43K+LSXntLK3uLW6Xj3/sJRRRTgiiNHIVB

xh/QBf8A0tXf36cHLT6u/m2oo4ekdDXaZG1AYHRQD2OVe+OJsHkeDAvY4bq9bDdRnaeyeSjT

PSMLzvs4XXORu7EwNgnktprWb3FuFn8mGP7e4StIdHDdRKR244PN3ODm8fzMGZhovqNn7y3n

dJcvkkI70ZWKzotFZXtlNNgh/khRRRRRRRRQPqxn/GVf8LV39+mgCpr9XK+8xsIdIf8AkU5N

O6SLmyD1jO/gs8xkk73t5tkT3RSCMhSNPbTTQbHOj8eL3XfkFi7GX8N8z29xNHK/C3wyFhdX

LbS2fcy3N1LJ6PHcI7yLMM+nmDt7HyLwzHWmPfTt/Ti6ZcFeV3v7r5DZ+PTZg/xm5gklsnWm

Qlf3JsLBkv3TCf8AsTginIooooo6WA2uBXbn/g6ufv6Dg+rVTlcXA+N4/O6BrQgC50PpufJo

q4zyCW0uJmT7YdzO+MjbuTJGTQ15l24+4ENoJZGkZMXYmc1z147fus7/AMk3/tEO0rqzwG+g

ss1ZZm1yKzmRxgddGk308v2WudV9bNt/PLI9yO5ZJ2sxJFNFLYz2s1veSQW3js/ufIyiinJy

KcinI1Vr6b0Kn+GqceuioqcH1VNfIYCGNiHrkHpgq+SlHj8rPNDrGJolJjnBkZtkarAfoXaP

iLoI7KOWNwLToDtXk1/N2RNsYKPX05w1peNZZ22PUljDdSZmyFlkPBLNl55EV5TjLKTMW2II

aHxZIuxsFiMj7dvj9rX2pqnIop6cinURR0af7gqf4cpfv01ppRfUuN1x5dF+G9kmwunEjYdm

1pfuipuvG9+1adqoyt2R7lY8f26QJo9O0vsLS6Oy9NblUQCu3W2QwrmlpjPPwnLXGMhlvbUN

sL9tzP5Tcw3ue+meFc+VeVWndxz7kHHCx9vFc3Mt5ZW1k/NZmgaiiiiE/o5FORR0dsbkAqf4

ipB6uACun1Jfs8wZbvmdN6XtYmGSm4EzvaWXV0IWOifEe69zJKul5LH/APiZBUAUGOt/drIY

y1scVZ2huHZC2sobK0sHzhkMUAIDmOiBWFNpZXeOv8ffw921uWeY+U22FZ4l43L5Lc4TE2+E

scnmMdiRkvLZb9lpesurePGWXbyOTZbxYSRuEy9plcZfoopyKf0cnJyKKNVdRzOzoBrT/E1l

MheNyuDv5MnaasOn1JujF5dajLwW4lisI5vLe0rDMZaeIXWenbcxXUrszk5p0ZHyPivJHWc9

CVjbhos3SVBPcdgWtZdeQZdlwPcRWzIo33Id6U7muhf+Xbta6S2u7uxlufIcreRzWwcvplsF

nnfI5IJeb3t5gWLryBmWyjIp4Li4U8he6ZjS7HeS5PHLHZixysZIRITyKOTk5FOOl3Rtwqf4

qs95LYWPkng8/urGmlE3Tzo7/qBKwSNydndvubCysYYGx2ltESaXFXLLxMcwsfBLF2v28knS

2lELa1Nm9sczbm4LjJ+HzebZtLdwqqKm5dTXlP8AitYPVQrxTM3OGyUURTmBEUNlemzmkZaz

R5CaPuH71CUW8obi4sbiyvoMjbFOTk5OdylzuLjkiyNncmqyD9lre5S0x7vcxfwpefE/ybxz

yLK42x/mmcX82zaPnWbpjPPMhc5FeXu3fUNZaMyXBkEFr7kOhimbLHJsIfatuG+YMtpfqFFH

JoKK4la63a1cgn7iaLF4+bI303g/kUMT4pYn0RHqCe4NUQdJE1217m7HYN22/LA5vqa0kIhT

GjY2UB5oDk4cnbF45eexy5RV9LJBA688icjceQvMlteX8/vvaOsc1kbuO9yl5Jj85JPLZVf/

ANarKW9rceUMme5j2PLi/tIuLlhYLmPMHJY+vmd1u8wsrkXtteGOa5EMb2MbRsHaeycQhtv2

45fJbab92usnBcZm9mhmnx8DchFsNQgVB49kbiwpVfTPG9y6g5DM4HF52HyLxe+8fllcFvcU

Wkhr3Qvuoo4riTriSBftT2VDeRciAQEQvuoy+rbynDwzH3rchYOK8pvL6CZ+cy1y65u5pWtb

tsb55ddY8iRWF1us80zfFs//ADlYWHG33lzvEfHXHMZT6fYe5zHlPjMlva+R3UrZPLIv227v

rq7dLFMLz9tvoRDCA2FAq4mt4oXZexlWU71145JbNk8fuLmOVGNwTS5qtbl0TKgnkvGY5L3x

5mJmB8LxQx2KjoA54pmbq1jsXCIv7QVHNTuak2SWD+bMUK5ACoO5ObSaie1rl6GgKZ1E136g

NcnkbPEr9qcsm+GXyLFYtkFzdOZ7Zo/Ar3Iork2E+OyUToru8jvItv8A+fLzSMweRWd3kZYp

GvcXRwJot0W2yMVrt7MZUkUDVc5NlqsfcNuLOpcruPu2dq+ggHexGMnikxDd3a5kfIpoIQFV

4BLWezta5izFI2zUT5hTzrMd2QCiCe1OarJrXtpWHEyMZcB4oeSf+bUqX7rO0UTzmdR3d2XS

MZcYL/8AZstD5UySbIx2l3dW/soJ7m+c+SxtnW7G/wAVgbcXeBsXv8gw1IryGW42/wCGLz11

nc53B3fi1thHZPDBHK2DR+7RhHKlzHZQhNykqtpGXdphLS2u0yJkTBQK5eWsvcH2LS0jfHk8

Gx/dtYIXOvoo42CNuxzR35Wbi3cV4zey2WXxNiXeaxhuw4uBylxRpkvCLieaTw/Nwn+NeQNH

7DnY060vGmww2TuJsf8AT1roY/pvi45rzx2+sIuiuN2wS7huUlYpC8gSbHKc7Z68vllYDc2b

SaVeEHvCL3uTnPkTHmNe6kTblyNxUbf8RU9/Bb+WwRvitz3ExzKbqn1Uq6jHAqxJGE8W3bhy

HVV7txN+NZWss1tfWcj4PKrdohu8gfxGVMTmGOextJ8hfv8ABchPbSeOfsdt4hcPflIKBMlZ

QGNw7ETl7OFG0iTrOMqWxYwMsdqybp22ML/eR+5x2PN8+aLN5Swnxtj91vpI5PGwxPlBXhdh

BfZzL4eTDyFwUjmtbcmP3dFRUVOVFRBfLb/jqlgF35KWOY4x8mtLUWvqRKUBIEXsaYn08b8V

ajyU83ZitOccEvYuryHsx5m19n5bnYBZZqd5klZLRmGtsReOsMz4viIh5ljHLyXNMyc1llLj

H3ln54Q+w8hx14oLuJwkyuPthP5147bKf6m4tiufqdkCp/O/IJXT+WeUX7cd5B5HYPymRxeW

b+6Z+e3/AGG37cs2QxttBJI6ASUDi0rd3VNVfT2L9HfRW89tax96TID04LsjyWbDYl6l8Zwb

lL4liSpPELZSeJytUnjWRYpreW2lhsbu5j2f2lX2MyT7hjnFm2VxAIQdG0GZyD3k0Y1Tn/FP

GPyD1upmy3ds875ml7L/APGt/KaEeYzW0+QJNQ56gmliuWkSkwxhtpH2mUc5zY44lLM+VMEw

a0AJoLkTRNbsVpjHzJliAm2NELY1ZahGjFkWjtYrLPwd7kMHvDztk9o8JsMz24fJ3ODgzPkE

V/YW0IiWRPabiQ+68geinIpwUizg/uHjI/TU/TJ9uxokbbtJvrShliIa6qFvcJlhfOT7G9aM

g4xeLeM8rSV2xlrObi+heWS7WqNncgy9w26wOYa+fH0C+VvubdK1jM5ta9slsLQ2SVDa1wqU

wFyJCaNqxViJ3xNjYt0YUk+0Ou6Jt6Nu8ON2yOSO+tQF4NmmNkyfjcd4rrDZG0ULonJzHlSE

+/hjlDcvM0W3hVs5+UcnJyciFIs6P1/jb/w6elOsvGI2sdgIAczYRp+bhX7w/d+73PdOUvnq

S5u5j5FJJB4742P0Oaue3aW8pgkY8KF34V3MYLd8fdxlxNFceI1W40tnCK6rzikdFJA70OYH

J7zK5iYO4vkOStoHXM1BG0SkhkxImloru+NDlXhWWWJUconZfwK6a+GTAeZwZC0ibBMr/wAd

tbxl/ZXOPu8djnXd/eQSWsVnj3ZOaGObFSWl/BfscnJwTlIs9/zfGw0R6bvQSEXrvGm9Rvre

R7iJKNb5Z6cDguWMz1zvnPRhjUDpIzNGJhhLt/s7c9zCjcgx9I2Fr/bFC3aFau9LiUWJgdIa

oIEk2kItYjcNCE+1SXvaF3lai6ui8+pyildE7F33OeL3EOQiTXuhkxGQuHRYTIzXcXkVrHdw

+MRAWvkEH6SxayGzBjc3JAYXKFfMoqVeQj9V4846SGkZoEZ4UJdy7waveOKhc517D924fsj8

tkMmJw7mR4maUzyqGk9sG+3fcXkNuoJnW2TuN8UoW9Dc9Q4LN3K/iXklJcXeY3QdeSppYsG5

1xyfJuM0+xXGQK9Uyht4lFBGVLixMxzJcdLjskFlYWuFwza7HXzrKfw+7G68aXjDP7b74CSN

kkkJEpEWddHNjMJeG+xZTgipiGjyFzHT+Mt/SK9dss5gUXODS3cLftxuj9auXM91bvHZvnD2

/lZ/tcs/Z8e0wk2+2kFYsmyVW+1zja28srLXCRKPI+L2yb51g7QS/UyzVz9Q7mVZ9spxMEwk

Yi5M5qhTJmsBnU102je/dKVrIXB9Vat3KC35WkEZhy1rbyMt5DbPtLlsjclZFhcKH6feh807

iIHNZlZSwDKxBtyC0Mzjniz8fsJbXEutpSvbhe3gRiY1eSxzNm8Yu44mrKnbi5GBGIkGONh3

fib2uO95urZ1Le7/ABIfKBTDzS9yOmmMn7FyKU7NG5Sxt3WeGt/Y4k+tbVRUW1WcFte+HQ7w

8TkISxo3LE6+9RvE66cVvcXNu6Nlfucw87GTnA302pIGVJCvKd2CctQnbcxXUDmvwOVdhslH

lra4iZcRTyC+bPFc3HupJnEMyMznx2MRtrFzkSi7k8ryoerxOCG4Ys6Q3CSTMr3GlB4Dnu3F

tdx2+6gH6af8OLyo1xwHLatqBLTYXAcxqvo3PscvcT2uNDVtWxbVsXhFvNfW+St32ORt7iMq

zs7K8djfD8FOJPCPHl/BMHV3iHj9ujH41ZLM/wAVvBI1oeFauIktX/g+6cxZC73rCwC/zGZw

02JlhmLXTBs7JYyw4xzGXeNyEmIbbzSvsoyCJXUj8ft/3LMkpxKcpr+xhVx5HjmLMZUZFeM5

Flld6FoKNvA5Ox9g5HD4ly/YsIjgcGSMFhADgME4TeOeP3DXeF+JOTvAvDnJ3068Lcv+tPCV

H4B4lEP4V41U+EeMOF74B4rkJHfSvw0o/SbxIo/SHxdf9O+Nr/p7xtYL6f4jx+fI/SzA5K4t

/pFgLafJ/TvH5CPD+AOxdzl/p3d5K5d9H71yP0UeVZ/R11pPk/pI/ISH6K3KP0ZyYUf0gzMZ

Z9OM5HHJ9OPI3CX6VeUyLB/TXNYxS+GXskOQ+mOVgl/hWchU/iOTKd4tlGmxxWTfbtw16SMR

eMbLibrZgJ7rCwT+QZdT5TMSqVzpDujpvan7Vh/VlV//2gAIAQIAAQUCTURo5yancVeOvBRc

1VVVSqlVVVVVVVVVVVVVVVVVVVVVVVVV0qq8ddGqqK+bejuOqqq8NdK8FFRU+1nT5odE7oEO

h1PDVVVVu+NRbVT7R818kdB0PX4FVQI0Cqqqv+i10+WlEOh68FNKKioqcIVfin7YEevFRUVF

RUVFTWnxT9oHCevwqKn2E/ZKcA4T14K6OKikfuqu8mvBDTrT4x4j0DCUQR9qppMaCBgCc0OE

noMP3Qqnd9lPSHpP0+L8/gjWidyUe0oJ8MhLPUg4FBvPiqqqqr8R3SM8pvjfP4NdaqugCKDA

gmkfZjzFCuf2c6dEKldk6nSi2/EPxa/EHwzoxu5NYG6SR14KcNNKKnCfh0W5VVfsxXyYKDWS

Ouo4qaErbwFBq2raqcNdAU1tVtom/F+XwWjnwytoeIaOXza+qI1A4XCutFy1pROKZ8X5fAKi

HAdJugW7SipoFVFURZzaKcL3bR3CmymqOhRk2oyKujqUZ8X+n4BUXThk6KiHwnIayiq6IMro

/SboiEFuqu2U1pHxfl8AqIUHC7o40W4JpqOArdwt1kJqUHIGqfpIVyQoigh8b5fApUtFPgxf

dPA5Oam8AGr0DXRvQ89HiorpUpo+P8vgfPiqgtvNvTgPMkcnuomONWtqqU1cyodUaMbVHQmi

L9aKqr8b5fAcotDKAg5y5ohSO0dG2reGPq5y21UcVOJzA5dpoRaj1J1HEDX4nyRQ68JQNFze

m0bwShVqnV38BXRBug6cIR0k4a8Q466k0XyR+9vIXecu+V7gpsp0PVQqiprP+Wg2vAAqLbTQ

0amztPCeCXp8IauNB3nqOV5IXbqnVagVWp+Sl+8idNpTRzqjpCOF11G8CQVJcm10rq69Y1yn

cmpryEyQOR4pOnwxpRUCZ94JnWY+or+qvpThV+0IxhBoGhrSmlUNSnXDAo6Nk3figavZVNPJ

XPKX3QCedxBRcgSgqaHWTp8NugTlEgm9Xc0Qq893pTTVOcQS4rcVUr1L1Lmtr1aGRhaahEVT

wj1lb6uBp0vG/iM9QqtyqrdnPgOkqPwwt4QeEUG0R5KqoVsK2r/bQCK3IuR0qipjyiaDqVJy

ll5suHcoqOEgA0Z0j0v2VZCR2lsVEy5LULtq9yxe4Yu61OuGBGcoykqvw2/C/wBlN5Fztx0I

0OhHODgv/S6RtW/7Fs6rZdG9GN5N5CaPutnjDWjTktoXbC7a7aLFtQQ5roj03A8QTm6V+F/t

J/V8dETw0JQ+9BodMg2sVasa78Kyfyc6pQ5LctyYpG7kbcotIQ0DXIRuK7JXtgixqMY0aKab

KrdwjR7k1M0oqBUC2raiqL+hPeNzjUEIhUVNWD8SDovmpG7mxdLc1Vsa6npRV9TNKJxqtg0A

1e/gprKzcAUwb0LaQplqAnQNUzSwJoTeM9Wr+lO5mqoSqIhFU0b+ZB0Ubqv0lb25rZu2a35P

0d91PNE3pwAaUUjqfBmZpHeuamTtk0vjowfAd1avkqlGulEV8tIPU+HpIaBrtp0v4/xd1Hjl

No4VanCobodKavNEfgUXVPYW6BW1ySr5+59FaxJ8e5dOJ3VvCdf6dLb8yL7s54MkPRc+l1PU

qolb1vUZqNBwPdU8ddQjaxvUkfbdWi3bjRAUCuG8TkNB1XNFUWxOFGnkm81bcnx/dcalNPJX

lDFI3dGzmFTSqLwFbXAceGV+o4xrG/abylUOqt3bmJ49I4XIaN6tPKoW5OJRcv6XdWdbb8yt

I9IHVCumkh5K7rgA+QoB5QY9CJ69uVbUDwdK6ONFWutPgAojSRvqRGlidJ/uBqoqavTToOoV

VVFFf0v6sNDbfmF3LSJ1DpI2ondvdwuO2TdRCYLeFvUjtyp8Up7aiutpERpcHlwyJvTQcBX9

LvvN5m1+/rVA10f0gG53DdNrJC7ex7CppntUNy8o3BXuXo3L0e45W/uGIHihHqki28FwPSbU

uY22FUU5252u4LenGq3bRwUW0LY1dpq7TF2mprA1VVVXQSFdxyLyU2NrVULkuS2hbU+3a50U

LYw9gcIrRjFJaRuUdrG0dpqopY97YLftCgW1qo1ckdInhq74TmVXaK7SMSify3BbgtyDSFRy

LSqcD+i//9oACAEDAAEFAk7WNqf14qKioqaUVFTir8WmlFRUVFRUVFRUVFRUVFTifq3o7rwU

VNKKippRUVFRUW1U/wBEfoOqPXQIcNFRbVtVFTU/6K7QKlEdQhw0RboKqi2qn+ju138AQVVX

gqq/6Wfh1VVVVVVVVVf9Id9gqqqqqqqulfsICofsLqrmFVVHFTVgTg1U59lPjILxQ/ZmolAp

3X4ztNxVarlqNKqukKe920PIMR3iTmarknD454mqTrGn9fjO4xwApnMybgimSx7TRiLSFu5f

HPExSdY0/r8Z3GFSqprTQ80KUe6qcebx9gPE3V3xzxjR3MlgAMrVXSqGm5Vp8McLvtB4xo5+

1PeXGqY/UKvxRwu4gu2tipT454xo91Tqx9PhtZUengGlVXR3BtK2IDmTRByk+OfgPPLhjdUc

R0Cp6JYdvBXiOjFz0CKAoZPjnjCm4BpF1XbKPEF3CU2X0vdXgKjZuQY1OhFEdGhCDcuwu2Qi

gpOnxj8CXrwx9aoOonFU468A0hKFUX0TuvyVv1TSEU6MhVUh+OeMKU1Oo0amCq2lOFDwM6iK

qPHCPSOaLVI3a75K3FW0IRYaBifTZ9gPHWiceeh1GnJSfe4IwmSVT+utNYwmxuT2bVMauOlv

JtI676rkFO8j7CeOldTxVNHdeBgo0dYo9ykYA1kVVsA0LU0AIFCoU0tFXQAlNjTXLulEqUVR

+wUVOJrqGWmghqi0BUCBUbKJqa8qTgAUvINbVbw1NG7g+S6Jzk5iKYyuo5jceB0YRbT4w+AR

VcmpxJOgUZ0bTZwM6kbkX6M6fAe2vADRVTncDhX4bYy5U0ouxVe2C9qF7UJ8FBrJpXWL7zkT

TiLq6MG47hwDhPw5BrG0OPZhRjgCeKEFUaUWhcw3SAc0NKqX7usp0GgXtJGJ0LqRhpMu2q26

ss3Oardqcmuogap3AND8Mjh20TtI0Ony0jk2rvld8p0jnLohpRUTtRzTbZ5T/UwtrETXWOTa

ndVb/c9mSg3a1yATWqioqU4HcQ4nihRTV8zoPSgVTlTRzaGNjHNDWoBq2hUC5KoQe1X/AGpG

uFNAVE5BROq3gI0tXeh3LQtQanaBFU1ch8AnV7artlFhQRchRcluC3rdqTUxk05qmtFQpnWR

1EdAo+cUXJ9u31S+ksOknWXkFaPo54PcXeXcBWxpXZXbcu25bSthXJOaCtvwDq4cVBqdQmin

wJeCx9TWuX+/cijmaP6yHm41MB2vZzLkWlc1vK7pXdK7pTZaoyIAqoCIJTjz28TymurpsKb1

1prRHWLq124Djl4LF1JAPU4fi3jauDdHcyQVtUDVvoe8qgpzUWLtLsLshBoGo5Kq2hc2rZUa

lO6hRtoipuu4reV3Ct5W9b1VFw1jhcoxTQKqrq8+mXQdConbXHrLyFyqrch97cVT0Q9KKgCL

qoNQ4HOVVVVW5V0Y7tkgOUn4aNxGn3RK7pVsdzkVIeMdDq3kuSqFXWqqn/ly9U4UGkTt8c5r

HcVLNGD8QqLmo+nRUrxPPBVVVVVO5qKRblLYNcpIHR6WARUjuTuNvR2rdaKi+dNJ+UcvVnMk

VR0sZPwy2oJrFow0eU120t6EKtUENSaajQlbkDq7ko5A5FVqrq1DRYx0YVdzJr6IHib0dq3h

+elz+XL1iHBjz6oPU3+lUKaKHtrtpulEOfAefBuRdq3no7Rt3IxRv3tAW3a1F1SojxN6O1Gt

VuXzCJVz+XJ94Cmh5HqrSvcjdR7xRyqgCVtKDCjGW8R1cUX6AJrUWAogsPXQqVm4Wddo1umb

JKqM8+Fqdq0KippRfMJ/S5/LpV+kw5hW5ALGtXbBRa0LuNCMjF3WL3Ck+611dK6E00JTnLqi

NGoaEVQ5LqiNIXbm6ELJN0g+9XSuoTtB1b04Pm1O6XP5YGsgqNGONbdm1p58LObR1qVuXcTp

arei7Tcjo0qqqqpyB0KjftKauqv5wdIG8+Fqdo3q3pwDqE48rr7nA4aR9ZnbW8Ns70Teh8cw

TWtKfG1CMLtMQjYFva1TdpycKFDVxop3co5NyB1tnUcy7ax8l46iCAoOCiHJO1qt7l3HLuvX

deu69d567r0XuKrpXQsBXbamtDSZXHSqqqqqbMWiWYyFj9pfdFybcEKScuW86RSdt08/d1C3

ruIuqpYy5dohNrwSN57VsKDdKKnH/9oACAECAgY/AvjTnn8O6nQ/kjOgWZpPUrzCGFB6igVe

SZzWYKdUmbq3tyBnu4igPBs6SFGVZbEqY4voZMKLAaYVT1UoXCM6wU9JJhFwjC1j19K50FBa

Ju6QqzP+QjUN3OkY9paBBQVd8dGJNHydNvs6hQe8A/ditpLm8rDZeArqvlzBOLM8RZvZ64uL

i/8AIIgaueILeCMn/LQd3EZcXF2UFZbszuDN/wBvo7t3A+UDxBEUKoSW7MPrA9vo6fIHnNRu

LSAjtmXcq3mEkuzD6sq8XV1Amc1BlqX8Dc6kjzZQWFRSkuXVpt3F3z7hAZOrJKytRSbVpH/0

SAjnPHcELgxWJIE4jhbtDFM8RtPOazNKBGK4siXUdmK4ZajyBPITyRvIuLxyO2AgoOIsYsOA

uOefpMGUmRjsCJ9Hj1WY8mI+cIh2fMK92bQVZcf6HExakBSs7tS6BTvCN+wsLELChQLCwsLN

I9AhBBxPPQfqSCtRZiNvn3F/l93qD8/0Pz/T3D3Ifch93//aAAgBAwIGPwJxfh3X4s2iGSf5

z+OTKBMOtBqFYWjPHkq4qhs27fcERYwpspiimfwCXGiIKURcOr6qSa3YOcFDFHU1CsNAmDqy

raYOrtm8oKnh6YTQI24uLi4vBLAkF/m2oo6bpwS3GPIfsP1d8lJizW0mG8basrBOAQoEmuzy

NKgs/S7yP9AeCEOLlhZ7yB7Qaukzx1C8m1ZR+mCbtoLnAWHQxoFOsRJraeo6vKysCjvIKUtR

43VYR6GNrUYrtYnJlRcUmDeIwYI3fGSRi7aCpMWcPkDIdnVlvLaFYk0e3UgQ3l1gLIpuCsRi

sSYIwmdQbyyiaPFIm/UKzgLi7LTJHJnBV4ukx4MWS7wEhWFhYWZU4u4jsD2lGuLi4uYuYuYu

Yqb6k+gqFFhqNBdizf8A/9oACAEBAQY/AoopifvXP7tUYkWpHdOqLOmN6rvoVu+qKH80DFR8

Xh7XldX6OSu1tD9omGsmzA8mWLeiM8CRlPJOO8Ikr5JiyaJ5G1qSOgERJNS4NCgFDzHyx+Tc

1Et+Q4uuPeNut6e2PuCqJJeC1eqFTPRfHu33Gz8VREbS0P6HEg9UolUUKNKkHzKEWya0ON+c

TibQp3h8TCqLaZn9Wn0RbSU5/RI9EfQab9S36I+gU36lHzY/0+m/VI9EfQKf9Wn0R9BY+QI+

hNDmj6G35fTH0RPyl/Oj6N+0c+fH4lQ/TPfPjsOD9O98+LC8P07vzosdqR/iHfnR9Iqh/iHf

TFlZWD/EOemPp9aP8QuP9Srx/iFR/qtf+v8A+jFnFa79cPmR/qtbo94n5kf6rV/KR8yLOLVH

Pu/mRbxR8aw18yLOKO86GvmR/qCv1TXzY26s6wy2oenyQWPGzWkTV7hGHpnDlQp3E22Jq9yk

aM8UzlRJXiClOENpsJz7UYtwd9OU5DXdPk4bLvVCwdW7MW962EzkMNgIzQwf+Hv1qTFCP7BH

VHEfi0VL5VvHkrPbZ/vBDeK7DBwqGqM8skd5PJtX6ItviwRtAJVnl54whZEs0SMgNJjC5gWk

esmfXB3eNvShapdF3kjYqMX5xHnSU9UWsJUP7NwH78IjbC2M5cQQPldnywFsqCvjtmflEDDW

O6lbY+6nHvGG6gDKJoPnHkjC6y6ycpsUPN1QMFUgTuC9j76UAi0Zx/slnJ2jGeMLjYk7T+4W

chTfLNFNTJTsVNQhLvsJ2j1RTDJv0ifTGLDbvrtODk4WP7Zw9COSnJGIb1GzntgrKwRVIVNs

WyLeHKYpB/Yo+9EcYOanok/3p5Kr86z9/DczkEaLottixVkWG0QNOWAbDfEpcwiyYEYp80Yg

MM88d06YNll85wbxKNoc+aLPsR71ptavWkJ9MHC860cm2VeReONlxt4ZApJSflA/gxM0xVpb

WlQ+6wHyQca9z+dSUeVchGOnflO5bavRH0neDM4Ar7PlgCopEqHrNqw+QzjbU4x7aZjpTOPc

1LTuhKhPoi76oY0/CYq0J3nhGQtbc5HAVKxKGqEVLaFKo6NBDL9wU5llMaYbKctQ3LmM4xy/

61d+j5OEDO495Ep5G1DuKBlqthhKmw2oIdlhN/ZPminH9kjqEcdObwif2ZPn5H/z7P30N96y

6JizRFt8Tt2ckTxWC8xKWqF+FLXiJe6x3T0whL0w5dIt9Vkoc8XThtKZbtfZxcxjFackSGXJ

kiaQTzRLs+tZEsUYsZMrQJReJ5BFplBsmOgxfLLMwcSiQDYDlhQQgIGW9PVA90Bmd7K/lC2D

un3bLpkLB+WCYuaqNc2pc+2PJB3lO4iXeTJz7wlXkgJ3yEqNyXNhXQuRj3T7ozDEcPohKah8

OlWQAWc4/wBipNLDnTkjqguAyVTrS4kG45LemPFW7vxUtP4mWrk4IM5qepvk1QlzvN2iED4q

eqP5i0VFMnop0Hz8jmmpZ88N2ZIN3MYtlrjrMHawjIQJxYo6zZONvLbKccPShRmXdnVKNlcz

cZRpgTxaMRid4MSCUhOcz6oyagYOBUyb0/0RIgJI+u8x9j7MSSdv1CbYnhsVGHGUqRKUrvNB

96FCWyV+SLVE5vRGObkx2UpOzErb5EC6PTCtvEFDsX+iKlppIQA/MpTpSIb+vJ/sVCtI2Upd

x9Al1nkeGPAHChtTnqhSwCY/FDd+LlutHhuThQpXWmzTioxB0qE8e6zA5o2aRuoGdp1P4eGD

vuE1SZZQ0pY6UzgocBbVdgWMJ8sSj+ZT/wAe2OilZ5B8asaHkXCJ5IObJExEsN0Sx4QrILYm

DiyEf0wpSFFBHlBiiNuIOzncbvTGKeLRFw1WziYkMxydRiS3RPu2Tlrgg7XR5pRiOJJySujs

4CcqvsQrENo3mUXHCM6cM9UAJxtSyW+YR7wCSL9MGa5tns2wBZh7q742XZ2WTOWMQfkoi0bV

4ixSTh9XLn1RKWNUtmUbSZg2m3zRV2flh94Ib5+r/YuHSVepYInfNMW2qPdhTTjONpd6TMdU

XCX+b7rBbLD4S7PyUSbZYHp2WdyFuSnhya7IwKSUlTpaRpKUlc9UhEzJxIwJKVJna5ckjPyf

zGr1uJ9VMwORnTXN/eOQgS54JnHasyxiVMnPIERMGU890bNtss8Wpn6YpsVnvLvTEzI5BZCd

oyGSUCaymWSJJJ0RtDZySAEWBZ+JZFmJM+1YDPni3YA6TE5HD39AgTckm5KEmEhtqcpTN0ol

NKURauWTBf1RnSk2CQviY7JvzQQoi27dmc+mF9wGQts9EAbzAenrirtn74ae6Ib1+b4NAlmh

8c5XOlpKC5u7bJWyN84/jf5f4lTnKWkoqE9KSIwK4h4Vz1KhtxvrTKN9SVLVSzOW9aUFCesf

UeqKZaVYDSu7xJv7pTLyxM2k3mLpyi7/ANbn/wCF5KAmiqqtDgdxLpkBeCWDtWi+cYXnX6bO

H6Z0eXCREm+LUKlLvSp1CVGehUoxNFLv4vbbVi/FHEi2d04ulHHjn4s95G2hyUmmvR/dOQ0s

LAKshEbJSrnj8TrIt6o2mlp6YwgS0RwbiLbzbjlVMPAZSoY/uZSiX1+SKXHT7rfJRUUynHEy

KF2oWo3IBF8zZAQpHvSmYTktno0Q82u9s3gFItHqwCsqlp+zF20YlOUomlQIyGL5QSpodMuu

CDskc5jSbzGG8WW6eaBiCjMyxfWYvkRfPJEhNU7yDEpkA2AqgpSgrzKnASWyZ2iRPlnOJKKS

fVH2YrpdkPI+9hvX5vg/y0Tk4gn75EO0TtKtYbCSHUKvxCfZI88Flttc8JUUPJTddnMcUbAw

pb4pUBKRYAJI+pW8lvR/TH/us/2Ms/IxhUR2vNG3Jz2wFdcSf4bSu62k+aUYv8naZX/WMlTZ

6RE6TivF6LME1i1J+Soyh1nxbtat59dQ7UvyxqUuU5ysycnDxnrh/dLhjSI3Sit1fewd3pi2

l913TPa9Efw7oVLtIuUOaKZusISwtwJdcMrBFHTUzm9pEqqJIHZSspSSBKyA40pbDiewtKrR

0wxRtydddbaZpWEtpIXh2QV5QZwG65SEJoShlpElS3fbxDWVGOJFohxtD4bQQZSAbTsSMuzO

UUfEi/8Axy35FqXax7ODLdKcYcGHmlBEbIGLPEiJZ4zHJFi8NtumJnCciTFkwnX55wJrNvZ/

pjZUBmBvgbUsxJBnFl/15oOb1bISLEaDKUbDfo8sVwsmXGzZ7Jhv68nwf5dP/Mm+tMVMk46l

xIFOnu7CAo4uaGnMaCippCrdpVOR2DdHGx/zR0/cI+ojktjToi7/ANQn5JcjOpXm+Hwz/vp/

ulRT7oHeOCQdyI5UuIUUKT3hDJRUeCefcDSnRI4TlNseGFWqpdUtbzbrliFptRvcNwChmhK1

4cXeKOydUM1aBuKjhTqCsGWJZTh2kzM4fd4du1ON4R4XAVLbShpKzeMJ7ZMOoqWg8h9aXXKl

KhixOgEGQnkyXiODjFs+OWFC2Uy0u2V0WieiLadB+1EWIKNIKo2HCNeE+iDhcScxII6pxYA5

qV6ZRaysaJE/ezi7mMTA6PsQR3cuSLQZaIkmajlssibjuHVE5TV6yuTiHtt9Soa1/B4ErNxJ

EPoTUFreMN4hO8GYiQXjw06xPojjwzcSPlbR9REZottjNrjH/wAbP7uXI3q+HwkZ6pw/s4Qk

dptIWmNps7wGREHOm8QSq1fqRU74qBQ2hYUnu7QvGqKWopQN4H3UtKULHLEy65WCHzgVTtb1

Tjwp/wAmvZsMrhMytEtZhpxxrApBQh2sSjEThJkbOqPGMrdRUP4/4wdsnZmQvZukNUVzG+3B

QlLyJbRDiE+8Vil1a4ARxBdQptZLFQF4pJleFm+cMuqdDy7QtwCVoMrvqG0yhXMI/Ey1THVE

hiWnuoVaIkBKVw5NfJxD22+pUNe0Pg8MXTsvVPh61DriWmytQAQomxM8sEVzTtPi7lXSq9Co

31G/Q070iMQTuTI6wmOPrZcS62a4FDiDMH3Qy/UDGuJeXkslGP8A4mc/8RLkT7Pw+DD+2fP3

KYZQq5TclCN2ZFWEBY+NKw9EYWpEnuCZtyZYJG6Ouc4r1vtzKiGS2oZLzZFey2htqpbcZKnl

I2t2ntJTrkLfMYa8MRToexAoVPDZKUzo0whdBvHMjmJQsOU88UjzFTtuL3YE1YJlU0yIFkMq

qqp911klxaivZxG02GdkOqlvXXFrS5UT2xoF2G+6ENMthptHZSPqQ9nkMCZAjZ2tUcQBl2mp

S+2hr2h8K/miVRQ07/5xpCusQpFFSM0iVnEtLKAgE831JZPdSo+SGXmlYw6hKsBsNonfdADi

S2c6rumN5hVPezw2T+myz8g9nzn4fA051VJlzNxTpQ62VbsbIUJ9EMuIMlHZXzdkwlkledZB

lOO2uYVI4lE33GFPWrQ6Al5Gq46xG+bkcdhXK2zIYaS8o7pCsTjXrynZO/LDjDSg2pUpHJqi

iZZfUy5SubwPJynFtzTplF0KSyyltLiitaR6xvMdnkvjtRZIxMiz4I9kQYMhJKUi03QnEAV/

FtnzwJJCRPaN8cSJOVqz5cNe0Pg1HEKVDbjzK2wEuglMlKANxEIWvhPD3wtIUN2843Ybe9ii

VR/LCgPWaq21eQpEVFKKGpoH6ZoOrS/hkUqOGzCc/wBStTiGVOfRFLdstJRs2jZErOSUu/d/

iuQez6fh8CTllVH+6jhxllv/AESobWtPxgDknE02pUJkZtUA5CJH0xOUto2eWPEUgxEDEWfX

AvTrGSG32TNtwTHoPINausxxBmnqilpp9aENySZBJ0iNohftN+iUe8YZVqBHnMe84eD7Ln2I

26N4ezI+eNpTjXtIPmnAFPUBwm4SI64LTTYdfKcSirspBu1mJ+Il8XAiXVCmHEpaq0Cck9lY

zpnyzJAARadEWDeK7qZ2mJ7htCRZf54nuwkZAIQCkiXa6ZmOJYSDYwfv4a9tPXyaMsKDlQFr

TMbpFqp5IQpHBD4GXvUbyb+lQslzRXGlfSXCWp0q7HAQ4mYwxRO+HVUB1ttJkrDLYFtxiTSl

JXgKi2qUxITisHr8MST9q99n6kCO1MShpEvxJW3dLsqzcn2//muQez8Pgaf7GoP3SI4Wmd37

ow23zmEn7WF+r+U1KieXED5vNDgN7KsfND1HczXAv04zLHbAguuuJabT2lqMgOeEtK4gnFO/

AuV+eUV76HJhyqeKHE3EYzKBunbIVvJKXgN3ITPKBBxX3dMU+bEqwfmzFX70K/icGNPZlcno

FkY0YnEpsdMrjDb7SpONKxIMMVEsO/bS5hzYhOL5QEJUCsdhkX6CZQp51RKzO22aibIDVg9U

WDyxYFylOwTTLmsMGewtJlhlbAdp3bHZb1uVhAun05IZdR7t4KTvmDktycn+UoawUyWkvKcn

a4VzEjmFmuLVKSuyc9kw4UOl3+0PezmGk71Km8M8Ms14hdLWlx1AKUtW3J6RCW96VVCwtxsF

ASdpK9gyHdlCvj8LX5Hm/qSdcPItO7qXb79peLrPJd+Vw/8AjJcg9n4fBEj/ALM75ViKbOhA

A6I1JugjyQ5b20dRhKVZhP7YRpILTg1XRw+u71FVJSr2Vi3pihY/I4FLGlRMuqCvBsi+E5PW

EXQ57JjVfHOILyADadk6JmfkhnESpW9c+8MbpP0d731IbZgXYSc4ME1BCQLz6xjE2yG0i4Z9

cNvbpDJbO6U2jsjDK7ND9QtM0MomRdCql47x1ZmY31l4S0PZin4c46pLSWyuodTKYQiySZ6T

BpJLfYUtLqt4o4sSbJzEskOPUDXh6hi1KhO0ZQqc5wJjCoH7kwG7BUNuEuJ+Js4Ogz5P5gW9

ttUrnhmbcISlhzD+CemHFsVBcXgBYQ5MKUn67BCUv2Yju0zbUElwnClIWZJ8sLomaAb2hZwu

rV3lzFpBs1RMbSiLbJW5o4c45Qvop9o7/drwgLQrLdlhIz8Od/vG/qfEm5SlUki2c8WUZtXJ

hxo3u93k+7h8bjl8mzk5vh8IQMlH1umClxW83TacK5S7U7PJCzplBgDKoykfLDysspo5oXLs

PJ3ieeK4eqEOD9E5LqMUbrT4XUqZQKlsd2yy27LBZWhVmURicGxlTFqVjmHphbjc5SN+rkKl

EqKjNSjeYSm9a8UhrBHngKStSCDNJSZSPNDDXGN5VNtWNVSFSfbSbxMzxD2umFBsrLCVHcY+

1hnZOWXkbbKv4erO7dTkn3Vc0VITdNGPVOcOHCSQNjMDA0ThT7pQ0hdKtClrVhTOxZmbfVzQ

htltUlpxNvTmhQBlszkT0R4F3aeexDBkGETOIgE2DMIebC940hxQZItSU4jKUUjDisKakhIP

xjdycYa3AQhNQp9sYf60JVi58UDdbU80JJQAE9q7XdC2N4CXE4RniqWUF1qkVhdeTcCuxM4p

2neEcVRu20pUo0i5XQhxNPUtITQPIUX2lNieJBy/UjHFAqWNxaHZC/DhCRPXLk+1n+2+o8NT

moWvK85BN5VckQpB7WEKUrXFsFc7UixGu6NQhtz/ALMotq9k/WIrdLLonrb9KY3eIJWT7ueU

5pwWsO2qQkcktMKRmN8GHft+Wlc/JpKw4rNDoVsuN9kjLBSbxYeWYvFxilYSr+Gr2EuuCQvB

CrDfG6RYmc1aYKU2yTIRVPVLAfUleBtChMCy0wN2ndlsYWWh3EznJAyWxV+JpUvblxS28XaA

e7Xoiupind7pwltPxTaB0GOGplstOJeN17W1yUta+JF9pNNUFJkooVikRqKYU4apLDDKSUYM

e8Hq96UUTb65YmibFSmoGWeCt1xVbfuitOHCTO0aro4tZgfqKuTqsi8KkkdUUtp/Eo+9EX/U

6hMztU7WSzZ059rk/Qz+7n9RoGEm3wTPkW6qEqV21J29OUdcocXdivUcwuEHZVhHa1RjBwqK

ppMEKQBPLOHWFdl4fX5Iq2lXlkpOtMwYCsotBjam0pXdOrIbockOzZAhz7flbbFmLemfs2xi

Xql62rVDmdNiteXlsjh2Kp3FVRIw+GUO0oDDk6YM7Iunoh5hmjVjeqUuhxxSUNttltM8RUqc

yRz5M0K8WHN85tJSlC7tcoqcBckgDevvplspFgjiLlOpK2EKCELTaDIWy54PGlqAZpllmnby

lwymo6ADyGrQSHaBSFhOQpLiMU9QgNBMi+JJMpm6KR8LbZNN3wszVrndDKlKDuMENq0axfCe

BuVO5o0rcqXJJmSReIAAkBYBo+qUwkQp2kUZz2SUlMrM8p8n+F8/1Ft7JTU9IpWgBSiYS6bG

8OxIysz3Rgxp9kTJHmgG0kWy80CSErs2XLrI2gAdcLViwStBnK2KqqxzQ3SrdndNRAFusxgd

bUheFKsKgU2LAUk25xaIKStwzQU6AdNsOHOSTOOaHTocjniUUzI9Yp5u0vyCKtbSAhSEA4ZX

AKSrpMbxzsznrjEtpOPuuCxQ54xrJbbyZzqj3aIHrTiS0g5jDT71C1WtpOFTSxM22hSZ2Tss

6IRXUiWXlYMJcSkBcvVOXmgp3iD6zar+iHeG8P3a6+oQpDu7uaSqyZlliqbFUmlapEBb7ikl

ZOIysFkU/D6YlSW1YluG9a1G0wPHVG7UvsMpBUs6cIh2ko6QU9PUIKFPP7ThSoSsSLB5Yc4b

UhJViwupNoChf6RA/h21tIvcIKuuF4l4W6VOxrOaBxPibbp8SwrEWpK3QcIIJGWy+B4OtaeU

bm5yX8lUjGn6kI4E5v8AC03S1E2fWuB6x0QZx/gfNyLpGitttSghDqVd7ADdKUOPPJQFtPKa

Vu5hJlI5Sc/wq0JTiVuKdCR9pPzwhqqeUhCwcDSVmaQJbOjmjEtU1HOTbGFmnbdPP1w4p6mS

0mX8PNErb7bZy5ok6/TU5V3G2VK8pVKEb2vcdLK54ZJQNNgAnZBoQ34ZlqW/AvdXIHEoyHNC

l1C1PLSltOJRxWJSEpFuZNkPbJOEyL0zcrJGLvE7XJWUxFuBTgPQIwSsBnCRLMkRgvwU5Cfa

WUjqnD3D6WTqFlPialJmLDPAmABeIS88d4DtNtm4c0Si6yAe7OR54UMqfNAZV2akbueZSuwf

lSgrYeXSuntYTLpz88LZXXmSEzUQAFG0CWKU8uSCpqxV5TnhTYA3qEuGoAvmpwYZ8whdBw5W

F5r6RVC0pPqo0jKYUtwl1bh94pVpJ1mMPeT2DAq6dRRVU95F5TfGA4BLJIy64efqDiwg4EfH

VZCcZnu0pbH2okYMkARhU4a6lT+RetIHxV3iCqmXJxIm7TK7afsafqXBVmzG4pvFl7JNnRyf

+3T/AGfJWIqlEJpBanOrdCXXFYvGFpLySnDkmgWfCfT6rlKP2KDBSZjMpN41GFNKc3bCO24o

2qxHENdnRlhZIwgpIW93rc6jdCC3itAmpZJM8xnCTu8OMCYzRtCzTbCapFmDChc5zIULDzSl

G7qG1tqSRvmlDCqV9yrodQ3IltCi6nLPPAnyVC1BUnEFpBGc28gUoGUjIiwjT5odLL/hW30l

C3LOz9eaHcLraC1hDaAFbc7ymyyWmLTf3jDQNkkgcqkzvGzrELNgxDzRhPNCKk2+JGJXtixY

6beeFAStSQNconnh3w7e98fTrZUnMtO02vmMYnrXFmczfbAMDRf1QF3pc/GN548Q241uzepV

hGgwlmmWHgntLF2L7EDMnLnMLOiAIaqKRWGobVNs5xlB0GEVNOsHI82L215UHVynkNuSFtOV

BStskK92vJZkEAMPhZV2RJQ6xyULs7UVCB9qtWBXkMNpqVqSXZ4MKZ3R4yfuf8l305d3w+K7

k4stYkhVQQlWfChIsjDT0tBKpId3XvZpEgEgyOYR9CoOlz0x9Cof2npifgaLoc+dFBRv0VMW

6yoQwrd7xKk47J7U7uSt/wC8MjoYb5Kf1ZbJ0g2wtWHsCYBuJGeFOSwYEg2XjDCVYwArTIxe

OmHmAB71TQRl7TolHE/G7VCmsaVX4LFbhIb3gEssofSkyIbJVbkBt5LYo2kGe7CivWTyW9Eb

WS4aNHJT0TG0t9WyNWeN41TIrEpFqGHMSvkqCSeaFtOoU063Y40oFK0nSk8iVfKEJzDLCgEi

3tQ7TTtTN9oaU9sc6eqErSTsqxhVxhaLNglMxohFnbSpPn80bQxRgJxDJ632YAzx8YbSeox2

ZhU8K8WHRbE1AJzITdGuFa413QogYsImDCaZVjHFkkEZnm+yecWcq1ssqqHR2Gkgm06o+iBP

+Fd+dGAbpLkirA41u9lN5mqHqhtpODdMOKKju94t+ySMVnbsvgpCd1V0f4xoieFeUG2Kh0ml

b8OeyW1HFZP+sEUCG2UVRrFslhaAW8JWZ2zK9UB9TTdLUNYUlkL3spqttIic/ef/ABm/T4Pk

/mKofUgPMVxTThwTTZoOqJFaFHKWlg+QxPe1KbbgUyiZ8RKy2aYP4xtQsIWCPNHA3nmlCkNc

FeLViw7E5jEbLIAPEKaZuG9R6Y41U0rgUW6mbbqDMbCE+iGqhItWPeJHdVlEATnuk4SUnvE3

c0YXtsIFjWU69Ag4Uy2ewB5IE20845vNEyhKZnQOeGN9/CsqqGgl9/ZZwhacOI5BH8xcU2HK

Ktq6sUtS3aheJ6wpOXmiq4k3w9uipKlwqHD70BBlNFwvlkhxdOymnZUpRbZTchJNiZ3mUVFF

u0IfQh+u8cpVuCnp3F7qXxiIw4bgCee2LovIBzQeIIZnTynPqyZYmmUVXE3E/i/cMnTevzQI

wV9PN1I91Vo2XkaleY2RjX/FUCzJmvSLLbkuDumMIvzRfdcJgRYnZzZYS8gbbawpHNbDqWvx

Ctum/NrGJF+gxP1khXkt8sMaZjyRLLk5MJ+u2LspB54wKBVtbJBkbc0osRgEL0RKFC+X1iNq

0+rpzCN62rC+x71leZSLRFJXJs8S2FqGY5R08jHga1dIoIwrwKEiVk4ZieXDZA//ADFc29h2

mA4oTUVAAJw64rXnQtJoKGoQnEbcWLdpP218NpHeqqRnmbWp7qji7vrOD78+iFtywENMuCwW

ma0/hRQMqElMMe7VnwLUJc0oq82MS/WRu/8A+cw/+E5P5jpeIvhCV1lU423vN3jUh3ABOY02

QEqaUSbk79fzoqqSo4ZXPu0bu5dDK0q2rbpvDNC2eB8HqKGp3qFeNfUlySUTsACl3wafilUr

wW79winbHbFqcUzIA5bDDVIeJvvbtlCkISy23709zFI7KenSYKWT4pFmF1TCVOYsKQqUjPDM

WaIdYSk4w4pva2dFpNkLLTzTSJDHgq2xaMsgokwjdEJQBZeTZCiVJVPZEgMXOYnzQ7UPp9wy

naIEz5NcEUzLpnPakAdqw2k5obWurWtKCtAYJnhCZK9XLrjGSpwtTwE5JCcNJbbk22gjDrmZ

RO9MTSZTEumHQW23MZEys22ZoJAszZo0xWMF4nAlR3dtgQqVlssuaF4HE2EgA3xSsqG2U43t

KlWnlqfGBK6bAd+hdoKdUOlsEIUoltJvCcgno5DLkp1/laVxTDmYoX7xs9OPyQ0daOgz88U2

YYp6NkgeXkttzKgavRBlblhTbnYcQZeiAkTOkiWWeYQqcApyCFztJQFDqMEntG/VB6JxVcHI

l4b39L7C+0nmJ5OLrVuqhSaNbbLF7hKGwMFuWdolFBUPHC7WPjcoXJWwNvCNMrZxxIKWMdU9

SsJTl/GYlxwz+2rHXP1dOW+uK9VxW+iR51mMamy4FU6EZrbFZo8PgKMBfVjMpSels5IISLSk

Aky7Vk4wf/z0pf4Tk4qUmWOtqHRLIS8qGKhPE30OKQDvPErSRMW96Cp2uClqMyovYjPOTFta

2ZXgri15JOec4PvkwJLDhmRIJV088WNrVqbPohXuV4ZyxbtUj9zCFULyHTitSOyU5ZwzUpQG

d7NS29M5TnErhFUx/XNLSnos5OIsn8m7jTqV/TFbSuuYCyASm32TdA2ZpymUKV0wTF8YiLFX

GNUVFGT+NC0D9Ig+ePCHK9NQ0XwiJRPohHCm17Ni6qR+SnzxYo6jymK1hasIepVrbNssbPvR

nvCSOeJSAwuWH2h9iA0e2+4MOpKHFRJWzmVByw1O4zA6/NyTFpRbKErQJE3zvgzi8bOWECyS

pjSNcSlPRAKjdcnIIaq5YW6htVO65hxynaLJphtrDjU4oIRsEWmz1jD9WiodQt91T65thUlH

7a6KaqbrG1OMtrS1iUrKgpVMGwGRstjCCHFqVjQtJy32CEnjFe0woTdo0PV2BQQ7eQhN08sS

L1BOc5N43NWeA082adZTiS34RSVYc+2gQQ21VL9lttPnh19DTlK05KzfNCeH1kr80YJf+iyw

/wCH5K4UTbY3DzgfUyO0vvk6cU5xw5t8USq4U/vyWA4vEZ3kptMDdMtamqVX7uJJZcOTZpXA

D+zEbFO6cVlrDg6wIUTRPg91KU39Mo+gVU9bXz42eHv224i40LPlmBUrQUpaFQlKCbiFOzh8

VXZShOBVth5oS00nAlFmGLtcYE9t04EnXDtU08opRVttLn3UOjZPTZHEuGUjgYpXQXmkn1Cg

OBIJjijDrm7U62pt0HLbM2c0PNK2y0qWLOLpwjA2ElRvhZldK3ph0WKAyiGWxkSoyi+WaKQp

UW0vuhKnEzCuaOJvYy6yyyEsLOXGr7EACCpScRVlMHcLUzpQZQ7UN1aluOqxLDlszzRNLSHN

SvSBFlEo86T542+HOc0jGBdK8lZ7uAwgoo1JT67gKRaIT/mFU4ZkmTOzbLLOcNvjilSzUNH3

KHcGDNbs29MB3ZqmD+Vbv5xEkmwXT80YuwW9scw9EZp5ItjGDsKsPtCJjpiRAkb/ADGGUXlQ

XYNAnA05YlkhxKBNadtGtMBU4viwkQJmcroTjJOCxMDDIHUDE5Jt0COwhWsRa02ZfFtjB/yi

X7Dk4s7VCf8AGV8iRiB2nJCKdvZG7QhBEzkFsYlJAz5YmBac4lEpDWRONk2DsznEiDiynPHZ

J9Y5oecuH8YdMsTsVBCZ2Jmo5L4z6Y8kLJtS0MKT8Y3xxKgl9NpTu5/1rBxo88cPdU3iVxCm

a3JJvSpJlbbmMEYZTUplY0FEssVzSrFJXZ0wykX4cUtcObN0remKhtXbQqStYvjdU6CvAiRI

yTthmopHGi64gb2lVMW5SlWWGeJPrx1VO8CWikpRNQlgTO3TPRFYt9zE/UN4vknJ0xf8Hsx2

Y92gCeiJrtOa4Q94VO7qBh3TuDegWiewkzuzQU09SxxJggBWIjFiy2i7njdFwcOWuaTTVKvd

HD3km6z+mAy6vh9A3Vb0sstP49+orHvZlxSW/ipsy2QuqccbLicOFq+YKgL/AERjniM5qEpd

EYhljCozGWCi9Jyxi8sV9W+rep4a0Ny1LZJfBSqfNOApAK6FxWFl31SbkL9MArlbkAhaihck

dqy2H92kpQs4sKr5m/4F8ou5TqjB/wAul+y5KrF2FVlQpen3izK3RAA7K+ydHNEpKGqcC9Us

8D3azqw+mJ4F4TdaPnQqxRIOdNs+eBiBE5AEj7MVKz/UVZno96ZxWLlcECABBVKarkJzqyCM

HeRNKj8a+fPFE8R+KfRP2V+7PkVHB1S2uG1tRQqOYMu7xv7l0w05KTdQrGk/XolD5I2Vi7VZ

6IKgJiUkjQIWiR2yPP6YqHuI1ZQ+48SlgzTNN/PON0y+lJB/JjrOWJMus3WY3UN9ZikbaADV

KkrWvGleNxelBIsHXDdUxhKmphSFCwg3iP4mmLTSjek45dUAsVSCT3JyPRA2xE6isZZ0rWB1

xLxwdOZpKnOoRKnoqmpOQySgeUz8kEU/DWGc28Wpw9ACYmpxlsd1tDcvPGEV5YRnbQlPllOE

EcRVWIBmWaj3gPP2h0x/mCaV3gv8wflKmmxgujCZALbKe9Lti6PDVVUmqbkQhx9pDi28Qwko

WRMGRvggNics0O0JUt7hi76U/kzkU2e71QKhKfEUqvyyLwfjpvETElNHLAtlpjCe2m1JzxtI

KpdjLHGKqW0/WbuehtP/AEofaqwDTLQd9OywWznklDiyZUpXJjGm0ptw4tcSkRn0jRCEvNod

RUtrbwOJmJynl1QZ8LpdYaSnqifgAj2FuJ/Cg4PENey5P74GPd1ryPbSlXVhiaK9CvabI6lG

NlbDn2xHWmFtOok43LFIz+u+HFU9K48E2EpE5GU43f8AwmH7jkfeaplla3nHUFJTMTUVDLfD

KqkpS4Wwp8JmAhRyG2+EbsqwT2lG6WjLEjbLNKDO8XjL0C2Jhndp9dez9npg7YwfFQbOcwLS

8T3yZxUrHeoHVdKVRWHOtNuociGMWEMp3nPcPPDgKbTtY88LSFSJSQmK91JsWaDiiPtwadzy

lMcLr/6stYlaCMEcPqWwVJUhCnkmyeyjEOmCRZPJF8DA5LB2SAM0FTruFRvshK8U2wvC4sab

oLYuCrDCs074xu267Y2fdtjLlgYn3UJyJxGZ5osEvvucxZcL4k3O3LlMGZ2ur7Mbx0SxdlOi

OxLTBnri6+LefkXZMGFrw7ygqtmsp/whpEJrOHrSd6gOb5HYcSq0WTgsPIcp6gXNi0c0BQS4

T60wjntjE67s5BnhdNTUzSqdx0vOIXiCpkAWGeiPBoaXT1FUsJWk7QwggmREYcihtKyDRLnh

U7EpGLPoigwEzS7j+T8N/SlH3oh5VqbAk6ZTt80Yf7OXk5LEttHKtW2qApbtxsxEAdFggjxr

E8vvEnyCJpUt3QlKz5EAxs09RPKEsOD8HzxiTw+o/OEJB8qpxiFJus5WtHlkTBkwykHKpxSv

IlEVaMQOGhKJ3XpCYqPz3mifeXcc0VTouUPd+ymwQ2o2p7J1GAbwbYbp/XYreHc8vEMfeiEK

AKikCeWRvjhrxUgbtAxpTMzvt7IH13wMsa4kgTmnLqg6zDjGVaCUe0m2ETvlaTBWbXDcIxG4

943RZaR3zcNQid5zx8VPaX6IkLEi4aYt7XVG/dA3ST7sHvGDMg6YunmiyQlfByYbjGGcDLBB

FphY03R/8er3VIQ5M8Lenco3tc+SCbBh6Rz54KThq0ptKScK+c3GJvLVvh/1bsq6M2qJuYWh

/V+mGkyxJbbs+2MY1KJSTNKMkrpdEFM7TNKZZs8VFTh2aZspnpV/R8NR9ZpHohYORnAOZxar

flxLRyDE1Qu6cKV2eWJtU1MyZzwtU4++wQA3iKMmBGHoug4KZ5SjdPCLddsY0UeEm041nzIh

TPh2kpXNU1KK7peznhzaaTg2bEG6WlcJCqpY93jkgIFvyYbAVPxSG0OTzSB6xC55XT5oeUO0

v3Tf232IQsZO1qgg35/PCTdMWxWKTPEytisaUMhQcDn3McRohUKShKz4dAl2TlIvNkNyaAcp

1qStcrbcMp6pckrLYBVaMGeWSCc5hDiTJSMsAwFuXJuRHqpE5Jgd2LDJA7SvMIFkkC4RiN/c

EBoWZXV5hCUoGFKBJIidsET1RaZZ4Ntt047cCaueL7oJ6IStCilSSFIWm8EW+SGG6pzdVzEk

1iD2XZ95J0xicWl1pUiF5OeAVa2lC+euGWaioC6V0yTUryE55Z4fqmtttBDSVmzEU3+WHMY2

R2zk0Qt976M0ZI0qGTmhS6UApXLeNG4y0wstKwuNGT7B7SDp+CYSf7FPWqHFBScS0Lxp7wwm

XRbyoElWJF8CQF/1540fXoid2ec/SI2pHSfrMLkRLdm7WIqc+Kf3KYcV6rAs6Yo0kSUXG7P0

YhNk5rWYbp0mxkYl+0fscgKwBNInGEGbVmE5oLSrnm3Gvlpn+DCwu3xjASonO3sn72P5mp8r

DyHUjRiIMSlF04CinFIZ5QTOWeJFUBM+zyb09GeLdlsdqMIEkDIIxfJEXTOQaYwz94qRdPmi

RNkEAg88WXG+JHmgkG++LJmM2iEgmQzRjRfli6ApMsSch03iG18NrSptF9LUe83Z9SYKVdM4

IqW8DiNlySsaeYyEOtStNoVq/ohsKUMaCpLmudsPDvYVK1yimYAGw2mYGciZPTEo4fxdsnw9

T/DVyc2b0xfMRfIZ/gMaWRZ9sYIs92l0nPthPzeRZzJMDaAstEh54/GKVhvAmeqB7hagbpj5

0fiko1qQPPFu7OgLxT+SDCwpstp3Ux2s4ziKgzs3h8gEVi5dlj8E+mKIlOGbqDLWyIQpZkkY

1LVoBnDr5sLqiqXJTLVtFbSZ84htQVNtezh1RTrUszU4nABoVaY/ypSBgbq31IXl97Iy1WRW

tzUAp1WJOic7YzR2o2Apz2RA8NwWsen3ty5LqibnDTTg/wBYttP4U4HiS3tqCdlWKU+bkxK5

hGad8SN0E3eiN8e52B54M7ozSiwjZslEr8kTUrAnyx2cekxIoEo2W+zCcVrauyqE2zBFojeI

7OeJwF/knNl4efmitZmHAQlxtaTi0GHVCwokqUVzMrUkOBP3MSV3gRDjJOzRqwNplM4ckzBA

yCH2j2VN4xrTaIpnlkF1I3bh0os5ZQSpQTrMUxQrF7ozl7UVqgoA4wCnLYn7PJVr9VlZ+5gT

WsmQnMjzCLVnMNtVkYlKTz2x7sJKpXy9EbRHNCSBKTV+cYoOYY5nnjiKcobE+cRSZ0vpH7KK

dsdqpUpP2oMzy7me0wryG0QrRaDDDzYO7bxYzmxSv6IS+k+9BxBwGZnBcfGJTv4wlUpwnepp

kyvxK9JgbdEJZEthZ8gJj3Tzy/zLWHrwwd3R1b2bGpKR+FB3XDEI9UrcKuoCOHV7b28TxC2o

TISSq9IGbJAUIEZzmid5jZtnOzVaegWxIGyLwIO1dBDdicqzdEgcasqolOBLogGdog9OkwoL

txWTywWieyZCC0tU8We6CZz0wc0PVzlQENUo3BQL1T2hi0WRjdYKFPySwk5Z5SIc3RmgILa1

Z5W+QxtKkMCpjTDTliA8z2xlwm/ywrDPCbybOiJINmKShoMUqfdzdG9KsRPbtzCLXgn2Uemc

bTriufD96BHYn7RKusxstpHNFMXZrUoLkuYlfkAAI5564fpHUBe/XibSe9ZJQAlfycSVdKle

M/tDBA2pytgAZrYvBthKSJSy6Y2FdowMd+5FhtymDm259JitbSmRWEy8l8U6ZYf4pNn6NcUz

Q7FM3LnUZnkFgsEroT6rmyoRZ2VQnD3FFMVD6GEIdQMRcSJG+2KquI948mQXrF3RGI5fgpS4

8A42lOBHeutPNKFYbJ7UtdsScbKJ9+LXBLoiePCmJglIkcPPYY7WSNmJqmRliSezkGaCeSUb

JnnjSbI1QFCwwLYwLvvEKshmsw7xicqpn1k+kXwzUN1rNTVcU2KI4pJbSb78ueOJJolzHDm/

DMq+OkYlHnJilfaNlQkWe2LIYbLJBoVKbLqiJKlYJCHMIsAv0w0yJnFkzyikp1dpllCVawPg

0WjefgxUocBxMvNOsuAyKVbVo5OMqNgTQ1BJ/RqiQWjyQJLT7QlCrQCTllAs0m2L53arYsIU

d2BMc5g5Rt2c5ipOdxAHSmKYZDUA/s1emJcoIFoMxCBnE0w8LJiSrBzRVpRapbapeeKfh29J

C0490pMsIIv6PhVVI2G7l2qTNUgMdk7ofaPdMxPMbYwqOAmwQpTzLasR7gw9UYnaIrzJ3ix1

GNnh2H9K551R9GkM+8X86JrQyjStwnrMYRU0LJGbBBUasIqZbFUwkk84AkqFJS4HUjsuASnz

HkEoBETzWTnBttMUyHGw6y0FuPoUJgpAIt5yIxJmuidPuHc3xVaevkxHtQYSFoml3ZBwgmfP

nir8JTY6dS5BkkBaZmw2X32wzTLAS2iSyJWmSppE4khIszCHDbd2oQVWsUXvFfa9ny8ttgzx

J2sZQcoK0z6IOBanvYQfwpQ1gaLYamZq0/0Ru1tlwVjjKE4ZWHFLz8toBjaYbOtIjaomFa20

+iNrhdIrWyj0R/o1D/8ATt/NjEeDUJOfw7fzYkODUIGbw7fzYkrgtAoXyNO3k+1gIf4HQOpF

oSqnbP4MW/y5w/mYQOoR/wDr9KPZBHUYt4E2NTjo6lx/ovRU1I/3sJDfCsIQJJ/iKj95E/8A

L1Tu+kP/ALyCDw5RBEj/ABD/AO8gvVXD3HHCkIn4moGym4fjIson0aql3zqixNYjU+fODFlR

xFOp1Hnbj/UOKD9Ix+4j/UeKfLY/cRv6OsrnVTmUvKaIul3Wkx4l2u4g2uUpNrZl5WTDVQji

HEFlo4kpcLJHkaEJCK16ieTL+KaSgOWaQBG9d/mGt4gxhl4R2xM89ioW9TfzTVcPaUNmmSha

kj9smNr+cXVe1TKP/mYt/mcHXRf/AHEIe/8AkaV4b0+Cl5d+YQsfzCGwgSCTSYv98I2f5hZO

ulUP96Y2ONUqtbSx5zAI4lQql+cH4JgIFVQn9I5+6iyp4d+td/cx9J4X+ue/cRUuPv8AD1Pv

4UhSHXSAgZLWhfBZeVRONrThdQVrkR8iD4Ws4eWVWoS7UYVJ0Wptjaf4adVa1+FKJ46Cf/f6

XzuRYqgBTaD/AJlQj/fwtLvg8SiMcuI0SgZZbH4E/DBKbgK6k/fRIeFyn6ZSfvoUf4bsmX8Z

SfvYqEeCpKh15Q9746lFgybKzODgZo2R+cbcP955oO8rlpGZooT95KJvLcePx8S+ucdgizIh

UXK+Qr0QO18hUcMSMVtWxPZP9YNHJ//aAAgBAQMBPyGWmWVT0lZEI0lrq5k2DTWEKtKjXRE+

8XAz762YblXpKODtLhzirWascunr/IKllfMl1rMYpVekPyprevxMLkjY9b6RrJbV716ZlwQ5

+HncLNTqqk7WNK7IS/dUk5nbFaukJvjLrE9yHmET08oXmB+ErW4XzTmEx4lfvL/eUCuwT7z5

mqX5A9k+8p3nuC9rj9iiXrzRJU1e94Vczy9au+LlDyLlihTHEdIv03TORupX4ho+EPgTbU7D

8RoXZQp6eSIR0bpOl7BCpUTVbAc53Scf5syq7T7Bmij64ofVpFemTQvFmu3nz5za+ye8nAxc

4KRR3f0idpnYVg+9zSZXYIUITWTA6aWYba7s7IA32srYjCkt0kz2JcuvY+Gc2QncRDtKXrjn

MwsgSubOCObHI7h9zfyvdMK9G8JymImQTbiodDJeht30/JokGrYld8TUsrSKlVyRRfyAGwaa

HX5bladQOZunlcUXOxujp7zCW3z07RDImMNPk+4hsGgoOu9EUKmO/wB8HxMGZBABSaa4gWLe

Ki75r70ToatUC9qX3TdNlrHoD3grON0l56WDKOZp5c7PuVauaPpysgryNPmwHwHRp+dqM4bc

F6CDILTGhU7K2qWrrrEiTgSjMMSo15cyJy9J6q2lP2DwaXrL5zyPaK3nBvNW9fU6eKjzXkcE

6Re6Y+JuUXimKxgOtRC0HDVC3c2blpD1d3Llv/sPNjaYLEHmgE3VoaL1NavwUxpTPBzlNBxU

MElkOBXCmZnTEoMqnNvTpMMaXkLdcXBxbw9O827U/ZAplYjfSM2ENDez0mzSmTHxmE5Qhsvn

p2mBoNzNdpdKQyRkz1zDCNzBiXaaUNHXl9zkLd5M55ZPeZMn29sx2xOA3y77aQyObZad9YAc

1bcom4DW2/spVV3AHD0h3qqUaOrS4SRO6q9K2eUxHKYp0rHtDZ1YO60oH36v7hoGLxhqy+h6

DDhByTB83mUuX+r6FBOYhi9L5w8sV34HUMf9os9IxdolP2d05hwTbPlziTpQeXKFzzn+II2F

onow4eZm7rEb9zrGbOc6NeTCXinrpLv+5dcMNsL110mUdyX8Ko4ENbhcP8tKdLr/ABK6rP3f

Drvc8DWKqLEWOtLQD2jXTdRs8wxh7xihpCKllPp+DNnNx+X1CDZSmefuPrd6hqBavJnKes8o

W2ydpiC2olJ0qCyOmA4HpWPKU6HmGWGMqloHvMFma1DjZcTDUgRza9rnieREYxjU5Q5BSWjQ

c0b3GfeOIbc2+WMBrkaeneFMjwOlOILigsaS+hKf6PzNUFlhAda40FK9o4QQtAc1FnKOhJo6

1UXhbekyLNQrWvWKxQhb0+NO7/yypZqHzAUewl8PaCD0ldwnjd5XtSlRpVeBthuCjc4rRegQ

V9zA3mG/qH20j6zJg16y9doekGudoE03h1hdiX2LmtjRg3vHedTSdP8Aaqpfa8RGcdaaSiDL

dYceinPpO6bzda6+HVdV2/SWOvdjpc8k1Xv08becDZgg8kuWrgIDeC9pT93H8mt394HMF4/h

cWrRbjDGdi4LS3RSJp8eUYC61bBNy71jrWsLQO6hiYVDYE74gD6oarVWnvR5xaabms1m3eVV

0451/wBiLLDzGmA6dYBty9Siz3i0G5FTp3fMT1Jq8DtVxNLtKrjTDlClls6rjoXUSkbN6v8A

Fpvorwbu4PO+UqXJvNa5uwq7iWoojpdb6YWDTaAZXmuC57FzOORzuxwIkDOnmh3hlHl/QM5t

S8TE2hzNXXWpUXW70ZzVg1rW5WKoAC8rADpLKd1+UHtPIhdzLrtOlrcLmHy5QV3h1PSWa7z5

sTDpyg1hqYwak4LNGOPKLmZfsNST0JhorvjrFrCEFi09An5hOTf35+FLKtDSU6fniV89P7Je

0UG7BDyT7zVy8jJ0oykU0o9CW6zX8LebQeUek0L1vqYEMOvWUihGpU+cSkHeLaYWAQVjda+e

JaaybS6GukwgWeR8h9xGCi50BpvKWMoBkaYrqgKElVqP1iI6FclfltPeFRK3Ai61a+yNdALZ

iaZIfEK0N3F6t8QykxM+SabfcQME4XPM2e7H2OxW+b1jdgWChZyrVQk6mQoa7m/SZVXIRuxq

gYqIkdCuWvVy+5HTUtVzkYwXNTsFbKHq0QOWjKFG1b868oOGrjJs6qXdFowC5xeNjPKLAoaW

oPPdvzmeQGp0+CcA55ZB0rpLNvLwvN3Jqh57caz1ukHvBh5wa7bd419T0nbneDD2jUr5Etnn

1jw76tco41GzxVQb5z5Skyzwa1zhnKo6w70Zof6wa/l4UNVoi1hJbzzjz5TBIkya1AzXWIjA

V+BCSm5VJoKIwZqrJY5N5vTpCniOUw6a7TB8v6PBoVGPVE3UdNCq3g1fbGL7hGKwPKHZYFaY

GMhs8pahmRS9nS4C1h8q1aHaVbOObKaxQAobM1ltBM1cOvKUrIEV5rpVQ4yKXsTHzCLeqtpu

WyxqJVAKlKPNvATA1rOaBmrInlB2poIFnmpfpNGCmWDBu4zfKX4aqUY10JjZrjqXvLEvchhr

TUwu0S6bG1TbhtNXSYqFgo5WBzuY7wU7KCYcVU0zERc2XeMRRugZZxaU94OtUwUvPVKC6vrq

bsZq6mHffKUBDy7T3IdIgRZWQVAgtb5RGyufCaTqUC0er8iC7iY59SzUuF10xpP8S01/cPDP

Mj54ntek1HXCPu5lHbNdcts257cS5sC5fraXp8AoMGC3SW5FXoxK0Oi53HvImJ6VwKbdZMOJ

S3TKzSkosNnVm8VtdSaH0nG8oYYJgP8AiiQ9Wm4zzuGpa6M06JLraXeHyS5vnIneaxhp5n3g

opbqpDF5zLBNiZM67ZcZYgd1rrL6QaE6mjESKEIuoAMbt2Q0LPVKXlJUpveDYE7UIyir1dGL

xhuKSY3VehW9usRdKqTWq7xbdma3sN9GLasVhJNR2bR7iNm160ntEVWtRq+zXvLgZ2iq/NIC

6YDa9tgS1a9SFfp1hgCmAA3teueLjRegxq6694YRi31cVoYc/EXa6iHKX+j0hQj1htL3sF6e

U06KAK6W6luHRL5JmAeAb12hhg2BX3gKpE+j0gKuodZ2qhKLQ994N4t2wAGx4T0xD/ZTPeHL

UHkQY76yuSvSGxKvl1hibMJ1lHS8TIFkdVfib1Y1+N7+DCjV6U9s04DctvQxAWdaD6mKhSNG

eyMWtGxaIKhox2sSAV+RazVdKL/mX0EbWlOfWASHSh9W7pC4OdaEYy4hEo6++8d+st6YkEes

p4YvBhlcE2gkdWiLzM4tvIEeR2INqCtuTSKbJuCS43igO+Y59YIrpehtMcoU0SYKlYmSnyya

oA4sL4Jy17kMAyM635xMDkB1E3hdW+fHTGNdJtgKPkYaNfWUdyal4PmGS+6tOuuAxMZCtGa5

ZVLG7IphfrbV+Ua2s8KOtMAXoymqmmhVD0e0tUovkR6Cyz1mk6jgB63vLBgactevZ2jJ5BrR

oecy/X7TFD1g5Pv4TVM18l9S4rm0HbrSjVb1tcY+cNn1NlXA5KrzWF6Q4VqaE6ZiW+sv6Suz

pPM5sGM6ROvnSLdy+WZlTPHGIm4WgaHbXJL5X5d5/wB/DT8DHszCs/yhHdpLMTAL1XyIbdM7

Wtvq1p6wzu3usABzWlxPRFLTiVG8RRbdyt89r3hwTbgTmbFd2yx0NlCpV3fNNw5zstmsKOVA

TtmP4OuNq+9zNDyqZ4ZWPiwzVam5WSUA6WhrNbZVjHnNGQ5v7cetp3+3DG5W5JXrZBTu/c8l

7xZb9YCDpzyqtNpN9Xd37gTf9vcL2zGaoFZclfJDd97vYTz1xGaBTZR7wa2JV8rOk8lwIVeS

1v4gyk8+9q/Utal5lYOnX4mfA9yWOtX1mRDjWDn4SFcqb3V/UpnKPQmKxyiSobFjdbhymG7T

XdQuvKeyZMPO+hLn1L0vqwOZv5yw00waQdqD0lTYdVZqn0YMW7dWMdmW2+x4efOG+8N3KBBv

UFA5wNPedIeif3GxTkao5PRmBQ4Dgbq2MDtNPLdOdTAIWqa9bNqjUEL7lS4u3i3WYDAYDtLu

i9AzrkKsze5Eh0VRWw4KJTIzVBS6MDdNe1VWoo0i0MMgQnNAsAcsmI3FritWjWYrsYABrKaN

q5ZjngVVXq9mDMrprvKOUrW8ko0DuQs3euYOzXZQ/kvWW+mf7NHzvV6hH0/n8yP7MWtC87mf

O5VGAoTlipl0HPPvAeuhF/k59jTynQbxyPD7w69GbofTw9E390YSlD1IlYTOGOzBA2UdvAxF

8PgdygadIHnBjljMOvWLl6w/7uTRaXG/szU0qBSVFwsaaUlBvPTMaa6vV5zzH7Hwy4er4Dr8

/AwQJaBz9anYr94WmLYrCVLFKIsFPMXRgJELqWl2cOcoXq2Wb96+4SBWrBQoVrtFWR01BUaL

YFOKuyU60i6AUW6TZoHepaYMLUIcOMe3zilxSiOYk1Vw7uIMV2IXMI0w553jTymBc5wW8g9Y

GSqPR/Xe49GsDpA/2GpraGQaaSpzecLa5gXy5xLDND7mHkY/kt2b1OjNpDutSzQd9mHnNio3

cNb5Qtnb9SaCqvxJDyjVZjrLsKTmcQWp618pTGseRdWhM1Ch/szXrG05ak1j4iV8QzLeMbRn

GP8AIJp2ALRHVEyhasAhSmWYkmnFpl6J9VK+U06+/gb7fMDLTeeqD1dYB+yobQRL5YwH3Bqv

LmnOq4Jqtv4zDrmv8laYBwC61WYbBROAj3euIcWzlrai9D26yvLgBRl63cXo6RqoMBgCiFDm

z+yoChNg5VZpMQI7HXdkbaa47WTdfM1AUJThoweU0lDm6fEwaJihz9x2UPPDDBXmqI5OZd38

MfYYy2V83G3SUx74xBo+0MHe2POb7hxjqTN4CjJVMPSpbXFlrzNHdwywg8za10QxqS+9jFtj

DlMLLz81Rziezw9bHwQy1tD7pxmLsSEFNMAEC7i+7QmmZJ2FdLw5T2T4z+E1Oc3oKGD/ACG8

+k0RxpcBLbX5L9E8+qL05KL/ANgZDnpK6SuVjy+Avt/mDYqjaelPQgcpUrpHfYtXpYgEBk4b

Xyxk57Ml9UDhiMCYfFufymZDDUrG2XKbMTkG+z1Y6DYJxqt9Tr5RWA1pSOiF6jZA2fEzesYC

VSmNagAsZonawsP3y/eFfUd0+5Y6H/jTM0230MWCGlgULcA2ggQ31pVq1E0uXYbuL3bu95mU

ojzYWRNy3nMqrtNHGkdcGVxWULTk5S3pqFb1OXkwmnux7S8DNTdWVvElCj7pNlMd287BIaus

wFcDKZqsGV5ugF4eZpvFbwOLqYNGH+pYBMBfQtlOl84DwSbxs1X+cdbjQtYFUXg1LireekmD

5THWf7h6eAf5G5R5a1BR2iFb1XGTTMzClrnmo5aU4epiD+T9vCfSfLDLL5wOvlA295W8DklZ

1j6b3RfU1daMfHKlNLfpUfMU1SqV8nBNz2o11CzlSNwLTqKG+p9becQ7DFcxTXzLBeXN6ffk

0eZv3yxAQLM6dt5cu0Um12TokMAtstB3G46Lljid89MQW002lDYe4uU3hpx0bu19JizmKq5G

INIlG6wCo6VuesyzILhzO2JU/wC6g2e+kHSsteyXGb4MrNfnYwcmnWa08+ZMg+VbIYVyH1cc

6zUDVoL7qOr/ALKFPW3YlttDJvvmYy1Bp1aUbaTIBctldWuYyH4h/A5Ar3LFj5PSIHrymBHz

ywdgbYMnka0G0rIHLLof7BXTXE2nFGuukZvuqt1wRu7BxRXTeXUDJph0uzGl4lfUivQqBKO3

Vw23KndB+q+4dHnDpUPJzAY5c4d53+UqeUyu/DRk0NesxsFkkFY3GpbXSHOdVyPA9k+XwA6+

s/pNGLzK3qBrFoik4fSCCKoO1ks8iodAa3uI3M6hXw+JV1Ya6Nk7AHRTt3IMjXc3chl3mnuP

YuVO4BD1GdAV3ZrW6w5c40ZCg3JmK1E0I5Le9I2jityCmjkrnrK0SwRwBNg1DMDPOpWKyWCc

D1AbIMi1zirbhEkoJe5pzZexeTUdlcby81Gpp0XQjg94hBsjlW15+JykYhq3jFYvEyQZEzFC

sWumvfeMhSLBsAhgNIMWAEZPUySqqHjQvJ1eiGH6uFUKoVvkLPPH+R2IGu+vIPnEvvoQRqy4

QDEdbObnsmFNDwaGbxzGXgw2z4wVXl5ZYKe/KmXcr2bdJmmvoYNbTpBYVRBrUzCwZlea9u+s

5BpD0evgrT0hm+ac7awbaw9Mk3v92mTGrwAGpouzknKnvxvkG/A0u0+ZWYG+TnDKr5qVjczK

ImShnPS/UAhgim3oW6WmaNkPLvExsLnvpGCVXXIv6TBOwP2yplgv5JUZb5IFO6pALfO25VEu

ypixZOml0e8MtobDXGhmXjzbJCYomopu0KlukyeUZ8YyqLaq5VlKBR7YJsNtAgW4myb2f0Rd

EOkL5DMpPmq8w0rb14L2ALcH7i35TmE1tYlfEqUWYjY3Y3musO1dPSVx7hAWaJeTRGmjjDUg

1IS8bEuxjJXG11ouAlcuC2oZktvWQ2sVpiUW7d3aLyuKj5xzZXZkEXzJl1poOruRzBqurQA9

Evctpq2xesBVYxtHI5sZgZwIF5j24y0SBSrww/3wnWadJcNZvnpqX9Zo/ZuOVMCE28Mk+0el

ajNk2ODPwuT0CGfWAd9doeuV/YEqhnKGocHaYmVNwpg7ZhYpoHmm/iCNWM+gfk6Xg4qkAQ2M

a7YmI9aTzAPTKOdtEdykTBvJYnMbOkSHII5Ls0V1j3t4Tmgxbym9Y/DEXyhSYcO8pDeyTKz1

qAdnV8ZYmFtEHGZ5zEdXoNhzjRAsMxDYVjhlDYmryq7bVABkEIaariusP6moAvk55/yEuiVF

OwHa2V8a4CLaNy8qtQpl/wAK14Sgt3gri2tRhd0UHq8oLfmPVsWB84Uhri5YosrAUd5cVYms

XsVGrv6nRJYGTUzLXvBpnY3uzSsUtFVOdhaWJkdVt6kSwtOVymYPSVz8wacoMPtAc/SH/EP9

IcPxK137kzj5Ikquq1l8scyqx1qVwrGl4Wpiz+Q5MSqlE5JXpHd6wwWjvrfqEs31J52ko6ry

TK4EJrrABfGkXGpvDZq0QsBSRnkVrnAQgc1i3mXtDSMoTm1T5/SKgMUbfN2PT2crCI4mkOA2

W9Gq9fKOPCgp0M3ObyYg5YVfrrPmjUjlOPqvvyRmiprpveKaQQKCinT+S1DMs/cV5nkDD8cg

Fl50augOlNPQONv2olbRu29XTbntGOdMDE04ArBu1Wwu/ZeaBy1tgQgRRZo70axURv2yE+Vk

8pmRvystNCgOb2y7xAkBZpp2CnnLn2Ykul26V/kQ+XI2a7sDRW8uk4dKgeksR+ACOgZrHIUK

45SpXM5IYISEhO9wuWYdG5O2V+rhyfE378oLHeNYzfWNPtrwPYLLlOqbHd8vArPr4VPaEsdo

mWWMrfFuFgPLMFJEbwiwZWTBWW65BaV8oAFui0ejGSWARajbk2YK7Yo2+RGmzXLKVolItRrO

4GQdTZ96a+CjMEQYc5gjpMQShS5L3M0QprtUK1zpC941yOO0AJ5CesOzQtW+kA783JzqXte+

+selCGdNNkpc4alrG3mdZayReQAxW+C8QYHfbaEwYGsu6dY91RZ0o6ekbEhrGpcAtcMDXZK6

mvcMS8aM46FE0tppKiRTh0eriG2eAJ6HXIa7sdpjY3ATZxbbK7CHqwqGnblE0tMDdyh1aJvX

LdmLHzesPwDBEIIGsNeZFBeqa7NdVMPbQD0aw7YJRBJQdaYoao63VzqNZ8e7SxY4EvmDWenr

MOicSc11LaT0y1YhTk4grTrNlQDnr9IBoM31mz3fPwTNacRPp6F3ueeIsSiFBBBl90o7+HFQ

Km6yr3PNIzVL7oQqzBaF0j0GtuXd7xmucZdIzH3Z8ibyNWMXVvWDGrcmrBS9DvozqYjkY3ZT

XeUm2lKlQlhuH8o9m5b3ysEA2CofVLAu1a2rMac9ImHXXGxXNzyuwiHA2fFNh5QjFNY1vNzC

C2iacpQ4ovupeDnGqfqxqumHJlutpcpA6ax19F+79Hme8wU6XwTJmF3dYeF0mW9jPN/VQtAT

ddGy9DJ0uYDANbdmTyJVWiw7QCjdkaR/qBY5m3eU/KOKaOb+hCToDrB168g0M3LtBx7zdtbe

d9JUaNdvqmlP3GfV6AE3pX3ihFwpYe34jq6pFg49HS4cecWWGes1pByHLeVuWlzqFJfnWdI6

YrA+Tv0JzvaA3q5vBmMzKRf2M9IDZtHXzipSh03U1tab7QcruuXvNniz8MDVAhzW3vfBFHPa

ErlsZeu/tEbY5Strm6bzm4hWZoI0nl85iNXNopjRg5SvkbRdaazA6Ko1H+qiGhV0KN1R6QWy

iwwZ1f1HBp3C2LNL9pVrQW5pzk0j96UoSKWbll0jkq1N4IQyTSyNtJW5C29JkG60lx6Y4MXG

p6EonssbtFzE4QL2t0WWZF7zC0dd/JK7QUM3IjDcbdoBbM82UXu4YxrcfQJnY32qONRqBCrb

vhBLEAQeofudesyMc8zbbgjc4RoOcsqFQd7Gu9hBAWKX7zAL5UH7X0ZcUsWtpW67xZUVovT+

RFbr1GX1DqVuVTeupOeiEJ3C8PeWgxa/hxQhpNRq25lY5BgPvllReTjbMo3eq62niwwn2EOB

uQsIc7cezlBfmTGFV5gHKWYMiOUBVsppLNSZq1rQU2+8A+t/NnW4dHb21l1IAS5rccrJuDna

95u08CrXBEohbeqrEG71Qz6CuozHm4cxJ6Uab/iThUc/xhvXRVlhsGzpDHeXRyHpZA1vaCCZ

lCsIoeTCxZtTJiAzeYo6NgEoAJ1mLINcA6OkTNFb7Hu+cJYX6Fmw5S+Lb9gJPUh1jLAhYWJG

NZ19IaL5LlmUUCqwvaFrggUNHOrRiFooY8djlAae8GKluwb1WaxdzOdQIQ5dlLR3OdBoqoxF

HoXFohYh5FXCc2TLPQIu9Rqy52hMdXOiwnQXuSNhBcgI7OHziXC5JNqx0YFighu9fxmBoxnf

fP8ASDhF3uHLOz3iHYw8tDXjEasGkXN0Prziga2xAJutb7nXUGNYd3FC+bvLBr1dcQrKu1T0

P8ltQBpQIMFwlsxUdinNPqXkJ1/5HmDNQEBSrqzRq9IFqnl9imKqxZSUE8oKjRTQhJbDze7U

7MkwsUMhXU5zAJSzWQp6E5JMFSP6xm1Q3Fmlt0KADtdFTY2piVzq018AWyozUVxPJylKca8y

sCdsxgL9lVeVsWw10vQ7c5SLzRcet/aC6/iMSoMUZziBCFzXvlKUhjFhLEw0/WHaKarpx5bp

0zNqSn1WVXsLvnHBFie80NKpKvuTGw2QlYLAVFmo7BYkE6jD1LOTlzjxjCTCN3RluXI2AYnw

NCtVJ6yilZdENxZMgS8QLtx3YboU8W5d4eFuYXQXhrVvczxe8GapqmjQMMaQGebc5Ruo0G3D

eTgNMXAFRDpUIhajtlTfD1mCMTOcJ25x5O50TEHC+tuH63Z2DjqDyZHMFZ5A0OxUY1Of6XvK

HF4brw89ICtJlvTAoFQh6kLWlFVrrk9DKqDyVZy1COY8yE5omLZfVM2c8DDx13h0dlVyoxdR

CranUhL6QVfQBR21w9JQ03B2shYqU1fu/s0u2mmtuARpSq1Y8x2iZJ4F32L0qfCz5/KsTUY2

DkAaCojaJKdCmcudV2wQecxVZg2CtmxtsM4RuOOuICjKZXcomoRzLBm+pqgXB7nbbf1B3zAt

FigpuWzfSU6Gtfbr4XHH0QhAihamd9JqAdMnYinEUo0Vh6HRjeDlhbMrBeovKVzlGldMLsK2

cobTS7H4QZCwDTBXaWsXYgoUhWtsNKKL50oKkBjEKNDaxTTnGrP+UAG6C2ttphwiks4ZwZvX

rMbpzqxMpZg6doO+gvhtC1Vm3baOZzBlW8mCYkuE15RHi5mFSqBbWtWam0qWXUwrZpw/MAIu

u3Q8jGi4+ZSCk0RNIm2KOnYUnmMCsYqGlHZMaSW/YlU3LeUMpC2uICukJu3KBzi9Bg4uajiB

u/mYgYMS4Rp5S5SGbDZHdHQJnaHMtaYmDB5dGKdStjT4ms1+wBrMQGTsaqEN7QNlCR09FvPk

bB6ohGq0U1enLqPaDLtB156Sw6XSnvo9vaNhdB5ZlVqsVum+HV95eq8luzk2N9jHKosnufT+

Rgy1de4p6QCt1bXlviYLA/JyHfdlB0ER111IJOvcKNtof5HpHseZHFDbaEVwE2ou92VLqAcF

cRF6Sng01lbmwuV2jmYzMDWDDp7ZGW4ankIIRUBaWBtWlS3AXJksFlnn0jH7XaUvoXFj7Sum

V22zwULcD5js0bLmUY1STVkXTHiaHIsqFbfOY2PWphvQx7/cVjlBc8ojXWpjOK+5qSISKooK

G5226xxqkwb3G0KjCorUXeyYszqXQ0KE+ZW1IBZnWg3iGRwav1Keb7LXW86j3rRWt85VDAFe

+mPIwHKwlnDXR0u8sSJyTGw963rnHTGtnFXtG6Li+YZrlNBg2bMpkGoYuUNc0xW0usoxsAD2

kpz0udOfxUXlq7QFbXY/sJc6GfWaRTBR1+Yt2OcoC7l9Nx3lxsuzzqAmubnotCcsr0PnAyC+

pq5ZFQH1Q9ksTzLyJ5nxCAzYGBet86jvDFLVOelaPNNbO2YkAaY9EyJfUuUtxDRppHlmAarG

cY8vSWql+lR0623AZtOmY1Tflp37sAleh9TqwQUgFD1O+TW8QahCl5qWYMxYTgMu3XyOXWOz

1vzXgVbBbRnSGGKDON2oMntG080gupQdWU82sURGTToMs8oIiDmEpQsDTLJY0wvoGPoUWVzM

gbsumOc5/wBWXtq6r28MV2FDA628d8xgVrZ+yblB6sEeKg7VpdO+e0NcsqRyGLgjVr0psK0y

iJnjsA57L2lNelztGl3N5x6fBxoCCj1bRWal9o6Ayhey9kXNLbpwAciUQsEEWo1LzNdAuLWK

mKW0N6sPkStcrBbV0XmJ1qpkizOocPrMz1iyAtNUF6kU1lw2XW3PLEzSkVodyIdpF8hR7QhW

oh2c2JbtkCWihNGcmRptl98vWLS6WTMHMqvnmGss3F+5oxpcjaJ1pRKowbC0S9KwXvNgZ0Be

lPmOsx1+1bF7ww719JXM6NMoO1uuxK3ath2AYWhWNNYn6SApRqith2EONJSlj1fb0g4ckD7b

pW+VCX0PPCMCjXfmg8Om7G9rmgRcBkDXPMghhNdrzuWeUAKtq055gG6ADQsadNYXUbB/uOQq

oW5qYvME3yUdy5SCDZMayqgwTQU1nlOZloZ2y1JfKB2htxL8QZtRbjVFimXMcWJgX6t8mbe9

2mWZwvp8KLS7BSxBEvS/9mcg4JToPM0iF2jZrNuswKP8nZMm2fwJmAclQg73pGipTHoq84QU

WsgPujbEcWlD/UIFmnMoCs2uyHV1u6+scg5eiA7KbYFnYo82CqGe9g9PN5jAxGOJaWOCtSOU

VJusrqecFO0G8r/NkbWglbmx8RXeCbfpjAvLJjezRiltVjS3HaXbCejtYQPLXfsjK5JVHHSW

4NNBAwDvQN0BgDQTe3HOswWENSURI9F0gjpZA7EekBzfrGY3itLlyhx1b2CZfZaVLShuVZME

R6MJwNRWbLuVmCoLK1VhTqYzhKSHMY0RA3QtsujDEo3kQ4Xhso/UrR2QMNuaG3vzmZY41My4

FAOWnpLKcAIvOVG90rJ0zKogr1qi3qjrfSVgHvtBs8tD3xB2FsuL8spUC6dyIwnNAMmh3ZX9

hxqeTWFqURkdva5am9ktrUD5G03XGVzivT4A9tTApdFHKGbDVRVo5lM3EpY3anV5EMwLBNfv

F1g1EU87PxMSbUCh65TtLBepXLvLDR6gLyYCx2AWtkPNFvmJetvbaNGveNZrbQ8hecx5NKE3

m1vUgYSd71igTOShT86XaB7DEF/KKk6XbatF61SillGVZgB67yzLkNcgEZFOABgiDa22ktmQ

0KuAW4tjVZZJYGTXtX3wkp2HgDQq8FmrEErABH0tZ6nJq50qcoeY/mGghdwPS1M0gHeOyAZ+

ViMNb/rmPeXsVChH+koUvrCW/AUdm1vk+k1NlnnlZ5hlXLPlLXOtT8QwO3dAVYrpfmq2jUA2

grytEamX300U5TAEdt6CldxzWrcuY97EbBqaqdF56Sl21NJemufSXoyOdPaX7EGx3JgbHMU0

dzvM19nKh6uZR7FQ84KWO2sCyMdKSksUivOGrCoZZ3Mr6aSpYIHFCwJCSbeFF7RlimO/shSW

ZcqgRhsx2ksCVvKSQXodO4OsDNigHIJXPEbmA1Cg9JbqaHp8LqDF1QAsb616Sg1wiu9Tq66Y

zNL4MQq5EyesrFrxuGavslo83MS10IoK5g3ujD4y9B1aUsM6A75YQzlanS1jHWXDY98f2XXu

mfeZQUQbticBNKGr440g42L1ShItZEqkAQWgG5RfBK0Kr2bV0MWlVKDQz9TYWOxGigFSUmGp

zlyBq8/iMZ3fGgFA3XKZ+LBNbc3iucuhhIGa27HOCiWrqLyP56wmqIoAYd/ohYrMPkl/mNKL

XLd8HlFkNbXTPOU6BoSXdy5TRDDU059dYO5sTZbtwejU0YmQBTeg5/UTlhzFWTWUAyjbipvC

3dDS5lJzXvUfGvHImaxtW7alna3DSQpCq7UdeAN+8LYt0ezG8AtFptcl4mJVuDPYUFzNEkMZ

pdFDUlsiIaHKpsxSED5Tf3c3PmiUdtnqvHpQsH6kuF0ZOvQiygY1mleUw953Sw+IMNJ3IhXv

++KabstFdqTQPkPLx1/Zrk8jPeWlkWh6zq5GsZSClbA9GnJ5g3nkp7xgVKBU3kWivl13IMae

6e5AsGogU9EO9yuI1ph6b3lKOoLSvY85dBhbXV6ElposB6NZZ82i8zncszGh5s4LOK7S6hse

R5jszMFofXXOzCqA+DATLlpAz4rIlpQFjq9bYhkNr2gU63d5ais3ho9QzNnfJUBr6fFDzqoM

orHXb9YDBd5IXt0i4fKw0/DlKjbqCoVjW2icxxBrQtB3LQAha6jGqqLS3AjYHOOnrjcMecOy

DL5JeEq3LjuwOkFcekJ3yy9zpLqhbN5f1p1bGGELqrHaD0AtCHKVuGIr1tm9dm4QME1reka5

Y7GXqGwI5C3Re8y3hToXUztBz9Vy61a4ODZtlvzZuRQOmO9OUesGBvYqtaH5A+A07sEVB2jY

yo9mAPSA2u5zhw9dCDeYnSYk00zDh2leuWeg/SWVFYlzmkUdk+G9vC0MNMTTzsS60VXwbRur

HCnXINYo7Fq3YKmv2GD6NWfMy7nQssVShJ3ljToEaTdhUzQPawNTWJleOaLKDOt3v0iX4DR7

EK4xHQTS+hY0dFwXnm/korQiVDyyvMty+SXlOZe8qVYDGiFNLp6y8dQZxWANZ6RxLIUvhc1l

UMPWFmmTVC/JmcweKLOGcxTorE9ZamF/CdIlAeUfr5fNMXModUsXV484KpC2NLabBQA0Uek0

tNjknOPtSui9eOco/ANsaFxZQZztT7xA0HVHChh5E71DABz2c4hQWxyefPMqV3HWFEojjSI1

VnIxpFLOdT1Edle+kukCr7DEo31s40pl4RS0bOu7I3nRg8ootgVpR05wJKDOkHq6uct0PJzs

mtWoTyiRhKowXm7kzHrcqtgOW4lIwRSvI5joxImnTy4NnZ0ZfbP5BLHtBrjPKHFPVlw27V2h

aD1slDzZdzr4pKUZiTvqkSqgrGNH4T03dvloZqjjqpq+8qt6DOCvdcuDsa+M8oJcs5LX2Iw9

XYT0RnYioIjrwCUD2jQGSjTeXeNX9vbT5RNnphzD4L501DN4yxTrEHP1JXWP7rOB7iH5yU5a

+4hfKU7nk2+TpLqNq0xtG9FjbPpM2oFFmnOW7heq9ZhnnXMAVa1CsRSqVpKMLnR6qKl5lt05

TKhMximdKqNbBBWSY58X9gi1d8vQv1mayjCUeUEdHzZtM7glCtHvLJ8mu8nOc0yylu17BMws

7x5cX0gCAbRvKr8nGJq/OtFME7j+ZgRIslqcjzhRyGXNzqhjCqZ7SvG/mB0Z9kEhHkyt22u1

mNXQgXhnikzU12Hat5CrtXECqlpHz+EhUj0XAdT0xTtUe5YyR2NrWHRelzTx3lqea+sqo/Mm

hur1LCHb5+HWuehHRSVoyY52gnDho7tUqDbslNYoZp8UxTuhoXg8hcfcG9Cyq7L2nONSqdjG

qtma6oteyW9nn8VfS4CzTphHwg2UpyDoeRiOROcxkSJ6F5iNFhas5elS5Bay7o3MAMAXEjae

g0GChUL0FOg35xAGTmgAbJ5Q0imlWr6XCUPoHuEErO4Kk8lD0iDdrFbaracmdMNO31dQlEzL

Mo6gjQ3W/TWObMAxAKP2OQ3rb+Q3cDUx3I2oIczMp2LkHTrEWL87O2espso0NcukDTRGufjM

oOVGvaP2g3f5ArN/bTKlh0iiyhWfwR1oC6G+0RlNby6LwesUpVrHunJqEQAujnZ84lWN6SJb

6iMkOy31uGPEZ9WXZyQmuma3pfTlBNLI8nEHoxYYB7tl51L/ANlmdOnKFopm+UCgHKMQlAos

uqUyHiXUM3Vj4P8AALTLroZuVaUHrAQUbByL5D9RwwTjWrbXWPD1qYJ0pXrGZX2mrPP9mcvW

cwXL3Iy/FJNsnMOHly9kCXGuB8mkXy2mEwJepX2rzhgNsS+sfTUBb5B6xRijhjcvTSaPQtbW

FNjLMrIrUg5rzFotVazySXOoLr76kSK4W9ANco3Ka4bP7xADV+FuTowTem8D55fLgBTY7aUU

UXzLmJmNl/yAtFzDKDojXuy2VEcN2eXOYSjUq50W42C3QlEgdP7DLMar3utOkvmDyYz1lrH8

PofvYnUXf6JeNDYl3UuuiA9hCvbM33x3C5doZQA8hDvuQ5mzASHyD57zAR1pklA80TZ+aR68

lhhzb5TKigs7WTRXOenl/SruHrKBuwZpVV7xUJDFQsTDmGZSiyLU59UW2n3jzrpoSmOI9nQK

2it57QlZ5v4RuvZjCA1I0pzp86e3ECJgBBbAdRmnYUrvplFFgIQU1Y1pfhnbyYqd3I4G9JQL

igN0qvdihagvDT6wploLuRppyJS523r0zLkdCJa3N6Q92smcnkazCqzOeMFtRiXliZWdQ27S

jmV3tf49JTl0i2GrWFLyufX0i8DVjDn0GhnvpK0+edY1q8zXLjnAU1V2TDKhRaGQX0+7MiBf

2zAcvKU15TplOzExdalMQ5WEN2sTktIw88nJPaahKqy6emvrKpQG/wCGrLQBhRzWQ1z36S4c

saHvWkvrOMFSsyq/7hXHKWkNc3ekoz05w6FPPaJUVu/lzlSuwtepLG1d/aM5ixUYa6xpNRZL

Na0PeOmWuTpr7RVIsrhd60tw9N5iF36IvGrQ5LxUw4Y2rd9aoLll5K982lcqqW2KgAUta9Lv

lvAzZFuymZ93Zu0DndsdT0wFy5az0m5e+kqy3h0q56RlSrpzjQW/aIKVajpYe5omHwUkULQC

64dWt8smq30hvENWluNGFGoDdsGZc6BqAK6NRbYigvuPbnKKCFFzdyUWBlI5Ek5G7tyo+IoN

tFTlAtqPp4bH8mL4i6kbml+8nJKZQJV7iFXWDVX0HaF2125ne83WmjWaHKJNMkV7zDqQwghO

UA9sOwsYSWSuR1uP81GTSMdL6MzvAQBlcHtgeslhe9GdduaZ8yKYZmr2ICoQZ9gTKdWli38x

1fAYVHLA9eSREZ0pXs6hOmUWxudCW0BQByo6SihL1FNeekqh5reHIAoDhbmaUn5jXNp+TZ+V

whmroiLJXTbpUxV3mdthHPQHTS5mIy9QW0BP4UESflBdymsVac96jujVAAFme0qDK90NXGkp

voDZvh55+U1l3zEqNG1zEtdVgi1G+omhWURc2oetMeKwSFuJoRctBZsYpjHf5ePuaFz3oR9T

3Hn8x70TlfVN4sBNq99G1wuYdQJmGCQiTL0PZUXD9Lh5lxow4nBNQ4D4JwhfyYvy8BiEEYm0

Ne/znTZlsxWDE6pCkA+kAAFAACcO36k9+xSL91fyxVs4FvHMTrPrLjf2mI2kecbK+CaiphG/

OZCLyja4Kc5x4Nqw3Mo6CzMGzyhPOHdcasnycpY5HhmMm7zV+YPgneSSkwqNeUbppGm6vIe3

KFmpG+XfHzs6K8zqghvT9oozHZH7RhQx1WcxVslCtl5OexNT3K7XvxcxOzkPqiJTZ9TnZoM5

b5QErC5OTOzLriAoEcVZZYOsesLBwWBK1iemlwVcD5tBFIoAJlOc2aEorFqt5K6xT289ZkbZ

jn0qtSuJb/Ig1Kr9SrF6ecacHM9rTT1PKUDYOwlfW8P/2gAIAQIDAT8hn3PubvhmqaZs8/qX

DxXwDFl+Fy/EkqW5zCW5y3OdadaXl5aXl5eX4qX4CeX/AInZ4nZx6w45/fEWU8BmXxwTjjE4

4xLl+N0eZ9zMmU39/wB8DUdn58Lly4sHw5a+C2X4XCLxNUuXMOJTw3iJ/wB3L/6X/q/+yy/Z

4Ol3PuM1O00GPC1Hb78NvBfix8JpnwXLmkIZgy/+sMrFRX/nf/k+P08PufD4ZENJpT4vt8No

xjGLLgRzLN8R6DDwTLEu4SpeYS2X4XNYnhxxpLlH/oeFw/71eH3PjxMaE+L7fDaMqMJGGGND

KqEqGJ0eAJfhr4EJfgE7wxNUf/Q/6TwfHUrqfcz4LiaCfES5s8b/APCRtH/xIV4EISvB8UnW

a/8AkhHwf+E8HxPC/C/+T4anl8eBo+LNY+FSvARVQJUrPhXiEvwuDKjCn/ttPSZ5ceUv/wAD

wy+CpWf+lzU8vg8NpfiWVkVcG+g10m++/J9ZgSjb5qtzyN17EUbCWEuH/Cv+XHhX/Gr/AK1o

LcVtzf8A8iVCb+f1/wA3LiZlR08KZaJG4cGLfItqYdUF6nvzrS96inIMyE4y3eToeU5DqHW+

vlAVQrXjzgPNL0Azff6EGHhX/N/8LLlxyy/+VDMXnM26/X/iSv8Aj7fX/i6f8GxMXSA/Ixnv

LTiYNPSDWtDyNvMqAcNNeNHaDZ28L8Ll+I8A8V+F/wDL4KaYWnG3/jcP+Pt4Nv8Ai/F0hSXL

mUYstV/nHftCClff9ibz6d4bGfTi4Wst+3lrEZw4+oH/ACS/C/Ba8L8TxYeAUCB7Mbc4eNf9

j4XN/P6/8CaINQwjWhcOnx5RKa8NVxecbZqVrTWBfhX/ABXhrK/4X4Eqv+7l45/8GHhaW7zb

z+vC/wDvRNCLANHgqprKrHhWJkHgSpR4Kj4FeD4U/wDPKGevt/ZXme5+wtxxz8CH/ZDw247f

8p/xojFcTWVGVbNeMf8AKiVKlMfAFwqInhU2RHxsI6/8snLjr/PCyY60/X14H/hcr/tX/DtL

vECPhk9n58DTwU/5PMEGzTSzE1jLWV4WeKGVGzKpDSM3t0wTR4ngf8HhWYT7/f8A47JkuPgQ

+A18vBS68HxFUfCqOImEKMsqmpUCoTOR1I7LwFNeGLLFVMEzMu8CiHQ6fMEr/wAt/Cvd9/8A

jsjvxEdPAW5mOWIaJf8AwxLmdoeA3gzHwwomBx9TWQ0gpvxKWYo6ZQVM+k1Q3/8AOvD7/f8A

1XjtnnPiRjNTtKnJMPJKBjDxcaZIN+LpB44El7zEvEoTklSjjrULkdqcx1oR5mj/ALqHjrK3

8Pv/AOLGgB46YjGVZUq5nvx6wUIP+MKlGk0/8Jy8GOm7iDSLTUxEyeHCcs/UtpEKxOdn/oP/

AC+/341/1dDjebYhA8WULengoWK1mIiTbxwSXOt5oiI8CrFRL1mIMM1CE185fAfA1UFqGUKU

yv8A5ayo+H3+/E1Tl/weAv0jdHSGJpmYzUqHM+h+/kt3RXkmmDE4MuY48OfgtQ3ZnLllAF7y

vDSJio4mAMuYPA4PSV4I2Q5TkZU0hgm0FNP5x2/7Vf8AFY8Pv9+GKHHOK1/weNXZDm43gDEz

UtmZjuAyJgru4h/xpg6Juvia+BLy+Ds48vGdGKyptGYTWXfgS4rP+634On/GvLy+EuYYjB0y

dEi0s18Po8KJmEaPFUnVLno8+DNvDcIDRKmo0TQH1l34hMMeCXMQS/8AA1xxxr4D4V4PxV0L

eU67jylnCd/86zMuXVFXtLm5MlSidLJR214Nw2o+EfAq5VtHo0nlKTV6TWYFlpp4Yi1FVzbz

xtE1/wA6+kIXqmDwB3m0uNaral2FjNGF4KB1iqDEsxEhmHhsZXiRh4kyJUA6xI0ituSppioy

6z1mDxxvNO59E3OnhmHl7AnQlnThlvRr/JrBsEwdX1xFAzKLUIGNPBlAtnNJQVoIBvF+2e0G

cmfmUPjbMpMDwF4NA7q/2GoH/hQXuaHGdf8AgIRh4NIsq/Bb7+O0vlB8WyKi4hHzY8cd4ZF/

NjCMws8Yns78GzZzUSA7zcx3Z355pUOEYILKOvOdyeFZJdMLdn6ile9ce8r/AIC4EpV2JNb4

qPgkaztKgx8Bk44zKgbO0VeFeHTwCBKx46b5TucecRBZUI1L6Lrpww6PhH/ZOges0SnDhjwG

qJcW+bGOxfc/Yl2ep/Z5OPWdv3/Iy8+38S/pD6mJLhAigOXTHn/jKbxo+Uq0yHIMwzBHSaE1

LBnVWZ9xgrm8+COfBc0hFjHpORSFX4l0X7ZojcU4eGtFwif8V4HhcdMYeJjSW+Kzh8vDSwHM

H5mNCOZuyzcmqJLhUN0rwMsXL9H1v99Z3QfmpVlIVnQmsI6TOPWSlEudN8fExqBxx1ggkyl/

hUjFOIVlNk2Dffi4IeXuR1bD208/2iGg8OkfA8G4accHFxM2uXL8Ll+FxZXD08H6r5l3xnPh

jme/5NhBp6w3+Kqlu7o9wPq35SznHs5JRV2UmQi4jBTKVRKQ3mUOFQ2j9TXIKhNh9Pmci47T

mRzVh2tZsMcdYC4N8ep5XNljpcFiHZjhr+6xo2wzt4ngJmxp4FjwpLNvCp4RTUuytPDHgsbx

b5lBnjrAktIuceNJRyzxtHPSekPma3hd045eF5zFTVepZ6f6jv8A1Yazt61n3gRCDXAQpDRK

lDLPJQ3j9gV4ODSBU2yVNZXgqb8ccemWNHv0/Py4pGdG2cgd5n832jn/AA9PyZFLtmSDH/N/

8T6eFU7xZpOQZZxx7zgvj4nDiviZb3MOr6fsPE5z5Zcsk28A2C/Q/wB9kSx1lPEGOcJi8nxM

RMEpczTws8ChNIeNQPCiJ4UvK69/7892VuTFYveFW88t+O0qaR4ZoH/gaJ9fBUlvOU1pLRVA

G0Uo6zGqbynZzD75bvgAveazu48xp8kE2cr7/ECR1fc8fWIYlsM03KvLFfgW7S7hBOeGJcyv

A8WVG0QwZ23jXrB9IqzFNTl4ABTDbSB0MRStTi+3/GniCVjwIxjEIvKfePwht3nwM0plPN+c

dYw8Hq6m+Wn5Aps09cI+TH5DURLiphLeG3KNYLlwnWdi4+f+K/6VFUDu/uB88+jHS9zJZLut

ZqlYeGhy/wDQz4sxLxKppBW/HlFO/wAzPn6fspe80iCx4aZhtOGZpy25vC4MZcezHczPKR7Y

lG9JUYUNcSnPwJrdzzLh4PWGZsfPwMTAgeKy5qTHEdPDXtHWBFBBXmfxgQVJmV/Mx6RJZZym

Z/xXg0Php9/DZNJTYiDLG0l+5mj5Q+tNbs/ManXjjv44Hl4CU2uVlaTAbJ/FfhNUbjrOk+Z9

LP8AQfz7luvpP79RdGv2aftDZcdkG5SuKVwgQhlx0iSr8K8Cjwr90qtfAuWnmRipV4FZWUeG

EoHw0osHgF7TImBKNPOaflDa6zVer5JdyH34+dy4MJMZlSNDE0l+Fy5f9mJzHWY4ydaV5xO0

hIS5cvxaqVE8R5wVO/EwlW1DrM5Sk44zGYY3gf8AFTZMg8FrMpRMby4VU0TM5jy+oPIP3Blw

1ly5cKZlQefgvSZlWg35ukuXLly5Xhq/D3vEI3jlDZMzUlSwvfpOfqPFPyK5u1fROT9aLAPo

cem5GS0rwJXhdy89JxBX85PrnXSOYkZubeURHhu5OdenFQo77lfHv4s3seOJ1IjwWQ6eN+FJ

0Its9J0foRb8iA6H0IlYHkS/ATy+hOw9CIQJQ4nWhNOjNL+XadB7/svl+/7Hpe/7GFIibuMo

Ki92Xyf5FsoclKgoyR2rPTQlAN7u2vTTaU6D0PyFZbX1hIXd8dYb6+n9nVehHWQ730/sAyoe

3dst2fSC7xOo/Q++e86x6QVz9oNWa9/yW5bY0ZwU/ket6P5Kv+M4YfM7PB1m5fZ+xfT1P2N+

FQZ+H//aAAgBAwMBPyGbP+FqQ1/4qV/0VYzeOPHMz4Lly/8AmvDEqUSkolJSUlZX/wAJXdLS

mUymZ8Nnfx0ZrQ8CB4CKhWYaTCVcYw8GEYpxx9zjxmU8fzwqVK/+t/4GneBNKDnwjxDwJRA8

Dt8RhliQSpXhRKOOCVKfCpX/AKvif8Phr4Vjx29/DVKKLMJfgcIQlQhKxLSis8cYh8QZSJ4M

SVK8K/5Jj/wP/N/51ngSzXSMPEoUhIwYPgylnhtFjK8E8KjHxYwIx/8AW/8Ax38DklnOVETw

PA49ZcvwIIP+jFixY+F+D4P/AG+N/wDif+NZ/wCVp/wf8DCVUupf/I4eC/Bfhfg/814P/Nh4

SP8Axf8Ay/8AZVUXOcuO0x6e0Od/wSvBUJfFaJpnnfFwzrEVyO7yN+kB8/gFJLqXF8L/AOr/

AOX/AK0MpZb/AMh4H/kMSjeL1UzseWJj/hTwE1cZdjziLYNF/XqZlaakAytNtnG/3GIOyuNk

mTa3pLypp5j8zXclDF/9a8D/AM6GUh5nwH/vq/8AA48KlE0karTVDVP9Y97hDVnHvNR5RdSL

L/5SVKlSvCv+D/zumgwZZ8B/76v/AAmkTDDKlVDbHJR/vH+x35vT8jO7vMLTC0FX5+cpxeOP

mP8Aw/8AQf8AV/53zMsjz5f8njf/AHr/APCYlbjeUJBNGX6TLM0lK0nRBlpkxH/p/wCh/wCa

3/0v/jX/AOG4ZlqYQdUy4M1Sngqy5cuXL/8AMv8AoXLS8Xq/99f/AI7J8LqEvdPFlSpmZmZf

SXHR6E80f+Fw8C/+Q00xyKEsaqbP/O/+Nf8A2Shx8Lh4eUS4sv8A5PhU6D+ygZDj2/4w8a8N

YK8BRF2m/irAaf8Am/8AGv8A72RYCHgxy46rGYbqCWeLA8FHMHKRWCvF8FjM0lR+Gvhp8Lip

rGCHMWVW0dsvc0O//vq/7NofEw1l4jowDiUqSXLLf8B4EU/9abmo8os6kfBzOX8mCXNZSoiu

oQNSwP8Ak/8ALV/4MLy8CPgNYsnedy2iON+N5YHg6+JuMkSqgrH/ADeIwS7DSjSDpxiXhLrw

d/FPaDDGsJhGZRCv+T/u/wDjV/20XGfBtFCdYs+GWuHjeO14OvjZTpHGf+cfLwJaURDynaJi

8XLfpHWPGRkrYML9CdMff/w6v+1hrlHWPgZUIF0RKhrL0mS8HXxulvGE2ri6JGNuCECrnNin

gJJ3TMdYtzRYwjKm406zNFcCa/8ApX/GqNP+Dw9Kh2M3rMsXVib9c7r5n5COD8/kHK75dOOO

tXLHjwIDXfwdfCxqKkJuJUifE2jjwcZjmGFqK4uWaTqmqYHg8m8YHNjAitMRtf8A7O1I/wDV

58oAplfTMomLzMf8ArA2It+FeFawMnEfQlzE+NXiGYNYg4jr4WiHjegGXYP+BFSqaf8AuvEp

dkvfgNzAAv2TgH9nUen9nXekFk0dPDd8MWyXbC3ivXmvyPieq8QzFg5ia/CpJRvXi8/AtYl7

SrlV4q8Ga/8AW94EAponXej8ms3Xe/iAgQRjcGULJeEy3XwKze5iAmD/AGU5xmpGBa+GaiHP

wZmUaBxZfTvAaFY76bwoUqCTeWdDwqBaFlhukJgfJBE06coYiINxJU5pUOIf8PinjYRxjxuV

3lt/E1M1jTUMa1lbeAjmuHQ485yfuH1ogWx9fn5K3dvn648peNOPaW5TTcTedZtCBwJnioUD

rVvWD5F+koHSXKjBwN85qV4K7+pF2RKqB4NHisEuVxx5eI8Kj4CvF1/5jVMmI16P3/2a2GjL

RfZNqWrwBg3B84oI06TZ4TkoDy8EZIdDcqLDbU1CWK5eFSMoJy94VjYR/wCUq4y1nMMV+r7i

S3wVtAi8DSVx38GEV+FeOfHJ44EqgszFiLcs1qYcp1PaV5sbNzfw8klKL06w4LguT7wOjM8u

PWW4E4D/ALAiev1HrUs5ZfgXYufh+mdEFJ54feYnVxmWQHERcsHMxcFCM6QjOOSKy8IDpGL3

E6x4PTZdrKOuYhdL2fqVus62cMf/AAnheQcXHxS/CalEBT42VrnKQHgYgyoQhv3mzwI6d4ON

1K+iFfQP2XkcaXLc6s0sDJDTlvbLFlZqlkXWaPAIJT4ZELeJqlkQws2izlpH/IJh7Jw8pdr9

cevD3jh4jGLM2II6wlu01IqVK8FRIwNfHG/WHZBCHgEsItF95tiwzHWYrmV9zAOv8+J2a9zH

5KxNn8jBKzApiNcy3Fyq4FZAOiGk8BJdndDw2aMeqBzzODf+kKaTpx2c8NJrCyJ4PgcLlKWd

Y8TG8OZOr4lfw55lZ8RmmY+uDCfGGGJ6G/c1nbwNW5+Cn5GYB44xCf5C4fmYZbL6XF3LR72I

tG4Pn4NlhmsbHQnMPgqL4WYIRj/zV6ri/BcF6OcJzdpgMT3hv5gdqVUUtXxX/n1/8GerDaZW

DB8JPsHw6lLKPDhbjSYlOkn2eLGHKaoM+Y94aBLre8HnCjTwPCpTiX4VHwCCBSMNuOPiUcMy

bb1P5G6xc9vWDL78GpRf+Dq8RTg9oXMwUuzOENcDrtMqu0XtholaoJmYLnvy1fubWXZLt6PU

x4+lxWygEcWZY+VBBfbxreKiyiXgM0hpAq4T1i5RopLld6NyZtv4clWL1ywv/s1/8KuELgeE

3n5F8fBx3CNxzM804PllEOvBLvkX9fTC4cuNZUbShvHUZhAeyXDPg/HUQS7wyRUg1DE8opQP

tcMiVcuKdP2AAaEGyXXNBZcf9HGrwPCJCEYQbnK5QLyI78xBFSoTM8FHKPzierfeO9WDUOqa

ALOlXdr5iNzjtcFs34Bz8Krw5ZUalPha+CEArwRzTUgncDipreFdsMVTXWaMvw0c+v8AbhFH

/MTTFnwJghHfKgIEaZ7KaHc+GFjx1XOapWN0RQ17xVaTax6R0BO38jub1jsDx5yhp7py9Me5

j3lTwwhAEvwAmdMohD4LgimK1eKZiOWJdaQz4HvZ9/sIPAv/AIF2lr8NLwiX4EI0MKhDh3JQ

rzl+IvhvkzzfP5Fr/wCTW2YDfjWVakpziNfAMKylhSLMJX4miPPg2MMa6FNVpMB5y6W8oXXU

R6af2GsyP+m+a/DQ7zS/4PB0zIjw4b/8JcpfAWe8xbVK8jWEf+Kc9n5/2FWMw4gmS4DQTkU6

GbB47zmA9pXvNzNf7ASmzw1whCFSjHjeUOvgaxg0u/zDZyduZj6jtDVp3Dj2iq5muYvn/wA2

8AX4iIFu9Z13rOp9Wf6TP9pn+kxbX1mCUj3z4L8FzUp0oA1Cay8a/Mvwdvz4j01TLADy4ZX1

uobWDzNZd3fc6RGzZs+86r1irrKiukuDVV5/njQ8FPCJYqoKsSXGdYRzLqLNzl6n7DoepFv/

ACVbKynhcvwfD//aAAwDAQMCEQMRAAAQACXxxzoKJjBW267aHEr2JzhdPxrSAEvhWxhnWexh

S08QBvH2alAGlJYRZ8HBAFI0kNKJ/wDzQMWUNCr/AFQAwx2LGkPAoMaDjJDiGwdLeCJdgFmi

8w7cn0YBrcCA3ERo+eL0PMStUXB5S/p9GYo4JoddjMm3my9fqTVBBz8251GiJtP98LrMoSgH

96xt6AWFe62EyKyyCCrp2UDMCSFxjyDGa38T1ytY45t2VkkYsnwMFLWCii23rnrvKYq8q7E1

uhO7p7YMVPUZ10rnDtzBHey2WU22N2VxkHKLAMF4N3j4C9Q/jM/D5uVwkRm4nL44KgJdpNNC

MSm/ANhJLBSfU7vHYYtfmzcA5rL0mFow7SO1lbAwskUDFB90pj90SSd5dC4rIzDEqnyMcz2y

Qw6WgDNUQGD9/wCw27eKj6wWAZpyDqI6UDiYtE5EQSl5qJD+KGhBvP7FqELdmCSxq5ReBcwt

i2DWlDA5u+BJnRgxa6j38EYcVBN1xQ3ITwz+WFyulqBpvUJP0bb/ALfAaNNzpoXl0YRVveom

rFYOkdOVcLQshwekzodJgsqvFM2KwFHkmwJX3vJcdgyxO/1MAGO45vhO1DaxyKWa2KkHIRg2

F7uGs54J/n/kXOKhvKxqgOM/46MA1RzuyWZugy2B7BlVM5QEw7yi/E47gAPqLLa402YFerwm

p+3Hbb1hMOGQPQ2JL0InoUJG29Aa5DbQ09ZhTzqfW3gYtridErj7z06/1NR9UQMIrPoLHfgB

rILUHtkvS3yNnsn0YIleLlni/wB2ncaZ0O8/74WuDwpCpNOuUlOgIT1iZFILuMXG6EHvMMiG

mOScwIVk53zQHQbISwf1ppku5Gmr3yHeWhBLIRamP3PtYY0o6ZeI/mmSgHTbnTtQ/Qu+Ax1S

oYF0uLq/p8YpBLyNGiBJFF4jBZvh4O6TOjTIeOPNPrJ4jmf0pLnAEhejfjKDPE4eyXB2Q/nY

n06vgEvh99cpgbBYCqToS9SMyA+u5ANyCk5y/JKvrYaJJD3iccWRBbOMfPI1O72raLOsM32O

miD2ULXSs2UZ+K26THPL3Rp27cJuR2mgOe8UWmtZr5xXTr52RH+JEHG9qE3nj//aAAgBAQMB

PxCEKdWmt1TWimm8x7pLgAuhuRE26GYoiy4NaBjXu7vpAbTrrKktlN4GxL2BRFbIPZsmAZQC

aoqil1uXN1UzA43Ytv1fiUMNqhbexKWVvoxcDBWxKAEFw06Ysl81CxZFVd/Jg7Y9LK6KWljN

7c9HeGV5UsqLltQLdDtrECKHNi0VgbvZzzIDUlFREumGNHS3HeF83JEEhefaCwsDnqFOq6P8

CqrCpbgUIOeYOsoC1hsadUB18hBdI4QMVcDtCQHFLsyBYfXTmZRQLtjW7nS4VziBCqtSwlba

9DrzaETqjniadQvPmM1y7+cRhDdU7HWagA4ynbKl6ErU/wAy8UTdBc0ZCkEGxom9BjrVWMLV

mmB7RZAtYAHyoc4lTa2Xb1pUWYNyPgNOOtA1gXyC2txBPMhj3tQTWh6Ss+RYDZFU1nHKaHBM

p6vctzUULsHW95gQuuqCOXPEzl2FxuYVnDrKS4bpE7ayUoovVadlAjqjb2L+YVZt1+hql/H3

A7OVz3NvqF6U0TqHUsrbeIgkvAzTbb94kgRhdd3M9PWCFChgNpMQNM8F7pq7DG4u6wpYp2p0

S1ACytBQqcUGtmzVbfwqFhTYQIJ1qANR3mcAxkZ/VTq1/V7Z8AWiiFoh7NTMWYZgVU2pfdme

WuIwTOtc4KLEXVzcci2V4p0y6tpqS70G4bbA6s5AI5stDnCIF0FPkYztCa3Et67u8kh8lCq1

koRecAol6otDYQBcDujLOcY3jSFKVtYRLKRq70vycRrqCYOGc6ntQ6aRVTBhkWjWBUKh8AUa

CcjAXWSCdyMaILbMsZvT4ghQ3M9Dm2HJfKaUguDarArWwiTBtF2yWNHFVUwkVlA7Wm1a3qGn

yqKCpvuKFG8FBTkubPwmYqC9c78iIdSP2qEWxdGjRqZ55Z2xVoKtaGnWFjCIO0uMUau5vA3m

J+9RpbeggYzOMOirADtKI4N5G4NA70hb7GjzV2KPygmCota1vq52iCLQk6zYj1mTZYODDmqr

1goyNMAzjLg9XnKuSVdatayg1WrrtWurkIigynUdfyIVrAFuDyqVutczfVw6a4jpMiva99+c

Ip1tmy61c1GVsqOMrych2nMZBu2L0M6c4cqVG6OKbqn1lGNdjcCr06E1jWC7XOH9YNxoXnW7

1N9ZboBSABRhsG3n5yxoq5XsZ20XjnCURstpDRppYQ60qrbKvq2T8jRGY6FXmtbfuIRlcXcv

jNXXnWZQNDkznYaPf0gVqMzXnTTGQzo94XZcghzJQFyDdGiXQYVaKKHUYrVWhssU7AjUsYZL

iUM86nrI3IO8vF6308GdlC0jSIwBcIUGQKS1anYjHdlxnZCB3QvlmDeGYY4gbrsAFKXMFS1N

LvyoOMAUvLZmULw6GxtjLpuzPOrlzvmPKGL2N1g1KXbWMGpb0lXgFbGNNDlXLOOsC7WVAlLt

6FxOosCc2A2CCsnlKSNMula1ULSFaxlyGEW1JSmDQc1DjlBUGVmgKsUeZVzSaM0tNVqVsKXr

WsarO59yWjZi9RXdgbFhYZAMotq2OdA1rEAFtRgIooOirO1krUmtQMFLVd0lq+kVtRUmsq96

6Vy0IEmw5hWMWlc433ikWEr/ADtsu3S3LTrFtGyBqA0F0ONfeIcFvDDOsuqEltEqjpuKmNvR

KUwsTeimi86B2hlFrS4mwqWdExY9G061Ak01QreZ0vOW3ag13YMQoCsFBjrLT+ndLRYCs0i9

Kl94C0urKGsLh3CVFwGSrsYvOgJBbDZte+pKLdKwKvFab8iG+7UWsGPdTaXO4XfTgwageeuv

bHKFsrQInJnX7zL7E0Grts8+rGLAC5NQLc8DpFFDJ1PqekJS7WG1zfMhTGLTDOMQWnJdC70r

vnch0Ku1DBdctbhDVWAfOK6c4C6Nn2P5ZGAmmAwbHLd3Va18xShrQ9r2R5cVDshG4bNZNJSV

S8ikqm3NmUJxwlpkQAPNXGOHMT0xkuZnRAl0lIOAByYXNdp9ytcvwJ1N3UYUUUiY52041Q0x

H/LnLrQEsvIlYem/HQByWr2hvCkBLqi2rSOYI2uObdsXGMph0b1+WMawe6Yv/SYe3QdqXFYa

64272Ck1lIr3bxjQwV7Q0OLbssLv5KvTlBkAJBWYXCs6aRlEEues0rmY133mIRAw3lsWBa3u

mzSyuVCyFC8XW0Ilc9Q+AFWtIrnbHEtQmpNXVKdBugvMQCygS1O8yEbK+plFGOsoBxSLWmde

UsiIiNZpKG8hR5w7iBaSgN6tcubAHBKXYZSqWVambT9BBABNR55mioqwDdAdNdcSmtq8uTBx

Vrly8iKsIqFBdBSGqOjG2G4uBoI461eeUpseLAW5I+QvOzUPT3Ryw8hbJx3I1NEI2jCpk4sv

LtDDy2R1CyxVkzL0g5WFeAC85WNDrBwwhzC0dKZBmb+BKy6QvGNvpEXOV0JLD0LdUaciV+AE

gHZuW9cecZZLGxdXRyEZPqWul5vnLzi72O/XTNvnA0Hc7rN7rELTRYyjtKoc9ArXNkpXsaHJ

7Xx6QKzhGrdl4LcQVbFVWt2FXtmXIbVoa0BlA67VWbpLbzkId3F3bo0XB6zKobyjg3NyFJkO

hqF567xlBmgplM4rQ0LgWUVozyZpUvylg1QFbt2rrx6yhhcvQja0JvYWdLNFlAA1cAFt1Rrr

bMWjAIDFMrSaNOaqerRWTrPM0s4eGVsh81WGUUu4a6dYiIrZxgtdtLX1gabI6ywtG4CnpCeJ

iBigOe2sB+jK3m0z3kwAorpemfLMC0oY40Nx2hmMrUjMUoMmrzyxBRbrgJh0yFQnAZrad2Q3

vLLIjAQ3Y5sOiuzXnOSuL4AdVWT210o5Yps2N3bzNcQlQgQEOZvbm3S+0B0akQlicWFVBsQu

rbKFqaF4d9qi3n6N2FtFYd5feK8R3nqWugt6wIunpoyUvm3c5YWRyi9cxtWmjziopKgARwte

Wx6S917nwpN7Y2mksUEEXFKxtYSsddg8ddSsCnRLJ0upXEWYXrBFQGBTVsgioiwRggahVbRu

wIualQvMWL1VaYzEq5CC4AyuTS7tIXrCkgoUIbBRQ1rAYh7wSqIKUXeX2hzSCa2ZaNluN4qC

zIBoJXsXd5NJSuAhOeCwAL5mM1ATvOQEowd9XeudFiAt1nHz1AUUsyusVn7l5RSpXbvnLtAh

RXkUOd555g0JY1Hvv8RDZqrLNbd68paNWMlmsa+2IQUdmXrrfWVloXQjLy0ZkNLu0CGdeKli

0iuDayzHnt6Qi2QBqxvpV7QFCXdtJu45EFOdBNdK9MQCspwHB0xMg2tFOhjrrChTSXYGW9DO

0Bal1z37gl+FGIAiHDQILtMUYryqqBatFY0qkuE1JSy88bLeams6m85pXW+7wCPCvkjEmS6b

nWLrCy6s1OR9o1k2IrW3quEf9ofwoTDXSoQBKCNW0Bg7ZgnFNErfj2YVdQZoa1d6fcAC1eO9

M9DOFdAitBTKita5MtG4Ipd5F6mp5dCDjhjVbLnXDivKKgimoyaNWOND3gtF6uhBFt5Wds3m

Gb85Jsmxla26sww3jVpBKL3oNbjKZzFmUWqgaV0jIp4bW3CnRqb+U0INUBZq3B2CZ3gKxnme

U7VBkXvrcsnSQw0DTm9Api84iJztNSgsALbCfkU4rS9AUtCXVDQlaYKR7w2A0oOrpBTFgEhS

NlQKijX2bjdAxXIBKjm6SgI1T1AcEMtab4rO6aIrCxqd9KVQtayq36vQTkoQs2hTkqtOTJAO

tAVe+kPa5sROuqNwdORWpDQGwbo1AVqpUrFsstSTsxkLotZFXUu8xahRmNFAoIcLOhjWKhp1

qFai8nSZBkN3UGmMc3QDKDNDtmMo2DXYp0fONShsDD0IerRvSwH05xqLlfN73ECy6tEpDpr2

hzdWukKDTO0KKzVeedpRlFc2Eqq0fDGtDILXDufMzKZVWO1nPWXBejXJrs5de0UahXAOZzZ9

MRho0dnHGsNW1RlXpyIphtLBS3XXz3m8DRnSzN/yO1bA5p8cjHFSxjAo1NCyD2uHHRVQB3VE

P40zdUp1A1WmXzovYZfSy11c4dTacZeXpV5eGMBnKTKbHdF5BQbLVaNRDZWcMZcQVbcC4SnM

cbDS4as/UsQDUjlo0EVAoa26GNLl1PJNOhQtGMw9cqrerJ1yR366LvlD2jGVYzaLLW9YrSYC

rJdXQaD5e8ujNozGZoB0ou5VV1EQzS0hguvbSUVL25zRY6FvD9wf2lBha0sodTRIyrtWtGc7

aUpVvlKxhXe6ZnKseMyiRBaFsl3fILLvzl528nQC8ETbV5OfZEJSnAqwgMUhlvGdrMX0A4ZB

KLVVWtU3iuDLV50XTCkx5wX3YqW7ucmqxrpERdbuTwTrqa12uK7lbUtCWFalKr2OuPwj1iwE

2XVEMsBeKMA+oobVUtd95YKnj6LCWq26Uc6pnOBWA2920mlO+AhkbVMayiJVrXN2gjFMpyII

kFo8xmaZEKdYWANLq/iMmFbXaHgBeVavaokxTFp6gKMYpF5uBQB2DmSbmmi1iucJIBdEkJtr

FfV2zWIFauBsXRHW5ruqVpLadfS5apTQA/uvaAgYNQVqbVKxANBYcjj0h/8AlmBHuRdQ3xkU

XNXQurZoeaGN34XllMd7ZYccVtF1AAUcllkrqKmSuy06/EuJYGcExldcXDSh1KL30NsQIrXR

QaC9f2EO2hZo6lekVEoWEUvOpXXFZ1iooFqBa4wabesraWFF3QscOsWwRMMjRm8mnSC3Owuh

e0FrYcYreXAWlcltV7dYS6pyFdLqnJnac35BmtXj+eDg/wDCLN+jEn1CDEDd6Arqt/1LxGNB

zR7clkw8obeFi2LbVSlqaHWaq+aj2HzlpaWjzPasYCMmMjf3rmFq8rEyWvMuqpiBfIFvnT5l

jAaRzCnHTOAuYBfcUbC8t+UphMCqG6KsAcQZZ4FaQ0otBxtvK3IkPpoKRyhabhKDIwBQVsmL

PKsS6Fvo/RRtJbRGGCJdLBvJDaRsS7lRUZRqDguKymE2DbBFp1KcghcSq0abA7X45RoeO0vU

Zqi9a61kvzQKRfA8wGxTqzLlguJAqDAUmXfzmWZiXeMU26Lv1IsvUoAtVBdhv6TX4IWTbFDK

7Mc5ZfeHEGKaTTVxWrtldAvG5Wp8pCIDKtO20AUEFtU53jG+G+A2KCbYQvXsEXiMRMX3WKHP

noASmvjEtFQGsWLW5YFQpYMBXLEbWi6KmvEZT2S5m9F6s6kYZB8yNkGJpMFWh3GgadobstTO

p53tELKqmk1LS2nMpJa7JeV9x7QRsKDrztPmKsyJi8EfSXZaETTPmANXH5VvP6LWTQC+xAZ0

nssAoswFHKBpsqh1DY7bRLVzOb1Xzg5aV6tzHXWAlKxmHa2jfEOgW1eXDfl0lWlo3ZjnnrZe

kahaPIrGvLeWFAHIZanLPzEIbs1ZtjkW+WYaIVmaC29AmvNiBRgbuq9HI64jOEEvTVY0eemV

0nJCuZ0XjwFCR0xtqti6hs13KcNE1tTKLAq+eUvLG6SIunVRDrpBRE6UohSGHJGBWN0GEKgC

CEVUF1purGrzhWcqgxkrEZk0mTEBQMul/sr5ChxaobxRmmhygoZhNSaICXkV3dZW3TUxyio0

oo1rKRe4zLVNAuFqi7jXGtUQiS7J3esaNZ8EQAY50bGHosHGM8jDBTKlTZ5WqS+giyqPG2EL

0yCG4OZlVVQwwWQNpcmAy6qPXqzYa7HOvOaoLWpldbcG+1kcHsDE9MA2gfQ7bI1dnVyazSzb

2gpVY9xtLFnbJqyhLNXOw+cwpIIKouwHBzlWDOo2UqEeJTtWmtxNCg0YSqYXKsw6S4Y7Kgcj

ird4BvEqTgLAZDOmO8UIQMWWi9JzWWS4AUXoxtzcwWbWq25Q2R0KVi0u7D5QsZZFKVtaM5bH

lrFGW/cCyuVF3vCCU27Hyc/HtMAQq9cZ8uUM1yDG7o/VxL1HpY05xaUKc24540ZVa2M88oSt

obmi9amYcIFbVyBrq7jab8whwZgxDbO+eqZ15FVWa4oRIGxy2Bpd7+Ublpq4NNbrF3CIAWmV

ac+MQqxza6XTTfl1IdSLda0rG4MZHYiJm3LdbaEfLJlLgL1b0rTM1rAuYFoqNaYTn/KAlog6

Xpe5tV52jtRBsTS84O2t1ETsGa2thPec9t+6q+fgzIZNzmOnlLKDkWM4s1odJQyjvnS3frFc

W5KNWdj1juh6c69pr1Ah0vPOdAeK1jLlsK22z11JZ7OVCZi8KGtc1sIBegyFznPlcEATjYKQ

rTuR0ADGVrY5Ct5eUqRVhzkTzAGoS1btZnKb1ZChGX/AXZRbSKDnPlU0DXffURbhDFzUGKIg

NOUGEGzapDEaK8HlQ0iXVA6uxaAxALqGuDcsplC2K6LyA16/EEbtN7VmijrDSlTU7kDc54qX

xFuJW3Vmab6OkCmVJO+i69pmI2jYUafKSu5oYSzi8SN1xElLBtmnB7nUv7o1QqkjJVFYo1ee

+L8LWxIDzDkqlTk2zmHzjXTKt6quYlY6tTai+Fl6+4zQzToSAdF6HY1D1ivLkwS1NslOUbmo

IIdarKqwYbV9JYmgOV1vdy9WXMaRpV6aTTe66wo4QdHVcasWlAw4q9M1zjYyFErGrl5bwraN

64NjnXZmGs6wBwEOJj8GfMka+kcNREYqikYw0pdMVDXrb07WQ4smYHIUd866aTRrVnNLl5aR

K25z02vkxrpANDNNuT1m9vUu7m7n4gYLMa9v+VE4LVAoOmALfSF1WrFvTS+tfEu+iphtz0ur

rEoFwyqS1r7Zl8JqwBpsVBQdTHfeDM0IWNE0G5TWTM230mtSqu+t318MEF4cW00+oA0AbUr2

5EVWjRbrppfpFxRRjo0Z1lwCmqqh9GoqAA6GmORW1Qdh0dLlVGwgFubaMtKKgTiDltu20Fxg

SQAUiJQtjTBihhhoENmlKxG7QmwUS6OUKb0pOSRwfRkFZxeYgUqo141ERAAOwUiLsK+LFUD0

GkXY6lovd3AoxICrVUTQIsORm455ilFEHOXZOJC2VgC0ZSiFFdNCAKuMMAK1HBIWRqsOGAUN

cl4mK2GuRkMN1o6u38hlqwlIaaF+2Y2ouUa/PmecyQSYQBp1LojS8I3RYoMZU2lIM9CDd0o0

d4Igw7ACdc315TGlWs92GprAKGUQ4XfNe/3vBMDsbyBQC8XZKEFkKo4LKKvIHaNWsaBkq91k

GyrrtGFLSxs9HCs7RFlmsuhoqQ60ZqNWBnbUl0XrdkcKrwLtkc67aTHQEQTa85/2DA3Db4hG

QEON65c5kNUXm9ujsyxKLbOgLAZRqUyxEAIUXULFbQ6wF5oxhSAtkDvaQlVQWyzlCDau83eM

9Ll2QXAslb5XlK16Gqz432jU1w6I3fSBYpgadxj+QOkFtAeNGWtsubabRbBVuBu0zjJLUFIQ

BHTUTGcVEDOspqzTrTvziA2yFGjfMzfLR6zWli9V2LYdHZJei6Y69RzxengGhgBnXX8oXWis

6dr9ecTOGKwWtLeOGnA5wp1wbVtMJo1wZM+dms0a3bUfdhcb2ZDt0gBEwBp3J5o1moaS9Z1u

ncjEytwD1KYNgKuzmRlJnQAHI1WTinF7R+jAgzkCVSioW9oUTNV7DEFoyUhvNxG2CwBYf2cW

K0mcbrnEAdrLRUWrW/ApQG48U2EvAise4yQJFqA24K21qofDc2wiNgXaHZaw4iAfMWlutiAC

ISGs21lNSu1t1gOo1UImC4toY6WGHbXvUpEad7NWOeMxdRaqc7/yA8kpfSVKNdsCmvLao5C1

UBu46tRQApyb9JnGqsut5cdGIztNOmtgKdL71BYihdlWNcELc46y3jiwl4HJrrmpSWNpEKds

20auY3BHSltBblIOlOTN6S29nRbwrTOcg29YcWg3pmDZAKl2w4KxFvGbLx0o26Zi6ej/ACvS

CA1uWnXflAJOga7YguYR13mG+UQpnMuqvdU84a3x6AJw6A7EUri6uzKmPXrAosypg45RxkAK

250d4RRnOwzXlANwr0Wa45zKyFlst3pXtM6hVXVZNt6I2F5JwuDlUuNTfS8NC62INqajdC3k

dDd9wmEeiQFpFshWlwdcqKDBpUnbXXynCZ5rX1VntyeFD0E2l69BhWAZGG17a01A1QCNKKOj

vMuDUdWuD7qGDABq9sVDdqOHF+0FhtprJ0+5Xdpdy5ymvfB6iZ2DSjKU3jSGncaYMh4HKxSy

uaOvFSQZROyCgTtiPU6wJDNXm01iUJuGb5KwJYVpNRiKYj6LEpKt3MOmYXJjCcKgroKzADAd

CGrSA+wF42dJerfakDIjIF4WgbLksDZqEyHNlJ+7p4TRkBQAAAYiqlYKDcVui6EGoKsriyRg

7MU2X6DWYhOY5gW6NW1RCyxaBgW3dfhHUDEXLep1OkAAdHcazrZe48rhqEF9Q8s1NcHFCNOm

bx3gU0KF0a3nJlxXBMm40SoMhppL05wKtTUtTqBkb1lNdEYqZaZIuzlV6RUCEskhlWrTsGmY

4rO0y14ZJqDnnVOvbYW1RwoBboSqGAeOpF+0VMKRzeYaNGmC91ctkGiNVtzlrDIaI7cjOwzo

jy+kmkGLswo0K/DYkU05c9NbYG0ZpCx1zq5ZQEapRPkZQYhQR0Xd5269oDIA0ypdOYbd7POu

c4HlDaF2FBvd78MrXJAoDdc72b7RLA4W72HZ7+03ts0jQuqjpDgyinBVo39TAgRq6Fc9dYqK

VFS1UgcWFZjvL3yoWSoMVksQXZLKEoDk3nLTfrPYUMv29/C8UNKWXdXawBRncydct84CXW6r

zdWsDFGp6neNYA2KIsMhV2WbukwpyKyZ165h6rWDZcQLe1wHJA/O0DyYEc6JVvFC8BFzIs8L

ILvqo1ZRgACciqibqdPMg3AjvOTajisFdIE9LQpjYCzorpuxDTNFTAMVDQ1KjEcXuusuvtCU

6uD0LjC1py23lzVJoulZTozJDK0RWpdscxHDlvU22nhg6kLhQ5YIKHxsKgTa/KhagFqCXeLD

npL2UnTHNimVcoGQu79QMcEoApXQUpEVqnZmI7W6ylcvXBpAJS3BguaNMGVRqOu2/eVywUCm

joxhJeejgCbKtnRllJCsZkNlttVHFWMdAKXOlLVgRLow3YgBrf3ALwtKjJCqlLhUvI1pyxBY

RESi1ow1ZrXemPfoXJ5SpYbRQ+o9Iu6wVqrgwbswlCYxgqylWO6hdACprmqhAO4NFrpF/wAZ

UE2kNqsVqqbm8AdZbuTQdYrfXEDKxeBUDzq5ZoBJdq230MAAxcadD0mAtkrCV036QVoXera/

bTlBrQA0tdNNklA26725NOhOQlmoy5EoH0hMthMu7jld6dIUtIqKeeccaRQwDhea038s84Vg

mKbMNrYFDeMhGMAJbY2tIUssiMpray6IAu9XK5utjr8CXWrK6+fnLVvuBjswUar1IB19oI6L

vk/zSAK2XZjN5dvqaApreDl3YEC4bnT+Q7l4Sgouir0xhAnCXC6C8q0W8wU5uUYo3h5o8taw

oSo1w3RxlBw3TlVQ3PIzKVvDKnMYJxsuGs8hKBGJLlLTZF90poppquNsKlMa6szJaW/znQbB

m+URT7NDgWSZu7o5wiJhjsyqUiJqRcJKE7JpDHSYVBQAtWgLdDRWd9REAGVIDkpRptBaihaK

ECa1duXlLJheGXBXausLQRr21SEwwloFm81qwYbmc2pNBNwjCMCCgFti2Ckai0q8Xkjjq+7B

zBogtG5AEBcYENXIXQzU0LI2AtvXlxpB4kjKqxpsNWABi6WoPg0JhZLhYXYcxeWGKEqy0Mmo

15FqHNYqTRIxfkFDVBA94MqalINrAAd3WHsbfyDadFBIjqpaNYRlIwDCKWcwFW1u8FBePWMM

qZkhXay6k2CQpJcSLXPEhXUKhlKsGswJckqW92WRCvSkvmbBZDe6NJXg1QoywAJGdN63Pjzi

Ky0uyrllFo9dSM28+JhSxDRV5sNLg4jBoGdOOW0sVC1UU4zSdobLVrSlzRlWJq1cHoaa+8xM

oq7B019ICN76BtXfm1HrFpugsOvn3lKQcuuOm/KoiG1vAU5m3e40EQ54CtbLPeFZld5aozro

Y9J2ja55v34C1qw7k64u3FabaRRgvJnQlxgcGCNtduULrBRbPaVMwLy90O7LbeVJyi0MLUsK

VtO+38gYVBxd0FbuRXzgigoxTIABpd4PyGP5VShTo5FioWNhuOWpkK1cXBbmq5KpS9AB1jV2

j82iEzgztvKTq3tCYHTRVzuNoA6MIk83dHpby0OvUNLGBtbAbo0wsDY+o84hZ2ZrQoCz+wbW

GCLLeKJcUILd3684XXY0l0CwtPM6QZUnRRMiwOiqe8b5H1VZHJvU/IyRJMSE5S6ktomNTag2

MHNQO0E25B9oizYcQCkfTQxYsUqtG7DAuM1210UuzJY2IgbQUC/kBYYa63o4VWi/DAoR5ut7

ymBFHh9oGZVqtQC4oiokGS2A0DKg9EmpAGMNAI6UhENDuwgzBSDkM1hgxp8bK1VxQDQppLAZ

UlBrk0CBDhDuivdW0siEK3JAIoeaiCALQ0Va8xRz4Ls1lmK0aZolV0vSwNGFrtg1fUNrLblN

+WKlpWKjZYNoDQ0OUNc6DgbGHcU1jQi80sUY5dO0yq0GtN+f3KAjj5qtHSaR1OLs30mNNOS6

UXoUx3SqdjTS86ZxUOW/kUld+kxWwLv6WEZKJY2YMWZ9ipYIBhFcHIqt9JelGqkhDUECADBn

AFWQcpi0u/M3npAn+wBWudM+Dp7UtG2v6hlLsEyF0O+8GsVdSI507ZlI6oZ6N9YEaYyOp5X2

lVDYWMWG96S9W+WudOh0gSWKloqMlQbAoJRiIDXrhYQYCcfWdic9IeIXcG6VqSw0hJayhb2x

WSjjgCjfZgEXccgpeOZMatd8JlrXnbXMj1ecS8qjTNdvKULE4it1tijwFmcLXesh0ausNKes

WS/plNLGmFC+mI3YO3UW7CUzfdwsAtvbeAXdiHPItOsugkhTPKCquWX2EgNkE2qlHOUb7CJL

qFZMkLpNClQn9V3C70JRgXMJIKVG9C9IgG1axSJCjAiWAkOokArwR6Z7mjKQN1OzcTNGZAre

wWXq9LgvsEBcjWru05nknFCTheIKsahpvGo4QgPC3OEVBKHh2GRi7KJEoRqcKQKVNaHBd7aT

S8Mw7C1I58sQBslK6nSu0RsPghZbtWHZWq2VhjFkEAwZQgXOm4tJG6XhTWUdEwXVo5C1AGU9

O9iY1RKtHPcj/wC1ajI1IrY1pCPGsjuElpXcYsV3VpjvmDuLzvbluXCczFiBS3zrzlQuDe7e

Ae0SHJyA/dy7WrBvGryvOKPSFursKsWg8mOzbgYHLjTXfECU0AXkrGziKhFpQcWFbZhBA7AA

sq3JrCKFekBmg1102nOcWt+Bbq4uHd37wFAUkb0bM1jTlDAtb1aXWnOZq0GFqse3OVcPNFjW

/wCawbdaKw+koirdfTSG5d+mosbazoxLR1h1spKYtaujpD5LFUGR3oYV3iB1CbOsaSzdLyFP

VAGVl2CV3YaxWqhhAKzbRGEMehMEJnAbtpY60BAc4f25zUxOlNaDZrVi7tLlB7btEQ2Gmhqo

rr0Ztc2KZwwjKFBpg33qWOoZVGkMzaPtDWaOnZDTQNpoDsXss8ouGgW43ToRprBbjpCyqrmx

ERDI62IOI7eAUbxzJQ8ya5s1raXTq63/AJtBNwCUGFOnnE5wqmsDRXcFlAtqvYJXKjNcDQP9

l5fklLw1lVVvb2gl5p44FRQhoukvKV5GhosZScmV5y1r3oVAMMYsCwohRGLAcxYt061rqQyq

6eLSgvAUC61wMsFc26t3aFMp5QMgWBaHbL81i0kbseAtsg2alrKg5VFFi/WoXOHfqELAGChL

MlAi6TMYrcXpSGu6RV9Tz23ZLlvdlkxt3VWaNKwETZbk3vm9qiaA2yrrrl94Q2tSrFbwQyqm

V1xi28cpRrW6sYYbGA4dl8umkY1nDgVUu+mIF5Qzma5XkqusI3msWqko1QrXHxpAWsWwNlI1

ocwlSWUxVOWRyakB0FYSpS6pL0RvHI5zffPs+EUXQCt6UMSpdAdKvQ1tw7EqCyy6wZfKGLlb

tptL1hS50u3z6R14qxTqt42imVWbsqn9hKDR6QwCzKQLy1GWbBKwMWA0S7C5k1+KipIbu1b1

dUcDclVNwlqrUIREPhGQrgMgHLk2Yfh6KaBZQF7gTlAEwx6DY5qQ86lusMxo1N9mZGmlZOWi

ZxLycsGnZMhs4C14pNIMzDplVnNjbFSvLjVushZ095WEHwTQQvvxyIpu9A10WsRiVRbXPVvD

rpr2muU+oBIb7Oxcx/diADQ5LOxo0fUk4i9bpwv0MoGmzes7/wBgCgwF4VYVz11jaBOqYUbN

AhMg33EYsDeQocwgUKoRHBDTTkYnBADEIKaWEvbWUfMUYE9Bbmrog0X21ogppawjyswMMPPo

OUasqBLBzlwTdGAARhQVYgisJsZVghEKo3QINNK1dveEkr01IARQrxsbxqQ7E2egDty3D70Z

ES8jQIEN3jSNdUezltpBWjnEJvFBMtkjMBq20lCo7XQaBK0MRWeW/wDBhhRpap261mbY87QM

k1byMb3pqwQBB9dqz2gvChHNvlWdYcm7X0MDsdqgVZzruutKhEWRz1regGYwnBui99zOPOUo

XbUXd4eeThgWHF5gJudCeTclnNkMivXNvWdL3/MvwZbdD2EBVwZxyvvr1gm8cz0hSezhlmra

p1OmPeEDViw4r095zShC9L/blBDvlLwlpNN+TL1gICWCgBQOBKQYx0rNoTDAjGMkKfNm3XNp

VWAZSCmucVBEVGqnHKWDlqrgo3zRjJKsfiMubT/gEIUFc87zRyE3sjZQqaWxdRk7GEyIwtiq

E2hlKWsCAyq2AA8iiwYzQHJjkW2GnS5gmmQFoQt17t4z6qUaXAuzvAYV8bIoGTHxE1o5hpVg

ayRaAl3ICb8LZWebiVZ8/wA9erqXJ6wxat1lVU29d1z6x4mQ9KVpG+mbHlpFbFACmtQAMUt3

sMq66jNvpp2q4Ho9MQeB8MYFN0vN2zsS+mAElAcuMPWWbBt0pdXS1M1SQdVKCLaJpTBURlV4

yrprMHontGKxrHyiLEjTRQIoYw6EiBkKNFa3ioW4FpcJZoNlDaN/VR2FtLQzXMCsE7ryxvRV

i6diOlpUUbRKFtXdKs4jDYdQnGUHRsSaAboUUQNVxDnHZFmC21VRGrABGjkJcVZdRaaklLqs

3hHrZKNFbNZfisQFDQC439YMbIMYGryNIRNKaJd1jlUCXY3eOTtUoWLBzvnvtUVENAONDHPX

nAlhs0pau37lScitOVbWfRBDIxFxrWu/PSWqieORyWsDzC7xRpVANiVy05Oc5QvT+rwI6rmG

tKU7s80UPG5ggtoPMYmpV0fPtr1lNmFdMdu8EExZtT0+IRLixv6b7xqhdmQ6cqgUVP5LRje0

FRbAG6yNS21BVqxBmUNouNNFbhyzm5jPrWtla0qNcnebGhR8QbUCqVNjUyXTUKgbTvJXm7Ua

6EREc0nXGNgw9XkyCCrbV1rbbSDlELb+UnYehoAgF0kWeuxgFdBlrNfptQMabuvtMAVkm127

ZtY9UW5Gq6vIHrcbZkLtKioujNeUpUCwqxQVwtvPPOLRAjCUu6o6KywwFuVaBX9Yp7gFugKl

LZbB6q68qhEyTj2XTTANaL84hbLSjTSqNVabecdNgKMNFVd4bd3nAGUilprCrbC7Zgxe+mrS

NpkeZEFd1NhCUOEt6CR55F04pTADOFrnDgNWG2/aewYOsUYEVq27BFG5bx8xFSK1QVpc/DTh

cL99QMFZpYylrHVDZr4ZHLa3ZWUJBcknVLOo4QbJiKWG5KHPNWgHXDXMAiSybFW5Dm6ts7Aq

QLhntpra3K1VE0xrzYHYF0BL6QLvwzDBsVZZisYgx2Y+NLCQ0Nic8oWSJcatDVzRYO9OIJrZ

buvY03l4tCzV1vyr3iFaNLaQ12/IqoKNXtmrzTHQtKza22HJL5RSzGRoaZNN7sgqyhled3Xe

4IhQMYL0pu8dI8uSgGwL6JErTPA06EpiOp0SxObyW5Qjd5td5yjyqz2a+vAqscXhHKKIGwuY

ZeBiyRQFrRdGjhbTF1adh784cpZrtrr+RNZNGuXPtMBcDHRkiWixxYZI6VBJL0BrN1huJuc0

fXSNImLKSxEZSfZSQrC0DI0EDj+fsUxUgDA3RZyG250DAJY1h03oBGuAhbThdFDVOjRmQwap

YOxgKZd9tYQOgxVj8C4FeaKYFw1lAURURsmRpNSaXoKwRaNtBHbbEy4opNcbxxQ0AC/eBGCs

2+KBh7q3Jim4KwavcZp1lFExyoUcPIOMjUpNKpFFt0Q0Fm21QXHwtEfogKBb1JgtsHdVylhK

N6HoQuSc0NmbrYRrO3WBZlpWwOldXXzh0pTlu7LHTNF+elS0QzqvIDhq8VGxkQVqFXnCNZhl

ISjQLaLrDfflMyD+OB+sQa1LsbWBKeq/CkGi8qg7NOXExDkpvSrWJBuxTajstLA7sahB2dGX

hvXNtawtt3cegWQ76s8nq1IS0WZZuhM4zadsS7l4DQms+LWxddMQDuOatSLZoZ+UegcQUrHK

tZQG1p0JeKnuy9QLG0G+9RCgjNruUq3OBqCDDaYW90ecQielVEKcCtVTeolbmLqSK0GayZKd

EjLazna1DWALG6LqtF2H2hUnTQvJti5YWy+j067RsoWJZgvOlbRHnXM1BTYqzyiTXKJbvQdY

ATuJazp3MXMwS9UTJHDQawJolaY7RAM4FsF3nScJ6Watda+AfnvCTQwVzamCl2OVysKAXMXS

2NWoTnAq5Ys28ofYxa5hojkCDk5DbUzVZWuOcxZ9OF8XgtRQckwI04Ul5MPpK+NvNaglm1np

FLIpY5O5eXbMvB1xMiDYWKvLeGKMuiAoWhXJ0gdcB5amEAN0jbUKqAAQYh1EDv6zWTz6nDVl

acMHmHNqrS1rdZuB2fLgnRQ3F3uRgRjkQWGhVMVWvSBhsiJbfOb25SnoIl7U2YPSD9oDBtGw

tp7xQUS6pqPWEFWGBaaRNND1iNegsBGDEFuhMDDOo3Kpc9SG4eX8NrQAdz1omEwFpFXRhovk

RIxC8tgEvRNIBhVS5YxgHS+iHnK7BKprQyvUUfLkx2sZfIYHMp154MXERZdHRYqHNXWf2IGF

O9rJxeUM4K7BXtW6CG0aAyW67x4NMRbBIwoHK+kogVmQwaGLsLow0DSx0N0CZHfUuGCjGpzF

jVhi8OuRJCGcXoshqu0P6mOegBqig0lDqrq1huGe4jABxTQlOAAZuILBVKLFQFt58oG7g6B4

R0wguB1d2IrFlIaGMoOPw8qdCGgTAi65rNd99BCAwgViFZM3jqwZJwEoCKUKpzeRMMKtDGlk

rOcSxWCDY2iZ7VBl5vclnn8WxpNZSTHMyvTEdlklXJO6QoG+0TuAUI5DTIDAoolXP/4upqpa

lJYckJFUMc3BmsoF8o7bSznrsakgQshQfGSq81AiNuNZ+t2/Qx1VVeAuCTJA4oIFqsmW5b4s

EA2WtpvYdYD11K8KU+XHlL9/LUGgXyuKq7lZCi04LFVbpYM0ZshHPPnbzEFqFOWKy4FkdAWT

k05wsogOd2FgENaVBfb1AFPLq5NqNDABgEEUEMCEAFpDUkqaiKXKsthoyilEVORSvNB5dZdu

Rw6ubrjANtIsopW2jkXTN1RKoFgWcLKSuBQtZxLVZar0zPzKDdtFq5FappNDOcFjE9Q+QghC

hvDNlgzdpCmwzmGmxNBlYJDgQJBLGsRAwuMNWPPzmsU5VQNCWEUGrseeIAdGOFNNXOqtC5q4

WNUUsRrpmIICs4Jt4sAkghkADRVZtxnzgoTTRKLSSTmlnXdA2UKduJNGBt35uCulRE0sI0MY

ur16wym4C0FhkXW6txqzgpxXUBRXut8447QMMmVmhlnSMYKRXWMWPOqZdYB9KMLJ4C61hrGO

uUcZKG3s6RgpcDU0ZaVRKb8mEhxgVg3VWbNU6bOtU9hLyjUzUVY2WalciLbbOKQMPWw8/KPN

9ybSp6W2MNaWStYXRBsJlc2RiBFFIbKK0KrW6mIOgqBVCVnR2TGVGQquQArZKk0rmyzQZHAW

7Zd4qJQrM4rYedkc4YJICjRT0R5EVyXWCgMG0qd4oPGWBk1tklAFMavCp3LEClxlYW1XEmAW

Y31dYKEBQ1dK7gGVGaw5CuW9DcTLYjB4m2YpvFTIdPrDeSpbFE0qFRVgdURaFsLoD0m4dM6e

T8/BVABuqPS3ZG5duYL6osbLYyYlM9CgJtOIqFIAuWYKHFM+MqoGUUQWGml1u6E2SaXUH47N

lqlwwMIJO4y3BKGq6BgRZA7T92FwK1r1j7jZw2FNaoMmsICEwAivVJzLXdeYHDhXGgNkmcjI

nQoTtAoypfKqZ59jOCHXH0FgpypagBK2HA0AOg9dFDCsRsDUsW7IsMEqwbRkigUMwgdUuNQs

gVUxuLPm0NyNuSjnyxHttRrdD9kDzipDKLOdrwHY6TKIYNArg5sDEWACUWORinTFtkRBzqpK

AFkIFhJWqcRjlgBeM1vB1NagsnVqywOgQ1AcCsByPSERAZ5jy5Ss18oruBpWTe9MkYLiBpXj

ZS26LrEg6GcqNCjvAp1ACImzZFPOIaEtERq16mmXtMoI0Am9aOKMLsLlTkWA4DVaow7Zg7ie

gTyTQtLvbaapMJJzCihimGIwZp291DU9HXbeXW0cEDkr1OgHpBAhKhV6CydENJdemMBXfDgE

zjWjFMoEsEsBTyaIGAAhWBRQCrQQbcLg4HaX4sLoWwCOD/UaA1UqCZVDoL6+uchi1c6vBYbT

toFMCjpOLIAwPWiCMAggXnq0Z0SDETC6nbPH1LZx6wmuYwtsWCNOJ0kikZAyiIWzk8LFCudw

us1yjOhlxFvaauHTRa2yqlpIbpUAAy1BbvyHFn1gozm4pNXSZgaAbEI7HMIgNYI5TssYtNk9

bicNC9a8EtCa3iNLDK1GqqW3BwDGG5QSxzymaYNUQwo2q2vXDECMa2UAUscZUhqckyCFYNEw

bSsO14ISLoIWgwXVyrFe2INR1f1W8gqCiatFbVkfmA3I1t1fYMMiohWFpplKxuTOkjKHpkxo

ETkxBjGn0CUZBpo2Lj2TIQbHVoFWuPeUIoQOqqyC6rvECUqilKFrr8QwFt7stVtb8rEkAe0r

gWhQN6zCajXpaYK2EPWjnrBQibcssoGN1oxGKozQqsm92ehvLnV9d2GEgcmAtVo7naGpcvWo

03NjXP3EzcqGDIzbFf2UDnCCnIKltK8WtMmFFBfKjvCChgA1RpgSvBLkKpFYfOBpgPEi2WOf

KDSBtwsQmXZUHSyFRV0aItnmzE9goLoNR1zhxGtaWeYaN11w3/sy7grAnaKHqrxLpQmLjTb8

7ba13jkHMmloG1Z87w1SKaKYQWhor02qaCbDeN9rrGm/KIfdQdTtVkC1+4rgaVyGjl94VZF5

S2zCGg5PpMZABV2AS0gAhpW26yC9Al0LhuD7tc3HOwpYQQopzpvdcpQSDVhp0CmAF5y1UAym

KIMC8lUdLPPSLIWLUzXbcMluDYh6EEZX2y13QGjiL4+P1ZUCxm0y8oJaw4nINE0BdM0Sqo6e

u42SCqYB1GeiVYtBSZCg7IRmMJK8KRkZ7ABBWOgLtiRTsJq0gejHqhXQQuqMXjrVOiVoA1Rh

7EaE1UwxnxkQtpScT1c2bXh08AeVag4w0FvFyqwKDWpGb+AUIbOIdlQCEwpy1GIlcustNAg/

i1asUFbaby8V1YwRGIYMmPeNDPjLV2s9ZUZd928VIlmiA6bpRkp30uUkiCUQDV7VnO/aLYga

0Gum8U6tsx6EIYPsr+Bo/MGKUJDtKGC0vV11xcCTAuFNlKGXQ1mqDAAU6xvPaiUEqJY2qtGl

QoMDK0sUrWW52FJuse0G4F2Bat4Gl8kBDO0tACo4WuswebnSFotrpHvckGDUbrreCrFw2+5e

K0xOTAkmrjIGaXtDmkAjTRcGgUZYUV3Sj2LHUTW72FBeF1GtbcC5uFiKl00a1vSP2CNI3pSw

c8TcT27HlOhWpXPELZWRiAV1AAsaCtJs7yMAtmDCIxLVrwVCsWpAeY98Qez+tzvVXqOhAaRE

hcFBmlelzDHz815YJQE2h+dEKN0U3oVpSmYInPFsARVjOl3HnxyerAYkVS7HMEy1AR+0001g

Y0Q2rYo2mqG4E53HdV6bRiAFiqXOhy9IK8ARGmRNWx1r6Kl+kQQRGm2anvFlEoksuy1V3z/m

HG8EbBRSn2xC/spQB0gQwbA1WZUeEGFPKzaaXxUoMN0SLsxto5g9C0VwMjOgK5kO7QWVDbBS

VnlMZuEAgpKtNGoNVHtRo7VmOAgkrBu6x5wEVvbq8pQxnjEv3lxcLYQGlDUS3Q4wVZgBKOaI

IvIWpOoNB2OvOMaoIVKzZS7TAJsSutjWz+3hQ92wodaiBN12g8NVggMNmGvDXEIMMFdCmGcH

cdL0uKD2UuCGXmS3pHBJHQHDYoaNNf0mGCo6V9B0XRWuvNh3VDV44tQKY5LLyOjICryE9U31

jsUvupRKLBFFEQjcUCkEUgMu+ISJsOGVUS5xlNvaK1GsSPI4K2zzluaNItZxMKgm462Q1Agq

xmFXQtLjgKOxcgM5OgQp2QTXWytE0GsNu0yPpddFDnQSMYbpmMGW2OSMKBaCAEUu3GdMb1Le

F9ERAFEsc711mITqzHQ1Ysz6RRLfLso11mhC3UUqfJyfWyXqDcjs88tU6PcAYAl2zEUyw51v

rEi1wgmuumTeBhYq8+2uaYlV1wvXn5gDUJgLHQqoNYE09nDGxSbGg0uWpa0VCseoWzfDloCy

8h6EETIJ9lG9tA5BSL8ILF7cIyDgJiYCPM3JNSBYozVXtydW7/e4trlXCemZy5AUsOrtyGiG

1QLNmPdtnmi4KwQU8nW7c0r7RC5mgNDMyCt5aWTmhcUvnvQlNHSEVkLXLsFXQD1MaRkAygiG

aBidTSAvM5nUK0iwDsqt6o7Kva0tl3tpMGJoEhgI0CrVWXBYUjgpjQpFM4uKm6D14Or6wMVe

MpTHxClujcm+fOKtyXlsVnIV8ttZltAF8jGhnWn3lCKjtj78phWGC0YoMRBusHBdB5dTNy/U

5e/K8HaQcNwDhphWbjHLUqMSmGFrzYZzBCxJ1z6iioVpyzL1MtuNzYtWr2oxLgagnrWloOTB

Oua14XN+o2fKKC3jEHYxaKonSWAwP0dBIy28+czLPJwFW4BdXlvsjcCWgiDTDSHfzg8Czdpd

VnVjCekAoAeoKhMWWhr15y/wq+K9prVdsq31eEnFZUbBpSL2jEWSpYgmBwjW3KocAM26VFl1

6yJ4VTaY1RgoXaaZlDQFWTQatVqUzrqSgaSDFo7w5TKdWBrEIh5NGDQNEGqNkrqucANCxoDW

6q5NXoxCn44KmGiFGQaw2LpFsiqWVSYEmkiUo8BE3euiBh7Wz3rSVlWVWiDM4teCZ3tV6w8P

EH6RaSdWiy8GzoWpnSut4FX0RszerjOSvYw9io7XI6n3G91VzAuAmulA3LawO9waNn0alAKR

ZQ5qqU9nGFjtADqK2Noypj7McnJpoXN1VS9DaizkMXtyhPTu9JBzGAb5+sp9hFo5Zrbmi7lD

BdLjv83exGkRVrAaW9ALfPW++scgxClFRV2xWG884QIXaq2gJWVAp00ja0haLayuWog7SCgW

wCKSfKAZjRC8gw/G1qCtNllCobUpUBZaFsje1QN833rNsIqa0a3iR1qoaZtblrNlhK6tWV9n

KI0jYM211153ZodDfl2aN/tBFsMPvF26iuUawAsM6QoACx3gbcJ6Z9usTGuvWHn/ABHZAG7V

jgmxPLM3y/BrEXAiYWNK6dwkrNLR00rBliVYCBWQwlCDmldGVVuDLTUmKkO6GjrWr1gTTFaL

yDkvV84hlHI7ALvZsHlGGoEGBu0FijQDkxveAQBLeoAHats0Q7AaoVDEK8lw7w4eHVVpgBSb

HptEVTgM3aq3qZYr7KjKDPMEVcwe9ecFiBZ1td8FOTLuxGoFoDzRv7hoBTg0jTGyHqF6xrwM

Us8ibTPKaphgKaG0IbMt3NDSXyUgXoBqGS+4pUxzbNoHPAMINVEwu/mYjNlCurdKztWuJWE0

opngWVYQdYuAqCjLWDAOGD6yMK0aC1VVowYqWAYQvKC3qCjfZBwOcIDZSMWfasqsCT4NMMvm

K6MIGQYMOM+SxqqRuAjaCBBKK5ENXmRHwDZbhRxT6mYRQ2iFNApoVb3hRGEetQoDKBqZ9oRJ

Vc4lZRccwjVGBCjqKAAwWnlKSQyDYErNNvFRQ0XZc1bDi1d7Q1mlpV4Kq8f3MaesrpegOuEr

fHvExVAw+nPLYa7qMAacZ5slQSBusLowHGVBW5DLFZITN6YrMJaDBoAgu2u8O5gIqzcRs6c8

QhKfJYDqJBKdCoHJna3HDqpXcuV6OY+IssFwZhlc1s4LaeJBovRGjh0gUL4jMqiMcz1zABF9

w2U+l5nKnoNNLv0mRrJsWmzS4aEHZQpRhvNFVpDMotrZZedVrG9sssDSmC9bq7vTEwWynU79

vbjMFMAbr1yVFRWWzgM5UvS22eC1agpuXUKuGbtn0g8roaIHWMkXW+CUQ6XmW5fL5TNh0hFL

zK1zHVlQhYnY1E2U5ANHEzW2McGRY1nJZ0KjHAYB7VIlK6uLxHZpKTMdpbwHOjpCiJrJCNVW

EEwI4bo6ug6KG6xbWvlC5gkGSt7Bvv15lSYbNUuBWVi1yvVl1pKVhptdbYs1XcCJqkcLUBEF

aF6S27VBpxc0DVGdW9Y4s/LPWg0F3e3vVBW6aTdmOcb0EYoQrVFNq1NeXrBvHDZzbPLnR/sI

kziy8jNCnkaxymRZBqNOeWJqEAap1y0qsOkNZqK1eQrazqxaTWMqWE1YN8W9I54DKauFzVbA

+I6Q6IQUpyAI4vUhRZgUm2NVVK6b2Sk1KVYEw1LWq2HeBBcM6q8o1bnFsd3BIEtUIUGhqx20

gDLyWNnscM0ktYEAa0tq5zenOOBsc5k1gwYTeZZXXClaIKuwrEdEiRrtlegFX/YjN4sCUF3W

MUmnblA1LHOAYERVq3XaDgRa5S7ZDfF31lzglNpW+a1PKNhWKDUrZXBrW1Aw1RrUFBWupHUX

nh/Epg8IamFLKvBzMawqtiBsw185gGQAmZbbLJerbOxhqMSa02CFRIDZbV1BMuSuN3YyC6Vu

0aYK9CzZQpbqaR6MvebVvFWbUjN1IOWm5pBaxU0dUbVrjMCm1q7500bDrKBeLAW2UvUvXE1Q

0yHSk8oQoOGDWtytqiClpl6YDFG14qOQu8ozHQWkoph0lOh+bwSKIRqgS1VZ569Y1b21zbhB

S1tFQaJFTYBlhVRSlwo9cyip7NBtyywMgavSD4i7KlAUIrparUplOaOhEigPUv8AG4BWmxgE

ehtFmMM92AnQ83EaVpKg3LXQZxWEXiKXC1FjXSHsplaaTPMglzpIBVxL3ovmaNZZwKSLMnUU

Uwky1QJwILuk4OjHaS5cFCNE45KlCBYO8vsVRaar0WzVEQtKHDJ8lpvFpgUU5sco2Dh+YyzU

WwHlqBjNfEwp0Eg10qddvLDMZKWOSrz0mjCQc5VJnk1iHdb55JqcaW6wTmDXBdlgqpVhk06x

kCZMArHJC6YveguIrRVeKrXcG7w1AKwgqTGad9Rc46zS3lNB0FNuaXMKqIRqVMabL3+IMPQG

xRTa1XS8oOswdJFRaiy1bV311ZfM0u6ii9bFL31hIiJZeaAoETNf4xzpVtoBzfQWCwCwTAIK

54db+pUWol0NoNgz173CG0JWDjAZdartCKUhTd0g67w+vxaM0sqoYxrm7xFOWsJB9IgiOBlv

NN4AUGs8oW6rASUd9WWoZCyKkdmVbdRD3yaXZ6I8oWGkFoUxZogsupqY4A6TXpIZAsNRmLwG

lpgGXBQN6oOVSvMBlqLrudwNXWoMHQIGxwguLUFo56ADIPiwIgXkSweZFgK2dsUNYt4VbodD

XLWm8RVrMq2tKOnzFrUGDdjLYaedQFA72yvtjtCmKHWMAq3p9orViTZSxdqckrBeisV0igK6

BbAo2LkCGSfbcuoODdUa7TbmTMQwYVBpk6K5UMP9owOivlAjC63L5ysnmpmqrO2dpWqrwJrU

o7xdZqXMJGWICJdQrPxAjQCigkuixc7UsZCc2DbwKXRbVM6ykSQqshN+2t85f+Ye1NJpKRQ6

FIB2g0NVYG9MVAq4IEWssKIpnH2s+tdl4pqNN2OKStJRQVEBWtXSob5ilrXgUDbcb0AeaNjc

sZWoASuiiKj42Fls6xYVSL5okvq3K87j7KI0Bwa20Xt6xTWDossnNovnLzQFrXmjADz5SsmB

YLWLpNhE+4LrrQ6JdoW50KTvAHWkzKyYcurdy+nVbWNgtoPWNxXDGBS5vlV38zSmryAW1SnX

Q9YyCYq2olYpzen8uGhLgpaxHDhZcpTDiiuAshdl7TlYnxTAKjdkRbTXBnFht6GEioTVlBN2

mta7So1S8PLhhputnvmWY7lGF62b645xZPGbS9dfY4zKsXJZhxjLEUdAKA0EKXOErrrvC8lp

l4CY3F6nbeXC5ZVCZLHGFcs+0E0KjWM4nRBrZrQXHQtwII6mbaqKbkFq1jQhauljdxxqMNwW

eBcYIwjalU07xmhRbodFWCU74uNX0fkVqjSGLU9IAYUvoGgNISFt5ywBtNEygrqKNN/KMROi

o1bWRZatMkvUVFCqR0RzrHY36BUxhAzttLBFk8se3eq8otDSONgzuWtmBHYMoxSrkOmYyBm8

m7zTzhGKjgUkd0l8mN+fDL9Zfuu0Jx7XLBkApjLpKqlx6kLuAWVgITERR3Jwqg5Z+Illjtcv

QBtAZupiK2IaTY2hVunrEoF4oForqGG3ePBu8mETtZjplgjsCtssNWxTJWWrzBi1pRqndC8l

17bXlXgowKpZhrziEkxLWrfyoHSFa1uD3EhOSMi0JYUtIldHnGm1ZYILYtWDOOuy9gMjsHcV

GcuaL2WLWd3qLoExd7ynHhGgAo2ZbkDi0gDVvyM/stysGpWnu3dRh7YO5HFj94h5CL4sZuu3

hz5sc3bKfEM0Reb7pe0RSAJFUUWLcSmtBUJvZMQqcVYXKlqi4Chytul3Kwxq65ThSsD3w3EA

mwRbsEOvS7b5Rrag46UEO1e+JqZIsop1bNgS2+dkImto1SghQbdDXrDjp+oIGtLNnFMJluAZ

LXW4b5GHSP7zoopVqc2L8t4PqUN92S0k0ryidkdQl3AWjDWqliNPIUUosNjCvZibtWDIVjpS

+cXVQqep0Lk2z3gCqUuaOoGEQxz05EUce5zS6INOuMbnSW5k2jkW4Ixln0VwQ2PnG1nKblj/

ANogcWW1DtTL5txS4q62LsTQKg+u4AtSN0gXNnJvFTUS0ULdw6P3Uq/r6QLw2yq5vQDtADkS

sG7Oac7O0BKstYek7INWt94mxZdwN2SGqxcvwFItWyYW/wAIjFmZNlnOt6GvpMsNi05wVjez

b/RsW2AZaFpu7wbkSGxQKXTEWjRCADgG4dR8p7qN5VnaIYS2jYgSi7rL7gemxLFbiuOjXMqg

repqF2g6TPTJdtpdgTWndsMY3gwRpNAjkFdArlLvnKBeEAd3D6RRSgMrZynK9a+YMmHyEsDb

BTjnBuJILTdfN63Xmxs+IdJlJnZSAKWjhrntjVevpKC42blvznXpFDSts1zKZpprD8qaIdDa

mURFrOtOLVSx6KVloQ2HaXkaLCuhIGrmHGd3rVRG+kb1Np0W72YNBx1j4ObHGmogstud4UPF

VetGga9t9oChqEugtV3byvrM1uAY0c3ef1LrgEaIIAHLLc4E0pDalXopXkymZOLbDAWAYG8R

cOfItClUVWmViZfzQNZrKhZsU84IrABuuo5Dq6CLghq8tlpoM0Eu23HUveOMHEMmkVI4aUub

jWHEFCBeReHM1MKzbvCNorc8rjzElw0vN5A5asJwbS3b8/eP0aX0CWOyZzZ2lH9jdlobbC56

94ANKgRvKARF4vaWWY2mgKRp0obM4l9/7YiuLrXLeJtZG2EZbSqfPaAjCtcwqheR059IrIoK

tWmnP4idL4eerQFD2Bi9omCIj1QFEeRrYxErBO1QursI1jySjLDVyDVxLAp5eSZEEI7pRViz

FSrrJAwQoZtc9obgK+CgDdsmyjmby8Qspp0BkUNaiaECOCBjnSf4gEgFwZu9LBd55wWBhaia

I0LTbylmolLf1ikQveoxHApHqgRdSlmoVgfR4hvS2tlkUfDFHKjRYWu1VGMhnS3pvRdTSq35

2oxSCWnYWtXsZ11xFRImWC00FM5M76OYCQAAoABQCqMLk1dIgQBYFDTOw0HX01ixlB5YFgq9

2d9YvqKxFmqrApxcwxiZp1tjCjk5zPWfVhQyKdFfUupqorWQLuCHJZQvA3+ZTK0BkG6zV0W5

wNKiRbiBi667RK85mYaxaEpEd3amaCaZd8qBNlt1dJWrIWpIORcpLWyeEZYBC66bwaEKZsyB

WbJ05rc86r+IFg1gijr3qOoBm0emxDI0IYfeLGzDYHa3ZpdYnFd9QrmmhnDUHMkRavWqXV1v

6SnWW3bW8IFaGIHqEBc1kactdKi20p5aUFYmwNdFMHJGhZpKU1Wmueu8rxaIJSjTU2hRYCpU

UNxrmGj1MmKLZ3HMF1CbJeGzaUCkFLbB6kGUXrbFjXY6ba9o9a1II4KArOb4uNG2ho0F8nGm

hpzY3QsHYVQRMFb8/aCKopa3XBf7DsxQEXvtyesCtriEnIuqU1repfXVdFlBUpsC75a84KIh

VlqvFKtS7EVZmA1JGzSEGoFpNbKdgjUjOGojUSNkJEQuhCrZTW/KVs2g2vrUCQMkLLVpdgFh

Qil0c31qUEJ6tAVFJLhNdO9NtCrYqaaMbeBy0b08zG8ZdW8ndqG1hflAzUpsWvM2gO+mDpVa

+nKK0FKxQSF6tF501alYX0yAy+cjKuhPB+4MgiJNYAzDkkAymKuzovZrUpqZ2UAYN1jMN3e+

nWJQ53hYaXdVepnpGPpE2YDSFqg+JhVg0GYsR0Ys67R3EqksWAAtKFr06GIVHRVjS00gCoYx

jWU+qoDKqDSVSrMutBBZZQAFLY066jGMx7MlNFldaz9TAbEMoVk20bZbpBqrQVyslIivFLQn

uXLZ6JuuAVXNO0DaRTKDUUu2xb12l5W0G92Darle2PVgwU6aAqyorkVqXFm3SIVdKzQ532iM

tFUqsdoO2BbtaM+uauJYaKpAq3QlR6WhsbauBGrFyxPt35BVeZb6QytUPLANi1cXW0xfXibj

bKpTmlLvrE7vRB5JENtgx0o5T1PKOgagholpZGun7KU7OXzZ3cNxRh8Oqq+TpHA1qgVGY4Mp

QqJLyAMNYEZKsdNBTMFKC6q8Gzfl1j+yE0qUtvEc1koFkuhUPXOsG1HoimN0NFV+RLSJvZYx

prWTpp1g1uMNwWsqNb9Jb7+60qZSgEsoFmANIhIAZpB161eamESeQWDzDlpNgucgx8QkFQC5

olMBfs1HkVOFKnDxgC1agWwaO5kBgRFa7CqJeNz9lIFXW6rrCuBrQUVEtQZtyb9JSIHFRyLc

amrU0RtRe5QOa0e+koAtTyZLym70jvYV5gF1XGK6xpiCgvimQ55S5OLzI2POLHMS82OgalQD

mYvYcdAk9Va0sVnLxConSi+RB0BdS29VMuvxNnOFoY6ny6iSpLZWzgvqxEyiGztLLUcpZSy3

G6wpmPmPTmFhRaCO1EutbT8ShKaXJLUFdSIFVv8AWD11sNZUudFpoCzRoiy4OWBYRaWqUObs

9Yu1dKzKNhFgwU7K1vuDyvJAzpgENAIMhjpZrts5f3+y+Yr+iXuY0abj6xpg1AIHqRYRJ3O9

+6WuJ5saIgDq6wFdCJEFuq4XohOXKeRsF4c6wZBJtV1wZXbu9KZ38TZmuKlAlQ8FC1ilsuvD

AwGs6l2q+b7kdV7Vv6rKBnTpS6b8waLGiJsncDSTBhg57WPryR0jJpKuU7j3HSmj7ArqztRm

GAWqst35ntDR+w4syXnzp73tomJGtab9I2lJYTSqqRp6kS1FOxIoaoBEpBSmoA+9UpkqelU0

EuKDFW16yac3wwcYNsBRgAQeMTQdJYJSARyLpMzwCcb6BJVvN7UwsCF1NBXPs2/WU/BTCKus

7t0a3gi2pETlC93ygJwCvYYuaAJTu8awznMMZtxEgWYSTzZXXCF45vKYPVhqFITNCyyLXKqz

0iEXBQu82KW9IrV6ilcNc+fDHVcwtQVVAALbr58P/9oACAECAwE/EIRM6fRCBTp8H26S5ZTs

l++PaNr3fmK68CMnjjjaLXt8wbMy0eNuP8nqyiafunbSWumv+adeMzyOOPeOeePLHHeVWePO

X0yfXH+aRXHDM8JUEV046QHbjj9jcKU85Rp6r/fiJpLrziOq9X9jz3qzkL1ZTu9X7/z7ea+s

Vzfx+R53sfkMOT0Jx0fnHyLWnofn5Do+n4hv1wdJf/B+R6D0449JbkekKah6ax6HHnDfQnn+

ypqHv+zEtHvHRIZmD3f2PR7sE2fVgn+spyfWIFl+v8gevrFlWPuQrjXPUju49I1L4+Jrrpfv

XLwsWr/CKdzJ6QA1OnZ59o5Tr9iDQvjLLMQu3HHSGD2+yOw4440i9ceky1fHHKCVqe8yKvjj

ipvcOPmARMrjjjpKtDscZ47yhrtxxzYr/vtt9Mc2uOLvN7xnXg47fFtbFVxyg918cekvXHx/

Y2N+O1+8uyw9I3ZPrjMb7/f5HNonG0UyP17Qzg4+ZzOOOUWK7wdzjHHxpK444JQxtx68d5SK

a8cdIPObZlywlGWPSGXz3l71xx5wbOOOLi07accb8pa/Pj2h1hBuFDRLz5/Wv9mGn7xXHWgX

jy4zLZ8M/n74cCNIWKlXNWXxCNFKx6j8fcFAOXzD0q+78ll5lUsbHyRYZbbjjipnPFce8cac

ce/nE7bccZ7RCHq45/PfMQU447+cdK4rjGfXrKuZjnnx6fZrmGF4+Nok/wB347Z5MXo4/nvO

DjX0jft+8e8clVZymNXjyMcZnn8PxX39xXl2z+0e8pMF441MfUrZGW6Dvz9tT26aTYN/PHlA

6F9q/nxHBnEMnWF6xbgPgNmSY0g8tpjjjh9ZTTaoBvxx/Yt8d+MwL/Ye8Ote3xt8z2lccZgV

riVjPHHecju4vsccVLHDtx+Mvc6ytePJ4GqSsFhzJYp1Ph/ZsOUdDt4dI5mReXyQ3lnXDitZ

bbjjWLv5y2u/HHwQzt3qZqKnU/3yS7jgXYyf047QSsOnlx27SoVefb4321Ospt3f7x6bmlpc

uat/PHf+xtvUFw9doqzocuOVQ5Wv+e30wu9OOGXnDnj+3p1iqbPx4+I1qL6PHHOAc/X/AE9q

PlH/AHgr0hbyeyffRtGvQ869dIpkMe0rk5neGOOOOkQDERi4hr1g8t+ONoOJppAnDji46Vxx

x3pevH5MLhxtDHeDR0lZK3+x/wBhRxx9RbO/H19dZuZ0rji+l+G6QTaCCGJ7Q+I8L5YLZNzx

qQCecYOXt63xx7R5ucekar28tTj63hWzOnz7y75Z4zx8MTeMvHG/Jhx47cZnb5/XH+xVih1z

6a8aQSLx5fW+Jb744/3lGlKenHFbbdnevXrz0+oGx44x9Q0IMF6To47cdZTQ++PaOjjjg29T

YHFce3+7RWHb84/kJlvjz4P9g3YnHH1M8cazFQyXBU3mYY448poay5lYesyycccaQ0i6yjXj

PlLu+OPKVnOJkz0Pn+SmolLrn7W/korVqtel6+ANLmegPuFNo4d4NtMEodomXG3fuNHjj8mq

dD4SpVdIm0DMLZA044++UMsffHSKSneYYqaNHjsHGY22/Nu/n+wa7H8v5616zaq4442a5eOO

OVldenGf8lhXH5/kCpu8cEONMcduKi1M+3HGbYDf4/kFDN8cbSh78X/f5dtVxrr6MwNcceX0

xHHHvUvZxxx15G36+8vMxx9QMzNxZjzx8TCN1yixxx+za9pXH9l5uWYeN5nXjj9iO7p9zRrj

j+QMAyxpEHX++vt+ShLsyX3++Mzmor69eD18Ht1PuLq8hfQWZfKvVr9BrfzgsRyfnxB0449o

xxbfA+mYtsFeR8yrI6QRFVKcoU6zLfjjio7Dg4qNuOPbSJXHHpMn1+fEXjjjMo78cM0L49+K

lJ248/aa+vHHxteDhmhk4/sTA8PQ7Y9JSqHh46S1644zH0P1fHrc9iAONP8AOOlnXbQ/m3XT

zlDnx24POO3HL7ZWeOOPUNotzFccfMLuJrsK555/kLclvP8AQ8zSOFq9L+0ys5ayr14+4NQz

rA24447D/nH+QSa6ccf7E7fP5DB149PqBg7H38nAXCwjxylLvjjjnKZ9frwRdMu8YbxBpxxx

tK22pjw494JqpeXLHzC+OOONmlF1445RwhksmOutljsC8ucoCxFZ3VD/ADpmDUbsgKUoS0TV

ajgLmglHXoDzx2arylS3dNW6/lxs7ccfcs5440jTTjji4AnfjjzlFY344/Za8cccdQLuAHHH

HsvPjj1glY2449LitfL1446Q58VxxiAMxuteOPRmbvHn+/suu+ePPWN6sRdv5Ex1jxx9k3hh

xBpcYYEoe+PK6ZjyhcN78ufPaGVzx8EeGHHHFTfEOkF4446Rc540/YJz44/esuF8cawFFnHp

CmkWOOM8cpRjx4/ngKaTaWbcfUbaQpvEUubrY2K+oDFRZ9yGuu/H3D1oloyhNnjrx0uOUa0t

C8wE3cQG6qAYwBAGVqobLIwCkBOlSJqcXv7kLuLG9e6aStAWGCx1jFrCWqFoaKDNG3USAQbq

rAXevLm7YehR2xvYIv5G8FDWruM68cekRx5cdIaZ449Z1Recvnxx/ssDjj0hxwygZ324GXjP

HH+xQquPzjtHH8grG2ffip38cP8AsTZfHLjrOqMGs8ccEc8VMfyAPo/TLkDKLe2K7OfPUYAT

DqM82l42OvlC75wxMWl8cekek6yl49OnB5ueONP2V9ccf7zRtnaF9uOONAp44/YYOcr8/T/f

BHDHjjjlGt+ONYuMxwxTWXEaOZ9wWX38FhVMQ6ggbM8r2znjaUd0vI0bsXvW652eUso/e+zj

GLztENSDLJgqKMDQbadddIwQKpVaFAy4tZruy9JcolONGozVOQdxVMskyOVGlGLMpvyzBx/v

GvGkKtW+bx28oXp64YF4+sfP9pRlrjSuPNlrxxxiYPHpxriYq446Rp/soqtYtzV0449pXQ73

xX5Bvvy05cfyGqjjjjaUWnT7l6dWDHjjjznNfhkdfxhcjPHzLTLfX4abad9MNw+j7lhE3gE7

bcfkvbjHHbvLdNuPn5hymDxx2i4+YE0mj1leC2d34IwzxxyjrbCkpZe8+c+5Wz39IpyOPAJa

4iiVnWu+mIAwuizahn11bWnMwIwFUJyc7WvO7XS6xC0Q4dVXuv4H3gSwMFsnQpflmibyC0op

pWFvK2/MlrkIXZTetOcO7m74lo7d/b1JjT3xx7esrN8cZrz6MG86/evTXiszBjF8/wDdpovj

t9cXBOj60/79+rFNO2KePL12jz8ep8QTkZ3/AM4e1TGDHHPPtBBs4fbHHOGHHGnP6muufvjj

eVWDT44vr75eeTR8swYISmkUOP2Gha/j7TYw8q+SNqReV+9PzFlOh8vb+SqdZ146Tdxx5ys8

cdJvXHGZZxx0lUdIc5VccPGkA4441g32lTx7oef1GOvHHHWKTMA5RN5444uaXc+GazjN+kDQ

+XZlj68vnbvKtqL2thERSWee8C7pOVceW19dYEyXjpjnW5e/M6xrMEfnHtLSgi1pbp8uJein

NRTVc9b6h2gGq6VxrjrEo58eeevxA1dXfPl88Yhh8/5r38uUSv56Z+ddOdYBF448sSjrx3+i

UVzvj2jWrPHG8U8fOODWYr144+5mj0+3SVkrf949sx4cffO2Z2141rTjWHKI9dr44xMjTeON

/qXTpM1njjjl4VvBHjj7g77S5pCuheONYnJ24ri5e3hoJrHXj+QDj947QcS60449SU0iraCX

e0wZ11f557dusdTQe2vGvaZ7vCwhyI4jOPqE1OOONoff9MQscf76XHaMB8cu/HKzIb281617

RAev166/2e4xv/eunlmCyFJinXXffjGI5cOPX+3l7aVcbYY+uPyZga32zf5jHrN7IQwBKdMw

2grjjtcRyib49eOsSjvLBn9/vcl3vxx/sTHHHzNBvFfTjjrLnO5XzngwTFa444+eUqrvGssv

XjjTggZXjj4fKJny59eOfp4GeOPuIazK28cdoNmYZLx/vHWF0OOp9PuNFHofRFoyNi4b0rWw

5PL38GiOV2hvx68c5dcce35K44484t1BvzmSbSoVtb8y71lauvgTEqN3Njjj3hrgmusTMxFG

b+pmDXTXTt5z18e/80iA444uNoOcDaJjr1dOXL1l3022x8ekqm5bbOpEJyH4g7149YvjH08c

pxccd4nKJi37+ZUDV4v7/wAgW7vz+tPaIivQ/Hr7JeI1OTjjjskeHOI/zjpiVDW4E4/2MHXT

XLrA4852iZ5VKrVN9uMS94PLP4rfVZ33gONHl5j588QllVaed/nbpKjbTj5z05R1XD+8dO08

pkV/vHHWF6cecXvxx7QzpKvMu9MwycccMK4446QV3LmA3a7LxnrL445yzPb++HWJBY4TXwZ8

z9SqJuPoLx/l61HHaWGmTiuPiGu0TWNQd3tbPG9nKBv+9+P9lzK/eWl1KFpNF1OOONTrK5uX

Re8u9H3XpNQGPjFQGqh2zxmAVcf5Mi9+DjyuDjjjrEuTHHz67RoYm8GduPiVmDkYTjTf5Nkj

XTrxxwwgyFOP84GIWTHrLVErGnLpDq03fHHuuItPceuefPpnW5m619iYMee+uuJ7y/B+Tz1h

jjeCF6zA44/I8cfvlCzL+zXO3HnBn0mmn3UMl8+OPqZPl140l8HDz8QrWHg6zRmkpXm+oN+S

p1RJzu83DEBMS8gyr61xUpUNUzMJELxmWvTTjj3gFQLXKHBM8y8pWNIyhe/bzlIReNOPKNjk

44629JlpxxxvAFGkd27cP3EAZVr2v640mkpk3vgrMoFKfXy8ODaV9e19ZrrHVTXH72lJUa6c

8ctPT5mYhpnn8XxvDJ1tHRHlty9dZqeCIyDnRnZfpr6yo55+o7Ie0qobu/lxx1lZ44fKBNuW

8b1lct+OP5FqsxMvLj0hl444qWwv+P58LqXRiVmJ47x0W6/UDBitePP5jlGuOPOAOdpdhw44

/Y3cr5xSPxnhgAHpx9x2yMygIiaEDGYMySAKS4gv2P7t8doKzv4YOj44z3PESICa3tnbpbDC

Gt1reMOpuxWUdajJBumntj9M41SZCUHM1x7f2DmBrV5q9sbw5pigTFdS/wBqPR968sf5ALSu

zyPrlG0gc8+ef7A9L+HvxyhpLqacdKiZzrANOOP9lZ04/npGW7wuvf2gBxxx7tE6hx2+OUqp

x/78HaWQz4YQmhiYnm+od7rlXxx/ZpLz18pouLEOLNoHvL4/z1jXBQZrU61v86QcB3f5Wt9K

lAbkETT04/fvwdZQY12lUS+jCFniLozEPTjFQM3BSZZdCvX/ADtCrajbjSFth0wypeZFaLd/

v08XMohF0NDn7G/TnMulVkOHbfZ12YOgC0zph39Tl20goxHXPXkadv4lWtvauXeadVoRLg7w

o0448pXpHBcCo04/IMs44+u0CVDkc37LxZxxxr4659Q0ixHwuamqx+788QSGhx/It9uPmBmt

4FIG4zJ768cbStjtCincqCdKJuanc/FdZ3Rn1lxcApenHFwbjFZS/XdBR68f3wu2F6EPi3Gn

0cZSmmaIlMWBvvbtyqtP9ROV8bxQQl11/fSJtcuON5VF2/Pxm8BNkFIKMDRL0+bmjAef+Ov1

rFKNDn+vt09YKFFLjjbjndgFEdzaVmXzgjpfvGiGkuvmWMaNteOPfE5MXA7Z4456ylteON5X

F8fA8B0jc1nWaxK1xUWItx3i0r/IJpLPeMYDek0pYJ++GITGYmANW1pjTGm753hqAEbAe0sg

58e3n8Q0lwdJ4+Dyh0FPwvj0lHc+JUBc+nptGyWjHdmwK44/uY2eTBWEyDwZvkddt4FbRNm9

4K3p49ulxXbQeDj8iCub+fsAtj2fQ1zGujB1z/N5Z+XHft3zF4a9Dh+o3Vfy6b+sIAWei+vn

iC0X64+YnHHHeZgVjjj0lVD7lcccfbW+srbj+St+OPmPDjj1lqlGje+Pu+lxvjjjp41aPMiR

HD99I+GvgxARbwWXbMDBenH5Knrx6dYjWfp+5vyIuoh01vzLvfp3nJt9R91A1bKb2PYDtH8a

FX1cZ7bhwOgaPLEBgC10cmcmldcXpcSOQMeBoDlf1LxKC8pbhsvufUIKowsmFAFg8v3T4ht5

/wCbcbRMrzePX+RBFaXwPl5+syNVfW/PO78koLdPjg54dJjg+2vJ29fyBYjl3xp0r0/rMFk7

mr8Q/Occf7Fk0zx8a+dxUFE43CIeVs548+mZhbtx/m/7eVa7/wC/UsAbVx75/kFw6HLjPfMV

rDpr/HfzGJWrR5ffaVClg7wZUouOOMeUNMcY4+5p3447esCWp5fntL4449JT4Q4XNC1yfxBo

cj5Zcalc4PAWh0Pll5KeOOLiICncc35D0MfEcBArK6pvby6YJYwM6eXfh5y7Y9eOMzIpOOMz

C3mE6bccn1KEE6N9OvaA39ALasY9894A0izW3jipoS963xxxmV6lrqd/fz1gI2dn+coGxC0H

YD24P9qC6NOHjy6zOXf44fbSAbOnue/HoBRzdetXp7+taS2qb444IFDtrw41ObACoaV8nFQS

uUMp2x3Hb1L33jHO/wB8Y795see/lx1i3ht6cV/Ybqnjty9ILo58d+8ssuS+XHGIkccaSr40

z/vGqa45Sjnlvy98/em8yxrv3/u2ztNXipfH1x8TzhUMReY8cdfaWUbHz79oY0Icun1xUAZF

7f2tJeuuted8Z8FBOUoojstdavz+98w2ERNz70uap83jSBx0gx131Yk+KNMECTmv1Mff3mWX

xxx0mCOOLi1qnHHKNVx09/KWTlE8wXXygs1lzpxw+sJNloR5V9SpaNUCAnWWoGusCAZ93z48

pSqiC7BNNeP7CwQc6Nfk9cQsu7s59/J7kaMuePrjoGbHp9fy/uaGMHHGNuiyiwOP9/YGTOvB

+ecoPWCizPr+fUJN7P8AIMN54409JdeWmc8dF+pVPLTz44rYq659+P8AKjVT++3bnzLEbN9N

b34/s2b4/wB1vS+ZcQavj7vjaUvqSspt88VHEb6fj3trznRiBnjjiqjRirC86dHbPlmP85gF

iN2DZCpYycut4r06ZPeZYS5i7+OPKGmeztt/uYqnRj0p9+ftpAJz080/znNHXQ6V4XunhvTp

ve8XI7V8b5vl7SrYrZR/zitINYBcZBX48tekctddrxMLAQ2G2/PpHmQ2+3wIOrlx/Z3o8Xx2

hQML3i4S7ggE5ShrpG+tEo5nm9M+kvoqrTWVFgd8vu91ytMq6HbXrtfPzjejfQr9+V6y0c6d

uQuvLb0haVV+8KKVxx+zHrx3/sYlIGcsHr3q6auZ3SPHHGiDy8vwcdYA458cfUz42cnTj3mN

Ibh1Ob1Hn3vaaDXp/nZwOzNn7/nG0bAs97++MQkTnxf33iRe/XZ33eu8RVa1xxvM8+Z+xqac

cW+XaEbrHLjgnTjjQ6d6wkqxD7OPXfzl1njvT638VgaJxy4+qrDtxjjylNva+OM7xMVtx8Q1

ekZpkvHGumsda66NdMP8nD/ePuGc2d+3n7YvNRwujO/Bfp8RbzR7nKvwPbUgtnGoRFaou3Ij

LuU7ZGvLNfsTb39cPvuz7w2NmXq3zOT568tPBmLFXoq+461Q8/2CQjAOrsHnrz82FV7FXnDa

vV2K88wCpiuOPLSach1dHWyurm0fZykG6qxbRehpvbjO8smzzgYHVDPXnn/NWghUyHLT1495

duLxBXTyiTpGX7mFSlcj94YUL3AKtURvcboXW0JVVqodGPO+UFnnn8iVFqEgQDoYzzmsNoF/

F/vlGvP2lbYqKXZZdqaXP3YOJLBx1IqIq30gFVxxzgVjEEVoHCc3jjSPTkZq/aUdMce/bSVT

j54zx3Vrcwv1+k8sPW/OIVN9fLglJcWnzn+x3Tjlx0lur14476wBtOZ6V1/vaA1Zv/eD4gUX

p+/j6REpqz95383ON8x12B44+9QtDj29YjTv8Ww0cOOR+zi4+9PSNwO5fno8c5tBoOfXKj6j

7+i3I0236Zo46TEjm86ox7xk7W301fdrwy4lhheUuaaT7CfHTt2xxiIUOTW+KO3HIldDGlvp

fhmAF+bBs+WEjOSlRnj0ltsXfV974rtHmLyX747Zir2RbVUX5zwcb/2ncd3jfi4DJdZzp984

yMhkyG3K9a1TzlJyOPT+ytiAruJ6lccXa0zKVtT2rXvA+SyOtPDt5Smsc+NoXn4jJXLjj/YO

mG+tjXzMoNCn12Y7RNb14/jKjXHk8dJaFZ5QFBjA7/z5qAHDx53AC/8AOOOkGaNef91b3/yV

fbrxx7xBnP8AcfTnppLXfM+Hg5+0cwYt85MeXWWijGtnXNcX9wHO/aNqs7Y0zy7dyC6Xn344

biF/LXj9jY1/OPvWANH+6fyAhjjl8ze2OPglW3x/sKL2445+cVal6tLTRrbjdhZ+Dh8xSgT0

NPNnI1vXXlg99udSrsH62u27f9iQoqXgvPhphrMStZ8x535/kOmfpijku6+uPiXKoKXpZ6Xr

tNozjV77L08/BFUu26523fWqioS5M8r69NNqhU6Gu4PGvTrFznyBb18nl0l5gxmsnPfm/csV

eU65PIxo/ko3aa7a3z4MV8xAR5YT68dMQLhaDF1lebyXjr21jiwDmmt9YQACq8j0nqTYNe/G

0tWgSnW7Oeh3JbRbsLA3089PWt4IW8ErTFIL5S4FYGnqGPJ9YAoLmKiu6K+ef2NXLjeG5szA

o4dDqNZu/wCmLs1a2aLZui73hBRx+yustv0OPqGRo3Hdu63bxRL+fRP9jrWPN9j8/bDWe1Pk

rjOYZGTufGP5pDTJ2rT1r97bTHEGtbvvijP+TA0Hs8+ekA6VaYbz3fuYdOX83r4iOHf5vr7x

vjrEvTXjj+xyV8cYgmx47/5vCzj12/3rMzHHKVS51vj5x7wsVw9OOUEF344594M1KSiVNaGq

toCYuKxKZerw2KmqGdqE+iZ40iablryvjMF5P5+aectYW/M/XMuMk8/8ljk65z5GnGJXAqv9

+OVPaChpff8AzylRyxTY0FXm3F/U6+59wrFxf+QWPLH7x+RNJtdtVBns90XJwLoNTLi/LftH

WTA5rdR25MBHVqr3948Llc1Jiy6nV+ca9oR30PLnq+0rZcZZrVl1+t99YBOWB6fd33LzlLbx

xmYkK8np7cf5NJMuI6sJzUWg05cek32vHHrAL0eia7GccdYFUAmTUO+uHnK0CnUbTr00sUlX

cDVGBWhN+e02vLlLnn3mdev588Eynu5c+XBMaqA1dY45f5Oni+O31UTasyi/2F/JzeTmmKRS

7OOPbSAdc9f325coqm3SHgXKzKD4LibHg10NWN8rR7GTqc5oeS9/jPl3lTWFdbrj39Jd5EOz

/YQ6i93fyai5cnv2rT15RMHY+XPgwI4JvScuVe/XRipx/tox69tIbO8440g4uIDv86Swp119

ZRG417Gvrz2l439WwkKxc4u6fMy2+mHJDbZodq44qWI5w/sHGkDo444+ZdzPX6s75gZdDjWA

6xmxrVxqY330MUnpXJ1/SL4t/PrrBylbo17ZiML5/ocbxrQd38PzB9EeQfa0ecUz7e9uhXvK

EHXq2eVa8dZzF64WvMt7U7XFqGWGrOWjk3guDRvZT6/p20Yfd44+e8aUczZ7PnuWlDfhTs+2

dxvDvKuKu9x8/rr6VAzfP++WsbVDCZTajtv9xVbxX5xeINjSXrjNeXfvdQt/H82669Y4a5vv

cG8geg/UdWjj0iTZ6/3j0ixy8/5/u0eenkfpC1Ume8yhz5w01PmS/Ww8CbGCjo2umnGjBE2e

VX2eZa8rL6EMAdqKefbnzt2lihxxt6RWhXngrvjny7S61dvQvnv8iVhdrcz2GffOSXKNCqoK

6X1+faLpaF1wQvvqXWebcOxv9EIkdwX708tb61EeOOLgN5u9RA7QP57rvflEY+tHf/DvmLg6

mfLHwVBAHMpaQ3DnHzn2h8aEtFuCfZDRvjyzpiDWuLgP2d+2nPy5sUIFcn798UHJnkW+6689

oJoK9vV68j4ivQH0/tbX3rWCIGuu7zryry9xu7/Gdr368/OIt2M3+ctdfyFV7ecBVb7cfcx3

4495rzkuJysp3ff3ULtI10c9+7Z6raLpy/ld8NeUzWGAwZrqkwCO4fSvtAijk/jV63jZObps

nYpt8OVKu0ctEcD3rbW+Lg7Nueta+vHK4mRxXte0pJ1449p1vjj0mCaDDDl9uPXpCjL344zD

UvHHN4xKOPl4O9LtOwFr145wOhXu9ufLyia1r6J8l+2vpDGFUbv6DjBHVMejT14e3Mpg6+2j

vSO16CYrqfn1KLK3pT9a31320gqlll22Tz8+mWHPhoToJQGSsdhD3+4pkSscce8qNTI7NfFc

BEoum1jenrziJW3dXRQOmtvHbwdJthn7iwVKmyi+7DCi6dsueOUXPrft/Pn2jktOvb46EGyG

Xn+fHSZ1eOf3xiNkNBq9fTX4veaFbYozl213xfWd6fM9vmvyDlZeWw17vsaE16cccUTJrjj6

43gl48+P9itVygbvxNYN+P7C12+n4lo8ccaQKBk8iwNctD5kbA3lJuPp3rbc6QkKjGtHBq7+

Zd6vM0G27GzFb+ZJrzEK9i+fTTy/IVanDy58etujTiuOcqc7Q0zxxxpHTtDOSIad5XHH9meU

5nL94Jfhpv8ATK08MeF4Ft4dvbtGF3l169+p+R1ljnmvn75xpqqDm8fGPKAFoLxeHtueXrGA

eWHOvW9q7npM86lHqnJx116S6gFKFryMlJ/MaTWTWjG5Zn176Oiz3qUlhqjzx7ZfKMY2+N+O

ceB9uCIiyC7NDgaKeUvUXYN5rWFwrn3nXH3zCQvyfXG/gsvgxAoHKDoJix2fzjb7jYZK278b

dN5b3gFU445e2n87cfHIv0t0iBVYMVty+D5hdaz8f2pax268j8vBFVOdY55gZxxx00gd9vqP

I0+/2F8+OLvhjd+P8iKrgnF49YIhYlJx0iKNtsPM5djDs6mtDFXnhqZ9TbtFQXJp0/z2rtA6

2TLF3yfritzgAvunv6Qd238Vf0+XvDad7L368fUzeho/SbnTGrUOitjn0c183YMXlKY57ccU

/wAlZXK9OOOCV4cf7MTz449GbHTwSg36Bv6+vaugKz/m2Ma/70mUvnr0Xr8+l0OTgdawcuef

Xnzj3hR0v8PvpFb3rTXs8bSoflzffjlLtbxnfpfnpVwrhdGt1fyVq6vz5zAdsvP6CwJZDtft

ENpqEtXVl6rARjZQGyPohD9XJ2Py9puLOZhMGreVwoqKaEqL1yce3GIbNv3rxfSOsy8Z4xrv

mXc6Xnj+YjYrQ5eTn7jELeOfHncWr4HXfv5RrDRg7c+6z/k5NnP05c5V66/H763v3ca6lduP

2CeRx9SnWJiXGjzvjj41haRqVy44rzisaHoljzE5P+c5ZZXYrsHacN6xGAgI0liclu76veW0

F2eppxyYs+02888HBA0OvSCZgD1iJrMImVTXJvl5+adIYRiG/HHxM3l14+ON5l4440lN3Kj2

l6TjTjjWChzSAAc+d71yNuNI4lA9PPPlyNPPkhV7n049IRRfy/EedTnieqOf3ARa30cnk8se

cst6vlXvx0CKzv8AJHw/ZvpSzppX3m80znkW2vapem6/LY8jE2mv2Qb8tPfjSUSzjhm61aHQ

F9BC/wBmIuc/K877R0QUPrQRTziO010dzMX1L+Lgdtvk371x2YfwQ0AuqHReZ97xd3nT5z8X

M0Xp9b8PrGkw5eO3HKXKB8G1+/xgqUDbR9e/prCxgvgfu+kt6fWnHGiezrzgArjT4+2L58cc

MqCaaR+O3HBLXqcfb974gl2/9ioLjjgzANjjlxtKNo1vJdnPy+LN4joGFNLnmZD0yZluuNXj

jyloGnz/AD/JYXWb4484aFvI+HtXzM/HHzpDBuXqFj5Yf2JyZrpx/s6mkM8fxmXnxx2lrrfj

G0LY9I6yPh7V8waXy9vXpF1Vg6HlllQmTng6bcdowaM7bY385QVfnj9fjzlkZ8zej1c+0a0a

5HoceuYzxsPH5A934vz68+lAvOHlbfsVF+GZ6v2dPs8pqeUH+9atS6zXLGeUJqDCJipRPRoA

MezFrt3yXB7xyu+DXvCV6xDi6fce1y3mnmPoHhmaEw0yj6r/ANS01S73WgQrCgDvnSoKdPWO

q/36966hmBo1rjXlz4Cwc8+PLH8l+qdcV/ndpxVNA3eGrl78/wCfUQ9uPOMQN+P2IvE1coS3

KWGeO3FQK5ccd+0Eq+Xr85xGz0YWL146f7C2+XHHWMFkvNdGcfT595bKnH5AEclHtr8+/Zgh

Kzxxxd2ptQ9z8+ZhliIVaD2WmY7v2/z/ACCbvt+M55tzlWKOONIctOOPkhsX153txhrtpKZr

d8+T9c6vn4Ok6nzKukGkrbef72M+eI05cOnny6RChv58/nPapbIVQde/T96xEdT6l8zXwwfE

dXA28r05/kd6rgvzpKo0L6rPtXvLhK02w89vec1cces1HSJ9cLui8Zc9jRv1jomww0t1vyvy

hjRFS/EO+oL2D5NLexMCnevTEf1L9eNfyCmRny41rP4zlg499tYgFZMHXm9fyIccfMAMwO2J

aMDBvPHHFwDD341xt/gr778f53YCdL440nfWaa68dJcUuOPQ658FVJWofZ5+l0ukqm2qwjrd

6V6bvpHkll/XmH1A6YI/yvXH8zC8gAq713so052wzRcp1p+x08z03uVBetRzBJ14440hyce8

0dzGLaVfs55iYp+luU3kzFqNufHk7V6KLtx/n3KJdiVsnVlCt/sNisNeePLXXtGwWzPTjjXe

XoXb9OH3zKrpZ8oF/DD+XcY1QhkByN+kpzYPLDUzbAKOAfTjrLIkwF4dQDnJn+ZXwydE1xEa

K5Vuoxk3Xz2g/KspOSZce8EoocojlttivSqPYhaXkwPgOHSHMaV2f24NNJvfF00xXnEqt6jr

iWKl82GX5lZ36adSx4auDzLZr0dyA0J1FGnuYe5/IOYsyifPp04uIZPoxG3p+8ecyTJZfj5d

8M5w9zdvsdtBhdXH+TVvX5445SiLFrBcorfTWtSYqoW2ugMcpxYCO4zatUKFXrSpVt4dQcql

1xtxyhs44+pYJ0Q8v7cM8cce+kaF7e0DvDTjS4Ha+Ov5+wwUVT68ecbgWW+HTxtHMU2IrqPQ

mrL5PyYaw8G0QtR4NonYX5Ndt42dOFAx6TpHB0inbgdI24D2iNj0IHqDaj8ma/gfkbvYU4DH

lCALHNTgpm7wYOXg4t+s7NrzmjQrzftnHcZYaNJWedj7VHVhK5TF8qCiU+RpQGvNTBjlXvp3

dfqXQXC6KnI0m712iiyKhjegL42ZhplwbCBgY7YgoI5td76fJNaM1CvZflF6LsH6QgyvT0UN

Cj0HLuuAar5H7x5EKaMXCm2CgNKtN7vSCqtvmHDqOcj2iSxNsHs2D0NL1QnPfjh6JZCQmcen

J/IQhpBgg1o4H0xW0G1vMyI2ys4NwlkCr4NEWvJ7fa+NovQa4cVgm3Lnb8QlrXt9Skioj2X4

8P/aAAgBAwMBPxCG6dYNwlJbNjR7Znupgpc7QGiIrWHH1041ltopP5x9wTyfSK1OOPKJeteY

fOtywuvf9uDWH14+o2Yz2/tMDqw9cfMSVyUiDN/UvqltLlyWI2i3wSira9IBKJSUVcCAcpZx

xxymDT5nSlsJYNGYJyLlDdldllebCxqzTqzuYvm8ecvw/s6ntEN4NvMWsrT4OuLZiJrBYgPp

PfPzNXjaoc0oDn/ON4t5M2HKHaS1K0idTxxxtETDfnMmkbZL9P7FjF5gLkPIr4qPITj1jofk

9Ib9L7Z+0cYZXbjynfLEc8fcrflLJdy3wcx5+B0lyptnSZnbwxBzHEu9ZUXnKhiVj9iVXKMq

2GkrNeFjxaM3ITUrJ19sRHVt96/vPpFa7vzFa+HD1mDtAKqGtI7hmXPeU1doCsBZcxq9+Ndt

/KLpXH1KOOP8ggcbQSchFlWRXTb1/nHSNmhy5Htx3j1j0fbh3j1H3+e8xaceW0a04446wBpL

VjjjtK44qLUqVU2msEhfg9d+OOKc3co08AurKxMILCKaymstjhHbjj+xyS/DVxaPg0L1IkF3

Y1j+vWZvd+ZqYRv7fZKSo7xxxxnSVHjjjrORnbFXGIxmva9PaU0za0KdORfVVTpYxY0rk8+5

040i04/2Lc1pMPWezMvHHHlHBVTonm8ZjDCG0csnxFd5Vunzx7RK44+4Xxwe0wzx6xIc6aS8

Ss1LuXcGDUXnKgYsl8ccdPA1mZdkeXhee80HnNdeONIZOsxfgvV+pvFLid3H5HS+cVXDWphf

G5Kcfk4neUdINcuOL/IGH7IG8MbOOOcrTOr9P5LsMQ0MEV6u0u0iK18o2SONccd/9i6a8cEX

ePNpxxcz7nGJQO/HHp1jRK2mG1wV5cYmTGYC+DjnzZa8m0cd4eJiE444/YmYNsyQJXPjj+wi

7mceCXK1uJy5/vhaX2me++OP98CUWq6X9yzQe59V7wSWU3yR9huUdiWnOLmKXiPD5fCGFS8F

KT6jBKgt444ZZk447TrlFzxtx5SycvOC44040iDD/fr4xMuD3/sw3c9GU44ZYFc4qu/H++kV

1u2WUvj74xekHGOOPWerjj8lFSs8ce8M8ccbEAHjjm+0K7ccaZllwYg+JuY2gwFzDpLNMwzG

2Jqd+PPw9YtQOkagLUMb8cc5s9fDbFhdLtXH+bQTRY+mnp+O158DEtczf5fJLl0XBzDNeOMz

MxiWyNouL8cfz3l679Y3xz44Z8viNMTBrHk07xeseHFeUee+OOKmmDjjjaYVnjj9l08+O3HO

A4xxvNeOMxLvj+3FXvxxUcsppLtmiCsJv4XzdVW163+TF/YIyVxx9y6mkczmnXwSXMonKOSm

Nx0plvHr4Ic03OnPHvECwdqfkxBtWnMezU9o7AHtW+Ia78ccaQHeXDZ6fJL14F1A3prDWeLg

JLVGhwXzs5lnExud1pe7R8R9VS4QNy1CDGluKTlB6igqr3U3C9MVjrySnQocaZO7vy1nKRu5

8cfcuTJ1i1mZFzTBFaqF6nKYljpx9Sx7RuucqsQ7y3aDPlGEvw6x6HT7h1Pf3r6haNoa8hBl

zXwa8cdpzMu46RIsrjj2j6T118CKDxpE6FOyw0T+fkmIIdQYj19Z8MxpgKO9+8zPuSwGyUOO

OOLhhW0A5/I6aFoKHIFwc1HNhsV6Wep2NFG9V3gNclnH8i2o3FBUasi6W01RkjHFjK3bnyHl

1liW6yzpWnqsvNGXUVWbdDbrc6TBpfHGZqMbMS+XHHv3l3B444845jrxxxtEC43x5QFIZOOO

0C9ZTeYrjjjvBSQMekDlLlw32f2OnlX28MyA06ecrXgxLsmZqZl34Lc1h0gRijrG6l79fDQl

+AS/Aw8cXDfqfcdKPDCIoEAoqVXO+K1mOFYtlLRRe5WlXr1hBHLj5jmyyDS62zWcm+2ukdQV

TO6rbqGFVnQM3qwYmoyNm2i12cnKV4uRs7Nnv8vONd/EVWWWmsb1ZdsA5zh/l/UaalTCNnXy

mnPnx042jcRfHHGkqtLNOM8dtqtzxhl7LrTwN1NIVyhBd+RBoND7fCmU8Rblw0mNZROsqvBu

VL+fD4vDtMEol14bO59xK6zG1DJrFaO0qOs3GlCvTCfPGsuIlDrvZss6Z2KMbJYgDqQVYcqB

e+N3tAVZDfRSVWeeYrQUXTWfNcuOhWdou1IA221vJovTJjXm0pMuVBpXM7vP7FNS8XFmkyjc

q8RGZ5xb1hJbp7YiQAb3449ZjJxx/Yt8cfU1Dwy0xOs6MJXBaxvBpZpzIE5lxrk+4Z8N78OH

HHpKxrDPedUWiVmo9Iz98L+mVGVK8OsNep9xKHkyvfQXtSTyuFq9DfsXLViOej3b9piy1qLT

I8/iu4nGIJRojqcnb+mYN8Hz447wDndan326f6ilbd9dsS2ZT/u/5MmPOXKlSqxFGiDvxxwQ

uKiJtNWkMmnbEFu3H+TUecdOtS7lRlTEoIBu+rM3bAuExDMNdZUbqM3jKXTO2ZXXf78NPt9+

GuIQjNIw15nwyt1cyHK6Hvfl985hxjTFh2luaKemPY/zEFSquWf9+ekbmt+53gAlZ5/VacnS

+TEFnSKXZd9dDjW+8eOOPKM25efH3LcccdpaceOLh6YC4J4XmbyszRFPSJjpKOm0cHHHSVJX

X6+o4JpO8SdperpcUyJ5/wAJ5vHeMAKvwt9fGp3gx1nePOavS5WePKXjjn4fF9y7JtCVNCXc

rvz+mLTxxxcqTTQ7HFwU0hJcfMYB1ezz85rpxxwwmLpKrf78aQWy+0rm9v7Hs44/sXeHr/Jb

m9v2aqzbEare3e3tC5VB7wApdk4445yoF8/OIIt3FussvHGYtM8/rxxrKSXcG2ZMbOdtIoUZ

5VHJUn3RmLu59Q6QLhjERjHpGmIVnSVivD4f2HgGYSqjc292Xa9q9Yi6zFx5xolP3mV7cfnp

Bz34JreuH5EBnTjj/YN71GkU3Mw1lzkOsyYaOOnHnDgIE131X018rqPeNzGnXu4ZcqoFQpxx

x/uIW6xPSWOOONJYko1ccf5HdcccXGiFvH4445yzdfHONGDfWJwXivqZaun3x6wQJWnpWvnY

+1FTWdUnlCa6xiesNMSoYxP31i2ccfMJpNNZXXw+KX4GdIeHaWvzfUEq78cdtJhjTHHSDDZ+

8YiGnHHeI9/v2jNbU97+t/5BkqPJnvFMJmXN7Szjj0mkCwtIK06RKvbfuUcbxSSqx3xy5yzk

NufnDrnwygoDnxtxUKuwBePj3+sRLo+/zn3ietAw8Vr1cRExLvDjkypcasHq59doQsTGLNNa

HT+Erl/THfXTq1KgxLXt66P7eTbQNfveMnksfqPiHWXDJiadNoMJddPC7b8MPHH9gVMX08fT

xuVKhdHX6imSt1V7cPxMH15RqNDGH1iy46Z47Rsa1/J0T+l/PvKreOvHX/Y1qwev+xnaLKOX

rMjnWNPhc3tENyCtNOPT4+YBTpLhhveDV6acVDbpcVWBn3PvT3jT2D0eTyeOUKCtaztxfviV

xaW/Mu0rTjjikhsugDw9T5nOdJamWLNa1TXS5ZQ17whivLyvTH58Rwz7wBGy+5HtKhzhiA8B

rMqpczWvHlLcdoukvHgLczMS5fjt8/qYhph5vHnFDH+zJqPIccbQVhmaOco2Gnzv5QlmCdWi

8l2vbaJL1Vrmq5aKlsbSqnB6Q8BzaGXsRAVsJ107xWrUj4GsMBmFQBvAbR8VNufapjHJVooX

RXnKgnUOHZ255hC6beeY/AjDtAyTdENLy5ecMhqq2rTT7vlsxx9M6bY7xK3FZc35cPtoQrBs

89P8/kpWYBy8GX4GW+AxjVx2ccfsTaXjw1eNvC68CMrMzw0PlqIl3ePiVu6yqtV1Lc/z215d

donjjjlFqhtAA8v9g1mWBk3PR7aHpm+kPkDHpCG/Nxx3hGXdC8Pn3T0lrZZiubtx/I7XM178

Y8vBgK0Rt2uNPWVU1y5YDkN9OWt3bxgMV0m3V2u9sbyqE5gO/DWF0gPT/afSUDm44/uImAIj

PJL073TiKFnBzx6bxUmp29uO0YQouTa3kOhLQuoa31V6cpt4jNe0Ofj8ZjfrGY3nIqXU28NW

H/BKlarf2yjZOL7Rga444YlrHlxddfOBoziYaPHHG0Gy8cfEd7i122uIqcMVRUUaNX1znlny

I1TuvvBrSLj2hiZm8rA7aQwuAt9mcita5x4DBhwN99ZYr5H1geEU74447EOGvSWkCxseNHlv

yjO7V8cEtBfcZcoVObdd4h2FuOrY5RvjjrFY5HbZOrr7SjWpj5mMGKaFH1Cs8YiZNbuuZmq/

u80UnHPSV4XpDFQf+LvTwWK16zXE28M0tV5/ssa37cfcqB/wVqC0a92VaG6sXTfM011av0iL

XL2479ZmlTsX6frGgvzfyj5Znwd4PYt7y1KClZXsyqM57Jzyehy783yN2Kznrn36zJV1rPkq

+t9ek0ajdWffwLR549uOKhKLmmx4/GOh0HvGiNYALY5Fo61pffELTjjpMs0MEsLhHK0+oCuj

rxxe8WZh43z733mBbM/mnHPSXL1/P9hSzDMPk9jn/OHqYUGOOkM4449owBoYfKA1Mm9RLktm

S9McakR1gq5umnp/kardo7PZhcqDCDtAm8Mlx444+Zi3EdMzbwBRB6305feId4kz4HKEPQ+z

KAYjtbfJ08snddMZhiy5EDTngP673G+xfQ6bfnvEAa1ppEGRr+8cpWq7+mv7+TNIOsdU2i8+

/wDYoyyoqw8Mg6GXjj7jN1Nnl+y5iTmH7zjuYKLyPiJfH1KsjkW+nc0iLffaGIPVtj8/PJ1q

AVtx0uVcLafmvtCFH+TEoHpGu23IOIwYA0CONZYx2t/Z6caRTYEm2kqpXpDlB15wGLq9o9YK

LBQE1ZrtO5XXnp4GKgdN0jQ48tnnZ58Xfv8ARB/CQ/wH7HzPVS+muvrKqB6Rx7xIUE2+OcXR

erx5caxkMLFvETlLjXUnuGfLipYQcBeLmBThV66eFRhLux7lIUsNo9a/DpW0bubabvYzHC9T

T1yerETVq+OPOUPxx0lit3Ff7Bg7/wCYl2gfeeOflBDbfj+VzY6XOZpUp6wjTtBIn+xBU6HG

3G27Kt1vjjrKN5i658cfE2hnWaZ7MutJsggt5U0O++x1le5EJdixZrbGEIvAtb3TvWuON5VA

1vRtziW6l7m0sXez210K51nvzGNwvFm9TFlnW7zff78HrMAGFrA3gePfDVz6Tmr82FVqENeR

6/2CIDdb26m3KogdT1gINGviGeOOkSnKuALWpt33fj+QK2nHHvmAsPHHGsCsHLBmzSvyHjFz

IWyZB1xhdM1rLW5gvAQCNuXe6lRInXXGfyVGs3c69njaNgbM0V58Yi9GaC66k3mcFCES/g5d

rLpi0uCdmPl+vSc6P0r5mn8epXnLEYeTt+nU8walCirr0iI09Q49Yuxjlv67+sxIMWwvD79f

TSPk1iArnxxtMcMc6wscx16Ql0g8cbaxw9IO8yccecTOvHHFzTpDceUGpx/sLvMsDHfjj+24

446RoDgvyEnlkuK27Pq1L1O3uTNrGjxxvLic2uOLiU2rFe/H+StZY0v78MwnV0qq59PeJcZe

cJuAvb5efX2hIAGcLfoh8+UYm11zGK7sVtCuNvJoNb/j0qBtKB2PlP47Zgrq+vX8hVour59e

j219Jal+7H+beUH1fPHG0BiK6zsf7iNCBGy11NMBpdeVzHSigUI1Oe2+3OPBtSpebfqMCqpU

LbQtrMaJGqnlAYFCqeea/IL5QmJbdkobxdXsVSbRUUhdbvHPy1lQZo16xFjXmYDKtu7xx9RN

XH0TYcdYK02x+P463yz1qJUAs+paszVqW2YquJkYAowHXj75wzxxxmBbAFen34VBStGGsVC8

V6cV18oKiUINb6X8TDJuHtc1XU49oFLLsNOOUpaGR9L/AH2illNHO071Veenhj5PVBmu9XEj

7F4We1c4YoTsCvKvj0qUjD24rp7VAsAhTYHXjnNCgd6+OZ6d5a2ZoFA218sdOUwneFGA2KGS

6Qd9JfvNuMfUsXlxwdYKjol+v5KGCwRhp9/e0oh6Wxr506Z5zTRl7eFw4Rh0ecVec5leWWf2

UQ1yOHn6QyKLIw/MAL751r7hbPrAXlxx1guWPqNUXjR6XT5c5pqTAbqfDKlrMShF5aQzmKte

ONo7wbC5gD2+fSW1Zjjjgi0S8DF+3zEqqb7y2VPZ0rjjMwKFTjj8lqapXlVVxcNjkvfpjhzj

rACrPlcNUudMIh/DjjnAQIDzc+dD20zLMrx4K9ZoHpt5Y++c0QQaFPYzvprAtbdU/mc4nD3j

GnsfacekDe3lp9/aGOl6/rjrBigeY+opUDl6A1gVtXrp+MsKWrx8fzEXRyg1vIZ9P7XeU+hw

LxQ4MXedTfzjWStAW6fIy7bRb/VSbt2PufXzgwWKDRmmv7E1jxx+ywXFhcYnaP8AJTWZWDeI

g6DXk6UzZYxGxrZ5PzBNwHBipVUGZlS/M/ZdfdfyJ4PUPv8AYFsPZJQ0+hfvBmg7scdWrTQ9

T/MQcCG5Nd0Xjhg7ZWoP4vl6Sxh25/ZKzCDDJjgi5rMGzMBZUy0zUrN7xHDWXHm4+YHlDG3t

FOUB0mkobzfd/ZZmmd6eUpWa8OfWHvR5dPnSDSsHwVz5RF1qdAOPKbb8QVYfSFrOHjpLXvGD

3PuKvLKAyb+WeP8AJnW8AEOBg+306QtXdQ73ybniWo1FfJDt6xd7cr0BfaPsR7zY+k1nWoTx

bkqmtMMaMU/YekW8q/z/AGFVWL5ckt8/neJRtXMqBL0TxCdMi9/CCtvT0gDDiYUXTrxSd0+o

jMJMLp1NPIhJwBejU3BYnWmq5hhxbrUUq7IN8tWeSog2VssekoiElBxx5xCiu8328pVtOT7/

AHhmTRcAWKvSUHGNa5ccok8DeLbi5l0nSjgnSvFFgur+jZ715X3ggaPHHBMOLxAvN47xU6Ne

n3A44YnJ9ZczZ5f2GuwPtrFXl/I2DjGYVBpw/EA95fHaqj7MbzGHtZ5zINsPOx7D1mcbo9lX

tHKGvmZe1ecJjrqwYPL5IjCbeTMSPmP9if8An4hhK6cV1+IdG3Cf5MxQc7gdqM6RE3DC0E1V

gGDXjj8jsw8/x+6fMZEWRm9fbMIEXAYXRnSzYyXg5N46FzrF1zDD5xcqgdq46Qg2U1Nw4bY2

xBZsep5O+35EGnDBZh242iq2r4440u7D5iCOrg/kqEH0/wAgFOMw2hTSbF+rOt48oDuQDXMz

ZJocQqoNMQDrXihdZWrN3F5w/DrHUCF7++m16b9orurq49/5AGYC6+IIMld/wzxpEd2q5V8x

CsL63Km6/tF+1AW3r6xcC9HlMAb0vyjB7T5Y+vOMFNafPH174gcVN934DyhCTn2JXqSwTFsL

TMc11X4s258bx63L5RiWRT6UQWXnfzx35yxrBbneF259+O3xBv6PX6I2EF7W36fb5yhpjTq+

b+eULaecw4/rArji+/8Ak9oLz7cZjGGNmNIhmBHCyCMyjqdOGv8AIIbcunHpAIteh+TK+UF7

bV/YnXYatfoPmMbR3fvH4OrXL2xFj4h0q8ce0J0qo4ZyJcvpDM0PP5Zrzbwxahx5QU1Hufz4

jGga5Z+JRzXs/FV7xQKGu3+fMPSk9P35lDCV2de2K9pkwHnb7YjbWv5LMh29IZ3R149vesQR

u3y5feLDz+ffvpF0445fsezzVPcw/KCrJofMR06VLocIULRQyOgG2mtBpay8zmLlxrLCvmy/

drV2aTo4cYibvq6v1z1+I1bTmtH+Sxavry7H8hbpMlBqt9uxx+RQ7cesKHWaK537fv1HKgjl

qIykAajHoz04dk11JpdZMfH+MSjVY7Vh436S0tV4r0TXyeUsQA41PrXHk1WlVOQ8ceXnOoHH

xXfeszRpMkdcfMFY6QK44+J02hzj0mhMBXWLPjYJW3gCNfb+KjvX8/P9hbP2fs4l/jDGfv8A

IgG7t/WLdnTt/Y5i27bX0ibjU9D9ytcwSlamvHnjrBvcMW749o08n/ONfeUX9HmzrB5SgLgB

5DnTV+ah5/kbC2emfjwrpKZc3u7SxeasbVBNcwUU40P2M845OPeaG0TTZzc+37LKxgIFZ4IV

ta6HX8iLlzzgwqraX3cpRBmsawbdo1o6wAMVxx07zNMV4e3GuqdLy4/2Ehg4Tbrjj7iqkdSj

GQrn6fDFq5naVTE53GtbY+YgZQ6nGnxAIb6cfMKDjj5h0ltzFYiVBVe8V8enjo0145y1A5y4

cfyDh/swZ4+ZoOztMuPJnOBEbqPe5q3yJQnu47f7FmFtDxx54iBdU8V/sO+yz0/iR6Aq15hf

3IVDTY9iesnWgjjRACtRWtS8umu80TB0DIMV1evHH3HaZ5bsVtx8qmgDATcfL9i+hL1+naIm

ukBuzTjjjKq1geMsR3C3BBWpgzU0ia5bnnx9R0QVbJqOyfeyYcM7hrdhzNcV53hpmr2MPMad

PbpDfKik6YPzNJkx2JcvSKg2pc60uj8fs0W8vuTJxxnvDSaxfA3DMye78EFrjn++Golg5Pp+

yxvcRWn18wDl6/2PQv1h7GDbqxZONJyK+AuUrp9wssZu1xx6St5KigRcl+ePbEVsbnHl1lbm

KG+QfU3pjnL1aKj4PdjBN19c/DKWEgwd6cMw3XsPYj4mjn7/AAgeCzWLxych2nQma9UaTTj5

7+c2HSXWY7Kef59xvOYwchzx9S/8mXDW4I06y1CuOPSCHbnEDTXeYY447xyW9c468/Nt1jsN

sKS2qWOdRzi9pYN7i1rRwxSiV1rBOl79DQ7cpRj76dOvftFUbtPZ4WVTjaViJyzDdvjjhiHS

ahvcsfY8AriPSs534+olC6+cc7V2hZoGGbqNbsfdzW84jp2+I9IkCh2z7S4MAxYH8194qHVr

j55x6wNKverjmUNxb+sW2l3VzprmYopc/wBQj1Qex7Ipn0l9Qj8A4ekNy9/oH3LqXl0ZLNWm

k7aQSR45QG64494jEM6f2Xcub4x/PWWh50dVlecAeOONooZbVo5yxW8UueOKgAohkXEObjaO

y1GNZGa445QXP1BUcWW+ZW3zAoFYGYMg5X58fkYzzqJZnM9geXJEX86wHPNDXfjSJ5cesabc

cdYplrr+QbY4acevx6Sqz044+zwNh1PmaVe/HKbKmRC7vbjjpMtcy670qC6Ob88caCzcrppx

9SoHiGXhqvjH7KEud+MwLe7xxmXdvP8AOPqUAqlqn09blUeRfsH+ukVK3leBKgLGKLyoK884

6kLRi6em6C6YHfXj4mO2x1x7Z49i6qONCA+QafveCwDEdlcDA4/JZaIGXsQyvaZMMrx8zaxM

VKuNeOKlDcys04deL/sZJWtKq142jpWZU99fzyjSTCKlQG+cmrX4bb7RYVpj649O8AoaYmHM

LlXKJnjjlH8PuGh1/fD275lsnHH8lsdZeSVEmp244/2AFzz88dfadwwfBN4vD49kvwEgBOcV

H16P++c1Bri/7NE6j+d8zIN5jerLljTuwYgBxKuVCFdop33BnNVejtvmHRmyy9xV+bPKNDWa

O/HX8mMrrVLfNPmabO5fzGap5Tm+g/syB5oPvaGC+bPhMQTZY+wad7q9oEEWiCX5OTjKZjEk

K6Xl4KS3441itZFQHz+gwMmBr+nT49Gc9ig1mDCYGCGBrZrpejWsqRpTYZGOSWxpnW7BY50F

2w2qtB16nMcrtd97vW/7Kp7kqRrk+fFQFi2waxcRTAvaHBxx7TM73Nac/HQFJoAeb9n+m/Zx

J9ziD7mS8nBvMNYuLeE0jv8ApK0DWki+dNy3T0Pydp6H5Lcj0PyNuXoRRRd9X9nAX9hgUgm+

TJhshNXYrQMXbStcnnDp+f2A5Hq/spycO87JflCeWXI2OMlJyNRgIhCtX2wBliulx7VHdDOo

gzeGZRsKMndpDNooJgU1wDWP91+zVF98xhbZYutStaa9IrmA77q6cnKXK6yxbcryYBz9o2uA

rAG6jbrocqrz5wYEnV/P93i0Hmps79O3AkJaBOxyOsygjduUHLvaLvxc2Rbh4ekXv/B3hRpq

Oq+5S5U8lg/P3/IPmvn7mAxiNPAtR4rqfJ4f/9k=

--------------AE261606BC4--

=========================================================================

Date:         Sat, 23 Aug 1997 19:17:02 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Beat-L party pics

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------1F6E33D73"

 

This is a multi-part message in MIME format.

 

--------------1F6E33D73

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Sherri and Glen reading C. Plymell's prologue to "Robbing the Pillars"

 

--------------1F6E33D73

Content-Type: image/jpeg; name="glensher.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="glensher.jpg"

 

/9j/4AAQSkZJRgABAgEASwBLAAD/7RRoUGhvdG9zaG9wIDMuMAA4QklNA+0AAAAAABAASwAA

AAEAAQBLAAAAAQABOEJJTQPzAAAAAAAIAAAAAAAAAAA4QklNBAoAAAAAAAEAADhCSU0nEAAA

AAAACgABAAAAAAAAAAI4QklNA/UAAAAAAEgAL2ZmAAEAbGZmAAYAAAAAAAEAL2ZmAAEAoZma

AAYAAAAAAAEAMgAAAAEAWgAAAAYAAAAAAAEANQAAAAEALQAAAAYAAAAAAAE4QklNA/gAAAAA

AHAAAP////////////////////////////8D6AAAAAD/////////////////////////////

A+gAAAAA/////////////////////////////wPoAAAAAP//////////////////////////

//8D6AAAOEJJTQQIAAAAAAAQAAAAAQAAAkAAAAJAAAAAADhCSU0ECQAAAAAS+AAAAAEAAACA

AAAAVAAAAYAAAH4AAAAS3AAYAAH/2P/gABBKRklGAAECAQBIAEgAAP/+ACdGaWxlIHdyaXR0

ZW4gYnkgQWRvYmUgUGhvdG9zaG9wqCA0LjAA/+4ADkFkb2JlAGSAAAAAAf/bAIQADAgICAkI

DAkJDBELCgsRFQ8MDA8VGBMTFRMTGBEMDAwMDAwRDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAENCwsNDg0QDg4QFA4ODhQUDg4ODhQRDAwMDAwREQwMDAwMDBEMDAwMDAwMDAwMDAwM

DAwMDAwMDAwMDAwMDAwM/8AAEQgAVACAAwEiAAIRAQMRAf/dAAQACP/EAT8AAAEFAQEBAQEB

AAAAAAAAAAMAAQIEBQYHCAkKCwEAAQUBAQEBAQEAAAAAAAAAAQACAwQFBgcICQoLEAABBAED

AgQCBQcGCAUDDDMBAAIRAwQhEjEFQVFhEyJxgTIGFJGhsUIjJBVSwWIzNHKC0UMHJZJT8OHx

Y3M1FqKygyZEk1RkRcKjdDYX0lXiZfKzhMPTdePzRieUpIW0lcTU5PSltcXV5fVWZnaGlqa2

xtbm9jdHV2d3h5ent8fX5/cRAAICAQIEBAMEBQYHBwYFNQEAAhEDITESBEFRYXEiEwUygZEU

obFCI8FS0fAzJGLhcoKSQ1MVY3M08SUGFqKygwcmNcLSRJNUoxdkRVU2dGXi8rOEw9N14/NG

lKSFtJXE1OT0pbXF1eX1VmZ2hpamtsbW5vYnN0dXZ3eHl6e3x//aAAwDAQACEQMRAD8A7Hqn

1i6NidVtw8m41317d25pDfc1r2/pXez6LlOvr3Qy0OGdSQeIcHf+efUWF1vo46h9Z89z3Gpr

W1kP2lwMV0scOWfvKF31RtYKhW/e22zaAWQWSPp2e9/t2tUBMrOnUr6j3ejH1j+r4+l1Ghn9

dxZ/1bWojfrD9XnCR1XD8f5+sflcuVzPq1Zi491n2hrtjPU2hrmkgaezlqwMmvkfvcz5hLik

Nwqgdi+tNIc0OaQ5pEtI1BB4IKfVA6aCOnYkiD6FWn9hqsFSLXyz6y+nT1vrd7/UIZlsG2uJ

99GL7tr/AOt+8s6zFvxM2rCsubaL2vsbdUWOaIdZ7Xem+5vudX+j/SfzS1frHm42L9aessts

9NxvpcCC4GDi43Dqy16z8ejFMX0h1hdJba977Hf6N211znub+6pAYcEgY3M7Tv5f8FilxcQI

lURvGt/8Ji7EPa46fyf/ADJCdjPHFo+YP96uua4DUFM8YzXOa5zpaYOhP5GqJcCXNfjXzpYD

8ZVa1ljXFr3ajwJPK1/1UkND3STA9p5P9lZmbtbfZJ0aQB9wSAVZaxazu3d5uUHROjQD5ABT

tc1haLJYXmG7tJPghuLQdpIDvCdU4xMTUgQexVb2HRA4dIw9dPTkD4lxV/CJ/amHr/2pp7/8

IxUumvqxuiY99ztlVOMLLHcw0De7hUOj/WlmV1/ptQw310X5dLKrS8F872w6ykN2t/7dQCRe

p7P/0N93UXU/XPqDBuI9rNrBJLjXi7f+r+n+Yui/aDTjQ9hBiTqJ01/MJ9y8/wCp9Zp6d9eu

p3XNe9gf6ZbWQHe6jHa3buLfzgtGr644L6YGNeXj6L3GvknUlrXbXbWqEULs1ZP4rjdihej0

fUn7sHIb6RAdU4FziP3fUI0Ln/m7Vw2WGCJG1w5k+PyWvlfW7p99N9Axrg+5j2Mc41kNL2el

yDuc1c9ZfvG0azMyhOiRRtUbo2KfVsJwdhY7m/RNTCPhtCMVnfVuw2/V7pr3auONVPxDdq0S

pQh8e+vEf88urzpLsc/fjUD+CJjYORd077IGH1XseG1ka7pLhuZ+a1W/rBV6v+MPMbBM/ZX8

xEUfTn/g9m9Xx0WzpzvtRe7KrDXsfYbCHP3Nd6bXt3FtbvdtUkMfFZ7MM5UXkcDpvUcPqlbc

5hLCyabmtBY58ifdsrfX+i9X2LSyR+lf/WK1Ov11HBc1m5xp9MHa4bmNg/pHOa7f7mfy1z+H

mWZDbK8gzkUu22HguB1ZZH8pv00MmPh16KErT0tBtZ/Xb+VAfaKOp/aS9jG1FxcbDtbq2Pp/

6T9xWaSPVrEf4Rv5Vz3VuoGzKuqpgVB+3fGpc3T2z9Fu9qGMkTEqvh1XVYb3XMnDyqarciwW

Me95cGS1wDGWOZW7fue5251P6RY7arjl12vYRDW73x3Fe0/9JGpsc95efTtse0sHqNloGhd7

W/BU6sm+hvpyHADh/afBym5iRmRKgLsKhWoD3+cw/wDNK1jXbCMBkkx2bW5zdf3/AKCw/qvV

t+s/SKrGR+tVGsFpaYbL3Pbp+dt9/wC+pdS+srczpjMTBYBU6gV5ZtaXODwA1lVW391zPU9X

/hKv+ET/AFTc5/1u6M215suNwfBmGDbY7T3e76P5yijcI6j5xonceT//0eqz/qf9XczqeRm5

OO+zIufusd61rWkgNZ/N1vYz6LVZp+rH1erYGt6fTH8poef863e5XrT+ns/rFYvWfrn0Tolx

xsg3ZGWA1xx8evcQHfR33WGrHb/V9Xeo+qbbrvqn9Wn6u6dTP8mW/hW5jUh9UPqyOOnVfPef

+/rHo/xldHc5vr4WdjVOIm57K3taD/hHMptdf6bf3q6rF1lN1V1TLqXttqsaH12MIc1zTq17

HN+k1yPDXT8EWvi49GJj142NWKqKWhldbdA1o/NCKZUQnRU+d9Wxi76/dQuj2MxsdzyYAk1W

Vjn+qtjCfi52M+p1RY6trKroLpaWNHpXtt2tq9W9n85s/T7FPrlLK+rX3ja3dVWXk+DWFn6R

38qamMTdJwqKsZt72h9t52m10khrCXVNO7dt/nHvcz/hVbwgCPm15EmZ7PF9VpzMPMs+0Mf6

93uNszWGSdpqcw7nM/wfp7fof8UsuyrLxM37fdVdXj3ex7rGOaId/M2F727XV7voP3L1jLra

aXA+71Q4AnswCOXfy/z/AOQs3Kd62HcwuL672ljnOJh4cW1w1p/wbWP970MkwQY19bTCBBu3

ht/pkWP9rWS4k9g0FxXJtbLGhw2u7TOpPu1Xov1V+qvQet9H6ZkZN1gdQ2zG6lTQ7Y22xtjv

RozXM97NlDvT3s9+RT6f6X06Fm/Xf6l/833nOwnE9JtedrTJdjuP/aeyzXdQ/wCjjWu/8L2/

pfTsvghQJZa0eKEbtBoOWk8ga+5NaARvGvmu9+pv+L0dWqb1Pqjjj4VoJx6gIttb+bkf8Hj/

AOi9Rn6f+c/mP5zqLv8AFp9VS1rDj2WBm93qmxwsLnRpZZXt9VrNv6P1P+o9iMiAN78FRBJ2

p8i6Uf1v0jEWiJPaPdP+ZuW19QnG3699Pc4yTfaZ+FV8f9Si9f8AqXb0XrldFN04r2face23

V5DHtqtx/wBG3bdexzmfR2erTb6iX1BAd/jBwo1BvyXDv/gcl3dMHzfRedn/0vQHQciwce9w

/FcHk5NeflZOa5wstyHFtLGDdYygeyl2xo3t2s2e/wDfXcPfF9sHad7oPMGT7v7K45mCem5m

XRY8OPtssdG1r2vbPrfvbv5D/ofzVX6Jil5WuKQ6kaftWT6PO53STV0+3PfhvyAx21732+6A

Wt9Z1bNnp+7/AEfrekuj/wAV3VrHtv6Ntd9nrab8fc7cGO3Bt1Fc+/8ASb/W9P8AM/Tf6RWs

PHd1a1mIa4peYJfr7Afcdjtzf6m7/CLCy8zEv61ecdjacDG/QYYrkNYxn6GmyuPoettuu3/8

Ko+b4cNVqZbj/umXBjOUnpw9f2PqQKkvP8P629V6bYwXuPUMMCHVWEes0D86nJ+k/wD9CfU3

/wClq/nF1jet4uX0x2b061ts7G6iTW6whjftFJLX17f3XKHHkjPb7F08UobjTu43XH7s7IJ5

lrWjsfb9A/8AnxXelCqqqx1hmp7Wua/QQANrd236b9v+E3b1h9VynVvqFlT8vOzn7cTGZAss

uIPrZDWv27cXEp3+7+b9bZV/pPR0uk5dPUemsfiv9fAa0vovADtrWna7HuYRv/RfuWfpPTfW

p+PYDo1xHUnu2Lq7MjIe/IOzHmW0E9mgAept+iz6duz+WstuU/qHVjXxjMfQ2tsAS2t1ttrn

f8Z+7/UWhkVZVtDyLPTqPYzud/V9mxqy+k3YZycl9DtzWCra6seqGg+qz3OZu3brKrt769//

AAvpo31KaeH6P1XO+r2bdm45D6XX215WIZi6pj3b2uj6FtX08e3/AAVn/B2XVr1cdRwupYtW

C22x5zgGs21bg6pzfUc6/wC0Mdjej6O71/f/AMX+msrXkPWg3H6t1HDO4xmXOrBGmy39Kz/O

a5db/iv6sftGRj3Wu2nHAxg46NM7XM/k/R9qEaGtHiuXCR/UHFqk3elVpxf4R4X02plbamho

gACPgPaJQ7yA5hAg7gD84H/flNztja2kfS0jz5QbtdpMaFsd9XOaB/1KjOzI8b/jAw3XYXTc

qofpWZbscNkNLmXs/SVt/wCuYtW935jP5C4z/Fji5N31v6fl11ufRQ671rQNGmzHv9Pe7+Wt

zrvUsPqeTiUsdvdb1LY1oOpqbbbXdZT/ACK6mO3v/m961v8AF/0ero7sbHDxddc+y220CJit

1VTGj6W2utv/AG5ZYnSjwEC74gCi78KJf//T7W159awkEAvdB/tFCs6b03PvqdmYteQ9phm+

dfi1pb6uz/hPU9Jed5nWsnB6rm5Iycystybg4tY9zCw22emx7bw7Ge3/AEaycnr3WOo3U5GX

lvssoD/s5aBTs9T2WuoGO2n6ez0nu/60hOPBRBu+yYR4jWz2WN1gdP8Aq7lDHa12XmZeTh9P

sGj/AEAS51lry76ONXbtq/4T0FhVezZWNC5pe7wlw2sH9ho2sVioVv8Aqb0yxh3WYuXcx7eI

Nge9v/R9Fyond9sZr7WsOnnt0VLMSTqdg38EQASOpLqVMD4J0eJDCBBH77P7TUOi8YGY3Ka0

MqALbwDtBa59f0o9uyr2X/R9npoVFrocZ1aQWz5KXUazdh37fcyyp405BLSIKigTGQPYr5x4

gY/vCnosTDyHfXB2TmNNFg6WDVTIJrFt76neo4e1trm12bq2fzP+kst/SLXyOhdJzHnJd6mH

lj1HfasSw0WNfbt+0Xfo/wBC+y70meo6yqxUMXPGV1fAzXOHq5fRsW1w7ndZY+x39myz/prY

vaTW51ch8GBEifP+0FbnOUZkxJFOfEAx16ufV9U+ivrtZfkZfUq7m+k9mVkOtaWtsZkBvt2f

4amr/wA9omViYuGzGx6K6cahgsbXVWNjQGj137dh3f6Sx/8AhN/6X+vawmWCpvqO3O5MAAaq

r1uttj8UODXND7GlhEl25nb/ADPeljyTnONknXZMogAvlf1nAd9Ys+zcD6j2WAh06Prrd9JX

fqZa2vqbKHAkXAgeRY71vd/JWRlWGzqubZZ9P7RYDMfvihns2/m/6NS6QLMi9nBDS51m3QbQ

Po7f5e7arU5nFGOTrE8VeHVjhHjlKHcV9X2Pp3UsJubb9oyq6fTY1jGWPDQS8lzne72/QY3/

AD1DrP1w6PhtaKbTl3bmubVjtc4GCNbcnaKKWfv+/wD4qmxcTTYaYDJDT75Liffw9hYfc72/

nqvmXOfWJMv8BET5aKnPnDORIiADt5NiHL8IAJt08HqGBg/VjDfk3V1tprdTrpFjXu9Wipvv

ue5ln+j3+p/PWJ/qb192f9b8TGxbN+JGQYcNrgGtPpuDHNDmtdvZ+f8AT9Zef5xbZl3Oa7ez

cQ13I/lbf7S6j/FU1v8Azvo/ebj3kntxW1WIgUD1IYJaEgdC/wD/1Ot6j/zH+zXfb/6P7vWn

19v0ffu2fyFTd/42H7Cx/V+zfsz9L9j9X1N/86ftP2P1f1z+k/8Acf8A89rwlJN6dN0jf+Vv

t+L/AONf+y/1fd9g+0j/ALmfz/pe36X6X+jf9b/tqD//ABrvUP0/U77ftv8ABeJpKGe/+S2/

S3bOPb/Lf4Gz7XX/AONtL/T+0/yo+2f9+Ux/432w7PtW3WY+1cd/pLxFJMP/AFFf/wCH/V9z

xf8Amj9s6N9m+2b/ANnu+xfS2/ZN3t+0b/d/ObPS/wCtLof8mx/hY+a+a0lLk3/R26tSO38H

6PwfsHpV7ftG7Y2fV275gfzmz2+p/pNqzfrF+zvWw9/7Q3Tb6f2T0NvqbW+l6/2n/Cf9xP8A

Aep/Sf0a8CSTuX/nI7dfl3+X9FWT5T+17T/13Uuj9v7943T9jndLuf8Arit9H/5jbrvsX7Y3

w3d6v2XiT9HauASTuY/mvp12+ZWD+cG3032fUP8AIsO2fa42jdv9Cf7Wz+SqHVPsXpXel9r3

x+b6U/y/T/O9TavPklnw+YfLv/gt2Wx326Pd5f2DT9o/seJE+pt9f+V/4mP8L/4YW19Rf+bv

/POj9ierH2S/1/U3+nvmnb9m+0frO3Z9P1V5UktbJufl/wAFzI9N3//ZOEJJTQQGAAAAAAAH

AAYBAQADAQD//gAnRmlsZSB3cml0dGVuIGJ5IEFkb2JlIFBob3Rvc2hvcKggNC4wAP/uACZB

ZG9iZQBkQAAAAAEDABUEAwYKDQAAAAAAAAAAAAAAAAAAAAD/2wCEAAICAgICAgICAgIDAgIC

AwQDAgIDBAUEBAQEBAUGBQUFBQUFBgYHBwgHBwYJCQoKCQkMDAwMDAwMDAwMDAwMDAwBAwMD

BQQFCQYGCQ0KCQoNDw4ODg4PDwwMDAwMDw8MDAwMDAwPDAwMDAwMDAwMDAwMDAwMDAwMDAwM

DAwMDAwMDP/CABEIASwByQMBEQACEQEDEQH/xAEfAAAABwEBAQAAAAAAAAAAAAACAwQFBgcI

AQAJAQADAQEBAQAAAAAAAAAAAAAAAQIDBAUGEAABAwIEBAQEBAYDAQEAAAABAAIDEQQQEgUG

ICExEzAiFAcyIzMVQEEkFlA0JTUmNkJDFydEEQABAgQCBgQJBAsMBwUJAAABAgMAERIEITFB

UXEiEwUQYYEykaGxwdFCUiMUIGJyMzDhgrJDU3OzJBUG8JKiwtJjg5OjdDUWQPHD0zRkdUSE

pCVFUOLjlLRVpTZGEgAABAQDBQcEAwAAAAAAAAAAAREhMEBQMRBgQSBhoQIScPBRwfEionGR

QvLRYhMTAQACAgEDAwQDAQEBAQAAAAEAESExQfBRYRBxgZGhscEg0eHxMEBQ/9oADAMBAwIR

AxEAAAHfTVPVwGDNYpTUjPA4ZozAGAxjH0DAGPiBMEHQ8HR/MqE2XHE2JU7NGpEj4jlJMABe

EFsMhNCYY0iwTDTplASmUPiDGCQUA03UWobguaGCZiMclh7qvYlqqb4BtnJqBngcMwZiDGxo

GMYdGIBh1PgCRxnQ438zck4tJOfoiEbhqR78jq5LaJQQ0UBTEzAiTpkIAAACMpggMQNHgLAp

MoZbHgNKVJqBjTghHLZNz3u2XOK+jyn8dg5ayGNhMTuOsXSO43QpU2NVwBJjAQcDyPD4HA+a

OTkhNX+X72zPhfpaR+m8ylPo/mLNvlA5KTJaLSLYBhQyBJCiQLaYxkAUmBhKfGvIAMpgWSVL

R1San5NHQhTl8m5b3jWk/Kfq8wh2dcvqT4SULrSFWjGjlmZ0rhuMmgc9dXPUQCAKOjCwIfNL

BvxKHh9iwvmvZrf2/Pr/ANPyLG040yAoKYWIlgBlgEAsAICbC22MAgoC6Ap8AIFjAyXE6IJO

HwEI0Q5kjcF7RK5+Yff5RzpbcigXqU6oaYAcJbI2NNPNJod8Z3s9b9QIfgCHkAZ82MKdlmzl

wctzgkhkbUAFwZaXWEB5hIFj4HgJTjdNvAoYaQRlICIABGAc0J0JUnphQ300A5vJty94fWXz

j9Lyby8/vdNMfU2GyMkTrDZOkBVTHXy+ltStDNXtD2jn09Do+gAOAEPm9hauci5YRly+3mUI

LAiLSe9jlHBFCCAUAEnmq/z2R0iQCwIyUFsCAGARPSdBUjE2wKHNY6Gj5n6F6bQ3XLBPoeRo

Lze560c5ltOkxaCweXeOtKMqyL6vAyCbZpDNX/FbDnpEn4BAWAQCHzdxqt5z5LWhYUMVIgnj

RIABx2mO46dYSHA4HXL1pFf57I2Aw9N55fZRXhCe/wCfeJyBQnATdmOL2QcjImm0O6xXavny

K+qnRUE1yw/6PiaW4+2wZ0fzRyz3iLwQwE52liso+jxRtyzJo5NH4dGqXsNHgEAAAAB/OXKq

VjMlNxFcUBWiqlVwBBK3nLdFHue07ZIyGCQJqR64wDPVtz7NC+V9avjauGs8+38kHTkUksBr

JjG4lnd7SoMM30vGXapc3fly/UHoK71w+ffd5emPN7rUbl13Ip1hvVwJsNvYaez0yt6PDErx

aE2iK0nyd2mbYx+DoBAIBD53ZVSOeZI3EVuQxaTns2Z9A2Xe653+1GueyWywIbGAqmSaZV9l

qz5+je3nfTIbTfGtSdvjMu3M0b+U0TrJHjdqzueoQt4oz9GRY96lPR1ef9HenGq9cPnh3+de

3BtaGestscd8SctU7SLLQqXRnVzwW8kYmxVoHk6tV3sNHA6HEAZwPntlVFZwFjpKt2acp1gu

e8H1mCbZX4uZ20UcwspBDZDZ7kbHzTKA56ix9OxOH605NRRSPV4MJ6fMHryMauXGN4rO2xHM

xzPYHPoOVaQfL9It1UGnP87+7huvi30Tx9AtIFrm00SrDQ6LZx0Z38cE3wj803RdsYXt5dYw

8HgCAR8R8/s6z/nk4xdtY7uOW8jKkiaGlWmkRrfhlG+Ub56KGlbIYpEKk9aZ17GiWehtx9dU

dKyca86PPSa8kkWQQUhdhnaIi6eUs+qRLaEE6fWP0e2um65/nF28eieDotbDV3BzpFIdVTem

sVZw7+KuOjnITQTcqxv6JT1jDifQCAQ4GCcqzxnnZ/L0osex1jScuZJcv6IkVQu2STt82R5B

TSYYblSn5p50yryNmsqGroesetsrGwuL14F2+dH+jgkSzXNXss7JaaVeT1ucNra1iR9Fq1o/

Tn+bvTy3fxbXRz6KBPlEbpSeGWMadA9/JX/RkRLRRo889/TJ9Qw4HkcDgcDCGdZ6xi8+Tqnu

Prs8YJETWpdNcmRXQsbVJ3efKdOOSSiqCgNaMpPWuVK5dkNeg01mdrY1csriHbyIdMxAsS0e

ueTLfOnL7Uf6/LftMCqjVXLp9FdroTTn+ZuuJ9SuqVal6tKUGAil+TW0k4j5oOdLMq+oT6vI

EHg4HACGGM3nDCdNcXbfUewN5QCMYonJazjlqjFcP0mD93mW3nnxhTQmvNGazQ0doEzE1cW5

5bKYsqoiPbxk0vCPFOOfsO5vTaO3ynPp8+HZbbNwf0R3eeL5/mprme4eXMpipqtFQmvTGLOG

VgJv0UZLUTTvmfUe+jweDocDwADD2bzfhOnfO9KxdO5VOvMYgrwgSuJ0loMqdI+p5lhHI+NF

sA0GlELuC49aSpLYNMyaXxp4lt1yQ6Rxrw1kaTUoHVwsUWx467khfQbV1xWNC3i6g/IfUOir

qZpTi6XNLGjgMQIfUeGIOh0OB4CkYxzrNmE6q870rLv0Hud3quajcozmtDpRNy3sq7v4Tt+G

y1kUHmAua4XSzZdKepKA1iNz4HfLRu0zTXCa0EPBOOnkMThvP0gl7tlb80cfeMKrA0Z41AHF

HAaBo+gMfQEmMPDEHQ6AkBHxoCeOs3nrlrS3mek0HVePUeVsXNecCIRctgHxpH9sYf3+VPdO

RY1xruk1gdDFnq556hVNuuPQACqWJBFpt0gLXAetMpz0c9W8XaajeqW9bcdMYVWBwzhngcUe

wxMwQ2xp9AYxhwZiOh0YhBHwPBkPN195fZbnL1x+dWDXt0jWaQzaU838+zJpjI9sHW5iGmdK

9vmSesBDL0inp6zs9ANiTR1BLS6KTVIg6Dbceo8DhUTbr5q44ewxG+1O77qMvGGGBjZqZ7Dx

nDNAwY2DTGAhiDiBtmh1AgCHRhCgOXSAeR6L5OkLnV0rW5+rJzEcmnvKHdnA2IUJuFzkG01V

hCwanM800rLm2FNgKQXmKW+47SrDoXeh58b6uePIi2dFt+FY/VyVxydg0fQjFbi6HFXhDTE0

ahs0DRmgklHMcHZoxgYAk/ANswOo6HAEAR1Fx71n5XabG0Yq7z6s3tbCEBUq7PPgd87Im6tN

zefbbc+XRmisK3Zdr574dOdOfRG1xVKMdtwBc/Vzh2yjvXxKAo9Vgnl6WwU76eaC8/SGH9E8

1tTZxN4Q8yNA0cSDLI6JmmE0WokErU6nWWyUuhB1A2zEeAQeDoBHXXHrVvl93Y0Zumb0rZvw

7Hro5z6lj6/LjQmgG+ad6VGU6qrm39WTpTlezEV8+uT0szLmeaj6ZdWNrUjE0dQzVKdDe5yB

nvVG3KwUqz4u1LFfRyFsjVw8wiJkczo6Gz6Mt4ek9DbNMI+Ytomys9dRnszpQ0dGNg0/AIPB

0ABV3n71rwdkdnV17sLAjaX8/Ydvm49HLX2vDGlYBvlRDVcFZhrfHZ+GGqNlJLH7RpzT5/8A

n+toT0fE0BTGqNYWCIjzbQ5gVL52Zrtqt+Ps6H0lha+0cOMIm8jQMHlPz/o+cPro+zzqR6/H

ctMTqiNiRZv6FGdwanQMH1nUCDo/AAKW83eG8XXHdBf1ZzGndOW6OlX9xA7wdglt50umAtSG

At8X2c9eRGlNFNNXx71P5nuXH6/zsgmyyjCSWo/UJ2mxyka+XMaIXMK5ekxH0qS1vbhT54oZ

HjZjTKnhfY2BrUQ6fKh+3GnahuuFdPBUi6Mj6O9MjTEAw6MYdDwJEURwbM/J0RHVzToxe3Vp

LQOe9Mac62olF5x1mZVdhpz9z85dokqxR49W9uXouX0fNlmohB70TznoEE9JM5a6ljckNFsw

CrqFTDeXpWTX0meesqqCPniyzUsqXPqpbz/p3KgiuYGvHZ3J63K1wr6PyQyZl1c302yt8VjD

qBDGHQ82hlUPw7Rvl6I1spntnOtFJmRaBwsJkS0qcNK+CxJLDqfnFpM0OaLZdlocHoaw5OuP

dWOpvd8BRaeY0CCap8houWMlmZIR4Zy3qq+aneXqvG430lfBpX754wslLcGw78lcPuWyuyXT

BZMgNYw9qw38m0fX+dyl7/kzOItzz+rQ/B1zvPQQxh5nk0SWa+Lob8dY9upPpleemcNixgcH

WQxXW7thRccp9qfnVrLqczNn18itL+N7WmvQ4Ll9nyQMdYtOwlz4I9UIRRLLoh/l+5kraK87

/Ar/AA23D08mtsd7LWtdvmjKzVDqrL1aK4/anGfTK84Vy0l0I0sXr8Wp/ovmMi+ny2fpyJBs

8XY3mdmzvM7ZUr8DHJnXm3XJs9ZKHSqdZDWMlbaYol1G02Qp3HWNTeCk1vCOsMT5kfN3t2ma

70+D6ReB61x+15q5UtVoKQ0iWmdwjZWHJ6Ef8z3Mx78iH1vnYbhps/fHQPN0WQaVsuaLuDxn

BSuHrM3B7LxO0XaUTpM3F9+78h81Pf8AMie0znTkXuE44zHQs5tNx+J23DjvU+GkPYwxbN1c

OXc+jRGO9mMnbkiKZVcwtRxFZTpCqi2bydovH2pUCz7j1t9w4+p521Pnfe1L7nhy5adZHHLm

g8G9piJzlx+oxeZ7VDdXBcXrfOSUbynpPn6LDWlYnNFyDAPHEZ6qX836Jg15lb0nOXXcHd4c

b9XxcIe7xqXK/TFW5WKY8tl8pmz20H5e94eJ6SAonTD53q/oT1cGXuT2b6xVhtOLlsjRuVVw

7z/PTZ/o+Bd+G5+e2bbeZUOHN1o9Mlnqedpz5j6jRvXyXZ0cfOjFr6OaTDJEQyCvPA2O1tY9

VO3jcXTxuqHQrT3N0WEXVL5oyoMTOEpbgKtczMvr82iOHe3icRevx0t2Q7b4DEpcrZk9idiX

PVAqt35z1bs4dq6qcyOd9dnmyKnXk7wXj9ineP0ydYnnR5M+2wmnT50shQXg9VbOuZaeeM9R

xaa81Xfx6M+f+j0Rj02btzxk0t/2vnXa4JaZ6it3OPefS/SSAhW0RuKbIvdmd2g7p580bUHI

ObUCOBQzLPdmp3ytPC8Fexk/dXOTaVJKrhzWbvmiXbS6YMtn7h2u/wCf9JrkhG/Lr7u85UD/

ABsuVqJ0atMFYJRMLlO1X3me2sz2zlos552arCB3bx2dx9+yvG96U3izdXPe3seAaCdywVOd

SMuc+usmmwIdrNa5a1Fnf1IwLp3qlHyxpScmoYeLolreP/SwsdLPPUMfqcq+82F6vBkuqHGZ

PSdoUe0tsjQua0N8b7WjLnGm/Hqvs4vMcJp1VpENmmT0qGMQN7Kq871TY3pgvLedqsti6kPb

xrd8d4/OfUv2e0L9n560e/y1GdwDaKFuKh2SnOtZ+d1VhNUJOkYi3xn1ezi29qx7ldQ572br

59i648Jx33SuSqrrWzuMxx7mSvo51NTGp3cXm86ZKEnJQ4Qk1NMNnWt8fI+tqHO8W9HFrPr5

SHKcRdS0VHCZJGrqtOgQPP8AweqLLqzmyrsdnrl61QM/p+aHt5bYB+y7jfY+UHOj2QzUR+rj

Zs0cHYg8b0okqIAaZwvsYRaWj+c2W9Wc/sckae3y639TyS212+ZGVfRPlyyj7eEV68TqUQ5+

uTbcqnSCxv5kMHfOWO7LipL816e8ePfFPTw6l6eZ0YjqGqorO83FzPM9HpaOU2nm888fov2H

diuoaOXsfefpj/TyJ+/jF04zz0/JmOnOtxZ3RzE4dye82mtGLLoaufeFeH6gUFDME4JfYdzZ

Fv5r5dlYx3ITKJdvmsHbxmVPWKHH0A5M6P8AUypr0M3DSIzPRIXzmUigkLxIdSLLNG7aSm/5

z1PpRw64n6eLSXRyyIpSCCor3XGRBJ89VSpXNNjdRcfpEc3biC5S8XoO+dte2CPv4Te3msj2

PHfXzNS6XauYWWpFpFGzFO6Pl3g3ien4C0CBQj7KhYNP521FY56slZ1VlvN+jkYu/FtQdotO

ZZJ+7KoPSw6xjW73WHaRSb1WQxnqX3PMgqsfC9f6i+Zr87rz193edL1SphLlhrNSxzm3dadT

agqLw/qn7m68B93mtmOx6om8mrp5Jl73kzDu89TUKsqTaIWVp9E3LZHGkU8T0mfi6eABHgNR

9nKJ83SlZsEiCpr3HpnF4z24qHV1to5+Yk9mMd3gkbXVeuC6Te05PIIEgtUpKcA8/t3n4+3z

lz22t6XjywFYy6mvQkOuLvNPc6dTZGY6+e+3fVhkfs8x75upo6OVZnq3bYWH9F4jz18y1wMH

KYTK2+rQLRl87tvv5P6I3TFLpnBtZgOkxEn7Oimuj8Hg8Hg8Hg8Hg8Hg8Hg8Hg8Hg8Hg8Hg8

Hg8Hg8Hg8Hg8Hg8Hg8HgRaNl1I1o2nO2PHIENJovdnMzdeMd1mPaZIZyR5psaanpX3he8v8A

P9ViuI64tXl5NOYaY978PqBpjLNz/9oACAEBAAEFAnfDRAIBNwGA4hx1W5vlbwzknO3LcSUO

cBZwnPQkoi4rNUF/PuGmclZwEXup3arOQs6MqLySXI5VlauyF6Zq7ES7QTczVp+c6hmaxdxx

dncnPci960N8v3hSfBhRAKmI8bdba719BAvtbp4pdG1cn091G+GMXDvQTI2dwEbW5Xp5wuzK

iyYL5gXJEhZlzwNMO28oRtC5NWZF2JWnc79N6oorQP70r2Ts2bd9vKt94CVW+q3U4bd3K+5h

q/cGlNX7k2+ma5okiZe2T01wcsrlQ+FvHlvlQyXfqZds6hC3fuhfZ5tIzesVVmRKzLMsyc5E

gosYV2oUYISpImseuq/Pi0cV1QBDByK25z11aycujygprVlCt5rmEm81KIN1HUCX3l69ULy+

0jIbZQIMkiQuNSjTNV11i2Dq2q3up8e9/LvqvNuhC4DNXuYluLWbnWn6eYhqRPEcaY3P1MDg

cDjoX92TEeScittf39a/y0KSPzRxBNs3OXZonRl5MJr2ymx0kMfI5hLJGnDyhe3nLX+P3AGX

fHJSWFlKXaA6MWmiQWxjgghXJdccpWUrKVlKIwouiuT83wdvj+qpo5FORW1v9hW4f7DlOa32

5p8tpb7YsA1+1rCuoaLHZCHT2XMzNquUuz7tqdtTUK3MNHvHlpyYtgVGu8fuOMu9cT0KOBVe

bfhwICyqgVGlStAZdfVwKPFtof1Oiarq4gtYr3d7i6Pc+pB+wdZg1Hca3D/YvTSNNjHWxiY6

8fbwRQN1a09VZaHpr7d7gHqds0E1uW5rxn6h48j6JvkfsVlNR4/dHy7v+40X3JyivXl9OR4X

8oGukpnlC7k6Mtwu7cLvzBT1yXFe8mMdM9tgKT2ha1l4qggkBGaNNcHja/8AP1qmdNwX0l9q

UbE9lG+1wzbzW5jTb8NzIxaM9s1i3tq3ha9SWzXsnfFE7uNRa57LO0js49RZS8eDSVpIaCG7

Mjys4/dcU3VRZVCPmflKaRiedsfq5U25unHTXXEkcv8ALj4PMjmXmTao9Z/guPrAd64tILWG

OVsDm3MGR17T1FpM4Pv+hCtPo7X/AJpNIyyUzwW72H07ryb2qj/y9bsdl253FtmXNpzJPNbT

5EZ46Tvilc0tLifLWq1cAXIbAp4mhzWZW7PAGn8fu23/ACQ4Qc5V2nTK++nRuS0/m7KF8Bm/

lv8ArRwb8Leb5/huPrx5otR069t5xcanJ61md6FjDca5q8MVnqN6ah3S1+jtRvzCrpkrrGNo

KlM1Icjl7Xhrt1rezsu1w/lomrQadpkGpXU0VpNfPT7kdu5f2lBPcSP9Rq8r4bXUn3OrxkXp

AkGYta0DubReOxx+7rf8gGSgDXm3jdmbDLIoWTRl+h20i1Lb74BZt/V2lxJdqX+Wp5D0wZTL

GPmT/DcfWto2yXDbAW77aW3crzI0207PvN7MLq+vKImqtfobU+Gq/wCuaOMag8d4w9oL2njp

uhb8NNqMdy0Ozj1LShRje8M8hZ25ZG3UTaBMMal9Jdy648N1OYwlEkOD3sl2pc0vOP3gH9aD

ai1spLuVumW1on3BzabbxPfPFayNbZs7OpaXYF9jSBsv8v8A8Cj0TR5IvrXHwzn5rpHxK5ur

u/uhp/mfqsjLCKN8zbfth/lcMjUAKbWbS3VzJ2LRoN5dyWsTWXEbY3+0RLtzLf5/xSq2Y7Na

umngdZ3Md2JYZJFI5sAja+GOyuLaZjLaBs+5qN1gGriTUkFbdm7eucfvCP6i34dItrgWgv7z

NLpN6xaPFcibUbK6ddubltXZbqG8g7atdSf26+Q4AJvJkY+dOFN9WWaOJF8HcdPa5D2phaxw

em1eO0imjnexNmjegtrt/Q0Vzd2GR2SKZ107Me7cu9o4u3uNe4hptTPz2fqllZF2uaEmbh0l

oj3Jo6vNe0m6mG49Fav3BoeYbm0ALcF5bXuqhwzPc0krR35Nd4/eJv6yMjt6Me9DNoEEIt4I

O5oUdm+9huoNQe+WByOQNuXW1xNqLCw6fd96ErlgD5IjWWfmtQui2bO4otagxy7QCnfmZNC9

mLJpI1tK/t5bXXdSbZ2Zlt6yNySWlo66d9M+zzzNuBe5JptV7ubH0waaqJ+VAkovytzoSISe

XManlhZHLqZ68XvGPnxfT0O0Hago5P0pkkV7bNtnQQsEtzJbwuIjkhv7eNk99CXCzmMEoeHA

olV8kJ+dqdz6e3dUmtEKOTZA10TmUtpGubfeaZ7cpwjkkhknvbjVZ3Z3RSvdLdtzBksuc+yw

/qi9zjTa7qprXKO2u3q20LXJkNrbncXbP3ZWXa+5IU+wvIUSxi9RAB3YihIs71bMuZbs9eL3

j+K2+Cya+e00mObULWC9tLW61C2uZZGCC4l1bUhM2zv57WWa4juoZWwdq7ytuLGUSR4dGRfV

1y7DjTMOmFaLP5u+6nelepeCGTKmB90LeMZbh9GBeyg/WrdGk2us6e32+22o9jbbYo9p6DGo

9A0liGj6YvsukFDRNFTdM0xiba2rUI4wgqlVKzHwPeFv6ewGdWTB6PbDDb6dLJSa57V1BfWb

NLUjHOltGvsjdlrFOA+GZhe3THObJXkV/wAYfq6pkN3GW9ulUfKu2Gp3NNT3xZC2oc0cEMnc

AILZZDJIF7Jj561H6KCCCqgh4/vCP0GjQlwET2J8+qwv06WW6gt84drdtPex3MF1Zm61J81v

FWWSVxha+FsrZQ6zminBjX/CL6mpODr8qganCURyPdI/NnNSQ2rG1q0toTyOFqSWyRt7IQXs

l8S1L6KCCCqMBx18D3fbXS9BsHWtrPK5kHnFppEVq+7D42s7lTeaWLhlzokrp7jTJIhZ7Xvb

8S7PdGdQ2feOjjbLp0/Kh+BkjYkw9w9sl72BqZko+lGuomcl/wAiiWo+YrorSVsFxLV2AXsk

OS1P6aCCCGA8Ace/bAahDbMyOGQ2pfI+5t9NdfaidPgjbHHlZK9wYLczHUWCeCOR0TIiScgk

W9BJdwbH0i33HeapZ32hX3qbydmo7A3Ho+jxtIT3Bru4ZGv6stqtt7C5kTNMvoW6Nsy71K91

jamraXdy6FrNvF1x08vlbRBeyjf0q1T4Rw9F6u0zeqtco8XeGf7aYy23cXRxvY61FhBktWGi

hHbJiJdcu9Pby0yPbmhzRRsjc+efXI+9ae1Ebjqm6ttW25rfbu1dF25GaPG9djy6NcStkYe2

2pY0q10e8vm7Y2PJY20e29PjYdu6axzYK6hJZNatxbNs9djuLO5tZQC46dFPDC8EPC9lm/0x

ap0QVVrOuW2h22oe5uqPdeatqOpvyOeGW7qxzanp79qb+knTHte3wtwCsL80k1yWi3tcsl1G

G+mrzje2jTVag/NM8ZhLcMgUUMl3IXtEd0zNYe3m5bTQb64FFbXHbdVPbFIzf+jT6Nqczos+

nWd5rF5tjbFntiwbIKd1hT/MHwujbcj5E9uvc3SQ1ulRRejfMxrLnKbkL2YH9FWq4kBy3naV

t4dHk7n7edGnRWkKlvoV657GepkpsbdtJvBK1yUl9u4Z7vNPdWbCVo+pMc10PNrW5myR27+4

Huub4lWlm56vJBZ21250Oiy1lhYtkbo7MUzaK1uM4a5XljZ6pZbj9up9Pn2Ttuw0C3EUj0yL

Ksnme1zGvOQAMoarXbKLU9G0utxFLPkh6oL2ZH+PrVeqGGt6gdQv7aB2XUW92FkFzJIzQ5HR

/araBT6XERFaywO2lrZ1K18ArcEvzXtAjL3Fsb5bQ6fNcXsvbTYWMfuGXI6a6Mhs7HMarc+p

Evvrma506CH+jkZXhzqbL3cLsVLHxSCRlwbp1vcXmrzxW1s2FBpXbTQKSCrZWiMW/mY/OEWd

9t/bu0/VboF1ph7Nf60tVPmBw1K5Npp8EDyu1SMfqBe3lVaDUL2PUrrkZi5RSviftzcEtnrn

gTGjNZPz7f5sjn5hDklbGwW77W5Lld3kFuLuS41G5t7H5zir+8bZQXFZZ7lxOjSx9vTJm/q2

2RKa1sc+1daOq6VYRn1JFG6Zf2OpsiOeQFVoi5SOIMpHcs6PWZ9QR2N92ZtNfvXTxW6DKx+z

g/xlat9QILeEkkdoLz0wZrDr4yaJNNI7T+WnWjYoNZ0621Oynt+wWxCNuliKK8sdQstSh45v

g1XnLR8UUMseTSngsbFIg5zVbytvG0ianOJT5O03Up+66RtImx9yO6Ga3uvJqV65zWMZ3H7J

uuxqj2T3DtVg1fU4tNsLXRtMg8rCn8gaFk7qKYt7toGC5uX5IxE2OL3NureQ7kjhtLBbe29b

anpvt5psWl6ItW+uEFuJ1sbGazt55rN9GTMc9sDXNe+dzn3DpHRv2t3HTbasNrbbL5FYyXFg

tK31qNpLZbm0K/4p3MjjmuHTPvHZYo4XWkWjXDLO9jMUwuyoYuwO+Wr1TaXtxzeDcyXH83bQ

ZZXirdaHa1W4l7qZUusp5LO6sNxskboE4uJbt/bhZVP+B5rGPou5zXhDJo4P1WqOfFbXVzPM

zejflbgLzht7Tnafo21f7atWP6kILcNleSXL3Wl8IonxtZM0ruZW+sEbie4dEso3H3L1ftNd

KWPYPLQFTtyrQd56joy0rWdO1qCuGpXclnZSySyufEHttGXN7eau+O21OSBt5a6XqDRC63hm

ay3dGHta0SyFOtMyEcUcUTY5dSbavDO1OFvS29Lr/wD+eH63/e089m9mWC75ut+bpVWsRcCx

j1lc+dwPrdfuKGQ1ZvM/I1PTze7b2xo79T1CoK2t/alq/wDNBAqq3PD27iwf5OTFczyuUUMh

VrA58luyOFuv3ztX1aP5t1Fc83OR84e2is7+602fbe77PW21W45JxcTgOuLw9yLcd6zammaW

Nd1XVNL3FDdXN7A+F9kMwfIwOhs3Tvi03TmK+gtmK4d2zd3Fqjdz2Ai1CykW/wCI/dRcu7UD

3PneSJGc27E1F0FrJL6g24OWYoyjttaZA9veUZzSMlbJe7jv2tvG6lKt4XAc/S4+3o2mMiht

Kra/9oWsH9VgFuBk0mlNkijbLrccqt7iByhljppMXZtt7ap9q0K4OUWsFG5C58MjqUohJWWe

zDGxSLQd+X9ktX1Gx1G2p3AJ7G2V5e3ut3+j6JZ6Dpu4dqajoM9vuCeHaml7s29d2cttEE46

BDE6+2t6rWtw2OkXN1ujUZZZ9tz3GkyXMTBHbW07fcUMY0dLRwbcy85GVy7QcRY6bqM9bfUa

Mlv7cq2DLh7u49S+RgaYII/LcbiedY3dc6Nc27LfbOs3t5bn9Fpzv0jitrf2Rawf1mIK1La2

i6vLb7X27bx710/T9P1Tag0jVtC7dZ956tFqmvfXnlNGQuyQxUAErnNMLGANZW5j9ULsZG7d

u+6oZGxx7lunw6LtCyN5r75GkM7d7BqG27e50z9lXtkpNF3FcmLQ9a7Ol7b1q31PUdoM1fWN

K21pOmum8ojFHvs17h/EwNLWgMkIUZoNolpttIbyzUV5OWM0+H0dkHko+Qzy1GdzbiRkVp7g

uLQjmp5QDfXELna7dNh2bN6jba1c/rqoFByBQKzL3IyPm9vmOE26dwjSdPe/zQMyNlNXs+mA

CAygiIILO2nP53ytrn0N/Hq7Sryz1DdGne3ETfVDox1Uw0Acg4hUaUQwJ/wvidXKc0cICkt7

m2G+Qbi2j6clyQots3nYudOc3KZKK3Z6vUy4k9zkZQVduBWsblsNKuNtxy3u5sxUrmMOasss

phu3Xnyvbz/TVq5/X1VUCgU6VkQW+58+v7EZ27DcOqTatq5hjDI65DzfC7Kg2qh5muRz+bXt

FZmZo7yPuw7Y0+LdUeujNoXt21vabIApG9t7ZUJmheuY1R6kwnvpri4EZU6hTpY365qtyLcb

tmgOkREUqF5cIXS9/TJfLJcgLT90Q6bqDd/aZ3Jd+6Q1l/7jSBmrbq3XqTLe3ZbzOuH2EkV1

6yDUtzabpqn3BqszvUTuF1qc95abE/1Bbs3BLZa2d26nFLYbm0q9THZlLcwWzd6a+zUb/SN8

3mnaXdalc6jfbbY2PRdQhbBfO+GtIS/KrU1YE1+UymqhfVrxTA+Ue193kl1MZ9M9vfLZxZsr

2xhP8zGSF8Toe5HDC1iD6ludHIURQTWbXaxJYu1a63LPlUbSVFHHKpLKgdGYjVW+s3nqZdfv

Jm6ZLEHQy28zXiOvbGSWJ4TgQ69dHNE/Wr99geDZAptFb6kvGbmHzl6TnqU91YW5MkprVwkJ

ZGanQ2j7RuK3Ntr0jvO76MrnBtsKW6Fc480UUmV0oNC81uKLY1z6bd13ztNhjLplsXENfmXZ

onxSQm7nuonWcT8wzPLYMipUSFT/AC903gIg1yovmjJCGdjRrlzopWSPkNVZwvjj7TpkwthT

myxvfexsg7bwZWyBOY8Oue52TgUAaSNgA2cKbUW9ryFu5fuduE/W4Wq+1T1xGaoC6CIfM25e

su9K3m0N1aMF5l+n+VvztzyTOsSNWOhfVs9ui1xi0Obsbluf5fZFPstq7lmcU5zwC5pN1BHJ

d24ijQdMgXI5aOWpxRN1PUXUt9adn1BxbS5hEZvM00zYiwsjdJIIu2bd2QXFtJJLVzS5jSml

0Snfyl85unD02IJCL3uW0/8AVlujbEWp69Fs0Ti/2qbUvhotA2/ProvLSeyn5UZyfsS8Ejd7

FvrhUqVAAqBjWQuFU1NrR9axOILZFJGE53pNQf57fZN52p7RyaMyFGqQNepxQRyvAZ2yvNWi

kWq3T4bTUre39Nrb4ZNYh89zeSZ7m/5zN62Dav5Od5Qu/wBxjczjQOe7M1PVCrybPLRHDrht

T/V1Ns2Oe+/8/Z6Wb26z3B9nSW7a9uH7fdc7Os7yTVPaW0upXez+utk217d63oup6z7ebg1L

U2+2G4wn+1+4yv8Ay3cwP/mu6Gp/t1uhf+e7rBZsfdcadsjdbl+xt11OzN0Uk2huYHUtmboc

tPt7x2l2Og7lsL22sr4CO1u0ba5Xprha7JdWFuI3Ax1TAnAKSiudVn1S23Trltp6jyhWcdXn

m6580gbzsY3CDoWNDkxls1+SrGwtyyMyEgq5nMI0rW9s/aH6b7cagX+29rci59utxwK523r9

oi1wO225Nu/wM+nU32asv7OX/wA/y/8Ay1O/8vR/80X+A5ZP2Uj+zu4/9rofYEPsXbk/b1Xf

YFJ9h7kf2ztv9H3JvS97Rf3RWw+45d/dz9w6D/Y1/9oACAECAAEFAh+GH8COA/D1RkAXdCEg

/HHBvUMWRUwr+DkoBMx7VbeQjwK/hTgzqOCmNcKLKFlCyoih8HIptNBMMJagPxpwb1Hiu8Sv

444BBd0ruFF5QJKJou6u4u6OF3i08Q/g2dVTmeS6pvJSHgHAfBoqeDVVVVXCqOLnIvTX+DRR

tCkaKO6pnVOPMBHkqqiIwKHTE/iTg40Fa4BN6cZKzUReSj1TOoT+tV1VF0Rxb0RwPXj/AD4A

hgfACODxUEUQwzeVnTiKqqr80zqi2poK1CauqJRoESCm9MXdeP8APgzLMU16PgnCToqYEeUC

g4jwt6tT3UOFUOXAzocT4B64Zlm4MyrXwDgRVCgWZZOZNPBph+aCCl64AquBVVH0xd04/wA0

5U4aoFV4AK4ng5qqcecdacNVTCi/NDCUEnKVlKylZSspWUrKUwcsXdOM4FFBDrmx6Jh4gncF

VVNQPCTRUKBQbgT50PDri7pxnAnCiOFaYdUw8QR4KIpwTOg4Dywa2uBX/JDgqs4WbCmNVUKq

J5cZRX50qqI4HngVVM6cAR4aKiohwFNYgEcPzxrjRUCoFTxj1KKZyCdzwCKGDSjwBFHGuI4h

zwOH5/hynHCqCciMAjyQ5rMmnNwBOx5IeCPxhTjVFfkMSFzQD02ErsoMLcQgj4oNPxkpoMQC

qYFNFeEL86IKiPBVF4WcEsIcixZTwNxHxeDXxpsRiFRNwpwfmgMHDgzc+wXLsMTY2jE80eWD

QjgPi8OtPEm6HBgR8EI4DFzFRBqDacbhVNVUcB14TyWdZ64UWVUQ5eHKcKcxgQsqZ14+mAxL

8pb4ATVXH8+GV/MJnCU0+FJzKCCqqYDwemARTy7wj1PTwDzQCbhVVrieXglHCiHgHhk+FstC

3AHwnJ2I4X9KKiBVVWqBx9OSPAKKKHQKnGeF5oJhyqSoySfCc5O6INqqU4Zfha8lFVRdiJFE

3mnMBT4EQRxHCmA4a+BJ0IzNfE5qthzHgSdM1UxOwCPC9tVTA4BEqFihCPLHKnwIimJVEU1n

NwQwpVUxrjTgm+FnQioshQI8cx8qZ1pUAeBJ04AKoCgYyg6ngfGHJ8ZZg5FUquipXi5cFOCT

oE3pn7cowHFP0KjQxPXhPSiyotVFE1RtqSaJopw0wkt0TXgpRObRdGh2FQgQUeSqsvl4JOje

jOlx9RkpA7qbIFXhd1MYKDKeJRQdHNphA3l1ONMSE5XLMrhgAqYdsFGGiyEIROQgcUYgTQBH

gKPRR9LoefFooOB3XxoVOmNrgBwnFwV02ra4R9fCf1ogjjH0umYxip4SOfCzp4ECm+KJipiM

DwFPGYdUekfDlWVU4H9cDjH0IqnMLSoIjTtuWUrtOXYJXaDVOOQWZVwqmdE51FnWbFnJdpM5

J3VuJTeMJ4yvUfDXnXhf1GDii4hdxQmuD4hIGWK6DmsyzLMEVJzHC3AswooWoNX5h3JpRUR5

YOPJnTjufjUXCOvDJieZ6vbzEQwYOSc8DA1BzLkjQJ48tOEYOHOioojlVShgOp6wHkMRxVRV

31UfDVV4X4FBNNUzkojU5aluHXgoiFKaN4ChgRzyrLg0o4V80nWAcsR4F2OSjPPwpyc2dyHR

3wsHKPoDzj54jAYlTPqeOuNMKrOg8Ve8FMna0epavUtXqGr1DF6hi9Qxd9i9QxeoYu+xd1qn

o4AIAhVVVVV45DR0YRT3YMwi+FVVUUMZpcoMhB7pQlCzjFnT+B80M6+ajnRrhyTUMy5rmjVc

15lzTk7KvJTy0flwZ0j+Ff/aAAgBAwABBQL+G1VVVV/gQjJXaRiR/HlZis6BWUqhVVVVCqq+

NAKmO5jKkd3GSfhz4BTenBRUHG3wmTUUd4xPlbSQ1/Hu6BVwqh4LfCqqqqP4c+A/osoWQIMa

nUQbVdtdtdvhb1/gZ4KKmL+mNUU3EJ3XFvX8FRUVFRUVOCKCqEAT4AiOE4hFDF/Qpg5EpvNE

Kqri7ri3xqKip4IwhZmcAgipfiKGJxCa1EDGT4U3pRA0WZO5oYu4B0/DlDC3PmZJmTnEIIxg

y3TQHDE4sFTkyoNqn4SfCgaDmuaJx5oBO64s6eHRdtZUW4jwbUVe2jTnCqmvrLK/M4cTCuqB

ITjzUvwpo5YUR4H9cR18IMQbwFtURTwo35XEuld2AF3aNaKo+AHIlfmpfhTPAk64jr4LBiUM

XCqIpxflhRBFwwipSalacOUqqoqoHmpfhTDRZgswWYLMFmCzhZgnmp8VqyoiicsuNKp44igg

OCiKIxoiFGypzNTm0Tn4AYSfD+HaEOjlTClcAnhHhPRorwhNT+FjKghPcG4DGTpjSq7ZXbOG

YY0KylZSqHwm9GlE4tTggqJ44SmDizKvC0qSWqJQ4H48uCqqVXx28kQgOQFEVRUxcEeApvQe

MOB/4doQGBkaqHCmA5orKntpwFN8U8T/AMOxtE3CORzUcK4VajMAu8i5rk9tMSh4rghwv/DN

GAwqFXFxpwnGmDcK4UQjXaID2lqzKvA7hfx1VfGYghgFRHB5wriUUCq4DnwZV3qLvOTpHHEH

FxQ4H8NFlxyqniMQwcU3AhdFXiPACu5UEhFyzHjYUVRDpi/gYMy9OU6CiygLMs+B8NmAKrgH

LPVSnkqI+CCu02QHrRU43IcL+C2joFMUeHp4TceqogUBzegq4t448ubLG08QxKHXgfi0VLeS

KeVSqDKpzC3E+EMSqoFVVVXgGBwi+J8HLxPybhRDB2MXVr6LOSpI1kJTRlWXMDg6RA18EYnC

qzV8B2EXN0LqOyhOysCHg5CBHhnom4OxtwS7tNTQjzQYmhHknW4UjsMybIg8cYwCd4Zwi+LM

WPZK1yujQHiOEQq5sYCn6Mxbg7rhbyhibIHKuAVEArqSikVMKoFNfRA14nOomu8E4nC3+OX4

uiuOpQ47YeZT/C083HBuDuC2ONUE9+VOdmNUeQpwApr64AJqqviPRHhri40QxyqIeZw5ldvu

RlDjtuoVweBuDuuMPxFwXfCbIs6uZapxoAnHAjEOwa+ibgea6LNzYQ9ZCXuaWqqFSiCmsLh2

ws9XcEXxO6u62/0324J7SdG5U4egbO4J783A3B3XgzLMU8pshwearoEUcK4NNE1QlOK6J55V

TUJ3MPrO4g5iknZmfcsytunNa6Rz0F1xCbyKcrQ+Q4k1PAemIVE3oj14nJqJQCKHFRNUJ5kF

dFLwhU4Y+mAxf1tX0LsJnUbw15YjAYHrxOTUVXE4HEIJhoa4TY1VVnXcVeCM+XBuL+tcqa7M

1XU4zCVqzhd1q7rUX1UeGVZcRg2HMjbIsIwquuBCHBRO8AYTdeDLyA4Y+hwY2qDQV2lK2hUM

xhUmoI1LiBXKsqogmcjTjjk5jC5AXTCiKCdiE7rxBM6KbqMKIhflwxYjkKZY3Ghea4SOqcyD

KlBoIyoVQTeteOJwXcCMwUri/gPQJ6KGDuuBwogcGdFL14DzVOGLpg5P5KTmZBRE0RNU5NNA

q4AppTOvGHgIyhdwYHhdwHhOMeEreXhWzRkEbU/4mc3yu80vUqXEimBwGEbaDjyrKsqqi1ZV

lWRdtGIrsldkrtFdkrsldpy7Tl2nLtOXZcu05RsIVEW1GUrKVlKylBhPFEz5U76IKIIqQ81J

1oijVDqUMIo8y7RoWrKsqp/CfNwOyryI5Ucq8qOVclyTE2q51di/H//aAAgBAgIGPwLsMMwX

97F/I/zO5F3+tZbzDudOKtFmQqy4LISdsHfdXD7T7hskNA776cgU6stbetIjVfpOtEeBFDSU

YPVVChNhpk5tIDy5zSwUC8u2sc6Y2wphqEWDQl8JXqoqSqBMFFhbC8+ZSu8e462+G6TSMUgo

XFJVMi3FxcXFxcNFOt6jUOuxqNeA9B+o/Ueg14DXgHTiPx+Q/H5B0+XmGTjiWH//2gAIAQMC

Bj8CzvpKkQPcOq1YLcDUuATkLs+fIz1JqyoM6quD8z1xMg3rLDxyDYWFi+2UWD1lCgPn5Q2C

VRw0FKivL9pRaL7rBeQ6uvLLuGC4pPGQsDMoanBYLttWekJPFNKFCzxQTwSOkj0lsrgfhBWl

LcEVgpGQ5TUGXiY6SDnkNK0oXDp2kqSD2kFOMlMWpoCKlrV7RiyC6DQaDQacRpxHqPXDXhh3

8tr/2gAIAQEBBj8CVs/0bnH97Wf32MeaO6RqJhicjvx5ZRuds4FQ2RhKWyMZRLTrjMziScjr

iUuyMRPDRnBM5dGfjjBIEZRkDHdEd0eKMkxgifijHDZHrfvowW6Puo3bhwdU5+WLOp0rQX2w

tBlIioTEe6bS3sEo7xjMx3j4Y758McsHEVjctzx0T6F/RMD/AEXmyDhO68qUx3l+EQpdmHHl

eqDJI8JgF1LaZHAViD8SoBH4xvHxQptq4HETmhQUMNcZo8P2oyB2Kg+6n2iMWSfBH1Cx2R9W

sdkZKA2RjGeMZ9PVGAqPVGhMYmcZS+VZSz46PEejsPk+Ryv+8Dou3pT4TK1y2JnAr5W1louw

PvkRL9WY9V2x5yIm3yS6X9B61V/to3uR8xR9y0r710x7zl3Mm/8AubivvAqJOuPsHU7a3CPK

3G9ze3bPzzR98BG5zmxV/wB4b9Mbl7br+i6g+eN1SVbCDGRjI/Yuaf3hv80iJShNu3dONcTB

G8aZkyjlldyX7l8IQsqPcymB6YaeavnX/iJ8ZC/wasJCemBUSamFSPbGmMzBxPijzxn4vkd2

J8NO2Qj6keAR9UPBBknZ0gD5dl9MnwJJ6Ds+Ryv8t/FPRzVXs2b5/szGOgZRrjLbHurh1qoS

3FqT5DE/1jc46EvL9MTVf3KusvL9Mb9064PnLJ8sSXvdZEE8JH72Du06QRhBoubhuXsuqEbn

N+YNjquXPTG5+0PMRtfWfKY5ja8w5i/fNtWqXGg8ZyNcp/YOY9brB8LSOhq9P7S8mtAkUptn

rml1EjkoBOEJN1+1fKr1duRwX23ypTaRo7kvDCXbvnVpeM200oYbrokcxNKNMs4QlldaAwrE

9mf2DyfJP2K0/pPvD0K2fI5X+UV+bX0c6P8AyNx+bVB06o3j1wpad4RLOUYxq6AYIl4IHgiY

hJ0jOD1RfaneXk/vXUen7Bd/O+GP9kmM4UVtCpfeIJGemFptr0AOYKQsaNohanlpugoYIKcB

44PBZQ1V3qRKM+kx54yjb8o9O35bHUlw/wAHoV2fI5Z9Nz80vo53/cLj82qJicMXDjzyeK2l

ZxTKZGjCKuPcJmd0GRw8EJCb53iKx4FCVK7RohoKFyKhNK1JRI+BRhLQU9WrupS1V5FQB8ch

Cld1DraknxxX8bbyTnMK9ECVxbGru7xx8UDWDjAOjRChB8UDUuwuB4HGfsDp1tWx/gfYMoyw

gbPkd2Mo7sHdAhXZ0y+XPUyvzdB7PPCn7h0MtJ9ZXmgosbeSdDrun7kRUvhup0tlMvJHLG6C

xce+PDOIPuV5Ho5uJynaOie1JgGU0+0NcWSnMZNgBGyFUuUpZVStxOBMxiEnRFDbQQNentOZ

hckTU3vpPl8UOXbiSmtNLPWk5wApIUAZlKhOOIymq2oPHUVbyZbcxKEOJ3wdWMqscDDqSJe8

Vj2wQQdsE5GUTlV81UWLuhaL5oHYGVfYCrXaW58sSm94ftxmvtVDNSyviLCZT19ny1FJxS2S

D2R9cvHrjB5fij69XgHoj68+AeiPrj4BCfezqUBkI8sL2x54CSSlv1lwCGhTrVnClNYKGjGJ

OjHXFQOcYmUYuJjBVQ1w71MK++T0HrMXNS/c2yyzboGQCcCe0xM4xV4xHLz7LVwr+zI8/Rzf

+7LikObvsxaKI3gDinbCppKQkTq1xWCCnXBTrEjAbrxyAkT5IpmFK0w4he7UCkEajDLaB9Wk

Iqxxlp7YucJSeX99EtGcHyQoLG9qjlTun9YXrX761SrzfYGeuwY++X0235VHl6HiM0tql2CG

lO81dbLiQcafRH+MHwIgJTzYFRyFLZMO/EOcZSHSgKkBgJaBDn5M+SBsjMRmIzEHUMYb+mmB

the2GbYfhN5zZCQkAZTMowmSfVhRPd0w9QJCo4RQTuHRDXbGyB2xdHUzLwqHRjhj6IWlJ4gq

Ml6xPCGq23GhcJmypQkFaJp1jCG7W3SniLnTW4lAMgTmukDLXDCtCbR8jtA6ObH+Zl4SBGBh

veyJHjMDHRBngmJ1TgqIrIIEsjicIKagpY740xiNcbYvcN74hzxmKVTme7LXFFWPrjVE1d71

Z6Y5UdXPHwe2wX9gs1e1y5rxOOdH+uLb8qjy9CmW0la3UqSlIzJIMWOH4PLwRXPaIY+lF004

goXx6iDqUhJHiMO/kz5I+5jLpc+j54aw9cRrhe2GnMKVIMypVIFOJmcYaTwOEHJlp0TLawnO

SpDKBaNsKdS4d1LSEz7VGcKJDiRpadlV4sIFs5P4dZqUEwEsgClCS4BlVj5oZO3zdCe2L4/M

bHhJ6LlLCqX3GnQydSqcISmWMsRDTa1ki2ak2hSqqUzJkJnDvHCJ0BQlvBWMVgBP6HcGQy7y

PT0c1PzWx4XUiNZEIL6HF8R5YSUjUAdO2EXLfK3C2cWwpaZqGuUVvFDAUmfBSJqGqZMLRWpR

fNKTMYK8whFypyQtgoq+cZ5dUOOqeZaC974emdOGlWELQz8KylMi46qau9jgJ4wBdcw9w3vU

sbhXPQcJgRfaE8ZWMUjCjrjcdOIpXCUqVOU4tmwqYRz0Efd2bqfsHLjr5cjxOuQMCfBFKUmZ

yxi2cA3PiEJz69UKIQSNcfEW5VxGu4pGg9kzDXxLb44QlNCvD3kmcLXarW+1mU0bwlrlFuOu

Lm4dUVrL1EzqbSlA8kPfkz5I7PkPbB5Ya+nCdsObYaQoVVTFJ64NJACWKpTCQKj9qFoXJSkS

VNCveUn5p1QgMLraKZhULdLlDaUL3iafHFw6nFDjnuz80YDxQyNQPm6ERfk/zQ+/6BsMvDFx

u8JpLp3AJSGqKktEJ9VRhSHPdKHcVDhnMfq54/2jXp6Oaf0H59uCIdYcUUhu7qCxmBSJ+KEB

O6lvBHYI7yQYxVNSu6dUvW7IDSkq+sqc694KgLQQmeJ0QuiVS1e9I2YQ2kp4q2QaHEOJEp4G

dKqov0AifEBkRhikQvh7qp7vnwywg5RVkQPLFqzkFc0t1S/onk+f7BykykDYd7+lVA2CENII

FRkpXsiENBSVOW7gdW8cVDLdMS4dZOBrICQDBDluG2x67JlIDth9pAfrZxk2VYo2HGYji1/E

tnEE5pOz7cfEIaS073g6nI/bhTS1YuOOON9YJh38mfJH3PyH9ifLDP0vNCdsObYDreK2jWOz

OEPpeFJPuUg5CemJqumw85jMK3qp6p5wyyrNIPEUe9sh5csKZDtibhppygZKGjTHdHgjCLw6

3UjwD7fQ48cmm1LPZMwtapIDiqldsUBXVjEwZg64ud6dPLHpf1rHRzLrVb//AFDca4v0j1HU

KI+5iv6y0CTxGkpmsHQU64DjbbshilTjZRgdVUFSQMgA3gPpY9cIU8tSOMUtpapxKsdRhQM3

BqAx64cTaJKEWiuG4kpopOrGFXKWUofdSEOODOQi82o/NiJa42aDBkZGWJjk6Pxl+x/GHn+w

cj/urv5yE7IefaCUKUQniHDd0yhTbblVspRBFHexkTjDLhSQ0sVsqEiZaRgYacYfQsLmnA7p

TqOiqGUpBDikd0EJVhs8kNtKxuPV0T6tsOlopeMvfNGQVLxYxwg5M1VMuAbZbDDtrcHfS2Ql

WuJ/N6evRDo2eWGdvmhO2F6qsY3j4IUQFBCj3MM+qPdsFvWapz2xTSUq9oGEMJTS+nvA5K2H

TCUMfXSm/LIau2Eie4NEbqxPUcOh867g/epjCDbvXjCCtFKkFwTyxhTbb4WkK3H8qhrlHf3J

bp17IVSK5CatkXW9VPlbpw/LtDzdF91u2/55HRzAXtyi3S4Gi3WcyKpxhzW3B1VR/itv9GqK

v1i1loM4YtFXLZsVHiXD29Oae6kSkRjACeYN9Xe9EEnmLe9nIK9EYcxQexXoh+4tXOOytKKV

ZYhIBzgHwwrrzgyznH7Pq0frG2HhcA+wcgVrt3x4Fp9MN7k90RbWjiZNvGkplLBf7pwHCoFD

YnwyMVAaIZS2VvOW1fESoEpWynFPXlOOYJxGa2EKnLq1Qtp0/Cv229buYjLDOKHCTS3NVQ3k

9vVF06y0H3RIusI3S6PbRqV1ZE6oraVxUuipGaTPQZeURWlc1JzMSVmkY/IX10wztPkhO2HE

N6FGoxvHPTHohKAcFRj6p3sYSEHH1OrZAUr1sz07qsNUOWlYRdh1ThZOlJAxTryh1htX6Zcp

paSM0pOBWdUooTcLZUc9WUS4iXAJSUiENVcNKRNbp9VOsw4Q6oMjCsYFUc1cIlRy+lI1Dig9

Fz1v2/5wQY9MCPLGOnrgkDA92BgZwYw0RMHEZiM5SiRWFSxmnEbwnA8Uo5Kv2OY2p/tUwfl/

s8f5q5H8JuG9dAlDb7xk8lFaAd0BI1kQ3PHDCHQnFKld1QBGOeEKHAVUi3oQR846NmGELqze

Tx7ZwZTxBSfPCCG5LwKUnOR+2IL9jIuLTP4Undz325mUiDlC32uIlt5RKmpZLJxKfPC1n1gS

5q+kPLEpzGmAele0Q32xVOS1YN7YnONsaoSo4yzEXLq0zn3FGXe7YNXdTvY45YGUBoM8MkTT

PMpORjq6UOtLLbrZqbWnMEQm9cKeKKEutS3JIA8RgFdsxcIGEwd7wQpQSupOL67jOrLGAhpK

JUkurWcx1+CJDBCchHO1arRoeFZ6FD2rtkeMmNcZE7BG5avOfRbUfNHueTXjn9CvziPd8kuU

p6wkHxkQSeUvqTLBRW15K4m7y1bY63Gv5cHjISjHGbrf8qN55oS0cRPpj69HhjByrZG6hxXW

G1eiP+GuTsZX6IsQ1ZXJUm6ZX9S56qwdUHb8v9nfo3Xlahj6MImAShvhOj1TITh1lp1yxct1

UVqkrIyIBnlDlpd37pumM0KdKVHUUIV3obcAWWgmaKk0qBBmIIF3TcTdKHKKShYxIKSdB69M

NLmlp9M0Psjuz0KQf3bIU8nfQskSPdJVmk6uqBNKQv1xmFgZK265QeA6FAY0q7yT17ILiRRU

Z0xOqcbehW0QjthNukzl3o68z0dcbIHqpnOWqFyOnslHEdmqk6NGyJnEqOZ+QtOhxMoWk0tf

DsFwa1KlgkAYzM4Da01FyldKhI4zIz1iEtT6+w9H7QHUxbj+E50N2d4XAyH0ue7VSZpCtMYt

XS9twvzRhaPf/Mvfy43LJf8AXvfy43bRQ/pnf5cS+EB2qWfKqMeW26vpJq8sf4RZf1CPRG5y

20TsZR6IwtWU7G0+iMG0D7kRhIRnGcZ/YP2fXLJy5TPaG4tU6N0SG2G0lzfNS3pa1mN9MytS

lq+6JlHFKU7pxdT6YLaFlKlJ3CnQYYd/CGYdO3CqHKu48Sl1j2SFHT1Q6040qSk1La+aNKfo

wp2zVNMwot6NpEKebRw1yxRpkTPDXB00Ddltgpy6TtEDth2ZxzhSfXV5IwzlPGMMTLEwEuGl

RST29cYxKdI0wlKe37cVS7IJ0/IDrqkgOnuoAKgJ6NWULom1UadUk9cuqFKJq1Hq6P2jP83a

eV7oR9PzH/RuRH/mHvvExagAk5qWNABhBUmZKRw+oaok0+eCubyLfQoVHCeejXCFca3WVJwQ

0CqWqZKvLD01ApQuW5igjUNmmWzRDPw4qdYqqqwmk7ph5aUlxkzSpCxMp0HGAzL9IQpPBudM

hoPkhKyOC4UmjQCDqiUlEjxeLCOJlVm3LHxQmmUtcJKsyInB2wO2H6ckGR2gYx1wOIqpKk6I

SQBwx9WrCecFxeK1HGJyp+bGW0wcRvaIkcZ6IpO78hxueyerTC1FIQpDJpMxLs6f2mPVZf7f

oR9PzH/RuSnVduD+zi1S5Pj3CJzGJSk6utUOOyyXw2GzokI+JnPgJ97PTjLzyhAu9x+5SHA1

3UqAyyOqUUgdSUiAB7zqGmC4tNL0t1QPl0QU/DSc0pE8YE7dQx3awZg6ZSgcc8EpkUPK75Qc

O7FLPMUr6y3iTsnFU27lY9ndJlozj4e9QtirFnipKJpmRMVDETBE4mMtc47YW8vJpKlq7IUp

eLipqO0xQCN7IkyGOmMcNSYxJmM406oMES70AYnZGA7YmrHrgnpbcWKm5ycTlMQ6022VrVq3

iE+Lp/aU/wBzHg43Q19Lzf6NyNtX1bN6p176KWjOHLnJ1NPCSfVGI9EBageHbuVYae6Se0wr

MWzNRuW0Z/uxi3fuWeG2wE0tDJJCRQnxRU20KgZnrGqA9bgcM99GqNc4QAqSh3TqhwhNMlTS

ItqjKaCgq8kFZEJQ4qaHMJa4RerNS7ZdCfmNdwJ7MI5jYX5Vw2+XrVbuA4tO8RsJcGuUP8uu

JsvMnR3XE+qtPUY+GDJfXd+6abQklalHIAJzhHOry3Qlqf6TaoVU8wjQtyWEtcjhp6q8hogq

KKqsZwkITRL19MGCtKxMDBGkwKWy7xvwY16obat0t/rB0KS63IcRCVaOqWvCF2dzcJ5e6ElT

baklRdpzCDlBYTbu37Mqm7hltR7FJE6T1Qp9/lF40ykTU8WV0gdZlE+lJRUpxZkqXzU4k9g6

f2hVretx4Er9PQ1tPypndGsxR8WxXKdHETOXhis3TFE5V8RMp6s4BGIORH2WbSZuIJIjf+tu

EVPAaATPyCGwUjhFlSE9atPjh0rAWpWSZDeV2dcDiSU4cFL2Z+OcU5kZThUu6rwQBoBygy+s

em2n6PrQahNKt1Xpils1cMzRoMJVgagCE6BPXBfV9WlPufTHMxLBQeo2pmR5I5u6O6iySk7V

OCX3sMNqc+EvrUztr6mqSCRWhScJg5jr7YSqyb+JvVJ3+ZuyLqp+zoSOoQQtIU2sUrQrEEHM

SgXvKWVPclu1yDCM7Zaj3D80+qezVMoKS2UbqkHCMvHKJ5DROG1WjfFrVJoJ9rVjDSrsj4lW

84SkbhVKYSIp3zrXPHxCGngHOKyakO14xcLJLzKG6a1AYkkYeAR7r3R0hMOuMNt2XORixeJw

buPmuy++z8kPMXLC2XrdRbfbV6qhmICUgqJyAi6LjIkKVIWpUik5YAZ5wsHAgmY7ejnitd22

PA39voZ+683yBcvtreqVSG25T24xcI5fbs2jdR4Lik1uhPXM0z7I4l/eO3ZOE3FGkT6shGCc

fWifCkkd5KvHCxy+9uGG3BvcB1SARqNJ0GGbHnkqxJCb/SdRWPKYStBqSrFKh9jtMfw+WuaF

CULmrBkUJRr/AHShpkrodQkJnlIq9GcJI30WyVLSo6wf5UNUZUCUDVEtCdMAhNU8uucJa0W6

ae3MwtumokSOobTogNo3l+uoRNzBoZ7IuHE9xE5bBDKfWeQ4pf3cPsX4DdpzYNIXe/iVN1Uz

+aasYmnHr6iRHDX3FHA6j0KadQHG3BJxByIj4t9njcp5i7UxfIGLajippY16RrhXCmpE90nO

LflvL2eNdXBkgaEjStZ0AaTDbAc+KvMS/eq9pWYQPVEYzw9UZxgIwO7qj3SQZEnhDr64rMxR

vAiKk4U70pZa5Ra86ZbkXT8NzKXtD6tZ+9/ewyrghviJCnHVUj5vmgtoFDJbSUbxmFzlM9cX

BT3S6unZPo5urXfS/skdDH3Xm6ZQ07XUquTSTp1x3JgZ6o4gIabPtKwxiouVpKcENCX8I9XV

Ereybpbx3prx7TCDwWTNJkKBmFdUBVRCjkNGBhvlt657m5wZUTg25q2H7G21LdaUCVaZqBy2

CHSvNTxl2zhbycGeMpNWyQi54YqNA3dclTj4K4NDk/cqVp+bGUKR66JE/daYQ5cGSBM1HqEO

Oukmok8MYeE+iKEaO6B3RsEVrxUqFqGrw6ocVodVwEnWs5+IxgJItkJRLbCYY5JzZ39GVJPL

btX4PHBpR9k6NWUYj1h5Y4ajvJ7p1iOuLjl/MGE3FncppeaV4iNRGYMOfq52tEq7dpz1wNSt

cKvWXHLy6v0AfFON8JVGYQluZlr8sVK3T6oGiNeuAZiKkCvSdkYhTjbk9v8AqgS9XDwQ5NO7

KQllljHMrJwbjrKglSsSkjuq7DjAWtNSEClQql6u7phxpU1EJORmnBdQx/fRPX0c0OvmSvzL

XRb/AHfm+Q64Ffo7BLduPmjT2mApUs5SjhoMgvc2HRsgMLTTj7p3QlQlieqWB7DClpw1g7Yb

48jMhC0DMz9mHFN3CJU+7PzsDT5RHGa30tkHD1kkkYeCFWlyuq+sJBa/xjZG4vt+xNob+tVI

T6zOUPU6HBIahl5pxQPqgguqR84PKSYuFtZ8IONq+ZUKiNmMIb4oVxMisekdDjiU7zkq+uWv

XHLh6lS1rTrlKUFDeCY4jmCRjjAQjdB/djDNs0rNwT2JE4sKxQy0VFtG05nrh50957f7BlBT

7JI8EUlc0+znDPIuavzuU4csvFfhAMmlnXqOnLPPURAVp9aHk2biG7un3C3E1IB6xhAs+aWb

LqlYIpStpQd0FC95J88UYVhIExkMNEahAlnE5z64KZAzwhKBvTmEzzwBgmuuk5j0Q+FUhs44

zykIuWwolC+7olPOOZ2WCW0P1pQMihRrR4iIK0IAYRmsCU1HCXTzH/qjn5hjoY2K83TeXCe8

22aPpK3R4zCQYopyTX5pQZ/VjBwaYe/VRbccaQHHl1CqZNMkjSRPLVF4btKwpKK2J4VrAG5L

DRpgtOV8SU0VaYOdBI3YQ62rFC0kT685xZ3lMmHSGH0DLhuHL7k/YTLThOLZ2f4Up2kDOHU+

rUmrynyRUB360/clc/LDD6O+yuaB83Kg9kIS0D8G5Nduci2dKZ+SA2/Kr8G6PW29ce9VJXqt

pxUdgEFxbZbCd1ps6EwVrwaSMNsUpH0Uws95xWH2o47p97j2T0CLTDEqpHkgtS+rYl4ofR/P

LH8IxiVZQ3rSrQdUWvxb/EvkTQp32qTIVdflh9R9RlCf3ylT+9gqWQhtGKlqwAh17l9wLy2t

3OGbhH1a1jMIVkoCeYw8cOKOkxPKJygGUsZEQ2dBPmgIUJy3qj6sPpGSVzQodeMJBQTvLCla

NOjsh1cyQuo4eCUWl1gEXjITlkWt3ziOGufDuKHE6M8Z9BWPVMiIvuvmjv5lnoa+iem0ocUE

OOlLzWSVCUxM6xKJ3o+DIE+IsikjRjpgp5JYOcwIklV677q2T90cT2Rxb67+IU5i5ZNAtW4I

6pzV2wwbdnBpUktjACqcBt4zdSkqJCcjOYwM44VylKlKbUUO4TQtPsmKVesR2CFqcITSQKT7

Ryi04qVKt2LlLipDeUlJGg7I49i+l9v1pd5J1KTmPsCpZ6I4FEhKSnNUsSRGriJVWR4J+OUO

GdQbdUgy2rKvBVKFIz3zIxTRUDmk5GF8ezEnUgAoVTIDV4BphTqlBSwql5WmYgmUzryjqGQi

frEeARUckZCFqKd/3amv32MclttZLq9gh9PzDFz819R8Jg73f8kNISZEqlPVF1ZvXAaauQZk

6VIyA2iEui9ebcbRwxSooqTOcl05w3y111y8+LT8JaBSt1su4F1Y9elOOOOqLXltkmm3smaG

xr1k9ZOMDXpPX0CJ6obGcz5oOk8Pe8MXpOdaaZ9Y1Q4WyVOKcWMMt6chthKPZElGLNq3IcU0

6VKfGQ3TuiOW2zW8q4Up+4f0qKUgDs3zIdCrpy5cbXxloKEylugfNOuLi3ZUpSFXq3JqzxQ2

PN0N/k/P0otrgEm6cAao7yCMSvsjjX6lOXdqtLdKypbZAOBkfaziSBQ2dGjxQiiUwYORGPjM

VIxU0hPuyJhWeOqFplwlvrXS2nGisU+SZglF13u5NIKpxf3oZS7zh5oMm6c3ijjqCClGqSSY

LLAkVfWvaoQ5Z3Dto9KSnm1UqI+dHC5qDzG1/HgJS8nwSCoSGOZNJcXkw8eEvwKl8pbzmDbS

SonYI+IcTLiEqdSnrUJYbMIQUqm85NKESwGU/RDbbyaeIje0zUcYCLtEkKxTLPLKDw3KTLGe

iJi8ZS17RXSfBDqkq4alKnRnWCM43kg9cowpjBW2Nz6qe8rXFswct5R7IZc/FsBCIWk+tF6n

U7j4BAMpAJ80IAzqEiIW+gBTra1CSstIg0u+/bAWplWBV1p19cfGuIm3RNg6gcJwZZqMk+WE

jw7Y7In4YP0ZwkeyJ+GEgTmU4asSIuMZOFDapjt9EIcC6Vqu08OWe6s5xJ11S06p4eCGlH24

5NViFctaWNqlKn0Wdu5uOqTxrhMsanN6R2CQhef16s9iehH5MeU9LF+y2blm1aM2UymkzJJk

c5w3cILq3mllt5xRAB+5lohtYyTnEhhrMSw647gKtEo4i1VOHvHQnqAgXq0z4R91P29fZFpy

pBxT+l3O3FLSfKYZaT3jJSz1mAJ6MTojAdsYdsIYc/8AMOXD/s6jvoHzFeaPiOX3AdCfrWzg

4g6lJ0dLz7LXGeSJNIlhUdJ6hCV3Lq7i4UZzUZ4+bsgKddNCZ8VIlOnTDXxLYR7tSm6UkySp

zdEp6ArEwxyFx1pd0pg3O4TuidKQZgZ5wgpweAz0hQgtvtfpTe64qAZTn+7OFIXNQnNK1KqO

PWInWRqxiluaj1RVcLq/mxlBIzAwEIdeGBVwqur/AFxgulI7pVE5heyLlP41DbvhmD5ISrWP

NDP0ouJe3ABynmM5dUPODfDyGqfopBpGMMJPq7xPig9Rl4IJ8MT6oCJyAT7xeqFOrwqGnVCV

rmCuapagMvLDqkCa0JbT2b0crax3nnniNEkzA+/iYhH0xHLrxsTf5bbpJ62qRX4M4adcR+gW

awu5WclEYpb656eqJ0k642vOdCfyQ8qvkWj7LOL6VIewCW93EGftYwG14K0jPxxPIRQwZKni

vVAKzUfahDTaZl00piidNvaDeWerFSjFzeEkpurgrR1NjBsdiQIU5OUjuq8kUOeGJg/u1wRn

GHbCL2xfLD6Tg4nT1HWIRbPlNpzUDG3Vgl3rbOnZn0WSUOqbZ4aiQkymqemKykIpCccN/DvQ

W0Gal7skZ72EWK0kuc0f3refdMhiDLNCJ9pi6540svv2dV5zLmDpkmUsQdowCR4oQQumsSuL

Y94S9Ya4FwlNKs1j2kmGwtUkKkQs5SMOISoKFRkrWJ6ok46lPWoyEb9+nakafHHubjjpPzZQ

RXunRDDTjoZS+8hkOn2lmWEIZvbVVzaplw7lB30awdfbAUhSp6ELFMN3Oh5umezHzwluWWmG

k5Y4ECZhzH1jjHghgmZbQnhuDqGnsgrbcm2UpCCnHr88TAnPTBlnChtxgSwYT6xzWYAIkynP

r+1D7k+5uBcXVE92kjQMABHL2FXASrh3JaTh+MSPNAQ6woHWO7FuxPfxWpPkhps40opPkhDT

LSWWk91tIkOhrrcc++PQPyY8p+Q8lpJVvoU6BnQkzJgOuOhtKRuvT8scNlaFD8YVpSOwExTW

Jn5wPkMe0YVfKT7x3ctU7cJ9sCxaXTd82JZTr4X4VXgw7YU5pO6iBPaTsglJns6oI9We754W

mnE4gCFIXJOMFSXBSe+n0RTPFPdV5Iab5rVzCwNQ4mdw3TqPr9uMcuurK4FwlwF1BH4tUhiN

EAneGswta6V3TW+GUTRSNa1DyCDcPLLtzdrCGUnupBMkITqSIXYrNdstB+NWsySslMnFHVP0

QL61K7jloVVb8xanW1qDlOKT87IxZ815yV8zfed4CGwEoVRMpG9LOSZ9emG7Jq4UpYnUzcJ4

axPLSRhOWBjEgIUEqAOwazlDj1zchDbJSHlJkQgqnSDtlDNi0p5++uAg27IkKuImpMiJjEQ9

ZGyeVdtyqZBwFQChNc9R0QpxIZYbVghkJrl90cSf3SjkvMr23N1zKyuW7i/tTMV27joKm1JE

pUpll1w04UrFq+2FWt0kBSkJOPAeGmnQdUVtBpYOa2zLxRy1CcTUvHqA6GlHEAw4RkVGEwJY

GtU/DBaSloNsrwUAccNOOswA41+8Ppjv8PD1hBWmTzKDPDKegRkQkZxSN5xzBCYpTvKA3p6Y

InvOV1o+ioCGLJCZtsrQzT1FRdWfAYcXyi44SgN21uN5vsOYhV7zUJbS3vqTUFFcskinIQ4O

tXlhE841xak+sp4/2quj7hPyfibu3UHj3ltLKJ7QMI4SeUW7g9p1PEV++VOEotLNu1bUwldC

AAnSMB5YsKra3cubRlNvdikVhSBIE5HECGk4BplPu0jXlDvBWVtWCBat6iQSVqHbhHzGvHAT

PvZmHDpAwhFRkE47TAZAoZTOftL2q0Ql0ISBpTSMDHEZKkubfFAqkhaMSoaU6YYS2qQmAkjr

whfLXpAWrf6PISPCdWSrbSrywS+tLdG4uYqNWPdSM45hepBYRL4W0OtTgIlVpUMzHL0ju26/

iV7Gd7yyhSHG0OI9Zh7I+Izh+3LhHGaWh2StC9Zzi05R71m3tFBSHEaClJGmedUPLsbpu7C2

iyUPtCQDkhNWeWeAi8ZdtbnmXBTMydUtKClQ3wJ72obYcYHK7ls3BSG0cMpCikzlj2xyvmDr

KWW7R5tK61b+6KTJMshF1zG6uHltvpbLTLJQnFICDNe/qhL1sywh/wBV3FxQ+7XM+CFrR7w0

mSBpMu7FfL7gCxdkUMKG8PmrCsCRHxDX6O+COJRgFbRFhjOU/JGJlKEKJ3RnE9fQuruMqUVD

xxWRis1HtjCFY7BDDVWKRv8A01YmDJOJzUcoKiZq9sxjut+MmFOIkQhtcqvpThaKkmsCePdc

UyMIw31dfoibiqBpi5Snu1qlDNqwaEJtw4+6EcRUzkAJ6hqhp0trLThUEPOIAqplOQSdEcve

lKsvYCf45evoc2J8ny+VJA99wnCVfNqEvHHMHgZIQ2hqejOeMONsGi/vAWrQDNMxvufciE0d

5QM+oHpUOqMcoMtGcFOYOiJyn1xPGYxhmgfOq7cos7omluvgv6dx3D76UOuXNm1ct2/vPieJ

w0NAD8KZYz1COYcxukuMck5XZPv8uqRwuO9wzQW29DafHHMHpb4YCQdq/tROdJjfE1J9YRnO

JwkJOkeeN5dCtE4ymRpgpCaZ6cpSjNKtqftxjPRvRcMHJFw7h9I1DywS05WlObS8vDoi2uaS

nhrksHQcpdGI6NkLtSd27Th9IemEy1Rjqxi0YlNKVcRz6KMYOEfVq6oFSDBKVaJVaIcs2Fpu

+aOJUW2E9xFKSv3hGU5bY+I5garkhd0vrWr/AFxgOpIjf946e42IueJmcZDZHMlHBKChJOoB

lI8sBIxwIIOMcknpbcPhdWeh/wC5+9HyanFpbTOVSiAMdvQ21otrNsdqlKV6IrVIfEvE/vd3

zReuFXuEuKZYRoDaTLxwlVO97UFU+yDjOCI6jnB8nVBETzicY/gyFz6h3vFC0g4rG6evRFtd

XNui25DywpSjlgVUq6ukgVO3B1TyEc5QB/2B8BI/JmLxct9RQmrqxMSeTRPTohKh3T60BKu2

J6IcKlUpQ7TPYifnhKBMmQq0Y55KlGGfQScIwi7s1vJaK1NJUpR7tSRI+BXijgNuVMoVSlZ9

bGQMOJ4iVumnLbBEpxl0scL62tIb+kThBSuXFZPDeSDhWnAwTOL108uueY4JYSu3U3uesrBa

h1Rwjy7mDQ/GKQ3Tl+UnFupDF698Ri2EtASl7RUoSimy5C4VOCdVy82iW1KSrywq1Xds2Fu5

mLMFKtlefgIgqFTi6FieGa0lM/HDHMGD+kWzgI60nApi3cs8fiUJWk6picOMWh/WN3+GdQd2

eqv0Q6Uv/Dh3NLQlIagc4VU6pVZmuZJnHL7N1LQb5YhbbCkICVELVVvnTHIJCU7YKltJPReW

zNqHOFw+ItZOlpBwltipy2YWz+JEwexUAF74N38S/h4FZRNJqB0jGK7l5u3QM1OKCfLDdraP

JesLMCS091biu8ewYR8Gpj4x5s/oj7qsEIPqnSZQ9fXjnEfd7xAkJDAACOVkpqadZ97tVvRd

tJqpauHUJTPUsiEDqhULOnRFXteaJQnGAvXKcUnRGAjyiCj8WZdmjxRzvlhOS03DY27p8kcy

QcQq1eEvuDFyr2nE1bJQRJJ1A5EQcF2885d0xOqak5LAzEL1txXILpW+5QcAVUgJhNLBUoJb

mQZZJGvbGPYMIw3RrMDeClayYxXh1Rza4ccqcevbcA6kJYSaOyHXbtzgWbFQt2tZHrKhFkkU

gKq7IJGiM5bIHDeq1hSZecxSqWuYjA0lOKSMxDnMbcqV8RL4+1+eBIlGeEe7k0lQ3T3leiFU

p3kIUUtnMq7c4U4C7TvFmupBkKsJnDUI4YfXvqISZVDdBOfZG46kiY6s5H+NFaTNKhP3czon

AzmTngIeUnASEtGIzw2wzyxLvBtWkULS3gXB886ur5P7O/3Fo+EdHNnEAcBK2vEw354rxEZT

n3oaZtbl9hL86whZSCBsipxSnFe2ozPjhPghPVE4sUZfozP3oMcwblgt3ipw0OgK88YR2wNs

MqHrJx8OPRsjZAipPbGsQlxJ3VCkjZiIZTOQvGFtHbKY+9i8Gthz70wpw5LeI7ABEknelgdC

oIlS57JyidHD+j6ILo30evTo7IDDTtLdbwcliTUCqfglpguuPuKqIACld7Xpw6opSMY3veHr

OHgjIbBFKe0xe7tSHbW3cTvYJPvEYDrpjcCUVpqnjFCnOKoIE1+GKwJVYCHFzHEuFgAaZCCG

1kIkJAGJrVVLLoSSJz3zLNM4Ci2l1vQ63uuAdegwm3VcFh99J4TqwcJaxj4YDbl1UtOa0YAw

hDzwTdJqlMCRSomRMx1wpIcQqcpBSeH1DDTAmmaZbs1g+eAEopPq5DZDw3VBwTKpatuz5Aww

1wgtuLUSN8FIEjPLPGP2b/6bbHwtjo5sgr3uMkFH9GiMHEjWFRnWZ91A85hupFHDnLtjvTET

0+iKhrinVFk6DjQltf0k7p8kMP6HbffV+TUfNKCqJR4oRL1avL8iWUoxxMFSMjDidfd26I5I

9/zCUz6lbvni6Gtpz70wB/zDkyNiYG9sMCTiTGJTTpEoklUj6vo64IU3juq4oTKZESRb4+0t

QnHcTLb9qN5A6sYlLHWD0NPDB1VuninWEqXLyw0f5seHGHR7ASiENKJGqWuLRhTiEBaQtasV

AT1gQVFaFHKoTE/DElkb4mJGcJbTmqABmMDBA3kHGsQlSEzRNJrzAkK/IRG8aijFR1wyFNVJ

kj3mfdGIkYPDWcU0hQywOG7loj6psy00Uz2ylBMktiYOk5dRML1pUAnYfkYGUCpVUsMY/Zv/

AKXafmU9HNrr4woW5cmpqgqyFOgdUJWnmPuySAosqGIwz7ICWrwPOEToWhSPBBGrOL5Ns+ll

6zQhaUODdcrJwqHdy64uLW5bLT1ur3qDoMEDEHTCtmcXfLCqTgVx2PonBXgMWduJKDNtNW1a

vtRlGyFjriScq/Hh0zghQkU4SOcdUSOUVt4pno0RavZfDXKFDYFBUOfPaV40w/Yq7twjiN/S

Rn4vJA1xjjG6IxOPVAH1hUcJ9WMJSr32GM8+yMJtnUcI1iXR545zeEAptVBLNSZ5JR5zDIKU

J7qRie8o5Rem3SA2h2gSyVRgT2wmeiE73clHZE9UKc9VIl2mMzVrg+8kNMxGkEomZZb+9LsG

ESrpngPusNMLdb4e8v3ikTGJ04wU+KJaI84hSasEYdoz+V+zf/S7P8ynov75XMFVXq6gjhJN

GeGM9cW1t+tDNlSC47wE71JmdOEz1wp5rm9AU2lFK7evIkznxBrhQ/zCiZ0/Bf8Ax4vFHnCb

v4pKB/w3DlQT/Oq1wy7dot7pxj6pbjWI8cF/l96OWrUZqZCKmuwTEoUW+aWC0+qVcRJ8ASY+

LuLmxcYUyppYbW5ViQcJtgaIvL1t/l4beUOCFuughIAAnJk6oxuOW/1rv+4j6/lv9c7/ALiC

a+XqHU8552oMkWigdT3pRGFmydj6PPH+GJV1B9nzqhJTypQUgzSQ+xn/AFkTVylZUc5v25/2

kf4Or+vt/wDewP8AylQI/nWD/tIqTyh6Z7wSpv8AlxNvkd0uaRkEnHsMWvGtnG3zbAOtqTvB

VOUotbn/AC9zP3Ds1Ss3ju5K9XVA/QblO1lfoj/hnv6tXoj/AIZ394r0RP4Z3q92r0Q1dfCv

LofaC0JQo7qlgK0aolIgapRifCOjMRmI53y9qldvcXyvf5EM8UzHbThCbJaS++u33aXKaSRT

VlE6hujCFLJEkA6vPBOmcD6I6EiXfJKtecoxFQ1xw6ppWcZ6BkYdLKtxRJR4dMFWKpTIl1Aq

EGlU96WIpnIQcY2xJMi4rujV1mOW8v5ryBVz8KzSu64Dbu8SSo51YweDeHlTh0cRxnxPhSYr

5T+0CXkaAtKXf4TSvNBLSba9loadpV4HAmP0jk90ke0lHEHhROJFJChmCI5An2eXWo/sk/8A

sTHh+KFfEfBVetxOH5499+pvu/h/PC//ANfol7z/AIWUuuMf8q/+Cj/+U7fgow/yj2/BwOF/

laWij4f+LBp/y3Pq/wDdhPD/AMuzmJU8b+LHu/1H1U/H/wAWE0fqjRKn9a6+qE/4Vmf/ALxH

/o+nP9c+aP8A0b/83B/wWqeP+Nz/AIUbnwEtFH6z/jwr/h+uXxX8eEfDcPiy/A8Sqf3OMCj9

f8H5lNH/AIrCB8R8fP8An/g5/wBhDtfF+pb9mUuqOTSy+Bt8/wAmno//2gAIAQEDAT8hxfsv

xHS8eWU8TR+IP8gP+TyhU7oQ/gpxn4ZnXmCwZdy/Rg6c9o4H7RUXO7uRBW174+kYGhwjn2go

dZo/gZlZkmLou/mWoqa8omC4s6edRmlDn/kNQIuvxngI0K2e0ryDdpcoOB5H/KjVPPGvygmY

vr9Ki9XZk7MaF4drTHPfFpZQ0+ye6gjK+atm/wBSwpz+P6RXvexDDSGs6fqDvB2vESitYsU+

3msF7aYsPxMrp/Dd8B27RvgV0JrvsheZMu/GY43N2v8AqZv53mWzH8pRwACPO0fTB3j8EO40

YhV75gHtL2uOIUlQD59AQ361D02eSVOj+F0Wnp45UU14/wDlAJdYhCYzRiPoccleWJktdbva

8ZUYtoqOGEqIG57WIwR7BL/DK1Dfr3C97N/1Ec2ns0jQ0S+WouB5Av8A1FpnXbCOPtNynsxF

uS3tUytCr4mayt9pVmq7n+8Rpu4u3Fw/YMv2lB+kfaDdR8qr/Y9+L+0S/vcuror2jctW4EYw

X6P6mXmmDbUB9Jzvnif84hsufwi+lMBlPA3Uv4mMK7f0RMGt2Ml7xD/kpXu+7TB0SN2I+YFK

ROfwSgVHJB1AN9M/ZPJ30BHRKnZh/TE/50R7Qn38Tz24ic9/Sq9GL5h9YKOVj2IoRsIKwBRq

3tKxCt3RQMZTHZo7xSXttXUgoBRw+MzJoWBcgK1FXTTdXK+L4/qPBQ+F+p5d7Qf5FLyrpzL9

96KefmL5fcnkuvP+TAI9mn9Razd7P5JZhp3ZGiD3af3Dswwh0XF7rmXb+8zLYWtBrce/0nVR

3vjMdf1PdjXfzcrGgkAs9u0Jfu/ej9yt/ac+8JqtQUK5L8L6f86COGK6gfntEdBTLM1AI51s

/QULAuBf4M7pFYuPLOZdf3uUbZGrQFqX0nvT+oigVlRf1I4LVvN8aY9jDwZSxTr9uzNRHySh

8NQhmV9/4OofEksV3WeI9UNgiWptfeXz6c0Rcp2ch5dQTsYeZd9QMm+camHXkKQumn0mNDK6

ilKc/Wdu+FT3jaP1CNt5wy9S3XeJVZ+qvrHu97jpjemVXw/7MmMNdalg7xR+Ir2yQ45mV3rX

/Y3RhonZrvNOcxYK3FfpG0VdbgvlpX0nr5hvz1fNkFEmV9+JWGw9/wCE9F4B+8rtgUwgrKB2

/TmFajxxBug7H9ysAq9ECRwrtqoaksHP1i6rFU5mQDOnlAI4vLxCVsqrTvARVQjx9pS0XYxc

uh5Z3QP8z2mVtbHw/qeHzmYZ7bXsDV+YNg7+Xccs39CEQAVzdy1cXbm8rV3+s4cOmaB55mEr

XxOwb/c21ZzSPLSYdXt4jorxE3s4/wAiN698xdXuviNbY8xM2MFfSc/mJVV7eZTVpnlKxXHe

PDxEd68yrrGp2jbuO5z95P3Cz4cypDgt18TX3gjyW3/RBfup8P6YeYfqUc1oGB1MdBLibFu/

UuvXE7wxCKnUAEN0cO7LM7Kf21U4yZRtZzR9ZbDcsT2BN/Ev6VdAuXHKZJ9q16ZqaQ5qL8zO

AEVDnCjNHLxUC77X6CZxoT7r9wPV9OmMyp/VD9RyFZ64marl7RxSa4n+0Hx2/wAlsCSsV9eI

qGBWywcwfRVUrxGnH2nYW8T2G9RZyfoR4j6DKYYaYGo6JKcHbHxE0EpWQeeYG8OTEbxW3iN7

3e/pM1qV2fmsRvb8kV4rv3H7gjNVAut86jeypKt7DavYhKycpWjsor5ZQ1JpHwqyU4pTFC1x

6vkPTOsy9opfuOKJg1e6KLSP98HHmuZqDZnaG04ftO7MOTymTyyuDRW1QcIoE0eDYdfBTHjC

BMjSXyS3NUPt7du0447R4t7XDfCTt+ZXZFGGDMJRQA1wpgImahjXiVKqmKbHFZIl1feB/QQP

4MuMfvD88f1LlyjGJlbWftn9zLSFnrLxOOGZXe2a7/E8d9onAuG3iF8txtvjx2gXjnnVwLwH

Lxa5RNlRz4RFhnv/AEmjDfEQit82RWkmL0crzR6XaA8Rr2lfSKbrW4oIG9S+BlaY5clvDzDS

CuNP2wNwtp/UChJonM1Dfu1A5B7J+oMS4NtQXzOZ7wGPe4G3pr/ZdK51GankrX4l5V4QiqBB

OCc9ONjqj6lSkNltT8FwRgQPoFHfKUBju1BRT1SFfF2Dh3KSgGWAO8KLZSwDdQiAZpYKv7yk

dfhpmzO6V8SqYAp8olrkh5w3mXUU0+W/8i+AZUIjjZN7WR9F9PHqxiQkF578D+oi2re247Yf

qzlsYf8AUrnl5jXIRfIrT9ZXXG7rM1flKdauf6ZyMxYfaoqhZ2aFkCY671/KdrYH8RcUy6Kf

7iovulNy+43w3Asqp0v7RVZf+0WDnhM2qnu3rvGBVaw3XR8xcMFMX7xMG0DDBqH3ctv8QF+A

GoDa4eVM7X2/SIBnx+sWk5y+YVDo+i8QxjghBal37ReRx9hDJXtHt7Vk25GLEWcicQObyI8K

+Fy8Ns8qC70B+/oTRYunSblO4L/2VItX54ujU5Uv1DNpivtAAC3ZPvDTgmZIHuI6TKC2O3tq

F3gUrWJUYBNE7ywhRDwI9do6r55Mw9bMy9rIcF37XDRmzfJh/s5GiupwQ7/wY+ld4r32HLUN

LqXtrO+lwwtQNwOCX9gQBA0uX4iC2lZjtMYr2v8AQnDqCm1/mAsDNUkAoeMPtEo/tA0vJjfM

Sq3nUzU7LfhDzW34mhWgnPYrEPh/pMDd7Ny6GIimNBQd3sy7S4f+KPNl81UBDe8AawlpXxB+

7ldchT3gVCgJkGK7gZUhQjD3gxr3vT5lnb/UH9SmPpc8n4TaO/eZwGDmG9TNineldK2lcWrt

ZUHxgWortBCSi+GFC1cPL08ldSu8etZSXcpzP05aFRUCp2iGZrvxCLeinsDN95wkdN7KVk71

GBlHOIDdOzDDiEbaySu355hT8cS6OFwd6gU6DG4QPuH0mX2wLLvve9ywlrKuDTjD7xaAP1hv

GfEsDF2v13hr0e1i0rzUP4d5+4xi3qdDzAbFUZGDOoQkPGWiOxLoFsu7XWd68ykYuePOPtFL

WNWXKK8zcbumYjNfJJu7/UPJ4mu58kpz7c79mLpis20RfgkYr1awZDjPfiDDijEde07V4ue5

fqyw12F+MztPZ8M4TzhCDV5qf5HxHU2RcWhy6ZqwoI5PcfCYRsbjy8yiY+DbX5c/FRF7A7mR

+RKiyoWliYIt3eO+WHls2+3+o2dxaM38DL+oyUKmElwJbKDl5o4XvGHahyZ4SNrgiq9Fc/J+

pQBGNr7Q4SybZXL72ITekUcGD7TFGjEFzT3uBBzEBuMD3VCBMrAoXDntnxGawMJQs1LldI8p

CW+Kj3akRwaONZxUEYrOc8R4e7aTDgt5zE1tjsJkqk9oyBeW4aBGszg9njQGv41fovCgd6Wn

xc2PdF12htAKfcbr4+uJiq7LCVZgMWH3jLAnN+YoLx9J9jCBDA04xx7zcqYp5FfoVZiWNJ6l

plFoxXi3toF16iUfOhac3DlwQ14RFMV3lGpva/3if1X4g4/7D7niyPzn7xqvBrxlD3FfVGU1

l1gXVlZAyo47seHyWS7SmNpVI74gOTGnTowtaua7znRsXZcLWrIEE2e4yfOU942lbCrl2nYG

MThWg1nU98O92OmCB1ByL8EANdkyCwREpxS+jfjctBEieD4lgU1nb0qPG/uSt1yZub8kI/UI

bEQ31Fw7le0qJIHzkGov4gbI9xr7Gf2IsSyvwFA13fHaBFv1W72Xm5bhrcnlrRuBbLGlnpru

7+LmIVl0Ytl5Jb+o5Vlp3LI3ZzrMvAVCCDb74gCBK9P36JKG7l9Izt7cWdoS8c+Kc1SCQKJD

RiIO/wDle0x/NLXvhDi/xOIyYKwXNBmu+oDmgUDlQ7Y9mu8oAcZye36TR8eEDMJEgcm1DIj7

zKJeAFXtMI1nv9Lq1WBgFYjpZixf69oi8txVxAW+0O45fnr3RKvR/iVvS7H2X8yhE+5I+wi7

XcuLmAcDdVt5X9oa9hO4DAPEzvy6HcKIysJWMzpX3Tctc+MR2HmTCvO+J7Dl71/dONuYlyGk

QrIvzOFpEgdXZLIANkVpxSDZiZDFDa3MyKrA0eb6fbZ+5+oVSUNsZ7oVFRTHFlzYYcsPxLsU

G7H6YlRXCLh9glWNDRt5oUy9sQCshWHD2TMdah3iHit+YAfVNZBUNMbjGA7hA1aqsiamGHOh

rMV0Pg5zUDgBOi59D+Goyr/WZjDQ7G1z94ZBzZKtt8mFfqHRveltkl7tvz5jBab0DGcgB9zJ

EC87Stx8rxneO8eCbMovYNqz9MwpfgqtLvk2MP3rCyhWhBfn6z4CzaisAZkUpQm93N+YENcD

08L81mW75haDOa17xwIvZ9pVhoVn5YGV+aPisVj4m3N8RfaN/ZcRkK+yX0sNHH2lmuRjhLng

hYtV5YZv19w59O3LwSkt8uSBrAyknd2bGyXAX2vCPoLrz80Ki3Ogt5HeU5KXNlePMqZpN1lu

TGLjTuaTovFPDDOAD8n52fSvdt9z9ShL8UwVnwh3Rcr6zW4/T/sQiENn8IwohnV2/wCS4Zfc

/IQYu6vEYcjDfn2iVw76naZq5PWYx6mSiUUuti0+bg57hKLL2zLMoVfvwV7jCHrUY/Zv0Sfu

HU2qGHPi5s7UBaZAq2VXh8S4BTJNPYJUgx5T0Fc1+PMwYgjalG28UI0MeWNjFHwI1h/swKOs

NfO3VgnnviOqsxG6nA23gl+BjzyCvDZgn5nCBIMuEs33G/zBfYqwm8lhPywuonhe0OXwfmof

svb2lILCo7urju8v3HI8bFWTEyM3VEslL+KNOoOwbeRu+IFYCHu6Bx5z2l2gAwUtrW7JgT/H

pcMMNKskIy2YrcPYF7RU8sJYC1I+yuIFGU3fL52QZULAvQ0a51zvxKIfuN2y/wA6Pdfr09uK

9v0IEuNmWSjhpH9QMzOn8ComHkQA+Qnlvlck3CyQnMQmr7UX2nHOORzemwNn8TZVn3Rfxc1w

yKov4mvFbR+5lBe47u4QAZN1nT4EpvwqFfxYvtcCZMta9+Iuu0tGUDeN9zmCCvoLQBXhhc1G

SunKYbAJqhlfvzUD2tXjGdMwrR6T24vE8qp2hZIqly0CBmrKy6bFwRDDA0L5sLRz9tLr0NAr

orTO/Gpmb4izi0RnJ0mlyw5TeowN2hWNwgFXz2lHjhUSivuy9joZil+EIGXbM5xhjerP2Ets

b95RirVxC4HOFn9xswtMbbTUd5lFLw7fuDRxIXbauw7wXaLLzPNsqtumvVMykP3NQVO1EwM8

JgHzRHPkDQKUaCiXjDiORZyE6Htz6POfqX9HojAIXFENHGYFtjwPyIll+/4SKqhXd5+lgrBD

DdvyhPtsH9kO8xzbPxi05+G6jH2Nx/BMNPYAh3h7SvmS3C094S/4MYTlH5Iqv4jHkqBliyAo

2lCm+eIltda5BQP3NQ1CBA7J3+IKe5VT4uGIYwb+zPNa4MZ9rl8LSRwRyzTxqZGgmnUrb2zX

njMYzg7QWjZrCLqrN0Rd+QjeEW4CtX7EqLYOBLJ9I5WneaKL8+JxD4lv2r4YrtzjKEDIcK1j

UEPYZ8M/78TFrZcGsuYhhX2VevtFQSCI2WeUoKBhqyZtIBS9LhYvJ2MYNA4/apQDA15mJU6u

cSykTKrxcIlvC/IKoN5K+ImdOF7MEpPZ4Pz/AFen2ueP8gz/AF6p6H2S4fwqfn04nz/BlnKr

+v8ARFcynKNBpW6zW9d4XiMvLdDlui+0Lsa15rrQeAI976yyLCVadCmIFb6FwSjkZS2+SBA5

GqYRZu6nI0a6Icn3MViIoZcrKoTuF25HPFNDHKXnKWz43KKYquRBveQ+jhi85hvxY3kYd7+I

UULgZ3p3+f6lKmUcyxwyd43yaw5xybTg06uf2MxRFqynkBXC7/U4+nKPI98TcG2tfQwFRfAN

U/EHMV7H3uW3INt5551zDNbYUxRMi6YXPtDgnHoDBeE4Anl9CUu7U1gUypbT7TT49A+BX8+l

x1nv6KREOCCREGCS5cJcpBMTEGYmJiJKZ38I/wCYRIKAURgZc2OxbLNc1XZ/XAxNhdUhuB7p

RXL3l4duyEFUQ22fPaEwH2b4xMB4+5l+3MJxavMNUUEXyRcLdjPMrH0/5melklm5Vya4lHf0

KxeBzlPGGZSaq3h/wlR4wIAhoW7fdjyrszajGjGLGc6WhmkzqfSA6BHg3BszaPetYHKXPAAS

4DM1lpmzi9neZlBL8hK4gootyvt4mNvDiveY0A8nGs4lck7cpjnG8qv7alDMTVqd5jUPpOJf

1FTGZ43Jclmp3S6KyzhcLPeGiU7zwNfuP79H9790H+A6XB9AwYS4MuXn1Hpz6NygG5XVzaCj

kF2McXfAfU8zeC02JUexLS04DRsrm2j4h1lQdct9qWvMvf0pLas28cHEss4aKXzWrIyVHovm

XxFlcWMr4IWY0jg0PuhmJeI9uqGn0qYOBdc14mFCM3DrniVz1C9uAFAIm6rgVggGlkU4RSF5

y62OVs8n0ciSxrM6J5Ml4rMCMNsrUGZ5GvdFMM+jnBnz3mVNIoYaziAGJJ2iobtd2YO2pTQs

KdzXtTASgAL33vOmMNJDvCu2ocxHfMLG/B8gd67/AEla67Si1oa92qRpmLwb6CrhB3vUqlM3

ySpTK6/dsZG8Cc41MGuPRV/pkehY+qpwhzxCHHEOMSwWHcAPqwC8LuLNtRTQqebGi2FzIQbg

s+pCEPUhB9DfozjyF4ovUAuWlWtfFHvLQACsXNqzxlnsF0MKlcl5XPG5TvmKe1KmNo2uyFS3

mzt4IxxGv5VMqZUeBaPsfLFTSuhir1l2ZX48BMpxTClsofcHk+JZoUBwmmnajHvCOt0IW4Aq

23y32KCt7LnEKI0WUDNNma0RRNhAL/ttzArMDA6kWEYUtPvFjbPg3hc0AGwjTYxzKKuLox7T

GDNstv3xLpu6eGyK7uUT4tnlAwBlT2lz3pVM8dB9oDDkDVqnxSKJU3BwYri4F0v/ACWuRN6m

byccamP4+1qcXLFFKc2EHMXCnbOPp78zSQJWvwQVM1HK1dk1u9ENNFtsdr9FVXmfYfQ8PdgP

oIK8gniunIYIud4uvB8gcq1mPCxl3aGH0yCTjNWDr3jKN/jZKoPG7zBxEyAItAeSHZk0rZAs

OsFQuo7CxO4kJZO0PaHpifEuKe0LBlMe2591xlkVwct35sQFH+3m0Wx47y0tHjdQfZd+1RC3

Te51+bmAOhj9kGeZZtvPzBu2x5vgA8ypc2JwvL9WcMALonGfH5dpvnlcjv7H3hp3MBjyr3gy

0Z8MH6mLPnJtUSzU75TxzbcYdDHrRescmzE8Zg+SFpv0/nME/uI8dkUTNI9AXdCNl4GMjBkr

unSPIzKn1CeZFPKH6Jp9DHut3l0beWZKrpGNnIc9/khahfJX3zKsKpcK7Km1/UGzBT3w2ezC

e3IFNss+L+Zq3XMUOJyUpeEcQ5OVsTzSxF828zdVh22XKoM68x5lZ55OszlK+2fo/s9FT7Zn

/IQa3POkmB3GxdY0VgG3/YotsrKkeHz3lx3poam6bM3UFt2dFQc7MGWNI+yCN9RoXxVeJnAY

yogtw7TOmfdBgrkz2nDdZgcbaX7p3h6EIfyIDuG8MQFZttu9ts+ZmclwYQ/pjVuiBVgKSxAm

GotyXTepZwdu5XtM8iF44tXswzxKRg2Dy/bcvZDUyu87z2p7wK0dZk8jyn8viY9K+rw9ramN

flJGZ7WzOGIHfu8wYKcExi29M6W/Jvy7KpqGjGw2fHk4P2dcyjGu6cSBVObQZRQMiWTMtPSb

2XA5Hnmkia/WfqYOVpW244AVjubtnde8QdmbLfzvccsFlDmNN+j28JS5mq6CDqy6X5lHpf8A

QT7RbZxqpZAPdxLwnOIL3jPhDZAjjK7i91QjojixO0ncxbK2reNwT2CPp/d6faRPQC45YjlO

rjk+qfoRihcK0XozzmMVU/Jqynsp4u+GJgQTTwyFUgOz7nZ0i6OSLn3iWw2JWACu5a/B3idh

S+BwGcLWTkjC/Ju8nU9x4a8SjxPMMfs359T0v+CoWMl01/AbD2Fiq6td/an0Pylk8yt3HrSN

RbXvw0yjs/aBrKPahcWfZn1fuoB04YLGhplU1niiZJ8ZOHf5zMkE01tjaJ4QXRit3l8qCaG4

e+1+PvKrAd71Dco/XaCbQTfdr8IuifqiblplNJeiA9VTLXjzaZaQWw3rPCQUni4vuTgAI0t0

Tg68bzqPtstxYbfiFDGsSl3awDTHulArwp2jjbXK4IKww+ctGpUjTSYqFXby4jfO6gqDxSnQ

15RsZG2ZSGK738TTAbCgTQ1oI61FZAoPY53zKKyFwXfTR/vML+IQZO/pFRdVxfL8QGsVWCOG

vWD73G5mEoNuAC+WMLgCPspMe0QUuphmivnBnJ0ShmirajTbuKV700IUqqOlYTGkxefObiFa

XQdW/wB6+kYXltZeQHIhmCTxzR0+ofSD8neX4lwfEs9PpL8TK1NB2W7gV7GE5f7ABCYi15bq

FzsjqOx1/aMZqw9cqc3i+Z2kBF89lW1CbB0UgbeBxg+HjOIiypZH6ofLUEsZsHyXV5bz5how

NlzA4pBgNs1wGu7cA+YsruluqlcXerefgA/7Fc8IeOmB5Mo6bdaAhlZJiVamu2N6I+8qWvcU

2Sz4hn8og7Jp7r8EpJBcDG1WiZBsfSh4BV22wNgKgbPN1iYLVhGjYc1GG5Twd9VO2gp3tRpD

L2QNnbMQmpllpuQ13hbY1Y1wpItmM8q4D4NxnK5aplGneKIxanfG2lF1bCucXHyZ9lJuUPww

+j+vR4+zfeOuZ3Smg0tVeHygd5xYSo5XUS2NNIRoLr3l6N4OZUBbzPBHZ93vjMU0CeVVKKqi

/pmaU17LqPfvXkxNzA/ciNN5GuS4gZlr4FiF+8c0NK8F3G0JcrJchswFlK7wMe62X3IPpcGE

uXMh4bPk195YKMMu72mFsJYVd9yA0VxhF9DmUrFPf7KWtsP71fncRYxNa/cIhpAoq1VuuDhR

VRcF31jch4TEvA2ywBONRgISvFy+U/bM2c/B4g8BW4vL8ZgjASPkIQ+ILyV+RD8w7sKCjuLd

d4oAeHg8ritlXeixoubvtLtBZTCYNzzqIR89OM6Z17gEVsEPeNzQVXdK8rDQW7/MzUvR2ndo

lWR0+MlxCpbT854LBGWuXxctYutvOqkvhmHgeC0s4kAvV8q+84RHz4D83dvsfGVd0OyjoYjB

736WNRbRZNpb5QF7qnJTVeh4L9nuvUZBh0oaN9v1UJnJ5ko2+g+HiNm6ABQLxQA+0FKa1ubM

a+SKygW+zKJWdFQeDTkuvwDDUq8bIArycY+zlw9gBaiUl0XWCiZJuHu5uFZJlbzUsWWyXi8X

y+CGF1oUOKYbc03CSkYUJyUF4c+Z5G4A7bXws9/eXLly4ro5+qsmwAALbgyLwLB2j3wTslcH

t+HmORvYCMQnlvUasRBYVTtuJ4Wkbd1piV7XpML7yDV7KwQEXw4e0dbDYH6zBrH2tw3tLvK3

d9ipwePMJf4HzAF/WFwnyzLBYYCJ7w+VugI1bDvmb8UtY57kdIFFUIo86WChcMgLydmnfVwp

xn854e59oWPCIb7qvwTzF5+CV5V2Q2BSGzMUGhsqd72A7Hl8Q5BSI9yvnRMirAxQoVfolM7v

kGxVGpgw2WsuOBFclWPsiS+qlvH9TJgyuAV9ohglmS/dZuPaGu+87V6VBxLXxFB/FWhwLFAm

s4mfPaSixATs95fq5Rae0Ba7ByFOZUDkXhywbRurqlQ03+Y+CldFmeyPu8xiYoHfwjpvxDGk

qL5ftP4jZqGnvN+Z7MKHJrvyFSwmA6eZjJKXIz4lGWse5V117se0c12MquVn8Hh9FxlmQR4F

Otj9JjNiHvWDYTgBBjQSxjvs7f8AY8UpoIgVOj7DiEQXllaLQbNDNZ5io12PTXKbDNmmqTHh

5YMQa4e3Yj6zngWj4Iw9wRfbH7Pr2jdz4bH37yp8oySCEJapZPG81nHC+jzAgBPff1hCbcfI

AlRnyrnMNqObv0YNno2+rBbKpVKNrb8NRqBdNNBhGWljuyC8QKB96mTSn2lcokzDHId74hdp

ToBVlznBRLaJ/kKPB3gsPjaDbEZQlhW9YhDp7n8yechJe5MLcvPV1H1lLIb3kH0h8D3jZU3r

xMOTqnG2y20FOU4hAJzPuH69HFvs9HoxiJtHkAJtfHIeJfl824dkXHb2Yl2VGX3+In40LA7q

8XUzCVL2fCRZhiUVna+K3BILBgWj8ossWG3sJExCp6eKxSCUKB4/WwqUNSkLbw3rhiUFw/fx

Ll++niUHdancek5GHTTewNu+rV5MzavtEaxagDw3iYldHMpwxncLvQ8vsV7x1YpsWAMs0Lx8

KOJugApcGzpMFVQsL/h0W4UXgBs43HPVlPwnzMOExCwDl7SseTXRgnlVxZbVcZPfMwYaNF/L

8It7oXT7Qbs/SSycljdMU5rcNedGWTLtPDb3i93Z+JRVP7hxQClQVZeZdJbWjrKwcyiHeTS6

YkkaxFZYNjJgHTtBuj6Ab8L8esHPlLWYNC2l2QgcBXLh8zKys/UGeJZRyNMoCt0FPbazKDj/

AKQvlxASptyBJeXfDEcIq7XkSAi16LRXK+VeP8o7WtrDRYSWYDrRvK0eWNFLrzs+kFPuzfxf

r0wXabcH68RPH0nYcq4ojeKHHEdlIoe/ulgn4aQvgljh5VffqQQK8nMwCH7JUp5faaG0Tjt8

yLxWGB+riAQ4+my32zUplGXlnKAe5sW6a4fkhQuAL3Tiy71TZ4iALMOK7xL/AB2Gez/iaFkq

Kje1fD+46qraXKbUpXHsPEssRLe8Ta+HO47jqRM12gm4pFWtFeuS3xlGMJBVDJdyg4h4qmlJ

21zm9AvBB6QpS+IFqnuDiAXzTucMFXSnZ3RlwDtuhGKFpN3W8dg3N8i6zqbnjDVic3V7QqQf

iN2DIXvHNMwchccS04NGBoDIXZ/gIORGmyNLkIwUnN3gkQdnXfhshTKek++n4hT5N+A5e80W

QAeAtPxEGqQPrHaOqmM2RviNk8trytY4TQQKFeW4+lPzD1usMwX5Sz7xwshK2exutvxLFKDf

nwQNB7DL/RKB9mnTL8x4c7dWLAv2jKdgMpjsueX1QbyvZ366kfk9hVmBIneVVapzvlvtNIpF

t94NXT2S3OKfR9Ms7F+WCwWD/wAlGt7AhUfBiD7w+fvDvLp0fNics2czZThUfLGs2oU8ntFh

RcGYFTj8C4o1AxhH8/K/omR79VwpXFFLo5wQRXKp7w1wCywNxgAZm65AXoffdQSdr8wVdMOg

gznWey/wQX3tEr3ButnzDEBrVoyai2LUZpYdbZfYQqTjorwGFrLLa74nAetZBFhuXA82lBMP

F57YP1I+Y2I3VfBwD4946IEGujKDk3x8TOjx9FKm+TX21KyKgqS2VS1m0qyaIxIBC94IU8qu

WCgXgEIYDK5hHEduALZto/MGcmDSmoV4FwQaFsuu1R8iC5LG2lkUvGbr8xaEFCDsqdBHaLRC

iu9cC4Vup3X9Tahti5mIFr8/eKLbZSIJ3u/rLm/7Y/ETXLMxvr4gKWrGOCXllT3niXnQLj0K

ynXJeB/uDMmZ7HY8SmPYHcalF6cbVSyeal3DY5DZT3K+8zgS1Sy+/D6wXg2hdv7lGbXIxh8f

MoWMwTo4K2XbZOwFGcSA5GnmXEb3QqscBz6Y3sf5QMH3gcfPo6Yf4lOJ3bwzXi31Z5GhRkqT

aJ4Fd3fB5SOJj3S4J9iJ4aw+feFgvDgmQg7l1jlmNLBgrf7gutefnGTpxbqg/K5eewJVtSC+

bAPh+5gKF4He9YLfiYLctdZLlC2MinmGK/EzBWqur+qXDaiWglPmCJDQw32gsNQN3hE8SkGg

Od17zIg4+sBqNhvmMdwTdBdqGJSVSZHOIjsuC24Kr3/UXcb2HZ55/EL+SnJWMcHTGkp3pj/O

RZTKdbe3J/bxAB3lVFlNuI4csu2vrBkBRw31mYOqx91+yXt8D7VqKEfkLmZVJH2b3SvmOA0d

hz5mNNOBW/xNePdDEQCpt2tzXsRkDVKHxQFGXtmIkl5ONxxV8cVUych4EGL3Nr3rg8xaAG+9

+Fy4R0Wiu1rmzLnEqEWycvtCnO6vu/odfac/xD+k7n19DFe2XWAXQywU8MXs1OzH7QK0hi8l

D91HjcE1dl5UXXmFojpLUwG4QxaomhY8Q+a9/b/ZiN9j13jXJvF8ZQSrVaf8mv2M1NJT3eu0

s66VdzDpxHpxPjGUezUsTZGEYix7jmcodPGKQOJqYPeqYn3ZaPNMj8uPmbI4guLlJwaP1mwZ

ISuK0OD9RuBUUapqxG1G2mRi+0pTvWqvEEI7mIHNvb592D9koCvt1iyKtyWqSch8y5SNwt0M

04xLy8Vwp4RsbzxDBjMLtN26wC/zKKKiyDQPJyQztcJrURSU0lrFRdZaNQmHlvHDWFbPaZdJ

AYzwK3EBL5RL4F1vakwriVmN7NL/ACIoQzDBwDnXylhwYugqrwjU2O85DcvVTtogOLlkUe74

nGVScCzf3xL58HH3Vc7lvlwhbRuOrhDEzO3+89LNVwY1NYL+Yx+tFv3IbbrShd7bP1+IBAaW

I/JEZUsd+4iq+m2Bfl1PmMiVLgBprL1kxjiYdPpCGuaAx/sL9TF4Sj9ZkjCE4IW+cRU18oYt

2hKgl2py05PHtt97i9mNQFb2O4CByP8AhLle4+YdhEty+PpD7f8AfE74uD4ZdvkfM1BXdxej

6IQizvdNHIByu7OJd3NQ3DCbhyWacvNyfiYB0qB7m4DXWggBuRkER75IURUaaZG11w3HBeXm

t7ZYajW7NHTMBmi7NfTUzg5YBWCCgEU+gigN/wBxh5x+BljvwQyLw2lBz8z5+yHb917+zFyD

zdfkhusQsWVFWLKMEhpPZiFsaG0/JFvudqLneWwrP0A+9y+E38cvfuqOW+dzEHmVuNT3rJdW

zDjgxUg6lJ9xMESUKGYKwWnD8bGXFoEriNqqqklQg88VnF1LJgZpwcPJdpcbS6tlra8KUd7m

BjXaW3CbrwSmd/pl/fowUGKZoaXAvS1rEo3EdrxcX2dZhMUzFssuHK+tlB4lBaPtL00cfBmK

Aa2X9YThKB4ZCEDaVuA/KgKNNRorxS/EYuVTzqfqP3My2avn9RrauuZYhy2t7+Y2c08eZUtk

+sqAGLONNdsQUQbc2NvyV9I6Pi0aJCLcNrcsNLLTfhvCykoOHkPaI8W21LvWGOahOVVl/a/S

4aduGvuh9jMMoSLrVmkze0IrrY0FHwzHTzhx98wgYV9RiBCirX+UssKrzOfMplAxYDZRjAXz

AQUqVquwxRElFk+VbVvtHV2zKq+Z2KGlMq/cmeuiO3MQKQLMeOM8yrloqpBjXIZgQpIvMJlG

Wq2fBwfWOoXiV1pc0aoijTIiw3qgqVChbEEO3Q013ldJQq7UoFmx9oAg2OCrjlePtEoAjqGO

WO1TdD4g92HIzw/EFV7en4xaWTjsOaZySF8bBHSqzj2lG/6H6WYzmq2aj2gCqjzH+pd1StZz

70FSw1wcytOx4ip4O5Th3HzFdkzr32T2Ze+oFAXiKR+sEcoQFOR/lDjEtXO5amPtx1mJngaV

XKWdiCeW37lyBnUvfIU3O3ufWBK/BiVtqImGbE+8u7pZez+0U/5DNtpyuYFjzBUjVckO58Sq

xHYzTBGC6Uzcyx05T9oop5wRPwD2ZWtqHCsKzoNwG1phvwZztSqaP0gGAvK1V8kVqvuIQPaO

hKyuD/IRoHszkO/dOENFvdFaN2j5q38xA1rSL2XrE7zI0UC49tR2P1aTyA3KjesMPNalNuge

K5fglIFHCW647QaABFqWbsxW4EIsRZSkGYOyPuc5rxCNoNmzRRUZw055zLQVGwtRbfApMowh

dSov1cI0BaAgkDraCdCr+iZzwT4ifbmJij7jUUVwAcnHxDXv/wBfTR1expUEGx3ymwPptUWa

2jzLLw+IWmxGab+h3i88UWD5lDtgSITlB9ETI8kpIcLgPE+1Psjcj0XDSNeAfmWao3zf2+xn

AoXMsVr9GWiFOh5CIgyVDxTaal4+0NYPrO8bwd2ZZXmFCuGKLwu3ErwX3c+YjksjZHMoD6JA

PtFiuHX7kv8A6B8QruwS+CM97lDBpyP6hQKa7swDHlT8TLVHfYtlfhJwB2Wm820xPyOLPwq4

AGZF4aDHmILr2YLnFjUNRzloGwiugA0Ds27jwGs7RVfCIhCAWFibK2XszBRTGNpbMAwFi6dF

TSSboua0/QlIsOqqe16s5gLDJ+12uiuJX+pvJZzmrGNPaLTdLSnQhYe/tFYOebX1yxVVqs/n

F8R2jTeNmM3wSp7JYxbiTWpZzOFYjf0xcbyW3WewYhjFuauCj7elmI4mQtZO2X2mmYsB1rfY

2rzC3LPFvUb+NcSyobmtvM0cc6WU+S5Sod2tGi9zwy/f5bLtvvaNdiK+a5O7X+TjZG4JS0bz

ujA1hC6AO7bHS0E3h5x2Ybcjj9Ilc5dRdnOCA6OeyNsA6CmVbFuUGRuO7lCl97ZAtbWmIaY1

k/AUTEbcn2h1zQGIWfRYitmQwqu64cXqyDajHNsUWo8F+8gaqHdnPl+yZNtbeH9kKxKglx0N

aa/ECWZvT+p32rxR+iAdvjEYeDBcGV1PmvrL0zq5awbqwDG87wQ+pHmX7Wz3MU9u5ey3QSAA

00bXR5FyyaWs17y6OmpRGwykaOCvghXZfsb88S5wAclnBurxLR465o0KHaZVRjFt0AovOPmE

oKqyodjhznMZAm9gXlzMkeV3X6mJSZaQOKP1L3c2WSDgbN4gbtBU1lb79qZ+JFDVpYD2H7y1

QQ2vD7f7wUhKUEfZJxLjfY//AMT3K+eU9unM8X6WnT2Pxq+8fceZ7GVeka/oEb4nN7lhcfcS

e7K7NzTph+HeJ06ffE1uP1OPnXeYl86fdjG+OPr7zadB3GB9uPjeaDm+J56+J4NK/wCwe09n

VQf1eyeyuKuI8vN35lNrTwuuasen/9oACAECAwE/Idv/AKFxZj+F+ly4/wAr/wDR/hr8n59N

v/qIKgkv0v8Alcv+Aw9b/m/w6/X0FiWRcYslJUr0s/hX/jyxjal1+IiUOwc24C3GTxe9Ti6S

6Ey++PcfQi36X6EH0vt6Lgy4suX/AObL/j0+8GJUzKJT0H0XEdo9iMESg+f/AAdsYhE7+/8A

UBLp1lWtViyuxj2m5vcb/o65Y38SB6n8T1r0uHrz/wCDX7wY9b9L9H+Kzb5fr/w5Yy5ZH/wa

9dyvRYQ/+BvNI21Dww3B6RVntle08EPRmZ+z/wAHb/MF+jD05lelRmkX01636B/F/guj1Kqb

vecMp2itLMSpQkSaxlsqanv+v/B2+pUf4s49ApaWlx9JlynUTvFvP8K9K9WGZZmJ9z+n1iUI

lkcGcWyiXUVtszEqcyovz+v/AAd/w1NsufEvxEnH8d/w5/0FJb0mEv059KlkvmTOaTL3P0+n

7PxNI84V9A4NIosv0ALgqMVfL9f+D6j039B6H9QMel+l+rSPpHPMSr2iFwZaNcv4Vn0IqmUw

hp6fs/ENR3+JoXENTulwIxFkg2qZoh6MH4/+D+Hp4lxYmVaILFZGOvUfTMGaRmEOauYxrU1i

VB/Dn+HUcw2en7vxNIz12hCDv0Fiy5qjlemq+35/8RixMUy5cu4Uh6B/E3FOZTqAc7niQEYH

rfoSoRYwerf0fjhmLAmUWWj/ABGD+Pz/AOD6HKG5Ye0O5Eua3MsTtQg9UVEcMMsy9MRuVyli

JlEsvR/hXvHKXBsSh8+nPrkhBCTwzxzwwEueOeJnhiGXoxn6vyf+G0YC4oh636QNOJhnXX9w

WLMRx6EuGZtNJuVLiPRg5hvrU16TwXLITHF9pcPZ/Po1euSDL9bl/wALmEW4/wDibRmTE5mR

HkjnMMBHJFBKI/wqbTH1Y2hbCJcxtcXqkdswS8KRICK5WHs/r016cnoTMax6hlV5+k3LSovk

ie880pMw/wDDb0O0pyhVgtnOeYOn26/MNeZ3HXXRD4RXFZlelTb03XrXorKmD+ISjcqmJ6cP

b+vQ0y3uy3d+sz3fqz6/VlJ4p4JTtKPW/wDy0fPporBBu4wUQaioj0kynMof4CbTaDMubmWv

RgbhB/hTJhUWfTp9vQ/+bc9JZtD5lOIzriJTmGvbrrxCnxKwUxAF/wAN/VvUMoKxKr03Kgw9

X/A3/wDRuS/FRDEU9NS8zA1Z2DUT4PrHo/7N0grB9G/pvEGMIkfQ9D1sXKPUc+hqH/zAxnM3

GVqGcnqVY9T0cD0bTI9ISqhGRQzF1FquKd08X8Mqj6PP2PRx/NSU7/8Atoe81Fg29XEqDHUV

dQUfxG5x9n9S8QPTllVLlz5kGafuw7EUsM/MfQcvr/cyUzcY3Nn0GXsfv+JFl+rKJ39Qf/P8

0tO1zml5cEhmJWPS5v1WM9fH9f8AHcVem4l0guZkhq+f4npWvk/HX5ioIRu+mz4/f8sVsawl

cs7j6Sv4/wDPilzK0OJ7+jgEFZT3lwmoa9b+P4/zv236Pj1arXvKVZ/E9TxNZhH0P5NTtFcx

l+lSoLl2Ho/8tSJMJ4y3p+PRcD0fQ9ft/H+dvp6K/Qhtby/NmIYIsuXCHqbmD85mz1N/xuol

SiC5YJFjA+hnJ/46Ta4mZpNYh8SqiLqBUr10nED1Fon2g6/f1mTFqWRxH0qH8CYIy9e/oufV

x6VFXXrqp4kob9OpmNzc1QfQunD1uIjT/wCIcQ5gv1FQPXUJl6E49LmG9XP+/mJKvUt5A9CH

oQnPqKUmPoCKJrrHpx67CDU8ff39GEslzm30cS9yniG0konSK676/lhGZMSgmO/XUv1XGXCG

vTBwao7kxL2+Jl6G4ehD0VN63FbM2iwehomz6ceqVriO17lehg9C5vxNvZFh6EiJdn/ERU4f

W1Ym0BUugDHoGNVQp/BfqqEJtmmWIdudeJlW7zD0H8qvlBi9Buz6O3+Wpl3mMD0tUbh1JQkN

sqVKiQnM8U78f4+m8XoVTzMUD0qXKnuj4lQO8fQalxZzUmcUDwxiWRr1a/hq95hBz6H02fyK

oIOX9BmvL0uhKVSpXpeYwZymL7P9dV7QKV6FHv6AEpY111cv5HXX1guI1O7Kao7VLLiY+XWJ

vPR49vQjBnBQmuD7X4gwxMtxMA6/i7pNNj8Qp5j6O30f4pcpKTapP+QKlFp9E9CLj0Hpb6PZ

HP8Af3z8wS7zLGp5RblenBxUG6uOvf2r7zSrrxDWJuMDqg+0yQzxDRVNfMaNRzuGpYZdp6KP

qYQYTCfxx9RGXjrr8S79H+NemWJsO0sy6rpUoPQ9L9C+lk99Ps4/qUCLefQP4MuXKgEogp+j

T0VLii0OzD7Poek1KlQli1G25z6UwnMdR38n8vo8fzGT5iuMdv8Akp/ISHppLXuhlmbocsqv

SpUcpb0Mv+GQymZ9KpbTLi46+8CYfXXXeIl5eyTs/cY+8FOD5/qdZ/yDCtwc+SZREv6Kdz8z

+X0tVFSvOPSoMOutQu2a61461CPEdt8zUYeioisv0v0SHppOtOtx1M7/AI4w29GDL9Lb0o9A

D2lZjnEBuhjrr2vUC7+h/f8AkTAFEx4nmSvVQhSVWLL9bmvy/n0S19GLLfTMmWeyWZmzLjLh

GI0x9Uh6agrr1xGaMqXLhKNq7R9pr0v0pfXmEcTRl/HCZIZdS5X3yq0w40vHXRMRsTp9f1K8

lS3K12S5+iv4a+jX+PwSxxLwbXCzeIPrr6S6LO8GiGkfwAY8Y/ikPQrZ6a/xERUf479N8xmR

Q1ColggVGILMIMqVgpLT+TT0vt4PxHsZb0ywu3vLH2/EIGrd/wCMIGP4EZUuYnj/AL6aXf8A

ger6XGaB6r/Y8DE7TCKvSVRmv1HMcfwazEcHrfow9Nr9vtHI+f7uXN7lZv0HKZRlLUIGevme

/wBfM8b18wn5p5fzOlf9R6z/AFD/AImdK/6hAPwjpo+pENyhf6lJTvKd5SK1ZmU9pn1Zcpf6

KsQ1BR6Gov1FiL0ZijcWZ+/9w5Tr4xFwXmCOoxWXx/8AiHvnZ/KdOZ1jO5Cp85esYegfOT3x

70fP1m0t+5lM/R9p0P6w8BDJ+D+mI9dPofbHp//aAAgBAwMBPyFh/wDKypUDH/wnpfq29Fx1

6H8Dfo6/+bj1ghjUFf8AhUr/AMq/g6/kb9NIUf4/7Cm6+/8AUt0/V/kF4+5K+Puf3MOJX0q9

5SD/AOfHougufmPv5mn7e9/s8jC4f516B6N/+J66eh/A2emk0eixqYYnt6FQZfpiY/8AFxCZ

zPDUKBad0D65mmB1vMxq4j/B9D/zP4VHX8jfpsjxGL9S5cv+Ty/+HHoI9Nor/hf8Ll+l+h/8

A36bfaBiVkVjO8Ax+/QU7z3/AGnujh/hu/8Ad/8AC/Qlf+wlkEfTb7S8S7LgX6DZDL9F/wCx

1K/jfqblJSUlJWVhCE3Y4pK2D+DU1/AcRS059N/tNJgeidpaRBC3oFTZ6EuDn/zv1p6KRnPp

XreI+glUMq1LErKWh9NR36r9BMahEp9NntKv+ECILek9E2xag36a+uf/AAPXj1IrHXpz/HmL

HoJTBYEZ5ieZUONyt4Y9Nx36vf05srxBOJvXpslem3S6gcpxyqzAXNwFFHdzd6VcIv8AwHoT

j0EB9Bnj+K/R1CExHiGRu4jjcBLVj+AF3GHopqHfEcSz0bJUJyjGaTIgS5h9IPSo8D/wPQJb

KZUCJxORHg9bmvR1D0QhBVPtxHWPZLhcUr/G79OYYlct9Wz0OIkBjKlVN/yBj/5BzC+JuC9z

SGZSQBLX8x6CdTGIMFSriiJw3zGKT0d+gmQYReIJZ6NkqBt/Bh9K8npB6AQIGf8AwJUaQlIa

EUeZSQY0ejXrXpr6Ob0qAzGaYiHrRjDE8UbKsS7V3E1Nyj03QJX8KlelelSvQ3/4Hpiz6FLg

oWYispeZYZeXB6161z+AzmxjNqiV6oO5UijOwhAoquIveCv476D0/JPb+pKN19SNG0+s8suA

9p4GeFngni/8CE0RQtl5r7X9yKVPEw3MswaZ5Shj6PprKoH8LlpZyx/hTfmYQYma4c3/AA0l

nZMdn0if4H9SjsfQ/qUdj6HpaeaWl/8AoQJwTGQYsZgtZkwFVHUrEuIf4aekypXpVb9CKVGP

8ErEYK/hp/8APY+gNHtOIeviYb5ccnvCqp5mUSU3liN5br+Gk19DzG68RbbfXR6J/Gb/AI6f

/PsQZl5qIWYm1su4ElkbLnmoF49MWPXSVlRIR9D+dh/Ab/8AoXM8TaVCiWuXw+lC4OZXpdQR

xK9Fei5lGF4zNBuH2kAwD/DB/wDNdSveU/8Abd9Al3Uzz11UYMsqcXq36ZHpo9FzsdddeLZi

VBp2SprKLtwW2n1pgWX6EpU0/hw/h7S/eAJUqIZh/wCm0oQe0xVH6LGMm/Spr0YP4UagQpr6

y92SkihS4h6MT0r0W76NX8OH8HVEIcuOxEcBLxbnd/6qCORc0+gWJ29WQoZnPqn8KIa3efKW

weIepUfW6Zg4gvrrx6npw/hnHMWpZA6iVFqWQIlq/wDOPo5Sh6Fabc9Y7TSCPoMEHeO4+lV6

oCq8qwzIevNOPIV/k5uH8H+Du/hH8VAQ0isx6Si568dff0+4Klemf/nvEH0ZZ5l8oRt6jP8A

EuPC5Zwu3b/Ikr0P4MYehN0lb9NL9W/qN+0pcYaj563+Jc2z+PpDElYCIR66zBXoBqDp/wCP

fCc+i/R2PXf8dmEFESKH0+1wDXD98fEMHqfRjD1O8Eyz6XsRX6b+vtlEGn/Pbr2nOwEAQzfM

oOuJs2yoeExtghuNzEfzEH0CX6XfpUIfwOYQ2SNgcXC8MoA5mkIx/iGpieCH74aPS7bmv8a6

HbMkerf1tWnO/aK6jIWX6pIPT+BRqXK5zLH0SmXCEqV6r9XMGE3QbXPi16jL/gyxe3qURxdV

6aem/wDBGyaxDJN8S8oW4juo5saMfTcGUMD0EwRpHVxLKEVel+l+i4MoRXqZiemgVMibxSzY

Ym9PoZf8GOoKYyBuEJr/AAD0oG4TmPBBhaXKaPz/AJ6SePRuvQ8xMYl0cZjKmOaicDUAMVlD

657QR4ZtT+oRwC4MtMSvNMqMsa49kPHXtBjCIpcdupsmrrmMrOYs0wHHqfR9De5ju5qEqafz

BeklyvhYtsuT7kILY4lSzHO4sZrLTzOxzA0lUFckwlb5O7/xmyGjd3L9B9pgHRes0J48wx8q

VWs6hIBTnj7Tl/xx9Ic3DvhiMrUqLEzDmfQ+vBL59WMV29WCUg/8UqqbrKJgjt9Dv0v0MwpH

u5THCYBDxGDCE0lKlEuostWKcR9IzHoWj59FS58y5cuLHV9dojT1ZpAmn85a3/CcvH0HphN+

pZ6+JQM+70WSXEqHohB9/VG5Uv0HaMUslnpfS5lUNMrEKLaiuYlvHX3+I2b+lw7SxTnqsxqx

cEwMqViaeiu7qVmGb8lxJKjJiYJpL3OZzC0Oa9KuHoa9VYMJohEjLmX1TDqXC/QPMzhVGJ6F

u6YlUqMXydfR+zOD5X+iZwtX7zGX19/zDr/y5bq52f1NJcIS/wAlIjFyiDrExp6OXp0mD6G4

czf6cTTEhCds0w/iCRxtOIZlV66elTdlk8xsDGpfoOCA1r8RKBYRzqc097fpNLP7+8UXdxlf

Rfrn1D7zyzgSg8SozfpaQTHE29Nno+gLj6A3Nnrnpn0OkAfyCEpiBBbgiCCLfRZS168TfzCl

11c56/MbvEIb/wDC64iePvPB+4kZB9HUNx59Aix25hHMZUEqD3isYS4eivRiQ/gTYndnbSuB

FC4ePTFkWKmiZ7TCOu0aixTCCH8wPSkpH0QeYV5me4it/b/ZbvENx8MPBHvEfDPZ6+PSe1Ku

PxPDPD9z+51Km6PxLS5J4mHYfpPA/SPYZwEph6k1u3+4mJzHUtbituWeh36WGZdv0lMoSx4h

xoPJUTFy5K//ABS+I3C58vR8+mSD6C61zeGaB7ZPbHGv1McDzfaV6qPbr6wm/r//2gAMAwED

AhEDEQAAEFXfv9ulCFJyjk69raa7Efod6JsVasEakaVGmCUsmC39xfy68wWbfT3MKHmLan3T

UY1gek178YZG5WAaEJWiZKDmL0pc1DPfCWpXbzAtFRMYPC7J5G38ycYUbrCE5JhHR/ExS7H7

Jo1hu4cTxGPOZbHK2iytJReFfKwgQuM0IgC0s8SBwgUg++5QzL/SsOYgp/nQCYm/DW4cN62N

AOFxM2rkKY71Q4g57oqw9oZ7gHFgrnoX59Ibe5a/DMo7AmunX1EyB0PX1QxlqSCb77p6IopI

6QVoZMIZk2aGal6yBZdybYyfY3Dm0NNL+4itq6lGFKp/UFYNzksrOtSyABjBkfWEEFuogIkO

r36eEhGk4iH9QM8eHNqxwysMXoJ9Pr3qzYItjf01DCx9s0ryYcBykRSMr1tESpNxNqWT+5OD

llWZyVm119s+CZKMojvlNYT0YAWPUwWb4NPfSMQ9sCQHoV3cQbXjMXJDhRFUwusUzwFpLqHH

vhmf242noUShykSmqjWai7T4pS0EVu00MtfJ30mJ+6lKzoWD5f2eMDZ0L0PVzkinIy2h0L21

/wDTY8YyL15UQahi/B4xOTxctgo4GDZZUdcxwJM/sfZDAfu4tyNVQb2zq+3zEOEmniizwa5B

hBG9qEKvmvrlrVOX6dZmbfRi3S+dZC3vxjLm7Z4JiCVZaCrAGh1co/8AZhhAKBhTLg+h97ly

qQZauZbzav77NwF0I3dlfiEso6dVYUMXvErsiZICdf5FaIbL0LAI6H2Aan4db/Zca8Uay1cV

EgwcmVgfCbL9qd1MY7JPkUgJYK5Xmi1g54hYdBzKJiC0RUkBX1Jz9l1fzcBpQw3iADVpzhCn

JJ4E/vOIBAV8BuYfuw1YPKF/KB8ZeFvfx/0HKMURnfuRZdwZQbuL9MqPSuOyxeoMVAB/mVfp

IZtYjJeYN7tyGEkcl0Xy2z2Q6sWx5t7UI+epkE6Qzwyh3y91x7w7poaSHgaZBI5tFj00HS4y

uTI4M3YqG3ZjGxVCncoyvy6V70oMr4eHPo5QF9BX8sZpeDoQ+vXw8GpBo/5jywzpMdJXHIfS

zrXRoAAAAAAAAAAAAAAAAA6BDm/cVo1Dto//2gAIAQEDAT8QfKW69lLRhABZydsx0XsFDlLM

VcDAs3d35upelhS1s59/iGrF2XyJag2/PXiHKi376uWQ2Ly31+ZtoO7ljcDWz7wyXVXmswHP

PPzBVozO9pfev1qVpTLg58HvO4ZENeGWslP5mUdGn/Y4u/1c3Hz97ubiPJd9cRDQgFOYdt0P

2weUKiyphaPGl1BU5xrE8Er6+JfNcgYBVmjeH4jFwygNZA7Pp7QDAiiL07P3KEbCHNbu8u/m

V24WV0OTIRgZUBRwNgK1xUZGoSINFoMRLUBhpxy2wwcZAMaploadHDMggEv0o5wcmoCingBN

4Eec1OMKi9+rTy45mGVcjZ3MrnHgohV9LTSVcORXfmNwEosC21aN5SUgihbuRe2Gq8SqIgoA

Gr331/UEGOBVBfIUreYcpMsVVu7Ff6letNwGN5UA94xFuFlF4S0WOax5hhNmkTnuqB8GZfDY

XK2YowV2m8FVAMGuHe2G5L0LWHAb6EdHQ0gkCgNxw8RcN4Ct5Ib72wc2xC/CdPGpQTnUeN2a

d4u6CO7Cq2p9pbCmWt22jTi/eKpVZdBJdImK9EaQl9hzCwIGnIYEOPePgKhV/wCwhp2qu/1q

pmCAoVd9c8x0ijjBXareO0Cb76d5m1S09pexPrWamBKrGSBAXtCvJ3hxeFfnxAXlsy/E21rH

Mtd7v5+sy1ZuzOfzKtr3aGzz7TJzzxqDpyrt47mZdcmkziOQAz1WY3Tz2uOEgVARMRXwj9pa

FLNBMX4z1mW0UzisjNE4y8d4GWQztSxFsAdu5QEzexOQCL47dpbEJsCCGAWu8ogUNC+JoW3n

8xTYynxBFPsQSIaK1JjgriZyIKASOaCluo8IJlwLgoSnxABlS3aaMXquZTUBTkmA3TXmWyN9

Gi7jC+n0hETCitFc+f1KJiWrVhLsG957R1AKtnXmit7lhUqUmkN4C7faVFosooC2BlS5dTCi

pZO7usd4MWC6UhXNIL7Wwu26ttobsoHEYVRy5d2PKoyAsFOLdqy47cRdEd5La44x+5aokbHT

jx7ntGWwtwN3gyl3ozHZkF5DX0/UsxhBa2N1VAYjuaLborL4OYvINnF28v3lK5pWXQ1fvKua

0cqC7xWIAtoKWx9V1uDUFFzX0rseiqqd2boNDhcEFXARLM2d0cxm9cWKzZjuzEMGgNsExVL9

oIphmmNaeyilbI4O5FcYxBICvEzygiFrCnyHI0l0v61H7EqOEb8+X7Qu7Cs6jHJL1jatRvGt

SvYeLf1LVLL1Z95a9c5XzDtpeVzA0NoocSlBpYvvemGMN5G+S2NnNNHfNeI3Zs7axA15vFQG

jzzHJr75gWWC3o+x3lodpUBI0wNJXuBXQogMwCibGzIwphgfS3BZbaK7NRFCV0cJUrBVqJpu

ktJsygLpbgscpcXDSlvpoYxvLzGrLsOBc6pgIUGQtwzxjdnB23KLsBbQYd7uGNEC8pKFVj69

53bMbEY+tzM0KaS/eATnm4oXA0C2iXRMahLQ0wmDUqljsogrjGV/qYtuhYA1d1AAobB7e9Y7

doii7VovTWXBl+JQMhBcmgGWqzW9xGRetU1ijfm45OVrI3vtne+mYJywsI+d/eDYwG1b0Fe2

v+RGgsbyGM3TTzGWkCdy2+K+K9oVPoXNvantUfYzTYsdVi+0IY3SuBdiChhiry8clZgNlpjl

K38+/vAKAZZ4x4WoINL8Qfe09P8AqL39SpeWggNGgp3vHMJVRUOrvB2zqAPCCgVSngu8RqlN

s8Vp8P8AycIa51dtAHriGb+FoeWaucZ+JViIasE8lKeqgtRCjthLPH/ZkpYit1dGnX1QQIHA

O1nDFA1FRcMA+/eJWlxmDigBD5gCg4xk5vVytcwbfdLGrJfvEho8Y/OYEHviWujWnhzmZtKp

N3LXnFYP1G9YYnyrL3il0NtvC7LuPwRal3WNK3F7wDcNe1uFdc6pxcWcmbZdCByaIGAc7TAs

zhaJQBRpuW+yDAIti5NhdRlS9dr5q7232iFqNOEl39NHHE5IqBAguQ83sb8RI4NKTODWwx13

dB0FBrF5bzXEU2y0ZrN0964OWJorZQrzYq3bb12jDBmxdjRhNqA8hnlTzTx8wDB0qwWAV2Pj

/YjOxaLMK7Yz2/Mq0oGqDx3XaMDilsrAFKrv4qVGkXYwcW76ZZALkhnm6rTnOpZNYcOeHITj

iIVcldUe3aWKTRputVneMeKmLHas64qKgthvy1m8ZvcwCrKIvF9kxEmjHbd51/U3QtojfJcV

/pBTtG1ZOa7O/EB5FaFaWO9YoPaPSHjizveLjQizSz24XxWJsfds8Z319p3rXtnU/iWd5las

9Ro2nD7Q31aA1bWsa1NT0sB2jRbyt/id+HLXUy2VXH5hEw6HF8ivzmAxkvYwgc54/MAjQW2N

sGSx8yujskmasc2OKy+/iYIi7wjOCuMRgcCm2gB79s/5KeRmVi2DA596gPaMwKzVuCnXeCQK

TIw0HuG/+Sq2AKLut4zjG/zFaACC01G+YDDleM/aByIfFleZYtzYXs0x3+41ZjWA7QhyvNQF

Ii9DF42aisUUq7W5a7d4n+qMCpBt12N7hWjUkaqRFcXSlybEm27ri37TFQJdOJYyhh4jXYgy

UKUvdeLlWN3lWSXoS+5+ZSDYUDR5O7bnUAyJdcIuyjd6q/MXKslS0FZOKrzmIc6pxVbPH6i1

Ci1KLeWvfRzFKh5K3e6a7/SUcGyhx7q5gcBaFvFarYTNgWQ+DnBefENSwCJ7s87wxFgC+l0b

HfUSkXWy2Snr2lxAu6W2HXzjdxscYRu0AdMNRLIWOOb1erhqyygg3pujHhhNqIaKh7b8RAsA

Ja2FHnHmsSgRlRptvN1s0edzIK71Tdvk7kBhC8HQmp54sBarAPr4zHTZIvdUvp8QqjAjAYzb

DN24KKapbutckYABzbyeIZEygZxpj459EWNdAHeeaCTiO+e/aX6otZtyq1QvxAhhBQCFwVc5

4HmsxWt9YtFJRYtC+Y+kOyKBpcxVlRzVwHoWQugF4EaNug1XYBUcXZQL72A2Zs4gHEQyABVr

qArU3LvJqzC4XPVwjzQbhrfFMpWpappOM9zceBfAXRkrXYzFb1HOlq1LNcJgNrir+sNXl+OY

GbD6QCKKq4q+7Ec4tJ72vCF1TfzKbVt2acPzKQBSCUKZ0rbNgGhujlc35l2Brg3js3nN9cx8

rw0HLbivm93+ZVbmxlWCsYXjrMCsHLnWtF1V4uNELG9za3nV0u5uQxV+xgRPbEsORYLt32zn

2/MZTN/IAZN/G8yl0DWUAPFb8QEoE3g71dWc9Yg8NarUCabt71EOFVxBm3YNF6+ZfElVT2Mm

Q7RDjTtKAy2ajjQFBTYlldu8fUUAPCLf25jd7ANtLv8AWFQGjW9t7e/vEbEq3Y4YvOLUgLIh

ZC8VZprz9qjKC2Bk5pSxjKUwZO60W4UfLYVisYbqyKW0oNsGD2vcVUaHiugK4r2hmlGarF2/

cg4aebeQOX9wplFgAsShdeKIPuaHG43EwBbGs6PHGHclr3DUetlZFZsyrypXFxIK+sN7LYLE

dr9DZBY75L4h0NA8OAaWaAa8RB1/ILUbCbFUhWOU+pdvAYvMo5HBlhSFuFSrtkLlG4Vbo6iZ

1BbsU4d8S6Lht0GsGlyBedwd4h7aZUJkfpDhDYBnITk728GGt1WRglaKomjbbolqhTApKC/M

V+IKALlDWfmJciLiWbR7fuHM9cDm4SrG7CuPiW1KtpJgt3i/iM5MVoq4W0jkYX7nPtKQLQFy

cS15p7xW8qBvx7xLz4zzGIUSy8C47MuBdEBSmMWH7TwmfuyJ3eYx0tSBeysDbJmVsRaWwHuP

LcAlYFCm0DS211qVNghym+27azUOlDtQ+c+/P2hXchglAKoR0MV0bQljQPDiq2xAhgI24Xmw

f+TVabLShssQtjXYlbUoAvPh8bmWmQoqt73bF8RQ6Mm+zoS2+0LgNNpk8VjUtm2Qax1wFIQC

KhyBv7KqIjWeBsPasaMagLQQthkDxfvGfepW4XjLbfWZkEJBwFpTaucZM7j86LsoXZg3gMZx

DDcoWFq6bg3DGsWzmnG4fYWFFgVdqnHZj9vUvKotyUvq4yY24PYNcnvLDQrfZz6N3efpLqlg

+F6A3zcckMIBezTe9m4/q/VnhDSzsJVqCHSVShLDNXXW4oOESrvGQ55h+WjXvnehmgSVuva+

8ycisQzSMFprMxubrWwpsSwPeDpVAU3KLNo7xd94JgR3Dmi8yhYXoUjQKqsajNxZaYFgh5Vg

kAAgGwq6X6xTc8VWGnCGQ8naU1NrZSFNWIcmjExGslzgxMcov2jRBQy2wBO8HMVUKnOzsDlw

wsZ8mAjFf1PtMcC0wMD0NZ78wtL8ZLmw84PodoA2adBxMJjtmLGdmu8phMfv2mDH0/uXlE8d

8Oh4R4Acuk+hEBNgtWPBvGjzACcFCnutt3vOIhurDJdX4/qI6I1FaDGylQdD12I2h2oBo0Mr

zm7xLE1rxxAtnML5SUKcANqc1BfT6j8yVXMIIUMDmzKs1FUCjhks5r4yumqm2pspV3rrKzRy

iJa9bN8Qq42SldNZZ34hlKsbLTO7Wi8syC0HdQwuT7QqzDTkp+GSpQ4ItguE1S34H4pFLYSA

K55xffzKZjEixbLVXQp7QsGoFwoM02qhLr7w6i2WUbylmBcxkKIeCO8j8zuRanyoteKqMyEF

VKw2c0d2UbRb3L3j6Q+LEYqrg2558f1FirotUrdoO6wdpsYe2VVV5lVJ3Zg2KsD8yhGEo78R

WZDkFV3lVjsiK6k7cLAUpNsTYHL8PrHpYUltXtEGGxdMlBdWzWKgEyKbcJ72RO4FLpooGMO5

ktCs1dC/BfEJVaqAxeVwJh8KqDVF2o4qbaOwaicqG9XupgcA5qKcqXsHxLypLyjszcHHW3Qt

6Jl0Vfs5ijybWrBYSllYRt3iAmVio7gqJTnOOe0sKUt33jZh8PnkflYic/YwVhQvgmy8Xpp3

M8a3ZKbarJ+YMNlga4gd84r5Y6PbJ79tRHtAjgtWXzxAkXhtDSIW0NbqKMjBClG8WJSnxM5p

LHebpi3OuYxANGX6Y/Mabkw9AHnGJlXNVWPCT3lY3F1ttbeazKHgXldiOfgg6DQ3BUaaAj2i

Uyq+SAa39JvADemir5rj5/wgQUhXDKYv9xQMWWy0xbfHDHCaGSxWdt5zjV7hbJ4crTharF9o

gEFJCad5zor3iGsDtVAgyvQUcHiFg5aoM/Jx8REzpyAaBQHencbzml0ZwAvsSPFBKLKqjwBs

AVlwx5Y1q6qVic3xtj0GOeXQCwdusWYJVHPtZQ0AwoN6GBczJhwWaYmN3VLX53A6BVLVYs1c

uIC7RKbbmvOAFNuAdDlAxslrTHafA0lUeNxhsquLIwUpACYgm0HMajcpYSBB7LbxJLXdSmvm

ILy+TREIwLLTldvouZEDWyibDed5utxigV0aRTGhe81qqiSCGlBL3eMZhYHUWasAKZAYaOGG

IJLqUp2W2Mqxsll6Pg2jilIqu2sW2kE+yDMfYANrVqiPCPodUKBIG6KR5hToe9RQdEiKO6oV

kJqhJwCbGhksAW1agOgBoKAH7xjdfytOay3S7DtEWqS3QNUidF14PMpqcxZMbK7veHNjX9QF

DNYjq28Z3zC+/nDK0052xu6Fw79cwKZU+Yz0DPbbq/qixmxRaNYltljrLyoL1uo61wtUliwg

a7VlHm7lOyjIvKoCr+I7HmjP1sDQoVndxaaRHJ3OHF3RaJ3pr1Mas3ViON2aAFdBCeLdXwxU

W6hXqLQIhCw47jOF26wMqaYVCCnxxjGIFC0AY8h3oxnVTtPgNUBXTjGe0VuhK5bWs3X4uXpV

Fi+58eDOIRQNiFqjlty+I3iAKFWYHPzEjZCp5pwXdv1id5rVZLa3jwzEhxq94i4TWWtcinXm

meRsVD6sBY3urvB2jqZlseGnxxHnsCKSsrALiudmSKXRYRpuG0QqcLHp6LXdU/UEcG3JxOJI

huMo8bKlCyUSrIVozikseC4azwdZigUa11gUlm/CEOg/gYttJ+YS2xq2iWCrWXneoLLSdWwR

C1fIQCtVGDCIWoZejEtXe6bcfzHa5PCG8FQCp+QiNUuQqhznnOinyqwmsANTgGtmSIKDmzGx

4gvVISpWS2mp5S9w5RRAeVrRSaVC+wgGGI0CXWqIFUhhqMsihFGiVE5CrgDN6BqrvBksGug5

4Ryd3MscMldENiOxPIvaFAKxEGx0HKn58xIAgmpW2lLROd+1x5VJTOyrswIgW3AoM4NDAfOO

ZVWBnzqVs1WYimhTMRbxdNHv8wN8m5saUV2/rGShAaAI0qX5rMqplnSFm2bsAYaWLLTOpsBs

KCNBtXus3rd0g0PIygOG6i7FDUluxwvF1wpGHqRRRAosiW7aLEGTIQLeC6Lu6xpMAbbHamog

KuRxdpsrlYZ2OUZsvY3ULNoYUEtFgqKKysbyIlM3jUb31dGBwsxCii7CPbIm/P8AcAImnIAc

tGXUYgTm2S6bHhrvMURos842i+dwILEDPGHdrTiKuwI0Gb8VxAaomlcHd5pJQNGjXV3lBXDx

iHH5sRNkOhbRm3kEivNZtjBpkNheYOUsBui7dVHXbA2IZ1kM4lBVl0D3MmfpBUtEw0rLxZ2g

aQMsLJwNDADBWAN07lvcZobLb4PTmPIpxIr2c5fDcr1i4GaGUvO3UJt4qKijFg0tPjvG1tan

FBs7rmvipiGI+7H/AGelU19i/Sl7TZArdLm+iM2sQm80XpDv7ywFNBw2EtpaeeRB5qCQCBi4

SAACrgZ6PK28fPYpy4HPJy2zjs0uEgqiAQ9zNcalS7y+sDQDbRz3YVDTtuGkKZGWrGiBWxs4

UKiuq3cVoFQZaBRZ5c/EcDYxKtNZqjvLzymKlTkef8YBAFWeHw/fMIX86iVobN8zHf2lJdVn

9xPNcJVSq7fHwxrPFI6wuPrmBrxRb2Vh28RLR8kwXeVF2OeZyOVSyaSIa/Quk+eQQ8KrZxZL

wAdGy91QXAC50XVD+6aa+lFkqUGFKcyRJQBMwKSqhYN6OIYnGOVKcIBEL3Le+xpfGGoKXl5k

k22Ayx0cpwh2q5YlPGuRK4a+v4loJSZqyVpm1OCrlBdQw1lR3fnkMkFiVOZfGvwucQqaGzRo

tPfiMgBxuCoUcmPvOBDsDJhgNEBpQKNJicuG6FHKbmUSl0y0YtsDHRMTplQvy1wstVjjDKWq

/FEAWNxWBKxW88BRtrinfvGsFWLV2XBYut+GGDuC1GBdVtHAll6q51HDZtq4UAU3amys4VHh

YK2dNryXR2q7xOxxfLB+WuFZjosqlG74JhF6wmDeQeGYzeU4BTgyhM6qPqiCr8VrwGM47Yhw

YhIJlgca1nUzcIgAkzRbzMafSqXVT8SAbgwK0X/1ZgI88iHshAumZeXti2KoSx7wq/YqPDoa

V4YFUu0FXysa92AjlfQYsoKKmWDmEU1WwDhVpnFMDU4NOkKLhMOTR2CZspcmcaAt8SikH+EA

OhVpFDS8QMK12ve/sABQGXkKQe+dyla2Vx0A4zgDHf7kNqhLqqQ9ieaqqUr9TIKw/wBwMVq/

rGvvRN/sif6isx9prBxA5/GQoEiiFAYty1KaUBdnrlVjZrfdeajzJjNALrI5VsITU3vHtNMq

kLAZVXdFqUUSG1IBN0B4xtEwtQNzFEwFlxAOLoS3nT78pkSIIH9MW2OBJtBImyN6BUJVlIAA

mW1BFZFh9xRFUUmil6ahVa5UEwg98RLYFWK4CmcZ7R0xMaLvF7vNa43+EqwzliOtbfvHtJAj

nZftuOTsjTg2C7XcQCVYsKSrFr56Y+qbDtkEV6K+faOcwBKqzs43BBDS7druVmvNS7hmV7UF

0zXggoVIOxF3gw7KzcW6WkDLs6LQcfFGIEFKXP3l3y/mBi1Tt+9wLQCmBzzVR/SKVVO1K18T

f+Kg3DgkA8jimPjd0k1ZaU9tawKFFdGRdFBaO4JboZbFADAMN+YULYnnqoALEXg7x1O7SdpU

2CYyfS5RgbgKa+QqsXqij09sh9p2wWUWbNphwO9cTbBYgt4Oa73X5YDQ23qW8XERiHCMXTtZ

BsHDndwbuuiYucZIW3hpAX/sBDForyJSDd4qK1LM7c85yVFmAlKqFa1/r9xGQgEq3JsXdRYV

sUjaLTRppOO3tCdBN44ND7bgW1axbhqwAa4G6Pf7yqtJwWUmx2JQ+D81M+Dn/IO9fE+dX7ym

zxzx1iOlnO4PFzABkuLvu0XEFgi4UgDlq6vbDFWENn7NAKsVYqSGkANWBIOFRVCWprPJir2A

WECC8aRu7kIBsFWwYci6oUNuCzBSCxVHAqZoJJ9gqhIEKyCrJE4upRTioUNViWKITSlG7IeQ

Sqa4uVi8GjbkgEWLPTVOTgTvrvCwwaTIVtXGPf8AxYvyBhnslv0iBWxSh2hVDn+otSEpXTp8

HGoo04l05GS/t9IFzgQWmKnagbcJUd2Grb9S987jDbsgDZeHBjriZDFwUH4/qAZk4jSsw2Nh

nD8k7hya5tsUMkLeAh6NBLUQClERZh7pvu3+iADuArHEN3tOBpUbGr1Cqx3srt8RoYS7+v0l

q2WjDgT/AMZXEPBdCYq0gLASiVzMoMCVVWGOP3HyfUngvWlgW3q3mVuVLo8kaGCFLehTZ0wN

KWZkBXBeCYVsqWv2Xp5wQu6wPpNvIUWDjtd771H1UywZewqyb47cS/eAXdevmbhmNBb6eA8b

7y4VEoRMLe9tMYhCwHC1RpTxUUvLVTkvJZLHk0aMPAtfSKaZLU2U2S+Jr5VhPVNX6Zi0fYJN

N27VxZMRplBS21ociVKKItVtx8dErViCQIbNy1/UaQChZVbdRd2al5cneWeGphd3RR0RqrHL

EAuF3G3lGlm+7+om2oJEyrFXNLZ3rzAFECY+lLsVQ9pHokMt6E2UR3L2t6CEDeS8VPxncxFU

j6LYFzJAsmCY5WFoVXFOuMVgDYUGpzFqdmQ6Qt1JaLYBSAMNMLC8U5QgMfXA95uMuGnxZasK

ILErAhhUCa/kgpkFYdmGDkSiYJlwp2faXBoBD0vamoClW8Cca17XH6Da7ebtOfzzXlAU7qnF

43VQLcaCgwa7EeCJcIlAUFqdOMoe8WXCq8Bqm932IiW4Sh594O3ifBWBIXgBj4HxdPf2hU8w

drYAtXVq4PfdB1gjHlg05AFYllvDor2Fbbti7gNtjx9CYTantmNHLiyq7H6jLN8HGZns4+YW

AGKYQMPAmt1VK1DAQt2Gh0XWWc3KaMCLRsbNM6tsCbrFW0EtX2VrO9I2aZHNiva0bCAKKtLf

4L7Qc1el4rQ2DOIGaVtlfN0fmBVUHIjtSiFqKVSKYGjY5aIN5sUEk7gcri8q40KHwvtXhBiu

L/onfDGs3zms0SmPlPKcEvlUOcK+kramilJhcmCk/MoGEM44gv8AP+wq/f8AuGnGK6xLzfv9

YsVvsS9JXt/ce5VCFh3IreoLlTwKoNPz7wtljH2bgPFYcEYwXJQFra0DwI2CM60PNgzeaWmO

V17GVljlwGzMy0MCSq+i7LcfNC+xUgZBZQOGmVUQLu+tq2mpVTntgxVkcu4MYy8mLBQv4mlF

LWlbBWZtCl6SDIuyFUrXOXV9o4+lbDWMYcyuEIZtS9hd15xmNSwFVwS8qh2uNlVFqsvBj2dO

PiU/K6BRgzXiowFy/JvAZbAd8+925Jd3BaqNioW/aNelcOA5iozePpurBtazYUtVdzhuEi1p

x4AKUB1VIxWVwKEv3PFQZ7VSy9lxERBglBSpbLU1g5hRVQrtByWN1TjzF4gGmFZdtlc1Gl1y

dfiIyaor8RGnhrB4eICTValhgtAtZQLEfTCAWRFFQVnTN5XOi7ba+zjPzEsHdx9ICEc+8s7+

jFs41wrB1WIApYG7EGO/ctJQMYzjHeNdKJdCGWLPk0nRKDV4YSGVn3siMFre+vMx+4c7RyV7

Qzo4rv8A8nKrQ7fvMDJlBt/3vDZTVYCFAzjVwbxt9Iu+88+Go5Sn2uDBm3rcoFww3hMW/wAe

E/CgEgUcBRlV73fyyDSEXscxkYA3FYYmq1KTiFPmybATWqsYUtjLjDJVe6RvUTAykB+rQhEZ

Fgo7uSUoQcwtPAJQlhgJZVGjjIhGKYLIgDKgul2BrAd3AJdi6id5zx/QwUHZRotlMAvGNAFC

jh7aEQh0SqrtbdEDyd+FOouTljjWeI30uL3b7lqX3iIIKusOzxviMWEkPum3OJYMCZrSWO2x

8Qocqu2m8OuZr6pkUlRSjVDG2+I3FYmRFZFyXvJQ9pj7ykBaoAgFAAqiUBQ7MUYBEGuwym0z

tMdiqcwpFqOShvgEHwhhkC7hAZpL3iz5xHa+HT0BRjjRjvGZ4vi9zazl3mUurWsnxm/iGoEW

0zwNKmhyzmvHjU7hgO2mM54EFxHOMjZXgrPeDms574qHhZBfJ/r0oEu0OPH9sEL90YeNY/rv

ENWV84a+sPhVveV37+8cFr8m/rC2WcNbce00LQOK63MtfbvMAtvMBl+uYA75cxD78kRVV48z

LkTOyLwv5l91/f6QGs4OfeDpnPeXblre7ihxl4YDlXsEBQ5scWnt8YDBYB0FECtDyCwDds4G

ZLHi53KqoafK8lwhgHhQxvxrGR0Sd28XlSeyBWGbNBba3RmGMQ+RbC3WO62J2Ys/pSwYYgpa

lV2gXfYoTNOEAmFBVHeX7AIKigTSwTlW5shqWPUdsC24CxmxYQvZPIZoAiist3mhqMycvSlL

rHFGV7sGVOQVqqdoLELAYsazAYNn03KaAFLY58ga8wELvlltwfNUeZZMA7KWXRt/UpuCEBGQ

gZKtBKIRSiwI0iuRkTiWlnEt4I4NVd67+I6wm29M18DmMRSJy3Qz72EyIynCMgWMOzz2l6VZ

ve2LaOMEuVG1RFKFrucbley1V0aNhHZ2gBVXCgDB2lGFWaM65gQoNpROHG0au4tsEShEiXIG

zOIjIbOsG9IKAtSWm5W/uGe+OPiIYNizglJ3DTsjd6aAzuKzr+yH2TLkYmx1kvb+olC79pdr

GHWCvvLL2C9P8idn2v8AqKko4ycytoMYrdzRkIs0rVcfWA2bdzuYtW4qjvs95Zwb8/8AItVb

miGDxxA4HXLL/VzY8c8V8SvGV/qFFdueZbuNux2gBq1xxtBysvlbMiO1rKoZEb60L0lHdg9m

pbl3OAuaoqX4VYLh7IvDtm0FUEo0ZUc4H0urkNgV0cA3NKtO+UJiPAlntEEiFoyqa3VYlZnB

hZPjWTgL4hBhXpjHb5B3tlHsGrbXGautjVwOw7d4UwHxdsWWaZrYVhsQAC+F8kdcyCbNOAgG

8Xtbq66NMFAClyzuwez3ctWqrtDJmsoPUhrnVkYAExdRg/Q7+GAE2VLlj8R1iF26GTBUzzCA

K9gbBS9LeQ51AMXldgWtbpPjiUIchaBQlDFWa98yyB7S1yKqOwPFdyCb5zJcAIAyHHO8Fi53

JzSSk2DQwCJzzKAohV0UuFvUrGYObatAtK0oDG4XFTA6MCpBylWQuVzC3nUXl5qsx7Vl0p3/

ALxK8FBlEB055SmF3NnyS6vTWsXD7Bf68zC9Lj6YqrXa/Q/3NOGBDxrENOWTWe5MafGtPbtP

aTzzd46IzgAPGe/zEN1aLy40EFWpENS9lQZe05u8h3g5jgLuK1iQxEw0iX3jGl3uoLxzyTZv

2uI986c9+0LW+/PiHBnPftFitnbU7HtLtr/YCmulhWCzHTDVYLNdEBAiJvOLoKmlIT7RAjOe

d0HbK8XLquMmwXDYKAQDTmJjFrcIbN8MixcgH1ky5qMpgujsVBsHVAcEMtq1iPN1Q5G0NWsZ

PpDNkQAJQKfnsZ9hVVhpQKkKtG2oKblT6XqwdLffdE29QlAfI26XDfECWioMZJluRqWLH1c4

oKAhhoPLD6YAyNaHWqK67MId2thp5HKoJYNAakAopyN10PbIgWVcoYsmFESIiiOE3M3GPMSJ

aE2zttCGGdNKRbG6qNecCoCgLai6bi1gkCqyQKWrBo41Av1wwWAUdhgKvmDIh1A2TgQxYuFE

orUldXaKGscu7nM389lKqxdYKIyghtwOdIZTgQcAhhJLaQJHAsSiz3YrjUiDQklMBQ4RaWKl

+pyqwikRAoGOFKmlLQFj4he/tPGH6W1LrMC286BQA1TZTcNXys0y1mr/ABHoo5aDNGAZ+suA

S3BR39485M56cwryPfGEO9XDk1pXWSbgwLdFcwifm98hW6cBamFqauZV2BoOwF3MTNgJVDBS

9y2kasXDcZbiFVxJLaUaJ353IihIIzQctJhy+LoK12wk1ELymbhvtgFgpBE9pll3jOI0O1gj

otxBWxezzF4rz2v5g6s8hfffmexs5/uDb3ctxyKGiZGKFZ0RuyZ7Ws0sRorwBfECe8VYBnpb

XnsVyyuSUKjKIZZ4G15oRm4f9AMAUpVOnCoGweuxW1Mlg29+0oJqhTdDoIoiwGaNNgb7P7mD

bhgby1cjCYlSHK+2kRZhqPYmbDZhuoD3M5bDABWliDq6Wqta25xRAHMgd0A3el7YOXP7GDBP

D1LDuHuGgFfOopYmAso7bAVW7ZAjEa2pvIKVRGmu0KppXFPad1z28iypXgpJQVwuIKzjcAsp

+o7sEyTWR166ggECh1KoX3J2W1C25+03ZNqTGASUCFBbY2ZwKZhMoig7zLQQXuNCq9VLB8XZ

zDQ9IIWi+Qr6xHVNKTpautsHZhhPyYlWw1i/6QlK/CjQBsct+13LNy9i3a0YOVG7Cd5lSBOU

ZN6LPSi2CbcFiCAjdRLvLJBzrSh5RNnZ7GkrNaV7Pgw4d8yiqqu+tzGFVz4d6TA4Fb9oyrt4

Or+alau7PH14jHOF8x2eJSw1ILjoDcCUNU3RsWFdOjrdQSuLmsXBX8CwGCwAUHN3hwwgyBsX

LCi4gKbwMVdD2vtKopCgGgxqIrZcoU4cMRKLKNMSCQVAcQUAotKvExIs1WFRhjgDBAWayVvi

cVybH6yll++Isn4lH74+PeCmrr5zBM5yVcpw1njMr7agsz3xXFTMpgZAb5AEvla4YqWiAt9Z

DZfFRtzfZkfitFQ5DsMzwfIIICUvNcpXMtBkhZ26TTlhujNW5WrNK3QpwDrtAECzqYk0Wkvc

fgK52S16C0zVAnCi4vIdpBLPSLxY7rJBAIVwCYDRi+2WLgtg3ZN5MnujGiyIUohg1S8pf0It

jaqDksK5qN3N1pUt2ZNPiK3Aop8HMGwiVlUYtEBnkN519YVSI0u/hYOcdeybN9+Z2mdkX3Cy

nl2x295VMeLSCog6AEQS4d2XdGijrLA9YIIOEWE87q8K9kEgsdoUtlVQHDkSUQSmwUHSVtvL

mXKihIV0DfPviUblTUrM4I0VdSmO7cKOqQHph7ZGoIWpTdqVtNtnP02JLJdEdgI0or/JTb5Y

fSjsITkMJgtqrbTXRF1VXepTTWZnZwOABWb3FHA6qhlbRqvFaiZar5xUUeal3u+g2GMNmQrn

VZprNxJitZCOhwtHFPvElDcsrXXNh3OxBxQWt9ACyCmjNwPtkooELNSwUZ2YgLBt3qYSWnkK

YIta0wCuDBSpeR2Ed3kRZKpQVBwt9DTBbRSFQpMHCgvywi4ygFNdg3YvMBJsNGqaotw46sF9

2Gzv2iNcePiFuuIIbrW338wXXk95m9YzmXdZw7ISmKy3xV8xN/ZOE+7fEUpe1bpBsVyB2sZE

RLcRqk7mwbMksY58KiNgtK9gPCPscoFFW8wF3wYihcAKw9zK3e46FCizjgoZCaAUGXIoSVkR

FdIP5BLHrOrf4M5t+IOEoGhv871y+Ip4xcQmycFa1KuBouqfSt1U4RfEKKVJbfoVk4AqlQAP

wmGb2i2liva0/UyfoCmKqvBTmNasJiVwsZTMVlFAVNq6ew3DWVorww7jTXLuzO46JqyGNEkb

3V8KWdDwM5WmZpLA4JgeqjYUQlnNMpsZdgCUkxTbdzHojurWn4lEiIi/KrKxAuwJKQKnnZqB

iMIUSNgyeA9o1wbdaqzAILpE2OrjgCq1mB1XpdrvKB1BKnr2Sxb3x5VBaogejkGAI1BqjEzO

yppCx5dICG80c++5d2tPL7QSvkr8f3ehsFgr8/0zCArSe/ncNGjQUtH6jiF9ApUt4MAxjDcA

FGy16BfpKqQazaJs5N8XFoDmFgu1eQhyZiXd4EaNIQbhCkqIcjPHHG+Q5MigvEryqbaKpUEX

kCtTdgItA0Yow+GXeXXIw2tlGgnBTzCXXB9avc23LgKYYPFbDwg8WPBxUPDe6gNFKOT7wB0F

8ZuD7e+PuVF00q9p9Jcxao6iwiLeAzBogYOAm4BViBWU5hVG1rIQt4S2sM56wegJGmRKC2di

A9wHVJ4csh3V3tjG5s2MRC2MFl6jaYSQNSeGQwuEE8QCylhkcGqF8yl/+GYYLKbZvSgCUoHJ

chbivYrmLsVNIo0WgUr/AJNxRAxWA+boLfjVss4ycwZglsDcw4gVlBz2oNIeXUBYvFcZP3XM

XNR24I/EtDMCBwJWFxHapeYJEcICk0+YZVu8+i6rKMC44WXYm16J5Pgj5UQWMvAAyuu8T0TD

N8zMC2bEUQY4mAxXzQBEGmAcAp7yqSJEbntf4nCcmFGYl1tPqhPMLZAho8JeIcGDgbAQfNbj

HzK50wA1ZuTgYCgYoscsyUVCygjjW4wqEJonAXnY1Lgbxg6QJfbJW5UTUGF13Dhsca1LrpTB

oNX2shYtCDNR+h3GbKQXFh+b6Fr/ANgf6lizCu2cfMV2mhLWuIGp3DC0QJmwViUEkBCphBQE

2LWvEMbInKViiItdrhDT65wiC14LtxVMSEABUoZF4rQ6K5BxjHBAFLBarvRG1pQmOBAplqQI

kY65AOylqChs4DUIqLEInKLLFM47kUKykkbUN0DbdMItIaargSnBeLJwG4Ou3EO46Jkr7dri

LrXdgrUtxvmNq35+Il0VdWxa7+GgxrNgIDOGCHyreCUwUXhySoFFD65IyjpxVWbDKs2rPiLa

ikXYAocWGFc6pgxoLDmwbGsRhDQStRXoyTKnJLAOE6RN8cygDZxB6nFUGgCwVo95iLMC/CA3

1mZs028EBRVMVVLOYirwLxV/WAzbu6NYXTSpvGcSt0LrVrS8ZXmalpyoN0LxMWVgLq1qcbT8

RUiF3ZY4oN/RjMD3GdyKCoJ1bnBSdKgsEJH1oUxTGULWb7rjck25xXVNdggSxYIvDsxdrXmA

3JCANIiHgv7Q55V6b0eI9xCCB4NVmc7YzI/vAgCnUraVleMKRbCsUpFBRBtZPnklBADpXNSV

hEuqOIBNMF5AF0CWZ1XMctYIiouqMNltrviOsTx0KWCTmBC1uDeDMMfThTMA7pICZdFY1X0g

nIBJXQcCzXZrMx6O0BCwEu5j08BB+Dv7RaQKSwKw/mVLxScfsjwc2sLIjMY5BhlIIIAgENMq

w1VxEzAnc9pgZQq2rzmYqnWotlxbvR795Tm1FLK5QFCvAd7shZt++QKHLR2ImYzwgYrTYpAF

gJ5iY359wEIxiKyEMhcBwAnyRsFCeFTY5TZjWT7TNCeHaWkQQAKJRnfqGESs2JzOLqsLMPxT

9o8LByA2Ae45E8PeGXng4ht3rMMv3EFF5esRWQjgFNL2gNEZUe1dErCJgOSS3WNGTjLKVPsN

pRDCWQkqG22q93cbha8P20gqE7d3xcvyewcVjYVRd9yc/d2goMqukE71FxUXgPqWqc3ZVS3Q

q8K8tAB7QNS9iifV9tw8BbToDihO1BjxCw2aG7Nes2KdO1xQamDIFBbpXR38kYtUM7HJMd7V

gYEP9hWvmPkK1BgbsXUNwday1Tlu/mWFW5LyBSh1upTJ1MoMmQhGzZmLyoYCsigNKDJZo1RS

iwGFe837q/cywVW05WnM24jtQOqOxCwxs68IaAheQbzE+Ci0ANVkrGajQNHAdZL+sXKREKQF

u2nHvAp1rCtpUvPyQAsy7UU7BC7vMFSAbguapHIs8bh9MVvRLVEMnaU8sHexF90joIlG6VXb

jc8EaGkgtWDbjwQjzu5gRFzCk6pR41tXA0Ywej0Y2M+f6J72Gl/Kyq7QPbec3H24xksrYM8J

SZCyIiZAE11oYtfM3GobQFICx7I8MR9lUWLgY3W694h6g+PGIN1gT5ZZnKOQXcG2goLlxqVU

4oAUeU2ha3g4AARMdYhQvY4Xnug3gxWaXjdN2OzhEw82oAFSrybaL+IK8gUQgBh6ADFUEB0U

1dCApTtx7e8K69aYXaziyWa7bDGE2g2J4mTKCTHSlmWuznYkO6qfmX+l9/Mon5Y2CnXamrDK

0gC9YQ2AqLwQwVmIRpA2EWk0mlcZaph4SC4JyymqoUyaHPgC07EbYkC1AthlWKqKxp2D95Iv

cZbJAlTJWS9vMPbiGDBFqOTQ1XjiJldCMAq4uS6ChrUsJL2G6xzl+bmBZIr3vFte6HrEheud

PJ97x4huLBIAhizXsRzIlUBC1tdQ0dm8Vn2aBAnFCYVxEMxVkDjA8eYHCWuRKqDKn2rzgpcM

bZ7HeusRiRRJoww/fZGVWEUYvPj8R9CSHKl0pTRdXuOxUzkVSC8jpXBqBVfM0LcTCq6dpfKY

EchcLXhg/bg1Wq5bqVtlB3LhVXfk3ZCPWpg4sd+cXg+ZUjsqhxF6qyz5WKKpr12KFWv3MBei

r1CphF5MGPsrzuyw0MxDzxM8wINilYxXJFqg1hwiK36RvtHx4My/AAhcDNaZQkRQNDFmCMCt

o4fbtc5zNY3cNbvoqp3jMn0okVbAYWqK1MOBxkP8YXRLs1liOOLyS1WrSWHLvRQJaHLshC0b

JdhVUpiKE24q1A8LxsqUqiNRCGyyGLPcSM2H0Z7CNNNWFwFpUu5ieAPhcSq0AFkOKvyLgeQF

KqGqqoENN/Kyw3KEcw+EfeUCuKMlF5IZ2A9xzbFYcFw0gA2sH4acRUQqUJjFxpQ9paOiWDBH

dp2fHH1L4pOjXuQ6VezmUq0FoMsqzmzwQFLMOreOIdDbGnYRhSr1nux5Yk8qJRfL7vmVJULg

aRdKdKzNol5iMxQtAMMNrkmWSALmpADg4QI0IpRbpf4KoNuXuABHNBMib51ECKvtsgtWc14r

GZdS4EDgpnVlxUaJXJecWzh2GGvHZDRMqiWbB8Q4ARHNji1G8OCEGjlrsZCm7fmVc+uAWNth

WcBmpRgXchaF22KVcMWExcXexeRAY9bmYWrUC9iKq7bgpc0hYKqhCG4/bISwtouMdnilpAUc

kSDRsllhm6zmUgoHtg4rwQyi5M5GkLGIoW0wLo8QKVngQK0G9SgliAgKcvi4gxQOCykwDHEJ

bTSNI3FYKE7/ABLnKyuEmApwTms+Nj6jHsQjC6RVPNHaBjV7IdKFgo2ziOX94KXiaAlLTikh

y1EatDNANc1HrAIGsbmQKoFDbdRSWC2wX4wjkpJnlwpU0oLUVcrm4gjecshxVg49pnBTyRtO

Lj0LjYGtXz9/MGI7TIOD2NR3vbIv83EeC4/WUlMYUCJaujai6GH0CBoWBSgMuPpKbW5Tq8im

ywGAoybzIKtEdZpYdENBcRXsjZbv2leV5Qs3ixsPHzLcLMAYO/PeK5rDZqqgmaXosoC8vEvZ

BwK0oyCz5ufEKkgSnnFrffHGriq6hgaAhUIvueGM6NQnUi5lnyqxTMtF2p2MKVSs41KsCh4g

1nkR/wARgxXUFKIRtDJwGAMGoJ6bgre+1k0XptXmMuiDQEFSiQxwbzsvV0e2iW8yLEoqkTuF

jBgUmiOzxBVhaFraq0tJldVKRotIbhSp9IKW7IHQooEVVZowH3dO0iiUDgSH9jJ2AWYu803O

JKKuNgQlLScoRagVwwdC7VcFKkmTRXG7tkVEmXkJzEVCULS1V3KhpmpVELfflx3V05SrGkGi

kMzkorYIeWefRVcmSObxBCLlUod5rxJsuwFMlWtrFdgmjH5mbzaAuHlCfEpvmbWh7lWVMRpq

i7siI9w/UpUK60BQF9uc4gRGl0gvgks9wLK4IKJRxWKeLS9BOpPKqUVXxQ9wvXSs+QtFU7uA

o4qbL71KlrgRs5trgytcd4tUgbwp24jHB7KZkRoHanPJVTsuWMyhwXFuzdwAqE61jbPJQdgm

5uHSu7RSm60K2VfRcADzVvKZEa0ThBo7Q22Owguygtdws5CBwmNvweiUeYrkur7xxlQX/ty5

tpR+3ma0XWMHiiKrdjgFTstGWJ07SgAX0JhJflBxenvBrp9YisG3jQhrdW0xEQb62UQYRYZR

zlRpRdl+rY2daVC9NwNR4eFQcLtWQpiCy3jjixlxCfgJyS1jbaHAHmErpgxdEd4EriOdyWC2

nHdvK8fEP7KqhCrq9VnZtlBOvOTACxMBwu/eLZw2wKtkhvlArjUI1OSn1QtYtnHcxPBkBojs

5+pksgbriYodLUtwG4NfWhz3oy0BMrK9hUuzUEu2nkBi+evjeSnCEgkxlI5mqhksyOLQ8iIi

8Dahe0PhWEyD0OWUM7R7t5SmRKpFXdGDwkd3HQK9pwWiNETU6OaKp1iwDV5yFVTvLLOMERAu

0IYSFhkXSlsZpLWkRvB0w5fbIHxGXQr30LCuhWhbwgPNjBmaB5Vbu6hJhUBW7gtTFmeRKzZu

ydFxF/SGbVILDRWs5lxEddHBYC26wM281qMKp7AVc8ks1ijw7PGYOMUWUaFUNg9V2hDlFoWr

TWLUfSDBGYeCryJWb+YfNQTb5jgPhIFJz7jzQ5sc9iNoN2QBpO7sH1IOmUpjFoMHgfdlzGhq

y8CuOyi8cuJR0FhugFpVS13dYyBw+TaaWqLUdhuCKUq6FtNFXdw4MVcPkXljj7yufZQq2xVV

RTzScSHhatnQDApTgcAbKYFumaI9WdoqAFRQukxq3bMvcVl+IxfmGrNoZrmtxF00usdXzKBR

BOz9Q6HIOuGYx23nFv4+sYCuapfPiUkax3Ys2W6QUmT3bcS4cAh3eI2jmTKJmW+IBzpMtwLQ

hzzSjb53mwoYd7d7XyfvK2soPSfP2mODKlYFXBRXMuhVA5YO87fTxjJg3kDOfIY12/cb8BRG

Ghr2K+sNrAGyMNA24OwEY0Di0AOG1bvQ9t5gFt4pWSxMZnLdDcS7ddZBorgXcNbTes0mJoBj

RinKEOYiieiz7A3tyYILW0UCr1Tv4iOWKhBphXS8TBCq1Mq6BizY4jEVYYiTihhxCLMgHY8M

Jv6Si/WsK5sece5Ayb0SChdxeDukBxUEa23QATD5AUQNQQRW1HaxSWqi8BaFpi5Oka7Vl1qA

QqKsS6tq6hStRthqWhRXtFe85BZ85hkzhpX1TGKVy8qC6RR7I2NR1nqLj40RE8ETsN3DCq51

Rp9qiMLAtwcPBXwgpa1waKjTrTfFRhwSwm9BZ2EA45NNowjV6iuKHLHi2YLlxDZrsH1ALm+B

rZ0gp+7cBBmNidlo4x5IjBYCAw0GUM82w6BKHwOvTNkFBQOD0Q65vRqBKxMEcodDMKzfjf5i

NRIYhMdgOVgiXYyVUJSous4/qIcinrsej0d9RFar9kZyGqIXisRZtcbVfKeixc4nOs37hYpu

yx3rxcZ2m7c3feKhhVYUfAjX1bgU+ywqm1mAOXUcBwd646ICkUeH7sNIui+5lAb1dC4rmW6J

CiKXyeED9gCuBDI04PpCWYwX4qwFfF3UXwWJdQvQl4wkSO3HcxhumuGO7cSwhAaxXDWbfY/8

OELEwEKozirwJ+Ytk9iI4cCzHnE11BZtJWeyfWMouKqKGd0NmbZi4AhawGltLu45HEopbfw0

NVoitUHlfgHsp3mt6hCyBWHADQagqhQCCibVfcrvLqWpaboWiITw8xUjgOVawawbjlAuBwo5

Q3WYSoIUrIc4WvOuYKErchd0ow01zA/fineT0oq03RV3BBnyyoVgdfGIDZQoMg01eRhA0WrQ

VRYid8zJFGuhwwwQZolttAYB02DwKs3eAyEqhQuuZmCqC5AtLK/EoKa3ZXiYZSL1nfiUSPPC

r1Wn51GJmFaTOcb3ozCJafBKn5QLCd3yCiGBVLaLEamGIEsyq16xuswZguchJ1iQWCm7Clv4

83ksWBiPeIUCQQAa/wDRbealTOYYcwBywZvER9NO+yUNodDCSxpM/dzTDQ1ypbM1LfOYeTDN

IeMsz8xbgJKsCzd8TMjqgLFZoeyix3ZuXrDShSCh+9hVXNYhrvJtKqpSq7c3NFwpUhbiWMF7

VY+AeCoMWuX0NXxAnsREAIqrd47kULSyMaPnj2gm6SSjRay8FHMUBlWnYJgT2mIoQFMrdj4j

b24Zu7gAYsPnNCOIfg0eXnbICFqKhIZOA4DLi1Us12hvYkeMmnuwAbPj58LQW/fmMuWWLhy8

77/qPZEYrW3jvAoBSOW6Te69outeZKjUj3Yvx3lG9lDvni6xcfl7wwLG03bn995h2QNBZvL2

HHaNzSucpddLz1qV0FGyrBdYAUOYtoC8q4OcmMabJll7BN1Vi1bnungp1qEeFL8kST3XgD9Y

GLGTQHZRraPiW7SLYoCKBd1UY2OeZtFK0RcerUjEwRPO/wATImBcqgxk81D6UkM8pVayrz7k

vmRUYM1Kd0Ld4BKkHvd1UrjseYlMLUgAdhdJc9pgVAXzwL7djcULHwSdJQGX2YoVciuhKEg8

E5LFvfACsACrGS2vepcvcMUKXzaK9mLCGq6b8D4glv3kVHCnew7YpGuLBuNKnvUB2HvZCrop

xk2acza6Ix7cVTRT4jieXGM/bQMAJq1SnWQa7CAizI06sTaO9rYhY2lUliuipOEmpw1elCEE

iFFvDSixRN6r8WfLB6HYdSFpqXGKcIAziXSr0lkWqrzHnYwLYYDlzWqiXjeiiK1UYFhRuiPx

vyIAJRDsJqqTDxoUENbK6+kaql5twVslrobrLWetwxzByay79TyUxpcgiB3Ua/yLjnQxy7Rb

Cyrd4iAZBBVs6N6/5cQS83mNaEF+3uSh9srFcXuF94w2R5EFb9z6wCZbCAWiKiJQxQbttfDz

cH5VBDQrAq7z8+IeeC2oR+Eu3JTrFe2BQotN1fj5/SuxKSslU3MzFe8YLX73BCFhQl3hO2Tp

g2bmoNZKFopQDuEgNGEMD3Lyl5iUEStMi3L/AG5VJWngmrAo4lghW0E7pprW7IfUElfMVZMk

JhEMK4VtoSvvl2qWsTQwWbco7DVOXRN+fiEMWWRR26CnHNxnYRwFoe7HJcpTLVUR2N4j2jUN

rbNS+FjQIJMdQPeXWmtN+8HZ37tRcJKSs3qHcCmsTUQIRusGlvh1CigOaIvFcwmpMlm15Cl8

6sgdUMJfFVWqzBNx1KBtTk08xUS4i2rxu8qshmsQLRJLZSALZd32iwCiomqFQFNr7xik6RIG

S3Zh8wVjsghgpdlpXzmIz2AlUGgpv8wwi22F3WPeA3sDWm+XXFxXAlsCsbAgLhb4INLBpLZh

nIWlFlxmq+IC9h2bS1VjLRViXi9wbrxRUKk4qbD4I+HKhZB0t1hwPVoWqyaxHjauourXcAsM

0O0qEKbq12nOy6vPdjsGBk1RepqV5MbRQtqL8WXNUX2x71BaNCLfm/1cQdFB5FwLq87gKguJ

McJhCHajhbapV9I+/oVo0Gm4JYctfeCKhpNaEKqqYlEtI5ljCfYBGpqwILtaCoaA2tSkpxXN

WfeWwKwb4ryY5KlNaAL8YfMfSHQtIR0rINR3hTlBfcKu0MNnpCVM3abW4TuVMqXw/wBf8wUF

q5JStOzkwhe5wqlM33rcrIMpoUC7+gNxIGJSjy9zFt+8qSgVKxjmw45hoFSJkVAlBeC+K5uU

y4EFpko2/H/ZVMgBbtxo5xqo4y00aFwBL44YyKJVBa2rDmlw6bHLZG97EWvRbbWVsc8yoBbA

TYN7HxU2SBboAygI++fiW8SHNKZaynOorXbc8LLwV+hLEYGAm7K657HEG9YUqF+oRWBbrEQ3

ky5vuu5t8xtFKX0xhyds3Fpwp42Y9pVAiUkFJRBHul9oYIPgCXgBqplQwUUUKh0UZIAWSSwN

JHWj7kEwpSuTf1u3LdgtvVxa7NuWtQt5FQBVFlFg894bFYio4IUDVwewE3izRY28OZYUZTor

V52RivVMIEWl3HGfzEFMLTRSxMaNlP3gIAJoAERAEZMp30YC0Dk0czdtZgOErz2QGw9FSxSE

rLnTsDLAKxxfvMwvkVlEHeF0ccXhlMFZKuUOFEdmqgrUrDaxDoA94isll4+PMUMAsdXS5/UE

LTY8rf8AkJNcikfOHmKgAMUJotS7lF5Ve6X8+iS0QBUg3KWd2QQKQJVWLAMZe8d/lErIpGhE

bNsr5GQGbGAtcNjV+LlqPp2KlaBSku6sRMZUCkuEVGEaQTEpwANeBhOkE3ZHRKutfsKiFxEV

RqrYqm/7AC0y4NrwvB7x3oOBLvGv76ZmN1eDRa93+4qgwUrYsSqubE2yzJUdU0ZNzMCVeqEe

/jHEMd6qQUF918R0ilFotSsFVvgNsdpw2JdIJZTeExL2gQq2e7EpE2d6l3ILRdmx3p8e8IKb

i60Ta7xpe0VKBYZwapSipCdgJ8In1lyxarRUGXLGBIq0U2wRUTNd4Ql8ykLNml7hQWco06dZ

ftB1Mxks5yrNeD5lqIqzy7bKDV3dESFDa4AuiHIOfpDbYlGoVpsMuS5mygLG6q6yjz2ZWddm

07uPmUew5wDBzV39cZhUPXN8WQLtVLynLUD1q0m1n3mRyTeahSxSsVmP0ruaOLxFRpAnhAq/

YNxDuL04BTmDyS0X2bopm64ZNdApihb8QBApVMQAXixFzdTbkC+QQyYlUt2Sh7o876LK/fDE

EQetWGA2kz9BjcZuEh0chEoUAXRzDL0W6BEwpraeMxrGVXsaQFdgutbqES7coaIF0JXLRzCq

7SKtAE4Nnv8AWFkGHzvOO8wLXs2/aWJeKAwzzmsLEyuoVr0Bl0AAdo0gyQDkEaRqzBPAD+np

tyXpluxzhrQmBmO1YjRgXgosTTVRjpdNRwcm8NC6nMlIMquU1yTVrXwDiq5gxCm767Co2WA8

RVYGpS5E72zwSgAyCFyIl8g5TXmhwNLC44YXapVtR2rKC3nlLWbEdvPfygd3thEpFJkZlpki

WmN+zr5jVIGRjAwooZx2gTc0YAX2LfjA9x/B1d2qgBrMdCBmqQ84uHXAt892yss1iWqe5zqn

MUF8Da8YcisnWa9S3oQ4EKu9R3Oltv3JkCvaU31TZuhQcZvBzm1US6glcpKCQt5AyQ0jynLX

5im0wRBveAgIZybzeD6SsQVlrlDP/o3MoQKdt32Z8ygTJqUCu1Ha+8CG6i4RtWHVyxJVofkv

jTDhCrSgALnJ1HBfiKSu1c2pcBrJRxIodKix2ra4oIA65DgNPeZxKRzAUSymButDN4EGh2Ay

xQEqNrdrt7xBdC3j/IBFQwKCS2mhP6iQ3KFdmrplxTx4gBYjdcaHJBXvfESqIigUsGdcVjOJ

U5TihxgCrXOaHOKPQKy0vNCrTRvcSgAaW5jRhC7WZVL3jIFuFl8vx2iZWtc1sgbq0EZfZlDI

PtEg0q1lvMXLWEKlAQq9GJlQltMLLDzN0JFCRyDL98fqbNJs4f5h2yNaciBKHTzMA/AmMx7f

/iZTwm/DzzU/wy/ytaubO/nuwaP4FPsHZczvuNv3mXsFbarHxU64/E8MjsOnyfeeOD3Cmr31

fxP8TwRzYVfMx828Kqbrtr4qYuV+FVa73f5J7ZivcXe+HsqsTvP1irW+K8TXZW7mtNJ5CvjH

iuvj4njZ+dg7Xdt4F8NXW8R+yJ5/E+meJnbGdfF41fE8FfLed+0/v/Xuf9hxU/pkSu6rdY7e

n//aAAgBAgMBPxDR7wuEPTn0ceufR9M8S8ypqXLxLlxI/LHG+uuq46ddfMo+vXX9S7dddeZW

fPX2697vLnrrcx0de0KZ68dYl1iZHXVzEg4l110Qd1111xR11x0Rc5hL3rrtqXTiWC9eJjiI

VvMs4lH+fXmAc9dbjEi21KOuuvaKAcQc/T6zWrernWeHpo94ZxLiLDfoFyk49EjuBU1G58Qh

mUy+80ehBpfeI66+YkjYnXXP7U737ZIhWfpXXHzUd1/0gCzUUOalDN9fP6gji8+5OL+/WOID

1nv/ALGzrrr7q9ddpTnrr+oUx11+5ecRal1x111qk6rrv1rw566+neXydYnIeJbfXXn9wUO3

X9Zg1CYhwe35l9df3Bu5118zetddfXvC48Hufh6UDun5lDZ9SE8/J/cU4fof3Etr9GCND9mW

6H+pbz9GKSzSfUmHmVxKjFej3iej6Ev6kTeYeM3XGaF4+PML93YrtRdLXzCoWy+cMFyJaQMI

9ORcSDgYplhgdddXnxcNkGXWE6665lrvX0/rmUnNddfnUUrVxsV0986NfEyo4631zeJble3P

XV6iGR68d5QeuvrE46667TazmHZxLvHXX9xXXX7+80wueZUxv0dnXmNr1XXWorYJ3z1/yApc

SUTHc/J6fZvzNGHTqvvA6Z/cWyg/H76+IbqCJRjr/kU5fqywbjfdfQ665idh+CU8n6f5KGA+

39/OZfsv6p9rqCQuk2V0hyvf7xlegfwX1P0TF89uv61GFVNW3ZKzl21mItAKBGzb7mlMAswA

rgFqaLcWAWui3lAhLXCv3qNV3+ft+eYn78+/RmUrUHv1cB9uuuPaWY+/EuzrvFz4eqgrHXXX

aDnrr6xrm44z110EMsXbrr/tS63111uL139/tC73euv7g7in466/cV5Ouv1Lll4iYQeWJm76

66zAxR11iAPtCCg9z8noqXw/MJEuZ3PCJn2mkVDzF26/2cy2qg4oPr11qN6eevp+PrAFTfXR

MatV9d/wYr0fRfrn4IgzfX75ndh63FqU9pdzVe0LxfX06/MzV8+3j6Zr9ykc56/PXmFLXXxj

rxU3VQGhN9e3+z56+z9pSOuvrz9kS/HXXiZTx114+MYWOvpMOdR67+gl+J0179d4NHXXP7hS

Ge/XWfMxrrr9wvUMkvE1ntBpPf8Audde0qql4zz1/wAiY6+kD6TKvc/J6HH3h+EsMNpri/eO

bSnt19IHeDvT1+cQWwPvGsx9a+kel/yNW31/yKcplmc1Ftnhn/ZW15/AhmbjL/hq+34IjdOP

6xz9I24d769v9uLXl89V0ViPBuFM7+0veMvfjrj38y1XP289u+9OZo7ddblr6+saBecS8RUt

z119pnxCvft18xC0HXXH1gDNfiAFg/51+pkqX+otu0cQfrNOuvrLlj8zWXH3668ynUXJLmT1

1/f2hj26+eermevtM3dwRTl/S/r/AF9DZPf8MWKcS1NVl+WYaBaX3Df1Ybi4VN7xAYOPzr/s

bz3CZImveiC2oB1117Rpx9fr7dXcd39/5SvWpXqLgkm0pvDXiWfn6dcTDnrEqims9dMD7ddH

4g1n+uutQC1t/vrP1g4e36l+d/8AIHF9f8mS7blhYsG0xFp/XX0iQpO32+OjcF8wp18/nrUy

zfrr9Qbnp7Sgt1112q4FQJ7IkReOqlHPHXbr7xG3rplCSxyMtwAnxzMPc+np9n8Mu3XXX9bm

HueILO7CVVmV2SGXWI5jZfaM3Jf3Zf2B+OvabanZr6xhrDxfvlfxr0FKZl0RwyqXt668QPYu

uuvaWto/ME56/SbZ6ddFwVDvX466qHZ1jr4glYgvWYb8y73Atjrr4uGGvbrr8zIxz/z57X/t

5Hjj8df5LAfHusUsrn68nWYQUu88/nfXxOO+u+OvxEovt6NYWxFrceHXEpuZNSxazear/n/Y

Gph7AeX+3UR4S/B+/TX7fkliE96vwRRApncVMR4lWXE5q66+0TKU9iIp1+PiWKM/EBVvbr+p

gXkP4fm/S6l16bl+jyPB+5o6669pVzB93r/Iht566+I7Hl/Ln/u5r83AKiQUMGTnDHuH5v4+

ks+H6/5BvfXXtMiBXtx2+0MFNddf8yagtw4xv8Y687meX689dYV49uveBW94VXIfJ9qXGk74

hroBenz8b7/9h6BXt/f+Z7Qjyuu7/wBr7wTa23rrXxBhuN8MMjXH76qXiOm44hteX9dHfFS7

cwWvl/D6fi/JHQlJIV+n+QY8O8YmAu+X+oGrbOPH98Qbp36/cOEKGLv8QKiv0PruY5Y84/6+

0fV+4PMVHtMpVY6WkfT3l/w3+z8sd1AV4fPPvKiBuWeB/vO/9luzOTrH6/4YWD9fV/Hb3iFN

fXHxv8/4SQBVYwfgJbDeP1BpgcGuus54ga4muuOvf4zB8unrrEzFZ+OvzHfZ11mHPX649o3b

p66/7BUZP3++v9xioMZ0/D9dYPrzDal+fr9fH+SkArZ+Ht9J4oIa9Srex+eusTMPfrrP/IbU

iyCR1eH0VfD8kS2iNyP1zUr118x4zHeHRUa1HPRc7MzS4Vseve5nV119YLrGuumWu+08218+

z0w35n0Q+t4/htfB+WdxDC4bdiN47ffON38G1G9PPIfGPvdQaXh9r+2fxV+1RYUDXFf10feB

N79+HrvTXBDwvfGeh+3GJasz/wAi4t7fg6+OJgGpncGOd/aBqj89b55mIDv11iU4O9/au0q7

ddd/rzDZ869/+x3R0t8+ItDIRbTxWOvjtCQ8/qVcGscSxv0s3fgiK6/uIu+uvEtc8wXOut1B

UDD59OTt/wAir56eseIir34eF8eYygbvrrMqas+MwBSddVLacZnwQBz11mIgdosZaxd+8sXP

RD8j8UWVUIetT8H9yy+v1M9DX9fXo8ypY+9/8+0dgy/J+MfvyzFwe3NP+5O7pzUZHX3rH2NX

ETX3H+f1yX3A/Dj9f88StXIx8/8AO/6l5jnz9ZtfX+9czrrr2gVt666zOVD18eILDkx9Hr2m

AcXnr4+PrLg566fiDWusdfFyxhz1jPzFTi4WZD8S3a2ddf1Gq2H7eM6l01vHfz8feJc7pasH

L3gcQFyL9zr6zSMn+Q4XrrxMQEPzD7E9Dj2QdGIISlJ9/wDsK6t9Id6/HXX0gnLHiLgNuPjn

9TzfpGn9D14hyP6ddfMJAqU1UeN1fVfuPD112/2pv96/HyfWO/4D6EH2xbHiI3d+NdeePqD3

664iwVTngoD43z+/AG3FPff6w/fdMydD++L456uWByVr37d/HiNLWM1vngvz9F7M2W1n1/e8

n63yGOnxDTr/ACX366fadP8Af75hyXrrv/bKpvn+x65mY9+uvEw4Rrp1r+5TiDJQVMkzMfEG

TTrcwpxMelJYqef6/P6z3YIpetdc77YDLrGC1UU98+04C2uL2vWfX0+xIBqNSKt3CrzBcHNe

Ov8AZRdX11/yDnEsvOevtx7SzD/n9/394F66647q6dNE53njP3/yyNrz1xXPRdzJPs/TMvP8

/wAM2htODf466qVWEGlOL9/ff/O90TIVkHW/G8X2v+rQAfbuafjk78YudoXk9+fvxzbrSirS

8N0PJ7Pc57S0Jkw66fznMuhmzqr7wWSqcPPb5jjXXXXEcNHaZfMal5vrr5lgde0GVcSRghEC

db3r4/dQ1jbjt9fxjvFyB+G9Zipn1tKZhDeMPXXiAQh519oCC8b7Ade0Wqx8/vP0x+pe+vXi

ZJ0X6fsiQXFjH4665lDh+j/UA2j9H+nf+xLt/wAK7dZhjH6hC8S/xA819zrrUw7HyffPMM3k

8kQ1T6nXmGtH1N/7xPMdddGIaDaM16XLjGczS+H9TlfXmMs7fjHXn7SgnZ+/HRxM5way38Gv

j9TumdeMj094AHbI467I1y0GpWAz7c1heMe3N0zPMA9s/wCcfHe5Y4nT/vt7590VaS3t9a8f

O+2CJU5qPJ+v31+6b4gnXVfXMBTfjf8AWjr3jsef3Mnd9c/SZLm4MbSlVtr6zVZ/fX4gemuu

e99461xBv1vR7TJ2u8ff+sRgHcuq/HePB3663ElfWfn0NoGrD8jzfaH/ABv6nZ+NH4l8uu8x

LcvQ8y/j7v8AcyaQ4h9CeN9CBaD7TRBluYtxZf8AElx/Q/SOrvzEp5479f5NyDq/n9948l3X

yQfYY+/jj++zBANXn7OXu7+OIN1ZOn7+30jLQXh7vnj8feIySr/HPX6hoOj9/iDV36+8puGL

57d/b7cf7ArEwfbrr/Ifz66/cuQyHg6695huHdCixcCtTDzMoxGvQuO4wAUN8Vfh6vm4LUWb

+m+2+e7W5YmMNPZ9Tj0vNel+lVMy4wagzEYNxI+nMPTa8P6m7XXiPQcdfv8AUtvzk9v7/XxB

SgL+Pe7r5cfeAuz57/B1xxETmv8AJaUp8a6r3dmdTWc0+3b2OPd5ZUtqm/jr/MSyI9dfnmO+

VVm/7/qd9utdY+8rHX/JQ31nrvAr5/vr5mBz119e1zbzDzM6Kp6+sSYuXfb+umCKanBKBjS9

pg3LC4h9OYWRa99dahgxii+rp3/l16LBt4/r+vQIS8y7JbNvomZfqx9F9H1YxI6T3hKGvz2N

advPsxkXvR/nXHaXB5M9u1/XWO/vEMuXh/537eOxlV3179vvKdM111/xiV/X118bIUI/b66f

tEFPsMn1z26ZcNjcP3bKG/f6XAvlxqv2il3HZx9/8PeEClLs+05Pbrr6ReeuuqlUXjr26+sS

t95UsxHWYG4oEzYaguA3R6GcyghTAXfb27tf88TiMzTwP5/r02e5+5p3jqDcaY+pLue/ob9H

vAqMD0yvpqICc2QVby0/m+/t/wBhxnhv8fsg7aDGPenHPZfxLWg8Y4x9Hfn5pDAL9iCnxJ19

dRIeev8AJYA66/2PAYhYHWIbuWdsqNHXRBBBhF/B+4oc/WY/D84m4ddf73qjiM4GolNzElbS

fMZ3VPXXMQIocfF5r9fOEh1UXRW+urjl4PueE/ZhM+1fd7U/i2XLmI60tb/XXZMEwWMwPb8/

oPyP3GcxjOYvM7o+sa9K9yXepf8AE36EJUq/QKJ0qJtynGP34iWaSv8Av1eeJQNmjHn4c3Xn

y7gGmsFX5N/e4RgyvXXiWGuvjr6xHBnt/nX4y3wfv9EvEKlEE3z117wbair3MRs4PySXo6/f

++/aCLM9dfvPoB2Wl+Lx8Drw+5M1O/69petweonQulVllpK9ug+bfaCKsvdX9UfaDsA2N/sx

VVQq7gmtuOX7J75OOz2M9uuHjxC1RlizQrG934p314mPvMSZnov+/oa+T9zxLilBfX1lrxr7

8dajTuWEX1l7rPXb8SypX3cn9n3lme8957el+gsPXiaemmJWPEKwWuPf9f47qDZvtz4x9Pb8

TB3a6/cwQ4+Ov8lY6663LVx7bzf9+Zidv0uU5jxvr/e0rSCPXXWpwTv1+JbBkLE59+6ueRky

QsGMldVLWdP28/39e8IlK7y9Xbk89dctfg9orCQGW3nERgJBhBc3uEPi/L8Uv3dpgWP+bfjf

9QrCiqf8zV+L4uhYxY1bGbXj8vQal5qYmGVRMH563x9Ifu/38dEBY9+uv8G6x11x3mBZgWN8

/wBzStket2+3mD6V6V671OJcZR6Evu3evg6qOOeev9eO2I6jHXXx4Yyg3XPvfXmUjXwf76+k

yUmOuvrLoTdo1fOzo8ykeFv6/cC1eXHXXvHDxAuabi0669oK+fXTDJUuZG99+Xf3f8C0+etT

kfHXf9e0G5111jZKtWtfomrPjvUtJbLzupcGXLi7dYhKzAW2nD7OPPxGOQNPerO3WsQ7FlcO

OOe+H7xWrGbvY/fqZ66616VKKf8Arn/ssXrrk/EO3XXHVND36z1+oWwvz17/AFM/3MPv114l

RHXXX/Yo5jJFwK9QuHaOvR1NBsM/rrj4l71zxA0a253BQvTOf3FMd9X/AL19Iq7i2BQrH1zm

su6zx2zDeT/f969o/ZLMsC8dfWFRbjgrYa664xC09dZjKJYqeYHlwe7Hg9iV9pS8wKIKLzjH

1H8PtHzUoKZvgbt+Hs4uzScAH0gX59CtTLPo2wMxw2zrRq7/ANxLqGA+G9f9z52vow5Pt+/T

g9/6iXKXiFCvAv0Ize+/7hoOv34gY7IkKVbzWqOe3j/s8Ir/AJ8P0+0Nw4+vXWI3s61AJ114

iUcz8c9d5XoeIxiem5uhyHdPpz1qU9PMVRO/XXxCUYZ8vs9ZO3EcV6dPN+f08+9XYG3X/ePE

YZu+v9iVt7ffrzAuGJht119+2gtTc6uuvtBsvcJ5gOr+IDKiVZdjVC/hZ7ry5LyH5f8AIAtw

H2nEvrfn+4aVBmoF4hhUGIaxHLmFze4qPiz9/tlGeqPXXEuDgxWvh/R6OR7v6hnfovL5a97H

H9d+DiLvcOuv3mJMqTgNe/8AufxCqgrrGf6+biK3HX/P3qW4PsfH1PiUqMOft/malpDPv/ca

+AE+fIvR+I6Ck4eteZXo+qX6ZDH4Yr7xKef1v8xRrwwyzqOCIUldv7/ziY6eOr65lh5666JU

r5V9IILZc1j7/wCfbtEs3jr/ACDPX+Sr+EDr36+kNCX47yvGDD7ZZ8ACDCfZlumsKbMcxIJB

78H5xf2FlP1jKXM2F3CZYvtNx57Qxmb0Vn8n7joOV/B8d/iMz7eGsf8AI5kym/Yfr0dfd/UX

mPXiUWF3QHdu8/Aqx25eF1Tkt/cY925ZU61+OmYq656zKqHH06/yFzycb5d8deYNr/Lp/wBi

FAft7d4736/bx/bGuhnldH9vj61yGtV9fqZP3HF/Sv4d/XGTU3J7jH0ft6PrxEC3RA5e/bo/

GIuo2f59ZVO2IL4e/X2mGIOn8/1UDLO/x11xBHmeMq5aKi/p17XAV11vom2ZTAg1RELQogx4

EHG+5BhkaeH5r7Nd6uyIkXQq+L7e5LL1jT4m0mkshFLPb9xzmkr30h2RO0QU8RleE++L/Xpg

InN4/B6Vh7v6m5XXXX3h7oicPPk6uGKy7sHxXt88Rtrv1rEsHv11/wAgEo6/51UCqXUSu3XX

0nazT3/z9nJHtTAx79fm5fEylsTGZZliC+uuiDase3L3rXufIyjL2P2JhPJcqVKVS38efY/z

mULOXl5++vioBPL1zLgeS8ZXNdyM5X9qa1t8+frNC9yjHVQlUpBuj7/7Er3l8zDXXsdfSZYu

LR7df7Cu3Epu4rMQ231113iCGXdolUC3A2NYPbNf9malYy2UYPjPjtiGrZpNYGYFNsTicVOa

8ftmI7g+lv6JZPtJgnICfTJ8nvkDvFfYP18Sl3Pvj8HosNxz6EUWZ4/f6vEdA5/51r6x3KQu

Lz3lHsY67HWoa4Dp+Y9Fm7evt1UN3Ax/zpftNrP9hfrrr3uYsO5WeenkeKe//GzCrWXAbeH8

Dh4XM1NGeGcT2PnG3330wwHeIIPuOq7Xt+2auAzfnf161Ed768dduyO3oh3aiM1z8f8AJ7q8

9/zKHh7Rh/iXHHXXt/cRdnrfOt/WIDQJ+Pb/AHHZldxju0wZbdSe9H1iqrsR1pwH16/2d6DP

y3Z7Xrs4zB6WOkj5MFEqmY90MHmalVvtNbOy9usy1OT/AL+OTvLF8Pz11taBWEDr+u3aJrGv

j9dbjnPXRPuD8Hon4mPEfMCbjU/effFxGAx11/sMz37/AD/X+Skc9dfXjvMsrIZde3f517e8

pxMDbLl50e8qB2lK3Gueurim+usQODAcBXc4gAj9apKdn2cViAVM5e1rO+l4L7IGXTvfnxAx

nPXX2IQztrj698cfGMzzzPhGb1jfx12joi/w9/Bx7HECGTkFvbzS4rDl8tQyw+b7a2du8A+k

fgbqsXrj6RUBbqrKM64r773TLNGTPFZ67bgJZ9gP2MuAhjevu74zXuG4lD8G1fl2ck70j9v6

jEfeDMdIiAexFkPP2X9f3OudnR4htKB2fnnbuG0fRuEbr36qA5D5IUQYZY7lB2PPl/r6x68r

22+OPjHiEBivfb59+iCtuuu8XeX2n336PQafH7ZeK6+Y5llTULbfX1gHF++fzDeIUPY598QF

FymOWq8GvDAEZkUv46/Mp6lf89tzCZlS+evaIZTJV+n99eWZYIA4SHS+vHiIozWQ+rX7/uWN

GNHuvtvoVN68ez/V/MULNcBfvr+/r2lX5fjP6i3Aw/SvOpY1R9H/AD8/u3KnkyfUrvdwVxtF

Vn7afIncEKnPq+fORn3HClXkCdEFXWxvfGPJf0iDrKDvuqhNaz8zBoU7Ne2c74732Hr3XL7u

5ZoHh1nHePKq8arxfv5g24ddbhPqiwC5dDbAQJQOLvrrxGHhwOOKD9fTEdb6/wA/UybgVxAC

miBUuBElRTk/v/PrAvrr9TtFq+uf99oW8fq/v89XBln9L9v+u83vWMdfl9Br2/bKY43PEs3D

hAqFSMD+i/nmUo8H9f1FE4vMuiMv20PsXj53DoOOv+6iHG4N+YhXXX+TKWG52I4KmLfGfx19

IXdB+R91fHeCGB/X0/HOIxXkBeM4xXjtX5uhb8EuR+sTtGLMsNVBe0y23O4a94kWblQ89flj

RvVb7f3OnrxmC2PZLcwE+GU9vkcmOcU4z3jh8dVL4gkdswxgooggTfL11mDJij7jH9fHaNDF

MVAnnrrt3io2tV8Vn/eY8JcddF6aez9sOGVqZhLxcJ96fqYfsB+/3Aai24G6Vz2XtvNw3h+p

rl66+sd5nTr/ACDFiAkxYOIdu3T9pe/BPnh+sPsOPL3+vzrGbH0H8QrXx+5byJdkTxFxkY4j

dfX1LPj0CoQi7gC7rH4q/qMoVrROfOP3LkY2blQFXvA4Uprtj/sZbFXv2fbb58Srnrq/pF0l

bRbT7mKq8fhK40ase2U/rzLTIpspfdYqudy6FmcNq9+V+JStPmh/r8o4JeV1quxzxnu2ykOw

r21XtqKt/wDe8RgLOuv3F+d9sf794uYYCUNHbjEGXo1IC6OfeYLgvv112g/7NfX+6YeIJldc

ubfd/An3hKlKkK1ewfVXFvYAXKqTfXZj81b6XX6gKhwffrtXBqaFdddXDVzSPt113g+d+otZ

nK4DmVN8RXGcXbo+33nvEp+fwJVR4ZXyFQsyS3kuErOYYGsB8RVsrP566zMd5TmdiPYRU65B

/P8AXW0lL5+n3/r5llddfSDQeYzkv3/ubCj6QXHfn4gMzxMaNhV3XGNmqNjAAfAFfCs/4M8w

zqAB2K4698w5PtvPwifT8wR/Y/1XvmN+cfP9uvpOS5+P0+/eIb++PzF2M18PX0Ykym5caQV1

NvRnin4GYWogVm+uvxLKcdce0t0Bfx1/cZ2tpX1/VPzEO+FeWj/tTCpVV19598/mA7ko5lME

HaWMu1fzj7VOz4/qI44hVwoZYVO2NfMu3XXf6yre4fhP6SlPz118wUnn9EYESi2xDAxWxTfY

O39wF4B+t+Mrz8aiImGOUW5ZoXRx5/t+zMGcsGBEWOMyg1r/AFf66IISLfaJ0Ub/ANlBDqpX

DVs/5+M95bneH9OP17M0pI25XFP2v+0qmCUkNjHbV5+zJ94Dlvoe/wA99E6An5DrzCwB7V7Z

rziUi+F96/P6NVzCiVUq45NT8z+X0Zuqq9XeGBh18/3Bt0Src66+8yhfwp+v7gjZ3fLT6m+e

Il8VWr8n99vmVvuYPbP2h9oX8y5nZfp+YrrFQvmXmO8Bvpb/AHFx1119Ru4tkEZ2sS7DuDHn

rr/kCLmw/J/cW7Ihfv8A16HzDfM1s6/X4mZMmvP24iM4IvPX1me88x8RF/H7f9+sMj9zB9j3

iDRfv2jUi34uCiGo2V5PvAk56Xv1UpUePnrfzMtPXXVwpQxnXP3ePrXiC9cxrUeV+/XmIXXP

z9pYf8evErj/AHpHWTowstBtr7yoxJUSmcw18n8+gZlPuaB+szImhrTw1+eZcFOfZIKKdpXY

0Uv3MdfSXC6WD6V+OfMqJyN92rTj/L4lT9q+x17954N+R/n7lje7zCg8RZtRz0f86zShXjrr

UXvCrzNsXMI6666Yi4YI7iWbsn2p/UG/khFns9/+fiLcGpd+g3XEZ5SxjaWqGYwgGH3e2+z7

SgW/s9sfd/2IsrW36y7hL3zDXzjEk9pMebf+feWVk66xFvOcdbjKorPPYwPjvKZVr/sPfscV

1xUvtFJkuvzKY8Hy8/n23Fi+i44rD0olHA+pe3P6iAJtf5OrlcUa/wA/qWc3N6lCh4r995oF

4JQ233MX9/r3gMr2rx7zYGO4f3EqWOwbjxfSQs/pIt3b9IcK12Zd/n+n9yxvD4guxD8SD0Px

D/mgtwPv/UA/ZHCbZ9zu9mEBS/cfuMWQMVpXvp+I1bPqTxvqQ7b6kO+fWXAtK0LyXrxce4+j

E7GNwnsgr6MnuFfRofr8Yygh1/3X93qu8IHcygAn1GCiPmVl7bv61+ph5hi46+kA5r36/wCx

RVzWPtOSt56+PtBHWOv+xPz/AFDss/sd3+pSB24+o1DXn7ZnevOD93hWqz4Rfo1M5h7j/syi

H5PxcuOZ5eD9v/xOz+Uw8XiDsjk5PP8Aaef83+51kO/8Jhe21XxeJ/0f3h3z7ssPu6Yhp4yY

PR14zHq/pmdyOo1m5l3l08I4K4Yr8O7pmZzucP1r3mF0NdTLXzX2/bXW57HzfX0/NyuPX6j0

/9oACAEDAwE/ENGUqXN+m/QJUx6h6E1/CrlehKb8fggOJbcyPaVm5U1mXZmVcQ66uISs9dfa

YiddZ/frZ111+L8yoEHmpaN3B+YLvLVBf+dfWX8fSZcH3PxHsGfn9y1gp666qLx1/kEhiJp7

+m6GoEJuExD1qbh6vrU3CVEpfH4JuULgPP8ARcpExrzn7TIZde36lrJUsvr6xRmOrnG4+5j2

6YBXfrr6znEwJe+ZWpiX10QGtzPOJfX/AGWupXeVfxCKm5Xf0HGYVieIRxuaPf0Fr2jA46Ox

A7A+a/mQP5H9iAWBPH9xHclOhV+1/hZ4n6P9Ruy/mFukGdn1IHqeh/JMoBWMwXPZa5thFRo7

F470xaYNo34LYoFNgOch3TIdlMyjtj7n+Qx1/krUR3E79ddeEL666xAV9ALnvEj2lEL7x+f+

Sq66/wCys+gdfWEHEUvMqZ/R+SeIqjqDmDnBKehs9p9hLrTLN5gG4H+n6iXT6EKKqANYnacQ

gfB9OusS+wh4RZbgw9L/AINWvtHZAyrilXqm8Nn4iNWlYXv/AA395eJdtK21WSnA0BQW0ZVM

6NOsveLhl58S6rU6689cRfDHNeix3111zK7Qb95x/kuCO469LqITLr9zjrrr5lYzOuutwirG

oNTfpfiGhLipOw/iCkiYx111iBJSWJtUJehHzCqvrrj7Qb95d4nXX2n2r9zc3/CvT9P2wPnr

q5pHr+oe89uiNWLP3F8ov4l9fMcexDDrE66/MWtauWX11/lxgEu8yvEL31+ZlXXWI4q5iG8Z

l5xKvH9ei1uXx6IohNvecY9b09FXvvwz5vXX0m8HHl66uZAEfD/n3mky5LP6hoBvvlfuV+IK

5+p/R+SUcz4P01KPP2/6hfJ9sa0KWoYC+uuqjjx11+J+N+H0JVfx4x2/bBKKgtYi1BnOeuvm

V3nfz/UV1v8A2c2wpOuI76OuvnCUaOtdeJYDMpFd2DndRtlzh111zAWUsC2Vwze5VmYsWddd

VBrrh9CGcc9dfeLWXrr3g8Kffr4qAR6+OPv6OvffiIDXb5hU26660WTfXXEaaIuvzHC03MI2

Nle39Swsgy4LYaGBbXXXWZvHW+uszd7EIfyqx9v7hbgntnx19ZQxiSjmJx19YXxp666Yrpz1

7Q4D6Sjj8/qcdfdl8MH9/wC95RafvrriGmUNQU1ARhOCINP5+suHN1rrMpccS812jk67wV6e

v1LtMKGdfqVcIHeManc1Kw9FXvoBE3ecRS7GiGaOINFzCjDwgMOtTwN/tl1vXz1r7RErhJp7

8fRf/C7+n9y3qpeY2Ge/X6lVhOuutSzj6X/cBd1+ZxV92VvHENDrf2694pfXWY9OuvpNa6/E

ya4mHd11/wBmQ+0VNQFFsHIDfwZlWgHiLtV7R5NddfiDB7wUuo99d5hN04S8xtggbiWCCbg6

ML57/Hrn36Ha4/UpQ7Si5gZQZMn/AJ/2U1dzSoFwmbmIMV19vOZWs66/HaLeOOutQixw+jf8

tpVyzUV+iXK0ExuAcRL07x3rq2DQ+Ijf3lx3qWe8Up1xqJbvFnf9f38Q0EqqrG7wd/1BVRTt

nq/vL42xxVfrfE7x9o7ZaMNeM+LzGpgpYFF28cYrXOfM5dd/Qy8rZC+uvpMKcJgO/aA+BSav

l/5LiBrrtz4mJ93p9rDH4JXNXf8AbHTB4Lz+MfWI2p7HWYZeWaOd/wBe0Sb7LiVKXxVkZRQ9

pllXHD10zqe0oqIBZAZTmafk/lc3On2ikTjMRX19u0u5jO4I6/uLsz+evxC18/slI8ur/faC

/r+yLbnrrx6luuvn/kRsMdHXxM1ioW5aiBdqlfmIcgBXVdExdrHP75L/AFAzAPVRkACMtGPP

1nm1x7GB+auFz13lZm78zNJT4nOYGO1ENss1LUrCfcH8en4f5I4HVyn5F9fD+GZGI8xMJArt

OSATEyBhrrUWfsZ+OvEq2311x7TDiVSuuut4lXET+vSv5cPn9TUsaiCxafn9Qtc/GWuvme7J

379d/wBQVLq3v/mx8fZiDsPXWv8AW7n5+Y7muvg/EApUMpOzKSuRMWZ6qb/j8yqtdfEDE4ln

7dX+odGHBaHv315gjkO7nvuUhWl85Hj+52ZH3WWqiaPMd7hH9n9ylhnCYyuJvJFV94t/D+vT

8L8kBrMyDzE2Z8Yz9efnM2KTr6/WF+Yk3fXXMKKIbTcN08EqVWfHX6JSOpQvvH+NenB8/qF3

HFi668QprCuvfr6ljG+Tr+swgmNfbxXX3iDbX99ZgE1rrv1z5j0OvvmZQJ79ff8AEfDq5doa

z1+4FZnsdddcS8e0vJ8xwuf+kKW9cTFF8k8C6vrU4HJ+ZSPrG+uiIxDMCDhO/PmUM19D/sN9

47hN666zObrrrxLhdkHNMZMkaxRpmxiM1QFfj0/A/JKJBEwvrce99v8AJyX9md1fvFtXZ18S

vn0T3YQTOK+bf7InXXxFvjrrUJmL3z+P/Dh8/qK3DCXGLv8AfXz+7LFC4zVLseN/vcAKV/X3

/wAhOSjBGs31/f8AsXHHWR7nntu8Qw61s9yGOTrrru1YC9e32lN9+uv9hCUjLDXWJg9ddd5W

Wh6MI7wuR43CQ3vMr0YMi06f118c0OQw66++UiE7O/eu9S3I5WNme8oHZg8xBBQv4h9eu3p+

J+SYDviPMhUTHXXXxFvn9zIPeCJTWY2xKOcSlQr9uuuYLUwFR/nsfP69KS9PiZbZgVnDX473

AFLhfj/L78P2S9nZ79a7/kRWa31+Pb5gqDo5/D8mGHCxf046/wBJhHbPv7dd/SzAv4hbXXXW

ZyfPX/IERLE7ddXKqGIZhiLmIymM1qCNzMU/0/hBK0YlAot/Ont4gYjhmmn4ES/mC3nBz29p

mVZvFcPj6/jzKWds59N/ufkmqlKgl4T6/wCwTI+h+4PmvoP3E90fJ/2f1Uljq+zArjPw/wBd

e0TdL6MGzd8P9dMf8ph3H0heKpuH8toqfmNz+Pr1+JQkTsPH0Ou0aorflY+SvOTUZwv63jr2

4i4acn9fInisWQXT/o7dZOLJgdn7f35v/oaF8P639LrPHMUFZHXX6Ll/5mF94vXX6mkcJ8zZ

FsvXXXMsPaZJuDUvd6LhmpifZUNxPQiVXgVKeCNvtvPBL0PJfTw987l67Pz17enPpTFBLMN/

pJ1D/cb/ALS/mKkg9HNR0H2l+D6ED0pPM+rLdr9WW7ypUogQ/n+39zPjvBhTrn7S6tpbf+/H

1lAbxyfpiXEq8x2cDvxuvf8A2OF215vnrmvlnR13OiWKc9dfHO4I9xHu5MQI9deI0kzdx1br

rjq5lGB5fxMogVUzVhcv0YUgauDP8MsC131/TZC2XTz1fGg4zBNGPQ36Kj7ys+lQIRgelfwr

+ZKhX3/TMhXXXVQHMqAXhuu3WpXsPuh27W5NXZLBjRZl2Nu/GDvpISko0/MaCuOuvrL6TD47

9dVcqXsYf+e8yTfiVb1ZzEvZmeJVZvE/rrrEGkOMuIK2xDXWmut946bIty4HyQcVKmmJ6MOR

l0dlO/6/55x6jl9NHvCvSoQhA9N+o+h6sr+A/n9MAW3+P+a/yXk8W/WNn54+nS/1H1bLYOdY

Usd37QpYiEuuuj5jGPmJ5ETrrrI8hfMwwK8Yz7/5UAy/r/yA0K89cdBLCsnD3663HXX0meOu

vHvCtDbiUY7Qa45lO8StZghiXJvEfEXmMPRHDDFTd0HX2+PSps+PTQ95mEdQ/g+ty5fpfo+t

+gH4zAHw/wCeOvaNGG0/uAord8+3WIKo2vPzv+q/7dmvXXzNsl8QBYCQubtiG673HVR4IQVK

O6/5mJ9zv19/MrZT5+kOziLmNW6uYaCG42jC9biAI/1xZv76mkTuVR78/j3lAuOuv+xahuEZ

7QDZrGPl0fb3c8TfoGV9OEfPpUIRGyE8L6w75BEw36Hrf8yfYRW126/f094bbeb6+0AgOHfg

jVTnP11+EdLltdfMotzUsfqf1Bz7Sg247xXCJXoM6lGnXX/P9CPZBDZLlTaDYfk/ZxssuKN4

97JXCVd4hkIbXeD3jW9u+j+6+PmXontX95ilR2FHv74nGIkTHZ11USgY7xQLcERF74+dvzXe

KwnIehz6fsh62vd89dd4PvDx/cyQa+WEEcEfvrrtLjGeuv8AYN/xP5bfb9kxK29fuZnYev8A

PrEKcWh18fuBcCyZBCBtrv4qNrvf+Swrr/sL5lh7seDmZKRtmfEe4y+uuvpBiO8GF1hQU0Nf

Tzw4dl2OT5QJc4i64P76qKKQWTBiViIfmKCnHHXXPaWsu6X+/wB8e0aN7fbe/sZf6lsm6Px6

HPpt8v1Nw3NanIbfX4/WJfLMddf3NhVArS76x/ZM35lddd4B254GAr5+IAw+f76/P8L9SD6k

Feev3K7cHX4gU8wFsC4bjXX2mOGM7Ug6wOezWes0UOUOvpLaxOSGameC/T1+JVRlWeOsxl3B

jOyWkTKTIeC5B432xTK0NNisYdOT6du3lHcwgRhITiXLWHEs5yz98y0N1b85K/pDH8Cz8v1L

gS+YdDnLr263DFz4PMQq/wBOvxiH7oHTjk/3+o3Y6/y/zLp4xx149T1X+FQt67/ifj/HX2l2

+2PtcAI839axBhmvbr4lJRAuxY5bCiqHDny/EV0mXMPRHGWBs7zaptiKfSco12j8X4/z8e2t

ejzYcFg8KJjdVmqsu4OHHOXllif45zDKW3P1gl3EI4KmJNItRgsBvXt18zUNr/l/X+LJPaHp

fPKfTn7QBOAj3ez94il3sjAAA0rnxhve6PkEqU86ePr0/t2m2qxPp3r694066+YYnJyQZv8A

lUxHx4/MK/Dr8ytTrVS9o9Pf6ywrgYfPn+4GHPXXiYKw3fEaEWC3iULk6/UWWWL8zBYuGpkf

3BsL5cnzXf8AD2lIHl/U7mIPxMlhLqLO6dkdLHmDEMiNQO5ss+mPfoucwaxwxXfv6avb0uoz

WW5f3jz3/uoegO/Hedps5YPjn3AjSkzzZ8HsrL7r4qO13+sXArTWL9/InXG5ntSfcxypG88N

eSK6i8RmsjrXXtC7dy/5cRhzlHc0qz0dfMWfeuvpN7uCERz104hZauWvialu0NS6GDt5g0nv

6Cy311/UYA1zcsxd2nlO3xx/UfuiLeQQarC1XAk3gxm+C9LTBxxxD7nMFE0eixI8RZqYMcs4

lOqFQc+728d/HOa26/P/AD6+g8QrH495SVxl9Nft6G8Qd2Jb7dve9fMZA2tgtmAYPk+HCqKN

kcRZkSDNqE5EK/KvOcy4puwB5e78feX1eTP7zCtqyrz2X541AAJYaO/+eX+41Dvrjt+Z5Q/E

0bBua/g9uZR78f7/AN1KszlXXXTGKTUOEE5v6MbZV8xfmGsQZjsOq6qLj6zzM2CmMNtijMoZ

52PX/JhRfbT9PHcxrMFNhWnegr6dairD06TScRyxZxAuGMoj+JdCE58e7PoR+yAnv9uv3KlE

7n7cb9r9V4e3oTRXk8dvz9ZgPB4fm76xMMDhlUiyilmK9mcCeDr/AJMpZ/wHzz4PMtjy2+x1

9oFn2Jv117zuz1nrHDHbt66qYB12/qC5eplCLQ6/L8zBmEbKfabLrojnHESidmoqKJSFoCdo

6z11/Uq+mbNUl3jlCvVsrUpnKb8/5CNGzT6/1U4jNoppFvEO82zYqXTt+Vf1ApzMfkS4OFfy

1Kyu3/r+j/IIHX49fT7egRmWADOW32DrcCluOuu2IizmGQyDrr9QhywVXGXXW5yRt/58ahPw

j2P738w1dOu87XX167cQXrrr2qFMsux11/2NYbOuv8mIcPpY2D7zEuzrHxP3pwHd7cXnl0eP

mNJ2uO99bjIvb9+uDfxNk9mZWmBOLi3hg5ZuZQz4m4uuviLyxMRALdy/WH6wm7OXqpgzyz8z

GVhPmvqcQogpNjw+0OIo4VAX2jn2hlWK3HWYFyraPyv6lmDc90N/TEsW8/7AX+4nc/K+mfwh

u4O01F1O9Qe0e80K73c4aX7mYw2T56PPZ037RcW3rrzUuTgOevtFW+usSogLdZo6/pl3XTx/

T2feU3yiqkz1u+vvCqnXX4lsrMb8+ZYvWoZ0YjLobXJjt3/H2mO8Zf7mW7HH6/r/AFgR1ba/

V7Puc6t4Rg0+w++2s5PtOKi97Xz981iGAwvTLx+o3ICxe1NN+zBFHA99jR/de83Q+bgqcsfA

qzwt++IaaFnJ2e689dpZ3Pfr9zSKdpoS9LYSDs/f8olr1fGPGtGKnPnvj+5ytPGftv7RQ0iV

3mWCVR6HIm/v2+0FrT33/saJylXwHg67sA0l+YwK9Oz4g+h6Axuu9x4Gvio05cn78dfSEoKu

L+8oLYvhD78/r7xrz/ZDb7RhIma56671Bs7X6Gvr8/TmUKtz5cywolHj8e3z7xDFtnjfH117

1HkF4V+Jb5see2Px+4wBk6V2xeeN+fmAOa7fH6OxLvzj6y9bk1ff3/y5yKXvud78zVhaWvhB

4KexSRFzDQtikaKE3jLE9yGjzxk704eK0xFhUtsC3lwOH6x2lAhorStV3eTkKgCxcm7KuCmr

eXUzXtmPpAPzmEG2MSosInP9VE4b/XzHA8nMTBwSxPllj64loDafzf7ga8wHmIFzzC/8+0W5

VRXMvrKLy/uBn0GYNZ689JG7G/fr8SgHpu9KhO83qXPjL/V/r6QpBWo3AFeh+tb++5lOuiWq

OLz1/wAmbftKQ7f3A+EEV114+JV9D89V9ZhfH4+vF/1Lt0nk/HmK6y7tt+Xv+JjnWpRr0l3i

pgrDGT8xSy05iRq5iwV/k8Ivx+YVjgOviWh8QUHF9a6ZpFRidwgqBH5g6Vme5/Z+JkTPX3jZ

nZ9d/b0M1ZVqW8Fhfun2XHjhafTq5UutQWwCPn8sW1hoem6Opc8zUAX6O3rt+piK8sqWuPyd

b7fWWqLjtGLjfX0gAHHXXWIznrriLlgOnmaD0fMwf71+/EWOumV4cifZ/L8sVjQ/bn7QdUtj

GNB46xDZHo4r+oHnEuXxO5AGYwLR/SAoN/38wtEHpBxvrmHS9l/uChbcWIZZDtSyU+iGhj9W

YOjg/wCe/eFciMAWbTO3RgeM+ySkwL73j3oYLbpdWjT7UKPZMFmc0t8Yz7wBfsGgOvZzMZAW

PnI/TwYi5aTHuc/5NM8TwXX1+te8Ci5euNQIYxBYdoKB6MlQ+L8Z6+Zutfj8f7OcDuZP7Pp8

ym5glLme3RrZ/sXCqs+/XXM5+WGhXXTLXpv96gbRL6dVMAlHiPz/AJX/ACVfXXzEB66xAHXH

v1940X8zq66+8IFvv0/e55wJsXLnsTLZA3rrriK/NQwTtEGuS1XmsQQcqP8AfzFdpixiJcy5

gGnWPu/n6RIWa+fzEVOIFZj27x/YCAF24+ZRESx2cI7+0++V2cOTRveixqXDUe4Y6O/xGLIC

/K8+PsdqqpYAGdXfbQNPo8XcuLHNHbnsJc/l8xzrevdi82hYZ6SOirHdHL83h8/eB9ny/i/+

wBO+fnu9HaGN7d9de0EFlSrhr0x4Vx+ZcFHmqV0Fq8Z/vnUKsA9ivxHAwRVz/cFCQ0PaET68

QGp2WGwrDz/Vfjqp531uL9UvwQTXH67/AN8fEvcB7PXXVwctj/3/ACvPMVp2U+sWZmA4Dr6R

XiUPhiiAyZlxAmXHv9X7SgAun5bDeeK47u4pF5QLIY1Lhru3j2/3q4W2TBal3POIMLyL+rX1

lfYKNLF0rdQmYKdHmv7yeCu8o2y1SfZyc4+7WWm8GnXLnBj6nZlA0K+ta/W4foDS08mla/WT

DFZLXvlv2d+fEJgXDx/zGPnKzVyXvvzLl2xXv41ArKyyLLG/z/mPv7w16B0ocu+8X3mC2Dcl

+n3jCqsvvEVrMV44/TMqvEd28TieP1Mh9OvrNAn2Ov1OSBLOa/H+Sr8QYvrrrMKnR1/nMAd/

aMaOv66xqM1fMQCfTM5lrdkPxCcMfDFHJURvHXzDzYd6r/sAqmFntNcSjtDctl5x9ocPvB9Y

Ga/bvx/sMK0Xntjw8WQCVtrtBS1f9xXqOgiDOOue8Cs4ezvx7+PpMy22Vq7pedj9e0o0E6dZ

5mQXbGu68K/UK1kljZ4X39vln3jUtfW/pd9b80Jlc9jfsdeY4X2vr5/PpUIl7gVDXoRN33CC

Asrw/FXC2lHyfh/2Y7IRyd+qgWDvX9TN3zDZhqtb/X+aj1B66/7EqUfMQpj3bVO7mWyguAr7

/jr3gJEV11/sFemOrnu4v6Y/MyqVB7P5Ppn6wcwtEDUqtMxQV5hTnUMMrEGZWtw7O1p+oxV0

67+2DcyxAGvfrUA11mAM7PzHY9iXoys81v4P7jeAK/Hfqpt3cZ/7n8w3aIfUq/u38Sji/wDL

eO8YFmBq61rjjt7+0rs11/hLH466/ccqF25+HXqendisH0c7m3efxVfv4lSVo4t/59pbzXx/

sMKqVNfZ/sTT7P8AcfE7j7fr/SJoP6IQbLfFftjwJ18RWn6n+pb39T/Uo1+T+pwnDy/1K3f1

MNHH1/yPvu8nXWoa33/hc4vzP7hzyCun7v7dd5jqt8/21A9kvmrrub2feIv6n+pZ/c/qP+8/

qB/of6lgCunh4L/ydVegqNVuI7w01hR7VtXmrPDmEDlpv2+u+14+lQlbx+Yy9sVVu/3KJ8Ed

Qkb0B9r/AHFVQ09dfMKuKX7OLN96+8wjYx9vP79oa7Nbx2HOawduPeNYJSB55/x47eItt0Sg

xruG/Pg/dfuVFXPH9Qq3L2qvjE4DmDjtEUCOGBR/+J53xMmdzs3DHGPz8+l+6/PplbPNXMOf

x7/395hb/KZW+r2m7wfs/r5qZF8uuJja7YyHV9ZSs/xh9/3Mauj3mVfX74r2xM5rXTyj0Li9

dfuU+nrXXxHfp//Z

--------------1F6E33D73--

=========================================================================

Date:         Sun, 24 Aug 1997 00:11:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Marriage, Sometimes Argumentative

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marriage, Sometimes Argumentative

 

Crumpled bits of paper in the corner.

Dust bunnies hop in her wake.

Stretched out like elastic ready to snap

back or in two.

Stranger living in my head.

Ain't familiar with him or his intentions.

Fierce, haunting, hurtful, mean, and dirty.

Ugliness easily achieved,

But a soft answer turneth away wrath.

Taunting, "give one right now."

Yeah, right.

For better or worse did not

Include this garbage!

Sweep it up, get this place clean.

But it all comes back again.

Different paper.

Different dust bunnies.

Different reasons.

It all comes back, the layered look.

There will be instant replays of this.

There will be instant replays of this.

Let go and fall.

Let's go and fall.

See where we go, if we could.

No history,

No sedimentary anger.

No seeking justification,

No demanded validation.

No lack of acceptation.

No questions like:

And why didn't I know this about you anyway?

Absence might work better,

But the heart is not fonder,

It is fodder.

Dirty cheap angry fodder.

And dust bunnies hop in her wake.

 

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 23 Aug 1997 23:19:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Marriage, Sometimes Argumentative

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Marriage, Sometimes Argumentative

> 

> Crumpled bits of paper in the corner.

> Dust bunnies hop in her wake.

> Stretched out like elastic ready to snap

> back or in two.

> Stranger living in my head.

> Ain't familiar with him or his intentions.

> Fierce, haunting, hurtful, mean, and dirty.

> Ugliness easily achieved,

> But a soft answer turneth away wrath.

> Taunting, "give one right now."

> Yeah, right.

> For better or worse did not

> Include this garbage!

> Sweep it up, get this place clean.

> But it all comes back again.

> Different paper.

> Different dust bunnies.

> Different reasons.

> It all comes back, the layered look.

> There will be instant replays of this.

> There will be instant replays of this.

> Let go and fall.

> Let's go and fall.

> See where we go, if we could.

> No history,

> No sedimentary anger.

> No seeking justification,

> No demanded validation.

> No lack of acceptation.

> No questions like:

> And why didn't I know this about you anyway?

> Absence might work better,

> But the heart is not fonder,

> It is fodder.

> Dirty cheap angry fodder.

> And dust bunnies hop in her wake.

> 

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

"In every job that must be done there is an element of fun.  Find the

fun and .... <snap> it's a game."  m.poppins

 

EZer said than done, huh!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 24 Aug 1997 00:27:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Marriage, Sometimes Argumentative

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

> 

> R. Bentz Kirby wrote:

> >

> > Marriage, Sometimes Argumentative

> >

> > Crumpled bits of paper in the corner.

> > Dust bunnies hop in her wake.

> > Stretched out like elastic ready to snap

> > back or in two.

> > Stranger living in my head.

> > Ain't familiar with him or his intentions.

> > Fierce, haunting, hurtful, mean, and dirty.

> > Ugliness easily achieved,

> > But a soft answer turneth away wrath.

> > Taunting, "give one right now."

> > Yeah, right.

> > For better or worse did not

> > Include this garbage!

> > Sweep it up, get this place clean.

> > But it all comes back again.

> > Different paper.

> > Different dust bunnies.

> > Different reasons.

> > It all comes back, the layered look.

> > There will be instant replays of this.

> > There will be instant replays of this.

> > Let go and fall.

> > Let's go and fall.

> > See where we go, if we could.

> > No history,

> > No sedimentary anger.

> > No seeking justification,

> > No demanded validation.

> > No lack of acceptation.

> > No questions like:

> > And why didn't I know this about you anyway?

> > Absence might work better,

> > But the heart is not fonder,

> > It is fodder.

> > Dirty cheap angry fodder.

> > And dust bunnies hop in her wake.

> >

> > --

> > Bentz

> > bocelts@scsn.net

> >

> > http://www.scsn.net/users/sclaw

> 

> "In every job that must be done there is an element of fun.  Find the

> fun and .... <snap> it's a game."  m.poppins

> 

> EZer said than done, huh!

> 

> david rhaesa

> salina, Kansas

 

Hey, maybe a spoonful of sugar cubes would help change the perspectives

around here.  But, that would be wrong!

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 23 Aug 1997 23:35:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Marriage, Sometimes Argumentative

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> RACE --- wrote:

> >

> > R. Bentz Kirby wrote:

> > >

> > > Marriage, Sometimes Argumentative

> > >

> > > Crumpled bits of paper in the corner.

> > > Dust bunnies hop in her wake.

> > > Stretched out like elastic ready to snap

> > > back or in two.

> > > Stranger living in my head.

> > > Ain't familiar with him or his intentions.

> > > Fierce, haunting, hurtful, mean, and dirty.

> > > Ugliness easily achieved,

> > > But a soft answer turneth away wrath.

> > > Taunting, "give one right now."

> > > Yeah, right.

> > > For better or worse did not

> > > Include this garbage!

> > > Sweep it up, get this place clean.

> > > But it all comes back again.

> > > Different paper.

> > > Different dust bunnies.

> > > Different reasons.

> > > It all comes back, the layered look.

> > > There will be instant replays of this.

> > > There will be instant replays of this.

> > > Let go and fall.

> > > Let's go and fall.

> > > See where we go, if we could.

> > > No history,

> > > No sedimentary anger.

> > > No seeking justification,

> > > No demanded validation.

> > > No lack of acceptation.

> > > No questions like:

> > > And why didn't I know this about you anyway?

> > > Absence might work better,

> > > But the heart is not fonder,

> > > It is fodder.

> > > Dirty cheap angry fodder.

> > > And dust bunnies hop in her wake.

> > >

> > > --

> > > Bentz

> > > bocelts@scsn.net

> > >

> > > http://www.scsn.net/users/sclaw

> >

> > "In every job that must be done there is an element of fun.  Find the

> > fun and .... <snap> it's a game."  m.poppins

> >

> > EZer said than done, huh!

> >

> > david rhaesa

> > salina, Kansas

> 

> Hey, maybe a spoonful of sugar cubes would help change the perspectives

> around here.  But, that would be wrong!

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

sugar cubes .... hmmm.mmm

"everything is permitted."  -- WSB

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 24 Aug 1997 09:36:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PRESTON A WHALEY <paw8670@MAILER.FSU.EDU>

Subject:      Re: New Beat Catalogue Now Available

In-Reply-To:  <19970823.170729.18246.0.DharmaPoet@juno.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Dear Jeff,

 

Add me to the list if you would please.

 

Address: 314 Pennell Circle #2

        Tallahassee, FL 32310

 

Merci,

 

PW

 

On Fri, 22 Aug 1997, William H. Rose wrote:

 

> Jeff,

>         Please send your recent catalogue (#71) to me and add me to your

> mailing list.

> If by e-mail then send to DharmaPoet@juno.com....

> If by snail-mail send to:

> 

> William H. Rose, III

> 1515 South Melrose Drive #28

> Vista, California  92083

> 

> Thanks,

> Bill.

> 

> 

> On Fri, 22 Aug 1997 00:39:56 -0400 Jeffrey Weinberg <Waterrow@AOL.COM>

> writes:

> >Our latest catalogue of Beat books is now available.

> >"Catalogue 71" contains a vast assortment of new Beat-related titles

> >as well

> >as

> >some great used, rare, and signed items.

> >If you are not on our mailing list and would like to receive a

> >complimentary

> >copy of Catalogue 71, send your request to me.

> >

> >Jeffrey Weinberg

> >Water Row Books

> >

> 

=========================================================================

Date:         Sun, 24 Aug 1997 10:23:12 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Cross post[Fwd: burroughs and dylan]

 

Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug

> 

>Diane Carter wrote:

>  What were

>> Burroughs last words as printed in The New Yorker?

> 

>patricia wrote, I jhaven't read the New Yorker, but  Williams last

>written words were in his diary,

>he wrote

>"Love? What is it?

>Most natural painkiller what there is

>LOVE"

 

I found it interesting that he called LOVE the most natural painkiller,

since love seems to cause a lot of the pain in the first place.

 

(or maybe it's a lack of love that causes the pain....I think that's more

right.)

 

Diane. (H)

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Sun, 24 Aug 1997 12:15:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Cross post[Fwd: burroughs and dylan]

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane M. Homza wrote:

> 

> Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug

> >

> >Diane Carter wrote:

> >  What were

> >> Burroughs last words as printed in The New Yorker?

> >

> >patricia wrote, I jhaven't read the New Yorker, but  Williams last

> >written words were in his diary,

> >he wrote

> >"Love? What is it?

> >Most natural painkiller what there is

> >LOVE"

> 

> I found it interesting that he called LOVE the most natural painkiller,

> since love seems to cause a lot of the pain in the first place.

> 

> (or maybe it's a lack of love that causes the pain....I think that's more

> right.)

> 

> Diane. (H)

> 

> --

> "I can't imagine how I ever thought my love might make a difference to him."

>                                  --Richard Powers, _The Gold Bug Variations_

> 

> Diane M. Homza                                   ek242@cleveland.freenet.edu

 

i think by 83, it was love that threaded through the good times in his

life. Myself I was happily single for 20 years with occasionals pains of

romance, then along came bob, and the building of a life with him was

sweet and interesting.

I certainly saw william accept more and more love in his life.  He

poured love on his creatures, wonderful complex issues with his cats

went on. He was truely loved here, with a circle of friends that wore no

consistant hat of fame or class. Most common hats were humor and being

people of honor, Johnson family traits you know. He was very

cosmopoliton , worldly, but most centrally, a loyal caring friend.  The

johnsons lived all over the world.

p

=========================================================================

Date:         Sun, 24 Aug 1997 16:12:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      [Fwd: Rhetorical Question -- long post on philosophy and myths]

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------DFE7C7D4A638A56988E8399E"

 

This is a multi-part message in MIME format.

--------------DFE7C7D4A638A56988E8399E

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I am in a very reflective mood today.  A new book has been published

about the last days of Jimi Hendrix and I read an excerpt on the web

site of the author.  I was driven to my books and composed the attached

email.  While, I sent it to the Hendrix list, I fear that if it has any

merit for discussion it may fall on deaf ears.  So, I thought further.

 

And upon that I reflected on recent posts on this list on the deaths of

WSB and AG.  As well as discussion of Jack and Neal.  Obviously, AG and

WSB adapted and lived long.  The others did not.  What is the

difference?  Is there anything to the muse, sirens and Apollo?  Do you

have any comments?

 

Yours lost in thought,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

--------------DFE7C7D4A638A56988E8399E

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Message-ID: <34008FF5.9CD039B4@scsn.net>

Date: Sun, 24 Aug 1997 15:48:05 -0400

From: "R. Bentz Kirby" <bocelts@scsn.net>

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0 [en] (Win95; I)

MIME-Version: 1.0

To: hey joe <hey-joe@inslab.uky.edu>

Subject: Rhetorical Question -- long post on philosophy and myths

X-Priority: 3 (Normal)

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I am still in search of Tony's book, but have been thinking about the

death of Jimi has lead me to a rhetorical question, but one that I hope

someone will comment on.

 

What makes the difference in some people's lifes.  Bob Dylan had a

motorcycle wreck when it seemed his life was out of control, and he

lived.  What is the difference in Brian Jones (Jimi's close friend) and

Keith Richards?  Why did Jimi, Jim Morrison and Janis burn out so

young?  But, hard living folk like Jimmy Buffett, Jerry Jeff Walker,

Stephen Stills etc just seem to keep on going.

 

Is it the support system that allows them to survive?  Is it something

in their nature?  It seems to me that some, like Ronnie Van Zandt, even

try to get out of the rut that is killing them (some his last few songs

like "That Smell" and "Saturday Night Special" pointed out the fact that

drugs and guns are dangerous and signaled a retreat from his previous

bad ass attitude.) but still get hit anyway.  Is it just their time?

 

I am reminded of Odysseus and his passage by the Sirens.  "So spake they

uttering a sweet voice, and my heart was fain to listen, and I bade my

company unbind me, nodding at them with a frown, but they bent to their

oars and rowed on."

 

In Bulfinch on page 242 I find this "The Sirens were sea-nymphs who had

the power of charming by their song all who heard them, so that the

unhappy mariners were irresistibly impelled to cast themselves into the

sea to their destruction."

 

In "The White Goddess" by Robert Graves I find this "True poetic

practice implies a mind so miraculously attuned and illuminated that it

can form words, by a chain of more-than-coincidences(1.), into a living

entity---a poem that goes about on its own (for centuries after the

author's death, perhaps) affecting readers with its stored magic.  Since

the source of the poetry's creative power is not scientific

intelligence, but inspiration--however this may be explained by

scientists--one may surely attribute inspiration to the Lunar Muse(2.),

the oldest and most convenient European term for this source?  By

ancient tradition, the White Goddess becomes one with her human

representative--a priestess, a prophetess, a queen-mother.  No Muse-poet

grows conscious of the Muse except by experience of a woman in whom the

Goddess is to some degree resident; just as no Apollonian poet can

perform his proper function unless he lives under a monarchy or

quasi-monarchy.  A Muse-poet falls in love, absolutely, and his true

love is for him the embodiment of the Muse.  As a rule, the power of

falling in love soon vanishes; and, as a rule, because the woman is

embarrassed by the spell she exercises over her poet-lover and

repudiates it; he, in disillusion, turns to Apollo who, at least, can

provide him with a livelihood and intelligent entertainment, and reneges

before his middle 'twenties.  But the real, perpetually obsessed

Muse-poet distinguishes between the Goddess as manifest in the supreme

power, glory wisdom and love of woman, and the individual woman whom the

Goddess may make her instrument for a month, a year, seven years, or

even more.  The Goddess abides; and perhaps he will again have knowledge

of her through his experience of another woman."

 

Now, you may be quick to write these "myths" off, but consider this. In

his book Inside the Experience, Mitch says that Jimi, as far as he knew

only loved two women.  One being Kathy E.  Jimi dies in his

mid-twenties, as did many others such as Brian Jones etc.  Some poets

who did not, like Rimbaud (an inpiration for Jimi and Dylan) simply quit

writing. Rimbaud of course turned to runnig guns.

 

So my theory is that some poets, like Jimi, Jim Morrison, etc, simply do

not make the switch from being inspired by the "moon" or the goddess to

being inspired by the sun "Apollo" and are "called" home to their death

by the sirens.  Often times collapsing in a state of mental and physical

exhaustion.  This seems to me what Tony describes on his web page where

he discusses his book.

 

That is my theory.  Do you have one? Jean Ory?  What say ye?

 

PS:  For many reasons I am somewhat "afraid" to post this.  I am not at

all sure it is "proper", and it may be somewhat dangerous.  But the

thought has been nagging at me and I wonder how we can attempt to gain

an understanding of death of those who are poets and who touch us.

Plus, I think we can all see that Jimi left behind poems that have a

life of their own.  If this gives you any weird ideas, I am sorry.  But,

don't worry if Jimi is jamming in your attic, he might be there.

 

The footnotes are below.

 

1.      "The highway is for gamblers, better use your sense, Take what you

have gathered from coincidence."  It's All Over Now Baby Blue, Bob

Dylan.

 

2.      "Moon Turn the Tides Gently Away"

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

--------------DFE7C7D4A638A56988E8399E--

=========================================================================

Date:         Sun, 24 Aug 1997 17:05:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      The New York Public Libary Kerouac Collection

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have placed a list on my web page of most of the items found in the Berg

Collection of the New York Public Library. Because of space restarints I

could not detail each individual item on the page itself but have done so in

Vol. I, No. 2 of The Kerouac Quarterly. You may view this list at:

 

http://www.freeyellow.com/members/upstartcrow/page4.html

 

Thanks and enjoy the remainder of this beautiful (well here anyways in New

England) weekend. Take care, Paul of TKQ. . .

=========================================================================

Date:         Sun, 24 Aug 1997 17:26:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: [Fwd: Rhetorical Question -- long post on philosophy and

              myths]

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> I am in a very reflective mood today.  A new book has been published

> about the last days of Jimi Hendrix and I read an excerpt on the web

> site of the author.  I was driven to my books and composed the attached

> email.  While, I sent it to the Hendrix list, I fear that if it has any

> merit for discussion it may fall on deaf ears.  So, I thought further.

> 

> And upon that I reflected on recent posts on this list on the deaths of

> WSB and AG.  As well as discussion of Jack and Neal.  Obviously, AG and

> WSB adapted and lived long.  The others did not.  What is the

> difference?  Is there anything to the muse, sirens and Apollo?  Do you

> have any comments?

> 

> Yours lost in thought,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

> 

>     ---------------------------------------------------------------

> 

> Subject: Rhetorical Question -- long post on philosophy and myths

> Date: Sun, 24 Aug 1997 15:48:05 -0400

> From: "R. Bentz Kirby" <bocelts@scsn.net>

> Organization: Law Office of R. Bentz Kirby

> To: hey joe <hey-joe@inslab.uky.edu>

> 

> I am still in search of Tony's book, but have been thinking about the

> death of Jimi has lead me to a rhetorical question, but one that I hope

> someone will comment on.

> 

> What makes the difference in some people's lifes.  Bob Dylan had a

> motorcycle wreck when it seemed his life was out of control, and he

> lived.  What is the difference in Brian Jones (Jimi's close friend) and

> Keith Richards?  Why did Jimi, Jim Morrison and Janis burn out so

> young?  But, hard living folk like Jimmy Buffett, Jerry Jeff Walker,

> Stephen Stills etc just seem to keep on going.

> 

> Is it the support system that allows them to survive?  Is it something

> in their nature?  It seems to me that some, like Ronnie Van Zandt, even

> try to get out of the rut that is killing them (some his last few songs

> like "That Smell" and "Saturday Night Special" pointed out the fact that

> drugs and guns are dangerous and signaled a retreat from his previous

> bad ass attitude.) but still get hit anyway.  Is it just their time?

> 

> I am reminded of Odysseus and his passage by the Sirens.  "So spake they

> uttering a sweet voice, and my heart was fain to listen, and I bade my

> company unbind me, nodding at them with a frown, but they bent to their

> oars and rowed on."

> 

> In Bulfinch on page 242 I find this "The Sirens were sea-nymphs who had

> the power of charming by their song all who heard them, so that the

> unhappy mariners were irresistibly impelled to cast themselves into the

> sea to their destruction."

> 

> In "The White Goddess" by Robert Graves I find this "True poetic

> practice implies a mind so miraculously attuned and illuminated that it

> can form words, by a chain of more-than-coincidences(1.), into a living

> entity---a poem that goes about on its own (for centuries after the

> author's death, perhaps) affecting readers with its stored magic.  Since

> the source of the poetry's creative power is not scientific

> intelligence, but inspiration--however this may be explained by

> scientists--one may surely attribute inspiration to the Lunar Muse(2.),

> the oldest and most convenient European term for this source?  By

> ancient tradition, the White Goddess becomes one with her human

> representative--a priestess, a prophetess, a queen-mother.  No Muse-poet

> grows conscious of the Muse except by experience of a woman in whom the

> Goddess is to some degree resident; just as no Apollonian poet can

> perform his proper function unless he lives under a monarchy or

> quasi-monarchy.  A Muse-poet falls in love, absolutely, and his true

> love is for him the embodiment of the Muse.  As a rule, the power of

> falling in love soon vanishes; and, as a rule, because the woman is

> embarrassed by the spell she exercises over her poet-lover and

> repudiates it; he, in disillusion, turns to Apollo who, at least, can

> provide him with a livelihood and intelligent entertainment, and reneges

> before his middle 'twenties.  But the real, perpetually obsessed

> Muse-poet distinguishes between the Goddess as manifest in the supreme

> power, glory wisdom and love of woman, and the individual woman whom the

> Goddess may make her instrument for a month, a year, seven years, or

> even more.  The Goddess abides; and perhaps he will again have knowledge

> of her through his experience of another woman."

> 

> Now, you may be quick to write these "myths" off, but consider this. In

> his book Inside the Experience, Mitch says that Jimi, as far as he knew

> only loved two women.  One being Kathy E.  Jimi dies in his

> mid-twenties, as did many others such as Brian Jones etc.  Some poets

> who did not, like Rimbaud (an inpiration for Jimi and Dylan) simply quit

> writing. Rimbaud of course turned to runnig guns.

> 

> So my theory is that some poets, like Jimi, Jim Morrison, etc, simply do

> not make the switch from being inspired by the "moon" or the goddess to

> being inspired by the sun "Apollo" and are "called" home to their death

> by the sirens.  Often times collapsing in a state of mental and physical

> exhaustion.  This seems to me what Tony describes on his web page where

> he discusses his book.

> 

> That is my theory.  Do you have one? Jean Ory?  What say ye?

> 

> PS:  For many reasons I am somewhat "afraid" to post this.  I am not at

> all sure it is "proper", and it may be somewhat dangerous.  But the

> thought has been nagging at me and I wonder how we can attempt to gain

> an understanding of death of those who are poets and who touch us.

> Plus, I think we can all see that Jimi left behind poems that have a

> life of their own.  If this gives you any weird ideas, I am sorry.  But,

> don't worry if Jimi is jamming in your attic, he might be there.

> 

> The footnotes are below.

> 

> 1.      "The highway is for gamblers, better use your sense, Take what you

> have gathered from coincidence."  It's All Over Now Baby Blue, Bob

> Dylan.

> 

> 2.      "Moon Turn the Tides Gently Away"

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

Goodness from Dustbunnies to Sirens.  Sirens always my favourite in

mythology - wanted to sing back until they spared me.  Perhaps a

deathwish .... who knows?????

 

This is fascinating.  The line about the attic reminded me of hearing

Hank Williams up there coughing in leonard cohen's Tower of Song.

 

Lot of thought after WSB expiration about the afterlife especially with

recent Seven Souls cd.  But this raises a whole different question that

why them and not me.  I guarantee that by all odds i should be dead by

now.  Whatever cardplayer in the mist is keeping me on the checkerboard

i am grateful.

 

david rhaesa

salina, Kansas

 

=========================================================================

Date:         Sun, 24 Aug 1997 17:28:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      wsb and fletch

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------4AB1288545F3"

 

This is a multi-part message in MIME format.

 

--------------4AB1288545F3

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

david (race)sitting in william's backyard

 

--------------4AB1288545F3

Content-Type: image/jpeg; name="wsbdavid and the hat.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="wsbdavid and the hat.jpg"

 

/9j/4AAQSkZJRgABAAAEhgSGAAD//gAC/9sAhAADAgICAgIDAgICAwMDAwQIBQQEBAQJBwcF

CAsKDAwLCgsLDA4SDwwNEQ0LCxAVEBETExQUFAwPFhgWFBgSFBQTAQMDAwQEBAkFBQkTDQsN

ExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExP/xAGi

AAABBQEBAQEBAQAAAAAAAAAAAQIDBAUGBwgJCgsBAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYH

CAkKCxAAAgEDAwIEAwUFBAQAAAF9AQIDAAQRBRIhMUEGE1FhByJxFDKBkaEII0KxwRVS0fAk

M2JyggkKFhcYGRolJicoKSo0NTY3ODk6Q0RFRkdISUpTVFVWV1hZWmNkZWZnaGlqc3R1dnd4

eXqDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ

2uHi4+Tl5ufo6erx8vP09fb3+Pn6EQACAQIEBAMEBwUEBAABAncAAQIDEQQFITEGEkFRB2Fx

EyIygQgUQpGhscEJIzNS8BVictEKFiQ04SXxFxgZGiYnKCkqNTY3ODk6Q0RFRkdISUpTVFVW

V1hZWmNkZWZnaGlqc3R1dnd4eXqCg4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4

ubrCw8TFxsfIycrS09TV1tfY2dri4+Tl5ufo6ery8/T19vf4+fr/wAARCAEqAckDAREAAhEB

AxEB/9oADAMBAAIRAxEAPwD83lKiTpjj/Irzo6HPYhdgpdoyVO3GcnpzVU7k2VyRLRJgiICr

E4GTxVPYy5uW5HeWbWV01tKSWHv24ohPmjdGqasmQBV3fd9utJ3bHG3MKjlSrBlAHpRFJLUV

73udxr+nG1g8NeKVlDpqsBicr/C8TbcH3wRW1NKNfkWztb8LnBFN05X+zf11uzcis/7Pm+z3

UQdGCvkf3WArtjD3nG+xxc3PFSXmUJbHyddVGwAkobp0AOa8/FLloyaZ003qrH0j4fn/ALI0

W317UL6C4t5CfMgnj+UR47Y5zX5rTUJV5Uop3ldad3sezSc/ZKTasvL7z5C8c29tbeL9XigU

JF9sYxgehOf6195l3OsJBS3Wn3BXnGUrx20MmzYLIQCOV5P0Nd6Wmpntsanh429p4sthc5ME

kwV/oeP61xV05U5RW+p003aomjK13T/7N1e808/8sJ2UZ/TP4VeGqudJMrEU1CTRSUDcAT0r

VPQzjFFu2VCWQ8ZHNYzutUXG3NZnqOhR2174c06WM5kWBo5AecMrnpx/dxXy2YOUMVJ9Hb8k

fSZfFTpKPbT73cyLe3C6jewIpwXEi+pyMf0rpc70YN9NDkUFGrOK/rQviFNybjg59elc/M7G

zjDQueRFtJx26gdKyTZtyxlG6LFtAscSsVy7DkdawlN81lsaqKTZb0CJf7XyISpkiZeeORz/

AErrofC09UcWLajFNM1tdtUS3Zg53qRswPvVctGrr5GVGV9Ec95O872OSBkY6g/5zTi1E6Ks

eaVr6GiYjqLLsTBWMAqoPtziumEJ31MHypXuPj0e5itxG0TAABtwH8X+FEKbcEl0M/aU07J7

nofgrT5P3LXG0eWdqqvAGa9WhS1UmcOInHZHSar4TbxPp914djt5JDeoUQRdS3bHvXp4ek6j

S0v5nnVZqEL9D5/0nSpNJ1q6jvWla5EhikVhgqUyMY/A18fmVOrSvhpRScf6/U9/COFR+0jK

6Zr6QDHqltGyKq+aDz2ya8vmVk2dzXuOxW0K2WHxq8QbKx6m4UHvnditsdL/AGZu3QqhFuDZ

63DEu47QORjP418s2rpbeQ7alm3iVQCBkfWp9o9jSKV7l20jXcBwQOuAeBWcbRtKSFT10RdW

AEcHHPr7GtW5JcxcuXmPo74G/EDSvGGmroWk2dsLbw3psNpuUHfu86fcG5x/D6d6/fsu5Hld

OcHu9vkfm+Mf+2TTWqPTnQ+WQBjoear7ZEbKRSNsGQK0ZwvtxSt2Kb913EFpjBVOPcVVrD5k

SLZShsgHBXv+NTykuSTHRWDq2BgDPeldWuWpWdkPFjIMfShWtYUJaocmnAbvmBJORx0pWWjA

lTTU6iQ/lVrzC73RJDp0UZEm4swPA7Un1CL1LQjULlTnFJ/CGjR+dv7fOtXK/FO+8PQNmGfT

NOjcf9tHb/2at8Y3DLIzX2ZS/GKRz4dL66kuun3ane6dbeRZ2sGz/VwRrkj0Ffz1KanPmXXU

/VGkpvUt+S2AuNuWNSk18haDfKXy1bnOckCimugLbQ5r4my/Y/AmsSgfMbYoOOMsQv8AWu7K

6XNi4xl3f5M58a7UGr/1dHy48SqSOfl6Ad6/U6XkfPWVxFjAYlAOT3HQ45rSCak3YwfLY9r/

AGVtNjuPHbXWG2WsBkOTwcAn+lebmc17kfNfmjqpfBO/Y7HUrgSXtxOSql5mYAdOSa78ZUtW

9n/Lp9x5OGt7JSfU5GBI9Z+Mng/R92UtWlu3wM/dXA/WvIzPEWwVRLduC++aT/A6MKl9bT7J

/wDpLPqK2jAG/ZtU549K92lShSgoLZK33HJeTV7bk/2RP+esv/fVV7WPc5uRfy/ifl0Q6O0X

3dpIwRWMLbnoMjnDbTIvQemPwpU/iZCkiW0OYGYAjawIGaqTskZvsizrrpJPbyqwy0eCMdME

VnS+KSWxpTs42MjnzAd3GfXFaPexWl9hjMevHGeM00lYa5UWLvXdS/s2HSGnkNpDL5kceeFY

jBI/SlCEXNTvqv6/QiPKk4233Ek8Wa5MAJb6VtsYRcnsO1W6Mb3uQoQStbQSDxHq8t15k1zI

TwMlu1CpRasxyUOx6h4N+I0kMiQalI9xbBCBFI2duBxjPTmvPhlyTcoKzMXLRJ7djjviLqce

r+JZtSiAHnopOAOSBjn8q6MNRlQi4vudMaqlBJLY561Y+ei5+8ccV09GaproXZS8F3b3KjBG

3qO4Nc9VJTdvL8jWGxf+I9uYvEstyCH+1wxXAYcfeRcj881zYJKMHBdH/wAH9TWtrGM5df00

OZGd3H0rqRnpbQt2B/e7cA5Xpisqq00LpuLkeo+AphJ4cWBoyfs9646ckOgP9DXzGcN+0jbs

/wAz38qjG0kxtxaBNXjeIbRLbnIz1w3/ANesqVX/AGdp62f6FTpWxCt2/wAjZ03Ro7tyZW2Q

xDfKwP3QP84rmdblVwrJRSXVnc+GPAWkar4F1HxLqdy0HlFhCQwGCO1bzqU6dDme/TX9DnrV

KzrKnHQ4Szi8q2kXcCAxADfhXLNvnR3qD1sdV4RsvCR0x77WLu7i1aC6CRRQqNskbIwJ59G2

/hmvawOIwccLONWF5N6a26baHl42nXdVOD922ul+pJe2vnKAY8qOMleRWXL73MjGlK2jIIdK

twSotwSOQdo61sm1bXQ05kp6Fu1t2OPMhVTgcqABwAK2jbm0Zg531LcMaqmHjB444/WtKUml

a+/9ehkvQ6fw65XbuQnBGCOQOK9GlKTjZ2VmYVYrQ6SSSa0c3VrK6zQHfEV6gjpXXQqTWqMJ

qL0PEL+Y6t4kudRlDNJcylpD1JY9T+JzXwOMrTnOUpbn0uGgqcFEryqINStppSfLilRn6Z+9

0rmwzRulpsQ2EQTx3KFQBf7RDEjpgg/41141r2Da2sGHj+7uz1pYSCGAXBx2618om+eyHyu9

iaKIbyWU4yB1xxVppLQEraMu2MPC7umPmrK6T5bFRScbo0ViLKcKQRjHHT/PFaq91bYcnpZm

9+wjM8mu/EqBySI9Tjxnt889ft+R/wDIop+v6H59mFljZ9z68RDkAjv0xzXet2c1tRDGdvAz

7UncpWs0KIuBx1NO4RjceI9nGOg9KUXqJroxYYzvCkfxUO1i0rMd5RBGPQcGpjtYSWo9I8Eq

U5ovaN0Fruw6ONQwCgjA61XTQa3HiPAOVJ64qb9BpaihMLyMH6Ur6CvZM/MT9tOV779pnVLP

OQLnTYNv/bJT/Wt8dNLK6sL9E/vaRnly58Updm0e4rAA2Bj5FwOOvUV/OuHf7mm+tl6H6lP4

5JEixdzgdz+daxbcrP8Ar0ErW0FWFfUEhQeoNVDm6ERSscB8cH+z+AZ4trZnuI0wOM4bP/st

e1kkLZhBp7X/APSWceYNKhZ9f+AfODR7sqOdo4AHFfpdJdTwk9UhoU5KbNnJGfr0qlcye7Po

n9mPNvpeu3TwxrHaWcpDqmGJYYGTXmYm8sRT5Xu9vTU3bUcNKTW366E9xCeCe7Z5rfFyVXFT

adk2/wA2cNFctNXMr4U2kd/8eby6O1l0vRen90u1edi+WfsKL+1J/wDkqTKw6SdafZL82j6T

twUB3g8k19FLexxRjoSfL/zzP5msPZy8jK1M/Lu9QrNux17VhSaudiRWmJMbBQeBzVp3egIb

YyBHHmNtXIz6YrR8vLtcyqR00H3gaVFlVyVVivH51EXZ7blw03KmDkMGznqB2ppa6mjsmNAH

yjJGc7iR707qzJS1BjnaMZ5FTBWBJNCrGnGR1qpSFZaKwjK2H8uNjtHp1og0mrsIxXMSWd7L

CVkNvKSueQK6KVSMLmM6TkrXJdRvReujLG4aMANuqak1P3kh0abpxsyK3dldW44596m1joXY

0b2ICJOSCrkE/rXPVfvJm1PVtM0vGcgvdL0DVN3MliYH+XujEfyIrlw75a9Rd7P8Ev0N6kP3

K8jlBxxnJPtXYjBJWuT2b7LmPLd8dKymvdZdP4rs9N+HMw+xarpxCkrJFOCeoAyp/mK+dzfl

9lF+dvwZ7eWJfWLeX+RoaxB5OsaeT8u/fGc+65H8q87BS5qU121+478QnGcH52+87nQF8Pw2

dvb6jJNcR3UoM8cJCkgHhcmuH23LON43szKpSqyleOlj07VdC0K+0AafDd/2TZbg/OQEB6ZH

foK7pqhOKqVdLbevZHnU51IztFXZ4/e6BPo2o3VhcyJKI/nSSJgVkXHBHtXBUnG/us9alJVP

JlEI0E0MhJGyVWznrzW1CV3axNWCcGjtJCNgbco5GfavdoU7q0UeLJqO5TvDcQ2NxdWse54k

LADqTg1qotSXNpczm+yuYXw/1i+1fz4LnzJPLw4lIAwTj5fz/lXrY3C0qbjKDt/XmcGDxM6j

cHudcVSJUAIO3vnpXne25I2STv8AgdkYO9zX0mVEjDl0TBHJb2/nXa5RoTcKrSfa+pnzKrBT

hqjppLyzDOPtEYwv94DHNKnj6Efdc0NUZt7Hjq27xavMpIYCc4xznk18RXlGUm1qj3sO7Rs0

N1CGWALK6gBOMnjoQc5rmoNX0N466MpJG0Xja5YlWUX0THb0H+cmvVxLvTsPCU37PTt+p69F

AqBVWQttHHtXys24u6Jsr2RNDCf7vTvilFJyepa00aLdlCUdTnBb1HFRSs9WvX/gBDT3TVjh

IIXPzA+9dbTS0287hfpY80+Af7TPgX9n7xx8RLLxnZalcNqmpIYRaKpC7GkznP8Aviv1rJcT

7PK6UFG7/wCBY+Mx1D2mLlO9j2KT/gpX8GIgVi8JeJ5eeMCIZ/Wu/wCuVLt8n4nLHCpPWRVk

/wCCmfwuZD5Hw28VSY/6awin9cqfy/iH1aKWr/r7ys3/AAU08EgBbX4ReKHAPGbmL+grP61W

WyX3sI0KdtyGT/gpdpsn/Hn8EPELkL/FdLz+S1H1qtf7K+8v2NG+rf4EK/8ABRzxBMxGn/s/

6uzL0zMx/ktRPF1v5o/18y40cOn1Ks3/AAUC+L1x/wAeH7PN0uR1lWc/0+lc7xlSMf4sF93+

ZSpUN+Vv+vQrH9uH9pu8kC6Z8BoU3dN1rMcfmRWX1+VtcRH8P8ylh4X0pv8AH/Ipv+15+2bf

D/QfhVptqDx81lk/+PPWSzSkp2eJV/KxosP2ov8AErSftGft33p/d+HtLtF9RbRDH5vXO83w

l3fEP+vkXHD1OlH+vvKc3xV/b41E86tZWe4DIRYAB79655Zzl8VeVeT/AK9DSOExLv8AuV9y

/wAzhU+D3xw8YePrPxn8Rbyyu7yfU4bq9uWuQWZYwAMAD0UCnW4kwccPOlGTd1b8SsPldeNV

TcLat9D6YMA8x2OBjn+dfnEIKnGCb0suzPrE222hEgZsjqMng0Sct07Bb8B32baHZnznGCRS

i4vRihfY8o/aHn+z+HNMsQcefdlvwVT/AIivpuG6Up4ht9NfvuebmTVorpqeBNEyMcfdx2Gc

9q/Q42b1PGUUkCRkgl1Y5bP5ZFG0kRFWTsfSvwMsW074ReINYYAfaJUgXPGQWH9K4qXv5jFO

yUVL/wBJZpjI2wdl1t+aILlMKrdRkmuXRtnNy2Q39naxN7458ea7tBCTRWYYAnOwc/rUuhz5

hh7fZUpf+BRt+hFOTWHqN7N2+5/8E98iXyxlTyWNfQSSvqcUewmH/vCuf2rI5I/1/wAOfmPq

Ee3bI67tpGfpXJSS5tDrijMIPlttG1T0/WtYqzsy42TsUWyFzn0xitraELqizCRJBNDvwwG5

R1qZK1mDTuQAFWGGwpNOzbsx9bIQqMbgQcc8nFEewlEXAAxnrz1qVYSHoFYgBhz78fnSkmhJ

aksShd+TnjjJ9qiPQ0WjJo4s9jx+VRexUVoVrpNknGQCAa2pyvEiSaY1QOM9M+tbrQautjTk

Jks5DnfsCsPbtWNXY0pNqVkatzi9+GsLN80mnakRuJ5VXX/EVw3ksWnbRp/fpY7Fzui18zkF

VR8yvkg967Fcwi7IkgLJJnpj26Unawk9T0X4bSn+3rmzXk3lm8Y6ckAOP/Qa+fzOkpYfX7Lv

91z18BLlxEfuOp8SxCKOyvDnMNxG34H5Tn8zXg5bJucoLqmj2MTF8nM9bO51fg3S5tW161to

kALTDc5XKqoBJP5ZrKnTU5qL26+hnXm4UbnSeJPFEmu3dxo9vAkUTSpFCMY+UEc4Nc6dadRe

00XoRRoRpxU0cxq91DdauYLRgbe1jEEZ9VHf8zVWd3Jqzb/SxpSTS97qZ9zA88IEIIKnqx/W

inJQepbvaxEfEDaVeRnW7mS4tj8jwwSKkmcHDZwehwfevUwdWvJXpb+d7fg0zzsVTpJWloYl

hrGoNBJps3iCc/uH2sEGTgfT0rbExk5Kaj6q46TpxfJY1dE8FQ6L4OtNYsPEd1/aN3aiac7z

t9cEdAen50swx/tK3Jb3U1p206PqdeCy7DU3Gnytykvi6b/gcJb6hrV1esby+vTlj9xm+b8K

9SGFjyWhE+eliZ+0+Kx77oPhL4Z+KNdvL2Xx48MNpJGskc98yB/l6ADH5irw8aNSbqYyDSvp

7rbfz1Ob2lelCMaMv/SbFTxqPBUXiWS28I6tdS2IiG0MWYhs88kc15+Y4ZOalh6TUf8At79T

0sDVqKP72Sb+X6FSzt7J5fNgfdhsEnIGR/8Arr5ypRqq/PBxXmd8GlJq5S1sA2rpxyp544rH

D/EmjpTaOfhDR+KJtzbg88Mm48ZGeP517ddvkRWDT5XFdD2yGIE5AxjHTuK+VT95XISdy3DA

uD83TqR2qI8ye/8AXoapK2hctLcqFAXOOKcLc2v4jguVXNERchgD17fjW/M7W3ZLirehhXXw

78FXl3Lf3HhbTZ55m3SyyQAszepNdVLMsXCCjGbSXS5hLA0JSvKBatfAvhCMZi8M6WPmx/x6

riqljsVKd1OXqJYGgvsIux+FfDoQqmhWHT+G3X5v0rGeLxV9Zv7zRYOglpFFiPQ9KjH7nT7e

NQT0hXn9Kj2038Tb+9fiVHD0ltFfcTrp9usp2WiAD0jFR7WcVuP2VNTskTpbIP8Alko9D6VM

pzsm0WoRWlhyxrtHykjAHyjntVwn7qbsv8wUOhIsIB2sCAD1FZy91f1/wBt6EiIowAuAParp

v3k0xcvclEQGSeAOOv4/1qI1W3trcIqysM8k8r14/H2pcytr28xyTtoPWLLoxyQo6kDBok3d

dEPl90cIgSdzYJXBIHGKJK719NxW1sIsa8YyCxzjNS2r8ltBxfUDCVwMEZPOKqHKoKK3BbHi

P7R07G40azHJSOSTGPYCvr+FYWnNpHk5g9l2PFygZtmcDIJANfcwdndo8lp7gifNtMi4BIxn

oKlJXbWv5EpWbTPqnwhB/ZvwJ0yEAJJqF6XYgdQoH+NcOFfNUr1I/ZUfxbTHjnL2dKC7v8kc

/fGONd2c7evHArmin0sYN2TNX9laxI8Fap4gY4k1fWLiUt6gMQP5VOHc/wC1Z6aRhBfP3kyZ

NfVILu2/vse0KMkvnoSMV9BF8u5yasTE/ofyrL2q7GV5f1Y/Mq7jDW7KVO4dMmuGLSaOuL1R

jHuqnPGP51rHctWehTnVUcdRnGMjNaxasRfTQks2VbzaDlXyATVTty7CvZERUwyshI3K3fpU

RtozRSdxCAqhcYA/SmmmQnqL/Dhjjng1KsEW0tCB3kjnVV+6a1smtSXLVWLCeekyuu3aSARm

oi42sy9eYu2MNzqmsLpn9oQ2nm5CvJkKDjjOAT+lKlTpKnKTWyb7t26BKo1ZLuZsRkZtjybm

3YyT+FUlFR0Qpye5Ogy3zAhgPwFaJrlsaRvc1dOGYpocnEiEY+mOv5VFWzg0lsVTklUujY0A

LdeEvEenqpyIEuUXnjawz+hNeTiJctSm/O33pno4eTSkrbpnGKArEMOM8CvQWxyPQVC+7b14

70mlYSep23gC/Om+KtGviFKCdVcHuGUqf0NePmNPnw9SC3aa/A9LCVOScZX2PS9btLa/jj06

4nWBJpVBm7Rjd1/l+VfN5HBfXqam7K6TPcx0m8NNxV3Z6fI+k7i18BfCbStP03SbqK91SQRu

91s6K2fvdj3xX2+c18BgaMaMIWs/nrd7/P0PisK8Vi5805fLppoeX/EPXry++IU95e2cMTWm

1Y4gONvGOnBBz1r4DEVarrOpN3/FbH1ODpU/q/JFWv8A5s4uS5jTU1kZVIkc/dHy/h7VilKS

bR10/dXLfYuSGLeAHjQM2ArEYb3HNRSpSl7qV/0JlUjCLbMjxDoDWWoWtx9lVbpSJIHzkMB6

jNfQTwtbAKPNJOMjz8NiqGNbt8UehyPxBsLjRdUhuZPkt54wA0QwAeuMZrfA16dZyjB3a7m2

YYWrTjCU1Zf8Oc7D4g1BUNv9qlaInJTfwfwrreDpcylZX7nPHFV4x5FJ2PSvhnYW+q6Dc3Nl

eLb6m11GkrNCJPLiIfBG7IGTj8q9LBKlCDUubRX00/E8bEJua5Ured9z1nwH4We28SRG51y7

kjvIpIW+WNdmUJ3Dao+bjivTyyvRnWa1tb+aT6o5cZhKlKim2nr2S6M9Ib4R+Gp73Gq67rk6

PK0ab9RkVSCeMhcdqHiKGnuL7r/m2dtLL3KF1J/h/kcr8RfAWk+B9JjtNIRlhN6GZmkZuWRh

1bJ/5ZivJz+FOeAdSKtaXRW6PsPCQ9li+S+66+qPJ9WgVoH+YkqDgdmFfncGlI+ihZHKh2Tx

NFPFjm3gdz6cAnr+Ne1WUVTt5nTg373KfQEEShtrYOR07k9q+PclZWM6afNqXLeIcK2BuI5p

zlaNjaCjoXLeMsEXcu0DpinTjZp7EwfumisBxkr39K2aT3YWSVh7WxDMGHTjH581dNwUW5dN

P6uVfTQfFbKBkqVx+lQ7dQT1JUtmVG6YA7fhxROMNUgvaNmPNuykA4G1sAZ6mlCM3o/mGlxW

hKkgDJVecUOpzaL8dBuOuoJbgSYHB3cD3q+dxjpt6CihRbjaAvJGMD8aUZQlFJf194JkwiUH

hgPX0zip9ppeS2Bq+iF8oAYKDcMfN/StE5KPKlYIv3vIRYxu3BCM9uwrJSko7i3lox7Idu1V

UY74ocYRVmVfQVEO/wC6FBPOO1VC1nyvQTvbUXaeWZeewxTlFX00uJNLRDcMCHPAAOM8etZy

cGnZ/h0/EabWg1o0Ck7hk469QeOK0hNR0S9P6sTDbQ+ev2grov4ytbRfvQWI6DIG4k195wzT

isO5vXV/oeHj7+2Sv0/zPLBH8p2gAdeT79a+sUo3uziu7ajreIGVF25DNj8zUSundeZEU72P

rjULP+zPh54Q0hhhlsjMRjux9fwry8K3HD1qn8zt9zv+o8ZJOtGPZJ/eeeeKrhLDRNRvZMAR

W8jN3I+U/wBamjzOUWvI56jSi0z0r9n3RjpXwf8ADMBXaZrQTNg9C5Lf1pZXP2mIxE3/ADyj

/wCAt/5ixatClHtGP5Hoyx7RtIyASBivejFJXZx36C7R6r+Yrl54/wA34/8AAOe3kfmeFUja

5B47dq4rNbHYklZowLiJY5pUVSFHAxWkJStqaxSKV0qbVYkkjjFaU2xNWuVkbZIrgkYP5dK3

im1YnpoWryEQ3AkYECRA6nPqOKxp8y0KjqtSuRzuIY464PetE2JdRQVC7+SR154NTZ3BdEMm

B+U+nGRVR0egaLYe7FQDkqFcUoJN2Gl5Fi3vlstTtdTtw2+3lD8jrg1VBuD97YyqJSpuJFq0

tnLqdze6fDJHBLMXjV8ZUZz2pQU+S0hzkkko+Q1PmI2/dP6Va0RtGStc2NF2/adsmT84BOex

4q0rxa76Djbn9DV8HCQazcaZtOLu3mtyM+qmvExto03Ltr9x6WGdpq/U5ia2EOHZ0ySV2h8k

Y9R2ruhK8U0c8k+bQiBxICueAQDjtVPYjqbGjXBtJbW52EiCZT164OTXJNLnOyjFNI9m8Tqs

qST2q4EqkpgccjIr4PBTcauu6f6n1cUp0To9e1++1y30rUJ7qO5uZrGFpzEhCq2zG0DtgAfr

XXm+IliMZLnd7W/Jf8MeJlWGjSpXWm/5suaCbbxbe22h6nO0d6EMVpck/ePUI/HrwDxiuegl

NqEtEdtSnKledP7jAvLO4truSza2aO4t7gxuq8lTnn2p0qNWc+SKv5DVamlzydjnvHemXX9q

aDa38EkVpewzhXQ4bzNhwM/XBr7PAZWsJTtL45RenzPkcVmTqym4v3YvT7ja0X7L4k+E+jeJ

NTuGN3ZzrpgiguFWVztYr8pByMIMmt8zqYZ0Yqo7yT+5a69jHARxNPESlRWn57HM+NL2W2e0

07WoDPZ/Z1b5sb4znHXvxXzODowlOU8PKzv8tj6ytjG4wjiF0/U4fW9MXR9UmsYGaSFQGifG

N6EcH8q9jD1nVpqT3OCtTdOdlsep/BC9sbfTNTie1drhrdZQ6/3UlQH/AND/AJ110L3lGPa/

5Hm1Glyyb6/5nq3w91l77xhY6ZKUD3Vw3kcchfLxnHpk4zTytS+t6O9/P0/qxeY1k8JzSX9a

nrmp3Vze61babp9ykbWnkXEglcKfLZM5x6FiBXbXwa599vX/AIb5G+ExdoqMupxnxT8VjWdN

uzfIsNvpt95e5oyuWUlSevTDiuLNKM/qNSMvVapmWHqQniYuOvQ8evNU0yWMhb6HLL8o3cni

vzeNKp/Kz31GVrnE3TMmtwFzhvsg4Uen/wCqveTvRb8zpwrtV5T6WjT1HUYB7ivjYSbs7E21

XkW7aEHKMSuPl6VtTpu6k0XHT5GhBAqBOxB55xWUHN2dyqa7o1I7cKh+VjjpxxyDXVUUVBQe

n5/8EUmOWB2I3YHriiWqTfX7wi7bakqowbjLNnGMdOmKnWprJ/jsKNk/dHKp6vkHHPbpTvZa

u4XtFpDynIU5IPHH40VU43XW3T19Qjb+v+AHklWU7c5GMeorOaSfk9Q5/esxYrcGbG3G08eu

f84raKu3ZW9SraagIigUAdF5U8/T+lQlZWlohRffcciDYCV6eh6UTleNlugi1fyFSLLAbcYA

5Jx61PLaT5la+v8Aw62GnYf5e122569R3HX0otUlJuy+4UUkMEZII2YJ/lWbSlFtjV7WHeTx

wuMHOR+NaxSgnrp+n6iV9kBiZxtJxkAHGARSdNR6XFFu4nlYkOSSBkEGhXsm9Px06D1SsII1

JOVJOO9VGTcrJenYzivdPmP41yCf4l6hGNw+zxRRptPXEYJ/ma/ReG4qngk7bt/ktTw8am6r

ODcEuUwwVQAMnrX0MYnOnpbsXNBtftOr2cQL4e4VSQcVErqMpS6Cgvf5UfWfxATyLjTNMVPl

stMgX6EqG/rXnUHFYFNdZyf32M69/rMr9kvubPHPi7IbfwJqvl8NOqwrgd2YLWmEfLP5N/cm

zhxN+VW6tfmj6R8G6VHo/hXRdMjTb9l0+FAPTCDvWeRQSw7qr7cnL/wLU1zD/eHD+XT7jdji

JbCKcAk17Wq2OOKSWo3L/wDPA/kK5eUnTt+Z+YUId0U7gcDByeK5dEzZaO1jP1ECOU8DDLx9

aVGW5cHoZrmKWMAuoBYZJrdJo16MsPocL2D3KXyiaLLGPIww46U1XcXa2hmkzEjEwcCXcOeM

10Oy0QubUZOJVkDLyvc80U9mK5dsLLULpJDFayusabm45A9eev4VElZc3QlVI3UepC8kezJK

+nXn8qOV3Rok7CxqzZwQRjoTVR03MLy5h4j2jG0HHvSi9LJjTfUSVsLgEAdKE9CHF9BLEZjX

nOM/hVt6HTSS2NXTpBFdE4JOBt59MEfyoi/ev2LafObFlcjTvFttfOpSHz1Zseh/+tXl42k5

QnDrb80dtOaXLLp/kZXiSyWz168sywRY7gjkdB17exowFTnoRb7F4mPLUtEzJovImVQ6vhRh

vXvXX0OZXTNDT8PHINgUqwxn6VyVXZrsddBHs00huvCun3W7JeGNjx1O3B/lXxFWKhj5xX9a

Jn0+C5vqkebz/Nnpnwf+CGv678PrDxLeXcNvplxNL5Um8McCRgBjtyMV9nDhaljYRxE6luZb

JdtP0PlK2fTwtWdCEPha19Vf9TobD4KRW39q6v4jvLyxstFK+fLHASAWbCEMB83JH3c+9aUe

FcLh4OtWk+XbdL/g9DP/AFhr1JKlSirso+IL3wnbxNdXWpyteCMNJIto6+YQAA/I69DXRhKO

Fwk/aU230X/B+44sX7aqnTmrfM8m8fRX+raro+rWUpuIdLuEluSZUVI0IwSAxyeo4ArSlXov

Eqo290tfy0OR4eapOGmqfUj+Fmm+B08B+KJfEWnoNY03VFNnc73LRfexhVOCDyPxqasqbwNR

K135K+3Rs64c6xcJJuy89DqtG0rw14o0XxKdQ1Wyi/4kLi1NzhWaUSKwC55zivm8uw/1KM/b

ySunbve66I9jG1vrE4KlFuzV9HtZ9zx3WrG/1Wz0vEizXMEYjmlRSFVeNucgcgema1w1SjRr

S1snY6antqlNLlfMmdf8Jtd0/wAJQ3Vp4gt5ylxC8bSQoCw5B4z64rrpZlSo1VJK66nI8vr1

YW5dTq/D/wAQfBXg/V7XU9C8K6leC0uVaCW5uVQxgEFgAPXHetKWeU6NTnpU0n5tv7uiJq5N

iKlO05HV3P7SFg9viD4aabLclFAury5kd9oPC8EcD0qK3EmKaapJR17J9PM66eRRt78m7Lvb

8jhvH3xc8U+PrJNKvY9L0+yLBmisbYIX6dW6nlQfwrzK2Z4uurVZtrtZJfgdtPK6EZ8y373Z

5y2n5ADSzSYHLZOAKxjW7JI6VhYu63LNgqWd4GckqsZUF2zgkdKicnOmzWlHkl2Pq61UNFFI

ccoCOOma+JacHFCikaFrGpZRg7scetOEJv4GVddS/DG4jjI5Y8A/lVxhFtLmXkKKdr2LUDsh

Cbt3OOfaiT1UktLlONl7xYLkPvVc49D/AI1caruk+v5iUCZHUsA3HOQe9CqKPvN9f69CB4KN

GOcY9qacVHntt3/IdtLEjIWKvkcZxjrVyUtlv/X9dgUUkPUkPnGF29h1rNt63V9Pv1E4+8NS

MhzlQoGcYPStFPm+LQFoOK4wPLB6d+lZwqaJ9unUcYq1iQLj5WA68k1o5csbp7vT+uoabdgV

AuFUAjpx61nBSa0d312HbW6HrDvJIXkc9OPerjzvmb/QI6PUZ5QK4A7/AEpNuz0sCW9hUh+Z

SOcHn8qfPCL018v6Q43aEVCPmxj5fyrJqKfVtfP8tRap2BYwCGGM87hgc9auLSbbHy2VrAsf

HCg54/lVRg3ZbkQejPkr4jTpe+PtcnwNv2xgP+AgKB+lfp+UQUMDTS3aX5I8Grf2kvVnLlZm

xvUlQMk5A7168UrWMGne503wz0uTU/HukWojDnz8lSenPWubFzkqErFUoqNVan0t8Q5BL4q1

JYsFIHSMY7bVAx+lc3Ly4aiu8U/vRxSk/a1P8T/M8c+J1ub9vDugINx1PXbaPZnqA24/yrK8

o0ak30TX3pr9TPlvWhDu/wAtT6xigMKImBiNAuK2yWj7HLqEJbqEE/XlRnjZ+0xM5Lu/zJEX

Bx0JzjivUbdmlsYxSXUbsh/56D8jXBeP835mXMj8ubaIIZV+YYOQGz6VnGWyN7O5leJU/wBG

WVSw2sfu8U8NZVWXTuzlzMxjHLDkZr0ErIcb2ZMl9NHuWOSQk8cHAxRZW1BWNC18UXFtF5B0

+ymI43ywBmOcVEoTltJr+vQj2MOdt7+rK954hu7m1eBo7eME4Kx26r698fSiNFX1b+8pU4x2

Ru+CNWvl1NGuy89kw2SKTkgdOM1lV9lTpyjLRtP8iqWFrVmlSWqMfxHoY0XU5YBMskLkuhB5

AJ4B9DU4XEKrBW6HRicNUoySnozOhuguRu249/autJ2scLj71wkuBuwhbPrUwi+pUYtLUh89

89VHP5U7KwmmXdLfeGUscA9elNqy2NII1LMiO6XPCgj8KzimaWabNHVpJITZ3KkMGiwQfUcf

0rHFr967dbfkdFGLVNXM3VdSn1fUJb65CCSUgkjjoMVy4elGjSUImlRuUrkEEcjuGAyFHrxW

jkkZqErl/T0/ftG6lNwByp9K56s/dOuhCSmeseHALnwRDCXLmEmPJ6jDEj+dfG473Mdzd/8A

JH02Xf7tyPp/mz0P4afHfx18NPDn/CK2cVvf6cszSC2uFDAbmyQO46k172Hz6rRpxpxei/4c

8jG5NTxEnOKtLr5nbeN/2lvE3xD8MP4NsPDtrpFrMI2lMUhLMEIOPQZOK5sz4iq142la11+Q

suyGGGmql9V/meVeIRqlzbrHdXDMgxgJ2GBxgewrx6WcVqj1ex6H9lUHNuRzraeptzHc3U7x

sMENO2Mfn+Na/Xqzeg1lOFjH4Sl/Z1jEzxLGiCUgvgn5vc+pq1iKzWrZqsBRjsiOSC0jkLoF

XaOGGOKcalRqzN1h4RlpoWbWR4ZIzFKnykH5uR0H4GspLujRQulruRalcx3l9NeyG3Q3UzS+

VBEESPcxbCgdACeB2rZSqS1lq+r7nNSw8KWien9fMrre20BjjlL98Hp25p+ynK7RrdRVmQza

lAsmFg2qGwSx/wDrVdOhK2rD2sUxP7TbaEhighJ5Vic59qFh1fVtmKru76GfLcX+dpuicjjZ

XTCFPsZudVrlRQf7RcmS1EpIjBcHGDwDgV1Q5Y2lY5Gqs1yt+Z9laCWl0jS5sbQ9pGSf+Ag1

+fVrxqOMVsdiXmbdtEm7LDJBB61nF+9axtTTexdgUGHbwVPZu/4VKevNdImK00J4FRMK2BjH

O32NW+Xl95aA72siZYlVjyDgc8VUXKz5VqD0fkPj/dx4wxC8jPJpSS5nNv8A4cWnNYlSNAmx

ucjv+Vbr3IqyJ+JNXDByFOfkPXNTFTSS7CWjFyB8vOfbvSXvLmS/QclaQ+ORxMh54P8Ah6U4

SktF63YWtuPLuMgnO3k8dqIe7FNMUIyTJVdVz3KnrzUqTUVZXt2HLXccSmd2SMdK1hJuO2v5

DS6DsfLw5ODx6048yvr5kxW6BFOzBGQfUVMneN2/69BrbYVUC7UYEc547cVppy6aXJuyQwhS

x3ZBX1rGUXGfu/eVbuiMofvEE9jg9K0jBU43auGregMoVBxgAAjmrhZSVv69SNoM+NNckW61

7UZ/via8lfcep+c1+oZdGUMPTTWy/Q8aer0M1uHk3E4C9Aa9KK92y6nOkmz0v9nXTftvxP04

Ek+W+cAdOcfh3rgx/uUuSRdDdtHsHiSQ3Wsajcdd925znH8RxU1bqnCK+zGK+48xe9zS7s88

u7ZNS+MPw80rG5Uv5bl1YdAiHH864czrOlldWS701984r9TXDRvjYeSl/wCks+pfK3Z4JwK9

6jT9lFJ9rHnOV3ckCAdW6MecVrF8t0xON0R+Wn/PMflWV4+X4GPsz8l9dtr+Cc3EcrmI+hxj

iuTCyhfle52LRIwJbueVfLkkYg+9dcKceZsUbIg4PXjnJNXbQaa1Y3I3sfb/AAoS0DsWLWe0

ik/0i181R0wxBqGn0HJO+hPcPo7W++CJ0fPRmNRF1L2ZCuQvem0xDAQy5zlSaagpbmlOpJK1

xl3ePeMHkRQQOTk5P5mnCmoPQmc3PWRUUMd3B/xrZXRKSRLArtKIhGXdshc+tJXYPltcaFY9

iDnkUuV2FJqxd0nKTFTgbge9VKDUS6TTdka0e1ZQVIG0gnGa5VdM3V22auriN9EtrhQCYZXT

Ht1H86K6+H5msF7smc0CPMLMAMnnB71io+7ZAnsTxEKwcq2MY61DViovWxdtriMSqRJk4yc/

SsJQk73OmnKMZLlPTPBV203hS9MUasIZcbCcnJGfr2r5XNIWxUE2e/llReykkEJ1iYsosGDL

6jHH41LVCKvzG3tOlix9p8S2YURy+QwU8hEz+eKx9nhJ7q/3nRG+/wCY1n1SVf8ATdWlZmOD

hyT0A7fSqSor4ICXPfVlVLeF1KG6ncEZznaPzrXnktbIHHR3ZGbawX5ZmDMx+UmU9fQ1cZ1H

8P5BKMEve/MY9usczrnDbdu8Lxu9AehqozbSMo2c7WHPC0O2Bp4wVUM251GfXkUlJPW35myg

0km7MijkWa3aWJVUKBgJuLP+HpVOPLJJ/wDDGEKkNeV/8Ejt7W7uiiQ6fdyyqxKhYGJPHTFa

rR2TWpz1JQile7NuLwP4k1KYrHpvkqEDZuHC4J9hk1zLE0qUdX9xTrRe0dDWsvhLesQ17qUE

QX5sQIW5/GuKpnMU2oRb9f8AhgUW3saEfw10O1QtcTTXDHpuk2gd+1cMs5xD+FW+X+ZskrNt

/wBfI43X9JsLC6torOBRE0LbuDlj7knP/wCqvcwuIq1Kd5PX5GapRu35n074LHm+GNGl3f8A

MNhP/jgr5TGU/wDa5XdilJbHT2keQvGT6HPHrU/a10RcX5l22iWUbNijPIYdB/8AqopOEpKy

1sGyLSQyfdK9eMihRcIOV/VX/rUclHYlWFvM4ODjuOKqnFRkrsm6toSQqeflA79OaziqkvMS

ik7C+WobjjGPp1pxi223/XyC6UbslCj+IA7R16Yp7aQ6IabtqR7MNwmQV+YmldSd1ohO3NZj

44135zgH8P8A9VaKndNX/IcXZihQGwE2kDjjipjFuDXYmDtYeIzyDyAR/KnKmlBu2rC1uoqK

uNhHX+VVSSd3+ZT0Q9UA+RCR9KmLe9/wEkr6C7do2kYxwvNEorksunoK76iorZUbiCTxx14o

s4x5U7f1/W5Sta45xknHYev+e9TJ8ukvmH2hEBGQucg1rpCye5BX1C4Fvpl1Mx5jhZs+mBmt

8K37SK9P+G9OxErKnoj4xkK+c87hS8jliSevfNfq0PdpJI8CPKrJMiI2tsVcd8da7OVSZUbP

VHtH7LOnBvHE+otEG+ywu5YjG3AJrycxT0Xdr80OmoRUref5Hc3QBaSQkfMxJ5yDzW2Lt7eS

6JtfieVRhy0FfsjmPAtuNS/aR0gbdy6VoU83f5SzBQf0rzMxp82FhRf25L/yVxl+BphJfvak

/wCWK/G6PpjaoOMFgPbrX0rWp5sdNB2xRGVGCOe1F9LlWtoM+yL/AM8B+f8A9es7R/pP/I5r

I/Ku7iLxbACQOoIryacuWR3RWl2cPewG1nkic5I6Y7DmvSoz5oglrcrDG0AHIzWr2BXSZGSN

2MnihbDsCgE/N+HFJtpjd+g1/wB2+0nI55qo63JUWNL/AC8/ypJAkOSKQoZB0Gf0x/jTYdRi

s4J5I/GmtAWgomkV96uwKHKn0pJJbDUVy2HCRvvH+VCk0rEyh0J7CUfakU4+YECm5NxY4Rtq

bybQAe1c3U3SdzYcm48O3A/557XHHpxRXj7vN5o0p3+HyZzy2k72ovPLZolfyywHQ88Vyqaj

LlNIQfKrkiQoTnOMDis3NmijFkkEA8xTvzhvmHrUudlqXGKbO18ENHby3UAJ/fRbgAORj/8A

XXiZm7016nrZdC036HR6rqENk9q8vnwLJhsyjPGOnX615OGoOaklZ27Hr1JqMFfT1KC60bmY

LaNcTRlsBI4ix/QV0fU3GPvJJ+Zn9apX30L1lo2u30qT2eiagq7vvSlVBI+p6fhUOdKPuymv

xM1iY30i393+ZJdaBqOk2T3WptbWkLTL5sglMjoCcDCgYPX1q8NUoV60aab+7/gozr4x0aMq

ijt5/wDDnpXhj4RfCO9iF54p+LGoxkQ/aGSx0tVGMZOCzc8H9K+4w2RYSK+1L7l/mfGVuJ60

3aKjH73/AJHN+LbT4BwzWtj4R13xdrM11Mg3XywxwgMcFvlctn8O9ePmeEpUad8NGz9b/p+p

1YPOMRXrqFaWj02sX7HwP4dt1Lw6NaMDgbpBvIHHr9K+DqZjiJPWb0+R9VDDx00NNrWR5Fhl

iVBBbLFFtULiMEhSMe1ccqkuVtu+uv3HTGnGEYpaf8OaWgajc+F9YttXsBF51sfl8xNwOQQc

5qaOLqUaqqw3Tuv+GCph4TpOEtUzaijWZWnlVf3o3ABema6FVqP1/r+tjBwitipIlvDOscgx

uGMAdOKyqSkvVCpWvqZtzp6HL5YoBn2FZSqvXuXGm1qea+MLZYru2jQAZWRCD24r3sBO9K/o

VTj77TPoT4eOZPB2gEDrp0fOOAQK8bFpvGyjuS7LW1jr7RSGUBQNp/OuZJJ2kt/wNIxdrl+3

XBVWAPA59Bik1JPVCjtdFwI2wc4Oc4H410ysorTXqZ2LEe0yfd/hraLipWX9fMcooVYIzjIA

57Cle/8ATIjdPUakHyYXocGsowaTcduy7hJ6WFeM8jyyKiUXq2yr9BNmPkJwNoGOtOSUZPn6

r9RvoLtGVG1eT6dRSXVbDim2BH3cZHIyPyqIyaST0QRihQuCcjgDPFbWi17qb8/+HFdpjhtD

BigHHFYtvl11/r+updlceAVJU84JApwmuZuUbL+vkTazEGenBPTgVrPSOv8AS6DVx8S8jGcn

IBxWcVGL3sO3u2D5ju7bvQ+9aOP2Onci2oIDjjKljwT/ACpc0ZWl28hWaWxjeM5lsvB2sXAY

gJZSHgc52muzCQaqJ76mVR2gz46V5AVh4JA+6DxX6rGClBO2h4r3SsOU7SDk5C4x1/zzmuim

pSukiY6O0j3v9l21aO18T64w+WKykRWyepGOh9zXm42HtMRCC03f3a/oOdRww8n6fi0dI6fu

sbSOgIP5VGId5yfW/wCp50U1EyvghAbz46eMNTLArp+mW9r9CTurkxN5YzBQS61G/nDT8S6T

UaVeXflX3SPoo8E7VyK+gjJp8rPN5XzDsqqrycZIFVfohpWExH6r+dZc8v6/4YjTs/wPytki

Vy6qcZHHNeVd9TdWVjhtb3LelWXHGRiu/DP3dBxMzonGfzrpeiFqIwbIBx8v/wBaqW2g9xI0

LSqME4I71DdtBPyHXkXkybGBB+tKE73sOKtsQiMsyoDjcQPpVp6CW45vL3NsDBeoyeaBJvoR

KMFvamrWKW4jE884yelEewIei54Az70noiWx0P7uZG5yDxQnpsNbHTW5BymWxkYB/CsGkmdC

vaxt6UiTWE1oQvzxuo656A/41c3L2bXZNlQspJv0K2hCFtC1m0dT+7WOdcHnIYA/oa8eu2p0

352/BndRtaSfZmWpKthWIxkAVppYyi7OzY4ldy7gpOR0GD0oXkUpJnVeD3j/ALYi27hujYHB

/wBnP9K8jHRbotHq4CXvpo9M1LT7e7l8MyzRxyKboKwZQw+aJ+OevIFfM4OrKnOvGP8AK/0P

Vx8eenC/8y/U7KDS1j2pFF5YUYG1QK8p1pyd3qSocumxattMdJDuiYBW6jOTVxqrl0EqfLJm

T4z8NpL4R1GQL8xhLgknIx/+quzA89OvCS6MxxC56ModzzHwfLqH9vtYxXMjW8MLwSAMSjfL

/LpX69l1XmqNpaW/y1sflteEFC8t3/wTkblGtNYs5DdKbhL1TICMFQHGACO3cVwVknJJ/ieh

hvdqRktj3221KxhuPIa8t97kAJ5gz+VflUsDW+JRdl1sfotPE0r8vMvvLUeraQGX/iZRAsuP

mbhSCeKbyrEKjzqJlDMqKqezk/JfmZ194o0BJ1s4p5J5Cf8Alkm7d16VUcoxHLzysvUr+0KH

NyxuzsNOvHubaPy42hQIAElGG4HXFZSjKDcU7msZRaTK8sEkk6SbSxDEkj6VjKLuxxaTaKk0

ht4wCcoy/MvoKwn8Ohak76s8+8bKDd2U4wSzOAe/3RXs5Y/3Ul/W5VO3Nc90+FpE3gbQpSCo

+xL37biK8/FNRxc9dV26mad2kdvbjBUrldoGBURk1ezsGiepo26srLtUYHXFRZSdp7Ew0RwX

xX+N/hb4Y2bxGZNQ1ZJApsIHG9M55b+6K9PCYLEYqXLT0/va2RjXrwoxUp7Hi2n/ALaet2V/

J/wkXg6A20hzEsD4dV5654Ne5LhepyL2VVX81/TPNjmlPm96L/ryPpH4c/Ebw38StJOpaBcH

zE2+fbOcSR+5A7e9eBiKNalV9niFZ+Wq/TU9OlUhNOVN3R1ioMcisaqUYNdH/Xc31a8xVXBH

yng9OMYqFCN/ZrYS7iMo5B4xwCOtKS973d7DveWuwscCggsCOe1W9ZXjLToKPmNNuegAPPGf

alyrV2uKG1hNrLkfoKylFzfItLGl0rMAAAF446fnVqKj7qd+gtdx8Y5zgkdunWomlZu24Rve

wnlHaCvrzSnFO2u2m4R2dxyLhlKqeOtbQ5bP+rfeJbDiGwRxnOeKaT5U0vMUnrZke3GFIAJb

oKmVG3XTzBNXOU+LNxJafDbX5PlXdahB6fMyr/WvTyilz4ynF7a/kzlxcuWg+Xy/NHyakDKf

OZgMjB9q/Tly2XQ8qcddxyL5f3Tjb1xxmtYNKWvUSWmx9F/s+Wxtvhf4lvxIfmkSEdeMuOn4

CvM5v+FSC8pf+kyMcUksI/Nr80as6EI20jg/nWHNsckrau1iH9mS2S41/wCIWthSfO1sWwOO

0aAU980pxf2acZf+BKS/QindYGT6ucl91j3wKu79K9lNpnCvIaVDDDqDye3Wrs49R6dBn2eL

+7+lY8vn/X3mFp9j8tAUJKjJyfl56V5CvE7VdHJ+KbNl/wBI2kkMR9c9K6cHUXM13HFvqc1g

46k7umK9HpoSk0noIRtJOcc9xTUtAs7ajSOQQcYxxUrcuzuLIXkjBbnnGaI+69ESk72ISp6d

6cXYFzIIztAyMEGrbs0+gmi1qLwTX80toAEkAIAGMcDP61lST5fe7ipqVlcpHOeGq1YtKXUe

hKrjpn2paWE9hYtxbcvOOaOlgV0jpLRgQjb8bgOo9qwknGVi4N7m14eZUulDHKklSM+oI/qK

2g9JJdVb7zS7un21ItEg8nWbywkx/pFtLGAB32nH6ivFru9K9tnf7j0KMGqqXf8AUyijfL8v

UevvWkWYyi7knlmPaSxOOCPWkndmiumjovDLomp6dMHPDheDjHUV5eMv7Ka8j0cFJxlG39an

p/jKa/tvhw2radJsvdLZZVcrnaUk689eDXyeWRhLNFTmvdlp96/zPax05QwspR3R5ZrXjj4l

NpNlqMvi6Sa0v4juNqQqwHcRscgfK3y5x6EV9pRyjLI1HBU9V3vr6X3PlHmGMkr308rf0jQ+

H/w2+IviLV4bK/utW0qyuQJZbieV03R8EFQT82eMfWtcbisFRj8MbrZW/qxlhniq0/dk/PU+

kNQ0hdP8Dvopvbi7EFi0ImmbMkmFPJNfHYmvGdT2iVrPZbH0FCm4Qte5438AYL4ePtOsbSHz

JLkyQP52QsgdSv55r9Qy2UXK3Rq2nqj83zFNq8ls/wDM4bx5Yz6drF7Y31p5dzY3jQzSoPlk

KsRz+GOnpXPVtzLQ66Daer+R6dqHw60W10aS9s/tYcW+5FiO8lmwRx9a/PKOc4meIVN2366H

2P8AZWHUOaV0aemaZot54N063vtGvYfE8oRJ7iNG8powdpZgTgMV7jrXq18xtNwp25U+9uh5

eFy5umpTvfsdO0FjpsQttNtIkSPgBFGP/r18LWqVKsuabZ9jRpwj7qVjZsf9IuIZZGwUixjH

X36+1dFFyb7mU9GXbmFNhcL+nWtXFa9TGPZHNa1M0dqCitIc7SeMkd+prCCfM76Fymoqx5z4

omeR7AMrJtmOATk4OeOPpXs4CHKpehsrOzR758GZWPw/0YKeBbsCcEdJGrysXFrFVP67GVS/

NZs9Btl2NuALZGMCs7RvrL+v67FKVvdscR8avirpvwo8NLMJM6vqG6OwgXkk45cj0GRXfleW

1MZV5ab91bv+upx18YqFPmlqfHng/wCGnjD4qz3EGjSRSOsu67uri5wdzE9e5J5r9HU6VBLo

kfMclavK61bPTrj9h/4jra/2jpsljevAd7W32jY0iDnaCRjPWqpYlSW9vvNZYKut1+R5pqei

+LPCOsSadp0N9o93E+8SSSsHz6BlAHXueKmtRp1FyVYXX3/mY0atanNuLt+B9Mfs4/tBN4vn

tvh34nhn/t23hJS7L71utvXJ7HH8q+EzXJZYOEqlGzpt7dv+AfT4LHRrRtPSX5n0KuA3DLx7

V5TSjsrHYlKwirkncQSF4zQoK6f3eRLbTHIRnaHIB9sUoWlLlbLV1EcBgOu77w7U6aklpv8A

d+hEbaIASCCW79x7VmoN2cioysrIQ+USSOPyq6tr3X/AHFvYapG5juyCTgMwoVSVm0vvBaSA

bANuW7BT6c1g7Q32tv5luVx6LsGT1x09OKpPXQlLQdjk4YHpmm46rQNbjBwdxIAz1NatN+n9

dyYto8/+Pky23wzv0Df6+aCP0H+sUn+VepkNO+Np6bX/APSWc2J1p2PmRgCy/Mcg9h14r9Ib

sk7W/wAzy5ppJ3GhDlCi5x827dz1xVqCs+bYlOUZXW59Q/Ca0On/AASiG0E3l+GY5zjhj/UV

5+n1qcm/h0/NIwxUm1DzuR3DH5mUkiP0+vWj7KZyVItJ9y/+yfat/wAK6u9WwB/auu3k+SeW

/eEZ/Ss8LFTzerVttCEf/AXL/MzqXjg6ce7b+9I9pxltoULjPf3r2L+9dnIokqodmSDx0INa

KXQmyI/J/wCmf8qx9hHv+Zlp3Z+Vq+UR1H4ivHu7nXymJ4qiVrNnLNweR6/4VeFly1LWKjtZ

nGY+XcB8qkD/AD+VetryiTWzI9p3Zz9f0qrqwhoC7ucH29KSHZXsKo+VhnOAfwou3sJS1sRE

Zwp4ziiOg1LQFX92eeVPOabfUH0EAHrzimmClrdDZMDtz/OlEqOquKuCvTJHoKCZPoKgAb5s

8DmlfQaatqdDpbCS1QAAleBx6VnJ+9c0ptXsjU0+QxXAcdhn6Y//AFVdO3NqOb93RF+YLp3j

C2mU7g0oyD6MP/rmvIxCbhUh/Wx6FNqLhLzRjzQm3vJ7dTzHIygAY70RleCZM48s2rBgCQKR

swevXtSi+wJ2kaWnyrEI5Yyp2Nnke9ck4+9ZnXhpaaHrjiPWvh3rmn5LOEkAyexXNfHN+wzK

jNd/1PoppVcPKPf/ACOd+D+ueJvh34CvPEes+AYNW8M6rd+RDc30B8uKVRh9pxjdtav0rGUF

7ONTkV3opWu7dUvmvwPh8JinGpKnB7dPPz/yPSdJ+MHh3x98UYLHRra7t7C5s3WEXbAkumMB

R2XYvA7Yr5nM6NarH2s4pcvRdu703O/LpKi3Dv8A1ZHoOvJCbSSMKArx44HbFfKYqppfyPoY

2tqc18K/2XvH7xf8JQl7PC8WTbRwRFGU53K288YOe1foeDzGMaKqKO3yPhcVgfaVHFu2v6Hj

H7QWj694X8Y6joesRRiZ1W4cKxbkjBPPfOM/jV4fMIYycppWa0/Izq4P6vy82p63oV3YroOk

3ssqDzLGGVlJA/5Zg/yr87xmF5cVOK6ffsj7vB1faU49y3KYba+uLu5uIYlksllcmQABA2AR

n61yKnzxUI6q50PmjT5pdzEh8SeHbq4ggs9Wi/e8rgHcRXSspqzk01a3c5amNhSipLU6/RLO

DW726tdDadZNNQPtuQM3KFcnaQMZHpXvUsgjUTVGWq7/ANI8tZvL7aKtvrMN+syLHgwSbZCe

SDXh1qUlBxa1v+mx3UaqcroyNXmZYN0RBwpwpH0/+tXJyRvZnSn0PNvFDpH9jj3FmF0u1iOc

ENXs5cm+Z+Rq1okj3j4ISvJ4A0oYUPE8i8Hqd5ryc0io4hv5gr8x6XBMwGVAGDn5f8+9ctne

/VCi9bM+MPjlLqPib416hpuo3kkttaMlnaIoHyLgHA/Emv0HIowp4FTUdXq9/Q+YzCcnVUXs

j7E+BXwn8OeFtNgt9IsEi80LJIzDLStjkk9666idZrQ7aFONGN1ufRFnptrZLFFc2pUSAbXX

kZr0aUOVDlPmd0eSfF3wL4S1SxupbrQrd5ihPmeUBuHXBrCrLkeooYdVFY+OvDHw98a+H/il

o/xWurG3sLGe+MstssDIsMBOPlAGD8prxc4xaxOAqUnTautLeqZngcP7GrGV9EfYFhqunava

rc6bcJLEe6Hp/wDXr4tyTqK2i2tse/7y3LKEnf3wOuKtq7929n6Ec1paiqfLkBUhhu5zU/DJ

vZjjrZCyOQgbdzx1FS5WhcILQrqw3AMCQp4Fc8eeOiZckrE27kAHp+v+f6V0NXl7r2Jg0t0I

qhyyoTgHA4rL4FZaO39IqMlzMd8yL8oBA6f5/CrUJRVtEDatdirJkKMnPfHerUZLTYUWhodc

lsgkDB+nanOKi+ZaXEt7Mdxtwo+QU3zc6ilpuSnoeXftETCLwLbxuceffx5I74BP88V7eQUk

sRGUVe1/xTOSvUs0kfN0r7RgbWJz2/nX6Gr7f5nmTnG6fUQSOhK7uihQQOgrSM5JaoFFNXPr

nw1BaWHwh8M2sAdRJI8jNgZJ2gH9Sa8nDNqtiLpa2/8ASmYYttShHtf8jn/Ek5sNHv7kfJ5V

u7kgegyKqPxq3l+ZyVpfu3ddDuP2btPWx+CPhTaMm4tWuHHu7E/1qcskp4nFtdKs4/8AgLDF

aUaEf7kfyPTUXKckcV7Cvc8+9nuTJwh3OBn+Gqsr3Y7toi8o/wB0/nU83mvvOHXsflPAd6FQ

eFAwa8bbVHpKWupT12IPpswaPkjofxqKTXtVYuFtXY4BydvG07cDpivaXwk300QwkYB298cY

q0tLDv2Q3OJeFIye9Q0r6A3qNPmwuysjxuAQQRgiqUbIW+4mcDGRjHIoVhJu1hgIDfdOKH0B

gpOTtAOO1EfMat1EyQcMM8+gppl3FUjJO0cdzU9CW9BU4wcA8Giw47G3oblkddoOG64qWOFu

a5pwB1lXcfvEjkdKlNbGkrW1Wxc16UJd2N0O6I3HtXLWp2rSv1t+SN4S/dRYzXMrr10UGQ7C

RR7FQf615+G/gq/T/M6sTJOre2lv0RVCu2T8vBH4cVquVMhN9ixZf6thk8DgAVhU3Rvhr7M9

e8EXH2rRNQtymPNhRiuM5BUivjs2o+zrQl2f/BPpcJOU4JtHFah8R9YPwRb4Yv4lkFpZ6/8A

a4NN8qQ7tyEM27O0AEDjGcnNfo3tZVaVNTd1HZdt3+f5nxMaapVZ2SVzj/h/4ybwT4qsvEI0

9Ls2u4MkhxwwKnHpwayxWH9tSlTva+gqc3CopW2Pq7R/iH4b8UaSb6w1WHZ5f71GfDQnHRs9

O9fn+JyyvBy9pG6tufSU8bSlFWZ9S6f8R7rwN8NLLXtQ099UtX06OaEWwG4DapwT3HPWvrs5

oxy7CRqU9b2X3pv9DyMko/2jjfYNqPn80v1Pg/47+Kx8UviDFrT2E1nbXlwls8ypuESs2BuO

OuOffBrh4cjUanKo/id/wSPV4tymOAlSgtdP1Z2PxZ+G0nwY8XaN4Qi8R/2pp2o6ZC6PcwAM

oVQpxjgDCDk+tetmGFwlGvzzi31PAwWLxlSjaDSe29mdJqPiH9mfVvBSa1r9+LzXrSRIEi8/

5FG0nCqDgrxXdhq+X0481KlZvy1Oat9dqySqzvbzPJPEDPesuv6F4V1eXTY8+VKunstuFGf4

sY/KvGrU5VpOpGDXN1/Dp/wD1KNN04qE5qy6XPXvB/w9m8YaYdXOpana2ojRIpILdyS7tt3H

bjKjPJrbL8hqVL+2k12X67nBUzGNP+Gk/wCtipp/wd+MnhbULzRD4RS6sbR2eW5jlG2TrhkJ

wW6DjHepx3DXtYOUHqjTDZy1UtNddzlNb1Sexkl0++sLiCe1bZLG68qfQ4r42vgZ0p8k9GfT

UKqqR5o6nBeJ7gO9lJG4ULep3wcYr0csg02n2Nq0rQse+fASUt4AthjOy5mB5HQPXkZslDEq

XdGspuTPUbTGSxJTbjBPcVxQ5k3OxlZHx140svE2t/Gy+1oaUYLK38QxWjTOMIcbPzOGBr73

KfYwwMFfdX/E+fxcas67cY7H2fp8Ot2skM1jDcXbw25EccdwY0yeR93ufU+ldmGcL2e3dnfU

g1T0PQNE8Zy+GbG+i1W4u7gWY3o0zlsdeASM4GK651vZVHFbijRVSCZwHjj4h6zcQ3kcxtWy

FMcLQmMEMMjbJk5PB7Vz15pw55vTfSwoRcZuMVt6/wCR6jaap4FurxvBOr3Fkt1awRMIpmXG

xhhev0IqaEqVKlGM2RWpznzSitTM8Q/CbwvBOdY8O3jaZdHOGtAPLk/3k6GssVluExMbyWvd

bkUK1elovuZx8GseVqc2g6n5UN9EPl7JcDPBXPf2618bjcDLCVl7R3XR7Lro+z/A9SnVjV1i

texqYGQoyD/L/wCtXBezSvbqdENHqRvI3B5wMD261gm5NK1/XYUG1qRqxV+g+bqce3SnGLut

Ouv3DclykiEkcEEgdKKag3/X6FX3TERiJMkEkHpUT5k79f69BRT2ew8EKFJBz0wOnWqiuVP0

XXz+4blpqKrEbflAycUuZSV76ijDXTYH+UBUPRck1Un0b3/Enr6DVc7efmOT+tVGMX7sdxc7

R5B+0bdKNA0mKQjLXjPjg9F6/rX1PDMP3stNrf1c4MWruPz/ACPn1nLneg+UNnd6DFffqKit

Uefdp2JY2BZlwSMDJYDjn/69ZSSW2isXSXu+Z9eJ+48A+DrQrhksGfB9WY4P6V5NCTcKlRK3

vNfdb/M5sXf6zy+S/U4H4m3v2LwHrs4ZSUsn5x0OMCtae+n9WPPrXUPu/M9x+FFgmmfDLwpp

rKVMOlQAjpg7AanI6VoVprVSqTl97uVjH78Yv7MUvuOs+bO49MfnXsu17I4lfceoyDkcliB7

U1oNtLUi2D+8fyqOb+6cvtJ/1/wx+UtuQzMgJC7Rkkda8ZJLc9C+u47VLbzbB1j2sWjO3jBz

WUJWl8y4Js83liaJ9rqVZT0YV7cJXjdE663ZHJGVfa2eD0P4VpbQepHtOcM3GfSpW423zDNu

c5xkeo60IScu4FMDk0Jkq4AY4XP5U29hiIp+bac/Wj1QK6YjRj6Y9qIsauAUL1cUbol7CoFV

/u5BBo6DTZqaH/rJFzjIBFQ7Fwb57G3kAjK5xznFTaz0NHflsXfEUG/R7G8QqPLdoiCeeCT0

9MEVz1G+eLezudMWvZ6dGiLXgXmsLnH/AB8WSE5HdeP6V59Cyc4ro/zSOiqnywl5P8yskfy9

RzV31Moprcn0zG9lPJC56Z7VjW0RthLqR6h8OLmCF1iZmUT2hU5H3drn0r5XO1Nwfk1+R9Jg

HpH5/mZ1j8FtW8RW13cR3VqYJrsi3lxIfLO8ja3y4JP1r3aOauNKDVN30XTV29T5/F4dQxc4

uS/pI9p+H37H/gLw/eXd7451qTW44bc27ReQYoluG5yMNuO0Kevcg125r9alTthqihqld+af

r/SOaNKNJKVS7b6LsV7LwT4K8LeBfHmm6dFlGYLYTmJWEibGzz1Bz/I185is6q0aVOk3zTnJ

ar4eVXT7NO9uh71HBQspRjblTTutbt3X4HeeGPih4E8dfA/wJ8PbbX473xctpFCmmxBg7SLb

tlW4445r6jiWisXlvLDWUXf7k/8AM8Lh+TwmZqUtIvT8V/kfOXxH03xd4Dv/AOwtV01YXmeG

7eCTkAo/y5PpyR+NePw9Pnk4r7O6PruPMTh61KnVpO6ul+En+hZ+I/x38T/G+50lNS0W103+

ztPeL/Qoy7SLkbs7iMjKZx25r3Myk6yUpa2+R8Ll1qUmj0fxH+yh4E0f4Jap8S9F1HVLqTTr

dL8I0ahWUAFlz2HNelPC1Y0LxnfqZUq+FlUSlBp7bn0L+ytdaRdfCrTvCevWErxW0YYxXMSq

ZIpAWVsZPGD37Cnl1SVTDKL3jo9fmc2Ogo1ubpLX9DotS+IPwV+EytaJrVhZ7RtWxsyJH4JP

CLnByTWuJx9GkrTlqPDYGtV+GOh5l4o/aX1LxHp8th8MvC2qpfSHMF5qEKJAF78b93p2rno5

rSk/dg39yN55VUj8c0vvPB9W+F/xe1zULnVdU1TTI7nUHeeUBnIGSCSoK9K8XF4SdabnOOv4

nr4OpToqybJtA/Zg1vWLhhqHiHIhYPIwiwobnoxPse1VRwdRaaKxq8SlrZnq3hnwJc+AtLi0

S11/T1t1dpnaRwxyzc9PSuWvkNCdRc89bW/rQuWYVJaqJbm1WOOCSRfEw80ZChLYkEduQKzW

S5dSgopsSxuIlLY5a18VaFo2s674X8R3VvO/iYW17pc9xBz9phwjKCQMMRtwR6V1UcNSw8eS

Pw2+7UinW35t/I+lfh9ZWkemRy3sf7pFBIA5J5/rW1KhonY6Z1m1uZniK8sJpdUe9abymiMN

vFFEAoJ4GST+tU2ub3np2/zNkpJKyOM+MIsPCvgxdcPlsv2YNtIDBW2jv6ZFcNWLdNSgzaMo

qTTJ9c1q28X6B4d1jwzbW01/rlqF+1T4UKkHPI65y3A966qPJ7CEX8W3T1tY5K9oJy6b/wBM

q6RqHxL0TV/tt+baXTtoVrWHdk88sNxPQVVTB14LmhJXXrr+dvkYrGRk7TTt+X5He+IPCOj/

ABB0FLtyYpXiDwypwUYcj9ah0fa3UtNBz9yVl0OIsdfvfC95D4c8aDbKTsgv0H7uUdt2eVP6

V8djMtq4LreH5f8AAPTw+IjVdup1W6B4UkjkU4AOB6V5EY2gnF2b27FxdnZjRH8+eOGp+ykl

7xV10FUK/U44wSKbTi+3oVG1h23j5R14+tZXUdZN3CCd7AEwo+TOeTkVUbxj7qt+Q5fCxwHK

919cdaS3uw1tYbjJ2ngKMj360pPlak1sJX7iGI545x2PfiqpylJ3T3E1pseHftJOdmhwBcgt

IxGOAMD9a+q4Vj+8k+6R52LeiR4hwfuKCDnHbivvZPl1enf1PM5ldWLenoZb6OFcEMcKN2AD

uxUVJWg32Nqcei6n1vrsH2Sw0Ox5LW+lxKW9zlv614+BkpYVt9Zyf5HJiZXxOi2SX5nlfxjy

vgHUIdv/AB8yQwDPfdKg/rXTh/e5v8Mn/wCSs8/FRfLb+9H/ANKR9Q6NbNZ6Pp1ioG2G3RPy

Uf4UuH5c+W0J2+KMX98UzTMVbGVPJv8ANmgI/m+XCjGOB3r13GzaZx7O4/adnByq9TinGyWh

LW9yPyx7/max/edvwMNOx+VLONnAGVPOe9eNG7kdjQqygAgp0GMdMVKi9io37nLeJ441W3do

wQkmGwcZHX0rrwj3QNOzdznGjRncqp4bPt2r0VJ8pLVtxjIkZVgMD60k3sGnQhfJJxnNUvME

7CSYK5xjnpTT1HBOyQ0YxwBz6iht7CBc/Nxn2zTi0kCtcQkHJ4oi7DtYco4zjIWpbQpPWw0A

duhFFyk0XtGlK3oTGNwxUyWgJPmudAhzDjGMcD5s+9S1obK7W5q3sJuvDc0yAn7O6vx7jFZ1

tIx8nb77s2oR91q/n9xQusy6HpUzc+V5kf0+bP8AWvMj7uIn52/I6XG9FO+3/BZD94gj5ckA

CnHRkXHafOBc4yMFTxjvU1I+6Xh371rnc+Brk209v93Ad06+oyP1rws0hGVN3Pfy+TXXqj6B

+Fl/Zo2nHXdZ0eP7PqBbSo3d5JEkYYUtEgwwDFiA5x0r3uG5unQhBSSck0tLtPm3t3/zPGzf

LZ1sXKsoSsmm9bJpJaXPdvix8O9XsvBetePbnxP/AGvcaLbtJdQWtmtoJXYDJ+Vjjg56UZ5k

kqtJ1nUacV8v69B5PmVOWJVCFO3M0r3vb7z5/wDgJDP420zxRF4njkgDWqyKhI/djbt2+/Az

+Oa8irkFGtTjFv4dU1/Xma/2lWqupyx62t8j5f8ACHjHWPhz40svEWgeXFqXh29BhZ1DqxUM

hyOnINfTQ96nv8R4Vf3JpNbf8OdN48+NnxE+J+sJrmuLa3F3GpjQxWqqqDOcdK4aeFw+Hm53

1fn+h01K1atFU0vdTvt1/pmPp8fiCaSG5uZYYVtxjy0QAYJyRx9T+dZVsdQjHkjdnRhsrr1J

c2x3EfxK8e6nosnw0tL17yw1GMQS2kcYOFBzjPYdM04Y/F1KPJfRGk8uwuHmpTvd7nf/AA8+

EWo3NtjVPE17DBsSOW3tblgFAXhWIPb0pYfC1Krd3bXW3XQJVKcUlTjqtm/8j1vR/AHwx8Nq

IdMtjczgeWQrEZIPVm/LmvTp4OhSSdtTCVSrNtNlu4kvdGRVi8PWVpGOPutI7HOP5VrOrJTl

ZIhRjLr+JsaZNqviNhbPqKQNaxqQ8dsucdMZP4VHJ7XRsafKmu5cu/hhdaphJteurtWI4MhA

IHsDirhhpa3YRqJK1rFRvhBBHhLW2uFutvDM52qfp+f1pPAU4z137j+sNaJ6fIlk+F1skrFm

lCglV+YjAzVRwkVJNBTq6anLfEL4XWk/hl57yQRy6dcRXdtMyEFGRgQQe+Rke+axq4VKL1tp

1CjVTdlqdl4R8eNLpX2G/eOG5VhBNHuwQRn5h7GvPp1Lrki9T0pR5Y8xb1jQtDtbUXiC+t7J

4jiYyknf+PbtRPDTdO6ud9PGyvbQ4DxHcW/xG1DSPh1aB57SFVlvueBGvJz6Zwo/E1yUaftH

7JfN9mclervN7HQXfw90CC1WSK0SLyVIRySBEOMkY+nNe59RoxSilY8z21RLce2leIdKVW02

7eRM4xcOzKRjGQHJ9uM0pQkn7r/yK5k99zo/hz4hubXUbjw3qMyykDcGCYUMeSBXn1VKlVXN

1Wp2U3GpTST1X5HZeIvCOk+KtOa3v7RZW5wQORxVOkprkb0FGTjLQ8L1Q658M9RXR7mZpNPl

AFpJLyEbPCMc9PSvnKmX4eDtKN4N99V/Wh0U8RJrfX8zotB8Y6RqZ8m8b7JOzBcF/lY+xrix

mWqk29/M6KVbmiraHUxR/ONrnrxluteW6avzXt5nRFslAxlSMAse/Ss1BXbTtr/XUINp9x6M

Qh2kEkc+9TOMFLmb0Y1flYhIR05wM9KEoqXu7DilbUSQjkZwoHp05zUzVpXfXy6gnYPmwWI5

53e3pThunv5k3umfPn7S05TWdFticBLVm7nqw/wr7LhelJKUmebiJe9v0PH1zKyAJxv/AAzi

vsIzjG2u5wNK6tsa/h21E2v2Nn5bP5kyBlCkn7wqW5ezkb0mozUU9D6z8ZJs1cwxjK29tEgG

Pu4jXj+dePhoKFBJLfX7zhrTlKvO/Rv8zyX4oIt3baDpRQsNQ1+zjOO4EgY/yrojL2VGq79G

vvTRzTSlOEF3/LU+rkWPbHEuPk4GPQCtMipexyyjC+0Ir/yVGOLfPiZvu3+ZLEAoAYdBn6c1

6Dbi9DmtZ3Y7AztYsQSf681pGLWw9CP/AEj1f8qj3/6/4cysz8mn1CzgLiWdFx6nk15UISk1

ZHSm0VX1/SYQCZ9ykcbVPvTVCpdqw476mRrer2Oo28kaMy8Lt3dyK1o4edNpspT0aMGOVPMb

zMkFcDA6dK77e6Td3Q92QqAitxxip5VzCu1KxVlXy2wHBA9KuNrWHcsvDHK75XII47c1jC6Q

lJqxAlq5aOOLln6KB39K0lNPdCb7kYUDeCQGHUVUWrIcW7oix1z+tNDUmgUcfN2NJ7A5aCAc

jHPWhbFJtFmykMF3Gx42uOaka3ujp43BTGeOT9KjkuWp6Weht6Mn2rS7+1Cgu0OVXPXac1nW

jbDtvvf7rnTh2/aJfL7znpNTlS0j06SNSgkL5HXNcUaSlLnHUnNLlJoZoPJAbOQeuOlS4tSH

CTuR22ElWWEqQATz1qZrSzKpSs7nVeGtQMPysFCrMjD16EdK8rG4fmV16Hs4Oty6d2mfTX7P

8Hw50oz+NPGHjmLSZraUxtYTWxl88KQysmCMEEe9d2RPC0KXtZy1XT59DHOniJ1I04Run5ns

fj/9rr4UXHhvXfDekN4i1eLVtPltSBa+XGSybdxL9sntXXi84wc6E6S3Zx4LL8XRxEKll7rP

hrTby/0G1bTbKdVR4fKG9Og+vrivEqYx1lqj0qeXRptuTON8RailqzWloqrcSENLMBzzzivU

y3Dyq2nN+6tkeVmValRtCkte5zPmN5vyn5t3JNezaOiPEm7y1J4Z50lysjIwxyDj0pckXZNX

CM5xacXax9N/s8+JLXxdp58P3OV1fTYlCxRoFSePkB89iM4P1FcqwcFLmhp/W52YfFOatLU+

hvDGgvKoYzIzrtbylX5YvlwBg98d67acPdWtzWfNo3ojqrXwtP537rY4OAwx6+v+e9auN9Fp

YUZHQ23htZLGCKXZL5Q25dfu44/lWkleWooS3Qn/AAjOnLL9pmiTMB3LI5IKepPtUckWrvc1

52otX0PnH4m/GPUNQvprHwTe3FvpkbFXueVa4PfHHC+/U5rw8ZjXBONP7z7/ACHhzT2mKj6L

/M810vxN4ns5pY7XW9ThSVTlorp/l5+teBHFVee6k9u59j/Z+GqytUpp/JaEkXjfx0k7wT+L

tXnhMZDL9rc7lPpzXRDF1r3cnb1OOOTYSNT+GtPI3PB+reGoBctqyTtd3sWx70kyso5Iwp5y

TjJpQrrn5pas5sbk1avC1Gdo/wAux6XLr/w78Q6RbvP4jSw1FItrie3deR2967liKM48rdvk

fNYjh/Hwd1C/o0zifG/iGR9JbTLbxz9ohCgfZ7MO24/7zAbR+dZVMTBRtCXysFPIMY5e9Tt6

s5XR/iLrOi6F/wAItoV4mnwumJmt0AaY92ZupPasI46dKDUND6ClkGAdS8k5Sv12Ot8MftFe

LdChS21OwtdUjjCqXIZJCB/tDj8xW9HNasI+8rq3zOTGcLYOrfkbi/wO8sf2hPC88lqNQ0C8

2zgm4lkkVxEDnAVB94V6TzmjbVO55S4Kxdrqa8ja1L4q/DOW2imt9ZnjniG9dti27I6ZHYe9

XWx+DqRsnZNdF5nnw4XzenVXuJ289D2bwH4i0/xRodpqdjL5kc6hsqO5rjw1dSjZ6nNi8NOh

WcJdCXxn4Otte0ia2uI1kjmTawI6g1bpNq3Q4KckfMd54Pn8JanceG9aXzlh+aykfJ3Rc8fU

f4V51OlyVPZS2e3r2+5G03dcxd8P+LbrQLhRL50mnj7wKnKj1WuHMMsVS/s/i228+p0Yeu4/

Fsem6bqtrqNql3ZymSJieRx+FfKVYzoSa5db3f5HfBxky4LhCu3dgACpm5qnZXvpr8xtLcas

yFeqjbz6H0qfa21Wtg5egB16MSCACDUTcZSUo/d0Em4u1hM8ZBwD6d60jVs+ZaL+tgS07nzn

+0dcRnxTZRA5MViuQR0y5/rX2vCsGqEmtNf8jysT/Fduy/NnkiOCAATzzx196+wd1ZP7zkct

Vbc6jwEqXfjTSLdUyjzoBgYOc1zYqTdGV/8Agl0NJJan1J4vbf4g1Ab87ZivH+yMf0NcEUvY

0v8ADH8jhlJe2qW0XM/zPNPEMQv/AIkfDrSQMebrnnHsCI0JBqMdUVPLK8109mvvml+pND3s

fSS2Sn/6Qz6pJXKjaOW+9/8AWr26MeSmo9kjzpPmYqfKcdl6EfWtIu0iLq9rEr5I3E5GTkLT

UtXoNLQh2L70XfYwsj8YQhBO9sY44qL66HSr9gG7aV6n0x9ahbhGQwRErjGe3sKlyQczS0L1

v4fu532mSNUHU9cdPSn7RJbBKeiNW38I2oOLi8ctwcKRWEq8uaxSlLQ0LTw/oqTqs7nyyf3j

eXuPXryazVZNtSv8iJc9nYn8T2egy2UNrolxcNh/nkuAir06AD/GsYNKrzJO34mlKT9n79rn

FXttBZLG8F6ryhsnbwBXdCpKbs07E2ehSiDefJsUEkdxW8dkU3y7DJrYqfvo+eqjtRB+QlPT

XQjVWxjgZ4oB7BsZDhk2keo60ApDo3YSA54BHb0oW4766HUQOfJUlu3XHTis3vZo2Xw3NnQ5

pfMkQt8zxsMke2f6VPLzU5LyZrTlyyjbujnZ1DtiRvm5GQK4oabG8467jljfYI1G/wCn0oUv

euEF03C1hb7QiOCpPUEVMpLluhQTWjRvaXI8QkiUANgEZ7EH/wCvXBW2+f6HpUHZt+RtW2qX

sF4sqyCcgdTkgfSvPqYeDhyvQ7qNaU5qVrm0dZ1OYBdsSAYxhTXnxw1GLvudydR3S/r7zJ1G

+tNNT7XdS+WWJ2xryx/DqK7aFGdV8kFczxVSjh4c9V/15Hnl3cG4kluGBJkfKhu1fX0Kfs4R

iuh8Lia3tqjntdlYJIZlKKCZOlbxWpzyfcltvnkKcYUge5NC1Y9lodp8L/iNc/Czxhb+JLfT

xeK9s9tcwM5UujYPB9QVBohPl1sKj7r1Pvv4WeLPB/xU0M694bmSQKypPE67ZIGwDtYfhwa2

T5V7p3RqKS1Z63pNgoUFF4Xn7o65rSytdo0TsrGnJElvNGFc7JFBIbGOO/8An1pqHcUXZnj3

7SPi6TRNFt/DunylZ9bR2mf+JIhjIGPUn8hXHiJuMXFaM+t4Uy2GJxDnUWkVp66afcz5e+ZE

K4BMeFZcdR618pZpWXT+tD9cpJWuHkrLE0Ua+VkfNgcjnik4Q5bxWpVukSW28MS30SyQxTuk

QAaSNMgdB1H1ArShgpON4306mE4U+dRbszsbD4HeL7hdQSy0KS6/suaSCaXcoUuhQOgJxkgy

L+ddkcqnKTUdWtHqeXHN8DFRvLWSuu9tr/gVvGPwr8beALq6tvEnh28tFtComljBkijLKSAX

GVz14z2qMTgKtFPstb9EbYHOsDjUnQmt7W699jgr10JYKN4A+8T/AErypwV7pnpzlBIpWNlB

I4S4VhvOc9MVzxj72q0MKdBOWuho2UAWJoWYYAIYH1rpVCUY2e67nRTjyxaQsjJGB5I3SMdv

I4WsnPl29CkraIp3EQd1WVnlcL90thR6/WuapKS0e5FSnG+vY+of2VtQ1r/hFnguNO8uwjvH

S0n5xJwCyj6E16OVKd5K2n69j894opUYYmLjvbb5vU+mtOliuLY28oHzDGK96k+nc+KlG1rH

nXxq+GtnrHhq713eYrjSV86B+McDJB9R1pywvto8olWUEfNEnk6jZWzyMVbaDsVuB+B61wSq

e0hy1NHt/XkaRvF3RoeC/Ex0bU1s45N1jO5DqeChHGRXgY/Lvax5qXxLvt+R14fEcsnGex6s

sxK7QQVPT6Zr5D2ik9Eery2WpIjshG4FfTtmmm5PXb0EkktBUfb8voMZx9a2qQim/wClf0IU

rS2FLlFB6kcdOlYpzpxsVdSZ8w/tB3Dy+PXh27hb2UIQZ5Gcn+tfonDKX1TRa3/RHj4lJ1PQ

8zAYfNu4cnjPSvppXjZdDlau7nZ/B+3W6+JWgRbdoe8TcCf8+lcWYO2Gb/rdGuHSU9z6V1+5

abV7+Utgvcv368n+lYU2pUaafSKX3I8+Ws5Pu2cRpcYvvj74FtWBItILq4I9MLj8a4c4T/sy

dJP4pU/wqRY8K0sTz9k/xTR9PEkMNuMBuvavqlfqeQrLYf0ULuPH60Je8LW+ooMm3LEnB6UJ

u7LStuR+aP78lRzTObl8n9//AAD8ZyzZIGBxk5+lKNk7M63Jq1hiuxU4ABAzS0uON0K7/L8g

xg9ulTyqw4vRk1rPcJN8jlVxyAevShJKOomjYm8RTb28iBVAHAPUVxRoR5m2y+cy59V1Gbd/

pBUE89q6IUqaTvqKU3ezZa0i2sb6UJqFw5IIwHf5TW9CNPZ6HNVlUirou63Y+HbPTZobRMzg

ZUheh+uadZxvFRZnSlUck5PQ5vSraW5u2it4TIxGcAZ44/KplJRjd9zrb1R0CeFb98mcpDkZ

OTnP5Vw/WY9NSlBoWPSLCLJTaxX+Mjj8Kr2knEmcbaiNFbzPsaNXQHGSuea2jTmo36/iT7Wn

sQS+HbeZs20nl/3uMipVVxeppG+61Q9YzFH9mPWL5cgda2bv7xcPhsaWiDbfxo5wCwBHbB4p

037ptB2a8itFppvNRubF5TGUVypC5ywHFeTVqqnFSR3Qh7SpymfEZbdz8pI9fwrZKMjO7jIs

Q3pKjkDAOe5rGVJJmtCpodTokNvPiRot0hU5HqK8fEylHRPQ9XDQUrNmnaQRwBGlbC44G3pX

LUm5aI9GjBaMbfa7pdiszpJDI8S7tmQSTiihg61RpWeo62Mw9CLbktDzDVb+5vbiW4nlLsSe

c5x7D2r7OhRp0qajBWPgq2KqVpuU3v8AcQWM6Mu1sZHT3ro9DCzL8DFAVwFx6inDRWRlJ+9q

CxLEGZCF5/pUrRj5nZIqyyjYrI2eCGyOalLWwRfQ9I/Z68fap8P/AIm6Ff2lxItrdXcdrew7

jtmjkO3kZ5IJyD2rWm4qSu9Cozcdj9V7KJfl+fAwBn0rsUVsd0SxqsSPFZ/vF+bO49xwOKTh

qwUveZ8VfGHxHc+IfiFqs/nboNOuDaQY4AVOG/8AHs18zmM3Kpa23Q/XuE8LClgFL+bV/l+h

w9xLIkgmQ52n8x6GvKqXXqfXU7JXPc/2f/Anw31yy1TxX4y1S1kbTo3b7HNepEIcKGSQqeZF

JDDA6ccGvdyrB0at6k/kn2PmeJMxxuElGGGVrrezeuunl3PWJYfEHj/w/e2Xw7tofD2j+IZm

uJ2kt/kzIirIsEYAxGWjV1ZtpB6CvcpU1OF6VrP5r5I+T9pSwmIi8TeUoLlXda31d3rq9uga

H8Mvicl9NPpnxbv57qW5F1d+fYI0cjoV5PzHBO0Z45wM9KzpYSrBXlV/BAs7wUYxf1ZJLbV/

5FzVf+Fh+DtbZ7rR28baPLPPPLaxyiGeOWVcMrIxKToABtBHGeAK1qwqJqUVzL7n/wAE5sP9

SrUORP2crWva6a39U/Pt1Klpovw8+N2j6hfaH4QtxdXEz2l1proIJdKZycOVjXMrArlQcKNv

PJzWFP6vVi1bbdW/M2rQxmXuCnV91rSS1XXu7L1+R8vfFL4bQfDDxKNCtdei1MQpiZdwLxSK

21s44AJG4DrgivlMdl1PCtOMrrz/AMux93kWOqY2m6so2TenpZficg10JIDLEmH6EdCa4Y1V

Ug76M96Uly6Cq6xbFj2ljySRRSte7XmJPRoZJbko77xuI+Y1z1aPu6ib7H3r8Pbfw54e+H+i

aIohjW1tIzwADvKgsT75Jr6nAUacMLFx66n47m9WdXMKkr3V9PQZqvxB0zTZltYLkyz8bIoB

uZ+egA5rOVSCVk7s4adJpJs53xfrPibxjbR2t+H07Sgv723Z/wB5P7Nj7o9u9dVKlVlBcyt/

XY5J1Y037urPEvE0cVjq1zbJbgIhG2OJeBxnGKmvSpU7JaWRFGUm9dTAVmWOXbZOJCd27bwp

715UU53vF2f9djVaO11oer+CLo3/AIaspmm8yQIUYk5+YEjH5AV+eV7qvUUo2vJ29D6CDfs4

69Fc3TgMDuyM88HjgVGia5uv9dATVtOgo4ZgCGGMZxQ4uUmun9eQk7MDuUNk8E8GnCV3foFt

LI+WPjlMX+JOpgncqQQK2O/yKa/QOG4OOGtLv+iPJqyV2jz0r842jHr6/wCeK+m5eVJHE0r2

Z6H8DIFf4peHSFKqtxknHXCk/jyK4Mc08PL1W3+JHXQilp5foe96pM0t3cMxBJmY5Hbk/wCN

JxXM4rpoeNGVkrnP/DxBe/tE2jhVxp/h6Rjx03tj+lceYwXs8PT/AJpS/wDJUmVh5a12+kYf

jJo+kwCMLuABPzflX0iPNjtoPOTjaMjHcYpWu9QvrZsE4XkgAE4OOKOXlkOycbITEnon51n7

xl7E/GUrzzwD09qcb7G6lYQY2kMcY9eKlLswTY0nEeSSOc4FGnKOL0Y+M7JACfvdOfpSTVim

r/Ie7urL+mRUK1w6lq0tEvJo4IpUjZ+Cx6E1LlFJshtxOmHgYI6i8vSeRkRLwa4friT91Gsa

bcS7J4b0qGCRI4QzFG+eQ5PQ1nUxU3a7+SGqaVjjPCpNtrwVj2ZD716s2pUTJ6SR1eu3TRWi

ruKrKSpIPavJoRXP3N3LQyY9xj2hgyjAx/8AWrq0VumplJuW+o6O0DE7CVPYV0rEcq97UzVB

fZZbt7AJMZWfcVOcDoB61jPEq1ktAhRamZVy+ZpHjL4PQkY6966VGy95WNYP3bXuWdOlKXcb

sMbWBz+OavD25kbN2WxpIfsnjN9jbQ0vccNkf5/KvFxkV7KS9T1KD9nWi79jn5o3huHhfGVc

jI/GtabTimZVLqo0iOMAn5l6dM03psRSXuto6rwzOPPt4j9wtj6GvJx0Fyt9T18NU+FX0ubW

sWkc6WMUowjXiLJyQcFsH6VxYGTVR27HpYv+An2Ow8ReDIZPDl3o+jRW9sJ0GAseNzDBwT16

ivFwmZyhjI1arbszCph6cqMoR0uj58vLC5065msL63kgnjfa6SKQR+dfpdKtCrTU4O6Piq1O

VOTjLdFSK3eGVCTlSex4/Gt4pvoZ8ytoa0aEjYBnAq7RurHPO/NqOw2CHyScY3duPSqSTKTS

sUltCGyzZxyMGsLqxUXpoeufs1/CHXfin8R9Nhs43j0vSLiO61G7KnZGiMGCZxyzEcD6mrhG

8lYuEbo/Uyyt8EuV2gdMiu61kdkdin4s1WHRtCm1WR/kskaZtpHRUJPX8KTdnqOCcpNI+BJL

yW7aa9nZjJcuZZGPJLMST+pr4/ETUnv/AJn73l9CNOjyx0sVrng8qcewrzpyko8qPVpx0Nnw

bp0WpapZ6eS5hubhIz8pYhSwBP4CujBu7SXXQmVlq9LH6S6VZ6daxwxSyw2tujsUjkICt2Ub

euFAGK+/s+nQ/BpVak5Xl7zt/TNPzLK3Rjp1zasHGWbzFH8+vWs1zW1OSMZ2s1YyJtFu7KB2

OnNdiQ/OYpFdMHk8Hvn+VaOStubKotFex83/ABH1vUfg18RZviPpGivf6P4itzYapYtJ5e+Y

KSjEjqDtycHkqwPWvKzC+FrRxEdno0l66n2mUQeYYOWCl8S96L6LZf5/efPnxF+IPi/4panb

6j4hisoGtbYW8S2sCxqqAkgYHpnH0Ar5nHYnE4ySukl2PtssyuhgFJU29Xdtu72X+RyctrBa

woxYsdwBauJ0VGnft/XyPSc7E2ieH9V8Ua1aeH9EdY7m9m2K0uQuADnPp061UE6k7R3seXj8

YsLQlVWyPStI+AHi28lbTpdS0y2mg+XDuzA89cgV6ryWttzJfefNPjTCx+xJ/ceh/Fb4ofCr

4EPo2keLtP1/xDqV/bCZ4rW4UKiA7SxBZQASDgegr3qGAVOhGVV3tp8z8+rY6c60vZ6Lodf8

Jfir4A+IXhW4174b6FNClplLpJI0SaJgMgE55yOhp0VRg2oRs/x9TkqOpJJyldHzLq37bOtw

eL7uLUfBtrNoImaFYFlK3KAHG4nlSeM4x+Na1ZShLTZf1uZQ5ZQ13Oqm8SWGvaq2tWQcwXux

oVmXb8vr7nntXz1fHUq0k2raW9GtT0adCVL3b+ZHf3PnS7DEsUU2VBJ75+lL2klHRX1ISV9T

v/hkgj8KKrkgreTqCeOkhAr4PO48mL1XRP8AFnv4Z/uItPodcBuweBgfhXlVEn7zWxsn0Qm5

gPv/AMPrWbak9XqLls7CB028nABrRVIx92I9VqfJnxjug3xI1xRtws0Yz06RoP8AP1r9NyCL

+pwber1/BHhTnacuVdWcO7KGQ8DBwuT04r3Vdqy2OSy3PUf2dLYXPxJ0+bcSbeOSQDPHCmvN

zFpUeVrrH/0pHXh5ycXfpf8AI9qu5PNZ2LYBc8nrWlZR9vNebPGpuXImUfgyjXPx08R3OAfs

mh26A47s5Nedj+VYnARj/NVv/wCC0aUL+yxMvKH/AKUfQpLRtGob5jnB9a+liro85aD0yCCx

zj3pXS0Ek73HAt6cAn2zVRVtirlfEX/PMfpWWhjr3/H/AIJ+Nrc4wCMDpinHQ3SSew0kBVIH

3e2M5qU3ccFG+iGsfk2gcelF2irqw0MqvyADk9fwqulwcUTEKSFXgA4rK0kykorYn09xBcRO

RjY4JH40uZu5Eo6NHqM7J5cbp8wKAjHavFfN7Rpm9NLkWhBcssVu8rjJjQsADUyWuiLSu0jy

uO+nttQe/gUJIJCwyOK9+ELU1E55JXLyavqepkw3pZ4FBY7IgAv6VlCjSptMbfu2SHwSvEA2

fl3AZ9KqcIt2iY81l7yNOz1NHJWdQ6juRyOlYVKUomsHFnd6R4TtLuxttRnu3ZLsFohGehBw

c54rBV4U25P4k1/VupSoyqy5I/P/AIc5/wCIVhBZ3lu0cm4yQ/N8wJOM4zgYH5V1wxM685Sl

+VuhcMLDDw5U/wAbnP2sbApLjA6Ahs561rCTSuaRS0Re1Sdk1i1vFBXdGrHPTtXBiKfvyT6/

5HTCasmvP8yrrsaw6tdopyPN3AdsECubCybpROrFRiqz+X5IzowC6gZwB3FdBy00bWj3HlNC

6HGJOD+NcNeF9z0KFkdlrTf8SxygI8s+YM9tpDV4mB93EJs9vER58PJLserwRx3ccEqpnau5

WDdsV8jUbjVlYmEnYytT8HeHPFl7A2vaWk5LEB1ZkfoepBBxXu8P4mtSxMaUZWT6dDkzChCp

QlKSvYr6z+zl4Glhi/sm41K0JXLMJvMTOP7rc/rX6JzNPfb+vI+U+rxcb2OStfgBHdXjWdj4

pmZo0ZpCbT5eDgAc5z/jSpYpylyomeGs9TtPD/7H41Pa9/44lgRlHEdluboOuTxXX7Ocno9R

Rw6W56t4N/Yp+EVuqHXbnWdabaMCS78hCfpHg/maqjBdWKFGKVz6Q8DeCdA8E6HBofhbRLbS

7GLkRRrgMcYyT1J9zzXXyqPwmijbQ6+1z8pYAEdMelN7lJWR4f8AtQfEP/hH/DaeEbMb9T11

GBLpxFAPvH8TgfnXn5hi40Kbj9pn0XDOWPGYxT2jH89NPxPOPCfg3wSdIg/tbSDdTlFaSQ3E

ijp7Hivl1X5oJSPeWeY7XknZLyQeI/BXwp1C3nsNAv59G1aJC8Kz3DSQ3JAOV+fkHHoaXsaV

rbN+Z3YLibGQleraUfTX8Dc8K/s9/E7w2mk+J9D1jSLW7gSG5HmzYjiR1Ztz7gQQApDL717O

FyrEU4xlB2a/r+lY9fF8R5fLnpTi3HZ9T1bQ5f2i4NGvA/jzRIryyUNbwpp8LRy/IzkCQLnd

sUH33qOpr2VHGNSc2r9ND5erPJ5VG/Yyst9WnbvbqSaXa/tFXDz2Xivx7aaXMr28Nv8AYbCC

YvNLKyGMkAYKAMxHYDNZUpYvTnat5L/M1X9gckHSptpu2rasrXv6dDmPEOp/tQeHLy/vdKlk

17R7NUkjuhpsDefE2dpGz5skHOAc4IrGvPMKd+R81ulkdGGpZFiKSU1yTvZq70dr+h4n8VPi

p4v8Yta6T4ntGsBp0haW3MUiM02CpZg/K4AwFBwOeOTXl5lj61RKE1ytH0mUZbgsPJ1aE+a+

id1tp239Tzk38oc+VIZIxyAy4IrwnUmp3en5nvcyT0F0xG8Q6xYaEoCi8uootwOCdzAcfhWk

6nNFxfU4MVXcaTvsj7Z8P/DjwZ4Xiim0TQoLSeJCkc0aEvjGOWPJzX2GHwVGlZqOq69T8YxG

aYvEp+1ndPVroc9Zan9n1SWC3YS393KwiVueNxG8jsoAzW0ny6voccbStFdjN+Jf7Nvw/wDi

0Ir3xDPqNtrNvEYzqNvNy3fBRsrgHOAMda2p81uWWtjKTad4mz8KPhh4X+CPhGbw1oE9xd/a

JTLcXN0y7pGOB0UDA4GBWFKgozc3vt8hSnzJRSsjwr46fDn4TjVNR1+68MxvqsYMrmC5kjSQ

4yuVU7SSazxlRqCi/UdOCT9Cbw9ZvZafZZgjjkWNdxZPlUDGVUmvnMPGHs4ya0f4adT0qjft

HFPY6LRfD1jrGrh108zW0LG4u9nZVGcjsK7I0YVXpq2YOXLe+yNz4eyo/h03HJae6mlwewMh

xivg+IqqWYzito+6r76N/wCZ7mAi/qsHLqkdQPurjvXiKSTT6+Wv9M6VdIATjleAcEVMvdne

3noC7BsYcKBgNzk5qozjzOSG9tT46+KsjN8Q/EDLyPteB6dFFfqWRJfUafovyPn6n8SS82cm

ZAWCnoD9cj0r11daJmM1Z36nr/7NSk+OpbnqYrCXnPP3TXl49zjTikuq/NHRRsoSfker3EjA

luR3Pet8Q71pebZ5VLZWH/s9oJviV8Qb/BIiWzt8+nybv5muWtCM8dhk/s8z++Nv0BXWGqPu

0vuaPfg+xlUnGCfeveitNTz07C/KA2RhQOuaa+L0FpccrZ5wwwSOO1OKSduo3e1yPEH96X86

jl8/z/zOf2r7H41Mw3dTgevalFM7UxA3Dc7cLUx3YRbGl/3eTnrjmn00FqJv+bGRz78dqEnu

UkrDvNBwCPu96nl11BXuSRfMBtPzAnvSs7k3PT9NkebS7aXZn5RkY/z6V49ZNVXY1ov92Szt

HBGz3EgSPYeWx+XNZSjLQ0vY8w1may/ti5ezVTGrAgdQ3rXtYRSVNcxjJXd0jYuvFguLL7HF

ZBAygMSf5CudYV83NfqOEnGJTXZtMSkrg961fNGzIlZqw6MlHJkBKlece1NvmVluKPuvXY9R

8KyDUPAQtY5dvk3MkWO6hlBHH1BrBzccTTutVq/vRcIxaqJLdW/A5vxboR03RbO9aDDzO2Wz

yRjgfkK7MTjVWxPKnol/kY4TDSp0m7b/APBOVhcJtGBwee1TTWqvsduyL2rGSKOzlYFWjUqw

xjGPascSlzI6INKOnQh1p1a7MxA3SRRnPYfIAf1FcWFioxsuh01leSfdGYGbYpHPsK2tqc8L

pGlZSgIAWzluOetc9SLOqnLSzO8vrmG5tZEaFVEsQG1cntjNfOU4SjNNdGfTRknHl7nrOoWc

2jyQ28RxB9nhmgYty0bxqy/oa87Pct+p5hOhe9rfjFP9TyMqxLxOFVZre/4Nr9CLSZlE0Unn

IWV9xDEDn3J+tc+WQn9ci47o6cwnGNCS7o7W6a9uYhd2kOVbjYowcjjBHpx/Kv0VqaTmkfN0

0pJXZy0s99pmrx39vp7K78s2cFvX6Yx+orh9pJS50b2ulF7Hr/hDxXDrFriyjeO/UfvonIyf

dfXj+tezhsRGceZf5f5mMYW0Z674WttQeGOWS12uVG3I6ZxXZQikrmGq0PQ7CBhbL5y7XA5G

f0rZrlWhMm2iKaFFaVcfMUJAPt3qlIV2jxj45+A7Hx1olveSXLWWq6OHSGXbuV4yuShH1Awe

2a5MxwKxEN9Ue1ked1MtxDaV4vp92v4FPwp4bZ/DNorY+eJQOc4H9TXy1PDycL21O6VVLTsa

Nx8PrW9tJLZgsif7Y6fj6mr+r30aJjVtG6PJ/GXgL4leFEl/4RrW75tOmjMc1mt021lJBIx2

PA4p/WsZQdlJ2fz/AMz0cvxdKlUTlBSSOJi+IHjGV5oZfFOsxTm4Es0Ml24bzF6MRntjrWyz

KtON+d3fyPv8AsuxKU6cF7vktDRs/i58T9PmW6tfFt+ZFvWvPmIYGZl2uxyDnK8GiGPxMJt3

ut9vwNf7EwTgo+zVrWt5Xvb7zWH7RPxNWzsLea9sXk03VBqEUzwsC5VAixuFYKyAKuBjjFW8

8xajdxV/n+hx/wCrWEjV9qrrS3fre+qevQo/E749+JviPoGn6Bcg2KW0kkt4ILuWSK6ZmDKS

jk7dpBxyeuKjF51PE4dU4KzvrbZr7jLL+GaOCxPtYu9lZaK6fe6t6bHk8l/ecDehI/2M14an

NS953PanWktLHffs4aHFrvxQtrm+0X7fb6fEZydpKQuMbGbHv0Fd2ApOtiEpR0PlOIsS6WFl

JSs/+CfaGpXCQ2FzcIQWjiYnGM4AzX2tOd3dqx+WPRWR4Z8IZbWbxh4qjuozLqsNzGQ5X5vs

7x7ox9Awkz7isPdeL9I3/Fr7zafMqbXn/XyPYfPyWa5vI41iQtJuBH05Nb+0kpcqMElueb+M

fitpdvYz6Zol4t5cZwZdmEiHfBHXrXDUxcKS5W/e7f5l06blZnkl1pOpa5dwvt80NcLNcTNk

rhctgepLAdK8mVScleMtenb+rHTy2srXXU6+0s9QF5b2RXdI5C28cY5bJ5OfUnAxW0E4pTQJ

+9ZndajE3gTwbe2stzCdSvdzTndwSVwFz6AfrXp4ejKMJVGrP9P8zkrT5pKK2X5nO+A3c6Gk

91lZPuuBKWHr3r8lz2pOeLnB9ddfX8vI+qwq5aCaOmViMLnr1zXl8yaSurG68xY3QEHHYY56

1EGnaVgba0FVuM4IDMcitYptqy0HbTc+NPiKzy+OfEMixkhr+Q5xwOf8BX6pksnHA0k1b3V+

R4FWMnNtdzmt6khRzg5OPpXota3MtJRs+h7V+zakSa3rNwHH7rTHYqV9VPf8q8nHyV4Rv1N2

nCk7nossoyQTzk4561vUk5Sd1uzy4xL37NbLLrnxCvFK5fV4owB/sxLnj86mmksxUe0Iv7+Y

yvbAv/HJfdY91WQgxnA+navaT6HAovoPWc787BjpxTStuEb81iRZQw2MAME8Zpqy1RVtbIi3

L6iufmn/AEzO6PxucAOecntkVojoW5H84VlHTHvUxSvqCbWg3lU+bJ57im2rFLRA4KYUjr0x

TjtdiTaGj/fOfp0pdbDTlfUaWZPukr17U0kJXub9v4r1iDT1sIZ4o0UYDBPm/U1zzowlPmaF

CTitGZlxf3t1IHuZ5JD1+Y5q+SEbcqBuRWDKWPAB6GtIrQUYtaDckne2QRyOKEug7OxrKCYx

IoYt1bjms/aWfK7EVKTaumTxiUCNmBKuGHPqMZ/mKVSKXvLQIN2abO/+G1wRpeq2xbLRTRTK

MY74P6GubF25G35I3wsWsQu3/DEfxF1DUbmKWzfBtreUY2gZGF/xNVh8HRhRVZ/E9NfX/gES

xNT27pdDhIThCeTg9q6o7XOjWySLupbm06NjjKOQCfQ81lWglyv1NYS3RFqLBobKRlIJg2nH

Q4Jrz6PxyS7/AKHZVm3CF/P8zPA+6C2M54FbI5YNlu0P7nainI55FZ1N7s6KeiTO1s7mSWzt

2UHAjGfftXhVoKNRo+hw0m4RZF4h+NPjnU4dN0+WLTbZNIs0sYZLe1YPJHF8qlyzEFsDqMfS

vdx2Hw+ZV1iKy96y2emyX5I+WhOrgpSo09r9fv8A1ObuNX12+8wS6jPKZo1bLnG0HB4HT+dK

lhsPQXuxWhlVrVaqvKR9e+BNRm1nwho+pqPtH2q2j+0IikMWACuUB6kc8d8V7VSMZrnto+33

GGEk4w5W9Ub178P385ZdPvPtGnsmYpE+8xbjDDggqQMjivKlhbfC9Ht6/wCXkdzmtG90dH4U

8F3CajFqKQtA0CAJtAw3TKnj2rXDUkpe7sWoq3vM+i/C5trjSo7oKEaRdr+zf/rFetS+C6ON

pXsy7FcRed9nV+RmtJLRGdncxtV1jymfd5ZlhGNw6EZ6VpF6a7CV7HKa9fx6vayWAfBm+cFF

6jP+FWqd3qTFuLuzzHwR491e81rWPDmmaTc6hp+lXjpFcw2zMMbiPmYcDkGvmvYVHUdKmrtH

1WIw6oYSGIqySUvw3/yOo1T4t+HvCj/ZtRlNzPgFobddzKfQnoDn+VFSlKhrVaXl1OGnXjUX

7vVfgY0HxfTxncPpui+A9SmyoZpJJFUL+Wa4as6bWl2zogpp2TOW8b/Cn+2ZG1nUvBur6YVU

bZ7SdSR+G3BFYVMNOLvG66dDvwuKq0pe7KzPny41/VrPV/7D/sa7my+yBCq+ax5+9t4GR7Cu

iGGfs+ZvT+vU9Khxvi6VVQrQT9Lp/wCRcS4S5GCrxSpzJCykSJ7Edq8mctLX0P0XCY2jiqd4

S+QwMUzGIlUHrmrVk9Eb6LZmfeNtTgqCeDg0ap9v8jgrTSdkfS37ImheR4N1jXpGwNQvxErA

dBGoz+rH8q9vI6LfPU6bfkfm3Fta9SNLyv8Aiz1rxhcfYvDd/Og+Q2z8qcEsVx/UV9HRi5NJ

6HyNRWTM/wACeHdE8L6Pc+NdRiEV3dWy+fN0LIu4oo7fxH865aVJNqS7GmIk0+VHlPjTxFrH

i+/ntrudrWwEm0QW6kAg9NxzycdxxXBicXUc2qbsl5a77mlKire9uS+F/BlvdWv2gWcyyRYU

Rs2Q5H8+lclKlFqy1/rqWm42b3NjQtGu7q+isfD2lFwrMZUl/wCWZ6DJ6Ad62dJ0/datqCa0

k2tDt9M0vS/CjfavPS71ZkO3CZjgz/cHX8TXfRw9kufp0/z7nPKq9eU82+J+rRJaZv2MxvpB

BbjafmkJ4GP5+1VXrxUJSm0kZ0qbc1BI2NBEK6Ta+QmPMiVmAPAOOf5V+I4hPnkr6rQ+zjbl

v0NNGZRtIAx6flWT9yKSKsu44OOcKCB1HTn19+1aTT36/gZ/aGhzkK+MA55+lFOTjLTV7BO6

V9j438Z3APirWipG5r+XGB1G81+q5Sv9kpX7L8jxJ6Tbvuc/uMeGVtp5J9/SvUknZKJg2m02

e1/s4gh/Ec6t00059OSB/WvLxUW8RSi/P8EOryrDSafb80dxcysHO0cJ7U/clPtc4U5LVnPf

Ay4iUeLLwzssk3iCb5uQCFIA5rmxM5f2k1e1qdP85XNaKX1PX+eX42PaLTxDqcITyL6Up6bt

w+vOa7KeIqdJXM/YQWjRoJ401eMHdHay7P8AZIJH4H+larG1E9UYvCxT3NC08bxhR9rsyoH3

miOf0Na08cpOzVglhbLRk/8Awm+jf89Zf+/f/wBaq+tPz+7/AIBxfV6nc/JLc2dgA6/SupaO

5bGlScjGM9Mfj3qErMIpERX5e+PpTuEVoxSCDu2+/wBKpbaseltRNpXqOPep6jVrjTnnjg01

qKyTH42gKTg1KYlow5z9eMAdabbQNDBkbsZH/wCqnHZDVtxf4sY9etJXBJdDUtLqNYkTcFbH

Rhwa55R0G5NWRfRC0alRzyQpPArN3W5cLO50ngO7zf31qRgy2bYx3KkN/SorUny6a6oyjUSm

dR4nsLBvDl/cRx/vXi3lmPJ6GuCFao6ihKTaTPUagoNRirtb2PLoGChdx4J646V7cXocjSRc

uCH0uReu0q3HbtWda+j7GtK17eRUkZH022PVg7Lx2rkirVGdMUvZlFH2/d446GtUjCm1a6Ld

oy4y2VwewwKxmmbQavqdPpl0Es7VZGG0hgp9OT/WvJrU71JWPcwtSMaUV/XUS61a1hsH0pdJ

W5mWaTdJ5WWA6+nv+ld1BS5E72PCzCK+tzt5fkjNh0bxbrVqbjStEuDbQptMu0KihR6sR6V0

Tr4eDvORwxpTcbRR9Q/s0yvqnwzTSJop0udMuGXcHBwT8w6duT+VexSqqrQSp9NPzZEIeyqP

me59IeGdDs2kjurlWEsL7s5GGyO/rQ17yZ03W3c9W0vwxbx2zXNpCkpVwTuUcjOO/SiCULWN

XbRE0sVppzvbWuwODukVBwOPy9K1g1y2MEtTB1DUUtE88PukjBIycbuOa2ukrmTkranP3+sL

cQlTIgaSM87c1XL0YJ8ruLpF/wCGdLsDq2s2rG6h+a3CuxyoHUqOMZ9a9PD4WVR3eh5GKx6h

Jwp/M8y8Wa/qd1PdWFo/2RZ5TLeLabUUbjlVO3Hrk+vFced4tYamqFLfq/LX/gHTlNCWIvVr

apbf5/mcgvhbztQt2lRgRNlwBwV79K+J5JPr1Pq0rb9D6O+EfhaztmNzDYpHAq4HC9zXXCN2

rLQlt9dz13VdDilsWEaKQR91sEHjpXTytoxpztLU+U9V8PaP4f8Ai3pazWkEdprbS2kz+WCf

M2707ZBBBH415telG6V9/wAjtpyja76Il8V/Bjw/4geR206ATRsdk0T7XI+v+NefiMFJbLfz

PRw+NnTacJWZ5NrPwA8VwTrFptt9oZ/ljRp41duuDnIH54rBU60fiWnlufVYTiVbVlfzseTe

MtC1jwpqM+ja5ZSWl/bH95DIRuXOCDxkH8KcoTjL3keqsZQrQdSlK6PpL9mC4vdH+FTvcK0M

d7qDz2kj4ZWQqijgc/eDda+kyVSVGXN3/wAj844mqwqYqPLrZfqzvPF1817aJYsyGKXCjHQt

kcY+le1CryzTaPnow5k7G5b+HtR8TxLZ208UlnYoNsWflJ6Y69a5ZySXJtcbfvc9jJs/A1ym

pOl7aI8hcosY24OfTsK5p0Gqlnsaxn7isa0ugpZQS2V+Et0ULm1tDtDHgfM3Un6YFdEKa22/

MzjOVk9ynfXWlW9sbOGf7Os43FIlK4A65Peq51DRDcW1dmHLNYx3MBdv3cas79eTk45+tTOT

ashxvHfc8x8SXEN/428OICZVieS6cAZRcKcdeP4v0r53iyqnllWmtOZrv0lF/edOUwl9aU/5

f1TR2UE0MUIES4UYI29q/L00la17n0r1joSRznhsrj9aUEnuF9B3mgE5GCMcf3eaalJ6bv8A

r+tQe+/QZ9obaP3h2nOR34px5nNR6/11X+ZMrJNnxX4nnZ/EWqMz7hJeSEcf7Rr9by2NsHT9

F+R87NpybuUI2+YbjkA8Db14rtcrLcxb95Hu/wAAmtYPD3iaSNttwbdAcg4wXXFclPXHU79p

f+ks0xKthJW8vzR0txesm8AgkVz8ytdI4Fo3qY/wFeM+E9TvZWI87W7p9wBxjzMda8/Ef8jW

dv8An3D85HVRt9VV+7/Q9NLQNt8p0I5+7/PiuqEVsxRTWom3ad8Urrg9M/zFU3ayuS0uYkW7

uFAjBicD14OPr0oUpbphyWF+3Tf8+sf50c8+y+//AIJjaH8x+aeW3cE5XvivoEcOnUUAnO3K

hT/jUrlTCLI24HJ4B9OaelhxdrjiGA64Iz/SnGzQOVhCp3c5wKl2uNNDFGMBhkDqCODVRJ0Q

EcAgE+2KlWQ4tdQAOcYPA9MVT0sS5RBASXIJyPQdeBQraDUu41o5FOCSMdam66FJ9ixb7kZW

ZOh6dqnTlauDaL8V/Kr7SAVPOAMYqHGLQ1qjqPAtwsviO3SCVVEm5H3ccFCKyqy5aUm1smTC

C9qn5o6LxNq8dpodzZNqtuLiRAvkI25m6dfTivNo04ucWk2eg8Ro9FtuecKflGQeDx7V7KSS

0OeLTSL6fvdOnQA8Rg5ApVIrk3NIS97TsULeeMwLayLgB87gORxXLKHvcxpGelkRzWpKh7c+

Yo6YHSlCok7MUVdXRJbEJGiBSGwd598n+mKKlnsVGXLub+mktpdv1+WRhjb75rzq6tUZ6uGV

6Wh6P8LrbVr+y1S1s7HbaC4zLctGTgFV49vxrnrwi6cW9WuhzV1y4l22/wCGOlm1PwromjXt

reC8kmZWMMZjRVjY9O3Irk9jH2bv8X9eYlN3uti5+yvrEkGoavp9yqYbZMwL/eAyDxntx09a

+tyqpTUHBepw4ilKNpP0PrPw7cLHdCPc489Bhd2Qpxz9Oldsld+6RCS0S0PZfCss1xa3BjJZ

SAWI/u+tRpFamrtZGXf3CJqklrEitsdmY5OGXGRitKGsLMytqmjjdfugY5ECMXQk9MZP+f5V

vZNGfPZ2OJvr4faLWASFcDDgJ65PNdOESlVSMq1WNOm5dihPfNqOpR20yvHCjB5GY43KOTx2

GBX11KMY6s+Lc/edjn9Lme6e8u/LTfcSGUkg9+cD86/McxrKrWnNn6Nl9NUKKhHov1Jbpjp3

lzwF2iKh1Yqchj1yfpXnvlSbZ6CvY+k/hk0A0aGKH7ojGwDrjrmuqm76mUkrnpF5cMdKjxw+

3J49q6bpbGMY++fK/wAcln07xV4UvtMCiWPW4ZFZlJ5zgjj2P61zRowqThF9f+CEq0qdFyXQ

9R8PW2kasJ7qbMeGyY+68f55rTFYF0avJMvD4qNWmp0y3qWnaVqNidNgwsk4Jt5lxuDjkYP1

Fcns425TuVWUXzdj5i/a18GLqPhXT/iXZRlr6yIstVx3wep+jc/Rq8+vTlJKp20PWynFKjXc

Psv+v0PJfhd4t8QW2jXnh2y1+8tVtGW4iSIEqQ3BHthgD+NdGXYiUIOKlZehHEeFj7tVLy/M

9T8K6t4nvdctv7R1S4u7fzAQshHzcZBxgY5xXrUq1aTs3p8j5eUYRV7H0x8OJBbafnUE8wyu

x3KcZ/X3FdD+JtGU47RXY0LA2N7rcIu38uEkkMQeeKmV+dtG8X7isjivGWs/6bL5Ckxx4zKn

IyeBQ3ywst2ZUI31scl9n+3NmcjMDeX8vGTxnNc02p6banQ5cpX1uVVjXbGJBK/PzdAFxx75

JNenRo8kZRX9M46k7yuebpJayePmSCSXba22NrIcAseuenRcV8VxjN/VY+9Z318/63PTyZJV

ZNJnXwvwBtB3dK/PE4rR/kfQuyiySKQptBbJJ4OK0tG3K2SmrJoVJtrFVwSRzkYzWa5U7r8g

1vZkbOwcnIAQnsauMIRej3B+Z8W66+/V744J/wBJcjjH8Rr9Zyy31WmttF+R8vNpNsp7nyNj

YHTp/n2/Ku1y5FsRpdHvHwFJXwf4nuHjwUESbiP9tf8ACuKM0swppdpf+kyOit/ubv5fmjXv

ZdqyEHcQDgn865E+Z23see3yts+dfCXxG8ceEYrqDw/rT29tJeSSG3ZA6El+eCK0xEKaq8yW

tkvkr2Jw7cqK7bnomm/tJazHtXX/AA1aXuMhpLcmJv6jNKM1y8r2NNtTtfC/x58F6oPL1LVp

9HkLYCXcRZCP98Dj8TWcn76UdhxnZanf6X4k03Vdy6RqFjqO0bsWs4Jx9DWjtF2bs2XGTavY

0vtV7/z6XP8A37H+Nc/K/wCmZ+0ifnBu2k7Sfpivple6PPQ4f6vJ7/rSXcI22GADayk88Yqb

aXsO9lZDi6xuDtXKnPI69PWqUfcBNJke3kD5QOlJA97iLkjjGACeKLNXH6C4OCPTFShLQRAx

PqT6VUlawXQ5GIduAce30pRW2pS5eo8sc5XGF9qmOmg7oVc4Bc9T6ChvTQiTFyM8c8YpLsyo

tWBJWik3RSFSOhB6VI7Weo6KVgfvk5qlEG9NC2rkrkeuOapJmkZKxpaNdzW8syRy7VkhYEFQ

e3vUT+Bq3Rjjb2iMi4MMLAoCfm5GelY072sW5JS0QlvO8IyGxgetKUU3qVSemhZF2ZFxLEpb

+FgMH9OtZeztsac2mxqaRMRZyx/MAjblHv8A5FcmIj78T0cLVtB6nR+HfGniTQba5stL1Jbe

3vm3TIYUcZAAzkgntXPUpQas1e3yKknOpzNlPUte1HVpzcajfS3Umcbnx+VKFJLZWNpRpqN1

qd7+z9qdvZ/ES3ilLKLq2kiKDnsGH/oNeplV4V3fqv1R5+PkpUlFdH+jPtfRbxYJRHFukQJw

dmCpwQCe4Ga9mdkrnn037x6x8O724kkewEiwtdwsQGIOOOB0rK+jsbzjZLmM+4lmjubDzVO6

Vd5YdCDxg+nI/StKErx16EVdGrHFa3et5su4kNvIHtjPp9K25ny6HPLezPPpL64m1iWLYxWE

hnxyPmyP8a9DAWVaK8zixlnRlbsTXrzRQ6tdR5VoLRkjPGeeD+nFfTVpNU210Pl8PBOsoy7k

HhTT4rzTiksRDDgEEgAY9a/Jq8t7dj9Rw0bRbaM/4h6pbWVra6VZXMLPdTpEURxx1rkqTUaL

Rskz6V+EXmLYQGMYQxKp3DB9q7qKaslsYVt7Hpt8/lWuxXVSc8Hmux6RucsF7x8rfHpNSNpZ

6raBjJpd4JwgXOdrAn9Afzrk+seyqc/VG7pKpTcX1Llh46js2t9SsrkFbmLKvjOVP6V+lVsD

QxUPeV13Pzyni62EbUXZ/wBdC4Pii8Fo32qBgY5RJZzQKCpz13f3ec/ga+Sx2QYihH92uZeR

9fgc+oVpXqaPsec/Grxxpeu+BPFNhaxlhqF/b21tFGSxmmyNzADtjHt8tfPVY1FOUVFq6ue9

RrU3FSb0Tt+B88eHrR9G8S2nmma2ikuFiuMochGIByO+P6V5cYzoy00fZ3Pvcxo4fF4SSp2a

6anvWiaf/Z2uW32e4LwKEjjLITjA+UkHnqf0r6ijRfPvp3Py2UtNj33wb4jEGhSjUZka4jt3

WJ41VR/s8Y65xzVThefLL+mL3r3j2Kk9+Ua1kvLlz5q7G2nGDnrx+FTKU0nI6oRSdjjtUi+0

tLDYzM0cc/Ib5d3Tb+v86wato3rYmDdtgmuZSVazUOiEqYwgHzLjJyf88V0RhFR8/vMZebMr

UJ2tAsbvkyEnAxxntXXSg3dL8zCcuU8y8LyG58VeI7tp5GaKeOCMOgG0BNxHv97r71+b8ZV3

LERotdL9e7X6Hu5LCPsXNb3/AER2Sy/KP4QDzmvipvruewk0rjhKWIZjwOp70kmv8hqSHebt

bKAnANUoz+LmRC3ELjDyMccHPtWkKnvqLXoDR8XarL/xNLuTPJmbn23Gv1rL1y0IK/RfkfLt

6uxUEjDlmzk88V2Td7Ep9z3T4HXko8FeJ4MkRiW3xjjBLc/yrzptwx1F9+f/ANIZrNp4aSvp

p+aNjUpG8mcDj5Sffoa5FK7jd/18jiqLRpHzXY2TfZCzxjd5jcHsd3NVi5/vn2DDK1GNt7Ik

azwyv5PAOC3Y1hGp0ubp6p2Gm3DYyoyAeAMcf5xRe2wlU1sxtqs+nzi6sp5bWYEkNCxU5+oN

UqsrlWT3NX/hL/Gn/Q1at/4FN/jR7ZmPsV/TPK8jdzggj06V9RDc87bcTg9B0HpSS1YQTuM2

/IeSdvFGqRSdtBWOcdepHA+lCWg/Qb6YOce1JbiSs7iZwDxgHrx2poEmP42Z347nipW5NnYQ

Y7Ht+VNvUNegLnLYJ9qIlIUdOOcdKlXQ1sSBl28jJB9OlTqJojDAEDOevQU0NLQarHdkknkZ

4oQvtagrcBgSMnnAprRg+bl0L6nAOWwR2I60o97Gq2Vy9YPm8iUAbSNv6YpS6+hUb3MrUV2T

tHuHDdxUUXoKas7EMcmEC5z26VTjqTSehYgYbxufGDg1nJWRtF7GrpNwsYkBLFJFOenHWuSv

Tbtbod2FqLmLZuEgiPkjPzdSOlYRg3L3jplV5W7DI5GlVmjZmOeAF7YpuKitSOeUrnZfCJLm

z8faJeHCkXG35m65Uj+orXDVV7eMU+plXpSdGTfQ+6NGvPLubbzppmDKVUBRx0OT+tfQ11yt

a+R5tBq6uj0vwnqSW2tabbxbvMc5LYwduMZxXNBb/odjva8tipdapIt1PHKHLxzNGPlyQNx/

LvWmEk7JGE4Jao5zxII4VZpC5x82V7Dp+FbpSsmYu6Vjh7eySK8aRLpFUsHIJJLHHyp/Nj+F

epl0JPEJfM83MJKOHk36FyWGa5tLjTgdslxC0eSOpI46/hX0U488ZRXU+ZoSjTqqb9Sx4O8K

6h4qs1gCyw2YG1kzhpWHGT6DIr8pr0nztNWP1KlNSgrHU638A4YvD73xiWD7K6yqEHLAHODx

XA8LNxtodVOpC6SPaPAunJZWUMUceCVAUDHHbJr06MWoK5xVJe+bfiENBYsscjBkXr9O9dE9

rdSKTvI8l1ewiv4ZXmBmXBTLADcDgf0rhjGPLqje8ktT5+07ydJvta8KXt1EDp86tbruJZoX

BxgY7HI/CvveGcTOeG9lJ6xenpZb/NnxHEeGVKv7SK0l+ev+Q59Xn+0NHYLI0AXc5kkCkgA4

wMV9NvT1R89dc/kZc1jqGo3cd8hWNYGD+bIVCwIOuGboen6181xBCUaSaXvX00PoMgnzVnfb

/hiy1ndXkiEXWhXt6W6PfO+48dG2Yz+lfH1MPKV7pP5xPraNaUYvldvkzestMitrKe6Wxngd

nVRsJKqAwLH8gK2p076paoyn7r1O18JvajRbm/niQiNEjgDEktJn/P5Gsq8lKo072N6Slyq1

rl97u2tNFglu5S7O+cFjxk55+n9Kxwzq2bk+v9I3moqSURkD209rJPjLbflY9RnocdK2jTg5

XettDnblGKsRMGguHifYF8vJzj5j3PFddODUUc85dUc34okY2rzsyLtU8IvPp/Kq5eW1yJqy

PLPh8z3q6tqgdsTajIM7PvBFVQf0P5V+VcW1H/aPKn9lf+lS8j6HKKLjQbl3/RHaoxEeASSM

A+1fNac1z0XflsPjnOQrYOD+X40+ZRexS5mr3JBMNwJbA45xxUtJbBFNsoa1qo0TR9Q1VozI

LOB5cA/eAB4rfDU5c8Y99jOvUSg2fH91m+mkmVkVnfdhuOpz9O9fsGFpqnTjHex8td23IGil

iYb1cAd+CBWkou2iEmrrU9u+CiqvgXxFPzk3cC4x6bq8mrJxxtNLz/8ASWdMtMPr1f8Akbtz

KyHPXB7iuZWjPTXc42m22z5/WVJb6/kycNeSEZP+2avGO7h/hQUo8sNe5ZAZ0Vd+Se23gVxb

a2N1q7Ma8a4JRDn0xxUcz2YJK9yA227JMZHJAGe1Wp9EP3lqloR/Z1/56S/nU85hfz/A8x2/

MxAHzetfa2sebccgwTn7tStxLyG8bAFPIIov3GhGAHI5JJ4/KqWi0HewxSMZAOBxio6lNpkZ

GPlHHXvVIlWHHG0cHgdjxSQK1hRgdu+KJabCtsOiA3NnoRg80J7DT8gfaBgdQegpK447bCBz

j5lx6UuUT7DTu3bjkdaa0Vhpiooz0xmlcEveEVcde3vTJktDTiIncBjt96UUkjRPRFmzURXc

TA/cOQwp7yHdLYL60iuNTeGUMcg4wfbNcVKbjG6OmpBe0SZRk0qSOPfErMoP5VpDEJuzM1Sa

WhTXzFIBJBBraysQ3Yu6fNsk2dwCMdKwqwvHQ2oyVzRhQsTvXfg5A+lcrdtjrVubU1Be21lA

HuHSJR0Ark9lOcrR1Op1KcYa6Fjw14tMfijRvsEaxhL2P9665wM46V3YLAuNVSkzhxGMTpuM

EffegCSSwiljC+cnByCcDByP8+le/NartscUG/mdbpeovbX0E+8T5KCIRuMoAORXHF8k9duh

2wfNG5p+ILqGG91QIrDJ371bO49eD/nrWuFjZORhJtxSOM8Wapb20LTanc4SVdj5JBJ6nAHJ

5A7d67XKKjeehjJXSsjxTXfG3i3TJ7UaRpay20cxnd7hRumbpwM/KAOAOeprjoZlKjWUoa9+

l/IKuBVWi4S0v+B6Fo3iKDW9HGo2cj7JYirK2N8TgZ2sP85r7+nVp1PfpO6PiJ0ZU24TVmj3

n4G20M9rFEIgzJAgUkewyfzr8ynPncpS1bP0vSFOy0R7F4oigTw1c2rRoPNhOAevSjkXLaxF

GTcvQ53wlPLhEVAWjAPPaogknbcurpId4ukuoo0UptiZcNnvkYp1L6BQlrqcZpFvDeaMUbBZ

XZNxPQdq5cO4zTa1Oi7Vkz5f+I8I8P8Axat55Swg1a3e2bJx864cfzNfR8N1fZ5g4v7SsvW9

/wBD5ziSClhFL+V3/B/5lKG+WW6WUIiuq4Ujvnt71+jThG1kfBUpXdzH8UeJRpWrDTIyftEa

5mXZuxnoOeOnP4ivi+JcSqajSe7d/wA0fW5BSvOc16fkZ+n/ABL13TWMl2rlEcmM5UBTxjHa

vifrkbq6VvQ+pjSkloz6NsY7TW/h5NrdnKLl2sPMLpgkMFyeK+hwbulUWlzzqkrXiQeETbT6

PZxygiOVssc9CDjivLqyhJto9CKkpJeQ7xq6lF0yHYn72PbvHbPP6ZoSjTo2T0NruU7ssyCe

ztPKiPmIsQ8oj7xxjn3qsFTlFK/Xt6HPKpeWj2M3U7i7ZkVWiGBkt7Z5wO/au+MUorQwstzl

fFd79mtRGp3K0JkIXseR/Q0XUIXuTUvdo+VfCfxi8UeGrV9PtbezmsVu5WVZYjvwzk/eBFfK

5nkOFxuJnUqtqXdP9Ne56GAx1WnSjy7dvkel+Hf2gPDt2qQ63azWEpxmRAXT9Of518xiuEsR

CLdGSkvuf9fcelTzKEo2krHoWl+JtF1gK+manb3SkfdRxn8utfPYjBYqkuWrCx3QqU3omakU

m5gvXjnsRXJZ3uadbI574juIfAuvMQOLGQHPbIr0Msjz4uK8zmxb5aD8/wDM+TGOAVJDAAcf

lX6zB733Pm276Dorhoyqxlj3I65q220TpdHsPwuuZz4cuY0mDx+eMqo2jOPT2OfyrxsZL/aY

q2tv8zdRSp2OkurldjA4GCc8dK5HLkl5v+rGDTtoeEw21vMkjrOVkeVjx7tTr1JKSTWiVh0b

OCSZOLG+t9rQneB905HArH2sHozW0m7jPPmWVvMiwQAM9M//AF6aitkyJN3uiWC7iZCZQFzn

qc5/GolSd7IqM9Bf9G/vJ/30Ky5ZGFpdzyf/AJaHH48/4V9zHc819AyQNuSPxqLDhbqRjpuC

nr1z0paWsUmrAw+YdRmqjtZjtGwmOcKeKm1mMaFUdGPeqsxNK4NsCjkikk0StERg7e2QPWra

eg79BUJLMc9PehLSwla4v8Gwg/KSd2eTSKVuo5D0zzWbQntqAIOB3APQU+V2KQ8KFPbgVPUO

rGfLtG48DvVJakNaGnDFby2uYpGMgHAx0NL3tDSm1ZJjo0ltyPNXjbnI5zQpXkhyWhbuZdmo

I5PJx+orllDVqx0txUkzSVEvmhgiTLsclNuOMHvXLhoctVuWxpKS5NCPVE0URCC8EaujEARL

lu+Oa7ZO+sNDmSUVrqcygRb0Bfuknafwq9eTUqMfeViaeWSG3YxykMCORWUIqU9UbO8b2M+J

HnzvJdu2ea6fhWhyvq2XNNuZNPvra7jyHgmVxjttOf6VPqVHZWP0U8KX1xf6fFdW0Zf7TApQ

7/vAjqT0716k6aty2sY0ZK6aOtS4NhqNmLG0WR4WUnIxz0x71591GppqelFNxszV1qK6+wSk

5Tchfp1PZq6cPZR0RlPzNWbQ9M1SxhF5aRzh413Fe/H6VpXhGatLQinKy0OM1T4V2beZLpaS

BiSwDfMoPTua5nRl934fcWpLoee+JPhPr8Uc19p9tHHdxAyeZbXBXJHfAwe/TFXRq18OnOlJ

xfl/TMKmHpTfLNXXme//ALOtzJN4bs7yaQqWUKw7hhwwNcNFuUXJrQ9R+7DlPd9Sd7uyn2MW

3RFQMf7J5rQzirI4fwRqQmETtwwUZrJPVGlSKTszofFttcXtis6xBkjGQD3xVVfhVjOi0pM4

XwPdwT6fc2khOVbeCV9en8xXJg5aNbG9VOKVz5//AGo4I7K60TxAqBZLXU4SxVQcAuFb9Gr0

KM/Y4mlUWln+jPOx1L2uGlHucxd6B4l1dW/sPSWRZE3NcShY1Udtu7HvX3uOz2hRfs6T5pfO

33nyGAySrVftKy5V26mp4f8Agpc6hDI17IqTNKfMk5d26nOSAD+dfAVXUxEnOo7v+ux9hSjC

ilGCskdh4f8AhBokBZr2xM9vGmAxcBST94ADnp71EcDFrlb2/qxs6yUW/wDgnS6xDp/gvwdd

3+lWiwW+mxF5kjXAMQHz8d+Ofwr0sHRVP3I7HJiZ3XMzmbCQWel2V1aIqxOoYk8hWx7fhXHi

ZQ3gtGdtGPvK5v6t9nMizyyKR5gGwrkZBz17VnBxlTWhrZqWhHdyglSwAZYRyvYCuiMkknsc

ivszMvRAZTdAn5QNoYccCrna3LfQm7XQ8u+J2uCz8O6ncvIG8mzlcCMYKgKenvWqm2c9Ra+h

8b2Mrx20ZWRgQvIOT/nrXmte9LzZ0UNIpdS8LqMRL5kR3HnI5Apu1rtGia1bJba5aKVZLO8d

XHYMVx6c0cl+glLW+x2vhX4teMfDUgU3z3Vuv/LO4G/PU9eorxcZkWBxCvKFn3Wh1U8dUpOy

Z12v/GvRvE3g/VtKvLWezvZ7ZkQKNyOT/KvGpcMVqGLjVpTvFPVPQ6quPjVoODWrt+Z4mJ3Y

FRgqOeOMV9hBJas8tNW0HlyduAByc4GOMU5bC7dT2X4XGOPwnJt6tOdwHrz614WMv9aTl0X+

Z0J+4kjXv5NkMvlMc4LHGa4UuadmjCfuxaPEbUTKGIkYKSePxrrqtXasTTg40427Itw381uy

gljtyMVlyJrY0UmrDjqTO/71ScdM81LoKIKo1IlQ2UiYkBTrtIHXH0rNqcZaFx5WtRfs+nf8

95f1/wAKnnl/L/X3mXIu/wCB5RllcggEZ4r7ZWvoeZboI2dpwMECoXUmKXQjDErz7YptaFLR

MenZWJA5/DpTSVgfQT/Vyfd6n0zS62C+uhHuZd3zEZ6CqSQIRt2zp1x2oirMlMQDsDwO9Eit

EiWK4eBWVEX5u+3kVLgpWuNNohEjAkkcVSUbWBDlzjjjB9elS7WBvTUWMYOOMD0pX0GrE8ax

jcHYn+7is7savzO5GyqBwn3fToauLCW2gRvND88TkfNximrPcq75UX7e+IkQTjdgHPvUtK+h

KuXdRvbe4eCVJjvXHmDaAq4GBj1rNxTldGl3ZLsSSXVrFDuF1vkAwpWuKMJc22hvConHVmLL

O/UDvnPqK7YxVjKdrEcW8ujjg7uMduabsk0EGrq5dit2ugLXAyxzuPYDmso6SuaSTsyayWGF

R5aKFY43kcitXF23OWUnYgvon8wSqEzuw5U9u1NbWYQkou9z7N+BfildV+HWnRSO/mpbCFzn

BG3gH36frXoQnKUE27BBLnsuh6/bam1reQebzIE3BlPIPBH6iuOzVnLc9OCT0ubWu+Io4tBj

n1CRfOeHGB645/LJ5rfDyXMrbGNTSJa8P64f7MtZAygSRKwJfKE7egPXiuqq7vlZjH4bs39O

1bTbosE+8GC8Nx1/X2oSdhx01/EfqGh6RqTbJ38wgEEZ4OD04+tZ8kvQan72qOS+CGu/2Rq2

seFFjUQ22pzLGAfu/MePw5ry0rTlFPY7YO8FLc+lo71ZI4plYHK8D04rWz2EloeZ+ALnF1Nb

N8vlzsnJ5wGPNRGzfc1kj1zUrdZvDcjKmWB71ul0ucak1UseMeGJnsdeubOaMKAQCG4yvavK

pe5U5WelJ81O7PHf2hlGsN4d0MNtN94itIUIYg/61Sf0q8c3ThzdEc8W2kl1PW9M8MW1skkm

xmYjazP16njP419Dyvm02POc9DVNtZ2rQxs5XbnkHcR9TmhRtLawk1d2ZlX17b20jxKI/LUc

7Tgevb60STim7D05LHKeMb+CXwnrcckbLA+nzRkEbRgxntTpv3rrcJQXI7mD4ZZ08LaPDLGg

CwxtKsg5PTjp9ea8fC8zoxTXQ75v99uaFtDNdh5p9qJu3FAeDx1H5GtKcUkklp/Wg7+9cZLG

EBSNjkIF6DP4fhj8q1hFqnocyvuYWv6pBax4PzAfwH17VSpuEdSZSZ4b8WNTmk8Ja+sc2/Fj

IoVlHGVIPNRzw57vYxqRfs2up832+l3fNrCrytEORF84wBknI9u9cNOtG3O9F5nQoyTaQz9/

arhz0OOtb3WyCXmBnOz1x/EOCKhXEnoT2V68TN++xnGA3NXLshLR6lmO8WdmS4iwC2PMU5x/

gKLq1n1NFvoZ6ybeOeDjikmuhmixBIqnbnp3ApMbtoe2fD9BD4PRkJIkfdndnueMV4GNcvb3

6LQ6XGNkWNUlcQz5wfkYgjqMDiuSl8au9UzGSfK+x4OuvzxSOZ4CBuwOo7169TCRk3ZmNKva

CuuiL8Oq21xgCYYJ6Mcc1yvDzh0NY1Iy2ZYLIEBJIyBgjvWau3YSa22GiRwzL5gIB4wcHj/I

p8vkNJpkm+4/vD86ytEXOu6POCpaTrjPIx0r7CMjzoqz1HcKGXdjHQ+1SmVFW2I9vycdj60C

WtxrD1Pf1+lWk7BdoQbs/NlcHjBqOoIaVx1ye1UloJbisrBAx3YBpR30FbsMUnJBJwe9N9Af

kOUAbwDnPvUp6plJ2YkisScHr6GiL7jirIRd+cZ6/rRZWE7dRyZJIXPQ9TS2QJWHR7lJJGQP

fmpHezJWAkXCkDFJe6ymk0hFR0PHTPrSTVi0rKw6JWIOcZxgClJ2YR2sSLFmTY8qqOu5unSk

pdUOLSlqK9tHCiul1FLuGdvIxWcZtuzVhxjaJA6BkXa+Tu+6D0rVXW4raaD3g+yeUXdGWRdw

2vkjnv6GlF8za7By23LdvuVsHKk5LHPb/wDXURir6iquSdmKl3HDCRFGBjgnqTWtvdsznXMP

tpvtVuYtkYI6dj+FFtS0r7H0V+zzcS2GhwwS5VZg7xq57buv6VupqUVDqgpRcajZ71baiI9S

s5fM86Tc6gBeANpxj8aVRrc9Kjd+6zvrLSNP12zJ1NBIs0GUV+nGM/QnrUUqPusTnqiC68FG

xVYtKuDHGvzRwbiUHsPT8KcOeNu3n/mEnF9DFGmeJtGlNwiSxx5CgRDzVz9DyO4rWFSUdXv5

/wCaBQTLtv4s8SwiSMxWwmOWEnIKnPdWA7V0uvFX0/J/lqYqk9jk/hDdXX/CS6je3nyNcajK

zhSPvbiM/wCfWvClW5qspR2PQpQ/d27H15o0pl05JmjyCQPpwa6aclPS5LVtEcDaRyaP49vb

QFUS5VJ4/l9eD/KpgnGd7Grkr7ntViTPocyZJO3jPc11RVzhkrSPDtUA07xRcSO2FlhOcjjg

/wD1zXmpONfY9KEn7Gx4F8Ttekb4l/Duxht5rmWHU3vJY0bn92h5z2AOOadaSmve0MJRcWuX

uesaz8RobQIsAaSRk2yqpwFO3kjPBwa+hurau39eR5kKcmY//Cb660TSTWw8xThmZlOcDAyF

68flWP1hTbfn6fqWqPIzNi8WarODHdWEkz/LxDbNtPAycvj/AOtWf1lJaq1/O/5I15HZ/wBf

mZvi/RvFPiDR5dOis5oI71WjEiSMXUMOvtUTxlruN2H1ZzXK2WvD/wBpg0iKw1oyrPaRLDNk

4yV6EdiCMGopQlyJvR2HGXvWZppqUEcdvPksSSQXHHT275xUpRWxvq3ZaGXf6+bSEi5dSzN8

pHHHvSptRVuxkrWVziNY1aa8crHxGDnjtUSqJrTYnlbV7nB+LdIh1XTL3TGYbbyMoWB+6CMG

orSafOlqtP8AhiEk9D5ls9S1bQ9Qns7S4njmt3kidoiQcDIb8CK5m18S2HTcuW0h1vqlrOVW

6TYQACy92Hc/hVupKzuVyp7E0yWrys9qxCFuhPIFVTleKSZL622IhbSHO3JA6mtE9SGu4+NW

Ubs7cEjpx0patlaLYrhn3NlufX+tOLtGxL3sSI5yNxJwe9EtY3YlpY9v+H0rSeBY5FCoBPt+

XIJ5Pr3rwcVL9649jrck3F/L7ibVbxYtPmDE7mVsEDGOtcVOnJ1UTK3K0eLWsUV7LIrOuzcc

Bu3PSvTrt03puFKCnBX2sPk8NRhPMtt2D1GetZRxz2kS8Jr7pLbQ3drH5Rkbaq/IHH/1qJVK

cnexDpSih6SjIEsZjkOct2qeXtsTF6ak32qP/n5H51lyvsK/9488AVCTvAI79a+uSbaucNlY

QcqzA5AByahaSsEHHqNUbU24HUUO+xV04sJAdwIGOewrSOxK5RmGzhT3qb6jXYQFF5GABwaN

RaLQHYYzuAwaScuoJaDSE445PPWhtiXcRflLcDOOc0LoVGyY4gK3QUK4LlQoXv6VPQUrDdm0

jnOR2qkUrD1JJIZgR7npUWsKPLzMVFXaWyAB2z1p37FaWJY3RQQwB54IrOz6GqkrCbB5mY24

A4J4ouK6T1EaJ9xbJIz69KIySGo9CRbdmjRNyYGSCOp/Go9okx0absOWJVOWByT8v/16XM2r

FuCTJfssLoPm2lOW9MUoydxNK17CNKFiZl4Mjda2jozm2ncrK8G87sjPTHc1S5lGwm1aw6Er

G/I6HilGT0GldH0j8F7r7doMLJlms225xwFPIxVx5Uk477DXx2bPcNEvrZruOS9AV7PBXPJY

4PFZSaqJcrPQoycJK53MWvotlpLwsVciUDB+UKCAMH8K6aMWomcpKWqNHSdeupCwkjyquGzt

xhSCcZ9RWjq9GtRcl9jebXY7e3aVOYlz5uV6YBO4+tbLl2a1JixkD2F3B5sSxzLL8yngjHFS

6Ueb3gp1GmeQ+BZoU1Oa8g4gN/PIoXjA8wgD9BXztSDU5L+reR6mHkpQPrjwlc+bpMbM+dyj

ofu8Y/pXfQldXiZTt1OS8ZkW3jHRtR3sFkR7c7e5BDKT+tK7ckmCWtj1/wAKy/aLCSIHBK5F

dkX2Oeolc8b+JtsYNStySu1gwIB+7XDVjyyR1YaV6dj50WytvEn7RGnpcybEstCnmRXI+Znd

VxjPPANKnRl7eLj/AFuZ13BRtI9kPhrw4QIhp0MmAQmU3fUGvVVC6VzmVRx0Nm3stLg2iC3E

MkYGQE+VRU08PTi7JbEe0bbfcUJDGqsBGrdyf4h059abhGzVug29NSnqWpwWdiUi3Fo/vBAM

57Y9q1jFX03BXbXU4eaVr21v0n3Dyp4tvqOuOv0Nc1aS5bRuXSSUlcybdzZacn2kltjnC7u2

Tz+VYxg4tprr/XyOm+zOc1SX7YwPkSBAFwzEfMB0/p+VYXTVjOKsYl7LGV8pCVbPLDoPbNOM

UtiWzIexmmuETgkDJ9FAOSfwGamU58lm9P6+ZKS5tD5R1sxX+vanqNoxjjuLyV17HBY1lWTo

TdJ/Z0DD8tWHtNr6lESXAshYs+6DfvxjgHGM+tZLl5ubqXOF42KxcwtiORuD1B4NaJXWpnG+

zLFrq81ufLyHXHKnpWl5KzIUkn2NeHWdGuNDlsW09k1FrjK3G75dmMFSv65qoyipOUu2n/BC

UtFa25bbwhrbad/alpDDe2a/eltZRIE+oHI/EVzxxcVLlldPzX9IpU+bVNGYYnidhKcAdj2r

RzukDTVrns/gqWGy8CoHlAUShyWH3fvdK8Ws3KrPurL8TebjFQ/rocf4p8XpOLjS9LDhFcrJ

IwA3HPQe1XQw3s5Kc9Wc7kqjaW1zjYWKfu2kVe+M571vL3tTojywXK2XIr50Mb27jAP8PT8Q

awdLdMtVUiwdWLkKwBAGPmGKyWHUdUZzrvmC3aGdSWJTJPGeKbTg+4la1xfsJ/57J+QqfaPs

c16Pl/XyPPsqGZQxGD+VfWx0scVlewgA2fewB7HmotdgtHYMqF+8SciiwRtYc3B+83OTxQn2

LT1GYG4nnIoUtR9RrIEJxypPBNUpaEtEbn06fSlFkpCoeArdh0olpsDtYesZ5IzheaS0HGWo

1k28MT60RfUrpsKN2z5Wxzg0iZNWt6C8E7SevfFFtCo7B5YBIUEDvSTdwe4z5toD5xjjitLa

6Ckkh69McAA4qEWtloWEjUEHOeODisua5SSLCFEOzPHr74rP3jZTimhfKXACEr9ehqFKzHGN

tgQ4JVlI/DijoPmtox+FCiONiTLwR6VpBXd2jKq1okRX0Oydbe3+fYMEDvV05a66HP7t9EMW

xMEfmz4BI7nA/Wq5rqyBuK3Li2QCrLDsZgvLBt35jFQ72swjKJ7J8ANdjttRn8PT7QtxD5ke

eNkisBj6EE/kK3pNShbS/f8AQr4aqbPaY5E84XNuCJgOBnjPr/OuPrd/cd8Gr3O303WrWXw/

pen3TonlknziMFWAxwfTrmuyj8N7asjVK5sWusKsbxNtuMSDlOA5B6/yqqfLHRuzuDelkbl/

cRrZpDdSLElyvl+Sxzu3dRx6VvTi3qtUPm5XcoWkbQvboNQltrKJlYiNSAxfnB9OR196uKqR

tGNvnqJ8l22rs8x8EXk0TvbBcFbybJ9MO4P9Pzr5mrUanLQ9KlFbI+r/AARey/2NGwYEqPmA

6k4Nehh3aFtiZ2bRhfEa88u0i1IkB7GcSr6gZwf0JqrNzQLXRHrXw61bz0iO/CuAMY7V2U7X

te5zVI3VjjfivaxpMlwExuLBjgfL0wf51x1bXVzbBfA7nyz4dLXH7RTZliiFv4cOzKAscTDo

DxWdBXrKNv8AgCruO3VHs0Mt7bTyRwo0apOSWc7hIDyWUdueK93mXw/0jgsralDUfFM0Mvm2

BjyBtm84cAc4znpk1nfllZK44LurEcHjCHUbw2cELIEGS7Y4onKMV5vpuNKSjqUdU12MWzrF

KrOGO5W5KjH9Oaiaajd6oqPLffU57QtUe6XUIy6BhCkwBHDbWIx/49Wcve0a08wvFSXkRSzv

FG8DyKVYDkdc8ZxUxi9epq5LRHK6hqbbvKtF3H7pIH3ee9c0mop6ipWkiiLKS1H2uZC3mJxj

gk46CuOM5ymnfT8C5WjHzMHxlq9zY6NLaafGBe3ULJLjrAhXkf7xGa7KeIhCPtJLfZd/+B+p

hOLcuVfefKcKIHKoeM4xXDiZSdSTZthlFwRLHGjRbIvmK9d1c7bTuzpXLytRK0kURbDpnI6q

O9awk0tDn5VezIjbIpBwCOMY7/WtFUZDjFvQheLbuIAAPI9KuEiGuwtjq2raNOLnTb6W1fAw

UcjNaKzVjn2fobMfi+4vyy6xp9pOd+TKqbJDx6r/AIVjKklZxb/Q0jVlojW1Pxff31jFZWjP

FaqNzA/eY/X0rKChTk3HfY0cZy96T0Ry7XUkjOonwc9SMVfIk7mTqq3KGy5EY80gEYH+cUJw

voE4tPUtW6+U6q86yLkjcMisp2ew4epd8oSFiZGI/wB7+tcyk4lcqciwsRgUqrbV3dSc5/zi

p5uZ6o0jFpaD/s8397/xyov5HP7OPb8DhGYHgr+tfUxl0OTqKoJAHcD/ABrO92KNxMoqcAgA

jvTuCvbUVWTfg5A9zR02LbJM7iMKRjHfpWeqdwvroQuBtHHQ1cZCWgxhwuM4GOlOOhC2EOOh

B4Hei9mN6aBBjc3selUOKaY89CcYA9+lQtNC47WG7WyBk4zxTb0sKTVrAgOfpnmjpsCatYlG

zzCELEcc4xUsV/eHLDlSGBb8ahysyltZB5TH7oxj0qVJLc05bKwoyCP7wHr1pqwXfQmUKr7u

Dkg4NRF9Bp2kSxyPGdwQY5yuazsnoy6UmtSTzoXjOxSOemOlSoSTNZVYcupFb3FvaTNNKQdi

4C92J44+ldXL7tkcPNrcrxXkxm82NQm45we1WopOzFze8x4gnvCXmJJ7k96HJJaCT00GNBc2

rRtGHGT68GiO13sNSTVup6B4B1eKy8W6fDcjETo0LYHOWGf5gVrCk6kJLsmROpyTiz3WzvGt

kELSMAiAbDwVz05ryqNZwfc9NxaOwtNHvtSt4DMSHii/hbjB61coS5dNh0/66DV8I3dlOkgj

l4PLLIflyOtZ0HWp/asayUXHU0ks9deCG3+3Sy4bd5cx3BT/AJ712+3q2tJL7iYQXNoX/Dt1

r2n3kwuI4rnMmVjyG8ognJGfrXTSxKS99aGapyU3Z6nA6BfPZeMtXsZ0lic3cz4b+FWIYf8A

oVfO4mpGFaTvZHoUovlVz628B38L6DayRuN0gDYz2xwDXp0YWVk9RmX47u0FpNuOUKFWXPFK

pJXsNbo6X4EeJ4r7QrUmQtLCBG2Tk5ArspS5oprY5WmtGdj8SYGvNHMuAcKSRU1NVYjDM+Jd

L8VWPh74+ahcXqnB0ARKBnqZ89hnoBXJhYwUoub26mmIcuZpHpq/EjRDcIXmnLzAYHkn5Bk4

z79fyr3faw5d9Di5ZJaas5rVPFF1c31y0b+dGJVMCldrDHRRkc9TWbrcs32/rUr2fczdMuRF

ImpCeSMCH5rdlIOT6/jmuOL5pcydl/Wxve0LWuUr7ULSDPkpIRJgEAHpnpgfjROrGCerJhFy

0sbXhrxDp5jvYIhgmJiFKY2gE7uPpWuEnSjK3bQism2ri6ncG4l2oUZS3DAEnB71nZRVkWpe

9ZszPmtIRcTBYQWy0suAFAPYfnWEKblJ2X3f5jjNwijBvfEDTNPZaVFLJIpw10wxkEdBnpWD

rUYWja8u3S3dj5JWu9u/U4/WwNG8P39/cSLujhdmY92IwB75OBSpUJyrXWrZnVnGENOh85+U

hZgpAIPPt+NY1KnNNy7l04tLlTFhjlhOAudv5Vm5Jo0TaJVhd23A7SeDmo5kkUo36iLpuXUh

QGA644NV9Y0JdH3tBjW8iHPBwcEGnGaYSjKK0K5gbr5YwxGCD1rRSS0MIJkcltOHby0BHHTs

KuNSNtSeXW6I/PkhPlkbce1NRUiOa24RRG4LAr0OcZ561V1BmMVzXFW0miAYbhzxnuM0nVix

KnKL0J0uliC+YrLIvHTgms+S+iKjKUdy7Z3sbna2HP8AsjBrCrSa2LjVvKxaQRvKDDI24HHJ

5rFXSs0aKS6Fz9//AH3/ADNZc8OxnzeZ5+V2np09q+nTs9DlURUYdccCkr6iikh3lnYSTgH2

pN9AVkmkMOc5B6HI4prRDsOU8/e69TS2Y7ajiCRjHX1pR0FpcckW6RRuA6fQCkpWQkrIaUXf

8uDgYp30B9BpieKRl2jkfXFOPvIIJXuNMcmMHpmkmrjQ6JW6DGKTtYJR0uPSDcQDggVPPZFR

ixwjCN8pGDjrSuNxXNYUOVH3QcZ/Ciz2GtFdEq9MLxzzUJaFxkhCnIIADD24NF+43uMKNwQe

Ae55pxfclJX2J4ll8sZOf9qsny30Lg7LXYZM4gi3ZHB/OuiMbaHLUbb0IEjQ/vZMqpX5QT1N

aPshI6T4ZaX4WvvG2mHx1dzWnh6KffqLwLl2RRnYo9WIC57Zruy/CqtWSk0ktddE/K5z4qqq

UG4q78jd+LGreA5/HWpP8O7FrXRWZWiTnYHKguEHUKGJAz6Vli8LTws5Qpy5ku+vnv1HQrTr

01KceW/T/gdDkZ9VkubO2sfJjKQTGQNt+YZHI+nFciWvyNlotTb0qIzatpunadAsl3LcxSLK

CeDnJX24Iz9K9PDw9lByltZ3+/8AyOSvL2lTlPoMuttL5l8wFsSqgqed3T+Zr52EIuooyT9T

3VflT3PUdFuc6fb3Su7LLEu446HAr0Ka5HYiKaikbaJJInmW1w6zdQuflI9M/jQp8r01+Rso

XRHfzrFOgltVkJXDOI+M+mfr/KhuEG7fqVFSaSZDPdCFhJFEjyshfcG4XpgZP61pCMYN6WJT

UnoeX6uSvxNuJR8q3lijqDySRlfyO0V4mZxXNzJbnVhnpbc+ofBLxxaNCckeWAp46GunD87i

jo+FtIwvH124t5WkUFArfTtWlWV2tbGajqct+zB4sv45Zftch+zX9/cfZMjGFjfb+OetdGGr

wneMemn/AADmhFp3a3PqnXP9P0RsHlkI9aqfYKCsz4dkt4tG/aWvILu1iuFutCcosnQYlBP6

VwU4wlOMWr6/oVWbi+a9j0gWtm9wb9NPtN5GEzLlSueSK9qeHUmlrpp0OaFVxWrQsumQ3G2B

JbSNyMgopO0deTjioVFLVx+/+tSXUleyf/AKieGrd3WVpkmEi7d6r1IxwfzH50pUZJPm0/yN

VNONrkT+AdAVlM15MGJJ2sOM44H06fnWUsNObsmP2kUPk8MeH7CGea0uWV7eAsqiNSrYB4/M

VcMJZc/N/XqZTqNPboczc64u0i0t4Y5MFVLrntkH9aT9nGXJH+vK5Scn5HM67pc2swhbq4mb

a4LBGxkZ5H0Ncs6tX2dou3oVTp001dXt3IrXT57TNuJnVWId8gc568/jWNKLcVG97af0ypOC

PFPi/wCNl1fUP+EW0xwLWxOJZAf9a/PH0FdFap7OHm/y/Q56VqtS66bHncaSA/6vcpPavKbR

2RuOhEayEhsDggbaTb5bDShd62LsMaofnUBe7Lzniudu+xcIuLutkWAkPkByu3JOGHQVF5c1

jTmSZXnt2aLETRN6Nk5B9K0pztLW4StKNkU0iZTnzG6cZHSt3JdDjVN3s2NlQ5ynUDJHc04v

SzJnfSzI9qTIGaMOCBgge9axTi97GD7siS2CSgwqVUHjIrTmfUzslqicR3HlBGUsi856Y57V

lotR3k0TJZ74llaFigfaGK5H5+tQnKOqKSgMl04H5kGw8EFfSiNZ9RSpK+jHQQ3Me798ASSR

lcDFEpReliUmtbj/AD5P7i/rUey9TK/mcopyzBsfl0r316EbdRwO0Mu0AN3/ADrNb6Ex8hNg

2YyCCRTu7ajWiG7QCRwAOOfwoTsi3cbkA89DSvqJX5gULgng4FPUTXRkmASFBGMcVOqGr6Cx

xgyAZIx+tKUrdBO9i5axK5ZcZPfIqHJ9BxWpNJp5bIVc5rKNS2/QqMNCpJaCMbSMNVxnoJ7W

G24TzNrqM8/Srk3bQSvclwu4jZyOmAKz2epSau7ERjCLgrg9c46VSkyrpqz2EX1yc9qEio6I

kRQWGM5IxUu6FdpgFbOCOnTnrQrXHf3h7fIgXOAB271VFK92ZuVlZEIiNxPFGFygbH1NdDlZ

XMmnewtyq+cik/NnBHoKqjBzkoLqEnZXfQ0by/mWzSAwo0SDZFtQKPqcdTivoqcoUKcrQuno

vuPKVNSqJuWvUx90zO0igx7SACpwMeleLivf95RsjvptKPK2a0Rurq3je5CP8+AcDOQDnms8

Dh41K8YpaFVarhC9z0rSNf0LS/Fvha1TTbWxit9JVpW2jJlkzhmPXODn8q0xcp051Kbd7tW1

/u9DPDR5nGdtV/meyxR6fqU6q5jeHcpPAKtnvXmQoQc0no2z1oVXa99j0DRIoodJt7SKMMIY

8HPbHGf5VtThZau/z1HGTeyJhJPAIFYMFHCknj8fzolVSdr6lKHu3J/7bBMgCq0n+r2luCel

b3i9xxbW5Bp15tS4BghaNG+4QPmHt7CopxjKLW4nOSlucD4kjR/iHbSvBtV9LG4bcAbZOP0N

eNmihZJOx2YWz3Po7wZDLHp3lF2KnDcnjpW+Eqc0emh01U7HFfGjWYtF8N6hfFiFhtnfAz2G

f6VvL3ZGE3ocj4FtX8L/AA88Oaik+brTIY5ZVVuVL7S+ffJzW1NJUnNrR/1c5opJpSeqPrHw

rrw1XQomDKwaMEHP5VMZ8yuawglZHyx8e9Kj8O/Gnwj4meAG3vGn06VguP8AWL8h/Nf1rnp1

FDEXloi68W6Sa1sbx0+IQx2BkaHamMKoIBxkcn3zXrJTS019TkSXV9CXTpIL55IFKxwQ/Kql

uvTn8Ofzpci5nFXCFnMvQytBbiOGbdgnD9u2P0/lTg52asK0bFDVNSBAmgOT93Ljr6/1pzmk

tdhRveyIjMYbS46FzHyT3P1rKi7t2/pFVGlE5hkNxeTTSosKqcKigEEAcVjKS5+VLTzLgnbc

pOyKrSxtwh5/ColFbImFoxOA+K3iqXRvDsgt5Gt5bhdsbKdrFvr9KiNXljtdGc73SvqeB2rJ

ctuuWDSHH3uSD6815FaU7uR6VJU/hHm2RC7wYXPYng1kqjejB09W4sz53j3BfJCjPUDj866a

adtzlnNO7a0ZoWnyRb0UFfbnHrXPUWtmdVGTUbofPKkyFFCjI6dD9amEWndhUabS6ldbeWAc

AOCc88Ff8a154yeuhnyOMbrUckgc7Q6F8DarHnsKXLYwU3eyYC0DN8zdBn5l5HtS9pZFcrTS

b1I5Ldtrru2564q4TVxcvQZBaKzbVGxlz34qpVXExhSTROkEkMQWQsFUfKwPB56VKnzPQmdL

kjqL5XygDoPmBHT8fzoUpEXIpI3OXjYhh1VQcVUWk0mJx6p6ib2VArDOM5GOKajdtoTdlqP8

1/8AnmtZ8vmYc8DkACjMhx9SBX0cXYm0bj027WHcD1rNXuEXroBHyZJ+uR1qNLaAnYaygOVJ

Uk+n4VcX7uiEmriALuGccGpSd7Gg1o8cDHPr2q0vwElYehH3XxgHg4rO1tiV3JhGMKDiplJ3

0Br3kixblkkI2cEYFFmolLc1bd4nVgfvDNc+vUcdPQhls0kj3Ad+hHBqedp2G7WKIsv3yng4

HPtWrqOw1HXQRYWDbSp4I5FNtAnZsaEVQQcnjp0p3B2WowxqDwQOe9C2HpbQIwVbOR09cUnr

oLRbi5DEKQM564604R1KvG5G8qQqeSfT61rGL00OZSUhNPmw4KgnZk/jzVzXuiHWVu97OEEb

yOynaAM/U134OEE2+vT1MasnZJfMs3trf24P2xWiMY+SNkIJ4616E6kuS0ZKy/Pc5qaXPs9S

C0t7wzW1jHD573MgCr/eJOAP1pLnpQjCavfX9B+7K7jpY3vEmjy+HtUfSJ5MfYpSjMU2guB8

365rbBVKVXlraJN301tbT9DKUJxvFp/MyLm4kv7r7VICTsVE9lRQqj8lr5jE1nKo5JnuUKXs

4pWOqt/Gd9H4MuNAuDOJzJEIZlfG2NTkjPrkCuZ1nzxlF6p3/M3hR7rofSPwz8ZWS+AdJbVt

ctpLtbUGczSqGJJJAPPXFdtNTqP2ii/l+Zgp04J072/M6MeLrSS1/wBHBvGWUbPKdTu68UT5

YrVfgXTqRa0Zy+v+M9Atrr7ZrOpW1nM4EgSN8nPPTFR7Opf92rGirw5Up6nMW3xS0+bVntYt

UeMhSu+XjAqKOIqN2urCfInfU1bHxRB4p8T2ky3kdx5dg0auvYbx1/WuDMnKe6t6HXg2lsz6

o8GusekwRucuYwR78da3w6mo/wCR6Eo6aHi/7S2pmbT4PD6R7m1S5jtyBx8rP83/AI7mtatS

FN8zfQ4asG0orqQnxMhtbzTVsZvs8sDZYlQR6ce1dVKpRpwVFbd7HL771R7n8FtanGiQ2U53

GABW5znjr/OvNwsny8snqjvil8SRlftMeCm8VeBrmW2YR32nfv4JMfcdfmVvzArPGU5RtUit

mVDllBRezPFfBXxItfEWk/2rDpVw0ivtmjLDKOPvL74IP517dKtTnHmueY+e+xeh16BL4y6T

ZyKJJAhV/wCDsT/n0rKVSMJ87d7/ANfcaU05aNanS2eq213bPHbPnGGY9l+ldEpWjZfJEKV0

yOXzpY0iEe2IMWIXjJrL4bqJrdOOuyEu3eFI7ZZk3XCKpXbkLyRuye3IqqU9G3sKUFaxlACG

6a0WUSOF+V+gbArnlCXPdhGUXG6MhV8i1c3EyElyzf7I/wA/yqXSnz8yViY1IqJ4T8X/ABXa

eKr210vTRuSwZmd2HysenH61zYuUaMOV7/kaUFKrJvZHn8WneUypOHVCQB6dzwa8t176xPQj

Sa3WhfComICA4HJU8MRXOm3qaKHLohbZ7byQktvlCe46n1HpxSmpX0Yrx5HdDV0aWL57GVQM

5Mfan9ZT0mjJ4VrWk/8AIqzSM0ircxeSRwccbq2hFW93U5p1ff5ZongtXVcRurITj5hzis5V

F1OmCsrIbLaRo4kwoI56f1pwqO1iXCPUkUgD96ikE5BAqbdiHyxdydYrecHypCpK/dx15qE5

x3Q48j6/gPOnEYZYwqg4Ge4qY1le1zD9AazxEImwytg4X+lONTW4SVthgikT5CF4PQrg+nFa

KSMuSW45bX5CpUZ9R6GnzrTlMlF83mVfsckIKsF2DODnqM1qqiYkkHkx/wDPH9RWfOjK8e34

HEDljnnivpWcy0aHJwSBwCnNCKW4OB5S8elSC3Y3JyRmnHYTeghJLcnOMVK0ZXUCOoPrVPYz

vqK/3vyqYfCaR6Eik7GGTxSkveQdC9b/AHgfY/yrOS0Bt3LFuzBgQSKyh8LKgWn/ANWfrU20

DovVEC9R9KO5rT2HzAbRwODWab5iX/EKEwB80EZwK6Ilx3EhAKAEA/LRLRuxLIpwFK7RjjtT

juxS2BAAMgYORVdSTOu/u59z/Kt4GdHZlmMBbJGUYJfqPxqjG51Gtqtnr220UQBbWPaIxtxm

Nc9K7smbnRpc2ur/APSmc+O0nK3l+Rfsp5rrUdOFzM8u6FgfMYtkYHrXLiElTnbv+hjhG/an

QeA4orf4nQ+RGsWyRNuwY2/MOmKrMpSlh7Sd9BzfLSvHQ534tXNxceOtY+0TyS/8TGb77E/x

H1qctio5dDl092X/AKUzeMm6zb7r8jmVJBYgkGvJtse1Lp6Fq5/49G9iMflWVL40aw+JIYQP

LXI6KP5CuinUmoWTOaKTtc0LC5uIY28meSPLD7rEdjXoYGcrrXqZYiMbbdSDUCWd2Y5IA5P1

rgqSlKV27ndSSjFpDFZvPkYsc7+uamOjMonqHwMJ/tdhk4No3/oQrz8e3GCa7nZgtZO591eE

udIs2PJEA5/CvSpJJs6/snz/APtAO/8AwnfhZSxwNSbjP+w1aYlL2EvT9TzMU2pRt/W5RsXd

tNlZmJJdwST1G7pV0PiYpuzikfQXw3AW2O0Y/wBGTp9ayppWT8/0O5/AzufFqhvD99uAObV8

57/KazxK/d38yajfKfAnwadxqHiOIOwRNRkKrngdOlXhG/ZU/Q8+vpXlY9S0UlryMMSf3nf/

AHTXXJK8/wCuxpF++bWgM3lXXzH7w7+1dLVpO3Ywu+Q142b7NCdxz5vr9Kcoq60NG3zWGXAB

hgJGSQMn15rDFNp3Xb9TWStAxLvjUYlHA+bj8K1+yRDc85+K1zcxz2tvHcSrFIU3IrkK3Hcd

63oJfVJy69/uOOWtVJni8qL/AGsVKjAfpj3NfEJv2Z9JTWhJEqtMAwB3A5z35rBu0dDssuZE

DAJdXIQbQr8Adq0jrCNzjaXtH6ljSwNsqkDBByPyqKwU3qx2nk+ei54BIx+FTV+C5OH3sS3k

cbWUu5FOMdR7ippSaqKxrXivZtW7fmY9mzLcLtYj5Oxrukk4O558NLFhwDIwIzxmsY/CE9Jq

xEwBDAgHB4z2rTZ6CfQkAAZMADGKVPqV2Na0Ja1LMcnPU/jXLb95YmHwEk4AtlwMYA6fhWdP

42bS2gv62KzcoCecetbr4mca/iWE/iX2I/pTp7kR+L7yuQCsuRnDEjPauhtq1hNKzKVSclz/

2Q==

--------------4AB1288545F3--

=========================================================================

Date:         Sun, 24 Aug 1997 17:29:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      david and his hat

MIME-Version: 1.0

Content-Type: image/jpeg; name="wsbdavid and the hat.jpg"

Content-Transfer-Encoding: base64

 

/9j/4AAQSkZJRgABAAAEhgSGAAD//gAC/9sAhAADAgICAgIDAgICAwMDAwQIBQQEBAQJBwcF

CAsKDAwLCgsLDA4SDwwNEQ0LCxAVEBETExQUFAwPFhgWFBgSFBQTAQMDAwQEBAkFBQkTDQsN

ExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExMTExP/xAGi

AAABBQEBAQEBAQAAAAAAAAAAAQIDBAUGBwgJCgsBAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYH

CAkKCxAAAgEDAwIEAwUFBAQAAAF9AQIDAAQRBRIhMUEGE1FhByJxFDKBkaEII0KxwRVS0fAk

M2JyggkKFhcYGRolJicoKSo0NTY3ODk6Q0RFRkdISUpTVFVWV1hZWmNkZWZnaGlqc3R1dnd4

eXqDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ

2uHi4+Tl5ufo6erx8vP09fb3+Pn6EQACAQIEBAMEBwUEBAABAncAAQIDEQQFITEGEkFRB2Fx

EyIygQgUQpGhscEJIzNS8BVictEKFiQ04SXxFxgZGiYnKCkqNTY3ODk6Q0RFRkdISUpTVFVW

V1hZWmNkZWZnaGlqc3R1dnd4eXqCg4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4

ubrCw8TFxsfIycrS09TV1tfY2dri4+Tl5ufo6ery8/T19vf4+fr/wAARCAEqAckDAREAAhEB

AxEB/9oADAMBAAIRAxEAPwD83lKiTpjj/Irzo6HPYhdgpdoyVO3GcnpzVU7k2VyRLRJgiICr

E4GTxVPYy5uW5HeWbWV01tKSWHv24ohPmjdGqasmQBV3fd9utJ3bHG3MKjlSrBlAHpRFJLUV

73udxr+nG1g8NeKVlDpqsBicr/C8TbcH3wRW1NKNfkWztb8LnBFN05X+zf11uzcis/7Pm+z3

UQdGCvkf3WArtjD3nG+xxc3PFSXmUJbHyddVGwAkobp0AOa8/FLloyaZ003qrH0j4fn/ALI0

W317UL6C4t5CfMgnj+UR47Y5zX5rTUJV5Uop3ldad3sezSc/ZKTasvL7z5C8c29tbeL9XigU

JF9sYxgehOf6195l3OsJBS3Wn3BXnGUrx20MmzYLIQCOV5P0Nd6Wmpntsanh429p4sthc5ME

kwV/oeP61xV05U5RW+p003aomjK13T/7N1e808/8sJ2UZ/TP4VeGqudJMrEU1CTRSUDcAT0r

VPQzjFFu2VCWQ8ZHNYzutUXG3NZnqOhR2174c06WM5kWBo5AecMrnpx/dxXy2YOUMVJ9Hb8k

fSZfFTpKPbT73cyLe3C6jewIpwXEi+pyMf0rpc70YN9NDkUFGrOK/rQviFNybjg59elc/M7G

zjDQueRFtJx26gdKyTZtyxlG6LFtAscSsVy7DkdawlN81lsaqKTZb0CJf7XyISpkiZeeORz/

AErrofC09UcWLajFNM1tdtUS3Zg53qRswPvVctGrr5GVGV9Ec95O872OSBkY6g/5zTi1E6Ks

eaVr6GiYjqLLsTBWMAqoPtziumEJ31MHypXuPj0e5itxG0TAABtwH8X+FEKbcEl0M/aU07J7

nofgrT5P3LXG0eWdqqvAGa9WhS1UmcOInHZHSar4TbxPp914djt5JDeoUQRdS3bHvXp4ek6j

S0v5nnVZqEL9D5/0nSpNJ1q6jvWla5EhikVhgqUyMY/A18fmVOrSvhpRScf6/U9/COFR+0jK

6Zr6QDHqltGyKq+aDz2ya8vmVk2dzXuOxW0K2WHxq8QbKx6m4UHvnditsdL/AGZu3QqhFuDZ

63DEu47QORjP418s2rpbeQ7alm3iVQCBkfWp9o9jSKV7l20jXcBwQOuAeBWcbRtKSFT10RdW

AEcHHPr7GtW5JcxcuXmPo74G/EDSvGGmroWk2dsLbw3psNpuUHfu86fcG5x/D6d6/fsu5Hld

OcHu9vkfm+Mf+2TTWqPTnQ+WQBjoear7ZEbKRSNsGQK0ZwvtxSt2Kb913EFpjBVOPcVVrD5k

SLZShsgHBXv+NTykuSTHRWDq2BgDPeldWuWpWdkPFjIMfShWtYUJaocmnAbvmBJORx0pWWjA

lTTU6iQ/lVrzC73RJDp0UZEm4swPA7Un1CL1LQjULlTnFJ/CGjR+dv7fOtXK/FO+8PQNmGfT

NOjcf9tHb/2at8Y3DLIzX2ZS/GKRz4dL66kuun3ane6dbeRZ2sGz/VwRrkj0Ffz1KanPmXXU

/VGkpvUt+S2AuNuWNSk18haDfKXy1bnOckCimugLbQ5r4my/Y/AmsSgfMbYoOOMsQv8AWu7K

6XNi4xl3f5M58a7UGr/1dHy48SqSOfl6Ad6/U6XkfPWVxFjAYlAOT3HQ45rSCak3YwfLY9r/

AGVtNjuPHbXWG2WsBkOTwcAn+lebmc17kfNfmjqpfBO/Y7HUrgSXtxOSql5mYAdOSa78ZUtW

9n/Lp9x5OGt7JSfU5GBI9Z+Mng/R92UtWlu3wM/dXA/WvIzPEWwVRLduC++aT/A6MKl9bT7J

/wDpLPqK2jAG/ZtU549K92lShSgoLZK33HJeTV7bk/2RP+esv/fVV7WPc5uRfy/ifl0Q6O0X

3dpIwRWMLbnoMjnDbTIvQemPwpU/iZCkiW0OYGYAjawIGaqTskZvsizrrpJPbyqwy0eCMdME

VnS+KSWxpTs42MjnzAd3GfXFaPexWl9hjMevHGeM00lYa5UWLvXdS/s2HSGnkNpDL5kceeFY

jBI/SlCEXNTvqv6/QiPKk4233Ek8Wa5MAJb6VtsYRcnsO1W6Mb3uQoQStbQSDxHq8t15k1zI

TwMlu1CpRasxyUOx6h4N+I0kMiQalI9xbBCBFI2duBxjPTmvPhlyTcoKzMXLRJ7djjviLqce

r+JZtSiAHnopOAOSBjn8q6MNRlQi4vudMaqlBJLY561Y+ei5+8ccV09GaproXZS8F3b3KjBG

3qO4Nc9VJTdvL8jWGxf+I9uYvEstyCH+1wxXAYcfeRcj881zYJKMHBdH/wAH9TWtrGM5df00

OZGd3H0rqRnpbQt2B/e7cA5Xpisqq00LpuLkeo+AphJ4cWBoyfs9646ckOgP9DXzGcN+0jbs

/wAz38qjG0kxtxaBNXjeIbRLbnIz1w3/ANesqVX/AGdp62f6FTpWxCt2/wAjZ03Ro7tyZW2Q

xDfKwP3QP84rmdblVwrJRSXVnc+GPAWkar4F1HxLqdy0HlFhCQwGCO1bzqU6dDme/TX9DnrV

KzrKnHQ4Szi8q2kXcCAxADfhXLNvnR3qD1sdV4RsvCR0x77WLu7i1aC6CRRQqNskbIwJ59G2

/hmvawOIwccLONWF5N6a26baHl42nXdVOD922ul+pJe2vnKAY8qOMleRWXL73MjGlK2jIIdK

twSotwSOQdo61sm1bXQ05kp6Fu1t2OPMhVTgcqABwAK2jbm0Zg531LcMaqmHjB444/WtKUml

a+/9ehkvQ6fw65XbuQnBGCOQOK9GlKTjZ2VmYVYrQ6SSSa0c3VrK6zQHfEV6gjpXXQqTWqMJ

qL0PEL+Y6t4kudRlDNJcylpD1JY9T+JzXwOMrTnOUpbn0uGgqcFEryqINStppSfLilRn6Z+9

0rmwzRulpsQ2EQTx3KFQBf7RDEjpgg/41141r2Da2sGHj+7uz1pYSCGAXBx2618om+eyHyu9

iaKIbyWU4yB1xxVppLQEraMu2MPC7umPmrK6T5bFRScbo0ViLKcKQRjHHT/PFaq91bYcnpZm

9+wjM8mu/EqBySI9Tjxnt889ft+R/wDIop+v6H59mFljZ9z68RDkAjv0xzXet2c1tRDGdvAz

7UncpWs0KIuBx1NO4RjceI9nGOg9KUXqJroxYYzvCkfxUO1i0rMd5RBGPQcGpjtYSWo9I8Eq

U5ovaN0Fruw6ONQwCgjA61XTQa3HiPAOVJ64qb9BpaihMLyMH6Ur6CvZM/MT9tOV779pnVLP

OQLnTYNv/bJT/Wt8dNLK6sL9E/vaRnly58Updm0e4rAA2Bj5FwOOvUV/OuHf7mm+tl6H6lP4

5JEixdzgdz+daxbcrP8Ar0ErW0FWFfUEhQeoNVDm6ERSscB8cH+z+AZ4trZnuI0wOM4bP/st

e1kkLZhBp7X/APSWceYNKhZ9f+AfODR7sqOdo4AHFfpdJdTwk9UhoU5KbNnJGfr0qlcye7Po

n9mPNvpeu3TwxrHaWcpDqmGJYYGTXmYm8sRT5Xu9vTU3bUcNKTW366E9xCeCe7Z5rfFyVXFT

adk2/wA2cNFctNXMr4U2kd/8eby6O1l0vRen90u1edi+WfsKL+1J/wDkqTKw6SdafZL82j6T

twUB3g8k19FLexxRjoSfL/zzP5msPZy8jK1M/Lu9QrNux17VhSaudiRWmJMbBQeBzVp3egIb

YyBHHmNtXIz6YrR8vLtcyqR00H3gaVFlVyVVivH51EXZ7blw03KmDkMGznqB2ppa6mjsmNAH

yjJGc7iR707qzJS1BjnaMZ5FTBWBJNCrGnGR1qpSFZaKwjK2H8uNjtHp1og0mrsIxXMSWd7L

CVkNvKSueQK6KVSMLmM6TkrXJdRvReujLG4aMANuqak1P3kh0abpxsyK3dldW44596m1joXY

0b2ICJOSCrkE/rXPVfvJm1PVtM0vGcgvdL0DVN3MliYH+XujEfyIrlw75a9Rd7P8Ev0N6kP3

K8jlBxxnJPtXYjBJWuT2b7LmPLd8dKymvdZdP4rs9N+HMw+xarpxCkrJFOCeoAyp/mK+dzfl

9lF+dvwZ7eWJfWLeX+RoaxB5OsaeT8u/fGc+65H8q87BS5qU121+478QnGcH52+87nQF8Pw2

dvb6jJNcR3UoM8cJCkgHhcmuH23LON43szKpSqyleOlj07VdC0K+0AafDd/2TZbg/OQEB6ZH

foK7pqhOKqVdLbevZHnU51IztFXZ4/e6BPo2o3VhcyJKI/nSSJgVkXHBHtXBUnG/us9alJVP

JlEI0E0MhJGyVWznrzW1CV3axNWCcGjtJCNgbco5GfavdoU7q0UeLJqO5TvDcQ2NxdWse54k

LADqTg1qotSXNpczm+yuYXw/1i+1fz4LnzJPLw4lIAwTj5fz/lXrY3C0qbjKDt/XmcGDxM6j

cHudcVSJUAIO3vnpXne25I2STv8AgdkYO9zX0mVEjDl0TBHJb2/nXa5RoTcKrSfa+pnzKrBT

hqjppLyzDOPtEYwv94DHNKnj6Efdc0NUZt7Hjq27xavMpIYCc4xznk18RXlGUm1qj3sO7Rs0

N1CGWALK6gBOMnjoQc5rmoNX0N466MpJG0Xja5YlWUX0THb0H+cmvVxLvTsPCU37PTt+p69F

AqBVWQttHHtXys24u6Jsr2RNDCf7vTvilFJyepa00aLdlCUdTnBb1HFRSs9WvX/gBDT3TVjh

IIXPzA+9dbTS0287hfpY80+Af7TPgX9n7xx8RLLxnZalcNqmpIYRaKpC7GkznP8Aviv1rJcT

7PK6UFG7/wCBY+Mx1D2mLlO9j2KT/gpX8GIgVi8JeJ5eeMCIZ/Wu/wCuVLt8n4nLHCpPWRVk

/wCCmfwuZD5Hw28VSY/6awin9cqfy/iH1aKWr/r7ys3/AAU08EgBbX4ReKHAPGbmL+grP61W

WyX3sI0KdtyGT/gpdpsn/Hn8EPELkL/FdLz+S1H1qtf7K+8v2NG+rf4EK/8ABRzxBMxGn/s/

6uzL0zMx/ktRPF1v5o/18y40cOn1Ks3/AAUC+L1x/wAeH7PN0uR1lWc/0+lc7xlSMf4sF93+

ZSpUN+Vv+vQrH9uH9pu8kC6Z8BoU3dN1rMcfmRWX1+VtcRH8P8ylh4X0pv8AH/Ipv+15+2bf

D/QfhVptqDx81lk/+PPWSzSkp2eJV/KxosP2ov8AErSftGft33p/d+HtLtF9RbRDH5vXO83w

l3fEP+vkXHD1OlH+vvKc3xV/b41E86tZWe4DIRYAB79655Zzl8VeVeT/AK9DSOExLv8AuV9y

/wAzhU+D3xw8YePrPxn8Rbyyu7yfU4bq9uWuQWZYwAMAD0UCnW4kwccPOlGTd1b8SsPldeNV

TcLat9D6YMA8x2OBjn+dfnEIKnGCb0suzPrE222hEgZsjqMng0Sct07Bb8B32baHZnznGCRS

i4vRihfY8o/aHn+z+HNMsQcefdlvwVT/AIivpuG6Up4ht9NfvuebmTVorpqeBNEyMcfdx2Gc

9q/Q42b1PGUUkCRkgl1Y5bP5ZFG0kRFWTsfSvwMsW074ReINYYAfaJUgXPGQWH9K4qXv5jFO

yUVL/wBJZpjI2wdl1t+aILlMKrdRkmuXRtnNy2Q39naxN7458ea7tBCTRWYYAnOwc/rUuhz5

hh7fZUpf+BRt+hFOTWHqN7N2+5/8E98iXyxlTyWNfQSSvqcUewmH/vCuf2rI5I/1/wAOfmPq

Ee3bI67tpGfpXJSS5tDrijMIPlttG1T0/WtYqzsy42TsUWyFzn0xitraELqizCRJBNDvwwG5

R1qZK1mDTuQAFWGGwpNOzbsx9bIQqMbgQcc8nFEewlEXAAxnrz1qVYSHoFYgBhz78fnSkmhJ

aksShd+TnjjJ9qiPQ0WjJo4s9jx+VRexUVoVrpNknGQCAa2pyvEiSaY1QOM9M+tbrQautjTk

Jks5DnfsCsPbtWNXY0pNqVkatzi9+GsLN80mnakRuJ5VXX/EVw3ksWnbRp/fpY7Fzui18zkF

VR8yvkg967Fcwi7IkgLJJnpj26Unawk9T0X4bSn+3rmzXk3lm8Y6ckAOP/Qa+fzOkpYfX7Lv

91z18BLlxEfuOp8SxCKOyvDnMNxG34H5Tn8zXg5bJucoLqmj2MTF8nM9bO51fg3S5tW161to

kALTDc5XKqoBJP5ZrKnTU5qL26+hnXm4UbnSeJPFEmu3dxo9vAkUTSpFCMY+UEc4Nc6dadRe

00XoRRoRpxU0cxq91DdauYLRgbe1jEEZ9VHf8zVWd3Jqzb/SxpSTS97qZ9zA88IEIIKnqx/W

inJQepbvaxEfEDaVeRnW7mS4tj8jwwSKkmcHDZwehwfevUwdWvJXpb+d7fg0zzsVTpJWloYl

hrGoNBJps3iCc/uH2sEGTgfT0rbExk5Kaj6q46TpxfJY1dE8FQ6L4OtNYsPEd1/aN3aiac7z

t9cEdAen50swx/tK3Jb3U1p206PqdeCy7DU3Gnytykvi6b/gcJb6hrV1esby+vTlj9xm+b8K

9SGFjyWhE+eliZ+0+Kx77oPhL4Z+KNdvL2Xx48MNpJGskc98yB/l6ADH5irw8aNSbqYyDSvp

7rbfz1Ob2lelCMaMv/SbFTxqPBUXiWS28I6tdS2IiG0MWYhs88kc15+Y4ZOalh6TUf8At79T

0sDVqKP72Sb+X6FSzt7J5fNgfdhsEnIGR/8Arr5ypRqq/PBxXmd8GlJq5S1sA2rpxyp544rH

D/EmjpTaOfhDR+KJtzbg88Mm48ZGeP517ddvkRWDT5XFdD2yGIE5AxjHTuK+VT95XISdy3DA

uD83TqR2qI8ye/8AXoapK2hctLcqFAXOOKcLc2v4jguVXNERchgD17fjW/M7W3ZLirehhXXw

78FXl3Lf3HhbTZ55m3SyyQAszepNdVLMsXCCjGbSXS5hLA0JSvKBatfAvhCMZi8M6WPmx/x6

riqljsVKd1OXqJYGgvsIux+FfDoQqmhWHT+G3X5v0rGeLxV9Zv7zRYOglpFFiPQ9KjH7nT7e

NQT0hXn9Kj2038Tb+9fiVHD0ltFfcTrp9usp2WiAD0jFR7WcVuP2VNTskTpbIP8Alko9D6VM

pzsm0WoRWlhyxrtHykjAHyjntVwn7qbsv8wUOhIsIB2sCAD1FZy91f1/wBt6EiIowAuAParp

v3k0xcvclEQGSeAOOv4/1qI1W3trcIqysM8k8r14/H2pcytr28xyTtoPWLLoxyQo6kDBok3d

dEPl90cIgSdzYJXBIHGKJK719NxW1sIsa8YyCxzjNS2r8ltBxfUDCVwMEZPOKqHKoKK3BbHi

P7R07G40azHJSOSTGPYCvr+FYWnNpHk5g9l2PFygZtmcDIJANfcwdndo8lp7gifNtMi4BIxn

oKlJXbWv5EpWbTPqnwhB/ZvwJ0yEAJJqF6XYgdQoH+NcOFfNUr1I/ZUfxbTHjnL2dKC7v8kc

/fGONd2c7evHArmin0sYN2TNX9laxI8Fap4gY4k1fWLiUt6gMQP5VOHc/wC1Z6aRhBfP3kyZ

NfVILu2/vse0KMkvnoSMV9BF8u5yasTE/ofyrL2q7GV5f1Y/Mq7jDW7KVO4dMmuGLSaOuL1R

jHuqnPGP51rHctWehTnVUcdRnGMjNaxasRfTQks2VbzaDlXyATVTty7CvZERUwyshI3K3fpU

RtozRSdxCAqhcYA/SmmmQnqL/Dhjjng1KsEW0tCB3kjnVV+6a1smtSXLVWLCeekyuu3aSARm

oi42sy9eYu2MNzqmsLpn9oQ2nm5CvJkKDjjOAT+lKlTpKnKTWyb7t26BKo1ZLuZsRkZtjybm

3YyT+FUlFR0Qpye5Ogy3zAhgPwFaJrlsaRvc1dOGYpocnEiEY+mOv5VFWzg0lsVTklUujY0A

LdeEvEenqpyIEuUXnjawz+hNeTiJctSm/O33pno4eTSkrbpnGKArEMOM8CvQWxyPQVC+7b14

70mlYSep23gC/Om+KtGviFKCdVcHuGUqf0NePmNPnw9SC3aa/A9LCVOScZX2PS9btLa/jj06

4nWBJpVBm7Rjd1/l+VfN5HBfXqam7K6TPcx0m8NNxV3Z6fI+k7i18BfCbStP03SbqK91SQRu

91s6K2fvdj3xX2+c18BgaMaMIWs/nrd7/P0PisK8Vi5805fLppoeX/EPXry++IU95e2cMTWm

1Y4gONvGOnBBz1r4DEVarrOpN3/FbH1ODpU/q/JFWv8A5s4uS5jTU1kZVIkc/dHy/h7VilKS

bR10/dXLfYuSGLeAHjQM2ArEYb3HNRSpSl7qV/0JlUjCLbMjxDoDWWoWtx9lVbpSJIHzkMB6

jNfQTwtbAKPNJOMjz8NiqGNbt8UehyPxBsLjRdUhuZPkt54wA0QwAeuMZrfA16dZyjB3a7m2

YYWrTjCU1Zf8Oc7D4g1BUNv9qlaInJTfwfwrreDpcylZX7nPHFV4x5FJ2PSvhnYW+q6Dc3Nl

eLb6m11GkrNCJPLiIfBG7IGTj8q9LBKlCDUubRX00/E8bEJua5Ured9z1nwH4We28SRG51y7

kjvIpIW+WNdmUJ3Dao+bjivTyyvRnWa1tb+aT6o5cZhKlKim2nr2S6M9Ib4R+Gp73Gq67rk6

PK0ab9RkVSCeMhcdqHiKGnuL7r/m2dtLL3KF1J/h/kcr8RfAWk+B9JjtNIRlhN6GZmkZuWRh

1bJ/5ZivJz+FOeAdSKtaXRW6PsPCQ9li+S+66+qPJ9WgVoH+YkqDgdmFfncGlI+ihZHKh2Tx

NFPFjm3gdz6cAnr+Ne1WUVTt5nTg373KfQEEShtrYOR07k9q+PclZWM6afNqXLeIcK2BuI5p

zlaNjaCjoXLeMsEXcu0DpinTjZp7EwfumisBxkr39K2aT3YWSVh7WxDMGHTjH581dNwUW5dN

P6uVfTQfFbKBkqVx+lQ7dQT1JUtmVG6YA7fhxROMNUgvaNmPNuykA4G1sAZ6mlCM3o/mGlxW

hKkgDJVecUOpzaL8dBuOuoJbgSYHB3cD3q+dxjpt6CihRbjaAvJGMD8aUZQlFJf194JkwiUH

hgPX0zip9ppeS2Bq+iF8oAYKDcMfN/StE5KPKlYIv3vIRYxu3BCM9uwrJSko7i3lox7Idu1V

UY74ocYRVmVfQVEO/wC6FBPOO1VC1nyvQTvbUXaeWZeewxTlFX00uJNLRDcMCHPAAOM8etZy

cGnZ/h0/EabWg1o0Ck7hk469QeOK0hNR0S9P6sTDbQ+ev2grov4ytbRfvQWI6DIG4k195wzT

isO5vXV/oeHj7+2Sv0/zPLBH8p2gAdeT79a+sUo3uziu7ajreIGVF25DNj8zUSundeZEU72P

rjULP+zPh54Q0hhhlsjMRjux9fwry8K3HD1qn8zt9zv+o8ZJOtGPZJ/eeeeKrhLDRNRvZMAR

W8jN3I+U/wBamjzOUWvI56jSi0z0r9n3RjpXwf8ADMBXaZrQTNg9C5Lf1pZXP2mIxE3/ADyj

/wCAt/5ixatClHtGP5Hoyx7RtIyASBivejFJXZx36C7R6r+Yrl54/wA34/8AAOe3kfmeFUja

5B47dq4rNbHYklZowLiJY5pUVSFHAxWkJStqaxSKV0qbVYkkjjFaU2xNWuVkbZIrgkYP5dK3

im1YnpoWryEQ3AkYECRA6nPqOKxp8y0KjqtSuRzuIY464PetE2JdRQVC7+SR154NTZ3BdEMm

B+U+nGRVR0egaLYe7FQDkqFcUoJN2Gl5Fi3vlstTtdTtw2+3lD8jrg1VBuD97YyqJSpuJFq0

tnLqdze6fDJHBLMXjV8ZUZz2pQU+S0hzkkko+Q1PmI2/dP6Va0RtGStc2NF2/adsmT84BOex

4q0rxa76Djbn9DV8HCQazcaZtOLu3mtyM+qmvExto03Ltr9x6WGdpq/U5ia2EOHZ0ySV2h8k

Y9R2ruhK8U0c8k+bQiBxICueAQDjtVPYjqbGjXBtJbW52EiCZT164OTXJNLnOyjFNI9m8Tqs

qST2q4EqkpgccjIr4PBTcauu6f6n1cUp0To9e1++1y30rUJ7qO5uZrGFpzEhCq2zG0DtgAfr

XXm+IliMZLnd7W/Jf8MeJlWGjSpXWm/5suaCbbxbe22h6nO0d6EMVpck/ePUI/HrwDxiuegl

NqEtEdtSnKledP7jAvLO4truSza2aO4t7gxuq8lTnn2p0qNWc+SKv5DVamlzydjnvHemXX9q

aDa38EkVpewzhXQ4bzNhwM/XBr7PAZWsJTtL45RenzPkcVmTqym4v3YvT7ja0X7L4k+E+jeJ

NTuGN3ZzrpgiguFWVztYr8pByMIMmt8zqYZ0Yqo7yT+5a69jHARxNPESlRWn57HM+NL2W2e0

07WoDPZ/Z1b5sb4znHXvxXzODowlOU8PKzv8tj6ytjG4wjiF0/U4fW9MXR9UmsYGaSFQGifG

N6EcH8q9jD1nVpqT3OCtTdOdlsep/BC9sbfTNTie1drhrdZQ6/3UlQH/AND/AJ110L3lGPa/

5Hm1Glyyb6/5nq3w91l77xhY6ZKUD3Vw3kcchfLxnHpk4zTytS+t6O9/P0/qxeY1k8JzSX9a

nrmp3Vze61babp9ykbWnkXEglcKfLZM5x6FiBXbXwa599vX/AIb5G+ExdoqMupxnxT8VjWdN

uzfIsNvpt95e5oyuWUlSevTDiuLNKM/qNSMvVapmWHqQniYuOvQ8evNU0yWMhb6HLL8o3cni

vzeNKp/Kz31GVrnE3TMmtwFzhvsg4Uen/wCqveTvRb8zpwrtV5T6WjT1HUYB7ivjYSbs7E21

XkW7aEHKMSuPl6VtTpu6k0XHT5GhBAqBOxB55xWUHN2dyqa7o1I7cKh+VjjpxxyDXVUUVBQe

n5/8EUmOWB2I3YHriiWqTfX7wi7bakqowbjLNnGMdOmKnWprJ/jsKNk/dHKp6vkHHPbpTvZa

u4XtFpDynIU5IPHH40VU43XW3T19Qjb+v+AHklWU7c5GMeorOaSfk9Q5/esxYrcGbG3G08eu

f84raKu3ZW9SraagIigUAdF5U8/T+lQlZWlohRffcciDYCV6eh6UTleNlugi1fyFSLLAbcYA

5Jx61PLaT5la+v8Aw62GnYf5e122569R3HX0otUlJuy+4UUkMEZII2YJ/lWbSlFtjV7WHeTx

wuMHOR+NaxSgnrp+n6iV9kBiZxtJxkAHGARSdNR6XFFu4nlYkOSSBkEGhXsm9Px06D1SsII1

JOVJOO9VGTcrJenYzivdPmP41yCf4l6hGNw+zxRRptPXEYJ/ma/ReG4qngk7bt/ktTw8am6r

ODcEuUwwVQAMnrX0MYnOnpbsXNBtftOr2cQL4e4VSQcVErqMpS6Cgvf5UfWfxATyLjTNMVPl

stMgX6EqG/rXnUHFYFNdZyf32M69/rMr9kvubPHPi7IbfwJqvl8NOqwrgd2YLWmEfLP5N/cm

zhxN+VW6tfmj6R8G6VHo/hXRdMjTb9l0+FAPTCDvWeRQSw7qr7cnL/wLU1zD/eHD+XT7jdji

JbCKcAk17Wq2OOKSWo3L/wDPA/kK5eUnTt+Z+YUId0U7gcDByeK5dEzZaO1jP1ECOU8DDLx9

aVGW5cHoZrmKWMAuoBYZJrdJo16MsPocL2D3KXyiaLLGPIww46U1XcXa2hmkzEjEwcCXcOeM

10Oy0QubUZOJVkDLyvc80U9mK5dsLLULpJDFayusabm45A9eev4VElZc3QlVI3UepC8kezJK

+nXn8qOV3Rok7CxqzZwQRjoTVR03MLy5h4j2jG0HHvSi9LJjTfUSVsLgEAdKE9CHF9BLEZjX

nOM/hVt6HTSS2NXTpBFdE4JOBt59MEfyoi/ev2LafObFlcjTvFttfOpSHz1Zseh/+tXl42k5

QnDrb80dtOaXLLp/kZXiSyWz168sywRY7gjkdB17exowFTnoRb7F4mPLUtEzJovImVQ6vhRh

vXvXX0OZXTNDT8PHINgUqwxn6VyVXZrsddBHs00huvCun3W7JeGNjx1O3B/lXxFWKhj5xX9a

Jn0+C5vqkebz/Nnpnwf+CGv678PrDxLeXcNvplxNL5Um8McCRgBjtyMV9nDhaljYRxE6luZb

JdtP0PlK2fTwtWdCEPha19Vf9TobD4KRW39q6v4jvLyxstFK+fLHASAWbCEMB83JH3c+9aUe

FcLh4OtWk+XbdL/g9DP/AFhr1JKlSirso+IL3wnbxNdXWpyteCMNJIto6+YQAA/I69DXRhKO

Fwk/aU230X/B+44sX7aqnTmrfM8m8fRX+raro+rWUpuIdLuEluSZUVI0IwSAxyeo4ArSlXov

Eqo290tfy0OR4eapOGmqfUj+Fmm+B08B+KJfEWnoNY03VFNnc73LRfexhVOCDyPxqasqbwNR

K135K+3Rs64c6xcJJuy89DqtG0rw14o0XxKdQ1Wyi/4kLi1NzhWaUSKwC55zivm8uw/1KM/b

ySunbve66I9jG1vrE4KlFuzV9HtZ9zx3WrG/1Wz0vEizXMEYjmlRSFVeNucgcgema1w1SjRr

S1snY6antqlNLlfMmdf8Jtd0/wAJQ3Vp4gt5ylxC8bSQoCw5B4z64rrpZlSo1VJK66nI8vr1

YW5dTq/D/wAQfBXg/V7XU9C8K6leC0uVaCW5uVQxgEFgAPXHetKWeU6NTnpU0n5tv7uiJq5N

iKlO05HV3P7SFg9viD4aabLclFAury5kd9oPC8EcD0qK3EmKaapJR17J9PM66eRRt78m7Lvb

8jhvH3xc8U+PrJNKvY9L0+yLBmisbYIX6dW6nlQfwrzK2Z4uurVZtrtZJfgdtPK6EZ8y373Z

5y2n5ADSzSYHLZOAKxjW7JI6VhYu63LNgqWd4GckqsZUF2zgkdKicnOmzWlHkl2Pq61UNFFI

ccoCOOma+JacHFCikaFrGpZRg7scetOEJv4GVddS/DG4jjI5Y8A/lVxhFtLmXkKKdr2LUDsh

Cbt3OOfaiT1UktLlONl7xYLkPvVc49D/AI1caruk+v5iUCZHUsA3HOQe9CqKPvN9f69CB4KN

GOcY9qacVHntt3/IdtLEjIWKvkcZxjrVyUtlv/X9dgUUkPUkPnGF29h1rNt63V9Pv1E4+8NS

MhzlQoGcYPStFPm+LQFoOK4wPLB6d+lZwqaJ9unUcYq1iQLj5WA68k1o5csbp7vT+uoabdgV

AuFUAjpx61nBSa0d312HbW6HrDvJIXkc9OPerjzvmb/QI6PUZ5QK4A7/AEpNuz0sCW9hUh+Z

SOcHn8qfPCL018v6Q43aEVCPmxj5fyrJqKfVtfP8tRap2BYwCGGM87hgc9auLSbbHy2VrAsf

HCg54/lVRg3ZbkQejPkr4jTpe+PtcnwNv2xgP+AgKB+lfp+UQUMDTS3aX5I8Grf2kvVnLlZm

xvUlQMk5A7168UrWMGne503wz0uTU/HukWojDnz8lSenPWubFzkqErFUoqNVan0t8Q5BL4q1

JYsFIHSMY7bVAx+lc3Ly4aiu8U/vRxSk/a1P8T/M8c+J1ub9vDugINx1PXbaPZnqA24/yrK8

o0ak30TX3pr9TPlvWhDu/wAtT6xigMKImBiNAuK2yWj7HLqEJbqEE/XlRnjZ+0xM5Lu/zJEX

Bx0JzjivUbdmlsYxSXUbsh/56D8jXBeP835mXMj8ubaIIZV+YYOQGz6VnGWyN7O5leJU/wBG

WVSw2sfu8U8NZVWXTuzlzMxjHLDkZr0ErIcb2ZMl9NHuWOSQk8cHAxRZW1BWNC18UXFtF5B0

+ymI43ywBmOcVEoTltJr+vQj2MOdt7+rK954hu7m1eBo7eME4Kx26r698fSiNFX1b+8pU4x2

Ru+CNWvl1NGuy89kw2SKTkgdOM1lV9lTpyjLRtP8iqWFrVmlSWqMfxHoY0XU5YBMskLkuhB5

AJ4B9DU4XEKrBW6HRicNUoySnozOhuguRu249/autJ2scLj71wkuBuwhbPrUwi+pUYtLUh89

89VHP5U7KwmmXdLfeGUscA9elNqy2NII1LMiO6XPCgj8KzimaWabNHVpJITZ3KkMGiwQfUcf

0rHFr967dbfkdFGLVNXM3VdSn1fUJb65CCSUgkjjoMVy4elGjSUImlRuUrkEEcjuGAyFHrxW

jkkZqErl/T0/ftG6lNwByp9K56s/dOuhCSmeseHALnwRDCXLmEmPJ6jDEj+dfG473Mdzd/8A

JH02Xf7tyPp/mz0P4afHfx18NPDn/CK2cVvf6cszSC2uFDAbmyQO46k172Hz6rRpxpxei/4c

8jG5NTxEnOKtLr5nbeN/2lvE3xD8MP4NsPDtrpFrMI2lMUhLMEIOPQZOK5sz4iq142la11+Q

suyGGGmql9V/meVeIRqlzbrHdXDMgxgJ2GBxgewrx6WcVqj1ex6H9lUHNuRzraeptzHc3U7x

sMENO2Mfn+Na/Xqzeg1lOFjH4Sl/Z1jEzxLGiCUgvgn5vc+pq1iKzWrZqsBRjsiOSC0jkLoF

XaOGGOKcalRqzN1h4RlpoWbWR4ZIzFKnykH5uR0H4GspLujRQulruRalcx3l9NeyG3Q3UzS+

VBEESPcxbCgdACeB2rZSqS1lq+r7nNSw8KWien9fMrre20BjjlL98Hp25p+ynK7RrdRVmQza

lAsmFg2qGwSx/wDrVdOhK2rD2sUxP7TbaEhighJ5Vic59qFh1fVtmKru76GfLcX+dpuicjjZ

XTCFPsZudVrlRQf7RcmS1EpIjBcHGDwDgV1Q5Y2lY5Gqs1yt+Z9laCWl0jS5sbQ9pGSf+Ag1

+fVrxqOMVsdiXmbdtEm7LDJBB61nF+9axtTTexdgUGHbwVPZu/4VKevNdImK00J4FRMK2BjH

O32NW+Xl95aA72siZYlVjyDgc8VUXKz5VqD0fkPj/dx4wxC8jPJpSS5nNv8A4cWnNYlSNAmx

ucjv+Vbr3IqyJ+JNXDByFOfkPXNTFTSS7CWjFyB8vOfbvSXvLmS/QclaQ+ORxMh54P8Ah6U4

SktF63YWtuPLuMgnO3k8dqIe7FNMUIyTJVdVz3KnrzUqTUVZXt2HLXccSmd2SMdK1hJuO2v5

DS6DsfLw5ODx6048yvr5kxW6BFOzBGQfUVMneN2/69BrbYVUC7UYEc547cVppy6aXJuyQwhS

x3ZBX1rGUXGfu/eVbuiMofvEE9jg9K0jBU43auGregMoVBxgAAjmrhZSVv69SNoM+NNckW61

7UZ/via8lfcep+c1+oZdGUMPTTWy/Q8aer0M1uHk3E4C9Aa9KK92y6nOkmz0v9nXTftvxP04

Ek+W+cAdOcfh3rgx/uUuSRdDdtHsHiSQ3Wsajcdd925znH8RxU1bqnCK+zGK+48xe9zS7s88

u7ZNS+MPw80rG5Uv5bl1YdAiHH864czrOlldWS701984r9TXDRvjYeSl/wCks+pfK3Z4JwK9

6jT9lFJ9rHnOV3ckCAdW6MecVrF8t0xON0R+Wn/PMflWV4+X4GPsz8l9dtr+Cc3EcrmI+hxj

iuTCyhfle52LRIwJbueVfLkkYg+9dcKceZsUbIg4PXjnJNXbQaa1Y3I3sfb/AAoS0DsWLWe0

ik/0i181R0wxBqGn0HJO+hPcPo7W++CJ0fPRmNRF1L2ZCuQvem0xDAQy5zlSaagpbmlOpJK1

xl3ePeMHkRQQOTk5P5mnCmoPQmc3PWRUUMd3B/xrZXRKSRLArtKIhGXdshc+tJXYPltcaFY9

iDnkUuV2FJqxd0nKTFTgbge9VKDUS6TTdka0e1ZQVIG0gnGa5VdM3V22auriN9EtrhQCYZXT

Ht1H86K6+H5msF7smc0CPMLMAMnnB71io+7ZAnsTxEKwcq2MY61DViovWxdtriMSqRJk4yc/

SsJQk73OmnKMZLlPTPBV203hS9MUasIZcbCcnJGfr2r5XNIWxUE2e/llReykkEJ1iYsosGDL

6jHH41LVCKvzG3tOlix9p8S2YURy+QwU8hEz+eKx9nhJ7q/3nRG+/wCY1n1SVf8ATdWlZmOD

hyT0A7fSqSor4ICXPfVlVLeF1KG6ncEZznaPzrXnktbIHHR3ZGbawX5ZmDMx+UmU9fQ1cZ1H

8P5BKMEve/MY9usczrnDbdu8Lxu9AehqozbSMo2c7WHPC0O2Bp4wVUM251GfXkUlJPW35myg

0km7MijkWa3aWJVUKBgJuLP+HpVOPLJJ/wDDGEKkNeV/8Ejt7W7uiiQ6fdyyqxKhYGJPHTFa

rR2TWpz1JQile7NuLwP4k1KYrHpvkqEDZuHC4J9hk1zLE0qUdX9xTrRe0dDWsvhLesQ17qUE

QX5sQIW5/GuKpnMU2oRb9f8AhgUW3saEfw10O1QtcTTXDHpuk2gd+1cMs5xD+FW+X+ZskrNt

/wBfI43X9JsLC6torOBRE0LbuDlj7knP/wCqvcwuIq1Kd5PX5GapRu35n074LHm+GNGl3f8A

MNhP/jgr5TGU/wDa5XdilJbHT2keQvGT6HPHrU/a10RcX5l22iWUbNijPIYdB/8AqopOEpKy

1sGyLSQyfdK9eMihRcIOV/VX/rUclHYlWFvM4ODjuOKqnFRkrsm6toSQqeflA79OaziqkvMS

ik7C+WobjjGPp1pxi223/XyC6UbslCj+IA7R16Yp7aQ6IabtqR7MNwmQV+YmldSd1ohO3NZj

44135zgH8P8A9VaKndNX/IcXZihQGwE2kDjjipjFuDXYmDtYeIzyDyAR/KnKmlBu2rC1uoqK

uNhHX+VVSSd3+ZT0Q9UA+RCR9KmLe9/wEkr6C7do2kYxwvNEorksunoK76iorZUbiCTxx14o

s4x5U7f1/W5Sta45xknHYev+e9TJ8ukvmH2hEBGQucg1rpCye5BX1C4Fvpl1Mx5jhZs+mBmt

8K37SK9P+G9OxErKnoj4xkK+c87hS8jliSevfNfq0PdpJI8CPKrJMiI2tsVcd8da7OVSZUbP

VHtH7LOnBvHE+otEG+ywu5YjG3AJrycxT0Xdr80OmoRUref5Hc3QBaSQkfMxJ5yDzW2Lt7eS

6JtfieVRhy0FfsjmPAtuNS/aR0gbdy6VoU83f5SzBQf0rzMxp82FhRf25L/yVxl+BphJfvak

/wCWK/G6PpjaoOMFgPbrX0rWp5sdNB2xRGVGCOe1F9LlWtoM+yL/AM8B+f8A9es7R/pP/I5r

I/Ku7iLxbACQOoIryacuWR3RWl2cPewG1nkic5I6Y7DmvSoz5oglrcrDG0AHIzWr2BXSZGSN

2MnihbDsCgE/N+HFJtpjd+g1/wB2+0nI55qo63JUWNL/AC8/ypJAkOSKQoZB0Gf0x/jTYdRi

s4J5I/GmtAWgomkV96uwKHKn0pJJbDUVy2HCRvvH+VCk0rEyh0J7CUfakU4+YECm5NxY4Rtq

bybQAe1c3U3SdzYcm48O3A/557XHHpxRXj7vN5o0p3+HyZzy2k72ovPLZolfyywHQ88Vyqaj

LlNIQfKrkiQoTnOMDis3NmijFkkEA8xTvzhvmHrUudlqXGKbO18ENHby3UAJ/fRbgAORj/8A

XXiZm7016nrZdC036HR6rqENk9q8vnwLJhsyjPGOnX615OGoOaklZ27Hr1JqMFfT1KC60bmY

LaNcTRlsBI4ix/QV0fU3GPvJJ+Zn9apX30L1lo2u30qT2eiagq7vvSlVBI+p6fhUOdKPuymv

xM1iY30i393+ZJdaBqOk2T3WptbWkLTL5sglMjoCcDCgYPX1q8NUoV60aab+7/gozr4x0aMq

ijt5/wDDnpXhj4RfCO9iF54p+LGoxkQ/aGSx0tVGMZOCzc8H9K+4w2RYSK+1L7l/mfGVuJ60

3aKjH73/AJHN+LbT4BwzWtj4R13xdrM11Mg3XywxwgMcFvlctn8O9ePmeEpUad8NGz9b/p+p

1YPOMRXrqFaWj02sX7HwP4dt1Lw6NaMDgbpBvIHHr9K+DqZjiJPWb0+R9VDDx00NNrWR5Fhl

iVBBbLFFtULiMEhSMe1ccqkuVtu+uv3HTGnGEYpaf8OaWgajc+F9YttXsBF51sfl8xNwOQQc

5qaOLqUaqqw3Tuv+GCph4TpOEtUzaijWZWnlVf3o3ABema6FVqP1/r+tjBwitipIlvDOscgx

uGMAdOKyqSkvVCpWvqZtzp6HL5YoBn2FZSqvXuXGm1qea+MLZYru2jQAZWRCD24r3sBO9K/o

VTj77TPoT4eOZPB2gEDrp0fOOAQK8bFpvGyjuS7LW1jr7RSGUBQNp/OuZJJ2kt/wNIxdrl+3

XBVWAPA59Bik1JPVCjtdFwI2wc4Oc4H410ysorTXqZ2LEe0yfd/hraLipWX9fMcooVYIzjIA

57Cle/8ATIjdPUakHyYXocGsowaTcduy7hJ6WFeM8jyyKiUXq2yr9BNmPkJwNoGOtOSUZPn6

r9RvoLtGVG1eT6dRSXVbDim2BH3cZHIyPyqIyaST0QRihQuCcjgDPFbWi17qb8/+HFdpjhtD

BigHHFYtvl11/r+updlceAVJU84JApwmuZuUbL+vkTazEGenBPTgVrPSOv8AS6DVx8S8jGcn

IBxWcVGL3sO3u2D5ju7bvQ+9aOP2Onci2oIDjjKljwT/ACpc0ZWl28hWaWxjeM5lsvB2sXAY

gJZSHgc52muzCQaqJ76mVR2gz46V5AVh4JA+6DxX6rGClBO2h4r3SsOU7SDk5C4x1/zzmuim

pSukiY6O0j3v9l21aO18T64w+WKykRWyepGOh9zXm42HtMRCC03f3a/oOdRww8n6fi0dI6fu

sbSOgIP5VGId5yfW/wCp50U1EyvghAbz46eMNTLArp+mW9r9CTurkxN5YzBQS61G/nDT8S6T

UaVeXflX3SPoo8E7VyK+gjJp8rPN5XzDsqqrycZIFVfohpWExH6r+dZc8v6/4YjTs/wPytki

Vy6qcZHHNeVd9TdWVjhtb3LelWXHGRiu/DP3dBxMzonGfzrpeiFqIwbIBx8v/wBaqW2g9xI0

LSqME4I71DdtBPyHXkXkybGBB+tKE73sOKtsQiMsyoDjcQPpVp6CW45vL3NsDBeoyeaBJvoR

KMFvamrWKW4jE884yelEewIei54Az70noiWx0P7uZG5yDxQnpsNbHTW5BymWxkYB/CsGkmdC

vaxt6UiTWE1oQvzxuo656A/41c3L2bXZNlQspJv0K2hCFtC1m0dT+7WOdcHnIYA/oa8eu2p0

352/BndRtaSfZmWpKthWIxkAVppYyi7OzY4ldy7gpOR0GD0oXkUpJnVeD3j/ALYi27hujYHB

/wBnP9K8jHRbotHq4CXvpo9M1LT7e7l8MyzRxyKboKwZQw+aJ+OevIFfM4OrKnOvGP8AK/0P

Vx8eenC/8y/U7KDS1j2pFF5YUYG1QK8p1pyd3qSocumxattMdJDuiYBW6jOTVxqrl0EqfLJm

T4z8NpL4R1GQL8xhLgknIx/+quzA89OvCS6MxxC56ModzzHwfLqH9vtYxXMjW8MLwSAMSjfL

/LpX69l1XmqNpaW/y1sflteEFC8t3/wTkblGtNYs5DdKbhL1TICMFQHGACO3cVwVknJJ/ieh

hvdqRktj3221KxhuPIa8t97kAJ5gz+VflUsDW+JRdl1sfotPE0r8vMvvLUeraQGX/iZRAsuP

mbhSCeKbyrEKjzqJlDMqKqezk/JfmZ194o0BJ1s4p5J5Cf8Alkm7d16VUcoxHLzysvUr+0KH

NyxuzsNOvHubaPy42hQIAElGG4HXFZSjKDcU7msZRaTK8sEkk6SbSxDEkj6VjKLuxxaTaKk0

ht4wCcoy/MvoKwn8Ohak76s8+8bKDd2U4wSzOAe/3RXs5Y/3Ul/W5VO3Nc90+FpE3gbQpSCo

+xL37biK8/FNRxc9dV26mad2kdvbjBUrldoGBURk1ezsGiepo26srLtUYHXFRZSdp7Ew0RwX

xX+N/hb4Y2bxGZNQ1ZJApsIHG9M55b+6K9PCYLEYqXLT0/va2RjXrwoxUp7Hi2n/ALaet2V/

J/wkXg6A20hzEsD4dV5654Ne5LhepyL2VVX81/TPNjmlPm96L/ryPpH4c/Ebw38StJOpaBcH

zE2+fbOcSR+5A7e9eBiKNalV9niFZ+Wq/TU9OlUhNOVN3R1ioMcisaqUYNdH/Xc31a8xVXBH

yng9OMYqFCN/ZrYS7iMo5B4xwCOtKS973d7DveWuwscCggsCOe1W9ZXjLToKPmNNuegAPPGf

alyrV2uKG1hNrLkfoKylFzfItLGl0rMAAAF446fnVqKj7qd+gtdx8Y5zgkdunWomlZu24Rve

wnlHaCvrzSnFO2u2m4R2dxyLhlKqeOtbQ5bP+rfeJbDiGwRxnOeKaT5U0vMUnrZke3GFIAJb

oKmVG3XTzBNXOU+LNxJafDbX5PlXdahB6fMyr/WvTyilz4ynF7a/kzlxcuWg+Xy/NHyakDKf

OZgMjB9q/Tly2XQ8qcddxyL5f3Tjb1xxmtYNKWvUSWmx9F/s+Wxtvhf4lvxIfmkSEdeMuOn4

CvM5v+FSC8pf+kyMcUksI/Nr80as6EI20jg/nWHNsckrau1iH9mS2S41/wCIWthSfO1sWwOO

0aAU980pxf2acZf+BKS/QindYGT6ucl91j3wKu79K9lNpnCvIaVDDDqDye3Wrs49R6dBn2eL

+7+lY8vn/X3mFp9j8tAUJKjJyfl56V5CvE7VdHJ+KbNl/wBI2kkMR9c9K6cHUXM13HFvqc1g

46k7umK9HpoSk0noIRtJOcc9xTUtAs7ajSOQQcYxxUrcuzuLIXkjBbnnGaI+69ESk72ISp6d

6cXYFzIIztAyMEGrbs0+gmi1qLwTX80toAEkAIAGMcDP61lST5fe7ipqVlcpHOeGq1YtKXUe

hKrjpn2paWE9hYtxbcvOOaOlgV0jpLRgQjb8bgOo9qwknGVi4N7m14eZUulDHKklSM+oI/qK

2g9JJdVb7zS7un21ItEg8nWbywkx/pFtLGAB32nH6ivFru9K9tnf7j0KMGqqXf8AUyijfL8v

UevvWkWYyi7knlmPaSxOOCPWkndmiumjovDLomp6dMHPDheDjHUV5eMv7Ka8j0cFJxlG39an

p/jKa/tvhw2radJsvdLZZVcrnaUk689eDXyeWRhLNFTmvdlp96/zPax05QwspR3R5ZrXjj4l

NpNlqMvi6Sa0v4juNqQqwHcRscgfK3y5x6EV9pRyjLI1HBU9V3vr6X3PlHmGMkr308rf0jQ+

H/w2+IviLV4bK/utW0qyuQJZbieV03R8EFQT82eMfWtcbisFRj8MbrZW/qxlhniq0/dk/PU+

kNQ0hdP8Dvopvbi7EFi0ImmbMkmFPJNfHYmvGdT2iVrPZbH0FCm4Qte5438AYL4ePtOsbSHz

JLkyQP52QsgdSv55r9Qy2UXK3Rq2nqj83zFNq8ls/wDM4bx5Yz6drF7Y31p5dzY3jQzSoPlk

KsRz+GOnpXPVtzLQ66Daer+R6dqHw60W10aS9s/tYcW+5FiO8lmwRx9a/PKOc4meIVN2366H

2P8AZWHUOaV0aemaZot54N063vtGvYfE8oRJ7iNG8powdpZgTgMV7jrXq18xtNwp25U+9uh5

eFy5umpTvfsdO0FjpsQttNtIkSPgBFGP/r18LWqVKsuabZ9jRpwj7qVjZsf9IuIZZGwUixjH

X36+1dFFyb7mU9GXbmFNhcL+nWtXFa9TGPZHNa1M0dqCitIc7SeMkd+prCCfM76Fymoqx5z4

omeR7AMrJtmOATk4OeOPpXs4CHKpehsrOzR758GZWPw/0YKeBbsCcEdJGrysXFrFVP67GVS/

NZs9Btl2NuALZGMCs7RvrL+v67FKVvdscR8avirpvwo8NLMJM6vqG6OwgXkk45cj0GRXfleW

1MZV5ab91bv+upx18YqFPmlqfHng/wCGnjD4qz3EGjSRSOsu67uri5wdzE9e5J5r9HU6VBLo

kfMclavK61bPTrj9h/4jra/2jpsljevAd7W32jY0iDnaCRjPWqpYlSW9vvNZYKut1+R5pqei

+LPCOsSadp0N9o93E+8SSSsHz6BlAHXueKmtRp1FyVYXX3/mY0atanNuLt+B9Mfs4/tBN4vn

tvh34nhn/t23hJS7L71utvXJ7HH8q+EzXJZYOEqlGzpt7dv+AfT4LHRrRtPSX5n0KuA3DLx7

V5TSjsrHYlKwirkncQSF4zQoK6f3eRLbTHIRnaHIB9sUoWlLlbLV1EcBgOu77w7U6aklpv8A

d+hEbaIASCCW79x7VmoN2cioysrIQ+USSOPyq6tr3X/AHFvYapG5juyCTgMwoVSVm0vvBaSA

bANuW7BT6c1g7Q32tv5luVx6LsGT1x09OKpPXQlLQdjk4YHpmm46rQNbjBwdxIAz1NatN+n9

dyYto8/+Pky23wzv0Df6+aCP0H+sUn+VepkNO+Np6bX/APSWc2J1p2PmRgCy/Mcg9h14r9Ib

sk7W/wAzy5ppJ3GhDlCi5x827dz1xVqCs+bYlOUZXW59Q/Ca0On/AASiG0E3l+GY5zjhj/UV

5+n1qcm/h0/NIwxUm1DzuR3DH5mUkiP0+vWj7KZyVItJ9y/+yfat/wAK6u9WwB/auu3k+SeW

/eEZ/Ss8LFTzerVttCEf/AXL/MzqXjg6ce7b+9I9pxltoULjPf3r2L+9dnIokqodmSDx0INa

KXQmyI/J/wCmf8qx9hHv+Zlp3Z+Vq+UR1H4ivHu7nXymJ4qiVrNnLNweR6/4VeFly1LWKjtZ

nGY+XcB8qkD/AD+VetryiTWzI9p3Zz9f0qrqwhoC7ucH29KSHZXsKo+VhnOAfwou3sJS1sRE

Zwp4ziiOg1LQFX92eeVPOabfUH0EAHrzimmClrdDZMDtz/OlEqOquKuCvTJHoKCZPoKgAb5s

8DmlfQaatqdDpbCS1QAAleBx6VnJ+9c0ptXsjU0+QxXAcdhn6Y//AFVdO3NqOb93RF+YLp3j

C2mU7g0oyD6MP/rmvIxCbhUh/Wx6FNqLhLzRjzQm3vJ7dTzHIygAY70RleCZM48s2rBgCQKR

swevXtSi+wJ2kaWnyrEI5Yyp2Nnke9ck4+9ZnXhpaaHrjiPWvh3rmn5LOEkAyexXNfHN+wzK

jNd/1PoppVcPKPf/ACOd+D+ueJvh34CvPEes+AYNW8M6rd+RDc30B8uKVRh9pxjdtav0rGUF

7ONTkV3opWu7dUvmvwPh8JinGpKnB7dPPz/yPSdJ+MHh3x98UYLHRra7t7C5s3WEXbAkumMB

R2XYvA7Yr5nM6NarH2s4pcvRdu703O/LpKi3Dv8A1ZHoOvJCbSSMKArx44HbFfKYqppfyPoY

2tqc18K/2XvH7xf8JQl7PC8WTbRwRFGU53K288YOe1foeDzGMaKqKO3yPhcVgfaVHFu2v6Hj

H7QWj694X8Y6joesRRiZ1W4cKxbkjBPPfOM/jV4fMIYycppWa0/Izq4P6vy82p63oV3YroOk

3ssqDzLGGVlJA/5Zg/yr87xmF5cVOK6ffsj7vB1faU49y3KYba+uLu5uIYlksllcmQABA2AR

n61yKnzxUI6q50PmjT5pdzEh8SeHbq4ggs9Wi/e8rgHcRXSspqzk01a3c5amNhSipLU6/RLO

DW726tdDadZNNQPtuQM3KFcnaQMZHpXvUsgjUTVGWq7/ANI8tZvL7aKtvrMN+syLHgwSbZCe

SDXh1qUlBxa1v+mx3UaqcroyNXmZYN0RBwpwpH0/+tXJyRvZnSn0PNvFDpH9jj3FmF0u1iOc

ENXs5cm+Z+Rq1okj3j4ISvJ4A0oYUPE8i8Hqd5ryc0io4hv5gr8x6XBMwGVAGDn5f8+9ctne

/VCi9bM+MPjlLqPib416hpuo3kkttaMlnaIoHyLgHA/Emv0HIowp4FTUdXq9/Q+YzCcnVUXs

j7E+BXwn8OeFtNgt9IsEi80LJIzDLStjkk9666idZrQ7aFONGN1ufRFnptrZLFFc2pUSAbXX

kZr0aUOVDlPmd0eSfF3wL4S1SxupbrQrd5ihPmeUBuHXBrCrLkeooYdVFY+OvDHw98a+H/il

o/xWurG3sLGe+MstssDIsMBOPlAGD8prxc4xaxOAqUnTautLeqZngcP7GrGV9EfYFhqunava

rc6bcJLEe6Hp/wDXr4tyTqK2i2tse/7y3LKEnf3wOuKtq7929n6Ec1paiqfLkBUhhu5zU/DJ

vZjjrZCyOQgbdzx1FS5WhcILQrqw3AMCQp4Fc8eeOiZckrE27kAHp+v+f6V0NXl7r2Jg0t0I

qhyyoTgHA4rL4FZaO39IqMlzMd8yL8oBA6f5/CrUJRVtEDatdirJkKMnPfHerUZLTYUWhodc

lsgkDB+nanOKi+ZaXEt7Mdxtwo+QU3zc6ilpuSnoeXftETCLwLbxuceffx5I74BP88V7eQUk

sRGUVe1/xTOSvUs0kfN0r7RgbWJz2/nX6Gr7f5nmTnG6fUQSOhK7uihQQOgrSM5JaoFFNXPr

nw1BaWHwh8M2sAdRJI8jNgZJ2gH9Sa8nDNqtiLpa2/8ASmYYttShHtf8jn/Ek5sNHv7kfJ5V

u7kgegyKqPxq3l+ZyVpfu3ddDuP2btPWx+CPhTaMm4tWuHHu7E/1qcskp4nFtdKs4/8AgLDF

aUaEf7kfyPTUXKckcV7Cvc8+9nuTJwh3OBn+Gqsr3Y7toi8o/wB0/nU83mvvOHXsflPAd6FQ

eFAwa8bbVHpKWupT12IPpswaPkjofxqKTXtVYuFtXY4BydvG07cDpivaXwk300QwkYB298cY

q0tLDv2Q3OJeFIye9Q0r6A3qNPmwuysjxuAQQRgiqUbIW+4mcDGRjHIoVhJu1hgIDfdOKH0B

gpOTtAOO1EfMat1EyQcMM8+gppl3FUjJO0cdzU9CW9BU4wcA8Giw47G3oblkddoOG64qWOFu

a5pwB1lXcfvEjkdKlNbGkrW1Wxc16UJd2N0O6I3HtXLWp2rSv1t+SN4S/dRYzXMrr10UGQ7C

RR7FQf615+G/gq/T/M6sTJOre2lv0RVCu2T8vBH4cVquVMhN9ixZf6thk8DgAVhU3Rvhr7M9

e8EXH2rRNQtymPNhRiuM5BUivjs2o+zrQl2f/BPpcJOU4JtHFah8R9YPwRb4Yv4lkFpZ6/8A

a4NN8qQ7tyEM27O0AEDjGcnNfo3tZVaVNTd1HZdt3+f5nxMaapVZ2SVzj/h/4ybwT4qsvEI0

9Ls2u4MkhxwwKnHpwayxWH9tSlTva+gqc3CopW2Pq7R/iH4b8UaSb6w1WHZ5f71GfDQnHRs9

O9fn+JyyvBy9pG6tufSU8bSlFWZ9S6f8R7rwN8NLLXtQ099UtX06OaEWwG4DapwT3HPWvrs5

oxy7CRqU9b2X3pv9DyMko/2jjfYNqPn80v1Pg/47+Kx8UviDFrT2E1nbXlwls8ypuESs2BuO

OuOffBrh4cjUanKo/id/wSPV4tymOAlSgtdP1Z2PxZ+G0nwY8XaN4Qi8R/2pp2o6ZC6PcwAM

oVQpxjgDCDk+tetmGFwlGvzzi31PAwWLxlSjaDSe29mdJqPiH9mfVvBSa1r9+LzXrSRIEi8/

5FG0nCqDgrxXdhq+X0481KlZvy1Oat9dqySqzvbzPJPEDPesuv6F4V1eXTY8+VKunstuFGf4

sY/KvGrU5VpOpGDXN1/Dp/wD1KNN04qE5qy6XPXvB/w9m8YaYdXOpana2ojRIpILdyS7tt3H

bjKjPJrbL8hqVL+2k12X67nBUzGNP+Gk/wCtipp/wd+MnhbULzRD4RS6sbR2eW5jlG2TrhkJ

wW6DjHepx3DXtYOUHqjTDZy1UtNddzlNb1Sexkl0++sLiCe1bZLG68qfQ4r42vgZ0p8k9GfT

UKqqR5o6nBeJ7gO9lJG4ULep3wcYr0csg02n2Nq0rQse+fASUt4AthjOy5mB5HQPXkZslDEq

XdGspuTPUbTGSxJTbjBPcVxQ5k3OxlZHx140svE2t/Gy+1oaUYLK38QxWjTOMIcbPzOGBr73

KfYwwMFfdX/E+fxcas67cY7H2fp8Ot2skM1jDcXbw25EccdwY0yeR93ufU+ldmGcL2e3dnfU

g1T0PQNE8Zy+GbG+i1W4u7gWY3o0zlsdeASM4GK651vZVHFbijRVSCZwHjj4h6zcQ3kcxtWy

FMcLQmMEMMjbJk5PB7Vz15pw55vTfSwoRcZuMVt6/wCR6jaap4FurxvBOr3Fkt1awRMIpmXG

xhhev0IqaEqVKlGM2RWpznzSitTM8Q/CbwvBOdY8O3jaZdHOGtAPLk/3k6GssVluExMbyWvd

bkUK1elovuZx8GseVqc2g6n5UN9EPl7JcDPBXPf2618bjcDLCVl7R3XR7Lro+z/A9SnVjV1i

texqYGQoyD/L/wCtXBezSvbqdENHqRvI3B5wMD261gm5NK1/XYUG1qRqxV+g+bqce3SnGLut

Ouv3DclykiEkcEEgdKKag3/X6FX3TERiJMkEkHpUT5k79f69BRT2ew8EKFJBz0wOnWqiuVP0

XXz+4blpqKrEbflAycUuZSV76ijDXTYH+UBUPRck1Un0b3/Enr6DVc7efmOT+tVGMX7sdxc7

R5B+0bdKNA0mKQjLXjPjg9F6/rX1PDMP3stNrf1c4MWruPz/ACPn1nLneg+UNnd6DFffqKit

Uefdp2JY2BZlwSMDJYDjn/69ZSSW2isXSXu+Z9eJ+48A+DrQrhksGfB9WY4P6V5NCTcKlRK3

vNfdb/M5sXf6zy+S/U4H4m3v2LwHrs4ZSUsn5x0OMCtae+n9WPPrXUPu/M9x+FFgmmfDLwpp

rKVMOlQAjpg7AanI6VoVprVSqTl97uVjH78Yv7MUvuOs+bO49MfnXsu17I4lfceoyDkcliB7

U1oNtLUi2D+8fyqOb+6cvtJ/1/wx+UtuQzMgJC7Rkkda8ZJLc9C+u47VLbzbB1j2sWjO3jBz

WUJWl8y4Js83liaJ9rqVZT0YV7cJXjdE663ZHJGVfa2eD0P4VpbQepHtOcM3GfSpW423zDNu

c5xkeo60IScu4FMDk0Jkq4AY4XP5U29hiIp+bac/Wj1QK6YjRj6Y9qIsauAUL1cUbol7CoFV

/u5BBo6DTZqaH/rJFzjIBFQ7Fwb57G3kAjK5xznFTaz0NHflsXfEUG/R7G8QqPLdoiCeeCT0

9MEVz1G+eLezudMWvZ6dGiLXgXmsLnH/AB8WSE5HdeP6V59Cyc4ro/zSOiqnywl5P8yskfy9

RzV31Moprcn0zG9lPJC56Z7VjW0RthLqR6h8OLmCF1iZmUT2hU5H3drn0r5XO1Nwfk1+R9Jg

HpH5/mZ1j8FtW8RW13cR3VqYJrsi3lxIfLO8ja3y4JP1r3aOauNKDVN30XTV29T5/F4dQxc4

uS/pI9p+H37H/gLw/eXd7451qTW44bc27ReQYoluG5yMNuO0Kevcg125r9alTthqihqld+af

r/SOaNKNJKVS7b6LsV7LwT4K8LeBfHmm6dFlGYLYTmJWEibGzz1Bz/I185is6q0aVOk3zTnJ

ar4eVXT7NO9uh71HBQspRjblTTutbt3X4HeeGPih4E8dfA/wJ8PbbX473xctpFCmmxBg7SLb

tlW4445r6jiWisXlvLDWUXf7k/8AM8Lh+TwmZqUtIvT8V/kfOXxH03xd4Dv/AOwtV01YXmeG

7eCTkAo/y5PpyR+NePw9Pnk4r7O6PruPMTh61KnVpO6ul+En+hZ+I/x38T/G+50lNS0W103+

ztPeL/Qoy7SLkbs7iMjKZx25r3Myk6yUpa2+R8Ll1qUmj0fxH+yh4E0f4Jap8S9F1HVLqTTr

dL8I0ahWUAFlz2HNelPC1Y0LxnfqZUq+FlUSlBp7bn0L+ytdaRdfCrTvCevWErxW0YYxXMSq

ZIpAWVsZPGD37Cnl1SVTDKL3jo9fmc2Ogo1ubpLX9DotS+IPwV+EytaJrVhZ7RtWxsyJH4JP

CLnByTWuJx9GkrTlqPDYGtV+GOh5l4o/aX1LxHp8th8MvC2qpfSHMF5qEKJAF78b93p2rno5

rSk/dg39yN55VUj8c0vvPB9W+F/xe1zULnVdU1TTI7nUHeeUBnIGSCSoK9K8XF4SdabnOOv4

nr4OpToqybJtA/Zg1vWLhhqHiHIhYPIwiwobnoxPse1VRwdRaaKxq8SlrZnq3hnwJc+AtLi0

S11/T1t1dpnaRwxyzc9PSuWvkNCdRc89bW/rQuWYVJaqJbm1WOOCSRfEw80ZChLYkEduQKzW

S5dSgopsSxuIlLY5a18VaFo2s674X8R3VvO/iYW17pc9xBz9phwjKCQMMRtwR6V1UcNSw8eS

Pw2+7UinW35t/I+lfh9ZWkemRy3sf7pFBIA5J5/rW1KhonY6Z1m1uZniK8sJpdUe9abymiMN

vFFEAoJ4GST+tU2ub3np2/zNkpJKyOM+MIsPCvgxdcPlsv2YNtIDBW2jv6ZFcNWLdNSgzaMo

qTTJ9c1q28X6B4d1jwzbW01/rlqF+1T4UKkHPI65y3A966qPJ7CEX8W3T1tY5K9oJy6b/wBM

q6RqHxL0TV/tt+baXTtoVrWHdk88sNxPQVVTB14LmhJXXrr+dvkYrGRk7TTt+X5He+IPCOj/

ABB0FLtyYpXiDwypwUYcj9ah0fa3UtNBz9yVl0OIsdfvfC95D4c8aDbKTsgv0H7uUdt2eVP6

V8djMtq4LreH5f8AAPTw+IjVdup1W6B4UkjkU4AOB6V5EY2gnF2b27FxdnZjRH8+eOGp+ykl

7xV10FUK/U44wSKbTi+3oVG1h23j5R14+tZXUdZN3CCd7AEwo+TOeTkVUbxj7qt+Q5fCxwHK

919cdaS3uw1tYbjJ2ngKMj360pPlak1sJX7iGI545x2PfiqpylJ3T3E1pseHftJOdmhwBcgt

IxGOAMD9a+q4Vj+8k+6R52LeiR4hwfuKCDnHbivvZPl1enf1PM5ldWLenoZb6OFcEMcKN2AD

uxUVJWg32Nqcei6n1vrsH2Sw0Ox5LW+lxKW9zlv614+BkpYVt9Zyf5HJiZXxOi2SX5nlfxjy

vgHUIdv/AB8yQwDPfdKg/rXTh/e5v8Mn/wCSs8/FRfLb+9H/ANKR9Q6NbNZ6Pp1ioG2G3RPy

Uf4UuH5c+W0J2+KMX98UzTMVbGVPJv8ANmgI/m+XCjGOB3r13GzaZx7O4/adnByq9TinGyWh

LW9yPyx7/max/edvwMNOx+VLONnAGVPOe9eNG7kdjQqygAgp0GMdMVKi9io37nLeJ441W3do

wQkmGwcZHX0rrwj3QNOzdznGjRncqp4bPt2r0VJ8pLVtxjIkZVgMD60k3sGnQhfJJxnNUvME

7CSYK5xjnpTT1HBOyQ0YxwBz6iht7CBc/Nxn2zTi0kCtcQkHJ4oi7DtYco4zjIWpbQpPWw0A

duhFFyk0XtGlK3oTGNwxUyWgJPmudAhzDjGMcD5s+9S1obK7W5q3sJuvDc0yAn7O6vx7jFZ1

tIx8nb77s2oR91q/n9xQusy6HpUzc+V5kf0+bP8AWvMj7uIn52/I6XG9FO+3/BZD94gj5ckA

CnHRkXHafOBc4yMFTxjvU1I+6Xh371rnc+Brk209v93Ad06+oyP1rws0hGVN3Pfy+TXXqj6B

+Fl/Zo2nHXdZ0eP7PqBbSo3d5JEkYYUtEgwwDFiA5x0r3uG5unQhBSSck0tLtPm3t3/zPGzf

LZ1sXKsoSsmm9bJpJaXPdvix8O9XsvBetePbnxP/AGvcaLbtJdQWtmtoJXYDJ+Vjjg56UZ5k

kqtJ1nUacV8v69B5PmVOWJVCFO3M0r3vb7z5/wDgJDP420zxRF4njkgDWqyKhI/djbt2+/Az

+Oa8irkFGtTjFv4dU1/Xma/2lWqupyx62t8j5f8ACHjHWPhz40svEWgeXFqXh29BhZ1DqxUM

hyOnINfTQ96nv8R4Vf3JpNbf8OdN48+NnxE+J+sJrmuLa3F3GpjQxWqqqDOcdK4aeFw+Hm53

1fn+h01K1atFU0vdTvt1/pmPp8fiCaSG5uZYYVtxjy0QAYJyRx9T+dZVsdQjHkjdnRhsrr1J

c2x3EfxK8e6nosnw0tL17yw1GMQS2kcYOFBzjPYdM04Y/F1KPJfRGk8uwuHmpTvd7nf/AA8+

EWo3NtjVPE17DBsSOW3tblgFAXhWIPb0pYfC1Krd3bXW3XQJVKcUlTjqtm/8j1vR/AHwx8Nq

IdMtjczgeWQrEZIPVm/LmvTp4OhSSdtTCVSrNtNlu4kvdGRVi8PWVpGOPutI7HOP5VrOrJTl

ZIhRjLr+JsaZNqviNhbPqKQNaxqQ8dsucdMZP4VHJ7XRsafKmu5cu/hhdaphJteurtWI4MhA

IHsDirhhpa3YRqJK1rFRvhBBHhLW2uFutvDM52qfp+f1pPAU4z137j+sNaJ6fIlk+F1skrFm

lCglV+YjAzVRwkVJNBTq6anLfEL4XWk/hl57yQRy6dcRXdtMyEFGRgQQe+Rke+axq4VKL1tp

1CjVTdlqdl4R8eNLpX2G/eOG5VhBNHuwQRn5h7GvPp1Lrki9T0pR5Y8xb1jQtDtbUXiC+t7J

4jiYyknf+PbtRPDTdO6ud9PGyvbQ4DxHcW/xG1DSPh1aB57SFVlvueBGvJz6Zwo/E1yUaftH

7JfN9mclervN7HQXfw90CC1WSK0SLyVIRySBEOMkY+nNe59RoxSilY8z21RLce2leIdKVW02

7eRM4xcOzKRjGQHJ9uM0pQkn7r/yK5k99zo/hz4hubXUbjw3qMyykDcGCYUMeSBXn1VKlVXN

1Wp2U3GpTST1X5HZeIvCOk+KtOa3v7RZW5wQORxVOkprkb0FGTjLQ8L1Q658M9RXR7mZpNPl

AFpJLyEbPCMc9PSvnKmX4eDtKN4N99V/Wh0U8RJrfX8zotB8Y6RqZ8m8b7JOzBcF/lY+xrix

mWqk29/M6KVbmiraHUxR/ONrnrxluteW6avzXt5nRFslAxlSMAse/Ss1BXbTtr/XUINp9x6M

Qh2kEkc+9TOMFLmb0Y1flYhIR05wM9KEoqXu7DilbUSQjkZwoHp05zUzVpXfXy6gnYPmwWI5

53e3pThunv5k3umfPn7S05TWdFticBLVm7nqw/wr7LhelJKUmebiJe9v0PH1zKyAJxv/AAzi

vsIzjG2u5wNK6tsa/h21E2v2Nn5bP5kyBlCkn7wqW5ezkb0mozUU9D6z8ZJs1cwxjK29tEgG

Pu4jXj+dePhoKFBJLfX7zhrTlKvO/Rv8zyX4oIt3baDpRQsNQ1+zjOO4EgY/yrojL2VGq79G

vvTRzTSlOEF3/LU+rkWPbHEuPk4GPQCtMipexyyjC+0Ir/yVGOLfPiZvu3+ZLEAoAYdBn6c1

6Dbi9DmtZ3Y7AztYsQSf681pGLWw9CP/AEj1f8qj3/6/4cysz8mn1CzgLiWdFx6nk15UISk1

ZHSm0VX1/SYQCZ9ykcbVPvTVCpdqw476mRrer2Oo28kaMy8Lt3dyK1o4edNpspT0aMGOVPMb

zMkFcDA6dK77e6Td3Q92QqAitxxip5VzCu1KxVlXy2wHBA9KuNrWHcsvDHK75XII47c1jC6Q

lJqxAlq5aOOLln6KB39K0lNPdCb7kYUDeCQGHUVUWrIcW7oix1z+tNDUmgUcfN2NJ7A5aCAc

jHPWhbFJtFmykMF3Gx42uOaka3ujp43BTGeOT9KjkuWp6Weht6Mn2rS7+1Cgu0OVXPXac1nW

jbDtvvf7rnTh2/aJfL7znpNTlS0j06SNSgkL5HXNcUaSlLnHUnNLlJoZoPJAbOQeuOlS4tSH

CTuR22ElWWEqQATz1qZrSzKpSs7nVeGtQMPysFCrMjD16EdK8rG4fmV16Hs4Oty6d2mfTX7P

8Hw50oz+NPGHjmLSZraUxtYTWxl88KQysmCMEEe9d2RPC0KXtZy1XT59DHOniJ1I04Run5ns

fj/9rr4UXHhvXfDekN4i1eLVtPltSBa+XGSybdxL9sntXXi84wc6E6S3Zx4LL8XRxEKll7rP

hrTby/0G1bTbKdVR4fKG9Og+vrivEqYx1lqj0qeXRptuTON8RailqzWloqrcSENLMBzzzivU

y3Dyq2nN+6tkeVmValRtCkte5zPmN5vyn5t3JNezaOiPEm7y1J4Z50lysjIwxyDj0pckXZNX

CM5xacXax9N/s8+JLXxdp58P3OV1fTYlCxRoFSePkB89iM4P1FcqwcFLmhp/W52YfFOatLU+

hvDGgvKoYzIzrtbylX5YvlwBg98d67acPdWtzWfNo3ojqrXwtP537rY4OAwx6+v+e9auN9Fp

YUZHQ23htZLGCKXZL5Q25dfu44/lWkleWooS3Qn/AAjOnLL9pmiTMB3LI5IKepPtUckWrvc1

52otX0PnH4m/GPUNQvprHwTe3FvpkbFXueVa4PfHHC+/U5rw8ZjXBONP7z7/ACHhzT2mKj6L

/M810vxN4ns5pY7XW9ThSVTlorp/l5+teBHFVee6k9u59j/Z+GqytUpp/JaEkXjfx0k7wT+L

tXnhMZDL9rc7lPpzXRDF1r3cnb1OOOTYSNT+GtPI3PB+reGoBctqyTtd3sWx70kyso5Iwp5y

TjJpQrrn5pas5sbk1avC1Gdo/wAux6XLr/w78Q6RbvP4jSw1FItrie3deR2967liKM48rdvk

fNYjh/Hwd1C/o0zifG/iGR9JbTLbxz9ohCgfZ7MO24/7zAbR+dZVMTBRtCXysFPIMY5e9Tt6

s5XR/iLrOi6F/wAItoV4mnwumJmt0AaY92ZupPasI46dKDUND6ClkGAdS8k5Sv12Ot8MftFe

LdChS21OwtdUjjCqXIZJCB/tDj8xW9HNasI+8rq3zOTGcLYOrfkbi/wO8sf2hPC88lqNQ0C8

2zgm4lkkVxEDnAVB94V6TzmjbVO55S4Kxdrqa8ja1L4q/DOW2imt9ZnjniG9dti27I6ZHYe9

XWx+DqRsnZNdF5nnw4XzenVXuJ289D2bwH4i0/xRodpqdjL5kc6hsqO5rjw1dSjZ6nNi8NOh

WcJdCXxn4Otte0ia2uI1kjmTawI6g1bpNq3Q4KckfMd54Pn8JanceG9aXzlh+aykfJ3Rc8fU

f4V51OlyVPZS2e3r2+5G03dcxd8P+LbrQLhRL50mnj7wKnKj1WuHMMsVS/s/i228+p0Yeu4/

Fsem6bqtrqNql3ZymSJieRx+FfKVYzoSa5db3f5HfBxky4LhCu3dgACpm5qnZXvpr8xtLcas

yFeqjbz6H0qfa21Wtg5egB16MSCACDUTcZSUo/d0Em4u1hM8ZBwD6d60jVs+ZaL+tgS07nzn

+0dcRnxTZRA5MViuQR0y5/rX2vCsGqEmtNf8jysT/Fduy/NnkiOCAATzzx196+wd1ZP7zkct

Vbc6jwEqXfjTSLdUyjzoBgYOc1zYqTdGV/8Agl0NJJan1J4vbf4g1Ab87ZivH+yMf0NcEUvY

0v8ADH8jhlJe2qW0XM/zPNPEMQv/AIkfDrSQMebrnnHsCI0JBqMdUVPLK8109mvvml+pND3s

fSS2Sn/6Qz6pJXKjaOW+9/8AWr26MeSmo9kjzpPmYqfKcdl6EfWtIu0iLq9rEr5I3E5GTkLT

UtXoNLQh2L70XfYwsj8YQhBO9sY44qL66HSr9gG7aV6n0x9ahbhGQwRErjGe3sKlyQczS0L1

v4fu532mSNUHU9cdPSn7RJbBKeiNW38I2oOLi8ctwcKRWEq8uaxSlLQ0LTw/oqTqs7nyyf3j

eXuPXryazVZNtSv8iJc9nYn8T2egy2UNrolxcNh/nkuAir06AD/GsYNKrzJO34mlKT9n79rn

FXttBZLG8F6ryhsnbwBXdCpKbs07E2ehSiDefJsUEkdxW8dkU3y7DJrYqfvo+eqjtRB+QlPT

XQjVWxjgZ4oB7BsZDhk2keo60ApDo3YSA54BHb0oW4766HUQOfJUlu3XHTis3vZo2Xw3NnQ5

pfMkQt8zxsMke2f6VPLzU5LyZrTlyyjbujnZ1DtiRvm5GQK4oabG8467jljfYI1G/wCn0oUv

euEF03C1hb7QiOCpPUEVMpLluhQTWjRvaXI8QkiUANgEZ7EH/wCvXBW2+f6HpUHZt+RtW2qX

sF4sqyCcgdTkgfSvPqYeDhyvQ7qNaU5qVrm0dZ1OYBdsSAYxhTXnxw1GLvudydR3S/r7zJ1G

+tNNT7XdS+WWJ2xryx/DqK7aFGdV8kFczxVSjh4c9V/15Hnl3cG4kluGBJkfKhu1fX0Kfs4R

iuh8Lia3tqjntdlYJIZlKKCZOlbxWpzyfcltvnkKcYUge5NC1Y9lodp8L/iNc/Czxhb+JLfT

xeK9s9tcwM5UujYPB9QVBohPl1sKj7r1Pvv4WeLPB/xU0M694bmSQKypPE67ZIGwDtYfhwa2

T5V7p3RqKS1Z63pNgoUFF4Xn7o65rSytdo0TsrGnJElvNGFc7JFBIbGOO/8An1pqHcUXZnj3

7SPi6TRNFt/DunylZ9bR2mf+JIhjIGPUn8hXHiJuMXFaM+t4Uy2GJxDnUWkVp66afcz5e+ZE

K4BMeFZcdR618pZpWXT+tD9cpJWuHkrLE0Ua+VkfNgcjnik4Q5bxWpVukSW28MS30SyQxTuk

QAaSNMgdB1H1ArShgpON4306mE4U+dRbszsbD4HeL7hdQSy0KS6/suaSCaXcoUuhQOgJxkgy

L+ddkcqnKTUdWtHqeXHN8DFRvLWSuu9tr/gVvGPwr8beALq6tvEnh28tFtComljBkijLKSAX

GVz14z2qMTgKtFPstb9EbYHOsDjUnQmt7W699jgr10JYKN4A+8T/AErypwV7pnpzlBIpWNlB

I4S4VhvOc9MVzxj72q0MKdBOWuho2UAWJoWYYAIYH1rpVCUY2e67nRTjyxaQsjJGB5I3SMdv

I4WsnPl29CkraIp3EQd1WVnlcL90thR6/WuapKS0e5FSnG+vY+of2VtQ1r/hFnguNO8uwjvH

S0n5xJwCyj6E16OVKd5K2n69j894opUYYmLjvbb5vU+mtOliuLY28oHzDGK96k+nc+KlG1rH

nXxq+GtnrHhq713eYrjSV86B+McDJB9R1pywvto8olWUEfNEnk6jZWzyMVbaDsVuB+B61wSq

e0hy1NHt/XkaRvF3RoeC/Ex0bU1s45N1jO5DqeChHGRXgY/Lvax5qXxLvt+R14fEcsnGex6s

sxK7QQVPT6Zr5D2ik9Eery2WpIjshG4FfTtmmm5PXb0EkktBUfb8voMZx9a2qQim/wClf0IU

rS2FLlFB6kcdOlYpzpxsVdSZ8w/tB3Dy+PXh27hb2UIQZ5Gcn+tfonDKX1TRa3/RHj4lJ1PQ

8zAYfNu4cnjPSvppXjZdDlau7nZ/B+3W6+JWgRbdoe8TcCf8+lcWYO2Gb/rdGuHSU9z6V1+5

abV7+Utgvcv368n+lYU2pUaafSKX3I8+Ws5Pu2cRpcYvvj74FtWBItILq4I9MLj8a4c4T/sy

dJP4pU/wqRY8K0sTz9k/xTR9PEkMNuMBuvavqlfqeQrLYf0ULuPH60Je8LW+ooMm3LEnB6UJ

u7LStuR+aP78lRzTObl8n9//AAD8ZyzZIGBxk5+lKNk7M63Jq1hiuxU4ABAzS0uON0K7/L8g

xg9ulTyqw4vRk1rPcJN8jlVxyAevShJKOomjYm8RTb28iBVAHAPUVxRoR5m2y+cy59V1Gbd/

pBUE89q6IUqaTvqKU3ezZa0i2sb6UJqFw5IIwHf5TW9CNPZ6HNVlUirou63Y+HbPTZobRMzg

ZUheh+uadZxvFRZnSlUck5PQ5vSraW5u2it4TIxGcAZ44/KplJRjd9zrb1R0CeFb98mcpDkZ

OTnP5Vw/WY9NSlBoWPSLCLJTaxX+Mjj8Kr2knEmcbaiNFbzPsaNXQHGSuea2jTmo36/iT7Wn

sQS+HbeZs20nl/3uMipVVxeppG+61Q9YzFH9mPWL5cgda2bv7xcPhsaWiDbfxo5wCwBHbB4p

037ptB2a8itFppvNRubF5TGUVypC5ywHFeTVqqnFSR3Qh7SpymfEZbdz8pI9fwrZKMjO7jIs

Q3pKjkDAOe5rGVJJmtCpodTokNvPiRot0hU5HqK8fEylHRPQ9XDQUrNmnaQRwBGlbC44G3pX

LUm5aI9GjBaMbfa7pdiszpJDI8S7tmQSTiihg61RpWeo62Mw9CLbktDzDVb+5vbiW4nlLsSe

c5x7D2r7OhRp0qajBWPgq2KqVpuU3v8AcQWM6Mu1sZHT3ro9DCzL8DFAVwFx6inDRWRlJ+9q

CxLEGZCF5/pUrRj5nZIqyyjYrI2eCGyOalLWwRfQ9I/Z68fap8P/AIm6Ff2lxItrdXcdrew7

jtmjkO3kZ5IJyD2rWm4qSu9Cozcdj9V7KJfl+fAwBn0rsUVsd0SxqsSPFZ/vF+bO49xwOKTh

qwUveZ8VfGHxHc+IfiFqs/nboNOuDaQY4AVOG/8AHs18zmM3Kpa23Q/XuE8LClgFL+bV/l+h

w9xLIkgmQ52n8x6GvKqXXqfXU7JXPc/2f/Anw31yy1TxX4y1S1kbTo3b7HNepEIcKGSQqeZF

JDDA6ccGvdyrB0at6k/kn2PmeJMxxuElGGGVrrezeuunl3PWJYfEHj/w/e2Xw7tofD2j+IZm

uJ2kt/kzIirIsEYAxGWjV1ZtpB6CvcpU1OF6VrP5r5I+T9pSwmIi8TeUoLlXda31d3rq9uga

H8Mvicl9NPpnxbv57qW5F1d+fYI0cjoV5PzHBO0Z45wM9KzpYSrBXlV/BAs7wUYxf1ZJLbV/

5FzVf+Fh+DtbZ7rR28baPLPPPLaxyiGeOWVcMrIxKToABtBHGeAK1qwqJqUVzL7n/wAE5sP9

SrUORP2crWva6a39U/Pt1Klpovw8+N2j6hfaH4QtxdXEz2l1proIJdKZycOVjXMrArlQcKNv

PJzWFP6vVi1bbdW/M2rQxmXuCnV91rSS1XXu7L1+R8vfFL4bQfDDxKNCtdei1MQpiZdwLxSK

21s44AJG4DrgivlMdl1PCtOMrrz/AMux93kWOqY2m6so2TenpZficg10JIDLEmH6EdCa4Y1V

Ug76M96Uly6Cq6xbFj2ljySRRSte7XmJPRoZJbko77xuI+Y1z1aPu6ib7H3r8Pbfw54e+H+i

aIohjW1tIzwADvKgsT75Jr6nAUacMLFx66n47m9WdXMKkr3V9PQZqvxB0zTZltYLkyz8bIoB

uZ+egA5rOVSCVk7s4adJpJs53xfrPibxjbR2t+H07Sgv723Z/wB5P7Nj7o9u9dVKlVlBcyt/

XY5J1Y037urPEvE0cVjq1zbJbgIhG2OJeBxnGKmvSpU7JaWRFGUm9dTAVmWOXbZOJCd27bwp

715UU53vF2f9djVaO11oer+CLo3/AIaspmm8yQIUYk5+YEjH5AV+eV7qvUUo2vJ29D6CDfs4

69Fc3TgMDuyM88HjgVGia5uv9dATVtOgo4ZgCGGMZxQ4uUmun9eQk7MDuUNk8E8GnCV3foFt

LI+WPjlMX+JOpgncqQQK2O/yKa/QOG4OOGtLv+iPJqyV2jz0r842jHr6/wCeK+m5eVJHE0r2

Z6H8DIFf4peHSFKqtxknHXCk/jyK4Mc08PL1W3+JHXQilp5foe96pM0t3cMxBJmY5Hbk/wCN

JxXM4rpoeNGVkrnP/DxBe/tE2jhVxp/h6Rjx03tj+lceYwXs8PT/AJpS/wDJUmVh5a12+kYf

jJo+kwCMLuABPzflX0iPNjtoPOTjaMjHcYpWu9QvrZsE4XkgAE4OOKOXlkOycbITEnon51n7

xl7E/GUrzzwD09qcb7G6lYQY2kMcY9eKlLswTY0nEeSSOc4FGnKOL0Y+M7JACfvdOfpSTVim

r/Ie7urL+mRUK1w6lq0tEvJo4IpUjZ+Cx6E1LlFJshtxOmHgYI6i8vSeRkRLwa4friT91Gsa

bcS7J4b0qGCRI4QzFG+eQ5PQ1nUxU3a7+SGqaVjjPCpNtrwVj2ZD716s2pUTJ6SR1eu3TRWi

ruKrKSpIPavJoRXP3N3LQyY9xj2hgyjAx/8AWrq0VumplJuW+o6O0DE7CVPYV0rEcq97UzVB

fZZbt7AJMZWfcVOcDoB61jPEq1ktAhRamZVy+ZpHjL4PQkY6966VGy95WNYP3bXuWdOlKXcb

sMbWBz+OavD25kbN2WxpIfsnjN9jbQ0vccNkf5/KvFxkV7KS9T1KD9nWi79jn5o3huHhfGVc

jI/GtabTimZVLqo0iOMAn5l6dM03psRSXuto6rwzOPPt4j9wtj6GvJx0Fyt9T18NU+FX0ubW

sWkc6WMUowjXiLJyQcFsH6VxYGTVR27HpYv+An2Ow8ReDIZPDl3o+jRW9sJ0GAseNzDBwT16

ivFwmZyhjI1arbszCph6cqMoR0uj58vLC5065msL63kgnjfa6SKQR+dfpdKtCrTU4O6Piq1O

VOTjLdFSK3eGVCTlSex4/Gt4pvoZ8ytoa0aEjYBnAq7RurHPO/NqOw2CHyScY3duPSqSTKTS

sUltCGyzZxyMGsLqxUXpoeufs1/CHXfin8R9Nhs43j0vSLiO61G7KnZGiMGCZxyzEcD6mrhG

8lYuEbo/Uyyt8EuV2gdMiu61kdkdin4s1WHRtCm1WR/kskaZtpHRUJPX8KTdnqOCcpNI+BJL

yW7aa9nZjJcuZZGPJLMST+pr4/ETUnv/AJn73l9CNOjyx0sVrng8qcewrzpyko8qPVpx0Nnw

bp0WpapZ6eS5hubhIz8pYhSwBP4CujBu7SXXQmVlq9LH6S6VZ6daxwxSyw2tujsUjkICt2Ub

euFAGK+/s+nQ/BpVak5Xl7zt/TNPzLK3Rjp1zasHGWbzFH8+vWs1zW1OSMZ2s1YyJtFu7KB2

OnNdiQ/OYpFdMHk8Hvn+VaOStubKotFex83/ABH1vUfg18RZviPpGivf6P4itzYapYtJ5e+Y

KSjEjqDtycHkqwPWvKzC+FrRxEdno0l66n2mUQeYYOWCl8S96L6LZf5/efPnxF+IPi/4panb

6j4hisoGtbYW8S2sCxqqAkgYHpnH0Ar5nHYnE4ySukl2PtssyuhgFJU29Xdtu72X+RyctrBa

woxYsdwBauJ0VGnft/XyPSc7E2ieH9V8Ua1aeH9EdY7m9m2K0uQuADnPp061UE6k7R3seXj8

YsLQlVWyPStI+AHi28lbTpdS0y2mg+XDuzA89cgV6ryWttzJfefNPjTCx+xJ/ceh/Fb4ofCr

4EPo2keLtP1/xDqV/bCZ4rW4UKiA7SxBZQASDgegr3qGAVOhGVV3tp8z8+rY6c60vZ6Lodf8

Jfir4A+IXhW4174b6FNClplLpJI0SaJgMgE55yOhp0VRg2oRs/x9TkqOpJJyldHzLq37bOtw

eL7uLUfBtrNoImaFYFlK3KAHG4nlSeM4x+Na1ZShLTZf1uZQ5ZQ13Oqm8SWGvaq2tWQcwXux

oVmXb8vr7nntXz1fHUq0k2raW9GtT0adCVL3b+ZHf3PnS7DEsUU2VBJ75+lL2klHRX1ISV9T

v/hkgj8KKrkgreTqCeOkhAr4PO48mL1XRP8AFnv4Z/uItPodcBuweBgfhXlVEn7zWxsn0Qm5

gPv/AMPrWbak9XqLls7CB028nABrRVIx92I9VqfJnxjug3xI1xRtws0Yz06RoP8AP1r9NyCL

+pwber1/BHhTnacuVdWcO7KGQ8DBwuT04r3Vdqy2OSy3PUf2dLYXPxJ0+bcSbeOSQDPHCmvN

zFpUeVrrH/0pHXh5ycXfpf8AI9qu5PNZ2LYBc8nrWlZR9vNebPGpuXImUfgyjXPx08R3OAfs

mh26A47s5Nedj+VYnARj/NVv/wCC0aUL+yxMvKH/AKUfQpLRtGob5jnB9a+liro85aD0yCCx

zj3pXS0Ek73HAt6cAn2zVRVtirlfEX/PMfpWWhjr3/H/AIJ+Nrc4wCMDpinHQ3SSew0kBVIH

3e2M5qU3ccFG+iGsfk2gcelF2irqw0MqvyADk9fwqulwcUTEKSFXgA4rK0kykorYn09xBcRO

RjY4JH40uZu5Eo6NHqM7J5cbp8wKAjHavFfN7Rpm9NLkWhBcssVu8rjJjQsADUyWuiLSu0jy

uO+nttQe/gUJIJCwyOK9+ELU1E55JXLyavqepkw3pZ4FBY7IgAv6VlCjSptMbfu2SHwSvEA2

fl3AZ9KqcIt2iY81l7yNOz1NHJWdQ6juRyOlYVKUomsHFnd6R4TtLuxttRnu3ZLsFohGehBw

c54rBV4U25P4k1/VupSoyqy5I/P/AIc5/wCIVhBZ3lu0cm4yQ/N8wJOM4zgYH5V1wxM685Sl

+VuhcMLDDw5U/wAbnP2sbApLjA6Ahs561rCTSuaRS0Re1Sdk1i1vFBXdGrHPTtXBiKfvyT6/

5HTCasmvP8yrrsaw6tdopyPN3AdsECubCybpROrFRiqz+X5IzowC6gZwB3FdBy00bWj3HlNC

6HGJOD+NcNeF9z0KFkdlrTf8SxygI8s+YM9tpDV4mB93EJs9vER58PJLserwRx3ccEqpnau5

WDdsV8jUbjVlYmEnYytT8HeHPFl7A2vaWk5LEB1ZkfoepBBxXu8P4mtSxMaUZWT6dDkzChCp

QlKSvYr6z+zl4Glhi/sm41K0JXLMJvMTOP7rc/rX6JzNPfb+vI+U+rxcb2OStfgBHdXjWdj4

pmZo0ZpCbT5eDgAc5z/jSpYpylyomeGs9TtPD/7H41Pa9/44lgRlHEdluboOuTxXX7Ocno9R

Rw6W56t4N/Yp+EVuqHXbnWdabaMCS78hCfpHg/maqjBdWKFGKVz6Q8DeCdA8E6HBofhbRLbS

7GLkRRrgMcYyT1J9zzXXyqPwmijbQ6+1z8pYAEdMelN7lJWR4f8AtQfEP/hH/DaeEbMb9T11

GBLpxFAPvH8TgfnXn5hi40Kbj9pn0XDOWPGYxT2jH89NPxPOPCfg3wSdIg/tbSDdTlFaSQ3E

ijp7Hivl1X5oJSPeWeY7XknZLyQeI/BXwp1C3nsNAv59G1aJC8Kz3DSQ3JAOV+fkHHoaXsaV

rbN+Z3YLibGQleraUfTX8Dc8K/s9/E7w2mk+J9D1jSLW7gSG5HmzYjiR1Ztz7gQQApDL717O

FyrEU4xlB2a/r+lY9fF8R5fLnpTi3HZ9T1bQ5f2i4NGvA/jzRIryyUNbwpp8LRy/IzkCQLnd

sUH33qOpr2VHGNSc2r9ND5erPJ5VG/Yyst9WnbvbqSaXa/tFXDz2Xivx7aaXMr28Nv8AYbCC

YvNLKyGMkAYKAMxHYDNZUpYvTnat5L/M1X9gckHSptpu2rasrXv6dDmPEOp/tQeHLy/vdKlk

17R7NUkjuhpsDefE2dpGz5skHOAc4IrGvPMKd+R81ulkdGGpZFiKSU1yTvZq70dr+h4n8VPi

p4v8Yta6T4ntGsBp0haW3MUiM02CpZg/K4AwFBwOeOTXl5lj61RKE1ytH0mUZbgsPJ1aE+a+

id1tp239Tzk38oc+VIZIxyAy4IrwnUmp3en5nvcyT0F0xG8Q6xYaEoCi8uootwOCdzAcfhWk

6nNFxfU4MVXcaTvsj7Z8P/DjwZ4Xiim0TQoLSeJCkc0aEvjGOWPJzX2GHwVGlZqOq69T8YxG

aYvEp+1ndPVroc9Zan9n1SWC3YS393KwiVueNxG8jsoAzW0ny6voccbStFdjN+Jf7Nvw/wDi

0Ir3xDPqNtrNvEYzqNvNy3fBRsrgHOAMda2p81uWWtjKTad4mz8KPhh4X+CPhGbw1oE9xd/a

JTLcXN0y7pGOB0UDA4GBWFKgozc3vt8hSnzJRSsjwr46fDn4TjVNR1+68MxvqsYMrmC5kjSQ

4yuVU7SSazxlRqCi/UdOCT9Cbw9ZvZafZZgjjkWNdxZPlUDGVUmvnMPGHs4ya0f4adT0qjft

HFPY6LRfD1jrGrh108zW0LG4u9nZVGcjsK7I0YVXpq2YOXLe+yNz4eyo/h03HJae6mlwewMh

xivg+IqqWYzito+6r76N/wCZ7mAi/qsHLqkdQPurjvXiKSTT6+Wv9M6VdIATjleAcEVMvdne

3noC7BsYcKBgNzk5qozjzOSG9tT46+KsjN8Q/EDLyPteB6dFFfqWRJfUafovyPn6n8SS82cm

ZAWCnoD9cj0r11daJmM1Z36nr/7NSk+OpbnqYrCXnPP3TXl49zjTikuq/NHRRsoSfker3EjA

luR3Pet8Q71pebZ5VLZWH/s9oJviV8Qb/BIiWzt8+nybv5muWtCM8dhk/s8z++Nv0BXWGqPu

0vuaPfg+xlUnGCfeveitNTz07C/KA2RhQOuaa+L0FpccrZ5wwwSOO1OKSduo3e1yPEH96X86

jl8/z/zOf2r7H41Mw3dTgevalFM7UxA3Dc7cLUx3YRbGl/3eTnrjmn00FqJv+bGRz78dqEnu

UkrDvNBwCPu96nl11BXuSRfMBtPzAnvSs7k3PT9NkebS7aXZn5RkY/z6V49ZNVXY1ov92Szt

HBGz3EgSPYeWx+XNZSjLQ0vY8w1may/ti5ezVTGrAgdQ3rXtYRSVNcxjJXd0jYuvFguLL7HF

ZBAygMSf5CudYV83NfqOEnGJTXZtMSkrg961fNGzIlZqw6MlHJkBKlece1NvmVluKPuvXY9R

8KyDUPAQtY5dvk3MkWO6hlBHH1BrBzccTTutVq/vRcIxaqJLdW/A5vxboR03RbO9aDDzO2Wz

yRjgfkK7MTjVWxPKnol/kY4TDSp0m7b/APBOVhcJtGBwee1TTWqvsduyL2rGSKOzlYFWjUqw

xjGPascSlzI6INKOnQh1p1a7MxA3SRRnPYfIAf1FcWFioxsuh01leSfdGYGbYpHPsK2tqc8L

pGlZSgIAWzluOetc9SLOqnLSzO8vrmG5tZEaFVEsQG1cntjNfOU4SjNNdGfTRknHl7nrOoWc

2jyQ28RxB9nhmgYty0bxqy/oa87Pct+p5hOhe9rfjFP9TyMqxLxOFVZre/4Nr9CLSZlE0Unn

IWV9xDEDn3J+tc+WQn9ci47o6cwnGNCS7o7W6a9uYhd2kOVbjYowcjjBHpx/Kv0VqaTmkfN0

0pJXZy0s99pmrx39vp7K78s2cFvX6Yx+orh9pJS50b2ulF7Hr/hDxXDrFriyjeO/UfvonIyf

dfXj+tezhsRGceZf5f5mMYW0Z674WttQeGOWS12uVG3I6ZxXZQikrmGq0PQ7CBhbL5y7XA5G

f0rZrlWhMm2iKaFFaVcfMUJAPt3qlIV2jxj45+A7Hx1olveSXLWWq6OHSGXbuV4yuShH1Awe

2a5MxwKxEN9Ue1ked1MtxDaV4vp92v4FPwp4bZ/DNorY+eJQOc4H9TXy1PDycL21O6VVLTsa

Nx8PrW9tJLZgsif7Y6fj6mr+r30aJjVtG6PJ/GXgL4leFEl/4RrW75tOmjMc1mt021lJBIx2

PA4p/WsZQdlJ2fz/AMz0cvxdKlUTlBSSOJi+IHjGV5oZfFOsxTm4Es0Ml24bzF6MRntjrWyz

KtON+d3fyPv8AsuxKU6cF7vktDRs/i58T9PmW6tfFt+ZFvWvPmIYGZl2uxyDnK8GiGPxMJt3

ut9vwNf7EwTgo+zVrWt5Xvb7zWH7RPxNWzsLea9sXk03VBqEUzwsC5VAixuFYKyAKuBjjFW8

8xajdxV/n+hx/wCrWEjV9qrrS3fre+qevQo/E749+JviPoGn6Bcg2KW0kkt4ILuWSK6ZmDKS

jk7dpBxyeuKjF51PE4dU4KzvrbZr7jLL+GaOCxPtYu9lZaK6fe6t6bHk8l/ecDehI/2M14an

NS953PanWktLHffs4aHFrvxQtrm+0X7fb6fEZydpKQuMbGbHv0Fd2ApOtiEpR0PlOIsS6WFl

JSs/+CfaGpXCQ2FzcIQWjiYnGM4AzX2tOd3dqx+WPRWR4Z8IZbWbxh4qjuozLqsNzGQ5X5vs

7x7ox9Awkz7isPdeL9I3/Fr7zafMqbXn/XyPYfPyWa5vI41iQtJuBH05Nb+0kpcqMElueb+M

fitpdvYz6Zol4t5cZwZdmEiHfBHXrXDUxcKS5W/e7f5l06blZnkl1pOpa5dwvt80NcLNcTNk

rhctgepLAdK8mVScleMtenb+rHTy2srXXU6+0s9QF5b2RXdI5C28cY5bJ5OfUnAxW0E4pTQJ

+9ZndajE3gTwbe2stzCdSvdzTndwSVwFz6AfrXp4ejKMJVGrP9P8zkrT5pKK2X5nO+A3c6Gk

91lZPuuBKWHr3r8lz2pOeLnB9ddfX8vI+qwq5aCaOmViMLnr1zXl8yaSurG68xY3QEHHYY56

1EGnaVgba0FVuM4IDMcitYptqy0HbTc+NPiKzy+OfEMixkhr+Q5xwOf8BX6pksnHA0k1b3V+

R4FWMnNtdzmt6khRzg5OPpXota3MtJRs+h7V+zakSa3rNwHH7rTHYqV9VPf8q8nHyV4Rv1N2

nCk7nossoyQTzk4561vUk5Sd1uzy4xL37NbLLrnxCvFK5fV4owB/sxLnj86mmksxUe0Iv7+Y

yvbAv/HJfdY91WQgxnA+navaT6HAovoPWc787BjpxTStuEb81iRZQw2MAME8Zpqy1RVtbIi3

L6iufmn/AEzO6PxucAOecntkVojoW5H84VlHTHvUxSvqCbWg3lU+bJ57im2rFLRA4KYUjr0x

TjtdiTaGj/fOfp0pdbDTlfUaWZPukr17U0kJXub9v4r1iDT1sIZ4o0UYDBPm/U1zzowlPmaF

CTitGZlxf3t1IHuZ5JD1+Y5q+SEbcqBuRWDKWPAB6GtIrQUYtaDckne2QRyOKEug7OxrKCYx

IoYt1bjms/aWfK7EVKTaumTxiUCNmBKuGHPqMZ/mKVSKXvLQIN2abO/+G1wRpeq2xbLRTRTK

MY74P6GubF25G35I3wsWsQu3/DEfxF1DUbmKWzfBtreUY2gZGF/xNVh8HRhRVZ/E9NfX/gES

xNT27pdDhIThCeTg9q6o7XOjWySLupbm06NjjKOQCfQ81lWglyv1NYS3RFqLBobKRlIJg2nH

Q4Jrz6PxyS7/AKHZVm3CF/P8zPA+6C2M54FbI5YNlu0P7nainI55FZ1N7s6KeiTO1s7mSWzt

2UHAjGfftXhVoKNRo+hw0m4RZF4h+NPjnU4dN0+WLTbZNIs0sYZLe1YPJHF8qlyzEFsDqMfS

vdx2Hw+ZV1iKy96y2emyX5I+WhOrgpSo09r9fv8A1ObuNX12+8wS6jPKZo1bLnG0HB4HT+dK

lhsPQXuxWhlVrVaqvKR9e+BNRm1nwho+pqPtH2q2j+0IikMWACuUB6kc8d8V7VSMZrnto+33

GGEk4w5W9Ub178P385ZdPvPtGnsmYpE+8xbjDDggqQMjivKlhbfC9Ht6/wCXkdzmtG90dH4U

8F3CajFqKQtA0CAJtAw3TKnj2rXDUkpe7sWoq3vM+i/C5trjSo7oKEaRdr+zf/rFetS+C6ON

pXsy7FcRed9nV+RmtJLRGdncxtV1jymfd5ZlhGNw6EZ6VpF6a7CV7HKa9fx6vayWAfBm+cFF

6jP+FWqd3qTFuLuzzHwR491e81rWPDmmaTc6hp+lXjpFcw2zMMbiPmYcDkGvmvYVHUdKmrtH

1WIw6oYSGIqySUvw3/yOo1T4t+HvCj/ZtRlNzPgFobddzKfQnoDn+VFSlKhrVaXl1OGnXjUX

7vVfgY0HxfTxncPpui+A9SmyoZpJJFUL+Wa4as6bWl2zogpp2TOW8b/Cn+2ZG1nUvBur6YVU

bZ7SdSR+G3BFYVMNOLvG66dDvwuKq0pe7KzPny41/VrPV/7D/sa7my+yBCq+ax5+9t4GR7Cu

iGGfs+ZvT+vU9Khxvi6VVQrQT9Lp/wCRcS4S5GCrxSpzJCykSJ7Edq8mctLX0P0XCY2jiqd4

S+QwMUzGIlUHrmrVk9Eb6LZmfeNtTgqCeDg0ap9v8jgrTSdkfS37ImheR4N1jXpGwNQvxErA

dBGoz+rH8q9vI6LfPU6bfkfm3Fta9SNLyv8Aiz1rxhcfYvDd/Og+Q2z8qcEsVx/UV9HRi5NJ

6HyNRWTM/wACeHdE8L6Pc+NdRiEV3dWy+fN0LIu4oo7fxH865aVJNqS7GmIk0+VHlPjTxFrH

i+/ntrudrWwEm0QW6kAg9NxzycdxxXBicXUc2qbsl5a77mlKire9uS+F/BlvdWv2gWcyyRYU

Rs2Q5H8+lclKlFqy1/rqWm42b3NjQtGu7q+isfD2lFwrMZUl/wCWZ6DJ6Ad62dJ0/datqCa0

k2tDt9M0vS/CjfavPS71ZkO3CZjgz/cHX8TXfRw9kufp0/z7nPKq9eU82+J+rRJaZv2MxvpB

BbjafmkJ4GP5+1VXrxUJSm0kZ0qbc1BI2NBEK6Ta+QmPMiVmAPAOOf5V+I4hPnkr6rQ+zjbl

v0NNGZRtIAx6flWT9yKSKsu44OOcKCB1HTn19+1aTT36/gZ/aGhzkK+MA55+lFOTjLTV7BO6

V9j438Z3APirWipG5r+XGB1G81+q5Sv9kpX7L8jxJ6Tbvuc/uMeGVtp5J9/SvUknZKJg2m02

e1/s4gh/Ec6t00059OSB/WvLxUW8RSi/P8EOryrDSafb80dxcysHO0cJ7U/clPtc4U5LVnPf

Ay4iUeLLwzssk3iCb5uQCFIA5rmxM5f2k1e1qdP85XNaKX1PX+eX42PaLTxDqcITyL6Up6bt

w+vOa7KeIqdJXM/YQWjRoJ401eMHdHay7P8AZIJH4H+larG1E9UYvCxT3NC08bxhR9rsyoH3

miOf0Na08cpOzVglhbLRk/8Awm+jf89Zf+/f/wBaq+tPz+7/AIBxfV6nc/JLc2dgA6/SupaO

5bGlScjGM9Mfj3qErMIpERX5e+PpTuEVoxSCDu2+/wBKpbaseltRNpXqOPep6jVrjTnnjg01

qKyTH42gKTg1KYlow5z9eMAdabbQNDBkbsZH/wCqnHZDVtxf4sY9etJXBJdDUtLqNYkTcFbH

Rhwa55R0G5NWRfRC0alRzyQpPArN3W5cLO50ngO7zf31qRgy2bYx3KkN/SorUny6a6oyjUSm

dR4nsLBvDl/cRx/vXi3lmPJ6GuCFao6ihKTaTPUagoNRirtb2PLoGChdx4J646V7cXocjSRc

uCH0uReu0q3HbtWda+j7GtK17eRUkZH022PVg7Lx2rkirVGdMUvZlFH2/d446GtUjCm1a6Ld

oy4y2VwewwKxmmbQavqdPpl0Es7VZGG0hgp9OT/WvJrU71JWPcwtSMaUV/XUS61a1hsH0pdJ

W5mWaTdJ5WWA6+nv+ld1BS5E72PCzCK+tzt5fkjNh0bxbrVqbjStEuDbQptMu0KihR6sR6V0

Tr4eDvORwxpTcbRR9Q/s0yvqnwzTSJop0udMuGXcHBwT8w6duT+VexSqqrQSp9NPzZEIeyqP

me59IeGdDs2kjurlWEsL7s5GGyO/rQ17yZ03W3c9W0vwxbx2zXNpCkpVwTuUcjOO/SiCULWN

XbRE0sVppzvbWuwODukVBwOPy9K1g1y2MEtTB1DUUtE88PukjBIycbuOa2ukrmTkranP3+sL

cQlTIgaSM87c1XL0YJ8ruLpF/wCGdLsDq2s2rG6h+a3CuxyoHUqOMZ9a9PD4WVR3eh5GKx6h

Jwp/M8y8Wa/qd1PdWFo/2RZ5TLeLabUUbjlVO3Hrk+vFced4tYamqFLfq/LX/gHTlNCWIvVr

apbf5/mcgvhbztQt2lRgRNlwBwV79K+J5JPr1Pq0rb9D6O+EfhaztmNzDYpHAq4HC9zXXCN2

rLQlt9dz13VdDilsWEaKQR91sEHjpXTytoxpztLU+U9V8PaP4f8Ai3pazWkEdprbS2kz+WCf

M2707ZBBBH415telG6V9/wAjtpyja76Il8V/Bjw/4geR206ATRsdk0T7XI+v+NefiMFJbLfz

PRw+NnTacJWZ5NrPwA8VwTrFptt9oZ/ljRp41duuDnIH54rBU60fiWnlufVYTiVbVlfzseTe

MtC1jwpqM+ja5ZSWl/bH95DIRuXOCDxkH8KcoTjL3keqsZQrQdSlK6PpL9mC4vdH+FTvcK0M

d7qDz2kj4ZWQqijgc/eDda+kyVSVGXN3/wAj844mqwqYqPLrZfqzvPF1817aJYsyGKXCjHQt

kcY+le1CryzTaPnow5k7G5b+HtR8TxLZ208UlnYoNsWflJ6Y69a5ZySXJtcbfvc9jJs/A1ym

pOl7aI8hcosY24OfTsK5p0Gqlnsaxn7isa0ugpZQS2V+Et0ULm1tDtDHgfM3Un6YFdEKa22/

MzjOVk9ynfXWlW9sbOGf7Os43FIlK4A65Peq51DRDcW1dmHLNYx3MBdv3cas79eTk45+tTOT

ashxvHfc8x8SXEN/428OICZVieS6cAZRcKcdeP4v0r53iyqnllWmtOZrv0lF/edOUwl9aU/5

f1TR2UE0MUIES4UYI29q/L00la17n0r1joSRznhsrj9aUEnuF9B3mgE5GCMcf3eaalJ6bv8A

r+tQe+/QZ9obaP3h2nOR34px5nNR6/11X+ZMrJNnxX4nnZ/EWqMz7hJeSEcf7Rr9by2NsHT9

F+R87NpybuUI2+YbjkA8Db14rtcrLcxb95Hu/wAAmtYPD3iaSNttwbdAcg4wXXFclPXHU79p

f+ks0xKthJW8vzR0txesm8AgkVz8ytdI4Fo3qY/wFeM+E9TvZWI87W7p9wBxjzMda8/Ef8jW

dv8An3D85HVRt9VV+7/Q9NLQNt8p0I5+7/PiuqEVsxRTWom3ad8Urrg9M/zFU3ayuS0uYkW7

uFAjBicD14OPr0oUpbphyWF+3Tf8+sf50c8+y+//AIJjaH8x+aeW3cE5XvivoEcOnUUAnO3K

hT/jUrlTCLI24HJ4B9OaelhxdrjiGA64Iz/SnGzQOVhCp3c5wKl2uNNDFGMBhkDqCODVRJ0Q

EcAgE+2KlWQ4tdQAOcYPA9MVT0sS5RBASXIJyPQdeBQraDUu41o5FOCSMdam66FJ9ixb7kZW

ZOh6dqnTlauDaL8V/Kr7SAVPOAMYqHGLQ1qjqPAtwsviO3SCVVEm5H3ccFCKyqy5aUm1smTC

C9qn5o6LxNq8dpodzZNqtuLiRAvkI25m6dfTivNo04ucWk2eg8Ro9FtuecKflGQeDx7V7KSS

0OeLTSL6fvdOnQA8Rg5ApVIrk3NIS97TsULeeMwLayLgB87gORxXLKHvcxpGelkRzWpKh7c+

Yo6YHSlCok7MUVdXRJbEJGiBSGwd598n+mKKlnsVGXLub+mktpdv1+WRhjb75rzq6tUZ6uGV

6Wh6P8LrbVr+y1S1s7HbaC4zLctGTgFV49vxrnrwi6cW9WuhzV1y4l22/wCGOlm1PwromjXt

reC8kmZWMMZjRVjY9O3Irk9jH2bv8X9eYlN3uti5+yvrEkGoavp9yqYbZMwL/eAyDxntx09a

+tyqpTUHBepw4ilKNpP0PrPw7cLHdCPc489Bhd2Qpxz9Oldsld+6RCS0S0PZfCss1xa3BjJZ

SAWI/u+tRpFamrtZGXf3CJqklrEitsdmY5OGXGRitKGsLMytqmjjdfugY5ECMXQk9MZP+f5V

vZNGfPZ2OJvr4faLWASFcDDgJ65PNdOESlVSMq1WNOm5dihPfNqOpR20yvHCjB5GY43KOTx2

GBX11KMY6s+Lc/edjn9Lme6e8u/LTfcSGUkg9+cD86/McxrKrWnNn6Nl9NUKKhHov1Jbpjp3

lzwF2iKh1Yqchj1yfpXnvlSbZ6CvY+k/hk0A0aGKH7ojGwDrjrmuqm76mUkrnpF5cMdKjxw+

3J49q6bpbGMY++fK/wAcln07xV4UvtMCiWPW4ZFZlJ5zgjj2P61zRowqThF9f+CEq0qdFyXQ

9R8PW2kasJ7qbMeGyY+68f55rTFYF0avJMvD4qNWmp0y3qWnaVqNidNgwsk4Jt5lxuDjkYP1

Fcns425TuVWUXzdj5i/a18GLqPhXT/iXZRlr6yIstVx3wep+jc/Rq8+vTlJKp20PWynFKjXc

Psv+v0PJfhd4t8QW2jXnh2y1+8tVtGW4iSIEqQ3BHthgD+NdGXYiUIOKlZehHEeFj7tVLy/M

9T8K6t4nvdctv7R1S4u7fzAQshHzcZBxgY5xXrUq1aTs3p8j5eUYRV7H0x8OJBbafnUE8wyu

x3KcZ/X3FdD+JtGU47RXY0LA2N7rcIu38uEkkMQeeKmV+dtG8X7isjivGWs/6bL5Ckxx4zKn

IyeBQ3ywst2ZUI31scl9n+3NmcjMDeX8vGTxnNc02p6banQ5cpX1uVVjXbGJBK/PzdAFxx75

JNenRo8kZRX9M46k7yuebpJayePmSCSXba22NrIcAseuenRcV8VxjN/VY+9Z318/63PTyZJV

ZNJnXwvwBtB3dK/PE4rR/kfQuyiySKQptBbJJ4OK0tG3K2SmrJoVJtrFVwSRzkYzWa5U7r8g

1vZkbOwcnIAQnsauMIRej3B+Z8W66+/V744J/wBJcjjH8Rr9Zyy31WmttF+R8vNpNsp7nyNj

YHTp/n2/Ku1y5FsRpdHvHwFJXwf4nuHjwUESbiP9tf8ACuKM0swppdpf+kyOit/ubv5fmjXv

ZdqyEHcQDgn865E+Z23see3yts+dfCXxG8ceEYrqDw/rT29tJeSSG3ZA6El+eCK0xEKaq8yW

tkvkr2Jw7cqK7bnomm/tJazHtXX/AA1aXuMhpLcmJv6jNKM1y8r2NNtTtfC/x58F6oPL1LVp

9HkLYCXcRZCP98Dj8TWcn76UdhxnZanf6X4k03Vdy6RqFjqO0bsWs4Jx9DWjtF2bs2XGTavY

0vtV7/z6XP8A37H+Nc/K/wCmZ+0ifnBu2k7Sfpivple6PPQ4f6vJ7/rSXcI22GADayk88Yqb

aXsO9lZDi6xuDtXKnPI69PWqUfcBNJke3kD5QOlJA97iLkjjGACeKLNXH6C4OCPTFShLQRAx

PqT6VUlawXQ5GIduAce30pRW2pS5eo8sc5XGF9qmOmg7oVc4Bc9T6ChvTQiTFyM8c8YpLsyo

tWBJWik3RSFSOhB6VI7Weo6KVgfvk5qlEG9NC2rkrkeuOapJmkZKxpaNdzW8syRy7VkhYEFQ

e3vUT+Bq3Rjjb2iMi4MMLAoCfm5GelY072sW5JS0QlvO8IyGxgetKUU3qVSemhZF2ZFxLEpb

+FgMH9OtZeztsac2mxqaRMRZyx/MAjblHv8A5FcmIj78T0cLVtB6nR+HfGniTQba5stL1Jbe

3vm3TIYUcZAAzkgntXPUpQas1e3yKknOpzNlPUte1HVpzcajfS3Umcbnx+VKFJLZWNpRpqN1

qd7+z9qdvZ/ES3ilLKLq2kiKDnsGH/oNeplV4V3fqv1R5+PkpUlFdH+jPtfRbxYJRHFukQJw

dmCpwQCe4Ga9mdkrnn037x6x8O724kkewEiwtdwsQGIOOOB0rK+jsbzjZLmM+4lmjubDzVO6

Vd5YdCDxg+nI/StKErx16EVdGrHFa3et5su4kNvIHtjPp9K25ny6HPLezPPpL64m1iWLYxWE

hnxyPmyP8a9DAWVaK8zixlnRlbsTXrzRQ6tdR5VoLRkjPGeeD+nFfTVpNU210Pl8PBOsoy7k

HhTT4rzTiksRDDgEEgAY9a/Jq8t7dj9Rw0bRbaM/4h6pbWVra6VZXMLPdTpEURxx1rkqTUaL

Rskz6V+EXmLYQGMYQxKp3DB9q7qKaslsYVt7Hpt8/lWuxXVSc8Hmux6RucsF7x8rfHpNSNpZ

6raBjJpd4JwgXOdrAn9Afzrk+seyqc/VG7pKpTcX1Llh46js2t9SsrkFbmLKvjOVP6V+lVsD

QxUPeV13Pzyni62EbUXZ/wBdC4Pii8Fo32qBgY5RJZzQKCpz13f3ec/ga+Sx2QYihH92uZeR

9fgc+oVpXqaPsec/Grxxpeu+BPFNhaxlhqF/b21tFGSxmmyNzADtjHt8tfPVY1FOUVFq6ue9

RrU3FSb0Tt+B88eHrR9G8S2nmma2ikuFiuMochGIByO+P6V5cYzoy00fZ3Pvcxo4fF4SSp2a

6anvWiaf/Z2uW32e4LwKEjjLITjA+UkHnqf0r6ijRfPvp3Py2UtNj33wb4jEGhSjUZka4jt3

WJ41VR/s8Y65xzVThefLL+mL3r3j2Kk9+Ua1kvLlz5q7G2nGDnrx+FTKU0nI6oRSdjjtUi+0

tLDYzM0cc/Ib5d3Tb+v86wato3rYmDdtgmuZSVazUOiEqYwgHzLjJyf88V0RhFR8/vMZebMr

UJ2tAsbvkyEnAxxntXXSg3dL8zCcuU8y8LyG58VeI7tp5GaKeOCMOgG0BNxHv97r71+b8ZV3

LERotdL9e7X6Hu5LCPsXNb3/AER2Sy/KP4QDzmvipvruewk0rjhKWIZjwOp70kmv8hqSHebt

bKAnANUoz+LmRC3ELjDyMccHPtWkKnvqLXoDR8XarL/xNLuTPJmbn23Gv1rL1y0IK/RfkfLt

6uxUEjDlmzk88V2Td7Ep9z3T4HXko8FeJ4MkRiW3xjjBLc/yrzptwx1F9+f/ANIZrNp4aSvp

p+aNjUpG8mcDj5Sffoa5FK7jd/18jiqLRpHzXY2TfZCzxjd5jcHsd3NVi5/vn2DDK1GNt7Ik

azwyv5PAOC3Y1hGp0ubp6p2Gm3DYyoyAeAMcf5xRe2wlU1sxtqs+nzi6sp5bWYEkNCxU5+oN

UqsrlWT3NX/hL/Gn/Q1at/4FN/jR7ZmPsV/TPK8jdzggj06V9RDc87bcTg9B0HpSS1YQTuM2

/IeSdvFGqRSdtBWOcdepHA+lCWg/Qb6YOce1JbiSs7iZwDxgHrx2poEmP42Z347nipW5NnYQ

Y7Ht+VNvUNegLnLYJ9qIlIUdOOcdKlXQ1sSBl28jJB9OlTqJojDAEDOevQU0NLQarHdkknkZ

4oQvtagrcBgSMnnAprRg+bl0L6nAOWwR2I60o97Gq2Vy9YPm8iUAbSNv6YpS6+hUb3MrUV2T

tHuHDdxUUXoKas7EMcmEC5z26VTjqTSehYgYbxufGDg1nJWRtF7GrpNwsYkBLFJFOenHWuSv

Tbtbod2FqLmLZuEgiPkjPzdSOlYRg3L3jplV5W7DI5GlVmjZmOeAF7YpuKitSOeUrnZfCJLm

z8faJeHCkXG35m65Uj+orXDVV7eMU+plXpSdGTfQ+6NGvPLubbzppmDKVUBRx0OT+tfQ11yt

a+R5tBq6uj0vwnqSW2tabbxbvMc5LYwduMZxXNBb/odjva8tipdapIt1PHKHLxzNGPlyQNx/

LvWmEk7JGE4Jao5zxII4VZpC5x82V7Dp+FbpSsmYu6Vjh7eySK8aRLpFUsHIJJLHHyp/Nj+F

epl0JPEJfM83MJKOHk36FyWGa5tLjTgdslxC0eSOpI46/hX0U488ZRXU+ZoSjTqqb9Sx4O8K

6h4qs1gCyw2YG1kzhpWHGT6DIr8pr0nztNWP1KlNSgrHU638A4YvD73xiWD7K6yqEHLAHODx

XA8LNxtodVOpC6SPaPAunJZWUMUceCVAUDHHbJr06MWoK5xVJe+bfiENBYsscjBkXr9O9dE9

rdSKTvI8l1ewiv4ZXmBmXBTLADcDgf0rhjGPLqje8ktT5+07ydJvta8KXt1EDp86tbruJZoX

BxgY7HI/CvveGcTOeG9lJ6xenpZb/NnxHEeGVKv7SK0l+ev+Q59Xn+0NHYLI0AXc5kkCkgA4

wMV9NvT1R89dc/kZc1jqGo3cd8hWNYGD+bIVCwIOuGboen6181xBCUaSaXvX00PoMgnzVnfb

/hiy1ndXkiEXWhXt6W6PfO+48dG2Yz+lfH1MPKV7pP5xPraNaUYvldvkzestMitrKe6Wxngd

nVRsJKqAwLH8gK2p076paoyn7r1O18JvajRbm/niQiNEjgDEktJn/P5Gsq8lKo072N6Slyq1

rl97u2tNFglu5S7O+cFjxk55+n9Kxwzq2bk+v9I3moqSURkD209rJPjLbflY9RnocdK2jTg5

XettDnblGKsRMGguHifYF8vJzj5j3PFddODUUc85dUc34okY2rzsyLtU8IvPp/Kq5eW1yJqy

PLPh8z3q6tqgdsTajIM7PvBFVQf0P5V+VcW1H/aPKn9lf+lS8j6HKKLjQbl3/RHaoxEeASSM

A+1fNac1z0XflsPjnOQrYOD+X40+ZRexS5mr3JBMNwJbA45xxUtJbBFNsoa1qo0TR9Q1VozI

LOB5cA/eAB4rfDU5c8Y99jOvUSg2fH91m+mkmVkVnfdhuOpz9O9fsGFpqnTjHex8td23IGil

iYb1cAd+CBWkou2iEmrrU9u+CiqvgXxFPzk3cC4x6bq8mrJxxtNLz/8ASWdMtMPr1f8Akbtz

KyHPXB7iuZWjPTXc42m22z5/WVJb6/kycNeSEZP+2avGO7h/hQUo8sNe5ZAZ0Vd+Se23gVxb

a2N1q7Ma8a4JRDn0xxUcz2YJK9yA227JMZHJAGe1Wp9EP3lqloR/Z1/56S/nU85hfz/A8x2/

MxAHzetfa2sebccgwTn7tStxLyG8bAFPIIov3GhGAHI5JJ4/KqWi0HewxSMZAOBxio6lNpkZ

GPlHHXvVIlWHHG0cHgdjxSQK1hRgdu+KJabCtsOiA3NnoRg80J7DT8gfaBgdQegpK447bCBz

j5lx6UuUT7DTu3bjkdaa0Vhpiooz0xmlcEveEVcde3vTJktDTiIncBjt96UUkjRPRFmzURXc

TA/cOQwp7yHdLYL60iuNTeGUMcg4wfbNcVKbjG6OmpBe0SZRk0qSOPfErMoP5VpDEJuzM1Sa

WhTXzFIBJBBraysQ3Yu6fNsk2dwCMdKwqwvHQ2oyVzRhQsTvXfg5A+lcrdtjrVubU1Be21lA

HuHSJR0Ark9lOcrR1Op1KcYa6Fjw14tMfijRvsEaxhL2P9665wM46V3YLAuNVSkzhxGMTpuM

EffegCSSwiljC+cnByCcDByP8+le/NartscUG/mdbpeovbX0E+8T5KCIRuMoAORXHF8k9duh

2wfNG5p+ILqGG91QIrDJ371bO49eD/nrWuFjZORhJtxSOM8Wapb20LTanc4SVdj5JBJ6nAHJ

5A7d67XKKjeehjJXSsjxTXfG3i3TJ7UaRpay20cxnd7hRumbpwM/KAOAOeprjoZlKjWUoa9+

l/IKuBVWi4S0v+B6Fo3iKDW9HGo2cj7JYirK2N8TgZ2sP85r7+nVp1PfpO6PiJ0ZU24TVmj3

n4G20M9rFEIgzJAgUkewyfzr8ynPncpS1bP0vSFOy0R7F4oigTw1c2rRoPNhOAevSjkXLaxF

GTcvQ53wlPLhEVAWjAPPaogknbcurpId4ukuoo0UptiZcNnvkYp1L6BQlrqcZpFvDeaMUbBZ

XZNxPQdq5cO4zTa1Oi7Vkz5f+I8I8P8Axat55Swg1a3e2bJx864cfzNfR8N1fZ5g4v7SsvW9

/wBD5ziSClhFL+V3/B/5lKG+WW6WUIiuq4Ujvnt71+jThG1kfBUpXdzH8UeJRpWrDTIyftEa

5mXZuxnoOeOnP4ivi+JcSqajSe7d/wA0fW5BSvOc16fkZ+n/ABL13TWMl2rlEcmM5UBTxjHa

vifrkbq6VvQ+pjSkloz6NsY7TW/h5NrdnKLl2sPMLpgkMFyeK+hwbulUWlzzqkrXiQeETbT6

PZxygiOVssc9CDjivLqyhJto9CKkpJeQ7xq6lF0yHYn72PbvHbPP6ZoSjTo2T0NruU7ssyCe

ztPKiPmIsQ8oj7xxjn3qsFTlFK/Xt6HPKpeWj2M3U7i7ZkVWiGBkt7Z5wO/au+MUorQwstzl

fFd79mtRGp3K0JkIXseR/Q0XUIXuTUvdo+VfCfxi8UeGrV9PtbezmsVu5WVZYjvwzk/eBFfK

5nkOFxuJnUqtqXdP9Ne56GAx1WnSjy7dvkel+Hf2gPDt2qQ63azWEpxmRAXT9Of518xiuEsR

CLdGSkvuf9fcelTzKEo2krHoWl+JtF1gK+manb3SkfdRxn8utfPYjBYqkuWrCx3QqU3omakU

m5gvXjnsRXJZ3uadbI574juIfAuvMQOLGQHPbIr0Msjz4uK8zmxb5aD8/wDM+TGOAVJDAAcf

lX6zB733Pm276Dorhoyqxlj3I65q220TpdHsPwuuZz4cuY0mDx+eMqo2jOPT2OfyrxsZL/aY

q2tv8zdRSp2OkurldjA4GCc8dK5HLkl5v+rGDTtoeEw21vMkjrOVkeVjx7tTr1JKSTWiVh0b

OCSZOLG+t9rQneB905HArH2sHozW0m7jPPmWVvMiwQAM9M//AF6aitkyJN3uiWC7iZCZQFzn

qc5/GolSd7IqM9Bf9G/vJ/30Ky5ZGFpdzyf/AJaHH48/4V9zHc819AyQNuSPxqLDhbqRjpuC

nr1z0paWsUmrAw+YdRmqjtZjtGwmOcKeKm1mMaFUdGPeqsxNK4NsCjkikk0StERg7e2QPWra

eg79BUJLMc9PehLSwla4v8Gwg/KSd2eTSKVuo5D0zzWbQntqAIOB3APQU+V2KQ8KFPbgVPUO

rGfLtG48DvVJakNaGnDFby2uYpGMgHAx0NL3tDSm1ZJjo0ltyPNXjbnI5zQpXkhyWhbuZdmo

I5PJx+orllDVqx0txUkzSVEvmhgiTLsclNuOMHvXLhoctVuWxpKS5NCPVE0URCC8EaujEARL

lu+Oa7ZO+sNDmSUVrqcygRb0Bfuknafwq9eTUqMfeViaeWSG3YxykMCORWUIqU9UbO8b2M+J

HnzvJdu2ea6fhWhyvq2XNNuZNPvra7jyHgmVxjttOf6VPqVHZWP0U8KX1xf6fFdW0Zf7TApQ

7/vAjqT0716k6aty2sY0ZK6aOtS4NhqNmLG0WR4WUnIxz0x71591GppqelFNxszV1qK6+wSk

5Tchfp1PZq6cPZR0RlPzNWbQ9M1SxhF5aRzh413Fe/H6VpXhGatLQinKy0OM1T4V2beZLpaS

BiSwDfMoPTua5nRl934fcWpLoee+JPhPr8Uc19p9tHHdxAyeZbXBXJHfAwe/TFXRq18OnOlJ

xfl/TMKmHpTfLNXXme//ALOtzJN4bs7yaQqWUKw7hhwwNcNFuUXJrQ9R+7DlPd9Sd7uyn2MW

3RFQMf7J5rQzirI4fwRqQmETtwwUZrJPVGlSKTszofFttcXtis6xBkjGQD3xVVfhVjOi0pM4

XwPdwT6fc2khOVbeCV9en8xXJg5aNbG9VOKVz5//AGo4I7K60TxAqBZLXU4SxVQcAuFb9Gr0

KM/Y4mlUWln+jPOx1L2uGlHucxd6B4l1dW/sPSWRZE3NcShY1Udtu7HvX3uOz2hRfs6T5pfO

33nyGAySrVftKy5V26mp4f8Agpc6hDI17IqTNKfMk5d26nOSAD+dfAVXUxEnOo7v+ux9hSjC

ilGCskdh4f8AhBokBZr2xM9vGmAxcBST94ADnp71EcDFrlb2/qxs6yUW/wDgnS6xDp/gvwdd

3+lWiwW+mxF5kjXAMQHz8d+Ofwr0sHRVP3I7HJiZ3XMzmbCQWel2V1aIqxOoYk8hWx7fhXHi

ZQ3gtGdtGPvK5v6t9nMizyyKR5gGwrkZBz17VnBxlTWhrZqWhHdyglSwAZYRyvYCuiMkknsc

ivszMvRAZTdAn5QNoYccCrna3LfQm7XQ8u+J2uCz8O6ncvIG8mzlcCMYKgKenvWqm2c9Ra+h

8b2Mrx20ZWRgQvIOT/nrXmte9LzZ0UNIpdS8LqMRL5kR3HnI5Apu1rtGia1bJba5aKVZLO8d

XHYMVx6c0cl+glLW+x2vhX4teMfDUgU3z3Vuv/LO4G/PU9eorxcZkWBxCvKFn3Wh1U8dUpOy

Z12v/GvRvE3g/VtKvLWezvZ7ZkQKNyOT/KvGpcMVqGLjVpTvFPVPQ6quPjVoODWrt+Z4mJ3Y

FRgqOeOMV9hBJas8tNW0HlyduAByc4GOMU5bC7dT2X4XGOPwnJt6tOdwHrz614WMv9aTl0X+

Z0J+4kjXv5NkMvlMc4LHGa4UuadmjCfuxaPEbUTKGIkYKSePxrrqtXasTTg40427Itw381uy

gljtyMVlyJrY0UmrDjqTO/71ScdM81LoKIKo1IlQ2UiYkBTrtIHXH0rNqcZaFx5WtRfs+nf8

95f1/wAKnnl/L/X3mXIu/wCB5RllcggEZ4r7ZWvoeZboI2dpwMECoXUmKXQjDErz7YptaFLR

MenZWJA5/DpTSVgfQT/Vyfd6n0zS62C+uhHuZd3zEZ6CqSQIRt2zp1x2oirMlMQDsDwO9Eit

EiWK4eBWVEX5u+3kVLgpWuNNohEjAkkcVSUbWBDlzjjjB9elS7WBvTUWMYOOMD0pX0GrE8ax

jcHYn+7is7savzO5GyqBwn3fToauLCW2gRvND88TkfNximrPcq75UX7e+IkQTjdgHPvUtK+h

KuXdRvbe4eCVJjvXHmDaAq4GBj1rNxTldGl3ZLsSSXVrFDuF1vkAwpWuKMJc22hvConHVmLL

O/UDvnPqK7YxVjKdrEcW8ujjg7uMduabsk0EGrq5dit2ugLXAyxzuPYDmso6SuaSTsyayWGF

R5aKFY43kcitXF23OWUnYgvon8wSqEzuw5U9u1NbWYQkou9z7N+BfildV+HWnRSO/mpbCFzn

BG3gH36frXoQnKUE27BBLnsuh6/bam1reQebzIE3BlPIPBH6iuOzVnLc9OCT0ubWu+Io4tBj

n1CRfOeHGB645/LJ5rfDyXMrbGNTSJa8P64f7MtZAygSRKwJfKE7egPXiuqq7vlZjH4bs39O

1bTbosE+8GC8Nx1/X2oSdhx01/EfqGh6RqTbJ38wgEEZ4OD04+tZ8kvQan72qOS+CGu/2Rq2

seFFjUQ22pzLGAfu/MePw5ry0rTlFPY7YO8FLc+lo71ZI4plYHK8D04rWz2EloeZ+ALnF1Nb

N8vlzsnJ5wGPNRGzfc1kj1zUrdZvDcjKmWB71ul0ucak1UseMeGJnsdeubOaMKAQCG4yvavK

pe5U5WelJ81O7PHf2hlGsN4d0MNtN94itIUIYg/61Sf0q8c3ThzdEc8W2kl1PW9M8MW1skkm

xmYjazP16njP419Dyvm02POc9DVNtZ2rQxs5XbnkHcR9TmhRtLawk1d2ZlX17b20jxKI/LUc

7Tgevb60STim7D05LHKeMb+CXwnrcckbLA+nzRkEbRgxntTpv3rrcJQXI7mD4ZZ08LaPDLGg

CwxtKsg5PTjp9ea8fC8zoxTXQ75v99uaFtDNdh5p9qJu3FAeDx1H5GtKcUkklp/Wg7+9cZLG

EBSNjkIF6DP4fhj8q1hFqnocyvuYWv6pBax4PzAfwH17VSpuEdSZSZ4b8WNTmk8Ja+sc2/Fj

IoVlHGVIPNRzw57vYxqRfs2up832+l3fNrCrytEORF84wBknI9u9cNOtG3O9F5nQoyTaQz9/

arhz0OOtb3WyCXmBnOz1x/EOCKhXEnoT2V68TN++xnGA3NXLshLR6lmO8WdmS4iwC2PMU5x/

gKLq1n1NFvoZ6ybeOeDjikmuhmixBIqnbnp3ApMbtoe2fD9BD4PRkJIkfdndnueMV4GNcvb3

6LQ6XGNkWNUlcQz5wfkYgjqMDiuSl8au9UzGSfK+x4OuvzxSOZ4CBuwOo7169TCRk3ZmNKva

CuuiL8Oq21xgCYYJ6Mcc1yvDzh0NY1Iy2ZYLIEBJIyBgjvWau3YSa22GiRwzL5gIB4wcHj/I

p8vkNJpkm+4/vD86ytEXOu6POCpaTrjPIx0r7CMjzoqz1HcKGXdjHQ+1SmVFW2I9vycdj60C

WtxrD1Pf1+lWk7BdoQbs/NlcHjBqOoIaVx1ye1UloJbisrBAx3YBpR30FbsMUnJBJwe9N9Af

kOUAbwDnPvUp6plJ2YkisScHr6GiL7jirIRd+cZ6/rRZWE7dRyZJIXPQ9TS2QJWHR7lJJGQP

fmpHezJWAkXCkDFJe6ymk0hFR0PHTPrSTVi0rKw6JWIOcZxgClJ2YR2sSLFmTY8qqOu5unSk

pdUOLSlqK9tHCiul1FLuGdvIxWcZtuzVhxjaJA6BkXa+Tu+6D0rVXW4raaD3g+yeUXdGWRdw

2vkjnv6GlF8za7By23LdvuVsHKk5LHPb/wDXURir6iquSdmKl3HDCRFGBjgnqTWtvdsznXMP

tpvtVuYtkYI6dj+FFtS0r7H0V+zzcS2GhwwS5VZg7xq57buv6VupqUVDqgpRcajZ71baiI9S

s5fM86Tc6gBeANpxj8aVRrc9Kjd+6zvrLSNP12zJ1NBIs0GUV+nGM/QnrUUqPusTnqiC68FG

xVYtKuDHGvzRwbiUHsPT8KcOeNu3n/mEnF9DFGmeJtGlNwiSxx5CgRDzVz9DyO4rWFSUdXv5

/wCaBQTLtv4s8SwiSMxWwmOWEnIKnPdWA7V0uvFX0/J/lqYqk9jk/hDdXX/CS6je3nyNcajK

zhSPvbiM/wCfWvClW5qspR2PQpQ/d27H15o0pl05JmjyCQPpwa6aclPS5LVtEcDaRyaP49vb

QFUS5VJ4/l9eD/KpgnGd7Grkr7ntViTPocyZJO3jPc11RVzhkrSPDtUA07xRcSO2FlhOcjjg

/wD1zXmpONfY9KEn7Gx4F8Ttekb4l/Duxht5rmWHU3vJY0bn92h5z2AOOadaSmve0MJRcWuX

uesaz8RobQIsAaSRk2yqpwFO3kjPBwa+hurau39eR5kKcmY//Cb660TSTWw8xThmZlOcDAyF

68flWP1hTbfn6fqWqPIzNi8WarODHdWEkz/LxDbNtPAycvj/AOtWf1lJaq1/O/5I15HZ/wBf

mZvi/RvFPiDR5dOis5oI71WjEiSMXUMOvtUTxlruN2H1ZzXK2WvD/wBpg0iKw1oyrPaRLDNk

4yV6EdiCMGopQlyJvR2HGXvWZppqUEcdvPksSSQXHHT275xUpRWxvq3ZaGXf6+bSEi5dSzN8

pHHHvSptRVuxkrWVziNY1aa8crHxGDnjtUSqJrTYnlbV7nB+LdIh1XTL3TGYbbyMoWB+6CMG

orSafOlqtP8AhiEk9D5ls9S1bQ9Qns7S4njmt3kidoiQcDIb8CK5m18S2HTcuW0h1vqlrOVW

6TYQACy92Hc/hVupKzuVyp7E0yWrys9qxCFuhPIFVTleKSZL622IhbSHO3JA6mtE9SGu4+NW

Ubs7cEjpx0patlaLYrhn3NlufX+tOLtGxL3sSI5yNxJwe9EtY3YlpY9v+H0rSeBY5FCoBPt+

XIJ5Pr3rwcVL9649jrck3F/L7ibVbxYtPmDE7mVsEDGOtcVOnJ1UTK3K0eLWsUV7LIrOuzcc

Bu3PSvTrt03puFKCnBX2sPk8NRhPMtt2D1GetZRxz2kS8Jr7pLbQ3drH5Rkbaq/IHH/1qJVK

cnexDpSih6SjIEsZjkOct2qeXtsTF6ak32qP/n5H51lyvsK/9488AVCTvAI79a+uSbaucNlY

QcqzA5AByahaSsEHHqNUbU24HUUO+xV04sJAdwIGOewrSOxK5RmGzhT3qb6jXYQFF5GABwaN

RaLQHYYzuAwaScuoJaDSE445PPWhtiXcRflLcDOOc0LoVGyY4gK3QUK4LlQoXv6VPQUrDdm0

jnOR2qkUrD1JJIZgR7npUWsKPLzMVFXaWyAB2z1p37FaWJY3RQQwB54IrOz6GqkrCbB5mY24

A4J4ouK6T1EaJ9xbJIz69KIySGo9CRbdmjRNyYGSCOp/Go9okx0absOWJVOWByT8v/16XM2r

FuCTJfssLoPm2lOW9MUoydxNK17CNKFiZl4Mjda2jozm2ncrK8G87sjPTHc1S5lGwm1aw6Er

G/I6HilGT0GldH0j8F7r7doMLJlms225xwFPIxVx5Uk477DXx2bPcNEvrZruOS9AV7PBXPJY

4PFZSaqJcrPQoycJK53MWvotlpLwsVciUDB+UKCAMH8K6aMWomcpKWqNHSdeupCwkjyquGzt

xhSCcZ9RWjq9GtRcl9jebXY7e3aVOYlz5uV6YBO4+tbLl2a1JixkD2F3B5sSxzLL8yngjHFS

6Ueb3gp1GmeQ+BZoU1Oa8g4gN/PIoXjA8wgD9BXztSDU5L+reR6mHkpQPrjwlc+bpMbM+dyj

ofu8Y/pXfQldXiZTt1OS8ZkW3jHRtR3sFkR7c7e5BDKT+tK7ckmCWtj1/wAKy/aLCSIHBK5F

dkX2Oeolc8b+JtsYNStySu1gwIB+7XDVjyyR1YaV6dj50WytvEn7RGnpcybEstCnmRXI+Znd

VxjPPANKnRl7eLj/AFuZ13BRtI9kPhrw4QIhp0MmAQmU3fUGvVVC6VzmVRx0Nm3stLg2iC3E

MkYGQE+VRU08PTi7JbEe0bbfcUJDGqsBGrdyf4h059abhGzVug29NSnqWpwWdiUi3Fo/vBAM

57Y9q1jFX03BXbXU4eaVr21v0n3Dyp4tvqOuOv0Nc1aS5bRuXSSUlcybdzZacn2kltjnC7u2

Tz+VYxg4tprr/XyOm+zOc1SX7YwPkSBAFwzEfMB0/p+VYXTVjOKsYl7LGV8pCVbPLDoPbNOM

UtiWzIexmmuETgkDJ9FAOSfwGamU58lm9P6+ZKS5tD5R1sxX+vanqNoxjjuLyV17HBY1lWTo

TdJ/Z0DD8tWHtNr6lESXAshYs+6DfvxjgHGM+tZLl5ubqXOF42KxcwtiORuD1B4NaJXWpnG+

zLFrq81ufLyHXHKnpWl5KzIUkn2NeHWdGuNDlsW09k1FrjK3G75dmMFSv65qoyipOUu2n/BC

UtFa25bbwhrbad/alpDDe2a/eltZRIE+oHI/EVzxxcVLlldPzX9IpU+bVNGYYnidhKcAdj2r

RzukDTVrns/gqWGy8CoHlAUShyWH3fvdK8Ws3KrPurL8TebjFQ/rocf4p8XpOLjS9LDhFcrJ

IwA3HPQe1XQw3s5Kc9Wc7kqjaW1zjYWKfu2kVe+M571vL3tTojywXK2XIr50Mb27jAP8PT8Q

awdLdMtVUiwdWLkKwBAGPmGKyWHUdUZzrvmC3aGdSWJTJPGeKbTg+4la1xfsJ/57J+QqfaPs

c16Pl/XyPPsqGZQxGD+VfWx0scVlewgA2fewB7HmotdgtHYMqF+8SciiwRtYc3B+83OTxQn2

LT1GYG4nnIoUtR9RrIEJxypPBNUpaEtEbn06fSlFkpCoeArdh0olpsDtYesZ5IzheaS0HGWo

1k28MT60RfUrpsKN2z5Wxzg0iZNWt6C8E7SevfFFtCo7B5YBIUEDvSTdwe4z5toD5xjjitLa

6Ckkh69McAA4qEWtloWEjUEHOeODisua5SSLCFEOzPHr74rP3jZTimhfKXACEr9ehqFKzHGN

tgQ4JVlI/DijoPmtox+FCiONiTLwR6VpBXd2jKq1okRX0Oydbe3+fYMEDvV05a66HP7t9EMW

xMEfmz4BI7nA/Wq5rqyBuK3Li2QCrLDsZgvLBt35jFQ72swjKJ7J8ANdjttRn8PT7QtxD5ke

eNkisBj6EE/kK3pNShbS/f8AQr4aqbPaY5E84XNuCJgOBnjPr/OuPrd/cd8Gr3O303WrWXw/

pen3TonlknziMFWAxwfTrmuyj8N7asjVK5sWusKsbxNtuMSDlOA5B6/yqqfLHRuzuDelkbl/

cRrZpDdSLElyvl+Sxzu3dRx6VvTi3qtUPm5XcoWkbQvboNQltrKJlYiNSAxfnB9OR196uKqR

tGNvnqJ8l22rs8x8EXk0TvbBcFbybJ9MO4P9Pzr5mrUanLQ9KlFbI+r/AARey/2NGwYEqPmA

6k4Nehh3aFtiZ2bRhfEa88u0i1IkB7GcSr6gZwf0JqrNzQLXRHrXw61bz0iO/CuAMY7V2U7X

te5zVI3VjjfivaxpMlwExuLBjgfL0wf51x1bXVzbBfA7nyz4dLXH7RTZliiFv4cOzKAscTDo

DxWdBXrKNv8AgCruO3VHs0Mt7bTyRwo0apOSWc7hIDyWUdueK93mXw/0jgsralDUfFM0Mvm2

BjyBtm84cAc4znpk1nfllZK44LurEcHjCHUbw2cELIEGS7Y4onKMV5vpuNKSjqUdU12MWzrF

KrOGO5W5KjH9Oaiaajd6oqPLffU57QtUe6XUIy6BhCkwBHDbWIx/49Wcve0a08wvFSXkRSzv

FG8DyKVYDkdc8ZxUxi9epq5LRHK6hqbbvKtF3H7pIH3ee9c0mop6ipWkiiLKS1H2uZC3mJxj

gk46CuOM5ymnfT8C5WjHzMHxlq9zY6NLaafGBe3ULJLjrAhXkf7xGa7KeIhCPtJLfZd/+B+p

hOLcuVfefKcKIHKoeM4xXDiZSdSTZthlFwRLHGjRbIvmK9d1c7bTuzpXLytRK0kURbDpnI6q

O9awk0tDn5VezIjbIpBwCOMY7/WtFUZDjFvQheLbuIAAPI9KuEiGuwtjq2raNOLnTb6W1fAw

UcjNaKzVjn2fobMfi+4vyy6xp9pOd+TKqbJDx6r/AIVjKklZxb/Q0jVlojW1Pxff31jFZWjP

FaqNzA/eY/X0rKChTk3HfY0cZy96T0Ry7XUkjOonwc9SMVfIk7mTqq3KGy5EY80gEYH+cUJw

voE4tPUtW6+U6q86yLkjcMisp2ew4epd8oSFiZGI/wB7+tcyk4lcqciwsRgUqrbV3dSc5/zi

p5uZ6o0jFpaD/s8397/xyov5HP7OPb8DhGYHgr+tfUxl0OTqKoJAHcD/ABrO92KNxMoqcAgA

jvTuCvbUVWTfg5A9zR02LbJM7iMKRjHfpWeqdwvroQuBtHHQ1cZCWgxhwuM4GOlOOhC2EOOh

B4Hei9mN6aBBjc3selUOKaY89CcYA9+lQtNC47WG7WyBk4zxTb0sKTVrAgOfpnmjpsCatYlG

zzCELEcc4xUsV/eHLDlSGBb8ahysyltZB5TH7oxj0qVJLc05bKwoyCP7wHr1pqwXfQmUKr7u

Dkg4NRF9Bp2kSxyPGdwQY5yuazsnoy6UmtSTzoXjOxSOemOlSoSTNZVYcupFb3FvaTNNKQdi

4C92J44+ldXL7tkcPNrcrxXkxm82NQm45we1WopOzFze8x4gnvCXmJJ7k96HJJaCT00GNBc2

rRtGHGT68GiO13sNSTVup6B4B1eKy8W6fDcjETo0LYHOWGf5gVrCk6kJLsmROpyTiz3WzvGt

kELSMAiAbDwVz05ryqNZwfc9NxaOwtNHvtSt4DMSHii/hbjB61coS5dNh0/66DV8I3dlOkgj

l4PLLIflyOtZ0HWp/asayUXHU0ks9deCG3+3Sy4bd5cx3BT/AJ712+3q2tJL7iYQXNoX/Dt1

r2n3kwuI4rnMmVjyG8ognJGfrXTSxKS99aGapyU3Z6nA6BfPZeMtXsZ0lic3cz4b+FWIYf8A

oVfO4mpGFaTvZHoUovlVz628B38L6DayRuN0gDYz2xwDXp0YWVk9RmX47u0FpNuOUKFWXPFK

pJXsNbo6X4EeJ4r7QrUmQtLCBG2Tk5ArspS5oprY5WmtGdj8SYGvNHMuAcKSRU1NVYjDM+Jd

L8VWPh74+ahcXqnB0ARKBnqZ89hnoBXJhYwUoub26mmIcuZpHpq/EjRDcIXmnLzAYHkn5Bk4

z79fyr3faw5d9Di5ZJaas5rVPFF1c31y0b+dGJVMCldrDHRRkc9TWbrcs32/rUr2fczdMuRF

ImpCeSMCH5rdlIOT6/jmuOL5pcydl/Wxve0LWuUr7ULSDPkpIRJgEAHpnpgfjROrGCerJhFy

0sbXhrxDp5jvYIhgmJiFKY2gE7uPpWuEnSjK3bQism2ri6ncG4l2oUZS3DAEnB71nZRVkWpe

9ZszPmtIRcTBYQWy0suAFAPYfnWEKblJ2X3f5jjNwijBvfEDTNPZaVFLJIpw10wxkEdBnpWD

rUYWja8u3S3dj5JWu9u/U4/WwNG8P39/cSLujhdmY92IwB75OBSpUJyrXWrZnVnGENOh85+U

hZgpAIPPt+NY1KnNNy7l04tLlTFhjlhOAudv5Vm5Jo0TaJVhd23A7SeDmo5kkUo36iLpuXUh

QGA644NV9Y0JdH3tBjW8iHPBwcEGnGaYSjKK0K5gbr5YwxGCD1rRSS0MIJkcltOHby0BHHTs

KuNSNtSeXW6I/PkhPlkbce1NRUiOa24RRG4LAr0OcZ561V1BmMVzXFW0miAYbhzxnuM0nVix

KnKL0J0uliC+YrLIvHTgms+S+iKjKUdy7Z3sbna2HP8AsjBrCrSa2LjVvKxaQRvKDDI24HHJ

5rFXSs0aKS6Fz9//AH3/ADNZc8OxnzeZ5+V2np09q+nTs9DlURUYdccCkr6iikh3lnYSTgH2

pN9AVkmkMOc5B6HI4prRDsOU8/e69TS2Y7ajiCRjHX1pR0FpcckW6RRuA6fQCkpWQkrIaUXf

8uDgYp30B9BpieKRl2jkfXFOPvIIJXuNMcmMHpmkmrjQ6JW6DGKTtYJR0uPSDcQDggVPPZFR

ixwjCN8pGDjrSuNxXNYUOVH3QcZ/Ciz2GtFdEq9MLxzzUJaFxkhCnIIADD24NF+43uMKNwQe

Ae55pxfclJX2J4ll8sZOf9qsny30Lg7LXYZM4gi3ZHB/OuiMbaHLUbb0IEjQ/vZMqpX5QT1N

aPshI6T4ZaX4WvvG2mHx1dzWnh6KffqLwLl2RRnYo9WIC57Zruy/CqtWSk0ktddE/K5z4qqq

UG4q78jd+LGreA5/HWpP8O7FrXRWZWiTnYHKguEHUKGJAz6Vli8LTws5Qpy5ku+vnv1HQrTr

01KceW/T/gdDkZ9VkubO2sfJjKQTGQNt+YZHI+nFciWvyNlotTb0qIzatpunadAsl3LcxSLK

CeDnJX24Iz9K9PDw9lByltZ3+/8AyOSvL2lTlPoMuttL5l8wFsSqgqed3T+Zr52EIuooyT9T

3VflT3PUdFuc6fb3Su7LLEu446HAr0Ka5HYiKaikbaJJInmW1w6zdQuflI9M/jQp8r01+Rso

XRHfzrFOgltVkJXDOI+M+mfr/KhuEG7fqVFSaSZDPdCFhJFEjyshfcG4XpgZP61pCMYN6WJT

UnoeX6uSvxNuJR8q3lijqDySRlfyO0V4mZxXNzJbnVhnpbc+ofBLxxaNCckeWAp46GunD87i

jo+FtIwvH124t5WkUFArfTtWlWV2tbGajqct+zB4sv45Zftch+zX9/cfZMjGFjfb+OetdGGr

wneMemn/AADmhFp3a3PqnXP9P0RsHlkI9aqfYKCsz4dkt4tG/aWvILu1iuFutCcosnQYlBP6

VwU4wlOMWr6/oVWbi+a9j0gWtm9wb9NPtN5GEzLlSueSK9qeHUmlrpp0OaFVxWrQsumQ3G2B

JbSNyMgopO0deTjioVFLVx+/+tSXUleyf/AKieGrd3WVpkmEi7d6r1IxwfzH50pUZJPm0/yN

VNONrkT+AdAVlM15MGJJ2sOM44H06fnWUsNObsmP2kUPk8MeH7CGea0uWV7eAsqiNSrYB4/M

VcMJZc/N/XqZTqNPboczc64u0i0t4Y5MFVLrntkH9aT9nGXJH+vK5Scn5HM67pc2swhbq4mb

a4LBGxkZ5H0Ncs6tX2dou3oVTp001dXt3IrXT57TNuJnVWId8gc568/jWNKLcVG97af0ypOC

PFPi/wCNl1fUP+EW0xwLWxOJZAf9a/PH0FdFap7OHm/y/Q56VqtS66bHncaSA/6vcpPavKbR

2RuOhEayEhsDggbaTb5bDShd62LsMaofnUBe7Lzniudu+xcIuLutkWAkPkByu3JOGHQVF5c1

jTmSZXnt2aLETRN6Nk5B9K0pztLW4StKNkU0iZTnzG6cZHSt3JdDjVN3s2NlQ5ynUDJHc04v

SzJnfSzI9qTIGaMOCBgge9axTi97GD7siS2CSgwqVUHjIrTmfUzslqicR3HlBGUsi856Y57V

lotR3k0TJZ74llaFigfaGK5H5+tQnKOqKSgMl04H5kGw8EFfSiNZ9RSpK+jHQQ3Me798ASSR

lcDFEpReliUmtbj/AD5P7i/rUey9TK/mcopyzBsfl0r316EbdRwO0Mu0AN3/ADrNb6Ex8hNg

2YyCCRTu7ajWiG7QCRwAOOfwoTsi3cbkA89DSvqJX5gULgng4FPUTXRkmASFBGMcVOqGr6Cx

xgyAZIx+tKUrdBO9i5axK5ZcZPfIqHJ9BxWpNJp5bIVc5rKNS2/QqMNCpJaCMbSMNVxnoJ7W

G24TzNrqM8/Srk3bQSvclwu4jZyOmAKz2epSau7ERjCLgrg9c46VSkyrpqz2EX1yc9qEio6I

kRQWGM5IxUu6FdpgFbOCOnTnrQrXHf3h7fIgXOAB271VFK92ZuVlZEIiNxPFGFygbH1NdDlZ

XMmnewtyq+cik/NnBHoKqjBzkoLqEnZXfQ0by/mWzSAwo0SDZFtQKPqcdTivoqcoUKcrQuno

vuPKVNSqJuWvUx90zO0igx7SACpwMeleLivf95RsjvptKPK2a0Rurq3je5CP8+AcDOQDnms8

Dh41K8YpaFVarhC9z0rSNf0LS/Fvha1TTbWxit9JVpW2jJlkzhmPXODn8q0xcp051Kbd7tW1

/u9DPDR5nGdtV/meyxR6fqU6q5jeHcpPAKtnvXmQoQc0no2z1oVXa99j0DRIoodJt7SKMMIY

8HPbHGf5VtThZau/z1HGTeyJhJPAIFYMFHCknj8fzolVSdr6lKHu3J/7bBMgCq0n+r2luCel

b3i9xxbW5Bp15tS4BghaNG+4QPmHt7CopxjKLW4nOSlucD4kjR/iHbSvBtV9LG4bcAbZOP0N

eNmihZJOx2YWz3Po7wZDLHp3lF2KnDcnjpW+Eqc0emh01U7HFfGjWYtF8N6hfFiFhtnfAz2G

f6VvL3ZGE3ocj4FtX8L/AA88Oaik+brTIY5ZVVuVL7S+ffJzW1NJUnNrR/1c5opJpSeqPrHw

rrw1XQomDKwaMEHP5VMZ8yuawglZHyx8e9Kj8O/Gnwj4meAG3vGn06VguP8AWL8h/Nf1rnp1

FDEXloi68W6Sa1sbx0+IQx2BkaHamMKoIBxkcn3zXrJTS019TkSXV9CXTpIL55IFKxwQ/Kql

uvTn8Ofzpci5nFXCFnMvQytBbiOGbdgnD9u2P0/lTg52asK0bFDVNSBAmgOT93Ljr6/1pzmk

tdhRveyIjMYbS46FzHyT3P1rKi7t2/pFVGlE5hkNxeTTSosKqcKigEEAcVjKS5+VLTzLgnbc

pOyKrSxtwh5/ColFbImFoxOA+K3iqXRvDsgt5Gt5bhdsbKdrFvr9KiNXljtdGc73SvqeB2rJ

ctuuWDSHH3uSD6815FaU7uR6VJU/hHm2RC7wYXPYng1kqjejB09W4sz53j3BfJCjPUDj866a

adtzlnNO7a0ZoWnyRb0UFfbnHrXPUWtmdVGTUbofPKkyFFCjI6dD9amEWndhUabS6ldbeWAc

AOCc88Ff8a154yeuhnyOMbrUckgc7Q6F8DarHnsKXLYwU3eyYC0DN8zdBn5l5HtS9pZFcrTS

b1I5Ldtrru2564q4TVxcvQZBaKzbVGxlz34qpVXExhSTROkEkMQWQsFUfKwPB56VKnzPQmdL

kjqL5XygDoPmBHT8fzoUpEXIpI3OXjYhh1VQcVUWk0mJx6p6ib2VArDOM5GOKajdtoTdlqP8

1/8AnmtZ8vmYc8DkACjMhx9SBX0cXYm0bj027WHcD1rNXuEXroBHyZJ+uR1qNLaAnYaygOVJ

Uk+n4VcX7uiEmriALuGccGpSd7Gg1o8cDHPr2q0vwElYehH3XxgHg4rO1tiV3JhGMKDiplJ3

0Br3kixblkkI2cEYFFmolLc1bd4nVgfvDNc+vUcdPQhls0kj3Ad+hHBqedp2G7WKIsv3yng4

HPtWrqOw1HXQRYWDbSp4I5FNtAnZsaEVQQcnjp0p3B2WowxqDwQOe9C2HpbQIwVbOR09cUnr

oLRbi5DEKQM564604R1KvG5G8qQqeSfT61rGL00OZSUhNPmw4KgnZk/jzVzXuiHWVu97OEEb

yOynaAM/U134OEE2+vT1MasnZJfMs3trf24P2xWiMY+SNkIJ4616E6kuS0ZKy/Pc5qaXPs9S

C0t7wzW1jHD573MgCr/eJOAP1pLnpQjCavfX9B+7K7jpY3vEmjy+HtUfSJ5MfYpSjMU2guB8

365rbBVKVXlraJN301tbT9DKUJxvFp/MyLm4kv7r7VICTsVE9lRQqj8lr5jE1nKo5JnuUKXs

4pWOqt/Gd9H4MuNAuDOJzJEIZlfG2NTkjPrkCuZ1nzxlF6p3/M3hR7rofSPwz8ZWS+AdJbVt

ctpLtbUGczSqGJJJAPPXFdtNTqP2ii/l+Zgp04J072/M6MeLrSS1/wBHBvGWUbPKdTu68UT5

YrVfgXTqRa0Zy+v+M9Atrr7ZrOpW1nM4EgSN8nPPTFR7Opf92rGirw5Up6nMW3xS0+bVntYt

UeMhSu+XjAqKOIqN2urCfInfU1bHxRB4p8T2ky3kdx5dg0auvYbx1/WuDMnKe6t6HXg2lsz6

o8GusekwRucuYwR78da3w6mo/wCR6Eo6aHi/7S2pmbT4PD6R7m1S5jtyBx8rP83/AI7mtatS

FN8zfQ4asG0orqQnxMhtbzTVsZvs8sDZYlQR6ce1dVKpRpwVFbd7HL771R7n8FtanGiQ2U53

GABW5znjr/OvNwsny8snqjvil8SRlftMeCm8VeBrmW2YR32nfv4JMfcdfmVvzArPGU5RtUit

mVDllBRezPFfBXxItfEWk/2rDpVw0ivtmjLDKOPvL74IP517dKtTnHmueY+e+xeh16BL4y6T

ZyKJJAhV/wCDsT/n0rKVSMJ87d7/ANfcaU05aNanS2eq213bPHbPnGGY9l+ldEpWjZfJEKV0

yOXzpY0iEe2IMWIXjJrL4bqJrdOOuyEu3eFI7ZZk3XCKpXbkLyRuye3IqqU9G3sKUFaxlACG

6a0WUSOF+V+gbArnlCXPdhGUXG6MhV8i1c3EyElyzf7I/wA/yqXSnz8yViY1IqJ4T8X/ABXa

eKr210vTRuSwZmd2HysenH61zYuUaMOV7/kaUFKrJvZHn8WneUypOHVCQB6dzwa8t176xPQj

Sa3WhfComICA4HJU8MRXOm3qaKHLohbZ7byQktvlCe46n1HpxSmpX0Yrx5HdDV0aWL57GVQM

5Mfan9ZT0mjJ4VrWk/8AIqzSM0ircxeSRwccbq2hFW93U5p1ff5ZongtXVcRurITj5hzis5V

F1OmCsrIbLaRo4kwoI56f1pwqO1iXCPUkUgD96ikE5BAqbdiHyxdydYrecHypCpK/dx15qE5

x3Q48j6/gPOnEYZYwqg4Ge4qY1le1zD9AazxEImwytg4X+lONTW4SVthgikT5CF4PQrg+nFa

KSMuSW45bX5CpUZ9R6GnzrTlMlF83mVfsckIKsF2DODnqM1qqiYkkHkx/wDPH9RWfOjK8e34

HEDljnnivpWcy0aHJwSBwCnNCKW4OB5S8elSC3Y3JyRmnHYTeghJLcnOMVK0ZXUCOoPrVPYz

vqK/3vyqYfCaR6Eik7GGTxSkveQdC9b/AHgfY/yrOS0Bt3LFuzBgQSKyh8LKgWn/ANWfrU20

DovVEC9R9KO5rT2HzAbRwODWab5iX/EKEwB80EZwK6Ilx3EhAKAEA/LRLRuxLIpwFK7RjjtT

juxS2BAAMgYORVdSTOu/u59z/Kt4GdHZlmMBbJGUYJfqPxqjG51Gtqtnr220UQBbWPaIxtxm

Nc9K7smbnRpc2ur/APSmc+O0nK3l+Rfsp5rrUdOFzM8u6FgfMYtkYHrXLiElTnbv+hjhG/an

QeA4orf4nQ+RGsWyRNuwY2/MOmKrMpSlh7Sd9BzfLSvHQ534tXNxceOtY+0TyS/8TGb77E/x

H1qctio5dDl092X/AKUzeMm6zb7r8jmVJBYgkGvJtse1Lp6Fq5/49G9iMflWVL40aw+JIYQP

LXI6KP5CuinUmoWTOaKTtc0LC5uIY28meSPLD7rEdjXoYGcrrXqZYiMbbdSDUCWd2Y5IA5P1

rgqSlKV27ndSSjFpDFZvPkYsc7+uamOjMonqHwMJ/tdhk4No3/oQrz8e3GCa7nZgtZO591eE

udIs2PJEA5/CvSpJJs6/snz/APtAO/8AwnfhZSxwNSbjP+w1aYlL2EvT9TzMU2pRt/W5RsXd

tNlZmJJdwST1G7pV0PiYpuzikfQXw3AW2O0Y/wBGTp9ayppWT8/0O5/AzufFqhvD99uAObV8

57/KazxK/d38yajfKfAnwadxqHiOIOwRNRkKrngdOlXhG/ZU/Q8+vpXlY9S0UlryMMSf3nf/

AHTXXJK8/wCuxpF++bWgM3lXXzH7w7+1dLVpO3Ywu+Q142b7NCdxz5vr9Kcoq60NG3zWGXAB

hgJGSQMn15rDFNp3Xb9TWStAxLvjUYlHA+bj8K1+yRDc85+K1zcxz2tvHcSrFIU3IrkK3Hcd

63oJfVJy69/uOOWtVJni8qL/AGsVKjAfpj3NfEJv2Z9JTWhJEqtMAwB3A5z35rBu0dDssuZE

DAJdXIQbQr8Adq0jrCNzjaXtH6ljSwNsqkDBByPyqKwU3qx2nk+ei54BIx+FTV+C5OH3sS3k

cbWUu5FOMdR7ippSaqKxrXivZtW7fmY9mzLcLtYj5Oxrukk4O558NLFhwDIwIzxmsY/CE9Jq

xEwBDAgHB4z2rTZ6CfQkAAZMADGKVPqV2Na0Ja1LMcnPU/jXLb95YmHwEk4AtlwMYA6fhWdP

42bS2gv62KzcoCecetbr4mca/iWE/iX2I/pTp7kR+L7yuQCsuRnDEjPauhtq1hNKzKVSclz/

2Q==

=========================================================================

Date:         Sun, 24 Aug 1997 16:29:41 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: wsb and fletch

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Return-Path: owner-beat-l@CUNYVM.CUNY.EDU

>Date:         Sun, 24 Aug 1997 17:28:57 -0500

>Reply-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From: Patricia Elliott <pelliott@SUNFLOWER.COM>

>Subject:      wsb and fletch

>To: BEAT-L@CUNYVM.CUNY.EDU

> 

>david (race)sitting in william's backyard

> 

>Attachment Converted: c:\hookup\eudora\wsbdavi1.jpg

> 

  Since this and others like it take so long to download, maybe somebody

could kindly backchannel me with advice on how to view them.

 

                                                       Thanks,

                                                       James M.

=========================================================================

Date:         Sun, 24 Aug 1997 20:48:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      pics and apology

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Well, I am so new at this save and right click, so i made mistakes.  I

am sitting up a web page with the pics.  If i am successful, I wil post

the url.

I am sorry for the duplication/;

p

=========================================================================

Date:         Sun, 24 Aug 1997 10:23:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@aol.com

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Leon Tabory wrote:

> Could not a good narrator, restrcting or forcing himself to write

> accurate

> descriptions of events that transpired, that nothing and no one could

> change

> any longer, still be aware of the even greater power his words have to

> change things in the near or distant future?

 

Absolutely.  You are right, it is not an either/or dichotomy.  The power

of words to change life are probably the most important thing of all.

One would have to look no further than the lives that were changed and

influenced by the words of Burroughs and the other beat writers.

DC

=========================================================================

Date:         Sun, 24 Aug 1997 10:32:19 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

Comments: cc: SSASN@aol.com

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> i suppose that requires getting past all the questions about

> determinism

> vs. free will to answer.  have to get far beyond this book to get close

> to those notions from WSB's perspective.

> 

> it seems that the recording is altered whether the overall system is.

> so my experience within the universe is different than it would have

> been otherwise.

 

Not being a big believer in determinism, I guess I am looking for what

Burroughs thoughts on this are.  The beginning of Naked Lunch reeks of

people trapped in patterns that they seem unable to change.  Obviously in

going to the hospital, the narrator is doing something to break the junk

pattern.  I guess I'm still not grasping Burrough's conception of a

pre-recorded universe for the very word pre-recorded suggests

determinism. Is every person symbolically recording his own tape using

his own free will?

DC

=========================================================================

Date:         Sun, 24 Aug 1997 19:25:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: pics and apology

In-Reply-To:  <3400E474.52EB@sunflower.com> from "Patricia Elliott" at Aug 24,

              97 08:48:36 pm

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Patricia wrote:

> Well, I am so new at this save and right click, so i made mistakes.  I

> am sitting up a web page with the pics.  If i am successful, I wil post

> the url.

 

Don't feel bad, it happens to everybody.

 

Looking forward to the web page ...

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Sun, 24 Aug 1997 23:39:58 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      origin of high

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

hello everyone

i was reading an article on hypereal and this guy was saying how the

beats were the first and most well-known group who expiernced with

writing while high. which we all know.

but, he said that they actually did coin the term "high". is this

true? he did not specify who it was, but if anyone knows or has

speculations, please let me know.

cya~ randy

=========================================================================

Date:         Sun, 24 Aug 1997 10:25:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: The aggressor.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

>         Don't use the telephone

>         People are never ready to answer it.

>         Use poetry. --- Jack Kerouac, 1970.

 

        How on earth did JK say this in 1970?

=========================================================================

Date:         Mon, 25 Aug 1997 01:18:13 -0700

Reply-To:     mike@buchenroth.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: pics and apology

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> I am sorry for the duplication...

***

Please send all the duplicate photos you desire. Please send all the

duplicate photos you desire. No one No one could possibly mind due to to

the precious nature of your imagery!! Pleez Pleez send away!

***

Besides, cultural history demands it! You have a live legend started

with your news, stories, photos, and David sitting there near to

Burroughs' hat. I had wondered about that hat a number of times during

different days as I remember someone posting once a while back during

the "Flame Wars" that Johhny Debb had paid 50,000 bucks for Kerouac's

rain coat. I just wondered about Burroughs' hat and hoped it would find

a proper context to exist within now that it no longer has that Beat

head to travel upon. It appears so!

-Michael Buchenroth

 

=========================================================================

Date:         Mon, 25 Aug 1997 01:35:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The aggressor.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Bill Philibin wrote:

> 

> >         Don't use the telephone

> >         People are never ready to answer it.

> >         Use poetry. --- Jack Kerouac, 1970.

> 

>         How on earth did JK say this in 1970?

 

Medium ?????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 25 Aug 1997 02:11:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      The Legend of a HAT

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------714F43B51B90"

 

This is a multi-part message in MIME format.

 

--------------714F43B51B90

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I mistyped evidently and this just went to Mike when it was supposed to

go to the Beat-L.

 

david rhaesa

salina, Kansas

 

--------------714F43B51B90

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Message-ID: <34012733.4119@midusa.net>

Date: Mon, 25 Aug 1997 01:33:23 -0500

From: RACE --- <race@midusa.net>

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: mike@buchenroth.com

Subject: Re: pics and apology

References: <3400E474.52EB@sunflower.com> <34013FC5.454D@buchenroth.com>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael L. Buchenroth wrote:

> 

> Patricia Elliott wrote:

> > I am sorry for the duplication...

> ***

> Please send all the duplicate photos you desire. Please send all the

> duplicate photos you desire. No one No one could possibly mind due to to

> the precious nature of your imagery!! Pleez Pleez send away!

> ***

> Besides, cultural history demands it! You have a live legend started

> with your news, stories, photos, and David sitting there near to

> Burroughs' hat. I had wondered about that hat a number of times during

> different days as I remember someone posting once a while back during

> the "Flame Wars" that Johhny Debb had paid 50,000 bucks for Kerouac's

> rain coat. I just wondered about Burroughs' hat and hoped it would find

> a proper context to exist within now that it no longer has that Beat

> head to travel upon. It appears so!

> -Michael Buchenroth

 

NONNONONONOOOOOOOOOOOOOO

 

The hat is MYYYY HAT it was given to me by a dear friend who according

to Legend (and that's all we have these days now isn't it) a Cat named

4X in some organization titled The Nation of Islam!!!  I was just

reading WSB's letters today about what he'd learned from Islam and

everything he said i understood intricately from my days under the

tutelage of the old black Hat.  I and a legendary woman of the time

bought him a Legendary Malcolm Hat for a legendary birthday present.

Anyone who goes through Quad Cities America - like in the early pages of

On the Road - head down to a coffee shop in downtown Rock Island called

AKOP -- All Kind's of People -- run by Herb and John two great guys who

saved my life more than once and ask about a crazy fucker that used to

wear a black hat all the time in their place and read poetry about

Yahtzee and The Short Month (African American history month) and things

like that and tell them i said hello.

 

As for the REAL guy's Hat, last i saw it was artistically placed near

him at the open casket memorial service -- i supposed in case he decided

to make a grand departure in the middle of "The Priest They Called Him"

-- and though i must admit that for more than a second during the

viewing period as a got closer and closer to the casket i consider

pulling a switch for it OR just grabbing the old Hat and making a

Snagglepuss exit stage LEFT and trying to outrun the mob truth right and

justice took over me and i thought who needs the Hat - i've got this old

Black Hat that i stalk lawrence with like a Black Cat and yada yada.  So

that clears that one up.

 

Now as for my picture under the title WSB and Fletch i understand

something about pictures connecting with souls and this and that.  And

from Western Lands i have heard it say that according to Legend

(egyptian i believe which i know rather intimately) that several souls

fly the old chicken coup right at bodily death and head off for a more

lively customer, and so perhaps somewhere in my Egyptian hierachy of

soul (which i might have - who knows - i've replaced some zombied out

higher souls with WSB & fletch soul particles) at any rate this is about

the closest that i can come to any possible cosmic significance to the

photo and caption.  But i will always like the notion of a picture of

WSB and Fletch coming out of the computer magic universe and looking

just a bit like me after a long weekend.

 

So enough of all that.  MY hat is fine and rests atop my computer

terminal.  It is a thinking cap HAT afterall and is only worn out when i

intend to (and have alerted all relevant authorities regarding the

intention) have a few moments in the American Night with a creative

Zing.

 

david rhaesa

salina, Kansas

 

 

--------------714F43B51B90--

=========================================================================

Date:         Mon, 25 Aug 1997 04:39:24 -0700

Reply-To:     mike@buchenroth.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: The Legend of a HAT

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

***

Remember that exercise from grade school where the teacher whispered a

message to a child; that child whispered the message to the next child;

and similarly around the class; where the last child had to recite the

message aloud? The message most often changed. Obviously I provided

insufficient attention to Patricia's message as I too recited

incorrectly. And I hope I stand at the end of that line . . .

***

However, my meaning still stands. The photos prove extremely

interesting, fun, historical, legendary, literary, etc. and I encourage

more photo postings. We actually get to look at one another beyond these

hammer chisel, black white locutions ... as well as participate in

history; engage legend.

***

Thanks,

Mike

=========================================================================

Date:         Mon, 25 Aug 1997 04:16:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Legend of a HAT

Comments: To: mike@buchenroth.com

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael L. Buchenroth wrote:

> 

> RACE --- wrote:

> ***

> Remember that exercise from grade school where the teacher whispered a

> message to a child; that child whispered the message to the next child;

> and similarly around the class; where the last child had to recite the

> message aloud? The message most often changed. Obviously I provided

> insufficient attention to Patricia's message as I too recited

> incorrectly. And I hope I stand at the end of that line . . .

> ***

> However, my meaning still stands. The photos prove extremely

> interesting, fun, historical, legendary, literary, etc. and I encourage

> more photo postings. We actually get to look at one another beyond these

> hammer chisel, black white locutions ... as well as participate in

> history; engage legend.

> ***

> Thanks,

> Mike

 

That is one of my favourite games from childhood and probably one of my

favorite games as an adult.  I'm not certain if it was on the list or in

private correspondence with Arthur Nusbaum that i compared much of what

goes on in cut-up methods as akin to that game.  Writing is 50 years

behind painting but all art is centuries behind the games of children i

suppose.

 

I love the notions of the pictures being incorporated.  I now lack a bit

of anonymity as i type type type fingers sliding across the keyboard at

their whim since readers can attach a face to a name - but i also find

that it is more fun interacting with folks who i've met on route or have

connected with cybervisually as well as in other manners.

 

So pass that one along through the chain of children and hopefully the

last one will sufficiently edit to the message: cyberpictures are good

things.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 25 Aug 1997 04:37:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> This actually is beginning to read more like scenes from a movie script,

> or maybe it's just that the content of Benway reminds me of some old

> fuzzy Planet of the Apes movie.

 

I've been meaning to respond to this note since the day it was sent some

some some many many years ago in cybertime.  WSB is difficult to read

unless what Diane is caught here is .... grocked.

 

In reading Naked Lunch, it seems to me, the idea of "sketch" or

"routine" (something akin to the best of contemporary performance art)

is a necessary form to grasp.  I'd read in the Selected Letters book the

use of the term "sketch" and then "routine" and had a vision of sorts of

how to describe it but wasn't certain that it was Quite right and so had

held off.

 

Yesterday morning while sitting in the filling station booth mindlessly

ingesting with pure joy the Selected Letters i came across a patch of

words and brain popped back in to the game and said "that's for the note

you've been meaning to write about what Diane wrote so long ago".  I

said to brain, by jove you're right! marked the page and moved along to

continue mindlessly ingesting Selected Letters for breakfast.

 

This was the quote from the Letters:

"Gag for Milton Berle: Feller say I reckon Christ got Mary's immaculate

cherry on the way out."

 

And this fits with exactly my notion of sketch/routine.  In our culture

the extremely progressive side of mainstream american comedy has shifted

along the way through the years.  At the time of this writing comedy was

a Milton Berle kind of comedy.  And comedy writers -- the author's role

-- were portrayed comically in a show called the Dick Van Dyke show.

Still watch it sometimes.  It was comedy within the comedy - and perhaps

parody of the Berle type figure.  So this was the edge of culture back

then.  What the writer's talked about in that show was writing

"sketches".  These kept going through things like Laugh In, the Carol

Burnett show, Love American Style, even the best of the not ready for

prime time players, secondcity and perhaps even in living color.  The

edge in all of these and performed in "sketches" or "routines".

(unforunately, this form has been overwhelmed by the "situation" comedy

which has been poorly attempting to catch up with where it was in the

days of All in the Family).  Enough of this.

 

I see WSB in Naked Lunch as writing for something like "The Carol

Burnett Show from HELL!" - (with a big smile after the hell)  If you

take what was "the edge" of acceptable humor and push it back across the

board to where it is considered mundane and straight dramatics and then

employ the same "sketch" technique (a talent only WSB has been able to

master it seems) a whole new form of humor erupts.  Those who miss the

humor pigeonhole the writings under categories of "Apocalyptic

Literature" and whatnot.  Missing the whole game of this routine - the

joy and laughter of it all ---- afterall should a Naked Lunch being a

sombre ritual????

 

 

Close to walking through the wards of an

> ugly insane asylum but I'm always wondering why the narrator is on the

> outside looking in.

 

As a person with some personal expertise in this regard i would say

closer to the pretty insane asylums coated with the color of paint that

will induce passivity as if the Thorzine gives color a chance to play

its tricks.  No insane asylums are like these images for long.  A needle

and leather straps settles the matter fairly quickly.  And for those of

us who are stubborn it settles it very s l o w l y.

 

But the notion of it being compleatly "chaotic" by conventional notions

of decorum is on target.  And why would the narrator stand outside of

this????  The cheap answer would be in the words of the Bard of

post-Hiroshima earth: "Wouldn't You?"

 

The Benway section alone has my mind chasing in so many subthreads that

i will have to weed and fertilize and whatnot a bit until they bear

fruit.  Hopefully will limit the number of crops from this planting.

Wouldn't want to glut the word market.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 25 Aug 1997 04:48:46 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      NL-Benway-algebra of need for crazy

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

The end of this Benway section hits home for me as one who accepts the

societal label of crazy -- and get good money to do so -- and sends me

back to the introduction again and the Algebra of Need.

 

>From much of my readings in social psychology, insanity is a fact but it

is a fact defined within given cultures and societies.  It is a socially

constructed fact.  Anthropologists will point to some characters i know

and say they'd be highly respected visionaries in their societies while

here they sit in net of social security control and live the stigma of

those defined as crazy.

 

I've written some essays along these lines before on social theory and

psychiatry and ....

 

well can you all remind me to go back and integrate all the Algebra of

Need angle ... with the need being Society's need for crazies and

Society being the addict and the crazies being the junk ... that kind of

thought into my essay on Reification of Medicalized Being.  After we get

through with talking about all of Beat Literature since Columbus or so

can a few folks remind me to go back and work WSB in.  He is an amazing

social theorist that fits so well with what is mainline thought in many

ways and that he -- of course -- wrote about several years before the

publication of "The Social Construction of Reality".  Anyway .... that

was one of those Benway strings that was clogging my brain.  Perhaps i

can really talk about what's in the chapter now....with the fingers tied

around our collective finger helping my absent mind.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 25 Aug 1997 05:58:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jenn Fedor wrote:

> 

> beat members,

> 

> i desparately need the help of anyone who wishes to contribute!  i am trying

> to start a tutorial at New College of USF (which, if you do not know, is a

> student run and organized course offered for normal course credit) on Kerouac

> and Ginsberg work.  i would really appreciate all of your input, because most

> of the vocal members on this list are much more versed in the subject than i.

> 

> i will probably be asking many questions along the way if this is successful,

> but for now my big question is:

> Which Kerouac novels would you chose for a course if only 4-5 could be read

> (please give the top four and a bonus just in case!)?

> 

> What Ginsberg stuff should we read?  i was thinking kaddish and howl and the

> neal cassady elegies (where are those located?)  what else? would the

> Collected Poems (1947-1980)  be sufficient?  i want the kerouac and ginsberg

> to be equal.

> Thank you all so much!  i really appreciate the input!  i need as soon as

> possible!  you can send it directly to me, or through the list - which ever

> you prefer!  you all are the best!

> -Jenn Fedor

 

Jenn:

 

well it seems that you have had most of the pantheon suggested although

i'd say that they must know "something" about william burroughs to make

sense of old bull lee's force in OTR.

 

i've had to try and synthesize some of the impossible before and here is

what i'd do.

 

Everybody in the class reads On the Road.  Then parcel out all the

remaining writings that folks suggested and segments of biographies to

each person in the class.  Depending on class size you may be able to

expand the pantheon beyond what has been mentioned on the list.  Each

person is expected to be "the expert" on their extra book or books.

Then no classes for two or three weeks and everyone learns their

material.

Then come back and go through On the Road together as a class but with

everybody bringing their special areas of expertise to the discussion.

The students in the class "become" the personas of other beat voices or

the same beat voices at other times.  I can see one kid expert on

Desolation Angels and Another on Visions of Cody getting into a public

brawl about what Jack would have meant by "x,y and z" on p. 3998 of On

the Road.

 

I hope this is as simple to you as it sounds.  I've been in classes

where this method was used.  I think it was "All of Aristotle can be

read as footnotes to the Rhetoric" and i was the expert on De Anima.

 

I've done it classes that i've taught and find that students who are

allowed and expected to be "the expert" on a subject have a slightly

different attitude about learning than when they're spoonfed or talked

down to.

 

And it seems that your class situation is non-traditional/experimental

in nature and certainly it would be in the beat mainline vein to not do

the class traditionally so that would be by suggestions.

 

Of course i'm permanently disabled according to the Teacher's Insurance

Annuity Association so take these thoughts with a grain of salt (or

pepper)

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 25 Aug 1997 07:04:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      HELP WITH DOWNLOADING

In-Reply-To:  <3400B5A9.1A9B@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

all the great attatchments (photos) i have a mac performa, run eudora lite

as mailer, netscape as browser.

i cannot for the life of me get the damned jpegs to open properly.

my brain is filled with many spaces between synapses. a virtual living

breathing black hole.

many thanks. i am spamming the group. i know this.

thanks in advance

mc

=========================================================================

Date:         Mon, 25 Aug 1997 07:04:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      INTERZONE

In-Reply-To:  <3401525D.4905@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hi all. instead of doing reading in non-wsb projects, i decided to read

interzone and the letters out of which reared the formidable naked lunch.

THEN read naked lunch. i've got so many projects going at once (including

living around two huge canvases still wet with oils and not stepping on the

palette, etc. i paint sitting down on a good rug and big palette and

fingerpaint. interesting method and very satisfying, the way i suppose lots

of other things (like beats) which are all encompassing in their absorption

and no intermediary (brush) just me and the pigments.

and interzone.

mc

any takers?

mc

=========================================================================

Date:         Mon, 25 Aug 1997 06:22:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: HELP WITH DOWNLOADING

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> all the great attatchments (photos) i have a mac performa, run eudora lite

> as mailer, netscape as browser.

> i cannot for the life of me get the damned jpegs to open properly.

> my brain is filled with many spaces between synapses. a virtual living

> breathing black hole.

> many thanks. i am spamming the group. i know this.

> thanks in advance

> mc

 

i hope someone helps you so you can see me in William's house and yard.

 

david

=========================================================================

Date:         Mon, 25 Aug 1997 06:24:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: INTERZONE

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> hi all. instead of doing reading in non-wsb projects, i decided to read

> interzone and the letters out of which reared the formidable naked lunch.

> THEN read naked lunch. i've got so many projects going at once (including

> living around two huge canvases still wet with oils and not stepping on the

> palette, etc. i paint sitting down on a good rug and big palette and

> fingerpaint. interesting method and very satisfying, the way i suppose lots

> of other things (like beats) which are all encompassing in their absorption

> and no intermediary (brush) just me and the pigments.

> and interzone.

> mc

> any takers?

> mc

 

i've been reading the Selected Letters.  Still up to the navel in

Ulysses with Diane, Stephen and Sherri.  I want to read Interzone - but

don't know if i can access a copy here.  If you don't have any takers

now -- i'll take your take down the road a piece .... paint a picture of

me ok.?????

 

hope you're doing well.

 

david

=========================================================================

Date:         Mon, 25 Aug 1997 10:18:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PATRICK <EASTWIND@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Whereabouts of Gregory Corso

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Anyone know where Gregory Corso is living today?? Or any info on his

current activity?

 

Thanking you now ...

 

Patrick

eastwind@erols.com

=========================================================================

Date:         Mon, 25 Aug 1997 07:43:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: The aggressor.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Bill Philibin wrote:

>> 

>> >         Don't use the telephone

>> >         People are never ready to answer it.

>> >         Use poetry. --- Jack Kerouac, 1970.

>> 

>>         How on earth did JK say this in 1970?

> 

>Medium ?????

> 

>david rhaesa

>salina, Kansas

 

Well Done!

 

                                              Sunny side up,

                                              James M.

=========================================================================

Date:         Mon, 25 Aug 1997 09:17:01 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: HELP WITH DOWNLOADING

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> all the great attatchments (photos) i have a mac performa, run eudora lite

> as mailer, netscape as browser.

> i cannot for the life of me get the damned jpegs to open properly.

> my brain is filled with many spaces between synapses. a virtual living

> breathing black hole.

> many thanks. i am spamming the group. i know this.

> thanks in advance

> mc

 

 

Hey, you spammer you.  Hopefully some Mac head will answer.  However, my

jpegs were posted in Netscape and several folks who had tried to open

them with Quick Time, etc, found that the browser itself opened them

just fine.  Antoine Maloney figured this out.  Leon is as good a

resourse as any since he seems to be a real wire head these days.  Good

luck.

 

James

=========================================================================

Date:         Mon, 25 Aug 1997 14:08:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: HELP WITH DOWNLOADING

Comments: To: stauffer@pacbell.net

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I couldn't open the JPGs either with 2show.  Are they

mime or binaries?  I can mostly only decode binaries.

I do not know how to use uudecode.  Does anyone know

of a downloadable program that will decode them?

 

Mike Rice

 

At 09:17 AM 8/25/97 -0700, you wrote:

>Marie Countryman wrote:

>> 

>> all the great attatchments (photos) i have a mac performa, run eudora lite

>> as mailer, netscape as browser.

>> i cannot for the life of me get the damned jpegs to open properly.

>> my brain is filled with many spaces between synapses. a virtual living

>> breathing black hole.

>> many thanks. i am spamming the group. i know this.

>> thanks in advance

>> mc

> 

> 

>Hey, you spammer you.  Hopefully some Mac head will answer.  However, my

>jpegs were posted in Netscape and several folks who had tried to open

>them with Quick Time, etc, found that the browser itself opened them

>just fine.  Antoine Maloney figured this out.  Leon is as good a

>resourse as any since he seems to be a real wire head these days.  Good

>luck.

> 

>James

> 

> 

=========================================================================

Date:         Mon, 25 Aug 1997 11:39:24 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: HELP WITH DOWNLOADING

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

First you'd have to answer some questions to see what is happening--where

the bottleneck is.

 

Do you have a file on your computer (most likely called wsbdavid.jpg

 and most likely in a folder called attachments residing in the eudora folder).

 

If you have this (and the other) files that means that the files were

decoded by the eudora program.  They still could be corrupt.  Best thing is

to try to open them with Netscape.  If Netscape cannot open these files you

are most likely out of luck.  They were decoded incorrectly and corrupted.

 

These files are coming as mime attachments.  Download a program called

empack.  It is a macintosh mime program--it will decode or encode files in

mime format.  If you don't have the jpg files (eg wsbdavid.jpg) then you'll

need the empack program.

 

A program that will decode mime for pc is xferpro.  I am sure both of these

ar downloadable from most shareware sites.

 

Last thing, if the mime encoded mesages were not decoded it is possible that

they are in the mail mesage as a bunch of gibberish.  And they may have been

cut into smaller pieces.  You'll have to save the file as a separate text

files and decode that file using empack or xferpro.

 

Feel free to ask for more details.

 

 

 

 

At 07:04 AM 8/25/97 -0400, you wrote:

>all the great attatchments (photos) i have a mac performa, run eudora lite

>as mailer, netscape as browser.

>i cannot for the life of me get the damned jpegs to open properly.

>my brain is filled with many spaces between synapses. a virtual living

>breathing black hole.

>many thanks. i am spamming the group. i know this.

>thanks in advance

>mc

> 

> 

=========================================================================

Date:         Mon, 25 Aug 1997 15:10:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: The aggressor.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:25 AM 8/24/97 -0400, you wrote:

>>         Don't use the telephone

>>         People are never ready to answer it.

>>         Use poetry. --- Jack Kerouac, 1970.

> 

>        How on earth did JK say this in 1970?

> 

> 

Maybe it was published after his death in late

1969.

 

Mike Rice

=========================================================================

Date:         Mon, 25 Aug 1997 15:21:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Robert Thomas <rthomas@CLARK.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

In-Reply-To:  <34016567.4636@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 25 Aug 1997, RACE --- wrote:

 

> the same beat voices at other times.  I can see one kid expert on

> Desolation Angels and Another on Visions of Cody getting into a public

> brawl about what Jack would have meant by "x,y and z" on p. 3998 of On

> the Road.

 

  Wow, OTR has over 4000 pages, I must have read the abridged version ;-).

 

Robert Thomas

=========================================================================

Date:         Mon, 25 Aug 1997 15:47:14 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: HELP!!! - Jenn's Kerouac/Ginsberg tutorial

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Everybody in the class reads On the Road.  Then parcel out all the

> remaining writings that folks suggested and segments of biographies to

> each person in the class.  Depending on class size you may be able to

> expand the pantheon beyond what has been mentioned on the list.  Each

> person is expected to be "the expert" on their extra book or books.

> Then no classes for two or three weeks and everyone learns their

> material.

> Then come back and go through On the Road together as a class but with

> everybody bringing their special areas of expertise to the discussion.

> The students in the class "become" the personas of other beat voices or

> the same beat voices at other times.  I can see one kid expert on

> Desolation Angels and Another on Visions of Cody getting into a public

> brawl about what Jack would have meant by "x,y and z" on p. 3998 of On

> the Road.

cool idea.

rand~y

=========================================================================

Date:         Mon, 25 Aug 1997 16:11:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: HELP WITH DOWNLOADING

In-Reply-To:  <199708251839.LAA04426@hsc.usc.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

all ok guys thanks for the response . i just gave up. ill pay for photos

through mail sorry about the bandwidth here again, but i'm not sure if

anyone is out there trying to do this for me.

i bow

mc

=========================================================================

Date:         Mon, 25 Aug 1997 15:16:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      no more pics

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I am getting together with my nerder and we will set up a url (web page.

for a gallery presentation. They are fun photos but   i have tried to do

this on my own and can't quite get it.  I will be happy to send anyone

some photos if they send me their email address. I am sorry for the

chaos. My e-mail address is pelliott@sunflower.com

p

=========================================================================

Date:         Mon, 25 Aug 1997 15:27:40 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      origin of high

Comments: cc: gibralto@walrus.com

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

> i was reading an article on hypereal and this guy was saying how the

> beats were the first and most well-known group who expiernced with

> writing while high. which we all know.

 

Well, check out this page on the Victorian drug scene ...

 

http://www.walrus.com/~gibralto/acorn/germ/drugs.html

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Mon, 25 Aug 1997 19:23:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Re: Whereabouts of Gregory Corso

Comments: To: EASTWIND@erols.com

 

Dear Whereabouts of G.C.,

 

Coroso says, "Don't worship the beats go to the poetry slam."

I saw him in the balcony

at Ginsberg's last

St Marks reading,

yelling down at Alan,

Alan responding like a parent to

a child, softly, yet firm

and somewhat exasperated.

"Yes Gregory, I called you

the greatest poet."

 

love and goatees,

Gary Mex Glazner

=========================================================================

Date:         Mon, 25 Aug 1997 19:19:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: no more pics

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> I am getting together with my nerder and we will set up a url (web page.

> for a gallery presentation. They are fun photos but   i have tried to do

> this on my own and can't quite get it.  I will be happy to send anyone

> some photos if they send me their email address. I am sorry for the

> chaos. My e-mail address is pelliott@sunflower.com

> p

 

"i have accepted chaos" -- bobbie dillon

 

"one must harbour chaos within to give birth to a dancing star." fred n.

 

"chaos ... throw in some dinosaurs visuals and we got a keeper"

attributed to steve spielberg

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 26 Aug 1997 03:26:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Unabridged OTR (was HELP!!! - Jenn's Kerouac/Ginsberg tutorial)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Robert Thomas wrote:

> 

> On Mon, 25 Aug 1997, RACE --- wrote:

> 

> > the same beat voices at other times.  I can see one kid expert on

> > Desolation Angels and Another on Visions of Cody getting into a public

> > brawl about what Jack would have meant by "x,y and z" on p. 3998 of On

> > the Road.

> 

>   Wow, OTR has over 4000 pages, I must have read the abridged version ;-).

> 

> Robert Thomas

 

The unabridged version is not actually published until 2057.  I read it

in a dreamvision.  From the gossip around the bookstore i read it in,

the publication was held up for quite some time by estate wrangling over

name standardization.  Each estate sued each other estate - some suing

to assure anonymity - others suing to be named credited and for the

estate of the previous anonymous to receive partial royalties of

unabridged version.  Unabridged version is in 23 Volumes.  Each volume

containing roughly 5000 pages.  Volume 12 is devoted to photography and

visual arts.

 

Near riots outside bookstore prior to opening and book signing by some

editor from somewhere in sometown in massachusetts (no longer part of

the united states -- new england shifted allegiance to Canada in the war

of 2026) . . . Potential dissertators salivating at the prospects were

seen throwing tire irons at hipsters who were just digging the bookstore

scene and hadn't even heard the new book was out ... they were creating

their own books and legends but the dissertators (always a paranoid

breed created by committeeeeeee controls) perceived serious threats to

bodily persons and potential diplomas and charged the hipsters who were

to busy digging the scene to notice the paranoia hidden within the

salivating tire iron throwers.  ambulances were called.  they came.

they left.  one onlooker screams don't forget Rodney King!!!!  the

Canadian Mounties shoot the onlooker.

 

Thank goodness the store opened finally and the beat spirit melted the

hostilities.

 

Newspaper reporter's headline.  New Kerouac Saga signed in blood by tire

irons.  Bastard talkshow host having editor on next week.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 26 Aug 1997 08:21:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Pre-recorded?  (for David Rhaesa & Diane Carter)

Comments: cc: DAVIDSROSEN@compuserve.com

 

David & Diane:

 

I'm back from my much-needed vacation, rested, recharged and ready for the

challenges of a second offspring coming soon, the restoration of a new home

revving up, and the burdens of the Presidency (of Steppingstone Properties

Ltd., that is).  I was ready, anyway, until my first Monday back, only now

winded down to where I can start to catch up.  I'm ready for another

vacation.  Thank you for backchanneling your posts on Naked Lunch, I've read

them and today's Beat-L ( I signed back on yesterday).  I can't fully respond

to the galloping discussion until I've caught up with re-reading NL up to

where you're at, but I'm anxious to get back into the maelstrom.  It's late,

I'm tired and "I can feel the heat closing in", so I'll get right to the

point about the tortuous issue of pre-recording in the life and work of WSB,

THE FOREMOST LITERARY FIGURE OF OUR TIME who so suddenly got off the wheel

and is no longer subject to "the claims of the aging, cautious, nagging,

frightened flesh".  This topic, which I see you grappling with, is in my

opinion one of the most constant and complex threads running through the

whole WSB ouvre.  On the one hand, he has stated that his intention was to

subvert the pre-recorded universe through cutups, and that he has "succeeded

to some modest extent" if I'm quoting him correctly.  But, as DC has been

pointing out, it gets very tricky- how can we possibly circumscribe the

perimeters of the pre-recorded universe, comprehend its limits if any?

 Couldn't the subversive discovery, the "happy accident" be part of the

script?  This is where I have an idea, based on further WSB statements and my

own small experience with cutups.  They are potentially a key INTO the

pre-recorded universe, not so much a way OUT of it.  In his introduction to

QUEER, WSB mentions a cutup phrase:  "Raw peeled winds of hate and mischance

blew the shot".  Upon reflection, he found that this was a key to

understanding his motivations as a writer- the "shot" was the one that

accidentally killed his wife, Joan, and it was the "big bang" (sorry, I

couldn't help it) that started the process of his "writing (his) way out" of

its implications and the CONTROL that the "ugly spirit" exerted over him.

 This epiphany came after the fact, he could not change history (subvert the

pre-recorded universe) but he could UNDERSTAND it better in retrospect.  You

may be familiar with current experiments with the Old Testament, putting its

original Hebrew text through computer processes that reveal a DNA-like "code"

predicting and containing all of human history.  But it seems to me, again,

that all the bombshell revelations come after the fact- for example, a recent

book claims that Yitzhak Rabin's assasination is predicted in a passage when

the letters are shown in crossword puzzle patterns.  Not recent enough,

though, to have come in time to warn him not to attend that rally.  The

pre-recorded universe may so far be a step ahead of us.  Hindsight, including

that provided by cutups or biblical codebreaking, is 20/20.  Was WSB getting

closer to being concurrent with or even ahead of fate?  Was this his

intention?  Does knowledge = power only in terms of predicting, and therefore

potentially changing, fate?  WSB's "appalling conclusion" that the cutup

phrase led him to was empowering in and of itself, even if he found something

out long after the fact it was nevertheless a victory against being

helplessly pulled by strings like a puppet by the "ugly spirit",  the

frightening, unpredictable unfolding of events was brought out of the

darkness and into the light.  And, with every revelation to which he was so

acutely attuned, whether from a cutup text or the pattern caused by a

bullet's impact on a board, he was better prepared for what was ahead.  Even

as I write this, I realize more and more how cyclical and elusive this topic

is.  All I can say for now is that he may not have completely resolved the

issue of the pre-recorded universe and whether it can be effected, but I

don't know of anyone who took a braver, deeper crack at it than the immortal

WSB.  Another idea I get from my readings is that his ideas about space

("we're here to go", as he and Brion Gysin would say), gradually leaving our

bodies literally as we get beyond the gravitational pull of the planet and

break free, may have been another attempt, besides and beyond the cutups, to

get past the pre-recorded space-time tape loop.

 

Actually, to some extend all of the foregoing was a digression from NL,

because with all due respect I still insist that it is not a fully cutup

work, the mature cutups began with THE SOFT MACHINE.  NL was extracted from

myriad writings scattered on the floor of his room in Tangier, compiled and

edited by a succession of Beat cohorts- Ginsberg, Kerouac, Alan Ansen, etc.

 In this sense it is a cutup, there never was an original order, it was

subjected to the random and disparate influences of others (including the

very title, which was suggested to him by JK), and as he says near the end,

it can be re-ordered and read in any combination by the reader, we're all

down there on the floor with him.  The cutups as defined by him and BG go

further than this, and were discovered at just about the time that NL was

first going to (the Olympia) press.  The pages themselves were cut into

quarters, columns, etc., other texts were inserted at various junctures.  NL

precedes this method in the cutup evolution.  The phrases, routines, etc. are

intact in themselves, though in no linear order, they float and are

interchangable.

 

I must somehow get off this bicycle without a kickstand, today has turned

into tomorrow and there's always much, much more to all of this.  The theme

of control in NL is I think more microcosmic than universal-macrocosmic,

putting aside the issue of ultimate pre-recorded control of fate, he

demonstrates the all-too-human control impulse starting with the stark junk

equation ("the algebra of need") and going further out from there to show

what more "normal" society is up to.

 

Regards,

 

Arthur

=========================================================================

Date:         Tue, 26 Aug 1997 09:51:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Olympia Press

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Arthur mentioned Olympia Press in his post to David today and I noticed that

CBC (Canadian Broadcasting Corporation) is re-running a show that discusses

Olympia tonight - Tuesday at 8:00pm.....see below

 

 the story of...

Olympia Press: it published porn, AND some of the great

novels of the 20th century.  All that and Ian Brown's essay

on curling. Sunday Morning on Tuesday Night, this evening

at 8:06 (8:36 NT) on CBC Radio.

 

Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 26 Aug 1997 10:18:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Pre-recorded?  (for David Rhaesa & Diane Carter)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum wrote:

> 

> Actually, to some extend all of the foregoing was a digression from NL,

> because with all due respect I still insist that it is not a fully cutup

> work, the mature cutups began with THE SOFT MACHINE.  NL was extracted from

> myriad writings scattered on the floor of his room in Tangier, compiled and

> edited by a succession of Beat cohorts- Ginsberg, Kerouac, Alan Ansen, etc.

>  In this sense it is a cutup, there never was an original order, it was

> subjected to the random and disparate influences of others (including the

> very title, which was suggested to him by JK), and as he says near the end,

> it can be re-ordered and read in any combination by the reader, we're all

> down there on the floor with him.  The cutups as defined by him and BG go

> further than this, and were discovered at just about the time that NL was

> first going to (the Olympia) press.  The pages themselves were cut into

> quarters, columns, etc., other texts were inserted at various junctures.  NL

> precedes this method in the cutup evolution.  The phrases, routines, etc. are

> intact in themselves, though in no linear order, they float and are

> interchangable.

> 

 

Arthur,

 

so nice to have you aboard.  i must confess that i failed to forward all

most posts concerning NL before your return.  Not certain that any of

which are particularly astute though.  Also i'm doing a separate reading

of NL with an old friend who introduced me to the audio WSB pantheon and

we are moving very slowly as he is even less of a linear reader than i

am.  And the connections which come from reading the book with an old

friend that can bring out so many personal anecdoate unrelated and

incomprehensible to the rest of the pool of protoplasm out here seems to

make it a very separate endeavor.  Some material will obviously cross

paths.

 

The point i snipped here that you make is something he and i were

clarifying just last night or this morning who knows with time and

calendars all very unreliable sometimes.  What is synchronicity when our

computer clocks -- not to even begin with biological ones -- are not

close to synchronized.

 

Here is the fictional theory i came up with which provides a rather nice

but probably compleatly inaccurate legend of the origins of cutup and NL

as relates BG and WSB.

 

While reading so far in Selected letters -- through 1956 -- haven't

really seen a kind word specifically mentioned about BG and awhile back

some downright nasty nasty perceptions which are probably no longer

accuate because his perceptions of Paul Bowles have changed in this same

period of time.

 

It is definitely the case that NL is pre-CutUp-technology in a conscious

experiment BUT the method of sifting through letters and snipping out

words and pages to splice together in the development of NL is a very

very obvious fetal form of the process.  As you say NL is compleated or

close and publishers sought by the time the WSB/BG kismet begins.

 

Here is how i see it.

 

BG.  reading naked lunch and hearing about WSB's method of developing

the various sketches and routines sees that WSB is doing to the novel

what montage did to painting and in a rather complimentary fashion ==

since WSB is at the "cutting edge" so to speak of thing makes the

comment "Writing is 50 years behind painting." ..........

 

WSB.  Does some painting at this point and understands BG's notion but

also knows that he is a man of letters and merely accepting the notion

that this 50 year gap is there now doesn't require sitting around and

letting painting stay that far ahead.  So the 50 years comment is also a

challenge of sorts for the novel to catch the fuck up.

 

The conversations which follow create the origins and development of

cutup .... the letter to complete the Yage Letters production ... and

the range of the soft machine novels and forward for a phase expand on

the experiment and BG in the bbc studios does it with sound.  BG's words

at end of Ticket that Exploded and WSB Electronic Revolution essay

function to completely push the envelope of letters into the

post-Hiroshima timeline.

 

The SM etc. novels are at least rooted, in what was "the cutting room

floor" of Naked Lunch.  It seems that understanding NL's process and

then the cutting room notions and the whole BG/WSB experimental

explosion helps appreciate the separateness of the montage but also the

interconnectedness of the once pieced together parts -- especially as

one sees glimpses in reading Selected Letters 45-59.

 

So that is my take on the subject from SaliVVVVVa Kansas (new spelling

associated with inversion of Sherrard Illinois into SHIT yard IL)  My

whole being has temporarily become a subsidiary of Islam Inc. and so

with minutes to go ... screw minutes slow down the clocks we aren't in a

hurry here are we lets all get the clocks and calendars on the same page

and slide off into the pH-age with a little breakfast ala nudette from

uncle bill.

 

salad-a-lickem,

 

david rhaesa

c/o Islam Inc.

=========================================================================

Date:         Tue, 26 Aug 1997 11:58:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      OTR movie: Sean Penn?

In-Reply-To:  <3402F3B0.712D@midusa.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

someone told me that sean penn has been approached about the neal

cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

choice as anyone.  Wonder if he's into the beats though?

 

RJW

=========================================================================

Date:         Tue, 26 Aug 1997 10:55:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

> 

> someone told me that sean penn has been approached about the neal

> cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

> choice as anyone.  Wonder if he's into the beats though?

> 

> RJW

Sean Penn, and madonna went to williams art opening in New york and

seemed quite excited about meeting william.

p

=========================================================================

Date:         Tue, 26 Aug 1997 12:55:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

In-Reply-To:  <33FEBE6F.141B@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> > RACE wrote:

> 

> > Of course, one must wonder how deep these control notions -- whether

> > considered metaphorically or literally -- run.  Perhaps the river of

> > scriptural prerecordings is so deep that even the cut-up methods are

> > just another branch of possible versions of the script that the

> > controllers pre-recognize -- merely permutations of the obvious script

> > afterall -- and so the freedom suggested by the cutup is another tool

> > of

> > the controllers.

 

I suppose then, you could invent your own words or even your own characters

and language system but that wouldn't do it either now would it?

=========================================================================

Date:         Tue, 26 Aug 1997 18:57:02 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Who?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Are you Mr. Allen Ginsberg?

 

        On of them.

=========================================================================

Date:         Tue, 26 Aug 1997 13:34:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: renaming Characters...

Comments: To: randy royal <randyr@southeast.net>

In-Reply-To:  <199708221653.MAA16667@mailhub.southeast.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> sal paradise never did seem to fit my image of jack, and i'm just

> some dumb teenager.

> ~randy

> 

 

One reason Kerouac wanted to eventually rename his characters was to

eliminate confusion.  When "On the Road" came out, people assumed that he

(Kerouac) was Dean Moriarty.  He had to convince critics and others that

he was writing about a real person, that he wasnt just writing boastful

exaggerations about himself.

 

He had to tell people Neal Cassady exsisted...if he'd used Neal'sname,

that wouldnt have been a problem.

=========================================================================

Date:         Tue, 26 Aug 1997 13:35:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Love? What is it?

Comments: To: "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

In-Reply-To:  <199708241423.KAA06754@piglet.INS.CWRU.Edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 24 Aug 1997, Diane M. Homza wrote:

 

> Reply to message from pelliott@SUNFLOWER.COM of Sat, 23 Aug

> >

> >"Love? What is it?

> >Most natural painkiller what there is

> >LOVE"

> 

> I found it interesting that he called LOVE the most natural painkiller,

> since love seems to cause a lot of the pain in the first place.

> 

> (or maybe it's a lack of love that causes the pain....I think that's more

> right.)

 

Memory seems to be at the heart of all pain. So painkilling medicide tends

to affect the memory centers of the brain, and "time heals all wounds." To

forget then is what heals. Does Love help us to forget?

 

m

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Tue, 26 Aug 1997 12:38:45 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Love? What is it?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:>

> Memory seems to be at the heart of all pain. So painkilling medicide tends

> to affect the memory centers of the brain, and "time heals all wounds." To

> forget then is what heals. Does Love help us to forget?

> 

> m

patricia writes

I in my life, i found that love helped me realize memory.  Oh\only

thorugh forgiveness and love can i stand to remember,and i find my

memories fuller. It is when i can't find any love that i block things.

the only part of the memory that is lessened is how much it hurt.  But

i  was a youth so full of anger that i would have dreams of axing people

to death and didn't consider them nightmares.  This is not a beat

response.  of william , i always though his goals was to see.

p

=========================================================================

Date:         Tue, 26 Aug 1997 20:17:22 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      (FWd) Who?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>>From: Rinaldo Rasa <rinaldo@gpnet.it>

>> 

>>      Are you Mr. Allen Ginsberg?

>> 

>>      On of them.

>> 

        te1etypEd m3ssag3

>From: B1FF@SCHIZO.ORG (ALAN YOOOO)

>  ONLY THE TRUTH WIL TRIUMPH OVUR DECEPSHUN +

>  LAST 4VUR.

> 

        he had a suitcase

        & 3 tHree head of lettuce

        or

        thr33 headS     S of l3ttuCe

        th3re is        there is

        the MAN has a suitcase

        he must go

        a far tiny voice

                you must go1!

                U must GO11

 

        televised or t3l3typ3d

=========================================================================

Date:         Tue, 26 Aug 1997 14:14:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Love? What is it?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Michael Stutz wrote:>

> > Memory seems to be at the heart of all pain. So painkilling medicide tends

> > to affect the memory centers of the brain, and "time heals all wounds." To

> > forget then is what heals. Does Love help us to forget?

> >

> > m

> patricia writes

> I in my life, i found that love helped me realize memory.  Oh\only

> thorugh forgiveness and love can i stand to remember,and i find my

> memories fuller. It is when i can't find any love that i block things.

> the only part of the memory that is lessened is how much it hurt.  But

> i  was a youth so full of anger that i would have dreams of axing people

> to death and didn't consider them nightmares.  This is not a beat

> response.  of william , i always though his goals was to see.

> p

 

i'm with the sunflowers on this one.  REAL-eyes memory

 

david rhaesa

salina, Kansas

 

"all in a Day's work" Doc Benway

=========================================================================

Date:         Tue, 26 Aug 1997 15:17:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <Pine.SUN.3.91-FP.970826115702.1741A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 26 Aug 1997, Richard Wallner wrote:

 

> someone told me that sean penn has been approached about the neal

> cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

> choice as anyone.

 

yeah. it's the nose.

=========================================================================

Date:         Tue, 26 Aug 1997 14:17:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Naked Lunch: Chapter 1, up to Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Stutz wrote:

> 

> > > RACE wrote:

> >

> > > Of course, one must wonder how deep these control notions -- whether

> > > considered metaphorically or literally -- run.  Perhaps the river of

> > > scriptural prerecordings is so deep that even the cut-up methods are

> > > just another branch of possible versions of the script that the

> > > controllers pre-recognize -- merely permutations of the obvious script

> > > afterall -- and so the freedom suggested by the cutup is another tool

> > > of

> > > the controllers.

> 

> I suppose then, you could invent your own words or even your own characters

> and language system but that wouldn't do it either now would it?

 

invention always difficult but have no fear - found this nice quote

today while researching essay titled "Immaculate Fix" i'm working on --

a postatomic eulogy to either Ike or Bull Lee by Doc Benway.

 

"It may be reassuring to know that Washington has carefully protected

the subliminal technology of mass media so it doesn't fall into the

wrong hands."  subliminal seduction p.198

 

gotta trust those hands

 

david rhaesa

salina, Kansas

 

"all in a Day's WORK" Doc Benway treating Andy Warhol

=========================================================================

Date:         Tue, 26 Aug 1997 12:39:04 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think the biggest problem with this casting is that Penn is too old.

 

Cassady was in his early twenties and Kerouac in his mid twenties when the

events were happening.

 

The actors should reflect the youth.

 

At 11:58 AM 8/26/97 -0400, you wrote:

>someone told me that sean penn has been approached about the neal

>cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

>choice as anyone.  Wonder if he's into the beats though?

> 

>RJW

> 

> 

=========================================================================

Date:         Tue, 26 Aug 1997 16:45:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <199708261939.MAA24048@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Age is irrelevant....remember that Penn's character in Dead Man Walking

was in his mid20's.  The OTR movie wont work unless someone really

intense with a really strong presence plays Neal/Dean.  Viewers have to

understand and relate to Kerouac's/Sal Paradise's obsession with him.

 

In short the character needs to be larger tha  life, and there is no way

an unknown actor could pul that off.  The Dean part is one of the most

ocveted in HOllywood right now, but I think Penn might bed one of the

only actors in the world who could play the part right.

 

RJW

=========================================================================

Date:         Tue, 26 Aug 1997 17:21:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I agree with Richard for the same reasons and especially for the convincing

portrayal in "Dead Man..."

 

        Antoine

=========================================================================

Date:         Tue, 26 Aug 1997 17:20:05 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew Reid <m_reid@COLBY.EDU>

Subject:      OTR Movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Do any of you know who's been cast in any of the other roles?

Nicholas Cage might make a good Dean/Neal as well.

 

                                                Matt

=========================================================================

Date:         Tue, 26 Aug 1997 14:38:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:45 PM 8/26/97 -0400, you wrote:

>Age is irrelevant....

 

Kerouac's desire was for Montgomery Clift to play the Sal character and

Marlon Brando to play the Dean part.

 

Well, Clift is dead but Brando is still alive and acting.

 

I say they use Brando.

 

 

>remember that Penn's character in Dead Man Walking

>was in his mid20's.  The OTR movie wont work unless someone really

>intense with a really strong presence plays Neal/Dean.  Viewers have to

>understand and relate to Kerouac's/Sal Paradise's obsession with him.

> 

>In short the character needs to be larger tha  life, and there is no way

>an unknown actor could pul that off.  The Dean part is one of the most

>ocveted in HOllywood right now, but I think Penn might bed one of the

>only actors in the world who could play the part right.

> 

>RJW

> 

> 

=========================================================================

Date:         Tue, 26 Aug 1997 18:02:23 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> At 04:45 PM 8/26/97 -0400, you wrote:

> >Age is irrelevant....

> 

> Kerouac's desire was for Montgomery Clift to play the Sal character and

> Marlon Brando to play the Dean part.

> 

> Well, Clift is dead but Brando is still alive and acting.

> 

> I say they use Brando.

 

alittle bit of makeup will do wonders!

=========================================================================

Date:         Tue, 26 Aug 1997 20:20:28 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  Message of Tue, 26 Aug 1997 12:39:04 -0700 from

              <gallaher@HSC.USC.EDU>

 

I agree with gallaher.  Penn is too old now but he would have been great ten ye

ars ago.  He also wanted to play Phil Ochs in a movie they've been talking abou

t making almost as long as they've been talking about making on the road.  I th

ink he would have given one hell of a performance.

=========================================================================

Date:         Tue, 26 Aug 1997 21:42:56 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I don't care who plays who, just as long as Leonardo DiCaprio isn't in the

movie. . .   did any see him in "Total Eclipse."  He played Rimbaud, I

wasn't impressed at all.

 

Take it easy, all,

 

Bruce

=========================================================================

Date:         Tue, 26 Aug 1997 23:33:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think the book is all we need...what film of a novel ever really worked

(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray

the angelic mystification of the characters Kerouac paints in OTR?It isn't

the story that is special ....its the writing which transforms it into a

special world.

=========================================================================

Date:         Tue, 26 Aug 1997 23:06:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <199708262138.OAA13039@hsc.usc.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

>At 04:45 PM 8/26/97 -0400, you wrote:

>>Age is irrelevant....

> 

>Kerouac's desire was for Montgomery Clift to play the Sal character and

>Marlon Brando to play the Dean part.

> 

>Well, Clift is dead but Brando is still alive and acting.

> 

>I say they use Brando.

> 

> 

>>remember that Penn's character in Dead Man Walking

>>was in his mid20's.  The OTR movie wont work unless someone really

>>intense with a really strong presence plays Neal/Dean.  Viewers have to

>>understand and relate to Kerouac's/Sal Paradise's obsession with him.

>> 

>>In short the character needs to be larger tha  life, and there is no way

>>an unknown actor could pul that off.  The Dean part is one of the most

>>ocveted in HOllywood right now, but I think Penn might bed one of the

>>only actors in the world who could play the part right.

>> 

>>RJW

>> 

>> 

 

I believe that with his age and experience, Brando could play both Dean

Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to

get back into Stanley Kowalski physique.

 

leo

 

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Tue, 26 Aug 1997 21:20:01 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>>I think Penn might bed one of the only actors in the world who could play

the >>part right.

>> 

>>RJW

>> 

  Robin Wright Penn?  That's the most novel suggestion I've heard so far.

Have a woman play the part of Neal/Dean/Cody.

 

                                                    James M.

=========================================================================

Date:         Wed, 27 Aug 1997 00:10:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      WSB in Rolling Stone.

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I just read an article dedicated to burroughs in the latest Rolling Stone

magazine. It did present old bull lee as the anarchist "shakespeare" that

i so dearly describe him as. The writer (who's name escapes me) took a lot

of info from Morgan's "literary outlaw" without quoting the man (although

towards the end he did give credit to the book). I held my breath while

reading it and finally exhaled at the end. The article also had some

quotes from Corso and Lou Reed. I am not a fan of Rolling Stone by far

but the article  (3 pages which should have been at least 20) did give

Bill some justice. Also, unlike many articles, this one did not emphasize

or glamorize Bill's drug habit in order to catch the eye of the

uninformed reader. Hell, even Herbert Hunke was mentioned as he should

have been.

 

as for the OTR movie, cast Buscemi as Old Bull Lee, then start filming

Junky. David Lynch would do a great job directing a Burroughs-inspired movie.

 

                                                        jason

=========================================================================

Date:         Tue, 26 Aug 1997 23:54:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James William Marshall wrote:

> 

> >>I think Penn might bed one of the only actors in the world who could play

> the >>part right.

> >>

> >>RJW

> >>

>   Robin Wright Penn?  That's the most novel suggestion I've heard so far.

> Have a woman play the part of Neal/Dean/Cody.

> 

>                                                     James M.

ACTUALLY I think it would make a great sister film, I would much prefer

to see all the cast as women,  it would put an edge and glory to it.

patricia

p

=========================================================================

Date:         Wed, 27 Aug 1997 01:02:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: OTR movie: Sean Penn?

 

In a message dated 97-08-27 00:27:48 EDT, someone (I forget who) wrote:

 

<< The OTR movie wont work unless someone really

 >intense with a really strong presence plays Neal/Dean.  >>

 

Right. Like anyone could ever actually make a movie of On The Road.

 

I say, "The OTR movie won't work. Period. The whole idea is a dog. Makes me

ill to imagine it."

 

Remember "Heart Beat?" Stinko, yucko, gag me.

 

I saw some other movie/documentary where someone played jack's character. Oy

vay. Puhleeze.

 

Now, I may have to eat my words someday, because I almost didn't go see

"Cuckoo's Nest" because I couldn't imagine that weasly little Jack Nicholson

playing McMurphy (hey, this was a long time ago). Now I couldn't imagine

anyone BUT Jack Nicholson playing him.

 

Neal might be doable... but jack... no way. Stare at that face, listen to

that voice, try to crawl into that mind (mined with mines). Find one actor

today who can convince me he's jack kerouac, or even anything close to that.

 

I'm not an Elvis fan, but there's a good example. No one can be Elvis, no

matter what. Same with John Lennon. Hell, they couldn't even get someone

remotely close to being able to portray Leno or Letterman in that stupid

cable movie (great book, though). How about Michael J. Fox playing that

tortured fact-checker in "Bright Lights, Big City?" (another great book, well

worth reading, and no, McInerney ain't Beat) Over and over and over again,

film gets books wrong.

 

The prime objective of theater (film, acting, magic) is to suspend disbelief.

In the case of bringing Dean Moriarty and Sal Paradise to "life," this can't

be done on film. It was already done, magnificently, perfectly, wholly holy,

in the book, in our heads. Any movie done of this book, starring anyone at

all, will most likely suck canal water. I'd rather go to the movie theater in

my mind...

 

diane

=========================================================================

Date:         Tue, 26 Aug 1997 23:03:59 -0700

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

P.A.Maher wrote:

> 

> I think the book is all we need...what film of a novel ever really worked

> (except of course One Flew Over the Cuckoo's Nest)?

 

Maybe Milos Forman should direct it then...he hasn't lost his touch.

 

Adrien

=========================================================================

Date:         Wed, 27 Aug 1997 00:48:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

this is too much of a coincidence.  i just now finished watching The Funeral

(director Abel Ferrara).  the scenes in the beginning with Vincent Gallo and

Paul Hipp reminded me of Sal and Dean.  then i thought, i wonder if they'll

ever make a movie of On The Road.  but then thought that might be a bad

idea, it could never compare to the book and some movies of books just

shouldnt be made. anyway, immediately after The Funeral was over, i had to

come on to the computer to e-mail a friend about it. and that is when i saw

all these e-mails about the OTR movie for the first time.  i never even

heard of there being an OTR movie before.  that's too odd.  i must have been

called upon to tell you all this.

i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing

Dean. boring.  Watch The Funeral (and pay close attention to Paul Hipp and

also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )

and you will see what i mean--men like Gallo and Hipp must play the parts of

Sal and Dean.  but then im  not so sure  anyone could measure up to my

perception of Sal and Dean or the book.   by the way, i saw Leonardo

DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.

but i dont think he'd be right for the OTR movie either.

 

At 11:06 PM 8/26/97 -0500, you wrote:

>>At 04:45 PM 8/26/97 -0400, you wrote:

>>>Age is irrelevant....

>> 

>>Kerouac's desire was for Montgomery Clift to play the Sal character and

>>Marlon Brando to play the Dean part.

>> 

>>Well, Clift is dead but Brando is still alive and acting.

>> 

>>I say they use Brando.

>> 

>> 

>>>remember that Penn's character in Dead Man Walking

>>>was in his mid20's.  The OTR movie wont work unless someone really

>>>intense with a really strong presence plays Neal/Dean.  Viewers have to

>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.

>>> 

>>>In short the character needs to be larger tha  life, and there is no way

>>>an unknown actor could pul that off.  The Dean part is one of the most

>>>ocveted in HOllywood right now, but I think Penn might bed one of the

>>>only actors in the world who could play the part right.

>>> 

>>>RJW

>>> 

>>> 

> 

>I believe that with his age and experience, Brando could play both Dean

>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to

>get back into Stanley Kowalski physique.

> 

>leo

> 

> 

> 

>"Let us hope that the whores of evil no longer loiter on the doorsteps of

>your path, beckoning you into the brothel of despair, and that hereinafter,

>you may present them with the most rigid manifestations of a firm and manly

>will. Ad astra per aspera."  --Jack Kerouac

> 

=========================================================================

Date:         Wed, 27 Aug 1997 02:02:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:39 PM 8/26/97 -0700, you wrote:

>I think the biggest problem with this casting is that Penn is too old.

> 

>Cassady was in his early twenties and Kerouac in his mid twenties when the

>events were happening.

> 

>The actors should reflect the youth.

> 

>At 11:58 AM 8/26/97 -0400, you wrote:

>>someone told me that sean penn has been approached about the neal

>>cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

>>choice as anyone.  Wonder if he's into the beats though?

>> 

>>RJW

>> 

>> 

> 

 

I agree Penn is too old.  Is Coppolla still in control

of this movie.  I don't think this is his kind of material.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 02:02:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:38 PM 8/26/97 -0700, you wrote:

>At 04:45 PM 8/26/97 -0400, you wrote:

>>Age is irrelevant....

> 

>Kerouac's desire was for Montgomery Clift to play the Sal character and

>Marlon Brando to play the Dean part.

> 

>Well, Clift is dead but Brando is still alive and acting.

> 

>I say they use Brando.

>Very funny, and right up Copolla's alley, too.  He then could

make seedy James Caan Dean Moriarty.

 

Mike Rice

> 

>>remember that Penn's character in Dead Man Walking

>>was in his mid20's.  The OTR movie wont work unless someone really

>>intense with a really strong presence plays Neal/Dean.  Viewers have to

>>understand and relate to Kerouac's/Sal Paradise's obsession with him.

>> 

>>In short the character needs to be larger tha  life, and there is no way

>>an unknown actor could pul that off.  The Dean part is one of the most

>>ocveted in HOllywood right now, but I think Penn might bed one of the

>>only actors in the world who could play the part right.

>> 

>>RJW

>> 

>> 

> 

> 

=========================================================================

Date:         Wed, 27 Aug 1997 02:16:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:42 PM 8/26/97 -0000, you wrote:

>I don't care who plays who, just as long as Leonardo DiCaprio isn't in the

>movie. . .   did any see him in "Total Eclipse."  He played Rimbaud, I

>wasn't impressed at all.

> 

>Take it easy, all,

> 

>Bruce

> 

> 

I was not impressed with DiCapricio UNTIL I saw him in Total Eclipse.

He was great and so was that film.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 02:16:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:33 PM 8/26/97 -0400, you wrote:

>I think the book is all we need...what film of a novel ever really worked

>(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray

>the angelic mystification of the characters Kerouac paints in OTR?It isn't

>the story that is special ....its the writing which transforms it into a

>special world.

> 

> 

Now that you have mentioned One Flew Over the Cuckoos Nest, you've opened the

way for me to say something I have been wanting to say about it for years.  Its

central character, Jack Nicholson, was more interesting and less cliche than

Kesey's McMurphy.  I think an irishman who acts like an irishman is bowing to

one of the oldest cliches in stagecraft, and I was grateful for the Nicholson

performance.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 02:21:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:20 PM 8/26/97 -0700, you wrote:

>>>I think Penn might bed one of the only actors in the world who could play

>the >>part right.

>>> 

>>>RJW

>>> 

>  Robin Wright Penn?  That's the most novel suggestion I've heard so far.

>Have a woman play the part of Neal/Dean/Cody.

> 

>                                                    James M.

> 

> 

I was going to phone this one in too.  I saw her in that terrible Moll Flanders

a week ago, though there was nothing wrong with her performance, it wasn't

great.

She is one of the best actresses acting in films today.  I saw her in Playboys,

a loose remake of The Quiet Man.  She was superb.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 10:58:53 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: OTR movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hello beats,

 

here a list of novels translated into movie that,

i think, the efforts have been valid:

 

"Shining" by Stanley Kubrick,

the movie is better than the Stephen King's novel.

 

"Blade Runner" by Ridley Scott

(credits for the title to William S. Burroughs),

the movie is wonderful equal to

Philip K. Dick's novel "Do Androids Dream of Electric Sheep."

 

"One Flew Over the Cuckoo's Nest" by Milos Forman

& Ken Kesey's novel are both excellent.

 

 

the translation of a novel from a language to another,

i.e. american into any other language, is the most way

a lot of people around the world read the Beat Lit & it's good

if the translator (or the director, speakin'bout film)

matchs & loves the atmosfere (the time) when the action has happened.

 

-*-

 

after the Ginsberg's death went out a new italian translation of

"Howl" & "Kaddish" intended to bring up to date the original

1968 (so called old italian translation).

 

words that are actually using in italian language dont' match

the "old" poem, & in order to modernize a work the result, in

my opinion, is disappointing.

 

-*-

 

im' afraid at the moment when an italian translator got an idea to

give to italians a "modernized" translation of "On The Road"...

 

saluti,

Rinaldo.

*

a century ago, Leoncavallo's "La Boheme" (1897),

the Leoncavallo opera it gave Caruso his first real boost to fame

*

=========================================================================

Date:         Wed, 27 Aug 1997 09:07:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: Love? What is it?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Patricia Elliott wrote:

>> 

>> Michael Stutz wrote:>

>> > Memory seems to be at the heart of all pain. So painkilling medicide tends

>> > to affect the memory centers of the brain, and "time heals all wounds." To

>> > forget then is what heals. Does Love help us to forget?

>> >

>> > m

>> patricia writes

>> I in my life, i found that love helped me realize memory.  Oh\only

>> thorugh forgiveness and love can i stand to remember,and i find my

>> memories fuller. It is when i can't find any love that i block things.

>> the only part of the memory that is lessened is how much it hurt.  But

>> i  was a youth so full of anger that i would have dreams of axing people

>> to death and didn't consider them nightmares.  This is not a beat

>> response.  of william , i always though his goals was to see.

>> p

> 

>i'm with the sunflowers on this one.  REAL-eyes memory

> 

>david rhaesa

>salina, Kansas

> 

>"all in a Day's work" Doc Benway

 

 

so what is Alzheimers ? Bliss? To be rhetorical I don't think so.  No

memory but all of those emotions to confront the overwhelming  present and

no mechanism by which to remember the last five seconds.  Selective

forgetfulness can be quite useful, however.

=========================================================================

Date:         Wed, 27 Aug 1997 09:40:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Cover of the month

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Each month The Kerouac Quarterly will post a paperback cover of different

Kerouac novels. If you have one for posting please e-mail me the scan and I

will post it. I will do it more frequent when there are enough for me to

warrant so. Thanks, Paul of TKQ....

 

Go to:

 

http://www.freeyellow.com/members/upstartcrow/page4.html

=========================================================================

Date:         Wed, 27 Aug 1997 09:53:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <1.5.4.32.19970827033356.0067ce88@pop.pipeline.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 26 Aug 1997, P.A.Maher wrote:

 

> I think the book is all we need...what film of a novel ever really worked

> (except of course One Flew Over the Cuckoo's Nest)?Who could ever portray

 

Actually, supposedly Ken Kesey has never seen the movie version of "One

Flew Over the Cuckoo's Nest", because he was so disgusted with the

casting of Jack Nicholson as McMurphy.  McMurphy was supposed to be a

tough atheletic guy like himself, not a little guy like Nicholson.

=========================================================================

Date:         Wed, 27 Aug 1997 09:51:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: OTR movie spawns mass hysteria and many posts to beat-l !!!!

In-Reply-To:  <3.0.1.32.19970827105853.006c4120@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

film at 11:00

mc

=========================================================================

Date:         Wed, 27 Aug 1997 10:10:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

What I want to know is where are they going to get the sound track?  The

soundtrack is crucial:  Wardell Grey, Dexter Gordon, Parker, Slim, Billie

Holiday.  Seems to me that whoever directs, whoever acts, whoever

photographs must understand jazz as the key to the movie. How many have

Kerouac's ear ?

The ear was his dominant sense.

PW

 

 

>this is too much of a coincidence.  i just now finished watching The Funeral

>(director Abel Ferrara).  the scenes in the beginning with Vincent Gallo and

>Paul Hipp reminded me of Sal and Dean.  then i thought, i wonder if they'll

>ever make a movie of On The Road.  but then thought that might be a bad

>idea, it could never compare to the book and some movies of books just

>shouldnt be made. anyway, immediately after The Funeral was over, i had to

>come on to the computer to e-mail a friend about it. and that is when i saw

>all these e-mails about the OTR movie for the first time.  i never even

>heard of there being an OTR movie before.  that's too odd.  i must have been

>called upon to tell you all this.

>i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing

>Dean. boring.  Watch The Funeral (and pay close attention to Paul Hipp and

>also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )

>and you will see what i mean--men like Gallo and Hipp must play the parts of

>Sal and Dean.  but then im  not so sure  anyone could measure up to my

>perception of Sal and Dean or the book.   by the way, i saw Leonardo

>DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.

>but i dont think he'd be right for the OTR movie either.

> 

>At 11:06 PM 8/26/97 -0500, you wrote:

>>>At 04:45 PM 8/26/97 -0400, you wrote:

>>>>Age is irrelevant....

>>> 

>>>Kerouac's desire was for Montgomery Clift to play the Sal character and

>>>Marlon Brando to play the Dean part.

>>> 

>>>Well, Clift is dead but Brando is still alive and acting.

>>> 

>>>I say they use Brando.

>>> 

>>> 

>>>>remember that Penn's character in Dead Man Walking

>>>>was in his mid20's.  The OTR movie wont work unless someone really

>>>>intense with a really strong presence plays Neal/Dean.  Viewers have to

>>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.

>>>> 

>>>>In short the character needs to be larger tha  life, and there is no way

>>>>an unknown actor could pul that off.  The Dean part is one of the most

>>>>ocveted in HOllywood right now, but I think Penn might bed one of the

>>>>only actors in the world who could play the part right.

>>>> 

>>>>RJW

>>>> 

>>>> 

>> 

>>I believe that with his age and experience, Brando could play both Dean

>>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to

>>get back into Stanley Kowalski physique.

>> 

>>leo

>> 

>> 

>> 

>>"Let us hope that the whores of evil no longer loiter on the doorsteps of

>>your path, beckoning you into the brothel of despair, and that hereinafter,

>>you may present them with the most rigid manifestations of a firm and manly

>>will. Ad astra per aspera."  --Jack Kerouac

>> 

=========================================================================

Date:         Wed, 27 Aug 1997 10:26:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <v01540b03b029e3ce615e@[146.201.2.97]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Preston Whaley wrote:

 

> What I want to know is where are they going to get the sound track?  The

> soundtrack is crucial:  Wardell Grey, Dexter Gordon, Parker, Slim, Billie

> Holiday.  Seems to me that whoever directs, whoever acts, whoever

> photographs must understand jazz as the key to the movie. How many have

> Kerouac's ear ?

> The ear was his dominant sense.

> PW

 

 

I agree but since this movie will have youth appeal the studio supposedly

wants a contemporary rock soundtrack (it will sell albums...jus t think,

the "On the Road" soundtrack with Pearl Jam and REM .etc)  But I dont

think Kerouac even liked rock music...oh well

=========================================================================

Date:         Wed, 27 Aug 1997 10:38:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      On the Rote?

 

Thank god someone has a sense of humor...

>From http://www.c3f.com/holywood/ontheroa.html

.............................................................................

Hollywood's Coming!

 

Films with Internet Retrofits

 

1. ON THE ROAD

Production: American Zoetrope/Vanguard Films

Director: Francis Ford Coppola

Screenplay: Michael Herr

Stars: Tom Hanks as Jack Kerouac, Tom Cruise as Ginsberg, Sylvester Stallone

as Burroughs, Sandra Bullock as Neal Cassady

Status: Pre-production

 

Cyber Elements Added to Storyline:

 

One night, Ginsberg reveals to Kerouac that he's really a cyborg shaman

kickboxer from the future of another planet, and he's brought a wireless

satellite cable/modem settop box with him, which they immediately install in

the back seat of Neal Cassady's '49 Mercury.

 

As they drive across country, Kerouac gets on Usenet and reads aloud from

alt.books.beatgeneration and everybody gets depressed and tries, but fails,

to smash into a tree when it's his turn to drive.

 

Potential Problems:

 

Coppola wants to shoot entire film in Vietnam during Monsoon season, to get

authentic "jazz improvisatory" feel of the beatnik era.

 

Bullock threatening to pull out if Winona Ryder doesn't replace Hanks as

Kerouac.

=========================================================================

Date:         Wed, 27 Aug 1997 10:59:36 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew Reid <m_reid@COLBY.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>I think the book is all we need...what film of a novel ever really worked

>(except of course One Flew Over the Cuckoo's Nest)?Who could ever portray

>the angelic mystification of the characters Kerouac paints in OTR?It isn't

>the story that is special ....its the writing which transforms it into a

>special world.

 

Good point.

 

        Matt

=========================================================================

Date:         Wed, 27 Aug 1997 08:18:22 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Right. Like anyone could ever actually make a movie of On The Road.

> 

> I say, "The OTR movie won't work. Period. The whole idea is a dog. Makes me

> ill to imagine it." . . .

 I'd rather go to the movie theater in

> my mind...

> 

 

I heartily agree with Diane here.  Some good books get made into good

movies, but the movies do this by changing the book and making it

cinematic.  The mediums are too different.  Books are about words.

Movies are about pictures.  Movies can never select detail in the ways

books do and language other than straight dialog gets lost.  I can enjoy

the movies if I don't know the book, but if I do I am almost always

dissapointed.  People have nominated Cuckoo's Nest.  I'd nominate

Kubricks Lolita, but it still, even with Nabokov on the screenplan, is

not the same thing as the book.

 

Leave OTR alone.  Make a "road" movie that's a movie.  The all girl one

sounds good to me.

 

J. Stauffer

=========================================================================

Date:         Wed, 27 Aug 1997 08:21:19 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

There is no actor working today with the combination of mind and

masculinity that these roles would require.  The type is dead.  Clift

and Brando, maybe--but Penn?, Cage? etc.  Hopeless.

 

J. Stauffer

=========================================================================

Date:         Wed, 27 Aug 1997 10:23:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: OTR movie: Sean Penn?

Comments: To: Richard Wallner <rwallner@CAPACCESS.ORG>

In-Reply-To:  <Pine.SUN.3.91-FP.970826115702.1741A-100000@cap1.capaccess.org>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 26 Aug 1997, Richard Wallner wrote:

 

> someone told me that sean penn has been approached about the neal

> cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

> choice as anyone.  Wonder if he's into the beats though?

> 

> RJW

> 

In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to

play Dean.  Remember, OTR features one slice of Neal's life.  Yes his past

and absent father are always lurking in the background---but this seems to

bother Sal more than it does Dean.  Dean is the joyful, vibrant,

angel-headed hipster---I just can't see Penn pulling that off.

 

jenn thompson

=========================================================================

Date:         Wed, 27 Aug 1997 10:32:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: OTR movie: Sean Penn?

Comments: To: "P.A.Maher" <mapaul@PIPELINE.COM>

In-Reply-To:  <1.5.4.32.19970827033356.0067ce88@pop.pipeline.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 26 Aug 1997, P.A.Maher wrote:

 

> I think the book is all we need...what film of a novel ever really worked

> (except of course One Flew Over the Cuckoo's Nest)?Who could ever portray

> the angelic mystification of the characters Kerouac paints in OTR?It isn't

> the story that is special ....its the writing which transforms it into a

> special world.

> 

I tend to agree.  Kerouac's works are ambrosia; each word is precious;

somehow, a film cannot fully catch the magic.

Jenn Thompson

=========================================================================

Date:         Wed, 27 Aug 1997 16:39:04 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <sk312@pophost.city.ac.uk>

From:         Daniel Fascione <m.d.fascione@CITY.AC.UK>

Subject:      Re: OTR movie: Sean Penn?

Comments: To: stauffer@pacbell.net

 

Any thought on Cronnenberg's Naked Lunch. I loved the way he fused

the biographical details around the actual writing of the work with

the ideas and characters contained within.

I for one think this movie works well.

 

Opinions????????????

 

Daniel

=========================================================================

Date:         Wed, 27 Aug 1997 11:34:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      list of jazz albums

In-Reply-To:  <Pine.SUN.3.91-FP.970827102345.18813A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Preston Whaley wrote:

 

> What I want to know is where are they going to get the sound track?  The

> soundtrack is crucial:  Wardell Grey, Dexter Gordon, Parker, Slim, Billie

> Holiday.

 

Has anyone ever compiled a Beat required-listening list with album specifics

etc.? This would be useful.

=========================================================================

Date:         Wed, 27 Aug 1997 11:37:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Re: OTR movie: Sean Penn?

Comments: To: ljilk@mail.mps.org

 

Lots of people will discover OTR

through a movie being made of the book.

Of course the movie will suck.

especially for those few fans who

really love Jack and crew.

There's my 2 cents

 

yours as always in the store

Gary Mex Glazner

Headless Buddha

http://www.well.com/user/poetmex

PS my company Words on Wheels

is a distributor of poetry and

spoken word recordings, we

have quite a few beat recordings.

With a new box-set of WSB

set for release in the fall.

=========================================================================

Date:         Wed, 27 Aug 1997 11:41:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: OTR movie: music?

In-Reply-To:  <Pine.SUN.3.91-FP.970827102345.18813A-100000@cap1.capaccess.org>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Richard Wallner wrote:

 

> I agree but since this movie will have youth appeal the studio supposedly

> wants a contemporary rock soundtrack (it will sell albums...jus t think,

> the "On the Road" soundtrack with Pearl Jam and REM .etc)

 

Pearl Jam in On the Road? Ew this is getting gross. I thought maybe one way

they could make a decent movie out of it would be to make it all modern,

don't even try to make it look like the time period it was written in, and

use a lot of special effects and visuals (hazy sunsets driving with

panoramic views, real fast sections of roadside blur for like 5 minutes of

film, club scenes with color hues and mixture of Super8, video and 35mm,

just all kinds of weird tricks to get the tone of the words or of trying to

"find" that feeling of on the road, most of the film either music or

voice-over reading sections of the book). Maybe modern music in a context

like this but Pearl Jam?

 

One of my favorite times for film was the late 60s/early 70s. They made a

lot of experimental stuff back then, and so much of it came out great. Even

big films, like _2001..._, _A Clockwork Orange_, even _Jaws_ (not

experimental really but good).

=========================================================================

Date:         Wed, 27 Aug 1997 12:12:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Cronenberg's Naked Lunch

In-Reply-To:  <E0x3k6V-0007DI-00@netmail.city.ac.uk>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Daniel Fascione wrote:

 

> Any thought on Cronnenberg's Naked Lunch. I loved the way he fused

> the biographical details around the actual writing of the work with

> the ideas and characters contained within.

> I for one think this movie works well.

 

Just saw this again a few weeks ago after not having seen it since it came

out in '92. Bill, Jack, Allen (Martin) -- didn't look like any of them! But

this was good, as it wasn't a straight-on run-through of the book but more

on the _writing_ of the book, I think. Typewriter roaches kind of cute, and

the voice reminded me of the "Bob" voice in _12 Monkeys_ (can't put my

finger on it, but for me this "Bob" voice always had a kind of Burroughs

feel to it also). Loved the abstract color blotches in the intro and the

Interzone ending. And the scene with Joan getting high off bug powder was a

riot.

=========================================================================

Date:         Wed, 27 Aug 1997 13:01:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James J Stavola <JDSept@AOL.COM>

Subject:      Re: list of jazz albums

 

    One shouldnt be limited to the music of the times if OTR is made into a

movie. Certainly scenes should reflect the caracters listening to the music

as far as story line goes but the idea of beat-music extends past that era to

include much more such as the Dead ,Patti Smith,Lou Reed,and Tom

Waites.Others I'm sure I missed and can be added.Can I do the sound track?

 

 

 

 

 

 

 

 

 

 

 

                                                                         Your

Indulgence

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                                           JD

=========================================================================

Date:         Wed, 27 Aug 1997 13:05:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: list of jazz albums

In-Reply-To:  <970827125925_706282232@emout16.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, James J Stavola wrote:

 

<snip>

> the idea of beat-music extends past that era to include much more

<snip>

 

oh, definitely. i'm interested in something else here though: the specific

music that influenced the beat writers when they were writing their works.

for instance exactly what music is listed in OTR and what are the

recommended albums for checking it out? etc.

=========================================================================

Date:         Wed, 27 Aug 1997 12:48:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Jazz yes but remember the book!  Kerouac even wrote what music was playing.

from part 4 chap. 5--"..we wanted to hear mambo music and came back with a

stack of records, mostly by Perez Prado....."More Mambo Jambo," "Chattanooga

de Mambo," "Mambo Numero Ocho"-all these tremendous numbers resounded and

flared in the golden, mysterious afternoon like the sounds you expect to

hear on the last day of the world and the Second Coming...."  and i am quite

sure R.E.M. could come up with something amazing for the sdtrk.  or maybe

they'd be good for a different road movie.  i still have my doubts of an OTR

movie being made.  it's a dangerous thing.           please no Penn or Cage.

 

At 10:10 AM 8/27/97 -0400, you wrote:

>What I want to know is where are they going to get the sound track?  The

>soundtrack is crucial:  Wardell Grey, Dexter Gordon, Parker, Slim, Billie

>Holiday.  Seems to me that whoever directs, whoever acts, whoever

>photographs must understand jazz as the key to the movie. How many have

>Kerouac's ear ?

>The ear was his dominant sense.

>PW

> 

> 

>>this is too much of a coincidence.  i just now finished watching The Funeral

>>(director Abel Ferrara).  the scenes in the beginning with Vincent Gallo and

>>Paul Hipp reminded me of Sal and Dean.  then i thought, i wonder if they'll

>>ever make a movie of On The Road.  but then thought that might be a bad

>>idea, it could never compare to the book and some movies of books just

>>shouldnt be made. anyway, immediately after The Funeral was over, i had to

>>come on to the computer to e-mail a friend about it. and that is when i saw

>>all these e-mails about the OTR movie for the first time.  i never even

>>heard of there being an OTR movie before.  that's too odd.  i must have been

>>called upon to tell you all this.

>>i dont like the idea of Penn, Brando (too old now isnt he?), or Cage playing

>>Dean. boring.  Watch The Funeral (and pay close attention to Paul Hipp and

>>also the scene of Johnnie (Gallo), Ghouly (Hipp) and the woman on the bed )

>>and you will see what i mean--men like Gallo and Hipp must play the parts of

>>Sal and Dean.  but then im  not so sure  anyone could measure up to my

>>perception of Sal and Dean or the book.   by the way, i saw Leonardo

>>DiCaprio in Total Eclipse and thought it was good. he made me hot anyway.

>>but i dont think he'd be right for the OTR movie either.

>> 

>>At 11:06 PM 8/26/97 -0500, you wrote:

>>>>At 04:45 PM 8/26/97 -0400, you wrote:

>>>>>Age is irrelevant....

>>>> 

>>>>Kerouac's desire was for Montgomery Clift to play the Sal character and

>>>>Marlon Brando to play the Dean part.

>>>> 

>>>>Well, Clift is dead but Brando is still alive and acting.

>>>> 

>>>>I say they use Brando.

>>>> 

>>>> 

>>>>>remember that Penn's character in Dead Man Walking

>>>>>was in his mid20's.  The OTR movie wont work unless someone really

>>>>>intense with a really strong presence plays Neal/Dean.  Viewers have to

>>>>>understand and relate to Kerouac's/Sal Paradise's obsession with him.

>>>>> 

>>>>>In short the character needs to be larger tha  life, and there is no way

>>>>>an unknown actor could pul that off.  The Dean part is one of the most

>>>>>ocveted in HOllywood right now, but I think Penn might bed one of the

>>>>>only actors in the world who could play the part right.

>>>>> 

>>>>>RJW

>>>>> 

>>>>> 

>>> 

>>>I believe that with his age and experience, Brando could play both Dean

>>>Moriarty and Old Bull Lee. Perhaps he could work with a physical trainer to

>>>get back into Stanley Kowalski physique.

>>> 

>>>leo

>>> 

>>> 

>>> 

>>>"Let us hope that the whores of evil no longer loiter on the doorsteps of

>>>your path, beckoning you into the brothel of despair, and that hereinafter,

>>>you may present them with the most rigid manifestations of a firm and manly

>>>will. Ad astra per aspera."  --Jack Kerouac

>>> 

> 

=========================================================================

Date:         Wed, 27 Aug 1997 13:56:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Re[2]: renaming Characters...

 

In a message dated 97-08-22 23:33:20 EDT, you write:

 

<< Great catch. Didn't someone here say they saw the original OTR scroll and

 the real names (Neal and Carolyn) were on there?

  >>

 

The On The Road Scroll did have (at least the part that I saw) the real

names. It used the name Neal. The beginning of the scroll is a little

different then the beginning of the book.

=========================================================================

Date:         Wed, 27 Aug 1997 13:57:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: The aggressor.

 

In a message dated 97-08-25 03:42:27 EDT, you write:

 

<< >         Don't use the telephone

 >         People are never ready to answer it.

 >         Use poetry. --- Jack Kerouac, 1970.

 

         How on earth did JK say this in 1970?

  >>

 

I think he called collect.

 

 I heard that in 1996 Jack said, "Don't ever read your e-mail without having

your finger on the delete button. You might actually read something you

didn't want to" (I believe he said that in early June).

=========================================================================

Date:         Wed, 27 Aug 1997 14:05:05 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      OTR film

 

Reading through the comments on filming OTR, I couldn't help remembering

that a discussion of FFC's OTR was among the firt threads on Beat-l.

I'd go for contemporary music primarily, but I'd sure like to open or

close the film with the electric version of Aztec Two Step's song about

Dean Moriarty.

=========================================================================

Date:         Wed, 27 Aug 1997 14:26:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR film

In-Reply-To:  <BEAT-L%1997082714083960@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I think the movie should be shot in black and white, except for the

opening and closing scenes, which would be color shots of Neal Cassady

walking shirtless on the train tracks in mexico, counting the tracks

rightbefore his death.

 

The movie would be narrated of course, with the closing paragraph of the

book narrarated over the shot of Neal walking away down the railroad tracks.

 

RJW

=========================================================================

Date:         Wed, 27 Aug 1997 12:36:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[4]: renaming Characters...

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

I found the postcard that has the picture of the scroll on it, it's done by

FotoFolio in NY, NY....not sure if that's the rights-holder to the picture or

the printer of the postcard.  It does have the name Neal on it and it also says

"I first met Neal not long after my father died.".  Can anyone in NYC find out

if this is part of a series, maybe even a postcard book of some kind.  The

scroll looked to be in pretty bad shape (of course it was done on paper that

wasn't meant to last....)  I hope it's stored properly.

 

love and lilies,

 

Matt H.

 

______________________________ Reply Separator _________________________________

Subject: Re: Re[2]: renaming Characters...

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    8/27/97 1:56 PM

 

 

In a message dated 97-08-22 23:33:20 EDT, you write:

 

<< Great catch. Didn't someone here say they saw the original OTR scroll and

 the real names (Neal and Carolyn) were on there?

  >>

 

The On The Road Scroll did have (at least the part that I saw) the real

names. It used the name Neal. The beginning of the scroll is a little

different then the beginning of the book.

=========================================================================

Date:         Wed, 27 Aug 1997 16:26:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: list of jazz albums

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi all you jazz fans....not to mention fans of other related Beat genres!

 

        [Bruce Hartman, Ron Kovachs and others should chime in here also!]

 

        I'll offer up the playlists from two compilations that I've made up

that were trying to capture that taste and time. I'd add that there are some

others who didn't make it onto the list like Lester Young, Billie Holiday,

Art Tatum, Duke Ellington and the exemplars of vocalese, scat, wordjazz,

hipsemantic, and bebop vocals like King Pleasure, Leo Watson, Mel Torme (the

'Velevet Fog'), Ken Nordine, and Eddie Jefferson. They're on a third

playlist that's harder to get at right now.

 

        I'll also recommend Owen Thomas' book "Bebop:...(forget subtitle)"

for those who really want to immerse themselves . He starts with Charlie

Parker and deals with every other important bebop jazz player and their

influences, by instrument.

 

        For the Beat pure of heart, the Venice Biennale Discography is

pretty complete and I'll e-mail a copy if anyone is real keen. And to quote

Howard Park:

 

        "Anybody with an interest in the spoken word and audio of the Beat

Generation

        should consider picking up a copy of Stephen Ronan's "Disks of the=

 Gone

        World", a 135 page compendium, involving a lifetime of research, of

        information about Beat audio.  This is THE discography of the Beat

Generation

        covering the "big three" and poets like Bremser, Bukowski, McClure

and tens

        of others.  Its more than just a list, it has all sorts of other

info too.

 

        Contact Stephen Ronan at P.O. Box 5813, Berkeley, CA, 94705 (he's

not online)

        or e-mail me for price."

 

        Regards,     Antoine

 

 

        The two playlists are:

 

        ***************

 

+++...from the gone world.      =95     22

 

Side 1  Antoine Maloney / 9th June, 1996

 

big high song for somebody (Philip Whalen)      Roy Glenn 1958=7F

Epistrophy (Monk - Clarke)      Thelonius Monk w/ Milt Jackson on vibes 1948

Travellin' Blues                        Bulee =93Slim=94 Gaillard 1945

Cosmic Rays                     Charlie Parker Quartet 1952

State & 32nd                    Kenneth Rexroth1956 or =9159

Picasso                                 Coleman Hawkins 1948

9th & Hennepin                  Tom Waits=7F

Clarinet with dripping faucet (recorded by Tony Schwartz)       Jimmy Giuffre 1959

dog (Ferlinghetti)                      Bob Dorough 1958

Up Broadway                     Moondog [Louis Harden] 1956-57

Street Scene                                                               1955

Bird's

1968

The Bridge                      Lee Ranaldo 1985

Drums in my typewriter  Woody Leafer 1958

Bomb                                    Gregory Corso 1965

H-Bomb                                  Lord Buckley 1960

Midnight Sun                    Lionel Hampton 1956-57

 

Side 2

 

The Bird        Charlie Parker 1947

Yip Roc Heresy                  Bulee =93Slim=94 Gaillard 1951

Like                                    Jack Hammer 1959

Cockroach                       Jack Kerouac 1962

The Hipster's Blues - Opus 7=BD Harry =93The Hipster=94 Gibson 1944

Invitation to the Blues Tom Waits

Blues Montage                   Langston Hughes with Leonard Feather 1958

Manhattan Fable                 Babs Gonzalez 1954

Little Man      Teddy Edwards with Tom Waits

October in the Railroad Earth   Jack Kerouac and Steve Allen March 1958

On the Nickel                   Tom Waits

Thelonius                                       Thelonius Monk 1947

 

        ****************

 

+++Bebop, Beat, and Hipsemantic =95     29

 

Side 1  Antoine Maloney / 28th March, 1997

 

On The Bean (Walter Thomas)     Coleman Hawkins with Thelonius Monk 1944

In Walked Bud (Monk)    Thelonius Monk with Art Blakey 1947

Evidence (Monk)                 Thelonius Monk with Milt Jackson 1948

=93Monk is dead...Monk lives!=94        Clifton Joseph 1995

Bloomdido (Parker)                      Thelonius Monk, Charlie Parker, Dizzy

Gillespie, Buddy Rich

1950

Celia (Powell)                  Bud Powell, Ray Brown, Max Roach 1949

Koko (Parker)                   Charlie Parker, Dizzy Gillespie, Max Roach=

 1945

Slim=92s Jam (B.Gaillard)       Slim Gaillard, Zutty Singleton, Jack McVie, Dizzy,

Parker, Roach

1945

=93The Early History of Bop=94  Jack Kerouac with Steve Allen 1958

Ornithology (Parker - Harris)   Parker, Miles Davis, Dodo Marmarosa 1946

Slam, Slam Blues (S.Stewart)    Dizzy, Parker, Slam Stewart, Red Norvo 1945

=93Take note daddy-o!...=94     Langston Hughes with Charles Mingus Quintet 1958

         ...and Jump Monk (Mingus) ...fragment

 

Side 2

 

Misterioso (Monk)                       Thelonius Monk with Milt Jackson 1948

Now=92s The Time (Parker)       Charlie Parker with Dizzy Gillespie, Miles Davis,

Max Roach

1945

=93Charlie Parker....=94                        Jack Kerouac with Steve Allen 1958

Blues Walk (C.Brown)    Clifford Brown, with Max Roach, Harold Land,   1955

Take The A Train (Billy Strayhorn)      George Morrow and Richie Powell 1955

=93The Train=94                 Lord Buckley 1956

=93Penn Station...to Harlem=94  Langston Hughes with Charles Mingus Quintet=

 1958

        =93...Dizzy Gillespie...Lennox Avenue=94

        =93I play it cool, I dig all jive!=94

The Naz                                 Lord Buckley 1959

Sightseeing Boogie (B.Gailard)  Slim Gaillard 1945

Yardbird Suite (Parker) Charlie Parker, with Miles Davis and Dodo Marmarosa=

 1946

=93...loved that ol=92 Pontiac... =94   Tom Waits 1987

Duet: Queen Elizabeth whistle and Bamboo Pipe   Moondog [Louis Harden] 1956

Symphonique #6 (Good for Goody) ...fragment     1968

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to=

 do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 27 Aug 1997 16:42:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:23 AM 8/27/97 -0500, you wrote:

>On Tue, 26 Aug 1997, Richard Wallner wrote:

> 

>> someone told me that sean penn has been approached about the neal

>> cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

>> choice as anyone.  Wonder if he's into the beats though?

>> 

>> RJW

>> 

>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to

>play Dean.  Remember, OTR features one slice of Neal's life.  Yes his past

>and absent father are always lurking in the background---but this seems to

>bother Sal more than it does Dean.  Dean is the joyful, vibrant,

>angel-headed hipster---I just can't see Penn pulling that off.

> 

>jenn thompson

> 

> 

The right actor for Sal is either Johnny Depp or Keanu Reeves.

I can't think of a sparkplug active enough to play Dean, Dean

Dean that God Damn Dean!

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 16:45:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:39 PM 8/27/97 +0000, you wrote:

>Any thought on Cronnenberg's Naked Lunch. I loved the way he fused

>the biographical details around the actual writing of the work with

>the ideas and characters contained within.

>I for one think this movie works well.

> 

>Opinions????????????

> 

>Daniel

> 

>I liked the film alright, but not for its relation to Naked Lunch.

I didn't really think it was first rate, but I liked it.  The film

I liked that went nowhere was The Sheltering Sky based on Paul Bowles

novel.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 16:53:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

You know, I'm thinking they should select off-beat

pop music from the era, which is what I suspect the

beats would do.  Perez Prado fits perfectly.  The white

tin pan alley pop era between the end of War 11 and Elvis

had a lot of interesting stuff in it down below the McGuire

sisters and Eddie Fisher.  The Forties and Fifties are

beginning to be forgotten, but they could be marvelously

evoked, with a soundtrack contemporary to that time.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 16:55:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR film

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:26 PM 8/27/97 -0400, you wrote:

>I think the movie should be shot in black and white, except for the

>opening and closing scenes, which would be color shots of Neal Cassady

>walking shirtless on the train tracks in mexico, counting the tracks

>rightbefore his death.

> 

>The movie would be narrated of course, with the closing paragraph of the

>book narrarated over the shot of Neal walking away down the railroad tracks.

> 

>RJW

> 

> 

I think Neal on the Tracks would violate the spirit of the book.  I do

like the idea of doing it in black and white, though.

 

Mike Rice

=========================================================================

Date:         Wed, 27 Aug 1997 17:04:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <1.5.4.16.19970827154749.27577e0a@mail.wi.centuryinter.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I wouldnt put music over the closing credits...I'd put a live recording

of Ginsberg reading "Howl"

=========================================================================

Date:         Wed, 27 Aug 1997 16:17:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <boondock@POBOX.COM>

Subject:      Re: OTR movie: Sean Penn?

In-Reply-To:  <1.5.4.16.19970827153712.2757d15a@mail.wi.centuryinter.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:42 PM 8/27/97 Mike Rice wrote:

 

>>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to

>>play Dean.  Remember, OTR features one slice of Neal's life.  Yes his past

>>and absent father are always lurking in the background---but this seems to

>>bother Sal more than it does Dean.  Dean is the joyful, vibrant,

>>angel-headed hipster---I just can't see Penn pulling that off.

 

>> 

>The right actor for Sal is either Johnny Depp or Keanu Reeves.

>I can't think of a sparkplug active enough to play Dean, Dean

>Dean that God Damn Dean!

 

Oh, anyone but Keanu "Wooden Boy" Reeves!!! His performance in Johnny

Mnemonic was like a cardboard cutout..

 

 I personally prefer Billy Crudup as Sal Paradise.  He was great in

"Inventing the Abbotts" and has a real presence about him that reminds me

of Jack.

 

 As for Dean, Peter Berg has the right energy, but I'm not sure he's a

strong enough actor for the role.  Or maybe for a real sparkplug, you could

try Henry Rollins...he's definitely got the verbal rhythm.

 

I can visualize Sam Shepard as Bull Lee - strong and classy.

=========================================================================

Date:         Wed, 27 Aug 1997 16:22:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:42 PM 8/27/97 -0400, you wrote:

>At 10:23 AM 8/27/97 -0500, you wrote:

>>On Tue, 26 Aug 1997, Richard Wallner wrote:

>> 

>>> someone told me that sean penn has been approached about the neal

>>> cassady/dean moriarty role in the OTR movie.  I think he'd been as good a

>>> choice as anyone.  Wonder if he's into the beats though?

>>> 

>>> RJW

>>> 

>>In my opinion, Sean Penn seems a little too gloomy, perhaps even morose to

>>play Dean.  Remember, OTR features one slice of Neal's life.  Yes his past

>>and absent father are always lurking in the background---but this seems to

>>bother Sal more than it does Dean.  Dean is the joyful, vibrant,

>>angel-headed hipster---I just can't see Penn pulling that off.

>> 

>>jenn thompson

>> 

>> 

>The right actor for Sal is either Johnny Depp or Keanu Reeves.

>I can't think of a sparkplug active enough to play Dean, Dean

>Dean that God Damn Dean!

> 

>Mike Rice

> 

i too was thinking of Johnny Depp as Sal.  he's a great actor.  he'd have to

cut his hair though.  yes Mike, Perez Prado-i already wrote that, and he's

even mentioned in the book.  but i dont think Keanu could play Sal.  how

about Chris Isaak.  he acts too you know.  and he looks a lot like Kerouac.

he could just dye his hair darker.

=========================================================================

Date:         Wed, 27 Aug 1997 15:08:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: OTR film

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>I think Neal on the Tracks would violate the spirit of the book.  I do

>like the idea of doing it in black and white, though.

>Mike Rice

 

     I was waiting for someone else to bring this up.  Neal's death would

     certainly be outside the scope of OTR.  My question is, not having

     read everything by everyone (yet), did any of the Beats ever write

     about the death of a fellow Beat--or about death in specific at all

     (excepting the David Kamererr (sp) episode)?

 

     love and lilies,

 

     matt h.

=========================================================================

Date:         Wed, 27 Aug 1997 16:36:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Roy Murray Moore <unde0297@FRANK.MTSU.EDU>

Subject:      OTR the movie

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

        sean penn has for years talked about playing the title role in a

movie based off the life of cult-icon folksinger phil ochs. i think that

alone substantiates his interest in beat and beat-influenced artists. as

far as his being the right person to act in the movie i doubt he could do

much worse than keanu reeves. besides with the inclusion of penn in the

movie it is certain to do fairly well at the box office. depp couldn't

hurt either. but chances are, and i hold my breath that it isn't, that the

role of sal will go to the lead singer of bush, gavin something or other.

his hollow angst should translate well to the junior teens that would

surely flock to go see him. i don't see entertainment executives passing

on an idea like that.

        and if you wanted to add to the clift/brando pair, sal mineo

wouldn't hurt as ginsberg.

=========================================================================

Date:         Wed, 27 Aug 1997 15:44:35 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Re[2]: OTR film

In-Reply-To:  <4049AC80.@usoc.org>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

well i dont know if it counts or not, in that specific question - but

Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and

kerouac. kesey wrote "the day superman died" about cassady's death (first

appeared in rolling stone, as far as i know - and now collected in _demon

box_). ferlinghetti wrote poem about allen's death. theres gotta be

more...

yrs

derek

 

On Wed, 27 Aug 1997, MATT HANNAN wrote:

 

> 

> >I think Neal on the Tracks would violate the spirit of the book.  I do

> >like the idea of doing it in black and white, though.

> >Mike Rice

> 

>      I was waiting for someone else to bring this up.  Neal's death would

>      certainly be outside the scope of OTR.  My question is, not having

>      read everything by everyone (yet), did any of the Beats ever write

>      about the death of a fellow Beat--or about death in specific at all

>      (excepting the David Kamererr (sp) episode)?

> 

>      love and lilies,

> 

>      matt h.

> 

=========================================================================

Date:         Thu, 28 Aug 1997 00:01:10 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

Amari Baraka (Leroi Jones)

Paul Blackburn

Robin Blaser

Bonnie Bremser

Ray Bremser

Chandler Brossard

Charles Bukowski

William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }

William S. Burroughs Jr.

Lucien Carr

Paul Carroll

Louis R Cartwright

Carolyn Cassady

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }

Andy Clausen

Gregory Corso

Robert Creeley [Black Mountain School]

Henry Cru

Diane DiPrima

John Doe

Kirby Doyle

Robert Duncan [Black Mountain School]

Bob Dylan

William Everson (Brother Antonus)

Richard Farina

Lawrence Ferlinghetti

Charles Foster

Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }

John Giorno

Brion Gysin

William Inge

John Cellon Holmes

Herbert Huncke

Ted Joans

Joyce Johnson

Lenore Kandel

Bob Kaufman

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

Jan Kerouac

Ken Kesey

Seymour Krim

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Malcom Lowry

Norman Mailer

Gerard Malanga

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

John Montgomery

Harold Norse

Frank O'Hara

Charles Olson [Black Mountain School]

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Hugh Romney

Michael Rumaker

Ed Sanders

Hubert Jr. Selby

Gary Snyder

Carl Solomon

Jack Spicer

Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

Alexander Trocchi

Anne Waldman

Lewis Warsh

Alan Watts

Lew Welch

Philip Whalen

John Wieners

William Carlos Williams

-*-

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

28th august 1997, Venice-Mestre, Italy.

-*-

credits to

Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>

OHearn  <orpheus@in.the.shadows>

David Schwarm <dschwarm@sun3.lib.uci.edu>

-*-

=========================================================================

Date:         Wed, 27 Aug 1997 17:11:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      OTR Chris Isaak: Sal, Michael Stipe: Dean

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i can sleep well tonight.  if there is to be an On The Road movie, then let

Chris Isaak play Sal, he looks so much like Kerouac and he has always

reminded me of a handsome actor out of the 1940s and '50s.  he does act, he

isnt just a singer.  if not him, then Depp.

now about Dean.  the only sexy angel headed man with that kind of  energy

and passion i know of is Michael Stipe.  many agree w/me that he is the

sexiest man alive.   On The Road is the only book Stipe has read more than

once (or so ive read).  he is on the tribute to Kerouac c.d. Kicks Joy

Darkness.  this proves his interest in Kerouac and On The Road.  Stipe has

acted in atleast one movie, i know this for sure.  he's also produced

movies.   if pop stars are to play the parts of Sal and Dean, please let it

be Issak and Stipe.  i hate Bush.

=========================================================================

Date:         Wed, 27 Aug 1997 18:12:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Beats.

In-Reply-To:  <3.0.1.32.19970828000110.006a0708@pop.gpnet.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

 

> Charles Olson [Black Mountain School]

 

I confess, I never understood his poetry. I don't know how to read it.

=========================================================================

Date:         Wed, 27 Aug 1997 17:14:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Re[2]: OTR film

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

And don't forget Corso's wonderful "Elegiac Feelings American" for Jack.

 

----------

> From: Derek A. Beaulieu <dabeauli@FREENET.CALGARY.AB.CA>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Re: Re[2]: OTR film

> Date: Wednesday, August 27, 1997 4:44 PM

> 

> well i dont know if it counts or not, in that specific question - but

> Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and

> kerouac. kesey wrote "the day superman died" about cassady's death (first

> appeared in rolling stone, as far as i know - and now collected in _demon

> box_). ferlinghetti wrote poem about allen's death. theres gotta be

> more...

> yrs

> derek

=========================================================================

Date:         Wed, 27 Aug 1997 18:19:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Re[2]: OTR film

In-Reply-To:  <Pine.A32.3.93.970827154245.69152B-100000@srv1.freenet.calgary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>well i dont know if it counts or not, in that specific question - but

>Ginsbberg wrote A LOT about the death of cassady (rememberances, etc) and

>kerouac. kesey wrote "the day superman died" about cassady's death (first

>appeared in rolling stone, as far as i know - and now collected in _demon

>box_). ferlinghetti wrote poem about allen's death. theres gotta be

________

(hideous no-win noise of hideous tv game shows) splat!

insp d:

still outside the scope of the book.

i still say it is impossible to do, and am awaiting its prat-fall.  can't

imagine what would be left out, how to get into sal's head ... as he is NOT

moriarty but rather sal caught up in moriarty's life..

blecchh.

mc

=========================================================================

Date:         Thu, 28 Aug 1997 00:30:17 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      a Jack Kerouac's poem dated 1970.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        To Edward Dahlberg      by Jack Kerouac

 

        Don't use the telephone.

        People are never ready to answer it.

        Use poetry.

 

        1970

 

 

 

from    "Scattered poems",

        1970, 1971 (c) The Estate of Jack Kerouac.

=========================================================================

Date:         Wed, 27 Aug 1997 16:12:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:01 AM 8/28/97 +0200, you wrote:

 

>William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }

>William S. Burroughs Jr.

 

>Lucien Carr

 

How 'bout Caleb Carr, Lucien's son.  I see Kerouac's daughter and Burrough's

son made the list.

 

Too bad Ginsberg didn't have any kids.

 

>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

>Jan Kerouac

=========================================================================

Date:         Wed, 27 Aug 1997 19:15:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I can't register William Inge as a beat.  Please

explain.

 

Mike Rice

 

 

At 12:01 AM 8/28/97 +0200, you wrote:

>Donald Allen

>Amari Baraka (Leroi Jones)

>Paul Blackburn

>Robin Blaser

>Bonnie Bremser

>Ray Bremser

>Chandler Brossard

>Charles Bukowski

>William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }

>William S. Burroughs Jr.

>Lucien Carr

>Paul Carroll

>Louis R Cartwright

>Carolyn Cassady

>Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }

>Andy Clausen

>Gregory Corso

>Robert Creeley [Black Mountain School]

>Henry Cru

>Diane DiPrima

>John Doe

>Kirby Doyle

>Robert Duncan [Black Mountain School]

>Bob Dylan

>William Everson (Brother Antonus)

>Richard Farina

>Lawrence Ferlinghetti

>Charles Foster

>Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }

>John Giorno

>Brion Gysin

>William Inge

>John Cellon Holmes

>Herbert Huncke

>Ted Joans

>Joyce Johnson

>Lenore Kandel

>Bob Kaufman

>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

>Jan Kerouac

>Ken Kesey

>Seymour Krim

>Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

>Tuli Kupferberg

>Joanne Kyger

>Philip Lamantia

>Jay Landesman

>Fran Landesman

>Timothy Leary

>Lawrence Lipton

>Malcom Lowry

>Norman Mailer

>Gerard Malanga

>Edward Marshall

>Joanna McClure

>Michael McClure

>Taylor Mead

>David Meltzer

>Jack Micheline

>Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

>John Montgomery

>Harold Norse

>Frank O'Hara

>Charles Olson [Black Mountain School]

>Peter Orlovsky

>Kenneth Patchen

>Stuart Z. Perkoff

>Charles Plymell

>Dan Propper

>Kenneth Rexroth

>Hugh Romney

>Michael Rumaker

>Ed Sanders

>Hubert Jr. Selby

>Gary Snyder

>Carl Solomon

>Jack Spicer

>Hunter Stockton Thompson

>Charles Upton

>Janine Pommy Vega

>Alexander Trocchi

>Anne Waldman

>Lewis Warsh

>Alan Watts

>Lew Welch

>Philip Whalen

>John Wieners

>William Carlos Williams

>-*-

>Hello!,

>i'm listing the beat generation

>(writers & painters & performers)

>& i begin with a list, everyone

>interested can propose a new name.

>http://www.gpnet.it/rasa/home.htm

>thanks,

>Rinaldo Rasa.

>28th august 1997, Venice-Mestre, Italy.

>-*-

>credits to

>Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>

>OHearn  <orpheus@in.the.shadows>

>David Schwarm <dschwarm@sun3.lib.uci.edu>

>-*-

> 

> 

=========================================================================

Date:         Wed, 27 Aug 1997 19:43:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

Subject:      Q Magazine/Kesey

In-Reply-To:  <1.5.4.32.19970827134016.00679c0c@pop.pipeline.com> from

              "P.A.Maher" at Aug 27, 97 09:40:16 am

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

There is a small article on Kesey in the latest ish of

Q Magazine (UK rock mag)

=========================================================================

Date:         Wed, 27 Aug 1997 16:53:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Some of Dharma and Life

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Are any of you as excited as I am about Some of the Dharma being published?

I am surprised how excited I am.  I heard about this book years ago in the

biographies and remember thinking why can't they publish it.

 

And now it is being published.  I see at amazon.com the publication date is

September but the Barnes and Noble site has it as August.  I saw that the

OTR 40th anniversary was also listed this same way--and I saw that book at

vromans books, so I figure Some of the Dharma should be out.

 

Has anyone actually seen it in a bookstore (I know some have received

advance copies).

 

And Life magazine has an issue out of photos of the people of the century.

In the originals section they have a picture of kerouac (looks like it's

from his early 60's Lowell days).  The commentary is by Ken Kesey quoting

him about how Kerouac never put anyone down in all of his writing.

=========================================================================

Date:         Wed, 27 Aug 1997 19:56:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Movies from books....

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Oh ye of little faith!  ....it could turn out fine!

 

        What about "Sheltering Sky" or "The English Patient"? ...or the

movies mentioned by Adrien and others?  ...was "Il Postino" a book first? If

so, it must have been dyn-o-mite by Matt and Paul's logic.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 27 Aug 1997 19:56:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: OTR film

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Richard,

 

        Your post really made me excited about the prospect of a film if it

could use ideas like this and some of the others posted.

                                                - Antoine

 

        *********

 

I think the movie should be shot in black and white, except for the opening

and closing scenes, which would be color shots of Neal Cassady walking

shirtless on the train tracks in mexico, counting the tracks right before

his death.

 

The movie would be narrated of course, with the closing paragraph of the

book narrarated over the shot of Neal walking away down the railroad tracks.

 

        *********

 

I wouldnt put music over the closing credits...I'd put a live recording

of Ginsberg reading "Howl"

 

        **********

 

 the electric version of Aztec Two Step's song about Dean Moriarty.

 

        **********

 

mambo music and came back with a

stack of records, mostly by Perez Prado....."More Mambo Jambo," "Chattanooga

de Mambo," "Mambo Numero Ocho"-all these tremendous numbers resounded and

flared in the golden, mysterious afternoon like the sounds you expect to

hear on the last day of the world and the Second Coming...."

 

        **********

=========================================================================

Date:         Wed, 27 Aug 1997 19:59:48 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Some of Dharma and Life

In-Reply-To:  Message of Wed, 27 Aug 1997 16:53:28 -0700 from

              <gallaher@HSC.USC.EDU>

 

It's out!  You should be able to find it at better bookstores.  I thin Waterrow

 has copies too.  I sure was excited when I got my hands on a copy but I was a

little disappointed by some of what I learned from reading it.  It's essentiall

y a notebook and will be most appreciated by those with an in-depth knowledge o

f Kerouac's life and work.  Doubtless, there are those who will disagree with m

e but I have to say it certainly isn't a major work in the sense that it will w

in Kerouac any new readers.  It is important for the light it sheds on Kerouac'

s life and work in the years when he was struggling with poverty and rejection.

=========================================================================

Date:         Wed, 27 Aug 1997 20:51:36 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: OTR film

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> At 02:26 PM 8/27/97 -0400, you wrote:

> >I think the movie should be shot in black and white, except for the

> >opening and closing scenes, which would be color shots of Neal Cassady

> >walking shirtless on the train tracks in mexico, counting the tracks

> >rightbefore his death.

> >

> >The movie would be narrated of course, with the closing paragraph of the

> >book narrarated over the shot of Neal walking away down the railroad tracks.

> >

> >RJW

> >

> >

> I think Neal on the Tracks would violate the spirit of the book.  I do

> like the idea of doing it in black and white, though.

> 

> Mike Rice

black and white visions of cody! with the only color being redbricks!

seriously though, neal on the tracks would be a very powerful scene

and i agree with mike- it should not be in otr. just imagine it in

voc though.

randy~

=========================================================================

Date:         Wed, 27 Aug 1997 21:52:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: Some of Dharma and Life

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Both new titles are widely available in Barnes and Noble.....buy SOTD first

for some of Jack's most profound and intelligent utterings in print...almost

compared to the holy Psalms I saw written by him in his journals at the

Kerouac estate. Both SOTD and the journals I saw give testament to how holy

a man Jack really was.Jack has a whole notebook on Psalms and prayers

written by him in a Catholic vein. When these journals finally are

published...this will show Jack for the true genius he really is. On the

Road does not do this man justice.

 

                   regards to all tonight, Paul of TKQ...

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Wed, 27 Aug 1997 21:39:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>On Wed, 27 Aug 1997, Preston Whaley wrote:

> 

>> What I want to know is where are they going to get the sound track?  The

>> soundtrack is crucial:  Wardell Grey, Dexter Gordon, Parker, Slim, Billie

>> Holiday.  Seems to me that whoever directs, whoever acts, whoever

>> photographs must understand jazz as the key to the movie. How many have

>> Kerouac's ear ?

>> The ear was his dominant sense.

>> PW

> 

> 

>I agree but since this movie will have youth appeal the studio supposedly

>wants a contemporary rock soundtrack (it will sell albums...jus t think,

>the "On the Road" soundtrack with Pearl Jam and REM .etc)  But I dont

>think Kerouac even liked rock music...oh well

 

Seems like if the movie communicated the kind of rapture Neal and Jack got

from jazz we could have a Renaissance in the idiom.  I know movie execs

don't think like that, but some might take a gamble on fertilizing the jazz

record and club market.

 

As for jazz albums:  check out OTR pgs. 112-114 for one specific example.

Great scene shot through with bop joy -- a great movie scene. The song is

on a double album called "The Hunt" published in 1948.  It's a live

recording from an LA club. Sound quality offends, but you can hear crowd

:Go! Go! Gone lovin' it. But read the text.

 

 

PW

=========================================================================

Date:         Wed, 27 Aug 1997 21:46:27 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Re[2]: OTR film

 

Reply to message from MATT.HANNAN@USOC.ORG of Wed, 27 Aug

> 

>     I was waiting for someone else to bring this up.  Neal's death would

>     certainly be outside the scope of OTR.  My question is, not having

>     read everything by everyone (yet), did any of the Beats ever write

>     about the death of a fellow Beat--or about death in specific at all

>     (excepting the David Kamererr (sp) episode)?

> 

>     love and lilies,

> 

>     matt h.

 

I don't know if you'd count this, but In GO, Holmes writes about (forgot

the guy's name) who climbed onto the top of a subway & was killed when the

subway reached a tunnel...a very gruesome, bizzare item based on real events.

 

Diane.

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Wed, 27 Aug 1997 21:38:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      jack kerouac

 

   Please allow me to introduce myself...my name is John J Dorfner.  I first

discovered Jack Kerouac's writing in 1973, while living in Oregon, working

for a book distributor.  This was after spending over a year hitch-hiking

around the country after being discharged from the Navy.  It was then that I

was turned on to Ann Charter's book, Kerouac.

   I made the first of many pilgrimages to Lowell in 1976, upon returning to

my hometown in upstate New York.  I wanted to see and experience the places

Kerouac wrote about in his books.  I knew this was something that had to be

done.  No question.  I had to know if the reality of Lowell would move me as

much as Kerouac's writing did.

   I spent the years from 1976-1983 periodically traveling to Lowell, working

on notes for a book and starting a family.  After we moved to Raleigh, North

Carolina in June of 1983 and settled into our new home, I drove out to Rocky

Mount.  Luckily it was only 50 miles to the east.

   In Rocky Mount I stood in the front yard of the house where Neal found

Jack that Christmas of 1948.  Jack called the town "Testament, Virginia," in O

n the Road.  I suddenly realized that the Kerouac/Cassady Road Odyssey began

right where I was standing.  That is a feeling words can't describe.  All I

can say is "what a rush!"

   The research I was able to compile in my visits there became very

important to me, as well as to many others.  The local country folks who knew

Kerouac and his family, who I was able to interview, have become my friends.

 These friendships, along with the foreword the late Allen Ginsberg composed

for my Lowell book, are things I will always cherish.

   Talking about the book, On the Road, is great, discussing it with friends

even better.  But there is nothing that beats the experience of going out on

the road, to the places where Kerouac lived, wrote and loved.

   Gathering the thoughts and photographs that came about from my

pilgrimages, I wrote a couple of books about Kerouac's life and times in

Lowell and Rocky Mount, which are available in bookstores.  If you'd like to

know more about these titles, I have blurbs listed at Bookzen.  Go to:

http://wwwbookzen.com/books/-0963604643b.html or

http://wwwbookzen.com/books/-0963604678b.html

 

or check out my homepage at

http://members.aol.com/AngelMindz/index.html

 

   I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first

week of October.  I'll be signing my books at the Small Press Book Fair at

Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4

p.m.  I'd love to meet any and all Beat-L people who are going to be there.

 Please come by and say hello.  There will be quite a few great Kerouac

publications to check out.

=========================================================================

Date:         Wed, 27 Aug 1997 22:00:17 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: OTR movie: Sean Penn?

 

Reply to message from bwhartmanjr@INAME.COM of Tue, 26 Aug

> 

>I don't care who plays who, just as long as Leonardo DiCaprio isn't in the

>movie. . .   did any see him in "Total Eclipse."  He played Rimbaud, I

>wasn't impressed at all.

> 

>Take it easy, all,

> 

>Bruce

 

Leonardo DiCaprio wouldn't work as either Dean/Neal or Sal/Jack.  He's too

pretty... Neal & Jack were handsome, rugged, sharp-edged, but not pretty...

 

Diane. (H)

 

Maybe he'd work as Lucien Carr somewhere...

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Wed, 27 Aug 1997 21:02:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: a Jack Kerouac's poem dated 1970.

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

>         To Edward Dahlberg      by Jack Kerouac

> 

>         Don't use the telephone.

>         People are never ready to answer it.

>         Use poetry.

> 

>         1970

> 

> from    "Scattered poems",

>         1970, 1971 (c) The Estate of Jack Kerouac.

Rinaldo,

thank you. i appreciate you sharing the source. ciao

p

 

=========================================================================

Date:         Wed, 27 Aug 1997 22:16:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: list of jazz albums

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Great list.  I'll add one more that Kerouac writes about in OTR -- pgs.

112-114. The scene depicts Dean and Sal in rapture over "The Hunt" by

Wardell Grey and Dexter Gordon. It would make a great movie scene

incidently;if the movie conveys that energy it could make a jazz

renaissance. Anyway, The song is on a double album also called The Hunt.

It's a double album that also features Howard McGhee, Sonny Criss, and

Trummy Young.  It was a live gig recorded in 1947 in LA but released on

Arista in 1977.  Sound quality offends but the crowd is ecstatic --  Go!

Go! Go!

 

 

 

>Hi all you jazz fans....not to mention fans of other related Beat genres!

> 

>        [Bruce Hartman, Ron Kovachs and others should chime in here also!]

> 

>        I'll offer up the playlists from two compilations that I've made up

>that were trying to capture that taste and time. I'd add that there are som=

e

>others who didn't make it onto the list like Lester Young, Billie Holiday,

>Art Tatum, Duke Ellington and the exemplars of vocalese, scat, wordjazz,

>hipsemantic, and bebop vocals like King Pleasure, Leo Watson, Mel Torme (th=

e

>'Velevet Fog'), Ken Nordine, and Eddie Jefferson. They're on a third

>playlist that's harder to get at right now.

> 

>        I'll also recommend Owen Thomas' book "Bebop:...(forget subtitle)"

>for those who really want to immerse themselves . He starts with Charlie

>Parker and deals with every other important bebop jazz player and their

>influences, by instrument.

> 

>        For the Beat pure of heart, the Venice Biennale Discography is

>pretty complete and I'll e-mail a copy if anyone is real keen. And to quote

>Howard Park:

> 

>        "Anybody with an interest in the spoken word and audio of the Beat

>Generation

>        should consider picking up a copy of Stephen Ronan's "Disks of the =

Gone

>        World", a 135 page compendium, involving a lifetime of research, of

>        information about Beat audio.  This is THE discography of the Beat

>Generation

>        covering the "big three" and poets like Bremser, Bukowski, McClure

>and tens

>        of others.  Its more than just a list, it has all sorts of other

>info too.

> 

>        Contact Stephen Ronan at P.O. Box 5813, Berkeley, CA, 94705 (he's

>not online)

>        or e-mail me for price."

> 

>        Regards,     Antoine

> 

> 

>        The two playlists are:

> 

>        ***************

> 

>+++...from the gone world.      =95     22

> 

>Side 1  Antoine Maloney / 9th June, 1996

> 

>big high song for somebody (Philip Whalen)      Roy Glenn 1958=7F

>Epistrophy (Monk - Clarke)      Thelonius Monk w/ Milt Jackson on vibes 194=

8

>Travellin' Blues                        Bulee =93Slim=94 Gaillard 1945

>Cosmic Rays                     Charlie Parker Quartet 1952

>State & 32nd                    Kenneth Rexroth1956 or =9159

>Picasso                                 Coleman Hawkins 1948

>9th & Hennepin                  Tom Waits=7F

>Clarinet with dripping faucet (recorded by Tony Schwartz)       Jimmy

>Giuffre 1959

>dog (Ferlinghetti)                      Bob Dorough 1958

>Up Broadway                     Moondog [Louis Harden] 1956-57

>Street Scene                                                               =

1955

>Bird's

>1968

>The Bridge                      Lee Ranaldo 1985

>Drums in my typewriter  Woody Leafer 1958

>Bomb                                    Gregory Corso 1965

>H-Bomb                                  Lord Buckley 1960

>Midnight Sun                    Lionel Hampton 1956-57

> 

>Side 2

> 

>The Bird        Charlie Parker 1947

>Yip Roc Heresy                  Bulee =93Slim=94 Gaillard 1951

>Like                                    Jack Hammer 1959

>Cockroach                       Jack Kerouac 1962

>The Hipster's Blues - Opus 7=BD Harry =93The Hipster=94 Gibson 1944

>Invitation to the Blues Tom Waits

>Blues Montage                   Langston Hughes with Leonard Feather 1958

>Manhattan Fable                 Babs Gonzalez 1954

>Little Man      Teddy Edwards with Tom Waits

>October in the Railroad Earth   Jack Kerouac and Steve Allen March 1958

>On the Nickel                   Tom Waits

>Thelonius                                       Thelonius Monk 1947

> 

>        ****************

> 

>+++Bebop, Beat, and Hipsemantic =95     29

> 

>Side 1  Antoine Maloney / 28th March, 1997

> 

>On The Bean (Walter Thomas)     Coleman Hawkins with Thelonius Monk 1944

>In Walked Bud (Monk)    Thelonius Monk with Art Blakey 1947

>Evidence (Monk)                 Thelonius Monk with Milt Jackson 1948

>=93Monk is dead...Monk lives!=94        Clifton Joseph 1995

>Bloomdido (Parker)                      Thelonius Monk, Charlie Parker, Diz=

zy

>Gillespie, Buddy Rich

>1950

>Celia (Powell)                  Bud Powell, Ray Brown, Max Roach 1949

>Koko (Parker)                   Charlie Parker, Dizzy Gillespie, Max Roach =

1945

>Slim=92s Jam (B.Gaillard)       Slim Gaillard, Zutty Singleton, Jack McVie,

>Dizzy,

>Parker, Roach

>1945

>=93The Early History of Bop=94  Jack Kerouac with Steve Allen 1958

>Ornithology (Parker - Harris)   Parker, Miles Davis, Dodo Marmarosa 1946

>Slam, Slam Blues (S.Stewart)    Dizzy, Parker, Slam Stewart, Red Norvo 1945

>=93Take note daddy-o!...=94     Langston Hughes with Charles Mingus Quintet=

 1958

>         ...and Jump Monk (Mingus) ...fragment

> 

>Side 2

> 

>Misterioso (Monk)                       Thelonius Monk with Milt Jackson 19=

48

>Now=92s The Time (Parker)       Charlie Parker with Dizzy Gillespie, Miles =

Davis,

>Max Roach

>1945

>=93Charlie Parker....=94                        Jack Kerouac with Steve=

 Allen 1958

>Blues Walk (C.Brown)    Clifford Brown, with Max Roach, Harold Land,   1955

>Take The A Train (Billy Strayhorn)      George Morrow and Richie Powell 195=

5

>=93The Train=94                 Lord Buckley 1956

>=93Penn Station...to Harlem=94  Langston Hughes with Charles Mingus Quintet=

 1958

>        =93...Dizzy Gillespie...Lennox Avenue=94

>        =93I play it cool, I dig all jive!=94

>The Naz                                 Lord Buckley 1959

>Sightseeing Boogie (B.Gailard)  Slim Gaillard 1945

>Yardbird Suite (Parker) Charlie Parker, with Miles Davis and Dodo

>Marmarosa 1946

>=93...loved that ol=92 Pontiac... =94   Tom Waits 1987

>Duet: Queen Elizabeth whistle and Bamboo Pipe   Moondog [Louis Harden] 1956

>Symphonique #6 (Good for Goody) ...fragment     1968

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do=

!"

>                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 27 Aug 1997 22:28:04 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Maybe he'd work as Lucien Carr somewhere...

always thought of lucien carr of looking somwhat like dicappirio

but a big star like leonardo dicapporia most likely wouldn't want

some small part.

> --

> "I can't imagine how I ever thought my love might make a difference to him."

>                                  --Richard Powers, _The Gold Bug Variations_

> 

> Diane M. Homza                                   ek242@cleveland.freenet.edu

> 

randy

=========================================================================

Date:         Wed, 27 Aug 1997 22:29:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: OTR movie: Sean Penn?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>I wouldnt put music over the closing credits...I'd put a live recording

>of Ginsberg reading "Howl"

 

 

cool idea as is the neal on train track vision

=========================================================================

Date:         Wed, 27 Aug 1997 23:06:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Q Magazine/Kesey

In-Reply-To:  <199708272343.AA19855@world.std.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Could you post it for us stranded in the new world if you get a chance?

 

On Wed, 27 Aug 1997, Carl A Biancucci wrote:

 

> There is a small article on Kesey in the latest ish of

> Q Magazine (UK rock mag)

> 

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Wed, 27 Aug 1997 20:13:01 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: On the Rote?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Bullock threatening to pull out if Winona Ryder doesn't replace Hanks as

> Kerouac.

 

Actually I very much like Winona as the brooding Jack, But I would

rather have Madonna as Neal, Stallone can stay as Burroughs . .

.Ginsberg--not sure--maybe Bruce Willis.

 

J. Stauffer

 

Plus which the jazz soundtrack will have to go and be replaced by some

very touchy feely girlrock.

=========================================================================

Date:         Wed, 27 Aug 1997 20:16:01 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: OTR film

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

> 

> I think the movie should be shot in black and white, except for the

> opening and closing scenes, which would be color shots of Neal Cassady

> walking shirtless on the train tracks in mexico, counting the tracks

> rightbefore his death.

> 

> The movie would be narrated of course, with the closing paragraph of the

> book narrarated over the shot of Neal walking away down the railroad tracks.

> 

> RJW

 

 

To which you could add shots of the bloated miserable looking old Jack

if you want to really push a moral perspective.

=========================================================================

Date:         Thu, 28 Aug 1997 00:13:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: OTR movie: Sean Penn?

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

> Oh, anyone but Keanu "Wooden Boy" Reeves!!! His performance in Johnny

> Mnemonic was like a cardboard cutout..

 

        Agreed all around.  But you have to admit, Johnny Mnemonic was a great

movie in spite of all that bad acting :)

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|"Love ceases to be a pleasure, when it ceases to be a secret."

|

|                                                        -- Aphra Behn

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

=========================================================================

Date:         Thu, 28 Aug 1997 00:11:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

> i can sleep well tonight.  if there is to be an On The Road movie, then

let

> Chris Isaak play Sal, he looks so much like Kerouac and he has always

> reminded me of a handsome actor out of the 1940s and '50s.  he does act,

he

> isnt just a singer.  if not him, then Depp.

 

        Please say that you are joking...  I have seen Chris Isaak in an acting

role and I would not call him an actor.  He is a songwriter that got an

acting bug up his ass.  Not an actor by any stretch of the imagination.

I'd rather have a great actor play a character than someone that was picked

just because they looked like the person they were portraying.  Thinking of

it...  Isaak doesn't even look a thing like Kerouac.  Kerouac was dark,

Isaak is fair, more like Cassady

 

        As for Stipe playing either role, I really cannot say.  I have never seen

him act (MTV doesn't count).  I would rather see someone with loads of

talent play a role.  Too bad most of the really good actors are too old.

Although there are some promising actors coming around.  And a lot of the

actors that are getting older can still pull it off and play a college age

role for the beginning.  I think that Depp is great.  So is Robert Downey

Jr.  As for Nicolas Cage (Someone mentioned him earlier) I really don't

know.  I know he gets good roles, but he is pretty much the same in those

roles...  He is good, but not great.

 

        Oh well...  That was my monthly posting.

 

        I think I'd be more interrested in seeing what woman were picked for the

roles.

 

        Carolyn Cassady - Eva Habermann  ( I just like looking at her, who cares

if she can act

                  {yes, call me a hipocrite, but I really like this woman})

        Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)

        ??? - Samantha Mathis (Who cares who they make her, as long as she don't

sing)

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|"A free society is one where it is safe to be unpopular."

|

|                                                   -- Adlai Stevenson

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

 

 

=========================================================================

Date:         Thu, 28 Aug 1997 01:31:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      beat generation movie

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

taking notes from Ted Morgan's books and Anne Charter's info..someone

like david lynch or copolla would make a great beat generation movie.

here is a sample list of recomendations for actors/actresses.

 

william burroughs= tim roth or steve buscemi

joan vollermer= elizabeth shue

jack kerouac (later years)= Al Pacino

allen ginsberg= jeff goldblume

neal cassady= sean penn

gregory corso= andy garcia

lawrence ferlinghetti= sean connery

 

well just a sample...looking forward to comments and criticisms.

 

 

                                                jason

=========================================================================

Date:         Thu, 28 Aug 1997 00:13:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: Coppola

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>I agree Penn is too old.  Is Coppolla still in control

>of this movie.  I don't think this is his kind of material.

> 

>Mike Rice

> 

  Haven't you heard?  Tentative titles being batted around are _On The Run_

and _On The Rice Paddy_.

  _On the Run_ is a conspiracy flick (big surprise).  The whole movie

(expected to run about four and a half hours) is shot in the backseat of a

car.  Neal and Jack have to skooch over to make room for the crazy cats that

they encounter during their adventure.  Two of these cats turn out to be the

real killers of J.F.K.  The movie ends with a shot of the driver.  He's

wearing a C.I.A. cap.  Tight shot of his hand pressing the stop button on

his hand held tape recorder.   _On The Rice Paddy_ would probably only run

three hours (this is the route that the director is expected to take).  Neal

and Jack are fleeing the Vietcong after having been sent in on a suicide

mission by (who else?) the C.I.A. when they get stuck in a rice paddy.  The

last two hours and forty five minutes of the movie would be scenes of Jack

and Neal taking turns trying to get the car out of the muck.

 

                                                 James M.

=========================================================================

Date:         Thu, 28 Aug 1997 05:47:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Movies from books....

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:56 PM 8/27/97 -0400, you wrote:

>Oh ye of little faith!  ....it could turn out fine!

> 

>        What about "Sheltering Sky" or "The English Patient"? ...or the

>movies mentioned by Adrien and others?  ...was "Il Postino" a book first? If

>so, it must have been dyn-o-mite by Matt and Paul's logic.

> 

>        Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

The movie of the English Patient was an improvement on the book.

 

Mike Rice

=========================================================================

Date:         Thu, 28 Aug 1997 06:52:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Fwd: jack kerouac

 

this didn't seem to make it to Beat-L the first time I tryed to send it.

---------------------

Forwarded message:

Subj:    jack kerouac

Date:    97-08-27 21:35:26 EDT

From:    Jjdorfner

To:      BEAT-L@cunyvm.cuny.edu

 

 

 

   Please allow me to introduce myself...my name is John J Dorfner.  I first

discovered Jack Kerouac's writing in 1973, while living in Oregon, working

for a book distributor.  This was after spending over a year hitch-hiking

around the country after being discharged from the Navy.  It was then that I

was turned on to Ann Charter's book, Kerouac.

   I made the first of many pilgrimages to Lowell in 1976, upon returning to

my hometown in upstate New York.  I wanted to see and experience the places

Kerouac wrote about in his books.  I knew this was something that had to be

done.  No question.  I had to know if the reality of Lowell would move me as

much as Kerouac's writing did.

   I spent the years from 1976-1983 periodically traveling to Lowell, working

on notes for a book and starting a family.  After we moved to Raleigh, North

Carolina in June of 1983 and settled into our new home, I drove out to Rocky

Mount.  Luckily it was only 50 miles to the east.

   In Rocky Mount I stood in the front yard of the house where Neal found

Jack that Christmas of 1948.  Jack called the town "Testament, Virginia," in O

n the Road.  I suddenly realized that the Kerouac/Cassady Road Odyssey began

right where I was standing.  That is a feeling words can't describe.  All I

can say is "what a rush!"

   The research I was able to compile in my visits there became very

important to me, as well as to many others.  The local country folks who knew

Kerouac and his family, who I was able to interview, have become my friends.

 These friendships, along with the foreword the late Allen Ginsberg composed

for my Lowell book, are things I will always cherish.

   Talking about the book, On the Road, is great, discussing it with friends

even better.  But there is nothing that beats the experience of going out on

the road, to the places where Kerouac lived, wrote and loved.

   Gathering the thoughts and photographs that came about from my

pilgrimages, I wrote a couple of books about Kerouac's life and times in

Lowell and Rocky Mount, which are available in bookstores.  If you'd like to

know more about these titles, I have blurbs listed at Bookzen.  Go to:

http://wwwbookzen.com/books/-0963604643b.html or

http://wwwbookzen.com/books/-0963604678b.html

 

or check out my homepage at

http://members.aol.com/AngelMindz/index.html

 

   I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first

week of October.  I'll be signing my books at the Small Press Book Fair at

Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4

p.m.  I'd love to meet any and all Beat-L people who are going to be there.

 Please come by and say hello.  There will be quite a few great Kerouac

publications to check out.

=========================================================================

Date:         Thu, 28 Aug 1997 08:15:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Fwd: jack kerouac

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:52 AM 8/28/97 -0400, you wrote:

>this didn't seem to make it to Beat-L the first time I tryed to send it.

>---------------------

>Forwarded message:

>Subj:    jack kerouac

>Date:    97-08-27 21:35:26 EDT

>From:    Jjdorfner

>To:      BEAT-L@cunyvm.cuny.edu

> 

> 

> 

>   Please allow me to introduce myself...my name is John J Dorfner.  I first

>discovered Jack Kerouac's writing in 1973, while living in Oregon, working

>for a book distributor.  This was after spending over a year hitch-hiking

>around the country after being discharged from the Navy.  It was then that I

>was turned on to Ann Charter's book, Kerouac.

>   I made the first of many pilgrimages to Lowell in 1976, upon returning to

>my hometown in upstate New York.  I wanted to see and experience the places

>Kerouac wrote about in his books.  I knew this was something that had to be

>done.  No question.  I had to know if the reality of Lowell would move me as

>much as Kerouac's writing did.

>   I spent the years from 1976-1983 periodically traveling to Lowell, working

>on notes for a book and starting a family.  After we moved to Raleigh, North

>Carolina in June of 1983 and settled into our new home, I drove out to Rocky

>Mount.  Luckily it was only 50 miles to the east.

>   In Rocky Mount I stood in the front yard of the house where Neal found

>Jack that Christmas of 1948.  Jack called the town "Testament, Virginia," in O

>n the Road.  I suddenly realized that the Kerouac/Cassady Road Odyssey began

>right where I was standing.  That is a feeling words can't describe.  All I

>can say is "what a rush!"

>   The research I was able to compile in my visits there became very

>important to me, as well as to many others.  The local country folks who knew

>Kerouac and his family, who I was able to interview, have become my friends.

> These friendships, along with the foreword the late Allen Ginsberg composed

>for my Lowell book, are things I will always cherish.

>   Talking about the book, On the Road, is great, discussing it with friends

>even better.  But there is nothing that beats the experience of going out on

>the road, to the places where Kerouac lived, wrote and loved.

>   Gathering the thoughts and photographs that came about from my

>pilgrimages, I wrote a couple of books about Kerouac's life and times in

>Lowell and Rocky Mount, which are available in bookstores.  If you'd like to

>know more about these titles, I have blurbs listed at Bookzen.  Go to:

>http://wwwbookzen.com/books/-0963604643b.html or

>http://wwwbookzen.com/books/-0963604678b.html

> 

>or check out my homepage at

>http://members.aol.com/AngelMindz/index.html

> 

>   I'll be in Lowell for the Lowell Celebrates Kerouac!, Festival, the first

>week of October.  I'll be signing my books at the Small Press Book Fair at

>Memorial Hall, Pollard Library on Saturday, October 4th from 10 a.m. to 4

>p.m.  I'd love to meet any and all Beat-L people who are going to be there.

> Please come by and say hello.  There will be quite a few great Kerouac

>publications to check out.

> 

> 

Yes it did make it.  I'm looking at this whale for the second time.

 

Mike Rice

=========================================================================

Date:         Thu, 28 Aug 1997 14:29:12 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      THE KINGFISHERS a Charles Olson's poem (Re: Beats.)

In-Reply-To:  <Pine.LNX.3.95.970827181212.8487J-100000@devel.nacs.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        THE KINGFISHERS         by Charles Olson

 

1

 

What does not change / is the will to change

 

He woke, fully clothed, in his bed. He

remembered only one thing, the birds, how

when he came in, he had gone around the rooms

and got them back in their cage, the green one first,

she with the bad leg, and then the blue,

the one they had hoped was a male

 

Otherwise? Yes, Fernand, who had talked lispingly of Albert &

                                                                Angkor Vat.

He had left the party without a word. How he got up, got into his

                                                                coat,

I do not know. When I saw him, he was at the door, but it did not

                                                                matter,

he was already sliding along the wall of the night, losing himself

in some crack of the ruins. That it should have been he who said

                                                                "The Kingfishers!

who cares

for their feathers

now?"

 

His last words had been, "The pool is slime." Suddenly everyone,

ceasing their talk, sat in a row around him, watched

they did not so much hear, or pay attention, they

wondered, looked at each other, smirked, but listened,

he repeated and repeated, could not go beyond his thought

"The pool       the kingfishers' feathers were wealth   why

did the export stop?"

It was then he left

 

2

 

I thought of the E on the stone, and of what Mao said

la lumiere"

        but the kingfisher

de l'aurore"

        but the kingfisher flew west

est devant nous!

        he got the color of his breast

        from the heat of the setting sun!

 

The features are, the feebleness of the feet (syndactylism of the 3rd

                                                                & 4th digit)

the bill, serrated, sometimes a pronunced beak, the wings

where the color is, short and round, the tail

inconspicuous.

 

But not these things were the factors. Not the birds.

The legends are

legends. Dead, hung up indoors, the kingfisher

will not indicate a favoring wind,

or avert the thunderbolt. Nor, by its nesting,

still the waters, with the new year., for seven days.

It is true, it does nest with the opening year, but not on the waters.

It nests at the end of a tunnel bored by itself in a bank. There,

six or eight white and translucent eggs are laid, on fishbones

not on bare clay, on bones thrown up in pellets by the birds.

 

                                On these rejectamenta

(as they accumulate they form a cup-shaped structure) the young

                                                                        are born.

And, as they are fed and grow, this nest of excrement and decayed

                                                                        fish becomes

                                        a dripping, fetid mass

Mao concluded:

                        nous devons

                                nous lever

                                        et agir!

 

3

 

When the attentions change / the jungle

leaps in

        even the stones are split

                                        they rive

 

Or,

enter

that other conqueror we more naturally recognize

he so resembles ourselves

But the E

cut so rudely on that oldest stone

sounded otherwise,

was differently heard

 

as, in another time, were treasures used:

 

(and, later, much later, a fine ear thought

a scarlet coat)

 

        "of green feathers      feet, beaks and eyes

        of gold

 

        "animal likewise,

        resembling snails

 

        "a large wheel, gold, with figures of unknown four-foots,

        and worked with tufts of leaves, weight

        3800 ounces

 

        "last, two birds, of thread and featherwork, the quills

        gold, the feet

        gold, the two birds perched on two reeds

        gold, the reeds arising from two embroidered mounds,

        one yellow, the other

        white.

                "And from each reed hung

                seven feathered tassels.

 

In this instance, the priests

(in dark cotton robes, and dirty,

their dishvelled hair matted with blood, and flowing wildly

over their shoulders)

rush in among the people, calling on them

to protect their gods

 

And all now is war

where so lately there was peace.

and the sweet brotherhood, the use

of tilled fields.

 

 

Not one death but many,

not accumulation but change, the feed-back proves, the feed-back is

the law

        Into the same river no man steps twice

        When fire dies air dies

        No one remains, nor is, one

 

Around an appearance, one common model, we grow up

many. Else how is it,

if we remain the same,

we take pleasure now

in what we did not take pleasure before? love

contrary objects? admire and/for find fault? use

other words, feel another passions, have

nor figure, appearance, disposition, tissue

the same?

        To be in different states without a change

        is not a possibility

We can be precise. The factors are

in the animal and/or the machine the factors are

communication and/or control, both involve

the message. And what is the message? The message is

a discrete or continuous sequence of measurable events distributed

                                                                in time

 

is the birth of air, is

the birth of water, is

a state between

the origin and

the end, between

birth and the beginning of

another fetid nest

 

is change, presents

no more than itself

 

And the too strong grasping of it,

when it is pressed together and condensed,

loses it

 

This very thing you are

 

 

                                II

 

        They buried their dead in a sitting posture

        serpent cane    razor   ray of the sun

 

        And she sprinkled water on the head of the child, crying

        "Cioa-coatl! Cioa-coatl!"

        with her face to the west

 

        Where the bones are found, in each personal heap

        with what each enjoyed, there is always

        the Mongolian louse

The light is in the east. Yes. And we must rise, act. Yet

in the west, despite the apparent darkness (the whiteness

which covers all), if you look, if you can bear, if you can, long enough

 

        as long as it was necessary for him, my guide

        to look into the yellow of the longest-lasting rose

 

so you must, and, in that whiteness, into that face, with what candor,

                                                                                look

 

and, considering the dryness of the place

        the long absence of an adequate race

 

        (of the two who first came, each a conquistador, one healed,

                                                                        the other

        tore the eastern idols down, toppled

        the temple walls, which, says the excuser

        were black from human gore)

 

hear

hear, where the dry blood talks

        where the old appetite walks

 

                                                la piu' saporita et migliore

                                                che si possa truovar al mondo

 

where it hides, look

in the eye how it runs

in the flesh / chalk

 

                                but under these petals

                                in the emptiness

                                regard the light, contemplate

                                the flower

 

whence it arose

 

        with what violence benevolence is bought

        what cost in gesture justice brings

        what wrongs domestic rights involve

        what stalks

        this silence

 

        what pudor pejorocracy affronts

        how awe, night-rest and neighborhood can rot

        what breeds where dirtiness is law

        what crawls

        below

 

                                III

 

I am no Greek, hath not th'advantage.

And of course, no Roman:

he can take no risk that matters,

the risk of beauty least of all.

 

But I have my kin, if for no other reason than

(as he said, next of kin) I commit myself, and,

given my freedom, I'd be a cad

if I didn't. Which is most true.

 

It works out this way, despite the disadvantage.

i offer, in explanation, a quote:

si j'ai du gout, ce n'est gueres

que pour la terre et les pierres

Despite the discrepancy (an ocean       courage age)

this is also true: if I have any taste

it is only because I have interested myself

in what was slain in the sun

 

        I pose you your question:

shall you uncover honey / where maggots are?

 

        I hunt among stones

 

 

 

=========================================

Michael Stutz wrote:

>On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> 

>> Charles Olson [Black Mountain School]

> 

>I confess, I never understood his poetry. I don't know how to read it.

> 

> 

=========================================================================

Date:         Thu, 28 Aug 1997 14:32:40 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: a Jack Kerouac's poem dated 1970.

In-Reply-To:  <3404DC4A.19C0@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Patricia,

 

i think the poem is the great poet Jack Kerouac's last word/message,

 

un grande ciao da

Rinaldo.

*

"In sooth I know not why I am so sad."

--- The Merchant Of Venice, William Shakespeare.

*

 

 

Patricia Elliott wrote:

>Rinaldo Rasa wrote:

>> 

>>         To Edward Dahlberg      by Jack Kerouac

>> 

>>         Don't use the telephone.

>>         People are never ready to answer it.

>>         Use poetry.

>> 

>>         1970

>> 

>> from    "Scattered poems",

>>         1970, 1971 (c) The Estate of Jack Kerouac.

>Rinaldo,

>thank you. i appreciate you sharing the source. ciao

>p

> 

> 

=========================================================================

Date:         Thu, 28 Aug 1997 13:18:11 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Il Postino (Re: Movies from books....)

In-Reply-To:  <BEAT-L%1997082719564436@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Antoine,

 

the author Antonio Skarmeta wrote the book "Ardente paciencia"

in 1985, from the good book derives the good film

"Il postino" directed by Michael Radford in 1994,

 

        Massimo Troisi (1953-1994) in his last film presence,

        everyone mourned his death.

 

cari saluti da

Rinaldo.

 

 

Antoine Maloney wrote:

>Oh ye of little faith!  ....it could turn out fine!

> 

>        What about "Sheltering Sky" or "The English Patient"? ...or the

>movies mentioned by Adrien and others?  ...was "Il Postino" a book first? If

>so, it must have been dyn-o-mite by Matt and Paul's logic.

> 

>        Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

=========================================================================

Date:         Thu, 28 Aug 1997 08:55:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Eric Blanco <Chimera@WEBTV.NET>

Subject:      Re: [2] OTR movie: music?

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

Content-Transfer-Encoding: 7BIT

MIME-Version: 1.0 (WebTV)

 

         Sounds good, but who to direct?

Oliver Stone used similar effects in

Natural Born Killers. Tarantino might

put an interesting spin on it, since he

has a healthy respect for anything retro.

Spielberg if you want to see Jack and Neal's car levitate off the

road/cut to a

shot of it silhouetted against the moon.

Kubrick, but how long would that take?

 

                                   _C'mon Friday_,

 

                                         Chimera

=========================================================================

Date:         Thu, 28 Aug 1997 09:23:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Some of Dharma and Life

In-Reply-To:  <199708272353.QAA10617@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> 

> Has anyone actually seen it in a bookstore (I know some have received

> advance copies).

> 

 

In fact I just got it last night at Barnes & Noble (68th St and Broadway

location)...its a beautiful book, that at first glance seems to provide a

profound, complex glimpse inside the mind and soul of Jack Kerouac.  Any

serious student of Kerouac and Beats must have this book.  I love the

cover artwork too...and the sentimental dedication to Ginsberg, for whom

the book was actually written as correspondence.

 

B&N also had the 40th anniversary OTR but that was a disappointment.

They should have reproduced the original cover and put in some annotation

and a scholarly forward or two, plus pictures.  Instead a cheap new cover

of a 40'sish car riding down a street?  Disappointing!

 

(query:  The jacket sleeve has a pic of Kerouac holding a first edition

OTR...what is in the small pic on the cover?  Is it a pic of Jack and Neal?)

=========================================================================

Date:         Thu, 28 Aug 1997 09:28:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR film

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <3404ED71.788F@pacbell.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> >

> > The movie would be narrated of course, with the closing paragraph of the

> > book narrarated over the shot of Neal walking away down the railroad tracks.

> >

> > RJW

> 

> 

> To which you could add shots of the bloated miserable looking old Jack

> if you want to really push a moral perspective.

> 

 

You dont understand, the point would be to show that Neal was a man who

died the way he lived, that he found mystery and joy even in the most

mundane things...the beat ethic of seeing what is spiritual in

everything.  A final shot of Neal walking down the tracks, years after

OTR, older, grayer but still beat...it would fit.

 

RJW

=========================================================================

Date:         Thu, 28 Aug 1997 07:57:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Ginsberg's Children (was:  Beats)

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Too bad Ginsberg didn't have any kids.

 

     He did, tens of hundreds of thousands.  They tramped the ground in

     Goa, Max Yasgur's Farm, the Haight, the Village, communes from Maine

     to California to Tierra Del Fuego to Point Barrow and well beyond.

     Allen's kids roamed the streets of the Yucatan after him, babbling,

     the children of Quechan.  Allen's kids cried when the Tet "truce" was

     broken..both here and there.  Allen's kids live in Peoria and

     Dharmasala, Fort Lauderdale and Vladivostok, from the Korean Peninsula

     to your back yard.

 

     I am one of Allen's kids, you might be too.

 

     love and lilies,

 

     matt h.

=========================================================================

Date:         Thu, 28 Aug 1997 10:05:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Salvaging a poorly recorded interview

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

With the frequent mention of Bob Dylan onthe list I thought there might be

interest in the following item and the technology that saved the day for a

free-lance writer.

 

 

>I received a frantic call this morning from a friend in Toronto who is a

>freelance music journalist. He had been up most of the night trying to

>salvage one of the most important stories in his career. It seems that

>after requesting an interview several weeks ago with Bob Dylan (who makes

>it a habit of NOT granting interviews), he received an unexpected call

>from Bob, himself on Thursday evening. Being somewhat unprepared, he

>quickly turned on his microcassette and held it up to the receiver to

>begin recording his surprise half-hour telephone interview.

> 

>Unfortunately, upon listening back to his tape, he found that he was only

>able to hear about 20 per cent of the conversation. His dilemma was how

>to extract a usable interview from the excessive background noise

>introduced by the microcassette and a noisy long distance phone line.

> 

>Enter Macintosh. I loaded his tape into Macromedia Deck 2.6 and proceeded

>to reconstruct his interview line by line. The majority of Dylan's dialog

>was almost entirely buried in background noise but with careful use of

>normalizing and equalization I was able to deliver a cassette that was

>about 95 percent legible (not an easy feat with Bob's dialog). The story

>will now go to print later this week thanks to Macintosh.

> 

>Don Nicklin

>RadioActive Media

><http://www.radioactive-media.com>

> 

j grant

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Thu, 28 Aug 1997 11:37:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Some of Dharma and Life

 

In a message dated 97-08-28 00:57:19 EDT, you write:

 

<< Has anyone actually seen it in a bookstore (I know some have received

 advance copies).

  >>

 

Some of the Dharma is out...

$32.95 list price

$29.95 here

at Water Row Books

 

Jeffrey

Water Row Books

=========================================================================

Date:         Thu, 28 Aug 1997 11:46:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Some of Dharma and Life

In-Reply-To:  <199708272353.QAA10617@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Timothy K. Gallaher wrote:

 

> The commentary is by Ken Kesey quoting him about how Kerouac never put

> anyone down in all of his writing.

 

Maybe this part of why he couldn't get along with the hippies in the 60s.

=========================================================================

Date:         Thu, 28 Aug 1997 12:16:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tony Trigilio <atrigili@LYNX.DAC.NEU.EDU>

Subject:      Re: Ginsberg's Children (was:  Beats)

In-Reply-To:  <4058A370.@usoc.org> from "MATT HANNAN" at Aug 28, 97 07:57:44 am

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

> 

> Too bad Ginsberg didn't have any kids.

> 

>      He did, tens of hundreds of thousands.  They tramped the ground in

>      Goa, Max Yasgur's Farm, the Haight, the Village, communes from Maine

>      to California to Tierra Del Fuego to Point Barrow and well beyond.

>      Allen's kids roamed the streets of the Yucatan after him, babbling,

>      the children of Quechan.  Allen's kids cried when the Tet "truce" was

>      broken..both here and there.  Allen's kids live in Peoria and

>      Dharmasala, Fort Lauderdale and Vladivostok, from the Korean Peninsula

>      to your back yard.

> 

>      I am one of Allen's kids, you might be too.

> 

>      love and lilies,

> 

>      matt h.

 

I think I missed the original thread that inspired this posting.  You

might want to check out Norman Podhoretz's "My War With Allen Ginsberg,"

in the August 1997 *Commentary*.  Despite Podhoretz's occasional turgid

whining--his lament that the children of the postwar boom "refus[ed] to

take their appointed places in the world" (and his sneaky attack on

former Watergate special prosecutor Archibald Cox) [p. 38]--despite

Podhoretz's flaws, the article is an honest portrayal of his side of his

feud with Ginsberg.

 

Why would I bring up the article in connection with Matt's posting?

 

Much of the final half of Podhoretz's article is framed by an idea that

he only explicitly states in the final paragraph (p. 40).  In this final

paragraph, he declares that Ginsberg ultimately was "magnanimous in

victory" over Podhoretz.  But on the subject of Ginsberg's magnanimity, he

adds:  "I still cannot bring myself to forgive *him*, not even now that he

is dead."

 

Victory?  In what context?  Forgive Ginsberg . . . for what?

 

The major narrative thread in Podhoretz's essay centers on the famous

1958 meeting of Ginsberg, Kerouac, and Podhoretz in Ginsberg's

apartment.  As the evening fitfully ended, and after Ginsberg failed to

convince Podhoretz to give up his war against the growing counter-culture,

Ginsberg yelled, "We'll get you through your children!"

 

Podhoretz's lament in this essay is that he lost the culture war--that

Ginsberg "got" Podhoretz "through [his] children."

 

In an eerie, medicalized metaphor (eerie in light of Podhoretz's

emphasis on HIV when he suggests that Ginsberg's "beatification of

homosexuality" and "glorification of insanity" are reinforcing

pathologies), Podoretz suggests that Ginsberg's side won the culture

war by spreading a "spiritual plague" that indeed has grown "through

[the] children."

 

Plague?  Hardly, I'd say, when many conversations on BEAT-L assume a healthy

skepticism toward the established cultural norms that Podhoretz defends

as "good health."  And did Ginsberg really "win" the war Podhoretz

describes?  I'm not going to touch this one--in this era when, among

other things, Newt Gingrich extols advertisers to monitor and censor the

content of newspaper and magazine articles.  But seeing Podhoretz's

baleful white flag infused me with the same optimism I get from, say,

Howard Zinn.

 

The Podhoretz article is worth reading.  Maybe it's on the Web.  Thanks

to Tara from my summer poetry class for pointing me toward it.  I wanted

to bring it into BEAT-L earlier, but then became too busy.

 

Tony

=========================================================================

Date:         Thu, 28 Aug 1997 13:03:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: [2] OTR movie: music?

In-Reply-To:  <199708281255.FAA03366@mailtod-101.bryant.webtv.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 28 Aug 1997, Eric Blanco wrote:

 

>          Sounds good, but who to direct?

 

I would actually like to see it done by Richard Linklatter, the guy who did

_Slacker_.

=========================================================================

Date:         Thu, 28 Aug 1997 12:20:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Movies from books....

In-Reply-To:  <BEAT-L%1997082719564436@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 27 Aug 1997, Antoine Maloney wrote:

 

> Oh ye of little faith!  ....it could turn out fine!

> 

>         What about "Sheltering Sky" or "The English Patient"? ...or the

> movies mentioned by Adrien and others?  ...was "Il Postino" a book first? If

> so, it must have been dyn-o-mite by Matt and Paul's logic.

> 

>         Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                         -- Norman Navrotsky and Utah Phillips

> 

yes. . .but the alternative? a piece of art turned to trash?

jenn thompson

=========================================================================

Date:         Thu, 28 Aug 1997 13:26:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      New! HERBERT HUNCKE READER

 

Ready to ship next week...

The new Herbert Huncke Reader. Edited by Ben Schafer. William Morrow.

Hardcover.

 

This great treasury contains the highly sought-after scarce "Huncke's

Journal" (1966), The autobiographical "The Evening Sun Turned Crimson,"

Guilty of Everything excerpt, 50-60 pages of previously uncollected work by

Huncke and more, as well as 16 page photo insert. Also a foreword by William

S. Burroughs.

 

List price: $24.00

Water Row price: $19.00

Master Card & Visa accepted.

Shipping extra. Satisfaction guaranteed.

 

Thanks -

Jeffrey

Water Row Books

PO Box 438

Sudbury MA 01776

tel 508-485-8515

fax 508-229-0885

email waterrow@aol.com

=========================================================================

Date:         Thu, 28 Aug 1997 11:13:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Source of Quote

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Someone set me straight; the following quote was either Ginsberg to

     Kerouac or Kerouac to Ginsberg (I'm thinking the latter but I can't

     find my reference, someday when my daughter is older I'm going to

     write the monster Beat database):

 

     "I'm not anti anything, I don't have time for your negativity".

 

     Help me out gang,

 

     love and lilies,

 

     matt h.

=========================================================================

Date:         Thu, 28 Aug 1997 12:43:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:11 AM 8/28/97 -0400, you wrote:

>> i can sleep well tonight.  if there is to be an On The Road movie, then

>let

>> Chris Isaak play Sal, he looks so much like Kerouac and he has always

>> reminded me of a handsome actor out of the 1940s and '50s.  he does act,

>he

>> isnt just a singer.  if not him, then Depp.

> 

>        Please say that you are joking...  I have seen Chris Isaak in an acting

>role and I would not call him an actor.  He is a songwriter that got an

>acting bug up his ass.  Not an actor by any stretch of the imagination.

>I'd rather have a great actor play a character than someone that was picked

>just because they looked like the person they were portraying.  Thinking of

>it...  Isaak doesn't even look a thing like Kerouac.  Kerouac was dark,

>Isaak is fair, more like Cassady

> 

>        As for Stipe playing either role, I really cannot say.  I have

never seen

>him act (MTV doesn't count).  I would rather see someone with loads of

>talent play a role.  Too bad most of the really good actors are too old.

>Although there are some promising actors coming around.  And a lot of the

>actors that are getting older can still pull it off and play a college age

>role for the beginning.  I think that Depp is great.  So is Robert Downey

>Jr.  As for Nicolas Cage (Someone mentioned him earlier) I really don't

>know.  I know he gets good roles, but he is pretty much the same in those

>roles...  He is good, but not great.

> 

o.k. o.k. you're probably right.  i only saw Isaak act for 2 minutes as a

walk on part in some stupid sitcom i dont even watch.  i hope you know you

just bursted my bubble...cuz i still think he looks just like Kerouac-he can

always dye his hair you know.   i have never seen Stipe act either but i

know he has acted in a movie, not just MTV.  all i know is that i'd rather

have Isaak than Nicholas Cage, or Sean Penn. Depp is the best suggestion ive

heard so far.   how about Vincent Gallo for Dean-has anyone seen him with

short hair? also Paul Hipp-watch The Funeral!  maybe there just shouldnt be

an OTR movie.  maybe we could fit Emily Watson in as one of the woman

roles-she's a great actress.

 

 

>        Oh well...  That was my monthly posting.

> 

>        I think I'd be more interrested in seeing what woman were picked

for the

>roles.

> 

>        Carolyn Cassady - Eva Habermann  ( I just like looking at her, who

cares

>if she can act

>                  {yes, call me a hipocrite, but I really like this woman})

>        Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)

>        ??? - Samantha Mathis (Who cares who they make her, as long as she

don't

>sing)

> 

>        -Bill

> 

>[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

>|"A free society is one where it is safe to be unpopular."

>|

>|                                                   -- Adlai Stevenson

>[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

> 

> 

> 

=========================================================================

Date:         Thu, 28 Aug 1997 11:49:40 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         CARL PORTER <CPORTER@WEBER.EDU>

Subject:      Source of Quote -Reply

Comments: To: MATT.HANNAN@USOC.ORG

Mime-Version: 1.0

Content-Type: text/plain

 

I think the quote was from Kerouac to Ed Sanders and delivered on the

talk show "Firing Line" hosted by William F. Buckley.  I think Ginsberg was

in the audience so it may have been directed at him too--maybe only him.

 

carl

 

>>> MATT HANNAN <MATT.HANNAN@USOC.ORG> 08/28/97 09:13am

>>> 

     Someone set me straight; the following quote was either Ginsberg to

     Kerouac or Kerouac to Ginsberg (I'm thinking the latter but I can't

     find my reference, someday when my daughter is older I'm going to

     write the monster Beat database):

 

     "I'm not anti anything, I don't have time for your negativity".

 

     Help me out gang,

 

     love and lilies,

 

     matt h.

=========================================================================

Date:         Thu, 28 Aug 1997 14:38:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      OTR movie: Nicholas Cage

In-Reply-To:  <199708281743.MAA103266@gomer.wiscnet.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Wouldnt surprise me if Cage got the Neal part...after all his real name

is Nicholas Coppola (as in Francis Ford's nephew...a little nepotism

never hurt anyone's career right?)

=========================================================================

Date:         Thu, 28 Aug 1997 14:59:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly Page has been update!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

We have updated the Kerouac Quarterly web page and all of its links.

About the Berg Collection, there is a message from John Sampas concerning

the manuscripts that will be placed on deposit.

 

Go to:

 

http://www.freeyellow.com/members/upstartcrow/page4.html

 

Thanks for reding!  Paul of TKQ....

=========================================================================

Date:         Thu, 28 Aug 1997 15:24:35 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Who's Who in Beat Lit...

 

Reply to message from gallaher@hsc.usc.edu of Thu, 28 Aug

 

> 

>Also the killing of David Kammerer was written up in Vanity of Dulouz.  I

>believe also it was written up in the first beat generation book ever

>written, And the Hippos Were Boiled in their Tanks, by Burroughs and

>Kerouac--a book that has yet to be published if it ever will be.

> 

>The subway guy mentioned above was called Bill Canastra who I believe was

>called Finistra in Go.  I think he was climbing out the window and was

>halfway out when the train came to the tunnel.

> 

>At the end of On the Road when the woman calls down to Sal from the loft

>above, that was Canastra's loft where Joan Haverty was living after his

>death.  Correct me if I'm wrong but I believe On the Road was written there.

> 

 

#1--Joan Haverty was Bill Canastra's girlfriend at the time of his death,

was she not?

 

#2--Lucien really didn't like allusions being made to him in beat lit,

so I've heard.  Although they couldn't be helped.

 

Diane. (H)

 

--

"I can't imagine how I ever thought my love might make a difference to him."

                                 --Richard Powers, _The Gold Bug Variations_

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 28 Aug 1997 22:45:52 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Thursday Morning.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        look at the pony!

        teardrops

        misting my eyes

        look    at      the     pony!

 

        in the morning

        i will bring you

        to the circus

 

        look            at              the             pony!

 

        but early in the dawn the circus has gone

                        white grass on the meadows

                        & tiny fog

 

you haven't teardrops

        happy childhood next year the circus will be here

 

        our limits

                are only

                        technical matter

                BUT

        into

        this supermarket aisle

        i feel

        suddenly old.

 

 

Rinaldo.

28th aug 1997.

=========================================================================

Date:         Thu, 28 Aug 1997 17:33:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Kirouack@AOL.COM>

Subject:      Re: jack kerouac

 

thanks for info.  aren't you the same guy who thinks On the Road is the only

Kerouac books?

=========================================================================

Date:         Thu, 28 Aug 1997 17:45:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Kirouack@AOL.COM>

Subject:      sorry

 

i'm very sorry about posting my message again.  this posting stuff is all new

to me.

=========================================================================

Date:         Thu, 28 Aug 1997 18:05:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Thursday Morning.

In-Reply-To:  <3.0.1.32.19970828224552.00686820@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

 look at the pony!

rinaldo: so happy to get this today. i have been thinking of ginsberg's

poem 'supermarket in california' i believe, and felt his presence when i

had to go to store with waning store of monies: i wanted to shout: poems

for pears, poems for peaches, poems for the life of us all. but instead i

bought what i could afford and left.

i think i've shoeveled thru the shit and no pony there.

but then, here you come, with your wonder and all.

thanks

marie

(mc to most)

 

>        teardrops

>        misting my eyes

>        look    at      the     pony!

> 

>        in the morning

>        i will bring you

>        to the circus

> 

>        look            at              the             pony!

> 

>        but early in the dawn the circus has gone

>                        white grass on the meadows

>                        & tiny fog

> 

>you haven't teardrops

>        happy childhood next year the circus will be here

> 

>        our limits

>                are only

>                        technical matter

>                BUT

>        into

>        this supermarket aisle

>        i feel

>        suddenly old.

> 

> 

>Rinaldo.

>28th aug 1997.

=========================================================================

Date:         Thu, 28 Aug 1997 18:08:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:43 PM 8/28/97 -0500, you wrote:

>At 12:11 AM 8/28/97 -0400, you wrote:

>>> i can sleep well tonight.  if there is to be an On The Road movie, then

>>let

>>> Chris Isaak play Sal, he looks so much like Kerouac and he has always

>>> reminded me of a handsome actor out of the 1940s and '50s.  he does act,

>>he

>>> isnt just a singer.  if not him, then Depp.

>> 

>>        Please say that you are joking...  I have seen Chris Isaak in an

acting

>>role and I would not call him an actor.  He is a songwriter that got an

>>acting bug up his ass.  Not an actor by any stretch of the imagination.

>>I'd rather have a great actor play a character than someone that was picked

>>just because they looked like the person they were portraying.  Thinking of

>>it...  Isaak doesn't even look a thing like Kerouac.  Kerouac was dark,

>>Isaak is fair, more like Cassady

>> 

>>        As for Stipe playing either role, I really cannot say.  I have

>never seen

>>him act (MTV doesn't count).  I would rather see someone with loads of

>>talent play a role.  Too bad most of the really good actors are too old.

>>Although there are some promising actors coming around.  And a lot of the

>>actors that are getting older can still pull it off and play a college age

>>role for the beginning.  I think that Depp is great.  So is Robert Downey

>>Jr.  As for Nicolas Cage (Someone mentioned him earlier) I really don't

>>know.  I know he gets good roles, but he is pretty much the same in those

>>roles...  He is good, but not great.

>> 

>o.k. o.k. you're probably right.  i only saw Isaak act for 2 minutes as a

>walk on part in some stupid sitcom i dont even watch.  i hope you know you

>just bursted my bubble...cuz i still think he looks just like Kerouac-he can

>always dye his hair you know.   i have never seen Stipe act either but i

>know he has acted in a movie, not just MTV.  all i know is that i'd rather

>have Isaak than Nicholas Cage, or Sean Penn. Depp is the best suggestion ive

>heard so far.   how about Vincent Gallo for Dean-has anyone seen him with

>short hair? also Paul Hipp-watch The Funeral!  maybe there just shouldnt be

>an OTR movie.  maybe we could fit Emily Watson in as one of the woman

>roles-she's a great actress.

> 

> 

>>        Oh well...  That was my monthly posting.

>> 

>>        I think I'd be more interrested in seeing what woman were picked

>for the

>>roles.

>> 

>>        Carolyn Cassady - Eva Habermann  ( I just like looking at her, who

>cares

>>if she can act

>>                  {yes, call me a hipocrite, but I really like this woman})

>>        Joan Burroughs - Claire Forlani (Good Actress and a beautiful woman.)

>>        ??? - Samantha Mathis (Who cares who they make her, as long as she

>don't

>>sing)

>> 

>>        -Bill

>> 

>>[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

>>|"A free society is one where it is safe to be unpopular."

>>|

>>|                                                   -- Adlai Stevenson

>>[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

>> 

>> 

>> 

> 

> 

Ever since he stopped playing characters and started playing leads

in rotten films, after scoring in Leaving Las Vegas, I've lost my

fondness totally for Nicholas Cage.  I don't see him as a lead, and

don't like Hollywood jamming him down my throat just because he got

the Oscar.  He's an edgy character actor who has been ruined, and

I don't want anything to do with him anymore.  I think Penn is too

strong to play either role.

 

Mike Rice

=========================================================================

Date:         Thu, 28 Aug 1997 18:27:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: sorry

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 05:45 PM 8/28/97 -0400, you wrote:

>i'm very sorry about posting my message again.  this posting stuff is all new

>to me.

> 

> 

Don't be sorry.  Offending people is part of the

fun of being on the net.

 

Mike Rice

=========================================================================

Date:         Thu, 28 Aug 1997 19:17:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      New Stuff! Kerouac Cover of the month

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

This month starts the new addition to the Kerouac Quarterly web page.

Each month we will feature a different scan of a paperback. we urge your

submissions!Our frined Antoine Maloney submitted the first entry. Go check

it out and thanks Antoine!  regards to all! Paul of TKQ....

 

http://www.freeyellow.com/members/upstartcrow/page5.html

=========================================================================

Date:         Thu, 28 Aug 1997 19:20:29 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: sorry

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> At 05:45 PM 8/28/97 -0400, you wrote:

> >i'm very sorry about posting my message again.  this posting stuff is all new

> >to me.

> >

> >

> Don't be sorry.  Offending people is part of the

> fun of being on the net.

hey! i think that's not very nice! you just got me so upset i'm going

to signoff!!....

just joking (;

> Mike Rice

> 

randy

=========================================================================

Date:         Thu, 28 Aug 1997 20:31:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: sorry

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

John J Dorfner wrote:

> i'm very sorry about posting my message again.  this posting stuff is all new

> to me.

 

John,

I appreciate your position, i learned to set my subscription to include

my posts because it helps me know if i or some server garbled the

message.  I have usually regretted offending people unless i have some

point to make but this list is a rough and tumble one.  I got blasted

because I twitted someone for asking for help on some homework.  I don't

actually want to be a valuable resource that some professor can give his

earnest student.

well, your home page looked to much like an advertisement,  tell me,

what was the most interesting thing about meeting Jacks old friends.

what surprised you.. when i went to lowell i didn't enter a bar that

didn't have a pic of him there swigging.

p

=========================================================================

Date:         Thu, 28 Aug 1997 22:39:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Kicks Joy Darkness

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides

ordering it off the internet)?  is it available in some music stores?  does

anyone have it?  is it any good?

=========================================================================

Date:         Fri, 29 Aug 1997 00:19:01 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Sum of the Dharma  Bookstore story

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

So I was talking to you guys about finding Some of the Dharma.  I figured

Barnes and

Noble should have it but i hadn't seen it anywhere in the store (or in

Supercrown for

that matter).  So I called B&N.

 

Do you have a book called Some of the Dharma?

 

Um let's see...I don't see it...who's the author?

 

Jack Kerouac.  It's new just out.

 

Oh yes, OK, but it's got a different name.

(So I'm thinking somehow she's mixing it up with the 40th OTR edition)

 

She says: It's called Some of the Dharma.

 

Isn't that what I said?

 

I thought you said sum of the dharma.  Do you want me to hold it for you?

 

(I say where is it, she says in the literature section.  I say no you don't

need to

hold a copy I can find it.  So I go there later.  I read an article in New

Republic

about the Korean defector [not the two that defected the other day buty the

one from

last spring] and how he's being ignored in what he's saying by the press and

the Clinton administration.  They're ignoring him because his info doesn't

jibe with what the Clinton administration is saying about their progress

with N. Korea and their overall

plans.

 

So I finish that and there's about 15 minutes til the store closes.  I go to

the

Kerouac section and no book.  They do have OTR 40th anniversary issue

though.  So I

look everywhere it might be.  Biography, eastern thought, new fiction, new

non-fiction on the displays--no where.  So finally I decide to ask, but I

don't see any workers

buzzing about.  "Buy your purchases" says the PA. I see a worker.  Ask her

if they have Some of the Dharma.)

 

Let me check.  She goe to the computer.  Types in Son of the Dharma (spells

dharma

right).

 

No, Some of the Dharma.

 

Oh, sorry, she types in Sum of the Dharma.

 

No no I say, some s-o-m-e some

 

Oh.  Types in Some of the Dharma.  Yeah we have seven copies.  I'll find it.

 

(So she goes and looks in the Kerouac section.  Not there of course.  And

then to the

new fiction, new non-fiction, everywhere i've been looking.  Can't find it.

I follow

her around.  Finally she asks another worker at the front desk.  This other

gal has

heard of it.  She knows it's a big book.  She looks--where else, everywhere

we've

looked.  Looks on the displays ect...finally she says watch my register [to

the other

worker, not me] and I'll look in the back)

 

She does finally come back with two copies and hands them to me.

 

I think i just need one, I say.

=========================================================================

Date:         Fri, 29 Aug 1997 05:03:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Sum of the Dharma  Bookstore story

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

My B&N and my library are like this, no one knows anything

about books.

 

Mike Rice

 

At 12:19 AM 8/29/97 -0700, you wrote:

>So I was talking to you guys about finding Some of the Dharma.  I figured

>Barnes and

>Noble should have it but i hadn't seen it anywhere in the store (or in

>Supercrown for

>that matter).  So I called B&N.

> 

>Do you have a book called Some of the Dharma?

> 

>Um let's see...I don't see it...who's the author?

> 

>Jack Kerouac.  It's new just out.

> 

>Oh yes, OK, but it's got a different name.

>(So I'm thinking somehow she's mixing it up with the 40th OTR edition)

> 

>She says: It's called Some of the Dharma.

> 

>Isn't that what I said?

> 

>I thought you said sum of the dharma.  Do you want me to hold it for you?

> 

>(I say where is it, she says in the literature section.  I say no you don't

>need to

>hold a copy I can find it.  So I go there later.  I read an article in New

>Republic

>about the Korean defector [not the two that defected the other day buty the

>one from

>last spring] and how he's being ignored in what he's saying by the press and

>the Clinton administration.  They're ignoring him because his info doesn't

>jibe with what the Clinton administration is saying about their progress

>with N. Korea and their overall

>plans.

> 

>So I finish that and there's about 15 minutes til the store closes.  I go to

>the

>Kerouac section and no book.  They do have OTR 40th anniversary issue

>though.  So I

>look everywhere it might be.  Biography, eastern thought, new fiction, new

>non-fiction on the displays--no where.  So finally I decide to ask, but I

>don't see any workers

>buzzing about.  "Buy your purchases" says the PA. I see a worker.  Ask her

>if they have Some of the Dharma.)

> 

>Let me check.  She goe to the computer.  Types in Son of the Dharma (spells

>dharma

>right).

> 

>No, Some of the Dharma.

> 

>Oh, sorry, she types in Sum of the Dharma.

> 

>No no I say, some s-o-m-e some

> 

>Oh.  Types in Some of the Dharma.  Yeah we have seven copies.  I'll find it.

> 

>(So she goes and looks in the Kerouac section.  Not there of course.  And

>then to the

>new fiction, new non-fiction, everywhere i've been looking.  Can't find it.

>I follow

>her around.  Finally she asks another worker at the front desk.  This other

>gal has

>heard of it.  She knows it's a big book.  She looks--where else, everywhere

>we've

>looked.  Looks on the displays ect...finally she says watch my register [to

>the other

>worker, not me] and I'll look in the back)

> 

>She does finally come back with two copies and hands them to me.

> 

>I think i just need one, I say.

> 

> 

=========================================================================

Date:         Fri, 29 Aug 1997 05:56:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Herbert Huncke Reader

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Will this book be generally available in bookstores, or only by mail from

Water & Row?  Sounds like a treat!

=========================================================================

Date:         Fri, 29 Aug 1997 07:32:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Kicks Joy Darkness

In-Reply-To:  <199708290339.WAA62246@gomer.wiscnet.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides

>ordering it off the internet)?  is it available in some music stores?  does

>anyone have it?  is it any good?

________________

as far as i know, most music stores carry it.

overall, it's an interesting if uneven performance.

, mike stipe and john cale are wonderful,

and the booklet was designed by a friend at rykodisc

mc

=========================================================================

Date:         Fri, 29 Aug 1997 10:58:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Some of the Dharma excerpt

In-Reply-To:  <199708290719.AAA14245@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

If he can be called meek who has no wishes...

 

Or hiding who needs never be found...

 

Or scared who never attacks...

 

Forgotten, who watches up the night...

 

If he can be called "He" who has no self, writes "one is all" on every

wall...

 

"Literature" is no longer necessary...teaching is left

 

 

 

JK, Some of the Dharma

=========================================================================

Date:         Fri, 29 Aug 1997 10:20:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: Sum of the Dharma  Bookstore story

In-Reply-To:  <199708290719.AAA14245@hsc.usc.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 29 Aug 1997, Timothy K. Gallaher wrote:

 

> So I was talking to you guys about finding Some of the Dharma.  I figured

> Barnes and

> Noble should have it but i hadn't seen it anywhere in the store (or in

> Supercrown for

> that matter).  So I called B&N.

> 

> Do you have a book called Some of the Dharma?

> 

> Um let's see...I don't see it...who's the author?

> 

> Jack Kerouac.  It's new just out.

> 

> Oh yes, OK, but it's got a different name.

> (So I'm thinking somehow she's mixing it up with the 40th OTR edition)

> 

> She says: It's called Some of the Dharma.

> 

> Isn't that what I said?

> 

> I thought you said sum of the dharma.  Do you want me to hold it for you?

> 

> (I say where is it, she says in the literature section.  I say no you don't

> need to

> hold a copy I can find it.  So I go there later.  I read an article in New

> Republic

> about the Korean defector [not the two that defected the other day buty the

> one from

> last spring] and how he's being ignored in what he's saying by the press and

> the Clinton administration.  They're ignoring him because his info doesn't

> jibe with what the Clinton administration is saying about their progress

> with N. Korea and their overall

> plans.

> 

> So I finish that and there's about 15 minutes til the store closes.  I go to

> the

> Kerouac section and no book.  They do have OTR 40th anniversary issue

> though.  So I

> look everywhere it might be.  Biography, eastern thought, new fiction, new

> non-fiction on the displays--no where.  So finally I decide to ask, but I

> don't see any workers

> buzzing about.  "Buy your purchases" says the PA. I see a worker.  Ask her

> if they have Some of the Dharma.)

> 

> Let me check.  She goe to the computer.  Types in Son of the Dharma (spells

> dharma

> right).

> 

> No, Some of the Dharma.

> 

> Oh, sorry, she types in Sum of the Dharma.

> 

> No no I say, some s-o-m-e some

> 

> Oh.  Types in Some of the Dharma.  Yeah we have seven copies.  I'll find it.

> 

> (So she goes and looks in the Kerouac section.  Not there of course.  And

> then to the

> new fiction, new non-fiction, everywhere i've been looking.  Can't find it.

> I follow

> her around.  Finally she asks another worker at the front desk.  This other

> gal has

> heard of it.  She knows it's a big book.  She looks--where else, everywhere

> we've

> looked.  Looks on the displays ect...finally she says watch my register [to

> the other

> worker, not me] and I'll look in the back)

> 

> She does finally come back with two copies and hands them to me.

> 

> I think i just need one, I say.

> 

this sounds very much like similar experiences i've had with anything

bookstore/Kerouac related.  also, shouldn't a book as precious as a

new-release of Kerouac be difficult to find?  makes it all the more

special.

jenn thompson

=========================================================================

Date:         Fri, 29 Aug 1997 10:51:45 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: Kicks Joy Darkness

In-Reply-To:  <199708290339.WAA62246@gomer.wiscnet.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

 Richard Schlimm <rschlimm@MAIL.WISCNET.NET> wrote:

 

>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides

>ordering it off the internet)?  is it available in some music stores?  does

>anyone have it?  is it any good?

 

i got mine at a bookstore in Oregon, but i'm sure a lot of music stores

carry it now. after listening to it many times, i have to say i think it

was worth the money. Ginsberg and another guy (who reads the last chorus)

reading Brooklyn Bridge Blues is awesome. Hunter Thompson, L. Ferlingetti

and Burroughs all sound great, and a lot of the rest of it is good, though

there are some loser tracks on the disc.

 

leo

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Fri, 29 Aug 1997 12:39:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "L.W. Deal" <RoadSide6@AOL.COM>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

 

Y'know, Kevin Spacey'd make an interesting Kerouac... He's a hell of an

actor... Or perhaps, Gary Oldman -- hell, he's already been Beethoven, Sid

Vicious, Joe Orton, a mulato gangsta, etc. etc.... As long as Keanu Reeves is

prohibited from any more beat-inspired productions, I'll be a happy camper...

 

 

Kisses & Starfishes from Seattle,

 

LD

=========================================================================

Date:         Fri, 29 Aug 1997 12:50:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: Kicks Joy Darkness

In-Reply-To:  <199708290339.WAA62246@gomer.wiscnet.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I bought it locally (Vermont), and saw it everywhere in stores here to San

Diego this summer. My problem was finding it on cassette, but that's

becoming more the rule, unfortunately. Anyway, I like it, especially the

Morphine cut which kicks it off, Lydia Lunch, WSB, HST and John Cale. The

packaging is pretty nice, too.

 

On Thu, 28 Aug 1997, Richard Schlimm wrote:

 

> where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness (besides

> ordering it off the internet)?  is it available in some music stores?  does

> anyone have it?  is it any good?

> 

=========================================================================

Date:         Fri, 29 Aug 1997 13:50:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James J Stavola <JDSept@AOL.COM>

Subject:      Re: list of jazz albums

 

        Music that was an influence on the beats specificly Jack and Neal at

that time would have to include the stuff that Parker and the bop guys were

doing on the east coast and from their letters, when they were on the west

coast, the sounds of Chet Baker.The improv of Parkers playing from night to

night had an influence on the form of Jack's writing especially.

=========================================================================

Date:         Fri, 29 Aug 1997 14:59:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: list of jazz albums

In-Reply-To:  <970829135003_1582249370@emout05.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 29 Aug 1997, James J Stavola wrote:

 

> The improv of Parkers playing from night to

> night had an influence on the form of Jack's writing especially.

 

How often did Jack see jazz shows, Parker et al, during this period?

=========================================================================

Date:         Fri, 29 Aug 1997 14:54:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rodney Lee Phillips <philli31@PILOT.MSU.EDU>

Subject:      Kerouac Quarterly?

Content-Type: text/plain

 

Hello--

 

I'm looking for the name and address (both e-mail and snail-mail) of the folks

who edit the Kerouac Quarterly.

 

Thanks,

 

    Rod Phillips

    philli31@pilot.msu.edu

=========================================================================

Date:         Fri, 29 Aug 1997 16:42:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Jack's jazz listening...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

In reply to Michael Stutz:

        "How often did Jack see jazz shows, Parker et al, during this period?"

...and Ron Kovach:

        "What's the story on the recording 'Kerouac'?"

 

        You have to recall that during the late forties and right through to

the fifties, live jazz in NYC was everywhere - and top calibre. From the

boigraphies one would say that Jack was seeing lots of jazz out in the clubs

and Parker whenever he could. That's probably true from his time at Horace

Mann in the late thirties right through his "Subterraneans" period.

 

        Off list Ron Kovach and I were talking about the recording "Kerouac"

which featured Charlie Christian and Dizzy Gillespie. It was recorded in

1941 I think, and Thomas Owens (I think I previously referred to him as Owen

Thomas when talking about his book "Bebop"), a musicologist out in

California at El Camino College, described as one of the first examples of

someone (Gillespie) reaching towards what would become bebop.

 

        The story that Gerry Nicosi tells about the name is that a friend of

Kerouac's from Horace Mann, Seymour Wyse, introduced Jack to Jerry Newman,

who had for years been taking his recording equipment into clubs in Harlem

to record. It was Newman who suggested to Gillespie that he name one of his

arrangements "Kerouac". Dizzy didn't know Jack, but liked the name better

than "Ginsberg"!  [Memory Babe by Gerald Nicosi - pages 124-125; Grove Press

1983] Newman's recordings from those and later years are still in hot

circulation.

 

        I would enthusiastically recommend recordings that feature any of

Parker's small group playing from '43 through '48. You get great

combinations of players and all the seminal bebop there was....Gillespie

playing piano accompaniment, Slim Gaillard, Bud Powell, lots of Miles Davis,

Dodo Marmarosa, Wardell Grey (..hey Preston!), Howard McGhee, Max Roach,

Tiny Grimes and Don Byas.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 29 Aug 1997 17:27:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: Kerouac Quarterly?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:54 PM 8/29/97 -0400, you wrote:

>Hello--

> 

>I'm looking for the name and address (both e-mail and snail-mail) of the folks

>who edit the Kerouac Quarterly.

> 

>Thanks,

> 

>    Rod Phillips

>    philli31@pilot.msu.edu

>Go to the web page:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Sat, 30 Aug 1997 00:06:50 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats. 30th aug 1997

Comments: cc: dschwarm@sun3.lib.uci.edu, walter.campbell@usa.net,

          brooklyn@netcom.com

Mime-Version: 1.0

Content-Type: multipart/mixed; boundary="=====================_872885210==_"

 

--=====================_872885210==_

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Paul Blackburn

---

Robin Blaser

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                                                Frank Carmody,

                                                                Will Dennison,

                                                                Old Bull Lee"

 

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

---

Caleb Carr

---

Lucien Carr

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

---

Tom Clark [Paris Review]

---

Andy Clausen

---

Gregory Corso "Raphael Urso, Yuri Glicoric"

---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

William Everson (Brother Antonus)

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                                        "Lorenzo Monsanto,

                                                        Larry O'Hara

                                                        Danny Richman"

---

Charles Foster

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                                        Alvah Goldbook, Leon Levinsky

                                                        Carlo Marx"

---

John Giorno

---

Morris Graves

---

Brion Gysin

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Cellon Holmes

---

Herbert Huncke

---

Ted Joans

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                                        Leo Percepied, Ray Smith,

                                                        Jack, Peter Martin,

                                                        Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Tuli Kupferberg

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Timothy Leary

---

Lawrence Lipton

---

Malcom Lowry

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York]

---

Lewis Warsh

---

Alan W. Watts

---

Lew Welch

---

Philip Whalen

---

John Wieners

---

William Carlos Williams

---

Ruth Witt-Diamant [San Francisco's Poetry Center]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

30th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

Walter Campbell         <walter.campbell@usa.net>

Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

OHearn                          <orpheus@in.the.shadows>

David Schwarm           <dschwarm@sun3.lib.uci.edu>

Michael Stutz           <stutz@dsl.org>

-*-

addendum:

Return-Path: <dschwarm@sun1.lib.uci.edu>

Date: Thu, 28 Aug 1997 08:22:59 -0700 (PDT)

From: David Schwarm <dschwarm@sun1.lib.uci.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats.

 

Hi,

 

Thanks for the update.  I have used your list to start my own little

spreadsheet (with dates and famous works), please feel free to use this as

you see fit (it is a WIN3.1 MS Excel file - let me know if you need a

different format).

 

David Schwarm                   Making jazz swing in

41 Southbrook                   Seventeen syllables AIN'T

Irvine, CA  92604               No square poet's job.

-*-*-*-*-*-*-*-*-

 

--=====================_872885210==_

Content-Type: application/octet-stream; name="BEATS.xls";

 x-mac-type="584C5334"; x-mac-creator="5843454C"

Content-Transfer-Encoding: base64

Content-Disposition: attachment; filename="BEATS.xls"

 

/wACAAQEBVQCAHlTJlQCAAAABgAIAAAAAAD/AN4AAgABAP8DAAEAAGJUFgAAAAAAAAAAAAAAAwAF

AAAAAAAAAAAABAABAAAFAAEA/wFUDAAAAAAAAAABAAEAAABWVCYAAABDb3VyaWVyIE5ldwAAAAAA

BAABAAAFAAEA/wFUDAAAADAAFABWVCYAAABDb21pYyBTYW5zIE1TAAAABAABAAAFAAEA/wFUDAAA

AAAAFABWVCYAAQBDb21pYyBTYW5zIE1TAAAABAABAAAFAAEA/wFUDAAAAAAAGABWVCYABABDb21p

YyBTYW5zIE1TAAAABAABAAAFAAEA/wFUDAAAAAAAFABaVAoABQAAAAAAACAAAFpUCgAFAAAAAQAA

IAAAWlQKAAUEAAABAAAgAABaVAoABQAAAAIAACAAAFpUCgAFBAAAAwAAIAAAWlQKAAUAAAADAAAg

AABaVAoABSAAAAMAACAAAAcAHwAAAAAAAwAKAAYADwAAABsAAAAAAAAAAAAEAAQARAAAXFQCAAAA

CAADAAAAEAgAAwABAA4IAAMAAgAOCAADAAMADAgAAwAEAA4IAAMABQASCAADAAYAPQgAAwAHABoI

AAMACAALCAADAAkACwgAAwAKAAsIAAMACwALCAADAAwACwgAAwANAAsIAAMADgALCAADAA8ACwgA

AwAQAAsIAAMAEQALCAADABIACwgAAwATAAsIAAMAFAALCAADABUACwgAAwAWAAsIAAMAFwALCAAD

ABgACwgAAwAZAAsIAAMAGgALCAADABsACwgAAwAcAAsIAAMAHQALCAADAB4ACwgAAwAfAAsIAAMA

IAALCAADACEACwgAAwAiAAsIAAMAIwALCAADACQACwgAAwAlAAsIAAMAJgALCAADACcACwgAAwAo

AAsIAAMAKQALCAADACoACwgAAwArAAsIAAMALAALCAADAC0ACwgAAwAuAAsIAAMALwALCAADADAA

CwgAAwAxAAsIAAMAMgALCAADADMACwgAAwA0AAsIAAMANQALCAADADYACwgAAwA3AAsIAAMAOAAL

CAADADkACwgAAwA6AAsIAAMAOwALCAADADwACwgAAwA9AAsIAAMAPgALCAADAD8ACwgAAwBAAAsI

AAMAQQALCAADAEIACwgAAwBDAAsIAAMARAALCAADAEUACwgAAwBGAAsIAAMARwALCAADAEgACwgA

AwBJAAsIAAMASgALCAADAEsACwgAAwBMAAsIAAMATQALCAADAE4ACwgAAwBPAAsIAAMAUAALCAAD

AFEACwgAAwBSAAsIAAMAUwALCAADAFQACwgAAwBVAAsIAAMAVgALCAADAFcACwgAAwBYAAsIAAMA

WQALCAADAFoACwgAAwBbAAsIAAMAXAALCAADAF0ACwgAAwBeAAsIAAMAXwALCAADAGAACwgAAwBh

AAsIAAMAYgALCAADAGMACwgAAwBkAAsIAAMAZQALCAADAGYACwgAAwBnAAsIAAMAaAALCAADAGkA

CwgAAwBqAAsIAAMAawALCAADAGwACwgAAwBtAAsIAAMAbgALCAADAG8ACwgAAwBwAAsIAAMAcQAL

CAADAHIACwgAAwBzAAsIAAMAdAALCAADAHUACwgAAwB2AAsIAAMAdwALCAADAHgACwgAAwB5AAsI

AAMAegALCAADAHsACwgAAwB8AAsIAAMAfQALCAADAH4ACwgAAwB/AAsIAAMAgAALCAADAIEACwgA

AwCCAAsIAAMAgwALCAADAIQACwgAAwCFAAsIAAMAhgALCAADAIcACwgAAwCIAAsIAAMAiQALCAAD

AIoACwgAAwCLAAsIAAMAjAALCAADAI0ACwgAAwCOAAsIAAMAjwALCAADAJAACwgAAwCRAAsIAAMA

kgALCAADAJMACwgAAwCUAAsIAAMAlQALCAADAJYACwgAAwCXAAsIAAMAmAALCAADAJkACwgAAwCa

AAsIAAMAmwALCAADAJwACwgAAwCdAAsIAAMAngALCAADAJ8ACwgAAwCgAAsIAAMAoQALCAADAKIA

CwgAAwCjAAsIAAMApAALCAADAKUACwgAAwCmAAsIAAMApwALCAADAKgACwgAAwCpAAsIAAMAqgAL

CAADAKsACwgAAwCsAAsIAAMArQALCAADAK4ACwgAAwCvAAsIAAMAsAALCAADALEACwgAAwCyAAsI

AAMAswALCAADALQACwgAAwC1AAsIAAMAtgALCAADALcACwgAAwC4AAsIAAMAuQALCAADALoACwgA

AwC7AAsIAAMAvAALCAADAL0ACwgAAwC+AAsIAAMAvwALCAADAMAACwgAAwDBAAsIAAMAwgALCAAD

AMMACwgAAwDEAAsIAAMAxQALCAADAMYACwgAAwDHAAsIAAMAyAALCAADAMkACwgAAwDKAAsIAAMA

ywALCAADAMwACwgAAwDNAAsIAAMAzgALCAADAM8ACwgAAwDQAAsIAAMA0QALCAADANIACwgAAwDT

AAsIAAMA1AALCAADANUACwgAAwDWAAsIAAMA1wALCAADANgACwgAAwDZAAsIAAMA2gALCAADANsA

CwgAAwDcAAsIAAMA3QALCAADAN4ACwgAAwDfAAsIAAMA4AALCAADAOEACwgAAwDiAAsIAAMA4wAL

CAADAOQACwgAAwDlAAsIAAMA5gALCAADAOcACwgAAwDoAAsIAAMA6QALCAADAOoACwgAAwDrAAsI

AAMA7AALCAADAO0ACwgAAwDuAAsIAAMA7wALCAADAPAACwgAAwDxAAsIAAMA8gALCAADAPMACwgA

AwD0AAsIAAMA9QALCAADAPYACwgAAwD3AAsIAAMA+AALCAADAPkACwgAAwD6AAsIAAMA+wALCAAD

APwACwgAAwD9AAsIAAMA/gALCAADAP8AC2tUBAAAAMsHa1QEAAEAzAZrVAQAAgDMBmtUBAADANwF

a1QEAAQAnwZrVAQABQCsCGtUBAAGAMUca1QEAAcAewxrVAQACABzBWtUBAAJAHMFa1QEAAoAcwVr

VAQACwBzBWtUBAAMAHMFa1QEAA0AcwVrVAQADgBzBWtUBAAPAHMFa1QEABAAcwVrVAQAEQBzBWtU

BAASAHMFa1QEABMAcwVrVAQAFABzBWtUBAAVAHMFa1QEABYAcwVrVAQAFwBzBWtUBAAYAHMFa1QE

ABkAcwVrVAQAGgBzBWtUBAAbAHMFa1QEABwAcwVrVAQAHQBzBWtUBAAeAHMFa1QEAB8AcwVrVAQA

IABzBWtUBAAhAHMFa1QEACIAcwVrVAQAIwBzBWtUBAAkAHMFa1QEACUAcwVrVAQAJgBzBWtUBAAn

AHMFa1QEACgAcwVrVAQAKQBzBWtUBAAqAHMFa1QEACsAcwVrVAQALABzBWtUBAAtAHMFa1QEAC4A

cwVrVAQALwBzBWtUBAAwAHMFa1QEADEAcwVrVAQAMgBzBWtUBAAzAHMFa1QEADQAcwVrVAQANQBz

BWtUBAA2AHMFa1QEADcAcwVrVAQAOABzBWtUBAA5AHMFa1QEADoAcwVrVAQAOwBzBWtUBAA8AHMF

a1QEAD0AcwVrVAQAPgBzBWtUBAA/AHMFa1QEAEAAcwVrVAQAQQBzBWtUBABCAHMFa1QEAEMAcwVr

VAQARABzBWtUBABFAHMFa1QEAEYAcwVrVAQARwBzBWtUBABIAHMFa1QEAEkAcwVrVAQASgBzBWtU

BABLAHMFa1QEAEwAcwVrVAQATQBzBWtUBABOAHMFa1QEAE8AcwVrVAQAUABzBWtUBABRAHMFa1QE

AFIAcwVrVAQAUwBzBWtUBABUAHMFa1QEAFUAcwVrVAQAVgBzBWtUBABXAHMFa1QEAFgAcwVrVAQA

WQBzBWtUBABaAHMFa1QEAFsAcwVrVAQAXABzBWtUBABdAHMFa1QEAF4AcwVrVAQAXwBzBWtUBABg

AHMFa1QEAGEAcwVrVAQAYgBzBWtUBABjAHMFa1QEAGQAcwVrVAQAZQBzBWtUBABmAHMFa1QEAGcA

cwVrVAQAaABzBWtUBABpAHMFa1QEAGoAcwVrVAQAawBzBWtUBABsAHMFa1QEAG0AcwVrVAQAbgBz

BWtUBABvAHMFa1QEAHAAcwVrVAQAcQBzBWtUBAByAHMFa1QEAHMAcwVrVAQAdABzBWtUBAB1AHMF

a1QEAHYAcwVrVAQAdwBzBWtUBAB4AHMFa1QEAHkAcwVrVAQAegBzBWtUBAB7AHMFa1QEAHwAcwVr

VAQAfQBzBWtUBAB+AHMFa1QEAH8AcwVrVAQAgABzBWtUBACBAHMFa1QEAIIAcwVrVAQAgwBzBWtU

BACEAHMFa1QEAIUAcwVrVAQAhgBzBWtUBACHAHMFa1QEAIgAcwVrVAQAiQBzBWtUBACKAHMFa1QE

AIsAcwVrVAQAjABzBWtUBACNAHMFa1QEAI4AcwVrVAQAjwBzBWtUBACQAHMFa1QEAJEAcwVrVAQA

kgBzBWtUBACTAHMFa1QEAJQAcwVrVAQAlQBzBWtUBACWAHMFa1QEAJcAcwVrVAQAmABzBWtUBACZ

AHMFa1QEAJoAcwVrVAQAmwBzBWtUBACcAHMFa1QEAJ0AcwVrVAQAngBzBWtUBACfAHMFa1QEAKAA

cwVrVAQAoQBzBWtUBACiAHMFa1QEAKMAcwVrVAQApABzBWtUBAClAHMFa1QEAKYAcwVrVAQApwBz

BWtUBACoAHMFa1QEAKkAcwVrVAQAqgBzBWtUBACrAHMFa1QEAKwAcwVrVAQArQBzBWtUBACuAHMF

a1QEAK8AcwVrVAQAsABzBWtUBACxAHMFa1QEALIAcwVrVAQAswBzBWtUBAC0AHMFa1QEALUAcwVr

VAQAtgBzBWtUBAC3AHMFa1QEALgAcwVrVAQAuQBzBWtUBAC6AHMFa1QEALsAcwVrVAQAvABzBWtU

BAC9AHMFa1QEAL4AcwVrVAQAvwBzBWtUBADAAHMFa1QEAMEAcwVrVAQAwgBzBWtUBADDAHMFa1QE

AMQAcwVrVAQAxQBzBWtUBADGAHMFa1QEAMcAcwVrVAQAyABzBWtUBADJAHMFa1QEAMoAcwVrVAQA

ywBzBWtUBADMAHMFa1QEAM0AcwVrVAQAzgBzBWtUBADPAHMFa1QEANAAcwVrVAQA0QBzBWtUBADS

AHMFa1QEANMAcwVrVAQA1ABzBWtUBADVAHMFa1QEANYAcwVrVAQA1wBzBWtUBADYAHMFa1QEANkA

cwVrVAQA2gBzBWtUBADbAHMFa1QEANwAcwVrVAQA3QBzBWtUBADeAHMFa1QEAN8AcwVrVAQA4ABz

BWtUBADhAHMFa1QEAOIAcwVrVAQA4wBzBWtUBADkAHMFa1QEAOUAcwVrVAQA5gBzBWtUBADnAHMF

a1QEAOgAcwVrVAQA6QBzBWtUBADqAHMFa1QEAOsAcwVrVAQA7ABzBWtUBADtAHMFa1QEAO4AcwVr

VAQA7wBzBWtUBADwAHMFa1QEAPEAcwVrVAQA8gBzBWtUBADzAHMFa1QEAPQAcwVrVAQA9QBzBWtU

BAD2AHMFa1QEAPcAcwVrVAQA+ABzBWtUBAD5AHMFa1QEAPoAcwVrVAQA+wBzBWtUBAD8AHMFa1QE

AP0AcwVrVAQA/gBzBWtUBAD/AHMFZlQCAP8AZVQEAAAAhoFlVAQAAQAsgWVUBAACACyBZVQEAAMA

LIFlVAQABAAsgWVUBAAFACyBZVQEAAYALIFlVAQABwAsgWVUBAAIACyBZVQEAAkALIFlVAQACgAs

gWVUBAALACyBZVQEAAwALIFlVAQADQAsgWVUBAAOACyBZVQEAA8ALIFlVAQAEAAsgWVUBAARACyB

ZVQEABIALIFlVAQAEwAsgWVUBAAUACyBZVQEABUALIFlVAQAFgAsgWVUBAAXACyBZVQEABgALIFl

VAQAGQAsgWVUBAAaACyBZVQEABsALIFlVAQAHAAsgWVUBAAdACyBZVQEAB4ALIFlVAQAHwAsgWVU

BAAgACyBZVQEACEALIFlVAQAIgAsgWVUBAAjACyBZVQEACQALIFlVAQAJQAsgWVUBAAmACyBZVQE

ACcALIFlVAQAKAAsgWVUBAApACyBZVQEACoALIFlVAQAKwAsgWVUBAAsACyBZVQEAC0ALIFlVAQA

LgAsgWVUBAAvACyBZVQEADAALIFlVAQAMQAsgWVUBAAyACyBZVQEADMALIFlVAQANAAsgWVUBAA1

ACyBZVQEADYALIFlVAQANwAsgWVUBAA4ACyBZVQEADkALIFlVAQAOgAsgWVUBAA7ACyBZVQEADwA

LIFlVAQAPQAsgWVUBAA+ACyBZVQEAD8ALIFlVAQAQAAsgWVUBABBACyBZVQEAEIALIFlVAQAQwAs

gWVUBABEACyBZVQEAEUALIFlVAQARgAsgWVUBABHACyBZVQEAEgALIFlVAQASQAsgWVUBABKACyB

ZVQEAEsALIFlVAQATAAsgWVUBABNACyBZVQEAE4ALIFlVAQATwAsgWVUBABQACyBZVQEAFEALIFl

VAQAUgAsgWVUBABTACyBZVQEAFQALIFlVAQAVQAsgWVUBABWACyBZVQEAFcALIFlVAQAWAAsgWVU

BABZACyBZVQEAFoALIFlVAQAWwAsgWVUBABcACyBZVQEAF0ALIFlVAQAXgAsgWVUBABfACyBZVQE

AGAALIFlVAQAYQAsgWVUBABiACyBZVQEAGMALIFlVAQAZAAsgWVUBABlACyBZVQEAGYALIFlVAQA

ZwAsgWVUBABoACyBZVQEAGkALIFlVAQAagAsgWVUBABrACyBZVQEAGwALIFlVAQAbQAsgWVUBABu

ACyBZVQEAG8ALIFlVAQAcAAsgWVUBABxACyBZVQEAHIALIFlVAQAcwAsgWVUBAB0ACyBZVQEAHUA

LIFlVAQAdgAsgWVUBAB3ACyBZVQEAHgALIFlVAQAeQAsgWVUBAB6ACyBZVQEAHsALIFlVAQAfAAs

gWVUBAB9ACyBZVQEAH4ALIFlVAQAfwAsgWVUBACAACyBZVQEAIEALIFlVAQAggAsgWVUBACDACyB

ZVQEAIQALIFlVAQAhQAsgWVUBACGACyBZVQEAIcALIFlVAQAiAAsgWVUBACJACyBZVQEAIoALIFl

VAQAiwAsgWVUBACMACyBZVQEAI0ALIFlVAQAjgAsgWVUBACPACyBZVQEAJAALIFlVAQAkQAsgWVU

BACSACyBZVQEAJMALIFlVAQAlAAsgWVUBACVACyBZVQEAJYALIFlVAQAlwAsgWVUBACYACyBZVQE

AJkALIFlVAQAmgAsgWVUBACbACyBZVQEAJwALIFlVAQAnQAsgWVUBACeACyBZVQEAJ8ALIFlVAQA

oAAsgWVUBAChACyBZVQEAKIALIFlVAQAowAsgWVUBACkACyBZVQEAKUALIFlVAQApgAsgWVUBACn

ACyBZVQEAKgALIFlVAQAqQAsgWVUBACqACyBZVQEAKsALIFlVAQArAAsgWVUBACtACyBZVQEAK4A

LIFlVAQArwAsgWVUBACwACyBZVQEALEALIFlVAQAsgAsgWVUBACzACyBZVQEALQALIFlVAQAtQAs

gWVUBAC2ACyBZVQEALcALIFlVAQAuAAsgWVUBAC5ACyBZVQEALoALIFlVAQAuwAsgWVUBAC8ACyB

ZVQEAL0ALIFlVAQAvgAsgWVUBAC/ACyBZVQEAMAALIFlVAQAwQAsgWVUBADCACyBZVQEAMMALIFl

VAQAxAAsgWVUBADFACyBZVQEAMYALIFlVAQAxwAsgWVUBADIACyBZVQEAMkALIFlVAQAygAsgWVU

BADLACyBZVQEAMwALIFlVAQAzQAsgWVUBADOACyBZVQEAM8ALIFlVAQA0AAsgWVUBADRACyBZVQE

ANIALIFlVAQA0wAsgWVUBADUACyBZVQEANUALIFlVAQA1gAsgWVUBADXACyBZVQEANgALIFlVAQA

2QAsgWVUBADaACyBZVQEANsALIFlVAQA3AAsgWVUBADdACyBZVQEAN4ALIExAAEAAV1UBAAAADAA

XVQEAAEAMABdVAQAAgAwAF1UBAADADAAXVQEAAQAMABdVAQABQAwAF1UBAAGADAAXVQEAAcAMABd

VAQACAAwAF1UBAAJADAAXVQEAAoAMABdVAQACwAwAF1UBAAMADAAXVQEAA0AMABdVAQADgAwAF1U

BAAPADAAXVQEABAAMABdVAQAEQAwAF1UBAASADAAXVQEABMAMABdVAQAFAAwAF1UBAAVADAAXVQE

ABYAMABdVAQAFwAwAF1UBAAYADAAXVQEABkAMABdVAQAGgAwAF1UBAAbADAAXVQEABwAMABdVAQA

HQAwAF1UBAAeADAAXVQEAB8AMABdVAQAIAAwAF1UBAAhADAAXVQEACIAMABdVAQAIwAwAF1UBAAk

ADAAXVQEACUAMABdVAQAJgAwAF1UBAAnADAAXVQEACgAMABdVAQAKQAwAF1UBAAqADAAXVQEACsA

MABdVAQALAAwAF1UBAAtADAAXVQEAC4AMABdVAQALwAwAF1UBAAwADAAXVQEADEAMABdVAQAMgAw

AF1UBAAzADAAXVQEADQAMABdVAQANQAwAF1UBAA2ADAAXVQEADcAMABdVAQAOAAwAF1UBAA5ADAA

XVQEADoAMABdVAQAOwAwAF1UBAA8ADAAXVQEAD0AMABdVAQAPgAwAF1UBAA/ADAAXVQEAEAAMABd

VAQAQQAwAF1UBABCADAAXVQEAEMAMABdVAQARAAwAF1UBABFADAAXVQEAEYAMABdVAQARwAwAF1U

BABIADAAXVQEAEkAMABdVAQASgAwAF1UBABLADAAXVQEAEwAMABdVAQATQAwAF1UBABOADAAXVQE

AE8AMABdVAQAUAAwAF1UBABRADAAXVQEAFIAMABdVAQAUwAwAF1UBABUADAAXVQEAFUAMABdVAQA

VgAwAF1UBABXADAAXVQEAFgAMABdVAQAWQAwAF1UBABaADAAXVQEAFsAMABdVAQAXAAwAF1UBABd

ADAAXVQEAF4AMABdVAQAXwAwAF1UBABgADAAXVQEAGEAMABdVAQAYgAwAF1UBABjADAAXVQEAGQA

MABdVAQAZQAwAF1UBABmADAAXVQEAGcAMABdVAQAaAAwAF1UBABpADAAXVQEAGoAMABdVAQAawAw

AF1UBABsADAAXVQEAG0AMABdVAQAbgAwAF1UBABvADAAXVQEAHAAMABdVAQAcQAwAF1UBAByADAA

XVQEAHMAMABdVAQAdAAwAF1UBAB1ADAAXVQEAHYAMABdVAQAdwAwAF1UBAB4ADAAXVQEAHkAMABd

VAQAegAwAF1UBAB7ADAAXVQEAHwAMABdVAQAfQAwAF1UBAB+ADAAXVQEAH8AMABdVAQAgAAwAF1U

BACBADAAXVQEAIIAMABdVAQAgwAwAF1UBACEADAAXVQEAIUAMABdVAQAhgAwAF1UBACHADAAXVQE

AIgAMABdVAQAiQAwAF1UBACKADAAXVQEAIsAMABdVAQAjAAwAF1UBACNADAAXVQEAI4AMABdVAQA

jwAwAF1UBACQADAAXVQEAJEAMABdVAQAkgAwAF1UBACTADAAXVQEAJQAMABdVAQAlQAwAF1UBACW

ADAAXVQEAJcAMABdVAQAmAAwAF1UBACZADAAXVQEAJoAMABdVAQAmwAwAF1UBACcADAAXVQEAJ0A

MABdVAQAngAwAF1UBACfADAAXVQEAKAAMABdVAQAoQAwAF1UBACiADAAXVQEAKMAMABdVAQApAAw

AF1UBAClADAAXVQEAKYAMABdVAQApwAwAF1UBACoADAAXVQEAKkAMABdVAQAqgAwAF1UBACrADAA

XVQEAKwAMABdVAQArQAwAF1UBACuADAAXVQEAK8AMABdVAQAsAAwAF1UBACxADAAXVQEALIAMABd

VAQAswAwAF1UBAC0ADAAXVQEALUAMABdVAQAtgAwAF1UBAC3ADAAXVQEALgAMABdVAQAuQAwAF1U

BAC6ADAAXVQEALsAMABdVAQAvAAwAF1UBAC9ADAAXVQEAL4AMABdVAQAvwAwAF1UBADAADAAXVQE

AMEAMABdVAQAwgAwAF1UBADDADAAXVQEAMQAMABdVAQAxQAwAF1UBADGADAAXVQEAMcAMABdVAQA

yAAwAF1UBADJADAAXVQEAMoAMABdVAQAywAwAF1UBADMADAAXVQEAM0AMABdVAQAzgAwAF1UBADP

ADAAXVQEANAAMABdVAQA0QAwAF1UBADSADAAXVQEANMAMABdVAQA1AAwAF1UBADVADAAXVQEANYA

MABdVAQA1wAwAF1UBADYADAAXVQEANkAMABdVAQA2gAwAF1UBADbADAAXVQEANwAMABdVAQA3QAw

AF1UBADeADAAXVQEAN8AMABdVAQA4AAwAF1UBADhADAAXVQEAOIAMABdVAQA4wAwAF1UBADkADAA

XVQEAOUAMABdVAQA5gAwAF1UBADnADAAXVQEAOgAMABdVAQA6QAwAF1UBADqADAAXVQEAOsAMABd

VAQA7AAwAF1UBADtADAAXVQEAO4AMABdVAQA7wAwAF1UBADwADAAXVQEAPEAMABdVAQA8gAwAF1U

BADzADAAXVQEAPQAMABdVAQA9QAwAF1UBAD2ADAAXVQEAPcAMABdVAQA+AAwAF1UBAD5ADAAXVQE

APoAMABdVAQA+wAwAF1UBAD8ADAAXVQEAP0AMABdVAQA/gAwAF1UBAD/ADAAXlQEAAAAcAALABgA

VEFCTEUASADo2JMAENyTAAYACQAGAAkAJAABAABvVAEAAFBUEgABAAEAAAAAAAAAAAAAAAAAAABn

VH8BoAUAAIAEAACABAAAgAQAAMZBAABALwAA0AIAANACAACgBQAAgAQAAIAEAACABAAAxkEAAEAv

AADQAgAA0AIAAAEAAAAAAAAAAAAAAAAAAABkAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHQBAAADAAAAdwEAAAgAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAJkYAUGFnZSAmUAAjVBwAoAWABIAEgATG

QUAvAQAAAAAA0ALQAgAAZAAAACYA8gAmRgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACUA8gBQYWdlICZQAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA8A

DQAAAAAAAwAoTGFzdCkADwAOAAEAAAADAChGaXJzdCkADwAPAAIAAAADAChNaWRkbGUpAA8ADgAD

AAAAAwAoQmlydGgpAA8ADgAEAAAAAwAoRGVhdGgpAA8ADAAFAAAAAwAoQXJ0KQAPAA4ABgAAAAMA

KFdvcmtzKQAPABQABwAAAAMAKE90aGVyIE5hbWVzKQAPAA0AAAABAAEAQmFyYWthAA8ADAABAAEA

AQBBbWFyaQBbVAoAAwABAAEAADieQA8ACwAFAAEAAQBQb2V0AA8AFAAGAAEABABEZWFkIExlY3R1

cmVyAA8AFAAHAAEAAgAoTGVyb2kgSm9uZXMpAA8ADwAAAAIAAQBCZXJyaWdhbgAPAAoAAQACAAEA

VGVkAFtUCgADAAIAAQAAOJ5ADwALAAUAAgABAFBvZXQADwAaAAYAAgAFAEZlZWxpbmcgZm9yIExl

YXZpbmcADwAQAAAAAwABAEJsYWNrYnVybgAPAAsAAQADAAEAUGF1bABbVAoAAwADAAEAABieQFtU

CgAEAAMAAQAAzJ5ADwALAAUAAwABAFBvZXQADwAhAAYAAwAFAEJyb29rbHluLU1hbmhhdHRhbiB0

cmFuc2l0AA8ADQAAAAQAAQBCbGFzZXIADwAMAAEABAABAFJvYmluAA8ACwAFAAQAAQBQb2V0AA8A

EgAGAAQABABIb2x5IEZvcmVzdAAPABAAAAAFAAEAQnJhdXRpZ2FuAA8ADgABAAUAAQBSaWNoYXJk

AFtUCgADAAUAAQAANJ5ADwAUAAUABQABAFNob3J0IFN0b3JpZXMADwAfAAYABQAEAFRyb3V0IEZp

c2hpbmcgaW4gQW1lcmljYQAPAA4AAAAGAAEAQnJlbXNlcgAPAA0AAQAGAAEAQm9ubmllAFtUCgAD

AAYAAQAATJ5ADwAQAAUABgABAE5vdmVsaXN0PwAPAAwABgAGAAUAVHJvaWEADwAOAAAABwABAEJy

ZW1zZXIADwAKAAEABwABAFJheQBbVAoAAwAHAAEAADieQA8ACwAFAAcAAQBQb2V0AA8AFwAGAAcA

BABQb2VtcyBvZiBNYWRuZXNzAA8ADwAAAAgAAQBCcm9zc2FyZAAPAA8AAQAIAAEAQ2hhbmRsZXIA

W1QKAAMACAABAAAInkAPAA8ABQAIAAEATm92ZWxpc3QADwAbAAYACAAEAFdobyBXYWxrIGluIERh

cmtuZXNzAA8ADgAAAAkAAQBCcm95YXJkAA8ADgABAAkAAQBBbmF0b2xlAA8ADwAFAAkAAQBOb3Zl

bGlzdAAPACkABgAJAAYATWVuLCB3b21lbiwgYW5kIG90aGVyIGFudGljbGltYXhlcwAPAA8AAAAK

AAEAQnVrb3dza2kADwAOAAEACgABAENoYXJsZXMAW1QKAAMACgABAAAAnkAPAAsABQAKAAEAUG9l

dAAPADQABgAKAAQARGF5cyBSdW4gQXdheSBMaWtlIFdpbGQgSG9yc2VzIE92ZXIgdGhlIEhpbGxz

AA8AEAAAAAsAAQBCdXJyb3VnaHMADwAOAAEACwABAFdpbGxpYW0ADwAJAAIACwABAFMuAFtUCgAD

AAsAAQAA6J1AW1QKAAQACwABAAA0n0APAA8ABQALAAEATm92ZWxpc3QADwASAAYACwAFAE5ha2Vk

IEx1bmNoAA8ACwAAAAwAAQBDYXJyAA8ADQABAAwAAQBMdWNpZW4ADAAGAAYADAAFAA8ADgAAAA0A

AQBDYXJyb2xsAA8ACwABAA0AAQBQYXVsAA8ACwAFAA0AAQBQb2V0AA8AEQAGAA0ABQBMdWtlIFBv

ZW1zAA8AEQAAAA4AAgBDYXJ0d3JpZ2h0AA8ADAABAA4AAgBMb3VpcwAPAAkAAgAOAAEAUi4ADAAG

AAYADgAFAA8ADgAAAA8AAQBDYXNzYWR5AA8ADgABAA8AAQBDYXJvbHluAA8ADwAFAA8AAQBOb3Zl

bGlzdAAPABMABgAPAAUAT2ZmIHRoZSBSb2FkAA8ADgAAABAAAQBDYXNzYWR5AA8ACwABABAAAQBO

ZWFsAFtUCgADABAAAQAAGJ5AW1QKAAQAEAABAADAnkAPAA8ABQAQAAEATm92ZWxpc3QADwASAAYA

EAAFAEZpcnN0IFRoaXJkAA8ADwAAABEAAQBDYXNzaWxsaQAPAAkAAQARAAEAUi4ADwAJAAIAEQAB

AFYuAFtUCgADABEAAQAA/J1ADwAPAAUAEQABAE5vdmVsaXN0AA8AFAAGABEABQBDbGVtIEFuZGVy

c29uAA8ADgAAABIAAQBDbGF1c2VuAA8ACwABABIAAQBBbmR5AA8ACwAFABIAAQBQb2V0AA8AFgAG

ABIABQBFeHRyZW1lIFVuY3Rpb24ADwAMAAAAEwABAENvcnNvAA8ADgABABMAAQBHcmVnb3J5AFtU

CgADABMAAQAAKJ5ADwALAAUAEwABAFBvZXQADwAPAAYAEwAFAEdhc29saW5lAA8ADgAAABQAAQBD

cmVlbGV5AA8ADQABABQAAQBSb2JlcnQAW1QKAAMAFAABAAAYnkAPAAsABQAUAAEAUG9ldAAPAA0A

BgAUAAUASXNsYW5kAA8ADgAAABUAAQBEaVByaW1hAA8ADAABABUAAQBEaWFuZQAPAAsABQAVAAEA

UG9ldAAPAAsABgAVAAUATG9iYQAPAAwAAAAWAAEARG95bGUADwAMAAEAFgABAEtpcmJ5AA8ACwAF

ABYAAQBQb2V0AA8ACwAGABYABQBFYXRzAA8ADQAAABcAAQBEdW5jYW4ADwANAAEAFwABAFJvYmVy

dABbVAoAAwAXAAEAAPydQA8ACwAFABcAAQBQb2V0AA8AFgAGABcABQBCZW5kaW5nIHRoZSBCb3cA

DwAOAAAAGAABAEV2ZXJzb24ADwAOAAEAGAABAFdpbGxpYW0AW1QKAAMAGAABAADgnUAPAAsABQAY

AAEAUG9ldAAPABcABgAYAAUAUm9zZSBvZiBTb2xpdHVkZQAPABkABwAYAAIAKEJyb3RoZXIgQW50

b25pdXMpAA8ADQAAABkAAgBGYXJpbmEADwAOAAEAGQABAFJpY2hhcmQADwAPAAUAGQABAE5vdmVs

aXN0AA8ALwAGABkABQBCZWVuIERvd24gU28gTG9uZyBJdCBMb29rcyBMaWtlIFVwIHRvIE1lAA8A

EwAAABoAAQBGZXJsaW5naGV0dGkADwAPAAEAGgABAExhd3JlbmNlAFtUCgADABoAAQAA/J1ADwAL

AAUAGgABAFBvZXQADwAfAAYAGgAFAENvbmV5IElzbGFuZCBvZiB0aGUgTWluZAAPAA0AAAAbAAIA

Rm9zdGVyAA8ADgABABsAAQBDaGFybGVzAFtUCgADABsAAQAACJ5AW1QKAAQAGwABAAC8nkAPAAsA

BQAbAAEAUG9ldAAPABUABgAbAAUAVmljdG9yaWEgTXVuZGkADwAPAAAAHAABAEdpbnNiZXJnAA8A

DAABABwAAQBBbGxlbgBbVAoAAwAcAAEAABieQFtUCgAEABwAAQAANJ9ADwALAAUAHAABAFBvZXQA

DwALAAYAHAAFAEhvd2wADwANAAAAHQABAEdpb3JubwAPAAsAAQAdAAEASm9obgAPAAsABQAdAAEA

UG9ldAAPABUABgAdAAUAQmFsbGluZyBCdWRkaGEADwAMAAAAHgABAEd5c2luAA8ADAABAB4AAQBC

cmlvbgAPAA8ABQAeAAEATm92ZWxpc3QADwARAAYAHgAFAFRoaXJkIE1pbmQADwANAAAAHwABAEhv

bG1lcwAPAAsAAQAfAAEASm9obgAPAA0AAgAfAAEAQ2VsbG9uAFtUCgADAB8AAQAAGJ5ADwAPAAUA

HwABAE5vdmVsaXN0AA8ACwAGAB8ABQBIb3JuAA8ADQAAACAAAQBIdW5ja2UADwAOAAEAIAABAEhl

cmJlcnQAW1QKAAMAIAABAADsnUAPAAsABQAgAAEAUG9ldAAPACAABgAgAAUARXZlbmluZyBUdXJu

ZWQgdG8gQ3JpbXNvbgAPAAwAAAAhAAEASm9hbnMADwAKAAEAIQABAFRlZAAPAAsABQAhAAEAUG9l

dAAPABAABgAhAAUAQWZyb2Rpc2lhAA8ADgAAACIAAQBKb2huc29uAA8ADAABACIAAQBKb3ljZQBb

VAoAAwAiAAEAADyeQA8ADwAFACIAAQBOb3ZlbGlzdAAPABYABgAiAAUAQmFkIENvbm5lY3Rpb25z

AA8ADQAAACMAAQBLYW5kZWwADwANAAEAIwABAExlbm9yZQAPAAsABQAjAAEAUG9ldAAPABAABgAj

AAUATG92ZSBCb29rAA8ADgAAACQAAQBLYXVmbWFuAA8ACgABACQAAQBCb2IADwALAAUAJAABAFBv

ZXQADwATAAYAJAAFAFNlY29uZCBBcHJpbAAPAA4AAAAlAAEAS2Vyb3VhYwAPAAsAAQAlAAEASmFj

awBbVAoAAwAlAAEAAAieQFtUCgAEACUAAQAAxJ5ADwAPAAUAJQABAE5vdmVsaXN0AA8AEgAGACUA

BQBPbiB0aGUgUm9hZAAPAAsAAAAmAAEAS3JpbQAPAA4AAQAmAAEAU2V5bW91cgBbVAoAAwAmAAEA

AAieQA8ADwAFACYAAQBFc3NheWlzdAAPACgABgAmAAUAVmlld3Mgb2YgYSBOZWFyIFNpZ2h0ZWQg

Q2Fubm9uZWVyAA8AEQAAACcAAQBLdXBmZXJiZXJnAA8ACwABACcAAQBUdWxpAA8ACwAFACcAAQBQ

b2V0AA8ADwAGACcABQBTbm93IEpvYgAPAAwAAAAoAAEAS3lnZXIADwANAAEAKAABAEpvYW5uZQBb

VAoAAwAoAAEAADieQA8ACwAFACgAAQBQb2V0AA8AGgAGACgABQBUYXBlc3RyeSBvZiB0aGUgV2Vi

AA8ADwAAACkAAQBMYW1hbnRpYQAPAA0AAQApAAEAUGhpbGlwAFtUCgADACkAAQAAHJ5ADwALAAUA

KQABAFBvZXQADwAPAAYAKQAFAEVrc3Rhc2lzAA8AEAAAACoAAQBMYW5kZXNtYW4ADwAKAAEAKgAB

AEpheQAPAA8ABQAqAAEATm92ZWxpc3QADwAdAAYAKgAFAFJlYmVsIFdpdGhvdXQgQXBwbGF1c2UA

DwAQAAAAKwABAExhbmRlc21hbgAPAAsAAQArAAEARnJhbgAPAAsABQArAAEAUG9ldAAPAB0ABgAr

AAUATW9yZSBUcnV0aCB0aGVuIFBvZXRyeQAPAA0AAAAsAAEATGlwdG9uAA8ADwABACwAAQBMYXdy

ZW5jZQBbVAoAAwAsAAEAAKidQFtUCgAEACwAAQAA3J5ADwALAAUALAABAFBvZXQADwAbAAYALAAF

AEJydW5vIGluIFZlbmljZSBXZXN0AA8ADAAAAC0AAQBMb3dyeQAPAA0AAQAtAAEATWFsY29tAAwA

BgAGAC0ABQAPAA4AAAAuAAIATWFsYW5nYQAPAA0AAQAuAAIAR2VyYXJkAA8ACwAFAC4AAQBQb2V0

AA8AHAAGAC4ABQAxMCBQb2VtcyBmb3IgMTAgUG9ldHMADwAPAAAALwABAE1hcnNoYWxsAA8ADQAB

AC8AAQBFZHdhcmQADwALAAUALwABAFBvZXQADAAGAAYALwAFAA8ADgAAADAAAQBNY0NsdXJlAA8A

DQABADAAAQBKb2FubmEADwALAAUAMAABAFBvZXQADwAQAAYAMAAFAEhhcmQgRWRnZQAPAA4AAAAx

AAEATWNDbHVyZQAPAA4AAQAxAAEATWljaGFlbABbVAoAAwAxAAEAADCeQA8ACwAFADEAAQBQb2V0

AA8AFQAGADEABQBMb3ZlIExpb24gQm9vawAPAAsAAAAyAAEATWVhZAAPAA0AAQAyAAEAVGF5bG9y

AA8ADgAFADIAAQBEaWFyaXN0AA8AIwAGADIABQBPbiBBbXBoZXRhbWluZSBhbmQgaW4gRXVyb3Bl

AA8ADgAAADMAAQBNZWx0emVyAA8ADAABADMAAQBEYXZpZABbVAoAAwAzAAEAAESeQA8ACwAFADMA

AQBQb2V0AA8ADQAGADMABQBBZ2VuY3kADwAQAAAANAABAE1pY2hlbGluZQAPAAsAAQA0AAEASmFj

awBbVAoAAwA0AAEAACSeQA8ACwAFADQAAQBQb2V0AA8AKAAGADQABQBSaXZlciBvZiBSZWQgV2lu

ZSBhbmQgT3RoZXIgUG9lbXMADwARAAAANQABAE1vbnRnb21lcnkADwALAAEANQABAEpvaG4AW1QK

AAMANQABAAD8nUAPAAsABQA1AAEAUG9ldAAPABQABgA1AAUARml2ZSBmb3IgVmVyYQAPAAwAAAA2

AAEATm9yc2UADwANAAEANgABAEhhcm9sZABbVAoAAwA2AAEAAPCdQA8ACwAFADYAAQBQb2V0AA8A

GAAGADYABQBVbmRlcnNlYSBNb3VudGFpbgAPAA0AAAA3AAEATydIYXJhAA8ADAABADcAAQBGcmFu

awBbVAoAAwA3AAEAABieQFtUCgAEADcAAQAAuJ5ADwALAAUANwABAFBvZXQADwASAAYANwAFAEx1

bmNoIFBvZW1zAA8ADAAAADgAAQBPbHNvbgAPAA4AAQA4AAEAQ2hhcmxlcwBbVAoAAwA4AAEAANid

QFtUCgAEADgAAQAAyJ5ADwALAAUAOAABAFBvZXQADwAUAAYAOAAFAE1heGltdXMgUG9lbXMADwAP

AAAAOQABAE9ybG92c2t5AA8ADAABADkAAQBQZXRlcgBbVAoAAwA5AAEAADSeQA8ACwAFADkAAQBQ

b2V0AA8AGgAGADkABQBDbGVhbiBBc3Nob2xlIFBvZW1zAA8ADgAAADoAAQBQYXRjaGVuAA8ADgAB

ADoAAQBLZW5uZXRoAFtUCgADADoAAQAA3J1AW1QKAAQAOgABAADQnkAPAAsABQA6AAEAUG9ldAAP

AB8ABgA6AAUAUmVkIFdpbmUgYW5kIFllbGxvdyBIYWlyAA8ADgAAADsAAQBQZXJrb2ZmAA8ADQAB

ADsAAQBTdHVhcnQADwAJAAIAOwABAFouAFtUCgADADsAAQAAKJ5AW1QKAAQAOwABAADYnkAPAAsA

BQA7AAEAUG9ldAAPABQABgA7AAUARWF0IHRoZSBFYXJ0aAAPAA4AAAA8AAEAUGx5bWVsbAAPAA4A

AQA8AAEAQ2hhcmxlcwAPAAsABQA8AAEAUG9ldAAPABwABgA8AAUATGFzdCBvZiB0aGUgTW9jY2Fz

aW5zAA8ADgAAAD0AAQBQcm9wcGVyAA8ACgABAD0AAQBEYW4AW1QKAAMAPQABAABEnkAPAAsABQA9

AAEAUG9ldAAPACAABgA9AAUAVGFsZSBvZiB0aGUgQW1hemluZyBUcmFtcAAPAA4AAAA+AAEAUmV4

cm90aAAPAA4AAQA+AAEAS2VubmV0aABbVAoAAwA+AAEAAMSdQA8ACwAFAD4AAQBQb2V0AA8AHQAG

AD4ABQBEcmFnb24gYW5kIHRoZSBVbmljb3JuAA8ADgAAAD8AAgBSb21uZXkgAA8ACwABAD8AAQBI

dWdoAAwABgAGAD8ABQAPAA4AAABAAAEAUnVtYWtlcgAPAA4AAQBAAAEATWljaGFlbABbVAoAAwBA

AAEAADCeQA8ACwAFAEAAAQBQb2V0AA8AEAAGAEAABQBCdXR0ZXJmbHkADwAOAAAAQQABAFNhbmRl

cnMADwAJAAEAQQABAEVkAA8ACwAFAEEAAQBQb2V0AA8AGwAGAEEABQBJbnZlc3RpZ2F0aXZlIFBv

ZXRyeQAPAAwAAABCAAIAU2VsYnkADwANAAEAQgACAEh1YmVydAAPAAoAAgBCAAEASnIuAA8ADwAF

AEIAAQBOb3ZlbGlzdAAPABwABgBCAAUATGFzdCBFeGl0IHRvIEJyb29rbHluAA8ADQAAAEMAAQBT

bnlkZXIADwALAAEAQwABAEdhcnkAW1QKAAMAQwABAAAonkAPAAsABQBDAAEAUG9ldAAPACcABgBD

AAUATW91bnRhaW5zIGFuZCBSaXZlcnMgV2l0aG91dCBFbmQADwAOAAAARAABAFNvbG9tb24ADwAL

AAEARAABAENhcmwAW1QKAAMARAABAAAgnkAPAAsABQBEAAEAUG9ldAAPABcABgBEAAUATWlzaGFw

cywgUGVyaGFwcwAPAA0AAABFAAEAU3BpY2VyAA8ACwABAEUAAQBKYWNrAFtUCgADAEUAAQAAFJ5A

W1QKAAQARQABAAC0nkAPAAsABQBFAAEAUG9ldAAPABQABgBFAAUAQmlsbHkgdGhlIEtpZAAPAA8A

AABGAAEAVGhvbXBzb24ADwANAAEARgABAEh1bnRlcgAPAA8AAgBGAAEAU3RvY2t0b24ADwARAAUA

RgABAEpvdXJuYWxpc3QADwAUAAYARgAFAEhlbGwncyBBbmdlbHMADwAOAAAARwACAFRyb2NjaGkA

DwAQAAEARwABAEFsZXhhbmRlcgBbVAoAAwBHAAEAABSeQA8ADwAFAEcAAQBOb3ZlbGlzdAAPABIA

BgBHAAUAQ2FpbidzIEJvb2sADwAMAAAASAABAFVwdG9uAA8ADgABAEgAAQBDaGFybGVzAFtUCgAD

AEgAAQAAcJ5ADwALAAUASAABAFBvZXQADwASAAYASAAFAFBhbmljIEdyYXNzAA8AEQAAAEkAAQBQ

b21teS1WZWdhAA8ADQABAEkAAQBKYW5pbmUADwALAAUASQABAFBvZXQADwAYAAYASQAFAFBvZW1z

IHRvIEZlcm5hbmRvAA8ADgAAAEoAAQBXYWxkbWFuAA8ACwABAEoAAQBBbm5lAFtUCgADAEoAAQAA

ZJ5ADwALAAUASgABAFBvZXQADwASAAYASgAFAEdpYW50IE5pZ2h0AA8ADAAAAEsAAQBXYXJzaAAP

AAwAAQBLAAEATGV3aXMAW1QKAAMASwABAABgnkAPAAsABQBLAAEAUG9ldAAPABQABgBLAAUAU3Vp

Y2lkZSBSYXRlcwAPAAwAAABMAAEAV2VsY2gADwAKAAEATAABAExldwAPAAsABQBMAAEAUG9ldAAP

ABMABgBMAAUASGVybWl0IFBvZW1zAA8ADQAAAE0AAQBXaGFsZW4ADwANAAEATQABAFBoaWxpcAAP

AAsABQBNAAEAUG9ldAAPABAABgBNAAUASGlnaGdyYWRlAA8ADgAAAE4AAgBXaWVuZXJzAA8ACwAB

AE4AAQBKb2huAFtUCgADAE4AAQAAOJ5ADwALAAUATgABAFBvZXQADwAZAAYATgAFAEhvdGVsIFdl

bnRseSBQb2VtcwAMAAYABgBPAAUADAAGAAYAUAAFAAwABgAGAFEABQAMAAYABgBSAAUADAAGAAYA

UwAFAAwABgAGAFQABQAMAAYABgBVAAUADAAGAAYAVgAFAAwABgAGAFcABQAMAAYABgBYAAUADAAG

AAYAWQAFAAwABgAGAFoABQAMAAYABgBbAAUADAAGAAYAXAAFAAwABgAGAF0ABQAMAAYABgBeAAUA

DAAGAAYAXwAFAAwABgAGAGAABQAMAAYABgBhAAUADAAGAAYAYgAFAAwABgAGAGMABQAMAAYABgBk

AAUADAAGAAYAZQAFAAwABgAGAGYABQAMAAYABgBnAAUADAAGAAYAaAAFAAwABgAGAGkABQAMAAYA

BgBqAAUADAAGAAYAawAFAAwABgAGAGwABQAMAAYABgBtAAUADAAGAAYAbgAFAAwABgAGAG8ABQAM

AAYABgBwAAUADAAGAAYAcQAFAAwABgAGAHIABQAMAAYABgBzAAUADAAGAAYAdAAFAAwABgAGAHUA

BQAMAAYABgB2AAUADAAGAAYAdwAFAAwABgAGAHgABQAMAAYABgB5AAUADAAGAAYAegAFAAwABgAG

AHsABQAMAAYABgB8AAUADAAGAAYAfQAFAAwABgAGAH4ABQAMAAYABgB/AAUADAAGAAYAgAAFAAwA

BgAGAIEABQAMAAYABgCCAAUADAAGAAYAgwAFAAwABgAGAIQABQAMAAYABgCFAAUADAAGAAYAhgAF

AAwABgAGAIcABQAMAAYABgCIAAUADAAGAAYAiQAFAAwABgAGAIoABQAMAAYABgCLAAUADAAGAAYA

jAAFAAwABgAGAI0ABQAMAAYABgCOAAUADAAGAAYAjwAFAAwABgAGAJAABQAMAAYABgCRAAUADAAG

AAYAkgAFAAwABgAGAJMABQAMAAYABgCUAAUADAAGAAYAlQAFAAwABgAGAJYABQAMAAYABgCXAAUA

DAAGAAYAmAAFAAwABgAGAJkABQAMAAYABgCaAAUADAAGAAYAmwAFAAwABgAGAJwABQAMAAYABgCd

AAUADAAGAAYAngAFAAwABgAGAJ8ABQAMAAYABgCgAAUADAAGAAYAoQAFAAwABgAGAKIABQAMAAYA

BgCjAAUADAAGAAYApAAFAAwABgAGAKUABQAMAAYABgCmAAUADAAGAAYApwAFAAwABgAGAKgABQAM

AAYABgCpAAUADAAGAAYAqgAFAAwABgAGAKsABQAMAAYABgCsAAUADAAGAAYArQAFAAwABgAGAK4A

BQAMAAYABgCvAAUADAAGAAYAsAAFAAwABgAGALEABQAMAAYABgCyAAUADAAGAAYAswAFAAwABgAG

ALQABQAMAAYABgC1AAUADAAGAAYAtgAFAAwABgAGALcABQAMAAYABgC4AAUADAAGAAYAuQAFAAwA

BgAGALoABQAMAAYABgC7AAUADAAGAAYAvAAFAAwABgAGAL0ABQAMAAYABgC+AAUADAAGAAYAvwAF

AAwABgAGAMAABQAMAAYABgDBAAUADAAGAAYAwgAFAAwABgAGAMMABQAMAAYABgDEAAUADAAGAAYA

xQAFAAwABgAGAMYABQAMAAYABgDHAAUADAAGAAYAyAAFAAwABgAGAMkABQAMAAYABgDKAAUADAAG

AAYAywAFAAwABgAGAMwABQAMAAYABgDNAAUADAAGAAYAzgAFAAwABgAGAM8ABQAMAAYABgDQAAUA

DAAGAAYA0QAFAAwABgAGANIABQAMAAYABgDTAAUADAAGAAYA1AAFAAwABgAGANUABQAMAAYABgDW

AAUADAAGAAYA1wAFAAwABgAGANgABQAMAAYABgDZAAUADAAGAAYA2gAFAAwABgAGANsABQAMAAYA

BgDcAAUADAAGAAYA3QAFAAwABgAGAN4ABQABAAAA

--=====================_872885210==_--

=========================================================================

Date:         Sat, 30 Aug 1997 00:01:30 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Men Of The Mountains.(Beats)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends,

 

let me quote Walter Campbell:

"Maybe Snyder gets short-changed because

of his "man of the mountains" persona.

That's one of the many paradoxes of the Beat movement: the

urban, erudite east-coast leg of the Beat movement seems antithetical

to the laid-back, naturalistic bent of the California clan."

 

saluti,

Rinaldo.

=========================================================================

Date:         Fri, 29 Aug 1997 18:49:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James J Stavola <JDSept@AOL.COM>

Subject:      Re: list of jazz albums

 

       On 8/29/97 Miichael Stutz asked how Jack might have seen Charlie

Parker's playing and the possible influence it might have had on his writing.

 

       When the beats were hanging around Columbia and Times Square would be

at the same time Parker was at his peak and also playing the jazz clubs on

52nd St. alot.  I've read that there are tapes of Ginsberg and Kerouac

reading with Parker in the background though I've never been able to verify

it.

=========================================================================

Date:         Fri, 29 Aug 1997 19:31:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      happy birthday, bird

 

Before the day is out and all this discussion moves away from Charley Parker,

I just want to say today is Bird's birthday... so get out your old scratched

up vinyl and listen to this genius.

 

For everyone in the Seattle area, this is Bumbershoot weekend... the annual

rain festival (with hilariously faux-pagan roots... a long story). On

Saturday at the Seattle Center there will be many hours devoted to a program

called the Bebop Revival.

 

On that same note, a bit of historical trivia (so trivial you'll probably

wonder why I even mentioned it): Don Lanphere, from Wenatchee, Washington

(where I used to live... insert joke here), was a child prodigy on the sax in

the 30s and 40s. His dad owned Belmont Music Store (named after Belmont

Shores) and was one of the earliest subscribers to Down Beat magazine, which

little Don read from cover-to-cover and ordered 78s out of the listings in

the back.

 

Don ended up in New York, living with Charley's "woman" Chan on 52nd Street

for a while, and got into the same old habits all all the rest of them. He

ran with Bird and Fats and everyone else, shared needles, did time, and was

responsible for recording many of the tapes that came out of those years that

were eventually made into the records of sessions and sold on various labels.

 

I met Don when I was 13 (33 years ago), and he had toned down his heroin use

in favor of alcohol and the drugs of the Sixties. In 1969, he had a religious

conversion (the Jesus Freeks came to town and saved everyone they could get

their hands on) and gave up jazz for a while, afraid it might have been part

of his problems.

 

He finally figured out it wasn't evil or sinful to be a jazz musician, and

went back to his horn. He moved to Seattle a bunch of years ago and has a

Monday morning radio show on KBCU, the college station out of Bellevue, where

he carries on with Bud (god... i forgot bud's last name), proprietor of Bud's

Jazz Records in Pioneer Square (just off Jackson Street, where jazz was born

and lived in Seattle), playing bebop and all that other good stuff. He also

teaches, travels, and still records one album a year.

 

Also, Fats Navarro's daughter, Linda, who inherited her father's penchant for

junk, lives in Seattle and has been profiled here in the media a coupla

times. She still struggles with a heroin habit.

 

So, the local NPR jazz affiliate is playing Bird all day, and tomorrow, bebop

at the Seattle Center... man... what a weekend.

 

Happy birthday, Bird.

 

diane de rooy

=========================================================================

Date:         Fri, 29 Aug 1997 21:48:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: list of jazz albums

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Anybody out there know the answer to James' question?  That would be a

gripping Holy Grail to go after!

 

        Antoine

 

        ************

 

>       On 8/29/97 Miichael Stutz asked how Jack might have seen Charlie

>Parker's playing and the possible influence it might have had on his writing.

> 

>       When the beats were hanging around Columbia and Times Square would be

>at the same time Parker was at his peak and also playing the jazz clubs on

>52nd St. alot.  I've read that there are tapes of Ginsberg and Kerouac

>reading with Parker in the background though I've never been able to verify

>it.

> 

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 29 Aug 1997 23:14:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Schlimm <rschlimm@MAIL.WISCNET.NET>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:39 PM 8/29/97 -0400, you wrote:

>Y'know, Kevin Spacey'd make an interesting Kerouac... He's a hell of an

>actor... Or perhaps, Gary Oldman -- hell, he's already been Beethoven, Sid

>Vicious, Joe Orton, a mulato gangsta, etc. etc.... As long as Keanu Reeves is

>prohibited from any more beat-inspired productions, I'll be a happy camper...

> 

> 

>Kisses & Starfishes from Seattle,

> 

>LD

 

i love Gary Oldman!!!!!! not to mention Dracula..he's the greatest actor.

but do you really think he's so good that he could turn into someone like

Kerouac? im so used to Oldman playing the bad guy.  im positive he'd be an

improvement from Keanu, Penn or Cage though.

> 

=========================================================================

Date:         Sat, 30 Aug 1997 13:18:41 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Oivind Haagensen <Nils-Oivind.Haagensen@LILI.UIB.NO>

Subject:      OTRmovie/actors (fwd)

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

---------- Forwarded message ----------

Date: Sat, 30 Aug 1997 12:01:27 +0200 (MET DST)

From: Nils-Oivind Haagensen <hlinh@alfred.uib.no>

To: Automatic digest processor <LISTSERV@CUNYVM.CUNY.EDU>

Subject: OTRmovie/actors

 

i see woody allen as sal paradise, and michael jordan as dean, i really

do, they would make a terrific couple, and the

lilac-denver-wishing-i-was-a-negro-part would be hysterical, i'm

not kidding around... ehr... well... maybe i am

nh

=========================================================================

Date:         Sat, 30 Aug 1997 14:04:03 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>

Subject:      Help, is there any list of the cities they drove through in OTR

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi there,

 

does anybody have a list (or even a map on the disk) of all the cities they

have gone through (is Tucson in Arizona included?).

I=B4d need the information for my thesis.

Thank you for you support in advance.

 

Matthias (Berlin, Germany)

=========================================================================

Date:         Sat, 30 Aug 1997 14:56:55 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats :The List updated 30th aug 1997 (b)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Paul Blackburn

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                                                Frank Carmody,

                                                                Will Dennison,

                                                                Old Bull Lee"

 

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

---

Caleb Carr

---

Lucien Carr

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric"

---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                                        "Lorenzo Monsanto,

                                                        Larry O'Hara

                                                        Danny Richman"

---

Charles Foster

---

Robert Frank

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                                        Alvah Goldbook, Leon Levinsky

                                                        Carlo Marx"

---

John Giorno

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                                        Leo Percepied, Ray Smith,

                                                        Jack, Peter Martin,

                                                        Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov

---

Timothy Leary

---

Lawrence Lipton

---

Ron Loewinsohn

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York]

---

Lewis Warsh

---

Alan W. Watts

---

Lew Welch

---

Philip Whalen

---

John Wieners

---

Jonathan Williams

---

William Carlos Williams

---

Ruth Witt-Diamant [San Francisco's Poetry Center]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

30th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell         <walter.campbell@usa.net>

Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

OHearn                          <orpheus@in.the.shadows>

David Schwarm           <dschwarm@sun3.lib.uci.edu>

James Stauffer          <stauffer@pacbell.net>

Michael Stutz           <stutz@dsl.org>

-*-

=========================================================================

Date:         Sat, 30 Aug 1997 15:23:01 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Help,

              is there any list of the cities they drove through in OTR

In-Reply-To:  <v03007800b02dbb9f7c01@[160.45.231.7]>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 8bit

 

Ciao Matthias,

 

in the novel OTR Sal & Dean travel:

 

===================================================

San Francisco (Mill City) - New York (Paterson)

 

        -Oakland

        -Tracy

        -Manteca

        -Madera

        -Bakerfield

        -Los Angeles

        -Bakerfield

        -Sabinal

        -Madera

        -Fresno

        -Sabinal

        -Los Angeles

        -Indio, Arizona

        -Blyte

        -Salome

        -Flagstaff, Arizona

        -Dalhart, Texas

        -St Louis, Missouri

        -Columbus, Ohio

        -Pittsburg, Pennsylvania

        -Harrysburg

        -New York

 

 

New York - San Francisco - New York

 

        -Baltimore, Maryland

        -Washington

        -Richmond, Virginia

        -Testament

        -Dunn, North Carolina

        -Macon, South Carolina

        -Flomaton, florida

        -Mobile, Alabama

        -New Orleans, Lousiana

        -Algiers

        -Baton Rouge

        -Port Allen

        -Opelousas

        -Starks

        -Deweyville

        -Beaumont, Texas

        -Houston

        -Fredericksburg

        -Sonora

        -El Paso, Texas

        -Ozona

        -Las Cruces, New Mexico

        -Benson, Arizona

        -Tucson, Arizona

        -Fort Lowell

        -Palm Springs, California

        -Bakersfield

        -Tulare

        -Madera

        -San Francisco

        -New York

===============================================

i hope this is a bit help,

saluti cordiali da

Rinaldo.

Venezia-Mestre, Italia.

 

 

At 14.04 30/08/97 +0200,

Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>wrote:

>Hi there,

> 

>does anybody have a list (or even a map on the disk) of all the cities they

>have gone through (is Tucson in Arizona included?).

>I4d need the information for my thesis.

>Thank you for you support in advance.

> 

>Matthias (Berlin, Germany)

> 

> 

=========================================================================

Date:         Sat, 30 Aug 1997 08:28:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beats :The List updated 30th aug 1997 (b)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

> Donald Allen

> ---

> Amari Baraka (Leroi Jones)

> ---

> Wallace Berman

> ---

> Paul Blackburn

> ---

> Robin Blaser

> ---

> Richard Brautigan

> ---

> Bonnie Bremser

> ---

> Ray Bremser

> ---

> Chandler Brossard

> ---

> Lenny Bruce

> ---

> Lord Buckley

> ---

> Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

> ---

> William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

>                                                                 Frank Carmody,

>                                                                 Will Dennison,

>                                                                 Old Bull Lee"

> 

> ---

> William S. Burroughs Jr.

> ---

> John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

> ---

> Caleb Carr

> ---

> Lucien Carr

> ---

> Paul Carroll

> ---

> Louis R Cartwright

> ---

> Carolyn Cassady

> ---

> Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

> ---

> Tom Clark [Paris Review]

> ---

> Andy Clausen

> ---

> Leonard Cohen

> ---

> Bruce Conner

> ---

> Gregory Corso "Raphael Urso, Yuri Glicoric"

> ---

> Robert Creeley [Black Mountain School]

> ---

> Henry Cru "Remi Boncoeur"

> ---

> Jay deFeo

> ---

> Diane DiPrima

> ---

> John Doe

> ---

> Kirby Doyle

> ---

> Edward Dorn [Black Mountain School]

> ---

> Robert Duncan [Black Mountain School]

> ---

> Bob Dylan

> ---

> Kenward Elmslie [Z]

> ---

> William Everson (Brother Antoninus)

> ---

> Larry Fagin [Adventures in Poetry]

> ---

> Richard Farina

> ---

> Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

>                                                         "Lorenzo Monsanto,

>                                                         Larry O'Hara

>                                                         Danny Richman"

> ---

> Charles Foster

> ---

> Robert Frank

> ---

> Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

>                                                         Alvah Goldbook, Leon

 Levinsky

>                                                         Carlo Marx"

> ---

> John Giorno

> ---

> Morris Graves

> ---

> Brion Gysin

> ---

> Dave Hazelwood

> ---

> William Inge

> ---

> Wally Hedrick [Gallery Six]

> ---

> John Clellon Holmes

> ---

> Herbert Huncke

> ---

> Ted Joans [Jazz Poetry]

> ---

> Joyce Johnson

> ---

> Lenore Kandel

> ---

> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

> ---

> Robert Kelly

> ---

> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

>                                                         Leo Percepied, Ray

 Smith,

>                                                         Jack, Peter Martin,

>                                                         Sal Paradise"

> ---

> Jan Kerouac

> ---

> Ken Kesey

> ---

> Franz Kline

> ---

> Seymour Krim

> ---

> Paul Krassner [Realist]

> ---

> Art Kunkin [Freep]

> ---

> Tuli Kupferberg [Birth]

> ---

> Joanne Kyger

> ---

> Philip Lamantia

> ---

> Jay Landesman

> ---

> Fran Landesman

> ---

> James Laughlin

> ---

> Denise Levertov

> ---

> Timothy Leary

> ---

> Lawrence Lipton

> ---

> Ron Loewinsohn

> ---

> Malcom Lowry

> ---

> Bill MacNeill

> ---

> Norman Mailer

> ---

> Gerard Malanga

> ---

> Edward Marshall

> ---

> Peter Martin

> ---

> Lewis McAdams

> ---

> Joanna McClure

> ---

> Michael McClure

> ---

> Taylor Mead

> ---

> David Meltzer

> ---

> Jack Micheline

> ---

> Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

> ---

> John Montgomery

> ---

> Shigeyoshi (Shig) Murao

> ---

> Harold Norse

> ---

> Frank O'Hara

> ---

> Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

> ---

> Peter Orlovsky

> ---

> Kenneth Patchen

> ---

> Thomas Parkinson

> ---

> Nancy Peters

> ---

> Stuart Z. Perkoff

> ---

> Charles Plymell

> ---

> Dan Propper

> ---

> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

> ---

> Theodore Roethke

> ---

> Hugh Romney

> ---

> Michael Rumaker

> ---

> Ed Sanders

> ---

> Mark Schorer

> ---

> Hubert Jr. Selby

> ---

> Gary Snyder

> ---

> Carl Solomon

> ---

> Jack Spicer

> ---

> Hunter Stockton Thompson

> ---

> Charles Upton

> ---

> Janine Pommy Vega

> ---

> Mark Tobey

> ---

> Alexander Trocchi

> ---

> Anne Waldman [St. Mark's Poetry Project, New York]

> ---

> Lewis Warsh

> ---

> Alan W. Watts

> ---

> Lew Welch

> ---

> Philip Whalen

> ---

> John Wieners

> ---

> Jonathan Williams

> ---

> William Carlos Williams

> ---

> Ruth Witt-Diamant [San Francisco's Poetry Center]

> -*-

> 

> Hello!,

> i'm listing the beat generation

> (writers & painters & performers)

> & i begin with a list, everyone

> interested can propose a new name.

> http://www.gpnet.it/rasa/home.htm

> thanks,

> Rinaldo Rasa.

> 30th august 1997, Venice-Mestre, Italy.

> 

> -*-

> the list of credits & comments:

> 

> Walter Campbell         <walter.campbell@usa.net>

> Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

> Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

> OHearn                          <orpheus@in.the.shadows>

> David Schwarm           <dschwarm@sun3.lib.uci.edu>

> James Stauffer          <stauffer@pacbell.net>

> Michael Stutz           <stutz@dsl.org>

> -*-

i would add

james gauerholz

david ohle

p

=========================================================================

Date:         Sat, 30 Aug 1997 10:36:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Help,

              is there any list of the cities they drove through in OTR

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

> Ciao Matthias,

> 

> in the novel OTR Sal & Dean travel:

> 

> ===================================================

> San Francisco (Mill City) - New York (Paterson)

> 

>         -Oakland

>         -Tracy

>         -Manteca

>         -Madera

>         -Bakerfield

>         -Los Angeles

>         -Bakerfield

>         -Sabinal

>         -Madera

>         -Fresno

>         -Sabinal

>         -Los Angeles

>         -Indio, Arizona

>         -Blyte

>         -Salome

>         -Flagstaff, Arizona

>         -Dalhart, Texas

>         -St Louis, Missouri

>         -Columbus, Ohio

>         -Pittsburg, Pennsylvania

>         -Harrysburg

>         -New York

> 

> New York - San Francisco - New York

> 

>         -Baltimore, Maryland

>         -Washington

>         -Richmond, Virginia

>         -Testament

>         -Dunn, North Carolina

>         -Macon, South Carolina

 

Rinaldo, on this line, I am sure they came through South Carolina.  But,

I would have thought that Macon would be Macon, Gerogia.  I will have to

look to see if we have a Macon in South Carolina.

 

 

 

>         -Flomaton, florida

>         -Mobile, Alabama

>         -New Orleans, Lousiana

>         -Algiers

>         -Baton Rouge

>         -Port Allen

>         -Opelousas

>         -Starks

>         -Deweyville

>         -Beaumont, Texas

>         -Houston

>         -Fredericksburg

>         -Sonora

>         -El Paso, Texas

>         -Ozona

>         -Las Cruces, New Mexico

>         -Benson, Arizona

>         -Tucson, Arizona

>         -Fort Lowell

>         -Palm Springs, California

>         -Bakersfield

>         -Tulare

>         -Madera

>         -San Francisco

>         -New York

> ===============================================

> i hope this is a bit help,

> saluti cordiali da

> Rinaldo.

> Venezia-Mestre, Italia.

 

> >

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 30 Aug 1997 12:51:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: happy birthday, bird

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Before the day is out and all this discussion moves away from Charley Parker,

>I just want to say today is Bird's birthday... so get out your old scratched

>up vinyl and listen to this genius.

 

 

Thanks for the reminder, diane! Put on some of the old scratchy vinyl last

night after reading your message and then sat outside in front of a small

campfire, jupiter, milky way, countless stars above and Birds sax drifting

out skyward from the open window.

 

>Don ended up in New York, living with Charley's "woman" Chan on 52nd Street

>for a while, and got into the same old habits all all the rest of them. He

>ran with Bird and Fats and everyone else, shared needles, did time, and was

>responsible for recording many of the tapes that came out of those years that

>were eventually made into the records of sessions and sold on various labels.

 

I'm listening now to "Bird is Free' "recorded in early 1950 at a

concert-dance in New York City by a close friend." Maybe Don?

Synchronisity. Just happened to have it on when reading your note.

 

And in Gerry's "Memory Babe" page 207 he writes of Parker and Kerouac and

Symphony Sid, the Royal Roost club and how "Bird was certainly Jack's

favorite jazzman."

 

It all connects through time, space and creativity.

 

Michael

=========================================================================

Date:         Sat, 30 Aug 1997 01:23:01 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Pre-recorded?  (for David Rhaesa & Diane Carter)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

>Arthur Nusbaum wrote:

 

> This topic, which I see you grappling with, is in my

> opinion one of the most constant and complex threads running through

> the

> whole WSB ouvre.  On the one hand, he has stated that his intention was

> to

> subvert the pre-recorded universe through cutups, and that he has

> "succeeded

> to some modest extent" if I'm quoting him correctly.  But, as DC has

> been

> pointing out, it gets very tricky- how can we possibly circumscribe the

> perimeters of the pre-recorded universe, comprehend its limits if any?

>  Couldn't the subversive discovery, the "happy accident" be part of the

> script?  This is where I have an idea, based on further WSB statements

> and my

> own small experience with cutups.  They are potentially a key INTO the

 pre-recorded universe, not so much a way OUT of it...

 

>  This epiphany came after the fact, he could not change history

> (subvert the

> pre-recorded universe) but he could UNDERSTAND it better in retrospect.

It has taken me a week to get back to you on this, but what I found

illuminating in your analysis was that Burroughs words are a key INTO the

pre-recorded universe and can serve as a guide for understanding as

opposed to a map or way out of the pre-recorded universe.  Does that then

mean that cut-ups lead to new ways of seeing and understanding, that they

are in fact "happy accidents?"  It seems to boil down to the fact that if

Burroughs believed in a one-God universe, it was conversely a God playing

with creation in the same way that Burroughs as a writer created and

played with his universe of words.

DC

=========================================================================

Date:         Sat, 30 Aug 1997 01:34:11 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Naked Lunch: Benway

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE wrote:

> I see WSB in Naked Lunch as writing for something like "The Carol

> Burnett Show from HELL!" - (with a big smile after the hell)  If you

> take what was "the edge" of acceptable humor and push it back across

> the

> board to where it is considered mundane and straight dramatics and then

> employ the same "sketch" technique (a talent only WSB has been able to

> master it seems) a whole new form of humor erupts.  Those who miss the

> humor pigeonhole the writings under categories of "Apocalyptic

> Literature" and whatnot.  Missing the whole game of this routine - the

> joy and laughter of it all ---- afterall should a Naked Lunch being a

> sombre ritual????

 

Back to the Joselito scene that I still fail to comprehend, I think.  The

humor part for me comes when he says,

"The doctor grabs Carl's cock, leaping into the air with a coarse peasant

gaffaw.  His European smile ignores the misbehavior of a child or an

animal.  He goes on smoothly in his eerily unaccented, disembodied

English. 'Our Old Faithful Bacillus Koch.' The doctor clicks his heels

and bows his head. 'Otherwise they would multiply their stupid peasant

asshole into the sea, is it not?' He shrieks, thrusting his face into

Carl's.  Carl retreats sideways with the grey wall of rain behind him."

 

Definitely a far cry from Carol Burnett.

DC

=========================================================================

Date:         Sat, 30 Aug 1997 14:00:42 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      mother

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

mother do you think they'll drop the bomb?

mother do you think they'll like this song?

 

mother do you think they'll try to break my balls?

mother should i build the wall?

mother should i run for president?

mother should i trust the government?

mother will they put me in the firing line?

mother am i really dying?

 

hush now baby, baby, don't you cry.

mother's gonna make all your nightmares come true.

mother's gonna put all her fears into you.

mother's gonna keep you right here under her wing.

she won't let you fly, but she might let you sing.

mama will keep baby cozy and warm.

ooooh baby ooooh baby ooooh baby,

of course mama'll help to build the wall.

 

mother do you think she's good enough -- to me?

mother do you think she's dangerous -- to me?

mother will she tear your little boy apart?

mother will she break my heart?

 

hush now baby, baby don't you cry.

mama's gonna check out all your girlfriends for you.

mama won't let anyone dirty get through.

mama's gonna wait up until you get in.

mama will always find out where you've been.

mama's gonna keep baby healthy and clean.

ooooh baby ooooh baby ooooh baby

you'll always be baby to me.

 

mother, did it have to be so high?

 

~cya randy

thanx to pink floyd lyrics page

=========================================================================

Date:         Sat, 30 Aug 1997 13:43:18 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Kicks Joy Darkness

 

On Thu, 28 Aug 1997 22:39:14 -0500 Richard Schlimm

<rschlimm@MAIL.WISCNET.NET> writes:

>where can i buy the tribute to Kerouac c.d. Kicks Joy Darkness

>(besides

>ordering it off the internet)?  is it available in some music stores?

>does

>anyone have it?  is it any good?

> 

 

I picked it up the only two copies at a local record shop in Omaha.  If

you avoid the chain stores and find a speciaalty record shop with a good

spoken word section, you shouldn't have any problem.  And it is great.  A

must have in my personal collection.

 

 Allen, William, Michael Stipe, Richard Lewis and many more all do a

great job. (Everyone except Julianna Hatfield, who must die.  She does

"Silly Goofball Poems" and everytime it is on in my apartment, my friends

and I make a mad dash to the cd player to skip the track when it comes

up.)  (Goes along witht he theory that all great compilation cds must

have one, token horrible track.)

 

Good luck.  I think you will enjoy.

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "I am the perfect man...the Buddha of this world!"

      -Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)

(this poem is done in it's entirity by allen on the kjd disc.  one of the

best tracks of allen reading someone else's work i have ever heard.)

=========================================================================

Date:         Sat, 30 Aug 1997 12:18:29 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Ken Kesey

 

On Wed, 27 Aug 1997 19:43:28 -0400 Carl A Biancucci <carl@WORLD.STD.COM>

writes:

>There is a small article on Kesey in the latest ish of

>Q Magazine (UK rock mag)

> 

 

I don't know if any of you out there are familiar with Phish, but I just

got back from following them for the last month and at the Buffalo, New

York show, Ken showed up with the Further bus.  He signed autographs and

hung out in the lots before the show and performed with Phish during the

show.  (He was on a quest to find the long lost Bozos.  We found 'em that

night.)

 

I was lamenting the fact that I never met either Ginsberg or Burroughs

before their recent deaths just before I left.  It was cool to meet

Kesey.  It was amazing to see Kesey and Phish come together on stage.  It

almost felt like a Dead show  that night.

 

Brian M. Kirchhoff

howl420@juno.com

 

 "I am the perfect man...the Buddha of this world!"

      -Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)

"Can't this wait 'til I'm old?  Can't I live while I'm young?"

      -Phish, Chalkdust Torture, Picture of Necter

=========================================================================

Date:         Sat, 30 Aug 1997 12:56:15 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Who's Who in Beat Lit...

Comments: To: ek242@cleveland.Freenet.Edu

 

not just cut up, but butchered:

 

On Thu, 28 Aug 1997 15:24:35 -0400 "Diane M. Homza"

<ek242@cleveland.Freenet.Edu> writes:

 

>Reply to message from gallaher@hsc.usc.edu of Thu, 28 Aug

 

>Correct me if I'm wrong but I believe On the Road was written

>there. (in the flat)

 

-I thought that it was written at the YMCA in Chicago.  I don't know

where I heard that, but while living in Chicago, someone got that in my

head and we always paid homage to that building as we passed it.  If

anyone knows for sure, I would appreciate the info.

 

Brian M. Kirchhoff

howl420@juno.com

 

 "I am the perfect man...the Buddha of this world!"

      -Kerouac, Brooklyn Bridge Blues, Chorus 4 (unpublished)

=========================================================================

Date:         Sat, 30 Aug 1997 16:16:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      New Picture of Jack!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Our web page is getting better every day! Today we have provided a new link

that will bring you to a new picture of Jack Kerouac. This picture shows

Jack in all his dark beauty. Go to:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

Then click on the appropriate link called:

"New Picture of Jack" or something to that effect. Enjoy and Happy Labor Day

weekend to our American readers! Regards, Paul of TKQ.....

=========================================================================

Date:         Sat, 30 Aug 1997 17:45:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Rinaldo: Books into movies, additions to your List

Comments: cc: 74067.3712@compuserve.com

 

Dear Rinaldo:

 

I agree with your choices of films that did justice to, or even, as in the

case of "The Shining", were better than, the books from which they were

derived.  In my opinion (and this is indeed a highly opinionated topic, a

matter of individual taste and perspective) there are 3 basic categories of

films made from books.  The vast majority are to one degree or another

failures, unsuccessfully condensing & evoking the books.  Some are noble

failures (like the film version of NAKED LUNCH), and it's not surprising that

most films fall short of the daunting task of translating a different and in

some ways deeper medium- the untranslatable, apples into oranges.  In the

second category, one out of perhaps 100 efforts take on a life of their own,

departing from the books to a large extent and standing by themselves,

achieving the status of works in their own right, sometimes superior to or in

any case inspired beyond the books they are loosely based on.  "The Shining"

is such a film, and another Kubrick classic, his version of Nabokov's LOLITA,

is another- I found the experiences of reading the book and watching the

movie totally different, but both very satisfying.  "White Mischief"

completely departs from the factual account of the twilight of decadent

British colonial arstocracy in Kenya on which it is loosely based, and is an

overlooked gem of character study (especially of the cuckolded nobleman

played by Joss Ackland) not quite buried in digressive Hollywood glitz.  The

third and rarest category is that of films that so closely capture the spirit

of the books they are based on that the experience of either reading the book

or watching the movie is almost identical.  I am aware of only 2 films that I

think fall into this category-  "Midnight Cowboy", based on the novel by

James Leo Herlihy, and "The Day of the Locust", based on the novel by

Nathaniel West.  Both were directed by John Schlesinger, who ironically has

captured quintessentially American stories although he is British.  If you

have not already, I urge you to read and see both versions of both works.

 

As long as I'm on the subject of Herlihy and West, I think that they should

be added to your list-in-progress.  Neither are squarely in the Beat category

technically, but if Malcolm Lowry is on the list, so should they be.  West

died in 1940, but his works, especially MISS LONELYHEARTS and THE DAY OF THE

LOCUST, evoke an unblinkingly truthful view of the American Nightmare that is

a foundation and precursor of the Beat vision.  The same is true of Herlihy,

I have only read MIDNIGHT COWBOY by him but it is a courageous masterpiece.

 It is almost contemporary with Selby's LAST EXIT TO BROOKLYN, with which it

closely relates. The common thread among these authors and the Beats is the

discarding of societal norms and illusions (in West & Herlihy's case they set

up characters who believe in and depend on media-induced illusions and are

then destroyed or at least greatly hurt by the truth behind them), and,

sometimes, the possibility of redemption by the attainment of real human

connections and values beyond the chasing of mirages.  Speaking of Lowry &

Selby, I would consider the film versions of UNDER THE VOLCANO and LAST EXIT

TO BROOKLYN both barely making it into the second category, failing to evoke

the cinematically unevokable spirit of the great works on which they are

based, but worthwhile separately on their own terms.

 

I agree with Diane De Rooy that ON THE ROAD and the Beats in general "can't

be done on film", it isn't likely that this new upcoming effort will beat the

statistics, especially if the usual currently popular crop of actors and

directors control it.  I would vote for Schlesinger to come closest to the

actual book, or David Lynch and maybe a few others to create something

separate from it but worthy in itself.  I am friends with a local young

artist and film director, James Bonner, who I believe could successfully

tackle a Beat subject.  He is interested in the lives and works of the Beats,

but is now concentrating on writing original scripts to direct.

 

Regards,

 

Arthur

=========================================================================

Date:         Sat, 30 Aug 1997 18:04:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LYSDEXIC <breithau@KENYON.EDU>

Subject:      Re: happy birthday, bird

 

Here's yet another bit of Bird trivia. A few years back, I was working in one

of the last Womrath chains of bookstores in NYC (1989) located on Madison

Avenue and East 84th Street. One day I aswered the phone and haerd an elderly

voice say, "this is the Baronese of Weehawken!" Thinking it was a freind

calling and trying to fug with my mind, I said something stupid like, "amd I'm

the Duke of Vice," and hung up. A few minutes later she called back, "this is

the Baronese..." So this time I got the owner who said, "oh, the Baronese!"

I was later told that the woman calling was a patron of the arts, the very

woman in whose apartment on Fifth Ave (in the Stanhope, I think it was) where

the Bird died.

 

Does anybody know anything about the Baronese (Baronesse?) of Weehawken, or was

the whole world just friggin with my head?

 

Dave B.

=========================================================================

Date:         Sat, 30 Aug 1997 17:59:24 -0500

Reply-To:     christi@tor.hookup.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         heath <christi@TOR.HOOKUP.NET>

Subject:      Naked Lunch on CBC

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I've been lurking on BEAT-L a few weeks and I wanted to drop a note to

mention to any Canadians on the list that Naked Lunch will be aired on

CBC Saturday, September 6.

 

Take care,

 

Heather

=========================================================================

Date:         Sat, 30 Aug 1997 18:26:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Rinaldo: Books into movies, additions to your List

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 05:45 PM 8/30/97 -0400, you wrote:

>Dear Rinaldo:

> 

>I agree with your choices of films that did justice to, or even, as in the

>case of "The Shining", were better than, the books from which they were

>derived.  In my opinion (and this is indeed a highly opinionated topic, a

>matter of individual taste and perspective) there are 3 basic categories of

>films made from books.  The vast majority are to one degree or another

>failures, unsuccessfully condensing & evoking the books.  Some are noble

>failures (like the film version of NAKED LUNCH), and it's not surprising that

>most films fall short of the daunting task of translating a different and in

>some ways deeper medium- the untranslatable, apples into oranges.  In the

>second category, one out of perhaps 100 efforts take on a life of their own,

>departing from the books to a large extent and standing by themselves,

>achieving the status of works in their own right, sometimes superior to or in

>any case inspired beyond the books they are loosely based on.  "The Shining"

>is such a film, and another Kubrick classic, his version of Nabokov's LOLITA,

>is another- I found the experiences of reading the book and watching the

>movie totally different, but both very satisfying.  "White Mischief"

>completely departs from the factual account of the twilight of decadent

>British colonial arstocracy in Kenya on which it is loosely based, and is an

>overlooked gem of character study (especially of the cuckolded nobleman

>played by Joss Ackland) not quite buried in digressive Hollywood glitz.  The

>third and rarest category is that of films that so closely capture the spirit

>of the books they are based on that the experience of either reading the book

>or watching the movie is almost identical.  I am aware of only 2 films that I

>think fall into this category-  "Midnight Cowboy", based on the novel by

>James Leo Herlihy, and "The Day of the Locust", based on the novel by

>Nathaniel West.  Both were directed by John Schlesinger, who ironically has

>captured quintessentially American stories although he is British.  If you

>have not already, I urge you to read and see both versions of both works.

> 

>As long as I'm on the subject of Herlihy and West, I think that they should

>be added to your list-in-progress.  Neither are squarely in the Beat category

>technically, but if Malcolm Lowry is on the list, so should they be.  West

>died in 1940, but his works, especially MISS LONELYHEARTS and THE DAY OF THE

>LOCUST, evoke an unblinkingly truthful view of the American Nightmare that is

>a foundation and precursor of the Beat vision.  The same is true of Herlihy,

>I have only read MIDNIGHT COWBOY by him but it is a courageous masterpiece.

> It is almost contemporary with Selby's LAST EXIT TO BROOKLYN, with which it

>closely relates. The common thread among these authors and the Beats is the

>discarding of societal norms and illusions (in West & Herlihy's case they set

>up characters who believe in and depend on media-induced illusions and are

>then destroyed or at least greatly hurt by the truth behind them), and,

>sometimes, the possibility of redemption by the attainment of real human

>connections and values beyond the chasing of mirages.  Speaking of Lowry &

>Selby, I would consider the film versions of UNDER THE VOLCANO and LAST EXIT

>TO BROOKLYN both barely making it into the second category, failing to evoke

>the cinematically unevokable spirit of the great works on which they are

>based, but worthwhile separately on their own terms.

> 

>I agree with Diane De Rooy that ON THE ROAD and the Beats in general "can't

>be done on film", it isn't likely that this new upcoming effort will beat the

>statistics, especially if the usual currently popular crop of actors and

>directors control it.  I would vote for Schlesinger to come closest to the

>actual book, or David Lynch and maybe a few others to create something

>separate from it but worthy in itself.  I am friends with a local young

>artist and film director, James Bonner, who I believe could successfully

>tackle a Beat subject.  He is interested in the lives and works of the Beats,

>but is now concentrating on writing original scripts to direct.

> 

>Regards,

> 

>Arthur

> 

> 

The films of One Flew Over The Cuckoo's Nest and The English Patient

are BETTER than the books they were based on.  I'm sure these are not

the only instances of films that are better than material they were

adapted from.  John Von Druten's play of isherwood's Berlin Stories

is its equal, and Cabaret is an improvement.

 

Mike Rice

=========================================================================

Date:         Sat, 30 Aug 1997 18:51:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "L.W. Deal" <RoadSide6@AOL.COM>

Subject:      Jim Carroll & Jack

 

Forgive me if I'm rehashing old news, but I'm only a few months new to the

List... Anyhow, that aside, I was perusing the net  this morning and happened

upon THE BOOKSMITH Bookstore site where there's an interview posted with the

brilliant Jim Carroll (interviewed by Thomas Gladysz). At the tail end of the

script, Carroll talks about his first meeting w/ Kerouac, shortly before his

death...

 

>>>> "It was hard to get past Kerouac's wife, you know. Guys would

come to visit him all the time. He didn't like hippies, and he was real

conservative toward the end of his life. His wife kept anyone away from the

door who came to make this pilgrimage type of thing with a copy of On the

Road. If she did let you in, he might wind up getting high and go on a three

day

drunk, and she wanted to prevent that at all cost. Ted had trouble getting in

the

first time he went up there. This was with Aram Saroyan and Duncan

McNaughton, I think, to do The Paris Review interview.

Coming back from Maine - where we were staying with this guy from the Fugs,

Lee Crabtree - Ted and I were hitchhiking down the coast to Cambridge to do a

reading. We were not too far from Lowell, so Berrigan said, "Let's stop off

and

see Jack." We got there and his wife was very nice and let us in. But he was

in

bad shape and very crotchety. It really didn't go well except that he had

read The

World, this mimeographed magazine from St. Marks. It was a poetry magazine,

except that they had this prose issue. The story usually goes that he read

them

(The Basketball Diaries) in The Paris Review, but that didn't come out until

after he died. What I did was send him the manuscript.

He liked me in a certain way - maybe because I wasn't too hippie-ish. This

was

a time in his life when he was advocating William F. Buckley for president -

so

you can't really trust the things he was saying. Politics was one thing with

him,

he was on surer ground with his writing.

I got to see him again in New York, between six and eight months before he

died. He had to come into New York once in a while to see his agent. He was

at

Larry Rivers' house, and of course he was surrounded by all his old friends.

I

went up to him, and he said he had gotten the manuscript. He said he would

write me a letter of introduction. I didn't want to publish the book then. I

wanted

to establish myself not as a street writer, but as a poet. What he was

essentially

doing was giving me a blurb. When I did decide to publish The Basketball

Diaries, Anne Waldman solicited a blurb from Burroughs for the jacket of the

original edition.

Kerouac sent me this letter, and said, if your publisher wants a blurb, here.

I feel

funny about blurbs. Myself, I don't like to use them. But now, I get sent

books

from people who want blurbs, and I feel like I should reciprocate. Maybe it

is

bad form not to, but I usually don't do it. I try to avoid it. Certainly,

that quote

from Kerouac has been wonderful for me. I feel he was being very generous. I

know he wouldn't have written it if he hadn't liked the work; I think he felt

I was

carrying on a certain spirit that was influenced by him. He thought I was

carrying

a torch, and in a spiritual sense, I was.

I hadn't in fact read Kerouac when I wrote The Basketball Diaries. I didn't

read

On the Road or even Dharma Bums. I read The Town and The City first, which

was his first novel and pretty straightforward in form. I hadn't read him and

I

hadn't read Burroughs - but I had read Ginsberg by the time I got to the

middle

part of the book as well as Frank O'Hara and John Ashberry and all the poets

in

the Donald Allen anthology.<<<<

 

The site's address is: www. home.forbin.com/laverne/carroll/kerouac.html

 

Kisses & Starfishes from Seattle

L

=========================================================================

Date:         Sat, 30 Aug 1997 18:47:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <judith@BOONDOCK.COM>

Subject:      Re: Jim Carroll & Jack

In-Reply-To:  <970830185009_1648584289@emout15.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:51 PM 8/30/97 L.W. Deal wrote:

 

>Forgive me if I'm rehashing old news, but I'm only a few months new to the

>List... Anyhow, that aside, I was perusing the net  this morning and happened

>upon THE BOOKSMITH Bookstore site where there's an interview posted with the

>brilliant Jim Carroll (interviewed by Thomas Gladysz). At the tail end of the

>script, Carroll talks about his first meeting w/ Kerouac, shortly before his

>death...

> 

(interview snipped)

> 

>The site's address is: www. home.forbin.com/laverne/carroll/kerouac.html

 

That url doesn't work, but I found the interview at:

http://www.booksmith.com/reader/carroll.html

 

Judith

=========================================================================

Date:         Sat, 30 Aug 1997 19:02:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

In-Reply-To:  <970829123705_1412377946@emout16.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

I was thinking some of the cast of the film The Usual Suspects (Stephen

Baldwin as Dean, Gabriel Byrne as Corso (if indeed he appears in the book,

i cant remember), Kevin Spacey as Sal) could appear in the film. Then cast

John Turturro as Allen Ginsberg, Christopher Walken as Old Bull Lee. Julia

Roberts as Dean's wife. Wait, what about Dennis Hopper as Bull Lee? i know

he's getting old...

 

leo

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Sat, 30 Aug 1997 19:09:40 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR Chris Isaak: Sal, Michael Stipe: Dean

MIME-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: quoted-printable

 

Sinverg=FCenza wrote:

>=20

 Wait, what about Dennis Hopper as Bull Lee?=20

 

I think sean penn would make a good Bull Lee, if he played him with

elegance and craft. Oh my god what have i done. Entered into this

casting thread, help, help. before i decide credit font.

p

p

=========================================================================

Date:         Sat, 30 Aug 1997 20:29:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR film

Comments: To: James Stauffer <stauffer@pacbell.net>

In-Reply-To:  <3404ED71.788F@pacbell.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

It has to be understood that any film version of a novel can only contain

parts of that novel.  Thats why they are called adaptations.  I saw a

copy of the early script for OTR last year (a street vendor in the

village regularly sells movie scripts and had an OTR one).  It seemed

good but many of you wouldnt like it if overly devoted to the book.

 

The movie is going to focus almost entirely on the Sal/Dean story.

Consequently most of part one of OTR will not be in the film.  The story

of Kerouac's first trip west, Cheyenne, Denver, working as a guard in

Frisco, living in the fields picking cotton with the mexican girl Terry.

All great scenes, but no Neal/Dean in them, so not likely to make the cut

in a two hour movie.  Terry, Minnesota Slim, Remi Bonceur etc are also

all extraneous characters that would be too confusing and for which there

would be no time in a two hour film to flesh them out.

 

Consequently it remains to be seen if there is a way to do justice to OTR

in two hours.  The script I saw focuses almost entirely on Sal, Dean, and

Carlo Marx (the Ginsberg character), and enlarges the role of the

Old Bull Lee (Burroughs) character.  In fact the first scenes in the

script are of those four characters in NYC, when Cassady first arrives

(an inaccuracy since Burroughs was already on the run from NYC by then

and living in Texas)

 

But any movie adaptation has to take literary license like that.  Lets

just hope that Coppola does it well.

 

RJW

=========================================================================

Date:         Sat, 30 Aug 1997 20:38:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Beat books

In-Reply-To:  <199708290719.AAA14245@hsc.usc.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Took a trip over to the venerable Strand used book store today.  In rare

book dept, they have two interesting items:

 

1. A first edition, in excellent condition btw, of "Town and the City"

   Looks like new but lacks dust jacket.  $70  Interesting because the author

   is listed as "John Kerouac"

 

2. A first edition of a scholarly beat book I'd never heard of from the

   late 50's called "Holy Barbarians" by Lawrence Lipton.  Anyone ever read

   this?.  Most of the major beat writers are quoted or interviewed in

   it.  Jack Kerouac is a glaring absence though.  He is rarely even referred

   to except in an interview with Ginsberg and Gregory Corso, who mention

   Kerouac in every answer to every question.  Since this book was likely

   only written because of OTR popularity, I can only surmise that Kerouac

   refused to cooperate with the project and the author punished him by

   virtually writing him out of his beat history.

 

 

I had no money to buy this book so Im interested in hearing if anyone has

read it.  Lipton had a generational age difference with the beat subjects

he wrote about so just from flipping through it, it seems like he might

have viewed it more as a cult and one-time social phenomenon than

anything potentially lasting.  But as I said I havent read it.

 

 

RJW

=========================================================================

Date:         Sat, 30 Aug 1997 20:39:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LYSDEXIC <breithau@KENYON.EDU>

Subject:      Re: OTR film

 

I think Eddie Murphy should play all the parts.

=========================================================================

Date:         Sat, 30 Aug 1997 21:47:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: happy birthday, bird

MIME-Version: 1.0

Content-Type: text/plain; charset=unknown-8bit

Content-Transfer-Encoding: quoted-printable

 

In a message dated 97-08-30 12:53:50 EDT, Michael Czarnecki wrote:

 

<< I'm listening now to "Bird is Free' "recorded in early 1950 at a

 concert-dance in New York City by a close friend." Maybe Don?

  >>

You know, growing up with Don Lanphere, I just always thought he was kind=

a

ordinary, except he was cool about drugs in the Sixties when grown-ups

weren't cool about drugs. I heard him jam in the basement of the Belmont

Music store with other jazz players he'd bring in from out of town, and n=

ever

thought he was anything special. He was the first sax player I'd ever hea=

rd

demonstrating the "form." I just figured everyone played like that.

 

Only later, when I began my jazz education (thanks to Don and local beatn=

ik

record store owner, Bob Godfrey, a boyhood chum of Don's there in Wenatch=

ee)

did I realize how special he was. He makes it look easy, like all the gre=

ats

do and did.

 

I finally got around to interviewing Don formally for a couple stories I =

did

on him back in 1994. Only then did I realize the extent of his associatio=

n

with the Chicago and Kansas City beboppers and the denizens of 52nd Stree=

t. I

hadn't realized until then that he'd also played with Woody Herman (was o=

ne

of the Four Brothers), nor had I realized that he was one of the many peo=

ple

lugging a reel-to-reel tape recorder around everywhere (which was a major

reason why Bird would always make certain he included Don. He'd say, "We'=

re

playing at the Baby Grand... come on down and bring your recorder.") And =

Don,

who was just 17 or 18 years old then, would always show up and record, an=

d

sometimes he played.

 

Out of curiosity today, I did a web search for Don Lanphere and found a l=

ot

of stuff. Here's a bit of bio:

 .......................

Don Lanphere began playing the saxophone at the age of eight after listen=

ing

to jazz artists Duke Ellington and Louis Armstrong at his father's music

store in Wenatchee, WA. By the age of 12 he was a featured soloist with D=

ick

Jurgens and at 17 with the Jimmy Lunceford band.

=A0 =A0 =A0 =A0 By 1948 Lanphere had landed in the legendary 52'nd Street=

 jazz scene,

recording with legends Fats Navarro and Charlie Parker in New York. Years

later, looking for a change from the fast-paced drug-influenced New York =

jazz

scene, Lanphere returned to the Northwest.

......................

Then, I found a discography for Parker and on this album, on a cut writte=

n by

Miles Davis, I found Don had a sax credit:

BIRD'S EYES, Volume 12

(Philology W 842.2; TT =3D 74:01)

(e) Half Nelson (M. Davis)..........2:51

Recorded June 1950 at Jimmy Knepper's home, New York:

  Jon Nielson  trumpet

  Jimmy Knepper  trombone

  Charlie Parker  alto saxophone

  Joe Maini  alto saxophone

  Don Lanphere  tenor saxophone

  Al Haig  piano

  Frank Isola  drums

...................................

This is really cool. I'm not sure even Don knows he's listed here.

 

For a long time I've been meaning to ask Don if he ever met Kerouac. Also=

,

there's a play running here in Seattle called "Kerouac: The essence of Ja=

ck,"

and it features a lone sax player accompaniment to the actor's monologs, =

with

a "bebop" trio on weekends. It's a great play, by the way, and it's being

held over for the millionth time until the first week of October. Anyway,

I've been thinking how incredible it could be to try to put Don together =

with

playwright/actor Vince Balestri, and see if Don can sit in and riff on

kerouac some night.

 

So now I'm gonna do all these things and get back to anyone who's interes=

ted.

I think there are even fewer living beboppers than Beats today. Anyone kn=

ow

where anyone else is hanging out? gigging?

 

If you want more information about the Kerouac play in Seattle, drop me a

note. I actually wrote a review of it which I would send to anyone

interested.

 

diane de rooy

=========================================================================

Date:         Sat, 30 Aug 1997 22:10:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: Beats :The List updated 30th aug 1997 (b)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

And Ruth Weiss -- early jazz poet, helped organize Cellar readings;  also

integrated jazz readings with film, ie, "the Brink".  She's published 8

collections of poems as well.

 

>Donald Allen

>---

>Amari Baraka (Leroi Jones)

>---

>Wallace Berman

>---

>Paul Blackburn

>---

>Robin Blaser

>---

>Richard Brautigan

>---

>Bonnie Bremser

>---

>Ray Bremser

>---

>Chandler Brossard

>---

>Lenny Bruce

>---

>Lord Buckley

>---

>Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

>---

>William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

>                                                                Frank Carmody,

>                                                                Will Dennison,

>                                                                Old Bull Lee"

> 

>---

>William S. Burroughs Jr.

>---

>John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

>---

>Caleb Carr

>---

>Lucien Carr

>---

>Paul Carroll

>---

>Louis R Cartwright

>---

>Carolyn Cassady

>---

>Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

>---

>Tom Clark [Paris Review]

>---

>Andy Clausen

>---

>Leonard Cohen

>---

>Bruce Conner

>---

>Gregory Corso "Raphael Urso, Yuri Glicoric"

>---

>Robert Creeley [Black Mountain School]

>---

>Henry Cru "Remi Boncoeur"

>---

>Jay deFeo

>---

>Diane DiPrima

>---

>John Doe

>---

>Kirby Doyle

>---

>Edward Dorn [Black Mountain School]

>---

>Robert Duncan [Black Mountain School]

>---

>Bob Dylan

>---

>Kenward Elmslie [Z]

>---

>William Everson (Brother Antoninus)

>---

>Larry Fagin [Adventures in Poetry]

>---

>Richard Farina

>---

>Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

>                                                        "Lorenzo Monsanto,

>                                                        Larry O'Hara

>                                                        Danny Richman"

>---

>Charles Foster

>---

>Robert Frank

>---

>Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

>                                                        Alvah Goldbook,

>Leon Levinsky

>                                                        Carlo Marx"

>---

>John Giorno

>---

>Morris Graves

>---

>Brion Gysin

>---

>Dave Hazelwood

>---

>William Inge

>---

>Wally Hedrick [Gallery Six]

>---

>John Clellon Holmes

>---

>Herbert Huncke

>---

>Ted Joans [Jazz Poetry]

>---

>Joyce Johnson

>---

>Lenore Kandel

>---

>Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

>---

>Robert Kelly

>---

>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

>                                                        Leo Percepied, Ray

>Smith,

>                                                        Jack, Peter Martin,

>                                                        Sal Paradise"

>---

>Jan Kerouac

>---

>Ken Kesey

>---

>Franz Kline

>---

>Seymour Krim

>---

>Paul Krassner [Realist]

>---

>Art Kunkin [Freep]

>---

>Tuli Kupferberg [Birth]

>---

>Joanne Kyger

>---

>Philip Lamantia

>---

>Jay Landesman

>---

>Fran Landesman

>---

>James Laughlin

>---

>Denise Levertov

>---

>Timothy Leary

>---

>Lawrence Lipton

>---

>Ron Loewinsohn

>---

>Malcom Lowry

>---

>Bill MacNeill

>---

>Norman Mailer

>---

>Gerard Malanga

>---

>Edward Marshall

>---

>Peter Martin

>---

>Lewis McAdams

>---

>Joanna McClure

>---

>Michael McClure

>---

>Taylor Mead

>---

>David Meltzer

>---

>Jack Micheline

>---

>Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

>---

>John Montgomery

>---

>Shigeyoshi (Shig) Murao

>---

>Harold Norse

>---

>Frank O'Hara

>---

>Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

>---

>Peter Orlovsky

>---

>Kenneth Patchen

>---

>Thomas Parkinson

>---

>Nancy Peters

>---

>Stuart Z. Perkoff

>---

>Charles Plymell

>---

>Dan Propper

>---

>Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

>---

>Theodore Roethke

>---

>Hugh Romney

>---

>Michael Rumaker

>---

>Ed Sanders

>---

>Mark Schorer

>---

>Hubert Jr. Selby

>---

>Gary Snyder

>---

>Carl Solomon

>---

>Jack Spicer

>---

>Hunter Stockton Thompson

>---

>Charles Upton

>---

>Janine Pommy Vega

>---

>Mark Tobey

>---

>Alexander Trocchi

>---

>Anne Waldman [St. Mark's Poetry Project, New York]

>---

>Lewis Warsh

>---

>Alan W. Watts

>---

>Lew Welch

>---

>Philip Whalen

>---

>John Wieners

>---

>Jonathan Williams

>---

>William Carlos Williams

>---

>Ruth Witt-Diamant [San Francisco's Poetry Center]

>-*-

> 

>Hello!,

>i'm listing the beat generation

>(writers & painters & performers)

>& i begin with a list, everyone

>interested can propose a new name.

>http://www.gpnet.it/rasa/home.htm

>thanks,

>Rinaldo Rasa.

>30th august 1997, Venice-Mestre, Italy.

> 

>-*-

>the list of credits & comments:

> 

>Walter Campbell         <walter.campbell@usa.net>

>Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

>Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

>OHearn                          <orpheus@in.the.shadows>

>David Schwarm           <dschwarm@sun3.lib.uci.edu>

>James Stauffer          <stauffer@pacbell.net>

>Michael Stutz           <stutz@dsl.org>

>-*-

=========================================================================

Date:         Sat, 30 Aug 1997 19:50:39 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Rinaldo: Books into movies, additions to your List

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike Rice wrote

 

 John Von Druten's play of isherwood's Berlin Stories

> is its equal, and Cabaret is an improvement.

> 

> Mike Rice

 

Mike, I would differ on this, admittedly far from beat thread. The Sally

Bowles of "Stories" is a much richer character than the fluffy feel good

girl of Cabaret.  The "Stories", as stories, have less structure, but

are incomparably more honest about that peculiar time before Hitler and

about humanity.

 

Did like Arthur's take on Lolita.  I love that film, but I don't think

it stands quite on the same level as the book.

 

J. Stauffer

=========================================================================

Date:         Sat, 30 Aug 1997 20:00:08 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Lawrence Lipton, etc

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> 

> 2. A first edition of a scholarly beat book I'd never heard of from the

>    late 50's called "Holy Barbarians" by Lawrence Lipton.  Anyone ever read

>    this?.

 

It has been too long since I looked at this book to remember it well.

Lipton was a significant precense on the LA scene--in a way an analogy

to  Rexroth in SF.    Holy Barbarians was one of those attempts by

someone with some academic connections to explain Beat to the squarer

academic world--like Parkinson's Casebook on the Beat.

 

LA beat, Venice Beat, has always gotten sort of short shrift since

Ginsberg so completely owned the movement from a public relations point

of view.

 

J. Stauffer

=========================================================================

Date:         Sat, 30 Aug 1997 23:37:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "L.W. Deal" <RoadSide6@AOL.COM>

Subject:      Re: Jim Carroll & Jack

 

>>>>That url doesn't work, but I found the interview at:

http://www.booksmith.com/reader/carroll.html

 

Judith<<<<

 

 

Thanks, Judith. Sorry it didn't work --- but, strangely enough, it did for

me... Everyone else interested, follow Judith's lead... Take care.

 

*<>< & Kisses

LD

=========================================================================

Date:         Sat, 30 Aug 1997 23:42:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: OTR film

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

LYSDEXIC wrote:

> 

> I think Eddie Murphy should play all the parts.

 

Hey, dyslecix, how about Bill Murray in a few bit parts and Judge

Rheinhold (sp) was good as a straight man in both Fast Times and with

Eddie in Beverly Hills cops.  It could be their reunion.  And Eddie

could take off on a car chase, and then, they could just keep going. And

it could go down the same street Bullet did.  Yeah, put them in a Shelby

GT.  That's good.  Maybe even, Steve McQueen, well, I know he's dead,

but with that blueing stuff, they could paste him in.  So, I think Eddie

Murphy would be great!

 

Opps, I may be the only one, but I would rather analyze Naked Lunch that

continue this thread about a movie that none of us, unless Coppola (sp)

is on the list, will control.  It just seems to have run out of steam.

As for me, I am reading "Portrait of an Artist as Young Man" and

Embraced by the Light and The Beat Book by Waldman.  If anyone wants to

discuss any of those books.  Maybe I am in a bad mood, but, the thread

is getting old.

 

Peace,

 

There, I feel better. :-)

 

Happy Birthday Bird!

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 30 Aug 1997 23:56:55 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: OTR film

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Opps, I may be the only one, but I would rather analyze Naked Lunch that

> continue this thread about a movie that none of us, unless Coppola (sp)

> is on the list, will control.  It just seems to have run out of steam.

> As for me, I am reading "Portrait of an Artist as Young Man" and

> Embraced by the Light and The Beat Book by Waldman.  If anyone wants to

> discuss any of those books.  Maybe I am in a bad mood, but, the thread

> is getting old.

 

bentz- glad someone finally said it.

 

> Peace,

> 

> There, I feel better. :-)

> 

> Happy Birthday Bird!

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

> 

randy

=========================================================================

Date:         Sun, 31 Aug 1997 01:01:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: OTR movie: Sean Penn?

 

In a message dated 97-08-27 01:04:56 EDT, you write:

 

<< Neal might be doable... but jack... no way. Stare at that face, listen to

 that voice, try to crawl into that mind (mined with mines). Find one actor

 today who can convince me he's jack kerouac, or even anything close to that.

>> 

 

The book is a novel (fiction). The character is Sal Paradise. It is not Jack

Kerouac. I think it is possible that a movie can be made of On The Road that

will inspire a new generation of people by showing the character's outlook on

life, just like the book did.

 

The book On The Road is just a written recording of how Jack viewed his own

life. People often mistake it for gospel. I think Jack wrote about honesty of

emotions, not honesty of events.

 

However, I also think that it is more likely that the movie will suck because

they may be more concerned with making a blockbuster, rather then a great

movie. The point is to make a movie that stands the test of time. I don't

care who the star of the movie is. I think they should pick unknowns, don't

try to make a "Hip" movie, and let the story stand on it's own merits.

 

It took years for Its A Wonderful Life to find its audience. I would rather

find a small audience for the movie in the beginning that grows as the years

go by. I wouldn't want the same audience that loves Stallone and Arnold

Schwartzinegger (what ever his name is) to love On The Road.

 

so it goes, Attila

=========================================================================

Date:         Sun, 31 Aug 1997 01:01:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: The Kerouac Quarterly

 

In a message dated 97-05-23 12:48:31 EDT, you write:

 

<<  I

 am in the editing stage of Vol. I, No. 2 and writing Looking For Jack: The

 Literary Influences of Jack Kerouac for publication this summer. >>

 

Hi Paul:

 

How's it going. Can you send me info on your subscription rates to include in

the next issue of DHARMA beat.

 

thanks, later

Attila

=========================================================================

Date:         Sun, 31 Aug 1997 03:08:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: OTR movie

 

Two other movies, besides One Flew Over the Cukoo's Nest, that I think

conveyed and translated a great book into a great movie, are Catch 22 and

Slaughter House 5. These are two smaller, slightly eccentric movies that

capture the essence of the the novel. Slaughter House Five captures a very

difficult subject, time travel. Are Heller and Vonnegut beat?

 

just the way I see it, Attila

=========================================================================

Date:         Sun, 31 Aug 1997 03:08:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      DHARMA beat, A Jack Kerouac Newszine

 

Hello:

 

DHARMA beat, a Jack Kerouac publication, will be publishing the fall issue in

October (issue 9).

 

We are looking for Kerouac related events to list in our Kerouac Calender. If

you are having a Kerouac reading, or commemoration of his life, or film

festival, or anything that includes Kerouac, please forward information

related to the event (name, time, place, telephone number, description of

event). Looking for events starting October 1.

 

We are always looking for articles on or about Kerouac's life and writing.

Please send any ideas that you may have.

 

And if you have an interesting On The Road story, please let me know. Like

the first time you read it, what happened as a result, etc.

 

thanks and enjoy, Attila

 

The following is general information about DHARMA beat (previously e mailed).

 

DHARMA beat is a newszine (newsletter) that is published twice a year about

Kerouac's life and writing. Issue 8 (Spring 1997) was recently published. We

publish information of interest about Kerouac events and happenings around

the world. The most recent issue has an article about Kerouac living in Ozone

Park, New York; an article about Jack's sister Nin; and Allen Ginsberg

provided two dreams that he had where he's talking with Kerouac. Ginsberg

wrote :

 

"Poetry America was born before us & will live after us -- and would've been

visible for every eye to see but for the scientists of poetry & sociologists

of Academy measuring the vast mind with monkey calipers & teaspoons of ink

--"

 

DHARMA beat is published twice a year, spring and fall. Subscriptions are

$7.00 per year (two issues, make checks payable to DHARMA beat), $10 to

Canada and overseas (payable in US dollars or equivalent foreign currency).

Sample copies are available for $3.00. Mail to DHARMA beat, PO BOX 1753,

Lowell MA, 01853-1753. For more information e mail to KEROUACZIN@AOL.COM

 

We are always looking for articles and information about any Kerouac related

item you may have (for example if you have a Kerouac Poetry reading

celebrating his birth or passing) or anything related. Our main purpose is to

let people know about what's going on. The next issue will focus on the 40th

anniversary of the publication of On The Road. If you have a story, or know

some tidbit of information, please let us know (I don't really like using the

word 'Tidbit' but now I'm stuck with it).

thanks and enjoy, Attila

=========================================================================

Date:         Sun, 31 Aug 1997 06:54:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      book to movies

In-Reply-To:  <970831030819_690619973@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i agree with this one : both are wonderful,  alan arkin  brilliant

performance in catch 22. i can still see him in the tree.

mc

 

>Two other movies, besides One Flew Over the Cukoo's Nest, that I think

>conveyed and translated a great book into a great movie, are Catch 22 and

>Slaughter House 5. These are two smaller, slightly eccentric movies that

>capture the essence of the the novel. Slaughter House Five captures a very

>difficult subject, time travel. Are Heller and Vonnegut beat?

> 

>just the way I see it, Attila

=========================================================================

Date:         Sun, 31 Aug 1997 09:42:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      Re: The Kerouac Quarterly

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Attila, since I have so much to choose from recently it has delayed my

publication (change of cover, added text etc.). I will have it ready for the

Kerouac Festival. The rates are $5.00 (USA) $7.00 (overseas and Canada).

Vol. I, No.2 will be between 40 to 50 pages.I don't take full-year

subscriptions as yet until I can get on a stable publishing pattern. Take

care and thanks, Paul...

 

You can also mention the web page. It is at:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

E-mail: Mapaul@pipleine.com

 

Thanks again Attila....

=========================================================================

Date:         Sun, 31 Aug 1997 17:00:21 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Two Comments & Beats:The List updated 31 aug 1997.

In-Reply-To:  <1.5.4.16.19970830155811.27f72e58@mail.wi.centuryinter.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Paul Blackburn [Black Mountain School]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                                                Frank Carmody,

                                                                Will Dennison,

                                                                Old Bull Lee"

 

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric"

---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                                        "Lorenzo Monsanto,

                                                        Larry O'Hara

                                                        Danny Richman"

---

Charles Foster

---

Robert Frank

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                                        Alvah Goldbook, Leon Levinsky

                                                        Carlo Marx"

---

John Giorno

---

Paul Goodman

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                                        Leo Percepied, Ray Smith,

                                                        Jack, Peter Martin,

                                                        Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov [Black Mountain School]

---

Timothy Leary

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York]

---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums"

---

Lew Welch

---

Philip Whalen

---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963}

---

Ruth Witt-Diamant [San Francisco's Poetry Center]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

31th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell         <walter.campbell@usa.net>

Greg Christy            <christyg@pcpartner.net>

Patricia Elliott                <pelliott@SUNFLOWER.COM>

Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

OHearn                          <orpheus@in.the.shadows>

Mike Rice                       <mrice@centuryinter.net>

David Schwarm           <dschwarm@sun3.lib.uci.edu>

James Stauffer          <stauffer@pacbell.net>

Michael Stutz           <stutz@dsl.org>

-*-

Addenda comments:

1. Subject: Re: William Inge ==========================

At 17.03 30/08/97 -0400,

Mike Rice <mrice@centuryinter.net>wrote:

>At 02:22 PM 8/30/97 +0200, you wrote:

>>Hello Mike,

>>i agree with u, William Inge looks like Tennessee Williams.

>> 

>>BUT William Inge introduced the _hyperprotective_ character

>>of the "Mom" that seems to yield gay sons & match the

>>origin & development of some beat life...

>> 

>>thanks for yr comment,

>>saluti,

>>Rinaldo.

>>ps. please, have i the permission to include yr name & message

>>in the credits for the Beats database?

>> 

>>=================== your message ===================

>>Mike Rice wrote:

>>>I love this guy's plays, at least Picnic, but he's

>>>a sad homosexual from St. Louis, a newspaper critic

>>>who idolized Tenessee Williams, and wanted to follow

>>>in his footsteps.  Tell me how he was ever a beat.

>>> 

>>>Mike Rice

>>=====================================================

>> 

>> 

>You have my permission to use whatever you want from

>my note.

> 

>BUT William Inge introduced the _hyperprotective_ character

>of the "Mom" that seems to yield gay sons & match the

>origin & development of some beat life...

> 

>The above is very interesting, so why don't you discuss it with

>the rest of us.  It appears to be a pet theory of your own,

>sounds fascinating.  It also implies that many beat characters

>and their authors are at least, latently, homosexual.  Lets have the

discussion

>on the Beat List, shall we?

> 

>Mike Rice

> 

> 

Mike,

i think that i defend the presence of William Inge

(influenced Tennessee Williams some beat?)

in the Beats:The List.

a thread regard the "Mom" is at the moment for some

reason for me a painful.

saluti

Rinaldo.

====================================================

 

2.

Return-Path: <christyg@pcpartner.net>

Reply-To: <christyg@pcpartner.net>

From: "Greg Christy" <christyg@pcpartner.net>

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: the beats list

Date: Sat, 30 Aug 1997 10:04:07 -0000

X-MSMail-Priority: Normal

----------

> From: Rinaldo Rasa <rasa@gpnet.it>

> Newsgroups: alt.books.beatgeneration

> Subject: the beats list

> Date: Wednesday, August 27, 1997 10:08 PM

 

>ken kesey,i don't think so! I'm not sure he would either.

=========================================================================

Date:         Sun, 31 Aug 1997 16:04:09 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Rinaldo: Books into movies, additions to your List

In-Reply-To:  <970830174526_1187896134@emout04.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Arthur, Mike & James e others friends,

 

the list of "who is better" is useful, thanks from

the people who cant' read the original at first,

i.e. i read "On The Road" in 1969 in an italian

translation, (not Ginsberg 'cuz of poetry is aside documented).

i think that falling in love in Beat Lit is a matter who is

over the stricted US world, but i apologie in advance

if some myself consideration can seem to encroach on yr

own territory. please friends, have a little faint smile

for the european side of the world...

 

1.

"Blade Runner" by Ridley Scott. William S. Burroughs had

written the first screenplay and WSB & BR are/was for me

a couple inseparable inprinting. the beginning of the movie is the

best futuristic image ever seen. the city with rain like

tears is matched only by the unforgettable William Gibson's

phrase "the sky above the port was the color of a tv tuned

to a dead channel" (Neuromancer), Gibson had his credits

to William Burroughs (in an interview speakin' of his novel

Virtual Light).

 

2.

"Der Amerikanische Freund" director Wim Wenders (1977) was

from the novel "Ripley's Game" by Patricia Highsmith's

& is very great. Dennis Hopper, Man Ray & the good feeling stay

in my mind forever. Perhaps Wim Wender is near the beat in his

photographic works, his photos are sometime the best image:

John Lurie's kiss photo in Soho (black & white photo) &

Hollywood Bvd with star that "had the power!", & "Musso and Franks"

restaurant, "The Twin City Theatre", et cetera talk to me beat.

 

3.

"La strategia del ragno" by Bernardo Bertolucci from the Jorge

Luis Borges' short story is a must. i know that Bertolucci has

a little to do with beat, but his 2th film "last tango in paris"

was censored & the film burned & for a time Bertolucci 'cuz of the

movie he lost his political rights.

 

thanks again friends for yr patience,

Rinaldo.

=========================================================================

Date:         Sun, 31 Aug 1997 09:22:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I

come in a little late. I don't want to prolong the thread, but I do believe

that something that Richard Wallner suggested needs clarification. He

pictured on this thread Neal's last walk on the railroad tracks, as a

greying man but with joy in his heart in the now, as always. Richard's

authoritative stance might lead some folks to believe that is how it was.

Well, not to my recollection.

 

One of the main reasons that I joined this list was my fascination with how

myths are created. I was especially interested in what was being said about

my good friend Neal whom I knew very well in the last nine years of his

life.

 

 I learned that facts, especially as they recede into history, are  no match

for deeply held wishes and beliefs. Still, here is also my opportunity to

let you know what I saw. You don't have to give up any belief that you

prefer to hold, you can always remind yourself that even the perceptions of

eyewitnesses can have their vagaries, but I don't have an invested interest

to revise history. Let me tell you what I saw.

 

It is true that I have to strain my memory about the greying part. It might

be playing tricks on me. Still, I have never noticed any  greying in Neal.

If he was beginning to get grey hair, it was not noticeable to me. And I saw

him a lot in the last nine years of his life. Not at all. Nor did I see any

signs of worry over losing physical fitness or agility. Up until his last

trip to Mexico. He did not present a picture of a man who is getting weighed

down by his age. He was only about forty two years old.

 

Graying or not, he was not a happy trooper on his last trip to Mexico. He

stopped to see me on his way and talked feverishly for hours about how he

was not comfortable in Oregon, how he had expected that the lady that he

expected was going to stay with him decided to go east with Ginzburg's

entourage instead. He seemed to be on speed which might have been hiding his

despondency. He was very animated and the fire in his eyes

was intense. He was not joyous. He was desperate. Very frustrated. A man who

was not comfortable in any of the scenes he was revisiting. He was hoping to

find something to lift his spirits in Mexico, but at the moment, everything

that he counted on was failing him.

 

Neal stopped to see most of the friends that he could find on the way to his

last trip to Mexico. He visited John Bryant for example in LA. John thinks

in retrospect that Neal might have been hoping that someone would stop him,

would throw him a lifeline.  He didn't see it at the time. At the time it

just seemed that Neal was asking for impossible things, like could he borrow

John's car  for the trip to Mexico! It was a man in despair who was going to

Mexico, not a man with joy in his heart rushing to embrace the mysteries of

life.

 

BTW in happier times Neal took me to John Bryant's house when he was laying

out on his living room floor the first issue of the San Francisco Open City

Press. Neal was the subject of that  the first free alternative publication

in San Francisco. Later John moved to Los Angeles where he published his

paper until he joined the Los Angeles Free Press.

 

leon

=========================================================================

Date:         Sun, 31 Aug 1997 13:08:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Neal--Man and Myth/Leon's post

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

<snip>

> 

> One of the main reasons that I joined this list was my fascination

> with how

> myths are created. I was especially interested in what was being said

> about

> my good friend Neal whom I knew very well in the last nine years of

> his

> life.

Leon:

 

I am very interested in your comments on Neal.  Thanks for this post.  I

was going to write you an email and ask you to comment on music in

Neal's life.  Before I had read On the Road, etc, I read Electric

Kool-Aid Acid Test.  So, my first image of Neal came from that.  He

impressed me as a speed freak who was on the way to oblivion. Sort of

like some of the depressed and burnt out speed freaks I had met.  It

seemed he was living in the past.

 

Then, I read all of Kerouac's books and saw him as a "genius" who was

burning like a supernova and too fast and frantic.  But a "frustrated"

one who could talk, but not write what he could talk.

 

The music in the acid test was not jazz and I guess was embryonic

Greatful Dead.  I know that Jack liked Jazz music.  But what about the

blues.  Jack of course used blues in titles etc.  But did Neal listen to

music like Jack did?  If so, did he relate to the Blues.  I can somehow

see Neal more with blues than jazz.  Thanks for your oral history.  It

wasn't just another who will play Neal, it was about Neal the man and

the myth.  This is worth its weight in gold to me.

 

Last point, but to stand accused by myself of my cry to stop the Movie

thread, if we have to discuss Senn Penn, what about Sean as Sal, and

reunite him with Madonna and let her play Dean.  Then it could be a

musical like Evita.  Then Madonna could win her Oscar!!!!  Sorry, but

the mere sick image of Penn and Madonna together, etc, overwhelmed me

and after some back channel posts on this, I had to lay it out there!

 

 

<snip> Nor did I

> see any

> signs of worry over losing physical fitness or agility. Up until his

> last

> trip to Mexico. He did not present a picture of a man who is getting

> weighed

> down by his age. He was only about forty two years old.

> 

> Graying or not, he was not a happy trooper on his last trip to Mexico.

> He

> stopped to see me on his way and talked feverishly for hours about how

> he

> was not comfortable in Oregon, how he had expected that the lady that

> he

> expected was going to stay with him decided to go east with Ginzburg's

> entourage instead. He seemed to be on speed which might have been

> hiding his

> despondency. He was very animated and the fire in his eyes

> was intense. He was not joyous. He was desperate. Very frustrated. A

> man who

> was not comfortable in any of the scenes he was revisiting. He was

> hoping to

> find something to lift his spirits in Mexico, but at the moment,

> everything

> that he counted on was failing him.

> 

> Neal stopped to see most of the friends that he could find on the way

> to his

> last trip to Mexico. He visited John Bryant for example in LA. John

> thinks

> in retrospect that Neal might have been hoping that someone would stop

> him,

> would throw him a lifeline.  He didn't see it at the time. At the time

> it

> just seemed that Neal was asking for impossible things, like could he

> borrow

> John's car  for the trip to Mexico! It was a man in despair who was

> going to

> Mexico, not a man with joy in his heart rushing to embrace the

> mysteries of

> life.

 

And this sounds like the blues to me.

 

<snip>

> leon

 

Part of my problem is that I will not go see the Doors movie, I will not

go see the Hendrix movie and unless Leon, Charles P, James S and Gerry

Nicosia all four tell me that I HAVE to see OTR, I will not watch it

either.  I'd rather see reruns of 77 Sunset Strip or whatever that tv

series was.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 31 Aug 1997 12:07:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

>My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I come in

 a little late. I don't want to prolong the thread, but I do believe that

 something that Richard Wallner suggested needs clarification. He pictured on

 this thread Neal's last walk on the railroad tracks, as a greying man but with

 joy in his heart in the now, as always. Richard's authoritative stance might

 lead some folks to believe that is how it was. Well, not to my recollection.

> One of the main reasons that I joined this list was my fascination with how

 myths are created.

> ...

> leon

 

leon , lo and behold this thread yeilds gold.    deeply appreciated you

sharing your memory of Neal. I am stunned by how hard it is to glean

truth from fiction.  I knew William pretty well, years ago at a party

here in lawrence i heard a guy say that William was crippled and his leg

was gangrenous from shooting up.  I said that was nonsense. He said it

was not, that he needed a cane just to walk.. Well i argued some more

and he said it is a fact. well i had been outwalked that very day by

that old man.  We had walked about 3 miles. We had gone to some land I

owned by the Kaw River, where I once had a demolition landfill.  It was

populated with wild turkey, kpot, and wonderous animals, on a wide bend

of the river. It was a great place.  William hiked all over it.  The guy

told me i was lying to cover up. I gently told him he was a shit, more

interested in attention and mean heartedness than i could stand. But the

myths abound, people imagine and then can't tell that to say something

,you should know something.  Like some guy indicated that William

dressed like the blues brothers.  It was weird, where he got that.

William would dress in khaki when shooting, denims at some events. and

beautifully at others.  I care not about fashion but even I was sent by

some of his  style.  The only thing i would notice is sometime he would

spill something at dinner, grab the salt shake and pour it on the spot.

I appreciate your story about Neal.  It doesn't matter to some people

that these are real people and that their vulnerable sides help create

the supermen stunts they have pulled off.  Sometimes william would tell

me the same story , slightly different three or four, or a dozen times.

But i learned more about exercising the mind listening to that obsessive

ranting than i ever learned listening to the cheap shots of punks saying

dismissive shit about things they haven't studied or thought about.

p

=========================================================================

Date:         Sun, 31 Aug 1997 13:17:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: OTR movie

 

In a message dated 97-08-31 12:32:32 EDT, in response to Richard's artistic

license while story-boarding the OTR movie, Leon Tabory wrote:

 

<<  He pictured on this thread Neal's last walk on the railroad tracks, as a

 greying man but with joy in his heart in the now, as always. Richard's

 authoritative stance might lead some folks to believe that is how it was.

 Well, not to my recollection.

 

 One of the main reasons that I joined this list was my fascination with how

 myths are created. I was especially interested in what was being said about

 my good friend Neal whom I knew very well in the last nine years of his

 life.

 

  I learned that facts, especially as they recede into history, are  no match

 for deeply held wishes and beliefs. Still, here is also my opportunity to

 let you know what I saw. You don't have to give up any belief that you

 prefer to hold. >>

 

And without saying it, Leon has said it all.

 

Leon knew Neal. He knew him from his own point of view. He may have, in fact,

known the "real" Neal. Or he may have only known a facet of Neal, or he may

have known the Neal he wanted to know.

 

The point here is that filmmakers fictionalize and structure human dynamics

to fit into 97 minutes with musical soundtracks. That's not life. That's not

real. That's art, and plenty of liberties are taken.

 

For me, and for many others whose lives overlapped (at least in the time

frame) the lives of Jack and Neal and Allen, there is a context that cannot

be communicated in film. Driving a 1949 Hudson because it's a car, not

because it's a collector's item, seeking out Negro jazz in parts of town

where whites don't go because black people are segregated, kept apart from

whites in every sense by law, listening to the only AM station you can pick

up outside a city, only at night when the ionosphere is lower and the signal

comes in clear and being amazed at the lyrics which you understand but your

parents don't, lurking in diners and bars sneaking cigarettes, fucking in the

back seat of a car out in the woods where no one goes... no one... ever...

hearing about marijuana as "reefer madness," understanding the division

between "nice" girls and "good" girls in hushed tones and knowing glances,

but never using words to speak those differences, when all the boys wanted to

be James Dean and a "hood" wasn't an abbreviation for a neighborhood... and

most of us were either innocent, naive, or buying into lies, before

assassinations were de rigeur, before anyone believed in political

conspiracies, when McCarthy and Hoover and Nixon could be assholes right out

in public and get majority support... this is about 1/1000ths of what the

'40s and '50s and early '60s felt like.

 

The problem I always see in film that tries to recreate a period (and what's

the point if you don't recreate it?) is that nuance can only be understood by

someone who is able to suspend disbelief about the reality of the period. How

can some actor, born in the late Sixties or early Seventies, even remotely

understand what was behind The Road? Hell, most of them can't even tell you

the name of the current secretary of state, or who was President during World

War I, or which Roosevelt came first. Life has moved so fast away from the

sparsely populated post-WWII world into the go-go '80s and the

god-knows-what'll-happen-next '90s.

 

None of the actors anyone has named could portray Jack or Neal (okay, Attila,

"Sal and Dean..." get off my case, man...). They simply lack context.

 

And OTR is a sacred cow of the highest order, because what kerouac put down

on paper became a holy grail for millions who came after. The events of those

trips became a road map for life for people like me, Leon, and the majority

of people who embraced the truth of it.

 

Yeah, I think the movie will most likely be a travesty, and I think the

reason it shouldn't be made is because the truth will be repackaged into 97

minutes of bullshit, and as Leon said, myths will be created. A whole new

generation or two of kids will come up believing in the cinematic version of

what happened, and will never read the book, and will never understand

something that's important to understand.

 

Making the argument is exhausting. If you don't get it, I can never explain

it to you.

 

Amazingly enough, I'm pretty sure my protests won't have the tiniest bit of

influence on Coppola's approach or decisions. Go figure.

 

But those of us who knew Jack or Neal, like Leon, and those of us who feel we

know them so deeply in here (pointing to head and heart) will be the ones

batting cleanup when all the myths become neat little music videos and pass

into obscurity, made finite by their own unimaginative boundaries.

 

diane de rooy

=========================================================================

Date:         Sun, 31 Aug 1997 12:41:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: OTR movie

In-Reply-To:  <970831030819_690619973@emout08.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Attila Gyenis <GYENIS@AOL.COM>

 

 

>Two other movies, besides One Flew Over the Cukoo's Nest, that I think

>conveyed and translated a great book into a great movie, are Catch 22 and

>Slaughter House 5. These are two smaller, slightly eccentric movies that

>capture the essence of the the novel. Slaughter House Five captures a very

>difficult subject, time travel. Are Heller and Vonnegut beat?

> 

>just the way I see it, Attila

 

Has anyone seen the movie Mother Night with Nick Nolte, Alan Arkin? I've

never read the Vonnegut book it was based on, but i thought the movie was

awesome. Kurt Vonnegut makes an appearance as a man on the street. I'm not

a big Nolte fan, but i am more of one after seeing this movie. Some

wonderful scenes. He writes his autobiography from prison in Israel

awaiting trial for his war crimes (he was an American spy in Germany in

WWII but his country will no longer recognize him). when he finds out that

he will probably be found innocent, he pulls out all the ribbon from his

typewriter desk and stands up on his chair. He says something like "They

say a man hears beautiful music when he hangs. I wonder what it sounds

like." He does it. the end.

 

leo

 

 

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Sun, 31 Aug 1997 14:02:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: book to movies

 

M*A*S*H is arguably an example of a so-so book, a better movie and an

excellent TV series.  Rare, but it can happen.  I hope that OTR is made into

a movie.  I think, if done well, it could convey at least some of the

greatness of the book.

 

Howard Park

=========================================================================

Date:         Sun, 31 Aug 1997 14:13:29 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: book to movies

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

i like to read a book before i see the film adaptation. i feel like

i'm cheating myself if i don't. someone mentioned 'the english patient'.

i loved the book so much more because it didn't focus as much on the

english patient. rather, he was just one of a few characters that were

the central focus of the book. it wasn't as action packed as the movie,

but it was more involved and there was just so much more *there*...

 

(howard, you sound like my dad. he is a mash freak.)

 

Howard Park wrote:

> 

> M*A*S*H is arguably an example of a so-so book, a better movie and an

> excellent TV series.  Rare, but it can happen.  I hope that OTR is made into

> a movie.  I think, if done well, it could convey at least some of the

> greatness of the book.

> 

> Howard Park

=========================================================================

Date:         Sun, 31 Aug 1997 14:24:53 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

hi leo,

 

have you read 'a clockwork orange'? i just got it but my mom thinks

i won't understand it. maybe i'm wrong. maybe sometimes it is better

to watch a movie first? what do you think?

 

steph

 

> 

> Attila Gyenis <GYENIS@AOL.COM>

> 

> >Two other movies, besides One Flew Over the Cukoo's Nest, that I think

> >conveyed and translated a great book into a great movie, are Catch 22 and

> >Slaughter House 5. These are two smaller, slightly eccentric movies that

> >capture the essence of the the novel. Slaughter House Five captures a very

> >difficult subject, time travel. Are Heller and Vonnegut beat?

> >

> >just the way I see it, Attila

> 

> Has anyone seen the movie Mother Night with Nick Nolte, Alan Arkin? I've

> never read the Vonnegut book it was based on, but i thought the movie was

> awesome. Kurt Vonnegut makes an appearance as a man on the street. I'm not

> a big Nolte fan, but i am more of one after seeing this movie. Some

> wonderful scenes. He writes his autobiography from prison in Israel

> awaiting trial for his war crimes (he was an American spy in Germany in

> WWII but his country will no longer recognize him). when he finds out that

> he will probably be found innocent, he pulls out all the ribbon from his

> typewriter desk and stands up on his chair. He says something like "They

> say a man hears beautiful music when he hangs. I wonder what it sounds

> like." He does it. the end.

> 

> leo

> 

> "Let us hope that the whores of evil no longer loiter on the doorsteps of

> your path, beckoning you into the brothel of despair, and that hereinafter,

> you may present them with the most rigid manifestations of a firm and manly

> will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Sun, 31 Aug 1997 13:43:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: book to movies

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I'm surprised that no one has mentioned John Huston's chillingly faithful

adaptation of "The Maltese Falcon," which gets my vote for a great book

that became a great movie.

=========================================================================

Date:         Sun, 31 Aug 1997 11:39:04 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Patricia, Bentz, Diane

 

I am overwhelmed with your so quick to reassure responsiveness that is so

richly overflowing. Thank heavens we are here. We know we are here. We are

making a difference. We come from a dark world with flashlights, with

rechargeable batteries. Diane Carter said something about us being streams

all to the same river, I don't recall exactly the words, too many posts too

little time, well lots of pollution in that river, but it is not hopelessly

polluted.

 

Am going away for the holiday, have a great weekend everyone

 

leon

 

+AD4-Leon Tabory wrote:

+AD4APg-My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I

come in

+AD4- a little late. I don't want to prolong the thread, but I do believe that

+AD4- something that Richard Wallner suggested needs clarification. He pictured

on

+AD4- this thread Neal's last walk on the railroad tracks, as a greying man but

with

+AD4- joy in his heart in the now, as always. Richard's authoritative stance

might

+AD4- lead some folks to believe that is how it was. Well, not to my

recollection.

+AD4APg- One of the main reasons that I joined this list was my fascination with

how

+AD4- myths are created.

+AD4APg- ...

+AD4APg- leon

+AD4-

+AD4-leon , lo and behold this thread yeilds gold.    deeply appreciated you

+AD4-sharing your memory of Neal. I am stunned by how hard it is to glean

+AD4-truth from fiction.  I knew William pretty well, years ago at a party

+AD4-here in lawrence i heard a guy say that William was crippled and his leg

+AD4-was gangrenous from shooting up.  I said that was nonsense. He said it

+AD4-was not, that he needed a cane just to walk.. Well i argued some more

+AD4-and he said it is a fact. well i had been outwalked that very day by

+AD4-that old man.  We had walked about 3 miles. We had gone to some land I

+AD4-owned by the Kaw River, where I once had a demolition landfill.  It was

+AD4-populated with wild turkey, kpot, and wonderous animals, on a wide bend

+AD4-of the river. It was a great place.  William hiked all over it.  The guy

+AD4-told me i was lying to cover up. I gently told him he was a shit, more

+AD4-interested in attention and mean heartedness than i could stand. But the

+AD4-myths abound, people imagine and then can't tell that to say something

+AD4-,you should know something.  Like some guy indicated that William

+AD4-dressed like the blues brothers.  It was weird, where he got that.

+AD4-William would dress in khaki when shooting, denims at some events. and

+AD4-beautifully at others.  I care not about fashion but even I was sent by

+AD4-some of his  style.  The only thing i would notice is sometime he would

+AD4-spill something at dinner, grab the salt shake and pour it on the spot.

+AD4-I appreciate your story about Neal.  It doesn't matter to some people

+AD4-that these are real people and that their vulnerable sides help create

+AD4-the supermen stunts they have pulled off.  Sometimes william would tell

+AD4-me the same story , slightly different three or four, or a dozen times.

+AD4-But i learned more about exercising the mind listening to that obsessive

+AD4-ranting than i ever learned listening to the cheap shots of punks saying

+AD4-dismissive shit about things they haven't studied or thought about.

+AD4-p

+AD4-.-

+AD4-

=========================================================================

Date:         Sun, 31 Aug 1997 14:48:17 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> The point here is that filmmakers fictionalize and structure human dynamics

> to fit into 97 minutes with musical soundtracks. That's not life. That's not

> real. That's art, and plenty of liberties are taken.

 

i think i understand what you're saying and if i read you right, i

agree with you on this! a lot of my friends go see movies only

because they've heard the soundtrack first, not because they've

read the book. and it seems they always have a totally different

opinion of movies than i do! ugh, i hate that! they make me so

mad because they'll go rent movies like 'natural born killers' and

'reservoir dogs' and 'pulp fiction', and think they're such great

movies! if the soundtrack was full of uncool music, i wonder how

they'd like the movie then?! i hate movies like that because they

desensitize (spelled that wrong i think!) kids. and it seems like

people who can watch these movies have the nerve to get upset over

movies like 'last exit to brooklyn', 'dead man walking', 'rivers

edge' etcetera... atleast violence is portrayed in a realistic,

psychologically thoughtful way! so what if these movies make us

feel icky and uncomfortable. violence should make us feel that way!

(i think i totally got away from the subject. sorry.)

 

> How

> can some actor, born in the late Sixties or early Seventies, even remotely

> understand what was behind The Road? Hell, most of them can't even tell you

> the name of the current secretary of state, or who was President during World

> War I, or which Roosevelt came first. Life has moved so fast away from the

> sparsely populated post-WWII world into the go-go '80s and the

> god-knows-what'll-happen-next '90s.

 

*frowns* you should be more optimistic. well, you should try atleast.

i don't think most actors are completely ignorant of the history of

the world before they existed. yeah, times have changed. and they'll

continue to change. but how you can blame kids for the way they turn

out when the parents are responsible? well, to a point. i know us

kids have minds of our own and we stop listening to our parents and

think for ourselves at some point. but if we are raised well, i think

we won't turn away from what we've been taught. (sorry i don't speak

as well as you guys do. i hope i get my point across okay.)

 

steph

=========================================================================

Date:         Sun, 31 Aug 1997 14:11:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tolga Yilmaz <tolga@GIBBS.PHYSICS.INDIANA.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Hi. DOes anyone have a soft copy of Jack Kerouac's "The Origins of the

Beat Generation" that appeared in Playboy June 1959. I'd appreciate if you

replied.

 

Tolga Yilmaz. tolga@gibbs.physics.indiana.edu

=========================================================================

Date:         Sun, 31 Aug 1997 03:56:09 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      OTR: Dean & women

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Back to the book itself. Some passages that are stiking me this time

through.

 

pg. 132

"Only a guy who's spent five years in jail can go to such maniacal

helpless extremes; beseeching at the portals of the soft source, mad with

a completely physical realization of the origins of life-bliss; blindly

seeking to return the way he came.  This is the result of years looking

at sexy pictures behind bars; evaluating the hardness of the steel walls

and the soft of the woman who is not there.  Prison is where you promise

yourself the right to live.  Dean had never seen his mother's face.

Every new girl, every new wife, every new child was an addition to his

bleak impoverishment.  Where was his father?--old bum Dean Moriarty the

Tinsmith, riding freights, working as a scullion in the railroad

cookshacks, stumbling, down-crashing in wino alley nights expiring on

coal piles, dropping his yellow teeth one by one in the gutters of the

West.  Dean had every right to die the sweet deaths of complete love of

his Marylou.  I didn't want to interfere.  I just wanted to follow."

=========================================================================

Date:         Sun, 31 Aug 1997 15:58:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Neal....

In-Reply-To:  <9708310926.aa04347@mail.cruzio.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I think my words have been confused.  What I meant was that including a

shot of Neal walking down the tracks, counting the tracks, at the end of

the OTR movie, would show that even in a world of sadness and despair,

Neal Cassady was the sort who could find joy.  I think that what Kerouac

learned from Neal Cassady and others was something of the holiness of

life, of how everything, every moment is sacred and should be

appreciated.  Even at the end of his life, apparently at a low point

emotionally and in other ways...alone, broke, and lost on a railroad

track in Mexico, the myth at least is that he still found life sacred and

special, that he still found the littlest things wonderous.  So he

started to count the tracks because they were there, because they were

part of the world and therefore sacred.

 

Yes its probably a myth...he was coming down likely from whatever

high he was on and was probably counting the tracks in a

futile attempt to stay awake and not fall asleep and freeze to death

 

But who cares...what we celebrate is the myth of the man anyway.  Jack

Kerouac celebrated the indominatable spirit of Neal Cassady.  So did

Allen Ginsberg, John Clellon Holmes and the others who wrote about him.

 

Leon, in his terrific post, claims that he is not a revisionist historian

and prefers the facts.  The "facts" are that "On the Road" was written

about a hard-core thief, hustler and junkie who used everyone he ever

knew and didnt care who he hurt.  But regardless of that, it is also true

that people loved Neal Cassady...they loved him because deep down he was

wide-eyed and innocent and still a child, living among sad grown people

who had lost their childhoods long ago.

 

In Carolyn Cassady's "Off the Road" there is a pic of Neal taken shortly

before he died, and he looks terrible..strung out, tired, beat...but

smiling.  Maybe this isnt the Neal that Leon knew.  But pictures dont

lie.  I get the impression that Jack Kerouac was much more miserable

at the end of his life than Neal Cassady.

 

So I dont think the movie needs to show Neal at the end as a miserable,

broken man.  Show that he was beaten a lot by life but also show that his

spirit never died.  Even those who knew him would say that.

 

That isnt being a revisionist historian.  The facts arent being changed.

Just given a more palatable interpretation.

 

 

Richard W.

=========================================================================

Date:         Sun, 31 Aug 1997 16:10:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: OTR movie

In-Reply-To:  <9708310926.aa04347@mail.cruzio.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> 

> Graying or not, he was not a happy trooper on his last trip to Mexico. He

> stopped to see me on his way and talked feverishly for hours about how he

> was not comfortable in Oregon, how he had expected that the lady that he

> expected was going to stay with him decided to go east with Ginzburg's

> entourage instead. He seemed to be on speed which might have been hiding his

> despondency. He was very animated and the fire in his eyes

> was intense. He was not joyous. He was desperate. Very frustrated. A man who

> was not comfortable in any of the scenes he was revisiting. He was hoping to

> find something to lift his spirits in Mexico, but at the moment, everything

> that he counted on was failing him.

> 

 

And I would also argue that maybe he *did* have his spirits lifted on his

trip to Mexico...since you never saw him again, there is no way to tell.

>From everything I've read, Neal was a moody fellow who was always looking

for ways to rekindle the spirit.   There is no way anyone can know if he

didnt feel rejuvenated by partyingin Mexico and wasnt in a good mood

walking down those tracks.

 

You can also be a revisionist historian if you read too much into

particular encounters and end up making presumptions.  There is no way

Leon or anyone else can know for certain what was in Neal's head as he

walked down those tracks.

 

So go with the myth.  It fits the legend.  Beat bylife but never

completely beaten spiritually...indominatable.  I still contend it would

be a worthy ending scene for the OTR movie.

 

RJW

=========================================================================

Date:         Sun, 31 Aug 1997 04:18:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      OTR:  Old Bull Lee

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

The introduction to Old Bull Lee,(beginning on page 143) seems to paint a

picture of Burroughs much as one would imagine him.  Does anyone know if

he ever talked about being pleased or not pleased with the way Kerouac

described him in his books?

 

"It would take all night to tell about Old Bull Lee; let's just say now,

he was a teacher, and it may be said that he had every right to teach

because he had spent all his time learning; and the things he learned

were what he considered to be and called 'the facts of life,' which he

learned not only out of necessity but because he wanted to.  He dragged

his long, thin body around the entire United States and most of Europe

and North Africa in his time, only to see what was going on; he married a

White Russian countess in Yugoslavia to get her away from the Nazis in

the thirties--gangs with wild hair, leaning on one another; there are

other pictures of him in a Panama hat, surveying the streets of Algiers;

he never saw the White Russian countess again.  He was an exterminator in

Chicago, a bartender in New York, a summons-server in Newark.  In Paris

he sat at cafe tables, watching the sullen French faces go by.  In

Athens he looked up from his ouzo at what he called the ugliest people in

the world.  In Istanbul he threaded his way through crowds of opium

addicts and rug-sellers, looking for the facts.  In English hotels he

read Spengler and the Marquis de Sade.  In Chicago he planned to hold up

a Turkish bath, hestitated for just two minutes too long for a drink, and

wound up with two dollars and had to make a run for it.  He did all these

things merely for the experience.  Now the final study was the drug

habit. He was now in New Orleans, slipping along the streets with shady

characters and haunting connection bars.

        There is a strange story about his college days that illustrates

something else about him: he had friends for cocktails in his

well-appointed rooms one afternoon when suddenly his pet ferret rushed

out and bit an elegant teacup queer on the ankle and everybody hightailed

it out the door screaming.  Old Bull leaped up and grabbed his shotgun

and said, 'He smells that old rat again,' and shot a hole in the wall big

enough for fifty rats.  On the wall hung a picture of an ugly old Cape

Cod house.  His friends said, 'Why do you have that ugly thing hanging

there?'  and Bull said, 'I like it because it's ugly.'  All his life was

in that line."

=========================================================================

Date:         Sun, 31 Aug 1997 15:02:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Neal....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

>  I think my words have been confused.  What I meant was that including a shot

 of Neal walking down the tracks, counting the tracks, at the end of> the OTR

 movie, would show that even in a world of sadness and despair Neal Cassady was

 the sort who could find joy.  I think that what Kerouac

> learned from Neal Cassady and others was something of the holiness of

> life, of how everything, every moment is sacred and should be

> appreciated.  Even at the end of his life, apparently at a low point

> emotionally and in other ways...alone, broke, and lost on a railroad

> track in Mexico, the myth at least is that he still found life sacred and

> special, that he still found the littlest things wonderous.  So he

> started to count the tracks because they were there, because they were

> part of the world and therefore sacred.

> 

> Yes its probably a myth...he was coming down likely from whatever

> high he was on and was probably counting the tracks in a

> futile attempt to stay awake and not fall asleep and freeze to death

> 

> But who cares...what we celebrate is the myth of the man anyway.

> ...

> That isnt being a revisionist historian.  The facts arent being changed.

> Just given a more palatable interpretation.

> 

> Richard W.

 

this is nonsense.  I understand that a movie might be made and images

might be used to convey the ideas in the book. I appreciate literary

license and the need to use it both in books and movies.  but to say it

is the myth we celebrate and not the man, man the we is you, not me.

That to me is hog wash.  i find the drunken meanness of jack k, the lost

black hand of william, the frantic dispair of neal unpalitable and

necessary.

p

=========================================================================

Date:         Sun, 31 Aug 1997 04:30:26 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      OTR: Old Bull Lee wisdom

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

A couple more quotes.  I think we talked before about Burroughs dislike

of Neal and of wanting Kerouac to come visit without Neal; on page 147,

Old Bull, talking about Dean, says, "'He seems to me to be headed for his

ideal fate, which is compulsive psychosis dashed with a jigger of

psychopathic irresponsibility and violence.'  He looked at Dean out of

the corner of his eye. 'If you go to California with this madman you'll

never make it."

 

Also, in the car after he and Sal have been to the racetrack, Bull says,

"Mankind will someday realize that we are actually in contact with the

dead and the other world, whatever it is; right now we could predict, if

only we exerted enough mental will, what is going to happen within the

next hundred years and be able to take steps to avoid all kinds of

catastrophes.  When a man dies he undergoes a mutation in the brain that

we know nothing about now but which will be very clear someday if

scientists get on the ball.  The bastards right now are only interested

in seeing if they can blow up the world.'"

=========================================================================

Date:         Sun, 31 Aug 1997 16:24:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: OTR movie

In-Reply-To:  <3409A4E4.9C1@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

you GO, girl!

whahoo. and agreement

mc

 

patricia elliot wrote:

 It doesn't matter to some people

that these are real people and that their vulnerable sides help create

the supermen stunts they have pulled off.  Sometimes william would tell

me the same story , slightly different three or four, or a dozen times.

But i learned more about exercising the mind listening to that obsessive

ranting than i ever learned listening to the cheap shots of punks saying

dismissive shit about things they haven't studied or thought about.

p

=========================================================================

Date:         Sun, 31 Aug 1997 16:24:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: OTR movie/leon's posts

In-Reply-To:  <970831131723_1361118188@emout11.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

diane de rooy wrote:

Amazingly enough, I'm pretty sure my protests won't have the tiniest bit of

influence on Coppola's approach or decisions. Go figure.

________

great post, diane.

i've been sitting on my hands and waiting for all this to pass by like the

hula hoop once did.

i agree with those who are losing patience with the casting thread (i never

had any patience at all for the damned thread) and like you, find that

redeeming value of this nonstop nutty thread has been leon's sure and

steady voice.

mc

=========================================================================

Date:         Sun, 31 Aug 1997 05:05:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Neal....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Patricia Elliott wrote:

 

> I appreciate literary

> license and the need to use it both in books and movies.  but to say it

> is the myth we celebrate and not the man, man the we is you, not me.

> That to me is hog wash.  i find the drunken meanness of jack k, the

> lost

> black hand of william, the frantic dispair of neal unpalitable and

> necessary.

 

I have to agree with Patricia for stating the truth so vividly.  It is

the human lives that we celebrate.  And why not remain true to the ending

of OTR, where the last time Sal sees Dean in New York, he's in a car with

Remi, going to a concert, and they won't even give Dean a ride. "he liked

me but he didn't like my idiot friends,' Sal says.  "So Dean couldn't

ride uptown with us and the only thing I could do was sit in the back of

the Cadillac and wave at him...Old Dean's gone, I thought, and out loud I

said, 'He'll be all right.' And off we went to the sad and disinclined

concert for which I had no stomach whatsoever and all the time I was

thinking of Dean and how he had got back on the train and rode over three

thousand miles over that awful land and never knew why he had come

anyway, except to see me."

 

The ending of OTR is very sad and desparate, "...nobody knows what's

going to happen to anybody besides the forlorn rags of growing old..."

DC

=========================================================================

Date:         Sun, 31 Aug 1997 16:53:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Rain

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Primal Rain

 

Primal connection.

One month, one inch.

Brown is

                everywhere I look.

                                        I am not sure I care.

 

But when it comes

                        I find joy leaping

                                                From the pit

And dancing on the grave stone of the drought.

 

Rainmaker, rainmaker,

Bring me your machine.

 

I cry with joy to see.

Water running down my windows.

I hope again,

                Believe again,

                                Miracles again.

 

Primitive, primal, joy of joys.

Rain is just rain, is just gold and pennies from heaven.

I am happy and don't know.

 

The rainmaker takes my money.

The rainmaker gives me honey.

The rainmaker is god.

 

Primal screams are silenced in the primal joys.

I was screaming so loud, that I forgot I was screaming.

Til the rain fell,

And I could tell, cause I fell

Silent

To a pool,

On the sidewalk,

And wept for something that is buried in my bone marrow.

The rainmaker.

 

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 31 Aug 1997 17:04:34 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      tell me more

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

>  My apologies, Patricia, Bentz, Randy. As a weekend beatnik these days I

> come in a little late. I don't want to prolong the thread, but I do believe

> that something that Richard Wallner suggested needs clarification. He

> pictured on this thread Neal's last walk on the railroad tracks, as a

> greying man but with joy in his heart in the now, as always. Richard's

> authoritative stance might lead some folks to believe that is how it was.

> Well, not to my recollection.

don't worry- i wasn't upset with you for telling us about neal. i

enjoyed that. i probably will be lucky to get to meet jimcarrol at

the rate everyone is dying. just do it more often

 it really gave me hope for this thread.

like patricia said  the end of the otr movie thread is gold or

something. cya~randy

=========================================================================

Date:         Sun, 31 Aug 1997 15:55:47 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: OTR movie

Comments: To: xcrslnk@rivnet.net

 

On Sun, 31 Aug 1997 14:24:53 -0400 "g. jones" <xcrslnk@rivnet.net>

writes:

>hi leo,

> 

>have you read 'a clockwork orange'? i just got it but my mom thinks

>i won't understand it. maybe i'm wrong. maybe sometimes it is better

>to watch a movie first? what do you think?

> 

>steph

 

i was about to bring up clockwork orange on this thread and you beat me

to it.

 

looking back over arthur's recent post on  film adaptations, i think

clockwork fits nicely into the second category.  it doesn't mirror, nor

does it try to mirror, burgess's novel, but kubrick instead creates a new

piece of art, based on the novel, which stands on it's own.

 

the odd thing about the film is that it leaves off not at the end of the

original book (which has 3 sections of 7 chapters = 21 chapters) but at

the end of the americanized edit of the book (which ends at chapter 20).

i have heard different stories explaining why this happened and i know

that now we can get the original 21 chapter form in the states, but the

film will forever end without the 21st chapter.  this is unfortunate as

the intent of the book os horribly altered without the ending.  our

humble narrator is left at the end of the film back in the same place

that he started despite/due to  the government's intervention.  with the

21st chapter, our humble narrator attains a new perspective asnd

understanding of life that is omited from the  form most americans

(especially those who are too damned lazy to READ the book) ever see.

 

my suggestions:

 

1.  make sure you have the complete copy of the book and make a mental

note of where you would be had you finished reading after chapter 20.

 

2.  watch the film AFTER reading the book.  i believe the film can add

something to the experince of "a clockwork orange," but i think you have

to know where burgess is coming from before you can appreciate kubrick's

interpretation.

 

this is in my humble opinion.  this is one of my favorite books, so i

encourage you whole heartedly to stick with it.

 

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."

         -A Clockwork Orange

=========================================================================

Date:         Sun, 31 Aug 1997 17:31:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: book to movies

In-Reply-To:  <199708311843.NAA06741@mail.execpc.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>I'm surprised that no one has mentioned John Huston's chillingly faithful

>adaptation of "The Maltese Falcon," which gets my vote for a great book

>that became a great movie.

 

And the powerful DARK AT THE TOP OF THE STAIRS. A great movie from a great

play by William Inge.

 

j grant

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sun, 31 Aug 1997 20:36:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: Neal....

 

In a message dated 97-08-31 16:05:35 EDT, you write:

 

<<  But pictures dont lie.

 

The hell they don't. I've seen a dozen pictures of a single person and none

of them looked like him... or at least, they didn't look like they'd been

taken of the same person.

 

 The facts arent being changed. Just given a more palatable interpretation.

  >>

 

Richard, this just makes me flat-out sad. What a spin doctor you are. Why

don't you go work for the government? I'm sure you could spoon-feed us all

kinds of pretty stuff without changing the "facts" one bit. Keep us from

being sad... make us believe everything is neat and tidy and tied up with a

big old shiny bow.

 

Like patricia said, embracing these real human beings requires being able to

see them nakedly, all of their flaws and beauty all at once, and being able

to keep those conflicting thoughts in one's mind all at once without needing

some rationalization to escape into. Read "Scripture of the Golden Eternity"

for more amplification of this.

 

Whoever's interpretation of OTR makes its way into the script and final cut

of the movie, it won't be mine or yours. And no matter how passionately you

argue your point about who Neal Cassady was and who really knew him, the

vision of Dean Moriarty that makes it to the screen will be dictated by a

filmmaker's Hollywood budget and the character's commercial appeal, not by

Beat virtues or human failings.

 

diane de rooy

=========================================================================

Date:         Sun, 31 Aug 1997 21:33:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Neal....

In-Reply-To:  <970831203604_-166277618@emout19.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

But Kerouac wanted his readers to see the Neal HE  saw...his Neal, not

neccesarily the

real Neal.  Jack's Neal was a very close proximity to the real thing but

the portrayal wasnt designed to be three dimensional.  Dean Moriarty was

a character in a story.  Jack Kerouac saw something in Neal that he

deeply felt very few others saw.  It was the whole reason he wrote the

book, as well as "Visions of Cody"

 

So it isnt important to be historically accurate about the nature of

Neal's emotions the day of his death.  What is important is to portray

what Jack Kerouac would have thought.  And Jack would

have thought Neal died the way he lived, and did not die a broken man.

In fact I believe I read that Kerouac was in denial about Neal's death

and refused to believe he was dead at all, that his "death" had to have

been some Neal prank.

 

The point is that we are NOT talking about Neal Cassady, but about Jack

Kerouac's "Vision" of Neal Cassady.  How real does that have to be?  How

real was it in the first place?

 

If whoever makes the movie of On the Road ignores Kerouac's writings, as

Leon seems to imply theyshould do, and replace that with historical fact

that may be conflicting or different, then they are not making a faithful

version of the book.

 

Do you think Neal Cassady needs to be portrayed as a sexist, racist

anti-semite in the movie because some felt thats how he was?  Is the

reality more important than the "author's" reality?  This is a novel, a

vision, NOT a biography of Neal Cassady or a history of the beat generation!

 

Do you want to make a film based on the real events that were described

in "On the Road" or do you want to make a film of "On the Road"?  Because

you'll find those are two separate things.  Kerouac changed facts and

events in the book.  His mother became his aunt.  He suddenly had a

married brother in Testament, Virginia.  This is a story, its Jack

Kerouac's story and you cant wave a magic wand and declare it non-fiction

just because it was based on real events.  Neal Cassady died on the

tracks in Mexico.  So add one more scene, showing the fictional Dean

Moriarty dying in the same way, but postulate, as Sal Paradise would

have, that he died without losing his spirit.

 

All through "On the Road", Kerouac's Sal Paradise character desperately

wants everyone else to see Neal/Dean the way he sees him.  See him not

for who he was, but for what he was.  To look beyond the reality and the

scars and such and see the soul of the man.

 

It saddens me that some of you dont understand how beautiful it would be

to have a closing scene in the film that shows Jack's vision of Neal-- a

scene that even in showing the sad circumstances of his death, seems to

confirm how special Jack always thought he was.

 

Maybe it sanitizes Neal too much but this isnt history.  This is "On the

Road", one man's vision.  Show Neal through Jack's eyes.  Not Leon's eyes

or Patricia's or anyone else's.  That is the only way to be faithful to

the material!

 

 

Richard W.

=========================================================================

Date:         Sun, 31 Aug 1997 20:42:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Neal....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

> 

> Do you want to make a film based on the real events that were described

> in "On the Road" or do you want to make a film of "On the Road"?

> Richard W.

 

 

not to pick on RW, but this snipped line seems to suggest something that

i've found in this whole thread that just seems delusional to me.  "Do

you want to make a film . . ." As far as i know, none of us are making a

film.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 31 Aug 1997 20:42:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Neal....

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

> 

> But Kerouac wanted his readers to see the Neal HE  saw...his Neal, not

> neccesarily the

> real Neal.  Jack's Neal was a very close proximity to the real thing but

> the portrayal wasnt designed to be three dimensional.  Dean Moriarty was

> a character in a story.  Jack Kerouac saw something in Neal that he

> deeply felt very few others saw.  It was the whole reason he wrote the

> book, as well as "Visions of Cody"

> 

> So it isnt important to be historically accurate about the nature of

> Neal's emotions the day of his death.  What is important is to portray

> what Jack Kerouac would have thought.  And Jack would

> have thought Neal died the way he lived, and did not die a broken man.

> In fact I believe I read that Kerouac was in denial about Neal's death

> and refused to believe he was dead at all, that his "death" had to have

> been some Neal prank.

> 

> The point is that we are NOT talking about Neal Cassady, but about Jack

> Kerouac's "Vision" of Neal Cassady.  How real does that have to be?  How

> real was it in the first place?

> 

> If whoever makes the movie of On the Road ignores Kerouac's writings, as

> Leon seems to imply theyshould do, and replace that with historical fact

> that may be conflicting or different, then they are not making a faithful

> version of the book.

> 

> Do you think Neal Cassady needs to be portrayed as a sexist, racist

> anti-semite in the movie because some felt thats how he was?  Is the

> reality more important than the "author's" reality?  This is a novel, a

> vision, NOT a biography of Neal Cassady or a history of the beat generation!

> 

> Do you want to make a film based on the real events that were described

> in "On the Road" or do you want to make a film of "On the Road"?  Because

> you'll find those are two separate things.  Kerouac changed facts and

> events in the book.  His mother became his aunt.  He suddenly had a

> married brother in Testament, Virginia.  This is a story, its Jack

> Kerouac's story and you cant wave a magic wand and declare it non-fiction

> just because it was based on real events.  Neal Cassady died on the

> tracks in Mexico.  So add one more scene, showing the fictional Dean

> Moriarty dying in the same way, but postulate, as Sal Paradise would

> have, that he died without losing his spirit.

> 

> All through "On the Road", Kerouac's Sal Paradise character desperately

> wants everyone else to see Neal/Dean the way he sees him.  See him not

> for who he was, but for what he was.  To look beyond the reality and the

> scars and such and see the soul of the man.

> 

> It saddens me that some of you dont understand how beautiful it would be

> to have a closing scene in the film that shows Jack's vision of Neal-- a

> scene that even in showing the sad circumstances of his death, seems to

> confirm how special Jack always thought he was.

> 

> Maybe it sanitizes Neal too much but this isnt history.  This is "On the

> Road", one man's vision.  Show Neal through Jack's eyes.  Not Leon's eyes

> or Patricia's or anyone else's.  That is the only way to be faithful to

> the material!

> 

> Richard W.

richard, you conveniently changed what you said and reinterpreted what I

said.  It is like arguing with sand on a windy day.  I never suggested

they do some damn movie in regard to the background biographical

material of certain characters.. You continue to want to argue the

concept that, wouldn't it make a great true shot if the movie ended with

the scene of a joyfull dean at the tracks . In my oppinion we quit

talking about that about 6 posts ago.  but to address that.  i like how

the book ended more.   My posts weren't addressing some movie. I was

responding to the welcome change of subject.

p

=========================================================================

Date:         Mon, 1 Sep 1997 00:21:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: OTR: Old Bull Lee

 

Diane:

 

The passage you quote in your "OTR:  Old Bull Lee" post of today is from the

section of OTR that is the subject of my essay, "Kerouac Meets Burroughs On

the Road", my best contribution to this part of the OTR discussion would be

to dispatch it in its  11 page-61 footnote entirety.  I will nudge a friend

who served in an editorial capacity in its production and was supposed to get

it onto my computer through some high-tech transference method to do so asap.

 Anyway, you asked:  "Does anyone know if (WSB) ever talked about being

pleased or not pleased with the way Kerouac described him in his books?".

 During my (alas, now certainly) once-in-a-lifetime visit with the Great

Departed WSB on February 18, 1995, accompanied by my friend referred to

above, I began to bring up my essay, which I had sent to him, and that it was

based on the OTR section where Kerouac & Co. visited him in Algiers, LA in

early 1949.  Before I could get very far, he said:  "Well, it's partly true-

you can't always trust Kerouac."  He then brought up the fact that Kerouac

had helped to create and perpetuate the myth of WSB being a wealthy heir to

the fortune started by his namesake grandfather who perfected the adding

machine and established the Burroughs (later Unisys) Corporation.  At this

point I recalled my knowledge of his parents having sold out their interest

in the company before it took off and were of modestly comfortable but not

wealthy means.  He reminded me that they ran a gift shop, and I was able to

retrieve its name from my mental storehouse of Burroughsiana- Cobblestone

Gardens.  He smiled and began to warm up to us at the mention of the place,

and told us how he had gone to trade shows with his father, and that he had

found this "a lot more interesting" than if he had been a corporate heir.

 I'll never forget sitting right across from him, I was on a couch and he was

seated in a wheelchair, though not bound to it- he was mentally and

physically in very good shape, it may have been a relic from the recovery

period after his major heart surgery of about 4 years before my visit.  To

his right was a table where he had lit incense when we first arrived, there

were also gun magazines and the book he was reading at that time, the second

volume of a Graham Greene biography.

 

I could go on and on, and will finally set it all down, but I digress from

the issue you addressed.  I think that he greatly respected JK, indeed he has

confirmed his high regard for his work.  But, as he told me himself and in

interviews, especially in the (excellent) film biography WHAT HAPPENED TO

KEROUAC, JK had a tendency to categorize and mythologize people and events in

his writings.  Of course, this is part of what makes JK great and timeless,

still vital and being discussed by us nearly 3 decades after his death.  But

this tendency could backfire on his subjects, and on himself.  His portrayal

of Dean Moriarty in OTR got both Neal Cassady and himself in a lot of trouble

in their time- the shy, observant JK mistaken for the extroverted NC, and NC

subjected to the not always welcome notoriety that helped lead to his

imprisonment  for selling a few joints to an undercover shit (as opposed to a

Johnson).   I never returned to the thread of the OTR section after his

comment, but I believe that he was speaking more about JK in general than

about that particular item.  As my essay expounds in more detail, I think

that JK accurately observed and prophetically imparted much of the essence of

WSB's life and work as it would unfold in the years ahead.  There's nothing

that seems exaggerated or false (other than names) in this section,

crossreferenced with the facts that can be verified, it is HEIGHTENED by JK's

glowing, energetic prose.  But perhaps WSB was thinking of the actual events

of that encounter, or earlier in his life that JK recounts in the passage you

quoted, and remembered them differently.  In any case, it has to be strange

to see oneself depicted by someone else, even if the facts are straight the

style and perspective is from another eye and mind.  When it comes to the

Beats, they and their works are so inter-referential between each other that

the issue of what they thought of and how they were effected by these

references and descriptions is very critical and interesting.  For some

reason I'm reminded of the scenes in the BURROUGHS film biography where

Herbert Huncke says that he "rather resented having a scrawny neck" the way

WSB describes first meeting him in JUNKY, although he then goes on to say how

honored he was to have been included in it.  WSB defends himself, insisting

that all he wrote was "that his neck was loose in the collar of his shirt",

which is "not at all the same" as what he thinks Huncke reads into it.  I'm

sure an entire lengthy book could be written comparing famous descriptions in

literature, especially by the Beats, with actual remembrances.  Not only is

the truth stranger than fiction, but it's not as easy to grasp or amenable to

consensus as the term "fact" implies.

 

Regards,

 

Arthur

=========================================================================

Date:         Mon, 1 Sep 1997 00:42:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      "Thee Films 1950s-1960s"

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

has anyone seen this film on video? I bought a copy two years ago and it

includes the following:

        - william buys a parrot

        -towers open fire

        - the cut ups

        - bill and tony

        - ghosts at no. 9 (paris)

the video runs for 2 hours and i highly recommend it. I would like to

know how many official videos are available aside from this one and Naked

Lunch (Cronenberg) that talks about Burroughs (not counting Drugstore

Cowboy or other scripted films).

                                                thanks,

                                                        jason

=========================================================================

Date:         Sun, 31 Aug 1997 23:43:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR: Old Bull Lee

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum wrote:...

 my best contribution to this part of the OTR discussion would be

> to dispatch it in its  11 page-61 footnote entirety.  I will nudge a friend

> who served in an editorial capacity in its production and was supposed to get

 it onto my computer through some high-tech transference method to do so

 asap....

> Regards,

> 

> Arthur

 

Arthur,

thank you for an excellant post.  I have certainly enjoyed getting to

know you on this list.  At a cocktail party we might be across the room

but in this room i hear your thoughts, they remind me to think.  I am

amazed how many ways this list makes me stretch.

 

on the subject of literary license i was surprised that some people

didn't realize that William would turn an historical event or figure

into what ever creature he wanted. I remember the abandon he showed in

changing the true history of typoid mary into just a slightly different

one,  one that suited his aim.  I wonder if people are confused by

that.   I think I understand it, but I was lucky enough to see his mind

loving to turn things over and around, trying on the cloth, first as a

coat, then a cloak, and it finally turning itself into a hat. Oh did i

carry the thread analogy a bit too broad.

p

=========================================================================

Date:         Sun, 31 Aug 1997 21:53:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      check this out

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi, folks!       August 31, 1997

        There's a big article on Kerouac in the Washington Post Book World

by Bruce Cook today, August 31, 1997.  It's a very good assessment and I'm

not biased, even though he does pronounce MEMORY BABE the best book on Jack

Kerouac!  In the same issue, I have a front-page piece on homeless Vietnam

vets.  You can check out both articles by going to the website

www.washingtonpost.com and then going to "Style" and from "Style" to "Book

World."

        More later.  Best always, Gerry Nicosia

        (Since I'm no longer on Beat-List, you need to respond to me

directly, if you wish.)

=========================================================================

Date:         Mon, 1 Sep 1997 01:33:21 -0700

Reply-To:     mike@buchenroth.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: 1/4-million 78-RPMs

Comments: To: cveditions@aol.com

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I reprinted this AP story from Columbus Dispatch Saturday 8-30-97 for

anyone's possible interests ...

 

At bottom, I put jpegs of the article and the accompanying photo...

 

250,000 VINTAGE RECORDS TO BE AUCTIONED OFF

 

* The collection includes recordings by Billie Holiday, Louie Armstrong

and Duke Ellington.

 

by Jeff Baenen,

Associated Press

 

EAST BETHEL, Minn. -- Hart Callender locked a treasure trove away in his

basement, a time warp into the sounds of Billie Holiday, Frank Sinatra

and Benny Goodman on 250,000 vintage vinyl records.

 

Most of the 78-rpm records are in mint condition, sealed in their

original wrappings with nary a needle scratch on their surface.

 

For collectors, an auction of the grooved vinyl this weekend sounds

better than any garage sale of any dusty old platters.

 

No. 1, it's a collection of "new" old records. That's the Twilight Zone

analogy," said Arne Fogel, an entertainment historian. "The second thing

is, the door shut on an inventory that existed for the taste (of 1951),

and suddenly the doors are open again in 1997, and it's a reflection of

midcentury music taste."

 

Callender, the self-proclaimed "King of Records," started his first

record store in 1928, eventually owning two stores in St. Paul and one

in Minneapolis. He closed his Minneaplois shop in the 1940s and

apparently was consolidating his two other stores when he was injured in

a traffic accident on New Year's eve 1951.

 

He shut his business and stockpiled the records. He later turned to a

living in real estate. Daughter Caroline Dahl of Lino Lakes, Minn., said

she never knew why her father packed away his quarter-million albums.

Even after he closed, he

kept Hart's Record Shop listed in the Yellow Pages until a few years

ago.

 

"I think in the back of his mind he always kept saying he was going to

open the store. But it never materialized," Dahl said.

 

For collectors, an auction of the grooved vinyl this weekend sound

better than any garage sale of dusty old platters.

 

Callender died in 1996 at 88, and his wife, Olivia, died this summer at

89. After his death, the family moved the inventory to a warehouse.

 

Now stacks of 78s, and some 33 1/3-rpm long players are piled high at

Smith's Little Auction House for sale today (Saturday 8/30/97) and

Sunday.

 

Jazz giants such as Holiday, Charlie Parker, Louie Armstrong, Gene Krupa

and Duke Ellington are represented. Classical and children's albums

share space with country artists Tex Ritter and Gene Autry.

 

Among the rare works up for bid are four sets of The Jazz Scene, a multi

record collection signed and numbered by jazz impresario Norman Granz.

They could fetch $1,500.00 apiece, said Jon England of American Estate

Services, who joined Smith's Auction in buying the collection from

Calendar's children for an undisclosed sum.

 

Long-playing records began replacing the 78s in the late 1940s. Compact

discs came to dominate the industry in the past decade.

 

But the grooved vinyl still has a fascination for collectors over shiny

CDs. "Is more of an object. It's like the aura of the object," said Rich

Shelton, a record collector from St. Paul Minn., who plans to attend.

=========================================================================

Date:         Mon, 1 Sep 1997 01:53:30 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      Re: "Thee Films 1950s-1960s"

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> has anyone seen this film on video? I bought a copy two years ago and it

> includes the following:

>         - william buys a parrot

>         -towers open fire

>         - the cut ups

>         - bill and tony

>         - ghosts at no. 9 (paris)

> the video runs for 2 hours and i highly recommend it. I would like to

> know how many official videos are available aside from this one and Naked

> Lunch (Cronenberg) that talks about Burroughs (not counting Drugstore

> Cowboy or other scripted films).

i believe waterrow books has this tape.

>                                                 thanks,

>                                                         jason

> 

randy

=========================================================================

Date:         Mon, 1 Sep 1997 03:46:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      Re: OTR movie

In-Reply-To:  <3409B6F5.42E@rivnet.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

 "g. jones" <xcrslnk@rivnet.net> wrote:

 

>hi leo,

> 

>have you read 'a clockwork orange'? i just got it but my mom thinks

>i won't understand it. maybe i'm wrong. maybe sometimes it is better

>to watch a movie first? what do you think?

> 

>steph

> 

I personally would always try to read the book first, but in the case of

Mother Night, i would've had to find out which book it was based on first;

probably the easiest way of doing so is watching the credits of the movie.

It seems to me watching a book-based movie before reading the book could

limit your imagination in the reading of the book afterward, the most

important thing though, being not to let a film discourage you from reading

the book it's based on, because who knows what the director was thinking,

or how the script was adapted. i've never read clockwork orange or seen the

movie.

 

leo

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Mon, 1 Sep 1997 05:42:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Mother Night

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

This one isn't too hard to figure out...seeing as it is based on Vonnegut's

novel of the same title!

 

Date: Monday, September 01, 1997 3:46 AM

Leo wrote:

I personally would always try to read the book first, but in the case of

Mother Night, i would've had to find out which book it was based on first;

probably the easiest way of doing so is watching the credits of the movie.

=========================================================================

Date:         Mon, 1 Sep 1997 06:54:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  <Pine.SUN.3.91-FP.970831210419.23857A-100000@cap1.capaccess.org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

someone somewhere sometime wrote:

It saddens me that some of you dont understand how beautiful it would be

to have a closing scene in the film that shows Jack's vision of Neal-- a

scene that even in showing the sad circumstances of his death, seems to

confirm how special Jack always thought he was.

_______

ok ok i can't sit on my hands any more about this damned thread:

i begin with a disclaimer that i have no hope invested that any movie made

of OTR by any director and with any cast could successfully evoke the book

without reducing it to mediocrity.

now to the thread's insanity:

what the hell is wrong with all of you guys and yr obsession (or delusion -

i tip my hat to dave from salinas, kansas) to make a movie of OTR that ends

with neal's death walk on the tracks in west coast, when

THE BOOK DOES CLOSE WITH A VISION OF NEAL that is as evocative and that

foreshadows neal's dying much further up down the road.

 

when the last sal saw of dean (in the BOOK) standing on a street corner in

new york, it was a forlorn dean raggedy and rejected dean standing on the

street with jack looking backwards out of a car window at him.

i cannot understand everyone's obsession to have a huge jump in time to

dean walking the rr tracks to his death, it is forshadowded in the book's

ending  and should i believe stay that way.

i quote from the OTR, from JK himself:

(Remi has just refused to let neal ride uptown with JK and himself in NYC):

"so dean couldn't ride uptown with us and the only thing i could do was sit

in the back of the cadilac and wave at him. the bookie at the wheel also

wanted nothing to do with dean. dean, ragged in a motheaten overcoat he

bought specially for the freezing temperatures of the East, walked off

alone, and the last i saw of him he rounded the corner of seventh avenue,

eyes on the street ahead, and bent to it again. poor little laura, my baby,

to whom i'd told everything about dean, began almost to cry.

'oh we shouldnt let him go like this,. What'll we do?'

Old dean's gone i thought and out loud i said 'he'll be all right.' and off

we went to sad and disinclined concert for which i had no stomach whatever

and all the time i was thinking of dean and how he got back on the train

and rode over three thousand miles over that awful land and dnever knew why

he had come anyway, except to see me.

so in america when the sun ges down and  sit on the old broken-down river

pier watching the long, long skies over New jersey and sense all that raw

land that rolls in one unbelievable huge bulge over to the west coast and

all the road going, all the people dreaming in the immensity of it, and in

iowa i know by now the children must be crying in the land whre they let

their children cry, and tonight the stars'll be out, and don't you know

that god is pooh bear? the evening star must be droopin and shedding her

sparkler dims on the prairie, which is just before th coming of complete

night that blesses the earth, darkens all rivers, cups the peaks and folds

of the final shore in, and nobody, nobody knows what's going to happen to

anybody besides the forlorn rags of growing old, i think of dean moriarty,

i even think of old dean moriarty the father we never found, i think of

dean moriarty."

this passage makes to me the most poignant ending, to see jack waving from

the back of the caddie, and jack sitting on pier shortly afterwards with

(perhaps a voice over )as jack sits and thinks of dean moriarty in the sad

rags on the corner..

so in this insane thread about who should play whom,

i say let BARNEY play all the roles, as the king of mediocrity and all that

is scary in our plastic amerikan culture.

happy monday everyone.

mc

=========================================================================

Date:         Mon, 1 Sep 1997 06:03:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> someone somewhere sometime wrote:

> It saddens me that some of you dont understand how beautiful it would be

> to have a closing scene in the film that shows Jack's vision of Neal-- a

> scene that even in showing the sad circumstances of his death, seems to

> confirm how special Jack always thought he was.

> _______

> ok ok i can't sit on my hands any more about this damned thread:

> i begin with a disclaimer that i have no hope invested that any movie made

> of OTR by any director and with any cast could successfully evoke the book

> without reducing it to mediocrity.

> now to the thread's insanity:

> what the hell is wrong with all of you guys and yr obsession (or delusion -

> i tip my hat to dave from salinas, kansas) to make a movie of OTR that ends

> with neal's death walk on the tracks in west coast, when

> THE BOOK DOES CLOSE WITH A VISION OF NEAL that is as evocative and that

> foreshadows neal's dying much further up down the road.

> 

> when the last sal saw of dean (in the BOOK) standing on a street corner in

> new york, it was a forlorn dean raggedy and rejected dean standing on the

> street with jack looking backwards out of a car window at him.

> i cannot understand everyone's obsession to have a huge jump in time to

> dean walking the rr tracks to his death, it is forshadowded in the book's

> ending  and should i believe stay that way.

> i quote from the OTR, from JK himself:

> (Remi has just refused to let neal ride uptown with JK and himself in NYC):

> "so dean couldn't ride uptown with us and the only thing i could do was sit

> in the back of the cadilac and wave at him. the bookie at the wheel also

> wanted nothing to do with dean. dean, ragged in a motheaten overcoat he

> bought specially for the freezing temperatures of the East, walked off

> alone, and the last i saw of him he rounded the corner of seventh avenue,

> eyes on the street ahead, and bent to it again. poor little laura, my baby,

> to whom i'd told everything about dean, began almost to cry.

> 'oh we shouldnt let him go like this,. What'll we do?'

> Old dean's gone i thought and out loud i said 'he'll be all right.' and off

> we went to sad and disinclined concert for which i had no stomach whatever

> and all the time i was thinking of dean and how he got back on the train

> and rode over three thousand miles over that awful land and dnever knew why

> he had come anyway, except to see me.

> so in america when the sun ges down and  sit on the old broken-down river

> pier watching the long, long skies over New jersey and sense all that raw

> land that rolls in one unbelievable huge bulge over to the west coast and

> all the road going, all the people dreaming in the immensity of it, and in

> iowa i know by now the children must be crying in the land whre they let

> their children cry, and tonight the stars'll be out, and don't you know

> that god is pooh bear? the evening star must be droopin and shedding her

> sparkler dims on the prairie, which is just before th coming of complete

> night that blesses the earth, darkens all rivers, cups the peaks and folds

> of the final shore in, and nobody, nobody knows what's going to happen to

> anybody besides the forlorn rags of growing old, i think of dean moriarty,

> i even think of old dean moriarty the father we never found, i think of

> dean moriarty."

> this passage makes to me the most poignant ending, to see jack waving from

> the back of the caddie, and jack sitting on pier shortly afterwards with

> (perhaps a voice over )as jack sits and thinks of dean moriarty in the sad

> rags on the corner..

> so in this insane thread about who should play whom,

> i say let BARNEY play all the roles, as the king of mediocrity and all that

> is scary in our plastic amerikan culture.

> happy monday everyone.

> mc

 

thanks for the tip of the hat.

i would hope that those working on this alleged movie would read more

than OTR .....

i like a lot of movies.  i like a lot of books.  even when they have the

same name i don't try to compare them b/c they ain't the same creature

... the medium being the massage and all that jazz.....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 1 Sep 1997 06:06:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      diane carter -- backchannel technical difficulties

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

dc:

 

finally got biological family commitments compleated and started to

catch up on correspondence.  I believe the hamsters in our backchannel

connection are on strike as my mail in your direction keeps coming back

saying some kind of error and they'll try again in 4 hours for 4 days or

somesuch.

 

if the hamsters are on strike, i wonder what their demands are????

 

have a pleasant Labouring Day.....

 

dbr

=========================================================================

Date:         Mon, 1 Sep 1997 06:16:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Happy Accidents (Was Re: Pre-recorded?  (for David Rhaesa & Diane

              Carter))

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

>  what I found

> illuminating in your analysis was that Burroughs words are a key INTO the

 pre-recorded universe and can serve as a guide for understanding as

> opposed to a map or way out of the pre-recorded universe.  Does that then mean

 that cut-ups lead to new ways of seeing and understanding, that they are in

 fact "happy accidents?"

 

My take on this is that it is a maybe - maybe not kind of thing.  I'm

not certain of the name of the old LP where i was introduced to WSB's

thoughts and words, i believe it is "breakthrough in the grey room" and

i guess that it is in cd form these genX days.

 

Happy Accidents.  Not certain about notion of accidents i guess i'd say

that probably accidentals.  Kind of was a big influence on much of my

thinking on accidents and non-accidents and probability in "Yahtzee" i

suppose.

 

The line that still haunts my brain: "How random is random ... we know

so much that we don't know that we know ......"  this from Breakthrough

in Grey Room somewhere i believe (at least on the LP) or perhaps an

auditory hallucination while listening to Breakthrough in Grey Room in a

Mystical Blue Room in Iowa.

 

Also not certain about HAPPY with regard to accidents.  Not necessarily

all Happy -- at least not early on in WSB's writings.  Certainly the

Happy is present sometimes but also this notion of "Ugly Spirit" that

one picks up here and there in his writings up through ..... (when).

Wonder if the natural painkiller of Love conquers the Ugly Spirit in the

end??????

 

It seems to boil down to the fact that if Burroughs believed in a

one-God universe, it was conversely a God playing with creation in the

same way that Burroughs as a writer created and played with his universe

of words.

> DC

 

A playful and magical universe regardless of who is pulling the strings

and whether the technicians and hamsters "know which buttons to push."

 

dbr

=========================================================================

Date:         Sun, 31 Aug 1997 23:18:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: David Rhaesa -- backchannel technical difficulties

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> RACE --- wrote:

> 

> dc:

> 

> finally got biological family commitments compleated and started to

> catch up on correspondence.  I believe the hamsters in our backchannel

> connection are on strike as my mail in your direction keeps coming back

> saying some kind of error and they'll try again in 4 hours for 4 days

> or

> somesuch.

> 

> if the hamsters are on strike, i wonder what their demands are????

> 

> have a pleasant Labouring Day.....

> 

> dbr

 

David--None of my mail is getting thru to you either and a couple came

back with the 4 hr. error.  Do you have any idea what's going on?  I'm

still getting all other mail except your's, including everyone else in

the Ulysses group.  We've to cut some kind of deal with the hamsters

because this is really frustrating.

DC

=========================================================================

Date:         Mon, 1 Sep 1997 10:43:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: David Rhaesa -- backchannel technical difficulties

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> > RACE --- wrote:

> >

> > dc:

> >

> > finally got biological family commitments compleated and started to

> > catch up on correspondence.  I believe the hamsters in our backchannel

> > connection are on strike as my mail in your direction keeps coming back

> > saying some kind of error and they'll try again in 4 hours for 4 days

> > or

> > somesuch.

> >

> > if the hamsters are on strike, i wonder what their demands are????

> >

> > have a pleasant Labouring Day.....

> >

> > dbr

> 

> David--None of my mail is getting thru to you either and a couple came

> back with the 4 hr. error.  Do you have any idea what's going on?  I'm

> still getting all other mail except your's, including everyone else in

> the Ulysses group.  We've to cut some kind of deal with the hamsters

> because this is really frustrating.

> DC

 

some sort of integallactic magnetic shifting i suppose.  my sense is

that if we both eat an apple it will clear up within eight hours or so.

 

dbr

=========================================================================

Date:         Mon, 1 Sep 1997 12:13:28 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  Message of Mon, 1 Sep 1997 06:54:42 -0400 from <country@SOVER.NET>

 

I vowed I wouldn't enter into the fray on this thread which I'm pretty

tired of, but I have to agree with Marie.  The book has a GREAT ending.

IF I WERE MAKINGa film, I'd go with it: Bleak rainy night in NYC fade to

late afternoon sunset over New Jersey or maybe even West Coast sunset

with last paragraph being narrated.

=========================================================================

Date:         Mon, 1 Sep 1997 14:28:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alison Flynn <Limeskydip@AOL.COM>

Subject:      Re: Mother Night

 

Mother Night was one of the worst movies I've ever seen.

 

On the other hand, the book is pretty good. Don't watch the movie. Nick Nolte

still hasn't discovered that he can't act.

=========================================================================

Date:         Mon, 1 Sep 1997 14:59:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

 

In a message dated 97-09-01 14:51:25 EDT, you write:

 

<< so in this insane thread about who should play whom,

 i say let BARNEY play all the roles, as the king of mediocrity and all that

 is scary in our plastic amerikan culture.

  >>

 

yeah, but is Barney beat?

 

heee heeeeee heeeee.....

ddr

=========================================================================

Date:         Mon, 1 Sep 1997 15:06:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      ALLEN GINSBERG AT NEW COLLEGE

 

i have a quick story to tell you all about allen ginsberg's trip to my

college, new college of the university of south florida last year.

 

well, he came and performed poetry and lectured and was outstanding.  it was

amazing!  but while he was here, someone gave him a picture of a man with a

carrot stuck up his ass.  well, AG  said he wouldn't sign it because it

wasn't his ass.  then he hit on one of the students here for a half and hour.

 the boy was a bit perturbed, but his girlfriend thought it was hysterical.

 

i love allen ginsberg and his work, but that just cracked me up!

 

oh, and thanks y'all for all your help with my tutorial - it really helped a

great deal!

 

bit of info. before i sign-off for the day

jenn :o)

=========================================================================

Date:         Mon, 1 Sep 1997 16:29:43 -0400

Reply-To:     "William N. Gay" <wgay@zoo.uvm.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  <l03020900b0300d15117d@[206.25.67.114]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Marie,

 

I couldn't agree more. What's more poignant than the book itself and our

own personal relationships with it? Could a film ever do this book justice

in the opinion of those to whom it is most important? I don't think so.

All it would do is thinly glamorize and likely trivialize, maybe make some

Hollywood merchants richer. For my bit, I've had enough of that.

=========================================================================

Date:         Mon, 1 Sep 1997 15:36:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

William N. Gay wrote:

> 

> Marie,

> 

> I couldn't agree more. What's more poignant than the book itself and our

> own personal relationships with it? Could a film ever do this book justice

> in the opinion of those to whom it is most important? I don't think so.

> All it would do is thinly glamorize and likely trivialize, maybe make some

> Hollywood merchants richer. For my bit, I've had enough of that.

 

all of this could be true and will be -- but from another "angle" in the

infinity of "angles" it may expose a whole new generation to these

characters and then those with inclinations towards the art of reading

will perhaps follow the road of the movie into the many corners of the

written history of these figures as in OTR and in all the other many

veins and threads, strings and strands of this rich material.

 

dbr

=========================================================================

Date:         Mon, 1 Sep 1997 17:32:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: The Kerouac Quarterly

 

In a message dated 97-08-31 09:25:01 EDT, you write:

 

<< Hi Attila, since I have so much to choose from recently it has delayed my

 publication (change of cover, added text etc.). I will have it ready for the

 Kerouac Festival. The rates are $5.00 (USA) $7.00 (overseas and Canada).

 Vol. I, No.2 will be between 40 to 50 pages.I don't take full-year

 subscriptions as yet until I can get on a stable publishing pattern. Take

 care and thanks, Paul...

  >>

 

I think I may have your address, but please send it again,

thanks, Attila

=========================================================================

Date:         Mon, 1 Sep 1997 18:53:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  <BEAT-L%1997090112180136@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 1 Sep 1997, Bill Gargan wrote:

 

> I vowed I wouldn't enter into the fray on this thread which I'm pretty

> tired of, but I have to agree with Marie.  The book has a GREAT ending.

> IF I WERE MAKINGa film, I'd go with it: Bleak rainy night in NYC fade to

> late afternoon sunset over New Jersey or maybe even West Coast sunset

> with last paragraph being narrated.

> 

 

I love the ending too...I was saying to add the "neal on the tracks", not

use it to replace the current ending.  Some imagery is going to be needed

on the screen so that the narratar can read the last passage from the

book.  It doesnt need to be read over the closing credits.....theblack

and white part of the film would end with the end of the book scene, and

the color scene of the older Neal walking on the tracks would be shown in

conjunction with the reading of the last passage ..."I think of Dean

Moriarty, I think of old Dean Moriarty that we never found..." .etc

 

Like it or not, more people will see the OTR film than will ever read the

book or ever have read the book.  It will be a vehicle to turn millions

of people onto Kerouac.  The whole point of making the movie is to get

people to read the books.

 

ANYONE who really cares about preserving Kerouac's legacy and turning

more people onto it has to be into the idea of it being a film.

 

There are obviously people on this list who are on it because they knew

certain people personally, not because of any great passion for the

literature.

 

We all value their recollections but I resent the implication that one

had to know these people to have a connection to them.

 

 

Richard W.

=========================================================================

Date:         Mon, 1 Sep 1997 19:59:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Some Of Dharma, Kerouac book

 

Hello:

The new Some of the Dharma is out, and I was wondering if anybody read it

(maybe they got a review copy a while back) and are interested in writing a

review of it for inclusion in the next issue of DHARMA beat, a Jack Kerouac

publication. If you are interested, please let me know as soon as possible,

as I would need the review within 7 days.

 

thanks and enjoy,

 Attila  editor, DHARMA beat

=========================================================================

Date:         Mon, 1 Sep 1997 20:00:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: OTR film

 

In a message dated 97-09-01 09:22:10 EDT, you write:

 

<< I think the movie should be shot in black and white, except for the

opening

 and closing scenes, which would be color shots of Neal Cassady walking

 shirtless on the train tracks in mexico, counting the tracks right before

 his death. >>

 

That is not how the book ends, and I'm not trying to start anything, but why

wouldn't the film end the same way the book ends.

 

3 ways to shoot the film:

 

1 - just shoot the book, and don't think about Jack and Neal. Shoot the film

about and Sal and Dean. Shoot what was written in the book, not what you

think was really happening.

 

2 - shoot what really happened to Jack and Neal. You don't have to follow the

book, the actual events should be followed (by what you think happened

anyway)

 

3- don't worry about shooting the book or the actual events, but try to

capture the spirit and visions as the book did to a generation 40 years ago.

 

NO COMPROMISE

 

just my own direction, Attila

=========================================================================

Date:         Mon, 1 Sep 1997 20:02:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Burroughs Video

 

Just saw a show on cable with Burroughs in it, kind of like a Christmas Carol

Story, with him doing the voice over with clay animation (the guy is willing

to give up his nod to a guy in need- kidney stones). It was kind of

interesting. He was reading from Interzone. I think I saw it on Bravo.

so it goes, Attila

=========================================================================

Date:         Mon, 1 Sep 1997 19:55:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Burroughs Video

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Attila Gyenis wrote:

> 

> Just saw a show on cable with Burroughs in it, kind of like a Christmas Carol

> Story, with him doing the voice over with clay animation (the guy is willing

> to give up his nod to a guy in need- kidney stones). It was kind of

> interesting. He was reading from Interzone. I think I saw it on Bravo.

> so it goes, Attila

 

did he receive the Immaculate Fix????

 

dbr

=========================================================================

Date:         Mon, 1 Sep 1997 21:24:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Bruce Cook's article at the Post

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I found Bruce Cook's article at the Washington Post.  It is at this url:

 

http://search.washingtonpost.com/wp-srv/WPlate/1997-08/31/041l-083197-idx.html

 

This is an excellent comment on OTR and those of you reading it should

read this review.  I found it by going to the Washington Post and in the

search space on its web page, I typed in Jack Kerouac.  The url for the

post is:

 

http://www.washingtonPost.com/

 

Use the search machine!  The other url might not work.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 1 Sep 1997 22:57:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      TKQ has been updated! New, rare picture of Kerouac!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have updated the news, links, and also a rare picture of Jack Kerouac flashing

a toothy grin. Thanks! Paul....

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Tue, 2 Sep 1997 00:19:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      Burrough's "Junky Christmas"

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

i think it was Attila who mentioned something about a video in claymation

with burroughs reading a narration. I have this on video from someone who

recorded it for me a year or so ago on VH1 of all channels.  Its very

interesting to see it performed in a claymation style.

=========================================================================

Date:         Tue, 2 Sep 1997 02:34:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Neal--Man and Myth/Leon's post

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Bentz' route to the Beats is the same as my own. I

was led to On The Road thru Wolfe's Electric Kool Aid

Acid Test, also. Read Acid Test in 1969, OTR in 1970.

I thought On The Road was a romantic book about America.

I always have thought of it as real and not fiction. Neal

always struck me as the wild alter-ego of the conservative

Kerouac.  It seemed to me that Neal was being used in Kerouac's

book for Kerouac's benefit.  Neal's lines were often wonderful

and I believed he was the author of them.  So I always thought

the book probably cost the two a lot of their friendship.  And

I always wanted to know a lot more about Neal the real person.

I have seen several movies, and have read Leon's post.  I'm

sure there is a biography somewhere.  Neal seems like the engine

that powers conservative Jack out of Lowell.  Jack wants to be

like Neal.  He idolizes Cassady for his craziness. When someone writes

your story and gets most of the credit for it, it has to have a

powerful effect on you, especially if you have writing ambition of

your own.

 

I would like to know that story and what lay beneath the surface

of the manic Cassady.

 

Mike Rice

=========================================================================

Date:         Tue, 2 Sep 1997 02:57:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: book to movies

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:43 PM 8/31/97 -0500, you wrote:

>I'm surprised that no one has mentioned John Huston's chillingly faithful

>adaptation of "The Maltese Falcon," which gets my vote for a great book

>that became a great movie.

> 

> 

Huston wrote the screenplay for this one, I read.  So who came up with

the line about the statue being "the stuff that dreams are made of,"

Hammett or Huston?  Please don't write that it was Shakespeare, we know

that.

 

Mike Rice

=========================================================================

Date:         Tue, 2 Sep 1997 02:57:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR: Old Bull Lee wisdom

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:30 AM 8/31/97 -0700, you wrote:

>A couple more quotes.  I think we talked before about Burroughs dislike

>of Neal and of wanting Kerouac to come visit without Neal; on page 147,

>Old Bull, talking about Dean, says, "'He seems to me to be headed for his

>ideal fate, which is compulsive psychosis dashed with a jigger of

>psychopathic irresponsibility and violence.'  He looked at Dean out of

>the corner of his eye. 'If you go to California with this madman you'll

>never make it."

> 

>Also, in the car after he and Sal have been to the racetrack, Bull says,

>"Mankind will someday realize that we are actually in contact with the

>dead and the other world, whatever it is; right now we could predict, if

>only we exerted enough mental will, what is going to happen within the

>next hundred years and be able to take steps to avoid all kinds of

>catastrophes.  When a man dies he undergoes a mutation in the brain that

>we know nothing about now but which will be very clear someday if

>scientists get on the ball.  The bastards right now are only interested

>in seeing if they can blow up the world.'"

> 

> 

 

A man who shot drinks off his wife's head as a parlor

trick at parties, has no right to complain about the company

Kerouac kept or "psychopathic irresponsibility and violence."

Of course, Burroughs deserves some credit for having tremendous

gall  complaining about Cassady.

 

Mike Rice

=========================================================================

Date:         Tue, 2 Sep 1997 06:33:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  <Pine.SUN.3.91-FP.970901184659.15797A-100000@cap1.capaccess.org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

richard wallner wrote:

 

ANYONE who really cares about preserving Kerouac's legacy and turning

more people onto it has to be into the idea of it being a film.

____________

why? it seems that many people are interested in reading the books

themselves. if you look around, more and more bookstores are carrying beat

lit.

if i am not in favor of a film (particularly one which would mangle the

book by ending up in the future after jack has drunk himself to death. if

there is a film, i would appreciate 'SAVING KEROUAC'S LEGACY' by the film

doing justice to the book and not to sentimentalizing and romancing the

legends. legends don't do justice to the truth.

you puzzle me a bit by this exclusionary statement above.

___________

There are obviously people on this list who are on it because they knew

certain people personally, not because of any great passion for the

literature.

_________

and where did you pick up telepathy as a hobby? who are these people you

mention? can't people be on the list because they knew neal (by this i am

guessing you are taking a coward's way out of not peppering leon, who adds

truth and sanity here in our midst by taking the time to write about the

REAL neal vs all these idealizations of him.

________

We all value their recollections but I resent the implication that one

had to know these people to have a connection to them.

_____

well, richard, again i salute yr telepathy, in speaking for the 200 odd

people on the list :

"we" all.....

_____

richard, i believe you got huffy when i suggested that the literature (vs

legacy) of kerouac would be best represented by being true to the ending of

OTR vs a sentimental and hackneyed ending which takes place years after the

book was written. OTR as i wrote in previous post has the ending, the

ending JK wrote and images of neal that are in the book vs popular myths

about neal and the tracks.

in my opinion, if the 'legacy' of JK is to be preserved, then one should

have an interest in staying true to his words and his endings to his own

books.

______

happy tuesday, all.

_____

get a grip richard.

mc

=========================================================================

Date:         Tue, 2 Sep 1997 04:44:52 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: OTR: Old Bull Lee wisdom

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>From: Mike Rice <mrice@CENTURYINTER.NET>

> 

>A man who shot drinks off his wife's head as a parlor

>trick at parties, has no right to complain about the company

>Kerouac kept or "psychopathic irresponsibility and violence."

>Of course, Burroughs deserves some credit for having tremendous

>gall  complaining about Cassady.

> 

>Mike Rice

 

Mike,

  Your post moved me.  It moved me to feel nauseated.  I've been forced to

drink an entire bottle of Pepto Dismal.  I'm going to be bunged up for a

week.  If you actually are as ignorant as you come across, I hope that

you've never been granted a driver's license and if you have, may the gods

look out for those who live in your general vicinity.

  Comparing a tragic accident to the war machine that Old Bull Lee was

referring to is like comparing a bullet to an arsenal of nuclear weapons.

Burroughs who, in this case is actually Old Bull Lee (in case you have a

hard time identifying that which is fictional), has every right to tell

Kerouac who, in this case, would actually be Sal Paradise, that he should be

careful of the company he keeps (it sort of gives the reader the impression

that Old Bull Lee cares about Sal).  I understand your need to stick up for

a favorite character but if you must, try to do so without confusing the

real lives of certain people (whom others may admire) and Kerouac's poetic

license to portray them as he wished.

 

                                                        James M.

=========================================================================

Date:         Tue, 2 Sep 1997 14:20:32 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats:The List update 2 sep 1997

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Stephen Jesse Bernstein

---

Paul Blackburn [Black Mountain School]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                                                Frank Carmody,

                                                                Will Dennison,

                                                                Old Bull Lee"

 

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric"

---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                                        "Lorenzo Monsanto,

                                                        Larry O'Hara

                                                        Danny Richman"

---

Tom Field [Spicer Circle]

---

Charles Foster

---

Robert Frank

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                                        Alvah Goldbook, Leon Levinsky

                                                        Carlo Marx"

---

John Giorno

---

Paul Goodman

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                                        Leo Percepied, Ray Smith,

                                                        Jack, Peter Martin,

                                                        Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth, The Fugs]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov [Black Mountain School]

---

Timothy Leary

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Philomene Long

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Bill MacNeill

---

Taylor Mead

---

David Meltzer

---

Jack Micheline [SF<LA<NY poet]

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

---

Frank Rios

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders [Peace Eye Bookstore]

---

Mark Schorer

---

Tony Scibella

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

John Thomas

---

Mark Tobey

---

Alexander Trocchi

---

Tom Waits [Foreign Affairs]

---

Anne Waldman [St. Mark's Poetry Project, New York]

---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums"

---

Lew Welch

---

Philip Whalen

---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963}

---

Ruth Witt-Diamant [San Francisco's Poetry Center]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

2th september 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell         <walter.campbell@usa.net>

David Christian                 dckom@atlcom.net

Greg Christy            <christyg@pcpartner.net>

Patricia Elliott                <pelliott@SUNFLOWER.COM>

Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

OHearn                          <orpheus@in.the.shadows>

Mike Rice                       <mrice@centuryinter.net>

David Schwarm           <dschwarm@sun3.lib.uci.edu>

Eric Saylor                     esaylor@sprynet.com

James Stauffer          <stauffer@pacbell.net>

Michael Stutz           <stutz@dsl.org>

Tara123125                      tara123125@aol.com

-*-

Addenda comments:

1.=============================

Return-Path: <dckom@atlcom.net>

From: dckom@atlcom.net (dckom)

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: Beats:The List update 31 aug 1997

Date: Sun, 31 Aug 1997 21:20:00 GMT

Organization: W.S.A.

Reply-To: dckom@atlcom.net

 

Hi,

By Ed Sanders and Tuli Kumferberg you should note The Fugs.

By Sanders, Peace Eye Bookstore.

Paul Goodman was Black Mountain School, except they threw him out for being

gay.

Good project, thanks for the work.

        David Christian

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Free thought, neccessarily involving freedom of

speech and press, I may tersely define thus:no

opinion a law-no opinion a crime.

          Alexander Berkman

 

2.===============================

Return-Path: <tara123125@aol.com>

Date: Sun, 31 Aug 1997 18:45:05 -0400

Newsgroups: alt.books.beatgeneration

To: "Rinaldo Rasa" <rasa@gpnet.it>

From: tara123125@aol.com (Tara123125)

Organization: AOL http://www.aol.com

Subject: Re: BEATs list

SnewsLanguage: English

 

Regarding your request to add names to your beat list--

 

May I suggest the following Beat generation poets:

 

John Thomas, Philomene Long, Frank Rios and Tony Scibella. They can be

found, along with Stuart Perkoff, in John Maynard's "Venice West: The Beat

Generation in Southern California". Also see LA Beats Web Site-

                      HTTP://members.aol.com/labeats

 

3. =====================================

Return-Path: <esaylor@sprynet.com>

From: esaylor@sprynet.com (Eric Saylor)

To: rasa@gpnet.it

Subject: beat list

Date: Tue, 02 Sep 1997 05:42:05 GMT

 

Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in

1992, Seattle WA USA.

 

Thanks.

 

Eric

 

============= end of comments ======================

=========================================================================

Date:         Tue, 2 Sep 1997 14:02:53 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      The Invisible Friend.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                nine times out of ten

                i think the Beats

                are hopeful

 

                an invisible hand

                acts as Beat's guide

 

        they live in a Paradiso Terrestre

                anything happens

                        wars

                        BOMB

                        massacres

                        they

                        with

                        childish

                        eyes

                look at the world.

 

Rinaldo.

=========================================================================

Date:         Tue, 2 Sep 1997 08:50:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Final Lowell Schedule & Press Release

Comments: To: "philzi@tiac.net" <philzi@tiac.net>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

Lowell Celebrates Kerouac!, Inc P.O. Box 1111, Lowell, MA 01853

 

KEROUAC FESTIVAL CELEBRATES LOWELL WITH POETRY, PERFORMANCE AND

PHOTOGRAPHY

 

(Lowell, MA)    The 10th Annual Lowell Celebrates Kerouac!

Festival will celebrate the real and explore the mythic Lowell of

Kerouac's art, 2- 5 October in Lowell, MA. The festival will also

honor the memory and pay tribute to Allen Ginsberg, poet,

visionary and Kerouac friend.

 

The festival will begin 6:00PM, Thursday, 2 October at the

Whistler House Museum of Art, Worthen St with the opening of

Images of Kerouac 97" a photographic exhibition, and award of the

Jack Kerouac Literary Prize. Images of Kerouac '97 is an open

exhibition. All emerging and established photographers are invited

to submit their work . For details call, 508- 452-7641.

 

Featured guest, Anne Waldman, internationally acclaimed poet,

editor and educator will lead a tribute to Allen Ginsberg,  8:00

PM, Saturday, 4 October at the Smith-Baker auditorium, Merrimack

St, Lowell.  Ms Waldman has authored over 30 books of poetry and

has performed in readings around the world. She directed the

Poetry Project at St Mark's Church in the Bowery for over a decade

and is currently the Director of the Jack Kerouac School of

Disembodied Poetics which she co-founded with Allen Ginsberg. She

will be accompanied by James Cameron on tenor sax. Admission is

$7.00 ($5.00 for students).

 

A photographic remembrance of Allen Ginsberg featuring works by

Gordon Ball, Elsa Dorfman, Gerard Melanga and Fred McDarrah will

be on display at the Brush Art Gallery, Market Street Visitors

Center from September 25 through November 16. Gordon Ball,

Ginsberg editor and photographer will present a gallery talk at

1:00 PM, Saturday, 4 October. For details call 508-459-7819.

 

Lowell singer, song-writer and recording artist , Bob Martin will

open an evening of performance poetry by Vincent Ferrini, Patricia

Smith, Michael Brown, Lawrence Carradini, and Meg Smith. Vincent

Ferrini, a member of the Black Mountain School of Poetry, friend

and associate of Charles Olsen, and the dean of the Gloucester

poets, has been writing and performing for decades. His work is

published widely. Award winning journalist, poet, playwright and

performer, Patricia Smith is a well known columnist for the Boston

Globe and co-founder and leader of the slam poetry movement in

Boston. She has performed her work around the world. Her US

appearances include the Nuyorican Cafe, St. Mark's Poetry Project,

and Lollapalooza. She is a fourtime national poetry slam champion.

Michael Brown, member of the 1993 National Slam Championship team

from Boston, is also an award winning performance poet. As General

Secretary of the International Organization of Performance Poets

he is currently planning the first international poetry slam in

Stockholm in 1998. Lawrence Carradini and Meg Smith are well known

and respected members of the Lowell and Cambridge performance

poetry scenes. Suggested donation $3.00.

 

The University of Massachusetts- Lowell will conduct the 3rd

Annual Beat Literature Conference from 8:00 AM to 5:00 PM on

Friday, 3 October at the O'Leery Library, UMASS- Lowell South

Campus. There is no charge for the conference. Panels will include

leading scholars on Kerouac, Ginsberg, Burroughs and the Beat

movement in general. Ann Douglas from Columbia University will

present the Keynote speech at 2:00PM. For more information on the

conference call the English Department, UMASS- Lowell at

508-934-4195.

 

Other festival events include walking tours of Kerouac sites in

Lowell, a small press boo fair, open microphone events, a dance

presentation by the Feast of Friends Dance company, and many

opportunities for conversation.

 

Jack Kerouac's best known work, On The Road has sold over 3

million copies and continues to sell over 60, 000 copies per year-

30 years after his death and 40 years since it's first publication

in 1959. Kerouac was born, raised and remained a native of Lowell

throughout his life. 5 of his 11 novels take place in Lowell, and

the city is mentioned in virtually every one of his books 24

books. His descriptions of Lowell are remarkable for their beauty,

power and timelessness. Through them, millions of readers have

come to know Lowell as a universal hometown.

 

Lowell Celebrates Kerouac!, Inc. is a non-profit corporation

dedicated to the celebration, enjoyment and study of Jack Kerouac

and his writings. Whenever possible, events are free, however,

donations are gratefully accepted for continued support of the

annual Lowell Celebrates Kerouac! Festival.. To make a donation,

or to find out more about Lowell Celebrates Kerouac!, Inc., write:

P.O. Box 1111, Lowell, MA 01853.

 

Schedule for the 10th Annual Lowell Celebrates Kerouac! Festival

follows:

 

THURSDAY, 2 OCTOBER

Barbara Concannon-Crete Memorial Poetry Prize- High School Poetry

9:00AM-11:00AM

Lowell High School Poetry Competition for High School Students-

for Information call 508-452-7966

 

Downtown Kerouac Places- Walking Tour

4:30PM-6:00 PM

Begins at Middlesex Community College, ends at the Pollard

Memorial Library.  Roger Brunelle leads a walking tour of

Kerouac's downtown.

 

Images of  Kerouac '97- Reception and Photography Exhibition

6:00PM- 8:00PM

Whistler House Museum of Art,  243 Worthen Street Open exhibition

of photography inspired by Jack Kerouac and the Beats. Entries

welcome. Deadline 12 September. Co-sponsored by the Whistler House

Museum of Art, 508-452-7641.

 

Jack Kerouac Literary Prize Award

7:00PM

Whistler House Museum of Art, 243 Worthen Street Presentation of

the 9th Annual Jack Kerouac Literary Prize. The prize is sponsored

by The Estate of Jack and Stella Kerouac, Lowell Celebrates

Kerouac!, Inc. and  Middlesex Community College.

 

Dr Sax Nights- Walking Tours

8:00PM-10:00PM

Tour begins at McDonald's, Mammoth Rd, ends at  the Spaulding

House,  Pawtucket St for discussion. Rain or shine. Roger Brunelle

leads a walking tour of Kerouac's Pawtucketville.

 

Friends and Music

10:00PM-12:00PM

The Athenian Corner Restaurant, 207 Market Street.  Greek Band,

Greek food and Kerouac friends.

 

FRIDAY, 3 OCTOBER

3rd Annual Beat Literature Symposium

8:00AM-5:00PM

O'Leary Library, Room 222, South Campus, UMASS-Lowell 9:00AM-12:00

Noon - Presentation of Papers. 2:00PM - Keynote Presentation by

Ann Douglas, Columbia University. 3:00PM-5:00PM - Panel

discussions. Leading scholars present original research on beat

authors, writing techniques and cultural phenomena. For

information and pre-registration, call Prof Hilary Holladay,

508-934-4195. Sponsored by the English Department UMASS-Lowell. NO

CHARGE.

 

Mystic Jack- Walking Tour

5:00PM-6:00PM

Begins and ends at St. Louis de France Church, Centralville. Tour

by Roger Brunelle.

 

Memorial Mass for Jack and Stella Kerouac

6:00PM-7:00PM

St. Louis de France Church, Centralville

 

Listen to the Beat- Readings

8:00PM-10:00PM

The Parkway Cafe,  350 Market Street Poets Vincent Ferrini,

Patricia Smith, Michael Brown, Lawrence Carradini, and Meg Smith

and Singer song-writer,  Bob Martin present an evening of

performance poetry and music.  Suggested donation $3.00.

 

Friends, Music and Lowell Poets

10:00PM-12:00PM

Parkway Cafe

 

SATURDAY, 4 OCTOBER

Nashua - Bus Tour

9:00AM-1:00PM

9:00AM- Depart from Lowell Barnes and Noble. Reservations can be

made in person, or call 508-458-3939.  9:30AM- Depart Nashua, NH

Barnes and Noble. For reservations, call Laura Eanes at

603-897-0777.  A bus tour of Kerouac places in Nashua, NH by Steve

Edington. RESERVATIONS PREFFERRED NOT REQUIRED

 

Small Press Book Fair

10:00AM-4:00PM

Memorial Hall, Pollard Memorial Library A sampling of local

presses and Kerouac material.

 

Commemorative at the Commemorative- Honoring Jack Kerouac and

Allen Ginsberg 11:00AM-12:00Noon The Kerouac Commemorative, Bridge

and French Streets

 

Strictly Kerouac- Dance

12:30-1:00 PM

The Courtyard at the Market Street Visitor's Center, Lowell

National Historical Park. Jan Zwadney and a Feast of Friends

interprets Kerouac in dance, music and spoken word.

 

Allen Ginsberg and Friends: A Photographic Remembrance

1:00PM- 3:00PM Brush Art Gallery, Market Street Visitors Center

Photographs by Gordon Ball, Elsa Dorfman, Gerard Malanga and Fred

McDarrah. Exhibition open from September 25 - November 16th.

Gallery Talk- Gordon Ball

1:30PM Brush Art Gallery, Market Street Visitor Center

Photographer and Ginsberg editor, Gordon Ball talks about

photographing Allen Ginsberg.

 

Poetry at the Rainbow Cafe 4:00PM-6:00PM Rainbow Cafe, Cabot

Street

 

Anne Waldman and Friends- A Tribute to Allen Ginsberg

8:00PM-10:00PM Smith Baker Auditorium, Merrimack Street-

Admission- $7.00 Anne Waldman, renowned poet, performer, and

editor leads a tribute to the Dharma Lion. James Cameron on

saxophone.

 

Music Friends and Lowell Poets 10:00PM -12:00 PM The Downstairs

Cafe, Merrimack Street

 

SUNDAY 5 OCTOBER The Jack Kerouac Tour- Bus Tour 9:30AM-11:30AM

Departs from  Middlesex Community College, Merrimack Street Bus

tour of Kerouac's Lowell. Call 508-452-7966 for reservations. Tour

by Roger Brunelle. Please give name, phone number and number of

places reserved. RESERVATIONS REQUIRED.

 

Words and Music- Open Mic

1:00PM-3:00PM  The Coffee Mill, Palmer Street.

 

PRESS CONTACT:  Mark Hemenway:  Day: 508-475-9090 ext 1239

Evening: 508-458-1721

 

PUBLIC INQUIRIES:

1-800-443-3332

508-458-1721

 

***END***

=========================================================================

Date:         Tue, 2 Sep 1997 09:53:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

In-Reply-To:  <l03020901b0315efd75ce@[206.25.67.128]>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> ____________

> why? it seems that many people are interested in reading the books

> themselves. if you look around, more and more bookstores are carrying beat

> lit.

 

This is true but the fact remains that tv and movies are a far more

pervasive medium than books right now, and in order to turn people on to

books you have to get people where they are-- in front of their tv sets

and in movie theaters.  Are you one of those folks who think Kerouac and

beat writing would lose its hipness if too many people were turned on to

it?  That is what it sounds like it...

 

 

> if i am not in favor of a film (particularly one which would mangle the

> book by ending up in the future after jack has drunk himself to death. if

 

Get your facts straight...Neal Cassady died over a year BEFORE Kerouac

did.  I dont think it would be mangling the book anymore than David

Cronenburg "mangled" Naked Lunch by giving it his own spin.  You will

rarely if ever find a novel turned into a movie that is able to be 100%

faithful.  Most books arent written with movies in mind so the work has

to be adjusted.

 

I guarantee you there WILL be scenes added to the movie-- maybe not the

Neal on the tracks but other scenes not in the book but clearly in the

spirit of the book.  As I said, in the script I saw, and I didnt read the

whole thing, there is a scene in the beginning with Neal, Burroughs,

Kerouac, and Ginsberg sitting in a bar bs'ing.  This didnt

happen...Burroughs was gone from NYC before Neal ever got there, they met

down in Texas later.  But it wont hurt the book being in it, if it

maintains the spirit and intent of the work.  They were all friends,

Burroughs and Cassady corresponded before they even ever met, so such a

scene is simply a vehicle to simplify things and point out on screen that

they knew each other.

 

Since Jack Kerouac isnt alive to direct the film himself, it is going to

be someone else's interpretation.

 

 

RJW

=========================================================================

Date:         Tue, 2 Sep 1997 09:01:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beats:The List update 2 sep 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo,

an absolutely shit kicking list.  i love it.     am trying to create a

file that talks a little bit about each of these people.  I am working

on the connections between them. Could be a thesis.

p

=========================================================================

Date:         Tue, 2 Sep 1997 09:02:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: OTR: Old Bull Lee wisdom

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike Rice wrote:

> 

> At 04:30 AM 8/31/97 -0700, you wrote:

> >A couple more quotes.  I think we talked before about Burroughs dislike

> >of Neal and of wanting Kerouac to come visit without Neal; on page 147,

> >Old Bull, talking about Dean, says, "'He seems to me to be headed for his

> >ideal fate, which is compulsive psychosis dashed with a jigger of

> >psychopathic irresponsibility and violence.'  He looked at Dean out of

> >the corner of his eye. 'If you go to California with this madman you'll

> >never make it."

> >

> >Also, in the car after he and Sal have been to the racetrack, Bull says,

> >"Mankind will someday realize that we are actually in contact with the

> >dead and the other world, whatever it is; right now we could predict, if

> >only we exerted enough mental will, what is going to happen within the

> >next hundred years and be able to take steps to avoid all kinds of

> >catastrophes.  When a man dies he undergoes a mutation in the brain that

> >we know nothing about now but which will be very clear someday if

> >scientists get on the ball.  The bastards right now are only interested

> >in seeing if they can blow up the world.'"

> >

> >

> 

> A man who shot drinks off his wife's head as a parlor

> trick at parties, has no right to complain about the company

> Kerouac kept or "psychopathic irresponsibility and violence."

> Of course, Burroughs deserves some credit for having tremendous

> gall  complaining about Cassady.

> 

> Mike Rice

Thank god we finally have a judge and jury and the missing conviction.

If any one can be considered an expert on gall it might be the person

who uses such a one deminsional arguement to make such a point.loving it

p

=========================================================================

Date:         Tue, 2 Sep 1997 08:08:18 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Cassady residence, gone (fwd)

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

ya'll

saw this on rec.music.gdead and i thought some here would be interested,

etc.

yrs

derek

 

---------- Forwarded message ----------

Date: 29 Aug 1997 19:39:27 GMT

From: Peter Lowenberg <PLOWENBE@qmtn.quintiles.com>

Newsgroups: rec.music.gdead

Subject: Cassady residence, gone

 

 In this week's Los Gatos News my local rag,  there is an article about

the house built by Neal Cassady which was recently razed, Cassady built

the house with money obtained after his settlement with Union Pacific

Raliroad.  The town folk claim they had no idea of it's potential

historic value, but couldn't have saved it anyway.  Twas the South bay

hangout of Kerouac, and Ginsberg and later Kesey.  Cassady's son was

allowed to take the Day glo green front door and the top of the bar,

before the house was demolished.

 

 

 

Peter

=========================================================================

Date:         Tue, 2 Sep 1997 11:13:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      The Neal/Gerard connection...

In-Reply-To:  <340C1C65.796B@sunflower.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I've been re-reading OTR the last few days (a pleasure to finally read it

in hardback btw!) and it occurs to me that Kerouac may have desperately

wanted to believe that his dead brother's spirit was somehow alive in

Neal Cassady.  Had his brother Gerard lived, I believe he would have been

about the same age as Cassady.

 

Its no secret that Kerouac was haunted by memories and feelings for his

brother who died as an infant.  Kerouac refers to Neal/Dean in the book

at various times as both his brother and angel.

 

So perhaps OTR is less about Neal Cassady's search for his father, and

more about Jack Kerouac's search for his brother.  Jack Kerouac traveling

around the country hoping deep down to find his brother alive somewhere,

and thinking for a while that perhaps his spirit was alive in Neal

Cassady.  And in the end realizing that no matter how hard he wanted it

to be, Neal was not Gerard, not his brother.

 

I suggest that OTR is really about Kerouac learning to accept the death

of his brother many years after the fact, through being able to envision

for a while that Cassady *was* the embodiment of Gerard and finally

accepting the reality that no one, not even Neal, could really be Gerard.

 

RJW

=========================================================================

Date:         Tue, 2 Sep 1997 14:07:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Re: Men Of The Mountains.(Beats)

 

How much Snyder gets short changed

really depends on where you live, here

in San Francisco, he gets lots of press,

his readings sell out, he is very well regarded.

In fact people here in the provincial "City"

are shocked when New York claims anything to

do with the beats!

 

yrs

Gary Mex

=========================================================================

Date:         Tue, 2 Sep 1997 14:42:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: The Neal/Gerard connection...

 

In a message dated 97-09-02 12:20:29 EDT, you write:

 

<< Its no secret that Kerouac was haunted by memories and feelings for his

 brother who died as an infant.   >>

 

Wow. No secret? Gee whiz. And all these years I've somehow been sucked into

believing Gerard died at the age of nine.

 

How dumb am I?

 

duh-duh-diane

=========================================================================

Date:         Tue, 2 Sep 1997 13:46:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: The Neal/Gerard connection...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

> 

> So perhaps OTR is less about Neal Cassady's search for his father, and

> more about Jack Kerouac's search for his brother.

 

doesn't seem to need to be a "one or the other" sort of thing.  Both on

spirit searches....along with very much living in the Present.

 

so if JK finds Gerard in DM, does DM find his father's spirit

anywhere???

 

dbr

=========================================================================

Date:         Tue, 2 Sep 1997 14:58:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: The Neal/Gerard connection...

In-Reply-To:  <970902144114_1952520056@emout08.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 2 Sep 1997, Diane De Rooy wrote:

 

> In a message dated 97-09-02 12:20:29 EDT, you write:

> 

> << Its no secret that Kerouac was haunted by memories and feelings for his

>  brother who died as an infant.   >>

> 

> Wow. No secret? Gee whiz. And all these years I've somehow been sucked into

> believing Gerard died at the age of nine.

> 

> How dumb am I?

> 

> duh-duh-diane

> 

 

There is no need to be sarcastic...I made a slip...its been a while since

I read "Visions of Gerard" sheesh...

=========================================================================

Date:         Tue, 2 Sep 1997 14:14:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ron Guest <rguest@SUNSET.BACKBONE.OLEMISS.EDU>

Subject:      Re: Cassady residence, gone (fwd)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

That's too bad.  That was a landmark.  Seems that Cassady and Kerouac were

always running to or away from that place.  Wasn't that the place where

Kerouac would sleep out under a tree in the back yard on his visits?

 

 

 

At 08:08 AM 9/2/97 -0600, you wrote:

>ya'll

>saw this on rec.music.gdead and i thought some here would be interested,

>etc.

>yrs

>derek

> 

>---------- Forwarded message ----------

>Date: 29 Aug 1997 19:39:27 GMT

>From: Peter Lowenberg <PLOWENBE@qmtn.quintiles.com>

>Newsgroups: rec.music.gdead

>Subject: Cassady residence, gone

> 

> In this week's Los Gatos News my local rag,  there is an article about

>the house built by Neal Cassady which was recently razed, Cassady built

>the house with money obtained after his settlement with Union Pacific

>Raliroad.  The town folk claim they had no idea of it's potential

>historic value, but couldn't have saved it anyway.  Twas the South bay

>hangout of Kerouac, and Ginsberg and later Kesey.  Cassady's son was

>allowed to take the Day glo green front door and the top of the bar,

>before the house was demolished.

> 

> 

> 

>Peter

> 

> 

=========================================================================

Date:         Tue, 2 Sep 1997 12:23:49 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The Neal/Gerard connection...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I agree, no reason for this sort of sarcsam.

 

Gerard would have died around the same time Cassady was born.

 

At 02:58 PM 9/2/97 -0400, you wrote:

>On Tue, 2 Sep 1997, Diane De Rooy wrote:

> 

>> In a message dated 97-09-02 12:20:29 EDT, you write:

>> 

>> << Its no secret that Kerouac was haunted by memories and feelings for his

>>  brother who died as an infant.   >>

>> 

>> Wow. No secret? Gee whiz. And all these years I've somehow been sucked into

>> believing Gerard died at the age of nine.

>> 

>> How dumb am I?

>> 

>> duh-duh-diane

>> 

> 

>There is no need to be sarcastic...I made a slip...its been a while since

>I read "Visions of Gerard" sheesh...

> 

> 

=========================================================================

Date:         Tue, 2 Sep 1997 12:32:41 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Cassady residence, gone Pooh Bear

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I think this house is where Jack was staying when he began his Buddhist

studies.  As I recall reading much of his study began at the nearby San Jose

library.

 

Also, the Some of the Dharma provides us with some kewl nuggets.  For one

example where the "don't you know God is Pooh Bear" line near the end of the

book.

 

In SoD there are various transcripts of conversations Jack was having with

the kids Jamie and Cathy (presumably at this Los Gatos house).  One of the

kids (Cathy I think--and I hope her name is Cathy--I don't have the book in

front of me) is the person who called God Pooh bear.

 

So this came in a conversation with one of Neal and Carolyn Cassidy's kids.

 

It also hits home the revisions or "inserts" Kerouac did to On the Road.

Apparently he began writing up what he called inserts to include in the

book.  One of these inserts is the "mad to be...fireworks everyone go aww"

line that seems to be the most famous quote from the book.  My gues is that

this Pooh bear paragraph was also an insert.

 

It also clarifies something that seemed anachronistic withing Kerouac's

oeurve and artistic life in a while ago someone presented a section from On

the Road that seemed heavily Buddhist (I don't remember which mesasage or

the author here).  I remember it striking me as somewhat strnage that a

passage that might sound more like it came from Visions of Gerard with its'

strong Buddhist terminology.  But the insert process Kerouac did explains this.

=========================================================================

Date:         Tue, 2 Sep 1997 13:20:47 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Cassady residence, gone Pooh Bear

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I would like to get some expert help on this. Maybe Leon will weigh in.

My recollection from letters and somewhat vague memories of Carolyn

Cassidy's "Heartbeat" (don't have Off the Road handy) is that there was

at least one and maybe more previous Cassidy houses in the San Jose

area, and that most of Jack's visits and extended stays were at an

earlier place in San Jose rather than the Los Gatos place which Jack

visits with Lew Welch and others in Big Sur. Los Gatos is adjacent to

San Jose.  Any local would use the Los Gatos address rather than  San

Jose  if they could.  Jack, of course, might not be aware of this

difference.

 

J. Stauffer

 

J. Stauffer

=========================================================================

Date:         Tue, 2 Sep 1997 16:16:04 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: OTR movie

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> It seems to me watching a book-based movie before reading the book could

> limit your imagination in the reading of the book afterward, the most

> important thing though, being not to let a film discourage you from reading

> the book it's based on, because who knows what the director was thinking,

> or how the script was adapted. i've never read clockwork orange or seen the

> movie.

> leo

 

hi leo,

 

this is how i've always felt, but then again i was never told i

wouldn't understand a book. so i wondered if seeing the movie

first would help me get a feel for the book. thanks for your

input.

 

ugh. school started today. homework already.

 

steph

 

> 

> "Let us hope that the whores of evil no longer loiter on the doorsteps of

> your path, beckoning you into the brothel of despair, and that hereinafter,

> you may present them with the most rigid manifestations of a firm and manly

> will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Tue, 2 Sep 1997 16:35:54 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Richard Wallner wrote:

 

> Like it or not, more people will see the OTR film than will ever read the

> book or ever have read the book.  It will be a vehicle to turn millions

> of people onto Kerouac.  The whole point of making the movie is to get

> people to read the books.

 

well i haven't read the book, but i suppose i will if i ever get

enough time! i think my parents think jack kerouac is the second

coming or something! i think he was fascinating, but i don't nearly

as much about him as i'd like!

 

> ANYONE who really cares about preserving Kerouac's legacy and turning

> more people onto it has to be into the idea of it being a film.

 

my mom is a teacher and she has turned so many of her students on to

him!

 

> There are obviously people on this list who are on it because they knew

> certain people personally, not because of any great passion for the

> literature.

 

what do you mean by that? i'm only on this list because i wanted to

learn more about the beat generation, but i do love to read.

 

> We all value their recollections but I resent the implication that one

> had to know these people to have a connection to them.

> Richard W.

 

hmmm... that contradicts the previous paragraph... or am i

misunderstanding you?

 

by the way, i am not g. jones! my name is steph but i don't have my

own email.

=========================================================================

Date:         Tue, 2 Sep 1997 16:39:27 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: OTR: Old Bull Lee wisdom

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Thank god we finally have a judge and jury and the missing conviction.

> If any one can be considered an expert on gall it might be the person

> who uses such a one deminsional arguement to make such a point.loving it

> p

 

hi patricia,

 

you have such a clever way with words. i'm envious!

 

steph

=========================================================================

Date:         Tue, 2 Sep 1997 16:46:16 -0400

Reply-To:     xcrslnk@rivnet.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "g. jones" <xcrslnk@RIVNET.NET>

Subject:      Re: The Neal/Gerard connection...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Wow. No secret? Gee whiz. And all these years I've somehow been sucked > into

 believing Gerard died at the age of nine.

> 

> How dumb am I?

> 

> duh-duh-diane

 

diane,

 

wow. that wasn't very nice. maybe you aren't dumb, but you surely

can't be perfect!

 

steph

=========================================================================

Date:         Tue, 2 Sep 1997 18:11:21 -0400

Reply-To:     Michael Stutz <stutz@dsl.org>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: Beat fiction and non-fiction

In-Reply-To:  <33FC5902.1C7A@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 21 Aug 1997, Diane Carter wrote:

 

> > Michael Stutz wrote:

> >

> > I wonder how much of the Beat canon is pure fiction and how much of it

> > is non-fiction [auto]biographical account.

> 

> This is an interesting perspective on Kerouac from Ann Charters in her

> introduction to The Portable Kerouac:

> 

> "All of Kerouac's writing is autobiographical, but he fictionalized the

> stories about his direct experience by changing the names of the

> real-life characters he described and by altering the settings of his

> narrative if he or the publishers feared libel action would be taken by

> the people he was writing about.

<snip>

 

Diane--

 

As usual, thanks for typing in a lengthly quote about the subject at hand.

Shades of our discussion here a few weeks ago has been now brought up in a

recent post from Arthur, where he recalls his 1995 meeting with Burroughs

where in question of Kerouac's portrayal of Bill's Algiers, LA days in OTR,

he said, "Well, it's partly true -- you can't always trust Kerouac."

 

I watched the documentary _Burroughs_ for the first time the other night,

and in it Burroughs spoke of Kerouac's work. The dialogue [highly

paraphrased] went something like this: "You can't ever trust what Kerouac writes

-- you have to keep in mind that he was a writer of _fiction_. He was always

forming these roles and then casting them onto other people."

 

Trying to objectively determine what was absolutely "true" and "really

happened" in these works, I think, would be like trying to measure the

absolute coastline of Britain: recursively impossible. But maybe that's the

beauty of it.

=========================================================================

Date:         Tue, 2 Sep 1997 18:13:55 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Pooh Bear

 

Yea, it was great to see that passage in Some of the Dharma.  It clears up the

wholeGod is Pooh Bear thing or at least now we can see how the phrase originate

d.   Those of you who  have been around for a while might remember the interest

ing thread we had on this a year or so ago.

=========================================================================

Date:         Tue, 2 Sep 1997 19:45:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: (OTR Movie)/ stamp me stoopid, but...

 

In a message dated 97-09-02 09:55:17 EDT, Richard responded very

authoritatively to a letter from Marie:

 

<< Marie said: ____________

 > why? it seems that many people are interested in reading the books

 > themselves. if you look around, more and more bookstores are carrying beat

 > lit.

 

 Then Richard said:

>>This is true but the *fact* remains <<

 

"Fact." Sounds like Richard is big on facts.

 

 Then Richard said:

>>...are you one of those folks who think Kerouac and beat writing would lose

its hipness if too many people were turned on to it?  That is what it sounds

like ...<<

 

"one of those folks?" Who are "those folks?" Do you know a lot of people who

are "into" Kerouac and the Beats because it's "hip?" I don't know anyone like

that.

 

 Then Richard said:

 >> Get your facts straight...

 

Once more, Richard points out the importance of "facts." Since he was using

the "fact" argument against Marie, it seemed very appropriate for him to fall

on his own sword where the "facts" about Gerard were concerned.

 

 >>I guarantee you there WILL be scenes added to the movie... As I said, in

the script I saw, and I didnt read the whole thing...<<

 

Why didn't you read the whole thing? Did it fail to hold your interest? It

seems if it was such a good idea to make a film of this book, one would beg,

borrow or steal a script to read.

 

>> Since Jack Kerouac isnt alive to direct the film himself, it is going to

 be someone else's interpretation.<<

 

Jack was burned by Hollywood in his lifetime. If he were alive today, there

would be no movie being made of this book. Discussion of the approach would

never make their way out of story meetings.

 

Sarcasm has its place in the world. I feel it's very appropriate to use when

someone takes himself so seriously that he can't even see that it's more

important for him to have the last word than it is for him to bother to check

"facts."

 

As the late, great Strother Martin said in "Cool Hand Luke" (was Luke Beat?

hee hee hee), "What we have here is a failure to communicate."

 

And with that, I lay down my own sword regarding this thread.

 

And that, my friend Richard, is a fact.

 

diane

=========================================================================

Date:         Tue, 2 Sep 1997 20:10:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      guns and guns..millions of guns

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

out of curiosity:

        who is graciously getting all of Bill's firearms and any

remaining cats? In other words, what is going on with his estate?

 

                                        jason

=========================================================================

Date:         Wed, 3 Sep 1997 09:20:11 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Re: The Neal/Gerard connection...

In-Reply-To:  <Pine.SUN.3.91-FP.970902105346.7086A-100000@cap1.capaccess.org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Richard  Wallner writes,

 

>So perhaps OTR is less about Neal Cassady's search for his father, and

>more about Jack Kerouac's search for his brother.  Jack Kerouac traveling

>around the country hoping deep down to find his brother alive somewhere,

>and thinking for a while that perhaps his spirit was alive in Neal

>Cassady.  And in the end realizing that no matter how hard he wanted it

>to be, Neal was not Gerard, not his brother.

 

There is probably some truth in your comments regarding OTR being not only

about Dean's search for his father, that the novel was written coloured by

Jack Kerouac's own "search" for Gerard and in his hopes of finding his

older brother's incarnation in Neil. Some biographer's have claimed (I'm

thinking of Steve Turner's argument in "Angelheaded Hipster", great book by

the way--I'm recommending this to Steff who said she was interested in

learning more 'bout the Beats, though it's a Kerouac biography through and

through) that this was a search and proJECT pattern (?) which he was to

continue at least once again after having met Gary Snyder and collecting

experiences used for Dharma Bums. I am not claiming (nor was Turner, I

thinks) that Neil and Gary Snyder were equals as friends or soul buddies to

Jack, but only proposing that losing an older brother when he was a child

and  more recently, by the time of most of the writting for OTR, his

father, Jack (the author) was on as much of a search for missing loved ones

as was the character Dean.

 

 

Tim Hoffman

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Tue, 2 Sep 1997 19:52:25 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Beats:The List update 2 sep 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I have always included Terry Southern in my personal "beat list," at the

very least as a fellow traveler.

=========================================================================

Date:         Tue, 2 Sep 1997 10:03:11 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      OTR book sales

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

There was a paragraph in yesterday's NY Times Magazine about the 40th

anniversary of the publication of OTR and it led one to believe that Some

of the Dharma was being published now to somewhat capitalize on reader

interest in Kerouac.  They said last year 100,000 copies of OTR were

sold.  Does anyone know how that number compares to other works of

twentieth century literature.

DC

=========================================================================

Date:         Tue, 2 Sep 1997 23:06:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      calling Charles P

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Calling Charles Plymell,

Are you alive and well?

I read a poem tonight that made me think of you.

It was Gary Snyder, Turtle Island, The Wild Mushroom.

He said, "Some make you sick they say, Or bring you close to God."

 

It ain't peyote, but it's gonna half to do. ;-)

 

Seriously Charles, the poem made me think about you and I just wanted

you to know that we are all thinking of you and your multiple sadness.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 2 Sep 1997 23:24:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Beat Cinema

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Just received Kevin Segall's monthly update from essential media and he

lists a book that some of you may be interested in. see below

 

        Antoine

 

                ****************

 

Essential Media Counterculture Catalog

your guide to the best of alternative culture in print, sound and video

http://www.essentialmedia.com

Post Office Box 661245

Los Angeles, CA 90066

310.574.1554 voice

310.574.3060 fax

 

        ___________________

 

Naked Lens: Beat Cinema

A serious collection of essays and interviews which examine Beat Cinema and

such innovators as William S. Burroughs, Allen Ginsberg, Jack Kerouac,

Charles Bukowski, Brion Gysin, Jon Cassavetes, Harry Smith, Bob Dylan, Gus

Van Sant and many others. Nifty pictures, too!

NAKEDLENS softcover 250 pp. $19.95 list price, EM discounted price  $18.99

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Tue, 2 Sep 1997 20:27:14 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Cassady residence, gone Pooh Bear (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

I was curious too about which Neal house it was that got

demolished, so I fwd'd some of the questions from here to

John Cassady, and here's his explanation:

 

> The Southern Pacific transferred Neal from the SF depot to their San

> Jose facility around 1952, and we moved from SF, I believe the house at

> 29 Russell, to a house on Santa Clara street, near 26th, in San Jose,

> which still stands. I was a toddler at the time and remember little of

> the San Jose house, but Jack stayed there probably more than in Los

> Gatos later. We moved to the Los Gatos house about two years later. The

> Los Gatos house, actually in a suburb called Monte Sereno, was at 18231

> Bancroft Ave., and was demolished a week ago on August 22, 1997. Keep

> them cards and letters coming!

> 

> JC

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Tue, 2 Sep 1997 23:23:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Wave/Particle

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Wave/Particle

 

Bohr                                            Einstein

                        wave

                        particle

                        Wave

                        PArticle

                        WAve

                        PARTicle

                        WAVe

                        PARTICle

                        WAVE

                        PARTICLE

                        right

                        wrong

                        wrong

                        right

                        neither.

Pilate                                          Joshua

                        truth

                        facts

                        truth

                        facts

                        truth

                        facts

                What is truth?

                What is facts?

Is it a wave?

                Is it a particle?

                                        Both are empirical facts

That can be proven?

Submitted, facts are not always true.

Submitted, truth is not always factual.

Bohr, Pilate, Einstein, Joshua.

 

Only Joshua was a King.

 

                        TRUTH

                        FACT

                        WAVE

                        PARTICLE

 

Submitted, there is nothing to win.

Submitted, to win is nothing.

                        peace

                        war

                        peace

                        hate

                        peace

                        love

                        peace

                        light

Joshua, Pilate, Bohr, Einstein, particle, wave, truth, facts, peace,

war, love, light, hate and we are all lies that are true.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 2 Sep 1997 23:53:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Cassady residence, gone Pooh Bear (fwd)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Levi,

 

        If you don't mind asking John another question I'd love to know

which of these houses figured in the great story about Neal driving to work

at the garage ....without using the brakes!

 

        Thanks.

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

 

=========================================================================

Date:         Wed, 3 Sep 1997 00:56:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Kurt Weill / Hal Wilner

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Beat listers,

 

        In 1985 Hal Wilner - he of weird and wonderful compilations -

produced a compilation of Kurt Weill material by people the likes of Tom

Waits, Lou Reed, Van Dyke Parks, and Charlie Haden called "Lost in the

Stars". It was a great production and now he's done it again; Weill all over

again, "September Songs: The Music of Kurt Weill", the sonic counterpart to

Larry Weinstein's film tribute to Weill. Lou Reed is back again with

"September Song"; Waits did "What Keeps Mankind Alive" last time...this time

William Burroughs turns in his performance; Charlie Haden plays along to a

recording of Weill singing! Also Nick Cave, Elvis Costello, the Persuasions,

Betty Carter, and Polly Jean Harvey. Can't wait.

 

        For the Canadians on the list I read the review in the free music

newspaper "exclaim!#?!", September issue. Wonder of wonders they also review

the first cassette from my older son's band, Mishima! Enjoy.

 

        Haven't heard it yet, but I'm rushing to get it.

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 3 Sep 1997 00:56:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Kerouac in Brooklyn

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'm just listening to "kicks joy darkness" and in the Brooklyn Bridge Blues

Jack (Ginsberg reading) talks about being with his mother and his Aunt

Lurette going over the bridge. Does anyone know where in Brooklyn his Aunt

lived? One line talks about the Gowanus Canal....anyone?

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 3 Sep 1997 00:59:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Kurt Weill / Hal Wilner

In-Reply-To:  <BEAT-L%1997090300560201@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Hi Beat listers,

> 

>        In 1985 Hal Wilner - he of weird and wonderful compilations -

>produced a compilation of Kurt Weill material by people the likes of Tom

>Waits, Lou Reed, Van Dyke Parks, and Charlie Haden called "Lost in the

>Stars". It was a great production and now he's done it again; Weill all over

>again, "September Songs: The Music of Kurt Weill", the sonic counterpart to

>Larry Weinstein's film tribute to Weill. Lou Reed is back again with

>"September Song"; Waits did "What Keeps Mankind Alive" last time...this time

>William Burroughs turns in his performance; Charlie Haden plays along to a

>recording of Weill singing! Also Nick Cave, Elvis Costello, the Persuasions,

>Betty Carter, and Polly Jean Harvey. Can't wait.

> 

>        For the Canadians on the list I read the review in the free music

>newspaper "exclaim!#?!", September issue. Wonder of wonders they also review

>the first cassette from my older son's band, Mishima! Enjoy.

> 

>        Haven't heard it yet, but I'm rushing to get it.

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

 

Thanks for the tip Antoine. "Lost in the Stars" was great. I'll be looking

for "September Songs: The Music of Kurt Weill" right away.

 

Fans of Weill might be interested in knowing that the Kurt Weill Foundation

sends out a free newsletter about prefromances of Weill music around the

world. If anyone is intersted I'llsend them the address.

 

I'd like to hear more about your son's band. Could you send me the review?

<jgrant@bookzen.com>

 

Thanks,

 

j grant

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Wed, 3 Sep 1997 09:16:20 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Kerouac in Brooklyn

In-Reply-To:  Message of Wed, 3 Sep 1997 00:56:04 -0400 from

              <stratis@ODYSSEE.NET>

 

He lived with his aunt on State Street.  I have the exact address home.  Browns

tone still there.  I took some pictures last year.

=========================================================================

Date:         Wed, 3 Sep 1997 10:00:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: Kerouac in Brooklyn

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Thanks a lot Bill.

 

I started reading "Jack's Book" last night and realized that it wasn't his

Aunt, but rather Memere's stepmother, right?, that he lived with in

Brooklyn. I'd love to have the exact address. I grew up living on Pacific

Street at Bedford avenue and later we lived in Park Slope. I'll have to look

at a map to see where State Street is exactly. I'd love to have the exact

address from you if you can dig it up.

 

I was back to our old digs in Fall of '95 and was amazed at how well

preserved our building was, although the area, socially, has gone downhill.

Still, I had a sense of it starting to turn up, although not in the way that

Park Slope did!

 

        Antoine

 

        ********************

 

Bill Gargan wrote:

 

        He lived with his aunt on State Street.  I have the exact address home.

        Brownstone still there.  I took some pictures last year.

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Wed, 3 Sep 1997 08:57:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: OTR book sales

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>They said last year 100,000 copies of OTR were sold.  Does anyone know

>how that number compares to other works of twentieth century literature.

 

 

Not sure how it compares but I'm sure that number is wholly inaccurate--I'm

betting it's based on some book retailers report (not having seen the article)

which are usually based on "new" book sales.  Everyone here that buys all of

their books new raise your hands........................I thought so.  I'm

betting it's closer to 200,000--providing you believe 100,000 people would part

with their copy of OTR to sell it used....hmm, maybe I'll rethink my numbers.

 

     love and lilies (new and/or used),

 

     matt h.

=========================================================================

Date:         Wed, 3 Sep 1997 10:15:44 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Cassady residence, gone Pooh Bear (fwd)

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

2nd response from John Cassady:

 

> Levi,

> 

> With regard to the great Pooh Bear debate, I don't know where he got

> that for sure. It makes sense it was sister Cathy, though, because my

> mother read us her favorite A.A. Milne books constantly, so Pooh was

> Topic A in kid conversation around the house. Cathy was old enough to

> converse with Jack with some modicum of intelligence in the days when he

> was around the most (Jack, not Pooh). My guess is:  Cathy babble + red

> wine = "God is Pooh Bear!" Hey, why not?

> 

> To answer Antoine from Montreal, that was indeed the house in Los Gatos

> from which Dad would roll toward the tire shop without brake one. It was

> up on a hill, and he also preferred to coast whenever possible. "Why

> wear out the drive train unnecessarily?" Yeah, whatever. I think it was

> a throwback to the days before brakes OR motors. He did the same things

> with his bicycles as a youth. I guess piloting a vehicle, especially

> down hills, was more of a challenge without breaks.

> 

> JC

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Wed, 3 Sep 1997 15:29:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Burroughs' Estate

 

James Grauerholz, who has been with Burroughs for over 23 years, is his heir.

 The estate is set up (like Allen Ginsberg's) as a Trust.  James intends to

administer this Trust as a sacred legacy, continuing the artistic and social

purposes of Burroughs' entire life and work.

 

None of WSB's personal possessions (such as his guns) will be sold; his house

is being kept just as it was during his lifetime, by a caretaker who is a

close friend, and his two surviving cats (Ginger and Muty) are lovingly cared

for, in the home.  The majority of the archives is already on deposit at Ohio

State University, and WSB's letters and mss. will _not_ be sold on the

collector's market, at all.

 

Forthcoming artistic works include (not in order of projected release):

 

(working title) Last Words:  The Final Journals of WSB -- based on writings

from the last two years of William's life; publisher probably Grove/Atlantic,

but not yet set

 

Word Virus:  The Selected Writings of WSB (Grove/Atlantic) -- a "portable"

Burroughs reader, edited by James G. and Ira Silverberg

 

The Third Mind (Grove/Atlantic) -- a facsimile edition of the original 1965

Burroughs-Gysin collage manuscript (as seen in the LA County Museum catalog

for the "Ports of Entry" show)

 

(working title) Prakriti Junction: A Portrait of William Burroughs, Jr.

(Grove/Atlantic) -- a collection of Billy's unpublished writings from the

last seven years of his life ('74-'81), with letters by him and to him,

interviews and other documents; edited by David Ohle

 

The Letters of William S. Burroughs, Volume II, 1959-1974 (Viking Penguin) --

a continuation of Volume I (1945-1959), edited by Oliver Harris

 

(working title) Evil River: An Autobiography (Viking Penguin) -- composed of

memoir writings by WSB made during the 1980s, edited by Barry Miles

 

William S. Burroughs on Giorno Poetry Systems (Mouth Almighty / Mercury

Records) -- a four-CD boxed set of all of WSB's recordings issued on the GPS

label, plus some never-released material, accompanied by five

fully-illustrated booklets of text etc.

 

Naked Lunch, The Audiobook (performed by WSB) -- originally released by Time

Warner Audio Books in 1995, with music by Bill Frisell, Wayne Horvitz and

Eyvind Kang, produced by Hal Willner and James Grauerholz; to be re-edited by

HW & JG for re-release in an improved version

 

Queer, The Audiobook -- to be performed by Steve Buscemi this year

 

diane de rooy

=========================================================================

Date:         Wed, 3 Sep 1997 17:03:43 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      whereabous

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I'm working on tracking down some people for possible interviews as part

of my Beat Lit class.  Does anyone know the addresses or current

whereabouts of Joyce Johnston, Joanne Kyger, and Anne Waldeman?  Anything

that will get me a lead on contacting them will be appreciated.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@acs.appstate.edu                      P.O. Box 12149

http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

=========================================================================

Date:         Wed, 3 Sep 1997 17:40:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR book sales

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:57 AM 9/3/97 -0400, you wrote:

>>They said last year 100,000 copies of OTR were sold.  Does anyone know

>>how that number compares to other works of twentieth century literature.

> 

> 

>Not sure how it compares but I'm sure that number is wholly inaccurate--I'm

>betting it's based on some book retailers report (not having seen the article)

>which are usually based on "new" book sales.  Everyone here that buys all of

>their books new raise your hands........................I thought so.  I'm

>betting it's closer to 200,000--providing you believe 100,000 people would part

>with their copy of OTR to sell it used....hmm, maybe I'll rethink my numbers.

> 

>     love and lilies (new and/or used),

> 

>     matt h.

> 

> 

Its just a little squib on top of the NYTimes Sunday Magazine

that says OTR sold 110,000 copies last year alone.  It says

the book was released 40 years ago this week by Viking.

 

Mike Rice

=========================================================================

Date:         Wed, 3 Sep 1997 18:00:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hipster Beat Poet." <jdematte@TURBO.KEAN.EDU>

Subject:      Re: OTR book sales

In-Reply-To:  <1.5.4.16.19970903163450.284fcfda@mail.wi.centuryinter.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

in the bookstore where i work (B.Dalton) we have the 40th anniv edition

of "on the road". I can't seem to order or buy any Burroughs in

hardcover, just in oversized paperback. The only ones in hardcover that i

have are: "my education", "selected letters..", "cat inside" and "ghost

of chance". Maybe a check with www.amazon.com would help.

                                        sorry for venting,

                                                        jason

=========================================================================

Date:         Wed, 3 Sep 1997 18:54:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Memory Babe: The Movie

Comments: To: Gerald Nicosia <gnicosia@EARTHLINK.NET>

In-Reply-To:  <199709010453.VAA26068@sweden.it.earthlink.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Since most of you seem to think an OTR movie would be bad, or not worthy

of the book, maybe Coppola should option the rights to Memory Babe

instead.   Jack Kerouac had a compellinglife story that itself would make

a terrific movie.

 

A story of a man who had his dreams come true and found out that

sometimes dreams arent what they seem to be.

 

(Hey Gerald, ifyou're out there, has anyone ever approached about the

film rights to MemoryBabe?)

 

RJW

=========================================================================

Date:         Wed, 3 Sep 1997 20:15:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Memory Babe: The Movie

In-Reply-To:  <Pine.SUN.3.91-FP.970903185142.4251B-100000@cap1.capaccess.org>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Since most of you seem to think an OTR movie would be bad, or not worthy

>of the book, maybe Coppola should option the rights to Memory Babe

>instead.   Jack Kerouac had a compellinglife story that itself would make

>a terrific movie.

> 

>A story of a man who had his dreams come true and found out that

>sometimes dreams arent what they seem to be.

> 

>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>film rights to MemoryBabe?)

> 

>RJW

 

Gerry's off-line. Finishing up "Home to War...."

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Wed, 3 Sep 1997 21:36:16 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      mclure/joplin/mercedes

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

hello.

i recently read somwhere that micheal mcclure wrote the original

lyrics for "oh lord won't you buy me a mercedes benz". and janis

joplin did a revision and put it on a record. does anyone happen to

know if the original lyrics are published and where? thanx

randy

=========================================================================

Date:         Wed, 3 Sep 1997 21:44:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joe <100106.1102@COMPUSERVE.COM>

Subject:      No Mail

MIME-Version: 1.0

Content-Transfer-Encoding: 7bit

Content-Type: text/plain; charset=us-ascii

 

 I haven't received any mail from this list for days!

 

 What's going on?

 

 

 Joe

=========================================================================

Date:         Wed, 3 Sep 1997 22:03:25 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anna Tulou <ltulou@EROLS.COM>

Subject:      Re: Memory Babe: The Movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:15 PM 9/3/97 -0500, you wrote:

>>Since most of you seem to think an OTR movie would be bad, or not worthy

>>of the book, maybe Coppola should option the rights to Memory Babe

>>instead.   Jack Kerouac had a compellinglife story that itself would make

>>a terrific movie.

>> 

>>A story of a man who had his dreams come true and found out that

>>sometimes dreams arent what they seem to be.

>> 

>>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>>film rights to MemoryBabe?)

>> 

>>RJW

> 

okay, call me ignorant, but I didn't know there was an OTR movie out...

Who's in it? What year?  I did just see The LAst Time I Committed Suicide,

thought it was decent, but not great.

 

Anna Tulou

Ltulou@erols.com

=========================================================================

Date:         Wed, 3 Sep 1997 22:13:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anna Tulou <ltulou@EROLS.COM>

Subject:      poetry

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Can anyone tell me where people can post poetry on a list like this for open

critiques, etc. ?  If you could let me know, that'd be great.

 

Wheaties,

Anna Tulou

<Ltulou@erols.com>

=========================================================================

Date:         Wed, 3 Sep 1997 22:11:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anna Tulou <ltulou@EROLS.COM>

Subject:      Re: No Mail

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:44 PM 9/3/97 -0400, you wrote:

> I haven't received any mail from this list for days!

> 

> What's going on?

> 

> 

> Joe

> 

I don't know hon, but I just joined and have gotten about thirty pieces.

It's probably your computer

=========================================================================

Date:         Wed, 3 Sep 1997 21:43:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: No Mail

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Anna Tulou wrote:

> 

> At 09:44 PM 9/3/97 -0400, you wrote:

> > I haven't received any mail from this list for days!

> >

> > What's going on?

> >

> >

> > Joe

> >

> I don't know hon, but I just joined and have gotten about thirty pieces.

> It's probably your computer

 

patricia writes,

I somehow got unsubscribed about two weeks ago. I simply resubscribed,,

of course be a dope it took forever to do it correctly and to tell that

I wasn't recieving post. that lawyer guy was both smart enough and kind

enough to bach channel me.

patricia

=========================================================================

Date:         Wed, 3 Sep 1997 19:59:06 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      gone Pooh Bear Sum of Dharma

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Some of the Dharma, straddling pgs 17 and 18

 

origin of God is Pooh Bear

 

typed in below by me

______________________

 

DIALOG BETWEEN MAN AND CHILDREN

 

    "Why is the mountain sitting there?" (man asks Children)

    Jamie: "Because nobody's on there and were not supposed to climb on

        it because the dirt'll fall off"

    "Who made the mountain?" (man)

    They: "God made it"

    Man: "Who is God?"

    Cathy: "Us " And right then Cathy sayd: "He wants to play with the

fence."

    Man: "Who?"

    Cathy (showing bear toy): "Me.  Don't you know that I am Poo Bear?"

 

God is Poo Bear

=========================================================================

Date:         Wed, 3 Sep 1997 11:42:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      OTR:San Francisco epiphany

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Even this time through OTR, I still think the following paragraph is one

of the best in the book, and it comes at a time when he is mentally

worn-down, hungry, and disillusioned with Dean for leaving him and

Marylou alone in San Francisco with no money.

 

pg. 172-173--in paperback version

"I walked around, picking butts from the street.  I passed a

fish-'n-chips joint on Market Street, and suddenly the woman in there

gave me a terrified look as I passed; she was the proprietress, she

apparently thought I was coming in there with a gun to hold up the joint.

 I walked on a few feet.  It suddenly occurred to me this was my mother

of about two hundred years ago in England, and that I was her footpad

son, returning from gaol to haunt her honest labors in the hashery.  I

stopped, frozen with ecstasy on the sidewalk.  I looked down Market

Street.  I didn't know whether it was that or Canal Street in New

Orleans: it led to water, ambigious, universal water, just as 42nd

Street, New York, leads to water, and you never know where you are.  I

thought of Ed Dunkel's ghost on Times Square.  I was delirious.  I wanted

to go back and leer at my strange Dickensian mother in the hash joint.  I

tingled all over from head to foot.  It seemed I had a whole host of

memories leading back to 1750 in England and that I was in San Francisco

now only in another life and another body. 'No,' that woman seemed to say

with that terrified glance, 'don't come back and plague your honest,

hard-working mother.  You are no longer like a son to me--and your

father, my first husband. 'Ere this kindly Greek took pity on me.' (The

proprietor was a Greek with hairy arms.) 'You are no good, inclined to

drunkenness and routs and final disgraceful robbery of the fruits of my

'umble labors in the hashery.  O son! did you not ever go on your knees

and pray for deliverance for all of your sins and scroundrel's acts? Lost

boy! Depart! Do not haunt my soul; I have done well forgetting you.

Reopen no old wounds, be as if you had never returned and looked in to

me--to see my laboring humilities, my few scrubbed pennies--hungry to

grab, quick to deprive, sullen, unloved, mean-minded son of my flesh.

Son! Son!' It made me think of the Big Pop vision in Graetna with Old

Bull.  And for just a moment I had reached the point of ecstasy that I

always wanted to reach, which was the complete step across chronological

time into timeless shadows, and wonderment in the bleakness of the mortal

realm, and the sensation of death kicking at my heels to move on, with a

phantom dogging its own heels, and myself hurrying to a plank where all

the angels dove off and flew into the holy void of uncreated emptiness,

the potent and inconceivable radiancies shining in bright Mind Essence,

innumerable lotuslands falling open in the magic mothswarm of heaven.  I

could hear an incredible seething roar which wasn't in my ear but

everywhere and had nothing to do with sounds.  I realized that I had died

and been reborn numerous times but just didn't remember especially

because the transitions from life to death and back to life are so

ghostly easy, a magical action for naught, like falling asleep and waking

up again a million times, the utter casualness and the deep ignorance of

it.  I realized it was only because of the stability of the intrinsic

Mind that these ripples of birth and death took place, like the action of

wind on a sheet of pure, serene, mirror-like water.  I felt sweet,

swinging bliss, like a big shot of heroin in the mainline vein; like a

gulp of wine late in the afternoon and it makes you shudder; my

feettingled.  I thought I was going to die the very next moment.  But I

didn't die, and walked four miles and picked up ten long butts and took

them back to Marylou's hotel room and poured their tobacco in my old pipe

and lit up.  I was too young to know what had happened."

DC

=========================================================================

Date:         Wed, 3 Sep 1997 19:43:20 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Wednesday, September 4, 1957.

In-Reply-To:  <340C1C31.575C@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

"       Shortly before midnight on Wednesday, September

4, 1957, Jack Kerouac and Joyce Johnson, a young writer he

was living with, left her apartment on the Upper West Side in New

York City to wait at a newsstand at Sixty-sixth Street and

Broadway for the next day's New York Times to come off the delivery

truck. Kerouac had been alerted by his publisher that his novel

On the Road would be reviewed in that issue, and so they bought

the first copy of the Times they could pull from the stack.

Standing under a street lamp, they turned the pages until they found the

column "Books of the Times"--- Ann Charters"

=========================================================================

Date:         Thu, 4 Sep 1997 00:46:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      James G: A touch of class

 

Some people have asked me privately how I came upon the information about

WSB's estate, so I thought I'd say something about that.

 

I've had the good fortune of having the friendship of James Grauerholz since

the death of Allen Ginsberg. He is a kind, sensitive, intelligent person.

William could not have had a better friend and advisor in his life than

James.

 

James's wisdom and prudence has guaranteed WSB's immortality in literature

and legend. He certainly was responsible for making sure William's archives

would be preserved, and he did this both for William and for everyone who

admired him or wants to read him. I have no end of admiration for James and

his foresight that allowed WSB to pass from life into history and leave no

wake on the water in the process.

 

However, I have no cachet with the Estate, nor did I know William. During the

time following Allen's death, both James and William struggled with grief. I

didn't feel any compulsion to insinuate myself into their lives for the

purpose of gathering information or fulfilling some fan-tasy.

 

Knowing James during this time of loss, first of Allen, then of William, has

made me impatient with the flip comments of people who dehumanize

"celebrities" for the sake of humor or misplaced wit. WSB was a real person,

with an active conscience and his own internal struggles and challenges of

life. So is James Grauerholz, who understood the yin and yang of William and

gave him unconditional support and protection up until his death.

 

It was a real honor for James to choose to share this information with the

250 people who subscribe to the Beat-L newsgroup. As far as I know, he has

not announced this anywhere else.

 

But it's an even greater honor that William had such a thoughtful, practical,

and determined friend and assistant to preserve his legacy without ego or

financial gain, so his words can truly live forever.

 

diane

=========================================================================

Date:         Thu, 4 Sep 1997 02:23:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Memory Babe: The Movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:03 PM 9/3/97 -0400, you wrote:

>At 08:15 PM 9/3/97 -0500, you wrote:

>>>Since most of you seem to think an OTR movie would be bad, or not worthy

>>>of the book, maybe Coppola should option the rights to Memory Babe

>>>instead.   Jack Kerouac had a compellinglife story that itself would make

>>>a terrific movie.

>>> 

>>>A story of a man who had his dreams come true and found out that

>>>sometimes dreams arent what they seem to be.

>>> 

>>>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>>>film rights to MemoryBabe?)

>>> 

>>>RJW

>> 

>okay, call me ignorant, but I didn't know there was an OTR movie out...

>Who's in it? What year?  I did just see The LAst Time I Committed Suicide,

>thought it was decent, but not great.

> 

>Anna Tulou

>Ltulou@erols.com

> 

> 

Dear Tululah,

 

You must be new to the list.  We've spent the past five

days talking of very little else.

 

Mike Rice

=========================================================================

Date:         Thu, 4 Sep 1997 02:33:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Wednesday, September 4, 1957.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:43 PM 9/3/97 +0200, you wrote:

>"       Shortly before midnight on Wednesday, September

>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he

>was living with, left her apartment on the Upper West Side in New

>York City to wait at a newsstand at Sixty-sixth Street and

>Broadway for the next day's New York Times to come off the delivery

>truck. Kerouac had been alerted by his publisher that his novel

>On the Road would be reviewed in that issue, and so they bought

>the first copy of the Times they could pull from the stack.

>Standing under a street lamp, they turned the pages until they found the

>column "Books of the Times"--- Ann Charters"

> 

> 

Hey, don't we get the review, too.  Or at least: "and the rest is history!"

 

Mike Rice

=========================================================================

Date:         Thu, 4 Sep 1997 07:42:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "P.A.Maher" <mapaul@PIPELINE.COM>

Subject:      TKQ Page update! Lowell Celebrates Kerouac! Deatils

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have added a page to give details for upcoming Lowell Celebrates Kerouac.

Go to:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

 

Bye for now, back to bed with the flu I go. :) Paul of TKQ...

=========================================================================

Date:         Thu, 4 Sep 1997 08:09:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: No Mail

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Question from the ignorant:  what is back channeling? How is it done?

 

Thanks

 

>Anna Tulou wrote:

>> 

>> At 09:44 PM 9/3/97 -0400, you wrote:

>> > I haven't received any mail from this list for days!

>> >

>> > What's going on?

>> >

>> >

>> > Joe

>> >

>> I don't know hon, but I just joined and have gotten about thirty pieces.

>> It's probably your computer

> 

>patricia writes,

>I somehow got unsubscribed about two weeks ago. I simply resubscribed,,

>of course be a dope it took forever to do it correctly and to tell that

>I wasn't recieving post. that lawyer guy was both smart enough and kind

>enough to bach channel me.

>patricia

=========================================================================

Date:         Thu, 4 Sep 1997 08:29:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      OTR Sales

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

In a short comment on the 40th Anniversary of On the road, The Boston

Globe reported that OTR has sold over 3 million copies total and is

now selling about 60,000 per year. They provided no break down on

these numbers.

 

As an aside, NH public radio recently broadcast a presentation by

Thornton Wilder's Literary Executor who noted that, although Wilder is

recognized as one of the greats of 20th Century American Literature,

he was sorry to say that none of his works are currently in print, but

that he was working on several promising opportunities.

 

 

Mark Hemenway

=========================================================================

Date:         Thu, 4 Sep 1997 14:38:06 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Beats:The List (Deluxe Version on the Web)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Patricia wrote:

>Rinaldo,

>an absolutely shit kicking list.  i love it.     am trying to create a

>file that talks a little bit about each of these people.  I am working

>on the connections between them. Could be a thesis.

>p

> 

> 

Patricia & friends,

 

thanks for yr support. i've write Patricia's motto in the

top of the page of the deluxe version of the Beats:The List

(thanks James Stauffer for some suggestion for the title).

 

on the Web,

 

http://www.gpnet.it/rasa/beats.htm

 

ciao da

Rinaldo.

=========================================================================

Date:         Thu, 4 Sep 1997 08:03:21 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Backchannelling

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Preston, and any other new comers,

 

Backchannel is a reply not to the list address in the "Reply to" space

on your browser but to the individual posting indicated where your mail

says "from".  Backchannel is wonderful and reduces traffic sent to the

whole list.

 

J. Stauffer

 

Preston Whaley wrote:

> 

> Question from the ignorant:  what is back channeling? How is it done?

> 

=========================================================================

Date:         Thu, 4 Sep 1997 11:15:12 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      joes's post

 

The following message is meant as a gentle reminder to think about what

we're posting to the list.  Recently, Joe sent a note to the list about

not receiving beat-l messages.  Several people responded to the list.

Well, if Joe's not getting his mail from beat-l, posting a reply on the

list isn't going to help him.  These posts should have been sent

directly to Joe rather than the list.  Please consider whether or not

your mail is appropriate to everyone on the list before posting your

message.

=========================================================================

Date:         Thu, 4 Sep 1997 11:59:23 -0500

Reply-To:     EASTWIND@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         PATRICK <EASTWIND@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: whereabous

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Alex Howard wrote:

> 

> I'm working on tracking down some people for possible interviews as part

> of my Beat Lit class.  Does anyone know the addresses or current

> whereabouts of Joyce Johnston, Joanne Kyger, and Anne Waldeman?  Anything

> that will get me a lead on contacting them will be appreciated.

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@acs.appstate.edu                      P.O. Box 12149

> http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

 

 

Ann Waldman is at the Naropi Institute, 2130 Arapahoe, Boulder, Colorado

80302--she teaches there and probably can tell you where others are. If

you run across whereabouts of Grogory Corso, please let me know.

We publish books and are considering a book on Beats...

 

patrick

eastwind@erols.com

 

Eastwind Publishing

PO Box 1773

Annapolis,MD 21404

=========================================================================

Date:         Thu, 4 Sep 1997 00:15:19 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: OTR:San Francisco epiphany

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Michael Stutz wrote:

> 

> Do you think this nirvana he describes is the IT talked about in other

> parts

> of the book, and that one great loving feeling he's always looking for,

> described in VOC and OTR and others & discussed on the list, that Big

> Thing

> that JK was always looking for & never really found except in small

> fleeting

> moments of prose like this? I think it could be for this that he wrote,

> it's

> for this feeling that drove Jack Kerouac and writers like him. I wonder

> too

> if the "beware of nirvana" Buddhist warnings of AG and others were

> because

> otherwise you'll be attached to this fleeting image & end up like Jack

> did?

 

I do think this is the IT he talks about in almost all of his books and

poems.  I think much of his despair came from the fact these moments

were fleeting and that he kept looking for a Big Thing.  Like when in

Desolation Angels, he goes to the mountain wanting to be face to face

with God or find THE meaning of life, and what he finds instead is that

he comes face to face with himself, and deep down he doesn't really like

himself all that much.  In fact thinks of himself in the way the woman in

the window of the passage I quoted thinks of him.  He had to write about

this stuff because his need to write was so great.  At the same time he

never is able to let the fleeting epiphanies carry him in the living of

his life, he still keeps waiting, even searching for a Big Thing to hit

him over the head and say, this is it, this is the meaning of life, and

it just doesn't happen.  It is as if he knew too much but not quite

enough. And ironically, perhaps, this is the position most writers are

in.

DC

=========================================================================

Date:         Thu, 4 Sep 1997 19:09:20 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Frusciante.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Kikka wrote:

"Jack Frusciante (in English it sounds like Rustling

Jack) is out of his group now.

He had been the new Red Hot Chili Peppers'

guitarist for two years. He was thin and brawny,

perhaps one meter seventy. His hairstyle always

particular, his trousers short and his shoes

casual. He was not a genius, our Jack, but he did

what he had to do, without seeming too strange and

crazy, like the other components of the group.

Then, just when success began, he left the group.

Why, why did he abandon everything if he could be

rich and famous?

Jack Frusciante is a symbol. A symbol of a

particular way of thinking.

If you just open "Jack Frusciante e' uscito dal

gruppo" (an Italian book written by Enrico Brizzi)

you will immediately understand.

Alex (the main character) is not a common boy. He

is not like his schoolmates, with big cars and many

blond girls all around them. He can't understand

society's rules. He can't love Aidi (a kind of

girlfriend, but really a strange one) like a boy

loves a girl; he can't listen to disco music; he

can't bear the hypocrisy that exists inside all the

people. So he loves Aidi without even a kiss,

listens to punk music (so angry and beautiful) and

he waits for the greatest rebellion you have ever

seen.

Now, just like Jack, also Alex is out of the group"

 

ciao,

Kikka & Rinaldo.

Venice-Mestre,Italy.

=========================================================================

Date:         Thu, 4 Sep 1997 18:56:58 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: Wednesday, September 4, 1957.

In-Reply-To:  <1.5.4.16.19970904012714.263724ba@mail.wi.centuryinter.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02.33 04/09/97 -0400, Mike Rice wrote:

>At 07:43 PM 9/3/97 +0200, you wrote:

>>"       Shortly before midnight on Wednesday, September

>>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he

>>was living with, left her apartment on the Upper West Side in New

>>York City to wait at a newsstand at Sixty-sixth Street and

>>Broadway for the next day's New York Times to come off the delivery

>>truck. Kerouac had been alerted by his publisher that his novel

>>On the Road would be reviewed in that issue, and so they bought

>>the first copy of the Times they could pull from the stack.

>>Standing under a street lamp, they turned the pages until they found the

>>column "Books of the Times"--- Ann Charters"

>> 

>> 

>Hey, don't we get the review, too.  Or at least: "and the rest is history!"

> 

>Mike Rice

> 

> 

"The reviewer was Gilbert Millstein, and he had written:

        On the Road is the second novel by Jack Kerouac, and its

        publication is a historic occasion insofar as the exposure of

        an authentic work of art is of any great moment in any age

        in which the attention is fragmented and the sensibilities are

        blunted by the superlatives of fashion.... [The novel is]

        the most beautifully executed, the clearest and most important

        utterance yet made by the generation Kerouac himself

        named years ago as "beat" and whose principal avatar he is."

 

 

 

                                        --*--

 

                                        WAKE UP

                                        MAN!

                                        WAKE UP!

 

rINALDO.

=========================================================================

Date:         Thu, 4 Sep 1997 15:19:59 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@SOUTHEAST.NET>

Subject:      backchanneling

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Question from the ignorant:  what is back channeling? How is it done?

it's slang for sending mail to just someone on the list. just type in

thier email address instead of the beet-l

 

> Thanks

> 

don't worry

randy

=========================================================================

Date:         Thu, 4 Sep 1997 16:31:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anna Tulou <ltulou@EROLS.COM>

Subject:      Re: Memory Babe: The Movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:23 AM 9/4/97 -0400, you wrote:

>At 10:03 PM 9/3/97 -0400, you wrote:

>>At 08:15 PM 9/3/97 -0500, you wrote:

>>>>Since most of you seem to think an OTR movie would be bad, or not worthy

>>>>of the book, maybe Coppola should option the rights to Memory Babe

>>>>instead.   Jack Kerouac had a compellinglife story that itself would make

>>>>a terrific movie.

>>>> 

>>>>A story of a man who had his dreams come true and found out that

>>>>sometimes dreams arent what they seem to be.

>>>> 

>>>>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>>>>film rights to MemoryBabe?)

>>>> 

>>>>RJW

>>> 

>>okay, call me ignorant, but I didn't know there was an OTR movie out...

>>Who's in it? What year?  I did just see The LAst Time I Committed Suicide,

>>thought it was decent, but not great.

>> 

>>Anna Tulou

>>Ltulou@erols.com

>> 

>> 

>Dear Tululah,

> 

>You must be new to the list.  We've spent the past five

>days talking of very little else.

> 

>Mike Rice

> 

yeah I'm new.  But I've been filled in.  thanks.  Like my name the way you

say it ;p

=========================================================================

Date:         Thu, 4 Sep 1997 15:42:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: guns and guns..millions of guns

In-Reply-To:  <Pine.OSF.3.91.970902200825.4269A-100000@turbo.kean.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 2 Sep 1997, Hipster Beat Poet. wrote:

 

> out of curiosity:

>         who is graciously getting all of Bill's firearms and any

> remaining cats? In other words, what is going on with his estate?

> 

>                                         jason

> 

"estate" is a very dirty word on this list.

jenn

=========================================================================

Date:         Thu, 4 Sep 1997 19:12:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mitchell Smith <Praetor77@AOL.COM>

Subject:      Film called "Chappaqua"

 

Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all

the spelling here) which featured Ginsberg and Burroughs in it? Someone just

told me about it and I am mystified.

 

M Smith

=========================================================================

Date:         Thu, 4 Sep 1997 19:20:03 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Who's Who in Beat Lit...

 

Which YMCA in Chi town would that be??????/

=========================================================================

Date:         Thu, 4 Sep 1997 19:15:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anna Tulou <ltulou@EROLS.COM>

Subject:      Re: Film called "Chappaqua"

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:12 PM 9/4/97 -0400, you wrote:

>Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all

>the spelling here) which featured Ginsberg and Burroughs in it? Someone just

>told me about it and I am mystified.

> 

>M Smith

> 

haven't heard of it but let me know if you find out anything.

 

Anna

<Ltulou@erols.com>

=========================================================================

Date:         Thu, 4 Sep 1997 20:23:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: OTR:San Francisco epiphany

 

In a message dated 97-09-04 16:00:09 EDT, Diane Carter wrote:

 

<< Even this time through OTR, I still think the following paragraph is one

 of the best in the book, and it comes at a time when he is mentally

 worn-down, hungry, and disillusioned with Dean for leaving him and

 Marylou alone in San Francisco with no money.

  >>

I'm so fascinated that you chose this paragraph, Diane. A friend of mine read

On The Road a few months ago, and this was the only passage she didn't

understand, and she asked me to explain it to her. My tendency is to take

jack pretty literally most of the time, and my answer to her was that this

was a particularly vivid descripition of one of jack's many visions, and that

this one had the particular effect of demonstrating that all is everything

and nothing, existing at once and never, and proved eternity in the ephemera

of a moment.

 

I think this is the kind of stuff that went on in jack's head all the time,

which for me, explains a lot. Then again, it explains nothing.

 

I'm still too young to know what has happened. What has happened?

 

diane de rooy

=========================================================================

Date:         Thu, 4 Sep 1997 20:48:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: guns and guns..millions of guns

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 03:42 PM 9/4/97 -0500, you wrote:

>On Tue, 2 Sep 1997, Hipster Beat Poet. wrote:

> 

>> out of curiosity:

>>         who is graciously getting all of Bill's firearms and any

>> remaining cats? In other words, what is going on with his estate?

>> 

>>                                         jason

>> 

>"estate" is a very dirty word on this list.

>jenn

> 

> 

Here's an idea for a new non-fiction book: How to Avoid

Probate if you have the Misfortune of being Old Bull Lee!

 

Mike Rice

=========================================================================

Date:         Thu, 4 Sep 1997 20:57:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Who's Who in Beat Lit...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:20 PM 9/4/97 -0400, you wrote:

>Which YMCA in Chi town would that be??????/

> 

> 

You talkin' to me, you talkin' tuh me!

 

Mike Rice

=========================================================================

Date:         Thu, 4 Sep 1997 20:57:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR Sales

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:29 AM 9/4/97 -0400, you wrote:

>In a short comment on the 40th Anniversary of On the road, The Boston

>Globe reported that OTR has sold over 3 million copies total and is

>now selling about 60,000 per year. They provided no break down on

>these numbers.

> 

>As an aside, NH public radio recently broadcast a presentation by

>Thornton Wilder's Literary Executor who noted that, although Wilder is

>recognized as one of the greats of 20th Century American Literature,

>he was sorry to say that none of his works are currently in print, but

>that he was working on several promising opportunities.

> 

> 

>Mark Hemenway

> 

> 

Wilder is too bland, too upbeat, too positive for these cynical times.

Even some of William Saroyan which often contained at least a little

bur of contention, is too positive for these times.   Woe is us, maybe?

 

 

Mike Rice

=========================================================================

Date:         Thu, 4 Sep 1997 18:02:19 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: guns and guns..millions of guns

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Here's an idea for a new non-fiction book: How to Avoid

>Probate if you have the Misfortune of being Old Bull Lee!

> 

>Mike Rice

 

  I fear that this whole "free exchange of ideas" business might cost me the

tattered remnants of my sanity.

 

                                                      James M.

=========================================================================

Date:         Thu, 4 Sep 1997 21:12:02 -0400

Reply-To:     Greg Elwell <elwellg@voicenet.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Re: Film called "Chappaqua"

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 Yes!  As a matter of fact, I have a copy and have seen it.  Let me know if

you are interested in any other information.

Greg Elwell

 

-----Original Message-----

From: Mitchell Smith <Praetor77@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, September 04, 1997 7:19 PM

Subject: Film called "Chappaqua"

 

 

 

>Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on

all

>the spelling here) which featured Ginsberg and Burroughs in it? Someone

just

>told me about it and I am mystified.

> 

>M Smith

> 

> 

=========================================================================

Date:         Thu, 4 Sep 1997 12:50:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch: Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I was looking for something among by bookshelves today and stumbled

across a used copy of Naked Lunch that I must have bought quite a long

time ago, given the fact that new, this paperback seems to have been sold

for $1.25.  In the front of the book is the Supreme Court decision

declaring Naked Lunch not to be obscene, and also in the front section a

transcript of the court testimony of Allen Ginsberg and Norman Mailer.

Both of these testimonys were very insightful in terms of approaching the

book and it's a shame they are not still included in today's printings.

The dialogue between the court and Ginsberg was very funny.  Here are

short exerpts from Ginsberg's testimony. [Mailer's follow in another

post]

 

Q. Would you specify before me, for the Court, a few examples or

illustrations of ideas having social importance which you feel are

expressed in his book?

Ginsberg:  Yes. Well there are a great number of ideas in it that have

social importance; and they are all inter-related in the presentation of

the book.  One of the main ideas is a theory of junk addiction or a

theory of heroin addiction applied as a model for addiction to many other

things besides drugs.  It is usually referred to in the book as "The

Algebra of Need," and the other addictions which are mentioned in the

book, are treated dramatically--addiction to homosexuality, which is

considered by Burroughs also a sort of addiction; and, on a larger scale,

what he conceives of as the United States addiction to materialistic

goods and properties.  Addiction to money is mentioned in the book a

number of times; and most of all, an addiction to power or addiction to

controlling other people by having power over them.  So throughout the

book there are dramatic illustrations of people whose obsession or lust

is for control over the minds and hearts and souls of other people...

 

[sections snipped]

 

The Court: What do you understand him to mean by the phrase: "As always

the lunch is naked?" Do you mind me asking these questions?

 

De Grazia: No, your Honor.

 

Ginsberg: The phrase occurs when he is discussing capital punishment, I

think.

 

The Court: Where does he discuss capital punishment?

 

Ginsberg: Right in that.

 

The Court: He discusses it in the Foreward, or in the Introduction?

 

Ginsberg: In the paragraph on the same page.  "Let them see what is on

the end of that long newspaper spoon."

 

The court: What is a newspaper spoon?

 

Ginsberg: We are presented or spoonfed with news about death, about

capital punishment or executions...

 

The Court: You think the title, Naked Lunch, related to capital

punishment?

 

Ginsberg: No, no.  It relates to the nakedness of seeing, to being able

to see clearly without any confusing disguises, to see through the

disguise.

 

The Court: That is your interpretation of the title?

 

Ginsberg: Yes.

 

The Court: Or the meaning of the title?

 

Ginsberg: Of the word, "Naked," in the title; and Lunch would be a

complete banquet of all this naked awareness...

 

The Court: You wouldn't even remotely associate the title with any

incidents in this book which portray unnatural acts?

 

Ginsberg: Yes, that part of it, too.  The unnatural acts portrayed are

part of the exhibitions of control.

 

The Court: Would you go so far as to say it is associated with a

description of a person eating excrement, served on a plate here in the

front part of the book?

 

Ginsberg: That particular association had not literally ever occurred to

me.

 

The Court: Well, what do you say now?

 

Ginsberg: I am sure that could be included, too.  Certainly that would be

included also.  All levels in the title would be acceptable I think...

 

[sections snipped]

 

Ginsberg: [reading]

"The clerk looked at the card, suspiciously: 'You don't look like a bone

feed mast-fed Razor Back to me...What do you think about the Jeeeeews?'

'Well, Mr. Anker, you know yourself all a Jew wants to do is doodle a

Christian girl...One of these days we'll cut the rest of it off.'"

 

The Court: What page are you one now?

 

Ginsberg: Page 177.  It's very funny actually.

 

The Court:  Well, let me ask you this: Is that sentence offensive to you?

 

Ginsberg: I am Jewish; and I should be offended.  What Burroughs is

doing, he is parodying this monster; he is parodying this anti-Semite.

 

[much snipped]

 

Q: What about the art involved?

The Court: the literary art...

 

Ginsberg: Yes. That kind of courage and the kind of impulse as a kind of

idealism on the part of the author, I feel is an integral part of

literary art.  On a more superficial level there is the question of style

composition, like mosaic, I was saying.  The passages have been put in

place like mosaic, dealt out with great finesse and great beauty in this

book.  That the main literary qualities that I have noticed and many

other people have noticed have been, first of all--he's got a fantastic

ear for common speech, like a doctor giving a lecture on medicine, a

junkie dunking poundcake, a narcotics officer confronting the distruct

supervisor, an Arab boy on a street in North Africa, a middle-aged

suburban housewife, a southern county clerk.  This is a fantastic gamut

of speech rhythms, diction and still-life style, to be able to reproduce

with great, short, economic exactness...

 

[snipped]

 

Q: Didn't you once write a poem about Naked Lunch?

Ginsberg: Yes, a long time ago.

Q: Do you have it?

Ginsberg: Yes.

Q: What does this appear in?

Ginsberg: A book of my own called Reality Sandwiches.

 

The Court: Where will I find that book?

 

Ginsberg: Probably in Cambridge.  It's a poem I wrote early on reading

passages here.  That was "On Burroughs' Work. May I read it?

 

Q: Yes, please do.

 

Ginsberg: The method must be purest meat

              and no symbolic dressing,

          actual visions & actual prisons

              as seen then and now.

 

          Prisons and visions presented

              with rare descriptions

          corresponding exactly to those

              of Alcatraz and Rose.

 

          A naked lunch is natural to us,

              we eat reality sandwiches.

          But allegories are so much lettice.

              Don't hide the madness.

 

De Grazia: No more questions.

=========================================================================

Date:         Thu, 4 Sep 1997 13:11:41 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch: Mailer

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Here is a quote from Norman Mailer at the Naked Lunch trial:

 

"William Burroughs is in my opinion--whatever his conscious intention may

be--a religious writer.  There is a sense in Naked Lunch of the

destruction of the soul, which is more intense than any I have

encountered in any other modern novel.  It is a vision of how mankind

would act if man was totally divorced from eternity.  What gives this

vision a machine-gun-edged clarity is an utter lack of sentimentality.

The expression of sentimentality in religious matters comes forth usually

as a sort of saccharine piety which revolts any idea of religious

sentiment in those who are sensitive, discriminating, or deep of feeling.

 Burroughs avoids even the possibility of such sentimentality (which

would, of course, destroy the value of his work), by attaching a

stringent, mordant vocabulary to a series of precise and horrible events,

a species of gallows humor which is a defeated man's last pride, the

pride that he has, at least, not lost his bitterness.  So is the sort of

humor which flourishes in prisons, in the Army, among junkies, race

tracks and pool halls, a graffiti of cool, even livid wit, based on

bodily functions and the frailties of the body, the slights,

humiliations and tortures a body can undergo.  It is a wild and deadly

humor, as even and implacable as a sales tax; it is the small coin of

communication in every one of these worlds.  Bitter as alkali, it pickles

every serious subject in the caustic of the harshest experience; what is

 left untouched is as dry and silver as a bone.  It is the sort of fine,

dry residue which is the emotional substance of Burroughs' work for me.

        Just as Hieronymous Bosch set down the most diabolical and

blood-curdling details with a delicacy of line and a Puckish humor which

left one with a sense of the mansions of horror attendant upon Hell, so

too, does Burroughs leave you with an intimate, detailed vision of what

Hell might be like, a Hell which might be waiting as a culmination, the

fina; product, of the scientific revolution.  At the end of medicine is

dope; at the end of life is death; at the end of man may be the Hell

which arrives from the vanities of the mind.  Nowhere, as in Naked

Lunch's collection of monsters, half-mad geniuses, cripples, mountebanks,

criminals, perverts, and putrefying beasts is there such a modern panoply

of the vanities of the human will, of the excesses of evil which occur

when the idea of personal or intellectual power reigns superior to the

compassions of the flesh..."

=========================================================================

Date:         Fri, 5 Sep 1997 00:22:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Judith Campbell <judith@BOONDOCK.COM>

Subject:      Book Woman Goes On the Road!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'll be offlist for the next three weeks.  Finally decided to make that

long pilgrimage from the red hills of Georgia to the wild coast of

Californee...so I'm headed for City Lights via all the tourist attractions

between here and there.  First stop, Graceland!

 

Stay beat!

 

Judith the Wanderer

 

 

 

 

 

 

 

 

-----------------------------------------------------

email: judith@boondock.com

www:  http://www.boondock.com/

The Most Obscene Act is Censorship

=========================================================================

Date:         Fri, 5 Sep 1997 01:34:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beats:The List update 2 sep 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

excellant work James, a short note on Ohle

 

> > David Ohle--Burroughs circle,

p adds, David  wrote "Motor Man", wrote and edited "City Moon"

magazines, (a great editor), Hippy Tales

 

Is S. Clay Wilson listed?

p

=========================================================================

Date:         Fri, 5 Sep 1997 07:07:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      from a bear with little brain.

In-Reply-To:  <3.0.1.32.19970904190920.006dd328@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

could someone please send me the FAQ for list, especially the no mail

thingee? i'd appreciate the whole thing about sub, unsub, stop mail, etc.

every time some one asks me to help join lists i've had to fob requests off

on others, as

i've lost all info to the monster that eats up my saved mail once in a while.

i'll be gone 2 wks in oct and can't imagine coming back to an exploding

mailbox (am on 3 other lists)

thanks

mc

=========================================================================

Date:         Fri, 5 Sep 1997 07:07:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Book Woman Goes On the Road!

In-Reply-To:  <3.0.3.32.19970905002213.00be2d6c@ellijay.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

say hi to elvis for me.

mc

=========================================================================

Date:         Fri, 5 Sep 1997 14:28:06 +0200

Reply-To:     anton@tinderbox.co.za

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anton Raath <anton@TINDERBOX.CO.ZA>

Organization: tinderbox interactive

Subject:      Re: Film called "Chappaqua"

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mitchell Smith wrote:

> 

> Has anyone heard of a film called "Chappaqua" by Conrad Rooks (unsure on all

> the spelling here) which featured Ginsberg and Burroughs in it? Someone just

> told me about it and I am mystified.

> 

> M Smith

 

Your spelling's quite right. Chappaqua was made in 1965, and won an

award at the Venice Film Festival as far as I know. Here's the

information on the film from the Internet Movie Database (

http://www.imdb.com/ ):

 

Directed by Conrad Rooks

 

Cast (in alphabetical order)

      Jean-Louis Barrault

      William S. Burroughs

      Ornette Coleman

      Allen Ginsberg

      Paula Pritchett

      Conrad Rooks

 

Written by Conrad Rooks

 

Cinematography by Robert Frank

 

Music by Ravi Shankar

 

Additional to this, I know that The Fugs also did some cool psychedelic

music for the film. There are a few Burroughs soundbytes on the Ravi

Shankar soundtrack album.

 

A quick plot summary off the IMDB (not mine):

 

Semi-autobiographical story of Conrad Rooks, who travels to France to

undergo a drug-withdrawal cure. Flashbacks to the beginings of

psychedelia in San Francisco.

 

Hope that helps.

 

Anton Raath.

 

-------------------------------------------------------------

Anton L. Raath

tinderbox interactive    anton@tinderbox.co.za

Cape Town, South Africa  http://www.tinderbox.co.za/

-------------------------------------------------------------

=========================================================================

Date:         Fri, 5 Sep 1997 13:54:56 BST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Harberd <T.E.Harberd@UEA.AC.UK>

Subject:      Burroughs (again, probably)

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

 

Hey ffolks.

I'm back (applause please.)

So I go off for the summer holdiay, to Belize, come back two

months later, and phone up my mate Neb.  We chat...

"Oh by the way, William Burroughs is dead."

"Yeah, right."

"No, seriously.  A few weeks ago."

"Oh shit."

So by this point, I'm, like, REAAAAAALY glad to be back in

western life again.  Whoopee, Bill Lee's gone to the great

Interzone in the sky.  I cannot say how much this depressed

me.  The man was a genuine rennaisance guy, painting,

literature...  he even made an artwork out of life.  I'll

miss him, even though I didn't know him.  It just did me

heart good to know that people like that still existed.

*sigh*

So I suppose that's it for the BIG THREE then (AG, JK and

WSB).  Don't jump on me or anything, but I was only (;-))

about fourty years behind the beatifics, so the rest don't

hold so much power for me.  Just me p. o. v.

At least Ken Kesey's still around.

Ummm.. I know that all this sort of thing has probably been

done quite a while back, but I only just got back to uni.

(only place I get net access), and was confronted with over

3000 e-mails.  Not even I could be bothered to go through

them all.  So I deleted them.  Sorry.  I remember the

Ginsberg thing, and it was something that you just had to be

there for (not that I was then either).

But I thought I'd tell you anyway.

At least I've got my Beat Gen. degree unit this semester.

But I was sure that all the magazines would have tribute

things, like Ginsberg had (didn't he get on the cover of

Rolling Stone after his death?).  But so far... nitch.  And

people who know me probably know who I blame it on... the

Literary Establishment, maaan.  If you ask me they need a

damn good kick up up the arse.

And the truly wierd thing?  All around me, people are

wandering around sniffing in a daze because Ex-princess

Diana has died.  And I'm more upset about Bill.  Still.  In

a way, I reason it that I sort of knew Bill in a way.  And I

never knew this Diana women.

 

Ho hum.

 

Tom. H.

http://www.uea.ac.uk/~w9624759

"Language is a virus"

=========================================================================

Date:         Fri, 5 Sep 1997 09:24:06 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      sentimentality

 

In her last post on Naked Lunch, Diane raised the issue of

sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

that vice.  Kerouac, however, has been the subject of a charge of

sentimentality more than once.  At the end of a term paper I wrote for

him on Kerouac, Alfred Kazin noted "But what about his spaniel

sentimentality?"   I argue that Kerouac USUALLY rises above it,

frequently undercutting such notions with mock-heroic juxtapositions as

in the cowboy scene in OTR.  What do you think folks about the Beats --

particularly Kerouac and Ginsberg -- in terms of their being overly

sentimental?

=========================================================================

Date:         Fri, 5 Sep 1997 09:25:04 -0400

Reply-To:     Neil Hennessy <neil@klg.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Neil Hennessy <neil@KLG.COM>

Subject:      Re: burroughs' estate disposition

In-Reply-To:  <970905085145_419050732@emout17.mail.aol.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

First off, I want to say that James Grauerholz is a prince among men. I

have heard some people disparage him in the past, but most of their

complaints have been that he wouldn't give them access to Burroughs. All

that time James was looking out for WSB's best interests, and after his

death, James obviously still has the best interest of the Burroughs estate

and legend at heart.

 

The thought of what would become of the estate had crossed my mind, and in

truth, had James sold it off to private collectors and lived off the fat

of the land, I don't think I would have blamed him, or judged him for it.

He deserves whatever he can get in terms of profits and royalties that

come from the Burroughs oeuvre, because if James hadn't rescued Burroughs

from NY, he would have died long before he had a chance to finish his

greatest artistic achievement (the Red Night trilogy). The fact that James

is keeping the estate together, and making it available to scholars and

admirers through Ohio State is a testament to his class.

 

Just some notes on the items below:

 

> James Grauerholz, who has been with Burroughs for over 23 years, is his heir.

 

23 again.

 

> The majority of the archives is already on deposit at Ohio

> State University, and WSB's letters and mss. will _not_ be sold on the

> collector's market, at all.

 

One of these days, I'll have to take a vacation at Ohio State to romp

amongst the archives. Ever since I read about the alternate version of

Place of Dead Roads in Literary Outlaw, I've been waiting to see it.

 

> The Third Mind (Grove/Atlantic) -- a facsimile edition of the original 1965

> Burroughs-Gysin collage manuscript (as seen in the LA County Museum catalog

> for the "Ports of Entry" show)

 

Since seeing the show in LA, I'd been wondering if this was in the works.

LACMA acquired all the original works, with the exception of 5 or 6. This

will be a major publishing event for Burroughs admirers and scholars.

 

> (working title) Evil River: An Autobiography (Viking Penguin) -- composed of

> memoir writings by WSB made during the 1980s, edited by Barry Miles

 

Someone posted to the list about a year ago that they had seen this in a

publisher's catalogue somewhere. I guess it wasn't ephemeral, it does

appear to exist in one form or another. I think Evil River would be a

perfect title, although I would opt for the full title as Burroughs

envisioned it: My Past is an Evil River. For anyone wondering, the title

is from The Cat Inside. Burroughs says that nobody would write a

completely honest autobiography, it would have to be called My Past is an

Evil River. Would throw something up the ass of the New Criterion shits.

 

> William S. Burroughs on Giorno Poetry Systems (Mouth Almighty / Mercury

> Records) -- a four-CD boxed set of all of WSB's recordings issued on the GPS

> label, plus some never-released material, accompanied by five

> fully-illustrated booklets of text etc.

 

Zowie. Can't wait for this one, although we already knew about the

existence of the box set, this is the first time we've seen the specific

details. I hope the original album art will be included; there were some

pretty snazzy photographs on the covers of the vinyl.

 

> Naked Lunch, The Audiobook (performed by WSB) -- originally released by Time

> Warner Audio Books in 1995, with music by Bill Frisell, Wayne Horvitz and

> Eyvind Kang, produced by Hal Willner and James Grauerholz; to be re-edited by

> HW & JG for re-release in an improved version

 

Great. I didn't buy it when it first came out, so I'll wait for the new

version.

 

Now the only thing that remains conspicuously unavailable, that wasn't

reissued in a revised edition, is The Exterminator! with Brion Gysin.

Personally, I've got a copy, but I had to pay through the nose to get it.

It would be nice if some of the early works published in small editions

were to find reprints for the masses, kind of like Junky. Minutes To Go

wouldn't be a bad choice either. It is lovely to know that the kind of

crap that bogged (and is still bogging) down the Kerouac estate won't ruin

the Burroughs estate.

 

Cheers,

Neil

=========================================================================

Date:         Fri, 5 Sep 1997 09:50:09 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      "burroughs: skin ovr steel"

Comments: To: bohemian list <bohemian@maelstrom.stjohns.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

                                         08/18/97

                                ("burroughs: skin ovr steel")

     the voice:

     gravel in an open

     wound.

                        watching                           from aside

     camouflaged under

     coldsteel  suit and hat -

     hgwell's  invisible man

                                       without the bandages

      once the uniform of  every businessman  - inconspicuous in starch

     collar

 

                                   snap

     brim

                professional.

     beneath shadow

     of fedora:

     tight

            & taut

                     skin

     pulled                                    over --

        wrds            skidding across the page in

                                                                cold

      push of

     wetbrick muscle

     observant nerves - feeling the tension moving under the surface

     skin translucent

     (re)veal (ing)

                       the biology of the movements.

 

     the familiar pungent odour

     of

                                        cauterized

                                           words.

=========================================================================

Date:         Fri, 5 Sep 1997 00:54:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: sentimentality

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Bill Gargan wrote:

 

>  What do you think folks about the Beats --

> particularly Kerouac and Ginsberg -- in terms of their being overly

> sentimental?

 

Brings to mind a personal experience I had last week.  I wrote an article

about hiking on a mountain here in Vermont.  My second paragraph was

probably two sentences of about 12 lines each, very

descriptive, describing how the mountain speaks to the soul, and how

small but important human life seems from the top of the mountain.  My

editor called me, laughing hysterically, and said, you're not serious,

are you? You don't really expect me to print this, it's so over-written

and gushy!  Must be you've been reading Ginsberg again. (she has never

read any beat writer and she just doesn't get IT)  I said no, actually,

if anything it's my one-paragraph tribute to Kerouac and I knew you would

cut it.  But this leads to what a lot of people say about Kerouac, that

he's too sentimental, too sensitive, too gushy.  It is actually the

quality about him that I like and I think he does ground it in reality

most of the time. I don't often think of Ginsberg as sentimental and I

think that's because sensitivity in poetry is quite different than in

prose.  Kerouac is so taken by things that he does tend to go on and on,

and a lot of people, like my editor, would probably say, he could have

said that in one sentence, instead of three pages.  I think the more you

read Kerouac the less sentimental it seems, or perhaps you just become

more attuned to him.

 

And, by the way, the copy editor that got my article next, said leave it

in, just shorten the lines.  So, for anyone that cares to read it, here

is my one-paragraph tribute to Kerouac, probably inspired by Desolation

Angels:

 

The mountain has captured a part of my heart and mind.  There is

something primordial there--the mountain reveals itself through gigantic

weathered rock formations created by volcanic activity or continental

collisions 485 million years ago and then shaped by glaciers.  I've heard

the voice of the mountain in the sound of the wind barrelling over the

tops of rocks.  It speaks of age, creation, and power, amid which human

life seems small, even infinitesimal, yet because of that smallness,

terribly important.  When the mountain is still, my soul is still.  Yet

there are days when the mountain is so engulfed in clouds and fog that it

is hard to believe it is even there, except its presence, huge and

unmoving, is felt looming overhead.  Even the buildings are vestiges of

stone, and picnic areas are set in scenes of gothic simplicity and

reference.  All of this is far above the workday sounds of the world

below: town settlements in valleys, croaking factory smokestacks,

ordinary people whooshing down the Interstate.

DC

=========================================================================

Date:         Fri, 5 Sep 1997 01:08:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: OTR:San Francisco epiphany

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Diane De Rooy wrote:

 

 

> I'm so fascinated that you chose this paragraph, Diane. A friend of

> mine read

> On The Road a few months ago, and this was the only passage she didn't

> understand, and she asked me to explain it to her. My tendency is to

> take

> jack pretty literally most of the time, and my answer to her was that

> this

> was a particularly vivid descripition of one of jack's many visions,

> and that

> this one had the particular effect of demonstrating that all is

> everything

> and nothing, existing at once and never, and proved eternity in the

> ephemera

> of a moment.

> 

> I think this is the kind of stuff that went on in jack's head all the

> time,

> which for me, explains a lot. Then again, it explains nothing.

> 

> I'm still too young to know what has happened. What has happened?

 

Then, I must also be too young to know what has happened.  This

particular quality Kerouac had to see into the heart of things is very

special, I think, and permeates all of his work to some extent.  It so

especially stands out in OTR because there is such a sense of rushing

here and there, back and forth across the country, and there we have this

vision, from one quiet moment looking in a window; how we are all really

caught in this polarity between all and nothing.

DC

=========================================================================

Date:         Fri, 5 Sep 1997 13:35:47 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      St. Marks Celebrates OTR

 

The St. Marks Poetry Project will hold a marathon reading of OTR on

Wednesday, Sept. 24, 1997 to celebrate the 40th anniversary of the

book's publication.  The reading will begin at 7 p.m. and continue

through Thursday.  Over 70 writers and musicians, including David Amram,

Penny Arcade, Ann Douglas, Jonathan Franzen, Richard Hell, Hettie Jones,

Taylor Mead, Ricky Moody, and Bradford Morrow will participate.   For

more information, call the poetry project at 212-674-0910 or email them

at poproj@artomatic.com.  I believe there's also a web address but I

don't want to post it until I've personally checked the url.

=========================================================================

Date:         Fri, 5 Sep 1997 11:56:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James William Marshall <dv8@MAIL.NETSHOP.NET>

Subject:      Re: sentimentality

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>In her last post on Naked Lunch, Diane raised the issue of

>sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

>that vice.  Kerouac, however, has been the subject of a charge of

>sentimentality more than once.  At the end of a term paper I wrote for

>him on Kerouac, Alfred Kazin noted "But what about his spaniel

>sentimentality?"   I argue that Kerouac USUALLY rises above it,

>frequently undercutting such notions with mock-heroic juxtapositions as

>in the cowboy scene in OTR.  What do you think folks about the Beats --

>particularly Kerouac and Ginsberg -- in terms of their being overly

>sentimental?

> 

  I don't necessarily consider sentimentality a "vice" when it comes to

literature.  Sentimentality is intrinsically tied to memory.  I'd argue that

sentimentality in writing demonstrates an author's ability to re-live

(frequently to re-love) the past on paper.  I won't get into the reliability

of memory here but neither Kerouac nor Ginsberg stick in my mind as overly

"gushy" or "flowery" writers.

 

                                                     James M.

=========================================================================

Date:         Fri, 5 Sep 1997 14:12:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Off the Road and On the List

In-Reply-To:  <BEAT-L%1997090513430934@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Greetings to all!

It's great to be back on the list.  I really missed the coming together in

remembrance of William Burroughs that i was grateful for when Allen passed

away.  In fact, i didn't even know that WSB had died until about a week

after the event.  I finally got to read Naked Lunch this summer and LOVED

it.  it was really hard to get, but i thought his prose was very

beautiful.  And parts of it will stick in my head forever.  "I don't want

your money, honey, I want your time."

 

I would like to send a thank you out to Jeffrey, it made my day when i

checked my mail at the post office and got this cool T-shirt.  In fact, im

wearing it right now and it is fastly becoming my favorite shirt.  Have

received many good comments about it.  And, yeah, it is kind of hard to

see, but i don't think there are many people out there that would swallow

the costs of something like this because it did not fulfill their great

expectations.  I'm sure i'm late on this whole gratitude thing so let this

suffice: Thank you, Jeffrey.

 

Right now i'm reading the Electric Kool-Aid Acid Test and it is blowing me

away.  So great to see our Dean Moriarty back in action.  And it seems

like the Pranksters were the only next logical step for the Beats to take.

 

Just bought _Some of the Dharma_ IM SO EXCITED!! Skimming through it is

great! I can't wait to sit down and really soak it all in.  I think

notebook's are a great insight into one's life and this is no exception

for the creator of the Dulouz legend.

 

Heard _Howl, U.S.A_ by the Kronos Quartet for the first time yesterday.

Love it.

 

Had a great time discovering America on the road and up in alaska stuck in

a camper with five amazing people.  It was no Further, but it was pretty

damn close.

 

great to be back,

 

matt

=========================================================================

Date:         Fri, 5 Sep 1997 16:25:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Wednesday, September 4, 1957.

In-Reply-To:  <3.0.1.32.19970904185658.006dd328@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

i was lucky enough to meet joyce johnson at a reading of her minor

characters , she is a woman of grace and warmth. her memories of JK are

revealing, and even more revealing of herself. i recommend minor characters

to anyone who hasn't read it. my favorite passages however are not about JK

or others, they are the beginning chapters in which she writes of her 13 yr

old self taking the bus to washington square and wanting so badly to be

'hip' : brought back a lot of my  own memories. we spoke for a while after

the reading.

she has a summer house up here in vermont.

mc

 

>At 02.33 04/09/97 -0400, Mike Rice wrote:

>>At 07:43 PM 9/3/97 +0200, you wrote:

>>>"       Shortly before midnight on Wednesday, September

>>>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he

>>>was living with, left her apartment on the Upper West Side in New

>>>York City to wait at a newsstand at Sixty-sixth Street and

>>>Broadway for the next day's New York Times to come off the delivery

>>>truck. Kerouac had been alerted by his publisher that his novel

>>>On the Road would be reviewed in that issue, and so they bought

>>>the first copy of the Times they could pull from the stack.

>>>Standing under a street lamp, they turned the pages until they found the

>>>column "Books of the Times"--- Ann Charters"

>>> 

>>> 

>>Hey, don't we get the review, too.  Or at least: "and the rest is history!"

>> 

>>Mike Rice

>> 

>> 

>"The reviewer was Gilbert Millstein, and he had written:

>        On the Road is the second novel by Jack Kerouac, and its

>        publication is a historic occasion insofar as the exposure of

>        an authentic work of art is of any great moment in any age

>        in which the attention is fragmented and the sensibilities are

>        blunted by the superlatives of fashion.... [The novel is]

>        the most beautifully executed, the clearest and most important

>        utterance yet made by the generation Kerouac himself

>        named years ago as "beat" and whose principal avatar he is."

> 

> 

> 

>                                        --*--

> 

>                                        WAKE UP

>                                        MAN!

>                                        WAKE UP!

> 

>rINALDO.

=========================================================================

Date:         Fri, 5 Sep 1997 16:57:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Memory Babe: The Movie (fwd)

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

---------- Forwarded message ----------

Date: Wed, 3 Sep 1997 21:15:24 -0700 (PDT)

From: Gerald Nicosia <gnicosia@earthlink.net>

To: Richard Wallner <rwallner@CapAccess.org>

Subject: Re: Memory Babe: The Movie

 

At 06:54 PM 9/3/97 -0400, you wrote:

> 

>Since most of you seem to think an OTR movie would be bad, or not worthy

>of the book, maybe Coppola should option the rights to Memory Babe

>instead.   Jack Kerouac had a compellinglife story that itself would make

>a terrific movie.

> 

>A story of a man who had his dreams come true and found out that

>sometimes dreams arent what they seem to be.

> 

>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>film rights to MemoryBabe?)

> 

>RJW

> 

Hey, Richard,    Sept 3, 1997

 

        A couple of times I've had "producers" interested, but it was

typical Hollywood flimflam, nothing substantial.  Anybody with a used

Mercedes and a rented cellular phone in LA can call himself a producer.  If

you know anybody who's serious, send them my way.  Best always, Gerry Nicosia

=========================================================================

Date:         Fri, 5 Sep 1997 17:02:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Support Independent Bookstores!

In-Reply-To:  <BEAT-L%1997090513430934@CUNYVM.CUNY.EDU>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Since many of us are buying "Some of The Dharma" or planning to, this

seems like a good time to remind that you dont have to buy it at your

local conglomerate.  There are many fine smaller bookstores that could

really use your business.

 

The St.Mark's bookstore (home base of the St.Mark's poetry project btw)

is selling "Some of The Dharma" and even has it in its window display.

You wouldnt be able to read beat writing today if it wasnt for

independent bookstores, because the big conglomerate bookstores rarely

give exposure to new and lesser known writers.  There was a time when the

Kerouacs and Ginsbergs couldnt get their works on the shelves of the

Barnes and Nobles of the world and had to rely upon places like City

Lights in San Francisco and St. Mark's in NY.

 

Buy "Some of the Dharma" at a place like that.  Support independent

bookstores.

=========================================================================

Date:         Fri, 5 Sep 1997 23:28:47 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: "burroughs: skin ovr steel"

In-Reply-To:  <Pine.A32.3.93.970905094919.53110A-100000@srv1.freenet.calg

              ary.ab.ca>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Derek A. Beaulieu wrote:

>                                         08/18/97

>                                ("burroughs: skin ovr steel")

>     the voice:

>     gravel in an open

>     wound.

>                        watching                           from aside

>     camouflaged under

>     coldsteel  suit and hat -

>     hgwell's  invisible man

>                                       without the bandages

>      once the uniform of  every businessman  - inconspicuous in starch

>     collar

> 

>                                   snap

>     brim

>                professional.

>     beneath shadow

>     of fedora:

>     tight

>            & taut

>                     skin

>     pulled                                    over --

>        wrds            skidding across the page in

>                                                                cold

>      push of

>     wetbrick muscle

>     observant nerves - feeling the tension moving under the surface

>     skin translucent

>     (re)veal (ing)

>                       the biology of the movements.

> 

>     the familiar pungent odour

>     of

>                                        cauterized

>                                           words.

> 

> 

september into the bus stop

 

two men

were going out of the cabin     they are shouting

                                        in the cold morning:

 

"only 50 dollars

        o       n       l       y       50 dollars!"

 

"3 a.m.

 

he wakes up             he wakes up     and looks at the billfold!"

 

        LISTEN! listen  dig your hole!

                                        music

 

        "look at the telephone book what's

        up?"

 

        "does you have forgotten the phone numbers?"

 

        dig your hole   music

                                it is punching my head

        it is punching my       h       e       a       d

 

"he has not paid a cup of coffee not even

only he has told me good-bye    damn!"

 

        m       u       s       i       c

        m       u       s       i       c

        m       u       s       i       c

        m       u       s       i       c

        m       u       s       i

        m       u       s

        m       u

        m

.

 

=========================================================================

Date:         Fri, 5 Sep 1997 17:42:35 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: sentimentality

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:56 AM 9/5/97 -0700, you wrote:

>>In her last post on Naked Lunch, Diane raised the issue of

>>sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

>>that vice.  Kerouac, however, has been the subject of a charge of

>>sentimentality more than once.  At the end of a term paper I wrote for

>>him on Kerouac, Alfred Kazin noted "But what about his spaniel

>>sentimentality?"   I argue that Kerouac USUALLY rises above it,

>>frequently undercutting such notions with mock-heroic juxtapositions as

>>in the cowboy scene in OTR.  What do you think folks about the Beats --

>>particularly Kerouac and Ginsberg -- in terms of their being overly

>>sentimental?

>> 

>  I don't necessarily consider sentimentality a "vice" when it comes to

>literature.  Sentimentality is intrinsically tied to memory.  I'd argue that

>sentimentality in writing demonstrates an author's ability to re-live

>(frequently to re-love) the past on paper.  I won't get into the reliability

>of memory here but neither Kerouac nor Ginsberg stick in my mind as overly

>"gushy" or "flowery" writers.

> 

>                                                     James M.

> 

> 

There is not an ounce of sentimentality in Howl.  Not an ounce.

Comedy, obscenity, blasphemy, yes, sentimentality no.

 

Mike Rice

=========================================================================

Date:         Thu, 5 Sep 2097 23:50:12 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      A little help, please !

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I'm a new user and I think to have done a little mess with the commands to

L-Soft list-server, please notify me if this message arrives to the list.

Please accept my excuses for the incommodation.

Goodnight to all !!!

Ciao!

Francesco D.

=========================================================================

Date:         Fri, 5 Sep 1997 16:07:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: Support Independent Bookstores!

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Here here (hear hear?--hare hare?)!!!!! This month's UTNE Reader has

     an excellent story on the death of the indies.

 

     My favorite photo of Kerouac, I think it's in _Jack's Book_, is of a

     young Kerouac at a book signing for Town & City at the Tattered Cover

     in Denver.

 

     Dance with the Bookstore that Brought Ya!

 

     love and lilies (purchased from an indie florist of course),

 

     matt

=========================================================================

Date:         Fri, 5 Sep 1997 20:56:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Re: A little help, please !

Comments: cc: Dufour <dufour@ULISSE.IT>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Francesco,

 

        You will get this message twice if you're properly subscribed to the

list, since I'm posting it to the list and to your address. Welcome. Was it

Rinaldo in Venice-Mestre who enticed yoy onto the list?

 

                Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                        -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 5 Sep 1997 18:39:13 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Beats:The List update 2 sep 1997

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> excellant work James, a short note on Ohle

> 

> > > David Ohle--Burroughs circle,

> p adds, David  wrote "Motor Man", wrote and edited "City Moon"

> magazines, (a great editor), Hippy Tales

> 

> Is S. Clay Wilson listed?

> p

 

 

Thanks for Ohle--I thought afterwards I should have left that blank for

you--don't think S. Clay's there--but another one that is probably hippy

rather than beat like R. Crumb who isn't on either at the

moment--nominate them!

 

Keep me posted with your connections.

 

James

=========================================================================

Date:         Sat, 6 Sep 1997 16:05:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <xbchen@SUN.NANKAI.EDU.CN>

Subject:      Message from Orient

 

A book titled The Beat Generation was published last year by Hainan Publishing

House, China. The auther is Si Li, a M.D. on Modern English Literature.

 

*****************

Yan Feng

Nankai Uni.

China

*****************

=========================================================================

Date:         Sat, 6 Sep 1997 13:56:04 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      chinese Tong WSB quoted

In-Reply-To:  <9709062105.AA22086@sun.nankai.edu.cn>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Friends,

 

i found in novel "The Western Lands" a WSB quote related to the

article he wrote at the end of 1970's commented the mayor of SF George

Moscone's & Harvey Milk's murder

 

after the shocking sentence WSB imagined a Gay State like

the chinese Tong in order to protect the gay community,

 

ten year later Burroughs was again thinking about the Tong

and clarifing, i think, the meaning of the word tong we

discussed some weeks ago.

 

-*-

"There are many degrees of privacy. In some houses

there is a public passage only through the garden.

Others live in open stalls on heavely traveled streets,

or in the maze of tunnels under the city, or on the

roofs where the neighbors hang clothes to dry and tether

their sheep and goats and fowl. Some are entitled to

exact a toll. And some routes are the exclusive prerogative

of a club, a secret society, a sect, a tong, a profession

or a trade. fights over passage rights are frequently

and bloody. There are no public services in this quarter,

no police, fire, sanitation, water, power or medical

service. The are provided by families and clubs, if at all."

--- William S. Burroughs, The Western Lands, -7-, 1988.

-*-

 

saluti,

Rinaldo.

=========================================================================

Date:         Sat, 6 Sep 1997 06:46:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Message from Orient

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

Greetings Yan Feng,

 

Very interesting. The book is in english? If so, how can it be bought in the

USA? I am also curious about the MD degree (?). Here it stands for Medical

Doctor.

It is great to hear from China.

 

leon

 

-----Original Message-----

From: Yan Feng <xbchen@SUN.NANKAI.EDU.CN>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Saturday, September 06, 1997 1:11 AM

Subject: Message from Orient

 

 

 

A book titled The Beat Generation was published last year by Hainan

Publishing

House, China. The auther is Si Li, a M.D. on Modern English Literature.

 

*****************

Yan Feng

Nankai Uni.

China

*****************

.-

=========================================================================

Date:         Sat, 6 Sep 1997 10:05:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      poem: diana's death

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

for Diana safe in heaven

 

Blinded by the tabloids

        the papparazi

                the monarchy

blinded by my own reverse snobbery,

 

i was blindsided by your death.

        only now can i drop the curtains from my eyes

                and see the woman

                        of compassion

                                and courage

                                        you became.

 

blinded by my own struggles

        blinded by my own misery

                i was blindsided by your death.

again experiencing

        the all too often,

                yet all too human

                                misery

of recognizing the magnitude of what is precious

                                        only after the loss.

 

blindsided by the tabloids garish headlines and photos,

        i did not see

                your transformation

                        from uncertain girl lost in a palace

to the woman of  compassion

        in the soup kitchens

                 shelters

                        hospitals

                                hospices

                                        AIDS  wards

                                                leper colonies,

among the children suffering in the world.

 

i was blindsided by the newspaper tabloids

        at the checkout counters, the ones i

never buy or bring home

                        but somehow cannot Not read

while waiting with my carriage.

 

diana,

        for all of this

        i am grieved

 

blinded by the papparazi's lurid headlines and photos

i saw  too few accounts of your compassion

for "the constituary of the rejected."

 

i was blindsided by my own grief

        for you,

unexpectedly  deep and profound.

 

watching CNN this morning

        i could not help but travel back in time

the death of john lennon

                        tim leary

                                jerry garcia

                                        allen ginsberg

                                                william burroughs

and ALL who have taught me compassion,

        diana i wish  you safe in heaven, having walked through

                the portal hand in hand

                        with mother theresa.

i think that jack will be waiting there.

 

        your brother said it best:

that you were named for

         the goddess of the hunt

                only to become the most hunted.

 

mc 9/6/97

=========================================================================

Date:         Sat, 6 Sep 1997 09:04:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Message from Orient

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Yan Feng wrote:

> 

> A book titled The Beat Generation was published last year by Hainan Publishing

> House, China. The auther is Si Li, a M.D. on Modern English Literature.

> 

> *****************

> Yan Feng

> Nankai Uni.

> China

> *****************

Dear Yan Feng,

  Have you had a chance to read this book? If so, who does it deal with,

and did you find it interesting?

patricia

=========================================================================

Date:         Fri, 6 Sep 2097 14:16:51 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: A little help, please !

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Antoine,

            thanks for your message (things seem to be ok now)...no, I've

not been introduced to the list by Rinaldo, also if I contacted him this

week for some advices.

 I heard the existence of Beat-L from a site about WSB that I was reading

in the days after his death.

 

                                       At the next.

                                           Ciao!

                                       Francesco

 

----------

> Da: Antoine Maloney <stratis@odyssee.net>

> A: BEAT-L: Beat Generation List <BEAT-L@CUNYVM.CUNY.EDU>

> Cc: Dufour <dufour@ULISSE.IT>

> Oggetto: Re: A little help, please !

> Data: sabato 6 settembre 1997 2.53

> 

> Francesco,

> 

>         You will get this message twice if you're properly subscribed to

the

> list, since I'm posting it to the list and to your address. Welcome. Was

it

> Rinaldo in Venice-Mestre who enticed yoy onto the list?

> 

>                 Antoine

>  Voice contact at  (514) 933-4956 in Montreal

> 

>      "An anarchist is someone who doesn't need a cop to tell him what to

do!"

>                               -- Norman Navrotsky and Utah Phillips

=========================================================================

Date:         Fri, 6 Sep 2097 14:16:18 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: Welcome!

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Thanks Leon, I really hope that the italian community in Beat-L expands

guided by the really competent intervents from Rinaldo (the "beat

ambassador" of our country) !!!

 

Ciao!

Francesco

 

----------

> Da: Leon Tabory <letabor@cruzio.com>

> A: dufour@ULISSE.IT

> Oggetto: Welcome!

> Data: sabato 6 settembre 1997 2.50

> 

> Hello Francesco!

> 

> Your post is another very welcome one from Italia! Welcome to the BEAT-L

> group. Rinaldo is the only other member of our group from Italia that I

know

> of, and he generously enriches us with  beautifully powerful poetry,

> extensive familiarity with the historical beat spirited persons, and a

most

> beat spirit  and compassionate heart.  The amazing thing about him is

that

> posts like today's come from his fertile mind all the time.  But I am not

> saying this to intimidate you, just to let you know that one of your

> neighbors in Italia is a blessed  gift to our group.

> 

> leon

> 

> 

> 

> 

> 

> 

=========================================================================

Date:         Sat, 6 Sep 1997 10:28:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      poem last draft(off topic but.....)

In-Reply-To:  <3.0.1.32.19970906135604.00699be8@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

for Diana safe in heaven

 

Blinded by the tabloids

        the papparazi

                the monarchy

blinded by my own reverse snobbery,

 

i was blindsided by your death.

        only now can i drop the curtains from my eyes

                and see the woman

                        of compassion

                                and courage

                                        you became.

 

blinded by my own struggles

        blinded by my own misery

                i was blindsided by your death.

again experiencing

        the all too often,

                yet all too human

                                misery

of recognizing the magnitude of what is precious

                                        only after the loss.

 

blindsided by the tabloids garish headlines and photos,

        i did not see

                your transformation

                        from uncertain girl lost in a palace

to the woman of  compassion

        in the soup kitchens

                 shelters

                        hospitals

                                hospices

                                        AIDS  wards

                                                leper colonies,

among the children suffering in the world.

 

i was blindsided by the newspaper tabloids

        at the checkout counters, the ones i

never buy or bring home

                        but somehow cannot Not read

while waiting with my carriage.

 

diana,

        for all of this

        i am grieved

 

blinded by the papparazi's lurid headlines and photos

i saw  too few accounts of your compassion

for "the constituary of the rejected."

 

i was blindsided by my own grief

        for you,

unexpectedly  deep and profound.

 

watching CNN this morning

        i could not help but travel back in time

the death of john lennon

                        tim leary

                                jerry garcia

                                        allen ginsberg

                                                william burroughs

and ALL who taught me compassion,

 

        your brother said it best:

that you were named for

         the goddess of the hunt

                only to become the most hunted.

diana i wish  you safe in heaven, having walked through

                the portal hand in hand

                        with mother theresa.

i think that jack will be waiting there.

 

 

mc 9/6/97

=========================================================================

Date:         Fri, 6 Sep 2097 16:37:30 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: Message from Orient

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Dear Yan Feng

 I would like to know if the book is more like an anthology or a collection

of critical essays, and, if you read it, if it was interesting.

Ciao!

Francesco

 

----------

> Da: Patricia Elliott <pelliott@SUNFLOWER.COM>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: Re: Message from Orient

> Data: sabato 6 settembre 1997 16.04

> 

> Yan Feng wrote:

> >

> > A book titled The Beat Generation was published last year by Hainan

Publishing

> > House, China. The auther is Si Li, a M.D. on Modern English Literature.

> >

> > *****************

> > Yan Feng

> > Nankai Uni.

> > China

> > *****************

> Dear Yan Feng,

>   Have you had a chance to read this book? If so, who does it deal with,

> and did you find it interesting?

> patricia

=========================================================================

Date:         Sat, 6 Sep 1997 11:35:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Relix August edition

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

In the August edition of Relix, the Greatful Dead type mag, they review

on page 70, a book entitled, Everything I Know I Learned on Acid by Coco

Perkelis.  One of the quotes she seized upon was by Jack, suposedly, and

is:

 

"There's nothing nobler than to put up with a few inconvieniences like

snakes and dust for the sake of absolute freedom."

 

Is this an accurate quote and from where?

 

Thanks.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 6 Sep 1997 08:37:17 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: poem last draft(off topic but.....)

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Less see, my first reaction

 

Diana? That fucking bitch, I used to think. The most selfishly arrogant

champion social climber, conniving princess fairy tale. I never could see in

the public photo images what it was that she had going to knock over all

those power dicks on the top ladder of the castle. Well, I used to think,

look at the prince and that will explain the tastes of monarchy. And look at

the public+ACE- The tabloid princess of the twentieth century. The wonderful

charity work? Redeeming (?) rejuvenation of the Ladies of Charity of the

Aristocracy of the last century in their carriages and tresses in front of

the poor houses with baskets of bread and goodies. Opium for the Chinese

masses. ladies of charity for the suckers at home. Yikes.

 

I vaguely recall newspaper articles about the strategies that were being

considered in the power PR halls brainstorming how to try to do repairs of

the image of the princess who was out to get all she could after getting rid

of her prince monarch, but not the the better benefits of the monarchy. Can

the hussy pull it off? Aha, photo ops to prove she was more than earning her

continuing outrageous costs to the taxed masses. The sensitive,

compassionate, princess who identifies with the poor and downtrodden.

 

What the smartest  PR firms with financial resources can not create.  It

says something about the advanced state of human dreaming freightened in the

dark, hysterically groping for the lights of the photo flashes, there it is,

there it was, who dares not to be swept along in the stampedes. Ending lines

of movies. I am even hesitant to speak out aloud the questions in my mind,

for fear of being trampled in the hysterias. I am no militant or any monarch

hater or something. Maybe the guards at the gates of heaven are having a

crisis meeting right now, who is first in line, is it Diana or should she

make way for Sister Theresa? The public's response, popularity of the later,

the only spokesperson who shows us that you can still find compasion for the

poor in the cold corporate churches of today,  the model for the successful

photo op campaign of the former? The wayward princess, of commom stock,

finds the way for the erring monarchy that disowned her, or she them as the

case might have been. The paparazzi came in quite handy, but how to get rid

of them when you do not want them when their photos could spoil the others

so carefully, royally arranged to build the image? Well, not if you are not

sober, not when you are drunk. Where are the MADD mothers now? The arrogance

of power is even more dangerous when drunk.

 

I will wait awhile for reactions to subside before I try to get a fuller

perspective on the princess of thwentieth century, the +ACI-people's

 princess+ACI-

in the making. Of course, I am saddened by the death of any human being,

especially those whose lives were so sad and whom nobody mourns. I am

waiting to see if my mind can penetrate a bit further the mysteries involved

in some very basic instincts that flare up here. I am not at all sure that I

know enough, or understand enough. All my notions here are subject to

reevaluation. I would need a lot more truthful information to trust my

judgements here with confidence. I will reserve judgement for the time

being.

 

+AD4-for Diana safe in heaven

+AD4-

+AD4-Blinded by the tabloids

+AD4-        the papparazi

+AD4-                the monarchy

+AD4-blinded by my own reverse snobbery,

+AD4-

+AD4-i was blindsided by your death.

+AD4-        only now can i drop the curtains from my eyes

+AD4-                and see the woman

+AD4-                        of compassion

+AD4-                                and courage

+AD4-                                        you became.

+AD4-

+AD4-blinded by my own struggles

+AD4-        blinded by my own misery

+AD4-                i was blindsided by your death.

+AD4-again experiencing

+AD4-        the all too often,

+AD4-                yet all too human

+AD4-                                misery

+AD4-of recognizing the magnitude of what is precious

+AD4-                                        only after the loss.

+AD4-

+AD4-blindsided by the tabloids garish headlines and photos,

+AD4-        i did not see

+AD4-                your transformation

+AD4-                        from uncertain girl lost in a palace

+AD4-to the woman of  compassion

+AD4-        in the soup kitchens

+AD4-                 shelters

+AD4-                        hospitals

+AD4-                                hospices

+AD4-                                        AIDS  wards

+AD4-                                                leper colonies,

+AD4-among the children suffering in the world.

+AD4-

+AD4-i was blindsided by the newspaper tabloids

+AD4-        at the checkout counters, the ones i

+AD4-never buy or bring home

+AD4-                        but somehow cannot Not read

+AD4-while waiting with my carriage.

+AD4-

+AD4-diana,

+AD4-        for all of this

+AD4-        i am grieved

+AD4-

+AD4-blinded by the papparazi's lurid headlines and photos

+AD4-i saw  too few accounts of your compassion

+AD4-for +ACI-the constituary of the rejected.+ACI-

+AD4-

+AD4-i was blindsided by my own grief

+AD4-        for you,

+AD4-unexpectedly  deep and profound.

+AD4-

+AD4-watching CNN this morning

+AD4-        i could not help but travel back in time

+AD4-the death of john lennon

+AD4-                        tim leary

+AD4-                                jerry garcia

+AD4-                                        allen ginsberg

+AD4-                                                william burroughs

+AD4-and ALL who taught me compassion,

+AD4-

+AD4-        your brother said it best:

+AD4-that you were named for

+AD4-         the goddess of the hunt

+AD4-                only to become the most hunted.

+AD4-diana i wish  you safe in heaven, having walked through

+AD4-                the portal hand in hand

+AD4-                        with mother theresa.

+AD4-i think that jack will be waiting there.

+AD4-

+AD4-

+AD4-mc 9/6/97

+AD4-.-

+AD4-

=========================================================================

Date:         Sat, 6 Sep 1997 14:10:24 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: Relix August edition

Mime-Version: 1.0

Content-Type: text/enriched; charset="us-ascii"

 

At 11:35 AM 9/6/97 -0400, you wrote:

 

>In the August edition of Relix, the Greatful Dead type mag, they

review

 

>on page 70, a book entitled, Everything I Know I Learned on Acid by

Coco

 

>Perkelis.  One of the quotes she seized upon was by Jack, suposedly,

and

 

>is:

 

> 

 

>"There's nothing nobler than to put up with a few inconvieniences like

 

>snakes and dust for the sake of absolute freedom."

 

> 

 

>Is this an accurate quote and from where?

 

> 

 

>Thanks.

 

>--

 

>Bentz

 

>bocelts@scsn.net

 

> 

 

>http://www.scsn.net/users/sclaw

 

> 

 

>---------------

 

the quote you are referring to I believe is by Jack Kerouac and I believe

it is from <underline>The Dharma Bums</underline>.  I feel reasonably

certain about this.

 

 

                                        - Jon

=========================================================================

Date:         Sat, 6 Sep 1997 13:36:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Relix August edition

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> In the August edition of Relix, the Greatful Dead type mag, they review

> on page 70, a book entitled, Everything I Know I Learned on Acid by Coco

> Perkelis.  One of the quotes she seized upon was by Jack, suposedly, and

> is:

> 

> "There's nothing nobler than to put up with a few inconvieniences like

> snakes and dust for the sake of absolute freedom."

> 

> Is this an accurate quote and from where?

> 

> Thanks.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

i like the quote AG attributes to Jack on video "Life and Times of AG"

about acid:

 

"Walking on Water wasn't built in a day"

 

dbr

=========================================================================

Date:         Sat, 6 Sep 1997 14:42:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: t(off topic but have to get the last word in (might as well

              be honest)

In-Reply-To:  <9709060843.aa09671@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hi leon! so glad we had a chance to actually disagree about something. i do

believe you may have the wrong princess ('fergie' as she i believe was/is

called) was the one the palace dicks were up in arms against, and the one

who courted the media and conspicuous consumption as well.

but on the topic of diana,

the meaning of the poem was that i never got beyond the tabloid diana to

see the vulnerable woman and the compassionate woman that she indeed was.

not a princess by birth, but a 'lady' who chose to become a teacher rather

than become a debutant. a woman hounded by the press for every indiscretion

but not when she was out among the people of englan usa africa you name it.

all of her appearances for charity went to charity.

so i am so glad you could react. you said all of the things i had thought

of her before learning of her realities. i also recognize her as a fellow

survivor: she was thoroughly traumatized by the realities of the monarchy,

abandoned by 'prince-boy' for most of the years, left alone in the

castle(s) without any help from anyone re: her 'role' no support from the

monarchy whatsoever.

a poignant story i do remember is an evening when she and 'fergie'(forget

her real name, but fellow princess) tried to order out for pizza and

horrifiedthe nation.

she suffered from eating disorders, severe depressions, suicide attempts.

none of this was to gain attention any more than a non-princess's struggles

are. many of her struggles are my struggles. i saw her as a survivor about

to get the hell out of the public eye and gain more of her own back. she

was compassionate and very real. which is why the monarchy disliked her so

intensely.

what my poem conveys is MY perceptions to the tabloid diana which kept me

from seeing her as a vulnerable woman. and in beat tradition, where

everyone is holy, i see her as holy too.

no, i don't see her as a mother theresa. if there is any catholicism left

in me, it's that i see mother theresa as a saint.

but as i and you and he and she and we are all together, *we are all holy*.

mc

=========================================================================

Date:         Sat, 6 Sep 1997 12:15:47 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: t(off topic but have to get the last word in (might as well

              be honest)

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

I didn't find the subject that interesting until now. Maybe you can

backchannell me where to find the sources that tell you about the real

Diana. I will appreciate it.

 

leon

 

+AD4-hi leon+ACE- so glad we had a chance to actually disagree about something.

 i do

+AD4-believe you may have the wrong princess ('fergie' as she i believe was/is

+AD4-called) was the one the palace dicks were up in arms against, and the one

+AD4-who courted the media and conspicuous consumption as well.

+AD4-but on the topic of diana,

+AD4-the meaning of the poem was that i never got beyond the tabloid diana to

+AD4-see the vulnerable woman and the compassionate woman that she indeed was.

+AD4-not a princess by birth, but a 'lady' who chose to become a teacher rather

+AD4-than become a debutant. a woman hounded by the press for every indiscretion

+AD4-but not when she was out among the people of englan usa africa you name it.

+AD4-all of her appearances for charity went to charity.

+AD4-so i am so glad you could react. you said all of the things i had thought

+AD4-of her before learning of her realities. i also recognize her as a fellow

+AD4-survivor: she was thoroughly traumatized by the realities of the monarchy,

+AD4-abandoned by 'prince-boy' for most of the years, left alone in the

+AD4-castle(s) without any help from anyone re: her 'role' no support from the

+AD4-monarchy whatsoever.

+AD4-a poignant story i do remember is an evening when she and 'fergie'(forget

+AD4-her real name, but fellow princess) tried to order out for pizza and

+AD4-horrifiedthe nation.

+AD4-she suffered from eating disorders, severe depressions, suicide attempts.

+AD4-none of this was to gain attention any more than a non-princess's struggles

+AD4-are. many of her struggles are my struggles. i saw her as a survivor about

+AD4-to get the hell out of the public eye and gain more of her own back. she

+AD4-was compassionate and very real. which is why the monarchy disliked her so

+AD4-intensely.

+AD4-what my poem conveys is MY perceptions to the tabloid diana which kept me

+AD4-from seeing her as a vulnerable woman. and in beat tradition, where

+AD4-everyone is holy, i see her as holy too.

+AD4-no, i don't see her as a mother theresa. if there is any catholicism left

+AD4-in me, it's that i see mother theresa as a saint.

+AD4-but as i and you and he and she and we are all together, +ACo-we are all

 holy+ACo-.

+AD4-mc

+AD4-.-

+AD4-

=========================================================================

Date:         Sat, 6 Sep 1997 12:29:46 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Memory Babe: The Movie

 

Mike-

 

>Dear Tululah,

 

Are you a Tori Amos fan?  That's my only connection with Tululah. (And my

best friend's cat's name.)  Just curious.

 

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sat, 6 Sep 1997 14:43:02 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Film called "Chappaqua"

 

> 

>haven't heard of it but let me know if you find out anything.

> 

>Anna

><Ltulou@erols.com>

> 

 

this is a good example of a response that should be back-channeled to

keep list traffic down.  not to be a dick...just trying to increase

awareness.

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sat, 6 Sep 1997 13:12:21 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Who's Who in Beat Lit...

 

On Thu, 4 Sep 1997 19:20:03 -0400 Sean Elias <SPElias@AOL.COM> writes:

>Which YMCA in Chi town would that be??????/

> 

if you are referring to my posting of late,  that would be the YMCA down

on Halstead.  It's down in the same area of the near north that ed

debevicks, hard rock and planet hollywood are in. (all that touristy

shit.)

 

still don't know if i'm right about that or not.

 

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sat, 6 Sep 1997 12:15:19 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: Memory Babe: The Movie

 

On Wed, 3 Sep 1997 18:54:06 -0400 Richard Wallner

<rwallner@CAPACCESS.ORG> writes:

>Since most of you seem to think an OTR movie would be bad, or not

>worthy

>of the book, maybe Coppola should option the rights to Memory Babe

>instead.   Jack Kerouac had a compellinglife story that itself would

>make

>a terrific movie.

 

Oh no....don't do this....we had enough problems trying to come to terms

with the film version of a piece of fiction.  now you want to do it with

non-fiction!!!  the debate on the L would get ugly.  instead of sarcastic

comments, people may start sending death threats.   if we think OTR would

be inaccurate, trying to figure out all of the *facts* for a non-fiction

film may lead to bloodshed.

 

>A story of a man who had his dreams come true and found out that

>sometimes dreams arent what they seem to be.

> 

>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>film rights to MemoryBabe?)

> 

>RJW

 

just my 2 cents worth.  i may be wrong.

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sat, 6 Sep 1997 11:54:05 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: OTR book sales

 

On Wed, 3 Sep 1997 08:57:40 -0400 MATT HANNAN <MATT.HANNAN@USOC.ORG>

writes:

 

>>They said last year 100,000 copies of OTR were sold.  Does anyone know

>>how that number compares to other works of twentieth century

literature.

> 

>Not sure how it compares but I'm sure that number is wholly

>inaccurate--I'm betting it's based on some book retailers report (not

having seen the

>article) which are usually based on "new" book sales.  Everyone here

that buys

>all of their books new raise your hands........................I thought

so.

>I'm betting it's closer to 200,000--providing you believe 100,000 people

 

>would part with their copy of OTR to sell it used....hmm, maybe I'll

rethink my

>numbers.

 

if we count both used and new books sold in the same figure, we're

counting the same books over and over again.  that's not fair either.

 

i want to believe that there are alot more people out there who are

getting into/back into OTR and other beat gen  books, but doing it that

way is cheating.    :-)

 

>     love and lilies (new and/or used),

> 

>     matt h.

 

peace-

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sat, 6 Sep 1997 15:52:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      Re: Film called "Chappaqua"

 

i love clockwork orange, by the way!  i am a near-obsessive fan and rampant

quoter!

 

jenn, BEAT-L, over mailed, member

=========================================================================

Date:         Sat, 6 Sep 1997 16:12:11 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: R: Message from Orient

In-Reply-To:  <199709061605.RAA11379@ns.ulisse.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

A visitor from the future!  How do you do it?  Can you reveal to us the

secrets of the murky not-yet-present?  Tell us....how was the On the Road

movie?  What do you do to celebrate National Beat Day celebrated on Neal

Cassady's birthday anniversary?  Are the Kerouac Journals as wonderful as

we all hope?  Has the great lost Cassady/Kerouac/Burroughs/Ginsberg

manuscript been found and published?  Enlighten us Man of Tommorrow!

 

----->On Fri, 6 Sep 2097, Dufour wrote:

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Sat, 6 Sep 1997 18:58:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Poem for a princess

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie:

 

Just to let you know that I gave a copy of your poem to my wife.  She

liked it and is sending it to a friend of ours who is from the UK.  It

meant a lot to her and she said to tell you thanks.  Thanks from me for

speaking to her heart.

 

Peace,

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 7 Sep 1997 01:05:58 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: R: Message from Orient

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Sorry, I'm having problems with my CMOS clock; I hope to come back to the

present as soon as possible !!!

 

Ciao!

F.

 

p.s. Please notify me if this message has the right date.

 

p.s.II for Alex: the OTR movie is one of the things to forget of this

century along with the "Cherry Garcia" ice cream.

----------

> Da: Alex Howard <kh14586@ACS.APPSTATE.EDU>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: Re: R: Message from Orient

> Data: sabato 6 settembre 1997 22.12

> 

> A visitor from the future!  How do you do it?  Can you reveal to us the

> secrets of the murky not-yet-present?  Tell us....how was the On the Road

> movie?  What do you do to celebrate National Beat Day celebrated on Neal

> Cassady's birthday anniversary?  Are the Kerouac Journals as wonderful as

> we all hope?  Has the great lost Cassady/Kerouac/Burroughs/Ginsberg

> manuscript been found and published?  Enlighten us Man of Tommorrow!

> 

> ----->On Fri, 6 Sep 2097, Dufour wrote:

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State

University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Sat, 6 Sep 1997 19:04:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Rolling Stone WSB

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

There is an article in the September 18, 1997, Issue 769 of Rolling

Stone on WSB.  I admit that I picked up the magazine because of the

picture of Neve Campbell on the front and the words "Jenny McCarthy".

But, I only shelled out my $3.00 because of the article on Bull Lee.  It

is written by Lewis MacAdams, with comments by Hunter S. Thompson, Lou

Reed, and Gregory Corso.  It excerpts comments from articles or

interviews from RS.  And it is very complitmentary of James Grauerholz.

For the youngsters on the list, it has a good capsule of WSB's notorious

incidents and the Thompson note is interesting.

 

Peace,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

=========================================================================

Date:         Sat, 6 Sep 1997 19:12:02 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Wednesday, September 4, 1957.

In-Reply-To:  Message of Fri, 5 Sep 1997 16:25:59 -0400 from <country@SOVER.NET>

 

I heartily recommend Joyce's novels in addition to "Minor Characters."  I've re

ad and enjoyed "Bad Connections" and "In the Night Cafe."  I'm still looking fo

r her first novel "Come and Join the Dance."

=========================================================================

Date:         Sat, 6 Sep 1997 19:15:38 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      book stores

 

I'm all in favor of supporting small book stores but I'm frequently surprised b

y St. Mark's lack of zeal in stocking Beat and newer authors.  Several times I

asked St. Marks why they didn't carry "Beat Scene", for instance or why they di

dn't stock Ron Whitehead's book.

=========================================================================

Date:         Sat, 6 Sep 1997 21:05:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Carl A Biancucci <carl@WORLD.STD.COM>

Subject:      barcelona book stores

In-Reply-To:  <BEAT-L%1997090619184940@CUNYVM.CUNY.EDU> from "Bill Gargan" at

              Sep 6, 97 07:15:38 pm

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Hi.I'm pretty sure I'm going to Barcelona in Oct.and am hoping

that you may know of cool bookstores there (and if they sell

English language in addition to Spanish).

 

Also

Is there a Spanish Kerouac/Cassady/Holmes/Huncke whose books

I should search out?

 

Thanks,

 

 

Carl

=========================================================================

Date:         Sat, 6 Sep 1997 19:50:18 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      orizaba 210 blues 51st chorus

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hey beat-l'ers

a friend and i are working on a translation of kerouac's Orizaba 210 Blues

51st Chorus (_book of blues_ pg.179) and i was wondering if any of you

whose french is a little stronger might be able to help along with a few

words and maybe offer a different translation.

here's the original:

51ST CHORUS

Boy, sa den du coeur, sa, le bon

vin - Mama, c'est'l'port

si fort, le vin divin

 

Aye, oui, mais ecoute - dans

les melieus de les nuits,

tu we, sa den du coeur,

sa den du coeur

 

ca fa du bein au beson

 

Besoigne? - Di mue pas la

besogne maudir, ola bedenne,

maudit, la bedenne

 sa fa du bein a bedenne

     pauvr' bedenne

 

A, y parle tu aussi bien

        q'ca

          a Milan

        len Italiens a gueules

Nous autres aussi on a une

belle langue qui clacke

 

 

and here's our translation so far:

ORIZABA BLUES 210 51ST CHORUS

by Jack Kerouac (as translated by Mark Onley and Derek Beualieu)

 

his love of yr life (??) is the good

wine - Mama it's even

stronger, the vined wine

 

ah, yes, but listen - in

the best of nights

you mourn the love of his life

 

that does good to (??)

 

(??) do not silence the

work, damned, (??)

it does good to (??)

poor (??)

 

they, also speak well

that

in milan

Shut up Italians

we also have a

beautiful language that

rings

=========================================================================

Date:         Sat, 6 Sep 1997 21:16:27 -0600

Reply-To:     "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      beaulieu's _jack kerouac: essai-poulet_ and a great discovery!

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

beat-l'ers

i was wondering if any of you have had a look at VL Beaulieu's _Jack

Kerouac: essai-poulet_ (or as translated into engliah as _jack kerouac - a

chicken essay_). i've been very very confused by the title as it was

translated into english UNTIL its just been brought to my attention that

"essai" in french can be translated in several different ways and i think

that maybe the curerent translation has missed the boat a wee bit.

        you see "essai" can be translated as "testing", "trying out",

"resistance", "tentative" or "practice" and only in literature is it

translated as "essay" (well - an essay is a form of writing practice, no?)

and can also mean "assay" (an analysis esp. of a ore or drug to determine

its componets an analysis or examination; or the result of such an

examination)

        "poulet" is translated primarily as "chicken", but also as "cop"(n. -

policeman), or "love-letter"(archaic) ((and also "mon poulet" means "my

love" or "my pet"))

        so then to have translated the title as simply "a chicken essay"

seems to have ignored some of the bilingual puns that Beaulieu seems to be

exploring. even the title alone is a great exploration of the character of

kerouac (both as a french canadian and as a "american" author).

        do any of you bilingual readers OR those of you who have read VL

Beaulieu's work (either in french or english) have any further comments,

or know how i could get in touch with VL Beaulieu? i would really like to

follow up on this further, any suggestions anyone?

        excitedly yrs

        derek

=========================================================================

Date:         Sun, 7 Sep 1997 03:59:40 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: Support Independent Bookstores!

 

In a message dated 97-09-06 08:55:25 EDT, you write:

 

<< Buy "Some of the Dharma" at a place like that.  Support independent

 bookstores. >>

 

As a former used book store owner, I support independent bookstores and

oppose the homogenization of America that all the large chains seem to breed.

 

Also, check out the fact that Maxxim Corp, a timber company is interested in

cutting down one of the last old growth forests, 60,000 acres of Redwood

trees that are 500 to 1000+ years. All for just a little money. Now the

government wants to pay the company 138 million dollars as ransom money so

the company won't cut it down.

I am not trying to start a new topic here on this, just feel that the beats

were natural environmentalists, and feel that they would (are) offended.

 

Attila

=========================================================================

Date:         Sun, 7 Sep 1997 04:17:28 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Memory Babe: The Movie

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:15 PM 9/6/97 +0000, you wrote:

>On Wed, 3 Sep 1997 18:54:06 -0400 Richard Wallner

><rwallner@CAPACCESS.ORG> writes:

>>Since most of you seem to think an OTR movie would be bad, or not

>>worthy

>>of the book, maybe Coppola should option the rights to Memory Babe

>>instead.   Jack Kerouac had a compellinglife story that itself would

>>make

>>a terrific movie.

> 

>Oh no....don't do this....we had enough problems trying to come to terms

>with the film version of a piece of fiction.  now you want to do it with

>non-fiction!!!  the debate on the L would get ugly.  instead of sarcastic

>comments, people may start sending death threats.   if we think OTR would

>be inaccurate, trying to figure out all of the *facts* for a non-fiction

>film may lead to bloodshed.

> 

>>A story of a man who had his dreams come true and found out that

>>sometimes dreams arent what they seem to be.

>> 

>>(Hey Gerald, ifyou're out there, has anyone ever approached about the

>>film rights to MemoryBabe?)

>> 

>>RJW

> 

>just my 2 cents worth.  i may be wrong.

> 

>Brian M. Kirchhoff

>howl 420@juno.com

> 

> "Being the adventures of a man whose principle interests are

>    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

> 

> 

If OTR fails as a movie, then Memory Babe ought to be considered

for a film.  And, anyway, why not film them both.  I've seen two

versions of Emma in the last year, and a film that used its

structure the year before (Clueless).

 

Mike Rice

=========================================================================

Date:         Sun, 7 Sep 1997 10:54:58 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: t(off topic but have to get the last word in (might as well

              be honest)

In-Reply-To:  <9709061220.aa13767@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                ..."It may be quite simple

                but now that it's done,

                I hope you don't mind,

                I hope you don't mind,

                That I put down in words

                How wonderful life is"...

                ---Elton John, Your Song (fragmnet)

=========================================================================

Date:         Sun, 7 Sep 1997 05:47:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: OTR book sales

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 11:54 AM 9/6/97 +0000, you wrote:

>On Wed, 3 Sep 1997 08:57:40 -0400 MATT HANNAN <MATT.HANNAN@USOC.ORG>

>writes:

> 

>>>They said last year 100,000 copies of OTR were sold.  Does anyone know

>>>how that number compares to other works of twentieth century

>literature.

>> 

>>Not sure how it compares but I'm sure that number is wholly

>>inaccurate--I'm betting it's based on some book retailers report (not

>having seen the

>>article) which are usually based on "new" book sales.  Everyone here

>that buys

>>all of their books new raise your hands........................I thought

>so.

>>I'm betting it's closer to 200,000--providing you believe 100,000 people

> 

>>would part with their copy of OTR to sell it used....hmm, maybe I'll

>rethink my

>>numbers.

> 

>if we count both used and new books sold in the same figure, we're

>counting the same books over and over again.  that's not fair either.

> 

>i want to believe that there are alot more people out there who are

>getting into/back into OTR and other beat gen  books, but doing it that

>way is cheating.    :-)

> 

>>     love and lilies (new and/or used),

>> 

>>     matt h.

> 

>peace-

>Brian M. Kirchhoff

>howl 420@juno.com

> 

> "Being the adventures of a man whose principle interests are

>    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

> 

> 

 

I don't know the sales figures but Salinger's Catcher in the

Rye is enough to make him a repeating millionaire in his

solitude in N. Hampshire.  Hemingway's Sun Also Rises probably

makes a mint year after year, and so does Fitzgerald's The Great

Gatsby.  It would be interesting to know how many copies of these

books are sold and how much revenue that brings yearly to the

Heirs.

 

Mike Rice

=========================================================================

Date:         Sun, 7 Sep 1997 14:17:33 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Sept. 6, 1997 - Elton John - tribute to Princess Diana

In-Reply-To:  <l03020901b0371937f30a@[206.25.67.102]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                    Candle in the Wind

                    Sept. 6, 1997 - Elton John - for Princess Diana

 

1.  Goodbye England's rose, may you ever grow in our hearts,

You were the grace that placed itself where lives were torn apart,

You called out to our county, and you whispered to those in pain,

Now you belong to Heaven, and the stars spell out your name.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

 

2.  Loveliness we've lost, those empty days without your smile,

This torch we'll always carry for our nation's golden child,

Even tho' we try, the truth brings us to tears,

All our words cannot express the joy you've brought us through the

years.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your  footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

 

3.  Goodbye England's rose, may you ever grow in our hearts,

You were the grace that placed itself where lives were torn apart,

Goodbye English rose, from the country lost without your soul,

Who miss the wings of your compassion more than you will ever know.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your  footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

=========================================================================

Date:         Sun, 7 Sep 1997 07:19:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: t(off topic but have to get the last word in (might as well

              be honest)

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

Good Sunday marie and all of us,

 

Last words? You can have them as far as I am concerned, but the topic isn't

done yet.

 

Of course it is a legitimate topic for the list. Not because of Diana,

although who knows, maybe she also is one of the illustrious closet beats,

or in the process of being discovered as one. The Who is Beat Topic never

closes, like it or not... I have faith that we will find new beat-worthy

persons, on and on.

 

The wonder filled myths that arise from the ashes of champions and heroes

who have left our dramas one way or another+ACo-  is very alive to us as we

continue to plum the depths of  Kerouac, Cassady, Ginzburg, Burroughs (by

order of exit), and all the beats that were and will be.

 

        +ACo- I can't resist here noting the role of tunnels in the tragic lives

of the most potent symbol bearers of the last half of our century. Isn't it

awesome coincidence? From King's light at the end of the tunnel to flashing

paparazzi lights at the end of the tunnel for princess Diana and her

companions+ACE- It is quite remarkable to me that in the mountains of words that

I see , this striking coincidence has not been mentioned yet. Too hot?

 

In the last words of your ode you have Jack waiting for Diana. Don't you

think that if things go on in heaven as they do on earth, if folks are

rewarded for the deeds they done here,  that the more likely scenario would

find sister Theresa engaged by Jack in passionate exchanges about Christ and

Buddha, while Diana would be off with Neal somewhere in tha paradisical

woods, maybe the back seat of a 52 Cadillac?+ACoAKg- A bit of irreverant humor

 is

beat is it not? Lighten up everybody? Although I have to stop before I have

Jack knock off a few with the Head of Ritz security. I am ready to step back

with apologies if it offends anyone. I realize that myths grab different

emotions, to offend the living isn't like touching open wouds left by fresh

losses.

.

     +ACo- +ACo- Neal was a pretty safe driver inspite of seeming to drive like

 a

maniac. He didn't like alcohol. He did tell me once with awed amazement  how

the gas pedal became like spaghetti while driving on acid,  but the driving

was not impaired in the least, somehow. I know, I was in the car.

 

While I am digressing, and before I forget again, I have to get this off my

chest. I was too busy to look at the list last week. I am sorry WJR, that I

made you feel resentment by implying to you that i have better  connection

to Neal just because I was a good friend  for nine years, and you never met

him in real life, I am not sure here, maybe you did. I do not feel that

either one of us has to feel apologetic for whatever we believe, or that our

experiences are any less or more worthy or whatever. I truly don't feel any

upmanship whatsoever. I wish you joy and happiness, not sadness and

resentment. But I did know Neal in real life. You said that you feel sad for

the people who don't enjoy as you do that ending of the movie that you

imagined so vividly. Well, I don't feel sad about that, but I do feel sad

about confusion of myths and reality. Just one for-instance, you were saying

that in real life Neal was a burglar among other nasty things. I will not go

into the ethical principles that judge a person to be a con man, if you are

interested you can look up what my impressions are about that in Christopher

Ritter's page where he preserved my earlier response to this question from

the list, http://levity.com/corduroy/journals/tabory.htm .

 

Burglars are much easier though to define. Burglars steal things from

people. Neal did steal cars for joy rides in his teens. Lots of passionate

teens outgrow these transgressions of their youth. Neal more than most. I

have never had a single friend whom I would trust more not to steal from me

or from anyone, not to steal, as I have trusted Neal.  Even with stash+ACE- I

was not disappointed. I have never seen any inclination or temptation in

Neal to steal from people. He was no burglar. If you really want to know

what my experience has been with Neal regarding those other bad things you

think he was, I will be glad to backchanell to you. I don't blame you WJR

for choosing to believe whoever seems more credible to you, and I am not

asking you to believe me. You don't even know me. But I know why I believe

realities that I have witnessed rather than myths.

 

Still on topic marie, So where do you get your information about the real

Diana from? This is the question.

 

leon

 

+AD4-hi leon+ACE- so glad we had a chance to actually disagree about something.

 i do

+AD4-believe you may have the wrong princess ('fergie' as she i believe was/is

+AD4-called) was the one the palace dicks were up in arms against, and the one

+AD4-who courted the media and conspicuous consumption as well.

+AD4-but on the topic of diana,

+AD4-the meaning of the poem was that i never got beyond the tabloid diana to

+AD4-see the vulnerable woman and the compassionate woman that she indeed was.

+AD4-not a princess by birth, but a 'lady' who chose to become a teacher rather

+AD4-than become a debutant. a woman hounded by the press for every indiscretion

+AD4-but not when she was out among the people of englan usa africa you name it.

+AD4-all of her appearances for charity went to charity.

+AD4-so i am so glad you could react. you said all of the things i had thought

+AD4-of her before learning of her realities. i also recognize her as a fellow

+AD4-survivor: she was thoroughly traumatized by the realities of the monarchy,

+AD4-abandoned by 'prince-boy' for most of the years, left alone in the

+AD4-castle(s) without any help from anyone re: her 'role' no support from the

+AD4-monarchy whatsoever.

+AD4-a poignant story i do remember is an evening when she and 'fergie'(forget

+AD4-her real name, but fellow princess) tried to order out for pizza and

+AD4-horrifiedthe nation.

+AD4-she suffered from eating disorders, severe depressions, suicide attempts.

+AD4-none of this was to gain attention any more than a non-princess's struggles

+AD4-are. many of her struggles are my struggles. i saw her as a survivor about

+AD4-to get the hell out of the public eye and gain more of her own back. she

+AD4-was compassionate and very real. which is why the monarchy disliked her so

+AD4-intensely.

+AD4-what my poem conveys is MY perceptions to the tabloid diana which kept me

+AD4-from seeing her as a vulnerable woman. and in beat tradition, where

+AD4-everyone is holy, i see her as holy too.

+AD4-no, i don't see her as a mother theresa. if there is any catholicism left

+AD4-in me, it's that i see mother theresa as a saint.

+AD4-but as i and you and he and she and we are all together, +ACo-we are all

 holy+ACo-.

+AD4-mc

+AD4-.-

+AD4-

=========================================================================

Date:         Sun, 7 Sep 1997 08:42:20 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

Sorry , I inadvertantly listed Jack as leaving the scene before Neal.

 

Also, I got a quick backchannel about getting it backwards when I used WJR

for Richard J. Wallner. Using last name first was just my clumsy way of

being more impersonal. I was trying to emphasize - nothing personal here. I

hope I have not offended you Richard.

 

I can't resist some more, what do you think about a movie that has the

movers and shakers of our age recalled for a cosmic board meeting where

their experiences in life are used to experiment with designs for the next

century. We could have alll of them making suggestions, excuses and

projections for the kind of redesigning of human chemistry that could be

made. Is it imaginable to see a committee of hitler stalin roosevelt

einstein cassidy kerouac  marilyn monroe john f kennedy the ayatollah nixon

ginzberg burroughs diana theresa , perhaps a few others that should be

included, all colloborating on the lessons learned from their mistakes,

comparing misperceptions, designing a plan for the twenty first century.

One thing they all had in common - they were human, they had huge real and

symbolic influence. The arrival scenes you could design here..Some awesome

Intriguing possibilities.

 

Which leads me to another disclaimer - I don't care what movies are made for

people's enjoyment. That doesn't mean I don't give a shit about Kerouac. I

have no idea where I gave you that impressions, didn't mean to. All I said

was this is not the way it was in real life. Please don't confuse myths with

realities. If you make an interesting movie I might enjoy watching it.

 

See you friends

 

leon

=========================================================================

Date:         Sun, 7 Sep 1997 12:27:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

<snip>

> I can't resist some more, what do you think about a movie that has the

> movers and shakers of our age recalled for a cosmic board meeting

> where

> their experiences in life are used to experiment with designs for the

> next

> century. We could have alll of them making suggestions, excuses and

> projections for the kind of redesigning of human chemistry that could

> be

> made. Is it imaginable to see a committee of hitler stalin roosevelt

> einstein cassidy kerouac  marilyn monroe john f kennedy the ayatollah

> nixon

> ginzberg burroughs diana theresa , perhaps a few others that should be

> included, all colloborating on the lessons learned from their

> mistakes,

> comparing misperceptions, designing a plan for the twenty first

> century.

> One thing they all had in common - they were human, they had huge real

> and

> symbolic influence. The arrival scenes you could design here..Some

> awesome

> Intriguing possibilities.

> 

<snip>

> 

> leon

Leon:

 

To me this is a stroke of absolute genius.  My head is whirling with the

possibilities; it is like a galaxy new born.

 

I am stealing your idea for a novel. Please don't tell anyone on the

list, especially David, he will steal it before I get a chance. ;-) Oh,

well, you already did. Hey David, let's steal this idea together!  You

start the scream play.  I already have begun the Novel.  Let's work Red

Auerbach in there though.  Even though he's not dead.

 

 

Seriously, this is an absolute work of genius.  Thank you, you have

supercharged my day!

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 7 Sep 1997 11:36:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Leon Tabory wrote:

> <snip>

> > I can't resist some more, what do you think about a movie that has the

> > movers and shakers of our age recalled for a cosmic board meeting

> > where

> > their experiences in life are used to experiment with designs for the

> > next

> > century. We could have alll of them making suggestions, excuses and

> > projections for the kind of redesigning of human chemistry that could

> > be

> > made. Is it imaginable to see a committee of hitler stalin roosevelt

> > einstein cassidy kerouac  marilyn monroe john f kennedy the ayatollah

> > nixon

> > ginzberg burroughs diana theresa , perhaps a few others that should be

> > included, all colloborating on the lessons learned from their

> > mistakes,

> > comparing misperceptions, designing a plan for the twenty first

> > century.

> > One thing they all had in common - they were human, they had huge real

> > and

> > symbolic influence. The arrival scenes you could design here..Some

> > awesome

> > Intriguing possibilities.

> >

> <snip>

> >

> > leon

> Leon:

> 

> To me this is a stroke of absolute genius.  My head is whirling with the

> possibilities; it is like a galaxy new born.

> 

> I am stealing your idea for a novel. Please don't tell anyone on the

> list, especially David, he will steal it before I get a chance. ;-) Oh,

> well, you already did. Hey David, let's steal this idea together!  You

> start the scream play.  I already have begun the Novel.  Let's work Red

> Auerbach in there though.  Even though he's not dead.

> 

> Seriously, this is an absolute work of genius.  Thank you, you have

> supercharged my day!

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

I'm already typing on chapter 5 ... better hurry up !!!!!!!

 

david rhaesa

salina, Kansas

 

p.s.  interesting WSB entered looking an awful lot like the mummy of

Ramsses II.  Confused Nixon who called him Begin.

=========================================================================

Date:         Sun, 7 Sep 1997 13:24:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: Sept. 6, 1997 - Elton John - tribute to Princess Diana

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

>                     Candle in the Wind

>                     Sept. 6, 1997 - Elton John - for Princess Diana

> 

> 1.  Goodbye England's rose, may you ever grow in our hearts,

<snip>

 

Rinaldo,

 

Thank you for this, as with MC's poem, I will pass it along to my wife.

It helps with closure for her.  She is passing MC's poem along to

others.  Thank you both for your good magic.  The two of you with Leon,

have made a great trilogy of good magic in the last two sad days.

 

Let's us not forget that a true saint, Mother Theresa also has left a

large gap that will need many to fill and bring love and hope like she

did.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 7 Sep 1997 13:52:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      beat me, daddy, eight to the bar...

 

With the most gentle respect for everyone who's feeling the loss of two

beautiful souls, please, please, please... no more.

 

There are lists and discussion groups for both of these women, as well as

live chat.

 

The Beat-L list is my island where I go to tune out all that other stuff and

focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and

Mother Theresa here, as well.

 

Please, I beg you...

 

diane

=========================================================================

Date:         Sun, 7 Sep 1997 13:55:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: t(off topic but have to get the last word in (might as well

              be honest)

In-Reply-To:  <9709070726.aa27040@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

good sunday leon!

i loved what you wrote here:

In the last words of your ode you have Jack waiting for Diana. Don't you

think that if things go on in heaven as they do on earth, if folks are

rewarded for the deeds they done here,  that the more likely scenario would

find sister Theresa engaged by Jack in passionate exchanges about Christ and

Buddha, while Diana would be off with Neal somewhere in tha paradisical

woods, maybe the back seat of a 52 Cadillac?+ACoAKg- A bit of irreverant humor

 is beat is it not?

___________

yes it is. and i didn't imply that jack was merely waiting for diana, just

that she and mother theresa(who knew one another quite well in this life)

probably hit the gates at the same time. and yes, of course, i can see jack

excitedly talking for the next millenium with mother t.

where did i get my information?

from following the real news and not the yellow journalism, from being

involved in many of the charities she earnestly worked for (no photo op-

slimy opportunism, real sparkle and dedication)

from knowing of her eating disorders, suicide attempts. from knowing the

coldness and the icy shouldered nonsupport she got,

and from seeing her, rather than wilt or die, decide for a life for herself

and go for it. the funeral alone was very telling: the usual march and

trappings, but the queen waiting at the gate, the very personal poems and

eulogy by her family, the gentle chiding of the monarchy by even the

presiding priest(? proper title) that she was in death able to bring the

stiff upper lip britons to their tears, the millions who waited for the

caravan and the flowers that were visible from a jet flying overhead.

she identified with the rejected of humanity, feeling rejected herself, and

therefore went into the public with an honesty and modesty that impressed

me.

as i said, i am no lover of the monarchy and therefore, i was interested in

diana's impact on the old order. sadly, the greatest impact was the impact

of the accident which took her life.

the ny times today has good coverage.

that's it for now folks

a sunny sunday awaits me down by the mad river where i plan to strip nekked

and paddle for the rest of the day.

more later.

mc

=========================================================================

Date:         Sun, 7 Sep 1997 13:55:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

In-Reply-To:  <3412D5D3.6F6FC767@scsn.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

ok now we have leon as birthing the idea, and dave and bentz stealing the

idea, but cover yr backs, boys, because i demand at fingerpoint(anti

handgun here)  to be included.

ginsberg arrives via skateboard, chanting ooommm and looking cute as hell

in them baggy boarder's shorts.

mc

 

>Leon Tabory wrote:

><snip>

>> I can't resist some more, what do you think about a movie that has the

>> movers and shakers of our age recalled for a cosmic board meeting

>> where

>> their experiences in life are used to experiment with designs for the

>> next

>> century. We could have alll of them making suggestions, excuses and

>> projections for the kind of redesigning of human chemistry that could

>> be

>> made. Is it imaginable to see a committee of hitler stalin roosevelt

>> einstein cassidy kerouac  marilyn monroe john f kennedy the ayatollah

>> nixon

>> ginzberg burroughs diana theresa , perhaps a few others that should be

>> included, all colloborating on the lessons learned from their

>> mistakes,

>> comparing misperceptions, designing a plan for the twenty first

>> century.

>> One thing they all had in common - they were human, they had huge real

>> and

>> symbolic influence. The arrival scenes you could design here..Some

>> awesome

>> Intriguing possibilities.

>> 

><snip>

>> 

>> leon

>Leon:

> 

>To me this is a stroke of absolute genius.  My head is whirling with the

>possibilities; it is like a galaxy new born.

> 

>I am stealing your idea for a novel. Please don't tell anyone on the

>list, especially David, he will steal it before I get a chance. ;-) Oh,

>well, you already did. Hey David, let's steal this idea together!  You

>start the scream play.  I already have begun the Novel.  Let's work Red

>Auerbach in there though.  Even though he's not dead.

> 

> 

>Seriously, this is an absolute work of genius.  Thank you, you have

>supercharged my day!

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 7 Sep 1997 11:08:40 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: beat me, daddy, eight to the bar...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>With the most gentle respect for everyone who's feeling the loss of two

>beautiful souls, please, please, please... no more.

> 

>There are lists and discussion groups for both of these women, as well as

>live chat.

> 

>The Beat-L list is my island where I go to tune out all that other stuff and

>focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and

>Mother Theresa here, as well.

> 

>Please, I beg you...

> 

>diane

 

Here here.

 

Thanks for saying this nicely.  I don't know if I could have.

=========================================================================

Date:         Sun, 7 Sep 1997 12:22:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      Re: R: R: Message from Orient

 

On Sun, 7 Sep 1997 01:05:58 +0200 Dufour <dufour@ULISSE.IT> writes:

>Sorry, I'm having problems with my CMOS clock; I hope to come back to

>the

>present as soon as possible !!!

> 

>Ciao!

>F.

> 

>p.s. Please notify me if this message has the right date.

 

>p.s.II for Alex: the OTR movie is one of the things to forget of this

>century along with the "Cherry Garcia" ice cream.

 

what the hell is wrong with "cherry garcia" ice cream?!?  chocolate,

cherries, and the profits go to charity!!!  (along with the profits of

"phish food" ice cream.)  ben and jerry's is the most p.c. ice cream in

the world!!!

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "Being the adventures of a man whose principle interests are

    Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Sun, 7 Sep 1997 13:10:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian M Kirchhoff <howl420@JUNO.COM>

Subject:      mega-meeting of the minds

 

(Leon's message but cut up like a burroughs novel)

 

On Sun, 7 Sep 1997 08:42:20 -0700 Leon Tabory <letabor@CRUZIO.COM>

writes:

 

>I can't resist some more, what do you think about a movie that has the

>movers and shakers of our age recalled for a cosmic board meeting

>where their experiences in life are used to experiment with designs for

the

>next century. We could have all of them making suggestions, excuses and

>projections for the kind of redesigning of human chemistry that could

>be made. Is it imaginable to see a committee of hitler stalin roosevelt

>einstein cassidy kerouac  marilyn monroe john f kennedy the ayatollah

>nixon ginzberg burroughs diana theresa , perhaps a few others that

should be

>included, all colloborating on the lessons learned from their

>mistakes, comparing misperceptions, designing a plan for the twenty

first

>century. One thing they all had in common - they were human, they had

huge real

>and symbolic influence. The arrival scenes you could design here..Some

>awesome Intriguing possibilities.

 

somebody's ahead of you on this one, except it's not going to be a

movie...it's going to be the real thing.  Vaklav Havel (i probably

destroyed the spelling but i can't find anything around my office with

his name on it), the president of the chech republic, poet, generally

brilliant guy is inviting the most important and influential people to

gather for a conference in 1999.  their goal is to think about where

human society has been over the last 1000 years, what we have

accomplished, what's good, what's bad, and come up with goals for the

world for the next 1000 years.  it's going to be a metaphysical approach

to evaluating where we are and where we're going.  apparently he's trying

to get everyone from heads of states, writers, athletes, leaders of all

sorts. (and you thought they needed tight security for the olympics!)  i

don't remember much more other than that.  for those on the list familiar

with Havel, this should make sense.  he is the only living personi can

think of  who could organize something like this.  keep an eye out for

the stories on this one.  hopefully some really cool stuff will come out

of this.

 

>See you friends

> 

>leon

 

Brian M. Kirchhoff

howl 420@juno.com

 

 "I saw the best minds of my generation destroyed by madness starving

hysterical.

           I should be allowed to glue my poster.  I should be allowed to

think."

        -They Might Be Giants, "I Should Be Allowed to Think"

=========================================================================

Date:         Sun, 7 Sep 1997 14:08:38 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Marie Countryman wrote:

> 

> ok now we have leon as birthing the idea, and dave and bentz stealing

> the

> idea, but cover yr backs, boys, because i demand at fingerpoint(anti

> handgun here)  to be included.

> ginsberg arrives via skateboard, chanting ooommm and looking cute as

> hell

> in them baggy boarder's shorts.

> mc

 

Ok mc, you're in, but we gotta keep it down here, don't tell anyone

else.  Cause, Churchill is having trouble getting in; the cigars are a

problem.  The venilation is not good.  Meantime, Jung has shown up with

a large large mandella. He suggests that everyone draw their own

mandella to capture the present universe.  Frued objects, but is

overrulled.  Ginsburg and Jung hand out the paper.  Bull Lee is

watching, but thinking about target practice. Meanwhile, Neal is warming

up the car.  Jack suggests that a little ride on the car, nicknamed

Furhter than Kesey is in order.  They all agree, but make Winnie stick

his head and stogie out the window.  David and I chase the car down the

street with a tape recorder in hand.  Unfortunately, we both awake.

Only David is in SC, and I am in Kansas.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 7 Sep 1997 13:17:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: t(off topic but have to get t.... CORRECTION+ACE-

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> Marie Countryman wrote:

> >

> > ok now we have leon as birthing the idea, and dave and bentz stealing

> > the

> > idea, but cover yr backs, boys, because i demand at fingerpoint(anti

> > handgun here)  to be included.

> > ginsberg arrives via skateboard, chanting ooommm and looking cute as

> > hell

> > in them baggy boarder's shorts.

> > mc

> 

> Ok mc, you're in, but we gotta keep it down here, don't tell anyone

> else.  Cause, Churchill is having trouble getting in; the cigars are a

> problem.  The venilation is not good.  Meantime, Jung has shown up with

> a large large mandella. He suggests that everyone draw their own

> mandella to capture the present universe.  Frued objects, but is

> overrulled.  Ginsburg and Jung hand out the paper.  Bull Lee is

> watching, but thinking about target practice. Meanwhile, Neal is warming

> up the car.  Jack suggests that a little ride on the car, nicknamed

> Furhter than Kesey is in order.  They all agree, but make Winnie stick

> his head and stogie out the window.  David and I chase the car down the

> street with a tape recorder in hand.  Unfortunately, we both awake.

> Only David is in SC, and I am in Kansas.

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

I REFUSE TO WAKE UP IN SOUTH CAROLINA !!!!!!!

 

I wake up in Thebes!

 

dbr

=========================================================================

Date:         Sun, 7 Sep 1997 15:34:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: beat me, daddy, eight to the bar...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:52 PM 9/7/97 -0400, you wrote:

>With the most gentle respect for everyone who's feeling the loss of two

>beautiful souls, please, please, please... no more.

> 

>There are lists and discussion groups for both of these women, as well as

>live chat.

> 

>The Beat-L list is my island where I go to tune out all that other stuff and

>focus on kerouac, ginsberg and burroughs. Don't make me hear about Diana and

>Mother Theresa here, as well.

> 

>Please, I beg you...

> 

>diane

> 

 

I agree, anywhere to escape the mauldlin tide and

hysterical mythmaking.  Please.

 

Mike Rice

 

"So we beat on, boats against the tide, borne back ceaselessly into

the past."

=========================================================================

Date:         Sun, 7 Sep 1997 16:07:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Rolling Stone WSB

 

Bentz:

 

I also just obtained and read the Rolling Stone WSB tribute.  The main

article is thoughtful, and successfully makes a very long, deep story short,

a good encapsulation for beginners as you mentioned.  As usual, there are a

few dates and details that are incorrect (he returned to the USA from his

expatriate adventures in 1973, not 1963, for example), but I've encountered

much worse.  The author of the article, Lewis MacAdams, was as he notes the

co-director of WHAT HAPPENED TO KEROUAC?, which I very highly recommend, a

terrific documentary that evokes the JK spirit better than any

mainstream-Hollywood OTR adoptation that ends up being made has any chance of

doing.

 

The best part of the tribute, for me, is the Hunter S. Thompson piece, THE

SHOOTIST.  This sentence from it is one of the best and most insightful I

have yet read in the wake of WSB's death:  "He shot like he wrote- with

extreme precision and no fear."  This has to be read in the context of the

whole piece, HST is aware of the one infamous episode where WSB missed, but

he says this anyway and he's right.

 

Regards,

 

Arthur

=========================================================================

Date:         Sun, 7 Sep 1997 15:54:40 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      john amato pls contact me

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

john!

(sorry for the wasted space beat-L'ers)

could you pls drop me an email as marie had forwarded me yr email address

but it keeps bouncing and i would like to talk to you. thanks a lot

yrs

derek beaulieu

=========================================================================

Date:         Sun, 7 Sep 1997 18:06:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Myth making was Re: beat me, daddy, eight to the bar...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike Rice wrote:

 

> 

> I agree, anywhere to escape the mauldlin tide and

> hysterical mythmaking.  Please.

> 

> Mike Rice

 

Mike:

 

What besides making myths do people, and especially the beats like Jack,

do?  The only thing of consequence that I know is to make myths.  Now,

the maudlin tide I will give you. :-)

 

Peace,

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Mon, 8 Sep 1997 00:21:09 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: R: R: Message from Orient

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

 Sorry, here in Italy we don't have such info about the products, I was

thinking to the usual marketing techniqe.

 Please Brian, tell me more about the argument, i'm very interested...

 

         Ciao!

      Francesco

 

----------

> Da: Brian M Kirchhoff <howl420@JUNO.COM>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: Re: R: R: Message from Orient

> Data: domenica 7 settembre 1997 14.22

> 

> On Sun, 7 Sep 1997 01:05:58 +0200 Dufour <dufour@ULISSE.IT> writes:

> >Sorry, I'm having problems with my CMOS clock; I hope to come back to

> >the

> >present as soon as possible !!!

> >

> >Ciao!

> >F.

> >

> >p.s. Please notify me if this message has the right date.

> 

> >p.s.II for Alex: the OTR movie is one of the things to forget of this

> >century along with the "Cherry Garcia" ice cream.

> 

> what the hell is wrong with "cherry garcia" ice cream?!?  chocolate,

> cherries, and the profits go to charity!!!  (along with the profits of

> "phish food" ice cream.)  ben and jerry's is the most p.c. ice cream in

> the world!!!

> 

> Brian M. Kirchhoff

> howl 420@juno.com

> 

>  "Being the adventures of a man whose principle interests are

>     Rape, Ultra-violence and Beethoven."  -A Clockwork Orange

=========================================================================

Date:         Mon, 8 Sep 1997 08:48:51 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Re: sentimentality

In-Reply-To:  <BEAT-L%1997090509294751@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>What do you think folks about the Beats --

>particularly Kerouac and Ginsberg -- in terms of their being overly

>sentimental?

 

        I would have to say that for Kerouac, his "sentimentality" is one

of the things that has drawn me to and kept me at his writings. I still

remember those first few pages of Dr. Sax--the wrinkly tar of hometown

sidewalks remembered in a dream and the promise made to write about it

all--how it zipped me back to certain neighborhood best friends and radio

dramas we made on our tape players and spying on "suspicious" grown ups who

lived down on the corner, just zipped me back.

        Now, not all of his writing contains similar doses of

sentimentality, and it is probably not something you would want to read

exclusively, but to me it's a sign of a brave writer to "relove" past

moments and try to share them with total strangers hoping to trigger

perhaps similar feelings in them, we've all got something to feel

sentimental about, huh? Thank God for Kerouac, he wanted to be sincere, and

if others call him on his "over-" something, so what? Those scenes from his

life, and what he helped me remember from my own might have passed without

a wisp into the thin.

 

 

 

 

 

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Sun, 7 Sep 1997 20:14:39 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      This is absolutely beautiful.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

This is great - I absolutely love the outlet here, I'm new.  Finally a

place to discuss the greatest writers of all time - I myself am a disciple

of Kerouac.  Dopes anyone know where I can get a copy of Some of the

Dharma?  Supposedly it has been running in Tricycle mag.  I just got back

to the world from a retreat back into subterreania.  Help me find this please.

 

                                                        -Jon

=========================================================================

Date:         Sun, 7 Sep 1997 22:19:44 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: check this out

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

In case you don't already know and are interested, the NY times Book review

acknowledges OTR's 40th; the issue also covers previous Times reviews of

Kerouac books since Town and the City and reviews some secondary lit. on JK

and Beats: www.nytimes.com, then hit the Book Review icon.

 

Preston

 

>Hi, folks!       August 31, 1997

>        There's a big article on Kerouac in the Washington Post Book World

>by Bruce Cook today, August 31, 1997.  It's a very good assessment and I'm

>not biased, even though he does pronounce MEMORY BABE the best book on Jack

>Kerouac!  In the same issue, I have a front-page piece on homeless Vietnam

>vets.  You can check out both articles by going to the website

>www.washingtonpost.com and then going to "Style" and from "Style" to "Book

>World."

>        More later.  Best always, Gerry Nicosia

>        (Since I'm no longer on Beat-List, you need to respond to me

>directly, if you wish.)

=========================================================================

Date:         Sun, 7 Sep 1997 11:10:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Naked Lunch: The Black Meat

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Still moving along in Naked Lunch at a snail's pace, in The Black Meat,

page 47 in Grove Press paperback edition.  I'm having trouble envisioning

what some of these groups might stand for.  The beginning of the chapter

is pretty straightforward with the Sailor buying The Black Meat from

Fats, which I figure is pretty much a buyer/seller relationship of need.

 But then what do the Mugwamps and Reptiles represent?  Is it simply the

sexual equivalent in a addict/supplier relationship?

 

"On stools covered in white satin sit naked Mugwamps sucking translucent,

colored syrups through alabaster straws.  Mugwamps have no liver and

nourish themselves exclusively on sweets.  Thin, purple-blue lips cover a

razer-sharp beak of black bone with which they frequently tear each other

to shreds in fights over clients.  These creatures secrete an addicting

fluid from their erect penuses which prolongs life by slowing metabolism.

 (In fact all longevity agents have proved to be addicting in an exact

ratio to their effectiveness in prolonging life.) Addicts of Mugwamp

fluid are known as Reptiles.  A number of these flow over chairs with

their flexible bones and black-pink flesh.  A fan of green cartilage

covered with hollow, erectile hairs through which the Reptiles absorb the

fluid sprouts from behind each ear.  The fans, which move from time to

time touched by invisible currents, serve also some form of communication

known only to Reptiles.

        During the biennial Panics when the raw, pealed Dream Police

storm the City, the Mugwamps take refuge in the deepest crevices of the

wall sealing themselves in clay cubicles and remain for weeks in

biostasis.  In those days of grey terror the Reptiles dart about faster

and faster, scream past each other at supersonic speed, their flexible

skulls flapping in black winds of insect agony."

DC

=========================================================================

Date:         Sun, 7 Sep 1997 20:46:35 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: beat me, daddy, eight to the bar...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> 

> I agree, anywhere to escape the mauldlin tide and

> hysterical mythmaking.  Please.

 

Diane and Mike--

 

My wholehearted thanks!

 

J. Stauffer>

=========================================================================

Date:         Mon, 8 Sep 1997 04:13:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Fwd: tada

 

 Attached is the home page for DHARMA beat, a Jack Kerouac publication. Ok,

it is a little primitive, but it tells you what you need to know about Dharma

beat.

 

Please let me know of any Kerouac related event so that I can list it.

 

thanks and enjoy, Attila

---------------------

Forwarded message:

Subj:    tada

Date:    97-09-07 04:17:08 EDT

From:    KEROUACZIN

To:      GYENIS

 

 <A HREF="http://members.aol.com/KEROUACZIN/DHARMAbeat.htlm">DHARMA beat's Hom

e Page</A>  <A HREF="http://members.aol.com/KEROUACZIN/DHARMAbeatCALENDER">DHA

RMA beat's Home Page 2</A>

=========================================================================

Date:         Mon, 8 Sep 1997 10:15:17 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>

Subject:      Burroughs/Ginsberg and the porntheater BIJOU in N.Y.C.

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi dear folks,

 

Again I need your help. Is there any signs or references in Burrough=B4s

works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East Side

in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well

Ginsberg  might have been a regular there. Is there any place called either

BIJOU or JEWEL that is mentioned?

And, by the way, do you know something about Allen=B4s social life, where

were his faviourite spots in the city etc.

Is there any refences in the texts whatsoever, please, write to the list.

 

Thank you very much,

 

Matthias Schneider (Berlin)

=========================================================================

Date:         Mon, 8 Sep 1997 06:28:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Fwd: tada

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hi Attila, I could provide a link from my page if you wish. Take care, Paul....

=========================================================================

Date:         Mon, 8 Sep 1997 12:33:58 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Delivery problems

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I have delivery problems with Mr.Gargan's e-mail, please tell me his

correct address.

Thanks.

Francesco

=========================================================================

Date:         Mon, 8 Sep 1997 12:59:48 BST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Lucy Howard <T.E.Harberd@UEA.AC.UK>

Subject:      Re: Off the Road and On the List

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

 

On Fri, 5 Sep 1997 14:12:33 -0500 Matthew S Sackmann wrote:

 

> Right now i'm reading the Electric Kool-Aid Acid Test and

it is blowing me

> away.  So great to see our Dean Moriarty back in action.

And it seems

> like the Pranksters were the only next logical step for

the Beats to take.

 

I finished this in the summer, and was also completely blown

away.  This might have had something to do with finishing it

in Gare Du Nord (Paris) atfer a hectic day-trip with two

hours sleep only, but hey!  It just seemed to me to be

really inspiring, but also kinda sad.  The ideas and the

force for change, not necessarily for good or for evil, but

for change itself, seemed to be consumed by their own

creation.  Kesey starts talking about "going beyond acid",

which is something I'd been thinking for myself a while

back, but "The Movement" are against it because it has

become full of kids just getting their kicks, which is all

fine and dandy up to the point where it stands in the way of

what I would hesitatingly call progress.  Some of the

Buddhists with connections to the Beats and what came after

them saw LSD as neither the means nor the end.  Visions were

all it was, not enlightenment in any sense.  Whilst it

opened the doors, it did not allow people to step through

and stay there, they just had to keep opening the door and

watch it being shut again.

The spirit of the thing seems to be the most important

aspect which carried on, mostly (for my generation anyhow)

through the book.  Just... experiment with the moment and

see where you end up.  Change perception and live another

way.  Nice.

I read One Flew Over The Cookoo's Nest just before TECAAT,

and it felt like a real kick in the butt for all those

pretentious literary establishment (the shadowy they) who

think that great "artistes" have to live a certain way, have

to talk a certain way, have to do a certain way.  Kesey blew

that apart, and whilst I haven't read anything else of his,

it pleases me to know that to influence the establishment

you don't have to be bound by it.

 

Tom. H.

http://www.uea.ac.uk/~w9624759

"A Bear of Very Little Brain"

=========================================================================

Date:         Mon, 8 Sep 1997 08:21:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Tom Clark's review of Some of the Dharma

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Read it here!

 

http://www.freeyellow.com/members/upstartcrow/page3.html

 

Thanks, Paul of TKQ....

=========================================================================

Date:         Mon, 8 Sep 1997 14:22:58 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Beat pic

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="----=_NextPart_000_01BCBC62.B4A59A60"

Content-Transfer-Encoding: 7bit

 

Messaggio a piy sezioni in formato MIME.

 

------=_NextPart_000_01BCBC62.B4A59A60

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

I found this nice picture in the Biennale of Venice site

(WWW.labiennale.it); it's from the cover of the catalogue of a 1996 section

entitled "The beat goes on".

Hope you enjoy, specially Rinaldo.

 

Ciao!

Francesco

 

 

copyright "la Biennale di Venezia" 1996

------=_NextPart_000_01BCBC62.B4A59A60

Content-Type: application/octet-stream; name="Thebeat2.jpg"

Content-Transfer-Encoding: base64

Content-Description: Thebeat2 ( Immagine JPEG )

Content-Disposition: attachment; filename="Thebeat2.jpg"

 

/9j/4AAQSkZJRgABAgEASABIAAD/7QE0UGhvdG9zaG9wIDMuMAA4QklNA+0AAAAAABAASAAAAAEA

AgBIAAAAAQACOEJJTQPzAAAAAAAIAAAAAAAAAAA4QklNJxAAAAAAAAoAAQAAAAAAAAACOEJJTQP1

AAAAAABIAC9mZgABAGxmZgAGAAAAAAABAC9mZgABAKGZmgAGAAAAAAABADIAAAABAFoAAAAGAAAA

AAABADUAAAABAC0AAAAGAAAAAAABOEJJTQP4AAAAAABwAAD/////////////////////////////

A+gAAAAA/////////////////////////////wPoAAAAAP////////////////////////////8D

6AAAAAD/////////////////////////////A+gAADhCSU0EBgAAAAAAAgAC/+4ADkFkb2JlAGSA

AAAAAf/bAIQADAgICAkIDAkJDBELCgsRFQ8MDA8VGBMTFRMTGBEMDAwMDAwRDAwMDAwMDAwMDAwM

DAwMDAwMDAwMDAwMDAwMDAENCwsNDg0QDg4QFA4ODhQUDg4ODhQRDAwMDAwREQwMDAwMDBEMDAwM

DAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwM/8AAEQgB5AGQAwEiAAIRAQMRAf/EAT8AAAEFAQEBAQEB

AAAAAAAAAAMAAQIEBQYHCAkKCwEAAQUBAQEBAQEAAAAAAAAAAQACAwQFBgcICQoLEAABBAEDAgQC

BQcGCAUDDDMBAAIRAwQhEjEFQVFhEyJxgTIGFJGhsUIjJBVSwWIzNHKC0UMHJZJT8OHxY3M1FqKy

gyZEk1RkRcKjdDYX0lXiZfKzhMPTdePzRieUpIW0lcTU5PSltcXV5fVWZnaGlqa2xtbm9jdHV2d3

h5ent8fX5/cRAAICAQIEBAMEBQYHBwYFNQEAAhEDITESBEFRYXEiEwUygZEUobFCI8FS0fAzJGLh

coKSQ1MVY3M08SUGFqKygwcmNcLSRJNUoxdkRVU2dGXi8rOEw9N14/NGlKSFtJXE1OT0pbXF1eX1

VmZ2hpamtsbW5vYnN0dXZ3eHl6e3x//dAAQAGf/aAAwDAQACEQMRAD8A81SSSVxhUuu/xaCetZH/

AIXP/VMXIrrv8Wn/AC1kf+Fz/wBUxQc1/Mz8mblf56Hm+lgacwUiJmU/YpM7rJddHG0ieD3RA4HT

v4JnNJHt+UJ65cPd2SSdRbLt8kuykR4HsloR5pLLYx2TEQfJTI1TQkq0e3zUmjWU4CWkpJJVwFKN

AmhSA4+KKCqOyXGikB4JFJbahymIbJlSAHYJjHgkhYNHdSDRJTgAtUmjXjsiglUDwUdsAqffRI6t

IKSLQnU8JxyAdE+2Dom4cEFy4EEKYHc6KLdTPKKOEQtkWDh3HEpKbhoonQJIBUIlMf4JnNa8QROo

0+CRb8kksuyYalPt+ZTka6JItjql2MJ288Jj8PFJShMKLoLiJUhAcmdBJSSFR4pEpH+5IjVJShz/

ABS8PmkI1TeaSVaKJiJhIqPAQSAvpoozykT4KBdqkuAXLob8lFx4PgouPtUS78AhbIIsnHwTbgO6

jIiQkSEE0//Q81SSSVxhUuv/AMWf/LWR/wCFz/1TFyC7D/FiAetZE/8Acc/9UxQ8z/Mz8mblv56H

m+mRpKYBTHCYAAkrIdW912iRwltjnxUgNIS0RRbFw+enCYtJbLTB7SpnT7ku2nKSrYtkwTz4JxyU

gPDunj3JKY6JyJPHCaO6cc8JKVAAKfsI8U2vZOOB2SQV4TwdBCUKR0jsittQnwUS2Tqpg6qJOqSm

QEcKYIEg+CHrHzUgPLsktK5OunCXYpiADwmHBRVTIDlRgbh3/ImBmQQn7geCCaXAHklJUQII/InG

kpKLI8c/ekfAKLiEiddAkilcEJiRp8EplNrpoklmDp/BP/cm7cap9JRQrgzykUkpCSFgITEalSTG

EEsYklORHZIymnxSSoBMddEg4fJRLtNNQkkBRKG4qRcoEwgV8QxJMqD3E/FSc5Ac6TomlliGYcdg

UXniE0+yB4KJmQha8BmQY+aQ1CY/xS47JKf/0fNUkklcYVLsP8WP/LWR/wCFz/1bFx67H/Fh/wAt

5P8A4WP/AFbFDzP8zPyZeX/nYeb6bIDSnEJdipDhZLqrDVPAlISpFJaSxP8ABN2j4apyB38EuEkr

DXlLglLTmUtJKSltE45CDbk0UibbGsHi4wqVnX+mVn+d3Hwa0n+CBkBuQGSOHJP5ISl5C3U0+5IE

CPisc/WXpv7z48dqLT17plgH6XaZj3NIQGSPcLjymcCzjn/il1ZKc6hBrurtAdW4Pb+80ghT3J1s

BiQdWQ1KaD4p+6aUUMtAnB1KhOnzT+KSKZFwkBNOhUeDzqlOiSaZA/eU86jXRQB8EtJCSqZTwmkK

JcNFndW65g9JpL8qwB5k11DVzo8El0YGRoOm74qD7q2fTsaz+sQPyrzLqf146vmTXU8Y9R/Nr0Pz

sPuWFZk32uLrHue48ucST97lNHl5nU1FeMcBoZ2f6gv/AJz7Q3IodAbY0ntDgVOZ7nheJh9gMh0E

ea0+n/WTrPTj+hvLmfuP97fuclLl5DYg/gu9uB2kR/eGj66CITyZXH9G+vmJk/o+oAY1pgB4ksP/

AJBdSzIY9oexwc1wkOEEFREGJoimKeGUfEH9IbJg7VKULfqkHlC1vCmB1TSP9qhKW4ylauFn8VB5

7JOcVFx1hJICvhoFE8c6JEwEPeOEF4C7nQVBz/FRe7XUqtkZmNSP0trK/wCu4N/6pNJZY4yaoW2H

OCrky+CqNn1g6TWYdktP9UF3/UhB/wCcXSXPI9ePMtd/5FAg9j9jPDDP90/Y65d7ZTFwIEqjV1PB

vAFd7HOPbcJ/zSjufoNULV7ZG4ITus7JCwQhNdI+aUxEJWjhD//S81SSSVxhUux/xXiet5P/AIWP

/VsXHLsf8V//AC3k/wDhY/8AVsUPM/zM/Jl5f+dj5vqEAA+CYQRPZKdDokDp81kuozaAmkSUp7lI

kfiihYn8iYn2pnuPA8FEEx4oJAVujWVldY6wcSaaNbyAZOoaCtQmNCuE61ludkXMYZse5wmeNHOZ

H+amTJ0A69W9yGCOTITIXGAuu/ZHl5xe8PusL3vO2TrBJ0b/ACVU+3+o5kN2sdYa3TyCFVeSWWPO

pdXXcD5tMPSvBa3JDRMWMtbHnyhHDHY6k6fbwx/9SuuchA9IAjEHQeHFL/o4koy7j6RcRrY6t/xB

9ianNydrQXan1Gnj6TfooVzTGRtB9trLGec/ShHdUG3OPZuQ1wH8lw2vT+HHWw1s/wDdD/0st4sl

1rpV/wDRl/6Q/wDHXoPq11RzrQwu2ueGkE8EFpe7T/rb12G46E+HyXnXSXNxcmqx30WEtPbRtg/9

F2L0Ch01N7gBNjVkR26Ob8RxkSjMjWQ9X95OCCU8iVAO1TbtTqnufST+9ODAKGHfcnLuY8EkUuSZ

8kwdodUxOqb80nukmmY80jEgqIMyO6ZzoISVWrQ611ajpOC/Ls1I0rZ+84/RavLOo9Ry+pZL8nKe

XOd48AdmNC1frh1d/UeqPqa79XxiWVgGQSP5yz/OWJTS652g0HHgPNW8EBGPHLc/gGbhkSMcRcj8

3n+7/dijg9tPyp21lx0kq4Metv8AKPipBoGg0UhyDozR5KX6RrwDXbiE86KRxLGiWFWA0+Kdrtus

x80w5Jd2xHlMIFEEf1gdWkBrtfofFdH9WfrDf0+9uJkuLsN3z2/ymLJez1XTWNzgC4gCSQOToiU1

021FrTte4Q0k8HnwTMsomHqH/oH9Zdj5W5ShxCQ37e5Ht/ffUqrGva17SHNcJaR3BUw7+K5f6oZ1

2w9Ovmaml1bydS2fo/2dy6cHRVfrbQz4TimYSH+8UnPJSJE6qPCZx1RYAGZdrCi4gFRLvJQe8CSd

APFC1wiu50BYHVvrXh4bnU0D172yDH0AfN/539lYv1j+sz8h7sTCeW44kPsadX/+o1zRcSVLjwmQ

uWg7NuGKMNZ6y/d7f3nZyvrR1a8n9N6TT2rAbH9r6ay7L32OLnuLnHknUoJKcfFTjHEbBmGQ7Coj

w0Z7inDyoD4qQAnlGgkSl3ZtsjVaWF1vNxi0by+sfmO1EeX7qy4CkEyUIy3DNGR2NEdi97gZ1OZR

6tJIbMOaeQVbEEBcV0bMONlsJdFbjteO0Hv/AGV2TXaCFTnHhlTDnxcJBHyy1H8H/9PzVJJJXGFS

7H/Fh/y3k/8AhY/9Wxccuw/xYmOtZH/hc/8AVsUPM/zM/Jl5f+dh5vqHYpiQPwQ/VBc6trTuaASY

MEGfov8Ao7k4eNBM7tQfJZNurwlINR5piQl2UPftHBM6pKAU7xnsokyBHCTjAM6aLkevfW41vdi9

PglujrvPvtSAJNAWWbFiM/ADeR2eizuqYWEJvtDNNByV5/k52J677S42vc4uG3QcuI1d/WWfkZV+

Q4vvsNjj3JVWy9rTtb7nKaHK8XzEnwjp/wA5tQzx5aJ4N5Vcp+H7kG+7qBDQ2qoNAECddJlBd1K7

99rfgAqE2POp+ScVlTjlsQ3iD5+r/pMMviPMS+WUgPD0fhBuftO7k2kqbeog6G0j71R9M9021o7p

3sYv3R9AFsee5qO8r/vGX/fOxXk3vbLbNze2oKvY3XerY4Da7ztEQ06iAuZG+v3VuLT4hX8LqAtI

quAD+Gu8SocnLxiDKMQQN6FSbvL87jzSGLNcZS+XjPHikf8AuZPX4P10tYduczeJ1ewQR57V0mD1

HFz6vUxnh3G4dx/WavODWQdRAPdFxcrJw7RdjvNbx3HBj8138lygMY/olmzfDoysxHBLw+X/ABX0

wGRCedSs/pHU6+pYguaNrwYsZ4GP+/K94pluRkxyhIwkKlHQhnPHil2Ue6fWCksXHdVep3/ZsHIy

ODVU9wjxDTCsgnVZX1nc4dDzNvPpkfeQjvovxi5xHiHyx0vJPdx1K0KWhlDWjk6lUnDaB491aqY6

3Qv/AEbIHt7/ADV3JsOgDe5MEZJacWSQr7fVJdxYz6RA8kN2RW3vqp2UMHDQPxVcUD1D4RKEREjU

lkzSzRlUYx1Nd0jHPtMtO1g7jlFbj18ubu8yShN31AgHRx0PmkHv5c6B9yRB6GgiEogD3ImUuvFX

DH/Gb+JfdgF2XSJNcVjeA5ga8Omsj+VsUsn7BePtnTD6RaP0+G8yQZ+nSfz2KhW59hMmWaRPeELJ

Z6NgczQnwTBC5b+o/Yf6skzmQBliKhE9NJ/1ZRer+rPUcc31l5DbB7ZPedIXaAryPEyLMdzbWkwD

z3BXovQ+qNy8Vge8OdEBw7mPon+Uq2TH7UqHyS28/wB1i5j9fAZh84FZI/8ARnH+q7IIBUXkA/H+

5MD4pi4bv4lBpAasidVj/WnKdj9Hvc0w6yKwR/KPu/6C1XO1J5XOfXUk9MZHHrNn/NsRjrIDxZcI

9cT21+x4Z3KjKdyZX2QnVSkoqSSguFIFRCcJrICzGqlBUJKcFBliQmYQO66jH+sWEMettm82NaA6

B3HzXJhEB0UOTGJb9Gf0zAjIaDXR/9TzVJJJXGFS6/8AxZx+2sie2OTr/XYuQXX/AOLIA9ayJ/7j

n/qmKHmf5mfkzct/PQ8304QZIGqcx38U3ZIAfOVkuqrkajUcKMPDnGQWkiB4eOqn2lQgxHmgoOB9

b+oOxemelUYtyfYCOdo1s/8AIrz1xIn8V3f12xLLMOrLYJGMSHj+S+Bu/wA5q43a1/I/3KfAQIk+

Lo4cYliiImpa35tG5+xhKqsY8AGJ3aDVGzgwWQ0/LmEKqd24aaxKvQ+W+7l5zefhP6PpHCf8YpNt

g7hR9R9f0tR4p3OfxKTGFzgD8fuS86UbuocQO2rF1jnnbET4ojcdgEkypWs0lurmoYl3dC7Gmi7h

4ZHjHuHoWRqjVku8Wgq03CxcrDb9nd6efTu9Wp50sb9Jr6j++z89ir1vcww0hxPPlCHazaA4GCNZ

TSJHaXCeh/76K4jGI8Rhxx/Th8vD/s5/vtvF6kWVmnIkuaTDu8Rw5GZ1CskAyB3PyWU2XHcTLvNS

DHbd3iYmfyoHBjsmqv8ANlw/E+ajGMQeOMNjIergH78n0P6m2N2ZBB0Jr++HrqGWNJIB7LzLonVc

zDqdXXDCXS4lpMx4yuo6R1+/JyNj27Ghvu07jus/JEwkRWl7+bdz4J8wDzAr1RBMf0o8EeE6PUd0

86HRCqeHgFpkHhEA0KDnEVoV1T6rR9o6ffRGr63AfGDt/wCkrYCjZ2STA1IEdNXx20xu8tE9GQ6t

pDfou5PgVq/WzpQwM97mD9BkH1GeRP02f5yysUtAIOqvxIljEqtniZDOOGXDYNS8JJTY+Nz3AITr

nj3N7kD5IwrrmQ0D5KJY06x3QBHZmnHIRpL8bYb7zqCI7tPdSa1kg7Ynsol7Gnx+Cmy2t2h0PgUT

daBbDhJqUwT/AFjxa+CdjQmzKt1Qf4aQlU7WAVYAD2ljhIURJjIHs6EcccuKUP3hQ/vdHLLSG/Ba

fQOo2Y2QGsMFxGnYqjdWa3OLuOwQKHllrXeBBUk4DJjkO4083NjI4c8QRprCcT+58r63j3+pWHHQ

9/iiOcCZWb0fKbkYddrQRI1nyVfrH1iwumk1/wA7kEaVt7f8a781Z8QTQAs9kTxVklGti7Ln6rm/

rXn4FmDZi+s05Ac1zaxqZB77fo+0rms/6w9SzSRbcWs/0bPa38Ppf2lmusJKs4+WlYMjVa0FAwhr

fEfDZckSmlRlOFapbxWyBTgqIUgguC6cJBOEGQL9lIJgpAJpZohcQpBMAnhNLNEF/9XzVJJJXGFS

6/8AxZf8tZH/AIXP/VMXILsP8WX/AC1kf+Fz/wBUxQ8z/Mz8mblv56Hm+m9khxx3TgSCl2WS6q2s

cJjwlCUoKRX1ssYWPaHNc0hzTqCFwn1i+rtvTKrM3EO/GGpYfpMn/qmLuM3LxsWr1L3hjBpJ8Vzf

VPrH0PLxrcOy4ne0jY5rhPh7kYSkJXEGXcAW2sHuAWLjGR4eLYcR7H9584Mkkn5o2I1ri5p4ULGB

ryAZbJATVO2P+Oi1TrHRzcfoygyF0ak27KNokOMBV3uNbIB1dqfFGuuHpgAyVUcdztU2AJ3Z+anC

JrHuR3+XiXLyYMmU4cx2rvpJRXGrtY4AUDpxwpKBaplIakg3/hNut7YgCEO906ILXbTITl252qbw

0bZTn4sfD9E9FW5sjkdv4oopbXZFw3McOWnUJYjRuExtdIPy7IeToWw6Z4UZJMiLbUYRx4Y5OEEg

9T6f8KEv0Zcb0GBi9NfS0et6V8xrq1zex/dXU9F6fXivO4ul7eXRB+ED2/1Vx/Qeo9NxW2tzK97n

jR0AwNZ9rl0vSvrBjPa1hpe2kkMbYQNoPDd2vtWbmhKMyTZF/NJ1DkOXBw4huLMIcP4PTVhrCGtE

T4Igd7SQhsLGgbYEqQI2oBy5bsgdCmfrCQPKR5CK3q8h9ecdtmKy0fSpOvmH/wDnK4lg2O/KvRPr

Xi+r0298wQGka9w5uq88YWvO06O4VrlSeCQPQ/g2JgViI3rh/wAKP/o7YDtEO1xjhOTHCUyVKO7L

I2DG0Da3u0J2hTbjsJA3HzJRCw9ik2uDJOqcZeNMUcIBFx4vElI1uwiDMK213v8AJVq43aotljWc

cqCQs06WCQhEyuo3t5NPOuLrXV/mtKA09092trie6i1WIiogeDj5shnmnI9ZH7P0Xo8b6wPwOjmu

l36xY4hmmjRA3PWBZa+x5e8lznElzjqST3KZ5MN8OygmY8UYWRvIkr8+czl20F+Mq+ZlKSYJ1Ixg

rgqQUQpjzQK+K4UgEwU2hMJZ4RUApNanAlFayNSmGTZx4rLENhIDxRS3RI1aSE3ibHsnoNmEeCcA

Qm7qbRPwKBTEW//W81SSSVxhUuw/xY/8tZH/AIXP/VsXHrsP8WRjreR/4XP/AFTFDzP8zPyZuW/n

oeb6cCIS7KJ0EjlIOkGdFkOrS5HtlQnTXxU5kIdhjnxSKY9nG68Md43ZPvooaXurGm49tf5K4Hqu

TXl2faaMdmNS3RrZkuA7x9Fdx9ZnVY/T8i10l1rWs/FedZFjg30g7c2JHlr9FTcrC5GXj/6M3J5B

HlxZNUaA/e9PDp+7xcbVe6ToIHgoaynhMtIONIkmyolSbXu7woJwYSPgtiRfqFpYrb3TH0zqhnlK

UK8WT3P6opTonRMknABIkwO55TmLcpqXkcHXSI55T3tcS5wHeSPBCrdtOkwtJux9HtH6VwiPj3UU

zwkGt2/y2P3scocVcI4v/RWlTO6SeF1eEQ3pf2h7Jrfq58RG0/Rn+VtXNNwbXWtbVG92sTEK/XlZ

rMEYVt4bUXS2kNlxM8b/APRqtzUBkEQJDcE/vcLe+HnLh4hLGaP6R+Xij8vq/e/qvoODnOyaqw2p

7ZaCS7QD+qfzlpdisrpFeRXiUMsgxW3XwP7ui0w4bSqUWPmABMiI0B6aswZ0SPI1TA6JydQUWDq5

nXMQZmFZQXEbhz5heV31mu17CZ2kifgV6d9YuofZcFzazF9vtYPD95y8zydLXa7teVa5O7l2/ay5

4H7tCRH6R4f+6Y0vMlp4OqMHBV6zFgKM5uuitSGrFhmeDvRpJ6o7pjcOyEGkqQqKbUWb3Mh2DIPP

3qbZJ11UQyAptCaaXwEr1QXj3z4qAhGuYXajtqgBSROjWzRrITW5tmCHN29xqFGE4Wr0jpLeqOdV

u9KxrSWP7GP3k2cxAWdl0MZy6CriL/wYuUnWjmdA6phS66h2wf4RnubHxb/35UfTPPZITjLYgq9q

Q6MWhEaJKZrD4KdYhxCRLJjhtY3U1hRmVnlMHFpUhceFGSTs3McccT6iWbWFGa0DlCa8uSc08KM+

LbiQBcRxJC9oENSa+eYQgwkBFFQ01QIAXxlkkbqh2We3XyR8Kl1loDNpcNYcQAQPioloiCrfSasd

2Tst3TALNpiTPCiyS9BremQw4LnWlW//18H6u/4uOs9cxPthezCocSKzcHbngfntYB/N7lpN/wAT

/WjZc05mO1jP5h/uJfr/AIRsfofb/wAavWgAAANANAE6lOY3oAs4A+Z9H/xQEO39YymkNdpVRJDm

jxe8V7N3+v8AwbfW76uYP1Pwquo9Cfdj5F9vovcX7hsIdbt9w/ea1emrh/8AG1/yFif+Gh/1D02W

Qz0NUelKI4QTEkEder5/X9b/AKxVtcwZryHwZIBIg7vbub+dPvVz/n11t/pNNgAYSbCAAXz8Qdn9

lc33CRmQozhxneI+mio8zmjtM/X1bf3nssX/ABjZzBtyMdlkknc2WmCTDf7Dfatvp3146VnWMx3t

tputftaHBpb7j7Pe0rzRocTAEnwRWgTrI0TZcrjO1xXR+IZoEcREx1sa/wDNfWeoYVWYxrbWi2ot

nU6f1l5z9YMXAxuoOpxX7mghrmjsfCf5KfB+sHWMQFteQ4smNj/eP+nu8USzpuX1q12RRXY7KsIl

rK3Fh8Xb2B232pvL8rkjkJJHDR2O7of6X5c4vbN8RIERMen/ABnCc33EDWFEhdVl/wCLvr2LgHMh

tzmxux65NkEke0fnfmrCzOjdXwxOViXVDQlzmGNfFyu8MvPy1aoz4p6xkNTsfT/0mgkpOa5ph3x8

eVFJSkklf/YfUo/mx/nD+9JbKcY/MaaCkFd/YvUBywf5w/vUh0nN4cwAfEJEHsqObF1yRHmWlU0l

2nK0msikOa8BzNds6kHU7R7fopq+k5TT7mafEJ7unZbwGtZMa6kcqKcJSIoEfRvctzfLYccickDI

/o8dFHc5mRYz0i6SCC1oOjv/ACK6HofSL31tyXUi4NlupAcCNd3v9rmrBoxOs4zt1DnVH+S8D+K1

cbr31lxR7yy1jeWvDT/1G1ygzcvllHhhXD5+psYfi3LCUskpRGWdb/zQ/wAWXzPeYzdlTG7dgA+g

OB5I06GFzeB9bA9o+20Gl0fSrO5p+X5qvD6ydLIM2O/zSqcsOSHzQkPpp9qhnw5ZHgywmTrUJRkf

8V2AdD3ScdQsofWTpYBO8x/VKq5H1jxrBtocWa/TcCP++uTTY6FfGHEdwPEouq4hyXWZLjuIltbT

o1ob7S4/1nLg88NbkPDdROvxW7n3331PbVlWXDcS1p9rTP0vpLEd0/MJktEnzCt8lgmLmbqXSvxT

8S57BGEeX92EpRN6Efq4/LwUgqZveGzCsAaImJ03KGQ3c0AGRyPBE+x3se5hA0OmvIVmcZcVUdra

3L8xywx8RywFyMNZeHFFrwQnAPCsnCv8B96X2O/wH3pvDL90s/3rlQf56H+PFBtKkBCMMS8dh96R

xbjo1oJPAkIcE+xZBznKgX72P/HCIMllj+wED4lUgti/EuZiFoA8ORys4YeR4D7wjijIgmjvQ+jF

z/Mcrjnjh72Pi4eKXqj800K1OjdRswslr2ER+cD4KiMS/wAB96f7Na2SQIHmjkwmUTExLDy/xDl4

TBGbGb0MeKPqB/Re/s+sGBU2XWeoIB9kHn4lqE3P+r+c8h9LC46y+tuseB9zlw7bSPadQih1rY26

gaqn91PSWrpDNyoAJJjfXie1owPqzln9FXVumC0S0/5ktWR9Y+g1YQGZiN20zFlep29twJWL6eS7

UgH5q9idR6k0mgOLqyPdU/3NP+cj7GaFHU+Hdbj5nlJyPt8zEgfozlGVePF+i5/ptmfuS2ifPxVo

Yd/G0c8Twptwb4naPvCl4Z/ulmHNcnde/iHf1xQ1sjTyRNoOqkMa9pJLSo/NRSBB1dHBPFOPolGY

H7pEvJY1jkaKQbHmo7u4Kl5hNJNM0Ix4tAseFv8AQekNse3MdZJaNzWAaSf3lgSV1X1buH2PaPpM

BgfOVDM6jx0Y/iEpxwHh01o/3ZP/0PT0kkklKXDf42/+QsT/AMND/qHruVw/+NkT0PE/8ND/AKh6

I3Wz+UvlAGolSDdQj4eFfl5VePjtNllh2taF6N0H/F9g4hF3USMy3QtZBFbf7M/pFLGJPk0cmeMT

XzSP6IeC6Z0TqnUbtuDS95/f4aP61jvauq6d/i1zHOa/qGS2tuhcyqXO/wA521q9Bpx6qWCupgYx

vDWgAD5NRYR9I8WG8s9zwjtH/vnEwPqf0DCgsxW2PGu+2Xmf7Xt/6K2q6mVtDWNDWjgAQFKE6RJX

RxxGta9zv9qkO3HoyK3VX1tsrsAD2uEggatlESCGy8OH1L6n/V/qNL6HYzaLOW21DaWk+6dP5X5q

5bJ/xU3Nd+q5bHtJ4tBBA/sfSXd2GxmU9wB2bQZ7I4t3N3Az4qTikKOkrH6XqW4eaPrjZhwylp3E

ZfM+U5/+LXr+MN9IryGzAawknxHLVvM+rXUy0FzWtnsTMfcu3NhhUfUOsnRAk9gunzPFQkSaeOyO

g9UpOtJePFnuVN2JlNcWupeHeG0ruWW2WWBsQ3lHSMq3CITEwTHYGtXhGdJ6lZG3HeAdQSCB+PxR

bOg9VrYHGncDGjSCdf5K7UpkOPwXU+fW4WZV/OU2M+LSqOZLaXiIcQG/edv8V6csrqXROnZbw6yu

LLXtG9uh9svn9381ETHXRaQ8UKyYaB5Jzh5InbW4jvAJC77GwsbErFdFYaAACQNTHdzkWSjxjarC

zh1BBqQ1BG4fNyS07SIPgUxO4Q77gf7l6DdgYV7g62hjyO5aELJ6R068Evx2bjruDQDP9lRexgMh

LhI/q/oNsfEucjiOMTB7ZCP1oj/eeDYI07eClC6D/mlb60NvHpH84j3D+yqmd9XczGf7HNtZtLtw

kcfm7VPpsKaOupNkk6k725tZLbGkcypEOvB49SskeEhW6+g9Vsc5voFu0wS4hv3SrtfQ66BNlhda

76QbEApcNnSuJUuZhijWUkYyfUB/L5ouI0z8VN9GQxge+twaeHEGF02Hh4bH/wA20OncHEa7virV

7W7S17d4Om2JTjEA0WuOd4hxQFxutdJf4v6Lxe5TpGpee2gjxVnqWEKMp1dYJHMcnVIYt1VMOYQ8

zA7pk4kCq30+10OWyCUhPiA4QclS/qdwgynA0AAzqPvVJbdHQ8vKAY8ipv0tx10/q/NFv+qprY6x

txcGtJgMlxPgGyjCPCOHZg5rOM2T3ARKxqR3efQ7yRWY0J0Vs4eT6hYKnzqQC0zH7ypZhLKyCCCj

ksQJ8EcoOLPjH9YNIGSr1DfoT4T96pVN3PDfFadbSHR2AAlVcEbJLvfFM3BjjAGibl/3H/dJmDRE

bp5KFYRICt086TroWywlzYAjaBr4ojZjw8VXoLnH02glziNoHitbF6Ll2D9N+iE8HkhMGM9NrbEu

dxRHFM+ox16niaRiJnUrEmdHahd07ouEGxsLu+rlZp6R07HYWVY9bQ7kkbjp/XlNyct7leoCr6Nj

4b/xmxciM14Z5Dk4KjcYR9HFxcR9f7/7r5+x4niAFMEcd/Bd2elYJZWyyprm1CGlwHx8Fl5/1cZe

/wBSiwMcJ4aB8OFFL4caPDPi8K4XZ5T/AI98pKYhmxS5ca/rJH3I/wBTTHDjeYghafTOp04bHNLS

S7RxGqK3oGRbiVWsZNmoeJjvt4hZVtVtVzq7BD2khw8xoqWfk544gzFDex+16Xlvi3JfEZTw4skZ

mEjGcBL9Z6JcHFwx/Q/rP//R9PSSSSUpcT/jWE9ExP8AwyP+oeu2XFf41f8AkTF/8Mj/AKh6Mdws

y/JJxP8AFz0prrLupvEln6KryJh1jl6CwQFjfVXpren9Gx6Rq5zfVsP8p/v/AOj9FbYViWgAcnF6

pSmf0jp/d/RUnTJ0xnCk6ZIpJXTJJJKa2e5zWBw4OjlVwsk+p6ZPtd+VXMwA0zEgHVY1n6GwQdOx

VnFESgQXF+IZZ4OajkB9OnEPDr/jOyVk5dpaQwEAcnVXxltdSx8SXc/ELKsb9oyRGn73wQhGjcul

ruaziWMRxG5TMf8AFm3cJp2Gw/nceEKwmaA1oAGgSlQSNkl1cMPbxxjd0NfNSZIlMgyLFV7jOVQz

w3v+4bP+/o8qoCXdRd+7XUAPi93/AJgktLZTFOokooWMDU6BS7Kpk3gObXMTz8lPFsfa4uGlLdB4

k+KCgEwS7ynjWUoBRW9Visi4fp3g9iVsEaLMzG7cgu7OEqXAdSPBofE43jhL92evlJATtBkT3U8f

IFoj84ePKiVV22VWlzJ1UkmphoX0P5pMt7PWDmtBs+iXeICm0hoB7j8EKura/wBR/uce3ZFAnU90

6IPVjzZAajA2RvLxbOEZc7xhWiquGIe/4BWlDk+Yt/k/5mN9z+bFwBMkAmCJ8jyud+sVWJY1lZrb

LHagCO3kujjRc/8AWFgbbWQI3TJ8TogzgkGwaI2IcjA6RTkZY12taDDRoF0NHQOnMIc9psd4E+0/

2QhfV2ppZZY4fnc+QH/mS2i2A0fPVGOm2i3NlyzA4pmQiK1LUt6J0+5mwVitzRDXM0I+P7yrs+rG

JPuteW+GgWq2zsNfNODqSeR3KfZa3uEbEtDE6Nh4lvqsmx4MtL/zf6u1abRprqVAakeCKAiSw6yJ

JNorpA8lMHwKTwHNjlTLA3hOidGDLA8VjZG4ayVFurkUglJrAO2qdejCcZMh2VA79lj9XxMWwOIr

BuPB8zP0o/rLQzctmOzUy48BZ1Jfk3Fx1EgpUCCJCwehZcPNZuWyxzYJyxyxm+KB4eL/AFfp/wCc

/wD/0vT0kkklKXJ/4wsC3qOF0/Cq+ndlhsnsNjy53+ausVHqdDbH41hE+i9zh8S0s/78nQFyDDzM

jHDMjetGvhUDGxqqAS5tTGsDjydo2qyEzRonCmJtz8ceEALlIJHhIJrJ1XTJ0ySVSklEaJFJCLJE

47x5LCtcHAh3H5F0DxuY5viCFz1rSZHyVrltpBw/jYIlil0IMf8AF/8ARmWPe1lb2O1jVgHclTwa

ntJLxqTJ+CjVDADy4CAVYwASxzz30RzaRJ7sXw315YROvDdeA/rNolR0TlMqj0Sx8U0lI+CSSmJV

XHE5OU/+U1g/stH/AJJWSqOJlUsxXX2ODQ+x7iT/AFi0fkSQ3fFZ+X1WjHeGO1nmEfLyW1Ul5MAi

RC5s4ede03em5zSee/3JKdTHL8zM0Idj/Snv/VWyxga0NAgDhc/0tuXiv9Q0O4g+YWxj5zbn+nse

x38oaJICdwJGhgpNnbr8058Eh3CPRafmv6LFZma9zrth1DTotRULqt99xI+i3T4wpMRAJPg1OfjK

WOMR+lKiP8GUmpIKg4tBgmJUuyzzY51u46gGJU0zTm8vAzBs/K3WuBPEeCmgU/SI8dQjtSBJTKEY

6AU2MQe98eAVmJVbD+m+PAK2AosnzN3lP5kecv8ApLRA5XNdfvFmWGDioR8zqV05C47qTwc24/yz

HyMJrMdHa6DXswy4/nmfv0Wm524x2HZU+ltDMZjDM8/crek/Ep4DBOd6dGYE6eKeJPh2TsiZUpiU

erEQK82LRwEQFQJ1CmPJFYNEGU81EWj6IMPHkiV5+NaJa/4p3hr2ua4S12hXPZFV2Lea288CPNPG

2rBksS9Jri11+V6UPa7Vpn4KrmZzaWHaZ7E+CrWMtx8ZpJl7iA8yqlmS5whwis8A8lOoBgM5y0rz

r/uWpdk/abOfmVr9LoDa/UOhdx8FnYfTxbdvqB9Icl3K3mNDWhrRoNAkL3KZ8OkY/KH/0/QG9YxS

SC9ocO0jjxUT1zCDoDwfAgiJnbC8vZ1x727i82kO9rtTAa302/8AfKf/AGVUrusV2tsxy+WDeane

0tdvhsubtb63q7fe979mT/N/oVd+7Y2H3JPqJ6xhj89p+ffwVbP6zhMrBc8aHx8RK84Z1q3YWl4I

n22cl2ocR/V9vqf+zH+C9NCPV7YO58EOcXEEM+kdxc135rnOb6nrt+n/AD6MeXgCDZY80pSxyj3f

RmdYw3MD9wiY58FP9sYMA+q2CPFeY09VsaTWxzuZgeRd9Jrf3P8AwP6au15jmDe6AdJ5PGgP9nds

/wCgnyxYhqSw4uW5jJpCN11r0vd29exmA7RuIMESB5fnJm/WHD2y726gDUGZO2VwV2faayWGQdWg

xERr7Z+iq1/VXuZ7/OSAP7/cj7WGvx3Yvu/NCVmQIvhPp9L6Wet4UEh7SAYkHv8A+cqR6xht5sb4

zOni7/NXl9PVXbW/pI2nc0j6Q1+k1/0m/v8A9f8AlprOrWNIAdtJ9zjGkg7htG5n0P8AB/8Ablf6

RNGLEepZJYM41O22j6cet4YJl7YBgncO3KkesYgJG4EjsCJ8P+qXl7er2NIAu5DYdroAIa36X5k7

f/Pam3rFzm17HhpMc9yAB+83+p/U/wCDTvYx91vDk7Ppr+s4rXFo92kyOOdrdf5Tvash+djvtIbq

NxAg+a4TI61kl7v0kgDa8gmTxM+7972Kz0/qb7nSbNWTIHnzCQ9vFZ+iyfwufPGMDY4bkKes/aNN

j3AS0M5+RhaWPl010gHSOZ81w+Z1KttD9QN+pIA1drtV9uc4ADdzwT2j4JkpxyR8iqXwiPw/KCL4

px1vw7PWnMqBAOh76jRRGbSSRIERB8v/ADpcm7NDoDOQDwI01/zUzs8NMEkxyI7n/wAxTOCK6y9W

7LqAJnhZ/UvrDjYQDQQ613DZiB+85YFvVfTqe99hFYBLm8rlMvqTsrLsvLj7jAB8B9FNMYhkhCcr

obPV5X1iyLyD6mwRG1h/uVdnUqdj67W+p7YYZjYQZkf9/XLNvJMgxr8Ual77bG1sG5zuCT5QEgIl

dLDIb9Hvuibs1osyTuqrEVgxqR4/1VuetXEN7cQvPfq9l5FWe/HLjsLTvaIiRHl+c1dA/NIAc4mR

EnUafS927+s33ojGGKZI0eiFzCfgperX4gH8i5uzOyRVY4FwMEMPHu/87ez2/wDpRMMmxrI1MaeO

o9vuj+V/6R/4RL2x3RxF6I31yRIJHInunFoJ81zf20kkzMnymPzfo/62KTOoPBLtQddJESTuPP8A

I/8ASiPthZxPSG1ojTlButraZPcwfyLGd1B7zvf7QIj3QY8eP+kq78suaS+wbtIHJhGOMXusyn0t

14hxb5wVnkAPI7zKn9qLvdweD31/86/9JqD41eIjmedCpMhFBq8nyRMsgB0oGLboh7QQdW6IwIVL

HucxxHIdq0+KsGwNBIIA80IkVaM3I5RMx76x8i3sP6bvgrXOoWbi2u9Yt/kon24NaQ8FpHEn5aJs

42dF3LwOOHBLcEtrIu9Gl9p1FbS5ca8+rZudyXAkebitXqvUXuwbAywDVrTrIcHHjgLDxnb8hvY7

pImNUOAgssomUSeg3e0xmhtTewARgAFQbltZWwkh7dAdeCD7j/ZUq853rvaBuaBIb5dyniBahIdA

N0lOIIVX7buafTEzq13Igf5rlJlj2Ai0nRs+oBoUuEolQps+Clr8VBjg9ocO+qkT/CAksURAJHdP

diUW2MssEvZ9E8JgT3Vh8A/FIErJxBCJ1LHCDr5KIprHDR9wRSkCJideQPgnWWL243oAjLQNBx5J

iI4UvyJoMorCA//U4a3MIYIu3vkEwTxHh/0dm/8A8DQ35htBredsvLpaTA3Hivefa3b+9/1x6pnX

wTcH4K8ZlgpvjPeSDLjDva0R/Z267votUqsybHCC9p1h3x+jAP0VnIuOfeT3hAzNL8cRKYB2LrYL

nb9ORrrorj8iyYjd35IHCz8QmCVYdcWwdp+IVSWWXF316vQYeXxnlxxXHiB1jodf6zB+ZkNBGzTx

Cg7MLm7XaePYjsovvBPu0+Ki707GjiR37p/HI739GvLDAH9WYyF2RMR4v8Zi50wWnaRpp9/ChZc+

wSTB4TPaduhkBCJ+ScJEjdrziIyPpqwl9c7gQAACCW6wY8dfzoUC+wHuPPzBlRmExR4j3YuGIrRI

bHnUn3dyfAxwrfTriwvYO+oI0/IqLRuIA7q4KRQWvaSTw4HzTMsrHCTqW1yUDHIMsR6cZ9XlJLn2

k1gSZnSfJb2+G+a51zPUsBd9FuseJW0HGfFO5ceki9mh/wAYMh93FKqEuKMf8Hgv/pJi938JCjJi

dY8VHUn3aDwCFlZHps05P0QpJERFnQOThxzyzEYAynI1GLmdayX+qKWv9m2XtHjP5yzJI4Vy+hth

3Ajcfyqm5paSHDVVvcEzY+x3PukuXiIyo/1hsSuHK3j5ooAc2oFzdHOOsyqYjvqrWF7yai2WviXe

Eap8Cb3a3MCPDZF1XXhdbpNt7smzJfXtF7BDhpwdY/rLWNm5pIBHeOdVQwGhrXHTs35BWi4mfNTg

ubLU3Vdk/rFoBbPHjwPBR9YlpmXQePlCDJUZjQI2tKc3GNOD37z/AOZJvXeyex7idfgg68pGdD4J

cSBGm162zaA6ToY180G6xofPO4CI0CGD5kQNIQ7TpM6ynRlqsyD0lsUX/wCDcZJ1BPj4K3W4mveD

B+Ph8VkteQ5ru7T/ABWlW8Gn2xr37wVHmPVtfDSCeA9fT/g/Mmpt9Rs8FojRGrtbu1M+KoUuIeA3

Qd1ZLgXaaeB7qKGQ14ujzHLR4tqib26W2m3iqXwNwaduscggRCqvuqO0ufNjGwdDBJEt+l/r/wBZ

UMl7hTMA+4clUXurcwekCHNGontzu/rKzjlcbcbnMYhmIHUCTHq97xUGTpvPt78af6/9uKthE+qx

wdD5kKHVrbH2Vb59ogH4eKXTo3an3abSNRKYZfrRFsRxV8Plk6km/t4XohkY72gAPr7zPce07W/y

nIleSK2lrRpEau/eH05asxz272vaYLBprz+KMHG5xc9wDj7uY5VkHo4so6W63rVY9LabH6wTp3ES

0S/97/X9Go4ue05FrQC32ktbM6/ydypPsFVAIdJc0lrQe3y/lf6/4NDpyhY9sCXnQCInSOQjoiQJ

6O/gvYXOLHgtc0OM8zPgrQvmW6B3Hj+Rcy7Kew+mwbQfa6T8/a6URuS4va+yXWNBAHERMbkDEEsZ

iQ7v2tstaDtn888QArIyGMbWL3zZJaZ0/larAfa6yzUisBg0MAAR7jyoZuVi+pVSXPs9PVh5kn26

n/R+1EQj5LsWKWSXDrtZoXVPRjIBvc2B6bR/O7gWz+7H5rlXyc4Y1jKmNNltp0IGgBPd39ZyxsTq

d9dZFVYFbyXB3EcNLtsu/wAxTw/VyMcW1PeLC8tftGkgfmOB/d/e/wDUiIhG18uVlC5T4RG63/e/

e4eL916ETHmnAJWfkdQvx2jfSXcGRrA/OMf6/wBdRdm9SFFb6ahaXjcY5Ej4/vf6/wCCrbwHwa0c

MpUdBE6AmQ3f/9XzVJJJXGFtdKxGZvU8TEseK68i5lb3kwAHODXe6HLuMP6pdKo+uHU+kVmrJorw

rX47XvLjVYAxrPtLyK2Mt3OdZ/UXCYN7cbNx8lwLm02sscByQxwfp9y7U/WD6vt+tXVOq4+TZdR1

PCtZtNRaWW2CtjajJ9/0P5xRzv8ABkxAmQA3tqn6ndYx7cGih9GaOpbhj24797Ca/wCe3Pc1n81+

c9B6v0jI6VTVkHIoyse176hdjuL2iyv+cqfuaza/VbHSfrl0/puN0CtjH22dNGQzLriIbefa6p59

r3NVP64ddqz8erFpzzmVC112z7MzHazTaz3s91lvu9ygIBOvV1sebmIAD9CJMeJvdO+reP1n6qYl

tBx8fNuzH1+te4tLwA708dmj/e535u1Y1H1QzrrcxtttGCzAtFF92Q/ZX6rjDK63Na/fuWl0Lr/1

dp6J0/C6jfdTd0/NOdFde8O2n9HVun/CI+D9esN9vVmW2O6d9uyvteNkGluSG+1tPpXUP/erqZ72

fnpwiejBPPk9QIErJNkbf3XBr+qPUjl5eJmZGLgHBc1lz8q0MbNg3VenAe6xtjf5K0cD6jsa3rdH

VMimnK6bW30j6pbWDYBYzItPpl32fY9quYX1u6RZkdUvyspzOoZBqGJ1S7EZY706wG2V/ZmbmV7/

AHf9/wDoKOV9Z+gZ3VeuGy+2jF6ziU1svNRcWWVsY1zHUtdudwnasBlI7vKdI6LmdYzvsWFsLmhz

32vO2trGfTte8j2sWpf9R+osox78fKxMtubYKsMUWFxtfOx/p7q2N/Q/St3on1A9av6wvuxmPyWY

9Nr301uax9tY9vptqtn1t/8A3HXR9W6jd0xnRfrC9llGHjZVlbOj2UMxXND2vFt1TKj7vb++kSbU

ZG6eWyvqb1PBAuZbRnMZeMa8Yry81XHQU3BzGbXbvajdS+p3VOn4mTkOuoyXY762ZNNDy+yp9hAq

ba3a36TnfmrSb9aujdMrymdJfZm2dUzm51vq1+kKmse3IFHL/Vs3t270b6zfXDCzcTIrx+o2+lmu

Zvwm4tYcxoc19m/L3M9T09v6JNNmTPjnMYwQPTxSs/3hFwurfV/I6NQTlZeK/KYWC3DrsJuYbBvb

vYWNb9H9xy0+k9Ey+o49uS22rHx6S1j7r3FrdzvoMbAd7lPr31n6Xm9CdiPyXdVy3uYca6zHFFlL

W/T9a5pPrvc32exXOlZfTWdFu6T1Cx9DH3tya7mN36gNY5jmS381vtUmOwDQ7Of8SJyDD7h+X3N/

TH9Dq12/VzqjszLwnmqmzBa19z7X7WbHR+kZZH0dp3LJ+sfSsvpOXVTkOZZ6tQtqfWdzHMcT7mn2

/urpOo/WTDzb+r2NY9oy6K6MUEan03NdNn7m6Fg/W7qmL1W3AOOXAYuHXRcHDad7Z3bf5CZnMuGp

aXS74RHGeY4sdylES1vQR+Vwy3SD+CE9jXHa4SpWWiNEEPMyVWiDu7uWcLrdi+gwSzsJI8vEKz0n

p1mdkOay1lNdLDdZba4sY1jSA7cWh35zk24FzCNSCJ+fIR8J+Vh5eRTh4ozfXq9J9LmPsGxzq7Po

0OY/6dbFLjnrR82jzvKjg44H02Iy/wAIellVTmv6ucTp+RVb7dxtY4mhtbG+pZZZZY1u2ulv84/a

tN1r6PQ9aym6rKLm05OM4uqLmRvqf6gZZXY3ez6Tfz1G2zpnRupGktOO3qPTzR1Glkv+y3XCXitr

nF7vS2VPsofZ6n85Us3qGRhY/TKek4WR9sDb35VuQGOrbuc2ullVTbf0ntbVve9SiZtz58vCUQKq

hoXqMPpVmWGCu+httpIqpc+LHEaRta12zd+Z6iWL0e7Jpru9WmplthqZ6j9pLxt9gbtd/pFZ+rXX

cGvBwL/W9F1JjMqbSHWWPDj7/tB/wXp7PZuQK8zHZTh1yScfJsteY/Md9n2kf9svUllpGERodxvq

jq6RkPFxssqx241no3G10bXnd+6Hb/5t30FMYFlGN1Jl1Nb7MU1tNu8yzc7bupa32W+r/LT5+fj3

szRWTORmjIrkR7Iv5/lfpmI2T1PFsZ1VrS6cz0fR0/0ZBfu/dS1W+n8/+6c/D6fblMtt3sqopj1L

rSQwFxhjPaHOc9/8lqvZWBVXdkMZRVcKsCu0u3uDQ4sp3ZFXp/zj9z/ou9iFg5WK7p1/Tcl5obba

y9l4aXgFgcwsexvu9zXo1/UsFr8r03udXZgMxanFsEvaKWe5snb/ADSOtrSI8B2/lxOTgYN2a97a

y1rKmmy62wwxjRpve5X8HCc626r16TTQA52SHE1+/wCg0EN373fuen/pELpOZRRRmYeSTXVnVtr9

YDdsLHC1pcwe5zHRtdtRMS3p9IycI5J9C41vZk+mY3Vh4cw1A+p6b23P9yMwSCPsWctMY5Y53349

fwpM3oma/LtxwWD0a/tG9zoY6v2xY2w/m7X71cxOlMdm003XVuptrdc2xjtHBof9GWfv1+/2KT+r

4jjYxpJrrwPsdD41eZa5tj2/mNe4PUMPMx2W4XqksbTVbXa6Jj1DdtcB+d7bmKqNCXflIzgCezUy

ul2PwX5QyKWUV2Fhe5xAc5rd+2tu3c/f+YqzuiZldLy51LraahfbjB36VtZG/wBQt+j9F25zN6L1

LLxh0w9OrebLK8k3BwaQ0s9P093u/lI13VOmHJyOqse85ORQ6r7IWRte+v7M97rp2ej/AIRn56sw

4hEOLzRhPNIk7VHft83+K891Dp1gobmWZFFZdX6leO95Fz2bvT9RlcfR3D2bn+/8xEwumZhyjiN2

h/o/aedNhqGVzH0vTcm6rb07OrryDkupy8ahmP8AZvTLg41zsey8OFba3Md79y2en5vSG2t6g/Jd

6tuEMY44rMseKG4pc62dnpO9P8xRiR9yR69G7kxxHI4ok8MJUZE+nT5imxOmY2Tf0yi1wqF+PbZc

6S0uNbrtvZ/5tbPzfoKlZjOqwvtO9tlLbjRvYSZIaLPZuDfbtVnD6jhtyOmWPe4DHrupulslvqG7

bYP32/p0q7emP6fZ0+3J9NtWR69dwrc5tjdnpbWs+m1/536RTwlMUT4X9rl54YSZDHRiDLgN8N+m

HCxb0PMN+RSX00jDDfXsc/a0B+rXblGnp1t1AdTfQXFj3tp3H1HNYH73bA07fYx79r/erGf1TBvd

1R1DnO+2+h6MtgzXtdYHf1VY6f1Dp+Pj0sF/oN9F9eRQKZebLG2V+vZkfSdU3fW/ZuTuKdf2eDD7

eHiqxQvW/wCvwj/mOHsgB+4eIHPB1Rm7SSG8O7/erLaHV1wA14DRvLTMgzGv5vtKmzHol+zUuZLG

gmPwH0mqcBpGW7HIdVTib2EmxzdhnsT7foqnVQ/Itf6m7wbGgB+Sv2YF7n0tsGxlzhII1ho3uXSU

4OLQBsYNwEbjqfDugSL16dA2MHN/d8chGPFkn+l+6HKwugxex7yfQAkBxlx7QtoMZWNjAGsaIAHA

AU26mEol2v3phkSWply5MoHFK60Cw017lNMlJ5HJ0A7rnusfWEVk4+IQQ7R1oMafnbUulnRPLcrm

5nKMWGPEf+aP60i//9bzVJJJXGFSNimHn4IKLjfTPwTZfKWXB/Ox82y0FxcBzEj5Jbi4alMHbXBw

7Kw+qh43NOwnmNQoSaOrqQiZxPCRY3iTXFbWADnhoSubteQpQykzu3nwCE5xcS48lOGpvow5KjHh

Pz3emvDFZJMnTmC2dVttNjbaXursYZa9hLXA/wAlzUTJzMzLeH5V9l7gIDrHF5A8t5KAnQSyqtNb

gQ1riDPuEp/VBc0lgJbz4HVDSHKNn7EV0118XWw+o9DZX6eZ0w3cn1GXOY6f+o2/2F1jv2BY0b67

2uLYJBBAP3rz1dieE8SO+jQ53GKiLJu9yZf9J2G/V7pubV/k/LiySSx8EhvhtG1y5XqnRuoVZN1b

Nj9ji3QxMLQZdZTY2ytxa9pkEco32+vPssyGES5x3tHY+CZkFgXrqxctknhJOM8PEOE/3XjrW2Mc

Q/RzdCEm66ytTr1TBkMP0TY069iQsoV2h0BpKgkANHYwzM4xnRPFvWvDNNVPqsaO7h9yNkZN2Pe6

3FusptcNjjW4tO392WEfSTY9fpu3vPuAOngqdrt9jneJTIazJ7CmzzAMeXjEkxlLJx8P9SEeGpf4

7EkkkkyTqSUkk4Y4gkAkDkgaBSNM0N3U6Scn0X/Z3NJa6XMd5jncrxzL6o9Wl3xb7h+CqdAAi5w+

loCPLVa27xEKePyhyc9DLLza1efj2GJg+B0P4owtYe+ia2llg1aHeThIQH4dbtW7qneLTp9ycxGr

bnKhZG34Ko+nLra30nepHPYnVRGZc32W1ub4Ej/vyIOqyUSYkDVtDyTxKG22sjnUogIPflOsdGP2

5x0lExPYhtYj9zNp5Gn3qyfaD28Vn0uLLB4P0Vyx8Ul57DhQZI+rTq6vKZ/1JEj/ADY/6LRtduse

7xKCXGCTwBr8kQSedSUDJcW47/6pA+ein2Hk5Ws5DvM/9Jyi4vJefziStTFb7eYgBZVfAaVr44Aa

q/L6zJdf4uRDBjgNB0bAqIcA87TE6p2tEgkjTkc8KIJLtfBI+Kt6Xs4OvDu2W+k0hrHe0zzzz7uP

ob0t9Zs3RDXHUDUkA+f7yAC5xk6kDv4BSBmdNeRCdbHQtv4cObZjhrnep9CJkeH0Vt9O6e+mLbo3

D6I8j+8s7oHuyN5rENlwPcnyW47IrmDLSfzSDKJJqgwT3aebYXZrGgx6dZd83kNH5FtuAiQubsyY

zclwBJ3NYw/1G+7/AKpdKNVGqXZiNCCne4NYXHQAEk+QTPhvuJgd50C5T6xdfrtAxsPILWsJ9Ut0

a+D9Cf7KRrcs3Jcpl5nL7UAf606MoY/GXD+8rrH1je8irCs2Vn6TuHEfnbfpLnHvFjg4bS3na7kd

3f1VB1rbXAN0B5aRohO7CNRoqubOZaCuF734Z8Kw8pjEYip16pfpf3pP/9fiP2Q3/Sn7v9qX7HZ/

pT93+1X5TgpvvZP3mqJFofsZn+lP3f7U46W2r3CwmdOP9qsZWSMdggS930R/FZ7L7nvJe8nTxQOb

JWsmSEpGQETwy/e7J3YrBobPwUvswa3+cgHxCGHxJ/OUXEnume/Jsj3h/lT9kdV3Y2PybpPw/wBq

b0MeY9Q/5v8AtTAaEppMyj78+62pdZn8ExwagJFsyJECdEjgNaWgv+kA5ugMgkt3aO/ea5PiOYDs

eAeSHGNB+7/VVt0AgvBDiBt3aHb+bt3fmfuqQZCQaJPiwTy5ImuI/Y0/sDZjfqeNP9qQwGkTvMHy

VlwDiC3Wfzp7fyVH9IK9G7TxEhD3J91nv5ekv+i13YTG82R8vFRGPQTHrDw4/wBqnXXdc5wEvcyD

tBnSa+Ickcexr9rmlpPYu89o5d9L2qUCZF8S8ZMnWf4RYjDYdW2bh4j/AHrsPsYiA6SBMRrC5l9T

qntYRte5rXieY8HLrH+o1pcHQYIMeHglGUgSJGmvknOZ9Zutv8JqHFaeH/guaw812Dk3PaN7LCZa

dOCdpXeDGpuxBtIBiRYPHuvO7P5xw8z+VKcpd0wiY32k2Op5zs7YNuxjJIHMkqtU8tIBMjsU3kmg

ymE3uz482TFRxnhTvLtp90SIVba1hDnDeO7ePxRC4kcqFh9qENGafM5Mk4gyJGyai3GY7eKiXDje

4Fo/6Kv05bSQ3cCT+ZU2Afisiuw1kkAGfEA/lRRlGZJPwGgViMgAw58EpSsAnt6r/wCk3ulOFPUb

KRo14cAD5e4LZ0XLMue28XN0cHSun3p0DYPmw81AxMSd5RF/3o7soCYjwSa7RPuCe1ixgxqExAII

U5CRASWlrWUtcJbofJRFbxydPLlWGj2pgCEDAWyY+YmIgEiQrTi1QO9doO3WNWyj25hNLQRBf2Tg

eUoTtheA0aDgICGo1OjJLmBwyBhEe4BGx6ZMmWMOgKr5jy3Hc4RLSIn4qxsAEwNOFVztayyNXEAF

Os8MvJiEYHLiAB4TIcUT2totAe4GNs9lq0iGBVG4+2tj51GquV8BMwxIJJ66s3xLPDJGEcZ9MCYa

/wBXzSN7/BPok3v8kip3MOgV2Cv9LwLM64tA9rRJ7BVKGl52iCeQDPIPkuz6biDExg0QS7WYE6jh

O2FsMylx8WjGrbXWwNAHYd/FM8NLt0cd1NxVXNu9LFtt42tMQm+LCTejmUuG7WZtc98xpq6P+pXS

iAufqY0V1NIktY0fgFvSkFkjRcn609Q+ydPgQXXO2gHwH0lwlzanvlktJ111nv8A9StX6yZhyerW

Mc4uprO1oB0AgfRWM4Q90aAHT+9VeYmLqtInh8b/AEnv/gPInByePU+5nH3iRA9P6wfq4S/uQVuI

IPdvBTveXROsKG52gfJjXVSkk+SrSO+p8naxi6uIsfpB/9DlZTgoDC3jeQZMaz/1Uoga8GdwI8CP

7lFTRBc7MsNmQ7wb7R8kOpwa4k+Ci8y8nxJTJp1ZYnhII6J/Vr8fypeqzx/KgJkOEMvvy7B0n29P

ZibK7N9ziC47SNB4SFT9RnihQlogIAL83NyyGJ4IQ4YiAjjEhH0/3pS9SYWMH5x+S0RjOcWWTIAE

eY+kP6yyFuYbi7FqPlH3e1PEpRFA6HoxE+5vpQ/RR/Z3bNoHcEOnUR2Gv0P5KJRW6p4ea227eGO0

BMbffsPu2oqSPuS0PZHtC9ygDb6376prJn6B7H833H3t2+1Hx8zOocTDbC526bAHESA1210j81P2

1UCdZRGWY0B/gg4wOp1RXMfdkl9gd6bnl20O0DTPsazc3bu9nvauqOO9pkAuHMTA/wCk9y5zuF1h

cBpJkJ8c0jvSTjjLe9GtmZ+Ti4ltuxjQ1riPCSPZ3/fXCncXEnkmV1v1geT014bJlzZ04E7pXO04

D7qw/eGB3Gknw8kjIndMcXQEnzakeSba7wWgOlOBBdbLfzgG6/fKX7Nbv1sOzsBz/nIfYyewXP2u

8FC3RknhW8jHOO4Au3B07TEcdiquV/NfMIjcLRDhPiEG9qsXYr6serIIPpWj6XgfBUl0eTm4mFi1

YeTWbnem0lkCPmT/AClLwhk92VguNRW7ItbXU0ucT2C6j0bdIHGnIWC3rttRIxqKqWHgRr8yNqt4

PXri/blNBY4gbmiNqdE8OzFmiM1cWlfuur6Vv7v5E3pW+H4q0I7ahJO4z4MX3aHeTWFN3h+IT+nb

GrfxCsiIKbsl7h8EfdYd5NdtTw2CIPhIS9Kw/m/k/vVglRM8hLjPgn7rDTWWmnRGKnyZHPmENmPY

NSNR8FYkqQf4pcZUeVga1lo1/Qs/d/Iq2Tj2Oe0beNeR2WkHBQcGmwSJJ0/GUuM+Cvu0LBuWnk1B

i3NYBs405CIMa7938R/erkaqQCPuHsFp5LGd5S/5v/etNuLbrLefMKTcS4kDbAPeR/ero2h3chO2

ZhH3T2CDyOIirl/zf+9SdC6Vk35jQK9Ad26ezT8V17sTI/c/Ef3qH1cxvTwxa4kl8ho7AeS1ngEa

ps88rqhot/0ZhO8p/bH/AL1yDh5J/M/Ef3qh1bAyzjNrDNbrGsGrfHd4/wAlbz8ckTW8sd2jUf5p

Wbb9r+149GS9tpbvtBAjQDYyf7Tk37xPsFv+iOXsHiyaeMf+8c4dPzN8ivvxI/vW4/p2WROwDzJH

96FW4h25avVb/s3TMvIIn0qXuj4NKdHmJkgADUrJfBuWo3LJ9sP+8fG+o5mGzKe19knc71HBpOp/

dgf5ipu6jgsk+puJiNzHcfcsfIvsyLHXWnc95knXv8UJziYEmBoJ7BPyYoGROu9u3h+J8xjhGAES

IgR1B/R/wnWPUMQuJ36Hyd/cpftHD/0n/RP9yxklEeXgepZh8Z5gbRx/ZP8A79//0eBNxDtOJkQr

Lc1pdzCoJKG2kcYKjykkkgvUkkkkpSSSSSlLWwGl2Kwh0QT+VZK2enCMRnnJ/FIroAE0U8OBkEny

TF5H5vH4qaYoWvMexWklgJ0J5CjvZMTr4KWmqia2nsjotlxaVX1ZcxC3LMlwfLCXEaE+IWC6sOAE

xB0IWz/N6te2T8JTopBOtjtsh6pexmC90je4gbSedf3Vz9eVfSCKyI52nhXetZNjrG1GDt9zuOT8

Fllx3RCcuEq1Fh1MXP8AUYRaQ17e/AIPCL61RO0PaT4AhY2wl27g+KZ1dYjf8kbDIMprb6l27aHX

VOYdJGhPj2WBkvJrI2wAeVfpyraYAcXMH5pM/cVTyzNRMRLpj4lKO480zIIFWO9tNri0hw0IMg+Y

UrLbLXb7XF7j3cZP4qCSsMa6mywtQ1e6d01+W7e7SoH5u/ktSU9H0m4v6fS6wkugifIEhv8A0VbL

2xyFTrs9JgqraGtYIDfAJfaZluhcPpNSU3QZGiSqNuEaiB4gQp13NcCByOElNg8pigF4J1sIP7ui

l6jWj6QjtMpKSJTpCGLZ1EH4H+9R9WOx+ET/ANSkpPKZg13EazpPmqtmbUyd7g2BMGRz8UXHvZZO

x4drPI0SU2RMypBygNBAUklMwQrWBivzMltLBqSJIHA7qm0EkACSeAuw+r3Tvs2P67wN9o9v9X/z

JK6FqdimttVba2fRYAB8lIlQDioPth2qhXs51WZYQ/qF9jj/ADNba2/Fx3lX/VasnHeLG33n/C2u

j4NhjUlJbLdtRI+lGnzWl9ZXFn1d6k4CS3GsI78NKxryRWGt1dY4NHwnVa31qtNP1c6hYCBtpdy7

b/mu/e/dTsfzx/vBEvlPk+A3Frnuc1oY0kkNEwB4e4ud/wBJCRLHNL3FghpOg8vxQ1cnuwhSSSSa

l//S89tqfVa+qwQ+txa4eBB2uUUklC1VJHhJJBSkklKuv1HbQ5rSe7iGj/Od7UQLUuym2xtj2NLm

1N3WEdmyGbj/AG3NUII5R6WXteW1kfpB6ZG4EOD5Zt2/np7asvIdfkv/AEhaSbnyOSf9fopxgaBo

2v4dBoba410C3qGGqljCPogT8e6ycU102i26C1pIABBMjvErTpyqsidkgt5BTJAjcKiK30PRLOqU

yEkztWkfckk3qtuJPl2TzCC543RPHYIp1RIY4zu/BmFoXNorh0yOz40nwhZsxrOis+qXmZDgNdJR

h1ZQRs5mdusyHFrSQAASAY0Cr8q5mZVzbCajDTrqQePksy55L55PJ+afSeKIFi76pyQOVB2PbZSb

3Oa1oMBs6ob2t9Mug/PlBJ1jsEgriB3H4pWWlp26uJ81DIe8tAdoPAKLP5wfFPkGYARjuPNF6gIU

k4Y4mI4VrHpYHzyY5KnXMMfHBcH3AhvIHj8VsV3+yGBrRwG9lSLiHbWkAHTciNtaBtGhGkzykptf

ab6yHNAh3bmFOvIfvLoDXO+l5qrW+7R7YI4I0SuOu76J7g6JKbjr3MJL3DdOjI5CX20bi4tAdHPf

71muyawd1h3mI01QLM+z6LAA1JTuesxzt0tbI18Qf6rkwyX16Nh/huWNT1AbwLQAONw7K29+ocDP

drgOUlN4ZTz9IfJS9cbxBDdO/cKm250CHAeOifedQBM/ikpu/aGnSAR/KAKBSKqLnv8ApB5BAI4+

aliYWfltf9nrL2t5/wBSpP6fmg7XVPBaYIideOyVKblV7I9pBHMjt8kVtzTHu5+ardP6VlZWQK3T

U3kucOB5LpOm9CoxbN9tnqCNNw0BQJA3Vu2OgdJe8tyspm2v81rhG7w/sLpzaANImNGgws6r7S1s

lzbWeR1Tuyg1zpBb4AjQKOUrXAU6W6exhDcWdzr5ql9rayDuOoMmDz4apNzvUZBIBQSmtc1rHu3f

RBJ+Szqf1fp9W6fo7nRzLjuVs2At8478Kjk5bT7SxzfGRP8A1KSmbLWvcwtg9w78FY/xi3Oq+qWY

BxYGsdpOhIWbWa7LSGH2wG6aKr/jez6WdOw+nl02WvdbtB1AYNrXFv7rnOepMI/WDw1+xbP5S+Ul

MkUlYLGpJJJJT//T87UrHMdt2N2w2Hc6n97VQT8KEE0Q1uiyfnhJJri0gjkIIVtMxBnwTua5phwL

T5iFo19Wbt/SM9w7t7/eqOTd69zrIieAkkgdDaNOCNsQd08+SikkhdHw8kY9hc4EtcIMcoCcQB5p

Kum3Tk2XZzXFx2l2je0LSOoIHMLGxnuZaHNEkditWjIZcJYYI5B5RUJa0xf7SXbdSYHmfNGMiWnk

aFDfDnHTVg4I0kpMnbJJJdq4nkk88o6V4oAAB72gznudtY0kR7iR4cK7XU+qoOLjB5I/78qN7Hm1

jmHU+0rVdv8AzpafJELsRJJLj9QsaDtadfFUmE7pOs8q/nta+yHjUDQjn5qgwFtoA8U5f0TO1EEa

FVjzCuu2kTw78FTP0j8UkC7NsdZ0Wld0W6nDOU6xrtoDnMAmAf5f53KpU8lW8bOtrf6TrYoMAtdq

3meCWp0BqPNfEiyCOmiDCw7cxzwxwYWCZPBP7qV2LlYpHqtIB0DuR/nfRV7F6rTiWF9TtZE6aODY

2f8ARU+tfWGzqFrPTeW1AGWkQPdt7N/qqekufVXdYWwwkOmJ0BhWq8DLfG2skOMcTBHjH9VVv2nk

NsD2mS3Rp1Gg/wB61sfrudmV2baw36LTsB0bPt/qpUFJKOiZz6d+wbSCQ4HsFXyei9StubQwhtYj

c4nTx4Vtt3V7Me0tscGMgNaeDPtZEn/qv+uIbei9SsG9+Udx5JJn+tP/AH1A0PBTW/5q3w7fksaR

xoY/KFYp+quNt/S5BLo12RE/NWsToFdTi++11zpMTpof3loNw8djg5rY2ggNHGplNMh3/BNeDkP+

rvT2k7S4h+3Z32+K0un/AFfxrWOqALdpDqw50nb+ex39r/VitolNrqbW2N5b2Q4ymkNf1TxfULrX

nY76LWzPP5xV9nQOkNLd1BcBpyefErRZa19bXEciQeVIbR9H5ocZVQRU4ONjs247Gsb3jn5n6SmQ

WnmR5KTXHXWExEjUQU20sNpOvfupeqGtLXNM8aItbtg2lgM/68qBmDppJ5SUhbY0OG3cArjbwQGv

fuHg7WULawxubB80xqBJABEdxwkpnblNLNrGbe+hUGOY4RDp7lSY2Bq6fiApCqkak6O7gSkpkymy

C6SW9wdQq97g0Oc4gMb9I8Ir2Y9TXPssa0HRsu5XJ9V6jdnbag000sMtB+k4j84uToxvyQS2cr6z

4mK6xlLTdYzQdmgjz/rLgupdTz+q5b8zPudfe/8AOceBM7GN/MrbPtY1aFrfe9ok7nQfvhYqmxgC

6WSKkkklItUkkkkp/9TzuTG2dOY80jOnh21lO7YSNgIEDQmde/grOftbaWlkWGC54Jg6CQAQ38/d

7/8A1bZGB6ZG9qa4HpJvamop11PtdtYJKirGCYyG+aasJoJh0m4t1e0O8NfyqpdS6mw1uglvMcLa

e+xp9te4eMhZea0nIc8gsDo0dPPgkASySj2aqSO+ittbnC5rnCIa2dQSf3g1DDJbu3NHkTr+RHgP

h33COE+H2sEkUUgsL/UYDIAad0mf7Oz2/wBZFbg2OvdSLK9zQDuLoaSY2sa4/nbnbP8A1F+kR4Jd

lcEuzW1VurLqqr9rP0hHuPiVWdW5ji10Bw5EjRMxjrHBrBJPCbRC2Ue+js1WOfU17hBcJj4pg6Rz

KakEVNaTJaACVJxYJLWgNJkRJgfNELJXV3t3YiN7Z8dFsWNtgFusyI+Kw/tNbT4wVuOeeBp8NU4L

sVgSDnZWJu126hUDgPBDgOCdFru37png91Lc0gaByLJZDiOosGkIBxbCTot601H6enwVV9e2xwB9

oGiSerm14drXRoJ7KY6Vk3vcGgCBulxAERPJWphtsfeIAcdfYQDIjzhaTYxba7Hek1hArc8+4DQ/

zm6foJ8I3TJHHYMnBo+reVZWHuhgkA7vP/qlYP1cDS5v0i4gVuG7SPp7vo+1bz8jFrqDSW+nY/bs

GmvDSx3530UF/WKmODWsJA0c5zhEx+d+7/nKY30CEbOh4DQ39Hq0AEyZMK7hYWHQ8s2AV2GXDUCf

/OVk2dUyrK3tHsLZIe0SSBCBi5XUMsNklrWuDRr9KNrtxnd7v6qbwy/eTY7PS9QysLFpFdewS6CG

6H287nfyVj5HVXODfQBaS1ztddB7fzf5SazCve41msNMEHcQQDy1zeUanpVTWViyHbYJZHtB/Oj/

AKSVQG5tWpYU5d2Wy1tLiAI2WRwf3X/R/OVnGqzTX+kt3vIJloEAdncIlVFdQcGjRx3IqaZDoEgd

2FVdjS7c8vLjorTcHMc3cKXlvjtK1vq5jVllmQ9oc7dtaSOIE+3/ADls3WNrrLzwOUwm0vN9Nulr

qH/m6tH/AFQV8Et41B7cIN+Ffdmsy8RoLXGXHgSPpf56u249w/wYMDRzSkprACTOpU9gcIA4QXFw

MkEfipsskaGB3SUyLdvB+9Ra526J0Cd7yeJjzTtIOn3BJTIEn6Wnh8EQGNBwe6Btk6aeSk1xB5+S

Sk4a4iQNw+HZVn52JiO/TENnUNmT/moHVOr1dOqFjvc/swGCuF6n9ZHZGZZbs1JiAdABpCfGN6nZ

BPZ0+r9TszcqQYqY4+mIjSVUe9wAdMxqR8Fmftpun6LXxlHZlU5NOtgrLhBaSNE9arHrL7PUI9jT

ucSfHVc6t99wujGx9Wt007x+cSsBPh1RJSSSSetUkkkkp//V87EAiRI7gGPx9yNlZIyCyKxWGNDe

S4mAGbnOeXfuoKShEiAR0O7WsgEd91I+H/PtKArGM1wsbEA+aQ3WTPpLsJnBroa4AjmDqn10UXuD

AXu0a0SUGYlo9SoDWCwEBswGAAfiFno+VlOyHydGD6LUBJYavRlWx1jwxvLuJSsYa3ljuWmDCTHm

tzXtPuaZUn2vJfIE2RuJAnSHe0n6CIHipXouLA8ayYjwVzDpZW1znEOdpwq1dvtLIEER/tRaq73V

uhwgiAPAyjQ6MUidRYbfrDRpIaCYBJHP/fUPJmpzqj+kAG0ObqNfGC5A+z2OgWkwPCDOnxCXpOa8

2alh7zrCcBokcJhqQTY1vb/BQ2S18OkkARK6Z2vJgc6ea5t5LjtJlzYh2pXSGXEEuJLQNT2SFasm

OqOuqN4gc/eg7SeOylbJl0yO6Fry7vwkyLuLjqTx4aoZIc2I17qPPtEfNSa7UiBH3JKU1rgQ4Hjl

Rv2kEbpkq5VQLKrLZj0408Zn/qU+Jj1ve6yw7QwxH0jJ4ise96fAGx5rhE79HMG8uYys8u0ExqdP

pabVfZ0zNcS0NgWuDi8t9wH0t0LYHTqmVi3cAyoue1gbG4R7jtP5+4/vq9i4hdVJc8PIbtDnEtDo

d+9vU+gU5WJ0NjLbH7nPrY7aARAIH/f1psoxGUOaGianSADBE/R3x/L/ANfVRKMR+OLGXP3F53e0

Rz9I6JZzx7ax/WJjsPohNlJIDUA5nunUQZE+KdRLl0kySSnrunNopwqxWRtIknxJ+kivvp4JBB+5

ci6611bW7jtYIaEJ197QSCTH0ROspUp7UPZtlpELPuyvtV3pMM0M1tePEcMWdh499gByb3MrMD0w

ZMn8137qNZdj03+nSR6VrtI4kDXn+UjSkri0vJjk9kiNeJPdRjZWbCZAEwPD6SmHbmgjUETCVKXb

oOxCmCO4hNtIiBMcwUUNqFRtudsY0T8YQUs13jBPYxCzeq9ZxsNrgwh+UOGQYH9faq/UurRXsxg6

oGQ57jDufzVgvxqrS7ZZ7pMkHdqpBCt1pPZzOqZlhc+6w73WTJng9lgue5xJPJ5XRZfTbTX+kAex

p3Eg+HkudsILzHE6JyFaDUGUg4RxqoiE/GiSkzHxqNFWRA4hDT4dUSUkkknrVJJJJKf/1vO0lad0

3JHADvgUJtF3ZjvuULVOiMNJVmj+daoOqeyC8Fs8SCnoP6ZqIWTNguyOFQ6rbDW1A/S1d8PzVdss

ZXWXuMBqw7rn3WGx3J/AJoZpnSmCSSSSxSc/GUyJfWGOYAIljSfiUlLViSrGM8+qW9na/cqzCQdO

6KQ5kOB8wnBZMXp32b/PPHihZB9jgP8AUKP2gkACPD/amsJLSSZk6fBOYuGjrohAD3sPhHgOF0rY

FTvbO0aiCT+7qubaSBodCCCOFuG0OklwMdglGmzi4dVn+k4RBaZ58lD02aAEnXv2Tu9zDsEz2TVV

ud7SILu0pMij6JdsJaTw3WO6TqvcGtG4u001VezGsdktaSGtnUjt8dq0sVlAa9lj3MexpLXASSQf

b/W9qcBZ1XCJJ1YUVvbW6qxwpY4mS/uW+0sHt9rmo+PhenlEkuGwbqZcBuH520/n/SU7LG2UWEQ9

u9pfBkN09zmfRcjgYtucWtiyo7XMBMkGP0mwu/qqWNWGUgcLdrFdgNT2k2FoIDiBDg3a5p+5W6mO

cRS4NcayN22YEj82UCzbZk1sIeRWzcLT4fS2z9JCq6hd6TXEtbuLgLHCNANw3N/O3OTiCWJ1X1nS

NBAEkxELGe/e4uBkTA+A4Wnj2/bKtu9pD9251ZnT6I/q/SWXbj2Y7nNcNGGGu1gqMg9V1rpKDHFw

B7QpAQmpXSRK2TTdZHG0T8SglwBjk+CSmYMCFbwcX1G+rImYaOT/AFllX5ADhVq0kyX6Aafmy795

Pj9corFjbG7auGWNGu+O+795PjAlBLr3i3HaXF8A6mTzGjdf6qFT9iv2m241OYSWN4Oh1hYuT1p1

7N49RxDwYcBt2DaSxu39/wB3uf8A+fEbp+divD7WBj7pc+t5BcK5Gnt/PTzE7lbb2G3Fup9eqza0

6lzuCBysXI690yp/pmwtLDptG5sD+ru9rlm9Z+s3o4rcXY2xtwgWtkfRMu9o/P3LEefWb6gHuHby

TeEJt6TJ+tmHWz9E02O0mPo6/uu+l/0FmdT6/caA6phZW1pdJ1JdJ+l/nLHm0vAqbL+08fNQ6u6x

rGsJ1s+kBxxqiKGwU5l+Xk5D3Outc9zzJkmJ+C0sHDbSN1vqteeH1HgH+SPcs/DofdcGhswZd4QF

0Ppvc2WTt4LSNQihPRl7Q4ud6tTYAe0EvH/GsCHl9Iweot9ao7LHDSxnBP8ALYoNx9pDnPDX/vlw

B/BBDnsyi9+6t7tGZFR3McY09atvtSU4+Z0nNwzNrJZ/pG6t/wDMVUXZVZ21rW5prAs0bY0yx39a

fof2lTz/AKuUZB9XDcKiRO3lh8xH0UlPMKKs5WFk4lhrvYWkHQxof6rlWT4dUSUkkknrVJJJJKf/

1+b3QeE+nioTCRcZgcqCmDj76qucG1kxv/kjWVQDLd4LscM8COytW22Mc3c2QTyEaQ1u52g80dlk

qmSPlpzOoZXqv9Jv0GfiVTW2aWXkj0g8wTwO2pVPJ6a9r/0QgyAWE8T5pVoq7PdoQTMduUlsVYVd

H6vc33uHvM+BiNP5SI3p+GCHBnHGpIQOm66MDIWCHOxcW9tzHvbtaDOpCXUv6QP6o/itf02RELJ6

hW52U4VsJAAGglIG1SgYizX0awdMSikNNfn2CGaLmCXMcB4kJp0hOtjkLO6amqx7JZWXjglHbiZL

qtu0t14JUulWwHMJ0BmPitDe3xTSSF8ccJCySNXM/ZmS4gS1rRxqt04FhA3emfL/AHtVT1W+K1fU

AH0oMfJOjerJEYxoDbnv6a4uj0SD4VkD+KdmJ6P+nYD+cNTMcd1cNhbqHa+Kg614bJkjv4J2q7ii

Nmq3CpdFhFjT57imFLai7be4bxDhJAjwKsHJeAYkBDdfe8RugHue6VHujjHQNelz6fa2xrweQ6D/

AJpCkLbg/eytlhaR7ZgQPHc3ag30Ew4NbPwCnjNqa2xnpgm0AO2kjTv32f8AQTofMPNQlfg6OLZl

XOc0tttZtB27wWAkj6HH0FLIuFgda8OrbSdvpPO4lnDa9zf5f56yGdbdjOdVj7qWscG+oZk6hrg2

f5Ct1/Zcl9lT5ebAHMJmSB7i0t/76rJS2cTOex36GwtbcRtLhoAdDX+9vWlf1L7U1r9pZW0e0O1/

rH8FSrbjuorvcfawf2fdqTr/ANUp25FAoc+0AgRLQfH6KYddKO6QnY9rxLeOZ4/Kmfa1sTqD3HAW

dZ1fEYRtc4Bv0xH0WD4fuqtf1qkPGPjNDj7vUEwCPzdv5yHAridPJ6u3HosYz3xDnMiDzDXbv3Fn

2dW9egmhs2M/SFpMCJ+W9Vn2WZXqBjmWMFYNlZgPa1vt/OLfo/nqjXY817aQ2Q4jcdSJ0dP7yeIg

dEWXTzOrML2PrmdkvrJ0kiPof9JAbl05YdYHiq0w1hMw0g8v/s/5irOoJY9geGXz7p0J1/8AJ/S3

f+o0+PhkF1Aqm5jdSHEEGd3b2ogUh1cfp7BTuut0DQ50kRu4duamx+tVUFzsStrY42QQZ/Nf9FU7

3Ais+m5jdsNI13Oja/T2/mLHucK2kM9oeXQGmQNdsFAjvql1szrNFl4dk0sfdHvtYIJnVk/2VBmY

1sPYCA78irYFdVWE/LtAsLnhtbXagED6SNX1a0na4NIcYB4M/BAlTcrL7MhtjAG1FurvFZXVbCbw

yZ2CPmtKn1xS59p2gGQBzH8pYd7i+xzpncUlOj0qyyil1npvfXYSD6c7hAGv4q9e2x9DnteXtI0D

gZH8l7VVw6c+usVGt/pHUWVO2uH/AHxyndjdZrdNFz7K3cbiA4f1mlJK1TbcwAlpqyKhDQQQywfu

/wAl6cZf2St7zUfXDoNZBAI7ypPp6w6lr67XNt4srLh/nMU8ejqr2ll+R6bxqx4LTr+69JDSsttx

NuZiEvxLjL6XahjvzqbP++OW702ynKpGTil1WpDqZlgd/V/8gsxh69U6L6/XoJ/SNDWOlv8AZWpj

GrGbsrrDW2e8GsEAztaNzXfRekpslzLmOqyawD2a6HB0fnMXAnld7kDGtpc26HMA3a9iPztFwSfD

qiSkkkk9apJJJJT/AP/Q5XdJ5TNeC4feqf2kQSD2Qxa92gOsQo9HPuW/Z0bMgNEcEaqLGWWV/aTb

owbhWOdP+/KnU+yy4Cys2MBG4AdvkFq4pYSb6duzaB6RcWNgF36XZt9T/MT8cAdUzMjubbFWNbkV

UPG3H3BxIcIdZABcwfu8ojum+rli0ZRLmsa9oEkdxs2bvU/N936RUrbsrIrcK7DXjNkiwne92m9+

xzv5dTPd/wBcSbXiigxWLGnh7nTa7+Wx27d/U2tUvCOy3inVA100bTsTIx7t5LbQawXDZBBPu3e7

8/bW/wDR70JjDbX6znbJkuDgdOwapY77sZ7bGOOXjsd7mvEvO14r9jv7dSs9Qbj3GvPq3Gpg3PJ3

BjiRqdu130P8JsTZwB3ZMc6of85z3ODSJOp0AQn1sZNhLvN0nREe31LPXFe1gja6C0EEaaFQyWzS

/XWJEKuRwmmQnjiTX91IPcz2uDvNZGczZeYAAPYaaodVllT91ZIA5j+KJlXC5rX8PBIcP4pAIlK6

8EdFjmO0MSrPr2HuqlOr1ZARDFkq197yeV0LPSbo6ZPfv8dFzbrq2nmT5Loq3+mI5kayJTgvxA66

Lv8ATDS4EkdtEB1lZ03EE+R0RvWa6TABPtmNIH7qEGtFhc8GO08Isi7QyYDwPAnRQsY6Rtsa5p8C

k97Z+gCI1goItossLSCO/EpKtmRaGkRPiUNtdzy4MEENLh46fu/ykxa1g9u5vw4US6wEOY90kiHO

kQU6O4XROqD7LdU17Lai4EbxwRDvzmf6N3+v82r2Jn0C9tLyN0bQ+Ia4EDfL/wCT/wBtoeOLBtFZ

JLyRbLtIP50O/d/kqnm4tjMhvpw9zeNQZb8f3f6ysdF7qW5LGssobAkkh2oEax/I/wA3/wAgsmzq

lBf6gq2jcGva0mCB+f293t/1f+kVZ2deX17/AGmtweDry1Vtw26jkkkAwlfZFNnKzzkWnTbUJFbR

2Gv5s7UIWt3+o9oDmwGtLfpD953/AFe9AnSE8ydZJiAm2lt4maKMh1xbvkERpEHkRqmxrxVY6yuR

qJb9FpH8rVVTunXw7+CIy17GwI0gnziUQVN6vLqNWRU1kWvIIc6TEfSj/qf/AFIjY1+MKv07xY9s

HSQAD9P3/ne32/8AnpZHqGZaA3QjTzUUrU2cnLe6wtqcQwE7fgqxMmTqTyUkkCVJDkWGllMwxhJE

eJU8RjnXgtG7ZrHj4ICv9MFoJNbZ3EBx7ABJTczDZXjuLnFrnNA2DgGf3ljhpc8NHJMBXupWOn0n

O3FpOvH4KjUHF42kBwMgkgD/AKSSnZbj5VtbashvpuGjb63CY/4Sufeq7umZzLDF7doOjy+AUji1

5QcbfTx74lrmPbsd/WbuOxCx8R9T/wBP6Tqn6OBsbx+8z3fSSU2rOmiwtfVkV1W/ns3yCR+cz/yC

V/T8fJ2mrIpryDo9jXewn95n7qqPwaWWE15Vfpg+1xOv/RCtWY+FkvrfVktZlz7tgdBI/PZ7fa9J

SfFwsuqt1TnC1pMtuos99Z/q6b2fyFpY1+SCGXjc1v8AhR32iJd/aVGnFry7RY6xn2qgg+pSYLo/

01bvz1qU76xteNABr2J5d/0klI8hgdvsph73Da+l5gOa2Q7Z/K9y4tdH1DErvsfbTdIokurALiDM

/RHu2fylzifDqiSkkkk9apJJJJT/AP/R89nRJp1TFIKFqOj05+TtsNbWuAGsnaSTo1u4ytDOrf8A

s+ut1QrqcWtbYCDG8jce72ezesvAbZaHtNxrY0RrJjdxt/Nb7lqX2ZF3TGuqax1dQaCWuBcXtIgS

Pzdp/NVjGfSGOQ9Q82LzvZW2rhn5pidse7ZuI3J8U3HbjmtgLztlzYIHYnQe/wDd3IuO9tlDCwhw

AgkDWR/0kC71X3iC6tjgAHkOZx3bu2u3e5SHzW+FOlTU2h7Q1pcayAQeTJn3n6P85tVGncDdigMe

GPgOdHtY73udVufX9Jyl9p2mGlzq62tBc/3mB7t1n0vBDw7CGZGW9rXC7s9um0j27nD3Vucz3/R9

NAp1o/y1VuyHY294Y1pMjbr7SWva7X9/8/3KlfkbfaPpeATZH2mjHa4XF7TPu4MOj2/ym7Wqkyuy

+yBqTyVBkPqXAEjeh4JcQRVkP8G7R+KrESJnXuFctZ9nxTWHSXEyfFUVGVw1Z1ODTJSfc9+nA8FB

JK08Iu1DldI6x594mVzY5XStLnDTQoxZIdVMfSCNwIH5yNY9rjLDLG8A6x96CQ5jSI+lyU9TgDtM

EH874p4KTG1GCYIMkqLqQ33BuvCPt2mdgMcJODCeIStHCOrVJ1+HaUO+CzU6GFYsrbILT8YVW6sv

YZcZ8EY7hAqwyp6jkYjXNr2+72u0Ex5Kvbffc4+odxd5D4+CYs0G4+3uVAudXoCHNnVT2ytXJoMk

SJ8FTIIMFaNgJcSGiCq9gaeW/ckpralSBAadJJP4KRY3kAhM5uiSlnPLiC7WPH4ymdE6GfNMkkpS

SSSSlJJJJKVotTBqurpc6djC2Qe8kaQs6mo22NrHdaWU2ynGg2Axw0eBEJKaGVcbbS/xACWMSLQW

vbWdfc8S34HRyETKPiWtqcbCHmOdoBbB7Pa5JTauwca5gfVbVXb+ewP9p/lM3e5v9VKmjFqDqsy2

tzDO3YSXNd+83aP+igPPT7HyxlrJ/MEHX+SputwXllTqHte327i4NJ8N/tSUzxxg48i631qbR7mt

YdY/dcY2PapfZcBlbMmu61jC72WbJhwP520qJyqMdj8WzEdtcZLXv1B/eZ7Faxji0OY5lLzRkQwu

DhYwz+ZYyG7XNSU6OFWHMGRuY+2zQ3skb2jX3t/0isvyRRS42zLG7nR3jlCqpY1rRjwGt0Df5IMn

/OT3Fl49G1pg8kfgkpzasK6x/wBtwbfa8kydHD95ljVz660XMaX01MNdbAQXmA0QuST4dUSUkkkn

rVJJJJKf/9Lzvc3xCbc3xCEkn/dh+9+DX4WxTYwWNDnRWXDdrpotjp2bUy5pZTuxATuLBAFhn0/0

f59mxc+rGPmOoqexo9ziC13gQQeE+ODh/S/BEoWHpcjGfW43dNsZ+tE/onglm/6XqNLR7H/8YgA9

fdFeRSLGjXRzCSf3tznexZ1ecaRTXi2egXbZcZIgk+pub7vzj+4rp6lkjKaCW7tjgLCBuifzW/nV

/nJ/t+JYuAjsf73zNvGxt1zxkltbagN9QJkAzsDrfo/9JVepZGGHGttT2Ytgl1kna9w3NrG0ndt9

tmz/ANJoVuULbLsfMudbsBJLCWBrfZ2j+cY7+Qsy3qFllApInUy53ukfm/S92/8AlIHH4pjjN2mu

2W3FlLx6WjhJEDQN8XeCt1HHoq2ixpJ5MhYaSjPL2b4vwZOAd27mXse8AOBDe4Vfc3xCEkl92H73

4KEABSXc3xCW5viEJJD7qP3vwTwpQ5s8hdFu2iN+ngFzA5XRSzTQidIQOAR67r4jdIbHmRvIQn5H

omHbTPioumSQSAO6g5u76R+8Je14rqb9eYQ3YQGu0O4Ge091C473TvgnXmFVbXs+ifuT7S50Aape

34rTAE7pxfXEHSEO2xr2S09+6BY0gHuUOt7txEcIiGt2oRAXeWyR8vmo7JaYGnikbAX+4FRL4n49

k9cw3bXePkhuM6jQjspF0mTymgeKSmBPtMjjRDsewthgI/ijuYyO5nuq9jSISUiTJyEySlJxqYTJ

JKZiqwgloLgOSApsxch7Q5tZ2nvGis4eS6mqGkRJ3td3H8lTfkUm2WOdXuB4JgH+qf3klMMWvHrl

tlmywcuHbybKFm3NfYRW4lnn4hNdkl7djoc7u8DwVZJS8q5hNyGD1K62ODvznmNO/wCc1UkasY20

Gyx4d4Nb/GUlNwNoMezHFk8eoY/6JRpfkOJd9lNvZxMzHZ0lUmjp5mRaCBIGgn4Jw3p1ro3W1u8w

HSfkklvTmlwGZj17Q3ayzbuaP6xY76CPjEUmxr6PQc7a0bDNbyfouaD+6q+FQ4SzHyy4HjaYLT/L

of8ATYrjMl3q+nkNE1gNFgENL3e32JKbVFez31GWaNA8hKFmPstaa2PNRJl0clo/O/qqbWuoaK69

WxDfj5rP6pa0U2uY6LHbWPI7n90f2UlObnZjsiyASKmQGMnTT86FUTwmT4dVslJJJJ61SSSSSn//

0/NUkklcYU2DjjKzcfGcS0X2srLhqQHuDN3/AElcu6Hkj7bbQ6uynBssa4Gxgt2Vv9E3fZt3rbNz

2fmKjj3vx8irIrjfS9tjJ1EtO9s/ctmz62ZT8HLwW41NdeY61zy02CPWc25/s9X07HNtZ+isuZZZ

X/NfzaBvokU3MP6l15X1X/bpy31O9K+0h1U0j0H+n6VmSLNzLb/8D+hVXqP1Y6hRk2jE3uqpraQb

31stcfQbm3101ttf63pUP9TbV/glHC+uHUcHpdfTqKaYqruqrvcHF4ZkHdf7d/oO/t1Kd3116pdV

k1WMZtyWtEMfbXsIpZhb/wBDdX6u+mmv2X+rWm+q1elG76mfWFpqBoYTeS1gF1Rgio5sWfpP0X6s

31f0iA36s9Wdk2YgbV69TWvFfrVS8PZ9pr+z/pP1jdR+k/RK27669TdM1U+5+86O5+y/sn9//uP7

/wDjU+F9dOoYZe5tFL3PZTXJ9RsNop+xNDvSsr9Rr6fpV2fo/V/So+rwVoyzPqXnjMGP00faWejj

WOfY5lX6TJZ6leOz1Ht32P8Ad6bED6tfVfK63mtrfNGI2z0rryWgh5a97aq2Wub6tv6P+br/ADFY

q+vfVq936Ova+qmqwNdbWXHGDq8e71Me6q1r/TdssYx/pWfuKr0f62dQ6SwsrrqyG+v9qrFwcdl2

11LrmOY9jnb6nuZ+k3oeqirRlj/V6i/OwcIW2VWdQw/tFJe1pBuPrelS3ZYf0NrqdnqP/Sf8End9

U86zFxn4gN2RbSL76nbWbDZ6lmLRUbH7r8i3GosyPSY1UX9azHZWBlN2st6ZXXXjls8VPddW5+v0

tz1pH679Xdk52Q4N/X3Ne5jHWVCt1bfQq9I49tNmxlR2ek9/po+pWjVP1T66Kse30GublGoVBtlZ

d+nabcc2MD91TbGMf/O/uJm/Vbq7rX0htO9lX2gD16vdTt9X7RV+k/S07B9NisV/XLqtRqdW2prq

TilroM/qjLKKp93+Eruf6qVv1uyLq8uuzEpeMxjanve+99ja2asqbfZkOu9L1P0rq9/pvS9XgrRG

/wCq+bbkW14AFgpqZaWW2VMtINLMu306PVL7GMY/8z8z/hEeIcNJU8P689Sxa7WNx6Hes0Mc4h4O

0UtwdrvTsZ6n6Kv/AAu/07P5tNpsmU2V6WkV0YWERwh6Aqb2MsESQoBmwRympS1aSXDTzTC1u8tg

fESkHOIDQQSmBLZIAk8pKYPdW7VuhCGxpMumPmiEiOxBE/ekGNAMmPFJSMCXa6NnnlNZVtMCS48f

7VItJAA4KZ9bwPdqY+aSkLmlvuIhCB8fgilzTMgkdpKrnjTxSUk2uA3H6IQnNJJ8EUF0Rx5dkPVt

hIJB8ElI3VO5AQy3x5Vh1zyde3CgfcfNJSEiEyPAjhDLUlME6UJJKWSTpklKTtcWmRyEydJTbpzc

s+0Oa4fuvDf+/Il1kP8A1zFA8LK5Yf8AyKoIteVkVaMeQP3TqP8ANd7UlOowYeVtuqeftFMH3CHO

A/fj6X9dWMa21rm0ZLZ2NLnP5G4n2/2mtWcM1lrG+owVvBE2MES0e6P+irmLkANLb3B4eC/d217f

9FJScuvbkVsr1qeSN3hp7WlVOsGsUAN72GPkPcpVOupyar2P3Y+Q7bpx/Ja4H6LmqXWmVsxhtjSy

Z76gkpKcRRUhzqop8OqJKSSST1qkkkklP//U81SSSVxhUkkkkpSSSSSlJJJJKUkkkkpSSSSSlJJJ

JKUOV0jPfpwVza3fcGwEyfRdFK47JB7+KEXCTAmFFrHxJM+AU2VucY0b8e6YlhLZkDhOC2Pj2lSG

O4kmRt+KFdiWbpYZnwKSkhqgEt+PKiLDHuEjhO0XMbssEnvooEkaEadklMnPMaDTiFEuBMxB8fio

iA6YlvipHjd3HCSkVoa06mR4KDAxzfd4/NTc0vE91H0DqZ0CSkTiWmOQEN/u5RI7JGtwOo0KSkIJ

B11TuE6omwToomBoUlMQ2NU7mgiRz3SO0nhRI15ISUxLIKiWFGNbxtO6R/BQcx7TodOySkZakWlS

O7unk9xKSke0qWzSU/PIUodEgSElIi0hMic8fcokapKUHEI1NzmtiNzO7fy/9FARsTI+z3ttjcBo

5viDykp2cRopxHvr99DvftdrsI5bualn+nZgXPaZLyLAPCC1qhZjWbW5HTnRVZq5vbXsWu/NR8dt

Vrdro3Naai0TtM69/wCqkpwA2dPyoS0On4T8nJLD7a69X/L81Z5T4dUSUkkknrVJJJJKf//V81SV

RJXGFtpKokkptpKokkptpKokkptpKokkptpKokkptpKokkpthdANk/nR3hcokmT6LovVHdOkx24U

D6sGZ8lzCSYl6hswY/GYUfdGv4LmUklPTu9Td38kjMFcwkkp6R0zpO3VIbtp4XNpJKehE7lJ2/WI

juucSSU71e3f2/tIro1+jPzXOJJKehHpbe3H4qvZsnzWMkkp1DCkNu3Xx+ayUklO1+jjyjRDf5rJ

SSU6R7wolZ6SSm+UhOqoJJKbzfxSPHmqKSSm8fNRVNJJT0/1f+0bbJ/mO0+P8lXz6fru9Pje2Y/f

7riUklPbVen9nyPskerufu/rSVyiqJJ8OqJNtJVEk9a20lUSSU//2Q==

 

------=_NextPart_000_01BCBC62.B4A59A60--

=========================================================================

Date:         Mon, 8 Sep 1997 07:44:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      monday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

good morning:

 

cricket is chirping along in perfect rhythm to Chopin (who i really have

no idea who he is but got the cd at a garage sale for a buck and it is a

nice change of pace when the world is overcrowded with the sounds

connected with words) and the cricket is providing the words in

cricket-speak a lost language to many beats and non-beats around the

globe and i don't know which category i fit in quite frankly right now

these days september 1997 just a week or two more of being 35 and not

yet 36 somewhere in between and just listening to the cricket talk i

said to myself what the fuck just type what the cricket is saying and

let them delete it and complain about it just like they delete and

complain about everything else from funerals to mad mythologizing and

the cricket sings as chopin dies in the other room the cd ending and

nothing in its place and fingers moving far too fast here right now to

even think about going and changing the cd.  fingers slashing on

keyboard in key of "G" cause what else do you really need but key of "G"

as Woody Guthrie and i always  joked and the cricket sings a line from

Reuben James and what were their names but don't mention their names

dear cricket cuz they might not be beat enough and just keep chirping

your manic chirp on this manic monday that is only a monologue and not a

cyber-community of cyber-family which it felt like so much just a month

or two ago and maybe i've changed ... events have struck me thrown me

off the ship that made me enjoy every single word posted on this damn

machine from the Beat-L folks save and savor and now delete many without

reading and even thinking lately a god damn estate battle wouldn't be

half bad because at least then some of the rancor moving from one edge

of my screen to the other might have some justification.  Chirp chirp

chirp.  What the fuck Beat-L is an escape from reality? Nice trick blame

the Beat-L for being too overwhelmed by other forms of the world's

static that you don't want to hear things from folks on the Beat-L who

were cyber-friends at some point not too long ago but now just death

death all around who can sing and dance and play in any direction

whether funereeeeeeeal or maddening comedy seance movie trash without

getting smashed and i smash too and wonder why i do it and everyone else

does it been going on for so long probably before beat L ever started

just "knew reasons for spite" i guess as i sip coffee and listen to the

crickets chirp along in three part harmony and Corso jumps in and

screams i was the best cricket and the other crickets let him on the

stage and no spite he puts on quite a show and where are the crickets

when you really really need them............

 

shalom,

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Mon, 8 Sep 1997 08:55:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: monday morning monologue

 

In a message dated 97-09-08 08:47:37 EDT, David Rhaesa writes:

 

<<  just listening to the cricket talk i

 said to myself what the fuck just type what the cricket is saying and

 let them delete it and complain about it  >>

 

sounds like yer havin a big sur experience back there in the heartland,

dbr...

=========================================================================

Date:         Mon, 8 Sep 1997 09:53:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      NO OJ> NO DI let the crickets live pix

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------351215CA1CF6"

 

This is a multi-part message in MIME format.

 

--------------351215CA1CF6

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

ohle in Louisiana

 

--------------351215CA1CF6

Content-Type: image/jpeg; name="p4ohlelouisiana.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="p4ohlelouisiana.jpg"

 

/9j/4AAQSkZJRgABAAAEhgSGAAD//gAC/9sAhAACAgICAgICAgICAgICAgICAgICAgICAgIC

AgICAgICAgICAgIDAwICAwICAgMEAwMDAwQEBAIDBAQEBAQDBAQDAQICAgICAgICAgIDAgIC

AwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwMDAwP/xAGi

AAABBQEBAQEBAQAAAAAAAAAAAQIDBAUGBwgJCgsBAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYH

CAkKCxAAAgEDAwIEAwUFBAQAAAF9AQIDAAQRBRIhMUEGE1FhByJxFDKBkaEII0KxwRVS0fAk

M2JyggkKFhcYGRolJicoKSo0NTY3ODk6Q0RFRkdISUpTVFVWV1hZWmNkZWZnaGlqc3R1dnd4

eXqDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ

2uHi4+Tl5ufo6erx8vP09fb3+Pn6EQACAQIEBAMEBwUEBAABAncAAQIDEQQFITEGEkFRB2Fx

EyIygQgUQpGhscEJIzNS8BVictEKFiQ04SXxFxgZGiYnKCkqNTY3ODk6Q0RFRkdISUpTVFVW

V1hZWmNkZWZnaGlqc3R1dnd4eXqCg4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4

ubrCw8TFxsfIycrS09TV1tfY2dri4+Tl5ufo6ery8/T19vf4+fr/wAARCAD1APMDAREAAhEB

AxEB/9oADAMBAAIRAxEAPwD7w8fAtqwdTG0QUpvXBYyF0VlYqx+UAJzgdTyccfnee1ZxzjL6

aajSkp31966p19NHtot491ft3UaaeXYh8z5k4Psvjp73S89n8jgxHyejfMy8FTypw34hgfyp

3eltEu3/AA/4bo5Iq1rpabDo4gSQMZXaCMjIPP49MfWp6vukvmru2m+99WHKrp21tbe+19et

vu+ZOkQA2t/ePXkkcnb7Y4/Kkm1d35d/y/rt8yoLSy7WXot+/wCH4D1jUAcD8OB1HuQTuzUx

fupJ30Vn5L+u4QSjbTSOn4fNDtgDcAHk45AJHHYHqOO3rSb0ir3a8/0/y/IdopxV+raV/Lt1

/QlWEFsDBOFOM89Se3QZ/wAKSlra+if5fP8AT5lqHbT+tOv6EqW7biFBZiW4GO3b1/Os+ZRl

K7sm31v+WltNFuuo4rW1+r279fu66u353Y9MuSkX7psttxjaSTuHbPAwOazeIgk4uSsrbO2z

6vb5X126mjoTUdtLpab7q3bd6bamxB4duTgOFTg85+hwecfeFYyx1JR31Wmqt5aX9ehtDB1G

1db6rp0fpb5sjTSLuMsDGMouQFx0GemDjr2qFi6TcbTfS61381+RP1WaqSVu2u6SV+/V7X1v

0Oj0jRoxEHniDOxbKsR8oByOB35PT0xXNXxbjeNN3Ue2nl93y9TtwuEVnKUddUumlnr03Rux

aZbR7ikKZb7304Py5/lXB9ZqOKvJ28v131/M66eGpxStFXst9dl56f11B9PtpCFeJDyzAYHU

YGeO/wCPrTVequXlk9L79U/JPp816A6FNqMbLrorLt2/rqYF7oFn+8bGGfcUCkALwcKB9M13

YfG1rxi9Un/XlfT/AIc554Kkk38L7Xtbtv0Ofi02GNHVkwVZ8kg4IBwPn7niu727960ne9rX

Xfun+HTscNPDwXMm9U3fbp5/8DQrrAA+PLwm5OgO3G4ADr0z/Kqc37P3p+9o9dLWtbewOlFc

yStG662W/e//AA5S1yaDS9Lv724cw2kNpO9xNseQQRFMNIUiBbjcBkdM8nvXDmmJ9jlmLm3J

y9hUUXGPM1JwcVJK6uoNqUl2WvY7sBQc8VQituaN9baJ6q+utlp52Ob8O3GnzRQXVlcl7WeJ

DF5ispYY4ceZhvmxkdeCPWvwDBKFXFSxH1hzjGVSDp11NTVdc0a9SlGU3GnCrOztBKLiktUk

ffVIqnJU1CN+SDvG3wWvBS68yWjT1bbO6hnjj4Zx/FgZB4OfQ/rn617dD2dObUpKN79X57eW

unT5GMk5Rl7uy16PT1tb7iQ3iBthIK5GGBHb8en1ru9vSpKEX7yfVemj00d9zCFOTTadrf1u

v+CI13GQCMY6YHUj16+uPWpeKpaXekW9Lau9l+Fte3UPZSUoaa272XTe+v8AkQw3Tb3+TjjO

GB/h9M+nr61dPGQ0ThdK1n6d/u/4Jo6TtFJ2+7rv/wAP18y1HIzuckKuWwc8Y5xznj61ksS5

OfMuVJyt977Xva22662E6airXvJPvfW+vl/XQvAh0Kfe+6RzjoMjqfSsp4mm4Onze99z1+f4

bmfI97WSau9tn28/TXzKas8TlVK5KMducdMdPfJ6+9efHETpNqK3a38m/n9x0xhGUU3f3bdO

/wDw3YJZpD8pYA/LwOGAP3SACcA89f61cK2KqzlGEHLr7kZStZPbf9NUS4UoybbSS5d3FLzv

qrfcZkjXG51SG4bghtkEz8FWOS6oVAwDyTxWc8Hm841FRwOIlprajPbXW/LZXV3f5rY0hWwk

Yvnr00kpa+0itr9U3sTjz1j2m3li3DIeVfLUtnG3EjKc5wcEdK68FkedVaN1gKkOW1/aOFN2

d9Upzi2rK7foc1XHYKFl9Zi9rJXfbrFde/3XOae2lnkI8sxNl12ysmcBRz+7Zh1OMj0r6XDc

M5taipU4RUldt1I2ja2/K3rr0003PHr5vgVJpSk2lJaJ+l9ei6vpcekARQhlOV4Oxn28enP5

++a+uy7DV8FhKWGqSpc9N1L2qu3vVJzX2e0keLXr4atVlV9pJcyjpyJ7RUd7+Rs+Jiz6rdlk

QbzEzMvmktgKkbKGAQDC7fk4ymepJP1OZVIPOqlO15U8NTd2p6p1q8bJv3dNXpd236HmRThl

66xlU0tZ7Km9Vq/vtbcyILGSUgKnfPIxxnk+x61PtVCycrcu39f8Azp0m/hSevk/n13Nu10y

OIkkFnZVDEgADBOMceo/ya4quKfMorZa6XXfr5bnVDDKMo6aqKv62a2EbRXyNvI5DnjIxnJx

VQxfutSTukrN7v8AT7ilhHe8fO/+f6eZHLpDxohiJk5AYEAMMZ5OTyOAOPWiGK91cyt536Lv

t+P4kxwbUVZu0fK3b+uxTe1kjZVdMEscc5PBwBkHA5xW3tE405J8y6vXXT5W11/QwnTlHljK

D+J207em23Xc1rLSJneMmPCkKWJwTtG7APzd8/5zisamJjTVleTj+ez6NabnVSw8pWulZ+m3

5/d89LnWwabCoLeWgIZhnaB7EY+oPevJ9vOTleTir/k/X+ux308PFOVo63utGl/nt8vU0be3

SOJfkXd05B4GV/X0/Wsqk5Wk3e3u2+/t0/NGsacOVq13dfg76bdu1uxaH3guFHb3GcYAAPqK

xvZWbfl8vX+vQ1SeiS6/l94qRJnJAzjHT6kYz2zx+FSnaS6aK9137dSbLmtZqyS8uttf6sSR

IF+6Noyxxj0ySPzqr7+W19fy/ruWk1F+S0/LZ2+ROMcEH7xwMrjHp6+pqYr3bJctktfyFBWi

t369fx0/rYa5VcZIyd2Bg46A46daV/hTTur+f/DffqO2kbaJN9NfS77fO5VYI5BwvAAGFHTq

O3PpW9N7a7eXlr93S7E09H17vz9TCuYQshHlnDLIfMUDZkFBtIzksdxI46KeR36aEvi5ZfDJ

6N+f/A0scko3Utk4uySTu9fmlbrqjMeBkUbQMZUdB+o+veupT0d3fVLr8jnlFqOm916b2/4b

9SneW0k9lc2p2s09tLGFJIU7hhVYjtnHUH398sXTlicFi8PRip1K1CrCCbtec6coxtLo+ZrX

W27RrhW6NehOcmownBysr6Rkm9F5dNLnntn4VvxKd80QKEIQHdvLC8bPLwMYGOgxxxX5FQ8P

+I73r1aFKV4uPNVlOUYXfutxjaVlonpbvqfaT4iyuMlyRm7Kz5afKm7b62673vb8+jh0e5h2

hpon2lgdxkJ8vDchR157f/qr3cNwVjaetTF0pOKs3yzfRrpbZ/0ziqZ9hXGfLSqbdou//Dmq

NNUjHmOSpGT5YX5SVzjJPOMjnpx1r1KfCseWHtsVqukIK2ltnKV156O3kcKzltPlo6WVrt9f

JK34ssiwjGxB5vy7vmzGMg7R/cOcY4xjrWy4ZwMOXmqVpON93BRtpppBOzWl73fR3Iea17r3

YLto21b59fQtQWUAkc+WcsoAJ3YA2/whsgnpnr0rpp5NlcfdjR97XX2k212dm7XW6bT1IeYY

xpXnZXVkopbPRXtfyet+xf8As+xlCJENrDcXi3Epht6gqfv8DHYc+vG1HL8FTbisNTtHq4pt

tXu2pderaer2S0MXicRLm/eyvd6czS312/UtJGeF8sfMR/Co4AwSSfYVnNYWHw4OHxWb9nTW

ztp8/K5TnW5FerLpfWT9Nvz6DzbLuU7Y2IRgCEUYzt4DY9j+QpJ0I/8AMPDpZqMdLdHeK+Xz

EnUX/LyXlq/n1ImJByvDAKCOuAMdQDgnHHXjFbc/LGboRjdctopJdHfRcu3W3zbM7vmak3rb

V67dE9fzKzeYdwZuMHoCpwQQe/oD6VzOviJQlFSjTdmnaN2rq3Vuz31766WK5YRjLRtJPd6b

auyt6v8AUoTwtt2YZjyAWwcDA6Y7D86mg8TFRkq8pOPVtNJdrWtsu3TdkWg4aRUeyV73/Hf7

kcbei8gLfZDD9p+UxG6SSSBgssZljcROGG6ESANnhirYYDB9+hiazpcnxSirxem6Tuna3xOy

0VkeTUp0oYinz3UdebTWycb26XWuj3Nq3jbykMixq5ySE5UAsSoBfn7uM575ry/Y4m8nLRuU

nZXt8Tf8x2XwunK58tla8NdvLQsahYTR3MxaMtHG3loxByEEpIO443gly3fHOK+irTm82zGp

Ku5KLdKMZWXI4VZycVJJXilLRPr11OeULYShCMNLKV1ezTUVro+3lfaw63wpwB8qjGeAGJPQ

jGeOOQe/Ss562f46evTT9S6LjFKO1v62tf8ArdmrAu4428BRj6ZY4zj1Arnk+myS6vX+vzN9

eeDUUly20vur/wBdOxZjR+fl5DNk9OvfIGORWakl6Jd+3z3NYR6cr0W17bJ730/rToMZSABj

nvjt0+vb+dVTlpotur/r8ydra2f9eRWeFN4OxSwbAJ4wPTqR2/zmtFN+6rvk1003tp92nVIy

lTjzRk1rte/Zef8AXrsadswRQARwARjnsePasW/eWnr/AMPc3pWXpHotX9xfSU5bp1bAyMZH

Uew//VXNZ3emzfm7dH5mqfvNNW763fUljkwgx0GDgH3weO3FJp2d3s/Pv23/AAG9vut069/0

JUbkc4x268j/AD1rFrR2+/8Ar8i1dW6L/IkiJ3DPpznjpkZ6CoWjXW6T3Wnfrp27stv3utkl

2t12/r7ydCBj6t65we2ewq0tdEtnpt0872EnaLX6kgYY5PbgAY6HH1x7VMVp8Nur1+f5ig2o

q/T0+7az9fyI2bDrjnqcjgcAcc/54qlsuqXn+jB3tFatXe9rfK34/LUgJw3GMHv6YBxW0Vtd

WenbyFtbsl/X9amfKMqSTnliOR2wB07dD+FXSunLTlak7rzv5beRjazer9f6sZFxIkafJzwB

nOO/Xn6ZrsUXKD922vTp67nPOajF23uvuT+f+fdmet68UiMhKsAxBBxjGAO3HGec1004Sgo8

rso2/r/hjL2l7aLrr+X9fiRG7dpTJIscknBJeOMk/LgEkjJ4GPmzWqlLmbce1r67X73X3mEq

jTSfTb+un3ifatwYLFBBncWEMSJlgCP4V6Hk9e9Em5L4VHfaKje22wQk1dra3fvfvd/5Cedt

/iDHjO3PHGcYArnjCT3VmvTS3n/VyozaS7W/4fUBdSAjDfLj8s7R0Pf8MfnUypRklF72lrp1

2v8A1oL2sk12Vr/p0/G+hc+34wvIKjpgndxnqB8vf8zXLSwbpy2Tu1Z9Va/f1+7sdH1i9lbb

p6D0v+WDDn5v4u4HHI6dulV7DlctNby03690/u2+Y4V9dVazXX/gbfki2t+cADC8r93jGB1O

T/KuZ4KEU7Rcnq/eel2/Tb8fM1liJNb21Se21+nyLEdyHPcbVYFjx0CnpjGTjr+FckqEoWil

ZX9bWav59dNTaNRcv3L9NncillBJ27eNuM5LZHtx6n8qKFBuq3ytKPwtaXte7d7vtb8QlJK9

rJWXXy6dEvz6bDUckkdMZxnBJwG79uK2qYaMlpaDipX2100u7rt+OzIhPR395Wflsul1+JKQ

v8R54wMg9B9P8ea4o05q6SdtdVtp+f4mkXGy1W3X+tfL9TBvYo5JQAAMKenHIPUD6n9PevRw

iqe5aL93a+2+vbf+kcGIUeZXSa1b+Vrf1rYhSN1VV84cADoB+ma9WMXZe5b/AIHqcLc02k9F

tojt5EV4kjKjhEVgynG4hS3LD5sseoOMnHY1w4ty+tY+UU4OVectVr8Su2n16aN28z3KVNLD

UU3dKnDttpa//BM+XT48EKqg8hSFxjn1Hbj9aiGImmr3818vMhUI9El23/rQfbwLHhTtB2KR

0DHG7ccemf51Mqmrtp2WvfvsUqbi432iktvXrr16X07IvLtUMMJknnp07cD+npWd5arXzuup

rBbq2lvLp6/8OUWaFV7A9B2yO3H0rSkpqC3e3S35Wa/pGceWy0UVHTr6bO5mNt39eNxGBx93

JBHcds89q6lflha9l00fT0/IwkneOml391u72tv57CJIMHBAwcADkZBII57Ag/56ii9LbryS

/T5lLTrp+fm/6RYimIz83O58Y59RkAfTsKjks/Lrb+n9/UFdNpO71+78Nvx6kkUzhEyfqDjs

w/zz6+1RKCtLTsunR69P8rFNvlVt7rWz7r1X37epeiuVyBkZ6k8c9MEH8DWXK0tH0/Jbf59z

WLfzVvwJ4plJGGIwOnTpnj0rFxfMr6pJdO33f8ApN36baEqzcY6gE8jnGPp/n1600u27Ttpf

p8/62HstenX8OvfoPWXauAw9f17Z4pQi+VeaXRfl+ZMVyq2/r/lf/hhhlyQMjjdkHrwO3+f5

Vpy2Ud9L9P8AhiW9Yr17/Lpp99wDZPQjHYkdAOowTx/hT+b6Lr6FRstla/6bEBCkFeO56cjO

eo9eP0p03y81m3q+i76dFf8ArczS1d7N3t0/r1OcvYvLfrxhSoA4GOOmeK76M1yPWzut1q2/

6+Rx14SXkultf89/6sZOD5i9CADjnO7kHPPUYx0/rXVG6Vn7qsl/X9fM50n7va33aad/mAVm

bCgZCgDgkgAH3xU3cHu/W39fr5Gbj7/e1uiW39bdPInitCPvEDG8j15DY6jr/jWftWuZJPS+

t/8Ah/1OiFK8XeVtLr5d+4+SFY4ztC8FSTgZJHTrzUQqS0ve2vkvPZLQap8sbJ3aV/vX9afg

VACSAO2SfqMYwMdK3duWHLtG+z66dX/nqc7TvHR9na349V5WevmTRW+5mHfC9P8AdHGeMjj3

qfaWStvfv527tfl95rCm+ZK2tnsn/X+QNGVzjOck59s/TBP+e/MUpXclLa781u/JtffqLkau

le6e/m39/r363GCR0z1wu3j04/L9fWrcVy6PZ+vXTpf8khXkr/Ja/p59vPsIt46Ywx+6cgA9

eAD1x3PFZOimtUn/AFrujWE5RWjd7eX+fQQ3j5IJ6EdeOOM8/nSVG17eWn5epKm1Jtve19LP

S/8AWhIt9g43jGGBzk84YLjHvQ6Ls7LW39dUXGrZO76O3zTtck/tFcNlgOQM9eOOOnrUKg+V

K3r2/rcI1vd3+7z/AC9PzOU1nVNUtbyOeNkuNOmfTrOO2ttM1C8v47m5u2hnu55bVmSHT0je

JmkeNEhWOR5H2kYI0sQpw9m4OneKUeV3V370pNSWz1WhFSdBxSmp80U2nFrttbld/v1NHz5s

5DY4H8KHsM8spP5168YKyu7OyvbRadl5nn8zvpt03/z37npVpdW99ZW91axXcFvNl7eHUIbi

3vFtxMUhW6iu282Oby1BIfnn3r5us+adaSn7k5OSbdnZu6u5X18+p9NGyoxTjrGMU1GySkns

uiXlr5MmKHLck7TyvygYIHGMevv3+gqEtEpafPd99H+C0Gmklpr+H6/oQmItkDKFl2h1K7ky

GAZd6sMg88gj1pxava9tLb7W9b29euwteaP2tFdPt0X39dL9ySOJUHzOWKFQWYgE7VHzEIAM

lhk7QBz0qIq0VHnctLcz3k13sktfRFXTc3y8qd/dV7R8lzNuyv1vZdWys9tG4yDnA+uDkdDn

H+cVpSm4xV+iWjenpo9fX8bGcVG0VF3X330+63W+nkUXgjGQH+bcRg4HTsM9K6VOXuPltpp3

21Vtnb1ZnKmk0lLXVWvZfja/4MreQ6sVIzwAO45B6YzxxWsZRuru3q/03/qxCTsm3tp5f1qN

8l1yfdse3H0+tSqkbzit03+e1l28hRVm3b8fXrrYam7y13HngjPGSDzgUSejXZ6u6to9Ov8A

mD23sk1p81/V9bj1Lbh1yCfyGPT3pabf8H/MFK2if5Lb1JIpmBOQQcY54yRnHuO/1rNxi7b6

aK91t5aWXZ9e41UtLu7LqvPtf5/kWI5yqgnnBbuCAMH8+f1oUI9dNPyXn2L53Zp/N3S/r8fk

TLO391lAwckjkHGMDOR6cge1TCCSfR9NdhRmklZ6Lzv26jlk+ZT6Fh1Gfp7jihwSS11t59Pw

DnXu326ar8uv6EiSc4/X8+x9Mf4VHKlZ+l/62Nk9F5emy9P69RBIMHvlSQc5yP8AJqYK3Mr3

9521ff0X3dCItK+m7f4sz7lPMjAIKnC9Sc9sYPX8q6Kfup66J90tvNv/AIJlU5XFp6Wa/P8A

IzPshDJk5G0kYPPOMjHr0/rXSq1kl6df6/Ew9lonfT8PLyXy+8Z5cyMvkiPhk87fkHy8HdsK

52sODyMcY78ZVqlR2VGUOZOCfPdLl5lzfCtHy35b6N/MdNU+f307crs42eqTtpfa9r9bXsi2

y4DEjH3hjOememM/5+lVdWava3n/AE1/WxSdlK21rdloun/B+ZVlHbJwD6YHtyRjPHSnBJJL

yXW/TTW+7/qxi5Oyt0X5fn/VhsUSb1yOMHAzzwB9ePzrRvljDl+zzX2t0/Ly07smKjzRb3fy

/D+rF9UiBLKfmAHOfYcAE8Vld6Lz/LvZnSrKzX47af13KErZJA+UZYkDknHOR36VpS0vonvb

VLvp8vN/fqc7lZu3f7rsrsuQc5wuD+OCB0PI/OqcoxivXTfe+q7NGctvNPXVL8/0++5SZAGG

7H3enTOCBkgE+tXF+7bs18tdtvusJJa/hrqvT+tBrAL6cFfUnOOR0P8Ak01bnbW9vyTt/XXu

TZc3f4b62t632v8AcyLA564wx6gYxnPtxinf3ZN2Wj1/4K/H9Q0SdtrPS+m1tPT8CeCzluBl

QMbsDPHIxwOeTnmodWNOCu+3m3939dR06c5LTa1+23qQXNq0LJv2klDkKc4xjKk+o/CrpVYy

lFJ/fpf5eRlWpSja+qaez0svX+kV9r9uRxg9Og9COK7IylbXkfmlL5de2/mc3NFaK6tbRvXb

0/pHqcM9tcW8FxBKk9vNHHLbSxsHjkjkCsjxtk7kIIYHPevlabXsYKXvxjGKvbe2zs9b/wBa

n1c1ZTjy8jTtbR2s/u+epIzBWIU8fT04wTnj8uxpwV7O6s9V/W39bE36JW/r5+YB1Q+o2r7Y

5IOQTTXxWsm4r/P1v6aW89ibrmWu0V38/wCrdCs5L7gv3RkkA/UEAZ5rWDSu2tenT+vy7ahu

uVL8E9F6fpYbHuSDHIzz7n5v59KmL5lG6S0XX/L/ADCnaKtHVd7Jf8N6dDKcOTnnIdufpySf

xxz7V1LkSpttJ+nl3/r0RzTetra3f9X2JEllGFIzwMAgE7ecZOef/r0Winvr12trsuv46+ZU

ZeXy/wCG0JMEg7/7zZGCRjHt7c1KS5pcqs7u/qt/638kTGSu1axEFUIvXgADGfUdOR3p3smm

tHbdX6/gErcu3Vdu68xACCBgkjJHYcd+o9qtbb2t5bfr91yU1zLp/XYRF3FVzzkZHcnnHI4x

U6J69Fv6euoOSUttktUl/wAO352LkNqNoz13PkA/3cg/xY7f5zUqoumqS3t2XZdf6ZpCD5bv

bXp/wdizHbgJhsZxxjPHOAo9cDv7VhGo0lfTsrW/rz7FwhG3u7Jen9f1qQyx+UgYEkgkEfTj

pkc9atTvKP8Awenn0/UUoKMIytqm/Tp/Wzv3KolIIABJ/pzjj8hgela8q6vfb5ba6f5GfN+F

u1/w/H8R++RVY7ThVbAHGB249MVlBRTlbu/z9X+eo4ybvp17eelv61IwS469Nox+I6fh/Kqv

yx0VpfP57fhayBtWd9LNafP7lb70OWEb1weQDkevT346Y/CpU7J2X/B7bmiirL89fut/XyIv

Jw7dfujI6E9cDOf601JXbdr2XS21/wCttDHlXOuVL7r+q9V/wwNC/OR/eBByeRnr7n8PerhU

ik23ql0Xr8t/T5jlFpPRPy+XbT8ynJHsBU8sSDkZAH1565HpWsJ3Ud7JJ6K//DffoYJRjvvb

5Lytf/OwyOMs6Kqt74467egznue1Oc1GMX6/hbft8t+uxKV5RW6v06Jfivx+RrizgyTtYfKM

gFxn5R0+buMda5vbS095PXTbv9x2qjTstNFbdvtp3fT19B8WnWuOUJxvz8zAnAPow61KxFTX

laWva2z/ABv+JMaFL+XZ+b38r/12I206252ocDbkl5CcgH1f8e1N16qjfmTvbSy/yuvVbEyo

07fArJrV+exn/wBlptyxYMN4UA5GMrtySfT+Z9BiliWlGyV9NX5Wuv8Ah1qEKELNy0e2/wAr

2X/BffUy7q0eItuUkfKCcnnIHOQc+3auijXi2+WSut7q2uu3Rq97djmlSkpS0ey13vva2/42

sQRQDOZFJXB4Jzn72cgP05HFaynuotXS10XT1VvxJhCyfNtrv8+3/Av1ZeR8KFGeDxjoP161

zpaLm3d+htBpRs0lbotNv8gKqT82funqBx17q3+fwoi1GUUnrdW02t5uz+Wq06ETS91WT0b7

9vu8vxFBhX5RGDjHOM/+zD+VenTUeWLlN366N/mzDkj2Wnkv8jetYbeys7aztYYba3tbeK3g

ggURwwxRqkaJEo6IFXA+leGoTVNRqS55KMVJpWu090r2Sv0+R7DmuWbS1uvi/wAS697FhZRg

8/QHv1pxjZJJfD6Eq9/+Bsvl19NhokJJGTxt46cc8fkaOXll2/z29Pn+LE3K68orda+ndW/4

A2K5TzJoFD74hFKxaKVYts3mBFjnZAkrAxNuVWYrldwAZcjpySTldpXS1Te3zf3/AIFQ3tZJ

pXe67rovId5mVHI+Xpnp6etTTi/Zxvq+VXt5eev+Qop8qtp5L+unciLopAA43NjntwMY7ela

xUvc07/luuhLSjbu29NvVhGyBgdoA4PTPXP3h2/+tT5XdK707DjypcrVktNL/wCRP+7kc7Rl

sthTxwuRnrx8oH51Kcoud9HzPVXel9L6vXv+YuSLbS3Xz29ditlUQAkYHTsOD2/A/wAqq75d

30+9tL1JcXGL8nbb77v0PO/F3xD8PeD2WLULmSW+lVnt9MsIZbq9mA5LMkY2W6Yz+8meNeOC

a9LBYLEYt8lKF+WzlJyUYxVna7k0umy17dDCbUPedow2Td9fTR33X/AOJ0n4+eDbi4Rbq012

wU/62ae0iMcGGK7j5dwzSID3hWQnj5fXtqZDjYp8rpTSirKNTV973jvbvv3M6daj7RrntZa+

5PfXsultdLHvOjarpeqWUF7o91b3tlKpeKa3cMjK+WIPeN+eVYKQeCAa8KrQqUJypVacqc43

XK9NVfVPZq63V07dT0KbvBS+JON09Utr+XTyNgMu3tx2B565HfmuWN7LTy1/4H9egR28/v8A

+G+77iNkDLyB/Fkkj8OAaLyi4vp9wuVWWi69f8r/AJIrJBFG2SAfTOD1HGPwzWvO7JXt/WpM

IbaaJ/8ADIexXYfl/hbuMdRj8/asqd7yurJvTXpd2evftpbsVZ6u2sXbft9xQA24KKCcqCc4

4zj+vStru1n08+i/r5mbuk7dGtL26666f8EtpGNyZPY9yOmB6+p/zkVi3a9r6bdv67XNYRfu

uW1vPpttv+gojG85HYYPOcc45/GhSeuvTa35eYnF8y7Kz7+f9XWvkRmNucZ43HORzwffvmmp

Llfez0ejv82vzQ3F2lZaJaP/AICu1f7it9ldixOD04z79OvTvWtOpywinv3bv/n8v0ObknLz

tbr20HxwNbsrEDkYODkcYx+VEpqaS6q/9dvuGqbpuMmraJdenl/Viz5gJIyBgYGTg8AAfT2r

NK1u66f09Pwub32S30/D8PwGiYRg/N69ST9PpSUHeXu2/rvv+You3dNf16eoiTjB5Hbn+7jj

HbiiUWopWs1tv/k9uncV1q99Vv3/AC9P0I/Nx1IwUJ7c4x29R/nrUJWT12t3X5PruWn2916d

P6a/4OlyncuHUqwGOOPYc9fXNOjeM2/u3/r/ADM5t7Py89unkZMjAMRwowcY4IxuHau2ndqW

nM7PfTo+phb3Wr7J2te9l5gq4BPbPTcQeRnIHf8AGnGVktLPToum+q1RMIaJW0/rr+ZHIduB

vC8EDnkHBxgc8ijmSlBNpK9k33drL5sUotWtG+j+SW+3Tu9lYjiDpHGry+a6ogaVgqNIwUBn

KoAqknJwoA9hXoU1aCW/m0u5yStzO0beW+3z67mlHeny1XIx8oyOONy9B6fyrhlR92W91yq9

tfi3a0WvoelGf7trXp26Netiwl3gnC5Cjpz2/wABSVPTTowU5XT6dX2sPS6GcqMY2ggjgYzk

AgfpUOGtm/TRLRefUan7+91ZK2luvZWf3lpJgQ3B/Dnpg4x0PBx3qeS75U7NXt8r2+fc0jJX

21s72079P6uRCTPHoV6+mRn6HH+NKEbRtJpO39aWt8uhMZWUHdvTXZa27LbXoOOW7fxN05x7

8/Sq2S7LuvuS3tbvu+oW+Fru9Pl8vkSJEM5JIxgeg4U8fpUp7K7Xn006f1+o1Gy+Jvy0v+Wx

OihGJU5OWHcHB9sent61K+1eV7vTTo3pe3X5+o4ppt3t1e23S/Y+T/jB+0TaeDb9/DOjW63W

pJEwuLyUO0NvKekcYTIkdOjEkBST1I4+jyfI542E605clCPL0tKXkk7aaqztqtrbmNerGEN7

zlayWuzWrt5X06NanxhqPxG1XWdSub2e5ae9vGYvIWcsAx+6HY5WBQehI/nX21DL6OFpRpxj

ywjbpreyV3rZ7fecSnKbu9WvV28ldEVprdw0m4XTSNgbkQRyR4OTtMkhPp0UDGevFXKnCLvb

To3ZfPu/60IalzNS9Vo20tetrfK7aPTPAnxX1bwRqMctvHJJYyTbbm3WSSNNpchnMYAQlRg9

CDnr3rjxWWUMbTkpSV4xfLKyb2ulfd7empVOrOm0lzKOt7WS200aae/U/QvwP4ytPGeh22r2

qNBvwJoXwcSDGSME/Ie3ccg1+eY7L55fUVOo7xfwu1uu1unTtY7qFVSimnrs9LPRb2SS18ju

Cw+XtwRgcdh79P8APavOat0T9V28/wCr9TeytB3d9dfVdtvQanLAAZ7jPGAMn+XNWmktPQF0

UdLb7W/4cRwoU89C3btk+g6fhWVNy5mr3100t18t7d+vUVvjWuj/AF/roUC6gYwAdwPQ9u2K

3UXZvm19L6elr/lYhy0sujW1nt6kgcfKq9geM9MYAI//AF96z5Wvl5di4tK35f126CxsQzZJ

bco2g9towSGxnnHc96myvddFtbS9tdf83p5E+9zJt77bX08/6sOU7SynhcEDByQMHA79OOg7

UJaNLovLqvO/5+hT0fXbst7aP+t+o8SABsHPCjOT6dDkcdBSgm4pa29H09O/3BFpXv2Vn8nf

ovl+hBLJtC9xjj16Ajv7VUY/Da+l+nTv/TJk3or/AOXS1u3n3KLT5LYz0x2zxgAjjr15963j

DSN1azTTu+n9akN6JX27f8D8SuZ2JxjjPB68Y4J9f/rU1B3eqtdvTy9f+CRGTTa8/Tf5ffbf

fUaJWweP7vr70P4V1s9v6/rsF3td6W03HLKA45YcHt0zjr15/H37Vlyrl21uv6/q5rGellpZ

Lv8App94sjjt7deCTjvURT52k7bWVt7X6rR+fVeoNed9IteV1fTTqZrnnO3kBs4HbnsQc11Q

2km9bdtrJ/1b7zF/C77Wl+vQiEoBHB6jgccDHbPseBVxj7mn9W36ff26EKVkrdlsrbffYHdC

QTlTsboM85OMnnn/AB9qmyU4Ra632dlZq129F5a3dnYmo3ZNS0W6W9na/Z9PNBtbqCuDgjPX

mvRjblVu3c5Nb9PuMuKZvJjw4xhehPByP58fgalpKL0Wy/M7LpJ62tbytr6foydbkhuWOR1y

T04BGf8A69LkVlZ69t/6+8IN/KP3X9Pw2LcV2uR83QKDyc9WxxWcoe89PltbfW1/1Gprm0Wy

V/TXpt9xoQ3GMjI6k8nkEevHrn8qxcOVbbLe666f1vp1NqcuVvo7eXZ9W9PToSrcAgHcOoxy

fXH9aiFNRikn006/lcISvGNv+H+7S/dkyTDcORnJ/iOOBjGMf5zUyVnT0d43tt21ffZ/Ipyi

uXVp3em2ltt9eu1vMvRTx55IyoGOTnIDcHg9v5VHI1bS33G0GrW1t2/4f9DmvGniaz8M+Gda

1q6uI7YWdncGJ2cIzXLL5VvGjcZdpXQD3NXQoOVZQipSTmttdG7PRX2V3a7t+JMWm3GC110T

2sm+va2q6H4s+MPEsura9f3dxO0kgKzPLI5kdXlSOT5nY/eaSQ9M/d/L9byyjHC4FK6goKnB

av3muVa6ddPN3scNWKm5SfNZvS6tG179Nvy7HKxalK5SNJW2gsJHyzStuK7Vf/ZxwB7AV6Ep

00lzR961kuW9mt3Zaq27emi12Lp0NldJO22i9VovK1z3HwJ4Mv8AVhBdTM1raSLvFxeXLQW2

1HKlY0Us88g2/dRcDGCw7/P5hmlDDycZyTqqKtGKTctWk1HW17PVtfgenhsrdRu0G42TvZK1

7vVrr+LZ7ld/C6D+zzctcR20fl4jvJ9sDXMjBsLbqQZJiz5wMHqORXiQzr94o8uutoXSlZb3

ir2aWrvZKz10OqWU0+SUGtbPWz0ttrpvZ9dTtPhtJ4x+H2raPvuLubwtqWpWVhqljK8gt7Y6

m6Q2l6sLE/Z3WUqpdQN24Ak8VWIrZfmdGdOajHE04ycJXTl7q5ndrR3ULb6PVHkSwdfB2cby

pPd2TXlra637n3IrH5F543YzkkjA9u1fEySTWtnd3v5dl/T7mileNNJ66/kunW3foTrlMEnJ

4HXoORkDNQrba28/+Bf5lRi1bW//AACu5Y5GePmzjgYHXt1zSpRUW3brvdWvd9jLdy0tZvZ7

a9f8tbFVo0AzgA8d8fxdfr1/P3rXmfK07aNb7+X9a3E4q2vlZ3W/nd6enXawzeUdP4eG5B69

CO+On06U0ly6bdbrr1v/AMMxKT9X0/X/AIPUkVznHzElckgcDsTknip5d10SWq/4GvpoCbvH

Xa3fp/XzFMjHOMj72ckrwM9z+NTyx5ZX00dvO1+1/wDMd2ubXdb7d10T/wCAQhm2kFiT8pGT

jjAPOelOCXLHTZdvL+vUmN7JaqyX3W01/IZgllDFumcE+mMZ5PT/AD1oUoqytprZLfz/AK6A

1aUdb6Pf0T7MQQJubaARtHQ4wQOv6VaktFqu19tP8x8qVrNbr+v62GBEQncdwyfrg88H/Cph

Le17JyV9PNf8P2JilzO/f9X38yQLDjBbuMYI5x0B44rOTkk7dGvw+405Y23W662/4cibywdo

wcAjnGf4f0/woUrpX0el72/L/hikko+myIGVc4IBHHU5GQM9KE7TlZ6qzvtp+f6diLLmba1V

vwWnp+oxlQqcDG3dzke+QT6Zq4N2laXfZu2z/q+tg5VytbKz3/4P4foUmhwNwHAK9Tgfz9s1

pCa5Yq+r7+Xy+4xUbKy1+/Tt5FV1YOME9M8k9AeTgdx9a1uv3aSUn69Lq70WrXYwnHVa6x2W

q9bFxXjAA2rwB3A7em7iulLRe9/SMlbt/Xqc1C/7hAQcYXHGOAV5OB/Kt5W5XtaVlZPs76Xf

9I6Iv3G7WatZOK/G/X8uhZVhnbj65H8qF0vo9vu+Yo3t/wAPf+vO+pbiUZ6NkbOPTO7Ht2P5

1Dkk7WVl1sl+N+mjt+JSveOrWi818+vyNOCFuvQbvcgdjxjkY9v5cYOa2av5q2n42Nowd5ap

x6pad9tn8/8Ahhwt9q5Y8gjBHU/MOTkjHfp6VlGUXa1/S1l5bN/11HCMkk78qX3ry0bJWVBj

5ip3HA6dMcD8OxqlJ8yVrx728ul3ZdNb+vQbVlFJ21l0XRatvz20X3dI5J0toXlmmWJEXfJI

5CoiKrEszE8AAU0ruK89Vv8Ar0eoJSe3luj8+P2iPjI+v3yeFdF8waDZXrC4vBIR/ad5CgCu

EC4FrFKZNuWbcwDYBxX1OR5XrLGVU1KDl7GPKleLi05S1aalGXupq6au7bo5uVypJpvq7L3L

X0WzvprtofB+q3zPNMRuxIw3ZbcAI8KCQ3QBBj9ewr61Saowhy8vNZ2slJbP+9F7d7q10r2N

IU48mq5vhtq3ezV9mnp5/cb/AII0/wDtfV7WIlvIjaW7uWUk4X5RHHu6ux/hHAzz/DgvE4hU

MG3Tdm1G2qbvePNzc2rbW75XfyPQwmHdWcYvXW6vfbfdbbad3ofZfhhvtFxBHbeXbR2scccB

lTFvAsabQqL8w80HGPkfnJIz81fBYy05yrTck5Xvy6S1bdo2+yr7bJbH09FKD9nBaQiuiXRr

utdNdreZ7JY6ROl3FdXc8d0mMxz3stxKFxyFiEi7Ihn+CNYwcc9K8r20bTVL93K7u+RXfT3p

bu+tlfRt6asv2acXd8zV7RVrWWqsrtPbtfuzqZ4h/ZOsR3E6u91bvIs8IIFq9qBNZvEC5KmK

eNGyG69AOgWGlyyptXk+ZXb3fNZOLTW1m7b2ueZi6anQlzK1ldK22zXzuttvM+mNA1D+0dD0

LU2GDf6Tp162cNzdWUEzZbjJ3Pnp/wDX5cdBRxNdJcqdWpyrsueVl5WWm2p8xF2UdNU2r2V2

1brfTz3uahkDkLgg4ODjPTIz0xn865owatqtPnt8/wCuppzLa1u23z6XIQAAAQdx3ZAOc4wG

I4Hc0Q3a0td9Elv2T1MYtXaje6b/AOC/n+Inl5XOB0HB7cj2x7VSvGL+0rrW3b5/cU7ckte3

RN3vtrs+/YgMRDIW42hvfoBx6YzVKSs7a7f1uTGO3TTrt/TfkORRuPbAGOMdj6dR9KlvVLZK

1/0t5q2v6iTSnba1unrs77fJDnAYMOUbD4O3OCO+O5z296SvaVtVa66rqy7RfNurX1ST2Tt1

S121IfLABHLYI74696IN8q16b7W+REUtOiSVlZduy00/DoQSgjbgdOhPPGBjn8MVaVlHtrra

2q879fnfqKf2bLmUb9PS39feQHcpPLLwB/46DnryKuPRppp9O1vvEpbauy3/AKb/AOHIckZ5

J+nHqaI31cb2u9GvN326P8fIiMt12fp1fRNiKV5yTztA6+hGelTLRLS+v9aeRabs16Lb79l+

N/kKqqHHJyUYkE5+7tHXGTyfao1tpZNPsXHvfa3r+O6/H0FKjP3umCeMEkY688//AFqhJp2a

6dvLvdX8tNPMLq78rdtvz17PYTf6Ln73A7kZ/qKpR3S2S66dOzf+V9hXtfbZ6ddvu9CBt7Rq

7RmMjPyEg9MYzgYORzVU1FJe8uy5f63/AC6Erbyt28vN6P8AXuUXyWAPHyn9Me/FdMNHBK+/

n3Xnuc1Tpp07Ly/rQlWN8D5c8dfX8cV6kaceVbbdjmv5/gZij90gVc8DkYAGGXqAfTpjNclm

oXb0SWi9baPf18up6F3yNRVmra9N119BzJhsgDHP14x155PBpReitstm9/nYIqyS32/D5kkL

uhAAZc7SDyAep9PY4qJSTla602V+1/xtoNJxaly20Wuu/psi8lw6ggtkDOOccc9j2yB+ftSj

COtlbf8ALuhptbbW679e1/xY4XDFQDgcg8nHTHt7VMKSUfu0vf8AG6FBvRdPn29Rkk4Ucvwr

Ng4BAJzgc+vI/CqcGuS2zvo/T0/KwNt2t0b/AK+f9M888YQ6hrFhNaOYbTSVjK3TF3ju7wud

kdsiq48qJywyxJJxgY6124Z0KVSMqkuV6Wirb2dnKW9k9battWejH79moU5N3vzdmt7Ld3Wl

76bq5+U/xp1WysPEsmh6RIj2+gPJZz3ELK0U16kjmUwOpP7qHcluv/XJ2A+avtsp/eqrVqPl

95xSaSU7LSpDXTmb6JKyWiNqNNWc5q8pNtPV+7v799eby7nz/dXbPK4RiDJwuAOGcqG3AEe/

+FenVVWFF8soVFBxUYzm01aUVJSu9XGPXq+h0wUeV2i47a22vpole3bR2/Xr01XWfCWk2cto

jQXGrB2S7ZYpGjitgg4ilV1XO4jEiHgdOa5lSpY2Uo1Xyxot80YvVt6e6783LdaW5dNtTq9p

LC04qlf2lrvRreyTl26vTd6EqfFn4hyPZpa+INVtFtEVEFhcLZxyPmMF7iC2RUkQqG+UKvJG

O+aWUYCMXP6tGqpJaVW56PT3Yz5tUm3rrovekzz/AKzipVpc0pppXun196+id4q+2+m9rH0d

/wALC+J2m/CvSfEV1q+p3M93ql7aRO+6aIR74lgkkjmiKMyhZtrMCCGPXivmp5ZlU84jhqWH

hSUYtu3LDZVG9FJNt8uqSst1c9iFfEQwEqkruenLKUU2l7trTa0Wtk7tv1Lvgv46eKLmym0n

Wwb43drNbmcW1rbsxkKpvU28Uao6LIDgrgkDIr0K+QYPmUqK9mocrj70rNxacrtvqloeKszx

cYaz5k9JJ676aXSb38/U/T/wFqtpqXg/wvd6cJBZHRbGCKOUBZIWtLaK0lhcDIDJJA6nBI+X

NfF5jRnTxddS1TnNq38rnLlt1OWNRSjFr7Tb0bdr67bdbWOzSVgc8/5Bx19a4VBJ29L/AImi

eqtfQckpyVOcqCc8AZ3EAFuufl7+9ZNpNq27a3091/8AB+RdJazd/hev3vyVvP8AUlWYbQSQ

SNpznAOCMjik1aPurXTzW+tv0K5rRadkrr7k9NVv/ViJ5RuGD0B4PXHHIpwg0ldWT0fdW/K/

qTzLS2tv6363KUksg3spUbVTls9zjrzgelUopS02S767dv16md3zfCrb9f6/Aes+/O0Mu1pV

PmBk5QspOCAcZBIPTuOKfKo3W7avr6N62dvxKX2rdF0fbzEDHBBbGNvqPp+Q9KmMPh91eZEX

pt9z+/TX8hjTFCAzD0GcYY4AC9cdfrT5dI2j/Nrr5Wva336+Qaaa2tbr929r/psM3bt2AM4H

UZ/hx0/Omvdt308/kk+ny+Q+i7fdqtiEY3HoOuAe2AcUXs3ZX3W71t56289iYrvffv8A1/wC

Nhg5yNvGByCB6HjmlzPl0VmnZ6207f1dPqNrT0tv5/5DA+MDachSeW64A7eue/ahLTe9n934

dLajSstntbt/wPn+ZFI4G5TuUtwGVsEZ4yMggEHGOo9qSSvOPRW1W6un0Sfy/LoJWUk15WvJ

9O6vt+aJY5duegIDZzhf7wHT+gFCho7vZNbW6aX2+fcL8sZWXf8AG9waUFcZ4JGfwogrJWiT

Fu29itIBlcryA208ggjtx17cEHtWijzSpX2jJPRtapre267p3T2asYzk1a63TWqXXTqvx3RD

Y3dncWsEyyFgy4JuIzBNujYxv5kLIpRtyEYwPUcGvWoYqhOmpQclFOUbcs1rCThLS23NF2ez

Wq0ZlKjVpy5XBPSLupRekoqS69mrro9DGt7hfIjGMNtUdOpDA856VnOElH3Xpvpr1S27P8Do

UlaWrT06dumv/B/UtiZTjHUH9Qef0qYwej6d+np/X3lqS5eW7v8Al/ViXa2HV2UwtZQMI+Nr

OzBJCRjODnoT6150KcfbOWrl7Wpr0tyu3Wz+7TRnVKcvZqN7Lkh07S7rq/6ZCNu3YAdiFSgG

V27cFANhHAK9OhA5GDiu1LT3na2l/T7jmT0fl03+bvd/f949XAA+bHoOvGR6+v8AnrTjG0eX

Xp03+S/Hb0JjtF9vzt/XcyNSuzbkMu9vmbIRDIQwPygKjjac+v8ASt4Q5uSPRNvVLtrq9kt0

+rJm+VQblbV/OyWt0r/c9ex4J8U/G2oWOlzQwSw6VKys0V7qF0kd2+y3mLNY6ch/cwRYLvd3

LELtAiRnYAdFPBr61Td9I+9ZdU1K/NNpqmmtnZub9y6vc7cLP91JrV81usY3VtW95P8Aw7aO

Wh+Tmt6ulxfXrBhOpup5hNJzNIWdiHfdyzEknnPLZ6191hacZYflhS9nZ6OUraKzSSs9FbR6

p9G9zopvlnLmd1rdJrRq9ktbaP8AIzNF0651G5jm8srBHJFsyc72DLnKhOF4J4PGa6ajeHw0

knFVJO9l8Td488ntdyV9NbdTpw9JVJc0r8kLLVLpts3re13+J9B6l4VtPEWiWduzJa31pu8q

42M6skiIsiOowSDjIAPBXj1PzMMa8PjZ1XdRlJ3XLe9nK3K9FHV9PiWmx7VTCuvh1GmrSWsV

tvbd2fRaPvuiLSfA+jWUtnZyRtdXM8iRG7uEWJI1hy7CGLnahC4HLHnk9q6sXnTkpKnDlg4r

mck42d38Wjtd6RUXZS0ueTh8lxX1mMqrVOCesYvmbV3vJJX6c17dz6W1RdA1H4Y6p4eiuYll

spre+tIogvmK1plZChYbS2wvxjnHrXytKtWWZU67pynrJ6XatLnSvf3mo3bWjPpsXhqcsI6M

LcsYcqV1e8UuVW1vqred9jxDQfC9zLfrYaPZ3Vy81wiROYCUXzduxvMxyu5ly5PfFfXOupQU

5VlFJbSktkr2cd0+nr6H57KlVjzUpUpc8G0/daSS000tbR2XQ/XDwhoaeGfDmiaIjmZdOsIo

XkKqu+coHuGwowAZ3kI68EZJIzXxGYVlVxVWSslzzin3ipOzuktba7/IzgmoxV3bXX5LzZ1U

Z2nnPbA4OAvTAH0rg5duxrB2t/wPu1Gx/wDLTplo2IGMYwxxx14z+ormklzwSezflta/X7nu

zSje1bok9NEursuqt2+/yK5OwEHoNvODyoI6DBrocbxu7fNJ7bdfx3M27R+711fpawoA3quR

nDEDgNj5RnHYULSNl0toCW2mi62+4hnl8mKeQn7kDtwMDEaOx3HHQlcZNEI+/wC8373Lp0V9

rP8AroS7p36JXW3RfL8zyDwpr66jqnh5W8W3et3Gr6FfXeoaerwxxWF9AlpMFMUMKNGFLXUX

lszZEIfPJr13RUMJiJywapOkqXJUkn76m5KUk29bpJ6LTmV+hjzydSFqykqim3FJe61FNK2/

XW/bRnr2RtGPb3/76+leOpaK2npp/wAPb/hjWFkldu6/F/12GvtbG4nA5OODlcEYPapbacLJ

rfW2mlvL1Hb4VK1l/XroQscP8vQAY56ZA6446/1q4Nvppff8t/x2BpLztt8ttCsWYN1zjPXj

GRweAeep/ChK3Mna/X8bXIi2r76NPp/VhCxIPXHHIxgYB5HHWiysrdPK60/K43/Ns1/T8vuI

QwDDBPTg/gAece/T/CnGKtfT+tu/6Apaf1b5rp+vkNZmzyOMLgnjOB2PfpSjFc0rO/lbZq+3

6326BfVK3a26+d+vyIty8gnHXtxxnGB3ptPWyd7dr2su2txxtZ2kuqt6+VwLccEge3t6enNK

K91LTR3asTHRNX2+RCbhgUX52XD5IIXbt5XncGJJGPl/lVRj78X006Wf4J/pfqY1fst7K/p0

t934AVRjuIOTg/d9vr1r0o0ackpNTv5SaWmmyOX2so6KSS84r/P7vI5+GUGFM8jauB1HXH+e

tOUVySV9ku6as++v9dTpTtBq/uq29l289H8iZJMHgDOVAJBUcnkD3yKV17vv73v62/z8yoJL

Xz7PX9fPY0RMSqgqCW0+LocAbLsKOPU8/rXFSS9rZP8A5eVL+nLppd/edU/hjaOvsqei0+0+

97FaOUjsduckHtjOTnn8v1rtUU7+Xy/I54uV7Lounkn/AF3M2fWYYfljKyMP4s4X5TzjHXof

yq6FG8Fo4xsrabrSzIVRe6nqlo7dLL1+R5t44Z9XspjY6xPod2gYi6sru5gLYZR+9ET/ADja

TyMH0NdtChGE6fNBVOlpJ2Vltpb+rXuL20ouLST30b2081K//APz3+M91a+GFvFvNUTWdWu4

NqlTdyuiyOFNzO05zIyx/dMgfDY2n0+twEYSklTpSpQlo7QuotLyutdI3aWhth5TrNNyajDX

SSvtdWWjWq1Se11ax8RXOtv5zSRIjBZS4Dbm3gFjtbn5gRweRgdxivpaWEpwhJt8s4XTcVa0

no9W0r9/y7pYiXtZT5fhk3Z31d3fTez66+lz274faq+sxo9zbwWpVlEMdtvWECM7QNsjnGQA

ev8AOvjs0gsNOf71yptvmlJK8pOTSd0lo5Wto2fWYDEfW8LGs6UKcYuMbQ5ktOXXVt31/wCA

fQlrIkYjXptB5HcgDPTvwK+UlUjz1G43lQlOO1oyteN9JXv1bsv8KPoKCSjHtJRfd91a9kRz

6v4XmU291dxxXTAKzNKfPCgldsKKNw5zyP5VWD9vUtNQThKzbpqo+VW5op3S0voldp6jqOm5

zSbThFXbaS622e9+iemht+GNO8LOlzC+uLFuhuTZWvmtbtIWDZwrgeZsLHIOep4712YqrXio

qNGXVSaUlpoktX7tlfRaJeRz06dO8mqsZNK6Sld2s9e/rq2fUHwK0SK61q0llVXhsrWS83Y2

b2t5IlgLYznM0sRx3x2rz5VeWm42crJPWTbSlorvrbpbS67HmZpNwwjlFLmlaKVt1zRV0vST

637n2gGXKnk4LDHbIwTx17DmvMa2W2r+fzPkbax01V7fdqtLjlc7twB/rgDPSk1/le/Yavpp

ewiyMS57+W/fGMHkZ+tctRRUqai7XlJO19XdXvpun93maUPhq7qy9ervsMaTKgEcjGOvBJHc

e/8AOunlUVrtp+G3kYSem+iat9/r+Y2OUiVeASoI3EYJ2lcg9yOTx05NPlVmr9F/wSouScbr

RfjbS39dzeskiuo5fOtkYFSkiPCArRsD8i8neNnBJrzqkpQqe7Ucbbar7Pp07atM6lSi+WXK

veirrytpdX9TzXw98LLLw14n1HX7HUGjS9g1KH+zUtYo7S3jvZlmCRFW3KkYQKByPoOB6VbO

Z1sB9UlBNxjTXO3Z/u7O7Stvby+Zz08HGnUnUUnyvn08pX236Prt0Owmt2imaLZL5aquJv8A

lnkqD0AJ44HWuCniHyw2d97b6f59jRUlq77LRdNtNe+hRYjPyvngAEZHGBnjrXTF3jHS1ua1

9Lrvpf8AEwfuSSv00t5b6eX4FYy5zwPr25Uc47HHrVQSjy66/l92uvR2Hr6Wt6+XboViwGcn

aCW5DfXvTppXenfrzXvfvb+u5mlq1fRP7tdbu4F+vOMYHcZwCeg/z1qnZRs21yvZJ7/L8uon

a2+qa1vp+Pf5ehBvJ6kgheD25wDimlaKs+176Xs/n9xUb+V+mmum/X+vMaX+9j27nt0P5VSS

5pO1tvP79vkuxOt36Ly28tvn1IyV5wexyOPcnnsKNLdtHrt08vxCOil1Vne/p+nT8LDPNxnk

deO/bBP1xSSXKtP6/r+mEW+Xp/w23UhMq7sZ5Az7Y/A+1XBWlHT8vK/y87mNRq8ddUnZa2tp

tbS/5GDceItDtp5ILieFZom2SBgCQw9a9eFNcsbpSdlrddvX5HJefTRdr2/UxdT8Q6d4f0+O

+1KSWCyDRxvcLC80ULFlVDN5QJjBbjOMVjJvlsotuWyUU+t/Kx6NOLlGSWjSVk1q9d7a9NX5

HMr8WfBTTJFHqqyBovNMgikWFOGIiZnUHzflxgDGWGT3DVCpZr2ckobq17u9tLO1lvcapS01

V3t02V9307aeR0UHxF8Jw29s9zqlm0ksMa+TaiS5kWCW9Zl8ySIBYZfLUuUy2OAetefLDV/b

uNJTtdyb5IxjdqSt7zu7W36nXG/LH2kVHljGNua217WtdW9bdTF8T/EDQrDSr24t5vMtkhkc

3lvOwV5kkO6yhEkYbzvJ8sl8gLuPU8V6ODw2KnOKqyXKkk48qblKzvZqduWLtK8lqk1vtzzd

OMlBRfM03umlGztdNX1s0rdex4wnj/zltVZjGbqyS6jsYHzJHkbpGnkJBx93AwoAOea+kp4J

xTi379PSTUUkummq6rq3bzZ5t7bL3U2ld6v8/V6nE3/jy4vZLmCKzMtsrGNVcqQZRhCoO8+b

knK46eWc11QwEbU5czjLyt2vfyvtfqS52cYylJS128lfya0vtvsfIfxivLPUb82TG1a+jkjD

WlpEqyRkhi32h4Yfnl5C/MzYBA6V72XUlB35nCCd27qMb2drbq7dk/dbaa1W67aE5ezblByj

ole8pWVtk29k7+S3PnzVPBusC4mt7e2WdrRIpL0WvzCze4BMcFw7gBp9gUsBnG7B749OjUX7

yV4xUalRPTRzS9619b6q75dURFx5+Wnre/Kno7K+ujty22tpoekfD+wubDT41mRo5oriUMTj

KkPnZlT97aw/DJ+nx2eSp886j9pFRjBRcbximpvrNXW6+Fa7Jn2eSRl9RkpJXjPVOzf2Lbba

30u7du/ttndu/kLI+3B25fOxgOvPAzg9D718nVftKFX3XJuyTXu211bu7yduq3trbc9ihP2V

SMW1dN7tpbOytZ7W67dkd1Y+GLfVEiFna6VczxnzEN3aWkyBmBLczRngZOcY6VwUalXDSjy1

pwhCMVza076NdJe8vJtuN9u/o2U5fDFve1otPd7pa+u73PTvC/hSWyjebWNF8LKYklhga00n

TDcBMsxYyxwb+QWwNwHStquPvFUY4mrUnVSbipztdWl1aUuumlhcis5Sw9OEIJ2agtrNLp5q

99WfQPwanl02fWY5oFtTEtjHHlFRWt5vMnTaFGUjIVDggZ4PauuOElHCU6jbvWSvHdppRd2t

dZOWuunY+FzrHQrVadClJSWHc4ya0V1ZKPquXzse/WUot5rq9l1K8vo7iQyx2TCNo7BcsSsH

lQ72iAwPmJ69sc+bUhUSjTVOMIxuuezbdrX5veSV7aer0PHi4NRvKTld2WiittOb9La/Mn/4

SWyKO8KyyOglVVETDzJIt6+WWZTz5i7ScdvaslTV17SrZLppouu1/lrra2hsubpTWvzenk1b

8yXTdSgm024vppLiC8QTBLCcqJCEfgKVjG7I6NxnFcdWFNVoxjLnhF35tVa766y7a6mtJzUJ

+7yt6crSWz0dl36P8Cq3ii0CLutL8NwNiWryY6DO4t1z39+K6lGCvH28W9GujSd/wS2/Uxmp

cukeV+7pa/XXTz87eRQm8UWbT20TWereXMWR7ryFjigI7yYm34yMfKpwepq4Rp8r/fQukrLm

vf0uvvFFTvFcjS72Wnr+n4mdbzwwajHu8R682nKzTm3W7vmDAONsCyM4cDYOpHTiuWapSU/c

g5paSVlve+kXr83/AJHfDF1IuEfZ0rRjGN3Si5NRja92um+t9X1O/tPGGk3M8scrPbJDCGSW

cfLKxaRWVXGfmwi5yB98evHnOm4L4u+iTVvXZa+e41Lm55PRu7asle972X6aElx4s0ONCo1C

zYBlU7pNpWPgMdpi6Edgf/rFOlU5dLq3XlunfZb7/fbzIhJK0baW9Onbp5/gcLP4z0CKYRve

QxK3IbIKLgBivHfPH3eTXsU4T9lSsm3rdcr0aSvrpu79NbanHUj7zs9HdrXov6+fUYni7w9I

JiNUtV8uFpH3SbAiIvzu7OAAo57+1aewq+6lTl7zSXu3vd2svPp29TNNpfGrRV2rpP8A4PyX

3mbceOfCVsjzT+IdOWFdwyspfHzbOBGG7kfXNb0svxl5L6vU1el48tt9tenor+Riq0LXVRLV

3s0nvrp/XzFXxVb3ElounWlzqVvdpFMl1bGFYlikG4NtuJEY5QqeB/FSlhZQV6rVNwdmmru6

dtUtN9+we0la0YOV3FJ20s+u/S/mW4NaglmeNo5IPLSZvMlAAZbcqZSuCcAbu/XtmiVKUaaa

kpq8VZf3nZbPZ/1YabvtZWerVvhWutjNuPG3hm35fVoOV3KFWU7sYHyfu8Menepp4au5P920

la7sut7X117a7dDN14Jvlkr2jo/TpZO/36aGXa/ELwtcQmVtWgtsFlEdxuSQgMyhlCq2VLDP

UcelbPB1ouXuOdouXu+jfW3ppcXtoOPvS2/rzv5rQ0R4p0DyzJ/a1gUX58i4XIAHVkOG6gjp

2rNUJrlvBpbP3evRXvb8xw95JxXNFdtdel7X7d9NdipZeMNB1O5+y6dqMV7cAcxwJIcAgEZb

YB6962eFqUlTqSi4wb3aVtLef9eRnNyvy8trKTeltkvR+ltzyq8+KPgY3c5yZcysxkWw3Bie

Sd2OeSea9qGDxHJBqLs4pr0aTX3rUwgpcq6b7w835nMS+FPiN4ksrmy1/XLC0tp7aUqIJ5tR

RrhVAt4ZII7ayVVLgZlydp52NXn162CjRU6MZVKkZRahL3Yu8oqV5ucmlGN3HR3atpe56NKj

XT3SWmt7P1sk2+1tPXocnpXwg8TPL9lvrjTrRIYP+P53eaKaYIGEUccQMmDJuXcwXgbsHpWl

TG0ZRnJU3zp2jC6XMrq7crKK0bdn201aN4KcJRinzxe8traPR7u9+y1v0Lj/AA91fSRHLdy2

K2Uewz3cMzSeUMsDiGREZ2Ix0xweuBmuanNV6yjBOm7e7zWltzPZS0utLu/noOc3TV/iVru0

ktXpa76Xs7WT3PGPiR41jnntvD9hlIbdvsqKs24SF3PmuyhB8zuSSRnBOOgr6zLMPKMoOUUm

0lFNJq0U5bq3S+225yatSlfWzbXm+yd1btr6anL6xrn+meHm0+5fyVv/AOzLuNcAGSOMHdPJ

ncwby2AToAAckcD16FP99U91yVbmlG2qatKWi9Ou/wBxxQS5VKppLli07230aWn/AA5neMPF

T+HdKtbWwQPq2ryulpIuQ0KycSThcNuCqWVRxk4OQKqjTdWrTou0YpXbV9opu1rdXG2v3XCF

NykpNe7FtNN222ta97O11Z+q3PJbbT4NOe81G6kF1JZwpdXMz5LzXTvvSLJY7S9y0a5yxwM4

7V6anFS/cw5VG0bRevKnZXk1fRO9kvmdKqN6fE9ldpaLVrV6JK9uzZ6J4a0Ip4clefDXep3F

xf30xQkyTSB5CoDMSBErKgyffjFcOKqydVU3aUKDlFa3u1pe1tNk9/uMFL947JxjF+6r35Vq

l73ntZaLsebWM6WGrXNg5QLc4uYx90h4THHKNoB5I28Z4rx82w86+EjUUf3tHlkknfWcoKXu

u9na/wALaXS/X7HJa9o+ye01HT0V277PZb2uem28kAtVLKCACCcgnnDBgh7n69T718vF4qlU

aqU3yziuZycttbXk4t6vpaKT006e5UgpNck7SWyWuq8k183rZalS11y8troxafcFACSTkrtJ

x97acdMZBJPJrSnhaErx9jSklGLcpP4E/hu7pc11tpzPS8r2MVVxNCTaqO6slZt3tf7vuT7p

Hq/gHW9Z1rWTE99u0q0yt1dbSUkMOTNHEN2RhhtL5PQgACu3C5Vho82J5PeatFNuN+VPllGO

0VLm6W006Hj5pneKp03Q9pec4yutrJ6K76vfTTlavd3Pqv4c6oNUu/FdzsVRa6pb6XhX3Bks

bSAghwgycTgYxwV608SmqFLVRfNO9v8Aty8dXey2XdHyFNy5Y7t7v1avd79er1PctHvxgYb/

AFeRtPDBQOABwMdua8atDRa6vez7en9ehspfBppd977ev+ZvfZkPzW3lxhy0jpghd7s7u4Kg

5LOzEjHVjzXl1sO3d8yVrJrdaPTRWSffd7Xsd1CtrGGtt73v8vPZW7DBbXWG5iztcAFpMDLc

c7ORgHj6VxLD2bXNa8ruyeurs7OWjXW112SSOmM3eT01btrpa/XS/wAunmRnTp3UDzokYFT9

yRgRuzgcrj8jVKlJRkvaOza6W0i+/Pv32uJylbZaW+1p57L7l95mS6JeM67b+FMl/wDlzkfG

Tkc/aVqlh1Z3qO3pbf8A7e303/IFJ6e6tL31+7p/XQy38K6pKW/4nsUQxgY0l29ep/tReuee

O3el7OEOjaVkvecbtaN2UZfnqK8uaN7bK3y9Xb0tb0Mx/AmpSF8+KnXJbCpobEcA4HOurRFw

ipfultu5Ja62+xff+kV7389nbSy/W7+ZnzfDG8lVseK25Izv0AuSAM4z/bw598nFa0q/LGmn

SXuLpNpNtb/A9nZpde5koO797W3WPX77W+8on4SzsULeKpGIyBt0IJwSvAB1l8n6Y/WuiOMp

04x/cc1+bR1HHe3T2dle+t9u5DoS095K3k//AJPp00+4nh+Een5mS/1q/voJI1jaGO1isw2C

rDLC4lyPl5UjBz7VtRzKdOUZU6UKbTtG8m+W2nle2lndd7EvDqXu1HeOj0Vvzvt+JOnwg8KI

z7o76ZXQQlJrkNHsXHAjMZUEbRz1962WeYxqUeWndNu6um9Xd31fyvbpojKOBpJt80t9L2a+

6yt06/kXf+FY+GcBTHfkIEVVNyCu1Nu0AeWMY8pMf7ntWSzTExj7qpx5mm91d3vf4t9X06hL

CUmnzN2ul06fK3oW4fBOiWYdIvt5EnmMwa7YqWcqSxBU8grkYI/xn6/XnvGDs1suz73/ADTL

jhaaS5XKyVlt2/r0KkngLw66kPazzZPWW7mOCcE49vb8qFjq6k7RhGyVkoW0tre7evyRP1Ol

e7ctl9p/PX127GSfhp4P3APpLMyljh7u5bnk8kSA+nP0rWOZ4vlnyyjrFr4VZWTV9jNYOilK

/vLX7T89/Lz0sRj4a+DVnEy6EiuMqA1xdSZyMcFpensalZljPZqMqjatrZJJ/ht27G1KlThF

KDs1pa97X+/5X+RPb+C/D1lmO106S1RmaRhb3l1ArSFQhJVJeuwKOvaksbim6fM+ZRel4ppb

Wtf8SKlOLa97o+vkldW/pGWPhl4EGB/wjtv0HSa5HJ5PCz4r0Y43F8q/ePZdEttLbbLp5HOq

SWim0vWX+ZYjvJxCpH2HgD7ocHgj1bjriuVYePK9JK0Uk7Kzd9Xf063Or2lTllo09PLr1dn9

1vQgutYaytpb26uLG2traOSWeWR4gkUcZJLM7sNh7c9c460/YRtHS6Wl7Le1vdl1v30CNWTa

Slru7dvNdux8teLvi3da/aapNYlo7C2je3tIVK/OwZ0E+EGTI2M4ycCveweW/VlTlUj7OdVR

a5t49bK90+q5ne/TXU56tSUq0Ic7cV0S0ur3lfd36LpufIthe3l94ghkvJC0v2hyQcZTaSx4

HOMYGfpX1VBRUG4c01Bctk7KTS1e2mjv8rJnRJKMZrS7Ss5aLe22t306FIavJb63JZtL5Yt/

E2nXhjDkLJC0pZpcEjcjRGTnp8xznGKeGVW1GSp80Yxmk7bL2bS5k27S11sY2SpwvJXUUne6

s9F0jbdpW6XRdsLu48U+Jr3WJ0eeCxhmi0yAL+7RvlggMZAwW3MXH09q3pRlDCwmlyTnZp3t

e/LdJtRcWk3da6aeZFWm6cKcW07P01Vr/wAya0Vtvma2oWIS70nQIVMsk8q6hrTopYySgvJD

bttBxtDZCnk4zWlOdpJu9qScYu90pJOLfbVNWSWjCMm4yqOyUUowTaVltdaJ2afbZfdF438e

3/h62j8P6JbxjUBF/p95OnmGxMoeUWyW/T7QI3UEv04G3INYUMMsVUqVakmlzyWlruSfvX08

9XZ3/EwoQneU5Wm7uy232d7arXR31seU3N1cLZeHdVurqefU3a5e7kwibI3uZkXzY1TgGLyB

njK4PassXhox5qcOWNNRV1paTT0d7XbTSas4q572XVXSa5k4tNWdnpfRpL3vm+h2lt4kEVhz

MuVDHBbB4wTgE88foTXirDwjFRspylJt81u6afLZt6/Dq3ffufXxfNaa2SWz/q1/Qp6Lez6v

r9rplzcPpUN2XERk/cyXUmzdHFmQDyhIMhDj5zgL1GeyGWxknUq03USs3Hlst7q6S0UX72+l

nc8HMM0VFzp0XF1Fonu4tNqSXV3V15b6s+odJisdF0ldPt5TFLdX2n6XD5LfvZp5bmNpkwMn

iBJi2B91Gzxk0pxlyqFNK0U+VRS5Uor9EtPTQ+TdSWIqSc5azUpO7tsnK/ZXf+R7l8FdQMFh

rl25X7Pq3ijXGExcKqSQ37Wyg8Yy0UKYHcZxXk4q8qdOLWtlJX1b5lG7W/Ltqum1kT8Cpq/M

3CN//AV5+fTbsz2Q6jdaVfK8m9rS4lMcUyktEhbhFZ8ELyMDJrgcIygote8tGrdul/8AO9xX

kpQstNb2V7O3z/rc9a07UhPEgEijYgVySD0HT3bttHNebUpcjfu+mtn56eh0U5Sslpp+ny3+

e5aN7IMbpBGGG4CQYdd3KggPycf/AFzXL7JRclZy13t36LyXdbo2p1JPmT0cXa2uy01HfanK

BlmQjAJIfjHXHftioVNbcjWvVa6evT+tDVyfLKz25b2167WXTz6DBdMJBumQADu2BjpwG5BA

B9e9Woe7pF2XlcSnLTX+reQqXkmQPORjtHRgflAx6Eke9ZSpK9uR7drP8yVNqXxWXm1e/Xp+

F9Oon2oru3SgHnkg9MkZAxzx71k6OluXTzV/137GiqPldnrbda9La739NiE3zAECVVwQOQeB

QqUYpe67rfZf16CjOb66W3ate3lbfy6CG+VcZnXp0wOCNuDx17mkqfwLl016/dZLXT8dBucl

ZNvTyaX9MT+0Fz/rlAwOoKkkrz169/yqo0Vp7run+TtfQXPJW7eS/wA7kZ1HAx5+TjsM8Y4w

en6etHs4Wkmtm/L06Exk07Xvd32Vu/X7iq+rKox5z/KAc+W23knn7w4+mfWj2K5Yu172XR6e

fTX5WG5vXXTr1ta/QrjVkb5lmLKqlfljJycjGPm6gg8e9axpWVuW2quna9r/AIL0T9RKc0tH

0Vt9dNNOy/IhbVsg/PLx1BiYdBjgE9MenrVexSm/d6LW62a1/r7yOaV3Fu602vfX77/oUW1Q

ZwJHXrjdGwwTnHBPXirjR0bt0d7K+n4L0fTfUSk7OKeqTf3Xf4dSA6scgrI33h86ggKcZ65x

+oqYQWnu97J918tCYuVtWl/wPn/kVX1UgjE6ZVc4LqD7HGdw5FaxhyuF1pf8muz0v6GcnLR3

cbXWi0d7a3+W1yk+q3AcgXmmIBjCytJ5gG0fexIBnv0rZqd9JwiuzUm/vTRMW7L436JW0+Rg

RPai3QNInlLgnYmVVgwwckDncB/nNbO3snGVknGOl2vtJrXrfyv5m32WrWbtvrbX5/kfNnx2

+INv9mbwhpbs5fy5NVnVY1QDIljtVUDJbO1nyMD5e+cerlmBnWnTrSajGm5KK3Tag901ppJN

a6vQfNyJL7XZXVl8rLv8u58w6V4ht7WJ7SeBsSXMIjcEbFH72MmQHou5/Q9QenT6WdHnnRt7

0oqTbd42jySte9ra38r7akSpuV3FpPRNX1stU9r9+77mFK0Vt42hWNV8iZ5vKI2hSY7SWTuF

HzMjc5P3q6MLRUqFabaco2a5ueyUnFNReiXKm+6tpZbjc37DltzJKN9rxtbfVtbbWOJ1vd/w

kNsFhbfJHdLJ8yE74bWZrRFCtkOHlVhwRgHPStaVGSo3hUfNC0U1dpK6Ttps4tpbpbrYmEYu

NKPxRtd3vb3VdXT1Vmrq2t1Znp2kEeGdLighVLjU2k2zBNqiNjghTux5mzKjI7rx74ypuMqd

JSn7ON+7s7bKWt1ouidvMmSVedNu0VG9nd6qzu7We66/eUo1uf7YvL15pBOYdsJVnUrI4MZ2

nd8snytnHQJXXR0oxo7vnd+Vtq0VHV8yvZ20td9yrR0jGzh7vzs7+V1onfTz7HJ3GlK9qbiY

tLJe6hPvlLmR5PLMmXJOWYsQOfrV+45JLktC6SSUWrLRXtdPSzSfkb0HT9pUUOjeujXVWTel

uyt9xFqemx2RtUni32V3ZC3kCnBguAiFHGQOGBK49eccUm1OnUjoneOmr+1tro7W7NLfYFJW

3b5Zb7LR+7sujWlra2ORsrQpcS28zDyNP/fTykgqbdXTYckY3udq7c9c+hI43QmqjjRulF6u

zj7yeqvFLS61tHVaHv0cbD6rJ1X70IxjZ2bd/dUmr93fysW42k1PXbO/XfFDDe217LNN1CRz

I/CjIRRGBtGegGa3ScHKdRrnlFcyTfxNtO9/hV3pfXozwJxjOdVxfTV2abb5tLJ2vfrqnfQ+

sore4tPF2m6ffGJ2tTqHidGibdE9nJp9x9juFYD5mK3seOwzxXnNx5Ksoe7ySlF9NW+V69L7

JtanEoxVJvW8EoNNdYaSu+npqz3D4Jslz4GaOcACfVtWulJ2kkS6jcEEj1xg9eteVjYpfV4p

8qjRpaSd/sqy21V1ptbexF0o03FackF16L18+v3dD3G1uoTEujzHz4p1kR5Ey/kyRkSwI+cE

SMqfLk8kEZry5q7Ur8s4N2Sv10fXXu77eYmo/u1bva/ou9/y9DqdNvgLiCyQ73jiSWdgAoCL

lUQkZ+YsM5PZT61zzg7OUlotdVpfr/XU3p6Na2t57/Py9Edzbzb4yGzgGT5QR82STznnI56V

58o296Nmrvv37dPRrp3Ko8t6itf3m7K+93ftt2sDsw2FJFYKT5qsGZmAG0LHhsKwkKEk7vlB

HuMrqKemn66/jf8ApI3t7r7e7vp10+X3gm7zf9YxIBYRhRhVOPlGMn079hSjolLZy7u23p6/

8EVo9NWunn1t/WhMU+YNuOcKNg3cexHPH5VN99b7efn8gSjzbb9r/l0ICQJG3mSMgOAo8xsc

ngcd93tjBrNPRta6Py301d+nQpqNpK9k+9/wuQmNvm3N8oKupBJbJHIYbRyOO571K+GNt15b

JdE+35hG0UrbJJdtLWV1tt2Q0J8ygqc4GC4x2XJ6DI5Hc9abtakuazfNp6W3X/B0DS69308u

++mv4eY0RrvOI1JBHQgFiByevp/9atE/hTls9L3drv8ArsHurRJW6202+X9eRXeJVB2JgDcO

CccBiFHzEe2Paog+WUlzJq8rWTb1vzX1/wCG8xKK0fTtft62/Uj8sfe2nGAG49sDJJ9yPxoT

0s9r6a+em/V6DlZKy7x6WWm/9bEDx8javVWBPygpt2lQoP8AF9fT3rSHW8rOLWlvW+2wlZLb

S2/9efkROsiZOFbAXco2jJ4xyT1B/n+NWuXnau+mu/pfS+nSz16WIi43ko7+6n+nQz5VkySx

wmGBXgbc5HdfmP8AhVLltL3tIpvXstb2vZWtr2BtRi09NH3S00/4cquCfLcESI2GUou5SDzk

EBuCB29TUwT5d00tbv5tW/z9GKEklba21uv/AA/TciKx+ZjyF+Ze8fPBweo6dK0SfNTalZ+T

fS3kv1MpuOj62dtbfh+t2PfTPDczCS60m5kuGSPzXjvGhjd1jVSyxhfkBwOK0lQlKTlzdusu

isttAhV5IqPvu3Zf5nmF9q8WkaRf6ncxXEFtY2zvm4CqryK4WNQWJ++4VQAc89DXXCLlTsmn

zKKSS974lttdrqktFc3cLaJt9dL6LteVk1pofA2vajLrGqXl/K7SPdzvK8jHduMjnEan+6M5

x2GOeK+uo05YXDUKF01HljL3Xe8UtZKNpO7Sta1nvpcUNW9NXstdt077pNaa+hnf2SqAygrh

VBwNpXgMBuUD1PT1rujKcZVNLXfMrK/ut20lpbZ3jrZdNSZVFzKOySW93t2s+v4HCa6BcrJa

s8iXds+6JlwrsmMFcdfuk/d4wfxrqwjjGv2jyp3V7ttST95X37O3q72LnGfI5RjzO97LXTys

7p+evmktTkRornUPDE9oWjul1KKIGR8K8YLST+YNoJXyDIMZ5wB9PTpytUmoK0OV3Tjo9JWa

Strezer2WxinJ0I8zcZK2msnurp7LTXTdd2epyTuLe6klDb5ndx0LD97jqU4I+UD6e1efGnF

Sp2veMVra26atZS6u/ffoa7eyjGzVmlulZL79t+UsbWt2uLxt+I7JUjJxtaa5TyyxCkkyBWb

oMgseecUnOFpwWsuZ82llFpq+rs7qzv5b6FRTuo8qTdrWT05Xe6vZWfrsRBYm+z2wLt9ma0I

RcEb7iQ+YCMDDZfr1OfWpox/eKpzLlXNHR3VoxduX71rfX8B8z/eScfe5pxeln7qbv8AE/Ox

c8TLGlsWIRkTYFUfeBCk7gC2c8AYHSnC7n1l7zu357NLlu2+tuhnSf7vr0u/u3e3z+48+1OC

BZbfTbUpIzKl3qckTBlfUWwi2zHcSFt0ATZwNzyNweK0bfPyyhyQp2s7S3d05KNlpKy+J6fe

XThJ2e6u42dtEtpK62lftp1sbmn6M0KRq8ZRpCigDGWB5eQ7s8EjrnsfWsqtSKlZ7tWvqk0r

20va7fbRaalwXs5ySatBapJ73a3Xpr+SPUPBU80nifWjLNNJ/Z/hZtOg8xi5j3McQoWJwqxx

gDGBgcVw1YxVGpeMfecdNE1yyTtbe/R66+RhV92EWo8rk5SXu2ve34Pome8/Dm7m0/RLext7

uG3cxEx+cu5C7SZBA4zlyTnvjFeViEm4e47cq23jZed1pt5dEcsX7rutY3utvLbW3y2Pd9Hv

m+zRPO2+WGMSTzou1GkiXJJ2nChQSOOw5ry6yUUrarZJvW/X5+dl8iU78ullr6aWe/8ATOx8

OPLIJL+UbDcySPk/wQhgIkOR18nH6muKo7WV9LLT+89+rWj2OmCSUVZJPr1XdbfKx6FYTgx+

YR8mGCA9Ts4Lj5gOcHv3rinZRmtXJStsr7+TstPIqikpu2iu156N+Qs2oQRuVWcKTtwqFQeC

Ad2c4yT6msHFcuurXle3by+f3HTZ2aUeZX1393Xz/rsSC6Rtq7ZCSCwOVI4IyRhs56dv5Ukl

bdeT2Fbbovu/Hs/xGrOFkB86UsFBWMuuF6jJGCcdeT/+qfd2svdikna/S23/AACGveWmi/rf

TYUTbgz8yFQ4KghlycjoAfrwfyqUmo6K2l+239eZVt1Z7dU77fL8RYpcxcibPBKhvlVunTGM

c54waz5VZe6ov/PV+o47R02XV26aXX4du1iORgDGQkhILHmUDkhchlPVcc/hTuoqPRa3stNN

vPuHK7xVtFqv12t+pCsm6RlcMvGV3EsFG3Bx2LYHY0Re9rcumv8AVvw+ZVtvL5f0vvIllRXK

qHwoYBQOpPTIJznHv3pJJXSjdXurLr8r6feTC3vetrPyvt01+/bYhycOfLmUkg4LgjgY4Uk4

HB/HFU/hWuz1stv1XqypWUWr6Jrolu9N97fh0uVzOgJ3buh4VXLMQeCyqD6H+lOEYwi0uWPM

02++/X59+uwrPR6vlWmtttyi19DMzRhZQ4whDK6K3TqHXkA/Wrikpye6tGzV2tn1d/8ANE2d

9ui10+639XM+4M3mKiv821iU3ADjdj5DgbeDjAPrWkWveuvdt820tN7J/g1tqJJ8svd262v0

fXb07eRSDzLndNJgMOBsAHHfpgfQVUXzRT5dvy/4Fu7XkRBRs7taeX3ar/L7yhLcXQmxDOsg

I5w+0fLxyzMOfbB6VcVG8drJrfTV230fyIlpy3g2rPXpbS/m/wCrkwW4wP3vYH+E9Rnr9oH8

hXQoz6SVvIxvFaWf3I+b/io2uara2+kwyW8dhABcX6ea6yPKGG2NYWJ37EwwOc5b2r1MthTj

L21Vxbpr3Vu03eLvt329NzoqSUOZRWstHfTZ3vf+r7HhEGjwbZPNVVSM4DOVjG4nAZSSPmGK

99VJ2bg4tVG2rX5lHddH7297J3XRbmSm1Zaqy100+b9fMxtXWayhcraNMoX79sqOOFYLvZXB

HC/e4+8PTNaYde/u1Nxjy8z03bdm+nLfe19kr6BFuVRJtel7d9Un+l/PQ+cvE93M9w4hBjmV

ndSspaUHnjzN7Y4bGMg4PWvXoV6FOq4SajHaW6Wl3F2i/tSSWqUu7todVVWg1y3lFXs0+bt3

W2vZb2Pbfg18DPH/AI9vPDXiLV9LvNN8IwXdrqcep3LCN9TtbW6DSx6fa+YZWSby3QTMscbK

25S6nmMdmeGwUaq9qliXC/JG2im3Dukvte63zRtqtkcVNOcYb2jpo/dul1tf8nr16ro/iH4c

bwx451fT1sJvsy390IreMlmWKZHmsv3cQ4H2cxP93Hz4z8tcWVYqOIwdPlqRdWHuScr6yhCD

le/Ltq9L6m84ygoRUkm9UrWbT2jur7d9N9Tj0vLS4sYSkil/NIZZiF8uOB5MvIGIOFULjnnP

PWu7nSqQ99NLmi5NLl5kpK7lJW992iu7aS10LUXGS91q6Tats30109fLr1M7Rtb01tVuVkur

byYRFJJMqyEzXRkAt4QMtkcE9MAKWyAKiEZ8tWMXzTjdqKWl7+8nK2nKl8Oko210sF5rSMdb

tWvG3K9FZKWjs3zXdu1ilrOoSajcRiL/AFYdn/du3zbSEgO0rk5YhiAuPkalhajVKopqMase

VSi1VaiubRu0V1vrdJ23aNJU/Z0oxTuna8vdSurcy05r6aLX8yhHF9lmtJNrErewrI7Lgl2y

787Qeitk45xyeeeqM4aOVRe9HlVtYNpPZ8zS12V+1iVBxilCCT0a2Xrf5HocZ2zbmTAjUAEH

5QNrgepzgg5Hp05481ttyjdJxk731dovZ30vp2WvUnl963W0X03vr/SsL4ZufszX96G2yX97

cBCzEEwRHylCjG45aRuMkdazc5vlg1FxXM7rlTSa91XvJOV1aSdrX01Cqk0lFaxin0te1n10

Wmm9jrPDvjPSI4rYLePDqEa3NuLWUyB8adMbW5O2MY3GdchScspBxzisZYaq4xlbmVr2lo0m

rrlXX11+85Y0pcqikrSS+Hy16t387Hr3g3V9S1DxGIby+uXWdClzp0Mjiz03TYtkqPdKp8v7

ZOwDvwSiHa3zEg+fiaajT1Se9201ZrZK73i99HfSwnFRVO0UlGUry3u9FZa2XK/k099D6Ysd

YtLpllExg0izKrLcMXjjkJQBDjGZS3RUUEk44rwmnq7K8vzd7vTVd9vW5vH7Ot7efXvvb/gH

eaTf/bZnYhobaOJkt0YqP3aOuHcMfvv97GMjpxiuWpFU6U3dXvq9U/i/HzFQX72WlmnLSLWq

d0u79dWu1jce5hQACLeSq7nAjIweh+ZwR1H51xNe7dPRWa13/HX06djrto9FdO3Vdbab6ipK

GZRtYHB2/wB3nHcZzgiiKfK76J2+Vv6/y1FGOi10W+39af1YbJJZRybZJhHIAqsOcYx3OMBv

r61C5uaXw8qSs7373vf5WdyeVOa5d7bfra5Xe4itn82WceU24AK6FeQRllVCQAfRuv5VCur6

7X89vS9/v+ZpytJq3Tt1t1K39qw7yIruFgCOAtwDjHG7ftUPyeh70qTUnZLX8/PW/a9r6eYl

BqKutbd/Lpre3qmXGuWfBTyCdvLGZMgnaeUDdMZ/xpyjbl1+Hm2+XRadNL/K2olFXjol+vpa

1vuCOd5EYqRIFVSWTBzgYKr83T069utQk9Lt2Tv33273+7vqXZRs18vXvr5/0jNnuGEhYxSQ

xry5lQYYehYTjYFHt604K7l011ttpfo+r/4axCSXRSd7Kzej6Xve78kU21IRsqSeQEb7rZmL

Y6g4RTjsOOOc0OLtzRvuunVPSzt69ynDRpprz29fX9Oo9biN2YoDIvlktIrOPunHQZODz0Ha

q95xWttde929E9k/6vYErJXWyVu/4sou0cchL3MyIeNr+YqKuT93zIAGwc9z1pxXvNLeKXS7

ba666W6W0fmJrVuy2Vrb7dVfS3Tv1KZ+yyupWRX2BlVjH5qsQDxu2/L+DDFbJaSV1FpXte2y

b17kJO1la9ndfK39WKkyum7yIS+4kgZEYBC9AHbAGNuMH+dbwgkoNu1kl5a2126fh5kJaNNa

pd/Xrb/hzK+1aik6r/ZjRgxhFHnWhXdkAsMNls8fn1p2cZRTalG7s9bra/W34XXQh2dre649

Oj26+fW/yRM9zcIxVrBdyhQ3yzNztGfmTIP4Vom10++36xuZOF3fmt8u2h45fWQ1aG7NkLee

5HnRyAzHz12SlchTkum0ZyDXr0X7PD0224R5YO8VfVtLWz328mXLWVRSb36p3tfy2PmXxzEL

O0+y3cN05W5w6W8YMyAFv3hVsEBQD05/nXtUZNqk6UlG13zcl9XG32dXdaLZ666G2GX716Ja

W96Vovdd7f1ofOniDVba3VoLHUtRkfcIxbt9rSb7rMytF5jBl6c8DnpxXZhnUU05L2rd43lG

3JKMW23ZrfZJJ2b17mtVLW8VGSSaUbtSu7XTs/xaslcxtC8La/4m1G20+xs7i5v76draCGOO

WRt0mW3SH+AKvzMTjAQ8mu1117KCnyx6ty5W7JKT91q6Ss3H31d6a7PnSnGM5SUrQtblu92o

6tLW97bXW7dtT9gvCWhvonhrQtCbUJXXRdH0zTmONsbmztYoHKt5wUAujEegr4TF1oVsXi61

KcpQlVnJNxs3Fzdny2snZ3e6texpQg4xi2uVy1a31aV9r69z5t/aI02CC+07UbWOQzXNo9vc

SlgAWtmKpIrxkjzfKkVfmz8sYHU16eSVpqpOm5/ukuZpRT1aleTlo9bK9r3tbqXL7EXLeUk7

XbskrJ9rP+mj5YuRZNkXu1Yf3ZkVY45X3DILqoKlzxypbHr1r6FylUp8tKXVOL5Y25FZq101

Zpe7zK6eyTszWFJReqtyr7PMnrdNPorde+qu9jm7q5jETywxpbRrK8g2QRQPO4JXfiI5QBGw

ox3NVCU5VYxndcl+VyWnPytTc7dGrJXUU3skxQsnPlfM05X8o/ZSVuj7Nu2+mpLokFzJJ9pE

hDzvEEwGZLeNSdshUNu2jeGbg8LgCr9o6CnSjFczk5S5U9dbtKF5PlVnZ2dld9CZJzgpp+4k

tU79tbqy10R15s1FuS955wguHG5IAqygStbpIjFtyxsQ5GQWIYZxSjaUo1YwhB8t7e9CXK17

l3tfdaL/AIERdpRil3s73tpqmrPpotfvPR30mFNKs5pXkjlbTxPKCoVZxcqDBtIO8fuNnII5

dsVx1K0fau8HK9rpNvlbb5lZb321Xnfqczk1Vmovdq2lrcrezdkvO6ucDr1rPb6bpotFbNu0

kqMm/wA0EySFgV67cbQTngkc9Klzi3KNNunyK2jUO6fRc2itZyfq2zrp+9NuWrULP4eV2Ura

q6X4p9LF/wAK+DrxL+y8Sa6F0yLM15Z2215NSmnuofL802SLgQOGMm2VkywRhkcGfrvs6bpK

DmoxglJxb1jo7pPVu2qVuW7MJuDpximvarR2tZL3bq9rKyue++FdJn0fTJJ703Fhb6hcT3Lz

zKBrWuNI2+K3htgQthYqMLvLSHCKMtiuCvVVX2UYx9+MfeSWkW0ryk5OTT0bUU0k1a3Qykl+

7V7qOiS1Tasm2+r2bst+x7/4esrzUGsri8jMFtaww/Y9JiJNtZHaMXF1Kf8Aj4vCgALMqhdx

wK8yfs6SnGPxya5p2s99o32Tbaduj2RouZNXtzR6drbpa9Ldj1bTS5jf7OklztkKl4yUO9WJ

xHwd6KRszgZOa8nEaQ5Fs3fXRrVPs/vDDfxJt30ctbPZ3t207fibEcsq/PLa3ceAoDs4xkMD

9wlSy+4J6dK4HU5Y2S5rbuzfktXe39bHbyrlfvLdWWi69l+rJBdGViUkKbFbduYr83Gc5PA4

9R3qVKPTyXdL+ugvZ26XXz/DfX1XoTRyLegxTKZPlAYrGpXgEcMJiScd/wBKfI9E7bPut97p

v8tyWrTTd7pKye6ttbbfr2I3toQGXcR5ZZQFjYsoGeN5jG7AHr2pU/di0tbJ6W/FLouut1Yp

ybu2+W6tt5fn/ViNIbZEEqeRnKgPIcbiDtORgMODx654pxSSurXtt5262TREebZp2S0fy7IX

zYosSSJEHUEbgXVWPHI80Z2jPTnrzWe7XVx0tHbtq7O/4W1L6QXys/kvW6GR3yhz89sikDO2

XJIA5wBjnPt604qzVuj9Fft/mCg9tUlpt93lr0Kk+qWG8+bKNuScE+YoKg5xjGOD3qrS1Tt9

re+l/PX5dyYxldpR5XF6OyTab0/r8iM6nYuv7kjC+WEJdNrhVPC/MNrDpz6jNHK7RWiS6q+7

2Vn56aPTsU41Evmuy2evW/rr95ly3uZF3I+HU5CyqojIIPzMJSByuD9e4ppJRts79/P715bh

FS11ta3/AAPv/RkYnuJpBGyySJhQHE8TKAcDGACTxjgnOaqKblre8Yp202to02tdN9dPIiyU

pa66PVNbb76ELs8DnyhtOCCuYkdtwYAjcQW79a6YWULK+z16adnr+DJu+V6q7TW6T/4JVlhu

OJPtr2/IyhxIuODwokUnj3pqXuWUbtW8v6v1tf0MoLTZL111W+z/AD/QQSSybFWZX8sYLYEf

JIG4IC3zYA70k2mk93ayuuvm0nf8uxnNaxd7KKavbTW13+H9WKsqyeY2ZbvOf4Jdq8ADgb+K

2XKtJbrf3WxJKy1l8uW2nyf5nzFJc+J7mKS88MLoV1IJpMxiR31CF1mYlHjW4B3g44KDtwa9

ug1SwtFVVPljCF2tIvZdnrffS22iHUjT56sZvlfNtp30t3V9mjhNXuPG15O3/CR6Jaxsol/f

jSJUv7hgrYht2lSSOWYsoxlGyOc9x1wnh487px5odot3cr66X1srNtJK3e1jVU4R5OWcnbTV

6Jba2s0uyvo+58z+J9I15rqW4vF1LQLPcoeF/Jt53BZlDeVHFGefmYthFAbr0r1MJiaf7uly

qtKyvCV7uVnzWST1jbmd09FsnqOtS/eKUKt+WNk02/dV7NvoneyXNe/4/ot8GfC3hbwj4J0S

Dwui6jDqdv8A2pd+IJbqJrrV7u6BaWV33NsjjbdbpErfKIQp+bJPz+c4nETxVejKLp0aLahF

KShJKco86Ul73MktlZJKyFh6cbc/MpTas/7umzeq6np728qBG3KckAIk2OMg8neOnoDnOK8e

m7R2XLsnytvlWza1aT6O1vJG0VZKKelv6srJfhocN8VdIsdQ8HXj3tnaT/ZlBhuVV3urF3kR

fOhuN7COPIVXLBgd2D146cHV5MTh+SbhzKa5tVF/u5tp+6lbtr16mc72XKveT0T/ABaVu19j

86NYtobe5khEynZjyyzA8Z+UAL1bHtn1HWvscLKVNQUYtw5HKpZSfK5QaSVo3kua10r2WrSW

p0Je0gna1mkvPVX6u2j077HG6ncOo2sMLvIVdpUsqY35B5x3wMdadCLnTlBt1HGXMlFaatWj

dpJclr23X80roUlyOSi+W903aSfu7t6XvJX8uyOh8PBoofOumZhIN0SukgQBNiqibF45zxxn

610uNqc0041Eld2u9XZqys3Fa9lvojKycFG/uuyS8l8Lu1o729GdTcM76RqF0f3KrFaoN24c

m5Dn5pAGPy7AASThqyjTjGdNcvMpQSk0owa5U2mo7xu9ld2HFcsqdpXknJO6b2Wrv8OvXReX

Q7/wp4hsb3St2uGGSG1tbiK2Et4LNcMGWzWd2yJDbyrxGCMrt4O2ufFUmmvq7lTklC/Ml8PM

tXdK7kuZcye+r0MZ00q7aipcyu1CMtH7zel9/k2up1Pgew0TXdRmna6sLnS9LL+a0k2y1N1K

5K2+ZdolCDcwVd2cLXDV9pTu1DXW2nNJ30bTi3ay1938iJc0FbWKlddOiu77u/dWVm9j3WC2

0VUa8trKG5cFRFPOvmMzDAUxopG1Qe3NcKdTkSm3d6Waa0VtXzK9+t1a1tTGmnZLaK1S12ey

vdX07JPuamk6NJdXSXmrM88x5QS5ZYowRiOKPHyL29fl681hKcYuMFpvf3ub3urVlpzd5b9G

zTl5eVx82rXT2Vz1GysbiUfadRuY9I0qNlIt0YQS3SjKqHkfBbcMfKBnpzWE3FL3Vzyu7J6p

bPZdu+uw10evn+m/47J/gdVZIxty6LLbWvziCFS0BhtlJ8t5SSDlz83/AAOvLryV1yy9+8rq

/a10vxX6s0wq96p7vX11u+yte+5KlxdQqPLCSEldjyyXNwDtbGR5ZIHbIrmk/wB3zOPRNXkm

tbdLN/f952uKUdbK3L0s9/Lb7iUyakxVZLvYdrMypFKibTtyMFhkDHJI7e9YXairtRTae2q9

Oi89khpR0tFyfqnf9fxJlvL2FBEiSToUB81I2DnGMHIjIKfjUptykkuZxSWi1srq+21le6v6

kpLnt8O3e3XR6/Ja+pRzczJIc3URYOHCR44GeWDKCRuA5Gf61pTbSktUnptK9tbu+lr38ynC

OtnF2T66ba7bW69Sa2gu/JKiRZNpjwJVIcjpmNkHPuMmlCD/AJU49LOT9LWfu+e34Eq1o/Za

S0jrpbTf8iYyXsbrE1qGj5G6Q78YxnrH8pJx1qp0tYSSWile99NFfp976k2Ss7q7/Lps9dP+

ARyQQLJmWGJQyjcysgYHbuGQxwPyB9KmMXePZWei0t1t6IvWy1cVZ69NFu07fr8jIuVaPLQW

823bIyYtVO7IPBkYkbTznArWNOCTa927ffXV9L799/JGcJPVNr3Xte27flfp/lcVJgVZJYSu

3aQRaI6k45VlUZz7g471E6cVCKbTcZJ62T30tp96ew5O67Watq1s9NVq32387FNjG8u6S0hA

52bkKjK7R83HHC9CDjvihJfC9ujtd+dun9aFK8Y+7J3tqr236669yvNqMa4htxDbtndiNo2y

BhcEbA3PBO0elXBRjUkl7z5Y3bT7aWuui6q62Jae/a2/ppe3fz3MSS/1cyOyNCI9rbPLgZyA

udxIPODkZ59a1d+TRWUb38+97L9PW4RjDlnzJyai7JX0dn26X6WJ4Lq5ciO/S3kGc7niljcf

QbDnp0Bqoy92Nr2jZ3vp5Lb7r/IzjFaK1mlZbdt+nXX8xE+weepaOJOcs2UKooKjK5cZIHOD

t71M5WlTvzX95pK/Tlvfy22Iaaslvr+H4a+f3FgXdkAA93abwAGAlVQCAOAGYkD8atQTs7N/

Nf5iUVZdPk+h8gWvhJpr65l0rxLHaXsd5LHNHei7guY5UnIZvNtMCReQRjHTB9vr8PWqLA0G

6TlGcIu0Gk1FpW5lK/vX3afL284rOHNUi4fDLTTmT1tppt17oTW7v+xXht9b8SX/AIhvwd32

DTZ5oARkgNLLMuUAVjxiQkLnHWuaEo80YwhK9O8pOcqb5bxa15FHS60fLq9DSEHy3hFRTdm7

N6dLNtpvbaz6vQ8X8a29zr0pnuhcfY7bElrp9va3CWVpEqnbJe3twqSXU+FLMQoXjgdz3YKp

TpzVZ8rc9ISVtYtPTSTUZWk220rrTRmnIoqUHJxSSu297PblV1a607XPuL4ZjTNL8D+E7O3i

S2Eej2h2kxli04NxKwkfcuwyyuwAAwGC9s14Ob1HVx1SXM5QjzQUVo1GLnyqVt2r99bbhh4O

EaiUV8bd0010tay022te1tjrpbiwlkaMTx78ZbDswIGAAHjUAfTJ6V51NpUoRV/hjptJet3+

F79C4xqL3nF+V7277eX/AAT5/wD2hvGWmeHvAlz4dlvLpNQ8Stbx2scEwQQW9lf2lzcTzErn

ymSBo8KctubqOK9rKMI8TiqFoxUaF3KMtFbklZbXumtk/J6HPiK6pRXNfmk2k7Jauyvrbvpd

Hw/4VvYL6e4sLmQ3N3DMtxDcuQfOsXVtxXI+Zo5NoJHaQcdx9jiuWnFYinFU6dNuNXl0tF2j

HRp3blK0l0WticLOV1h6l25R91yTd2k27Wad1yp3StbV6BcW8up6xMkagQwMYwQhCgYDHBCk

ZIGOnVua5MHir1P3UV8c7c7s504puLVoKySvLV23tc6XC0rSUrxWrvf3tU9+reml7+R0FpNb

2zHdk+TDLDHiYxBJWUpFOxC4Zo5Bu2sMHGDxXcprE+3cJOM4+zb5WpK3tLu1tPes1zat+REo

zjTinFq70suqt0kvw6ebKd3qUrWN5p7FvKF5bPGx2qsg+y2zOJHPG4zh8c9eOtZ4iLquEeSU

IJpqSkk2otO1kuZ6Jc2uzY6cYx95/ErJ3Tt26rl3vtZ+S0JU1eBdLj0+wVjKzFrhmXbsQcGE

A4+ffkkjt9a5p0qlerKpTT9yXJB86aaTak3Ftytyu6V7r1LppKrJzbkrXWj3d9nb0tbc9d+F

luf7N8plaJjf3DspyrPgqI2AAwRs4z9amtCdJKMnzNc1lolZLfVttPpeV9Fdd+TEX9ppdLl6

731v0Xl3fds+tdJ09RDbq42rHGhO3I5LBskZ6/4mvEnJvbfVLZ+v3denY5qcXGKdk+vrfrZ9

fvPRoYrW2ubdlheSdbcbVYjYW42HHfOcV51RPSLb3a93ydn1/FWVuljVSb5VbRN7/wCe/pax

t/2d5Ui6r4hu4/Kj8t7TT4s8SYxEhUn95J2Ax17Vi6mjhT3ho3a6V9G7q3Z9bPoVG109XfZJ

6r7/AF/4Y2YpJ5EM0phiEg3pATcbo4iCI0PkkruAAySMZPoK8uvJqXJzuSu23olun11s/vtv

c6sKv4kpJ6ScbK19G99P+CvPQa1wr4S5eFo1IIURzCRcEghQTnBHH/6qx9xRX2t+qur27rVd

tttDpd0m0ne6+ab/AE+W4r6nbxtGILO+kVFYh41ZVyNvBWXcW79OcZrOcnGNpP3eiT1tsnZa

66aDhCV1qo+quvw/PZ9C7baoJwc20qlVACSuiDBH94D+Z71jCU+Ze5K1tL2Tej7O70tZS17a

kyhaSXNtu7fldd9yFr1It8UtpbCJmIXbcKxbIYjIbPt3/HNatyUXzJpRiuqXTS/mu1t9Lgk+

krySfS+3ZLvYntb3em1DbgoqAooR2XGQvIlLfd9jV06l4w3tFJfcrNyavvbSyVvMziuVPm3f

TZu/lbp2v5Cy6kFkQMpVACNx37eAud2V45B//VW9+Xke6lzO6s0lpbz2e99bbIOX4bN+afla

xVl1LcWSKORk24MiXEAUIV4O1xkc9Mj+lXBJqydtuVpL8d9duw1B3i2rq6016W3t36FJrmGQ

gSMsEnzhd5iCk85GEBXnPrRG0Vs1KMmnt0druz7/ADXqQk7ysuuz6Wb9Nv8Ah+5Ua3uWBZr6

IJkZ8mNYuCP4nJPHHH1pSklFu1ndK/4L+t+wlZNLlbad+vfV9bW+75EIgjACfaLcg7ukrBiM

KDlhIMNnP+RSgna6Tb0+Xlts/wBNWUnb4bpR32t/XrcqXVtGR/qyQBjesiKM4AJBc5POe9CV

pt2e2ytez3tZ9F11J5pOTXkrapdPmvvsZLW9qhJ8xtyliFa4GNvzEptRfXqMZ4/LaHNaSjGS

XK9/R7a21+V9L3Hf3Xom7PZ3ei0vve3kWUR8fu7lOMhV5Ocg8Z2jHbqKmMHZe67d30t6afcQ

puzj1t1fZbWtfTaz+RRulvyMPLZbQDtLRsrEY4BUHnqe38qTdpQtByf813bpbv8AdpsS1G8X

d3SfbyM5rBgx3LAW4LFYV25IB4ytTeXWXK+2v/BLUopJX2818+nc+edQQWuq6vbWMKx381x5

58yd2Cec6S7o/MbLYWQfL3I96+sy+pKtgKWqiqKVOVlopRjG+32dUltr9xz4mKhN63ulLVaP

3nuk1rpv6b7EcejX9qrXV7qUiqu6R/8AQLF26ZKJI8DyycH1/rVwlSiknSUmnZTXNdq2nN71

ubduyXoEWpJcqSWmil+my/E8m8XvqF9DdxvLLHpwwkFqiCCa6k2qsUk7Qqpw0pGI+FPcGilG

aqNNc0FpGKg7tq931i9NVp7trm0VDn2d2lrzStpe6V3rp999z6X+FdukXgTw9balA5vLaC6g

Z8MTIkN/dLB8/TCwCNOP7uOtebm1GksSpRTUvYU3LmafvOdRSbeib110SXQ0oSlGNRxkuRzm

100suWzbv9z/AOD3UlxaWaNO721hb26PJLJLCJQkSsWdmaZiAoTJ6Dp+flKNVckaajLb3bb3

VkktrX1T/HQqK93mqXbVtb2S+d726LW/e5+cHxr8U3PjnxNqF606LYaf5mlabHCI2tprK1ll

8u5RTGrI07OZGZSOwBxgV95luDngsJh3y8leaU5qcb2coLmhFLmty2d3KTX8qi9TysTU9pU5

ElyqUurT69W79LrQ+dbfVrvSdQW4tLqWD7MW2OI/P8oNuVlZCh3xOOCrDIBJBOOO+Vf28fYS

UXByacd1fTfd3i0na+lk2uoUlGnyzj7s0laWjW2qWqe107/EnbU9H0Txhp94sqrMtleyM/mt

tYF3wctDvUjDDPB5GOvFYQwTw8K/KnyczSkuZuVnZRSTbstG2rRaeiSVjuo4qFRtStzRb02i

7bvlk1Zv+XppboXo55wrrDIXhaKSTzX5Mjhy4XKq21i5yMYGFNVStQoKNNRcp8ntE6i5m4OM

tFzQimndtNSk1o+hpJuSbSSX2X7yW+73eq2s0vlcadSWeC4tZSVYykODk9BFIjI5GVG4jGG/

h+ta8zlJSXLXcZJqPupwU2l9m17LdPntbRLcqnJ8qjKNla176aLRpPS11ptfz2Oh8OLqMUqG

3jt7+Mj5Ekwz8qTzJjdnbn16Uqrkvb8lFykqjtJQUbe/+8SuoptxulLRu6uyUkpPnqKMFFLf

XrbRc1vkkfR/gCO5NzEt1axWm5mkjjjLvtVRkl/oeOPTFcM6dJRnNc0b3k+du923o05NJ3fS

XLfZI5KzjflhP2jjdP5ddLeu1/Q+p7CKU20K7vmwpZwvl7sEcAZzgDGP/r14rT1bsrLa69L7

3+V3toYRatBPXTV3fRf1+rZ3UV5AqQSJBHJeRQsiTFQflGzHy/dYfdwSCea82rdNLn+JPo30

89E9de/Q3imuR2Tjrd/LpZrbvqXtN0y91S4ju9Uk87Y26KMABIsZ+YquAWAB6jjPFc8k42T0

0XZdLfc/MuPLbf79ev8AX/BZrmWVnmNu0XkoWiO+GZ0UxMULKyyKpO5WzgHHPpXl4iMvab9E

/v1tfWP3nVhUuWX2nzS2ktFr039E9jKe+eIkT3sCr8uPJtdrNhhwGEfXqfvVxTkoqV1G7dne

7abdtUr9Xudqh7ml9o+nn/X3XEimgncCO8mJAO1nFyBzg7AgfBzg84I5H46wcvZ20fKnvdLb

TrfT7n6GfLJSXT+vToTpNIu4PcTsq4G2G3jUEZOPmZd+McE5Hb0qEqnNzOSacYpNXbTs9F06

202FJwuo8qTWz5vxavt2t8ytKqSJIZLhY9pZfngibHX0ZmOfqP1onTc+aKTuo6p90m9W+W1t

e9uhUE4e8rXs7NS0enk7r71cZa3dvBGw+3rFtKAKtgVYgY5BEeeuO9aYanKMIK8Xve7S9Hpf

5X7adTOTu05RtZW09LPS+q/Q0BfoQrM/2yNwRuCAMCAOqh89sdM9K6WpRajdOKTbdnpZJ6bJ

9dl6mfLZR+yrtavS72v2a/MkuLa0kG5hInAK7JZVAOwEApkck54INaUm9oTVtLr/AIf4X5q2

uomnG17XVvw7WaRmLZaerNt4cZwWeRiMZ+9uJGRn0ppSjdaJXb3b66rVu/rsKEneT031S03b

76+u68huZVDLDNaqcrkssuB6blVxuz/kUnpH3umy5rLrpt009BO2mrVmvPRP1XTbR+YwFQha

4t1nbDf8ey7MsOhUOxAbr+QqVflj9luyVm5Xv3dtvx7WLS00/H7+/TroZ0VvJMzNIbxI+Nqv

Km0Z9UjAwcY/rWkU3KS92PKkl7qs3Z9Ze9076kWUW20ru2z1t1vd9Vtp95FJpVqzctKBgnHz

OGxngu+Wx/usKtKSTtK2l27vom9tUr+l7bFRfuzslZJ6vTo+zv8AP8hI7C3t8PG8kYBGVVzk

47gtk9e3Trio9+SSvsuu3pa34v7zJaJXX3afn28t/Mje3i3q7b2ZckOWZiD1BUYOAMVCg5cs

W27XVuq2Sen/AA3oRJtOLi1s/ntfy9TPYQ7jm4Oc85FwD+IUgfkBWiVVWUZKytuu3yFGKtdx

lfV/j/Vj5i8apYRa+RqOsQaG9/CjafczviK4lhAhlt3nRWELqI1b59qkPgE4r6fKJ1J4OrSo

p1a0ZRqOOkGot01za8sZN8sk1e6S22NMVSdlPkcqaUb76Wl2TvbZLchs7a/W0lnXXdMurW1X

fNJFrNhJhR13j7TkDj+6PauyqpRnCVWjOKlteOievVfd/wAE5YSpt6Ky7a/LRq617v5HHeI7

sNBbtBeQz3sjxtZW5in2tiQr9okLQKs23lkCkIWVSWIGKyhCrHEXprVLX3o+78V5OMn9paWv

v0ubqEubVOKjHVpPTdcqd1bXR31cWz6U8OX1qdNsyh2wC0iMThXXAEYOdoP3mcdMYO7OMHNe

Hio1FiMRJ2cHOco2atyOTtHy5d7aNaHVSUHSp8qblGKUkrr3rWevu3V+t3ddWeIfGj4l2aaZ

eeE9E3me48uLUb0iIGFYZUeS0jD8uxaNdzkbSnAJya93IMplKVHG1WoUo80oxa55VFKk+V7t

KzkpfEtVsefXxKtKivekkk1zP3bO+uu91br+p8G6zc33mOLi4MoLOFmZQjnDFQuxcjIyMgAE

9uOa+qqRlJwqxlyyS1UnC93o0782iu7bNPdI4IrTX3k5PZSslZWu1ay8krL0OLuUcMzPt4jB

EgDZ4IG2QZO9SCSCBxxnOKx9hyT5uaam25apRg5S+LllFctkttbPRLc3v7kUlddbXcltZb6q

/pZXZjPIQzHAifexHO6NhtIAVskqfmIwcYx7104ehUqPXWCnNvmm9mvdtfZXtZKzRl71Nvq9

+6vqpJ9kt0+uxp6drWraasaQMsluR/qXKyJyAfkIbKZByMEj5enYbVMDGaqUacF7nK1J/wCL

RK95L4dW0077vUcas6UU1J8uiatddNknpvbpZG8fFeo/Z/P+x25ZGMT5lyAVAIJiKKwwhVc5

Iz0qo5W706lapzKKacIrl5Vy2jacbXcW73a1sdVPFLla5JKStq5XXkrSvpo9rvvtcgh8a6za

nMK2sEuSVeJphjqOFS5wTnP/AOquynhIrlalJwjGK963vPa/vXu9nJ7PoYSxE+aV00900lyr

e+19+ysfQv7OvjnV/wDhL7ybUdTlvWewEqQXPmSQxCKZkkWOMRbceXKD8u44AznBNcmZ4Wk8

JUSj70f5Vu3KKe2nzukZwlzXcr36bp3WrtZtJ+T+Wp+k2m363y204dGMixyKkakDB2kbd2MD

HPAr4SVF0k4Wdo999Oul1+hpTj7sd7739dez38zrbOyvZLiNmwAu4qNy4ZR5YIOCeg5Hc4rx

q8m5xUW3FX5k1pfo9bdfkdUI+7Hvd27bLT+rXOqkvpAv9laW7faWYR3dyFAS1j2sz7WYAGY4

woBOM5PSsVHWMqislpHV627fetPuKUX8uulvkvXVP8zNtnjsbaLToN0otVIEk8kwLfvGZ5Xd

h87tIzkkZPzccV5OLk/aVXLmlacklfSyk+Xsret3Y78IvdtbTRXS122foVpLmzfnzIDLtG4C

SYKM88kRYxn0OeOa4be45Lo431W99F5a+p1NNRsrpei1tv5r7/QgcvmMpKIxhgzRifIPGCpk

AGeMZB781MpVXZapNK9r6teaSdk/McYwUY6a/f0Wmt/66jWYptDR3Evy7gZS7HIy3BjSQKvs

cVdN1aasno7tXvdfPlv+P+ZErSqLTolotLL128+4xWYiVfse2Mbhv8xlPfbxHGrhc4wQDjoe

taU1H3o1rqXLeD5rXck3dtPS2j97fy1JlFrWMnZbpJWVvm/P/gDY3nRcxW90vRVZLl9wBx95

bnAIIxjg11Qt7OEJVJR5UuifNa19UrW005n13ZmopNu/N5u66a6Xv93zAXBikj33CMAceVNP

EGOdoJZfKPzLjgDGcn2rSSv7NR93Tra1mlq9V07N28iYpJq//tz16aLT5v8ADU0Hu7wruiji

WNU3b3kJACrnO3aOO3P1FaxUYxSgmuZq9uuu/wA763+dwa95uT9P+G7mW13qcwOYCImP7uW1

urUsw5BJ3yDuOhIPFEXGm5pycndp80bpau2i3t6feSqa81960XzIZjqLQkI10CpCmN3t0BAO

c71kckjrjNDnC1mley1s+2mjsrd+3YOTz2ae+uj87P8AMzRHqksn/H28fyH5ZChB2hc/NFI3

I6ZK1LmkoxXK9dtU9LbaWt6vQ0Xs7LT4ba9r6at2fput7gkevW8h2XCPFlQVLE8YyGAZTg/l

1pxnGHNzJ9H0drJ7Pa3o27EuFOUnZSVktbeWn3+j/QatzqsPn/aJrVuDhpVm+Q8kFAgG7A6g

A4x71qpqUVyXs0725b2S1u3fR69VoHJCz1frq+nbTYgOpO6u0l5EUwceXHcKAOnHmRDkDPTN

EV7iVtervF2S2+F3u10RkoWuuV26X6tdrtbmWWh5a2vrpgcgjD4Hbh22hfmHbHWpvJcijJRS

dmmmt9/Pvu3bpYJQd4qVPSK8tdt7X27fJkJl1Ddhb25AGAAJoscAD+JievqarRPq7f11YlyL

TkX/AJN+jX5HmXxH8MaZ8RNG/s67sZLfULcySade2aMPslzllH3yquj8hs+gxzjPoYKvVwkY

1KVRJJJyjLVS6crs76bqz3+JJHR7sVKM4qVOVua99rpx9Pes+666HgXhTwzq2nLDp93pj7tP

uHi1W2mYQfbb62X9200zfuzZZ2yIIy+Q4J54H1LxSxcKddOEaclfkilJwqNXlCV1e8U46JW6

pnPVUKClB1E5JJ05XTSg3ZO3vO7SafNstdGenXumzlHuTFZ2l5JEqmYSS3TiNFYR28IZEjgj

ABX92uecnJ5rl5owmndye8k9Oum92tdbL9TkU4c3LdyslsmrvXV2T23/AOAavizxtZeDPAmm

mOaC51STTrax022Es+9GSEJPcyoke0pEFz3LM6jPUjz6eE/tDMqtH2Uo0VOVSpOPI+Ve+43v

r70oKLtpZ6eXV7T2FF1E07qyUr21SWmj2vdXt0PiW+1Ga6Ml1KN8sxaR2dyu9twYuxds5+Y8

Y546V9tQpUVTo0aens4xSfLfkio2S3V9Fbro7niwtfmk4vRXvJLm9ZW3vr5vTqcXqkzSOqSR

xqQNmEI67izFnzhpGLBix6DAHTFb1MKpKioylLWTs0rO0VzWVtFFK+79WW3H3Xa04bNOS12e

t0mvw3aOLvYZRIxhVQPlDfOo2gYAwS+ApbPGD0yeK9CjR/dQj7S1KK/lTunG0U4yi9nZq1tS

FL3l7yT3te6b1ve3N20v8mYscavuUmPl3yryqNrLuyMsePTnv706UIU4uPnp7ji9dHdbfevR

tkw1dTZXlNtq2/r+q3ubOnWlqoZ7y9W2jVVKQQo95d3DN8oSKNMRQqpwDJNJGADlQ5GAVZVI

/wAKj7SV46yXJBJPrK3M2ldqMVLW3NyxbY4xTpv2k1Tire7duUtvspNb/adl53Wlie9jFkto

1qHkdlmZyhDKi+WUTA4OVjTcc854PJz0Qc7XlLXS6tG3vaPXtrpYqEeW3LpFaK29l8N7q1n1

s9r7mZAIC+SkIG1cboyQucMT8pJ/U8j066xtDXRtWt00eivotOyv6ozfxzbtFWs2o21168ut

j234SX9np3iGxMTadJLM88KxRxXfnyebCflLHCquc9R24OOvPjIe0oVY211elklyu70btolr

1/A0oJOaU5+5aVnyys1yu32L3el97XP0k8I3si2EE0UQuW8lHWHb5ZXlT5akZxtYbQM/zr8+

xcVZxbtFdb9Lqz9PxOmjH3Vrtt1vZfk/k+53+l+KmvruOwaGSykAlUvKCCr/ACKRhlxjqcjn

ivIqYdRSdOaqOOtt9H6eXeyZvyu0Xa1uayXor219NbHoOnw2mmQyBXa5uJpMyyEHLSOHBbpj

P+ArjnUbvGyj7LRbLyej9NbXT7vcqK0XaSTsnft01/roVb2VLOSSKPzWaPqgCuqIVLAFWBPK

MM7fp6V4NdTlVqappyly2V1bmdt1ppvvbozvwji4tRXLytp3unzLR22T1VvyM+TYYQ7FQBtK

KBJExzjBJVAcjPvmuZqdPSyik7aNW0emjf3XOp25Jc2tnHo976bJv+tyF5ELxhlumDKyiOJH

MYxsBG/yzk98kVHKpX/eOMuiSj7z1vok18hxcoqPupx9baW8/wAf0IhevbqAlvdsuCp3KGBx

8oJaQDGM54Oa0XNHlhK6Vk3aN5arX3VFW/q9rGfLHn5rpbbye3S268v8iJdVnTKJBP8AdbGZ

YSNo68Eng59fpXRSg7+806ai7KcUuZNNJWt8SVr66PqwlCHJN81tNbKT/wA/PZMuRaneuhK2

kUm3A2+dGCuMEErz0I7V0KC5UnDkVkk3GySt7qVnvbRXWj3uYU7dJpxiu0v1SfTt66iR3FxK

/Fnak4LFmlccqA2F3IQrA4HUZ7dKz9mo+zm4c04OUY3cb8qtFuy8rO2/RWL93Rc/LdN6KXa/

RtE0l7cfNHLALcbVHmB0mRwFX+FXVhxjjHbpXTFpqOmz22272b0dtnr5XJslb3+3e9u+zKhh

CRsqy70YsfLlZhGAc5KALuX5ieh71mlyylZKzfSOsXrfRJavutVa5n7tuWOiTfV3be++i8tl

8iJXEP8ArrplVsNtZwUQqvIV9gdTn+9nOfas589nZbS0dtXd6av036d0XZaJat2unfRrb/gf

jcqyy2yEFb0xZ5V1cTKo43IA+cZIHrirjOUYrnSbirK8dXdbXSt0Wt/mxwh0UHpve6+b29dD

IuLq0D8atP8AvCvLBjjoBgKFAXGPXkCnBtT93lvyt2WlrLZtrztu7a7DUJXd4fyJ/Payd/63

I4orNlLC5nlC7tyyFgGJ3bfmUc8/X0rSm5XlpFNLZJ2u07at8rv1uOStCScUl1vurL0T7kEt

jaM2Hmlj2qMKZWccY4AYk8+vTnmqjKUIqKs5ddEt9k7WTXpsiI/C2kmrLVX6fL/L5mZPY2sD

Lt1O4Q4JVUXI25BPOFBXOPeolzScb2i4X0SV3tdWcnv6XXTclP3o/u+ZO/ffS3T79fvITA+e

dTU9PvMqt04yNnBo/ednp5Lp82F1/La3ZS/yIzduI5f388au5Xykt5pFCiQjBmjiU56dWPWu

6nGEcPDSL92Ot+WTWlrbrffbTQppuN7NOy0VrX67pr7nbtqcBraMmpLNAzSLIkckyN5oLOpe

JnwzMWBRUydw6egr18vqU1Td2rKTbS3WkVvdaf8Abur0uzkxMHzRa0fKlqtGk3ou1r33+RcE

UctuCI49/lgu2WWOMHORgYLseOvrWspe/JRvJPVPSz1en4X7nIlaUb6WSav53T2blt8vI+Qf

ipLqq+LjYX88sttZWNm2nRElUtrWWMFVVQcIGnSRie+4E8V72USoRw85xUYV3JxlK15O0Y+6

0raXbt2bbJrRlKUFa8emrS0u9nf5Pqzzaa4HktvBDYzGAzKAvDO4xjLDaAMDufQ57qc5QXNC

FpLS6s2unvJq6vfvo76GMIu6TT6vVaba3urX9Ene17HCahcSSF2eTDB2IQRqcfMQvzYJLBcZ

xyTz1Ga9KnU92lBNylKMW/f6u3Na8tNFtBKK9CJ2jKNrbu1rqys7Lb9bvbU5ydp9xUsfujB5

CE9Dnn1GM8dq9KHLFOEZShGy1U9bLa7UvLz9WZNvTTolqnvrdW5Xp+W9kZJdd2JAqsC22QIO

3QyBQMjOB16c9ahQes7O+0Xf80/J7666rUcG05LdJvSy31trrpfbY2tKgur6aGwtra5ur2YD

7PbW0D3M0wUKzNAIkLMgRS5BzgD88Z1o04XnOKVO/NzSStey1b030bvr6mkac5RUIxk51HH4

UpN6pta6XSvfbyLUEISXfdb1Mb+WyltjRNGqIEZWyyNtHQ4x7dKdCvSrQ/dyVnGLXLK6stYu

LW8XbTVJruW6bpStK8WtGpK2z0vpo772e5q2Wn/arxUsbyKNgjMiyPbFcLnb98feJK4yPwrZ

OWi5r7Nq2veydr6erXYy055J+69Fo3a6bvpt/l01PWfAia3peq20l0qTQW95CZg2ladKXjZ2

h3R3K27vEvzL8wYdR0zU1YqdOV9+WS+KcVpF3V1KN35artdGtGfJNqLUt91GbtZ2tzRdl10a

/vXWh9t+HPFGn6LJEPtu+MjlPIjCIrGNlyjIACPnGVHPWvh61GU4Si0vdurtvaPnfsr727HV

DnaXuK+2kYK/nZK35M9c/tDwLr4guP8AhIrHTLzkh0uIraVWC4+6QM5znn0HpXz9ShiISiqS

nKF3a3vRlbW1r9trWtc0VSUeVTjs2l7u2yeq/pncaDaGGVLjS/Elnr8GB50Buo7mQxjuAG4b

JGCM1xVXOm37TCOMdpKzSTvZSva976tN6dtTaPs2tNJdLpJ33svJW6/MdrmpWkF0TPaM0rRq

+JI0ZOMpt3Mp5+Uj8RXk1m/acqpuKadm00nFJvuum3VnVg4c0ZXaUlKTa5tdXo9E92ZMXiHT

lCl7TywoQfuwAg2kdQFH8z1rgnypWjKUVKVk+VtPW1utvP16bne6c+V2anblurq++r6u33P5

kVx4isi0ckc8uz5yEyIgCdoG1hGSfT73b1q1BQSXPrypqyaceVXlq0k9OqulvchU5Nuy02v3

7L4r2+SZQXXbNyxlN4Qcbdl0wBIHPG0DHFUo8/Jy83vK/tHG61W109b6rV+iRPs5qdpKMeVb

J799W21y7+Qr6/bhALV7gfKxHm3U3yEnkr5b7TwDxW9Cg9VVipS9+MNFtFNLSTvZK1rb/cEo

NK8UrK3Zp97aafd16GUfEU0Pmuss29gBuEzEEjhcHIPTPTnrXTCCSp0uS8YX5rJXi0lbR7Nt

O2lnboRCk3u+Vva+3ppo7E39rLchPMurmFSvzBrkyljhdxRMFlPfBb86UoOmoNKdTVttRfu7

NRTWjvs7XtYtQaajyxlbrbrtrfa/3Fdpo5pSI9UZSAPluAwPzADKsGGANoznpmnJOUdW4yvd

NNqSe+t9Hrunt2HBOC1pqS12t81br2626WIWt7nyhImqRrED1NwShLZJ6vuXPsB/KpT0ScHf

3rybcW2re97uju9V2+ZNNq79xrWyio621sv+CDwyOVIulDIEZik0jRyDGXU75SFOMHjH3uay

vrKLXMna7erje9vlva99uo3KyXu8vK1Zcq6PVX022dvkxFtIHjbM0qlN+FErlN4CYUbN3PB5

zznrTlDljTbj7sXo5WS1ty8t3r5dtClPsnzdtenn5eRgKbdbgB47lsbcyTmZLfflQIzKz7A3

qvJxW0KEVzVbLmjG6vZNJpuSitnayu2+1mridRyajZ293z20erV9NLK/pY24L2yiK7YLGMKJ

A4EwzxuG4jysHoOpxxSjKVrycoxtLlalG91tdKTVnpZNailFuM+V3snpytK6Tt2+W4C/mB3K

wEQKAoiWsygAkBlPmDk1coxvSamrtNyTvdv3bO60Si73sYQj7lnF86Ss/eivO97fhpvqWDdx

yxt5whl/iCtBACVGMAL5hG7DDv2qWkpc3JdKyTvJNNb2durXW6M3FrlUZNW5tb3XTTrf9DNa

9ZWKrBbFQcDLwqcD1XJwfxquaPWLv5yb/ON/8ilSf8zfnqcVBqDbC6TQr+9cjKy9BKcNgAYP

+HNd9JyjhqceVR9yD3TVrre7/Ky7GnJeL6ctrp8zs012ut+7v8jC12/un1DTLiG4REQTRTRu

JFWQOeFBUnaOD1U9K9LAKnCdWNk3USutnZXejV7bart95z4iNoR1d0/dfnpdtNrRq63vfU04

b+2t4TNdx29lmPd5s10jW6gOxVmDbBuwo4ZuM5NaOm4yXs04qMUn1SSbt31vpfd9ZNaHDGEn

UjG3tJ20Svfr0vqrXsr99D5U+KU1hqvjA32n3S36T6fb/bXjlaSFZYGkgiijzgbWRUOIyQpR

snmvVy2p7GNWMoxUeb93LlV5TulKN07LljZtSXXua18PUhThGpCUK27TUov2bsotR03akt7H

kV7MIohExwnBJKqcurNh8n51VVd02g8lckcDHsUp3m0ny1Wl8Oik7vm+w4tJJtJ212d9DzlB

xUW9VFvV72tbo7r1e5wd5LGu4qH+WR9v+6M4wobHqMkfxelexRhKnGk2lJRWt2rq8bK11yrX

dJ6L5GEmm47NPdpbve6d9NbX5la22pjtIskgCqw+UDHPBOT8zFh8oJyenJJPTNd9OSUXZ6Lq

3Zed09/v36Im0lKDScn2fN2te70/rdmv4b8Oan401qx8OaDY/a7y6kkDyqSsccIyZru5k3ZS

CJSGLZ7AL1GfPr4uGHhVrVpcsKblbRWs3aKtbV3aWu3kdVGi6lX2cU73d/faS3v9q3T/AOR1

P0g+Enwp0H4Z2ERttPtdR8TTQCPUPEN4heQ7mBa20+O4dhZ2gG1cJhnwS5OQB+cZvmWJzBOC

tGgmrRkrWamnzSUHZ8ySXLe0WrrsfQUaFLD0uWL1SSaTvfbRPfTVq7b7nzl+0r4Gh0HXrLxf

Y2kUNh4ileHUbe0Ijhg1qKIHzhHGfLj+026M2FGC8Tt1Jz63C2MlSnVwVTlXLyypNyd5XUua

MVJO8YRgmo6JJ6WZzY+lGcIV4J81O0W3fa6S363erVr9uh832qWrMCYLpNyBN6SoCrghlbdg

bfuH0zmvvKavNyUtVa2mmt/LZrRLbtc8KV1UknaV9736Nvq3+n6HfeGdUn0++tyl3dmBnSOW

KXaylDcRNglpOnyFuhxtGOldEm+SpFq94yS0StZPsr+XX5dVGymny6a2acr+XdO/pt2Pvfwt

ZWeqabbW2r6bf3dqxRrbUbZIkVEJUeSZo13MASME/Q1+e49ck5uNSNOcNGvevLVpOz7PW33n

pUXaKcVvundO/Xbbtuep6f4A8LWwinntjt+bJvJ2LDAHIAYbvlHp9K8GdfFNr2Va1pS5nGCi

7u17Jq2vdN6eRq6vwJxjbZbvouu6fd/d1Ov0yx0TTRHLpkUMUkTGNZrQsNy4O6OUH7wIIznP

TIrCr7Spyc8pe6lfm1vtdtba27aPYpTkrqSvF7JaLTs3r2/Us3dzbTviexuLtwpVWjO1QuWI

UFpF/HivMxS5G71lFJaPl5ny7RtFK3rrZbvY3wN17SyXxtXbstG+rbva/o+hQK6dyG0+9j2D

LBgz7Tkddj9uOea4XFQhB86qO8ZRbSgtWnJNd9tFZX7o7nKpaUVypXS3ts7aaa38ykZtNUgj

TjJGN3DNu25JCg7hlQMenerqVpTW6h7NbaXfMrStboktgjSmuX3rrpvo1r0Vr7enQYkun+Yx

h0qRcAEeVuJY+jAMRyehx3rz3d1YKDlKT5U2lbRfDftZX6P5miUk3zTUUkrKV73679/VFWVt

Plz5um3KsN5BSRT1JPKq4xkZ7d/avSjDSzla6S5mr2drNd029Lpq/RELnS0krWe90rJXWl9v

vITbafsRvstywzgqI2JGO5+cg8enpWtGn7GLi5R5Xs27NvXmWq9LfjYzUpytytXsvT5X/PoO

S4sowFisZxtJBITB7bSBt4HBzn0rVN+7ZJvVJ821vJ6W9N/IrlnopNJ69b7en9MYZo/NLmwc

rjoxTAUjgkcDOc/pTUU0lN813ZNLq3qra7aJ7ijCS0jNRa1evzffXy7jX+yu5b7IkvlliFG1

iFPpgcAbe3TFczpxfMm+Vwbimk9Ffl6P7Vlfa3YcHNJ2nu9dWtU301/NoguprZshYnWTCqFj

yFVGBA4xg/Xr2puklHljomlFt3d2lZbro721tr2GnK2rV7pu+nXyfW3b1IIPPuHUI3ljY64J

cLglBnKOpzgDnkf1lNQUItJpSSta93Fq19HZ/hfYbimm+sevVX1767fLqPudI1I7/wDTo2QM

GRCvl4Kp2K5A/H2rdSkuZ8qS7WT0V7puTWy0Vk7dehnCUVJprWNle767u2yMI6RqybsSW7DD

4yeWyD2AOe9ZNSlH3Xy7uVrWa3UXe+trq6tr0exupqKlFWVk7Xv23du27Md7a7SU5u4LYKFD

kRM5LA9AM4ORnt2zUez5J038T5ZWTl7qulrt001tp0QoTk4P7S00/NenbsMVXVtxu7Rwu4+W

7ywM/wB0gFWTAHHQNzRKpKS5XGEuayfLUTaa0Vle7b9LLa3QzdrwbTTV7abWavtpba+mo43c

KnDXd7GRjKxx5RSRnCHzuVpRg0knJQt9luba+7Tz02DmfaT81otPQxjfxR7hFK/E0gyxiiyB

Lhl2pGSRnv79TXpU6kY4aMnNSioxTSS8tLtWVr33T6eQlSk4NOKvo73fdPZNX2t1RQ1XdfRQ

IpdcvuVo3kRzuyCRMhDglQfmBBx9a8XHZ1PCOKwVZU6qdpT5Iz91O1uWrCz6vra99Wj6PKMo

o14+3xlP2tFfDBtxWy1tGSa3Wnda6GG3h+zNvdtLbCaVhsikuprm7bcoIVgbqVyo46enFfPY

rPcwr1+Z42tXg20k1GNOFrtJRpqFlrZSS10voj7LCYHBYZQVChSoS5U3y04qW1nqk3fe93tf

U8z8W6JC0K6qqiJLeL7FPJCSrQzxebIuY84zIzBF7jnjFfoXBWaTqwrZfWhCNR1HVh70J3Uo

q7XNqtKcr2u/Tc+N4zwE1OnjINypqEYvo4rnfL8Gj1mlrpqfN/iGRIHAZnZtseEjOVKHbIoY

k45BYEepOec5/T6FON1zQs4Nvmdne6tde9rfzX4n5reVktG3Z2sk+75rLR27HBM7ySPjy4UC

O6qdx/DgHacfQY5rpcrRjSlHmhzNb6e4k1e3ZpNJ9e5koNyik1FRTfys7O+jX5empY8P+Hdd

8X6rb6NoVncXMtyYkkmSJlt4UB3NcXU/l7baBUV2+YqSF6EkLWdfE0KFCVSvVjBQ+H4LuV0m

lGVnd7NKL5U73Vrrow9KVSahCPvO2trprV7ptW3avJX6an6KfDLwD4f+HOlLa6fbxya1cQga

1rUpkM19IjO5iiDyMLeyjZ8JFGq5CBny2TX53mGbzxVRqV4UIuXJC6sk31bejS5dL2TWh72G

wUKfS87y5mrrZbbvTe2rseoRTSsnBYLgYCKq8lh1OOnU9a85WUJ8kZODkm1FtpuUlfVvpu/L

Y621y+80nG1nu9LedtdvmeefFvQz4h+HviWy8kXNzBZPqFimC0qX2nMtzC8KrgmQrHImOciR

wRhsV6eWv6ri8PWpuzjJJO17Ka5JJtp2XLJ2/DUwqJTpzjbn93bWztqnp1TV9n0Pzk0u4dZV

y2CGQhHBXkBgdwXp8rHOR9ea/VaU48zatOElGyTuutmtfPp06nys01OcXHlcdN9dG1129NH0

Z6JYctE0KxsWWTEbf6xCPMXK7RnGdvrwc+1bt72V4x0ckl0W2+jXk7LuxQUrp6/DrbV6Rdt/

dVnqfcnw8TXL3T7T/hE9Us7eO6s4Gvnl1KK5lQxmMOV0ubeISJB98xqTnGcEV8NmShCtX+sU

pVIOblBezdvem7N1Erp7XXNb1ud9GSdKm5yWkV0s9Yq13FX18773PaIdJtbJYptd1GbWLxeD

E9wQhYHkJDBsVeRj7vQmvAnKcrexXsIXasklp6u8tv6VzZyilBQi93q72Vkumj/PXyNSyneW

KRLO0Fpb7iRgsfLXyxksZWbnC4znt71yKLTfNJ1Enp05rPXs2tmu/maPWMXJ6vd9P6/IzZtR

iikdATIUBUymRxnHzllAcAcNgcdBXnYmCU6k21eKu4tLRK7s3bmVle2v3nbgIt05JfDzySe+

z89ummlr9DPbVQeFmnZjyf3jqRg8dCdw7e/rXj1MTBwhyXjfZ2iqclGz5Zc19l5pyva17Jen

7BKLuldNequ99+vXexF/aajAzKgYuT88oDHgjGWIBA7Aev44RrzrylTa53eLg4pxi1duUE7K

XuJJQV7N6X3L9lGCjOL73Wjs/R+fXQRdTK52POxYBQCJG9COOnJ9fQ120vawjyqDhK9ves/d

j3etnbfXfuYzhTdRe9fRdlr6adfv6GbLeT5b5pRjcc7EXoT0JXnqcD/CuepTxF5zUnKlLdc2

sbbOCk0lzXfK/JbG0PZR92TV0tPmn+RGurXMC5NxMDw67Sqn6ABcA4HIzXThKVaNFKU52veP

NKMrJu+9m7pWctbX2bIl7K+kU9Lba6K3Tv3tqOi129dyr3Lg4+QsqndjHUqODj1B/Dv2OnKM

abc+Z+9u+VW922q95v8AD0uYr2N4pU7NdLX2626eq+dyObUrrf8AK4kbYpwGyASOSCIx3559

aIQTk+eavs7Sukuis7W7X3fmy1yK9o2t11Wv+f4dgt9QmtkZmlLO28BQCAnXJGP4u/fpUQi4

SqQ5Pc5m1a9mrvfpb+a9r9WyElPVtaPvra+nV7W0/GxI+r6jcbSoPyoka5ht48onyLyyqScL

948nGSe9Y1MPLl92ceaMk9nPlTd42tdXil7qatoU+SK0i2vJ21XTdX87fK5DHPq8UgZpWgjf

ONi2zyMTgkK5GQOPYdaa5Y8kXNc0JRu5w0ldrm05VrppbS+4lCLV+XV9m77erX3GhHeASHz5

Lpj8pZ5buGMdP7lvyQD0BH1rWUouWlWKStpGOll01uvLdea7ZKFpO0bbWb1e2unz3fqmxlxq

dukiqs8zMoYvIHQqBlzw2AW9ORSbjShKUpRTlF2XJd6J2/u310/C5UYOSkktLNb66prs397S

REdZtQpymdpypUIx3Y4zgeg561ze0jUTlKLjypXbSld2091Xte2mmnUI0pQjZTtqr76Lrr6f

8AhbWbH5fMt4WyOQyBc46Hkjp7evNctWtClKHNRlyLXm0Sb0a0kr+7qV7KT5VCq7q+ifpZXX

4IT+3LEYAtIsADGCo4A442Go9thnryPXyiL2dVac+3r/AJnmkFvFv2rJMA0rMSx3Ar5vKoAe

uc8j1FdspxwuFd5y5LK6cYpSk7JbReqfK9W3pqdWHpSxE1S5Fa697XRJqV/na1raX8zp7a23

3Khgo8uKVwCdwTC+WijJ4O0t0HHNfH4mNape02nZSvr7yk2neySlK17pJRWjV7WPv8NTp0o0

4KK5fhWln7q769lrrfZdy2v2SC2mlu2jRI1BUE8lhuA+XOCc54+vtXBTpKkvZTjaK96K1a19

1K3MndNKyirrRtJHVVm/aJw1lyxWmlldvtfv1PL/ABxZRXXhHWLyxVWGyW9ComCXtpRNKW7c

KsvU9CRnmvf4VnLA57g8TVqKVN+0hJT5nKDlQrwi48z6znFWumlfd2R52cUpYzLMVhvtQhCz

bSVoVYTfTdqDu1v0PhfWp4jhctPNuUPtyUG5kwpkPzYXbj5eM7u1f0RQ5aaSdVtNJW5bXUdV

ryqVrrTmv95+H8usZqEWo31Tulpb7V3bXTqZelaNqfiTWLPQNHgMl3dTshwP3ESqA00kr4OI

YYgzO3bbjrgF4jF06VOdao40/ZqyUr77dtb3sm9L7a6FU6XtHTp04pubbulZpWvp8k9/wP0R

8B+DtI8E6Hb6LpiPNKEWXUb8Ltl1C8fPmSyNjIRQNsaDAVQO5JP53jswqY7EudRzjGz9nHlV

oxTk/d5knqtOa2q8z6bD0Fh6agrO28nfXZa2uvld27ndxQEElISc7sGZsgdc5Dfj29a8iVCN

SUpSSlrs03d7v3Ze6rb6b9NjaNS17O1m9rL8bJ/57F6IqiK8s5x8vyRDHAxkdO2M1004NQ0t

b3drq1mntf8ArrcibTVmr2trr3XZa7ehMbmxUjdC7hgQRICAUbALEnPBx2/CuqDm0ktdntZ3

Wr6a/Lcm7Tvs1p+nc/K7Wbc6J4u1/SZkDQ2Wuana4AAfZFfTLHtI52mIIR7MK/T8sqL+z8Gn

ry4fDrbVPkhvFJ/np12Pm8VGSxdVNaybl293mk462d9mut+tjq9MwZ7d7SfzoY3nBSUKJFAJ

QqCRk7cfnzXptyV1pZX1V1tforafn0MYpSb+y7O+mmib6L7rH1l8GLMJNvtXVdTuLMPIqYRo

oZDbExuCQWbCITxivmM3nJU2v+XfpfVNaeVn5/cdlGMo0KUZJcslF813tZNK1krrqj6tsvD8

UaLd6rcbBGu+SSQ4bAwSV2+x4xXx05SfL7OCu2/ltfTs/V/M2c6ceWNuZwur/LW2unz+RDJq

tvds+n6NHNb2LbVubyb93NeAHaFgUtlYSW+ZsgkcdDVQozjJSqyjKUVpHpDTTp/VtUJSlK2n

LGOydlfzf4GdfaQv2mZN4QgAmN8kgFQeQCdp+YHb2/CvOxCcqspJLmu1K8U4yu2tdOmvl+R6

GBqJUpRWynOyV07313WtvWz6FIaZNCoZJFYKirz94EEAdOO2a8rFU6suWEaap003flUUulnF

WurNXemqsd6qQUZc/Xlte62fWz815d9CsUvZGETSRBfmxjcxGCvzDC4Dbep9u9Z0adZScatT

moxVtVb4U0rW17X2T89SnKlpaNpaW1v+Df8AmPSzlB5c/dBLLnn3wRgdu1dfucjjTfLaK1XR

W6WTTtra979bmXM/aXaV9tremxGlsAzCUB1xIDukY45PIAx3B47A8daxjycvLKbmvtSe7f2Y

pRSW+jvtc0c7XsknbZJdFrvr5+fUedOTYDgAYGGJJ5zg47gYHr61001yxja1kkreSXu2vp6q

zMoVFp5Ltb/P5a7EkdjFGQ2IlfGNxwTjjg/57VlVpufLeMW7t+8rqyafuq3u28rX07D50nFX

e3TzSur6/df0LUdrEWGZVUbVDBNq5G3pnHBx+tTyW6RlblVt9urtey9PnaxUZK6Vnrezf9f8

BEUlnbog2ZZgx+aSQ8dVP3euc+3SppxfNJ8rSTdkuu97c3Rf8NcnnXS2/Rdb/q+ut+hnXMUj

NsSJm2heedox0yQ2felVcVBxmtJNfDdax+H4Nbpv+kUnfZ7NO356PS/zEUahECUtoZBhuB5e

cADOA4xkjn14Pesrpwi+ZvmaSUr6OOl9rq7a328zVSjs92+is9dr2/R/IpSW15d7t8ccAUqu

AFU4HcBBjHSsqNWcKlVU4RiofF7u/wAV5Ju99m37ut1qgmo3vzNu0V1eyt1t8rFZtJuRGxjK

OcMG6lcc5BLjng/4V0KqqqXtF71m0m20lD7SirX6OSs2ttCHyxjKz6Pp5ap269iiLSeJWEsc

nYjy3Ck4zyCQQpOOPrSc0oPSMuZxjLlhaVlonH3l8Ku3fXYUHGye33ta73v3I/IDbd9vMxyQ

sRmJfbhQXLfd79M9vbnkryg7RSkpU7P3oJy+XNvtvrbS1x3kpU9lo7bWsrXu1e3Tez38xDDy

f9HuB7CUYHsCT0rlVSMdE6ll3UX5vr3+4qz62v6mGbGUWlvqfmSebd77Wxto1AG6R23XJVQM

KB0J6Bc/xCvLxeIk06FOfs4WjKTjpLn5ves3eKi1FK6km9VZ6X+uyrCqlhvatOVSVm03b3Xy

+679Y3bu9fuEt9QeyvZNMaQz3cEObwoMGNWG4Ak8ruVifXA/Pnm1Ok6kZezoJ8vM21Nu6918

sNbOUb3u9fmfQUbXS+FRXupO/dfiuvU+dfir8SdeW6vdN0CDzIrZV+1ySuyxwKc/u0KyAtKw

wTjlVx0Jr6vhjhmnjI+3xEHKi3zRs7O7hezUlolo01e+z0TPAz7Ov7MdOlRUZYqcVJ86kowi

5NK/KrNtxlG3MraPXZ934b1m6uvgLea/qZaO8ubHVcQR5EYiZrm2gCs2W+dVSTPP3qxznB0M

JxHgsNhpKSqqlzN2snGrWk42jyxTXLv5rsXgcViMbllTEYiCpzlTlpG+3s01JXV7Nya3Pj6z

stU1y/s9J0i2NzqepOI4IEGI4Y8YkuJ3cERxogZi5GAEJ64Fftk69DDwrTnUUY0neT1bu3yp

K97tyst7WeyPx+hSlWnBJqcrdW1fTrZbLfWzv0Ptn4bfDrRvh/aZUNquvX4AvtSliVVjwFZr

WyIy0Vr5m7lvmfALdAK+DzfNXjXCjZww6btDmkpOzvGUnG6u7K8XZRtotbH0GGwvsIxe03u0

3bba2itvbRPX0PXVlueAsYjXAwFUhuAcc8fTrxmvNhJqVNRjH3V7zcpOSVtLXh72vmu51Kyi

7vW+iX66v+luSKLsn5ywUs+SGXIwGwcE9wMciqk3L3bOK5neVvu2v16JsiDhzN2T5W0ruzsv

S7+/72Phhwq+ZvkT5W+adRwCo4Azj3+ntWlODjTqRvLfdpXtfT5eW/mKcuumluvT8fxRd2or

EgW2BkAb1Y4yMD5u3fnntW1JKNk4t2S79L69lfvf5d5TbS2v0Vvy009LK3Q/Oz49aZ/ZfxS1

aSNVWPVbbT9XURhBGslxbeRPjaR965tZGJx1kNffcNy58FJLdVGtZOTUbRtunbRNb6djxsev

9oUpa+4le/bm0tdpJXW6+Ryui3EsbxlR8v7wbRjBLAnJBI6njj+93r6JNR50ldpPdXa38k7b

2OC3bZJ3a06dGmmvu16n1f4Ht5r2y0m4iu5dJ1C2hihjvLJ9k0kUWxYjLjImRoguVbg7c4r5

rGWozlZc6qXlKMr2bu3ZaNqz8vuO/DuUcPSU05QaSs2+kVqvevfrffbQ+jtJ8Xa1oVx9h8XW

EOq2rQSSWt9CWAuvKUMA6ElY5ymSO2QeK8CtRoYhfum6NRO0o6WTdleLerW+3Qt01am6TcfJ

67WstUn97v3uen6R4o8E6zoR8Q6apnW2jjVdMlRY5ku5fljtSsZPWQYzx0b0rzKuEr4aap35

k7tNXTcI6326R13siXKcZKMl7zsurXrt+vzOel1hZZria42xzSSSNKIlLhHB+dF3EfKCCBnP

HXrXi8969b2UlKMJOL1vLSUkubor2eqv18j18NRcaS01l719VdvVtPt+NihcaraRIV2sVcJy

2EzyOPkOduD2qalZRipSvfm5fd1UXdJt3suu1ne1jdUptSeiXnq/1/PUzf7WtU2CGGLJB53P

uJ46knnr/wDWqOWKVryk580lKV2rJXfW0U+iS0Wi2KUHpd8rStZaW9EkRJq7Fn227D5VwxZm

U47D5zxz2rK9S/s4tJRitVLm3Wy929lbZ3vsDpLmTlq1t006O+r9dbegqXM05yttGAN4Ay4y

QCuT164z+NbUafJCSlLXfRJJ3u/lbppbyFKyutGrWWvZPRf10LMMN6flZoUQYK4LtwOuM9Oe

mR37VstIxUVay3eunTy28lYzi4JfC9tVfy9Ft9xI1hM4UtdOuOcBF6AAEEkn8PpWUpytCEeW

6vrd7O3RaXa2v+I+ZLkaTa19PL0v1svUhOlnduN/IDgc5QE8EZ4HXp2P6VMIKntHd3dlbXr2

639O5Sqyaa5bdFvt1s9LeZLHbSrnbO7EZKksB3OcqRgjk+nSnF2bfK9LrZN6b3vd6+T77kqW

6ktrbN/pboOc3Yx8+FGASjIrYzkjYUOeO3PWn7vK9GnK1tFay36dhe7HVX0t5fjv/mZtxqap

tAnmUqDn93GRxgHORxjtWdSEIRXvQ5mm18Sdo7623fZP/DcqKblqnbS1ttdr7NfiQJqqSyLG

FmbG0bh8pCDnJIwMcnrXn08TRqSnGLnBxtGyjq3qna+qUmtG3s76HQ6M4u7Udou/N5aWt+P6

lyK5htyx8zcxLkKZ8tnngLwqjmuqnHTm9pN2i0qb5b7dFJ3vts7PzMukopK9nrrbzTei/B28

yjLesX2iKJvmw+6QFcDuQCeceg/Goqy91QjCfNpsopWe97vdLtfW9iaUNE5cq3vrd+WqX+Vh

vmplQFjUquMR52kA/TP69M1yTnb3eT3et2m+1nppza77A4yTi1J2V9Lb2tbS2vyZTkiuN52i

Ajgg7iOw7FeKyca19Iq3TW+nT8PuK93+VP10f3HHeE9anvV1XUbhBINGiaz0+1LEwwCCGJ3l

UEYE0jzKSwUY8oDnt8/iYctKS55OeJcZTb5bWc42jZx2jJcybd7vyP0mlGKowhGKio0oSVtF

rLltZWurLTseYeC9Xu7rS/FniC8klu9R1TXL/fJPNI32eC2ht4ba1gz9yGNGbA9WzXq5nh6e

DoZPltJWpujSrOSSjKVWpKSqTk4pXcuRXbZhlznXxOPlOX8CrUpRjZ8qjSjeOl7c2urW+586

+ItQnW0vW4ZphcXMrNks8j5VdzE5O1WHJ5JBJ+9X7Jl9GlhsvoU6Ubezo07vS8nZRbel9Ul1

Z+R5xiKtbOsZzSb/AHs0k23aKnNxirtq0b6JWOj8QeJ9btPCWmeFYL2SPR3060tpLZMKkkaw

ByGCgdRGAeerFutfF4LC4XGcTYidagpTo4jETi7vRpVbWWys9dn8tz7/ABFWrguF8LVw8lCp

LC4fmbV783soy0ut4trsr7H0N8KPCej6H4R0TV4LS0m1bXrCLUb3UZbSH7UFumV0sopgN6Wk

UQRBGGAJXcRk4HrZvipTxNW/MqdN8vIp2i588lKo1y/FJNX3+FHxGAjFUadkouortpJO3Kmo

3VnZdFsrnphkdHZEWKNULBRHEFx64KnjPtXz7lD2/svZrld353tJ3urb8q6HeruMfea5Xbyt

ZaWKy3E7OVEhUKEPH4Y4zjj/AD1q4KXPGPPLlsna7bV77SbbS0Wia00LShHlXKm5W1/4FmRi

5m+bLtktIudxH3S3b8P1rXDx5+eUpSfLOStzO2nW17eitp0JT95rlW7Witt/Wo0XUiqMFvl2

gZcn7zAfpiulrkioq+rWt3smrLfX169Qt7r23tsu5pWbtMY9zY3OQcAE9FJ5Pr9K6Ka91y+1

G67Xsl29TG/LpbRP9T5B/aZ0+K28ReHLxSWludGmSXcACRDdzGLJHXbkgZ6Z4r6ThqrJ1MXS

1SUaNtdmpTu12von5KzueZmHveyulb3tLL+7v3t07Hh+kXUgVcEgqSudxOeZMZz6BQPpX2zp

aKXM7yhftb3W7L8m+p5cny2vrytxXTZWX/DH3N4Eubu98H2P2VrTT7uztrOza/i0+3e8nRY8

K5mwjJJtVVLBiSBya+QzKao1YPlc41JTvFyajpq/d1Tvftpa6PRw8UowUm5LlTa2V+W+y09O

3mac+jajctM9/wCJ9fukht5pVhXULq3i3RqdvyR3GBz7VzSxcF7PkwtKDva/LFtJ2vZtXWmh

13pw9nFUY682sryei03/AK8j1z4ceHNL0+2ghtoNptlt0llyTJe3KW4ke8umJPmytLKzAHO3

oD3rkx05uXJKXMtbf3UtlFfZstLrdW7HI6snKUmk+VySVkkkm1bRdtNSo7kSzcnmSRjz1y7M

QfqTzXzEaVFOrONO0nVnzNvWTU3rJpLm11XNezb7s9jDTnyUlzacia6WvHTr0+VyIx5TdkZJ

7ohwCwXA49q5qusKlktJyWy3UviTXK03f8jfZLveKv8AncsQ227Z+8YYR2yiqrcbeMgYxz6d

qyw0KlSnNSqu8eaN+tn7qvq78u+ty3O20V7rX4uz2LcZjhUgxLK2PvzYkI69iMU4UnTaXPfl

jBbJX0abdrXb39d7mLm5Svay7ISK5lXPllY9oc4REUHdnIwqj/61dMXZPS+nXyTsNxXvabIk

jeeRyGnfB2MMfKRjBIypGQff0qo25I6WtFu2mul+33diFp0vZJfhb+kaEkW0qC7tgE5Z2OSF

U8jOP51zOTfKk3G9rWbsr26X/MFaNtF9p7JbWsZstyYWKhAwBI5PGFKjGMHjnpUzapVIQtfS

979dLuzT+WqsawTet1pb7K8/kVXvZocmMhAzsNq/KAOmMge9KNX2cJySd797d/K3rpr1CME5

OL15ddvMpzahcEnLZ475zznoRgg/157VnOvJTpqytK342v8Anp2Hybxvbl1vr0vpuZUt2wRH

KBsg5G4joBnBOev6VrVq+zo3tKXL0c35abadtioQXuqy95PW1rW/4cglvJ0DYcr8oHykoeMZ

5X1/pXjV6s4XlFRSnGUvhV1ypNaqyvrq7Xb1ZtTs5tP7PJHfpqtV8jONxJksCVJD8hm3fdzy

2c960oub5Zyl7slTTitP4i195O6fmrO+qsNxjySSXwqdr2snHa6tZ+j073KwvZpCSx+7gDBO

7v1bv0rS/InLVqnzKKbfS+7v722l02u922ZRtyR0S5lroummmmn5eQ/7XNGpYSS5G4cTOowM

eh4OD+lcDqyWJpxTfvb+9p7/AC7Lyv1b+RU4JKKsrWe67W+X3IYdRuiT85PbJJJ449fam8RV

g3Hnb5fMhRirLlXTp5D/2Q==

--------------351215CA1CF6--

=========================================================================

Date:         Mon, 8 Sep 1997 08:53:14 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: monday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

now delete many without

> reading and even thinking lately a god damn estate battle wouldn't be

> half bad because at least then some of the rancor moving from one edge

> of my screen to the other might have some justification.

 

 

David,

 

nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.

The list waxes and wanes as always, and is currently damn boring.  Find

myself deleting most of it.  Maybe I am growing tired of my obsession

with a fifty years ago lit movement, frozen in Eisenhower, but then that

works for me usually.

 

 i guess as i sip coffee and listen to the

> crickets chirp along in three part harmony and Corso jumps in and

> screams i was the best cricket and the other crickets let him on the

> stage and no spite he puts on quite a show and where are the crickets

> when you really really need them............

> 

Enjoyu the Chopin and chirp away--I find that sort of music centering

and should use it more--especially Bach and Mozart--so wonderful

organized and rational and clear.

 

James

=========================================================================

Date:         Mon, 8 Sep 1997 01:07:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: monday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> James Stauffer wrote:

> nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.

> The list waxes and wanes as always, and is currently damn boring.  Find

> myself deleting most of it.  Maybe I am growing tired of my obsession

> with a fifty years ago lit movement, frozen in Eisenhower, but then

> that

> works for me usually.

 

David & James, you're getting me really depressed with this fifty years

ago lit movement frozen in Eisenhower, and death, death all around stuff.

 So I turn to the person I usually turn to when I get depressed, Allan

Ginsberg, whose words remain alive in spite of his lack of physical

presence, and I open the Collected Poems to this:

 

I Beg You Come Back & Be Cheerful

 

Tonite I got hi in the window of my apartment

             chair at 3 a.m.

gazing at Blue incandescent torches

             bright-lit street below

clotted shadows looming on a new laid pave

--as last week Medieval rabbiz

             plodded thru the brown raw

             dirt turned over--sticks

                          & cans

     and tired ladies sitting on spanish

             garbage pails--in the deadly heat

                          --one month ago

             the fire hydrants were awash--

     the sun at 3 p.m. today in a haze--

now all dark outside, a cat crosses

             the street silently--I meow

and she looks up, and passes a

             pile of rubble on the way

            to a golden shining garbage pail

            (phosphur in the night

                     & alley stink)

             (or door-can mash)

     --Thinking America is a chaos

Police clog the streets with their anxiety,

     Prowl cars creak & halt:

 

Today a woman, 20, slapped her brother

          playing with his infant bricks--

      toying with a huge rock--

          'Don't do that now! the cops! the cops!'

And there was no cop there--

      I looked around shoulder

a pile of crap in the opposite direction.

 

Tear gas! Dynamite! Mustaches!

I'll grow a beard and carry lovely

     bombs,

I will destroy the world, slip in between

     the cracks of death

    And change the Universe--Ha!

I have the secret, I carry

              Subversive salami in

                         my ragged briefcase

"Garlic, Poverty, a will to Heaven,"

     a strange dream in my meat:

 

Radiant clouds, I have heard God's voice in

        my sleep, or Blake's awake, or my own or

the dream of a delicatessen of snorting cows

        and bellowing pigs--

            The chop of a knife

        a finger severed in my brain--

        a few deaths I know--

 

        O brothers of Laurel

Is the world real?

           Is the Laurel

a joke or a crown of thorns?--

 

          Fast, pass

          up the ass

          Down I go

          Cometh Woe

 

--the street outside

           me spying on New York.

The dark truck passes snarling &

           vibrating deep--

 

What

      if

            the

                  worlds

                  were

                  a

                    series

                      of steps

 

                           What

                           if

                         the

                      steps

                  joined

             back

          at

     the

Margin

 

Leaving us flying like birds into Time

       --eyes and car headlights--

       The shrinking of emptiness

in the Nebulae

 

These galaxies cross like pinwheels & they pass

         like gas

What forests are born.

 

September 15, 1959

>From Kaddish.

DC

=========================================================================

Date:         Mon, 8 Sep 1997 12:07:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: monday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> > James Stauffer wrote:

> > nice post, I agree with Diane Derooy--a "Big Sur" experience for sure.

> > The list waxes and wanes as always, and is currently damn boring.  Find

> > myself deleting most of it.  Maybe I am growing tired of my obsession

> > with a fifty years ago lit movement, frozen in Eisenhower, but then

> > that

> > works for me usually.

> 

> David & James, you're getting me really depressed with this fifty years

> ago lit movement frozen in Eisenhower, and death, death all around stuff.

 

Here in the Land where we still believe Eisenhower is President (somehow

still connected for recharging to WSB as exposed in Selected Letters)

and that the Pledge of Allegiance is still a pretty poem, the COPS have

a different angle.  They still believe that George Wallace is still

President and they pledge allegiance every morning to pictures of Kent

State.

 

dbr

=========================================================================

Date:         Mon, 8 Sep 1997 13:05:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Re: sentimentality

In-Reply-To:  <1.5.4.16.19970905163658.2377c386@mail.wi.centuryinter.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Fri, 5 Sep 1997, Mike Rice wrote:

 

> At 11:56 AM 9/5/97 -0700, you wrote:

> >>In her last post on Naked Lunch, Diane raised the issue of

> >>sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

> >>that vice.  Kerouac, however, has been the subject of a charge of

> >>sentimentality more than once.  At the end of a term paper I wrote for

> >>him on Kerouac, Alfred Kazin noted "But what about his spaniel

> >>sentimentality?"   I argue that Kerouac USUALLY rises above it,

> >>frequently undercutting such notions with mock-heroic juxtapositions as

> >>in the cowboy scene in OTR.  What do you think folks about the Beats --

> >>particularly Kerouac and Ginsberg -- in terms of their being overly

> >>sentimental?

> >>

> >  I don't necessarily consider sentimentality a "vice" when it comes to

> >literature.  Sentimentality is intrinsically tied to memory.  I'd argue that

> >sentimentality in writing demonstrates an author's ability to re-live

> >(frequently to re-love) the past on paper.  I won't get into the reliability

> >of memory here but neither Kerouac nor Ginsberg stick in my mind as overly

> >"gushy" or "flowery" writers.

> >

> >                                                     James M.

> >

> >

> There is not an ounce of sentimentality in Howl.  Not an ounce.

> Comedy, obscenity, blasphemy, yes, sentimentality no.

> 

> Mike Rice

> 

 

What about when Ginsberg describes the US: "The United States that we hug

and kiss under the covers.  "The United States that coughs all night and

wont let us sleep."

I'm paraphrasing, but this seems sentimental to me.

"And now Denver is lonesome for her heros."  this to seems sentimental.

 

-matt

=========================================================================

Date:         Mon, 8 Sep 1997 13:10:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Re: Relix August edition

In-Reply-To:  <3411785A.FCBACBB2@scsn.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 6 Sep 1997, R. Bentz Kirby wrote:

 

> In the August edition of Relix, the Greatful Dead type mag, they review

> on page 70, a book entitled, Everything I Know I Learned on Acid by Coco

> Perkelis.  One of the quotes she seized upon was by Jack, suposedly, and

> is:

> 

> "There's nothing nobler than to put up with a few inconvieniences like

> snakes and dust for the sake of absolute freedom."

> 

> Is this an accurate quote and from where?

> 

> Thanks.

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

> 

 

This is from "The Vanishing American Hobo." An essay in Lonesome Traveler.

Great essay and one of my favorite quotes.

 

-matt

=========================================================================

Date:         Mon, 8 Sep 1997 14:56:11 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Sentimentality

 

It seems to me that what some people point to as sentimentality in

Kerouac's work is really the result of a strong strain of nostalgia that

Kerouac shares with America's greatest writers from Cooper to

Fitzgerald.  This nostalgic view, it seems to me, is a direct result of

America's failure to realize its promise or live up to its dream.

=========================================================================

Date:         Mon, 8 Sep 1997 15:36:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Off the Road and On the List

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 12:59 PM 9/8/97 BST, you wrote:

>On Fri, 5 Sep 1997 14:12:33 -0500 Matthew S Sackmann wrote:

> 

>> Right now i'm reading the Electric Kool-Aid Acid Test and

>it is blowing me

>> away.  So great to see our Dean Moriarty back in action.

>And it seems

>> like the Pranksters were the only next logical step for

>the Beats to take.

> 

>I finished this in the summer, and was also completely blown

>away.  This might have had something to do with finishing it

>in Gare Du Nord (Paris) atfer a hectic day-trip with two

>hours sleep only, but hey!  It just seemed to me to be

>really inspiring, but also kinda sad.  The ideas and the

>force for change, not necessarily for good or for evil, but

>for change itself, seemed to be consumed by their own

>creation.  Kesey starts talking about "going beyond acid",

>which is something I'd been thinking for myself a while

>back, but "The Movement" are against it because it has

>become full of kids just getting their kicks, which is all

>fine and dandy up to the point where it stands in the way of

>what I would hesitatingly call progress.  Some of the

>Buddhists with connections to the Beats and what came after

>them saw LSD as neither the means nor the end.  Visions were

>all it was, not enlightenment in any sense.  Whilst it

>opened the doors, it did not allow people to step through

>and stay there, they just had to keep opening the door and

>watch it being shut again.

>The spirit of the thing seems to be the most important

>aspect which carried on, mostly (for my generation anyhow)

>through the book.  Just... experiment with the moment and

>see where you end up.  Change perception and live another

>way.  Nice.

>I read One Flew Over The Cookoo's Nest just before TECAAT,

>and it felt like a real kick in the butt for all those

>pretentious literary establishment (the shadowy they) who

>think that great "artistes" have to live a certain way, have

>to talk a certain way, have to do a certain way.  Kesey blew

>that apart, and whilst I haven't read anything else of his,

>it pleases me to know that to influence the establishment

>you don't have to be bound by it.

> 

>Tom. H.

>http://www.uea.ac.uk/~w9624759

>"A Bear of Very Little Brain"

> 

 

I tried Sometimes a Great Notion after that, and couldn't finish

it, it was so dull.

 

Mike Rice

=========================================================================

Date:         Mon, 8 Sep 1997 16:48:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Off the Road and On the List

In-Reply-To:  <ECS9709081248A@smtp.uea.ac.uk>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

might i suggest reading 'storming heaven, the history of lsd in america" by

jay stevens.

it includes priceless anecdotes, including AG and peter o's first trip in

which they appeared naked in tim leary's living room demanding a phone to

call the president and kreuschev (man, spelling is all gone to hell here)

and tell them the secret of peace, lots of other characters as well.

wonderful read informative and fills in much of the gaps between leary camp

and pranksters.

mc

=========================================================================

Date:         Mon, 8 Sep 1997 16:49:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: monday morning monologue

In-Reply-To:  <3413B24B.2CF0@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

thanks, diane for reminding us to stop puling and whining and read and

share. i just got paul mcD's WRITE OF PASSAGE  in the mail today. going to

spend some time with a friend i am going to meet in just about a month.

paul, you kick ass! and diane, what a gem of a poem.

mc

______

>I Beg You Come Back & Be Cheerful

> 

>Tonite I got hi in the window of my apartment

>             chair at 3 a.m.

>gazing at Blue incandescent torches

>             bright-lit street below

>clotted shadows looming on a new laid pave

>--as last week Medieval rabbiz

>             plodded thru the brown raw

>             dirt turned over--sticks

>                          & cans

>     and tired ladies sitting on spanish

>             garbage pails--in the deadly heat

>                          --one month ago

>             the fire hydrants were awash--

>     the sun at 3 p.m. today in a haze--

>now all dark outside, a cat crosses

>             the street silently--I meow

>and she looks up, and passes a

>             pile of rubble on the way

>            to a golden shining garbage pail

>            (phosphur in the night

>                     & alley stink)

>             (or door-can mash)

>     --Thinking America is a chaos

>Police clog the streets with their anxiety,

>     Prowl cars creak & halt:

> 

>Today a woman, 20, slapped her brother

>          playing with his infant bricks--

>      toying with a huge rock--

>          'Don't do that now! the cops! the cops!'

>And there was no cop there--

>      I looked around shoulder

>a pile of crap in the opposite direction.

> 

>Tear gas! Dynamite! Mustaches!

>I'll grow a beard and carry lovely

>     bombs,

>I will destroy the world, slip in between

>     the cracks of death

>    And change the Universe--Ha!

>I have the secret, I carry

>              Subversive salami in

>                         my ragged briefcase

>"Garlic, Poverty, a will to Heaven,"

>     a strange dream in my meat:

> 

>Radiant clouds, I have heard God's voice in

>        my sleep, or Blake's awake, or my own or

>the dream of a delicatessen of snorting cows

>        and bellowing pigs--

>            The chop of a knife

>        a finger severed in my brain--

>        a few deaths I know--

> 

>        O brothers of Laurel

>Is the world real?

>           Is the Laurel

>a joke or a crown of thorns?--

> 

>          Fast, pass

>          up the ass

>          Down I go

>          Cometh Woe

> 

>--the street outside

>           me spying on New York.

>The dark truck passes snarling &

>           vibrating deep--

> 

>What

>      if

>            the

>                  worlds

>                  were

>                  a

>                    series

>                      of steps

> 

>                           What

>                           if

>                         the

>                      steps

>                  joined

>             back

>          at

>     the

>Margin

> 

>Leaving us flying like birds into Time

>       --eyes and car headlights--

>       The shrinking of emptiness

>in the Nebulae

> 

>These galaxies cross like pinwheels & they pass

>         like gas

>What forests are born.

> 

>September 15, 1959

>>From Kaddish.

>DC

=========================================================================

Date:         Mon, 8 Sep 1997 16:49:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: monday morning monologue

In-Reply-To:  <341430D4.34E8@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

DAVE: i want to teleport you to the land of vermont where the possiblity of

hemp becoming a cash crop and bernie sanders remains in office (bernie

inhales and don't care who knows it!)

mc

>Here in the Land where we still believe Eisenhower is President (somehow

>still connected for recharging to WSB as exposed in Selected Letters)

>and that the Pledge of Allegiance is still a pretty poem, the COPS have

>a different angle.  They still believe that George Wallace is still

>President and they pledge allegiance every morning to pictures of Kent

>State.

> 

>dbr

=========================================================================

Date:         Mon, 8 Sep 1997 16:49:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Sentimentality

In-Reply-To:  <BEAT-L%1997090815000326@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>It seems to me that what some people point to as sentimentality in

>Kerouac's work is really the result of a strong strain of nostalgia that

>Kerouac shares with America's greatest writers from Cooper to

>Fitzgerald.  This nostalgic view, it seems to me, is a direct result of

>America's failure to realize its promise or live up to its dream.

_________

thanks bill. and i treasure the bits that JK does capture, like all the

FOODY sights and smells, the wrinkly tar pavement, the brown evenings the

suppers, all bring back to me the magic of being too young to understand

the world had already gone to shit before i was born.

mc

=========================================================================

Date:         Mon, 8 Sep 1997 16:56:01 -0400

Reply-To:     Neil Hennessy <nhenness@undergrad.math.uwaterloo.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Neil Hennessy <nhenness@UNDERGRAD.MATH.UWATERLOO.CA>

Subject:      Burroughs, sentiment, and love

In-Reply-To:  <Pine.A32.3.94.970908130359.27499A-100000@rs4.tcs.tulane.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 8 Sep 1997, Matthew S Sackmann wrote:

 

> On Fri, 5 Sep 1997, Mike Rice wrote:

> 

> > At 11:56 AM 9/5/97 -0700, you wrote:

> > >>In her last post on Naked Lunch, Diane raised the issue of

> > >>sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

> > >>that vice.

 

For anyone who wants to know why "sentimentality" is a dirty word when

applied to literature, I refer you to that handy Glossary of Literary

Terms by MH Abrams. Sentimentality is so reviled that it made the glossary

under its own title. Like writing love poems, expressing sentiment without

sentimentality is extremely difficult, when it's so easy to fall into

age-old cliches and simplistic devices. The problem is, as ever, to make

it new, without recourse to excess, or cloying cliche. Does Kerouac

succeed? I'll leave that to the Kerouac crowd.

 

Diane, Burroughs is not entirely free from the attempts at capturing

sentiment. Whenever he talks about his cats, or lemurs, he always runs the

risk of lapsing into a cheap sentimentality, however I think he escapes

it. It was almost a shock to read The Cat Inside for the first time, and

Burroughs himself recognizes it when he says he reads over the notes he

has written about his cats and hears the voice of a simpering old queen.

 

You are correct in that sentiment never appears previously in his work,

and several critics have pointed to the absence of ANY sentiment as a

distinguishing factor-- unless one infers sentiment in the short almost

nostalgic fragments about St. Louis that appear throughout The Wild Boys,

and to a lesser extent Port of Saints, but that's a stretch. There is

certainly no sense of sentimentality in the detached 1-dimensional

characters of NL and the cut-up trilogy.

 

In creating sentiment, Burroughs writes some of his most beautiful lyric

passages in The Ghost of Chance, something Miles remarks on in El Hombre

Invisible. The encounters between Captain Mission and the lemurs are

equally and achingly sad and beautiful, hauntingly poignant.

 

Along with the creation of sentiment in The Cat Inside, we also have the

first instance of a positive portrayal of love. In the cut-up trilogy,

love is the "Love Con": a viral force and the chief weapon of the

Venusians in their desire to maintain their parasitic life by perpetuating

the Myth of Duality. In The Cat Inside, Burroughs' sees his relationship

with his cats and their need for him as a source of beauty;  however he

constructs the power balances involved in the need of the cats in the same

way that he constructed the addictive nature of love in human

relationships. Now, for Burroughs, "need" had always been a dirty word,

and the need for a sexual other in a love relationship was just another

variable in The Algebra of Need. He remarks in The Cat Inside that his

sexual desire has all but disappeared, so it is interesting how the need

for a human sexual other is reviled, but the rise of the need for a

non-sexual feline familiar is celebrated. Somehow the algebra of need

between cat and keeper is beautiful and endearing, while the face of total

need on a human is the ugliest thing there is.

 

What I think a few people missed a while back when discussing Burroughs'

last (written) words, was the affinity he again draws between love and

junk:

 

"Love. The most natural pain-killer. What there is. LOVE."

 

Someone said that it probably should have been that love is the greatest

source of pain, but as the most natural pain killer, like junk, love is

also involved in the addiciton/withdrawal cycle. Burroughs has come full

circle, and reaffirms the cycle of addiction, but this time he accepts it

with resignation, rather than trying to escape. When Fletch dies,

the pain killer is gone and he must feel the horrible experience of

withdrawal. Burroughs opened himself to that love, but the ontological

affirmation "What there is" makes love ineluctable, inevitable.  Love may

ease the pain of living, but its loss focusses that pain to a blinding

intensity.

 

So in a roundabout way, that's how I read Burroughs' last journal entry.

 

Neil

=========================================================================

Date:         Mon, 8 Sep 1997 16:06:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Jilk <ljilk@GUINAN.MPS.ORG>

Subject:      Re: sentimentality

In-Reply-To:  <Pine.A32.3.94.970908130359.27499A-100000@rs4.tcs.tulane.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>On Fri, 5 Sep 1997, Mike Rice wrote:

> 

>> At 11:56 AM 9/5/97 -0700, you wrote:

>> >>In her last post on Naked Lunch, Diane raised the issue of

>> >>sentimentality.  Certainly, Burroughs, like Old Bull Lee, is free from

>> >>that vice.  Kerouac, however, has been the subject of a charge of

>> >>sentimentality more than once.  At the end of a term paper I wrote for

>> >>him on Kerouac, Alfred Kazin noted "But what about his spaniel

>> >>sentimentality?"   I argue that Kerouac USUALLY rises above it,

>> >>frequently undercutting such notions with mock-heroic juxtapositions as

>> >>in the cowboy scene in OTR.  What do you think folks about the Beats --

>> >>particularly Kerouac and Ginsberg -- in terms of their being overly

>> >>sentimental?

>> >>

>> >  I don't necessarily consider sentimentality a "vice" when it comes to

>> >literature.  Sentimentality is intrinsically tied to memory.  I'd argue

>>that

>> >sentimentality in writing demonstrates an author's ability to re-live

>> >(frequently to re-love) the past on paper.  I won't get into the

>>reliability

>> >of memory here but neither Kerouac nor Ginsberg stick in my mind as overly

>> >"gushy" or "flowery" writers.

>> >

>> >                                                     James M.

>> >

>> >

>> There is not an ounce of sentimentality in Howl.  Not an ounce.

>> Comedy, obscenity, blasphemy, yes, sentimentality no.

>> 

>> Mike Rice

>> 

> 

>What about when Ginsberg describes the US: "The United States that we hug

>and kiss under the covers.  "The United States that coughs all night and

>wont let us sleep."

>I'm paraphrasing, but this seems sentimental to me.

>"And now Denver is lonesome for her heros."  this to seems sentimental.

> 

>-matt

 

fuck sentimental. i don't know if that is, but if it is i don't know if

there's anything wrong with it, but aww what the fuck, i'm just writing

this cuz i don't have anything to do. sorry i'm sending this but i don't

want to waste my typing time. see, the whole thing with sentimentality is

this, sometimes, when you feel sentimental about something, let's take

Kerouac as kind of an American angel and American tragedy, it expresses

something about the circumstance that another emotion would not express.

there's nothing intrinsically wrong with sentimentality, so if a little of

it appears in Kerouac and Ginsberg, that might be alright. i think as

writers, both these authors expressed an emotional connection to America

and that part of the compassion which the beats claimed to promote might

include sentimentality as a function of it. sorry for this emotional and

senseless post. i'm being forced to face a frustrating life as i write

these very words.

 

 

 

leo

 

 

 

 

 

 

"The whole problem with the world is that fools and fanatics are always so

certain of themselves, but wiser people so full of doubts."

 

                        --Bertrand Russel

 

"Time is an illusion. Lunchtime doubly so."

 

                --Douglas Adams

=========================================================================

Date:         Mon, 8 Sep 1997 16:08:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: monday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> 

> In a message dated 97-09-08 08:47:37 EDT, David Rhaesa writes:

> 

> <<  just listening to the cricket talk i

>  said to myself what the fuck just type what the cricket is saying and

>  let them delete it and complain about it  >>

> 

> sounds like yer havin a big sur experience back there in the heartland,

> dbr...

 

and how else would you start your monday morning????

 

dbr

=========================================================================

Date:         Mon, 8 Sep 1997 23:57:29 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      The Art Of Beat Maintenance.

In-Reply-To:  <341430D4.34E8@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        Alan W. Watts   remembered

        THE WAY OF ZEN  1957

 

        Rin Tin Tin             &               Zorro

        ...a numbers of years ago (i remember the first

                                        televised operas &

                                        old dodge car & platters' song

                                        and sunny afternoon)

 

 

        ...a numbers of years ago

        1947 Jack Kerouac wrote

                then it was a fast walk along a silvery,

                dusty road beneath inky trees of California-

                a road like in The Mark of Zorro and a road

                like all the roads you see in Western B movies

 

 

 

        HOOT!

                hooooooooooooot!

                                        1997

        by the way      TODAY

        except for hair pinned head

 

                        IS THAT A PROBLEM?

        sure    sure    NOT just drunk...

 

        spiders!        VIRTUAL REBELS!

        caffeine addicted               virtual rebels

 

                        IS that a problem?

 

        ok THE WEB today look LIKE MORE

        a PICASSO's painting

                        IN EVERY WAY

 

        long live Zorro & Rin Tin Tin

                        my old friends!

 

 

Rinaldo.

9 sep 97

=========================================================================

Date:         Mon, 8 Sep 1997 18:30:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LYSDEXIC <breithau@KENYON.EDU>

Subject:      Re: monday morning monologue

 

Yes, Paul, I received WRITE OF PASSAGE today too, and love it! A thumbs up

review! I brought it to work so I probably won't get much done. Anyway, I

recomend the book to all BEAT-L subscribers, tis the title above by Paul

McDonald.

 

was worth the wait Paul, thanks,

 

Dave B.

=========================================================================

Date:         Mon, 8 Sep 1997 17:54:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         =?iso-8859-1?Q?Sinverg=FCenza?= <ljilk@MAIL.MPS.ORG>

Subject:      URGENT:READ NOW

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

i got a question, which i'd appreciate it if someone could answer for me

tonight. when was On The Road published for the first time? this month

forty years ago, correct, but the date? i'm going to try to organize a

marathon reading of the book at a local joint in my little Minnesota town

(Winona).

 

thanks much,

leo

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Mon, 8 Sep 1997 16:11:15 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: sentimentality

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

What do you think folks about the Beats --

> particularly Kerouac and Ginsberg -- in terms of their being overly

> sentimental?

 

Thanks Bill for suggesting an interesting thread.

 

Kazin is certainly not the first to accuse the Beats of "spaniel

sentimentality." But one always needs to take someone like Kazin

somewhat seriously.

 

I think that at their best neither JK nor AG are really "sentimental."

Norman Rockwell is sentimental--expurgated, sweetened, etc.  Both JK and

AG are certainly nostaligic and enthusiastic and I think these elements

get confused with sentimentality.  In Kerouac there is a sort of naivete

that can look like sentimentality but isn't.  Jack is not afraid to be

enthusiastic and positive about the things he loves.  Ginsberg also. But

the way Jack pictures Lowell is hardly the way Rockwell would. This

enthusiasm is one of the principle ways that JK and AG rebelled against

the all pervasive irony and fatalism that seem to characterize much of

modernism.  No one ever accused Pound and Eliott and Joyce of being

sentimental.  Kerouac (especially) at his best has a wonderful naive

enthusiasm for his subject matter.  He is certainly in a great American

tradition with this going back through Wolfe to Whitman.  Ginsberg, as

in the passages Matthew quotes, and more so in later, weaker things,

seems to me to verge closer on sentimentality.  But when you hear

Ginsberg read his things he gives the lines a sort of self mocking

irony, (as in Denver being lonesome for her heroes) that makes the line

seem less sentimental than funny.  Ginsberg and Kerouac look back to

enthusiasts and visionaries like Whitman and Blake.  Neither figure was

attractive to the New Critics and their heirs (like Kazin) and the

critical establisment has never tired of flogging them  for this error.

 

I don't follow you, Bill, on your seeing this "sentimental" theme as the

result of American writers having been "failed" by America.  Hell,

America has failed everyone.  No other country I can think of has been

founded with a myth or collection of myths it was expected to live up

to.  Nations that were formed as the result of a king finally being able

to dominate lesser nobles and form a larger enterprise don't have this

problem or having been formed to exemplify an idea. They develop their

national myths long after the fact of their founding.  How seriously did

anyone take Romulus and Remus.  America certainly has failed to live up

to its billing.  The ideas were unrealizable given  the nature of us

humans.  America failed the Puritans (lord if they were to see us now.

Maybe I could give Cotton Mather a pass to Bondage a Go Go at the

Trocadero) just as badly as it failed JK or Fenimore Cooper.

 

Sentimentality is sugar coated and false.  I don't thing our boys are.

 

J. Stauffer

=========================================================================

Date:         Mon, 8 Sep 1997 16:23:19 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Off the Road and On the List

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> 

> I tried Sometimes a Great Notion after that, and couldn't finish

> it, it was so dull.

> 

> Mike Rice

 

Mike,

 

That's too bad.  I don't think I've reread SAGN for twenty years or so

but my friends and I loved it when it came out and it held up well for

me when I reread it in the 70's.  You need some interest and sympathy in

rural life to love it, probably.  But a great story in the Faulknerian

tradition.  Wonderful conflict between the intellectual brother and his

ubermench redneck brother and not flattering to the intellectual side.

Or the union side, and this is hard for academics and liberals to love.

Not a PC book.  But there are great characters and a wonderful story and

great minor characters too, like the wino shake bolt cutter.  But then I

spent a lot of time in Oregon around the logging trade so that adds

something for me--but I hadn't done that yet the first time I read and

loved this book.  Give it another try sometime--it might grab you. And

if you had ever spent a few weeks of winter in any town like Coos Bay,

Newport, Florence, Waldport, etc--you would understand.

J. Stauffer

=========================================================================

Date:         Mon, 8 Sep 1997 19:28:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         LYSDEXIC <breithau@KENYON.EDU>

Subject:      Sometimes a Great Notion

 

I love Sometimes A Great Notion, which does flip around in time but the

language is beautiful. If you finish the book you are greatly rewarded (if you

have been a careful reader). It is one of those books I re-read every three

years or so, along with ON THE ROAD.

 

But yes, a serious Faulkner influence is in tha book. I was reading Faulkner's

The Bear the other day and thought, 'where have I read this before?' (at least

style-wise). I am surprised how many people have trouble with this book as I

think it is Kesey's best so far.

 

Dave B.

=========================================================================

Date:         Mon, 8 Sep 1997 22:31:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Zorro

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo,

 

I enjoyed the sentimentality of the Zorro and Rin Tin Tin images.  Have

you ever hear Son of Zorro or something like that by Hall and Oates?  It

was on the one album where they tried to make music instead of hits,

Abandoned Lunchenette.(Sp?).  For anyone like me who grew up in the 50's

and was worried to start school because my mom might not let me stay up

to watch Zorro, Rinaldo's poem and Son of Zorro are required reading.

 

I think the song is something like:

 

War baby, son of Zorro.

 

The bold renegade carves a z with his blade, the horseman known as

Zorro.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 9 Sep 1997 00:18:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Did you ever?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Did You Ever See Rinaldo?

 

Did you ever sell the Star?

save up enough to buy x-ray glasses?

collect soda bottles for a deposit?

buy anything out of the ads in Boy's Life?

buy anything out of the ads in a comic book?

save up enough Kool-Aid points to get anything worth having?

hate the kid that actually sold enough (insert here "wrapping paper,

light bulbs, candy, or other appropriate item") to actually get a decent

prize instead of the pencil set with your name on it like I usually got?

work as a school crossing guard, but you had to explain to the principal

that you really were responsible, it's just that school is so boring and

someone has to make the class laugh?

want to be a bird until you figured out that birds were actually less

free than you?

get run into on your bike on the way to school when your teacher pulled

out from her driveway in front of you?

have a friend pull out a knife and scrape a new car the length of its

body to impress you?

feel like you just ran too slow?  And didn't know what to do about it?

grow up to run track?

work in a watermelon field?

eat baloney sandwiches with mayonaise for lunch?

drink RC Colas under the shade of a live oak?

eat vienna sauages with saltines for lunch?

wonder if snakes lay in the watermelon vines that came up to your knees?

clip ripe melons, between 20 to 25 pounds, and don't screw up?

carry 45 pound melons out of a field when you weighed 115 yourself?

ask the wino to buy you two quarts of Country Club Malt Liquor?

buy the wino a drink of his choice?

buy a homeless man a meal?

see Jesus?

see God?

see Rinaldo on the rec.music.dylan newsgroup?

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Tue, 9 Sep 1997 01:18:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: barcelona book stores

In-Reply-To:  <199709070105.AA21413@world.std.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Hi.I'm pretty sure I'm going to Barcelona in Oct.and am hoping

>that you may know of cool bookstores there (and if they sell

>English language in addition to Spanish).

> 

>Also

>Is there a Spanish Kerouac/Cassady/Holmes/Huncke whose books

>I should search out?

> 

>Thanks,

> 

> 

>Carl

 

There's a beautiful Spanish "Memory babe" with a stunning (tinted) pic of

JK onthe cover.

 

j grant

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Tue, 9 Sep 1997 04:09:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         BeatRyder@AOL.COM

Subject:      Lowell Celebrates Kerouac! Website

 

I would like to announce the creation of the official Lowell Celebrates

Kerouac! Website.  This site contains photos and information regarding the

upcoming Lowell Celebrates Kerouac! Festival, October 2-5 1997. The URL is

http://members.aol.com/LCKerouac/index.html

 

I welcome everyone to contribute ideas and suggestions to help this site

grow, your contributions are important!

 

Sincerely,

Jeff Durand

Lowell Celebrates Kerouac!

=========================================================================

Date:         Tue, 9 Sep 1997 05:26:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Tuesday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Slight insomnia went to denny's reading huston smith hindu stuff start

talking with don the 66 year old hitch-hiker.  he described himself as

"i got the face of 25 miles of bad road."  i cackled.  We talked about

everything from here to eternity the broad general view of things and

the specifics of the worrying away of society.  He'd worked at the track

in East Moline so we had kismet from my Rock Island wandering period...

nice real conversation.  He said i looked like a writer.  How nice for

me.  First time i'd really heard that around here.  He's headed to

Chicago or Wisconsin....

 

Back at apartment....deafening silence.  only mechanical sounds ...

fridge, water from other apartments, something missing this morning ...

 

WHO STOLE MY CRICKETS !!!!!!!

A damn choir full of them yesterday morning just musing along and while

i'm off with Don the Hitch-hiker some how someone snuck in here and

sweeped up the whole damn operahouse full.  If you see them say hello.

No rewards - but tell them they're welcome back anytime.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 9 Sep 1997 07:32:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Tuesday morning monologue

In-Reply-To:  <34152455.4712@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>WHO STOLE MY CRICKETS !!!!!!!

>A damn choir full of them yesterday morning just musing along and while

>i'm off with Don the Hitch-hiker some how someone snuck in here and

>sweeped up the whole damn operahouse full.  If you see them say hello.

>No rewards - but tell them they're welcome back anytime.

 

hey dave! i didn't see them but did receive an email from them. they've

decided to do the Grand Tour of Europe with first stopover in venice to

sing to rinaldo.

mc

=========================================================================

Date:         Tue, 9 Sep 1997 08:33:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: URGENT:READ NOW

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     The review in the New York Times appeared 9/5/47 and "the phone

     started ringing the next morning", that is the only date I have heard

     associated with OTR, in that respect.

 

     love and lilies,

 

     matt h.

 

 

______________________________ Reply Separator _________________________________

Subject: URGENT:READ NOW

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    9/8/97 5:54 PM

 

 

i got a question, which i'd appreciate it if someone could answer for me

tonight. when was On The Road published for the first time? this month

forty years ago, correct, but the date? i'm going to try to organize a

marathon reading of the book at a local joint in my little Minnesota town

(Winona).

 

thanks much,

leo

 

 

"Let us hope that the whores of evil no longer loiter on the doorsteps of

your path, beckoning you into the brothel of despair, and that hereinafter,

you may present them with the most rigid manifestations of a firm and manly

will. Ad astra per aspera."  --Jack Kerouac

=========================================================================

Date:         Tue, 9 Sep 1997 17:40:10 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Alex magnetic file. (Kikka traslates)

In-Reply-To:  <341430D4.34E8@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

friends,

a new italian writer & On the Road (Sulla Strada),

 

"Jack Frusciate e' uscito dal gruppo"

a novel written by Enrico Brizzi.

Kikka has translated a fragment,

 

saluti

Rinaldo.

 

---

"From the magnetic file of Mister Alex D. I m readin

Kerouac, and don t bother me  cause I m readin  Kerouac,

and I m listenin  to all my records, and I m readin  also

Tondelli and Andrea de Carlo that become my favourite

italian writers.

I don t care about seeing anyone.

I m at my granny s, gettin  ready for my removal, with my

jollinvicta full of coverage books, Bolognese writers

books, a pair of pyjamas and two or three shirts.

Aidi has never seen my house.

At first, when we had just met, we decided that she had to

spend an afternoon at my house, but when I told the

Chancellor so, he kicked up a shindy, and the problem -

ehm - was essentialy that she was a girl.

... And since you have to gain your spaces, and finding

everything on a plate makes no-backboned people and here

we don t need no-backboned people, at most you can do as

some English students, that when invite a girl into their

room unhinge the door.

Really picturesque, but do we need it?

It s respect.

But since I didn t want my parents to look Aidi up and

down all the afternoon, I told her about our dialogue and

- many greetings - she has never been to my house.

When my parents ll be away, such as the day after tomorrow

very very early - my family s shifts are incredible for

the hour they happen such as a quarter to six in the

morning: it s obvious: you re so slow! - my house ll be

closed hermetically, locked up, and who s outside is

outside and who s inside is inside.

And since I want Aidi to see my house after leaving, and

since my parents - provident (!) - took my keys in order

to keep me away from the house, when I came back from

England , I went to a hardware store and I had two copies

of the keys done, in spite of any unforseen event.

The day after tomorrow morning we ll use them to penetrate

the mistery of the submerged flat, and I can not answer

the phone,  cause I do read On the Road, now."

---

Kikka.

=========================================================================

Date:         Tue, 9 Sep 1997 08:28:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Tuesday morning monologue

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

Good morning David and all,

 

+AD4-Slight insomnia went to denny's reading huston smith hindu stuff start

+AD4-talking with don the 66 year old hitch-hiker.  he described himself as

+AD4AIg-i got the face of 25 miles of bad road.+ACI-  i cackled.  We talked

 about

+AD4-everything from here to eternity the broad general view of things and

+AD4-the specifics of the worrying away of society.  He'd worked at the track

+AD4-in East Moline so we had kismet from my Rock Island wandering period...

+AD4-nice real conversation.  He said i looked like a writer.  How nice for

+AD4-me.  First time i'd really heard that around here.  He's headed to

+AD4-Chicago or Wisconsin....

 

You came to Santa Cruz by highway 17. End of twenty miles of twisting and

turning mountain road with unexpected dangerous turns, woods melting into

the rolling hills,

layered to catch the sun from different angles. Man I seen that nameless

dude, or was he, eerie how they all seem to be.  Only on weeknights though.

On weekend late bights early morns our Denny's still gets invaded by the

dressed up young and middling revelers, mooching and smooching and party

weary, some did and some didn't, some didn't yet, some falling asleep on

their dreams, bodies worn by drink, drugs and looks frazzled at the edges.

The air full of chatter, every inch of air full of rising falling chuckles.

A circus of battered dating game officionados, hunters returning from the

streams looking for dolphins, bitten by sharks, you know, fishermen's

stories, mebbe it is a mackerel, almost ready to give up, to call it another

day.  Want to know what the frat kids are wearing? the music they are

hearing, the jokes they are telling, who is

making out with whom, The secretaries and their bosses, the salesmen and

their neighbors, come to Dennys sunday morning, late night morning.

 

On weekdays though the place is a ghost filled with empty shadows, a rumpled

traveller here and there. A homeless person making it through the night with

a few cups of coffee at Denny's. Sometimes a couple sitting on the sidewalk

against

the wall with backpacks beside them. Used to be full of  hikers and bikers

and hippies hitching rides discussing the merits of the latest from

Michuakan.  Now it is more frowning mouths in dirt caked faces, piercing

souls fixing on my eyes for a quarter, mister. I try not to

look. Out of a corner of the eye I see the +ACI-regulars+ACI- few. One got

 always a

cup of coffee in front of him, stacks of frazzled notebooks, and he is

scribbling, scribbling, always noticing that he is noticed, not saying a

word. You remind me David, got to say hello next time I see him.

 

Seldom hear crickets here. Can't remember when I heard those ones. But the

large lawn in front of the house is a living sparkling carpet of frog

symphony in season. Every chair, blade of grass full of sound, constant,

incessant,

total, excited , no room for anything in the world down there endless

timeless, not going anywhere, we are all here now,  one steady song on and

on and

on, i have waited, but always been outwaited. No change, no stop. The

thought of

stepping on that grass drives me further away from it. First time I heard it

coming home I didn't know what in the hell that was about. Maybe it was a

strange new miniature sprinkler system, not quite hissing but something like

that in there also, newfangled technology my first expectation. But it had

just rained. Was still drizzling. Come to find out it happens only after

rains. But they will be there. After four years here I can count on these

frog song fests, although only sometimes. Usually I am surprised after

giving up the wait. Where do they come from? Where do they go? Always there,

unheard of, unseen? Transported by the rain drops for a National convention?

Jubilee? Never saw one yet. I keep looking for one. Just one. Never.

 

Someone said they are the size of a thumb-nail. Frogs? Can it be?

I know them when I hear them though. My head is full of their sound. That's

another thing, their sound fills my head, no space left for anything else.

Wish I had the words to describe them like some music critic examining the

after taste of nature.

 

To relevate the topic - are they beat? Telling us something we could learn

to understand? Beating the bushes.

 

I am off again, to work again , have a good Tuesday, ciao

 

leon

 

+AD4-Back at apartment....deafening silence.  only mechanical sounds ...

+AD4-fridge, water from other apartments, something missing this morning ...

+AD4-

+AD4-WHO STOLE MY CRICKETS +ACEAIQAhACEAIQAhACE-

+AD4-A damn choir full of them yesterday morning just musing along and while

+AD4-i'm off with Don the Hitch-hiker some how someone snuck in here and

+AD4-sweeped up the whole damn operahouse full.  If you see them say hello.

+AD4-No rewards - but tell them they're welcome back anytime.

+AD4-

+AD4-david rhaesa

+AD4-salina, Kansas

+AD4-.-

+AD4-

=========================================================================

Date:         Tue, 9 Sep 1997 16:06:29 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@MAILHUB.JAXNET.COM>

Subject:      Re: URGENT:READ NOW

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> i got a question, which i'd appreciate it if someone could answer for me

> tonight. when was On The Road published for the first time? this month

> forty years ago, correct, but the date? i'm going to try to organize a

> marathon reading of the book at a local joint in my little Minnesota town

> (Winona).

damn. your three days late. it was the fifth of september for all the

others out there who do not know.

 

> "Let us hope that the whores of evil no longer loiter on the doorsteps of

> your path, beckoning you into the brothel of despair, and that hereinafter,

> you may present them with the most rigid manifestations of a firm and manly

> will. Ad astra per aspera."  --Jack Kerouac

 

randy

> 

=========================================================================

Date:         Tue, 9 Sep 1997 16:43:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      PAINKILLER! -- a musical montage

Comments: To: "Beach@qconline.com" <Beach@qconline.com>,

          "CVEditions@aol.com" <CVEditions@aol.com>, babu <dkpenn@oees.com>,

          Sherri <love_singing@msn.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

PAINKILLER!

(in loving Remembrance of Fletch and Jonah)

 

Side One: Becoming Osiris

 

1)  Strange Waters -- Bruce Cockburn

2)  Leftover Wine -- Melanie

3)  Interlude and Last Words of Dutch Schultz (LWDS) -- WSB

4)  It's the End of the World ...  -- REM

5)  Rome wasn't Built in a Day  -- Sam Cooke

6)  Jazz Police -- Leonard Cohen

7)  St. Stephen -- Grateful Dead

8)  And So it Goes -- Nitty Gritty Dirt Band with John Denver

9)  Interlude & LWDS -- WSB

10) Sermon on Mount 3 -- WSB

11) Lord's Prayer -- WSB

12) STAND -- REM

13) Random Chopin

 

Side Two:  The Bardo

 

1)  Mother -- John Lennon - Live in NYC

2)  Knockin' on Heaven's Door -- Eric Clapton

3)  Presence of the Lord -- Eric Clapton

4)  Interlude and LWDS -- WSB

5)  Knockin' on Heaven's Door -- Robert Zimmerman

6)  Forever Young -- Robert Zimmerman

7)  Interlude and LWDS -- WSB

8)  Sittin' on Top of the World -- Ray Charles

9)  What a Wonderful World -- Louis Armstrong

10  Ancestros and onward -- AndesManta

 

Love most natural painkiller!!!!  Especially set to music .....

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 9 Sep 1997 22:57:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79@AOL.COM

Subject:      membership

 

hi, i'd like to sign on.

=========================================================================

Date:         Tue, 9 Sep 1997 20:08:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: membership

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 To do that you need to send an e-mail to listserv@cunyvm.cuny.edu , leave

the SUBJECT field empty,  in the body type:

 

        SUBSCRIBE BEAT-L

 

That's all you need to do.

 

Just another member of the group sying hello, welcome to our midst

 

leon

 

-----Original Message-----

From: M84M79@AOL.COM <M84M79@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, September 09, 1997 8:05 PM

Subject: membership

 

 

 

>hi, i'd like to sign on.

>.-

> 

> 

=========================================================================

Date:         Wed, 10 Sep 1997 10:24:39 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Monastic beat

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

 In the introduction of the italian edition of JK's Big Sur I have found

the name of William Emerson who later became a dominican monk.

 Does anybody know something about him ?

 Was he a writer or a person of JK's entourage in the late 50's ?

 

Ciao.

 

Francesco

 

dufour@ulisse.it

=========================================================================

Date:         Wed, 10 Sep 1997 11:03:34 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>

Subject:      HELP: Burroughs/Ginsberg and the BIJOU in N.Y.C.

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

Hi dear folks,

 

Again I need your help. Is there any signs or references in Burrough=B4s

works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East Side

in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well

Ginsberg  might have been a regular there. Is there any place called BIJOU

that is mentioned?

And, by the way, do you know something about Allen=B4s social life, where

were his faviourite spots in the city etc.

Is there any refences in the texts whatsoever, please, write to the list.

 

Thank you very much,

 

Matthias Schneider (Berlin)

=========================================================================

Date:         Wed, 10 Sep 1997 05:41:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: HELP: Burroughs/Ginsberg and the BIJOU in N.Y.C.

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

At 11:03 AM 9/10/97 +0200, you wrote:

>Hi dear folks,

> 

>Again I need your help. Is there any signs or references in Burrough=B4s

>works or Ginsberg=B4s about the gay porntheatre BIJOU in the Lower East=

 Side

>in N.Y.C. (near 2nd Avenue and 5th Street). I heard that Burroughs as well

>Ginsberg  might have been a regular there. Is there any place called BIJOU

>that is mentioned?

>And, by the way, do you know something about Allen=B4s social life, where

>were his faviourite spots in the city etc.

>Is there any refences in the texts whatsoever, please, write to the list.

> 

>Thank you very much,

> 

>Matthias Schneider (Berlin)

> 

> 

The San Remo Cafe and Dance Club or the 1940s and 50s.

 

Mike Rice

=========================================================================

Date:         Wed, 10 Sep 1997 05:54:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Monastic beat

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

That would be poet Brother Antoninus.

 

----------

> From: Dufour <dufour@ULISSE.IT>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Monastic beat

> Date: Wednesday, September 10, 1997 3:24 AM

> 

>  In the introduction of the italian edition of JK's Big Sur I have found

> the name of William Emerson who later became a dominican monk.

>  Does anybody know something about him ?

>  Was he a writer or a person of JK's entourage in the late 50's ?

> 

> Ciao.

> 

> Francesco

> 

> dufour@ulisse.it

=========================================================================

Date:         Wed, 10 Sep 1997 09:26:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      FW: Beat symposium schedule

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit

 

----------

From:  holladayh@woods.uml.edu[SMTP:holladayh@woods.uml.edu]

Sent:  Tuesday, September 09, 1997 3:24 AM

To:  Hemenway . Mark; MHEMENWAY@S1.DRC.COM

Subject:  Beat symposium schedule

 

BEAT LITERATURE SYMPOSIUM

 

Fri., Oct. 3, 1997

O'Leary Library auditorium (room 222)

Univ. of Massachusetts Lowell

 

Schedule of Events

 

9 a.m. Introductory remarks

Hilary Holladay, Symposium Director, U. Mass. Lowell (holladayh@woods.uml.edu)

 

9:15 a.m. Kerouac's Romantic Influences

Ronna Johnson, Tufts University, panel chair

1. "The Romance in the Prose: Wordsworth and Kerouac's 'Low and Rustic'

Speech"--Dan Terkla, Illinois Wesleyan University

2. "Blowing It with the Romantics: Kerouac's _Subterraneans_ as a Poetic

Response to Romantic Heritage"--Carrie Heimer, Univ. of New Hampshire

 

10:30 a.m. Fathers, Visions, Everything: The Beat Search for Spiritual

Fulfillment

Rev. Steve Edington, Unitarian Universalist Church, Nashua, N.H., panel chair

1. "_On the Road_: Kerouac's Fellaheen Western"--Manuel L. Martinez, Indiana

University

2. "The Divine Beat: Brother Antoninus and the Material God"--Bradford T.

Stull, Rivier College

3. "Kerouac's Visionary Moments: Rhetoric of a Temporal Construct"--Paul

Maltby, West Chester University

 

(lunch break)

 

2 p.m. Keynote Speech

"'Telepathic Shock and Meaning Excitement': Kerouac's Poetics"--Ann Douglas,

Professor of English, Columbia University, author of _Terrible Honesty:

Mongrel Manhattan in the 1920's_ (1996)

 

3:15 p.m. Tribute to Allen Ginsberg, 1926-1997

1. Anne Waldman, poet and co-founder (with Ginsberg) of the Jack Kerouac

School of Disembodied Poetics at the Narope Institute, Boulder, Col.

2. Bill Morgan, archivist whose bibliographies include _The Works of Allen

Ginsberg, 1941-1994_ (1995), New York, N.Y.

3. George Condo, artist who has painted numerous portraits of Ginsberg,

New York, N.Y.

 

The Beat Lit. Symposium is part of "Lowell Celebrates Kerouac!," a city-wide

festival honoring native son Jack Kerouac and his writings. The festival

is held annually during the first weekend in October.

 

This year, for the first time, the Symposium will be held free of charge.

Please join us for an exciting day of Beat scholarship and discussion!

 

For more info., contact Hilary Holladay, U. Mass. Lowell, holladayh@woods.uml.

edu.  Note that the deadline for paper submissions for NEXT YEAR'S

Beat Lit. Symposium is July 31, 1998. Send all correspondence and proposals

to Dr. Holladay, English Dept., U.Mass. Lowell, Lowell, MA 01854.

=========================================================================

Date:         Wed, 10 Sep 1997 08:23:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <prinzhal@IX.NETCOM.COM>

Subject:      Re: Monastic beat

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:24 9/10/97 +0200, you wrote:

> In the introduction of the italian edition of JK's Big Sur I have found

>the name of William Emerson who later became a dominican monk.

> Does anybody know something about him ?

> Was he a writer or a person of JK's entourage in the late 50's ?

> 

>Ciao.

> 

>Francesco

> 

>dufour@ulisse.it

> 

No, he was part of the Bay Area scene that Kerouac & Co.plugged into.  His

name was William Everson, but he was known for many years as Brother

Antoninus.  He later renounced his vows, rejoined the world and became

poet-in-residence at UC Santa Cruz (if you can really call that "joining the

world").  He's no longer with us, but I forget the details.

 

I'm sure others on the list know a lot more about him than I do...

 

Onward,

 

John Maynard

=========================================================================

Date:         Wed, 10 Sep 1997 10:00:01 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      kerouac's ORIZABA 210 BLUES 51ST CHORUS

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

     Beat-l'ers

     here is what we've come up with for the translation of Kerouac's

     ORIZABA 210 BLUES 51ST CHORUS (original at the beginning,

     translation at the end). if anyone has any suggestions,

     comments,  etc... please drop me a line.

     yrs

     derek

 

*****************

     ORIZABA 210 BLUES  51ST CHORUS

     by Jack Kerouac

 

     Boy, sa den du coeur, sa, le bon

     vin - Mama, c'est'l'port

     si fort, le vin divin

 

     Aye, oui, mais ecoute - dans

     les melieus de les nuits,

     tu we, sa den du coeur,

     sa den du coeur

 

     ca fa du bein au beson

 

     Besoigne? - Di mue pas la

     besogne maudir, la bedenne,

     maudit, la bedenne

      sa fa du bein a bedenne

          pauvr' bedenne

 

     A, y parle tu aussi bien

             q'ca

               a Milan

             len Italiens a gueules

     Nous autres aussi on a une

     belle langue qui clacke

 

***************

     ORIZABA BLUES 210 51ST CHORUS

     by Jack Kerouac

                (as translated by :Mark Onley , Derek Beaulieu

                (dabeauli@freenet.calgary.ab. ca)

                & Jean Breton (torso@total.net))

 

     Boy, this is the life, this, the good

     wine- Mama, strong port

     the divine wine

 

     Aye, yes, but listen-on

     the best of nights,

     you see, this is the life,

     this is the life

 

     It's so good for the belly

 

     Duty?- Don't tell me about the

     god damn duty, the belly,

     god damn the belly,

         it's good for the belly,

              poor belly.

 

 

      Do they speak this well

               in Milan?

      Big mouth Italians!

      We too have a

      beautiful language that rings.

=========================================================================

Date:         Wed, 10 Sep 1997 18:39:52 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      update 10 sep 1997 Beat SuperNova  (Beats:The List)

In-Reply-To:  <341430D4.34E8@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen [The Evergreen Review, editor, poet, Grey Fox Press]

Steve Allen [he played piano on some of Kerouac's recordings]

David Amram [helped Jack with some of his first jazz poetry readings]

Amari Baraka (Leroi Jones)

Wallace Berman [SF avante garde artist]

Stephen Jesse Bernstein [Poet, author, beat, suicide in 1992, Seattle WA USA]

Paul Blackburn  [Black Mountain School]

Robin Blaser [poet, critic, associate of Duncan, Spicer]

Richard Brautigan [Change, novelist _Trout Fishing in America_]

Bonnie Bremser [wife of Ray]

Ray Bremser

Chandler Brossard

Lenny Bruce [comic]

Lord Buckley [comic]

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank

Carmody, Will Dennison, Old Bull Lee"

William S. Burroughs Jr.

John Cage { 5 sep 1912 - 12 aug 1992 }[Black Mountain School]

Edgar Cayce

Caleb Carr [Son of Lucien _The Alienist_]

Lucien Carr "Damion"

Paul Carroll

Louis R Cartwright

Carolyn Cassady "Camille"

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty"

Tom Clark [Paris Review]

Andy Clausen

Leonard Cohen [novelist _Beautiful Losers_, songwriter]

Bruce Conner [filmaker]

Gregory Corso "Raphael Urso, Yuri Glicoric"

Robert Creeley [Black Mountain School, poet]

Henry Cru "Remi Boncoeur"

Jay deFeo [San Francisco Painter, _The Rose_]

Diane DiPrima [Floating Bear, poetess,_Memoirs of a Beatnik_]

John Doe

Kirby Doyle

Edward Dorn [Black Mountain School]

Robert Duncan [Black Mountain School, Experimental Review, SF  poet,

associate, Spicer, Blazer] "Geoffrey Donald"

Bob Dylan

Larry Eigner [Black Mountain School]

Kenward Elmslie [Z]

William Everson (Brother Antoninus) [Poet, Monk]

Larry Fagin [Adventures in Poetry]

Richard Farina [novelist _Been Down So Long_, songwriter]

Lawrence Ferlinghetti [San Francisco Poetry Reinassance] "Lorenzo Monsanto,

Larry O'Hara, Danny Richman"

Tom Field [Spicer Circle, JK's favorite painter] "Larry Meadows"

Charles Foster

Robert Frank [filmaker]

James Gauerholz [Burroughs aid and heir]

Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } "Irving Garden, Adam Morand,

Alvah Goldbook, Leon Levinsky, Carlo Marx"

John Giorno

Paul Goodman [psycologist, sociologist, _Growing Up Absurd_]

Robert Gover

Morris Graves

Brion Gysin

Dave Hazelwood [printer of chapbooks , Auerhahn Press]

Wally Hedrick [Gallery Six, husband of Jay DeFeo]

John Clellon Holmes [novelist, _Go_]

Herbert Huncke [guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty

of Everything_]

William Inge

Ted Joans [Jazz Poetry]

Joyce Johnson [wife to JK]

Lenore Kandel [poetess, _The Love Book_  East/West house, "Ramona Schwartz"]

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

John Kelly [Beatitude]

Robert Kelly

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

"Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise"

Jan Kerouac [_Baby Driver_]

Ken Kesey [novelist, psychedelic revolutionary]

Franz Kline

Seymour Krim

Paul Krassner [Realist, satirist]

Art Kunkin [Freep]

Tuli Kupferberg [Birth, The Fugs]

Joanne Kyger [poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch,

East/West house]

Philip Lamantia [surrealist poet]

Jay Landesman

Fran Landesman

James Laughlin

Denise Levertov [Black Mountain School]

Timothy Leary [chemical revolutionary]

Lawrence Lipton [The Holy Barbarians]

Ron Loewinsohn [Change]

Gerald Locklin [poet, _The Long Beach Freeway_]

 

Philomene Long

Malcom Lowry [novelist, Under the Volcano]

Bill MacNeill [Painter, Spicer Circle]

Norman Mailer "Harvey Marker"

Gerard Malanga

Edward Marshall

Peter Martin

Lewis McAdams

Joanna McClure [wife to Michael, poetess]

Michael McClure [Journal for the Protection of All Beings, poet, "Pat

McLear"]

Don McNeill [hippie journalist]

Taylor Mead

David Meltzer

Jack Micheline [SF LA NY poet]

Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

John Montgomery

Shigeyoshi (Shig) Murao [City Light Bookstore fixture]

Ken Nordine

Harold Norse

Frank O'Hara [poet, _Hotel Wembley Poems_]

David Ohle [Burroughs Circle]

Charles Olson { 27 dic 1910 - 10 jan 1970 }[Black Mountain School]

Peter Orlovsky [wife to Allen Ginsberg] "George, Simon Darlovsky"

Kenneth Patchen

Thomas Parkinson [Ark, UC Berkeley Prof, Casebook on the Beat]

Claude Pelieu [Bulletin From Nothing]

Nancy Peters [partner with L. Ferlinghetti in City Lights, married to P.

Lamantia]

Stuart Z. Perkoff

Charles Plymell [North Beach, hobohemian poet, novelist]

Dan Propper

Lou Reed

Kenneth Rexroth { 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco

Reinassance, Six Gallery reading] "Reinhold Cacoethes"

Steve Richmond [introduction for Bukowsky]

Frank Rios

Theodore Roethke

Hugh Romney [Wavey Gravey]

Michael Rumaker

Ed Sanders [Peace Eye Bookstore, The Fugs]

Mark Schorer [UC Berkeley Prof, critic]

Tony Scibella

Hubert Jr. Selby [NY, LA Novelist]

Patti Smith

Gary Snyder [Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary

Snyder"

Carl Solomon [_with you in Rocklin_]

Terry Southern [novelist, _Candy_]

Jack Spicer [poet, associate of Duncan, Blazer]

Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

John Thomas

Mark Tobey

Alexander Trocchi [Living Theatre]

Giuseppe Ungaretti [Circle]

Tom Waits [songwriter, Foreign Affairs]

Anne Waldman [Naropa Institute, St. Mark's Poetry Project, New York]

Lewis Warsh

Alan W. Watts [_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums"

Lew Welch (Lewis Barret Welch) { 16 aug 1926 - 23 may 1971 }[_Ring of

Bone_, Reed College Group, East/West House] "Dave Wain"

Philip Whalen [Poet, Reed College Group] "Warren Coughlin, Ben Fagan"

John Wieners [Black Mountain School]

Jonathan Williams

William Carlos Williams { 17 sep 1883-4 mar 1963 }

Clay Wilson

Ruth Witt-Diamant [San Francisco's Poetry Center]

James Wright [Minnesota]

Lousi Zukofsky [Circle]

 

                =*=

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/beats.htm

 thanks,

Rinaldo Rasa

Venice-Mestre, Italy.

last update 10th september 1997

 

notice that this list it's my own only responsibility

the friends have always gimme the right way

 

                =*=

the list of credits & comments:

 

gordon allen            GordonA111@aol.com

Walter Campbell         walter.campbell@usa.net

C. Dickens Books                email@cdickens.com

David Christian                 dckom@atlcom.net

Greg Christy            christyg@pcpartner.net

Marie Countryman                country@sover.net

Patricia Elliott                pelliott@SUNFLOWER.COM

Timothy K. Gallaher     gallaher@HSC.USC.EDU

Richard M. Kershenbaum  r-kershenbaum@UKANS.EDU

OHearn                          orpheus@in.the.shadows

(no name)                       ipl1@columbia.edu

Jym Mooney                      vmooney@EXECPC.COM

Mike Rice                       mrice@centuryinter.net

David Schwarm           dschwarm@sun3.lib.uci.edu

Eric Saylor                     esaylor@sprynet.com

Sisyphus                        sisyphus@polaris.mindport.net

James Stauffer          stauffer@pacbell.net

Michael Stutz           stutz@dsl.org

Tara123125                      tara123125@aol.com

Mike Welch                      welch@ix.netcom.com

 

============ addenda ============

1.=*=

Return-Path: <gordona111@aol.com>

Date: Mon, 8 Sep 1997 01:26:56 -0400

Newsgroups: alt.books.beatgeneration

To: "Rinaldo Rasa" <rasa@gpnet.it>

From: gordona111@aol.com (GordonA111)

Organization: AOL http://www.aol.com

Subject: Re: Beat SuperNova update 5 sep 1997 (Beats:The List)

SnewsLanguage: English

 

Hello !  John Clellon Holmes was my brother-in-law.  After 3 or 4 years of

cancer in his throat (much of which had been removed and he could not

speak), he died in 1988.  A source of more info (and an opening way to get

more about a lot of the key beat generation people) is:

 http://www.charm.net/~brooklyn/People/JohnClellonHolmes.html

 

-gordon allen (GordonA111@aol.com)

 

2.=*=

Return-Path: <esaylor@sprynet.com>

From: esaylor@sprynet.com (Eric Saylor)

To: rasa@gpnet.it

Subject: beat list

Date: Tue, 02 Sep 1997 05:42:05 GMT

 

Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in

1992, Seattle WA USA.

 

Thanks.

 

Eric

 

3.=*=

Return-Path: <sisyphus@polaris.mindport.net>

Date: Sun, 7 Sep 1997 15:13:52 -0400 (EDT)

From: Sisyphus <sisyphus@polaris.mindport.net>

To: Rinaldo Rasa <rasa@gpnet.it>

Subject: Re: Beat SuperNova WWW update 6 sep 97

 

 

Just went there, and read your previous list.  I'd only expunge Mailer

(He's WWII journalism school)  but I don't like his stuff anyway...

 

I'd like to comment that there are quite a number of deceased members on

The List who's birth and death dates are not included.  They really

should be.  Lew Welch is notable for me.  (But I don't remember his.

'69?)  Minor quibble.  Exhaustive list.  I'll have to copy it here.

Thank You.

 

==================== end of addenda ================================

 

Rinaldo reply to Sisyphus:

        Norman Mailer is appreciated by William S. Burroughs

        and Mailter's novel Ancient Evenings for inspiration

=*=*=

=========================================================================

Date:         Wed, 10 Sep 1997 20:00:39 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      I: Monastic beat

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 8bit

 

----------

> Da: Dufour <dufour@ulisse.it>

> A: Leon Tabory <letabor@cruzio.com>

> Oggetto: R: Monastic beat

> Data: mercoledl 10 settembre 1997 15.15

> 

>  Well Leon, I think you're right because in the same page they refer to

WSB calling him "Burrows" !!!

>        Ciao !

>           F.

> 

> ----------

> > Da: Leon Tabory <letabor@cruzio.com>

> > A: dufour@ulisse.it

> > Oggetto: Re:      Monastic beat

> > Data: mercoledl 10 settembre 1997 13.37

> >

> >  If it is Everson, he was very real poet and typesetter, later left

> > monastery, becam a very popular professor until his death a  coouple of

> > years ago.

> >

> > -----Original Message-----

> > From: Dufour <dufour@ULISSE.IT>

> > To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

> > Date: Wednesday, September 10, 1997 1:21 AM

> > Subject: Monastic beat

> >

> >

> >

> > > In the introduction of the italian edition of JK's Big Sur I have

found

> > >the name of William Emerson who later became a dominican monk.

> > > Does anybody know something about him ?

> > > Was he a writer or a person of JK's entourage in the late 50's ?

> > >

> > >Ciao.

> > >

> > >Francesco

> > >

> > >dufour@ulisse.it

> > >.-

> > >

=========================================================================

Date:         Wed, 10 Sep 1997 13:58:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Correction

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Rinaldo -

        very good list, but Allen Ginsberg's pseudonyms need to be looked at - His

name in The Dharma Bums was Irwin Garden not Irving and his name in The

Subterraneans was Adam Moorad not Morand.  These need to be changed.  Thanks.

 

                                        -Jon(By the way, I'm new)

=========================================================================

Date:         Wed, 10 Sep 1997 15:07:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Re: Monastic beat

Comments: To: prinzhal@ix.netcom.com

 

Everson's "Blood of the Poet" is a classic.

At UC Santa Cruz he set up an old hand press

and produced wonderful broadsides

and books. My brother inlaw worked with him,

as a student. The press sits waiting for

new hands to work the ink, set the letters,

stamp words into handmade paper...

 

yrs

Gary Mex Glazner

=========================================================================

Date:         Wed, 10 Sep 1997 14:55:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: orizaba 210 blues 51st chorus

In-Reply-To:  <Pine.A32.3.93.970906193736.28806B-100000@srv1.freenet.calgary.ab.ca>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

that's a fairly good translation.  i would add though that the lines with

"c'est le port/si fort" carries extra hidden meaning in english, as

Kerouac's purportedly favorite wine was port. hmm.

 

so interesting how he can combine french and english to convey different

meanings.

 

also, i'm not completely sure, as i don't have a french dictionary on me,

but i believe that "melieus" means circles and not "best," as in your

translation.

---jenn thompson

=========================================================================

Date:         Wed, 10 Sep 1997 23:25:13 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      William Everson (Brother Antoninus) Re: Monastic beat

In-Reply-To:  <2.2e.32.19970910152325.008cec0c@popd.ix.netcom.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Francesco, John & friends,

 

here some William Everson archived information:

 

=record #1

"Christopher L. Filkins" <filkins@INCH.COM> wrote:

Everson was at one point considered a member of the

beat generation and I know he was a contientious objector who spent WWII in

a Civilian Public Service Camp.

 

=record #2

Paul McDonald - Bon Air Branch <PAUL@LOUISVILLE.LIB.KY.US> wrote:

Poet named William Everson.  I've read that he was associated with the Beats

while he was in a monestery and was nicknamed "The Beatnik Monk."  I read a

wild ride of a poem of his in college called "The Screed of the Flesh."  Saw a

photo of him looking every bit as wild and haggard as I'm told John the

Baptist

looked when he lived in the wilderness eating nothing but locusts and frogs.

 

Everson seemed to emulate another poet named Robinson Jeffers about whom I

know absolutely nothing save a poem called (I think) "Fire in the Hills," the

last line of which reads:

 

          "The destruction that brings an eagle from heaven

                is better than mercy..."

 

I think both (Everson definitely) are associated with the San Francisco

Renaissance.

 

=record #3

Jennifer Brontsema <bozokitty@MINDSPRING.COM> wrote:

William Everson was a SF Beat poet and was married to Mary Fabilli. Her

linoleum-block artwork accompanied two of his poems, "Triptych for the

Living," and "Heavenly City, Earthly City."  Other works include "A Frost

Lay White on California" and "The Poet is Dead" (written for Robinson

Jeffers).

 

After Mary gave Bill a copy of  St. Augustine's "Confessions," he became so

enthralled with the Roman Catholic Church that he converted to Catholicism,

had their marriage annulled, and joined the Dominican Friars as Brother

Antoninus. He left the order in 1969 and died in 1984.

 

"Women of the Beat Generation" (my source for these tidbits of info on

Everson) inlcudes a piece by Mary Norbert Korte entitled "Remembering Bill

Everson, Poet."

 

=record #4.

Rod Anstee <Nastees@AOL.COM> wrote:

SPRING 1947. In THOSE days ARK was a

postwar (post WWII) magazine, more importantly an ANARCHIST magazine back

when that word had a more precise political meaning, beyond just "chaos." The

opening page of the magazine is devoted to an Editorial that begins:

 

      " In direct opposition to the debasement of human values made

flauntingly evident by the war, there is rising among writers in America, as

elsewhere, a social consciousness which recognizes the intergrity of the

personality as the most substantial and considerable of values. However, this

recognition is still restricted to either small groups or to isolated

individuals, and has few organs of expression."

 

     Sound familiar? Then the list of contributors will as well, among them

Kenneth Rexroth, James Laughlin, Robert Duncan, William Everson, Thomas

Parkinson, and -- wait for it -- Philip LAMANTIA who contributes a single

poem called "Another Autumn Coming."

---

 

books:

These Are the ravens (1935)

The Residual Years (1944)

An Age Insurgent (1959)

The hazards of Holiness (1962)

A Canticle to the Waterbirds (1968)

The Veritable years (1978)

---

 

saluti fraterni,

Rinaldo.

 

============================================

At 08.23 10/09/97 -0700, John Maynard wrote:

>At 10:24 9/10/97 +0200, Francesco wrote:

>> In the introduction of the italian edition of JK's Big Sur I have found

>>the name of William Emerson who later became a dominican monk.

>> Does anybody know something about him ?

>> Was he a writer or a person of JK's entourage in the late 50's ?

>> 

>>Ciao.

>> 

>>Francesco

>> 

>>dufour@ulisse.it

>> 

>No, he was part of the Bay Area scene that Kerouac & Co.plugged into.  His

>name was William Everson, but he was known for many years as Brother

>Antoninus.  He later renounced his vows, rejoined the world and became

>poet-in-residence at UC Santa Cruz (if you can really call that "joining the

>world").  He's no longer with us, but I forget the details.

> 

>I'm sure others on the list know a lot more about him than I do...

> 

>Onward,

> 

>John Maynard

> 

> 

=========================================================================

Date:         Thu, 11 Sep 1997 10:26:15 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Addition to the List of Beats

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Looking at the list of beats put together by Rinaldo Rasa reminded me of a

question which occasionally comes to mind:

 

Where does William T. Vollman (Thirteen Stories and Thirteen Epitaphs,

Whores for Gloria, You Bright and Risen Angels, The Atlas) fit into the

constellation of this genre/movement?

 

I've read several of his travelogue/essays, some of his short stories and a

couple of his novels, and it seems to me that he shares many of the

qualities thought of as "beat". He has previously been grouped into the

avant-pop (check the anthology, Yesterday's Crash) although I don't see him

sitting there as nicely as Paul Auster, Tom Robbins, or Don Delilo.

 

Is anyone else on the list familiar with this writer? Care to comment? Vote

him on or off the list?

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Thu, 11 Sep 1997 10:40:51 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      List of Beats (Different Spelling)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I have misspelled the authors name. The correct spelling of his name is:

 

William T. Vollmann

 

Sorry 'bout that

 

Timothy Hoffman

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Wed, 10 Sep 1997 09:56:23 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

What connection to beat does Theodore Roethke have?

DC

=========================================================================

Date:         Wed, 10 Sep 1997 19:22:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: William Everson (Brother Antoninus) Re: Monastic beat

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Minor correction:

 

William Everson died on April 4, 1996. He was teaching at University of

California at Santa Cruz until his death. He was dearly appreciated by by

his students, the faculty and the Community of Santa Cruz.

 

leon

 

 

 

Francesco, John +ACY- friends,

+AD4-

He left the order in 1969 and died in 1984.

+AD4-

 

+AD4-Rinaldo.

+AD4-

+AD4APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA

 9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9-

+AD4-At 08.23 10/09/97 -0700, John Maynard wrote:

+AD4APg-At 10:24 9/10/97 +020-, Francesco wrote:

+AD4APgA+- In the introduction of the italian edition of JK's Big Sur I have

 found

+AD4APgA+-the name of William Emerson who later became a dominican monk.

+AD4APgA+- Does anybody know something about him ?

+AD4APgA+- Was he a writer or a person of JK's entourage in the late 50's ?

+AD4APgA+-

+AD4APgA+-Ciao.

+AD4APgA+-

+AD4APgA+-Francesco

+AD4APgA+-

+AD4APgA+-dufour+AEA-ulisse.it

+AD4APgA+-

+AD4APg-No, he was part of the Bay Area scene that Kerouac +ACY- Co.plugged

 into.  His

+AD4APg-name was William Everson, but he was known for many years as Brother

+AD4APg-Antoninus.  He later renounced his vows, rejoined the world and became

+AD4APg-poet-in-residence at UC Santa Cruz (if you can really call that

 +ACI-joining

the

+AD4APg-world+ACI-).  He's no longer with us, but I forget the details.

+AD4APg-

+AD4APg-I'm sure others on the list know a lot more about him than I do...

+AD4APg-

+AD4APg-Onward,

+AD4APg-

+AD4APg-John Maynard

+AD4APg-

+AD4APg-

+AD4-.-

+AD4-

=========================================================================

Date:         Wed, 10 Sep 1997 23:35:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      The Life and Times of Allen Ginsberg

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Just letting everyone know that PBS will be showing this next Wednesday at

10.  Check local listings yadda yadda yadda.....

 

Check out the pbs.org site.  They have a lot of stuff there.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Wed, 10 Sep 1997 21:46:51 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane,

 

Some of these folks belong on the list as forerunners.  Roethke, I would

also have doubts  about.  I flatly disagree with Rinaldo about William

Inge, but that's life.  Robinson Jeffers I think might belong on the

list as a sort of progenitor, like Henry Miller, Patchen, etc.

\

I think this list is a great service  to folks just trying to find their

way into the Wide World of Beat.  I think we should also get more

painters, dancers, musicians for a fuller picture.  I like the fact that

this list tends to be more inclusive than exclusive.  It is easy to

chose for ourselves who to delete, but the addition of interesting folks

gives us new things to look at.

 

J. Stauffer

=========================================================================

Date:         Thu, 11 Sep 1997 13:28:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         chenxiao <xbchen@SUN.NANKAI.EDU.CN>

Subject:      hitchhiking

 

Folks over there, is hitchhiking still easy thing in this continent as in the

 OTR time?

 

Hitchhike to America, hitchhike to moon;

with bag empty, with hair long.

 

ciao

yan

=========================================================================

Date:         Thu, 11 Sep 1997 02:19:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Addition to the List of Beats

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:26 AM 9/11/97 +0900, you wrote:

>Looking at the list of beats put together by Rinaldo Rasa reminded me of a

>question which occasionally comes to mind:

> 

>Where does William T. Vollman (Thirteen Stories and Thirteen Epitaphs,

>Whores for Gloria, You Bright and Risen Angels, The Atlas) fit into the

>constellation of this genre/movement?

> 

>I've read several of his travelogue/essays, some of his short stories and a

>couple of his novels, and it seems to me that he shares many of the

>qualities thought of as "beat". He has previously been grouped into the

>avant-pop (check the anthology, Yesterday's Crash) although I don't see him

>sitting there as nicely as Paul Auster, Tom Robbins, or Don Delilo.

> 

>Is anyone else on the list familiar with this writer? Care to comment? Vote

>him on or off the list?

> 

>:::===:::===:::===:::===:::===:::===:::===:::

>Timothy Hoffman

>Komaki English Teaching Center

>timothy@gol.com

> 

> 

I want to know how a soap opera playwright like William

Inge makes the list.  This would-be Tennessee Williams

wrote teary memoirs of sad people, many of them women. He

was a veritable Fanny Hurst of the Great White Way, though I

will agree his material was generally much better than hers.

His worst stuff came close to Hurst, though.  He was a weeper,

not a Beat.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 03:11:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:28 PM 9/11/97 -0500, you wrote:

>Folks over there, is hitchhiking still easy thing in this continent as in the

> OTR time?

> 

>Hitchhike to America, hitchhike to moon;

>with bag empty, with hair long.

> 

>ciao

>yan

> 

> 

=========================================================================

Date:         Thu, 11 Sep 1997 03:11:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:28 PM 9/11/97 -0500, you wrote:

>Folks over there, is hitchhiking still easy thing in this continent as in the

> OTR time?

> 

>Hitchhike to America, hitchhike to moon;

>with bag empty, with hair long.

> 

>ciao

>yan

> 

> 

 

Its scarier that it used to be.  I hitchhiked between ages 12 and

24.  I hitchhiked for a short distance last Fall when my car ran

out of gas.  But its scarier to be a hitchhiker and scarier to be

a driver encountering a hitchhiker.  Because there has been a lot

of fear instilled in Americans about everyone from big city blacks

to serial killers and pedophiles, to mention only a few of the

negative stereotypes that fill our newspapers these days.  I think

you have to be generally young to get a ride, even in the On the

Road days.  I don't pick up a hitchhiker unless he or she looks

young and innocent.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 00:14:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Folks over there, is hitchhiking still easy thing in this continent as in the

> OTR time?

> 

>Hitchhike to America, hitchhike to moon;

 

Wo shi yueling wang

 

 

>with bag empty, with hair long.

> 

>ciao

>yan

=========================================================================

Date:         Thu, 11 Sep 1997 17:48:10 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Duncan Gray <duncang@ENTO.CSIRO.AU>

Subject:      Australian tv show about drugs and writers

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Hello,

If you are in Australia you might be interested in The Art of tripping,

showing at 11:15pm, this Sunday, on SBS.  It looks into the connection

between artists and drugs.  Part two is showing this Sunday and I think

it'll feature some of the beat gen., as part one, last Sunday, dealt with

the pre 1940's.

 

Dunk

------------------------------------------------------------------.o0

Duncan Gray

Stored Grain Research Laboratory

CSIRO Entomology, GPO Box 1700, Canberra ACT 2601

Ph. (06) 246 4178  Fax (06) 246 4202

----------------------------------------------------------------------

=========================================================================

Date:         Thu, 11 Sep 1997 09:48:20 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Monastic beat II

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="----=_NextPart_000_01BCBE97.D6370380"

Content-Transfer-Encoding: 7bit

 

Messaggio a piy sezioni in formato MIME.

 

------=_NextPart_000_01BCBE97.D6370380

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Knowing exactly what to search for, I found this article on Everson's death

that summarizes his life and works.

Thanks for the useful informations !

 

                   Ciao !

               Francesco.

------=_NextPart_000_01BCBE97.D6370380

Content-Type: application/octet-stream; name="William Everson.doc"

Content-Transfer-Encoding: base64

Content-Description: William Everson (Documento Microsoft Word)

Content-Disposition: attachment; filename="William Everson.doc"

 

0M8R4KGxGuEAAAAAAAAAAAAAAAAAAAAAPgADAP7/CQAGAAAAAAAAAAAAAAABAAAANAAAAAAAAAAA

EAAANgAAAAEAAAD+////AAAAADMAAAD/////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

///////////////////////////////////////////////////////////////////////////s

pcEASQAQBAAACBK/AAAAAAAAEAAAAAAABAAAYBAAAA4AYmpiarKzsrMAAAAAAAAAAAAAAAAAAAAA

AAAQBBYALSQAANDZAQDQ2QEAYAwAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAD//w8AAAAA

AAAAAAD//w8AAAAAAAAAAAD//w8AAAAAAAAAAAAAAAAAAAAAAF0AAAAAAEIGAAAAAAAAQgYAAEIG

AAAAAAAAQgYAAAAAAABCBgAAAAAAAEIGAAAAAAAAQgYAABQAAAAAAAAAAAAAAIYGAAAAAAAAhgYA

AAAAAACGBgAAAAAAAIYGAAAAAAAAhgYAAAwAAACSBgAADAAAAIYGAAAAAAAAegkAAPYAAACqBgAA

OgAAAOQGAAAAAAAA5AYAAAAAAADkBgAAAAAAAOQGAAAAAAAAsQgAAAAAAACxCAAAAAAAALEIAAAA

AAAAPwkAAAIAAABBCQAAAAAAAEEJAAAAAAAAQQkAAAAAAABBCQAAAAAAAEEJAAAAAAAAQQkAACQA

AABwCgAA9AEAAGQMAAC0AAAAZQkAABUAAAAAAAAAAAAAAAAAAAAAAAAAQgYAAAAAAACxCAAAAAAA

AAAAAAAAAAAAAAAAAAAAAABxCAAAQAAAALEIAAAAAAAAsQgAAAAAAACxCAAAAAAAAGUJAAAAAAAA

3wgAAAAAAABCBgAAAAAAAEIGAAAAAAAA5AYAAAAAAAAAAAAAAAAAAOQGAACNAQAAqgYAAAAAAADf

CAAAAAAAAN8IAAAAAAAA3wgAAAAAAACxCAAALgAAAEIGAAAAAAAA5AYAAAAAAABCBgAAAAAAAOQG

AAAAAAAAPwkAAAAAAAAAAAAAAAAAAAAAAAAAAAAAVgYAABgAAABuBgAAGAAAAEIGAAAAAAAAQgYA

AAAAAABCBgAAAAAAAEIGAAAAAAAAsQgAAAAAAAA/CQAAAAAAAN8IAABgAAAA3wgAAAAAAAAAAAAA

AAAAAD8JAAAAAAAAQgYAAAAAAABCBgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAPwkAAAAAAADkBgAAAAAAAJ4GAAAMAAAAAOcXSSK+

vAGGBgAAAAAAAIYGAAAAAAAA3wgAAAAAAAA/CQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAU2Fu

dGEgQ3J1eiBQdWJsaWMgTGlicmFyaWVzLCBDYWxpZm9ybmlhOiBMb2NhbCBIaXN0b3J5IEFydGlj

bGVzIGFuZCBQaG90b2dyYXBocyANVGhlIERlYXRoIG9mIGEgUG9ldCALE1BSSVZBVEUgIlRZUEU9

UElDVDtBTFQ9IhUTSU5DTFVERVBJQ1RVUkUgIFxkICBceiAiaHR0cDovL3d3dy5jcnV6aW8uY29t

L35zY2xpYnMvaWNvbnMvdGhpbmNvbC5naWYiFAEVC2J5IEdlb2ZmcmV5IER1bm4NQSBncmVhdCBB

bWVyaWNhbiBwb2V0IGlzIGRlYWQuDVdpbGxpYW0gIkJpbGwiIEV2ZXJzb24sIGtub3duIGR1cmlu

ZyBtdWNoIG9mIGhpcyBjYXJlZXIgYXMgdGhlIERvbWluaWNhbiBtb25rIEJyb3RoZXIgQW50b25p

bnVzLCBwYXNzZWQgYXdheSBKdW5lIDMgWzE5OTRdIGF0IGhpcyBydXN0aWMgY2FiaW4gaGUgZHVi

YmVkIEtpbmdmaXNoZXIgRmxhdCwganVzdCBub3J0aCBvZiBTYW50YSBDcnV6IG9uIHRoZSBDYWxp

Zm9ybmlhIENvYXN0LiBIZSB3YXMgODEuDUFuIGludGVybmF0aW9uYWxseSBhY2NsYWltZWQgbGl0

ZXJhcnkgZmlndXJlIGFuZCBwcmludGVyLCBFdmVyc29uIHNlcnZlZCBhcyBwb2V0IGluIHJlc2lk

ZW5jZSBhdCB0aGUgVW5pdmVyc2l0eSBvZiBDYWxpZm9ybmlhIGF0IFNhbnRhIENydXogZHVyaW5n

IHRoZSAxOTcwcyBhbmQgZWFybHkgMTk4MHMuIEhlIHdhcyBhIG1lbnRvciBub3Qgb25seSB0byBh

IGdlbmVyYXRpb24gb2YgeW91bmcgU2FudGEgQ3J1eiB3cml0ZXJzLCBidXQgYWxzbyB0byBhIHRo

cml2aW5nIGNvbW11bml0eSBvZiBoYW5kc2V0IHByaW50ZXJzIHRocm91Z2hvdXQgTm9ydGhlcm4g

Q2FsaWZvcm5pYS4NSW4gMTk5MSwgRXZlcnNvbiB3YXMgaG9ub3JlZCBhcyBBcnRpc3Qgb2YgdGhl

IFllYXIgYnkgdGhlIFNhbnRhIENydXogQ291bnR5IEFydHMgQ29tbWlzc2lvbi4gQmVmb3JlIGFu

IG92ZXJmbG93aW5nIGNyb3dkIGF0IHRoZSBjb3VudHkgZ292ZXJubWVudCBjZW50ZXIsIHRoZSBi

dWNrc2tpbi1kcmFwZWQgRXZlcnNvbiwgc2hha2luZyB2aW9sZW50bHkgZnJvbSBhZHZhbmNlZCBQ

YXJraW5zb24ncyBkaXNlYXNlIGFuZCBzaXBwaW5nIG9jY2FzaW9uYWxseSBmcm9tIGEgYm90dGxl

IG9mIEphY2sgRGFuaWVscywgcmVhZCBmcm9tIGhpcyBib2R5IG9mIHdvcmsuICJJIGxvdmUgeW91

LCIgaGUgeWVsbGVkIHRvIHRoZSBhZG9yaW5nIGNyb3dkIGF0IHRoZSBjb25jbHVzaW9uIG9mIGhp

cyByZWFkaW5nLiAiTm93IGdvIGhvbWUhIg1Cb3JuIGluIFNhY3JhbWVudG8gaW4gMTkxMiwgRXZl

cnNvbiB3YXMgcmFpc2VkIGJ5IGhpcyBDaHJpc3RpYW4gU2NpZW5jZSBwYXJlbnRzLS1ib3RoIHBy

aW50ZXJzLS1vbiBhIGZhcm0gbmVhciBTZWxtYSBpbiB0aGUgU2FuIEpvYXF1aW4gVmFsbGV5LiBE

dXJpbmcgdGhlIERlcHJlc3Npb24sIGhlIGF0dGVuZGVkIEZyZXNubyBTdGF0ZSBDb2xsZWdlLCBi

dXQgc29vbiBkcm9wcGVkIG91dCB0byBkZXZvdGUgaGlzIGxpZmUgdG8gcG9ldHJ5IGFmdGVyIGRp

c2NvdmVyaW5nIHRoZSB3b3JrcyBvZiBSb2JpbnNvbiBKZWZmZXJzLiBFdmVyc29uIHB1Ymxpc2hl

ZCBoaXMgZmlyc3QgYm9vayBvZiB2ZXJzZSwgV2UgQXJlIHRoZSBSYXZlbnMgaW4gMTkzNS4gRHVy

aW5nIFdvcmxkIFdhciBJSSwgaGUgZGVjbGFyZWQgaGltc2VsZiBhIGNvbnNjaWVudGlvdXMgb2Jq

ZWN0b3IgYW5kIHdhcyBwbGFjZWQgaW4gYSBzZXJpZXMgb2Ygd29yayBjYW1wcyBpbiB0aGUgUGFj

aWZpYyBOb3J0aHdlc3QsIHdoZXJlIGhlIGZpcnN0IGxlYXJuZWQgdGhlIGFydCBvZiBoYW5kc2V0

IHByaW50aW5nIGFuZCB3aGVyZSBoZSBhbHNvIGNvbXBsZXRlZCBUaGUgUmVzaWR1YWwgWWVhcnMs

IHdoaWNoIGJyb3VnaHQgaGltIG5hdGlvbmFsIGF0dGVudGlvbi4NQWZ0ZXIgdGhlIHdhciwgRXZl

cnNvbiBqb2luZWQgdGhlIFNhbiBGcmFuY2lzY28gUmVuYWlzc2FuY2UgbW92ZW1lbnQgb2YgcG9l

dHMgYW5kIGFuYXJjaGlzdHMgc3Vycm91bmRpbmcgS2VubmV0aCBSZXhyb3RoLiBJbiAxOTUxLCBm

b2xsb3dpbmcgaGlzIHNlY29uZCBmYWlsZWQgbWFycmlhZ2UsIGhlIGVudGVyZWQgdGhlIERvbWlu

aWNhbiBPcmRlci4gRG9ubmluZyB0aGUgdHJhZGl0aW9uYWwgRG9taW5pY2FuIHJvYmUgYW5kIGhv

b2QsIGhlIHdhcyBhIGNvbG9yZnVsIGFuZCB3aWRlbHkgcmVzcGVjdGVkIGZpZ3VyZSBpbiB0aGUg

QmVhdCBsaXRlcmFyeSBtb3ZlbWVudCBmb3IgbmVhcmx5IHR3byBkZWNhZGVzLiANSW4gMTk2OSwg

aGF2aW5nIGZhbGxlbiBpbiBsb3ZlIHdpdGggaGlzIHRoaXJkIHdpZmUsIFN1c2FubmEgUmlja3Nv

biwgRXZlcnNvbiByZW5vdW5jZWQgaGlzIERvbWluaWNhbiBjYWxsaW5nLiBUd28geWVhcnMgbGF0

ZXIgaGUgdG9vayBhIHBvc2l0aW9uIGF0IFVDU0MsIHdoZXJlIGhlIHRhdWdodCBhIHBvcHVsYXIg

Y291cnNlIGNhbGxlZCAiQmlydGggb2YgYSBQb2V0IiBhbmQgZm91bmRlZCB0aGUgVW5pdmVyc2l0

eSdzIExpbWUgS2lsbiBQcmVzcy4gSGUgYWxzbyBlc3RhYmxpc2hlZCBoaW1zZWxmIGFzIGFuIGlt

cG9ydGFudCBsaXRlcmFyeSB0aGVvcmlzdCB3aXRoIHRoZSBwdWJsaWNhdGlvbiBvZiBBcmNoZXR5

cGUgV2VzdDogVGhlIFBhY2lmaWMgQ29hc3QgYXMgYSBMaXRlcmFyeSBSZWdpb24uDUFsdGhvdWdo

IHZpcnR1YWxseSBjcmlwcGxlZCBpbiByZWNlbnQgeWVhcnMgYnkgdGhlIG5lcnZvdXMgZGlzb3Jk

ZXIgdGhhdCB1bHRpbWF0ZWx5IHRvb2sgaGlzIGxpZmUsIEV2ZXJzb24gbmV2ZXIgbG9zdCBoaXMg

emVhbCBmb3IgdGhlIHdyaXR0ZW4gd29yZC4gSGUgd2FzIGF0IHdvcmsgb24gYW4gZXBvY2ggYmlv

Z3JhcGhpY2FsIHBvZW0sICJEdXN0IFNoYWxsIEJlIHRoZSBTZXJwZW50J3MgRm9vZCIsIHVwIHVu

dGlsIGhpcyBkZWF0aC4NQ29weXJpZ2h0IDE5OTYgR2VvZmZyZXkgRHVubi4gUmVwcm9kdWNlZCBi

eSBwZXJtaXNzaW9uIG9mIHRoZSBhdXRob3IuIA0IDRNIWVBFUkxJTksgImh0dHA6Ly93d3cuY3J1

emlvLmNvbS9+c2NsaWJzL2hpc3RvcnkvaGlzdG9yeS5odG1sIgEUTG9jYWwgSGlzdG9yeSBBcnRp

Y2xlcyBhbmQgUGhvdG9ncmFwaHMgFXx8IBNIWVBFUkxJTksgImh0dHA6Ly93d3cuY3J1emlvLmNv

bS9+c2NsaWJzLyIBFFNhbnRhIENydXogUHVibGljIExpYnJhcmllcycgSG9tZSBQYWdlFSANCA13

ZWJtYXN0ZXJAc2FudGEtY3J1ei5saWIuY2EudXMNAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAABAAAUAQAAGYEAABnBAAA

fwQAAIAEAACBBAAAyQQAAMoEAADLBAAAzAQAACAKAAAyCgAAEAsAACILAAABDgAAOA4AAHsPAAB8

DwAAfQ8AAH4PAAC8DwAAvQ8AAL4PAADlDwAA5g8AAOkPAADqDwAAFBAAABUQAAAWEAAAPBAAAD0Q

AAA/EAAAQBAAAGAQAAD9APb09u8A7+bvAOMA/QD9ANgA7wDQ783vAO8Axe/N7wDYAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADwIIgQNq9QEAAAYIAVUIAQQwSh0A

AA8CCIEDah4BAAAGCAFVCAEUA2oAAAAAVQgBaAgBbUgABG5IAAQABDBKGgAAEQNqAAAAAFUIAW1I

AARuSAAECQNqAAAAAFUIAQMCCIEMAgiBA2oAAAAAVQgBAAM2CIEAIwAEAABRBAAA3gQAAP0EAADk

BQAALQcAAMoIAABKCwAAqQwAADkOAAA0DwAAew8AAH0PAAA/EAAAQRAAAGAQAAD8AAAAAAAAAAAA

AAAA+gAAAAAAAAAAAAAAAPgAAAAAAAAAAAAAAAD4AAAAAAAAAAAAAAAA+AAAAAAAAAAAAAAAAPgA

AAAAAAAAAAAAAAD4AAAAAAAAAAAAAAAA+AAAAAAAAAAAAAAAAPgAAAAAAAAAAAAAAAD4AAAAAAAA

AAAAAAAA+AAAAAAAAAAAAAAAAPgAAAAAAAAAAAAAAAD8AAAAAAAAAAAAAAAA+AAAAAAAAAAAAAAA

APIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAABRgAE6RkABSkZAAAAQAAAAEUAAMAAAMkAQAPAAQAAFEEAADeBAAA/QQAAOQF

AAAtBwAAyggAAEoLAACpDAAAOQ4AADQPAAB7DwAAfQ8AAD8QAABBEAAAYBAAAAD8AAAAAAAAAAAA

AAAA+gAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADAhgABQIUAAUDAA8rABIwABxQAQAfsIIuILDGQSGw

+QQisPkEI5CJBSSQbgQlsAAAF7CgBRiwoAUAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAB4BAABEAGYASQIBAAAAAAAAAAAA

AAAAAAAAAABsGwwA6APoAwAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAL2h0dHA6Ly93

d3cuY3J1emlvLmNvbS9+c2NsaWJzL2ljb25zL3RoaW5jb2wuZ2lmDwAE8KIAAACyBArwCAAAAAIE

AAAACgAAUwAL8H4AAAAFwWAAAAAGAQ4AAAA/AQAABgC/AQwAHwD/AQAACABoAHQAdABwADoALwAv

AHcAdwB3AC4AYwByAHUAegBpAG8ALgBjAG8AbQAvAH4AcwBjAGwAaQBiAHMALwBpAGMAbwBuAHMA

LwB0AGgAaQBuAGMAbwBsAC4AZwBpAGYAAAAAABDwBAAAAAAAAIDXAAAARAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADQyep5+brO

EYyCAKoAS6kLAgAAAAMAAADgyep5+brOEYyCAKoAS6kLZgAAAGgAdAB0AHAAOgAvAC8AdwB3AHcA

LgBjAHIAdQB6AGkAbwAuAGMAbwBtAC8AfgBzAGMAbABpAGIAcwAvAGgAaQBzAHQAbwByAHkALwBo

AGkAcwB0AG8AcgB5AC4AaAB0AG0AbAAAAK8AAABEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAANDJ6nn5us4RjIIAqgBLqQsCAAAA

AwAAAODJ6nn5us4RjIIAqgBLqQs+AAAAaAB0AHQAcAA6AC8ALwB3AHcAdwAuAGMAcgB1AHoAaQBv

AC4AYwBvAG0ALwB+AHMAYwBsAGkAYgBzAC8AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAASACkACgABAFsADwACAAAAAAAAAD4AAEDx/wIA

PgAAAAcATgBvAHIAbQBhAGwAZQAAAA0AAAAxJAATpGQAFKRkAAAPAENKGABoCABtSBAEbkgQBAAA

AAAAAAAAAAAAAAAAAAAAAABOAEFA8v+hAE4AAAAfAEMAYQByAGEAdAB0AGUAcgBlACAAcAByAGUA

ZABlAGYAaQBuAGkAdABvACAAcABhAHIAYQBnAHIAYQBmAG8AAAAAAAAAAAAAAAAAQgD+TwEAAgFC

AAAAEwBUAGUAcgBtAGkAbgBlACAAZABlAGYAaQBuAGkAegBpAG8AbgBlAAAACgAPABOkAAAUpAAA

AABEAP5PAQDyAEQAAAASAEUAbABlAG4AYwBvACAAZABlAGYAaQBuAGkAegBpAG8AbgBlAAAADgAQ

AA+EaAETpAAAFKQAAAAAKgD+T/L/EQEqAAAACwBEAGUAZgBpAG4AaQB6AGkAbwBuAGUAAAADADYI

gQAqAP5PAQACACoAAAACAEgAMQAAAAgAEgAGJAFAJgELADUIgUNKMABLSCQAACYA/k8BAAIAJgAA

AAIASAAyAAAACAATAAYkAUAmAgcANQiBQ0okAAAmAP5PAQACACYAAAACAEgAMwAAAAgAFAAGJAFA

JgMHADUIgUNKHAAAIgD+TwEAAgAiAAAAAgBIADQAAAAIABUABiQBQCYEAwA1CIEAJgD+TwEAAgAm

AAAAAgBIADUAAAAIABYABiQBQCYFBwA1CIFDShQAACYA/k8BAAIAJgAAAAIASAA2AAAACAAXAAYk

AUAmBgcANQiBQ0oQAAAyAP5PAQACADIAAAAJAEkAbgBkAGkAcgBpAHoAegBvAAAACgAYABOkAAAU

pAAAAwA2CIEAMAD+TwEAkgEwAAAACgBCAGwAbwBjAGsAcQB1AG8AdABlAAAACgAZAA6EaAEPhGgB

AAAcAP5P8v+hARwAAAAEAEMASQBUAEUAAAADADYIgQAkAP5P8v+xASQAAAAEAEMATwBEAEUAAAAM

AENKFABPSgMAUUoDADQAWECiAMEBNAAAABAARQBuAGYAYQBzAGkAIAAoAGMAbwByAHMAaQB2AG8A

KQAAAAMANgiBAEgAVUCiANEBSAAAABkAQwBvAGwAbABlAGcAYQBtAGUAbgB0AG8AIABpAHAAZQBy

AHQAZQBzAHQAdQBhAGwAZQAAAAYAPioBQioCQABWQKIA4QFAAAAAFQBDAG8AbABsAGUAZwBhAG0A

ZQBuAHQAbwAgAHYAaQBzAGkAdABhAHQAbwAAAAYAPioBQioMMAD+T/L/8QEwAAAACABUAGEAcwB0

AGkAZQByAGEAAAAPADUIgUNKFABPSgMAUUoDAABoAP5PAQACAmgAAAANAFAAcgBlAGYAbwByAG0A

YQB0AHQAYQB0AG8AAAAwACAAE6QAABSkAAANxiMACwAAvwN+Bz0L/A67EnoWORr4HbchdiUAAAAA

AAAAAAAAAAwAQ0oUAE9KAwBRSgMAWgD+T/H/AgBaAAIAEAB6AC0AQgBvAHQAdABvAG0AIABvAGYA

IABGAG8AcgBtAAAADgAhAAMkATEkACRkAgMBABoAPAiBQ0oQAE9KAgBRSgIAaAgAbUgQBG5IEARU

AP5P8f8CAFQAAgANAHoALQBUAG8AcAAgAG8AZgAgAEYAbwByAG0AAAAOACIAAyQBMSQAJmQCAwEA

GgA8CIFDShAAT0oCAFFKAgBoCABtSBAEbkgQBCYA/k/y/zECJgAAAAcARQBzAGUAbQBwAGkAbwAA

AAgAT0oDAFFKAwA4AFdAogBBAjgAAAASAEUAbgBmAGEAcwBpACAAKABnAHIAYQBzAHMAZQB0AHQA

bwApAAAAAwA1CIEARAD+T/L/UQJEAAAAFABNAGEAYwBjAGgAaQBuAGEAIABkAGEAIABzAGMAcgBp

AHYAZQByAGUAAAAMAENKFABPSgMAUUoDACYA/k/y/2ECJgAAAAkAVgBhAHIAaQBhAGIAaQBsAGUA

AAADADYIgQAsAP5P8v9xAiwAAAALAEgAVABNAEwAIABNAGEAcgBrAHUAcAAAAAYAPAiBQioGJAD+

T/L/gQIkAAAACABDAG8AbQBtAGUAbgB0AG8AAAADADwIgQAAAAAAYAwAAAYAACQAAAEA/////wIA

AAAEIP//AQAs1UkAACD//wIALNVJAAAAAAArCAAAYAwAAAAAfgAAAAEAAAAAAAAEAABgEAAADwAA

AAAEAABgEAAAEAAAAAAEAABgEAAAEQAAAIAAAADJAAAAywAAAH0LAAC9CwAA5QsAAOkLAAAVDAAA

PAwAAGAMAAATQ5T/lawTWJT/lYATWJT/lYAPAADwOAAAAAAABvAYAAAABAQAAAIAAAADAAAAAQAA

AAEAAAAEAAAAQAAe8RAAAAD//wAAAAD/AICAgAD3AAAQAA8AAvBEAQAAEAAI8AgAAAADAAAAAwQA

AA8AA/DoAAAADwAE8CgAAAABAAnwEAAAAAAAAAAAAAAAAAAAAAAAAAACAArwCAAAAAAEAAAFAAAA

DwAE8FQAAABCAQrwCAAAAAIEAAAACgAAYwAL8CQAAADAAdTU1ADLAdFWAAAFAgAAAAAGAmTO//8R

AoF+AAA/AgIAAgAAABDwBAAAAAAAAAAAABHwBAAAAAEAAAAPAATwVAAAAEIBCvAIAAAAAwQAAAAK

AABjAAvwJAAAAMAB1NTUAMsB0VYAAAUCAAAAAAYCZM7//xECgX4AAD8CAgACAAAAEPAEAAAAAQAA

AAAAEfAEAAAAAQAAAA8ABPA8AAAAEgAK8AgAAAABBAAAAA4AAEMAC/AYAAAAvwEQABAAywEAAAAA

/wEAAAgAPwMBAAEAAAAR8AQAAAABAAAAewsAAD8MAABgDAAAAgQAAAAAAADwAAAAkCQAAPEAAAB0

AAAAAAADBAAAAAAAAPAAAACQJAAA8QAAAHQAAAAAAAAAAABnAAAAbgAAAIAAAADKAAAAywAAAMwA

AABiDAAAAwAEAAMABwAEAAcABAD//wIAAAAQAEQAdQBmAG8AdQByACAARgByAGEAbgBjAGUAcwBj

AG8AGwBDADoAXAB0AGUAbQBwAFwAVwBpAGwAbABpAGEAbQAgAEUAdgBlAHIAcwBvAG4ALgBkAG8A

YwD/QACAAQAAAAAAAAAAAChWggABAAEAAAAAAAAAAAAAAAAAAAAAAAIQAAAAAAAAAGAMAABgAAAI

AEAAAAQAAABHFpABAAACAgYDBQQFAgMEAwAAAAAAAAAAAAAAAAAAAAEAAAAAAAAAVABpAG0AZQBz

ACAATgBlAHcAIABSAG8AbQBhAG4AAAA1FpABAgAFBQECAQcGAgUHAAAAAAAAABAAAAAAAAAAAAAA

AIAAAAAAUwB5AG0AYgBvAGwAAAAzJpABAAACCwYEAgICAgIEAwAAAAAAAAAAAAAAAAAAAAEAAAAA

AAAAQQByAGkAYQBsAAAAPzWQAQAAAgcDCQICBQIEBAMAAAAAAAAAAAAAAAAAAAABAAAAAAAAAEMA

bwB1AHIAaQBlAHIAIABOAGUAdwAAACIABAABAIoYAADQAgAAGwEAAAAAblUZZm5VGWYAAAAAAgAB

AAAA3gEAAKQJAAACAA0AAAAEAAMAKQAAAN4BAACkCQAAAgANAAAAKQAAAAAAAAAlAwAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAEsAAAAAAAAAAAAAAAAAAAHkLAAB5CwAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAgASAHsC//8SAAAAAAAAACUAVABoAGUAIABEAGUAYQB0AGgAIABvAGYAIABhACAAUABvAGUA

dAA6ACAAVwBpAGwAbABpAGEAbQAgAEUAdgBlAHIAcwBvAG4AIAAAAAAAAAAQAEQAdQBmAG8AdQBy

ACAARgByAGEAbgBjAGUAcwBjAG8AEABEAHUAZgBvAHUAcgAgAEYAcgBhAG4AYwBlAHMAYwBvAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAA/v8AAAQAAgAAAAAAAAAAAAAAAAAAAAAAAQAAAOCFn/L5T2gQ

q5EIACsns9kwAAAAjAEAABAAAAABAAAAiAAAAAIAAACQAAAAAwAAAMAAAAAEAAAAzAAAAAUAAADo

AAAABwAAAPQAAAAIAAAABAEAAAkAAAAgAQAAEgAAACwBAAAKAAAASAEAAAwAAABUAQAADQAAAGAB

AAAOAAAAbAEAAA8AAAB0AQAAEAAAAHwBAAATAAAAhAEAAAIAAADkBAAAHgAAACYAAABUaGUgRGVh

dGggb2YgYSBQb2V0OiBXaWxsaWFtIEV2ZXJzb24gAHQgHgAAAAEAAAAAaGUgHgAAABEAAABEdWZv

dXIgRnJhbmNlc2NvAGV0Oh4AAAABAAAAAHVmbx4AAAAHAAAATm9ybWFsAEYeAAAAEQAAAER1Zm91

ciBGcmFuY2VzY28AZXQ6HgAAAAIAAAAyAGZvHgAAABMAAABNaWNyb3NvZnQgV29yZCA4LjAAOkAA

AAAARsMjAAAAAEAAAAAATNwpIr68AUAAAAAATNwpIr68AQMAAAACAAAAAwAAAN4BAAADAAAApAkA

AAMAAAAEAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAP7/AAAEAAIAAAAAAAAAAAAAAAAAAAAAAAIAAAAC1c3VnC4bEJOXCAArLPmu

RAAAAAXVzdWcLhsQk5cIACss+a5gAQAAHAEAAA0AAAABAAAAcAAAAA8AAAB4AAAABAAAAIQAAAAF

AAAAjAAAAAYAAACUAAAAEQAAAJwAAAAXAAAApAAAAAsAAACsAAAAEAAAALQAAAATAAAAvAAAABYA

AADEAAAADQAAAMwAAAAMAAAA/gAAAAIAAADkBAAAHgAAAAIAAAAgAC8AAwAAANkNAAADAAAAKQAA

AAMAAAANAAAAAwAAAHkLAAADAAAAsw0IAAsAAAAAAAAACwAAAAAAAAALAAAAAAAAAAsAAAAAAAAA

HhAAAAEAAAAmAAAAVGhlIERlYXRoIG9mIGEgUG9ldDogV2lsbGlhbSBFdmVyc29uIAAMEAAAAgAA

AB4AAAAGAAAAVGl0bGUAAwAAAAEAAABkAgAABAAAAAAAAAAoAAAAAQAAAFIAAAACAAAAWgAAAAMA

AACyAAAAAgAAAAIAAAAKAAAAX1BJRF9HVUlEAAMAAAAMAAAAX1BJRF9ITElOS1MAAgAAAOQEAABB

AAAATgAAAHsAMQBGAEIAMgBGADIANAA1AC0AMgBBADIANgAtADEAMQBEADEALQA4ADcAQwA1AC0A

NAA0ADQANQA1ADMANQA0ADAAMAAwADAAfQAAAAAAQQAAAKgBAAASAAAAAwAAAD4AaAADAAAABgAA

AAMAAAAAAAAAAwAAAAUAAAAfAAAAHwAAAGgAdAB0AHAAOgAvAC8AdwB3AHcALgBjAHIAdQB6AGkA

bwAuAGMAbwBtAC8AfgBzAGMAbABpAGIAcwAvAAAAAAAfAAAAAQAAAAAAAAADAAAAOwBxAAMAAAAD

AAAAAwAAAAAAAAADAAAABQAAAB8AAAAzAAAAaAB0AHQAcAA6AC8ALwB3AHcAdwAuAGMAcgB1AHoA

aQBvAC4AYwBvAG0ALwB+AHMAYwBsAGkAYgBzAC8AaABpAHMAdABvAHIAeQAvAGgAaQBzAHQAbwBy

AHkALgBoAHQAbQBsAAAAAAAfAAAAAQAAAAAAAAADAAAAPgBkAAMAAADKBAAAAwAAAAIEAAADAAAA

AQAAAB8AAAAwAAAAaAB0AHQAcAA6AC8ALwB3AHcAdwAuAGMAcgB1AHoAaQBvAC4AYwBvAG0ALwB+

AHMAYwBsAGkAYgBzAC8AaQBjAG8AbgBzAC8AdABoAGkAbgBjAG8AbAAuAGcAaQBmAAAAHwAAAAEA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAABAAAAAgAAAAMAAAAEAAAABQAAAAYAAAAHAAAACAAAAAkAAAAKAAAACwAAAAwAAAANAAAA

DgAAAA8AAAAQAAAAEQAAABIAAAD+////FAAAABUAAAAWAAAAFwAAABgAAAAZAAAAGgAAAP7///8c

AAAAHQAAAB4AAAAfAAAAIAAAACEAAAAiAAAA/v///yQAAAAlAAAAJgAAACcAAAAoAAAAKQAAACoA

AAD+////LAAAAC0AAAAuAAAALwAAADAAAAAxAAAAMgAAAP7////9////NQAAAP7////+/////v//

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

/////1IAbwBvAHQAIABFAG4AdAByAHkAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAWAAUB//////////8DAAAABgkCAAAAAADAAAAAAAAARgAAAAAgvrkZIr68ASCI

H0kivrwBNwAAAIAAAAAAAAAARABhAHQAYQAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAoAAgH///////////////8AAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAATAAAAABAAAAAAAAAxAFQAYQBiAGwAZQAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADgACAQEAAAAGAAAA/////wAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAABsAAAAAEAAAAAAAAFcAbwByAGQARABv

AGMAdQBtAGUAbgB0AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAaAAIB

AgAAAAUAAAD/////AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAC0kAAAA

AAAABQBTAHUAbQBtAGEAcgB5AEkAbgBmAG8AcgBtAGEAdABpAG8AbgAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAACgAAgH///////////////8AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAjAAAAABAAAAAAAAAFAEQAbwBjAHUAbQBlAG4AdABTAHUAbQBtAGEAcgB5AEkAbgBmAG8A

cgBtAGEAdABpAG8AbgAAAAAAAAAAAAAAOAACAQQAAAD//////////wAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAACsAAAAAEAAAAAAAAAEAQwBvAG0AcABPAGIAagAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAASAAIA////////////////AAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAGsAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAD/

//////////////8AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAABAAAA/v//////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

////////////////////////////////////////////////////////////////////////////

/wEA/v8DCgAA/////wYJAgAAAAAAwAAAAAAAAEYZAAAARG9jdW1lbnRvIE1pY3Jvc29mdCBXb3Jk

AAoAAABNU1dvcmREb2MAEAAAAFdvcmQuRG9jdW1lbnQuOAD0ObJxAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

 

------=_NextPart_000_01BCBE97.D6370380--

=========================================================================

Date:         Thu, 11 Sep 1997 04:10:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Re: hitchhiking

 

i'm afraid the days of the carefree hitch-hiker are over.

sad to say.  one may hitch-hike.  but it's not safe anymore.

 

john j dorfner

=========================================================================

Date:         Thu, 11 Sep 1997 08:24:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Folks over there, is hitchhiking still easy thing in this continent as in the

> OTR time?

> 

>Hitchhike to America, hitchhike to moon;

>with bag empty, with hair long.

> 

>ciao

>yan

 

Not as easy and therefore nowhere near as common. I drove 20 days, 6,500

miles cross country on Route 20 last fall partly commemorating the old

hitchhiking days, the 30,00 miles traveled with thumb and back 25 years

ago. Did not see even one lone hitchhiker that whole way! It was

disappointing, but I guess understandable.

 

I still pick up hitchhikers when I see them and have never had a negative

experience. I think people are basically good but there's a fear mentality

that dominates much of late 20th century America.

 

"shadow lurking

on the edge of the road

nothing more

nothing more

the ghost of Kerouac

late 20th century America

no room for lonesome travelers

bumming rides."

 

Michael

=========================================================================

Date:         Thu, 11 Sep 1997 08:32:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike Rice wrote:

>   I think

> you have to be generally young to get a ride, even in the On the

> Road days.  I don't pick up a hitchhiker unless he or she looks

> young and innocent.

> 

I talked at some length with Don-the-hitchhiker-at-Denny's who is 66 and

fits the stereotypes of the hobo that are no longer nostalgically

understood.  He smells.  He has old worn clothes.  He smokes

cigarettes.  He is a "drinker".  And he has a face "that looks like 25

miles of bad road."

 

Don verified your comments here about the role of youth.  He says it is

far easier for the young folks to get rides.  I believe he may have even

used the word innocence.  He said that it is not uncommon for him to

walk 20 miles between somebody giving him a ride.  BUT he was not bitter

about the youth advantage in hitchhiking.  He proudly showed how fit he

was at 66 and credited it to walking so much.

 

david rhaesa

salina, Kansas

> Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 08:36:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

John J Dorfner wrote:

> 

> i'm afraid the days of the carefree hitch-hiker are over.

> sad to say.  one may hitch-hike.  but it's not safe anymore.

> 

> john j dorfner

 

Don-the-hitchhiker-at-Denny's didn't seem to think that the dangers were

so great.  He recognized the perception of danger being much greater

than they used to be.  Almost to a level of paranoia by all on the road

as well as the relatives of those on the road.  We talked about these

fears and worries and fear and worry in general and then when we were

talking about the turning of the century we talked some about how the

events of the 20th century have instilled a great fear and worry in all

walks of life.  The dangers and risks associated in hitchhiking were

just seen as another manifestation of this overarching expansion of fear

in our society -- probably related to a greater awareness of dangers

than an increase in the dangers themselves.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 11 Sep 1997 08:39:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Czarnecki wrote:

> 

> >Folks over there, is hitchhiking still easy thing in this continent as in the

> > OTR time?

> >

> >Hitchhike to America, hitchhike to moon;

> >with bag empty, with hair long.

> >

> >ciao

> >yan

> 

> Not as easy and therefore nowhere near as common. I drove 20 days, 6,500

> miles cross country on Route 20 last fall partly commemorating the old

> hitchhiking days, the 30,00 miles traveled with thumb and back 25 years

> ago. Did not see even one lone hitchhiker that whole way! It was

> disappointing, but I guess understandable.

> 

> I still pick up hitchhikers when I see them and have never had a negative

> experience. I think people are basically good but there's a fear mentality

> that dominates much of late 20th century America.

> 

> "shadow lurking

> on the edge of the road

> nothing more

> nothing more

> the ghost of Kerouac

> late 20th century America

> no room for lonesome travelers

> bumming rides."

> 

> Michael

 

Interesting.  Nice little verse as well.  Your comments seem to mirror

so much of what i heard from Don-the-hitchhiker from Dennys.  I wonder

if the rarity of your seeing hitchhikers is because they have moved to

different roads.  It seems the most likely rides are in vehicles

traveling the Interstates.  Rest areas and Truckstops are always a good

place to find these supposedly extinct creatures.  Late night Dennys

near interestate are an especially wonderful spot.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 11 Sep 1997 08:42:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

chenxiao wrote:

> 

> Folks over there, is hitchhiking still easy thing in this continent as in the

>  OTR time?

> 

> Hitchhike to America, hitchhike to moon;

> with bag empty, with hair long.

> 

> ciao

> yan

 

your line "hitchhike to the moon" brings to mind a large print phrase

attributed to William Burroughs that went something like this ...

"Travel is necessary, Living isn't."  This attitude of course is at odds

with precisely the fears and worries and anxieties that are stifling

hitchhiking and making it into a lost art in America.  BUT hitchhiking

to the Moon is an interesting and fun idea.  Like the stow-aways on

vehicles of all kinds.  Gaining passage.  And then wonder if the travel

capabilities outside the earth's mesosphere will ever reach the point

where one might "thumb a rocket ride"?????  Fascinating to contemplate.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Thu, 11 Sep 1997 07:46:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 +AD4- Rest areas and Truckstops are always a good  place to find these

supposedly extinct creatures.

 

An endangered species at best

 

+AD4- Late night Dennys

+AD4- near interestate are an especially wonderful spot.

 

The foot of highway 17, at the +ACI-Fishook+ACI- where Denny's replaced the

 extinct

+ACI-Babar+ACI-, used to burst with colorful hitching hippies. You saw bunches

 of

people with thumbs up all the time everywhere. It was the way to go for our

+ACI-flower farm+ACI- people. When Marcie and her friends at the +ACI-flower

 farm+ACI-

community decided to check out other places they just walked out and raised

their thumbs. Came back all the way from Minnesota safe and sound, by the

thumbs up route. No more, no more. Alas hardly see them any more here.

Interstate Truck Stops? Hmmm. But how do they get there?

 

leon

 

+AD4-david rhaesa

+AD4-salina, Kansas

+AD4-.-

+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 07:16:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Monastic beat II

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

-----Original Message-----

From: Dufour <dufour@ULISSE.IT>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, September 11, 1997 12:46 AM

Subject: Monastic beat II

 

 

 

Knowing exactly what to search for, I found this article on Everson's death

that summarizes his life and works.

Thanks for the useful informations !

 

> William "Bill" Everson, known during much of his career as the Dominican

monk Brother Antoninus, > passed away June 3 [1994] at his rustic cabin he

dubbed Kingfisher Flat, just north of Santa Cruz    >  on the California

Coast. He was 81.

 

Imagine that. The April 4 date came from the Santa Cruz Library Reference

desk yesterday. Kept me on hold forever, and got it wrong? I'll have to

dublr check now.

                  Ciao !

               Francesco.

=========================================================================

Date:         Thu, 11 Sep 1997 07:23:28 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Errors, errors

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 -----Original Message-----

From: Dufour <dufour@ULISSE.IT>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, September 11, 1997 12:46 AM

Subject: Monastic beat II

 

 

 

Knowing exactly what to search for, I found this article on Everson's death

that summarizes his life and works.

Thanks for the useful informations !

 

> William "Bill" Everson, known during much of his career as the Dominican

> monk Brother Antoninus,  passed away June 3 [1994] at his rustic cabin he

> dubbed Kingfisher Flat, just north of Santa Cruz    on the California

> Coast. He was 81.

 

Imagine that. The April 4 1996 date came from the Santa Cruz Library

Reference

desk yesterday. Kept me on hold forever, and got it wrong? I'll have to

duble check.

 

leon

 

                  Ciao !

               Francesco.

=========================================================================

Date:         Thu, 11 Sep 1997 10:38:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

On 09/10 James Stauffer wrote:

 

> I think this list is a great service  to folks just trying to find their

> way into the Wide World of Beat.  I think we should also get more

> painters, dancers, musicians for a fuller picture.  I like the fact that

> this list tends to be more inclusive than exclusive.  It is easy to

> chose for ourselves who to delete, but the addition of interesting folks

> gives us new things to look at.

> 

> J. Stauffer

 

I agree.  I have a friend who used to gripe about the books I chose to

include on my Beat bookshelf.  He liked to claim that the only *true* Beat

writers had to have been mentioned in "Howl" (which is rather limiting

things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly

enough, Tuli Kupferburg).

=========================================================================

Date:         Thu, 11 Sep 1997 08:03:35 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

  And then wonder if the travel

+AD4-capabilities outside the earth's mesosphere will ever reach the point

+AD4-where one might +ACI-thumb a rocket ride+ACI-?????  Fascinating to

 contemplate.

 

wings of feather, wings of a jet, the sattelite on the neck, hey not there,

the cosmic R+ACY-D enfineering department is working on it. Just give it a

couple of million years more or less

 

leon

 

+AD4-

+AD4-david rhaesa

+AD4-salina, Kansas

+AD4-.-

+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 08:35:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         tyler peterson <bepeters@AA.NET>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

hitchiking in smaller communities is a very cool way to meet the grass-roots

community of an area that you are stuck in during a cross-country trip or

something.  But for the most part,  from my experiance,  just walking down

the road with your thumb out is becoming increasingly extinct.  Rest stops

certainly are good for picking up rides.

 

the fear complex in america about hitchiking and hitchikers is not totally

unwarranted.  I would never hitchike without a knife (or atleast a sharpened

screwdriver or something) balanced in my sock for easy access.  I have heard

quite few horror stories.  Especially from people combing the west coast

(from seattle to LA usually).  But once you get a ride its usually obvious

right of the bat if the driver has an ulterior motive and you can always

fake that your town is the next right or something and assert yourself if he

disagrees with a little raised voice and if need be,  allusion to violence.

Most people are just as afraid of you in that situation as you are of them.

Whatever.  just some realism stuff.  Hitchhiking is far from idylic these

days.

 

tyler.

 ===============================================================================

 

        "There ain't nuthin' in school they can't teach you on the streets"

                                        -The Straycats

        ===============================================================================

=========================================================================

Date:         Thu, 11 Sep 1997 08:22:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 +AD4-

+AD4-Its scarier that it used to be

 

Are  we not growing further and further apart? In the beginning people lived

their lives out together. Families grew. People grew more apart. Villages,

towns, cities. And cities keep growing faster and faster. How many people

will you see tomorrow that you passed by today? Know them all? Feel for them

all?   Deadly squabbles in obscure corners of the world entering our homes

daily. We are walking on cement, between cement walls that are closing in.

TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can

we saty as comfortable as we did in the past about things we did then?

+AD4-.-

+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 00:47:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

> 

> Its scarier that it used to be

> 

> Are  we not growing further and further apart? In the beginning people

> lived

> their lives out together. Families grew. People grew more apart. > Villages,

> towns, cities. And cities keep growing faster and faster. How many > people

> will you see tomorrow that you passed by today? Know them all? Feel for

> them

> all?   Deadly squabbles in obscure corners of the world entering our > homes

> daily. We are walking on cement, between cement walls that are closing

> in.

> TV screens for eyes to the ends of the planet.. Crowds are crowding in.

> Can

> we saty as comfortable as we did in the past about things we did then?

 

 

This is from Kerouac in Big Sur, and this was about 32 years ago:

 

"This is the first time I've hitch hiked in years and I soon begin to see

that things have changed in America, you can't get a ride any more (but

of course especially on a strickly tourist road like this coast highway

with no trucks and no business)--Sleek long stationwagon after wagon

comes sleering by smoothly, all colors of the rainbow and pastel at that,

pink, blue, white, the husband is in the driver's seat with a long

ridiculous vacationist hat with a long baseball visor making him look

witless and idiot--Beside him sits wifey, the boss of America, wearing

dark glasses and sneering, even if he wanted to pick me up or anybody up

she wouldn't let him--But in the two deep backseats are children,

children, millions of children, all ages, they're fighting and screaming

over ice cream, they're spilling vanilla all over the Tartan

seatcovers--There's no room anymore anyway for a hitch hiker, tho

conceivably the poor bastard might be allowed to ride like a meek gunman

of silent murderer in the very back platform of the wagon, but here no,

alas! here is ten thousand racks of drycleaned and perfectly pressed

suits and dresses of all sizes for the family to look like millionaires

every time they stop at a roadside dive for bacon and eggs...So here I am

standing in that road with that big woeful rucksack but also probably

that expression of horror on my face after all those nights sitting in

the seashore under giant black cliffs, they see in me the very

apotheosical opposite of their very vacation dream and of course drive

on--That afternoon I say about 5 thousand cars or probably 3 thousand

passed me not one of them ever dreamed of stopping..."

DC

=========================================================================

Date:         Thu, 11 Sep 1997 13:11:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gary Mex Glazner <PoetMex@AOL.COM>

Subject:      Re: Addition to the List of Beats

 

Dear Mike,

 

I agree Inge is not beat.

Have you seen is new play

3 Tall Women? I saw it

last week in San Francisco

it was the best night of theater

for me in a long time.

Also heard interview with

him, he comes off, very funny,

on the radio.

 

yrs

Gary Mex Glazner

San Francisco

Headless Buddha

http://www.well.com/user/poetmex

=========================================================================

Date:         Thu, 11 Sep 1997 13:14:30 +0000

Reply-To:     mongo.bearwolf@Dartmouth.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mongo BearWolf <mongo.bearwolf@DARTMOUTH.EDU>

Organization: Dartmouth College

Subject:      AG as MONEY Magazine Publisher?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

[Hi Folks...  I received this query from a correspondent, and I'm afraid

I couldn't answer her question.  I told her I'd forward it on to the

list.  If you can help her, please write directly to her.  But copy me,

as I'm curious as well!  --Mongo]

 

>Date: Wed, 10 Sep 1997 20:30:48 -0700

>From: Stanley & Laurie Gonzalez <sgglbg@pacbell.net>

>Subject: Re: A.G. as MONEY magazine publisher

 

In the mid-1960s for over a year, Allen Ginsberg (the very same, I am

sure) offered from a New York addresss via a full-page color ad in the

comics pages of the San Francisco Chronicle (such ads were often placed

in the comics during the 60's)--for $5 per year or $10 for a "lifetime

subscription", a monthly or semi-monthly publication called MONEY or

YOUR MONEY or some such short title with MONEY in it.  It was the first

of its kind; a nearly identical version has recently started publishing

this year, edited and promoted by one Martin Edelston at a Boulder, CO

address, called Bottom Line/PERSONAL and deals with ways to save, make,

spend and otherwise get the best deal in every area of money management.

 

MONEY claimed to be an inside report (what "they" DON'T want you to

know). I recall that (1) I paid $5 for one year, then renewed at $10

(for life) and it went out of business within a few months afterward

with no refund for remaining issues.  I am absolutely sure that this was

Allen Ginsberg's venture.  Any verification of that in your background

information on him?

 

Incidentally, can you advise me via e-mail how to contact his estate to

obtain permission to use several of his photos from his PHOTOGRAPHS book

(1990-Twelvetrees Press) to illustrate a book of poetry I wrote in the

unrhymed verse of the Beat era (during the years between '57 and '61

which I have copyrighted and will publish later this year?

 

Thanks in advance for providing this forum for informaiton exchange and,

in advance, for any info or assistance you can provide in response.

 

Laurie (the "lbg" in sgglbg@pacbell.net)

 

--------------------------------------------------------

                     ...visit...

 

                   ALLEN GINSBERG:

              Shadow Changes into Bone

 

       The Clearinghouse for all things Ginsberg!

 

                 http://www.ginzy.com

--------------------------------------------------------

=========================================================================

Date:         Thu, 11 Sep 1997 10:04:03 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

.  I would never hitchike without a knife (or atleast a sharpened

screwdriver or something) balanced in my sock for easy access.

 

That is one of the fears that keeps me from picking up a hitchiker on the

rare occasions when I do see one. It just seems harder to trust strangers

these days.

 

Hey,  there was a time when we said inhale deeply, aaah, the breath was so

fresh, pores opened up, dirt rolling off the skin, you could see it all

around you, fresh faces with sparkling eyes, breathing out freely, taking it

all in, gentler everybody. Then came swallow it, wow, soaring spirits,

mutual encouragement, a real pleasure to run into each other, the world was

free for giving  and taking. Hitching a ride meant meeting new people,

enjoying more the trip of life, getting more places with a little help from

friends.

 

That fresh breath entered a polluted world. It was not enough to banish the

harsh laws of survival on this planet. You can still see a spark here and

there, no getting completely buried in the monstrous machinery. But the

machinery produces

new toys to play aroound with, to make tools of. Like at this moment we

signal to each other across vast distances.  Hello there. We are heading for

a future unlike the past. that the past didn't even imagine.  But at the

moment I will be late for work if I

don't stop.

 

ciao

 

leon

 

        +ACI-There ain't nuthin' in school they can't teach you on the

 streets+ACI-

                                        -The Straycats

 

+AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA

 9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQ

 A9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0APQA9AD0-

+AD0APQA9-

.-

=========================================================================

Date:         Thu, 11 Sep 1997 14:01:17 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Iowa connecting

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I'm heading out for a two week reading tour of Iowa (not hitchhiking!)

Sept. 25 through Oct. 9. 10 - 12 readings around the state. Anyone on the

list from there? Anyone want to connect out in mid-America? I'll send more

info to anyone interested.

 

Michael

=========================================================================

Date:         Thu, 11 Sep 1997 10:58:23 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jorgiana S Jake <jorgiana@U.ARIZONA.EDU>

Subject:      Re: hitchhiking

In-Reply-To:  <3417A201.218@together.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

        Looking back, maybe it's been difficult all along...however all

        the publicity in the past 20 years or so about serial killers and

        "kooks" has made it even worse.

 

        Jorgiana

> 

> This is from Kerouac in Big Sur, and this was about 32 years ago:

> 

> "This is the first time I've hitch hiked in years and I soon begin to see

> that things have changed in America, you can't get a ride any more (but

> of course especially on a strickly tourist road like this coast highway

> with no trucks and no business)--Sleek long stationwagon after wagon

> comes sleering by smoothly, all colors of the rainbow and pastel at that,

> pink, blue, white, the husband is in the driver's seat with a long

> ridiculous vacationist hat with a long baseball visor making him look

> witless and idiot--Beside him sits wifey, the boss of America, wearing

> dark glasses and sneering, even if he wanted to pick me up or anybody up

> she wouldn't let him--But in the two deep backseats are children,

> children, millions of children, all ages, they're fighting and screaming

> over ice cream, they're spilling vanilla all over the Tartan

> seatcovers--There's no room anymore anyway for a hitch hiker, tho

> conceivably the poor bastard might be allowed to ride like a meek gunman

> of silent murderer in the very back platform of the wagon, but here no,

> alas! here is ten thousand racks of drycleaned and perfectly pressed

> suits and dresses of all sizes for the family to look like millionaires

> every time they stop at a roadside dive for bacon and eggs...So here I am

> standing in that road with that big woeful rucksack but also probably

> that expression of horror on my face after all those nights sitting in

> the seashore under giant black cliffs, they see in me the very

> apotheosical opposite of their very vacation dream and of course drive

> on--That afternoon I say about 5 thousand cars or probably 3 thousand

> passed me not one of them ever dreamed of stopping..."

> DC

> 

=========================================================================

Date:         Thu, 11 Sep 1997 10:32:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Awesome Diane. Seems like things are moving right along. Where is the

Kerouac of today, with that magnificent way,  that he could bring alive to

us the majesty of the sweeping view, the spectacular spectacles of  the

strands that wove it all together, too awesome for words, except maybe

Kerouac's words. I am searching for words and I ain't no Kerouac, those not

being my gifts, but there will be others. We will see more of them I am

sure.

 

Still, about thirty two years ago in Santa Cruz, and on highway one up and

down the coast, and all the way To San Francisco or Big Sur to the South,

the territory that we covered, hitchiking and hitchikers were in bloom and

flower brightening the already soaring spirits at the time. I guess Jack was

hanging around then much closer to the mainstream engines of America, and

the people and things that fueled them, kept them working, then I was.

 

Now those steamrollers have rolled over us too. Not many hitchikers around

us either any more. But we did survive+ACE-  Getting up and shaking of the dust,

with a clearer focus that can bring into view the worlds that even Jack then

didn't see, or want to look at.

 

Now I am running off to work.

 

leon

 

+AD4-Leon Tabory wrote:

+AD4APg-

+AD4APg- Its scarier that it used to be

+AD4APg-

+AD4APg- Are  we not growing further and further apart? In the beginning people

+AD4APg- lived

+AD4APg- their lives out together. Families grew. People grew more apart. +AD4-

Villages,

+AD4APg- towns, cities. And cities keep growing faster and faster. How many

 +AD4-

people

+AD4APg- will you see tomorrow that you passed by today? Know them all? Feel for

+AD4APg- them

+AD4APg- all?   Deadly squabbles in obscure corners of the world entering our

 +AD4-

homes

+AD4APg- daily. We are walking on cement, between cement walls that are closing

+AD4APg- in.

+AD4APg- TV screens for eyes to the ends of the planet.. Crowds are crowding in.

+AD4APg- Can

+AD4APg- we saty as comfortable as we did in the past about things we did then?

+AD4-

+AD4-

+AD4-This is from Kerouac in Big Sur, and this was about 32 years ago:

+AD4-

+AD4AIg-This is the first time I've hitch hiked in years and I soon begin to see

+AD4-that things have changed in America, you can't get a ride any more (but

+AD4-of course especially on a strickly tourist road like this coast highway

+AD4-with no trucks and no business)--Sleek long stationwagon after wagon

+AD4-comes sleering by smoothly, all colors of the rainbow and pastel at that,

+AD4-pink, blue, white, the husband is in the driver's seat with a long

+AD4-ridiculous vacationist hat with a long baseball visor making him look

+AD4-witless and idiot--Beside him sits wifey, the boss of America, wearing

+AD4-dark glasses and sneering, even if he wanted to pick me up or anybody up

+AD4-she wouldn't let him--But in the two deep backseats are children,

+AD4-children, millions of children, all ages, they're fighting and screaming

+AD4-over ice cream, they're spilling vanilla all over the Tartan

+AD4-seatcovers--There's no room anymore anyway for a hitch hiker, tho

+AD4-conceivably the poor bastard might be allowed to ride like a meek gunman

+AD4-of silent murderer in the very back platform of the wagon, but here no,

+AD4-alas+ACE- here is ten thousand racks of drycleaned and perfectly pressed

+AD4-suits and dresses of all sizes for the family to look like millionaires

+AD4-every time they stop at a roadside dive for bacon and eggs...So here I am

+AD4-standing in that road with that big woeful rucksack but also probably

+AD4-that expression of horror on my face after all those nights sitting in

+AD4-the seashore under giant black cliffs, they see in me the very

+AD4-apotheosical opposite of their very vacation dream and of course drive

+AD4-on--That afternoon I say about 5 thousand cars or probably 3 thousand

+AD4-passed me not one of them ever dreamed of stopping...+ACI-

+AD4-DC

+AD4-.-

+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 14:40:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: hitchhiking

 

In a message dated 97-09-11 04:11:16 EDT, you write:

 

<< one may hitch-hike.  but it's not safe anymore. >>

 

it's safe if i'm the one picking you up.

 

ddr

=========================================================================

Date:         Thu, 11 Sep 1997 14:59:06 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: hitchhiking

 

In a message dated 97-09-11 04:11:16 EDT, jjdorfner wrote:

<< 

 i'm afraid the days of the carefree hitch-hiker are over.

 sad to say.  one may hitch-hike.  but it's not safe anymore.

 >>

 

But seriously, folks...

 

I don't really know why we all got the idea (or when) that hitching/picking

up hitchers had BECOME dangerous. I don't think it's any more or less

dangerous than it ever was.

 

I hitched in the Sixties and Seventies, got paranoid in the Eighties, and I

have hitched in the Nineties. And when I'm driving, I almost always pick up

hitchers, most of whom enrich my life.

 

For me, it's a thing I refuse to give up, this hitchhiker thing. As soon as I

do, I know I'm gonna go straight, which is a fate worse than death (the

straight life IS death).

 

My kid (now almost 18) started hopping freights and hitching when he was 15,

much to my maternal chagrin. However, I couldn't deny the benefit of the

experience for him. Of course, if I'd had my way, he'd still be asking my

permission to cross the street (but that's another story), and maybe hitching

and riding the rails is the extreme response to an overly protective parent

(is that why jack did it?) but I really believe we make too much of something

that's been unfairly awfulized into being dangerous.

 

Lotta great stuff in literature about hitching, too. One hitching anecdote

that has always stood out for me is near the end of "Blue Highways" by

William Least Heat Moon, where he picked up a hitcher in my neck of the

woods. I don't have the book and can't even paraphrase it, but his

experience, for me, seemed standard fare and well worth reading today.

 

Bottom line: I trust my instincts. I pick up hitchers whose vibes are right,

and I take rides from cars based on the same system. I have had some

frightening moments, but I think that's to be expected.

 

Surrendering the freedom of the hitched ride to the dismal fears of today

just seems wrong to me. There's a whole huge aspect of living that one misses

when one passes a hitcher by, or never sticks out his/her thumb.

 

I say, Let's all get out there and hitch a ride and change "reality..."

 

ddr

=========================================================================

Date:         Thu, 11 Sep 1997 15:04:27 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Addition to the List of Beats

In-Reply-To:  Message of Thu, 11 Sep 1997 10:26:15 +0900 from <timothy@GOL.COM>

 

I'd say Vollman doesn't have any connection to the Beats whatsoever, although I

 can see how some might argue Beat influence.

=========================================================================

Date:         Thu, 11 Sep 1997 11:39:20 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 I didn't think Jack  was telling us much here about the difficulties of

hitchiking, in this jewel of a treat,, his cartoonlike exaggerations of the

american middle class family for a moment together in their station wagons

on a vacation trip, strokes of genius, such a treat to read, thank you Diane

for this surprise great pleasure, still he thinks that he looks too scary

for folks to give him a ride. He says:

 

            +AD4APg-but also probably

+AD4APg- that expression of horror on my face after all those nights sitting in

+AD4APg- the seashore under giant black cliffs, they see in me the very

+AD4APg- apotheosical opposite of their very vacation dream and of course drive

+AD4APg- on-

 

Was this the point Diane? Scary looking people never get invited for a ride?

 

My earlier response was my sadness that Jack was so unhappy that he looked

at the dark side  that he had for whatever reasons to wallow in his

depressed outlook where the bright things that were happening were not

visible to him. That area, at that time, was just beautiful hitchiking land.

I know because I was a frequent rider on that coast highway. That was Big

Sur area he was speaking of, no and a couple of years more than 32?

 

+AD4-        Looking back, maybe it's been difficult all along...however all

+AD4-        the publicity in the past 20 years or so about serial killers and

+AD4-        +ACI-kooks+ACI- has made it even worse.

+AD4-

+AD4-        Jorgiana

+AD4APg-

+AD4APg- This is from Kerouac in Big Sur, and this was about 32 years ago:

+AD4APg-

+AD4APg- +ACI-This is the first time I've hitch hiked in years and I soon begin

 to see

+AD4APg- that things have changed in America, you can't get a ride any more (but

+AD4APg- of course especially on a strickly tourist road like this coast highway

+AD4APg- with no trucks and no business)--Sleek long stationwagon after wagon

+AD4APg- comes sleering by smoothly, all colors of the rainbow and pastel at

 that,

+AD4APg- pink, blue, white, the husband is in the driver's seat with a long

+AD4APg- ridiculous vacationist hat with a long baseball visor making him look

+AD4APg- witless and idiot--Beside him sits wifey, the boss of America, wearing

+AD4APg- dark glasses and sneering, even if he wanted to pick me up or anybody

 up

+AD4APg- she wouldn't let him--But in the two deep backseats are children,

+AD4APg- children, millions of children, all ages, they're fighting and

 screaming

+AD4APg- over ice cream, they're spilling vanilla all over the Tartan

+AD4APg- seatcovers--There's no room anymore anyway for a hitch hiker, tho

+AD4APg- conceivably the poor bastard might be allowed to ride like a meek

 gunman

+AD4APg- of silent murderer in the very back platform of the wagon, but here no,

+AD4APg- alas+ACE- here is ten thousand racks of drycleaned and perfectly

 pressed

+AD4APg- suits and dresses of all sizes for the family to look like millionaires

+AD4APg- every time they stop at a roadside dive for bacon and eggs...So here I

 am

+AD4APg- standing in that road with that big woeful rucksack but also probably

+AD4APg- that expression of horror on my face after all those nights sitting in

+AD4APg- the seashore under giant black cliffs, they see in me the very

+AD4APg- apotheosical opposite of their very vacation dream and of course drive

+AD4APg- on--That afternoon I say about 5 thousand cars or probably 3 thousand

+AD4APg- passed me not one of them ever dreamed of stopping...+ACI-

+AD4APg- DC

+AD4APg-

+AD4-.-

+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 15:09:29 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Inge

 

I too vote against Inge -- not even close in my opinion.

=========================================================================

Date:         Thu, 11 Sep 1997 15:16:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: hitchhiking

In-Reply-To:  <9709110818.aa15537@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

having spent a hair-raising semester in '71 in richmond, va. let me tell

you it was scary even then, hitchhiking as a hippy chile and all.

hitchhiked with base ball bat. the conservatives (including grey haired

grandmother types) threw shit out of windows at us, blacks and white men

both were crusing to pick up hippie girls and do whatever depraved and

sadistic thing they could think of. but then, i also waited at bus stops

with bb bat to avoid getting jumped and pulled into cars (happened to two

friends of mine they were raped and battered)  hitchiked to see zappa once

and that was the end of my hitchhiking in the south (actually had to use

the bb bat, assholes thought i was bluffing.

and, as a matter of fact, riding my bike cross town in richmond safest if i

rode through the ghetto than downtown city ...

last time i hitched a ride in new england i had to talk this sleazy guy

into going off interstate to 'a motel i know' only to jump out at first red

light.

up here  in vermont, it's a little gentler and kind, but i hesitate. and

irony is that now i have no car. but won't hitch a lift no moe.

mc

 

 

 

>+AD4-Its scarier that it used to be

> 

>Are  we not growing further and further apart? In the beginning people lived

>their lives out together. Families grew. People grew more apart. Villages,

>towns, cities. And cities keep growing faster and faster. How many people

>will you see tomorrow that you passed by today? Know them all? Feel for them

>all?   Deadly squabbles in obscure corners of the world entering our homes

>daily. We are walking on cement, between cement walls that are closing in.

>TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can

>we saty as comfortable as we did in the past about things we did then?

>+AD4-.-

>+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 15:16:10 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: hitchhiking

In-Reply-To:  <3417A201.218@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

kudos again go to the fabulous DC!

 

>This is from Kerouac in Big Sur, and this was about 32 years ago:

> 

>"This is the first time I've hitch hiked in years and I soon begin to see

>that things have changed in America, you can't get a ride any more (but

>of course especially on a strickly tourist road like this coast highway

>with no trucks and no business)--Sleek long stationwagon after wagon

>comes sleering by smoothly, all colors of the rainbow and pastel at that,

>pink, blue, white, the husband is in the driver's seat with a long

>ridiculous vacationist hat with a long baseball visor making him look

>witless and idiot--Beside him sits wifey, the boss of America, wearing

>dark glasses and sneering, even if he wanted to pick me up or anybody up

>she wouldn't let him--But in the two deep backseats are children,

>children, millions of children, all ages, they're fighting and screaming

>over ice cream, they're spilling vanilla all over the Tartan

>seatcovers--There's no room anymore anyway for a hitch hiker, tho

>conceivably the poor bastard might be allowed to ride like a meek gunman

>of silent murderer in the very back platform of the wagon, but here no,

>alas! here is ten thousand racks of drycleaned and perfectly pressed

>suits and dresses of all sizes for the family to look like millionaires

>every time they stop at a roadside dive for bacon and eggs...So here I am

>standing in that road with that big woeful rucksack but also probably

>that expression of horror on my face after all those nights sitting in

>the seashore under giant black cliffs, they see in me the very

>apotheosical opposite of their very vacation dream and of course drive

>on--That afternoon I say about 5 thousand cars or probably 3 thousand

>passed me not one of them ever dreamed of stopping..."

>DC

=========================================================================

Date:         Thu, 11 Sep 1997 15:16:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: hitchhiking

In-Reply-To:  <9709110959.aa17679@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

leon, thanks for the memory! being picked up by fellow fellaheens on the

road usually led to tripping, toking, getting out and showing the sights to

fellow voyagers interior and exterior

mc

Hey,  there was a time when we said inhale deeply, aaah, the breath was so

fresh, pores opened up, dirt rolling off the skin, you could see it all

around you, fresh faces with sparkling eyes, breathing out freely, taking it

all in, gentler everybody. Then came swallow it, wow, soaring spirits,

mutual encouragement, a real pleasure to run into each other, the world was

free for giving  and taking. Hitching a ride meant meeting new people,

enjoying more the trip of life, getting more places with a little help from

friends.

=========================================================================

Date:         Thu, 11 Sep 1997 14:27:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: The Life and Times of Allen Ginsberg

In-Reply-To:  <Pine.OSF.3.96.970910233312.11968A-100000@am.appstate.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Wed, 10 Sep 1997, Alex Howard wrote:

 

> Just letting everyone know that PBS will be showing this next Wednesday at

> 10.  Check local listings yadda yadda yadda.....

> 

> Check out the pbs.org site.  They have a lot of stuff there.

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

> 

10 a.m. or p.m.?

jt

=========================================================================

Date:         Thu, 11 Sep 1997 14:30:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU>

Subject:      Re: hitchhiking

In-Reply-To:  <199709111828.NAA24312@sun.nankai.edu.cn>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 11 Sep 1997, chenxiao wrote:

 

> Folks over there, is hitchhiking still easy thing in this continent as in the

>  OTR time?

> 

> Hitchhike to America, hitchhike to moon;

> with bag empty, with hair long.

> 

> ciao

> yan

> 

no; in fact in _Big Sur_ Jack Kerouac wrote something to the effect,

"No rides, a sign" (this is a paraphrase).

jt

=========================================================================

Date:         Thu, 11 Sep 1997 14:27:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: thumbs up

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> I say, Let's all get out there and hitch a ride and change "reality..."

> 

> ddr

 

I hitched probably over 200,000 miles over the years between 1967 and

1979.  most of the trips were up and down all the way on highway 1 on

the coast,San Diego to Seattle, or La to San Fransico, over and over,

Highway 70 from kansas to California about 12 times, sometimes up

(north)sometmes down (south), then 70 to boston, New York, Maine about 5

times. Twice through canada, straight up and over back down through New

york,  One of the sweetest time was a long ride through mexico in the

back of a dump truck with a large extened family.  I had three bad

moments, all in the midwest, kc, omaha, and outside of emporia. I was

never raped, but hit hard once in Kc and scared and mauled.  Offered

money for sex more often in california.

 I did a lot of road theatre, lied through my teeth, sometimes took to

do you know jesus? (an antiaphrodisiac) almost always had little odd

gifts to give people to "pay" my way..

        One day my tv was on and was watching a nice looking guy, relaxed, talk

bout some legal situation in Colorado, turned up the tv and slowly

figured out it was ted bundy, that moment put more fear into me than the

trucker i fled from across the fields near omaha.

        I still occasionally pick up hikers, i am on the intersection of I 70

and highway 59 . my friend Jamie Grow, i write his name so that he might

be remembered, disappeared after giving a rider to two lesbians from

arkansas to kansas, he never found kansas.  i dreamt once he was under

the water of a muddy stream.  The hardest hiking times were in New York

where i discovered i suffered from a bad case of prejudice.  mean

hearted people in New York state, nasty sense of humors, but no one

tried to rape me.  God I loved stomping my foot on a mountain, cresting

a hill on the grapevine, seeing the colors of the soil change, grabbing

a guys butt and watching his expression as it got later at night and he

thought he got lucky.  hey I know this is not beat related but I found

just loved thinking about those trips,

p

=========================================================================

Date:         Thu, 11 Sep 1997 13:08:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Caleb Carr

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     From an article in today's (9/11/97) USA Today about Caleb Carr's new

     novel, "The Angel of Darkness".  (Caleb is the son of Lucien Carr).

 

     QUOTE

 

     "He grew up on the poor side of town but went to a rich kids prep

     school  He was a rational child brought up in a world of dreamers and

     drinkers.  His father is Beat writer Lucien Carr, so he grew up in the

     presence of literary rebels like Allen Ginsberg and William S.

     Burroughs.

 

     But he rebelled against them.  "I'm a writer despite their influence,"

     Carr says, "I grew up with faith in rationalism.  The Beats engaged in

     the opposite, and that didn't work for me."

 

     END OF QUOTE

 

     Can someone more literarily (literally?) inclined than I tell me what

     he means by rationalism, also how does this differ from realism

     (which, to me, is what the Beats WERE all about).

 

     Though I haven't read any of his work it sounds, from what I gather,

     that Caleb may have been "influenced" by Dr. Sax.

 

     love and lilies,

 

     matt h.

=========================================================================

Date:         Thu, 11 Sep 1997 16:28:12 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Caleb Carr

 

Reply to message from MATT.HANNAN@USOC.ORG of Thu, 11 Sep

 

>     Can someone more literarily (literally?) inclined than I tell me what

>     he means by rationalism, also how does this differ from realism

>     (which, to me, is what the Beats WERE all about).

> 

>     Though I haven't read any of his work it sounds, from what I gather,

>     that Caleb may have been "influenced" by Dr. Sax.

> 

>     love and lilies,

> 

>     matt h.

 

I'm not sure if I can explain what he meant by rationalism, but I have read

the Alienist, and it is most defientely NOT Beat Literature.  It's very

traditional, as far as writing technique goes.  The story is told--I'm

assuming it was a letter--about 25 years after the events happened.

Basically, there's this serial killer running around New York just before

the turn of the century murdering boy prostitutes.  And the narrator was a

part of an under-cover team assembled to  stop the killer.  It's a good

story, well-thought out & obviously a lot of research went into the book,

but in my humble opinion it's no lasting masterpiece.  What bothered me the

most about the story was that the style Caleb chose to write the book

in--the whole looking-back-at-these-events-well-after-they've-happened

bit--is completely unrealistic given the amount of detail in the book.  And

I think he did want it to be a believable story, but there's no way someone

could remember every minute detail of these events the way the narrator of

this book does, & it's made clear throughout that he is, in fact, reminiscing.

 

Caleb is Lucien's son, and a writer, but I wouldn't include him on Rinaldo's

Ultimate Beat-Writer list.

 

Diane.

 

--

I should have loved a thunderbird instead.                    --Sylvia Plath

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Thu, 11 Sep 1997 16:28:42 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@MAILHUB.JAXNET.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

>         Looking back, maybe it's been difficult all along...however all

>         the publicity in the past 20 years or so about serial killers and

>         "kooks" has made it even worse.

remeber that story about the "hook"? you know that guy who scares

this young couple when he just escapes prison or something. it's

stuff like that which made me feel insecure even looking at someone

outside of a car on the highway. then again i am a child of the

eighties so there you are.

>         Jorgiana

randy

> >

> > This is from Kerouac in Big Sur, and this was about 32 years ago:

> >

> > "This is the first time I've hitch hiked in years and I soon begin to see

> > that things have changed in America, you can't get a ride any more (but

> > of course especially on a strickly tourist road like this coast highway

> > with no trucks and no business)--Sleek long stationwagon after wagon

> > comes sleering by smoothly, all colors of the rainbow and pastel at that,

> > pink, blue, white, the husband is in the driver's seat with a long

> > ridiculous vacationist hat with a long baseball visor making him look

> > witless and idiot--Beside him sits wifey, the boss of America, wearing

> > dark glasses and sneering, even if he wanted to pick me up or anybody up

> > she wouldn't let him--But in the two deep backseats are children,

> > children, millions of children, all ages, they're fighting and screaming

> > over ice cream, they're spilling vanilla all over the Tartan

> > seatcovers--There's no room anymore anyway for a hitch hiker, tho

> > conceivably the poor bastard might be allowed to ride like a meek gunman

> > of silent murderer in the very back platform of the wagon, but here no,

> > alas! here is ten thousand racks of drycleaned and perfectly pressed

> > suits and dresses of all sizes for the family to look like millionaires

> > every time they stop at a roadside dive for bacon and eggs...So here I am

> > standing in that road with that big woeful rucksack but also probably

> > that expression of horror on my face after all those nights sitting in

> > the seashore under giant black cliffs, they see in me the very

> > apotheosical opposite of their very vacation dream and of course drive

> > on--That afternoon I say about 5 thousand cars or probably 3 thousand

> > passed me not one of them ever dreamed of stopping..."

> > DC

> >

> 

> 

=========================================================================

Date:         Thu, 11 Sep 1997 17:07:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

funny how nostalgia is perrenial and that Kerouac felt the breakdown in

community; beatness was its symptom. this is not specifically related to

the issue of hitching but in a general way:

 

The sins of America are precisely that the streets . . . are empty where

their houses are, there's no sense of neighborhood anymore, a neighborhood

quarter a neighborhood freeforall fight between two streets of young

husbands is no longer possible . . .(VC 261).

 

what was everyone doing, shopping?

 

> +AD4-

>+AD4-Its scarier that it used to be

> 

>Are  we not growing further and further apart? In the beginning people lived

>their lives out together. Families grew. People grew more apart. Villages,

>towns, cities. And cities keep growing faster and faster. How many people

>will you see tomorrow that you passed by today? Know them all? Feel for them

>all?   Deadly squabbles in obscure corners of the world entering our homes

>daily. We are walking on cement, between cement walls that are closing in.

>TV screens for eyes to the ends of the planet.. Crowds are crowding in. Can

>we saty as comfortable as we did in the past about things we did then?

>+AD4-.-

>+AD4-

=========================================================================

Date:         Thu, 11 Sep 1997 15:56:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: AG as MONEY Magazine Publisher?

Comments: To: mongo.bearwolf@Dartmouth.EDU

Comments: cc: sgglbg@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

She is thinking of RALPH GINZBURG, not our Allen.  I remember his MONEY

magazine, too.

 

> >Subject: Re: A.G. as MONEY magazine publisher

> 

> In the mid-1960s for over a year, Allen Ginsberg (the very same, I am

> sure) offered from a New York addresss via a full-page color ad in the

> comics pages of the San Francisco Chronicle (such ads were often placed

> in the comics during the 60's)--for $5 per year or $10 for a "lifetime

> subscription", a monthly or semi-monthly publication called MONEY or

> YOUR MONEY or some such short title with MONEY in it.  It was the first

> of its kind; a nearly identical version has recently started publishing

> this year, edited and promoted by one Martin Edelston at a Boulder, CO

> address, called Bottom Line/PERSONAL and deals with ways to save, make,

> spend and otherwise get the best deal in every area of money management.

> 

> MONEY claimed to be an inside report (what "they" DON'T want you to

> know). I recall that (1) I paid $5 for one year, then renewed at $10

> (for life) and it went out of business within a few months afterward

> with no refund for remaining issues.  I am absolutely sure that this was

> Allen Ginsberg's venture.  Any verification of that in your background

> information on him?

> 

> 

> Thanks in advance for providing this forum for informaiton exchange and,

> in advance, for any info or assistance you can provide in response.

> 

> Laurie (the "lbg" in sgglbg@pacbell.net)

> 

=========================================================================

Date:         Thu, 11 Sep 1997 14:18:55 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Caleb Carr

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:08 PM 9/11/97 -0400, you wrote:

>     From an article in today's (9/11/97) USA Today about Caleb Carr's new

>     novel, "The Angel of Darkness".  (Caleb is the son of Lucien Carr).

> 

>     QUOTE

> 

>     "He grew up on the poor side of town but went to a rich kids prep

>     school  He was a rational child brought up in a world of dreamers and

>     drinkers.  His father is Beat writer Lucien Carr, so he grew up in the

>     presence of literary rebels like Allen Ginsberg and William S.

>     Burroughs.

> 

>     But he rebelled against them.  "I'm a writer despite their influence,"

>     Carr says, "I grew up with faith in rationalism.  The Beats engaged in

>     the opposite, and that didn't work for me."

> 

>     END OF QUOTE

> 

>     Can someone more literarily (literally?) inclined than I tell me what

>     he means by rationalism, also how does this differ from realism

>     (which, to me, is what the Beats WERE all about).

 

Burroughs believed in pooks and sprites etc...A person who didn't share such

beliefs or worldview entailing supernatural as something literal and

tangible would describe his or her view as rational vs Burrough's view

irrational.

 

I also think Diane Homza made very good points in terms of a writing style

or method to use that could also be seen as a comparison of rational vs

irrational.

 

I've talked about Caleb Carr here a few times because he wrote a book I read

that I quite liked called The Devil Soldier.  It was about Frederick

Townsend Ward who was an American who became a soldier of fortune type and

eventually ended up in China leading a group of soldiers for the Qing

Dynasty government against the Tai Ping Tien Kuo (Heavenly Peace Kingdom),

called the long hairs who were trying to overthow the Emperor and his

regime.  Ward's army was called the Ever Victorious Army.  It's a good

interesting book.

 

I didn't read the Alienist but I also think this book, Devil Soldier,

reflects on the rational vs irrational path he talks about in that it is a

straightforward well foot-noted scholarly biography.  It is to his credit as

a writer that it reads like a novel.  In terms of the rational vs irrational

he could have easily told this story in "experimental" or irrational ways

but chose to do a "rational" straightforward biography.

 

About the younger Carr as a beat, he did rebel as he states above.

=========================================================================

Date:         Thu, 11 Sep 1997 16:43:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Re: hitchhiking

In-Reply-To:  <199709111828.NAA24312@sun.nankai.edu.cn>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 11 Sep 1997, chenxiao wrote:

 

> Folks over there, is hitchhiking still easy thing in this continent as in the

>  OTR time?

> 

> Hitchhike to America, hitchhike to moon;

> with bag empty, with hair long.

> 

> ciao

> yan

> 

I'm afraid not, Yan.  It's illegal in many places.  Most depressing thing

in the world is to see a road sign with a thumb up held with a big red

slash across it.  and you read or hear about people getting killed, raped

. . . all the time .  I was lucky enough to hitch 1600 miles down the

Alaskan-Highway last year, through Canada.  It was fairly easy for us.

But Canada and Alaska are a lot different than the rest of the U.S.

 

i like your little poem.  reminds me of Jack's "Visions of America."

 

-matt

=========================================================================

Date:         Thu, 11 Sep 1997 16:44:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      list

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Rinaldo,

You should also add Howard Hart to your list.

Cordially,

Michael Skau

9/11/97

=========================================================================

Date:         Thu, 11 Sep 1997 17:56:57 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:24 AM 9/11/97 -0400, you wrote:

>>Folks over there, is hitchhiking still easy thing in this continent as in the

>> OTR time?

>> 

>>Hitchhike to America, hitchhike to moon;

>>with bag empty, with hair long.

>> 

>>ciao

>>yan

> 

>Not as easy and therefore nowhere near as common. I drove 20 days, 6,500

>miles cross country on Route 20 last fall partly commemorating the old

>hitchhiking days, the 30,00 miles traveled with thumb and back 25 years

>ago. Did not see even one lone hitchhiker that whole way! It was

>disappointing, but I guess understandable.

> 

>I still pick up hitchhikers when I see them and have never had a negative

>experience. I think people are basically good but there's a fear mentality

>that dominates much of late 20th century America.

> 

>"shadow lurking

>on the edge of the road

>nothing more

>nothing more

>the ghost of Kerouac

>late 20th century America

>no room for lonesome travelers

>bumming rides."

> 

>Michael

> 

> 

Another thing, they usually won't let you hitchhike on the

interstate.  You have to hitchhike from the on ramp if

anywhere.  I discovered that when I hitchhiked home from

the UW Madison in the 60s.  So you are not going to see

hitchers on interstates, but you would in the day of Route

66.  I still see hitchers off the major roadways, but not

like I used to.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 17:57:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Addition to the List of Beats

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:11 PM 9/11/97 -0400, you wrote:

>Dear Mike,

> 

>I agree Inge is not beat.

>Have you seen is new play

>3 Tall Women? I saw it

>last week in San Francisco

>it was the best night of theater

>for me in a long time.

>Also heard interview with

>him, he comes off, very funny,

>on the radio.

> 

>yrs

>Gary Mex Glazner

>San Francisco

>Headless Buddha

>http://www.well.com/user/poetmex

> 

> 

>From what twilight zone

are you writing.  Inge

has been dead since the

late 70s or early 80s.

Are you sure you're not

speaking of Edward Albee?

I think you are.  Now, is

Edward Albee, author of

Tiny Alice, a beat, I don't

think so.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 17:57:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: hitchhiking

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 02:40 PM 9/11/97 -0400, you wrote:

>In a message dated 97-09-11 04:11:16 EDT, you write:

> 

><< one may hitch-hike.  but it's not safe anymore. >>

> 

>it's safe if i'm the one picking you up.

> 

>ddr

> 

> 

How can we be sure?  Who knows what you have done in

your secret life.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 17:57:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: thumbs up

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

One day my tv was on and was watching a nice looking guy, relaxed, talk

bout some legal situation in Colorado, turned up the tv and slowly

figured out it was ted bundy,

 

Are you serious?  Do I understand that you watched Ted Bundy at work,

trying to set up his next murder.  Did I misunderstand.  Please explain.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 17:57:32 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Caleb Carr

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:08 PM 9/11/97 -0400, you wrote:

>     From an article in today's (9/11/97) USA Today about Caleb Carr's new

>     novel, "The Angel of Darkness".  (Caleb is the son of Lucien Carr).

> 

>     QUOTE

> 

>     "He grew up on the poor side of town but went to a rich kids prep

>     school  He was a rational child brought up in a world of dreamers and

>     drinkers.  His father is Beat writer Lucien Carr, so he grew up in the

>     presence of literary rebels like Allen Ginsberg and William S.

>     Burroughs.

> 

>     But he rebelled against them.  "I'm a writer despite their influence,"

>     Carr says, "I grew up with faith in rationalism.  The Beats engaged in

>     the opposite, and that didn't work for me."

> 

>     END OF QUOTE

> 

>     Can someone more literarily (literally?) inclined than I tell me what

>     he means by rationalism, also how does this differ from realism

>     (which, to me, is what the Beats WERE all about).

> 

>     Though I haven't read any of his work it sounds, from what I gather,

>     that Caleb may have been "influenced" by Dr. Sax.

> 

>     love and lilies,

> 

>     matt h.

> 

> 

 

I think its clear.  He believes in realism.  The Beats, especially

Kerouac, were clear romantics, who could believe in any pipedream.

Caleb Carr is not a romantic.

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 18:14:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: hitchhiking

In-Reply-To:  <199709111828.NAA24312@sun.nankai.edu.cn>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 11 Sep 1997, chenxiao wrote:

 

> Folks over there, is hitchhiking still easy thing in this continent as in the

>  OTR time?

 

no, only easy thing to do now is hitchhike on the net; folks in chat rooms,

irc & at ends of internet connections still talk to strangers, pass ideas

along and take you for a ride.

 

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

 

=========================================================================

Date:         Thu, 11 Sep 1997 18:20:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: The Life and Times of Allen Ginsberg

In-Reply-To:  <Pine.HPP.3.93.970911142727.18282A-100000@holmes.ipfw.indiana.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 11 Sep 1997, Jennifer Thompson wrote:

 

> > Just letting everyone know that PBS will be showing this next Wednesday at

> > 10.  Check local listings yadda yadda yadda.....

 

> 10 a.m. or p.m.?

 

In the pm, sorry to not make that clear.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Thu, 11 Sep 1997 18:26:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: list

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:44 PM 9/11/97 -0500, you wrote:

>Rinaldo,

>You should also add Howard Hart to your list.

>Cordially,

>Michael Skau

>9/11/97

> 

> 

Hell, why not add Bret Harte, Moss Hart

and Harte Crain?

 

Mike Rice

=========================================================================

Date:         Thu, 11 Sep 1997 16:56:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: Iowa connecting

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Be sure to have some apple pie and ice cream!

 

 

______________________________ Reply Separator _________________________________

Subject: Iowa connecting

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    9/11/97 2:01 PM

 

 

I'm heading out for a two week reading tour of Iowa (not hitchhiking!)

Sept. 25 through Oct. 9. 10 - 12 readings around the state. Anyone on the

list from there? Anyone want to connect out in mid-America? I'll send more

info to anyone interested.

 

Michael

=========================================================================

Date:         Thu, 11 Sep 1997 19:36:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: Visions of America

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:43 PM 9/11/97 -0500, you wrote:

>On Thu, 11 Sep 1997, chenxiao wrote:

> 

>> Folks over there, is hitchhiking still easy thing in this continent as

in the

>>  OTR time?

>> 

>> Hitchhike to America, hitchhike to moon;

>> with bag empty, with hair long.

>> 

>> ciao

>> yan

>> 

>I'm afraid not, Yan.  It's illegal in many places.  Most depressing thing

>in the world is to see a road sign with a thumb up held with a big red

>slash across it.  and you read or hear about people getting killed, raped

>. . . all the time .  I was lucky enough to hitch 1600 miles down the

>Alaskan-Highway last year, through Canada.  It was fairly easy for us.

>But Canada and Alaska are a lot different than the rest of the U.S.

> 

>i like your little poem.  reminds me of Jack's "Visions of America."

> 

>-matt

> 

> 

Matt - Ive been searching for "Visions of America" for two years and cant

seem to find it except through this internet bookdealer who wants 125

dollars for it which of course I don't have.  Do you know of a way of how I

could get it cheeper?

 

 

                                                                -Jon

=========================================================================

Date:         Thu, 11 Sep 1997 20:26:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: hitchhiking

 

In a message dated 97-09-11 17:58:54 EDT, we write:

 

<< ><< one may hitch-hike.  but it's not safe anymore. >>

 >

 >it's safe if i'm the one picking you up.

 >

 >ddr

 >

 >

 How can we be sure?  Who knows what you have done in

 your secret life.

 

 Mike Rice

 

<<< 

 

well, mike... maybe YOU wouldn't be safe... hee hee hee

 

ddr

=========================================================================

Date:         Thu, 11 Sep 1997 20:36:31 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: thumbs up

 

In a message dated 97-09-11 15:38:07 EDT, patricia wrote:

 

<< 

 Diane De Rooy wrote:

 > I say, Let's all get out there and hitch a ride and change "reality..."

 >

 > ddr

 

 I hitched probably over 200,000 miles over the years between 1967 and

 1979.

 

hey I know this is not beat related but I found just loved thinking about

those trips,

p

 >>

 

I don't know about everyone else, but I've thoroughly enjoyed this thread...

and I think hitching is completely Beat-related, and "thumbs up" is a great

title for your letter. Wish I'd thought of it...

 

So, patricia, what's the best route to hitch from Seattle to where you are?

 

diane

=========================================================================

Date:         Thu, 11 Sep 1997 21:05:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Crickets

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

David:

 

I found the crickets.  In an ad for a Nancy Griffith show it says:

 

Horizon presents

 

An Evening with

 

NANCI GRIFFITH & the Blue Moon Orchestra

featuring THE CRICKETS

 

So, at least you know that they are in good hands and making a wonderful

folk sound.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 11 Sep 1997 21:18:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I did more than my share in 1970-71.   But, I don't remember much really

being fun.  It was a sense of adventure and had a cool trip full of

conincidences once.  We were hitching from Thomasville GA to Bushkill

Falls PA for a rock festival, Harmonyville.  We got to Atlanta and slept

under some pine trees on the side of the road.  We went down to a 76

truck stop and got breakfast.  We started talking to this middle aged

man. He was up drinking all night and was going to head to the Atlanta

Raceway for a stock car race.  We told him what we were doing and he got

that "crazy" look in his eyes.  He said, damn, I always wanted to do

something like that.  He got in his car and decided to take us to

Greenville SC and come back for the race.

 

When we got to Greenville he said, hell, I always wanted to do something

crazy like this.  I'm gonna take you to Pennsylvania.  I was behind the

wheel and drove his car all the way from Atlanta to Philadelphia.  Since

it was the days before atms, he had his girl friend wire him money in

Washington DC.  As we rode around the Western Union office, we thought,

man, I can't believe he would let us three kids drive his car around

like this in DC.

 

When we got to PA, the festival was cancelled.  Sly Stone was late for a

show in Illinois and when he didn't come out the kids had a riot.  A

bunch of festivals got canceled.  We chose to go to this one instead of

one in VA.  At the one in VA, it rained a lot and they had a show

despite the ban.  I believe "Candles in the Rain" by Melanie and "Who'll

Stop the Rain" by CCR may have been inspired by that show.  Anyways, he

took us back to Atlanta.

 

His occupation was a mechanic.  But he made his real money turning back

odometers for used car dealers.

 

A pretty cool ride.

 

But, despite this great trip, I don't really thinking hitching was that

great an idea.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 11 Sep 1997 20:35:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Crickets

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

R. Bentz Kirby wrote:

> 

> David:

> 

> I found the crickets.  In an ad for a Nancy Griffith show it says:

> 

> Horizon presents

> 

> An Evening with

> 

> NANCI GRIFFITH & the Blue Moon Orchestra

> featuring THE CRICKETS

> 

> So, at least you know that they are in good hands and making a wonderful

> folk sound.

> 

> Peace,

> --

> Bentz

> bocelts@scsn.net

> 

> http://www.scsn.net/users/sclaw

 

that sounds like Nancy ... used to be on her wavelength ever few weeks

back in iowa city ... the Mill was kinda Nancy griffith kinda place ...

i think greg browne or green or something or other too.  used to goof

off at open mike nites there with guitar and persecuting music for free

... crowd favourite was acoustic-punk-angst-version of johndenver

version of Leavin on a jet plane!

 

dbr

=========================================================================

Date:         Thu, 11 Sep 1997 21:47:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      kerouac timeline

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

As I did up a timeline of Kerouac's life for class on Monday, I figured

"whatthehell", did some quick coding in my local web editor (knew those

things were good for something), and put it up on my Kerouac page.  If

anyone gets the chance/desire, I'd love for some double checking on my

dates and such; as my sources conflicted a bit on some of the "began

working on suchandsuchnovel", "moved to suchandsuchplace", and "ran

whilly-nilly to Mexico" dates.  Order of events of each year may be a

bit skewed as well.  I'd appreciate the lowdown if anyone finds errors.

 

http://porter.appstate.edu/~kh14586/links/beats/kerouac/timeline.html

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Thu, 11 Sep 1997 18:57:21 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jym Mooney wrote:

 . . .the only *true* Beat

> writers had to have been mentioned in "Howl" (which is rather limiting

> things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly

> enough, Tuli Kupferburg).

 

There are times for narrow definitions and times for broad ones.  On

this list I think broad is helpful, although there are some on this list

that to my mind are clearly out, but this is democracy.  There are lots

of people on the list who would have hated like hell to be called "Beat"

(Jack Spicer is a good example, or Bukowski) but because of their time

and associations are going to be called Beat whether they like it or

not.  "Beat" was Allan and Jack's term really, and I think other writers

resented being dragged into that camp feeling that they had their own

thing going. Allan was a wonderful promoter.  But narrowly defined Beats

are all dead and gone now.  Certainly we can borrow the term and give it

somewhat wider application without watering it down beyond all

usefullness

 

J. Stauffer

=========================================================================

Date:         Thu, 11 Sep 1997 22:32:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: Iowa connecting

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

MATT HANNAN wrote:

 

>     Be sure to have some apple pie and ice cream!

> 

> 

 

I will, and know just the place, The Barn Cafe, Dike, Iowa where a sign in

entranceway proclaims:

 

OFFICIAL AGRICULTURAL SEMINAR

HELD HERE DAILY

 

Michael

=========================================================================

Date:         Thu, 11 Sep 1997 11:25:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Leon Tabory wrote:

> Was this the point Diane? Scary looking people never get invited for a

> ride?

> 

> My earlier response was my sadness that Jack was so unhappy that he

> looked

> at the dark side  that he had for whatever reasons to wallow in his

> depressed outlook where the bright things that were happening were not

> visible to him. That area, at that time, was just beautiful hitchiking

> land.

> I know because I was a frequent rider on that coast highway. That was

> Big

> Sur area he was speaking of, no and a couple of years more than 32?

 

I read it as meaning that he felt America was changing even then, but if

you hitchhiked in the same area at about the same time and didn't feel

it, then perhaps this is another way in which his depression caused him

to see the darker side of things.  Jack was "sick of life" through most

of Big Sur and many of his older joys (and I would see hitchhiking as one

of them) no longer held much meaning for him.

DC

=========================================================================

Date:         Thu, 11 Sep 1997 20:11:49 -0700

Reply-To:     sgglbg@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Stanley & Laurie Gonzalez <sgglbg@PACBELL.NET>

Subject:      Re: AG as MONEY Magazine Publisher?

Comments: To: Jym Mooney <vmooney@execpc.com>

Comments: cc: mongo.bearwolf@Dartmouth.EDU

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Jym Mooney wrote:

> 

> She is thinking of RALPH GINZBURG, not our Allen.  I remember his MONEY

> magazine, too.

> 

> > >Subject: Re: A.G. as MONEY magazine publisher

> >

> > In the mid-1960s for over a year, Allen Ginsberg (the very same, I am

> > sure) offered from a New York addresss via a full-page color ad in the

> > comics pages of the San Francisco Chronicle (such ads were often placed

> > in the comics during the 60's)--for $5 per year or $10 for a "lifetime

> > subscription", a monthly or semi-monthly publication called MONEY or

> > YOUR MONEY or some such short title with MONEY in it.  It was the first

> > of its kind; a nearly identical version has recently started publishing

> > this year, edited and promoted by one Martin Edelston at a Boulder, CO

> > address, called Bottom Line/PERSONAL and deals with ways to save, make,

> > spend and otherwise get the best deal in every area of money management.

> >

> > MONEY claimed to be an inside report (what "they" DON'T want you to

> > know). I recall that (1) I paid $5 for one year, then renewed at $10

> > (for life) and it went out of business within a few months afterward

> > with no refund for remaining issues.  I am absolutely sure that this was

> > Allen Ginsberg's venture.  Any verification of that in your background

> > information on him?

> >

> >

> > Thanks in advance for providing this forum for informaiton exchange and,

> > in advance, for any info or assistance you can provide in response.

> >

> > Laurie (the "lbg" in sgglbg@pacbell.net)

> >

-----------------------------------------------------------------------

Thank you, Mongo, Bill and Jim for leading me to the right first name at

last and the correctly spelled last name.  Wonder what became of Ralph

G... Probably absconded with all of the "lifetime membership" monies

(for a couple of weeks in Mexico)!

               (.) (.)

                  .

Thanks again.   \___/  Laurie

=========================================================================

Date:         Fri, 12 Sep 1997 11:51:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         chenxiao <xbchen@SUN.NANKAI.EDU.CN>

Subject:      Re: hitchhiking

 

I don't know how is hitchhiking in China. This summer I took a trip to northwest

 China, not hitchhiking but taking cheapest train and hotel room so that I can

 stay longer on the road. There is cool landscape. I encountered several poor

 people including a little begger girl, who has pure eyes and tender voice, and

 a old hobo thousands of miles away home, who picks up littered water or

 coca-cola bottles to earn money. I always wonder how those hobos survive with

 no money in pocket.

I should have stay a day or two with the old man. There are millions of hobos

 wandering around Chinese vast land. But I think they are different to hobos

 described by Beats writers, they send money back home whenever having any. Its

 sad thing.

 

west side of Yellow River,

desert is ahead,

stuck bicycle in mud,

saw footprints of mine on wet sand.

i am alone, haaaa i am alone.

 

Yan

=========================================================================

Date:         Thu, 11 Sep 1997 23:21:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

Comments: To: stauffer@pacbell.net

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Stauffer wrote:

> 

> Jym Mooney wrote:

>  . . .the only *true* Beat

> > writers had to have been mentioned in "Howl" (which is rather limiting

> > things to Kerouac, Huncke, Cassady, Carr, Solomon, Burroughs, and, oddly

> > enough, Tuli Kupferburg).

> 

> There are times for narrow definitions and times for broad ones.  On

> this list I think broad is helpful, although there are some on this list

> that to my mind are clearly out, but this is democracy.  There are lots

> of people on the list who would have hated like hell to be called "Beat"

> (Jack Spicer is a good example, or Bukowski) but because of their time

> and associations are going to be called Beat whether they like it or

> not.  "Beat" was Allan and Jack's term really, and I think other writers

> resented being dragged into that camp feeling that they had their own

> thing going. Allan was a wonderful promoter.  But narrowly defined Beats

> are all dead and gone now.  Certainly we can borrow the term and give it

> somewhat wider application without watering it down beyond all

> usefullness

> 

> J. Stauffer

 

Being somebody who is coming into this whole game fairly if not at a

moron status in terms of my level of ignorance, the project of the

expanded list is helping me considerably in creating connections between

(as Lou Reed would say) "faces and names".  The list of the "CORE" Beats

is wonderful for providing focus and it seems like a decent idea to try

and draw lines of association that connect (like those old sex chains in

college) to one or more of these.  Perhaps this is a way of creating

some slight method to the madness of the entire definition game.  But

i'm one for letting quite a lot of madness flow.  Part of the

distinction in this thread seems to be the notion of Beats and Beat

Generation.  Certainly the DIRECT influences of the CORE Beats move far

beyond their initial little group.  There are many advantages to having

both lists.  The most obvious is that when newcomers come in -- as i did

-- relatively ignorant, there is material to examine without falling

into that dangerous thread of "What is Beat?" and the true but not

particularly helpful answer of "Rhubarb" (or was it "Dumpling!!?!!)...It

provides information both from a lens that is focused VERY VERY closely

on a selected group of Exemplar and of the Larger Literary Community

that is -- in computerese -- LINKED to the Core.

 

Just two thoughts as night falls in the Land where Eisenhower is still

thought to be President and the pledge of Allegiance a marvelous little

poem!

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 12 Sep 1997 00:20:37 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

chenxiao wrote:

> 

> I don't know how is hitchhiking in China. This summer I took a trip to

> northwest

>  China, not hitchhiking but taking cheapest train and hotel room so

> that I can

>  stay longer on the road. There is cool landscape. I encountered

> several poor

>  people including a little begger girl, who has pure eyes and tender

> voice, and

>  a old hobo thousands of miles away home, who picks up littered water

> or

>  coca-cola bottles to earn money. I always wonder how those hobos

> survive with

>  no money in pocket.

> I should have stay a day or two with the old man. There are millions

> of hobos

>  wandering around Chinese vast land. But I think they are different to

> hobos

>  described by Beats writers, they send money back home whenever having

> any. Its

>  sad thing.

> 

> west side of Yellow River,

> desert is ahead,

> stuck bicycle in mud,

> saw footprints of mine on wet sand.

> i am alone, haaaa i am alone.

> 

> Yan

Yan:

 

Thanks for the cool post.

 

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Thu, 11 Sep 1997 23:24:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Iowa connecting

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Czarnecki wrote:

> 

> MATT HANNAN wrote:

> 

> >     Be sure to have some apple pie and ice cream!

> >

> >

> 

> I will, and know just the place, The Barn Cafe, Dike, Iowa where a sign in

> entranceway proclaims:

> 

> OFFICIAL AGRICULTURAL SEMINAR

> HELD HERE DAILY

> 

> Michael

 

MACHINESHED Interstate 80 Davenport Iowa, Northwest side of Town.  You

will see TRUE farmers!!!!!  (and some tourists)

 

If you dip below to the I-70 range ... consider a slide through salina

though not a lot to do here but watch the sunflowers.

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 12 Sep 1997 00:54:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: thumbs up

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> So, patricia, what's the best route to hitch from Seattle to where you are?

> 

> diane

my server is only working about 10 minutes every 4 hours. so here goes,

the best way to hitch from seattle to here is via mexico. of course that

is how i found canada.  Route and weather, lines and chance.

 

to respond to a variety of thoughts and messages

 

Jamie picked up the lesbians at a coop grocery in fayetteville, after

they disappeared with him , his money and his van, a tv they had hocked

turned out hot.  Jamie Grow was a hippies hippy, tales of him in Ohle's

"cows are freaky when they look at you; tales of the Kaw Valley Hemp

Pickers."

 

Inge is dead but i don't think he is beat!

 

Here in lawrence some of us have take the great rinaldo beat list and

made of list of the  works and we play match games (beat pursuit) bob

(the saint that is my husband) is the best.

 

Mike, I believe you are correct, I am not sure but I do believe Ted

Bundy did go on to murder more people ( in Florida) after he was in

Colorado.

 

Iowa, i would love to meet you, too, I am heading to texas for a couple

of weeks (end of Sept) ( i am driving), give us your  rough itinerary

and mayhaps we can share a cuppa.

 

now i will click on send and see.

p

=========================================================================

Date:         Fri, 12 Sep 1997 01:08:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: list

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Mike Rice wrote:

> 

> At 04:44 PM 9/11/97 -0500, you wrote:

> >Rinaldo,

> >You should also add Howard Hart to your list.

 

> >

> >

> Hell, why not add Bret Harte, Moss Hart

> and Harte Crain?

> 

> Mike Rice

 

I certainly agree with adding howard Hart but as for bret, moss and

crain is this humor? i sure don't get this new humor.  i understand the

hart  refrain but are you disagreeing about Howard hart?

p

=========================================================================

Date:         Fri, 12 Sep 1997 05:27:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Jones <71224.1465@COMPUSERVE.COM>

Subject:      Re: AG as MONEY Magazine Publisher?

MIME-Version: 1.0

Content-Transfer-Encoding: 7bit

Content-Type: text/plain; charset=us-ascii

 

Ginzberg was a publisher who had been an editor at Esquire Magazine in the

fifties. In 1958 his "An Unhurried View of Erotica" was published. He

published the hardcover "Eros" magazine in the early sixties and became

something of a cause celebre over an obscenity case (involving an issue of

that publication) which went all the way to the US Supreme Court. He lost

the appeal and served time in prison in the seventies, then wrote

Castrated: My Eight Months in Prison. Before they locked him up, he

published Fact Magazine in the mid sixties, which was mildly beat in that

it published work by Rexroth and such, and "Avant Garde" magazine between

1968 and 1971, which was a high-end periodical noted for its graphics. I

seem to remember a later version of "Fact", and Ginzberg also put out a

series of newsletter style publications having to do with money saving and

other handy tips (as you have mentioned). One, published in the eighties,

had to do with getting Social Security payments.

 

I'm not sure if he's still alive.

 

- David

 

-----Original Message-----

From:   INTERNET:sgglbg@pacbell.net

Sent:   Thursday, September 11, 1997 20:46

To:     INTERNET:BEAT-L@CUNYVM.CUNY.EDU

Subject:        Re: AG as MONEY Magazine Publisher?

 

-----------------------------------------------------------------------

Thank you, Mongo, Bill and Jim for leading me to the right first name at

last and the correctly spelled last name.  Wonder what became of Ralph

G... Probably absconded with all of the "lifetime membership" monies

(for a couple of weeks in Mexico)!

               (.) (.)

                  .

Thanks again.   \___/  Laurie

=========================================================================

Date:         Fri, 12 Sep 1997 06:32:27 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: hitchhiking

In-Reply-To:  <Pine.LNX.3.95.970911181305.20530C-100000@devel.nacs.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

no, only easy thing to do now is hitchhike on the net; folks in chat rooms,

irc & at ends of internet connections still talk to strangers, pass ideas

along and take you for a ride.

_______

hi michael! loved the above, quoted from yr post! great analogy and reality

statement.

mc

=========================================================================

Date:         Fri, 12 Sep 1997 06:58:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: list

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:08 AM 9/12/97 -0500, you wrote:

>Mike Rice wrote:

>> 

>> At 04:44 PM 9/11/97 -0500, you wrote:

>> >Rinaldo,

>> >You should also add Howard Hart to your list.

> 

>> >

>> >

>> Hell, why not add Bret Harte, Moss Hart

>> and Harte Crain?

>> 

>> Mike Rice

> 

>I certainly agree with adding howard Hart but as for bret, moss and

>crain is this humor? i sure don't get this new humor.  i understand the

>hart  refrain but are you disagreeing about Howard hart?

>p

> 

> 

I don't know a lot of these people including Howard Hart.  I'm just sort

of gently mocking the wide world approach to beats.

 

MIke Rice

=========================================================================

Date:         Fri, 12 Sep 1997 09:05:04 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Jilk <ljilk@GUINAN.MPS.ORG>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

In-Reply-To:  <3.0.1.32.19970910183952.006e5b5c@pop.gpnet.it>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I saw Larry eigner on the United States of Poetry on PBS. Can you tell me

more about him in connection with the beats. I don't know anything about

the Black MTn school.

 

leo

 

 

 

 

 

"The whole problem with the world is that fools and fanatics are always so

certain of themselves, but wiser people so full of doubts."

 

                        --Bertrand Russel

 

"Time is an illusion. Lunchtime doubly so."

 

                --Douglas Adams

=========================================================================

Date:         Fri, 12 Sep 1997 07:34:09 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Hello Michael and everybody,

 

Well put I thought,  until I got to the +ACI-take you for a ride+ACI- bump on

 the

ride. I didn't know whether to take it as a  very serious warning, are you

sounding an alarm, or just playing around , watch out, it can happen, sort

of thing. I understand well how you got to watch out in this world where you

can find everywhere people willing and able to take you for a ride while

seeming to just give you one. Especially when it is free. Email associations

is as yet uncharted territory, all these strange possibilities, and

certainly subject to these pitfalls. Still in many ways harder to take one

for a ride on e-mail, than in FTF (face to face) associations. Or is it? Are

we ready for +ACI-I thought I was surfing the beat web and got taken for a

 ride+ACI-

stories? Any pointers for little red riding hoods, that give away the wolves

in surfers print? I am only half kidding.

 

Have a nice weekend everyone,

 

leon

 

l

 

leon

 

 

 

+AD4-On Thu, 11 Sep 1997, chenxiao wrote:

+AD4-

+AD4APg- Folks over there, is hitchhiking still easy thing in this continent as

 in

the

+AD4APg-  OTR time?

+AD4-

+AD4-no, only easy thing to do now is hitchhike on the net+ADs- folks in chat

 rooms,

+AD4-irc +ACY- at ends of internet connections still talk to strangers, pass

 ideas

+AD4-along and take you for a ride.

+AD4-

+AD4-

+AD4-email stutz+AEA-dsl.org  Copyright (c) 1997 Michael Stutz+ADs- this

 information is

+AD4APA-http://dsl.org/m/+AD4-  free and may be reproduced under GNU GPL, and as

 long

+AD4-                     as this sentence remains+ADs- it comes with absolutely

 NO

+AD4-                     WARRANTY+ADs- for details see

 +ADw-http://dsl.org/copyleft/+AD4-.

+AD4-.-

+AD4-

=========================================================================

Date:         Fri, 12 Sep 1997 10:57:16 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Visions of America

 

In a message dated 97-09-12 06:30:44 EDT, you write:

 

<< >

 Matt - Ive been searching for "Visions of America" for two years and cant

 seem to find it except through this internet bookdealer who wants 125

 dollars for it which of course I don't have.  Do you know of a way of how I

 could get it cheeper?

  >>

 

Jon:

 

Lucky you - the publisher of "Visions of America" just happens to be a member

of this list....

 

I published Visions of America back in 1991 in a limited edition of a few

hundred copies. It was hand-printed and handbound - priced justifiably at

$125.00 per copy as a collector's item. It's sold out and out of print.

 

"Visions of America" consists of an excerpt from Kerouac's 1952 travel

notebook about driving through Arizona with Neal and Carolyn on the way to

Mexico City.

The excerpt is presented as a print which is frameable. The text is decorated

with artwork by Jack - everything previously unpublished. The print is housed

in a handbound hardcover folio case with Jack's facsimile signature on the

front.

 

The printer did a few proof copies for publisher's inspection and I still

have them here.

They are not numbered nor do they come in the hardcover case but the print is

the same. If anyone here on the Beat-L wants a copy, send me $20.00 plus $3

for shipping. MC/Visa/etc. Satisfaction guaranteed.

 

Jeffrey

Water Row Books

=========================================================================

Date:         Fri, 12 Sep 1997 08:14:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

 Hi mc,

 

I am rushing again. Am arranging to have Fridays off. but not yet today.

Please let me know if you got the check. I put it in the mail Saturday and

it may not have left until Sunday, but still it should have reached you. If

you did not get it yet, I will put a stop in the bank if it was not cashed

yet, and send you another one. I took the address from the return on the

envelope that you mailed the cassettes in.

 

Love

 

leon

 

+AD4-leon, thanks for the memory+ACE- being picked up by fellow fellaheens on

 the

+AD4-road usually led to tripping, toking, getting out and showing the sights to

+AD4-fellow voyagers interior and exterior

+AD4-mc

+AD4-Hey,  there was a time when we said inhale deeply, aaah, the breath was so

+AD4-fresh, pores opened up, dirt rolling off the skin, you could see it all

+AD4-around you, fresh faces with sparkling eyes, breathing out freely, taking

it

+AD4-all in, gentler everybody. Then came swallow it, wow, soaring spirits,

+AD4-mutual encouragement, a real pleasure to run into each other, the world was

+AD4-free for giving  and taking. Hitching a ride meant meeting new people,

+AD4-enjoying more the trip of life, getting more places with a little help from

+AD4-friends.

+AD4-.-

+AD4-

=========================================================================

Date:         Fri, 12 Sep 1997 08:19:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         tyler peterson <bepeters@AA.NET>

Subject:      freight trains

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Does anybody on this list have an experiance with freight train hopping (for

current day routes and trains)  ?  If not does anyone know of any zines or

sites devoted to this type of "low-budget" travel  ?  America needs to

revamp its train system a la europe.  Much more effective/cheap over there.

I can't afford amtrak tickets.  Its ugly.

 

t.

 

 ===============================================================================

 

        "There ain't nuthin' in school they can't teach you on the streets"

                                        -The Straycats

        ===============================================================================

=========================================================================

Date:         Fri, 12 Sep 1997 17:42:48 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: freight trains

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 8bit

 

The only thing I Know is that is a very dangerous way of travelling: some

persons lost their legs under the weels trying to jump on the train.

 

Francesco

 

----------

> Da: tyler peterson <bepeters@AA.NET>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: freight trains

> Data: venerdl 12 settembre 1997 17.19

> 

> Does anybody on this list have an experiance with freight train hopping

(for

> current day routes and trains)  ?  If not does anyone know of any zines

or

> sites devoted to this type of "low-budget" travel  ?  America needs to

> revamp its train system a la europe.  Much more effective/cheap over

there.

> I can't afford amtrak tickets.  Its ugly.

> 

> t.

> 

> 

 ===========================================================================

===

> 

>         "There ain't nuthin' in school they can't teach you on the

streets"

>                                         -The Straycats

> 

 ===========================================================================

===

=========================================================================

Date:         Fri, 12 Sep 1997 08:50:01 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         der doc <der_doc@ROCKETMAIL.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

 

I honestly don't see the point in all the argument over who is Beat

and who ain't.  Beats are Beat is Beat.  You know I know they know, as

long as we're all Beat that is.

 

 

 

===

visit my web site, <a

href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)

Regeneration</a>

(http://www.geocities.com/SoHo/Lofts/6131)

for info on the Beat, Beatnik and Neo-Beat subcultures

 

 

 

 

 

 

_____________________________________________________________________

Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

=========================================================================

Date:         Fri, 12 Sep 1997 08:46:48 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         der doc <der_doc@ROCKETMAIL.COM>

Subject:      Re: The Life and Times of Allen Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

 

===

visit my web site, <a

href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)

Regeneration</a>

(http://www.geocities.com/SoHo/Lofts/6131)

for info on the Beat, Beatnik and Neo-Beat subcultures

 

 

 

 

 

---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:

> 

> On Wed, 10 Sep 1997, Alex Howard wrote:

> 

> > Just letting everyone know that PBS will be showing this next

Wednesday at

> > 10.  Check local listings yadda yadda yadda.....

> >

> > Check out the pbs.org site.  They have a lot of stuff there.

> >

> > ------------------

> > Alex Howard  (704)264-8259                    Appalachian State

University

> > kh14586@am.appstate.edu                       P.O. Box 12149

> > http://www1.appstate.edu/~kh14586             Boone, NC  28608

> >

> 10 a.m. or p.m.?

> jt

> 

 

I think it's a little late to find that out... considering that was

THIS LAST wednesday...

_____________________________________________________________________

Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

=========================================================================

Date:         Fri, 12 Sep 1997 11:20:25 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: R: freight trains

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

In Mo. all trains stop in neuburg.  It is best to pick up your train in

a small town that acts as a switching station. to get on and off there,

don't use the big cities as your depot.  Both the hobo population and

the guards are rougher.  Avoid amtrak for unticketed riding.  Carry a

thermal ( metalic sheet camping blanket) Watch weight , go light.

Pick flat bed cars for easy exit, sometimes box cars are locked at

departure and can stay locked for days..  Switching stations can be

determined by track maps.

 

proverty is ugliest when you can't afford food or getting the cavity

filled but if you are unencumbered the old old story is

 

freedom and money don't necessarily travel together.

 

p

=========================================================================

Date:         Fri, 12 Sep 1997 09:30:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         der doc <der_doc@ROCKETMAIL.COM>

Subject:      a little permission if you please...

MIME-Version: 1.0

Content-Type: text/html; charset=us-ascii

 

I am a recent subscriber to Beat-L (just a few days right now) but I have

 noticed that the topic matter has been incredibly interesting.  In fact, so

 many words, sentences and fragments have jumped out at me so violently, I have

 taken to printing out my email.

Now this is the reason for me writing this.  When I print out the email, I cut

 it up into little snippets of words (sometimes phrases, sometimes whole

 sentences) and rearrange them into a reconstitution of parts of the original

 text which in no way resemble the original.  Yes, Uncle Bill has influenced me

 IMMENSELY.

Anyway, having done this, I find that I have an incredibly interesting piece of

 work left over and I was just wondering if the technique was cool with everyone

 else on Beat-L, as I may be cutting up anything that you say and mixing it in

 with a million other things.

If everything's cool with you guys, I hope to post these composite texts on <a

 href="http://www.geocities.com/SoHo/Lofts/6131">my website</a> (see below).

So please, write me back and let me know what you think.

 

 

 

                                    Adam J Muszkiewicz

 

 

 

===

visit my web site, The Beat(en) Regeneration

(http://www.geocities.com/SoHo/Lofts/6131)

for info on the Beat, Beatnik and Neo-Beat subcultures

 

 

 

 

 

<hr size=1>Sent by RocketMail. Get your free e-mail at <a

 href="http://www.rocketmail.com">http://www.rocketmail.com</a><br>

=========================================================================

Date:         Fri, 12 Sep 1997 09:46:39 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: update 10 sep 1997 Beat SuperNova  (Beats:The List)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

RACE --- wrote:

\the project of the

> expanded list is helping me considerably in creating connections between

> (as Lou Reed would say) "faces and names".  The list of the "CORE" Beats

> is wonderful for providing focus and it seems like a decent idea to try

> and draw lines of association that connect (like those old sex chains in

> college) to one or more of these.

 

 

David,

 

Perhaps you remember that six months or so ago, when you were disussing

Beat texts for high school, sa griffin and I tried to get going a list

of this sort with connections drawn and a geographical frame of

reference, to be developed in the style of the "Exploding Poem" we did

in memory of Ginsberg.   Didn't take off then, who knows why, but has

gotten a new incarnation with Rinaldo.  I think connections would be

very helpful, as well as at least a tag line identification and in the

case of artists, a principle work.  I consider myself at least

moderately well informed about this stuff and there are  some names that

have absolutely no associations for me, and names that don't (to my

mind) belong even under the most liberal rules--but it is in Rinaldo's

Venetian hands now and he will accept or reject the suggestions he

wishes.

 

J. Stauffer

J. Stauffer

=========================================================================

Date:         Fri, 12 Sep 1997 13:24:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Exactly

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

when the rocketman wrote:

 

>I honestly don't see the point in all the argument over who is Beat

>and who ain't.  Beats are Beat is Beat.  You know I know they know, as

>long as we're all Beat that is.

> 

he got IT.  Beat doesn't come from a single era or group of people - its a

mindset that transcends lists and the sort.

Rinaldo, not that your list isn't great, but in the grander scheme of

everything in everything it really doesn't matter who is on the list.

 

                                                        -Jon

=========================================================================

Date:         Fri, 12 Sep 1997 13:25:56 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: The Life and Times of Allen Ginsberg

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:46 AM 9/12/97 -0700, you wrote:

>===

>visit my web site, <a

>href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)

>Regeneration</a>

>(http://www.geocities.com/SoHo/Lofts/6131)

>for info on the Beat, Beatnik and Neo-Beat subcultures

> 

> 

> 

> 

> 

>---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:

>> 

>> On Wed, 10 Sep 1997, Alex Howard wrote:

>> 

>> > Just letting everyone know that PBS will be showing this next

>Wednesday at

>> > 10.  Check local listings yadda yadda yadda.....

>> >

>> > Check out the pbs.org site.  They have a lot of stuff there.

>> >

>> > ------------------

>> > Alex Howard  (704)264-8259                    Appalachian State

>University

>> > kh14586@am.appstate.edu                       P.O. Box 12149

>> > http://www1.appstate.edu/~kh14586             Boone, NC  28608

>> >

>> 10 a.m. or p.m.?

>> jt

>> 

> 

>I think it's a little late to find that out... considering that was

>THIS LAST wednesday...

>_____________________________________________________________________

>Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

> 

Is it going to play again????

 

                                        -Jon

=========================================================================

Date:         Fri, 12 Sep 1997 14:11:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Just got my copy of Some of the Dharma an am going out to my spot under the

tree and am going to read for eight hours.  Just in case anyone wanted to

come along on the journey of our minds that connects our minds.

                                                                        -Jon

=========================================================================

Date:         Fri, 12 Sep 1997 11:32:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         der doc <der_doc@ROCKETMAIL.COM>

Subject:      Re: list

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

 

===

visit my web site, The Beat(en) Regeneration

(http://www.geocities.com/SoHo/Lofts/6131)

for info on the Beat, Beatnik and Neo-Beat subcultures

 

 

 

 

 

 

---Mike Rice <mrice@CENTURYINTER.NET> wrote:

> 

> At 04:44 PM 9/11/97 -0500, you wrote:

> >Rinaldo,

> >You should also add Howard Hart to your list.

> >Cordially,

> >Michael Skau

> >9/11/97

> >

> >

> Hell, why not add Bret Harte, Moss Hart

> and Harte Crain?

> 

> Mike Rice

> 

 

 

Yeah!  Hey why we're at it, lets all add ourselves to the list!  Me

first me first!  Now that we're all on the list I guess we don't need

our own real "Beat-ness" our beatitude or anything to define us cause

NOW WE'RE ALL ON THE LIST O' BEATS AREN'T WE SOOOOOO COOL NOW!

If you ask me, this List o' Beats thing is pretty dumb. Like I been

sayin':  Beats are Beat is Beat.  They know, you know, we know.  So

let's just cut the discussion.

"Gee I think that so-and-so is Beat"

"No way, they're such-and-such"

What's going on here?  Is it recess for your brains?

 

                            Adam J Muszkiewicz

 

_____________________________________________________________________

Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

=========================================================================

Date:         Fri, 12 Sep 1997 15:02:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dixon Edmiston <DIXCIN@AOL.COM>

Subject:      Re: The Life and Times of Allen Ginsberg

 

Ginsberg-PBS-Wednesday  10:00 pm EDT September 17

=========================================================================

Date:         Fri, 12 Sep 1997 15:02:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: list

 

In a message dated 97-09-12 14:36:56 EDT, Adam effused:

 

<< Beats are Beat is Beat.  They know, you know, we know.  So

 let's just cut the discussion.

 "Gee I think that so-and-so is Beat"

 "No way, they're such-and-such"

 What's going on here?  Is it recess for your brains?

 

                             Adam J Muszkiewicz

  >>

 

Adam, I think the list is meant to be historic, as a sort of documentation of

the ones who blazed the trail.

 

I do disagree that being "Beat" is a mindset, or something anyone can aspire

to today. In the 1920s there were flappers, but there are no flappers today.

During the Depression, there were gangsters, but they in no way resemble the

gangsters of today. In the Forties there were beboppers, and there are no

beboppers being born today. In the Fifties, there were peaceniks (Ban the

Bomb), and they've all but passed away. In the Sixties, there were hippies,

but no one can become a hippie today.

 

Know what I mean? What is, is. What was, was.

 

You may subscribe to Beat principles and virtues (by your singular

definition), but that will never make you a Beat.

 

Lastly, give credit where it is due. Don't try to co-opt a feeling and being

that you had no hand in creating.

 

At best, we are secondary and tertiary Beat characters, if we're Beat at all.

And I, for one, am not a Beat, but I thank god for them.

 

diane

=========================================================================

Date:         Fri, 12 Sep 1997 15:29:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      The Kerouac Quarterly available now!!!

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

This is going to the printers this coming week. A good many will be sold at

the upcoming Lowell Celebrates Kerouac! Festival. I am only printing one set

amount.

If you would like one please e-mail me to hold which I will do up to the

weekend of October 3rd. Unless you e-mail me again before the vents I cannot

hold it for you. This issue features 4 essays on Jack Kerouac, the Berg

Collection, and more...for more details go to The Kerouac Quarterly web

page. Thanks all! Paul of TKQ...

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Fri, 12 Sep 1997 21:27:26 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      One minute of "virtual silence" for Mother Teresa

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Rest in peace

-----------------

 

Francesco.

=========================================================================

Date:         Fri, 12 Sep 1997 15:53:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: The Life and Times of Allen Ginsberg

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Its next Wednesday, September 17th, where I live, so I'm assuming

it is not wrong.  Did anyone get the Tennessee Williams American

Masters, on PBS, a few weeks ago.  I

mean, has anyone got it on tape.  My VCR cut it off in the middle,

and I don't know anyone who would tape it here. Please write back

if you're willing to mail it to me for a price.

 

Mike Rice

 

 

 

At 08:46 AM 9/12/97 -0700, you wrote:

>===

>visit my web site, <a

>href="http://www.geocities.com/SoHo/Lofts/6131">The Beat(en)

>Regeneration</a>

>(http://www.geocities.com/SoHo/Lofts/6131)

>for info on the Beat, Beatnik and Neo-Beat subcultures

> 

> 

> 

> 

> 

>---Jennifer Thompson <thomjj01@HOLMES.IPFW.INDIANA.EDU> wrote:

>> 

>> On Wed, 10 Sep 1997, Alex Howard wrote:

>> 

>> > Just letting everyone know that PBS will be showing this next

>Wednesday at

>> > 10.  Check local listings yadda yadda yadda.....

>> >

>> > Check out the pbs.org site.  They have a lot of stuff there.

>> >

>> > ------------------

>> > Alex Howard  (704)264-8259                    Appalachian State

>University

>> > kh14586@am.appstate.edu                       P.O. Box 12149

>> > http://www1.appstate.edu/~kh14586             Boone, NC  28608

>> >

>> 10 a.m. or p.m.?

>> jt

>> 

> 

>I think it's a little late to find that out... considering that was

>THIS LAST wednesday...

>_____________________________________________________________________

>Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

> 

> 

=========================================================================

Date:         Fri, 12 Sep 1997 16:40:41 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      Adam J Muszkiewicz disciplinary hearing

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

    To:  Lieutenant Adam J Muszkiewicz, M.D. A.K.A. "der doc"

From:  Sgt Maj A. Maloney - Disciplinary Officer

 

        This is to inform you Officer Muszkiewicz that in my position

responsible for discipline on the Beat Liat, I am removing your Beat

priveleges. Until further notiice you cannot refer to yourself as "Beat" nor

can you make any claims to ""beatness". In the course of time you will come

to appreciate that ANYONE can be beat and you will regret being excluded.

 

        In the meantime you can continue to receive mail from the Beat List

and learn about all kinds of people who are beats; properly used, this

information will lead you to artists, writers, filmmakers and other scions

of Beat Culture and you will gain an expanding awareness of the world of

Beat.  Praise the Lord and pass the poetry.

 

                Hoping I sound like your parents   ....or Sister Mary

McGourty in 4th grade!

 

                A. Maloney, Sgt. Maj.   A.K.A. "Twerp" or "Twonny"

 

        I'm back having fun after a short absence. Hello to Marie and

Rinaldo and Neil and Derek et al.....thanks Bill Gargan for the State Street

address for Kerouac.

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

=========================================================================

Date:         Fri, 12 Sep 1997 15:13:16 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

In-Reply-To:  <BEAT-L%1997091216404104@CUNYVM.CUNY.EDU>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

re: unapproved absence from beat-L

 

sgt.maj. A. Maloney

Your admitting that you were in fact absent from beat-L without prior

written approval from either myself or Insp. Marie Countryman will only

make this disciplinary hearing easier. Your behavior was less than fitting

for someone occupying sucha prestegious position with the NOva Police. I

regretfully inform you that your rights and privledges regarding yr

position and rank and how it pertains in regard to beat-L and beat

Literature and Art in general is hereby under review. UNtil further notice

from either Inspector MC or yslef consider your badge and gun revoked and

yr position only slightly better than manny the mole.

 

regretfully

Inspector D. Beaulieu

Nova POlice

=========================================================================

Date:         Fri, 12 Sep 1997 17:14:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Derek A. Beaulieu wrote:

> 

> re: unapproved absence from beat-L

> 

> sgt.maj. A. Maloney

> Your admitting that you were in fact absent from beat-L without prior

> written approval from either myself or Insp. Marie Countryman will only

> make this disciplinary hearing easier. Your behavior was less than fitting

> for someone occupying sucha prestegious position with the NOva Police. I

> regretfully inform you that your rights and privledges regarding yr

> position and rank and how it pertains in regard to beat-L and beat

> Literature and Art in general is hereby under review. UNtil further notice

> from either Inspector MC or yslef consider your badge and gun revoked and

> yr position only slightly better than manny the mole.

> 

> regretfully

> Inspector D. Beaulieu

> Nova POlice

 

It was pre-approved by The Committee....

 

THE COMMITTEE

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Fri, 12 Sep 1997 17:44:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Crickets

In-Reply-To:  <34189C55.1DDD@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>R. Bentz Kirby wrote:

>> 

>> David:

>> 

>> I found the crickets.  In an ad for a Nancy Griffith show it says:

>> 

>> Horizon presents

>> 

>> An Evening with

>> 

>> NANCI GRIFFITH & the Blue Moon Orchestra

>> featuring THE CRICKETS

>> 

>> So, at least you know that they are in good hands and making a wonderful

>> folk sound.

>> 

>> Peace,

>> --

>> Bentz

>> bocelts@scsn.net

>> 

>> http://www.scsn.net/users/sclaw

> 

>that sounds like Nancy ... used to be on her wavelength ever few weeks

>back in iowa city ... the Mill was kinda Nancy griffith kinda place ...

>i think greg browne or green or something or other too.  used to goof

>off at open mike nites there with guitar and persecuting music for free

>... crowd favourite was acoustic-punk-angst-version of johndenver

>version of Leavin on a jet plane!

> 

>dbr

 

dbr

 

Its Greg Brown. Long-time Iowa City resident. Frequent performer around

i.c. and college towns around the country. Generous with his time and

music. His CDs are amazing. Writes all his own music. For many,many years

he has been referred to as the best poet to emerge from Iowa

City--including grads of the International Writers and Poetry Workshops at

the U of I.

 

A few years ago Greg was a weekly regular on the Prairie Home

Companion--left after about a year for  (I'm thinking) mellower gigs and

mellower egos.

 

j grant

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Fri, 12 Sep 1997 18:12:25 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Jan Kerouac books

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Help,

 

I placed a hold on two Jan Kerouac books with a book seller who contacted

me (I think) through the Beat list. A signed hard cover and the same book

in paper.

 

If this rings a bell with THE book seller, please contact me.

 

(I lost some E-mail if your wondering how I managed to screw this up.)

 

j grant

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Fri, 12 Sep 1997 18:15:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: freight trains-a long rememberance

In-Reply-To:  <34196779.4B2A@sunflower.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

>In Mo. all trains stop in neuburg.  It is best to pick up your train in

>a small town that acts as a switching station. to get on and off there,

>don't use the big cities as your depot.  Both the hobo population and

>the guards are rougher.  Avoid amtrak for unticketed riding.  Carry a

>thermal ( metalic sheet camping blanket) Watch weight , go light.

>Pick flat bed cars for easy exit, sometimes box cars are locked at

>departure and can stay locked for days..  Switching stations can be

>determined by track maps.

> 

>proverty is ugliest when you can't afford food or getting the cavity

>filled but if you are unencumbered the old old story is freedom and money

>don't >necessarily travel together.

> 

>p

 

Having ridden freights for a number of summers during the 40s I learned to

avoid gondolas (the half-cars with no tops) loaded with poles, metal rods,

any cargo that can shift. A traveler can be tempted by the areas at the

ends of the cars where there's protection from the wind and a place to

stretch out. But shifting loads, caused by emergency stops, or jolts when

starting, have caused the deaths of the inexperienced. Trap doors that can

gain you entry to the space at the ends of refridgerated cars have been

used to hid in. Unfortunately, these are frequently difficult to get out

of.

 

If you ride a flat car with equipment on it make sure you leave onthing

onthe bd of the car to indicate that a person has been there. I once

crawled in the large scoop of a huge back-hoe. A bull would have to climb

to the top of a box car to look in. But, I left traces of lunch. Was

ordered out, and got out in Fargo.

 

When jumping a moving freight grab the ladder on the front end of the car.

If you miss-judge the speed and are grabbing the ladder at the rear you can

get slammed between the cars and the weight of your body is going to break

your grip. Don't boost yourself into an open door of a moving freight

unless there are two of you. One can boost the other on and the other can

grab your hand and pull you up. If you do this on your own you can end up

on your belly with nothing to grab, your ass off the edge and your feet

grabbing air.

 

If you're crossing tracks and waiting for a train to pass, hesitate before

crossing behind a train. Noise frequently drowns out the sound of a train

coming from the other direction on the next track. Lost a careless friend

who was in too much of a rush.

 

In the book of Meridel LeSueur's writings titled "RIPENING: Selected Works,

1927-1980" on page 154 there is a short story titled Moon Bums...three

women waiting for a freight in Mineapolis back in the Thirties. Two taking

off heading for the warmth of the South. The other (Meridel) seeing them

off, is a story that Beat-listers would enjoy.  In a seperate book, can't

figure out which one right now, LeSueur describes picking up a hitchhiker

as she drives West.

 

LeSueur's writing and my experience with hitchhiking and freights made

these stories two of the most memorable I have read on the subject.

 

Charlie Plymell probably has things to offer about these two stories that

would reveal much better than my words can, what I feel about the stories

and about LeSueur.

 

I frequently hopped freights when I was a kid, but it's really dangerous. A

person has to be strong and agile, or very, very  savvy.

 

Most memorable freight train ride for me was in 1945 a week or so after I

had turned 15. Two friends and I were waiting for anything heading East out

of Coure D'Alene, Idaho. We were already a week late to start our sophomore

year at  Marshall High, East Minneapolis.  We had stolen a hand car just

outside Spokane late the night before. It was a cold ride in the mountains

even though we had to work hard pumping up the grades.  It was getting

light when we got to Coure D'Alene. We tipped the handcar off to the side

and walked into the yards. There was a line of cars rip-tracked. A flatbed

had a U.S. Navy bus on it and was blocked so we were able to crawl under

the bus and be hidden from yard-bulls. We slept most of the day.

 

Late in the afternoon we were jolted awake and ended up part of a train

heading East. As we slowly got moving more and more hobos jumped on until

it was really crowded on the flatbed. Just before dark I made my way to the

front of the bus and with the help of a small tool-kit was able to open the

door without breaking any glass. I remember being surprisd that none of the

men knew how to do it.

 

Everyone piled into the bus. I announced that my two friends and I owned

the two long seats at the front and the floor between them. There were no

complaints. In fact we were shown a degree of respect we hadn't experienced

as kids before.

 

By the time we got to Billings--probably 500 plus miles from Cour D'Laene

almost every seat in the bus was taken. The cars were rip-tracked in

Billings. We stayed low as the bulls walked by checking for broken

windows--no one climbed up for closer looks. Finally, when it had been

quiet for a few minutes I eased the door open and looked up and down the

line. There was a bull about a block away.  It was beginning to get light.

I said adios, asked if anyone wanted to buy a used navy bus, and told the

group we were "hit'n the gravel and haul'n ass. Everyone agreed that they

should do the same thing. We waited until all the blankets and gear was

packed-lined up and eased the door open. I was the first off. As soon as I

hit the gravel the bull turned. He took a step in our direction, but just

as my two friends landed he stopped--frozen in his tracks--as hobo after

hobo after hobo --there was about 25 of us--made the jump and ran. The

highway was only a short run across the yard, but my friends and I stood

there, watching and wondering what the bull would do. By the time the last

few had jumped the bull started running, but must have decided it was best

to get help so he ran away from us. In less than a couple of minutes there

wasn't a soul around.

 

The three of us eased over to the highway and walked into an all-night

diner with only a cook on duty. The counter was lined with

punch-boards--which were everywhere back then, nowhere now.  We ordered

burgers and while the fellow was in the kitchen I started punching tickets

out of the .50=A2 and the $1 boards. Everytime the cook turned his head we'd

punch. After picking out the winners we perched on our stools waiting for

the food.  Once served we asked the old guy about where we could jump a

freight East. Since we were so young he was quick with fatherly advice.

Talk turned to money and we said we had to ride the rails because we were

almost broke. My friend said, "Let's take a chance on a punch board? " The

cook chuckled and said, "You might get lucky." Perry, (the youngest and

smallest) had a flair for the dramatic and took his St. Christopher medal

from around his neck and held it over the punch board while explaining to

the cook that he had fallen into the Spokane River a few weeks earlier and

would have drowned if the chain hadn't got caught on a branch. It wasn't

easy keeping a straight face when the cook said he'd read about it in the

paper and thought he recognized him from the picture.

 

We would punch, read the number, palm the piece of paper for one of the

winners we already had, hand it to the cook and he'd pay us.

 

After a few winners the cook asked us to try it without the St. Christopher

medal. We allowed ourselves a loser and did it a couple of times for

effect. But with the medal hanging over the board we won every time. The

cook tried to buy the St. Christopher medal from Perry without success. He

was pissed that it was an engraved gift from his mom and swore he was going

to start carrying spares. We walked out with almost a hundred dollars--big

bucks in '45.

 

Other than getting busted in Jamestown, North Dakota the rest of the trip

was uneventful.  Once the freight was on the move they let us go. But we

were young, had all the energy to spare, casually walked a block away from

the tracks, and ran all the way through Jamestown--Jimtown to the

hobos--and caught the same freight. We got off where we got on--South East

Mpls by Van Cleve Park, a half block from home.

 

j grant

 

 

 

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Fri, 12 Sep 1997 18:25:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      list

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

>On 9/11/97, Michael Skau wrote:

Rinaldo,

You should also add Howard Hart to your list.

 

>On 9/11/97, Mike Rice wrote:

Hell, why not add Bret Harte, Moss Hart

and Harte Crain?

 

Mike,

Like Patricia, I was completely disconcerted by the tone of your response.

You later wrote that you didn't know who Howard Hart was.

Well, his poem "exodus #2" was included in Stanley Fisher's 1960

collection _Beat Coast East_; his poem "Angel" appears in Elias

Wilentz's _The Beat Scene_ (together with a photograph of him by Fred

McDarrah. Furthermore, consider the following sentence from Fred

McDarrah's _Beat Generation: Glory Days in Greenwich Village_:

"The first jazz and poetry event in Greenwich Village was at the Brata

Gallery, 89 East 10th Street, on November 19, 1957, when Jack Kerouac,

Philip Lamantia, and Howard Hart, a jazz drummer as well as poet, read

poetry to the music of David Amram's French horn." (p. 81; McDarrah's book

also includes Howard Hart in five of the books photographs).

If you didn't know who Howard Hart was, all you had to do was ask. People

on this beat listservice have a lot to share with each other, but a

smart-ass attitude is not encouraging to such sharing.

Sincerely,

Michael Skau

9/12/97

=========================================================================

Date:         Fri, 12 Sep 1997 23:09:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: hitchhiking

 

In a message dated 97-09-11 11:12:22 EDT, you write:

 

<< An endangered species at best >>

 

 

Perhaps, also, a lost art...It seems that what we must do, in this age of

 AIDS, mass murderers, and madmen, is protect ourselves...If I see someone

with an obvious knife sticking out of their back pocket (not to mention their

back, leg, liver or thigh) I'm not likely to pick them up....Which is not to

say that this object is not an unwise thing to carry with you??????????

The "Denny's" thing sounds o.k.....get to know the person/people you are

trusting with your life......in a 500000 lb. vehicle going thru a paris

tunnel.......

 

 

sorry, I'm sick...............s.e.e.

=========================================================================

Date:         Fri, 12 Sep 1997 23:38:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: hitchhiking

 

In a message dated 97-09-11 15:34:25 EDT, you write:

 

<< 

 I talked at some length with Don-the-hitchhiker-at-Denny's who is 66 and

 fits the stereotypes of the hobo that are no longer nostalgically

 understood.  He smells.  He has old worn clothes.  He smokes

 cigarettes.  He is a "drinker".  And he has a face "that looks like 25

 miles of bad road." >>

 

 

Yea, that's the thing...you have to get to KNOW somebody at the rest stop or

there abouts (Denny's????) to go on.....

=========================================================================

Date:         Fri, 12 Sep 1997 23:38:53 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Hitchhiking

 

In a message dated 97-09-12 01:14:31 EDT, you write:

 

<< 

 But, despite this great trip, I don't really thinking hitching was that

 great an idea.

  >>

I have wonderful memories of hitching up and down the east coast in the

70's.....buying great mind expanders from a kid we picked up on the way home

from high (!) school.......getting a lift from somebody like rambling jack

elliot in vermont (who WAS this guy) or somebody like him....warm, friendly,

no scar(e)s.....

=========================================================================

Date:         Fri, 12 Sep 1997 20:45:11 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: list

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane De Rooy wrote:

> 

> Lastly, give credit where it is due. Don't try to co-opt a feeling and being

> that you had no hand in creating.

> 

> At best, we are secondary and tertiary Beat characters, if we're Beat at all.

> And I, for one, am not a Beat, but I thank god for them.

> 

> 

Diane,

 

Thanks again for saying almost exactly what I wished to say in response

to this ever resurfacing thread.  Probably  on the flapper-L gen-x girls

are trying to assert their flapperhood--as pointlessly as wanna be

beatniks do.

 

Bird Lives.

 

J. Stauffer

=========================================================================

Date:         Fri, 12 Sep 1997 23:46:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Antoine Maloney <stratis@ODYSSEE.NET>

Subject:      to Michel Skau and Jo Grant

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Michael,

 

        A wonderful, erudite response to Mike Price and in educating him you

educate many of us. Gives some of us new research threads. Thanks a

lot....and right on the heels of Jo Grant's terrific hoboing memoir!

 

        It's certainly the beginnings of a memoir Jo. Do us all a big favor

and send out some more...or give us more of a description of the May Fest

celebrations that you once mentioned.

        The train riding story was amazingly well timed. I've been thinking

about a compilation of train songs and stories that I've wanted to put

together and was listening to a new Library of Congress CD of railroad songs

that's just come out. Great stuff. Finished listening and came down to check

my e-mail and find your story. What a treat!

 

                Antoine (still talkative despite having my priveleges

removed...thanks Derek, Marie and David; I needed that jolt of humor!)

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

=========================================================================

Date:         Fri, 12 Sep 1997 20:54:13 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: list

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Michael Skau wrote:

 

> If you didn't know who Howard Hart was, all you had to do was ask. People

> on this beat listservice have a lot to share with each other, but a

> smart-ass attitude is not encouraging to such sharing.

 

 

Actually Michael if I remember the thread correctly it was not Patricia

who didn't recognize Mr. Hart.  For the record, neither did I.  I think

it is helpful for people nominating folks to the list to give some

identity.  Few of us West Coasties would recognize every East Coaster

and vice verse.

 

But I remember Patricia seconding the nomination of Howard Hart and

joining you in objecting to Mr. Rice's (I thought) funny nomination of

Moss Hart, Bret Harte, and Hart Crane.

 

J. Stauffer

J. Stauffer

=========================================================================

Date:         Sat, 13 Sep 1997 06:29:07 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      A Love Supreme by John Coltrane.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

                A Love Supreme

 

        I will do all I can to be worthy of Thee O Lord.

        It all has to do with it.

        Thank you God.

        Peace.

        There is none other.

        God is. It is so beautiful.

        Thank you God. God is all.

        Help us to resolve our fears and weaknesses.

        Thank you God.

        In You all things are possible.

        We know. God made us so.

        Keep your eye on God.

        Gos is. He always was. He always will be.

        No matter what...it is God.

        He is gracious and merciful.

        It is most important that I know Thee.

        Words, sounds, speech, men, memory, thoughts,

                fears and emotions-time-all related...

                all made from one...all made in one.

        Blessed be His name.

        Thought waves-heat waves-all vibrations-

                all paths lead to God. Thank you God.

        His way...it is so lovely...it is gracious.

        It is merciful-thank you God.

        One thought can produce millions of vibrations

                and they all go back to God...everything does.

        Thank you God.

        Have no fear...believe...thank you God.

        The universe has many wonders. God is all.

        His way...it is so wonderful.

        Thoughts-deeds-vibrations, etc.

        They all go back to God and He cleanses all.

        He is gracious and merciful...thank you God.

        Glory to God...God is so alive.

        God is.

        God loves.

        May I be acceptable in Thy sight.

        We are all one in His grace.

        The fact that we do exist is acknowledgement

                of Thee O Lord.

        Thank you God.

        God will wash away all our tears...

                He always has...

        He always will.

        Seek Him everyday. In all way seek God everyday.

        Let us sing all songs to God.

        To whom all praise is due...praise God.

        No road is an easy one, but they all

                go back to God.

        With all we share God.

        It is all with God.

        It is all with Thee.

        Obey the Lord.

        Blessed is He.

        We are from one thing...the will of God...

                thank you God.

        I have seen God-I have seen ungodly-

                none can be greater-none can compare to God.

        Thank you God.

        He will remake us...He always has and He

                always will.

        It is true-blessed be His name-thank you God.

        God breathes through us so completely...

                so gently we hardly feel it...yet,

                it is our everything.

        Thank you God.

        ELATION-ELEGANCE-EXALTATION-

        All from God.

        Thank you God. Amen.

 

 

        John Coltrane - December, 1964

=========================================================================

Date:         Sat, 13 Sep 1997 00:57:35 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bruce W. Hartman, Jr." <bwhartmanjr@INAME.COM>

Subject:      Re: A Love Supreme by John Coltrane.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Amen, Brother Rinaldo!  Thank you for sending this to the list.

 

Bruce

bwhartmanjr@iname.com

http://www.geocities.com/~tranestation

=========================================================================

Date:         Fri, 12 Sep 1997 23:41:05 -0400

Reply-To:     Michael Stutz <stutz@dsl.org>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Stutz <stutz@DSL.ORG>

Subject:      Re: hitchhiking

In-Reply-To:  <9709120730.aa20270@mail.cruzio.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

obBeat: am 3/4 done with _The Western Lands_. Anyone in the mood for a

discussion on this book?

 

------------------------------------------------------------------------------

 

 

Leon--

 

> Well put I thought,  until I got to the +ACI-take you for a ride+ACI- bump on

>  the

> ride. I didn't know whether to take it as a  very serious warning, are you

> sounding an alarm, or just playing around , watch out, it can happen, sort

> of thing.

 

Maybe a bad choice of words there. I meant "take you for a ride" as in take

you somewhere, go places, like the Beat-L look at all this stuff we talk

about & where we go --

 

But also maybe a small tiny part of it "take you for a ride" like use you,

take you somewhere and it's not so good. Sure it can happen, people can do

anything ("everything is permitted") and who knows where it will go?

 

Maybe a re-write is in order:

 

no, only easy thing to do now is hitchhike on the net -- folks in chat

rooms & irc, at ends of internet connections still talk to strangers, pass

ideas along and communicate innermost private thoughts, typing and listening

and open to anything, where we'll go.

 

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

                     WARRANTY; for details see <http://dsl.org/copyleft/>.

=========================================================================

Date:         Sat, 13 Sep 1997 01:37:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Patman <INRUN8@AOL.COM>

Subject:      Freight trains

 

This is my first post to the list. I am normally so far behind on my

e-mail I don't get a chance to respond to a thread. I have been

reading the freight train thread with dismay. Having been a railroad

engineer for the past 23 years I have seen a great deal of change

in the way railroads operate and in the hobos who still ride the rails.

Modern rail cars have very few places where a bo can ride safely.

Truck trailers and containers on flatcars are everywhere and the bo

is almost always exposed to the elements, we're talking extreme

heat and cold here. Besides the usual dangers of derailments,

shifting loads and slack action that can knock a bo completely off

the train while it is moving there are other hazards that you are

probably not aware of. Railroads haul more hazardous material

than you can imagine. Radioactive products, radioactive waste,

poison gas, all types of explosives,corrosives, combustibles, as

well as biohazards such as waste from hospitals and raw sewage.

A car that is empty almost certainly has residue, usually dust,

that can be just as bad. That dust that will almost certainly cover

you when you get off the train could merely be grain dust. It could

also be any number of products that will give you severe burns

when you try washing it off with water. Products that we take for

granted such as chlorine and ammonia will be undeluted in a tank

car and could easily cause serious lung damage. Also the hobo of

the 90's is a whole new breed of cat. They are bolder, far more

agressive and more likely to be armed. As a result the railroad "bulls"

who are actually policemen, and do carry guns, live ammo, the

whole bit,  are much more likely to treat you as a criminal rather

than just another trespasser. In summary for anybody who hasn't

already deleted this post, I think this list has some really good

people and I would hate to see anything bad happen to any of you.

Take care and stay off the rails, it's a bums road.

 

James Patman

=========================================================================

Date:         Sat, 13 Sep 1997 02:23:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: freight trains-a long rememberance

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

This is the basis for a wonderful novel.  Why haven't

you written it?  Its the best thing I've seen written here

since I signed on.  You are your own Visions of Cody.

 

Mike Rice

 

 

At 06:15 PM 9/12/97 -0500, you wrote:

>>In Mo. all trains stop in neuburg.  It is best to pick up your train in

>>a small town that acts as a switching station. to get on and off there,

>>don't use the big cities as your depot.  Both the hobo population and

>>the guards are rougher.  Avoid amtrak for unticketed riding.  Carry a

>>thermal ( metalic sheet camping blanket) Watch weight , go light.

>>Pick flat bed cars for easy exit, sometimes box cars are locked at

>>departure and can stay locked for days..  Switching stations can be

>>determined by track maps.

>> 

>>proverty is ugliest when you can't afford food or getting the cavity

>>filled but if you are unencumbered the old old story is freedom and money

>>don't >necessarily travel together.

>> 

>>p

> 

>Having ridden freights for a number of summers during the 40s I learned to

>avoid gondolas (the half-cars with no tops) loaded with poles, metal rods,

>any cargo that can shift. A traveler can be tempted by the areas at the

>ends of the cars where there's protection from the wind and a place to

>stretch out. But shifting loads, caused by emergency stops, or jolts when

>starting, have caused the deaths of the inexperienced. Trap doors that can

>gain you entry to the space at the ends of refridgerated cars have been

>used to hid in. Unfortunately, these are frequently difficult to get out

>of.

> 

>If you ride a flat car with equipment on it make sure you leave onthing

>onthe bd of the car to indicate that a person has been there. I once

>crawled in the large scoop of a huge back-hoe. A bull would have to climb

>to the top of a box car to look in. But, I left traces of lunch. Was

>ordered out, and got out in Fargo.

> 

>When jumping a moving freight grab the ladder on the front end of the car.

>If you miss-judge the speed and are grabbing the ladder at the rear you can

>get slammed between the cars and the weight of your body is going to break

>your grip. Don't boost yourself into an open door of a moving freight

>unless there are two of you. One can boost the other on and the other can

>grab your hand and pull you up. If you do this on your own you can end up

>on your belly with nothing to grab, your ass off the edge and your feet

>grabbing air.

> 

>If you're crossing tracks and waiting for a train to pass, hesitate before

>crossing behind a train. Noise frequently drowns out the sound of a train

>coming from the other direction on the next track. Lost a careless friend

>who was in too much of a rush.

> 

>In the book of Meridel LeSueur's writings titled "RIPENING: Selected Works,

>1927-1980" on page 154 there is a short story titled Moon Bums...three

>women waiting for a freight in Mineapolis back in the Thirties. Two taking

>off heading for the warmth of the South. The other (Meridel) seeing them

>off, is a story that Beat-listers would enjoy.  In a seperate book, can't

>figure out which one right now, LeSueur describes picking up a hitchhiker

>as she drives West.

> 

>LeSueur's writing and my experience with hitchhiking and freights made

>these stories two of the most memorable I have read on the subject.

> 

>Charlie Plymell probably has things to offer about these two stories that

>would reveal much better than my words can, what I feel about the stories

>and about LeSueur.

> 

>I frequently hopped freights when I was a kid, but it's really dangerous. A

>person has to be strong and agile, or very, very  savvy.

> 

>Most memorable freight train ride for me was in 1945 a week or so after I

>had turned 15. Two friends and I were waiting for anything heading East out

>of Coure D'Alene, Idaho. We were already a week late to start our sophomore

>year at  Marshall High, East Minneapolis.  We had stolen a hand car just

>outside Spokane late the night before. It was a cold ride in the mountains

>even though we had to work hard pumping up the grades.  It was getting

>light when we got to Coure D'Alene. We tipped the handcar off to the side

>and walked into the yards. There was a line of cars rip-tracked. A flatbed

>had a U.S. Navy bus on it and was blocked so we were able to crawl under

>the bus and be hidden from yard-bulls. We slept most of the day.

> 

>Late in the afternoon we were jolted awake and ended up part of a train

>heading East. As we slowly got moving more and more hobos jumped on until

>it was really crowded on the flatbed. Just before dark I made my way to the

>front of the bus and with the help of a small tool-kit was able to open the

>door without breaking any glass. I remember being surprisd that none of the

>men knew how to do it.

> 

>Everyone piled into the bus. I announced that my two friends and I owned

>the two long seats at the front and the floor between them. There were no

>complaints. In fact we were shown a degree of respect we hadn't experienced

>as kids before.

> 

>By the time we got to Billings--probably 500 plus miles from Cour D'Laene

>almost every seat in the bus was taken. The cars were rip-tracked in

>Billings. We stayed low as the bulls walked by checking for broken

>windows--no one climbed up for closer looks. Finally, when it had been

>quiet for a few minutes I eased the door open and looked up and down the

>line. There was a bull about a block away.  It was beginning to get light.

>I said adios, asked if anyone wanted to buy a used navy bus, and told the

>group we were "hit'n the gravel and haul'n ass. Everyone agreed that they

>should do the same thing. We waited until all the blankets and gear was

>packed-lined up and eased the door open. I was the first off. As soon as I

>hit the gravel the bull turned. He took a step in our direction, but just

>as my two friends landed he stopped--frozen in his tracks--as hobo after

>hobo after hobo --there was about 25 of us--made the jump and ran. The

>highway was only a short run across the yard, but my friends and I stood

>there, watching and wondering what the bull would do. By the time the last

>few had jumped the bull started running, but must have decided it was best

>to get help so he ran away from us. In less than a couple of minutes there

>wasn't a soul around.

> 

>The three of us eased over to the highway and walked into an all-night

>diner with only a cook on duty. The counter was lined with

>punch-boards--which were everywhere back then, nowhere now.  We ordered

>burgers and while the fellow was in the kitchen I started punching tickets

>out of the .50=A2 and the $1 boards. Everytime the cook turned his head=

 we'd

>punch. After picking out the winners we perched on our stools waiting for

>the food.  Once served we asked the old guy about where we could jump a

>freight East. Since we were so young he was quick with fatherly advice.

>Talk turned to money and we said we had to ride the rails because we were

>almost broke. My friend said, "Let's take a chance on a punch board? " The

>cook chuckled and said, "You might get lucky." Perry, (the youngest and

>smallest) had a flair for the dramatic and took his St. Christopher medal

>from around his neck and held it over the punch board while explaining to

>the cook that he had fallen into the Spokane River a few weeks earlier and

>would have drowned if the chain hadn't got caught on a branch. It wasn't

>easy keeping a straight face when the cook said he'd read about it in the

>paper and thought he recognized him from the picture.

> 

>We would punch, read the number, palm the piece of paper for one of the

>winners we already had, hand it to the cook and he'd pay us.

> 

>After a few winners the cook asked us to try it without the St. Christopher

>medal. We allowed ourselves a loser and did it a couple of times for

>effect. But with the medal hanging over the board we won every time. The

>cook tried to buy the St. Christopher medal from Perry without success. He

>was pissed that it was an engraved gift from his mom and swore he was going

>to start carrying spares. We walked out with almost a hundred dollars--big

>bucks in '45.

> 

>Other than getting busted in Jamestown, North Dakota the rest of the trip

>was uneventful.  Once the freight was on the move they let us go. But we

>were young, had all the energy to spare, casually walked a block away from

>the tracks, and ran all the way through Jamestown--Jimtown to the

>hobos--and caught the same freight. We got off where we got on--South East

>Mpls by Van Cleve Park, a half block from home.

> 

>j grant

> 

> 

> 

> 

> 

>Small Press Authors and Publishers display books

>                FREE

>                   at

>                     BookZen

>                   http://www.bookzen.com

>        375,913 visitors - 07-01-96 to 07-01-97

> 

> 

=========================================================================

Date:         Sat, 13 Sep 1997 01:23:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Freight trains

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James, great of you to post this,  the best response made.  I feel

ashamed, washing memories like I did was stupid.  Thank you

p

 

James Patman wrote:

> 

> This is my first post to the list. I am normally so far behind on my

> e-mail I don't get a chance to respond to a thread. I have been

> reading the freight train thread with dismay. Having been a railroad

> engineer for the past 23 years I have seen a great deal of change

> in the way railroads operate and in the hobos who still ride the rails.

> Modern rail cars have very few places where a bo can ride safely.

> Truck trailers and containers on flatcars are everywhere and the bo

> is almost always exposed to the elements, we're talking extreme

> heat and cold here. Besides the usual dangers of derailments,

> shifting loads and slack action that can knock a bo completely off

> the train while it is moving there are other hazards that you are

> probably not aware of. Railroads haul more hazardous material

> than you can imagine. Radioactive products, radioactive waste,

> poison gas, all types of explosives,corrosives, combustibles, as

> well as biohazards such as waste from hospitals and raw sewage.

> A car that is empty almost certainly has residue, usually dust,

> that can be just as bad. That dust that will almost certainly cover

> you when you get off the train could merely be grain dust. It could

> also be any number of products that will give you severe burns

> when you try washing it off with water. Products that we take for

> granted such as chlorine and ammonia will be undeluted in a tank

> car and could easily cause serious lung damage. Also the hobo of

> the 90's is a whole new breed of cat. They are bolder, far more

> agressive and more likely to be armed. As a result the railroad "bulls"

> who are actually policemen, and do carry guns, live ammo, the

> whole bit,  are much more likely to treat you as a criminal rather

> than just another trespasser. In summary for anybody who hasn't

> already deleted this post, I think this list has some really good

> people and I would hate to see anything bad happen to any of you.

> Take care and stay off the rails, it's a bums road.

> 

> James Patman

=========================================================================

Date:         Sat, 13 Sep 1997 02:43:22 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: Freight trains

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

What a spoilsport?  You certainly know what you are talking

about.  But where is the romance of the road if all experience

has to be politically, environmentally, and regulated(ly?) correct?

I won't be taking any trains anytime soon, especially on the freight

section.  Interesting to read what you have to say.

 

Mike Rice

 

At 01:37 AM 9/13/97 -0400, you wrote:

>This is my first post to the list. I am normally so far behind on my

>e-mail I don't get a chance to respond to a thread. I have been

>reading the freight train thread with dismay. Having been a railroad

>engineer for the past 23 years I have seen a great deal of change

>in the way railroads operate and in the hobos who still ride the rails.

>Modern rail cars have very few places where a bo can ride safely.

>Truck trailers and containers on flatcars are everywhere and the bo

>is almost always exposed to the elements, we're talking extreme

>heat and cold here. Besides the usual dangers of derailments,

>shifting loads and slack action that can knock a bo completely off

>the train while it is moving there are other hazards that you are

>probably not aware of. Railroads haul more hazardous material

>than you can imagine. Radioactive products, radioactive waste,

>poison gas, all types of explosives,corrosives, combustibles, as

>well as biohazards such as waste from hospitals and raw sewage.

>A car that is empty almost certainly has residue, usually dust,

>that can be just as bad. That dust that will almost certainly cover

>you when you get off the train could merely be grain dust. It could

>also be any number of products that will give you severe burns

>when you try washing it off with water. Products that we take for

>granted such as chlorine and ammonia will be undeluted in a tank

>car and could easily cause serious lung damage. Also the hobo of

>the 90's is a whole new breed of cat. They are bolder, far more

>agressive and more likely to be armed. As a result the railroad "bulls"

>who are actually policemen, and do carry guns, live ammo, the

>whole bit,  are much more likely to treat you as a criminal rather

>than just another trespasser. In summary for anybody who hasn't

>already deleted this post, I think this list has some really good

>people and I would hate to see anything bad happen to any of you.

>Take care and stay off the rails, it's a bums road.

> 

>James Patman

> 

> 

=========================================================================

Date:         Sat, 13 Sep 1997 03:00:14 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Patman <INRUN8@AOL.COM>

Subject:      Re: Freight trains

 

>James, great of you to post this, the best response made. I feel

>ashamed, washing memories like I did was stupid. thank you

>p

 

 

p, I was not trying to be judgemental or put you or anyone else down.

What I was trying to do was inform anyone thinking of riding the rails

about what a mean and dangerous place they have become in the 90's

sorry if I made you feel bad.

 

James P.

=========================================================================

Date:         Sat, 13 Sep 1997 02:22:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Freight trains

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

James Patman wrote:

> 

> >James, great of you to post this, the best response made. I feel

> >ashamed, washing memories like I did was stupid. thank you

> >p

> 

> p, I was not trying to be judgemental or put you or anyone else down.

> What I was trying to do was inform anyone thinking of riding the rails

> about what a mean and dangerous place they have become in the 90's

> sorry if I made you feel bad.

> 

> James P.

 

i don't feel that bad, one of the things i like about burroughs is the

unwashed facts.  I was sentimental about my brief sanitized brush with

rails, enchanted by jo Grant's stories, but the beauty in your

explanation came from seeing.  you know about it and said.

This freight thread has been powerfully evocative for me.

 I don't feel it is sentimental to try to somehow convey  the magic that

iron travel can charge within you. I remember taking a passanger train

from Jefferson city with a beautifully intense and obssessed musician,

sneaking to the back of the train, and listening to him play wild

trumpet to the stars, the sound bouncing between the trees and the the

water as the train drove through Missouri along the river.The whistle

playing against the stars that raced behind us.

        The business about rather the beats were sentimental or not seemed to

be avoiding the difference between that great hard grab of being

attacked by your emotions and inventing feelings that fit the scene or

were appropriate.  Some of the stupidest remarks i have ever heard were

people dismissing feelings and emotions, not letting them join thought

and ideas as valid parts of a whole.  Is it sentimental to love so much

that you are reborn or to forgive shit so low as to raise bile to your

throat?

 

Thinking about that train ride reminded me that my favorite short poem

was about that guy.

 

Mr. Pounds

you remind me of a jackass my father had,

no one could ride him, he broke my brothers arm.

It made me like you

but it didn't mean I wanted to ride you.

 

P

=========================================================================

Date:         Sat, 13 Sep 1997 02:12:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 Thanks for the clarification. I am relieved.

 

I was hoping there were no dark foreboding underpinning there. We are on the

same wave length. Surfing the good waves. A bit of real danger is there.

Surprising, stunning new vistas all the time. Maybe even a cherished belief

threatened here and there. Right now a sudden thought. How many wonderful

people, creative outpourings, hidden corners of world wide  treasures, leap

into full view in my  mind through this screen.  How much brilliant light is

jumping out of the many facets of the jewels of the best minds, turning

right in front of me, spinning, delicately engaging. Between the fingertips

of loving dedicated experts on life as well as on books , lucky to have made

their way close to the pioneering adventures of the mind, the great

adventurers who spin them, pioneers of our age. So happy to see you all

passing by. Flashes of the worlds of fiction and of reality. Had no idea of

the possibilities of hitching rides in the skies,

friends zooming by our paths.Look at that! Awesome. So much fascinating

stuff to unfold. The stuff of our lives, diamonds in the rough.The Beat-L

hitchiking gang. What  a ride to hitch. Including our newest acquaintance

Yan  who took us off on this ride where we also met the clear eyes of the

young girl begging in China. Don't we all wish we could know her more too?

Are we going to run into her another time?

 

My guardian cops are getting nervous. Aren't there questions already rising,

are we too romantic? All this flowery language. But how true it is. Why dim

the lights, bundle up in the cold, when the riches of life are here to

brighten and warm our lives. It is hard to find enough words.

 

So we keep surfing Mike. Not too carefully. Looking for  for the next good

wave. Don't want to miss it.

 

By the way, did you notice Rinaldo's photo on his list site?

http://www.gpnet.it/rasa/home.htm I wonder what the huge stack of papers is

about? Ask Rinaldo? O.K. I am asking you Rinaldo. Where you heading there

with that mysterious armful load? Nice to meet the rest of the package that

beams to us these these refreshing flashes for all ocassions.

 

That reminded me to take another look at your site. So how is copyleft

progressing? It may not seem beat related right off hand, but I think how

relevant it would be for future Kerouacs, etc, in a world where copyleft

replaced royalties and other restraints upon creative happiness and gifts to

the world.

ciao

 

leon

obBeat: am 3/4 done with _The Western Lands_. Anyone in the mood for a

>discussion on this book?

> 

>---------------------------------------------------------------------------

---

> 

> 

>Leon--

> 

>> Well put I thought,  until I got to the "take you for a ride" bump on

>>  the

>> ride. I didn't know whether to take it as a  very serious warning, are

you

>> sounding an alarm, or just playing around , watch out, it can happen,

sort

>> of thing.

> 

>Maybe a bad choice of words there. I meant "take you for a ride" as in take

>you somewhere, go places, like the Beat-L look at all this stuff we talk

>about & where we go --

> 

>But also maybe a small tiny part of it "take you for a ride" like use you,

>take you somewhere and it's not so good. Sure it can happen, people can do

>anything ("everything is permitted") and who knows where it will go?

> 

>Maybe a re-write is in order:

> 

>no, only easy thing to do now is hitchhike on the net -- folks in chat

>rooms & irc, at ends of internet connections still talk to strangers, pass

>ideas along and communicate innermost private thoughts, typing and

listening

>and open to anything, where we'll go.

> 

> 

>email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

><http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

>                     as this sentence remains; it comes with absolutely NO

>                     WARRANTY; for details see <http://dsl.org/copyleft/>.

>.-

> 

=========================================================================

Date:         Sat, 13 Sep 1997 02:55:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Where is Charley?

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 I keep telling myself Charley is O.K. Charley is busy . Charley is coming

back. Wha happind? Sure miss your fine needle stitching our quilt with

dazzling thread. You here lurking Charles Plymell? Anybody know?

 

leon

=========================================================================

Date:         Sat, 13 Sep 1997 05:19:12 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Crickets

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

jo grant wrote:

> 

> >R. Bentz Kirby wrote:

> >>

> >> David:

> >>

> >> I found the crickets.  In an ad for a Nancy Griffith show it says:

> >>

> >> Horizon presents

> >>

> >> An Evening with

> >>

> >> NANCI GRIFFITH & the Blue Moon Orchestra

> >> featuring THE CRICKETS

> >>

> >> So, at least you know that they are in good hands and making a wonderful

> >> folk sound.

> >>

> >> Peace,

> >> --

> >> Bentz

> >> bocelts@scsn.net

> >>

> >> http://www.scsn.net/users/sclaw

> >

> >that sounds like Nancy ... used to be on her wavelength ever few weeks

> >back in iowa city ... the Mill was kinda Nancy griffith kinda place ...

> >i think greg browne or green or something or other too.  used to goof

> >off at open mike nites there with guitar and persecuting music for free

> >... crowd favourite was acoustic-punk-angst-version of johndenver

> >version of Leavin on a jet plane!

> >

> >dbr

> 

 

Jo,

thanks for reminding me ... i got it now...

I didn't ever meet much from Writer's Workshop there.  Seemed like they

either taught you how to stick your nose very high in the air and say

I'm from the Writer's Workshop or they taught you how to bum money from

poorer graduate students.  I was a bit taken by the mystique at first

but soon got over it.  I remember walking through some foreign festival

of writer's workshoppers talking with them about legends of iowa city

and kissing the black angel in the cemetery and whatnot and invisibility

at the hamburg inn and they didn't seem to have been taught anything

about living within such legends and then integrating towards writing

experiences.  Never really figures out what they did write about.

 

So those of you who love the Iowa writer's workshop go ahead and blast

me now.  I think i'd head west to boulder at drop of a nickel if looking

into such things.

 

dbr

> dbr

> 

> Its Greg Brown. Long-time Iowa City resident. Frequent performer around

> i.c. and college towns around the country. Generous with his time and

> music. His CDs are amazing. Writes all his own music. For many,many years

> he has been referred to as the best poet to emerge from Iowa

> City--including grads of the International Writers and Poetry Workshops at

> the U of I.

> 

> A few years ago Greg was a weekly regular on the Prairie Home

> Companion--left after about a year for  (I'm thinking) mellower gigs and

> mellower egos.

> 

> j grant

> 

> Small Press Authors and Publishers display books

>                 FREE

>                    at

>                      BookZen

>                    http://www.bookzen.com

>         375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sat, 13 Sep 1997 09:40:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: software nightmare

In-Reply-To:  <3419BEE2.A6C@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

insp d: i may be lost in cyberspace for a while. downloaded new netscape to

free myself of eudora lite (worst mail program i ever had, can't download

attachments, missed all those great pics and jpegs that were sent, now

might loose all addresses, etc once i install in my intrepidly stupidity of

changing systems. but i'm giving it a shot. i have same isp and address.

wish me luck, all.

 

>Derek A. Beaulieu wrote:

>> 

>> re: unapproved absence from beat-L

>> 

>> sgt.maj. A. Maloney

>> Your admitting that you were in fact absent from beat-L without prior

>> written approval from either myself or Insp. Marie Countryman will only

>> make this disciplinary hearing easier. Your behavior was less than fitting

>> for someone occupying sucha prestegious position with the NOva Police. I

>> regretfully inform you that your rights and privledges regarding yr

>> position and rank and how it pertains in regard to beat-L and beat

>> Literature and Art in general is hereby under review. UNtil further notice

>> from either Inspector MC or yslef consider your badge and gun revoked and

>> yr position only slightly better than manny the mole.

>> 

>> regretfully

>> Inspector D. Beaulieu

>> Nova POlice

> 

>It was pre-approved by The Committee....

> 

>THE COMMITTEE

> 

>david rhaesa

>salina, Kansas

=========================================================================

Date:         Sat, 13 Sep 1997 08:03:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: software nightmare

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

Hi,

 

Drank some juice, had some coffee, the bottomless heart nagging my brain,

decided to go ahead and ask you what you meant, and then looked in the inbox

again, here you are

 

I saved all the pictures that we got, no problem, can be forwarded to you

whenever you are ready.

 

Leon

 

+AD4-insp d: i may be lost in cyberspace for a while. downloaded new netscape to

+AD4-free myself of eudora lite (worst mail program i ever had, can't download

+AD4-attachments, missed all those great pics and jpegs that were sent, now

+AD4-might loose all addresses, etc once i install in my intrepidly stupidity of

+AD4-changing systems. but i'm giving it a shot. i have same isp and address.

+AD4-wish me luck, all.

+AD4-

=========================================================================

Date:         Sat, 13 Sep 1997 12:32:14 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: software nightmare

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

> sorry all: my and leon's mail going to list. i can't seem to cut and paste

> private addresses netscape is already driving me crazy as my life flashes in

> public before my eyes. and poor leon's too. ah, well.

 

mc

=========================================================================

Date:         Sat, 13 Sep 1997 12:33:45 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Fog

MIME-Version: 1.0

Content-Type: multipart/alternative;

              boundary="------------CA723C5BFAA837603DC21D2C"

 

--------------CA723C5BFAA837603DC21D2C

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

                                   FOG

 

Fog-foam in twin fountains

Is art.

Cutup by the unseen artist

On a broader page.

It is assimilated.

 

Further,

Genetic imprinting,

Tiny Tot Coupe

Sits top broken,

Next to broken down car.

Abandoned.

 

Fog comes off the lake,

Like bubbles from a fountain.

As if sculpted by

Teen age pranksters.

Assimilated.

 

Fog,

Shrouding my soup,

Cooking below

The surface.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

--------------CA723C5BFAA837603DC21D2C

Content-Type: text/html; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

<HTML>

 

<CENTER>FOG</CENTER>

 

 

<P>Fog-foam in twin fountains

<BR>Is art.

<BR>Cutup by the unseen artist

<BR>On a broader page.

<BR>It is assimilated.

 

<P>Further,

<BR>Genetic imprinting,

<BR>Tiny Tot Coupe

<BR>Sits top broken,

<BR>Next to broken down car.

<BR>Abandoned.

 

<P>Fog comes off the lake,

<BR>Like bubbles from a fountain.

<BR>As if sculpted by

<BR>Teen age pranksters.

<BR>Assimilated.

 

<P>Fog,

<BR>Shrouding my soup,

<BR>Cooking below

<BR>The surface.

 

<P>--

 

<P>Peace,

 

<P>Bentz

<BR>bocelts@scsn.net

<BR><A

 HREF="http://www.scsn.net/users/sclaw">http://www.scsn.net/users/sclaw</A>

<BR>&nbsp;</HTML>

 

--------------CA723C5BFAA837603DC21D2C--

=========================================================================

Date:         Sat, 13 Sep 1997 12:56:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Iowa Writer's Workshops

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

dbr wrote:

 

>I didn't ever meet much from Writer's Workshop there.  Seemed like they

>either taught you how to stick your nose very high in the air and say

>I'm from the Writer's Workshop or they taught you how to bum money from

>poorer graduate students.  I was a bit taken by the mystique at first

>but soon got over it.  I remember walking through some foreign festival

>of writer's workshoppers talking with them about legends of iowa city

>and kissing the black angel in the cemetery and whatnot and invisibility

>at the hamburg inn and they didn't seem to have been taught anything

>about living within such legends and then integrating towards writing

>experiences.  Never really figures out what they did write about.

> 

>So those of you who love the Iowa writer's workshop go ahead and blast

>me now.  I think i'd head west to boulder at drop of a nickel if looking

>into such things.

> 

>dbr

 

This morning a friend said to me that I should put in the PR for my

upcoming reading tour of Iowa:

 

"Has not been part of the Iowa Writer's Workshops!"

 

Sounds like a good idea to me!

 

Iowa City is not on the schedule.

 

Michael C

=========================================================================

Date:         Sat, 13 Sep 1997 13:26:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jenn Fedor <Tread37@AOL.COM>

Subject:      Re: membership

 

Marlene - you are so cute!  you mailed to the list and i got it!  that's

sooooo cool!  i'd like you to sign on too!  i just had to reply!  i know the

message wasn't even intended for me, but oh, well!  love ya!

 

as ever,

jenn

=========================================================================

Date:         Sat, 13 Sep 1997 14:49:29 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James J Stavola <JDSept@AOL.COM>

Subject:      Re: A Love Supreme by John Coltrane.

 

obviously a great man COLTRANE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                                          his

sense of exploration is a mirror

                                                                           of

the writings of the beats

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                                                                    obviously

a great man COLTRANE

=========================================================================

Date:         Sat, 13 Sep 1997 11:52:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: hitchhiking

Comments: cc: Marie Countryman <country@SOVER.NET>

MIME-Version: 1.0

Content-Type: text/plain; charset="utf-7"

Content-Transfer-Encoding: 7bit

 

I read it as meaning that he felt America was changing even then, but if

you hitchhiked in the same area at about the same time and didn't feel

it, then perhaps this is another way in which his depression caused him

to see the darker side of things.

 

 

Hello Diane,

 

I understand that you would like to accept Kerouac's passionate

interpretation of his spellbindingly related observations as representing

what was really out there. Look how bad it was getting to be. That would

confirm my beliefs about the continuous change, decaying of the old ways. I

appreciate your supportive intentions and I thank you for them.

 

There is an interesting aspect here that speaks to a question that you told

us was a bit perplexing to you, although you did later tell us that you

might have answered it for yourself. The queston was how could Kerouac put

aside such clear and beautiful realizations that he described so

exquisitely, with so much insight and wisdom, seemingly forget all that to

yield to  dark forces that ignored all that.

 

This genius-at-work story that is such a pleasure to read, tells me

something about your question. Like any person when depressed, brooding,

alienated and feeling helpless, feeling guilty and  feeling that his worth

is unappreciated by himself or others, always trying futilely to break out

of the prison that his mother's need for him keeps him in, because if he did

he would betray his mother who would be left feeling betrayed all alone,

unliked and ungiven to. She wanted him to stay in her world, the fence was

to hold im in out of the bad worlds outside. Her world was dark and lonesome

to be redeemed in heaven only if you are good and stay within bounds. He was

bad for even wanting to run away from her world. Also, God will punish him.

 

That does not make him observe any less. On the contrary, people when

depressed can start straining desperately  to notice every little detail.

Often they prefer dimly lit surroundings, or withdraw attention altogether,

partly because attention is too straining, a fatiguing effort. Minutest

details can become magnified until paranoia takes over. In my professional

practice days I have encountered incredibly detailed science fiction worlds,

where the the weave of magnified minutiae created astounding plausible

systems.

 

The dynamics of hypnotic story telling, oratory are interesting. Kerouac's

gift was not in objectivity of detached perspective, his huge intelligence,

gifts of observation and above all spellbinding story telling talents

(including speed of typing) were very much in service of desperate inner

struggles which always left him in defeat.

 

When I look at the piece, I see all of that. I don't see  objective or

reasonable outlook on anything. He just doesn't like anything that he sees,

in magnificently rousing detail, his horror filled eyes show him only

negative aspects of things. Visors, these excelent protectors from the sun,

become idiotic fashion statements, wifes all run their husbands lives, with

mysigenous lack of compassion, kids are always screaming and fighting,

etc..

 

Maybe I am belaboring the point too much. but I do feel that when confronted

with overpoweringly brilliant presentations, we can be so easily misled that

we are being shown things as they are, when in fact we see the magnificent

results of inner overpowering feelings transformed into outer realities.

The magnificent descriptions of Neal, in my opinion, also were determined

more by his desperate need to transform himself. Neal was a human

representation that encouraged the possibility of freeing himself, of

becoming someone that he wasn't. In his inner eye, by the light of his

magnifying lantern, visions and shadows were becoming exaggerations

approaching distortion. The stuff that hero worship is made off, that also

has bult in disappointment for when the time is ripe.

 

Beginning to sound to me like psychological tripe. Still I feel there is

truth in them confusing words. Maybe I should wait until I can say it in a

sentence or two. Anyway, it is because I respect your critical analyses so

much, that I am trying to clumsily communicate to you what I see here.

 

leon

 

 

 

 

 

 

Either see the darker side of things, or paint things over with the darker

side of himself. For example, the visors may have looked idiotic to him,

they are quite helpful to drivers in the bright sun. Nor is it likely that

the majority of wifes that he saw exercised such power over their husbands,

nor would I conclude on the basis of Jack'e desperate mood at the time, that

the kids were all such spoiled brats fighting and screaming all the time.

 

 

To me it seems that Jack was looking at everything, always,  with a foregone

conclusion that he wil be let down. No matter how promising he could make

whatever he was looking at outside the perimeter of mother's permitted

world. Wondering outside with a lantern that magnified and added brilliant

colors to everything he was looking at, taking snapshots and running

dazzling commentary to tell the world about his finds, he could convince the

world, but he himself was still shivering in the cold dark with a lantern in

his hand. Only at mother's home could he put that magnifying lantern down.

But it was dark and lonely there also.

 

 

 

 

 

 Jack was +ACI-sick of life+ACI- through most

of Big Sur and many of his older joys (and I would see hitchhiking as one

of them) no longer held much meaning for him.

DC

.-

=========================================================================

Date:         Sat, 13 Sep 1997 17:23:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      "Listen all you boards and syndicates...."

Comments: cc: DAVIDSROSEN@compuserve.com

 

Fellow Travelers:

 

Lately, I have barely been able to keep up with the fertile threads, let

alone respond to them or contribute my own.  Two themes which have

particularly caught my attention are the ongoing discussion of sentimentality

(originated by Bill Gargan's question to the List as to whether this is a

general characteristic of Beat writing), and a more recent sub-theme

branching out of the hitchhhiking reminiscences toggled by Yan's asking us

whether it is still practiced here.

 

My Webster's New (very old and battered after decades of service, actually)

Collegiate Dictionary defines "sentimental" as "marked or governed by

feeling, sensibility, or emotional idealism...resulting from feeling rather

than reason or thought...having an excess of sentiment or sensibility".

 Applying these definitions to the Beats, especially William S. Burroughs and

Jack Kerouac, with whom I'm most familiar, I can see that they are partly

relevant to their works.  Certainly, both WSB and JK are tuned into their

feelings and sensibilities, if not altogether governed by them, in their

lives as much as their works.  In WSB's case, a lack of direction and

ungrounded feelings drifted toward junk "by default" (read his introduction

to JUNKY), which proceeded to govern his movements like those of an insect.

 A wandering sensitivity and alienation ironically led to the total

usurpation of sentiment while he was suspended in the metabolic grip, a mass

of "junk-hungry cells" clamoring to "drink from the needle".  His predicament

resulted more from feeling than from reason in the sense of sensibilities

with nowhere to roost in a senseless society (maybe I've been reading too

much Dr. Seuss to my son), but ultimately from neither, his High Junk Period,

so to speak, cleared a vacuum and filled it with an ongoing and narrow cycle

of need and its relief, "perhaps all pleasure is relief".   As for emotional

idealism, this is problematic.   He had deep emotions and was an idealist in

terms of being a truth-searching visionary, but he was not "governed...by

emotional idealism.  Anyway, in the later works, there is an aspect that

might be mistaken for sentimentality but which, I think, goes beyond it into

intimations of the supernatural, rather than sentimental.  In THE WESTERN

LANDS, which we were discussing before collectively crashing into the news of

his physical death, there is the prose-poetic phrase "Flashes of serene,

timeless joy.  A joy as old as suffering and despair".  Despite the

world-wariness and pessimism that characterize his works, they also record a

search to locate the elusive mental and emotional connection to the ethereal,

even as the space/time-trapped body is ground down by "...the claims of the

aging, cautious, nagging, frightened flesh".  In TWL as in other earlier and

later chapters of his "one long work", he probes and discards the historic

layers of cultural/religious/societal mechanisms of distraction and control,

where the celestial (or illusory material) reward is offered for towing the

line, and tries to get a real glimpse of what we're "here to go" to.  In the

case of TWL, it is the cumbersome and preposterous ancient Egyptian dogmas of

the afterlife that he gets past, in other cases it is the Mayan Codices, a

myriad of control agents in our supposedly enlightened current societal

structures and, of course, words themselves and the images they generate.

 

WSB and JK got much further past the hurdles than most, but what did they

find?  The disparity between the body and the spirit is not a Beat

phenomenon, it is the exclusively human phenomenon which they got especially

close to with an especially clear vision.  We are really only (self)

glorified, slower-motion versions of the leaves that are beginning to turn in

their eternal cycle here in Michigan as I write this, the "quivering meat

wheel", the process of life, if anything, is endless, not our own lives.  Yet

there IS a connection to that larger process through the life of the mind and

its emotions.  Is this "sentimentality" or "romanticism" in its stereotypical

image of maudlin excess, or an intimation of something just as real as

"reality"?  I think that the characterizing of WSB as severely UNsentimental

and of JK as overly so which is often found in commentary about them here and

elsewhere is deceiving, and misses the dimension of duality that they both

perceived and came to terms with.  WSB was impatient to get past the

illusions, to "smash the control images", but was not a nihilist, he

definitely believed that there IS something past them, read the works and his

own quotes (down to those last diary entries) and there's no doubt of it.

 His insistent pursuit of clarity and honesty might be mistaken for total

cynicism.  You might say he seeks a sentimentality beyond "sentimentality" as

it has been appropriated by the forces of control in all their manifestations

throughout history. And "serene, timeless joy" goes hand in hand with its

equally venerable counterpart, "suffering and despair".  The control

mechanisms he exposes purport to be the exclusive way to the former ("but

through (fill in the blank) can ye get through the gate"), and keep trying to

sever its connection to the latter while threatening its application to

maintain control.  After all, "serene, timeless joy" can't be defined or

valued without its counterpart.  And JK's image as a euphorically

rhapsodizing romanticist and mythologizer of himself, Neal, the very

processes of movement and life itself, belies a tragic sensibility that is as

much removed from "emotional idealism" as WSB.  In ON THE ROAD, he rushes

toward a river and all the freedom and movement that it symbolizes for him,

only to run right into a fence.  Our minds and emotions can catch the

"flashes", but while we're "here" before we "go" we can't quite get there

from here.  JK & NC have to keep moving to get their glimpse of IT, always

preceded by restless anticipation and followed by letdown and the renewed

buildup of restlessness.  One way to look at it is that he mythologizes,

romanticises and sentimentalizes, only to sharpen the contrast between

space/time bodily limitations and spiritual (sentimental?) infinity.  But

that river IS THERE, beyond the fence.

 

Well, it never fails- the more I try to focus, the more there seems to focus

on, and now there's no time to proceed to the other topic I mentioned at the

beginning.  I must stop, or jump out of the moving vehicle, or whatever.

 Since there's no way to conclude, here's a great quote that I think relates

to "everything and nothing", as JK would say, and to the struggle to

reconcile the body and the spirit.

 

"My dear, I'm working on the most marvelous invention...a boy who disappears

as soon as you come leaving a smell of burning leaves and a sound effect of

distant train whistles."

-WSB, NAKED LUNCH, pg. 111

 

Regards,

 

Arthur

=========================================================================

Date:         Sat, 13 Sep 1997 17:22:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Iowa Writer's Workshops

In-Reply-To:  <v01530500b0403cd1d0af@[204.181.15.86]>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>dbr wrote:

> 

>>I didn't ever meet much from Writer's Workshop there.  Seemed like they

>>either taught you how to stick your nose very high in the air and say

>>I'm from the Writer's Workshop or they taught you how to bum money from

>>poorer graduate students.  I was a bit taken by the mystique at first

>>but soon got over it.  I remember walking through some foreign festival

>>of writer's workshoppers talking with them about legends of iowa city

>>and kissing the black angel in the cemetery and whatnot and invisibility

>>at the hamburg inn and they didn't seem to have been taught anything

>>about living within such legends and then integrating towards writing

>>experiences.  Never really figures out what they did write about.

>> 

>>So those of you who love the Iowa writer's workshop go ahead and blast

>>me now.  I think i'd head west to boulder at drop of a nickel if looking

>>into such things.

>> 

>>dbr

> 

>This morning a friend said to me that I should put in the PR for my

>upcoming reading tour of Iowa:

> 

>"Has not been part of the Iowa Writer's Workshops!"

> 

>Sounds like a good idea to me!

> 

>Iowa City is not on the schedule.

> 

>Michael C

 

When in Iowa City, look up poet Chuck Miller. With 7 or 8 published books

behind him and praise from such luminaries as Meridel LeSueur, he's

willing--and eager-- to discuss his experience with the Iowa Writer's

Workshop.

 

Referring tothe workshop as elitist is his mildest adjective.

 

Plus a conversation with Miller is always a stimulating experience.

Unfortunately he is not on-line.

 

j grant

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sat, 13 Sep 1997 07:05:58 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: hitchhiking

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Leon Tabory wrote:

 

> To me it seems that Jack was looking at everything, always,  with a

> foregone

> conclusion that he wil be let down. No matter how promising he could

> make

> whatever he was looking at outside the perimeter of mother's permitted

> world. Wondering outside with a lantern that magnified and added

> brilliant

> colors to everything he was looking at, taking snapshots and running

> dazzling commentary to tell the world about his finds, he could

> convince the

> world, but he himself was still shivering in the cold dark with a

> lantern in

> his hand. Only at mother's home could he put that magnifying lantern

> down.

> But it was dark and lonely there also.

 

Leon,

 

All your perceptions here hit me as being so excellent!  Thank you

for not paring it down to a few sentences.  Took me back to the old woman

in the store window in OTR where he has that great epiphany about IT, and

he hears the woman saying "O son! did you not ever go on your knees and

pray for all your sins and scroundal's acts? Lost boy! Depart! Do not

haunt my soul..."  The whole hatred of self thing he was left with, the

depression, the drinking to numb it all.  And think about it, how many

thousands of people have been lifted by his magnificent descriptions of

life, and its brilliant struggles? But he couldn't reconcile inner and

outer realities, he was continually let down by people, let down by

America, or so he thought.  In a way his worldview was clouded by so much

psychological garbage (not that all of our's aren't), but your

observations on his mother are so acute:

 

> She wanted him to stay in her world, the fence was to hold him in out

> of the bad worlds outside.  Her world was dark and lonesome to be

> redeemed in heaven only if you are good and stay within bounds.  He was

> bad for even wanting to run away from her world.  Also, God will punish

> him.

 

In spite of getting out of the world of Lowell, Mass., having experences

in New York, Denver, San Francisco that were opposite poles from that

world; in spite of studying eastern religions, of finally being a

successful writer, he was never able to escape from the worldview of his

mother, his childhood.  And in the end, he dies young, and his mother

lives on.  From a psychological perspective, I think it also paints a

bleak picture of how entrapping family bonds and boundaries can be.

DC

=========================================================================

Date:         Sat, 13 Sep 1997 07:44:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: "Listen all you boards and syndicates...."

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> Arthur Nusbaum wrote:

> My Webster's New (very old and battered after decades of service,

> actually)

> Collegiate Dictionary defines "sentimental" as "marked or governed by

> feeling, sensibility, or emotional idealism...resulting from feeling

> rather

> than reason or thought...having an excess of sentiment or sensibility".

>  Applying these definitions to the Beats, especially William S.

> Burroughs and

> Jack Kerouac, with whom I'm most familiar, I can see that they are

> partly

> relevant to their works.  Certainly, both WSB and JK are tuned into

> their

> feelings and sensibilities, if not altogether governed by them,

 

If you take the meaning of sentimentality to be "marked...by emotional

idealism,"  I think you have to say that Burroughs, Kerouac, and Ginsberg

all then fit the definition to some extent.

 

>I think that the characterizing of WSB as severely UNsentimental and of

>JK as overly so which is so often found in commentary about them here

>and elsewhere is deceiving, and misses the dimension of duality that

>they both perceived and came to terms with...

 

I think in Kerouac, as a particular example, the sentimentality lies in

his descriptive ability and not in his sense of rushing toward the river

only to run into a fence.  The "serene, timeless joy" polarized against

"suffering and despair"  All of these are manifestations of his absolute

stuggle with the meaning of human life.  The dualities are reality not

emotional idealism.  It is passages like this one that, for me, take on

this sentimental quality (and who ever said sentimentalism carries a

negative connotation, anyway?):

 

"When I see a leaf fall, I always say goodbye--And that has a sound which

is lost unless there is a country stillness at which time I'm sure it

really rattles the earth, like ants in orchestras..." VOC pg. 10

 

or

"...We find the bar, rolling through October climaxes of leaves falling

and Halloween soon and I got red October shirt ah me so sad that every

year we have to lose our October!--poor little Rosie with her Thirties

style short dress, pretty legs, high click heels, pinched face, perennial

cigarette, drinksad eyes at the baron stool with little pimple this night

on chin where you might kiss her and it would break and I hated to look

at it though on her smooth face now in retrospect (and it's gone) it

memories sexily like a beauty spot kind I used to see on chins of old

movie queens in photos front of theatre--wondering if it was photo

ink..." VOC p. 13.

 

I'm not sure that Kerouac's sentimentality sharpens the contrast between

"space/time/body and infinity"; I think it's more an attitude that he

sometimes has that every little thing in human experience is important in

the whole of experience and by describing the hell out of things he is

able to transport us there, to what this moment in this bar was like, or

this moment in this diner was like, and it is there that sometimes the

qualities of senimentality and nostalgia merge.  But he has made us feel

we were there, right down to the colors of the walls and floor tile.  And

I think it is in this gushiness that he and Burroughs are on different

sides of the spectrum.

DC

=========================================================================

Date:         Sat, 13 Sep 1997 19:00:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      Japhy=Gary

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Hello, All.  I'm a former subscriber to the list who has now returned....

and I'm enjoying the threads.  Here's a possible new one:

 

Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of

course, but has anybody else noticed a slip-up in the text at the end of

chapter 23?  (second to the last sentence there, in fact).  Kerouac writes:

 

"And I didn't wake up then till almost San Francisco in the morning.  I had

a dollar left and Gary was waiting for me at the shack.  The whole trip had

been as swift and enlightening as a dream, and I was back."

 

The "Gary" is actually in my text (the Penguin edition).  Does anybody know

if this is a mis-keying on Penguin's part, or did Kerouac forget to call

him Japhy?  I can't find any other editions on bookstore shelves to compare

it with.

 

---Wes

=========================================================================

Date:         Sat, 13 Sep 1997 21:42:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Luther Allison

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

For those of you like James and Richard who like the blues, you might

want to check out the September 26, 1997, Vol 23. No. 20, Issue 448 of

Goldmine.  It has two pages of tributes to Luther Allison by his manager

and the likes of Otis Rush.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sat, 13 Sep 1997 23:20:05 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@MAILHUB.JAXNET.COM>

Subject:      Re: Japhy=Gary

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of

> course, but has anybody else noticed a slip-up in the text at the end of

> chapter 23?  (second to the last sentence there, in fact).  Kerouac writes:

> 

> "And I didn't wake up then till almost San Francisco in the morning.  I had

> a dollar left and Gary was waiting for me at the shack.  The whole trip had

> been as swift and enlightening as a dream, and I was back."

> 

> The "Gary" is actually in my text (the Penguin edition).  Does anybody know

> if this is a mis-keying on Penguin's part, or did Kerouac forget to call

> him Japhy?  I can't find any other editions on bookstore shelves to compare

> it with.

if i remeber correctly, somebody brought this up a few months ago

right when i was leaving for vacation. does anyone have an old

save/memory?

> ---Wes

thanx

randy

> 

=========================================================================

Date:         Sun, 14 Sep 1997 00:53:42 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: software nightmare

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 09:40 AM 9/13/97 -0400, you wrote:

>insp d: i may be lost in cyberspace for a while. downloaded new netscape to

>free myself of eudora lite (worst mail program i ever had, can't download

>attachments, missed all those great pics and jpegs that were sent, now

>might loose all addresses, etc once i install in my intrepidly stupidity of

>changing systems. but i'm giving it a shot. i have same isp and address.

>wish me luck, all.

> 

>>Derek A. Beaulieu wrote:

>>> 

>>> re: unapproved absence from beat-L

>>> 

>>> sgt.maj. A. Maloney

>>> Your admitting that you were in fact absent from beat-L without prior

>>> written approval from either myself or Insp. Marie Countryman will only

>>> make this disciplinary hearing easier. Your behavior was less than fitting

>>> for someone occupying sucha prestegious position with the NOva Police. I

>>> regretfully inform you that your rights and privledges regarding yr

>>> position and rank and how it pertains in regard to beat-L and beat

>>> Literature and Art in general is hereby under review. UNtil further notice

>>> from either Inspector MC or yslef consider your badge and gun revoked and

>>> yr position only slightly better than manny the mole.

>>> 

>>> regretfully

>>> Inspector D. Beaulieu

>>> Nova POlice

>> 

>>It was pre-approved by The Committee....

>> 

>>THE COMMITTEE

>> 

>>david rhaesa

>>salina, Kansas

> 

> 

My Eudora Lite downloaded the jpgs but I couldn't get the

pictures because they are mimes.  No problems downloading

with Lite, tho, just deciphering the pictures.

 

mike rice

=========================================================================

Date:         Sun, 14 Sep 1997 04:54:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: software nightmare

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

> hey mike: i was able to down load patricia's jpegs of david and hat and ohle/

> however james stauffer's (hi jim!) files were deemed 'corrupted' by my

 netscape

> program. i'm getting the hang of the new "communicator' software. once i pass

> the techno-idiot stage, i'll be rock'n'rollin here. mc

 

 

 

> >

> >

> My Eudora Lite downloaded the jpgs but I couldn't get the

> pictures because they are mimes.  No problems downloading

> with Lite, tho, just deciphering the pictures.

> 

> mike rice

=========================================================================

Date:         Sun, 14 Sep 1997 05:16:03 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      hi wes and an appeal to all

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

sorry everyone: hi wes! glad you're back! could you please mail me directly,

so i can put you in new address book(changing mail programs totally crashed

and deleted all addresses.

btw: could everyone who is in the habit of backchannel chats with me just send

a 'test' message to me so that i can add you to new address book? right now

everytime i try to send privately, it goes directly to list address, can't

pull the individual addresses. with that i promise to stop whining and begging

on this topic.

thanks a bunch

mc

 

Wes Lundburg wrote:

 

> Hello, All.  I'm a former subscriber to the list who has now returned....

> and I'm enjoying the threads.  Here's a possible new one:

> 

> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of

> course, but has anybody else noticed a slip-up in the text at the end of

> chapter 23?  (second to the last sentence there, in fact).  Kerouac writes:

> 

> "And I didn't wake up then till almost San Francisco in the morning.  I had

> a dollar left and Gary was waiting for me at the shack.  The whole trip had

> been as swift and enlightening as a dream, and I was back."

> 

> The "Gary" is actually in my text (the Penguin edition).  Does anybody know

> if this is a mis-keying on Penguin's part, or did Kerouac forget to call

> him Japhy?  I can't find any other editions on bookstore shelves to compare

> it with.

> 

> ---Wes

=========================================================================

Date:         Sun, 14 Sep 1997 13:08:00 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Out of This Planet. Au_er diesem Stern (bertolt brecht)

In-Reply-To:  <3.0.32.19970910135820.00688d8c@maila.wm.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 8bit

 

        Au_er diesem Stern

 

        Au_er diesem Stern, dachte ich, ist nichts und er

        Ist so verw|stet.

        Er allein ist unsere Zuflucht und die

        Sieht so aus.

        -- BERTOLT BRECHT

 

Out of this planet, I thought, there is not nothing, and it

is so desolate.

It is our shelter, and this

That is the way it is.

 

 

        Der Rauch

 

        Das kleine Haus unter Bdumen am See.

        Vom Dach steigt Rauch.

        Fehlte er

        Wie trostlos dann wdren

        Haus, Bdumen und See.

        -- BERTOLT BRECHT

 

The small house among to the trees on the lake.

>From the roof climbs the smoke.

If there is not smoke

house, trees and lake would be dismal.

=========================================================================

Date:         Sun, 14 Sep 1997 10:53:36 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Joyce Johnson

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

I'm still trying to locate her.  Does ayone have any idea of where she

could be reached?  Publisher, college, etc.?

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

=========================================================================

Date:         Sun, 14 Sep 1997 10:13:43 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: Japhy=Gary

In-Reply-To:  <19970914002025112.AAA207@tcpnets.tcpnets.com>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 13 Sep 1997, Wes Lundburg wrote:

> Hello, All.  I'm a former subscriber to the list who has now returned....

> and I'm enjoying the threads.  Here's a possible new one:

> Everybody knows that Japhy Ryder in _Dharma Bums_ is Gary Snyder, of

> course, but has anybody else noticed a slip-up in the text at the end of

> chapter 23?  (second to the last sentence there, in fact).  Kerouac writes:

> "And I didn't wake up then till almost San Francisco in the morning.  I had

> a dollar left and Gary was waiting for me at the shack.  The whole trip had

> been as swift and enlightening as a dream, and I was back."

> The "Gary" is actually in my text (the Penguin edition).  Does anybody know

> if this is a mis-keying on Penguin's part, or did Kerouac forget to call

> him Japhy?  I can't find any other editions on bookstore shelves to compare

> it with.

> ---Wes

        well, the copy i have reads "I had a dollar left and Japhy was

waiting for me at the shack."

        Kerouac, Jack _The Dharma Bums_(New York: Signet; 1959,

                1967)pp.126-127

 

and by the way: as a side note: the cover blurb on my copy reads" THE

DHARMA BUMS by the man who launched the hippie world, the daddy of the

swinging psychedelic generation JACK KEROUAC, author of ON THE ROAD". what

a great blurb, huh? (smirk)

yrs

derek

=========================================================================

Date:         Sun, 14 Sep 1997 10:15:05 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      maya gorton?

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hey there beat-l'ers

does anyone out there have maya's address as i would like to get in touch

with her but i have lost her address. thanks a bundle

yrs

derek

=========================================================================

Date:         Sun, 14 Sep 1997 13:28:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Japhy=Gary

In-Reply-To:  <19970914002025112.AAA207@tcpnets.tcpnets.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Probably was an editor's screwup.  In writing Dharma Bums, Kerouac, as he

always did, typed it using real names.  Kerouac didnt write "Visions of

Cody", for instance, he wrote "Visions of Neal", the title and names were

changed by some editor preparing the book for publication after Kerouac's

death.  Neal had been dubbed "Cody" by editors preparing "Dharma Bums",

because for some legal reason they couldnt call him Dean Moriarty, and

years later I guess they didnt like the sound of "Visions of Dean".

 

Every time they did a book, some editor had to go back and change all the

names, because publishers were paranoid about lawsuits.  Having to deal

with editors was probably one reason Kerouac ended up drinking himself to

death.  This is like a great artist having some outsider come along after

a painting is finished and insisting on changing the colors.  The work

becomes something less than the author's exact vision.

 

This sort of confusion is why I think they should defer to Kerouac's own

wishes and come out with a new set of editions of the "DeLouz Legend"

books with the real names inserted, so the works look as Kerouac typed

them and conceived them.   So we can see the works as Kerouac saw them.

=========================================================================

Date:         Sun, 14 Sep 1997 08:18:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Out of This Planet. Au_er diesem Stern (bertolt brecht)

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

 Good Sunday Rinaldo

 

I am wondering about a couple of things on your translation.

First what does the _ stand for in Au_er

Then I wonder why you translate "er" he, with "it" which would be es. "Sieht

so aus" translates for me as "looks like that" If the _ replaces an "s" Then

the poem should translate

 

Ouside of this Star

 

Outside of this star there is nothing, and he

is so wasted.

He alone is our refuge and it

Looks like that.

 

Maybe I am quibbling here, but it sounds a little bit different to me. I

wonder why Brett uses  "he" here instead of it, but he does. I would seem

just as easy for him to say "es" as it wouldh "er" But "er" is what he

chose. I am inclined to think that he wants to say that our star is a he and

not an it. Also "looks like it" is not quite the same as "that's the way it

is". What are you thinking Rinaldo? The poetic license in the translation of

the second don't seem that important to me, so I will stop quibbling. Have a

nice Sunday, and thanks as usual.

 

ciao

 

leon

 

> From: Rinaldo Rasa

> Subject: Out of This Planet. Au_er diesem Stern (bertolt brecht)

 

 

 

>        Au_er diesem Stern

> 

>        Au_er diesem Stern, dachte ich, ist nichts und er

>        Ist so verw|stet.

>        Er allein ist unsere Zuflucht und die

>        Sieht so aus.

>        -- BERTOLT BRECHT

> 

>Out of this planet, I thought, there is not nothing, and it

>is so desolate.

>It is our shelter, and this

>That is the way it is.

> 

> 

>        Der Rauch

> 

>        Das kleine Haus unter Bdumen am See.

>        Vom Dach steigt Rauch.

>        Fehlte er

>        Wie trostlos dann wdren

>        Haus, Bdumen und See.

>        -- BERTOLT BRECHT

> 

>The small house among to the trees on the lake.

>From the roof climbs the smoke.

>If there is not smoke

>house, trees and lake would be dismal.

>.-

> 

=========================================================================

Date:         Sun, 14 Sep 1997 14:12:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79@AOL.COM

Subject:      Subscription

 

Marlene_Giraud

=========================================================================

Date:         Sun, 14 Sep 1997 14:07:00 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: Subscription

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

M84M79@AOL.COM wrote:

> 

> Marlene_Giraud

 

welcome marlene!

we are a dangerous crew......

 

david rhaesa

salina, Kanas

=========================================================================

Date:         Sun, 14 Sep 1997 15:10:48 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Arthur Nusbaum <SSASN@AOL.COM>

Subject:      Re: Japhy=Gary

Comments: cc: DAVIDSROSEN@compuserve.com

 

Wes:

 

After reading your post, I checked my 1958 first edition of THE DHARMA BUMS,

and saw that the slip at the end of chapter 23 is there, referring to Gary

instead of Japhy.  Apparently, this original error (of consistency, anyway)

was repeated in some subsequent printings.  I agree with Richard Wallner that

the ficitional names in all of Kerouac's works should be changed back to the

real names he used when writing them and that every reader now knows.  By

now, the legal issues that probably were the reasons his editors insisted on

not using real names (and at least in a few cases the objection of the people

themselves depicted in his books) aren't likely to apply as strongly,

especially since many of the people are, like Kerouac, no longer alive.  The

following quote (which is on the back dust jacket flap of VISIONS OF CODY,

I'm not sure what writing it was taken from) proves that it was Kerouac's

intention to ultimately unify the whole "Duluoz Legend" and set the record

straight:

 

"In my old age, I intend to collect all my work and re-insert my pantheon of

uniform names, leave the long shelf full of books there, and die happy."

 

He died, neither old nor happy, with his intention unfulfilled.

 

Regards,

 

Arthur S. Nusbaum

=========================================================================

Date:         Sun, 14 Sep 1997 15:21:35 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@MAILHUB.JAXNET.COM>

Subject:      correction

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

> M84M79@AOL.COM wrote:

> >

> > Marlene_Giraud

> 

> welcome marlene!

> we are a dangerous crew......

david- if marlene tried to send a subscription to the entire list,

one would assume that she isn't subscribed yet. don't worry, i

forward my original message of what to do to her.

> david rhaesa

> salina, Kanas

> 

randy

=========================================================================

Date:         Sun, 14 Sep 1997 19:52:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      hitchhiking

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

What a great trainstory, Jo, and very well told.

For those interested in hopping trains or hitchhiking, I remember that we

use to tuck a folded $20 bill under the inside sole of a shoe (under the

toe end rather than the heel). Small (and big) town cops used to enjoy

busting longhairs, and a common charge was vagrancy. However, if you had

$20 or more in cash on you, you couldn't be charged as a vagrant.

Self-protection: a condom in your wallet and a twenty in your shoe.

Cordially,

Michael Skau

9/14/97

=========================================================================

Date:         Sun, 14 Sep 1997 20:06:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: hitchhiking

In-Reply-To:  <Pine.ULT.3.96.970914194606.26482A-100000@cwis.unomaha.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>What a great trainstory, Jo, and very well told.

>For those interested in hopping trains or hitchhiking, I remember that we

>use to tuck a folded $20 bill under the inside sole of a shoe (under the

>toe end rather than the heel). Small (and big) town cops used to enjoy

>busting longhairs, and a common charge was vagrancy. However, if you had

>$20 or more in cash on you, you couldn't be charged as a vagrant.

>Self-protection: a condom in your wallet and a twenty in your shoe.

>Cordially,

>Michael Skau

>9/14/97

 

Thanks Michael.

 

And by the way. I was just sitting here wondering how I was going to find a

copy of the post. Just got some requests for it. But when a checked my Sent

Mail and I discovered I didn't have the box checked to save my mail.

 

I recently switched systems and made the oversight when I re-installed

Eudora. If you have that piece of mail would you forward a copy to me?

 

Thanks.

 

jo

 

 

Small Press Authors and Publishers display books

                FREE

                   at

                     BookZen

                   http://www.bookzen.com

        375,913 visitors - 07-01-96 to 07-01-97

=========================================================================

Date:         Sun, 14 Sep 1997 21:10:54 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Organization: Law Office of R. Bentz Kirby

Subject:      Link page

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

A friend of mine who knows that I am on this list sent me the following

link.  It leads back to many familiar sites like Levi's Kicks page.

But, if you are trying to learn about the Beats, it might be a good

resource page.  I found a site at Abeline Christian College that I had

not seen before.

 

http://www.netguide.com/Life/Arts

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

=========================================================================

Date:         Sun, 14 Sep 1997 20:28:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      Re: Japhy=Gary

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum quoted JK from the back of _Visions of Cody_:

 

 

"In my old age, I intend to collect all my work and re-insert my pantheon

of

uniform names, leave the long shelf full of books there, and die happy."

 

Thanks, Arthur... I've seen this quote many times, but somehow it takes on

a new meaning with the posts on this thread.  My experience with editors

has been, ahem, stretching in many ways, too.  Sure, they know their target

audience, want to avoid legal problems, etc, but I can see JK's

frustration... and relate to it.

 

Shalom,

---Wes

=========================================================================

Date:         Sun, 14 Sep 1997 20:17:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      Re: Japhy=Gary

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Richard:

 

Thanks!  Great response and great information....

 

---Wes

 

----------

> From: Richard Wallner <rwallner@CAPACCESS.ORG>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Re: Japhy=Gary

> Date: Sunday, September 14, 1997 12:28 PM

> 

> Probably was an editor's screwup.  In writing Dharma Bums, Kerouac, as he

> always did, typed it using real names.  Kerouac didnt write "Visions of

> Cody", for instance, he wrote "Visions of Neal", the title and names were

> changed by some editor preparing the book for publication after Kerouac's

> death.  Neal had been dubbed "Cody" by editors preparing "Dharma Bums",

> because for some legal reason they couldnt call him Dean Moriarty, and

> years later I guess they didnt like the sound of "Visions of Dean".

> 

> Every time they did a book, some editor had to go back and change all the

> names, because publishers were paranoid about lawsuits.  Having to deal

> with editors was probably one reason Kerouac ended up drinking himself to

> death.  This is like a great artist having some outsider come along after

> a painting is finished and insisting on changing the colors.  The work

> becomes something less than the author's exact vision.

> 

> This sort of confusion is why I think they should defer to Kerouac's own

> wishes and come out with a new set of editions of the "DeLouz Legend"

> books with the real names inserted, so the works look as Kerouac typed

> them and conceived them.   So we can see the works as Kerouac saw them.

=========================================================================

Date:         Sun, 14 Sep 1997 22:22:09 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      new from City Lights

 

Chatted today with Charles Plymell, 9/14/97. Told him I'd post this to

Beat-L:

====================================

"The source of power resides in the interstices between one world and

another, between the known and the unknown, between who we are and who we are

becoming.  It is our willingness to put an ear to the ground that brings the

trembling of horses from a far distance.  We become like the moving water,

taking the river bed with us as we go.  The universe loves devoted travelers.

 We are her witnesses."

----Janine Pommy Vega, Tracking the Serpent.

The book begins with her as a 16 year old meeting Huncke and Allen and moving

in with Allen's friend Elise.

She's gotten pretty good reviews except one. In essence the reviewer said she

needed to get fucked.

cp

==================

diane

=========================================================================

Date:         Sun, 14 Sep 1997 21:33:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      for marie countryman

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

sorry listers....

 

marie, I've lost your address.  Would you e-mail me directly?

 

---Wes

lundburg@tcpnets.com

=========================================================================

Date:         Sun, 14 Sep 1997 22:51:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "PoOka(the friendly ghost)" <jdematte@TURBO.KEAN.EDU>

Subject:      kerouac and cliff's notes.

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

for those of you who know about these dreadful yellow/black booklets that

many adolescent summer readers turn to instead of reading the book,

cliff's notes has published many cheat summaries of stories including a

recent one, "the Invisible Man" by Ellison and by other great writers.

What if somehow "On the Road" was pillaged and turned into a 45 pg

summary book? Would this encourage young readers to read the whole thing

or just to skim it in time for september english classes? Either way i

couldn't begin to fathom the results of taking "naked lunch" or any other

liteary masterpiece and condence it into a paper-thin booklet.

                                paranoid and frightened of

                                pillaged literature,

                                                jason.

=========================================================================

Date:         Sun, 14 Sep 1997 23:03:51 -0400

Reply-To:     Greg Elwell <elwellg@voicenet.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Elwell <elwellg@VOICENET.COM>

Subject:      Article about Lowell

MIME-Version: 1.0

Content-Type: multipart/alternative;

              boundary="----=_NextPart_000_0000_01BCC162.776CB520"

 

This is a multi-part message in MIME format.

 

------=_NextPart_000_0000_01BCC162.776CB520

Content-Type: text/plain;

        charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

 Over the weekend I was reading my newspaper's Travel section, when I =

stumbled upon an article about Lowell.  It mentions Kerouac and all, and =

about the Lowell Celebrates Kerouac festival.  I found an on-line =

version at this address:

 

http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm

 

ENJOY!

 

Greg Elwell=20

 

 

------=_NextPart_000_0000_01BCC162.776CB520

Content-Type: text/html;

        charset="iso-8859-1"

Content-Transfer-Encoding: quoted-printable

 

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">

<HTML>

<HEAD>

 

<META content=3Dtext/html;charset=3Diso-8859-1 =

http-equiv=3DContent-Type>

<META content=3D'"MSHTML 4.71.1008.3"' name=3DGENERATOR>

</HEAD>

<BODY bgColor=3D#ffffff>

<P><FONT color=3D#000000 face=3DArial size=3D2>&nbsp;Over the weekend I =

was reading my=20

newspaper's Travel section, when I stumbled upon an article about =

Lowell.&nbsp;=20

It mentions Kerouac and all, and about the Lowell Celebrates Kerouac=20

festival.&nbsp; I found an on-line version at this address:</FONT></P>

<P><A=20

href=3D"http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm">=

http://www.phillynews.com/inquirer/97/Sep/14/travel/LOWEL14.htm</A>

<P>ENJOY!

<P><FONT color=3D#000000 face=3DArial size=3D2>Greg Elwell =

</FONT></P></BODY></HTML>

 

------=_NextPart_000_0000_01BCC162.776CB520--

=========================================================================

Date:         Sun, 14 Sep 1997 22:39:48 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: "Listen all you boards and syndicates...."

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Arthur Nusbaum wrote:

> 

> Fellow Travelers:

> 

> Lately, I have barely been able to keep up with the fertile threads, let

> alone respond to them or contribute my own.  Two themes which have

> particularly caught my attention are the ongoing discussion of sentimentality

> (originated by Bill Gargan's question to the List as to whether this is a

> general characteristic of Beat writing), and a more recent sub-theme

> branching out of the hitchhhiking reminiscences toggled by Yan's asking us

> whether it is still practiced here.

> 

> My Webster's New (very old and battered after decades of service, actually)

> Collegiate Dictionary defines "sentimental" as "marked or governed by

> feeling, sensibility, or emotional idealism...resulting from feeling rather

> than reason or thought...having an excess of sentiment or sensibility".

>  Applying these definitions to the Beats, especially William S. Burroughs and

> Jack Kerouac, with whom I'm most familiar, I can see that they are partly

> relevant to their works.  Certainly, both WSB and JK are tuned into their

> feelings and sensibilities, if not altogether governed by them, in their

> lives as much as their works.  In WSB's case, a lack of direction and

> ungrounded feelings drifted toward junk "by default" (read his introduction

> to JUNKY), which proceeded to govern his movements like those of an insect.

>  A wandering sensitivity and alienation ironically led to the total

> usurpation of sentiment while he was suspended in the metabolic grip, a mass

> of "junk-hungry cells" clamoring to "drink from the needle".  His predicament

> resulted more from feeling than from reason in the sense of sensibilities

> with nowhere to roost in a senseless society (maybe I've been reading too

> much Dr. Seuss to my son), but ultimately from neither, his High Junk Period,

> so to speak, cleared a vacuum and filled it with an ongoing and narrow cycle

> of need and its relief, "perhaps all pleasure is relief".   As for emotional

> idealism, this is problematic.   He had deep emotions and was an idealist in

> terms of being a truth-searching visionary, but he was not "governed...by

> emotional idealism.  Anyway, in the later works, there is an aspect that

> might be mistaken for sentimentality but which, I think, goes beyond it into

> intimations of the supernatural, rather than sentimental.  In THE WESTERN

> LANDS, which we were discussing before collectively crashing into the news of

> his physical death, there is the prose-poetic phrase "Flashes of serene,

> timeless joy.  A joy as old as suffering and despair".  Despite the

> world-wariness and pessimism that characterize his works, they also record a

> search to locate the elusive mental and emotional connection to the ethereal,

> even as the space/time-trapped body is ground down by "...the claims of the

> aging, cautious, nagging, frightened flesh".  In TWL as in other earlier and

> later chapters of his "one long work", he probes and discards the historic

> layers of cultural/religious/societal mechanisms of distraction and control,

> where the celestial (or illusory material) reward is offered for towing the

> line, and tries to get a real glimpse of what we're "here to go" to.  In the

> case of TWL, it is the cumbersome and preposterous ancient Egyptian dogmas of

> the afterlife that he gets past, in other cases it is the Mayan Codices, a

> myriad of control agents in our supposedly enlightened current societal

> structures and, of course, words themselves and the images they generate.

> 

> WSB and JK got much further past the hurdles than most, but what did they

> find?  The disparity between the body and the spirit is not a Beat

> phenomenon, it is the exclusively human phenomenon which they got especially

> close to with an especially clear vision.  We are really only (self)

> glorified, slower-motion versions of the leaves that are beginning to turn in

> their eternal cycle here in Michigan as I write this, the "quivering meat

> wheel", the process of life, if anything, is endless, not our own lives.  Yet

> there IS a connection to that larger process through the life of the mind and

> its emotions.  Is this "sentimentality" or "romanticism" in its stereotypical

> image of maudlin excess, or an intimation of something just as real as

> "reality"?  I think that the characterizing of WSB as severely UNsentimental

> and of JK as overly so which is often found in commentary about them here and

> elsewhere is deceiving, and misses the dimension of duality that they both

> perceived and came to terms with.  WSB was impatient to get past the

> illusions, to "smash the control images", but was not a nihilist, he

> definitely believed that there IS something past them, read the works and his

> own quotes (down to those last diary entries) and there's no doubt of it.

>  His insistent pursuit of clarity and honesty might be mistaken for total

> cynicism.  You might say he seeks a sentimentality beyond "sentimentality" as

> it has been appropriated by the forces of control in all their manifestations

> throughout history. And "serene, timeless joy" goes hand in hand with its

> equally venerable counterpart, "suffering and despair".  The control

> mechanisms he exposes purport to be the exclusive way to the former ("but

> through (fill in the blank) can ye get through the gate"), and keep trying to

> sever its connection to the latter while threatening its application to

> maintain control.  After all, "serene, timeless joy" can't be defined or

> valued without its counterpart.  And JK's image as a euphorically

> rhapsodizing romanticist and mythologizer of himself, Neal, the very

> processes of movement and life itself, belies a tragic sensibility that is as

> much removed from "emotional idealism" as WSB.  In ON THE ROAD, he rushes

> toward a river and all the freedom and movement that it symbolizes for him,

> only to run right into a fence.  Our minds and emotions can catch the

> "flashes", but while we're "here" before we "go" we can't quite get there

> from here.  JK & NC have to keep moving to get their glimpse of IT, always

> preceded by restless anticipation and followed by letdown and the renewed

> buildup of restlessness.  One way to look at it is that he mythologizes,

> romanticises and sentimentalizes, only to sharpen the contrast between

> space/time bodily limitations and spiritual (sentimental?) infinity.  But

> that river IS THERE, beyond the fence.

> 

> Well, it never fails- the more I try to focus, the more there seems to focus

> on, and now there's no time to proceed to the other topic I mentioned at the

> beginning.  I must stop, or jump out of the moving vehicle, or whatever.

>  Since there's no way to conclude, here's a great quote that I think relates

> to "everything and nothing", as JK would say, and to the struggle to

> reconcile the body and the spirit.

> 

> "My dear, I'm working on the most marvelous invention...a boy who disappears

> as soon as you come leaving a smell of burning leaves and a sound effect of

> distant train whistles."

> -WSB, NAKED LUNCH, pg. 111

> 

> Regards,

> 

> Arthur

 

A couple of definitions from my "The New Webster Dictionary and Complete

Vest-Pocket Library ... 45,800 words..." Copyright 1893, 1894 purchased

for a buck at The Source Bookstore in Davenport Iowa back around 1993 or

1994.

 

Miraculous. "Supernatural"

Invention.  Invent.  "find out; devise; frame; forge."

Sentimentality.  "Affectedly Tender."

Affect.  "Influence.  Assume."

Tender.  "to offer; sensitive, kind; delicate."

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Sun, 14 Sep 1997 23:17:56 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: "Listen all you boards and syndicates...."

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> 

> I'm not sure that Kerouac's sentimentality sharpens the contrast between

> "space/time/body and infinity";

 

Kerouac's examination of these things is very different than Burroughs

because JK looks at these through the prism of his physical experiences

while Burroughs through experiencing the dark humour of imagination.  To

limit the idea of experience (and i'm not sure you're doing this) to the

"REAL" world is a very very limiting perception.  Burroughs being born

into a different chemistry was sensitive to the imagination and keen to

every intricacy therein in the same way as Kerouac was sensitive to the

imagination in the physically visible.

 

dbr

=========================================================================

Date:         Sun, 14 Sep 1997 22:00:41 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: More Berthold Brecht:  The Smoke     Out of This Planet.

              Au_er diesem Stern (bertolt brecht)

MIME-Version: 1.0

Content-Type: text/plain; charset="iso-8859-1"

Content-Transfer-Encoding: 7bit

 

-----Original Message-----

From: Rinaldo Rasa <rinaldo@GPNET.IT>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, September 14, 1997 4:47 AM

 

> Ok I received a backchanell challenge. What poetic license?

Here is what I believe a more literal translation of Der Rauch would be:

 

The Smoke

 

The small house under tress by the lake

>From roof rises smoke

He felt

How bereft of trust  (untrustworthy) then became

House, trees and lake

 

 

 Original German:

 

>        Der Rauch

> 

>        Das kleine Haus unter Bdumen am See.

>        Vom Dach steigt Rauch.

>        Fehlte er

>        Wie trostlos dann wdren

>        Haus, Bdumen und See.

>        -- BERTOLT BRECHT

> 

 

Rinaldo's translation:

 

>The small house among to the trees on the lake.

>From the roof climbs the smoke.

>If there is not smoke

>house, trees and lake would be dismal.

>.-

>Under the trees by the lake is not quite the same as among the trees on the

lake.

> There is nothing that says "if there is not smoke" in the original

> The implication of untrustworthy is not quite the same as dismal.

 

I do not cherish making these corrections (?)  and I would be the first one

to agree that it may be trifling. If we don't need such nitpicking on the

list, I will gladly stop it.   But,, here I go correcting and I have left

out " I thought" from the first line of "Outside of this star" poem , and

even misspelled Brecht's name. I am no one to point fingers, but I do

believe my corrections are accurate, and a challenge is a challenge.  I love

all your contributions to the list Rinaldo. Bless you.

 

leon

=========================================================================

Date:         Mon, 15 Sep 1997 09:38:41 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <sk312@pophost.city.ac.uk>

From:         Daniel Fascione <m.d.fascione@CITY.AC.UK>

Subject:      subscription - OFF

 

Aplogies for posting this to the whole of the list, but could someone

send me deatils of how to subscribe to this list.

 

Thanks in advanced

 

Daniel

=========================================================================

Date:         Mon, 15 Sep 1997 05:25:07 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Re: hitchhiking in New Hampshire

 

The last hitchhiker I picked up was Soloman Paul Hobbes. He told me how he

was hitchhiking in New Hampshire one night and set up his sleeping bag at

what he thought was a deserted house. In the middle of the night, he gets an

eerie feeling, looks out from under sleeping bag and sees a mountain lion. He

starts staring the mountain lion down, while slowly gathering his stuff. The

mountain lion just stared back. Soloman slowly backed down the road

backwards, eyeing the mountain lion, with his gathered stuff in his arms

until the mountain lion was out of sight. He walked down the road and came to

an abandoned old farmhouse, and he slowly made his way in. On the second

floor he found an old bed, and he knew that this was where the mountain lion

slept. So he set up his sleeping bag and slept there, surrounded by old tin

cans that he set up as a barrier to warn him in case the mountain lion came

back in while he was still sleeping.

 

I dropped Soloman off in San Anselmo, not far from San Quentin, and he gave

me a pen. It was a nice pen.

 

He also said that Calvin and Hobbs was named after him.

 

so it goes, Attila

=========================================================================

Date:         Mon, 15 Sep 1997 06:00:13 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: kerouac and cliff's notes.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:51 PM 9/14/97 -0400, you wrote:

>for those of you who know about these dreadful yellow/black booklets that

>many adolescent summer readers turn to instead of reading the book,

>cliff's notes has published many cheat summaries of stories including a

>recent one, "the Invisible Man" by Ellison and by other great writers.

>What if somehow "On the Road" was pillaged and turned into a 45 pg

>summary book? Would this encourage young readers to read the whole thing

>or just to skim it in time for september english classes? Either way i

>couldn't begin to fathom the results of taking "naked lunch" or any other

>liteary masterpiece and condence it into a paper-thin booklet.

>                                paranoid and frightened of

>                                pillaged literature,

>                                                jason.

> 

> 

If otr is taught, it is certainly cliff-noted, isn't it.  The only

way it wouldn't be is if the Kerouac estate said no, or is that

true?  Don't really know myself.

 

Mike Rice

=========================================================================

Date:         Mon, 15 Sep 1997 07:06:50 -0400

Reply-To:     cosmicat@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         cosmicat@EROLS.COM

Subject:      Re: maya gorton?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Derek A. Beaulieu wrote:

> 

> hey there beat-l'ers

> does anyone out there have maya's address as i would like to get in touch

> with her but i have lost her address. thanks a bundle

> yrs

> derek

 

maya gorton: marioka7@aol.com

=========================================================================

Date:         Mon, 15 Sep 1997 08:42:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maya Gorton <Marioka7@AOL.COM>

Subject:      howdy

 

just wanted to say hi and please write to me....i'm not re-subscribed so

don't post me a message on the list but write to me personally.  hope you're

all well. I saw Jim Caroll read day before yerster. It was invigorating.

 He's a great storyteller.  know of any of his stuff on the web anyone?

 

---------maya

=========================================================================

Date:         Mon, 15 Sep 1997 14:48:28 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: More Berthold Brecht

In-Reply-To:  <9709142201.aa14683@mail.cruzio.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Leon,

 

i'm sure yr knowing of german language is the best,

        yr translation helped to open my eyes,

 

(mine is only to the very very lowest level, having some

relatives emigrates in germany and suisse, (others in Canada),

but this isn't a matter that justify to translate Bertolt Brecht.)

 

i've tempted to react to brecht's poems as Zen Poetry

                                _koan_

 

of course, i'm always have been a great admirer

of brecht's theatre & poetry (i.e. Beggar's Opera collaboration

with Kurt Weill) despite his political choice, brecht is

a valuable man, his approach to chinese lit is laudable,

in the early 70's i was an avid reader for brecht's works,

but unlike the Beats i read brecht in translation and a bit

to following the german language,

 

now u are right, that Stern is "Star" and not "Planet",

the word "au_er" is "ausser" meaning the _=ss as in "Strasse",

the word "verw|stet" is |=u: "u" umlau

 

in the poem Der Rauch

the word "Bdumen" the "d" is "a" umlau

the same for "Bduame" and "wdren"

 

what i was surprised was that the listserv has not recognized

the german alphabet 'cuz i've post correctly the character but

tha lserver transform them in anonymous character, if this

happen to language with characters not english-like (i.e.

german, spanish, french) i have surprised again. with italian

the snag is smaller or non-existent 'cuz the stressed character

are easily transform as "a acute or a grave" a', ... etc, if

a chinese or japanese wish to post in his native language there's

impossible, i'm afraid,

 

the bertolt brecht's post crossed in my mind as unconscious

i apologies,

 

cari saluti a tutti da

Rinaldo.

 

At 22.00 14/09/97 -0700, Leon Tabory <letabor@CRUZIO.COM> wrote:

>-----Original Message-----

>From: Rinaldo Rasa <rinaldo@GPNET.IT>

>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

>Date: Sunday, September 14, 1997 4:47 AM

> 

>> Ok I received a backchanell challenge. What poetic license?

>Here is what I believe a more literal translation of Der Rauch would be:

> 

>The Smoke

> 

>The small house under tress by the lake

>>From roof rises smoke

>He felt

>How bereft of trust  (untrustworthy) then became

>House, trees and lake

> 

> 

> Original German:

> 

>>        Der Rauch

>> 

>>        Das kleine Haus unter Bdumen am See.

>>        Vom Dach steigt Rauch.

>>        Fehlte er

>>        Wie trostlos dann wdren

>>        Haus, Bdumen und See.

>>        -- BERTOLT BRECHT

>> 

> 

>Rinaldo's translation:

> 

>>The small house among to the trees on the lake.

>>From the roof climbs the smoke.

>>If there is not smoke

>>house, trees and lake would be dismal.

>>.-

>>Under the trees by the lake is not quite the same as among the trees on the

>lake.

>> There is nothing that says "if there is not smoke" in the original

>> The implication of untrustworthy is not quite the same as dismal.

> 

>I do not cherish making these corrections (?)  and I would be the first one

>to agree that it may be trifling. If we don't need such nitpicking on the

>list, I will gladly stop it.   But,, here I go correcting and I have left

>out " I thought" from the first line of "Outside of this star" poem , and

>even misspelled Brecht's name. I am no one to point fingers, but I do

>believe my corrections are accurate, and a challenge is a challenge.  I love

>all your contributions to the list Rinaldo. Bless you.

> 

>leon

> 

> 

=========================================================================

Date:         Mon, 15 Sep 1997 09:19:07 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: kerouac and cliff's notes.

In-Reply-To:  Message of Sun, 14 Sep 1997 22:51:13 -0400 from

              <jdematte@TURBO.KEAN.EDU>

 

It has been -- Monarch notes includes it in their Beat writers pamphlet.  It ma

y be long out of print.  Frankly, I'm surprised that there isn't a Cliff Notes

version.

=========================================================================

Date:         Mon, 15 Sep 1997 11:03:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Neil Hennessy <nhenness@UWATERLOO.CA>

Subject:      Re: "Listen all you boards and syndicates...."

In-Reply-To:  <970913171957_-1933747394@emout04.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sat, 13 Sep 1997, Arthur Nusbaum wrote:

 

> relevant to their works.  Certainly, both WSB and JK are tuned into their

> feelings and sensibilities, if not altogether governed by them, in their

> lives as much as their works.  In WSB's case, a lack of direction and

> ungrounded feelings drifted toward junk "by default" (read his introduction

> to JUNKY), which proceeded to govern his movements like those of an insect.

>  A wandering sensitivity and alienation ironically led to the total

> usurpation of sentiment while he was suspended in the metabolic grip, a mass

> of "junk-hungry cells" clamoring to "drink from the needle".

 

In terms of motivation, rather than just "lack of direction and

ungrounded feelings", you have to add a fierce curiousity and a scientific

approach to experimentation in all aspects of life. Burroughs has referred

to his work as "pure science", and when faced with a self-imposed

question, he was fond of Korzybski's line "I don't know, let's find out."

His search for Yage is a perfect example of how Burroughs was extremely

directed and motivated by the need to experiment. Assigning clear-cut

motives and causes for people's actions is a dubious undertaking, but I

think there are more factors in Burroughs' case that need to be

considered.

 

In no way could the Burroughs of the cut-up trilogy be called sentimental,

since all feelings were subsumed or controlled by the need/fix dichotomy

of junk (or control structures operating like junk, as in the Love Con).

You're bang on there Arthur, but here I think you go astray:

 

>   As for emotional

> idealism, this is problematic.   He had deep emotions and was an idealist in

> terms of being a truth-searching visionary, but he was not "governed...by

> emotion.

 

I have a problem with the term "truth-searching visionary" when applied to

Burroughs, who espoused as a dictum above all others Hassan I Sabbah's

"Nothing is True. Everything is Permitted." An ideal, singular "truth" was

foreign to Burroughs' understanding of the world, as it smacks of the

Right Virus (and all the attendant evil pinch-faced decent church-going

women). His belief in a polytheistic universe of many Gods is a testament

to his escape from the religious-based logocentrism that characterizes so

much of Western thought.

 

Burroughs was more of a freedom-fighting visionary in his efforts to

escape Control.

 

> WSB and JK got much further past the hurdles than most, but what did they

> find?  The disparity between the body and the spirit is not a Beat

> phenomenon, it is the exclusively human phenomenon which they got especially

> close to with an especially clear vision.

 

Hmm, Burroughs (in the cut-up trilogy anyway) had an extreme revulsion for

the body that is singular in Western literature, and in that way he tows

the Christian orthodox line. The setting up of a mind/body and

emotion/intellect dichotomy is one of the cornerstones of Western

philosophy, present from Plato to Descartes and beyond. Whether this is an

"exclusively human phenomenon" depends entirely on whether you believe it.

In opposition to that view, I refer you to Blake-- so beloved of

Ginsberg-- who won't accept the Western separation of mind and

body, and the body's attendant degradation.

 

"Prisons are built with stones of Law, Brothels with bricks of Religion."

William Blake

 

Neil

=========================================================================

Date:         Mon, 15 Sep 1997 11:29:50 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Just got back from a couple days in the woods reading Some of the Dharma -

Almost, if not more, as artistic as VOC.

 

Was reading article last night about Kerouac, saying he died a racist.  Can

anyone tell me anything about this?

 

                                                        -Jon

=========================================================================

Date:         Mon, 15 Sep 1997 11:51:03 -0400

Reply-To:     mike@buchenroth.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing Co

Subject:      Literature Online or consciousness evolution tax?

Comments: To: webmaster@chadwyck.com

Comments: cc: cveditions@aol.com

Mime-Version: 1.0

Content-Type: text/plain; charset=iso-8859-1

Content-Transfer-Encoding: 8bit

 

Dear Chadwyck-Healey Ltd Webmaster:

 

Why would I or anyone else pay for access to your literary database when

practically everything you store exists elsewhere in public domain free?

Your site taxes the spirit of the web; defrauds the human species . . .

***

The evolution of human consciousness, if up to institutions such as

Chadwyck-Healey Ltd, would begin immediately following birth with an

electrode implantation into each new-born human brain stem connected via

infra red to a meter not much different than an electric usage meter

power companies now employ on the side of houses to measure and bill

customer electricity usage! Only your meter would measure and charge

thought, for learning each new declamation; every CNS protoplasmic

propagation, aha potassium reduction the wheel spins 10-cents faster;

sodium rushing in there location cell AX2956892919 degrees,

BY2956891219568 degrees, CZ34589, the meter trips signaling Dave's

Culligan on Main Street that humanoid Dave2001xyz99 needs electrolyte

home delivery (must keep protoplasmic harmony, electrolytic super

efficiency, the business plans calls for it) the power grid network'd

measures blip blip, somewhere a first grader for first time speaks

"Alice meets Jip. See Jip run? Run Jip run." Elsewhere the grid hums,

Chuckie learns a pun.

***

"Ouch, I burnt myself!" thinks the baby, "That flame means pain. Do not

touch from now on. OK?"

***

Kabing, Chadwyck-Healey Ltd's thought meter accrues $2.99 for

significant life-preserving lesson. Around universities and public

education facilities huge power grid networked measuring stations would

process abundantly.

***

It was a dark and stormy night, as Chuckie thinks, (sentence cost=$9.95)

"Who'll stop the acid rain, (sentence/question cost=$4.95)

The chadwyck clouds beat down upon us? ($1.95)

Oh well, I'll continue reading,

'Steal This Book' (5th edition),

Introduction to Chapter Two,

Chadwyck-Healey Thought Meter Removal,

'Steal This Book' is, in a way, a manual of survival in the prison that

is Chadwyck-Healey's Amerika. It preaches jailbreak. It shows you where

and exactly how to place the dynamite that will destroy the walls. The

first section- SURVIVE!-lays out a program for the most important

lesson-get rid of that damn meter! This action separates revolutionaries

from outlaws . . .

***

Ah-ooooo-ga!!!

Ah-ooooo-ga!!!

***

Charge all funds left in e-wallet, then apprehend,

Charge all funds left in e-wallet, then apprehend,

then apprehend

apprehend . . .

(dots will echo)

. . .

***

Reports,  speeches,  papers,  essays,  addresses,  $1.95 per occurrence;

Analyses,  themes,  lectures,  discourses, orations $2.95 each;

Homilies,  diatribes,  harangues,  philippics,  allocutions,

verbalizations,  words,  tongues $.99;

Declamations ~special today only~ 25-cents;

Morals,  maxims,  adages $5.99 first occurrence, $1.99 thereafter;

Cautions,  admonitions,  warnings,  deterrents, . . .

Oxymoron recognition $8.99

***

Evolution of consciousness will occur only when the Chadwyck-Healey

consortium schemes to not only charge for thought,

but to sell it as well,

(tax the tax)

hell!

2+2=$5.00,

Chadwyck-Healey network'd vendors on steps sell,

Thought at each educational pillar!

Good luck in your space~time~string.

Ah, your meter just dinged.

***

--

Michael L. Buchenroth

Buchenroth Publishing Company

www.buchenroth.com

mike@buchenroth.com

=========================================================================

Date:         Mon, 15 Sep 1997 13:33:56 -0500

Reply-To:     Matthew S Sackmann <msackma@mailhost.tcs.tulane.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Re: Visions of America

In-Reply-To:  <3.0.32.19970911193636.0069ede4@maila.wm.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Thu, 11 Sep 1997, Jonathan Pickle wrote:

 

> At 04:43 PM 9/11/97 -0500, you wrote:

> >On Thu, 11 Sep 1997, chenxiao wrote:

> >

> >> Folks over there, is hitchhiking still easy thing in this continent as

> in the

> >>  OTR time?

> >>

> >> Hitchhike to America, hitchhike to moon;

> >> with bag empty, with hair long.

> >>

> >> ciao

> >> yan

> >>

> >I'm afraid not, Yan.  It's illegal in many places.  Most depressing thing

> >in the world is to see a road sign with a thumb up held with a big red

> >slash across it.  and you read or hear about people getting killed, raped

> >. . . all the time .  I was lucky enough to hitch 1600 miles down the

> >Alaskan-Highway last year, through Canada.  It was fairly easy for us.

> >But Canada and Alaska are a lot different than the rest of the U.S.

> >

> >i like your little poem.  reminds me of Jack's "Visions of America."

> >

> >-matt

> >

> >

> Matt - Ive been searching for "Visions of America" for two years and cant

> seem to find it except through this internet bookdealer who wants 125

> dollars for it which of course I don't have.  Do you know of a way of how I

> could get it cheeper?

> 

> 

>                                                                 -Jon

> 

 

Hmmm...I may have misled you Jon.  I was talking about a little poem that

starts a essay in Lonesome Traveler.  Goes something like this.

 

Visions of America

All that hitchhiking

All that [oh man, my memory is bad,  what does he say here?]

All that coming back

        to America

 

The exact quote is not neccessary.  It's nice sometimes, but it is not

neccessary.  Sorry i led you astray.  I've heard of the Visions of America

that you speak of, but little other than that.  Maybe some other

listmembers would be kind enough to fill us in.

 

And coming down from a high i opened up Some of the Dharma to a random

page, and this is what i read:

 

"God is a warm idea for the cool void."

 

Makes perfect sense, doesn't it?

-matt

=========================================================================

Date:         Mon, 15 Sep 1997 16:30:13 +0000

Reply-To:     randyr@southeast.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <randyr@pop.jaxnet.com>

From:         randy royal <randyr@MAILHUB.JAXNET.COM>

Subject:      Re: hitchhiking in New Hampshire

MIME-Version: 1.0

Content-type: text/plain; charset=US-ASCII

Content-transfer-encoding: 7BIT

 

nice story.

> He also said that Calvin and Hobbs was named after him.

tell him he was named after a sixteen(?) hundred philospher

> so it goes, Attila

> 

randy

=========================================================================

Date:         Mon, 15 Sep 1997 16:57:53 -0400

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: kerouac and cliff's notes.

 

Reply to message from jdematte@TURBO.KEAN.EDU of Sun, 14 Sep

> 

>for those of you who know about these dreadful yellow/black booklets that

>many adolescent summer readers turn to instead of reading the book,

>cliff's notes has published many cheat summaries of stories including a

>recent one, "the Invisible Man" by Ellison and by other great writers.

>What if somehow "On the Road" was pillaged and turned into a 45 pg

>summary book? Would this encourage young readers to read the whole thing

>or just to skim it in time for september english classes? Either way i

>couldn't begin to fathom the results of taking "naked lunch" or any other

>liteary masterpiece and condence it into a paper-thin booklet.

>                                paranoid and frightened of

>                                pillaged literature,

>                                                jason.

 

"A NOTE TO THE READER: THESE NOTES ARE NOT A SUBSTITUTE FOR THE TEXT ITSELF

OR FOR THE CLASSROOM DISCUSSION OF THE TEXT, AND STUDENTS WHO ATTEMPT TO

USE THEM IN THIS WAY ARE DENYING THEMSELVES THE VERY EDUCATION THAT THEY

ARE PRESUMABLY GIVING THEIR MOST VITAL YEARS TO ACHIEVE."

 

This is the "surgeon general's warning" (as i like to term it) found in the

beginning of Cliffs Notes.  I thought it was so funny that it was my sig

file for about a month.  if it hadn't been for cliffs notes, i would not

have survived my 18th century lit course.  this was partly because we found

the material so dull & uninspiring, the professor didn't even want to teach

it.  But I digress.  IN my opinion, as a current high school student

teacher (meaning I don't yet have my certification), if OTR ever becomes

high school canon lit, there will be Cliffs Notes.  because there always

will be someone who really doesn't want to read it after all & looks for

the short cut.  The thing about teaching kids is that for all the kids who

want to learn, there are also going to be kids who don't.  Or who don't

want to learn some of the things we want to teach them.  Young people who

discover OTR & the other Beats, I feel, will keep doing it the same way

they always have...stumbling across them some way or another, Cliffs Notes

or no Cliffs Notes.  Chances are that if the kid opts for the Cliffs Notes

rather than the real deal, he/she wasn't going to ever read the book unless

made to.  My favorite memory: when i was in high school, we were reading

the great gatsby.  most of our books had this blue cover with a pair of

eyes on it.  Ed, who was a bright kid & is currently in law school, had a

yellow & black striped edition.  Like I said, he was bright, but

literature wasn't his thing.

 

Diane. (H)

 

--

I should have loved a thunderbird instead.                    --Sylvia Plath

 

Diane M. Homza                                   ek242@cleveland.freenet.edu

=========================================================================

Date:         Mon, 15 Sep 1997 16:49:00 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: Visions of America

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:33 PM 9/15/97 -0500, Matt Sackmann wrote:

> 

>And coming down from a high i opened up Some of the Dharma to a random

>page, and this is what i read:

> 

>"God is a warm idea for the cool void."

> 

>Makes perfect sense, doesn't it?

>-matt

> 

Yes, yes, yes.  I read it too.  It was all so perfect.  Am going to reread

it once I get a break and can really understand it as it relates to my life

as meaning.

 

I read something that Tricycle serialized Wake Up - Jack's biography of the

Buddha.  Is there anyway anyone can get a hold of that.  On the net or

something.

 

     "And any time you need

        me

  Call

      I'll be at the other

       end

    Waiting

          at the final hall"          JK - 80th Chorus, San Francisco Blues

 

 

 

                                                       -Jon

=========================================================================

Date:         Mon, 15 Sep 1997 14:20:51 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         der doc <der_doc@ROCKETMAIL.COM>

Subject:      Re: Adam J Muszkiewicz disciplinary hearing

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

 

===

visit my web site, The Beat(en) Regeneration

(http://www.geocities.com/SoHo/Lofts/6131)

for info on the Beat, Beatnik and Neo-Beat subcultures

 

 

 

 

 

 

---Antoine Maloney <stratis@ODYSSEE.NET> wrote:

 

>     To:  Lieutenant Adam J Muszkiewicz, M.D. A.K.A. "der doc"

 

First of all it's PhD not M.D.

 

>         This is to inform you Officer Muszkiewicz that in my position

> responsible for discipline on the Beat Liat, I am removing your Beat

> priveleges. Until further notiice you cannot refer to yourself as

"Beat" nor

> can you make any claims to ""beatness". In the course of time you

will come

> to appreciate that ANYONE can be beat and you will regret being

excluded.

 

In all of my posts, THAT is precisely the message that I attempt to

get across:  ANYONE might be Beat and there is no point in attempting

to enumerate the masses that may or may not be BEAT.  Besides, that

sort of thing really doesn't go along with "beat-ness," now does it?

I mean really, would Kerouac or Ginsberg or anyone have really just

made a list

of Beats or anything of the sort?  Think about what you're saying,

man!  My own personal message about Beat is, as I have said: Beats are

Beat is Beat.  You know they know we know.  Knowing is enough.

 

 

                                              very confused,

                                                   Adam J Muszkiewicz

_____________________________________________________________________

Sent by RocketMail. Get your free e-mail at http://www.rocketmail.com

=========================================================================

Date:         Mon, 15 Sep 1997 23:42:00 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Etoy

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Please, help me to understand this !

 

www.etoy.com

 

Ciao !

 

Francesco (...a sort of confused beat)

=========================================================================

Date:         Mon, 15 Sep 1997 15:43:56 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: your mail

In-Reply-To:  <3.0.32.19970915112950.0068b080@maila.wm.edu>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

jon

where do you read this? (not that this would be the first tiome ive heard

it, but just curious). article? book? etc?

yrs

derek

 

On Mon, 15 Sep 1997, Jonathan Pickle wrote:

 

> 

> Just got back from a couple days in the woods reading Some of the Dharma -

> Almost, if not more, as artistic as VOC.

> 

> Was reading article last night about Kerouac, saying he died a racist.  Can

> anyone tell me anything about this?

> 

>                                                         -Jon

> 

=========================================================================

Date:         Mon, 15 Sep 1997 15:47:20 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      kerouac on william f. buckley?

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

does anyone out there have a copy (VHS) or a transcription (even better)

of kerouac's appearance on william f. buckley's "firing line"? i would

really appreciate any help you all might be able to provide. (curious abt

kerouac's comments concerning links b/t beats and hippies as well as

his comments abt ginsberg and gays, etc - and ive heard A

LOT abt this particular interview and would like to check it out myself)

THANKS ya'll

yrs

derek

=========================================================================

Date:         Mon, 15 Sep 1997 17:15:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NIGON <Mark_Nigon@CAMPBELL-MITHUN.COM>

Subject:      kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain

 

Hi Derek,

 

Some of the interview is used in the documentary "What Happened to

Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in this

doumentary will answer the questions you've asked about though.  Sorry,

I can't help you with locating a transcript.

 

-mark nigon

 

mark_nigon@mail.campbell-mithun.com

 

----------------------------------------------------------------------------

 

>>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

04:47pm >>>

does anyone out there have a copy (VHS) or a transcription (even better)

of kerouac's appearance on william f. buckley's "firing line"? i would

really appreciate any help you all might be able to provide. (curious

abt

kerouac's comments concerning links b/t beats and hippies as well as

his comments abt ginsberg and gays, etc - and ive heard A

LOT abt this particular interview and would like to check it out myself)

THANKS ya'll

yrs

derek

=========================================================================

Date:         Mon, 15 Sep 1997 18:30:46 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: your mail

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 03:43 PM 9/15/97 -0600, Derek wrote:

>jon

>where do you read this? (not that this would be the first tiome ive heard

>it, but just curious). article? book? etc?

>yrs

>derek

> 

>On Mon, 15 Sep 1997, Jonathan Pickle wrote:

> 

>> 

>> Just got back from a couple days in the woods reading Some of the Dharma -

>> Almost, if not more, as artistic as VOC.

>> 

>> Was reading article last night about Kerouac, saying he died a racist.  Can

>> anyone tell me anything about this?

>> 

>>                                                         -Jon

>> 

> 

Read it partly from an editorial in the Austin American-Statesman (Austin,

Texas) around the time when WSB died.  The author referred to an article in

Esquire around the time of JK's death.  I have heard it someplace else, but

can't remember.

 

 

                                                        -Jon

=========================================================================

Date:         Mon, 15 Sep 1997 18:43:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan or Jennifer <jt712@NETPATH.NET>

Subject:      A funny thing happened the other day..

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I was in Barnes and Noble bookstore, browsing through

the Jack Kerouac section, when this lady in her 40's-50's

and her husband walked by. she pointed right at one

of Kerouac's books and said in a loud voice to her

husband: "Know that guy? He was a hippie-beatnik."

then she left. i almost burst out laughing. obviously,

this woman knows nothing about Kerouac. he was totally

against the hippies! Just thought i might share that

with everyone.

 

-Jennifer

-jt712@netpath.net

=========================================================================

Date:         Mon, 15 Sep 1997 18:46:52 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan or Jennifer <jt712@NETPATH.NET>

Subject:      Re: howdy

In-Reply-To:  <970915084232_-1063756835@emout01.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 08:42 AM 9/15/97 -0400, you wrote:

>just wanted to say hi and please write to me....i'm not re-subscribed so

>don't post me a message on the list but write to me personally.  hope you're

>all well. I saw Jim Caroll read day before yerster. It was invigorating.

> He's a great storyteller.  know of any of his stuff on the web anyone?

> 

>---------maya

> 

I, too, am a huge fan of Jim Carroll. I recommend getting

the book "Fear of Dreaming: Selected Poems of Jim Carroll," and here's the

best page so far I've found

about him:

http://home.forbin.com/~laverne/carroll/carroll.html

 

-Jennifer

=========================================================================

Date:         Mon, 15 Sep 1997 16:57:05 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      knowing the lingo (was: A funny thing happened...)

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

<snip>

     husband: "Know that guy? He was a hippie-beatnik."<snap>

 

     A question for those of you that gathered in the Haight, Goa, the

     Village, attended Woodstock, etc. all those years ago. I know that the

     phrase beatnik was/is derogatory, is the term hippie also, or was it

     acceptable at the time?

 

     While I'm on the subject, did anyone on the list ever travel to Goa?

     I'd like to chat with you backchannel if you did.

 

     love and lilies,

 

     matt h.

     mhannan@usoc.org

=========================================================================

Date:         Mon, 15 Sep 1997 19:08:05 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: knowing the lingo (was: A funny thing happened...)

In-Reply-To:  Message of Mon, 15 Sep 1997 16:57:05 -0400 from

              <MATT.HANNAN@USOC.ORG>

 

Hippie was cool and acceptable, though I'm not sure most hippies referred to th

emselves as such.  Yippies had a lot of fun with it.  Lots of people said "Yea,

 man I'm hip." back in the late 1960s and early 70s.

=========================================================================

Date:         Mon, 15 Sep 1997 16:15:54 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: knowing the lingo (was: A funny thing happened...)

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 04:57 PM 9/15/97 -0400, you wrote:

 

>     While I'm on the subject, did anyone on the list ever travel to Goa?

>     I'd like to chat with you backchannel if you did.

 

What is Goa?

=========================================================================

Date:         Mon, 15 Sep 1997 19:50:18 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: kerouac and cliff's notes.

In-Reply-To:  <Pine.OSF.3.91.970914224538.20808A-100000@turbo.kean.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Sun, 14 Sep 1997, PoOka(the friendly ghost) wrote:

 

> What if somehow "On the Road" was pillaged and turned into a 45 pg

> summary book? Would this encourage young readers to read the whole thing

> or just to skim it in time for september english classes? Either way i

> couldn't begin to fathom the results of taking "naked lunch" or any other

 

I think both Kerouac and Bill Burroughs would turn over in their graves

at the thought of their works being cliff note'd.   cliff notes work fine

for regular works, where the stories are straightforward and not much is

lost in the distillation.  But the idea of doing a cliff notes of "On the

Road" or "Naked Lunch" is absurd.  I personally couldnt imagine being the

cliffs notes editor assigned to do "Naked Lunch"   I dont think it could

be done.  It just isnt possible do distill these works into a few words

or sentences.

 

 

Richard W.

=========================================================================

Date:         Mon, 15 Sep 1997 19:54:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: kerouac and cliff's notes.

In-Reply-To:  <1.5.4.16.19970915045343.1b67be54@mail.wi.centuryinter.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

> >

> If otr is taught, it is certainly cliff-noted, isn't it.  The only

> way it wouldn't be is if the Kerouac estate said no, or is that

> true?  Don't really know myself.

> 

> Mike Rice

> 

There is no doubt, none, in my mind, that if Kerouac had known of Cliff

Notes when he was alive, he would have written specific instructions to

never give permission for any of his works, except  *maybe* Town and the

City, to be cliff noted.

 

Kerouac saw himself as a poet, literary jazz musician, and in jazz you

dont distill notes, or attempt to explain jazz in anything less than the

full form.  You cant explain a Charlie Parker record by only listening to

a few notes.  Some things cant be explained that simply.

 

RJW

=========================================================================

Date:         Tue, 16 Sep 1997 08:54:36 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Re: kerouac and cliff's notes.

In-Reply-To:  <Pine.OSF.3.91.970914224538.20808A-100000@turbo.kean.edu>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

A SUBJECT search at Amazon Books produced a reference to a MAX NOTES

treatment of On the Road (however, a negative find on Naked Lunch). Notes

for OTR are  there for the picking. Now . . . as to whether or not anyone

would want to read it, that's a different question. Choosing between the

two's like choosing between eating a real peach and a Xerox of a peach.

 

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Mon, 15 Sep 1997 21:59:30 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: A funny thing happened the other day..

Mime-Version: 1.0

Content-Type: text/enriched; charset="us-ascii"

 

At 06:43 PM 9/15/97 -0400, you wrote:

 

>I was in Barnes and Noble bookstore, browsing through

 

>the Jack Kerouac section, when this lady in her 40's-50's

 

>and her husband walked by. she pointed right at one

 

>of Kerouac's books and said in a loud voice to her

 

>husband: "Know that guy? He was a hippie-beatnik."

 

>then she left. i almost burst out laughing. obviously,

 

>this woman knows nothing about Kerouac. he was totally

 

>against the hippies! Just thought i might share that

 

>with everyone.

 

> 

 

>-Jennifer

 

>-jt712@netpath.net

 

> 

 

I think by the time the hippies came around, Jack really wasn't into

being against anything.  He had slipped so far into his depression that

it didn't make much difference to him.  He wasn't into people like the

Merry Pranksters and the hippies, he lived his own way, I don't think he

was really <underline>against</underline> anything.  That my humble

opinion

 

 

                                                                -Jon

=========================================================================

Date:         Mon, 15 Sep 1997 19:50:28 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: knowing the lingo (was: A funny thing happened...)

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

> 

>      A question for those of you that gathered in the Haight, Goa, the

>      Village, attended Woodstock, etc. all those years ago. I know that the

>      phrase beatnik was/is derogatory, is the term hippie also, or was it

>      acceptable at the time?

> 

 

Of course by the time the mass media had tracked it to Woodstock, et.

al. it was over anyway except for financially exploiting the rock and

roll and t-shirts.  I never heard anyone refer to his or her self as a

hippie except sarcastically.

 

 

J. Stauffer

=========================================================================

Date:         Mon, 15 Sep 1997 22:38:02 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marlene Giraud <M84M79@AOL.COM>

Subject:      Re: kerouac and cliff's notes.

 

I'm not too sure about the cliff's notes, i think having cf's would help and

hinder students while reading otr. by the way, my old english teacher has

decided to incoorperate otr and some beat poetry into his class this year. he

asked me for some suggestions on themes,etc..., now i'm asking for some input

from the list. What poems do you suggest for a highschool english 3 class?

What points would you like acknowledged from otr?

                                               --Marlene

=========================================================================

Date:         Mon, 15 Sep 1997 23:22:34 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan Pickle <jrpick@MAILA.WM.EDU>

Subject:      Re: kerouac and cliff's notes.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 10:38 PM 9/15/97 -0400, Marlene wrote:

>I'm not too sure about the cliff's notes, i think having cf's would help and

>hinder students while reading otr. by the way, my old english teacher has

>decided to incoorperate otr and some beat poetry into his class this year. he

>asked me for some suggestions on themes,etc..., now i'm asking for some input

>from the list. What poems do you suggest for a highschool english 3 class?

>What points would you like acknowledged from otr?

>                                               --Marlene

> 

For a couple of years now I have gone around to my friends who have

discovered Jack Kerouac and the Beat Generation after me and sat with them

for upwards of 50+ hours talking about On the Road and other Kerouac

subjects.  I have a list I  am trying to clean up to give to a teacher back

home: if you want I can email it to you.  It will be pretty long once I am

finished.  But in the medium I like to emphasize the recurring themes of

the shroud, ie shrouded figures, the cowboy fascination, facades - things

constantly are alluded to being fake from the elluding dress of some one to

the fakeness of a joint.  Also the repitition of the word 'crossroads'.

Thse are a few of the questions I give out.  I have much more chapter

specific ones i like to use for when I have more time.

 

As for poetry:  I like to use

 

"How to Meditate"

"My Views on Religion"

"Skid Row Wine"

**"Tales of the Buddhas of Old"

Always throw in some Haikus

 

 

                                                        -Jon

=========================================================================

Date:         Tue, 16 Sep 1997 13:36:44 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Feng Yan <xbchen@SUN.NANKAI.EDU.CN>

Subject:      Re: kerouac on william f. buckley? -Reply

In-Reply-To:  <s41d6c0b.072@campbell-mithun.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 15 Sep 1997, MARK NIGON wrote:

 

> Hi Derek,

> 

> Some of the interview is used in the documentary "What Happened to

> Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in this

> doumentary will answer the questions you've asked about though.  Sorry,

> I can't help you with locating a transcript.

> 

> -mark nigon

> 

> mark_nigon@mail.campbell-mithun.com

> 

> ----------------------------------------------------------------------------

> 

> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

> 04:47pm >>>

> does anyone out there have a copy (VHS) or a transcription (even better)

> of kerouac's appearance on william f. buckley's "firing line"? i would

> really appreciate any help you all might be able to provide. (curious

> abt

> kerouac's comments concerning links b/t beats and hippies as well as

> his comments abt ginsberg and gays, etc - and ive heard A

> LOT abt this particular interview and would like to check it out myself)

> THANKS ya'll

> yrs

> derek

> 

Mark, Derek and others,

 

I am also interested in Kerouac's comments. Anyone could post some here?

And your opinion?

 

Ciao

Yan

 

We share the Moon.

=========================================================================

Date:         Tue, 16 Sep 1997 13:38:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Feng Yan <xbchen@SUN.NANKAI.EDU.CN>

Subject:      Re: A funny thing happened the other day..

In-Reply-To:  <3.0.2.32.19970915184315.00688df8@server1.netpath.net>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:

 

> I was in Barnes and Noble bookstore, browsing through

> the Jack Kerouac section, when this lady in her 40's-50's

> and her husband walked by. she pointed right at one

> of Kerouac's books and said in a loud voice to her

> husband: "Know that guy? He was a hippie-beatnik."

> then she left. i almost burst out laughing. obviously,

> this woman knows nothing about Kerouac. he was totally

> against the hippies! Just thought i might share that

> with everyone.

> 

> -Jennifer

> -jt712@netpath.net

> 

What had Kerouac said against hippies?

 

Yan

We share the Moon.

=========================================================================

Date:         Tue, 16 Sep 1997 03:07:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Beat Trees

 

Hello,

In case anybody is following Headwaters forest stuff, there was a rally this

sunday in Northern California (Stafford), and there was 400 cops there in

riot gear, ready to arrest the environmentalists. OK, alot of the

environmentalists are the granola type,  but the cops has gas masks on their

belts, batons in hands, and face shields. What the hell are we fighting for.

I thought this stuff went out in the 60s.

 

Headwaters Forest - the last remaining old growth forest, Redwood trees 500

to 2,000 years old, that are privately owned. And owned by Mr. Hurwitz

(Maxxam corporation/Pacific Lumber) who is tying to get ransom money for it

from the government and taxpayers in the amount of $380 million dollars USA,

otherwise the forest, nature, animals, rivers, all go. It's 10:00 pm. Do you

know what the fuck your government is doing?

 

I don't know if Jack would have stood for it.   Are trees beat?

 

peace, Attila

 

Joke:

How do you get a logger to cut off his own foot?

 

answer: Tell him it is made out of wood.

Well, maybe it is not a joke, who knows.

=========================================================================

Date:         Tue, 16 Sep 1997 16:02:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Feng Yan <xbchen@SUN.NANKAI.EDU.CN>

Subject:      Re: More Berthold Brecht

In-Reply-To:  <3.0.1.32.19970915144828.0068cdf4@pop.gpnet.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Mon, 15 Sep 1997, Rinaldo Rasa wrote:

 

> are easily transform as "a acute or a grave" a', ... etc, if

> a chinese or japanese wish to post in his native language there's

> impossible, i'm afraid,

> 

 

Yes, it's impossible unless you listers all have some software

like Chinese Star etc. You know, I am working on a Chinese Version of Win95.

 

Also, because of my low level English I am busy running after the threads.

But still i feel great.

 

Ciao

Yan

 

We share the Moon.

=========================================================================

Date:         Tue, 16 Sep 1997 04:36:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: your mail

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 06:30 PM 9/15/97 -0400, you wrote:

>At 03:43 PM 9/15/97 -0600, Derek wrote:

>>jon

>>where do you read this? (not that this would be the first tiome ive heard

>>it, but just curious). article? book? etc?

>>yrs

>>derek

>> 

>>On Mon, 15 Sep 1997, Jonathan Pickle wrote:

>> 

>>> 

>>> Just got back from a couple days in the woods reading Some of the Dharma -

>>> Almost, if not more, as artistic as VOC.

>>> 

>>> Was reading article last night about Kerouac, saying he died a racist.  Can

>>> anyone tell me anything about this?

>>> 

>>>                                                         -Jon

>>> 

>> 

>Read it partly from an editorial in the Austin American-Statesman (Austin,

>Texas) around the time when WSB died.  The author referred to an article in

>Esquire around the time of JK's death.  I have heard it someplace else, but

>can't remember.

> 

> 

>                                                        -Jon

> 

> 

I read the article in Esquire back then, but it was published some time

after Kerouac's death.  I don't recall the remarks about racism, but that

doesn't mean they weren't there.

 

Mike Rice

=========================================================================

Date:         Tue, 16 Sep 1997 04:36:55 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:36 PM 9/16/97 -0500, you wrote:

>On Mon, 15 Sep 1997, MARK NIGON wrote:

> 

>> Hi Derek,

>> 

>> Some of the interview is used in the documentary "What Happened to

>> Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in this

>> doumentary will answer the questions you've asked about though.  Sorry,

>> I can't help you with locating a transcript.

>> 

>> -mark nigon

>> 

>> mark_nigon@mail.campbell-mithun.com

>> 

>> ----------------------------------------------------------------------------

>> 

>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

>> 04:47pm >>>

>> does anyone out there have a copy (VHS) or a transcription (even better)

>> of kerouac's appearance on william f. buckley's "firing line"? i would

>> really appreciate any help you all might be able to provide. (curious

>> abt

>> kerouac's comments concerning links b/t beats and hippies as well as

>> his comments abt ginsberg and gays, etc - and ive heard A

>> LOT abt this particular interview and would like to check it out myself)

>> THANKS ya'll

>> yrs

>> derek

>> 

>Mark, Derek and others,

> 

>I am also interested in Kerouac's comments. Anyone could post some here?

>And your opinion?

> 

>Ciao

>Yan

> 

>We share the Moon.

> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 04:36:59 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Write to one of those outfits who provide

transcripts of the weekly Sunday morning

political shows and see if they might have

it.  Those people have been doing this kind

of stuff for a long time.  I saw the Kerouac

film in the 80s on Bravo.

 

Mike Rice

=========================================================================

Date:         Tue, 16 Sep 1997 04:37:01 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: A funny thing happened the other day..

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

He wrote about his dislike for hippies in the

Chicago Tribune Sunday magazine in late August

or early September, 1969, if you want to read

it.  You could look it up!

 

Mike Rice

 

At 01:38 PM 9/16/97 -0500, you wrote:

>On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:

> 

>> I was in Barnes and Noble bookstore, browsing through

>> the Jack Kerouac section, when this lady in her 40's-50's

>> and her husband walked by. she pointed right at one

>> of Kerouac's books and said in a loud voice to her

>> husband: "Know that guy? He was a hippie-beatnik."

>> then she left. i almost burst out laughing. obviously,

>> this woman knows nothing about Kerouac. he was totally

>> against the hippies! Just thought i might share that

>> with everyone.

>> 

>> -Jennifer

>> -jt712@netpath.net

>> 

>What had Kerouac said against hippies?

> 

>Yan

>We share the Moon.

> 

> 

 

It was

=========================================================================

Date:         Tue, 16 Sep 1997 05:28:34 -0700

Reply-To:     mike@buchenroth.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael L. Buchenroth" <mike@BUCHENROTH.COM>

Organization: Buchenroth Publishing Company

Subject:      Re: Beat Trees

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Attila Gyenis wrote:

> In case anybody is following Headwaters forest stuff, there was a > rally this

 sunday in Northern California (Stafford), and there was 400 > cops there in

riot gear, ready to arrest the environmentalists. OK, > alot of the

 environmentalists are the granola type,  but the cops has > gas masks on their

 belts, batons in hands, and face shields. What the > hell are we fighting for.

> I thought this stuff went out in the 60s. It's 10:00 pm. Do you

> know what the fuck your government is doing?

***

Perhaps we were just practice'n. The gun battles between police and drug

dealers in inner cities across Amerika is war! It is people fighting for

their right to participate in the economy as it allows them; deals them

that little piece of turf no one wants; and then turns to wage war

against them for trying to work at the only job it allows or gives up

that can pay all the bills, buy all hierarchical needs--because rich-ass

folks like this Mr. Hurwitz (Maxxam corporation/Pacific Lumber) feels

selling drugs means something not right and has the power enough to

force his will failing to comprehend a larger picture! --never knew

Bigger Thomas or even heard of him!

***

What will folks do when they seize their grandparents' house for failure

to pay property tax payments five times higher than their monthly

mortgage payment back when they still made 'em? They had too much pride

to say anything until its too late. How far will folks go to prevent

that seizure? --to prevent the system from disallowing those old hard

work'n folks to participate in the system at the simple level of

remaining in a quaint house they worked and sweat  years and years to

own and live in during just these years????

***

Examples exist everywhere when we look! Yet most worry most about what

product acquisition they'll make next; what mind massage will they watch

next; what next, pop corn or chips?

***

If the environmentalists numbered 5,000, how many riot gear-equipped

cops would show up? National guard? Who in the armed services will join

which side?

***

Don't think the revolution awaits in the future. It rages daily in the

streets. Millions of folks do not get a chance to participate

economically and they fight gun battles over territory with one another

and the system. And if you can't eat the 2000 year old tree, it assumes

less priority to the millions who do not eat routinely. They fight for

food--for the right to eat! Or to work to earn enough dollars to eat!

All priority levels exist intertwined confusing the overall perspective

provided you see it through the NBC or ABC or CBS or CNN nightly portal

presentation like most do!

***

The grandparents hate the inner city war, the drug dealers, drug users,

the police, and the damn hippies in the forest. The drug dealers can't

trust anyone. The poor see the steaks in the grocery window and smell

the BBQ cook'n. All the rest through their Ottica Meloni's see succulent

nipples protruding from her Gianni Versace dress, or speculate about the

size of his Dockers Kakki dick, hidden . . .

***

I know what most of the cops are doing, thinking about their next

product acquisition like all the rest . . . pop corn or chips

***

=========================================================================

Date:         Tue, 16 Sep 1997 07:02:20 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Kerouac in Rocky Mount, NC

 

i'm working on a home page for both, Lowell and Rocky Mount.  each will have

a bunch of photographs and text.  for right now thou...one can go to

http://members.aol.com/KerouacNC.index.html

and read about Kerouac's life and times in Rocky Mount, North Carolina.

enjoy.

 

john j dorfner

=========================================================================

Date:         Tue, 16 Sep 1997 07:13:31 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Full Moon tonight

and anniversary of my birth

36 years

give or take a century

someone asks me

"well, do you FEEEEEEEEEEEEL older?"

tough question you know

hear it

every year

every year someone's gonna ask

do you you feeeeeel older and

kind of like when asked

how do you feeeeeel

everyday

on street corners from

this person or that person

that don't

wait for the answer

cuz they didn't even realize

that they'd

asked the question

and so

the answer is

yes

i feel a distinct

impression

that i'm about

a day older

give or take

and wonder about the

correspondence of

birthday and full moon

and

certain wonderful Lunacy

somewhere in

the universe today.

 

[Soundtrack: two boomboxes one playing Pink Floyd the other playing

George Clinton]

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 16 Sep 1997 07:26:44 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      bardo

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Saturday September 20

Bardo is a tibetan buddist tradition.  Approximately 49 days after

death.

 images and or objects associated with wsb will be burned.

p

=========================================================================

Date:         Tue, 16 Sep 1997 07:53:52 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: bardo

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Saturday September 20

> Bardo is a tibetan buddist tradition.  Approximately 49 days after

> death.

>  images and or objects associated with wsb will be burned.

> p

 

I'll be in Disembodied errand to Denver/Evergreen/Boulder/Aurora so burn

a few for me....

        I'm visiting the Bardo before and after and will be certain to sweep

the floor

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Tue, 16 Sep 1997 09:28:46 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      rights & permissions

 

I doubt that any author is ever consulted when Cliff or Monarch notes

decides to publish a volume on his or her work.  These are critical

works that include paraphrase and biographical and critical commentary.

Rights and permissions aren't necessary.

=========================================================================

Date:         Tue, 16 Sep 1997 09:27:15 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Neil Hennessy <nhenness@UWATERLOO.CA>

Subject:      Re: bardo

In-Reply-To:  <341E7B04.79F3@sunflower.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 16 Sep 1997, Patricia Elliott wrote:

 

> Saturday September 20

> Bardo is a tibetan buddist tradition.  Approximately 49 days after

> death.

>  images and or objects associated with wsb will be burned.

> p

> 

What is this about? What's being burned? And why? Please explain.

 

Neil

=========================================================================

Date:         Tue, 16 Sep 1997 22:16:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Feng Yan <xbchen@SUN.NANKAI.EDU.CN>

Subject:      MoonFestival

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Sitting by the Net, guys, have you just looked out of windows

to take an eye on the Moon? It's round and round, right?

Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.

A special day, families are long for getting together,

travelers'd be homesick. Folks take watching Moon

as a great pleasure, wherever they are and however they are going on.

A hope deep in hearts is that family is as round as today's Moon.

 

Thus the Moon you see now has received billions of lenient gaze

last few hours. The road connecting Earth and Moon is so busy

and is filled up with affection. You will never be refused

if you wanta take a ride to Moon.

 

JK was getting his "the greatest ride in my life"

from Gothenburg to Cheyenne

under cold shining star

he bought boys on the truck whisky

"You can have a couple of shots!", boy

 

Now,in warm moonlight

folks on the list

would receive the old Chinese feeling

and a piece of mooncake

digitally

 

Ciao

 

Yan

We share the Moon.

=========================================================================

Date:         Tue, 16 Sep 1997 09:24:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      bardo

MIME-Version: 1.0

Content-Type: multipart/mixed; boundary="------------697B57345597"

 

This is a multi-part message in MIME format.

 

--------------697B57345597

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Image, picture

object, thing,

death, travel

49 days, time

buddist, seeing

burning, energy tranferance

neal which part didn't you understand,

how should i elaborate, which direction

 

--------------697B57345597

Content-Type: image/jpeg; name="wsbgood.jpg"

Content-Transfer-Encoding: base64

Content-Disposition: inline; filename="wsbgood.jpg"

 

/9j/4AAQSkZJRgABAAAEhgSGAAD//gAC/9sAQwADAgICAgIDAgICAwMDAwQIBQQEBAQJBwcF

CAsKDAwLCgsLDA4SDwwNEQ0LCxAVEBETExQUFAwPFhgWFBgSFBQT/8QA0gAAAQUBAQEBAQEA

AAAAAAAAAAECAwQFBgcICQoLEAACAQMDAgQDBQUEBAAAAX0BAgMABBEFEiExQQYTUWEHInEU

MoGRoQgjQrHBFVLR8CQzYnKCCQoWFxgZGiUmJygpKjQ1Njc4OTpDREVGR0hJSlNUVVZXWFla

Y2RlZmdoaWpzdHV2d3h5eoOEhYaHiImKkpOUlZaXmJmaoqOkpaanqKmqsrO0tba3uLm6wsPE

xcbHyMnK0tPU1dbX2Nna4eLj5OXm5+jp6vHy8/T19vf4+fr/wAALCAFvAdQBAREA/9oACAEB

AAA/APnS61m5h8/yZCo75AJ61iTazcglvPYjuaiGqzA/eYHIJpsmqTN1kPA7iqzajKTlpXye

5qE30nKiXap5571F9vmwdryE+3anJeyZUmV+e9OF5Lu4dsHrVhLybs7H05qyl5KF++3PYcVL

BdT9VLHnrz/hVlXnJABcZ6dqbJLIXJ3ORuPQ9KSNJyCxZuD0NWoY2Ct5gctjPB/X8qikUjld

xx15qGUsBs+fBHoeKz5bidACHf5TxircGr28kCxX1j55Vs+YrkPj+VTWl3Y3d2Eii+xwIcky

uT/KuyilttFs5b5bvzI3O1ACcHjJPIHr+tZOk3l1d6iNQuEyWbITpk19T/AvwdcOU164j8pS

v7tSucdM8V9L2ECTyorRPtjwUB/niup0o5C7XAAPzcckV0lpOgAKbjnOcitCKUKu4jqOPark

TgADOeRnFPifaxxu4PTNWkmHGAf8KsRTFVJJ5FVZLnnq34U0SswAyadvPoeKfFc4JXB4pVnl

yNsZP6VOskn93H07VKnmA55z+lRtLID8yn2xUbXBTC+U53cZA6UfaggxyPrUZu1AwSQajhuI

2nxuB64zVpJBn5SeaPtKx8ZwRSoiyySuWIBj+bH6H/PvWZOXhcqwOByCOQR2rK1CcRxFmLbR

1xXKTTCW9+1LNus9uZY/u8j7o/Or2iytdz3CzOyyhgQv+yOmPyrYtdskk1vJvUMSEyPuj0/K

oI5fs7vFuLgcDefumtFL5oVUurHBwcdvepjeeYHAOGTqMdKYLzPDE57VkajCtwJLW6XejA5z

yMV8xfHX9n63vzLqGkNgSLu2N2PevizXfB95perXFi0UmYnx93/61cJqkzqNo3AMckY7gmsf

zXdyp3gLyAe5/Ko/MYsclhj1AzQHOM/MOcGo/MIbaVcFelI+QFIVxnucc/pUJLJ/eBz6f/Wp

yyHIZQxHp6fpQJWyCF5PXjOP0q6gZW4LFs9B/wDqq3Ee+Dz7VYiBDHjhauQqCAuGOP0/SrK2

rY27CMZ7Vds7XChjGR6fLV+3s02kbSRjsKrzWIAJKtt+lUGtlXdvBwB0x1rCvcBtvIX0IwKz

0lZWPysCOnFXrGSSeUIsR3MQAAvWuu1WKRLe0sbhWkvGUNiU42r6e3Aro/hfoF14y8YWtnIo

+zWq+ZIqqAOPQfX1r7i8E6dbabZ22nRRhPJTc2FHPFdzp0pBKGEo/GCx68fpXVaPIsluSQWM

Z2FV7ke9dDZxnyk8pQdxzgHpV4RuU+chB97GKkRGMnmLMTgYChalRJ1+bbuBPU//AKqs2zSF

f9WPTGf/AK1WkYKuBgEDtVGaVY/mZTj2qgNVEjlYg3HqMVftYpmXM7cHsBirkTxpwq8DoBzQ

LhjJhImbHoKsKzbQNuDT1lCDkYxRuycjoaar4H3epo4xtKg57VXkitQ2GiUEnjjFQi2j35jB

BByMGmp5od/nkwGxgimXF2luoMsbkA9dhqbSb6K4ScQsSc4BHcU13yrW5HyhSYcjv3X+o+hr

l9Xu4re3keaMYVeWI4PrmvP9Su7mWMavYxySIxASHAygHqP1q3oVxfJf2s6PiPdiWErwAeDg

4rsoL4f8si2YzukGckfWrEyW08glCujhMEleuadpkro32SVSykfK2DgiprmVLaf5BhyvPHak

D+ZH8q5yM1nzXQJMYOCh5BFZ2ppb6lYtDMnzBTg+lfIXxC8EWn/CWXpWykOWySigg18M6hPd

3M7EMcRkZ44FXPD/AIvbwrb6vbx6RpWoDVbJrXN/aLMbckcSRHgpIPUflXMNM0ku9jjmpA5y

PmIpN/zH52z9OtKJOPbGaahLN82akVf4cHr6U7zGx5e9jtOVHYHj/CpkbaeCQO2at27FTwdw

7CrcIBIJYrk+lX7d1jYFOgPU4q6J8jGd349PWr1jMAMbwQTjkVrwujoytIeQPu9QKhuQmSM9

s8j2rHusLwrEnvxXM3ykBtrk/h0rJjYo+6RiQD+Fdt4XtrXTbX/hItRt22uSlijceY46t9F4

/E1m6lqf2/VWvPMZnl9fT6V9Pfs6eHo9O0STxB5QLXZI5Xk49K+lPDuxEheViF7lgMn2/lXR

aW8kd4cJsTblSDk5/wAK6fSVmjKbpQI+CfaunsbuGN8rKDtXCj0qcX8O5j8j9uMcVMl+NwG3

C5+Xtirkd7lAqszbgcAL1qQXhVANrKDwCBSyXJSPein6EdazjBql8f8AWm0jHcqCzD2/+vVm

2s7exRzDGfMJy7EZZj9TViGSWXllIUdFzz+NT/aYrdcSyIo6DJxTDf2y/eljjwO5xmoxrMfA

R5G9PKUNn8BTv7R1B5NsGl3BUfxuAM/hmlW41cMS1qir/tOOfyqQi6ZCYkkVsnHzDBqBX1dU

+eJix7AZz+NNN1q8PMtl5gPGcgYqeG4DHJQqPQVE01wrOd25Rjt/Oqt3dqIRubYSeD2NJp0o

QzRKM55J980moXQEXlOWUnoyDof8a5/X5jdRh0AGDiZBkbT7exHP6VxCTNp8skD3DeTI24s2

OKfaeJLGG/DNIsChwISc4fn7x9quxX15Z3MsjSeWWP8ArG5EpHGOM811RvxeabNd2uRcW0as

ysOop/hvV7a9lNq7gyZ+7n+VOu7xU1HyZQyxTZjDY71S067mtCEumy8OVz0DDOBVXWpZYrqO

5jLeUeJMDIFZV/qMVq4YTYhnTKMT36EfnmvIPGBhTXJQ8rZ2jt1r83NX1JRbDTo4otqSlmfH

zN0GM+nA/WuflcA7gAd3QdcVHAV3HKg/X/61WAvIKDp3FAAzgjkdKVYxnPOKlVEBUFcfUCmK

oyRnOB0OKXjcNp25PapGyCOSTxzip7YEH5s4JwKvKdo6/pU8RCtnJGCKtCVlByRkH0qSC+KD

kkY4IxWla6oHIUMxOMCnvfrntkj0xmql280m5o4ywxu+UViXCs/y4bJ68VRWwjDEyNnB52+t

dBq+tjUwlxJF5MNtEIbaAHCxovQAe/U+5rO0qF7u+QeTveRwAMY+gr7f+GOmnSvCtjZiMI8U

ADYHAbHYV6tpN2rWUUUCGRtgUmQ4/GujXUI7RDcC6TeFxyoGPw68UzRNb1m/vpWiRJ1Sb93J

jahXjAPGeua72w0j92J9Wu2bfyY4BsVfYHrWpa2+lJKTDbReVtAUsNzZ57n2q00VsgUmMFRk

KyEnHrmqkbrA5YTBh0ABwauLewKuFjYcYA6k/jUsNygGEjaTC9FA4qQzM6FZJjGTkgE9TUMm

swQptC7yuN2BxXM3fjIx6s0Vjby3czjC28ZJPTrjtW5Z2Gv6kom1YpYRkArGihn/AD6D9avJ

p+lwfIls11tOT5hL5P41pwX6i1XyrdoD0CKoz+Qp8Vz5ke52fI7SYGKiurx4oeqr/tE5qKLV

btxiG3aUqONqEA/jipl1m53iJtLnB78AgfjT/t1w/wAv2Jlx1yRSq8bj95bK2OlUrqOTy2a1

IjYc4Zcg1nXFpPKhifzY9w+UoeF+mRTdL8yzuEj8/dvGDuHJNR6vfw26SzShw0XJAGOPpiuO

1bxZbW6xG5V44rtCp3Dp1wTj0PP5+tcfqureRG7eWsiQhiySDv7evU1x0OqXWu3QkWKSVpZQ

1tGqYYjjJBxz7Cuv03Xdl5NZXayNBIxSaF12tnOB7V0GjeLrORnS3lRDJGYgu8/vFXgHOPWr

6XUVqq65ZTJFKoIeVz8qkk4GK2o9Ts9eVrdZvu4YSKvVse/SiyDTzPZXTOJYRuUuuAwPp61z

2ra0lnbX0E0rx85RiM8gdhWXE6+JtKtdPgJSSMFml24wc5wK3NN8F+H721WbVLRZbkfK7E+l

fjVqbp5zHc5OeOOlZ7k5yWJ4ohLbsEmrOdqgZYEcHipIyQByR3571IEIb7xwBTlX+Hewwegp

2AMAMT+FMBUZwTwecDrQW2/KgLZ4+lWYGGzDMwz61eiOVAXII9qkAORy3FRvIy4XLD8OtRPe

BcfO3J6Y5FNg1Bg2Qz4z7jFXUvCxwSwxUiajd2u4211JEWGDg1Wkklk+aSZiSaZb4yqy5ADZ

bj2pbmUbvNJKogxj27Vr+AkN5r9o0m8BpAMD3NfbPhpi4trNGEMKAyBhzjA7iuy0fWbWOAIY

5JmDAZTrx6D06da0rXSLrUHNzq10wiiY5Ts/Pf8AL6V1Wla5BDFGtqqpArHJYYAx0+tarePN

Lhsp45r1WEJwT5mM/wBB3ql/wtCK6ijSw0y5lBQfLDGZOCOvAqceMvHV7ZFtI8C63O6dpU8o

Nnt82KyDL8VXnE7+BdRR4wSA00ZRBnoOea1LHXPGlthdb8N6pBGoHzlNwP5ZrZi8eWdgu95w

JTndHkDb9eeKqDxVqXizzIfC0NzeqmVLKm2NTnu3pW5pXgi/nRLjxXquwE5azs2IRvZm6n8M

V0tpHoehx/Y9Ms44OMHYvzfiepqTzp5CXwVCjIDDFVIJ7+RQjOok9I+P6VeEyQBVmfEhOFRT

gt/WkbW47RvntXjB6FiAo+uaZN4isXBzdRccHy2ywP5U6PxJp0Uf7+8ji9NzjJpjeKrfb8s1

uFPQ+YMnH86h/wCEngmTMGoRNk8AsAcfTrmrthqFteWwaK/KZ6jNFwZkQSWsyOAPm3c8e1VI

dUGCsjuOM7j936ZrNk1u2S4x5+ZI2yykdRWV4i1lZbiGwUygSMd7BSenUGsjUNOtLqIJLCXh

Rd3Ug8d64fxG9vcXP9n2scoKKGhDsTgAfMCMdhyBjpXnWr79Ov5AL5rVip/eDBPYhcgcH8q6

fSviOkl7HZ6rKBMoSNGCKC4wOpx1znk1k+LtVOiTyXksrNEtz5VtJBwiqoOScd8kVDonxHns

Jd2o3Ils7sFbiEjg5PDE+oA4r0K0vltILbX9JvmMSNjZG24SoR39D0rq7TxdDqVvBdyhjfxK

QoTq47iuG8Raol+sd3ZzH7SMqxZfmHJB+Wuy8C2Qi0m3R7lPMBJ9wTWze6tYWcwgnvEjcKMg

kV+LmobjcsxDYBx6c1S3qpbq3NSWxbeCGIx0NW025HzN8o64xUkKfIQdwz+tSohU7ckY5pSu

3qCAODzQzcdCNvaq43bwp4IPfpTwQSOGHIq1bHA/iPPI9K0YEXGCG6dKsTJsHAyf5VRnYqfn

BGetZN3OMkIzdu+KgtbjnqT+NatpJnBXJxiryITx8xOe/apRaEHawbI6inC32IW2cngDngVQ

1FUECxqzHzW+bHYCu2+G9rYw6/pzI7lvNBZSnsePevq7QrzMaWiMwBVmmcHG0DHHTjJru/Dd

5psUDxrN5CRsy7mHLf5zWjqmvQW1tCsLKZGB8uNXyxPYY96zNO0rxPritDd3z6XYx9YSQZXP

XjsPxzXYeFvDvhbSpfMurJriUgAPcPvGO3HTPvivSI9XtbO3h+xG1SQY+QsFwPpVpPFdvAM3

CTRAHmRv4ff0q9J4jsYj5byNJkja6LkH24oe70542S5s8xN/fb5WzmqcHhzwWw8xdBtVmbks

Yhn9R0zVoajZadut7aN0X+HywMfgKrLr80oIKOSAMOwx+VFtqFlBulFwJyPvMeST6VXvPFmn

WuHaQgg5YyEkD6Dua5iT4kre3B0zRrG6mYybXaNDx+Nblpomv6kqkwSWkWMGVp9r/jwT/Kul

0vQbPSUVpJDcSkEFmj3Y+mc1PLeaS4aMbWZeNjdvTgCqlmNLmkZn063cBslni+YfhjNWYbuw

jUi20pAQcZEGP5iq9/Lpb25FzZRRuw5wACD+HNYWp+GdRvrdY9L1+6hjODsdOB9MYNWoU1/T

kWN18+OPndG3zcD35qsdU+3xNaXlvJFu+Vlccjn2rnta0KXCxxXDFYASP3hUqewqhp2o6nHK

qXR8xupRgCyD3NdJqNn/AGjpjwQPNAGwNyHBAzkj8a5DXtNsomW6MbC5X7svqf8ADGa8p8eW

cN7LJdwoYfOY7o1Pypg5I9fpXF2BNnGJ7wyG2T966OfnfaRhR3545NYGueI7maKOfTL2Qwpu

UwsRlSSTzjg561UtNat9Q0poJbgRgqfmU4CnPBz2rs/hx4y8R27taS3IdLVN4ibhHQHkkAc1

2Eviq5/tq3v4AChJkiSEY2H0x36dK0nmh8SapZXVshSeGTzJckqquTyPxH867KPV/wCxlvhH

I4iQkR7OpAHY/XNeba3pfifxTftrMWoXMSTKAqKxAAFfnbq1nJE5R4ijA55GOwrL8tc4wcE4

BAqa2jw42x9D021eWHdg7WwD/dqeO34I8onHTipRDwfMQkUjQrjIGAPameSnLbckD0qGYZbJ

HOM8im+TjG8ZA6nHNWIEXaFA6nnI4rTtUXepBOFHZatmI8OrDcOwxWddwttIZCOOuOlZcllI

F3LHkdjiq404x8hTx14q9YWzAhSg68H0rbt7eSMg4YN67avQQFgCxJz7dKlezOCoQ4A71man

AN8cYGCn3iBzXUfDwCHxBYS3KSLvuNyfIQeh+b6V9G6Vc/aiLASbPMO5nxggZrq4rPVb8x2O

kkQhMfPKSPrxj8a7Tw/aaLo1pI1xcPPfCMhrl1GcdMDPQfSpX8RafMfPnuYxtAJz94kccdsd

KyLr4lQ+QltbSeeULBdi5cAHtir2jp8QNbZrzTtC+y2+Q63GoSBGPXn1H5V0EXg3xxfJE2u+

MbW0ilyCkQ3qR0GTgYrdtfh1f28WYPFf2x0A2xvCu1h7HPBrYtbTV9NdmkmMseNpJTDZ/OrK

XutorXeolbWNPulfmcqe/t+tK9xbrCWVzGASVJ4JBzn9aydR8WaZ4eKSz3TySzD5Y0Jbkf5z

XLHxH4z8fuU8F6dMLUttMzgpGgHBJbjJzXUeHvg9cz7bnxZ4iu7kEBhbwHZGcdcnqw/Ku3D6

J4e+z2drbr1CALgIvFaMN5NcgPHbKqse3Lf/AFhViLKrnyGYg8bskn8Kgdr5v3gidHVvuxKo

/E06SC2DCSZ3aTqys5H44GBUcniDRbAmKSdPOAyq8ZIqje+JNFkiYl1cYBdV5b8cdKkt7hPL

EtldMITjEZHA+lRnU42ZI5o5AoPBTtWbfW8b3P2kNnkAED5gfeqF/IpPlybmBPzFzzVayNgq

yS3EaLOXCqyt1HYH8Ks21/Cqurg5B29D1qprNtDdxvKqkgHA3DAyO/vXkviCyOnXEt+8pkt2

GJownGOg+pBORXJ69b6fBZXcvmuzKvkh44+GwM9PQ+teL3p+zuotkYBmB9DnGOhrHuo/ISS1

/s5zHcHbKEzgeh6ewrtvh9rtvZxJYSnzJosOzQYdVXPCbu5PU9RXtfhnRreWWO4lt5JLd4zM

pYAeWOvUcUsp06B7iW8lnjmuGARY04AHc+5xj8Kz7jxVHCfJnScRl9q7k25HtXoPh+KC50mC

WOxYqV4Lnk/rX5Xagx3EbuvX34rMZFLHYGBPrVqyjw3f0rRjjfABUgipUiwuMEYHalEZ28hh

2pWiJGwg/lURRs4O4enFV5Y5N5YA4z8oqMI44K4JP5Vbgi7792eTWhbKyAAnkD1rQRAwPz5p

htEz5eDljnOKrSWrv2xjsF6elQpp7BQqg7if7tW7XSypA29+BjNasNkcjC5AGaux2mxBuBPr

mnpBsfcD06e9ZN/C5uSCXCsvzOP4fStzwndNbalZJ5rSeY6plj7Hp6da9t0O+NncRtKCxkcL

tAGfw9K7mPxbpmnrJbXjXNvJFLkSFVbfjOMZ/AVn6XqniXxP8ul2skgGCzuQFB+p6j6V2Fp4

BdrhLnxNqFsUYguIs8e3OP5dq6/SNb8N+FLVYNNtLUxscibaN3rzgflV1/HTo8wuIZY+AyyB

AAPQH/69Gqapq2rlDBfXEEsajEYjUFsHPTHNZuneMvEVs1xC07xzoQoR1K78dB0x610Wk/Eq

38swXzpJMow6l+nsKk1TxhBBAlzO9xbgDcigh8/rXnmseP7/AFKV9K0B7m4usHzPMX7np2z+

Aq/4U+G6/bLbxH4y1SS9vvMJitl3JGgxnlepPPeva9J1J7Wyjijg8mODhYUQAKPTA4qZtVvL

uYQz3Jjjcb9sJG7b7nt9KqS6haCVfMsiltHINsszZLH2wM1vpfWvkLCspCtkAAAFvbA5NVRF

4wuJzDpumw29p0BnnKsw+gGatNoPiK4jWO71a1tVGMrDGWJ/E4pz+EBdQeTdeIdQkx1CKq8f

lUI8BeDrYie+sEvZOhkumLHH06Uy+0XwdDCT/ZlvGI0I/dAgj8qwI9Afy1uNA1W4FvIT+6k+

YD6Y5qS4fWLELDPA8oB4nQZUf7w71N++8xJXckEZ+7wf61k6zI0ERUM4kYc4XIHce/pWWpeR

hEtwkky4LrwTgn9DxV7fDDMW81gG+/uAB3cd/WquoXUc4VEmfMgLHcOg9M9jXM6npNvqzxxM

ZhHuAwSMOQef6VynifRFRBCIJUa3kIG85DqT938xx7GvCfGeimG0vJYopHKy7YsNtCnBOa4z

xdLOnhm0uI7yaLzoopPnGBu6MP0q18NdVtRALdrCWLyyVlkxu8zHfH419K6bPdaPpVv5Amng

uLZBhmwVwOuO30rorp1bTUNvdSQzlcKyxrkHH04rk4/BOt63qUV4stxNAD801xl2b6ele16J

4cmttMgh3TfKvpX5E6gu6ZssQQOymqqQ9PmZgR1wat2sO1iApx2GKvRJsbbg47VNHC2dxU/T

FSpAPu7Wz7Cklg2/IAxPr61XeBugDDbzVeSN2OTnjqDUTQ9BtwRzzmrdupVQOhHH1q3bDbye

MeorRhjL4wuSOvFWvKLE7RwD6dKfHZnbu5AHTjoKdHp56AMSp44NW4bI5TAbk9h0q5FaNniN

uf4alFq56KexFK9tIoVWVmPrnpWfeae8ksSqAIw2W3dCBWNBcCy1izvZ8bElDBRzv5x/9f8A

Cvc9LupJVRoFyF+cce1dbpGhWtzKmpeIW82Fs+TbrnDNzjdjtXTWGvaTpMskEsEyNkMqxrtE

Yx0A9a0J/EN3qN7JPKqwxRAZ844A9BWJr3ifSLKMx/2tDLPuBCQrvL9evHJqXRp/HGvQI2ke

Fr+WEMWM822MP/33z6V2Vj4Z+NGyJLbRrW1+1P8ANLc3q/TA25xXR2nw5+KWoKINU17TdPeI

AK8JeRl+oIGTyeaZf/s++KcNOvjm0aRwAzGxOVHGT96qifAExXCz+JPHF9eQMMCC0TyCPqTk

+3auk0fwzpPhmIaf4djMEduBvIx5rj/fPJ/Gsq8M1lqkksBZ55Gz57MSU9RzwKu/8JRaaev2

m6vriMW6nzpA4KKc/wCRV3TvEN3qsap4W0/U73c+ZJnQQxle3zHqMk1vW/gLxJLILnXtdhtV

eQbLWyj3bRnnLt3+gr0DR9H0XR4xJp9viXpuLFmP4npWi13FFgyB1LdNzZzVSXULd0+TcwQ/

MUOc1Skv0cKILt4yOWVh29OlVnvXyInvAZASBiMH881nXemCRh5blnBycJgt1qvpsDWmGmuX

jZiQn7wgA/lxWo10sqG0SBw4GC+7Kc9STTYrLygHYHav8Kc/lVPW7QeSZcNID/BtrkJ7G3sN

QkljMitcDnavtSzOyRMx37wflBQkMc45PtVCe7t4onWVWJjUkhc5bHBP0FWdCjsbi4kvEBLK

vllieFHtWR4nsTLbtIJSIy6pDtHPXr714x8RNCHmyrDBNGjIN4Kk7WwcmvPNZ8NLrPg2K3SN

VltpGjBc9j8wz+INcj4CsLnQdTMlxFIAkuYUk6TH/d9P/rV9MaPdi78LoqbpLj77RAYxjoSf

6VdtNRt7ucedMytwDH6fQV7d4T/sez0C2+0SxoQmTuxxVfUPiN4Z0+6a1OowfIP74r8htQiY

zZVm757VDHkfLhjg5FXbWI5+/wC1XI4CWGPSrkFsQB15HTNWUgLfKzZIPah4AFZc/d5BHWqp

tlTgpjjk4qrcW/GSD74FQ/ZWJznIzxxU8Vqy8AMQD+VWobZgwzkk9eK07e1ZMYViD3HT/wCv

WjBayYAweecY6dquRWhz8oPHrzUsdpsCusRyTx/WpI7ZMjPPHHHNWEt2JPy52kEcH0qwlvux

tUjPotIluiA74iSOhwciq91beeFjZSqg88da811uKW1uZIvMkZ0GIvl5HP6V7Z4Bv3k0y0ma

UsUiw5zwe3T8K9Ah15LaYvLc+Uqgnk9B2UenFZy6jrPiS4b/AIRnSJ7iIEKZcYVSSO5612Ph

34aeJdUhzrviCPT4y4WS3tV3zEcdSeB+Rr0vQ/CXhrwsJoPDukCW5AAjurlPMZ24ySx9PyrW

g1W4shLJdXUaeXJkokYznuBiugs/FTtYPDLC6Q+YNu2QF1Xkn8Kln1+zvz5ljqsNnNGdyq8b

bh6ZHerlnrMs37/U9QbzVUoXgXBIx+WDWFrGrXSyfZ5TNDBIx3OrA59O3FYeq+ILVkW4nluL

SNenPMvp161xXiLXfEGtvbW3hfRZwUcB7p4zsznks3Q/QZNegeBtG0zTIYItcjGq6hIrGa4n

XEceTwFTpxn616Ja6ta2EEkLyuy9Iywxt9Ao9Kyb3xFqsV7bql1/o6jqzYKnOOT3Na9l4heO

FvKRnaMkld2TWLqfjJ7lQsMgjYyY2ZO9h3HsKt6TrF3M8WF4AxlHyF9zmuutLbCCSe4Gc8BR

gfnUjyWrnY8oKjrx834VzLXepWMFtFqN9Eski/vfLU7WPXg9a4G/8U+JNBvronTpbrTpZdoE

aliAeSfbmtXR/FdxHbTNbWN0sUh2oWjOAenPcfWuh03xJcmES3FpONnDKin5vUjI6VfsPEVh

qLTCJpArDC5Xr68VQvEgvAkqo8bKSPunIPp/KsO8tLqRjaltpZyVOPlQ8Dn8c1Te0LyPZ3Nz

I2xGUNtx79R71Dpv+hM9rEHliHDIVJOfX3rUns7b7MEZ13BFEaufxJNeUeNVWK6uZhNIY2iL

yHGeA2M8emeBXDWEBttB1fSGsQ8U6rOsjAvv+cDr/CMZz3rndO0ez17ZdTXn2XULWTZEXX5Z

EGehHSvU/C+k3WladcF51uIZVDo6tnHB4+lcnc6hcW2tLK7OrRfO4XgDvzXzT4//AGpfiG/i

LUdH0zVHttOjk8uPZzxXOQfFfxHdxCa61S7nlP3nyefyrBv4/wB6TuPrwtQRIQevBPbvWlYw

/LjBJz6VrJbDONuMe1XIrdxHyhwOhAqwtsVULtOKa1sQSMkgHjIqFrfBIaMj8KqzWy7sY465

qD7N8w3E9icVPHakdz83PNXIrXjocc/w1oW9qHQMGPB4yOa07e34Zl3liMcCtOCD5R94DHIx

3pVtv9l6elv91eQGGeVqT7KMDkjB71LDAdgXGRn0qRoiCNoKjHIqJ4Qeikkdcd64TxZpUkUz

XEcXMoKgY56/4Cug+GN5G1lLZz7i0L9ORx/+uu50rTRq17LNqERNokn+rDY8z0z7Yr0vw9rN

1dQmJI4ba2t1xGijaee+BW3J4p0+0kaVtRbgY3KDyPoe9aui+Mby6hE1jY6nqjplgkduxjx3

5GB1rTbSfG+rqlzpnhlbHc4Y/brnyi/HUJzn8ai0zR/inDO1vb6Rp04kTG/7YqlQWxkHHPTv

V+1g+K2jTO0vgmC88wHEgnRtw6cAH2z0rQTxbdPeG11nw+bS9C4eKSIx7+OoJrdsPEEZtoxe

aR5ix/cd1BMeeMHP19KW1tNAjlW7traFpmcsHmj3sD6jOeK1NYtrefR2RWlRFBkXy0AK+pAr

gbK7gtTM1neTXDqC58wbdg7Z96j03WNe8TyTy6FIZreAFWkuDtWA+3c//qo1W4SyMEVzd3N7

cdGjB2qfb/69XtM1QvZo4uZBsJ3onzED1zWsJ9Gj8q4vnNkWAQbpASx5OTxxSP410mwiZYZb

fdGWXesZJwO9Z938XYJ7UwRal5cin+Efe/w71nWPxystMf7KRPd6gXCJGgLg5OMCs/xH8YrO

4uf7O1VZLeW1m2tLEW5I6rnGDWr4Z+LOlTXZt7y5aMzKWhYxHkehrs5/Eek2qNG5VYHxiXf8

oPqD/jVmLxhpxs0WO6ieNjtiLYyePWmRpEYxqVlClnczdJCcrIPcdulTHV4TbC2uW2vGwAYd

2GCadLdKIpJSFcAFjtXOQf8A9dUJ4rYozw+bGZSN0ROBntVKDz4mE8CPK0bbXZun1Pr0qzeX

cEyw3LwhVUESL69MdvU15V4uuZ4NTDFYxAfkkUDI4zwfXk5/AVgLcwDRY9PuLrYTwPLXBBMh

YHnqCFrOi8PW+iGaDy5JPMBnzkEK3ZlPpXqvhPRItS07dFFskaHKhDw2OuaueIPgpqXiDwbq

D6dIrarJAwhiJ+U8dDX5q/FP4NeLfBuuXVtq9lIlx5jF4xG2U6YPTHP41xumrcWcDQSxzhlc

8AV1F3GolOGJ/pTIYuT9788Vp2EZXkFic9xWzboMBGycZxnmrtvCm0A7iQMEHtVlYg33QxI/

U05rXHzHlieePeq80AGcAkDk1WMJ64Y4/So1tgDkqw5qaC3Rj87FVzztXn8qu21uynnvx061

q2turgKu47eD8taENqMrwwOcYIq9HESqgAqe9SCAeXncxyBjjPNJ9mPXDcd/Wnpb/MBtI9DV

hLXpkscfhSyWwChRnBPeo2gaPBG4d8+lYXiSzWaEtODsAJJ7g/TvXN+EXjttf8tfNC3KYyRw

vpxXrGn3kUGkiSU7AGPz4wSTxSxX89zLstLk20auN8o5MnPT6cV1ugDw1plz5oSS/uBID59y

d4HXOB0A54r1DSPGl3ZXEcIYNEqgoAOCT/Liuo1DxdcPbRzmNM7ceYRyO+OBjOexqO18S2UL

RS3tqA5ZVZ4/lGP9of4V12na3ZSlpoxPGsRIOxs9quy+IrPVYSs9rHcQ4CPuCvtwMDOenr+N

eb+K/C1/Z3Lajo+ryIkzeasEhJXC8kLgdvcmt7Q7uKSLZqYBmPzRnzslR61LrGrJBY3NudSW

KLyiWm3/ADkegzXkeneM4JLmew1GXEcUpLBB8zDtz7gik1f4g23hmKRLSwFpHImFxISGPXNc

HqHxFWZft11qZiNsDl0/jz/erNsfi/rDboPD1yIvMbduVOlMbxRq9zN52u6wJBg4KvtJP0PT

itk+OrTVLQxQSPiMABieuP51wPi7x9FpNs90ymOSI7ljT5S9ZPhn4p3vhmZfFOp3aR30ik2G

nznHmNnAkY44AGcepArUs/iJ/bB+0TsYpRIXlMUofznPXGeKJvijZteW9kgmiZHO6Ly8Y4x1

rqbH43WNugaC8lSOOQPOkijY6gcgg/zFXIPilpOpIl3p2pMssmWMJO4Rnn7vqMZrvPC3xaht

NOFrrGpqwC7LWMKcM2DgEenet+y8ZRW5DB2cTqWEjDADjqAe3U/pVi2+JZs/tAnldrYABfLX

cd3bJxxXWabrn9sSwRm6XzD83XOxcckj/PSuj0+3VLWKO2WSNCxQkDJcjisbW5LaTzLGMbbl

TsLAfcPcsa8q8T6RqFrK1rHO727Nnr8wyOST65NZOoW0Mlslvcwyi6t4POGFwCD8q859ParX

h+9iu5LR5rRmiWRo5ScyGMHHWvUvhXceV4qv9HImESM0tvJtwpHdcfSvdNOhjjzKGOGGVrxL

9pvwHpniDSF1pbJWuYeHfaORjv8AlX5++J/h5Z/2zPtTy+eQB/8AXrjrlNkkg5OQAOO+RRBC

W4U4wCc7c9q07G1k5/dkcjmtmC2lwpKHB55FX4YCPm259MirUMYK/NnI6Z7U9ox/eJ/Wq0i9

dic+veqj4/hGM9OOaTyXLDIw2O4qxbwsSAVJC9fetC3t8YVQwx3xWhbQsoLLxjBNakUYI3Ek

EdqsxwMDkJjA7inrE20jPzDoMGk8ht/JYE9sVMkZ3bSh3VZjhIO4EpjtjpUjwP8AKVXgdwOt

V5YtnPJ7AYrMu4P3EuRztyMrXDWNkQ/26RTvMhZscHC9BXdRTO+lQW8aA+a48sE8DNdBeWXl

xQixYARKCwx09/wqKB5gS1rJgRnucbz69K3NG1nWIi0uZEbaVDBsE12susXlhYpPFLIcRBmD

scP9OKxNb8SJJFJcXbTNG6/ux5m0q5GPmwMmovBviXVNILM+tbbRjgJKTkfnz+JrrNP+ICab

cJPA0yvOA0qg7kbn/AZrtNT8aafquhI9nd+bLbrkIY/mU4OemcisS28babeWy7jFb3QXJYqQ

CPw9azLrxva3KG2SC3kVWClXU4Y+uTXiPiPV30rxlPcBkS2ulztjJChwBg89P/rVz/iHxHd6

hb+V5jS+WPkCHJPrXF29211PLHLK3lgfOH9ap3Pif+zyYdzxuh+R4xjcKxNa8b3c4A813Ukf

L61DbfFLW7OJILY5+YfMijcBj1PSk1P4gCCAXNhpKyXQO43d05l2N1G0HABz7Vzd34xfXJWu

PEEbXE7/AHrhG2v/AIVW1DV4Fto/sV1iMdicOtVIfEaW0gmE0hcYG4nk1cXxw0mIpJWOeMBq

1tF8bXsQiijvJo0Q/KN3Hf8Axr0Hw58RdSinhmltZbhrf/VeYgC/X3r1HQvHzag8Ta5dpbxS

DIVm+U+tdvourWs92kHmQtaIRJJcBQFLfWvZvBkglbdosBeJVCy3Plg7xjpjj17e9emWM0f+

jlhkLwqtz29PX60y/wBGZwJnMUYJICY5OR1NcF4h0O5kvDGZFkjdVVsDAB64Jri/Gel3MGpR

6jp/l+TawrE2wZGAvQnp96ue06K+sjba6Vl8q4lYvFHlWjT+9kepz+VexeAhYX+qC6t7idro

wq8QY/Kq9+ScnIr1uS/W2Me4EIV+YEfzrD8VXuh61ps+lajMv71CF4618deIvhX4m1PXb640

bR7i5tFmZElC7Q2Pavne80ZnYEKu1Bg4/rU9p4fcsACW28cfyrrdJ8JBkHyOSOhroIfBwKAb

cYxziiTwcyrv2EYHUmsm40Ke1BwHwecYrKmieFiWDqSMcD86pkqRyX+Y8VAu5G3MxJDdCKUk

4ZlYgr6c1Ytx8oDuy46itK3ZBhfmGcY71oWw5+bcCOAD2rRt4gvQuMHqKuR5RQp3NjsR1qaI

Rv6jphSKY0G1gzFj1wOtPREXCsWOau29szxlkWTahwxxwpPQUrhd23BBJ/KoHiGMhWBxjr1r

NuLcsCu19vdR1rHm0Rn3RMrLt4XAwTWlpFoubeN5lAgkJAVefunHauhE6WwkXbnJI2t2GKsW

kqhzPPKVgYFV2dzW9aa3Zx2W22s0UqxJ3AHp0xUN14qlktc3MRkjYHLJwo69vSuF1fxlZQXH

nwWjyIo3YkXIJB6EdxxXLTeOI4oY4ELyFpmeVzkH0AHsKjj8fSR+XNPPIFCspRTyPQ11vh/4

gTwWgntbwhpAcBx+lXrLxxNdWkM4LxTD72RweOlL/bF7eK14WO4ctt4OOnFebfEDUhMft0Ur

ecsmxgxOWHTBH4Vy7a5JFh4bplcjlR2rLvdTX+8QQedtc/qF6ZG3GSRuv1FYs80jYXJOBwfS

s95mTGxWLdD71QuZbuSPbH5i/XisSeWUOU85yRweeKhy/diPel3gNg7sZ6Zq3CbPfieOSPoO

OvvWzb6UWj+1aPqjMVOfKfqcVd0/xbe6fdGG+eWPY2CR0Fem+FfENhqkiedctIqoAAGxj/OK

6xfE+o6FeRWsU05thKrMbdtwXB7g9K+kvgn4h1PXZE/4R2+ld5YyJnuNyxQrg8lv0wBnkV9I

2tnHptvbeSDcXDAC4ncnGf8AYXsOPrXQOsEsMM7llO3JL9c1gzaLO6mNwGYkMWySW46cdK5T

UrSx8LwpFJbiSy1OUwyQkZLNklSMjAIYk++MVz8/h+zudQ0y5bVWSLVLYw2d2DhS6jO18DGc

Lz+NbHwzSS+hvJZw0UkqI0YUY8sLnIGOo4OPrXYX+ttAzrOZnhyNjlcFT7j2ryfxd4juY9Se

C1uJJ5CcKVHH+ea7zwfeTLoNuJreYtzkpkA18I6pb+U4aZduR/d5qzpcSuVbaDk16F4ds0kC

KuQx46V29noI2D5APlxnFTSaCnllVh57YFc7q3h0BOUxxkgr0rz3WtJSJ2JXdt9q5O6tzDlh

lcnnK5rPdjkNluvykgVGFY5DZyOnTmrtoG+9OWyQegH4VfgcjAYMOnGK1LUEgAEjjv3rUt2x

gDIwcdKtIWKbdxO3tjmhmwMHcQDjPGKkjkL4Cqd3TNTxsTjI69OKswN+7I+YYPtQA2cgkkc5

zT0tywII6+3WpI9MLuAoJx6DpUv9hiYBgrEr3HU02XQ2tbQSyRsHLYwVwB1qhZB7/XfKh8za

r8hR1H90fWneL9VEUIjsF8uZVPmsQFAAGMAdCc9+fxrlR4k1Cwt1E0sLyqN7qmBxjP8An3qO

38V3Gq3QtooZ2YDLpHGSRj1AFcZ4m12SO68ozmAhtskJHHf865me7g3NKJncJ2PrVKaUuDIp

IznBB6/Sug0vWlsrWCNwSqrzjrnArS0PxLLNEu+4fb55wpIyFroDrE0LLFAXIk+6CT8n/wBa

s3xCLyRHl8gu0n34upx6/wD1687udPuFkaaMyRux6bMrWZcm5RH8xkJC9lya56a6lMwCsQAc

bTxURdguFfDD0Gajkkjt4t0hx/M1g6hqUlxmK3+SMjnHVqq2Vk1xKsQGB3NNu7WSC4Mbg4HQ

4quUYHpVuFbm9jhshlhFkoMdM4r2bwx8Bbu/vtFs47q7FzfyIJEtxl1XGTjt+fpWv45+AV/4

X1M6RLLJdzI+1m2fMj/3TiodG+CcxI+1RrayADBYsob8QK9M8OeGG8OLCmoaHHcTRSDy5pIm

ZVPuDx174r6K8CaCt5qqyTaoLDUoIUkS3hICbO42jg5/SvonwswSG3SV9rKMHeBljXTLFHGR

tjXcSW4H9PaqNxaurGYMA2MFcZ/+tXnPxRnhuNMaS1id3tbqOWJUzu2qQDgDqe/51jeG7Brr

SNO8L5E7i2mv4FaM+YAJRtK54Hyvg/WqfhnQL3Qr+fUYnSSWRwgtgdpKD7o9uc5rf8W3z2eg

rqckSrK8ZZ4SNwOCQSe9cB8P/C914zvRevKGUSlmDEAkA8cV9C6do1tpdpHZkqpQdOK/MLxj

qJsp/wB7I/mADKlecVU0TxWrzIsr4GcE4Ar1Lwv4jtNyjf36ivUdE8SWJUea3IHfpWydZ0+R

flkAB4yDk1iajeW9wGVSCSvrXGappsUpZguc+g71y1/4ejOT5ZOa5e+0KSIYQAZxgYzWXJZX

MT7WRsHqalhg2KpUEDHO7jNW4VbIwTkn8q17aMl8IScjB9K0Ioyi8I2B0qym1SFCsNtGV+6u

T+FKuMD5D16irdvyQVXPQcnr+VX7W1LgbkG7ntjFaMdiBtJjGQOeM1ei030UqQO4yT71dtLJ

VRdm0853Vr2OkLvVggwAOAMcY+lJ4l0tHsSCSEAOwBcYPp9K8R1fUbnQtJuGsIpJr2c8GNSS

Dz2+lcxZ31/bvNfahYw6vdygNLC14UeJT/BsBBHI9fwqHVvHGq6fpsv2bwto+hQsg803NjHv

bryrSEvn3ArhX+J+qQLJbW99eSxSqPMSH5EJ69sA/U1zGq+Io5nSNIZmfjfI8m4/4VWgv5PN

Mo3KO4JBzVwXQP8Ay0ZcnODirJ1MyRmJ+Ao4A6nip9CuGS/jurwl3B3Y/u12S6lLFKsjzBs8

7QOT261fk1KL7Mr7pGcHALgYC49PrWLeXtvDhi+1WPyqQdp98ViX0C3BPlRSFgeCAMAfWuK1

aza0dpcMT154rFN+iH5n6dcVRubprhdke7A9+oqCC2k8tnjjZtvVgOBWlojW4lERUqxJwSRz

7dK2tS0UXNsroBvVs/hisY6NqUq4jst25uGWvSfhR8M7i51OHUL6z+0tFIGjt15XcDwXbpgc

cV9meCoNC+HsI1u+MGpeIbiExxRxni2yCvHHXGfz961NH8Gxz3T+KvFUL3D3bNI8btuOSRge

v9a7geCtE1GNYLfS1YlOirjacfp3oTwRplrGbL+wre7ikViWlUt7fN3GfQVoeGPAWj2M/m2d

qsjZ8hLfz5T5LHspzwMflXr2k+G5NMtIkvNSDmJQFVIwSPqx5Jq9CbMzM6RsxC/eZs5xzVO6

d9kckWdhYEryNv4YryD4xag9gktvZzhbgkGKRJMMrk0/wpreqeIPFF5Db31vHb6Vo5gjke2B

kR2KgkN1Klkb8hTL/wAXDw54ju9LbSoJbee2X7HfWvErMh2u+/nnvxTfGl+s/gXUNRlcyxpC

THtYHdwepH8q+cfCXxp17wZfzSWScDPB7V6An7RXi+8UT7GGemEr4s8R30stwG3sCQO5NYtt

qTwygsXH/AjXa+HfF0sClRJtx3zXZWHxIeMKvnEjOD81dHbfEcY2/aMZ7E1vaP4wF4MeZu5H

Oa6GOaOcfO4IHbrT1sI7joCCe3rWBrGmxwn5UxngVzM9ugJDoGA7HgVQNrCVCbmIxjHpUttZ

JwOcdq3bGyQrgK3PXNbkWmxvnzdwx6ioZNOjjyqBjmoDpjt8qxkbeDnNSrozgjIcgDrV60sD

kbF6nGMdf8/1rcsNMbaC0TAj1H0/xrXt9MGBmMgDj6kVfi0qQqMocbcH2/zzVy308Ftq8YOd

xHX2rcsbWMSf61QTwRinajob6h5cbjEEf3uuceo/E18xfES1lS6uLOK4mWCMkDYCF49fWvB9

ds9l1IXWNSJN3mY79uBXP6jLcOJHmurlmbH3j2xx/KsGbVJbfhZG+Vsgt8w/I8Vlm6RiF2TO

x6Hdjn+tWoL+2QLvnZW6ZOTV6DU7aWTyo70Z9GBFXlu2C/Oxzjk+tWdN1gQXccsk7EK3Ve/1

rvFubdbCKVdrA/NvLdeeeBWtoWg6jrhAsFnuVfoCCix+/Tp/Ou30L4OwNEZ9V1Jp3I3bIkIA

OM9eSf0qDXPBy2VrILSABQDs2/L7dMda8n8WeGhFCzks0hHGSa8z1LQby1wxicb2CqB3+lVb

vSJ4IkCK3C/MW61Pp00kX+jTOPLA5UDH/wCuup0fwj4duWRxfFGPOfN6H8BXYQeBfDqW4kuN

WkdkySBIT29q3dB0fwnpqO4sHujtO1SCc/nXZDxLLaJaaboFqlnbrgONhG8dCQfWvQfCthLf

3tvf3OVYZ8qPecNx789ef0r23RLq2mtLexnUSyxsWlVRghgeSc/h9OK6TStTtZb0uxClG/d7

W4Zcevc4rtdFthcmVY3VYc4CMAxAJORmut02x0/Tk/0a3wgGfn5YfjU73ESBmUFwBkq3r9cV

mXVxHFafaIbhIFBy24ZwKyJ9QW5ieCUuGC4VlOPqfSvJviTo0t9q+mQ2+X+13UbTS5yFVMFi

fYKp/KuR8K+MdO0fxz44utFh32cunxWkO5iS4VgWYjHclj+NdPoeieHvHXhyfwxBNcf2pp0Z

uDZXCHcpYEgoQB8u7HFUvBWlS6j4QvfB+pSGCdruSNo5UMTOMAAgHqTg1d0b9l7RLgiYCQB/

vAr3r0XTvgR4UsLSO1FkTsHJ2jmvy61+xRWBDZXHUiuT1CHyZ2ETHYCcMR196qpdGJzskOAa

U67PD/G3yjsDU1t4muBtzIQB3JNd74Q8ZyQSKglGMjI9a9o8N+IY7mJNzZU4613VvfWiQghl

Jx+IrC1m9QgtuBx7Vx97dICzDt25rFOoIZfLBy3fHGK1rCeJnDct9TXT2LwsQ2RwAAa1oZww

3Bgxz36/Sp41B4JwR1K/yqzBHGq5chscdOhq7GkcqgKMYI9vatK10pY3XldpI5x+tbNrpw24

jCjywOqVObcKfLZcAr6dalSaKMhss2MnPpxQs4JGDjjHC4rTsW+ZN/fGCBXQ2l3BEAWwSCMs

w4P1r5h+LFtBJ4mubCGIhJImaLHA688e+a8B1fSx5zCRmD7sMwXtmvPvEU8dm7QxzGR/4VI5

z71z9rYy3s/mSEZPboBS61ax2UMUaYLFjurCcbMjIxTBlTwwqza301sAFm+XHRuRVtNQOeQB

7ivYvgjpmm+J4jDqFxJm3nKuu44C7RzwfXP6V9l/Cj4S6TNZQ3rzFrfGYkMOUJBPUn738q9G

n+GVppiMLOJJAMHy5I8KfUDaR1ry7xl4Wubcz6fEkTykFTDbAkgd/mxgV8/eL9AntNTWKaMs

3V1x04OBXknjnSdQsnj1PAEML7VXaRtODz+lcra3Xm+Z5rBhIACzdvU/pWlF4Zjvz+6HytlR

j68Vv6b4I1a2QssErITxsB6Vt6boTQ77V7h1z/f7dc9a055JLRpGS6VVESqgjHtj+laOi6zF

pzoY23yLhzlerZBAwe1ew+ErrUNc+xmeOS3EGWYuuDj2H1FemRXtxpCJIryDMhJL4yPqBwOB

39a6jQpreQw2lrOvmNggBMmQk54x0/8ArV6r4TlsbKC1lWZ8yHPzgjJOcjn867NpoGXessak

8bgu7FYmuaumlWnmT/vIUHLKMk/8BrA1rV7SayiuIyx8lOpzg5Hesaz1m3uraURTqFbPBbPH

t+tea+OfEceh202rNeSyXADQWqwZ6HhuOhP8I7ck9q818BXd1oEfiCxiuIheajAJoxcwLKkD

l1VS+eOmcDp1PNeqaTqFxpWnaNZvqD/8JHq8Ul1q06jBU8KiqR9zI+YjsCPWu41q80m7uX0I

2ov7jw5BFNPeNwyFjk7WHYEHg9jXpXhvxFpl7ZRy2l9C4AwcOOD0ORWk3iSxVirXMQI6g9q/

JjxFbfu0xn7mOnWuD1SL52G1lPIxWDMpUtt3cdDmqEqSZBJxn3qFwYfLYyKd65G0gkc459Ol

bWk6nMksf70nGAMnGPSvU/Cfi9UI3TEEDBI6Cu7i8XReX8lwSWHJ3VVu/F5fKBi2Bk7a53Uv

FyuDGQFAGM5/+tWCviFI33ecDnnjtWraeKxGi7ps9DkNXTaR4uRVCvNgf73WtuDxbHtykgA6

Yxya07bxNCSsRfGfQ9K17bxFDINiOTjnB7V0GjaunmBXIznrnp6V2+myQXKAxv8AKuMfN+n9

a6BYwA7AOCxwccAmsvUA2Mp1BzkE1ks0mQGyOMqwHUelXrFHduflAPUnOfeuhtYUAGVct6kd

h9asPPHCriXeFf5VCjJxXzt8XY5F8R2LQys6pDIZD3Cg5AryLxlGWgi1GCHybedQ2CoHPQ9v

8K8Y8SW0za3HkbEkfCscncPWrfhNLGa+ubCebYzt+4lcYBH9DWtrHgV7lWiikLeWeJGX75x/

KvONY0mbT5XSRSNp5DjGKzHG5ykYGB360royrgL04FNjMiMGzjH6817N+zMl3qPjSTSYJ1SF

0DyLgnkHGa/RvwBpV15FtaR6oxiQ4WNRtCgHnJPI/DrXuA8NWOoWUMd0BP5SAAOSeMcf5Nee

/E3RoEsLrZEkbhMRiCPAUAHtx618oXuiLqM894kUyyxS4kJGR3/AVgeL/hbJqFg1nLbHdLzu

IOfc818y+JfBGteFL6RJbWWW3EhEcgXIIzU2hauLWRN7BUzjHrmvWvA2vWRcRNJnIxtI+9j8

PavRI/D2ga0iS+X580o+5jAU/h2NW9N+DGmSxmadIfJwdwLfd/2f/wBXWuu0f4OaFCscwEcl

0h2mCJcEcZHOOPc11y+DFs0iMcfnXKkODGvyo2MY7DH1+tQ23hTUZr42AuyfMY+ZHuLBFzn0

Hp79a9l8EeEbLw9DFdreKZZOCxXJUcdT/QYFSab4/j0vOm6hMwMUpiLg5598DpWvb+IJL63e

WIEwyruO3IZvSsxL0SWX+kQyKgXcPMbIz/te9Yt5c217EbOG5eBGA+6duK5d9f8Ask9xpu8y

tbn92EAII+v17VxPjGE3MVtdtbMkX3VBXJUnvXB6hq2iw3c2kTQSJeXEStcRKSTOkY4xjp8z

D8K6Bf7Rv9TsI3nlsylws99sTOwPtLID05CdD0rvPCutalq3hTxF4kWYG6vPNjit1OREpIOX

/wBrAAAxwK4Hwr/wsGzZlttWHlu5IZiflyelenafousT24m1PxDM07nJKOVGOg4r5B8QaccB

SucKMnOc15zrFqyu2VJzmuZuLRtxAVvfFZ1zbvGcYIzkYI6VRaFsY+ao1keBhweDkD15rRtN

XnthwzKB6VuWPie4A2+YwwM/eGMelTN4rkkIVn3Y/SqM+uEuxVup5HSs6bWXQHEjmmxeI5Eb

5Xfgjqa1tP8AFskTqC7t83TNdDZ+KXIG2R+OvtWkfE0g5EzAj0OKmsPHVzby4ExBx37V3/hn

xXJeMg3McY5DV7d4M1QThGZnwDyueOlel2TwSWxVCUVyBnGTgU25sJJSdsZ4HAAyMf0qkuhf

NtVCGTHQdf8ACtSw0K5Chwh+U/dPf8a0Y9OkRPLMb5OOQBgUXWlskckpj3EKSoKjkYrwj4pa

A5Zr6MyMJJjCC4+4CK8m1bSZdR8OLYyExyxFkzjPT6fWvJbjwreahfxrLG0hjUouFxnFaEvg

yylRRcR+WxUHHQqe9LJYXumrFDB4o3RueUkVsjn6Vy2o2drfGSe5vnkEfQBchj75rAuYtOi3

Pa2TBhgYc5/GsWW0u72UkRsM8Hb0P0/So59OWCLdgkg89q9//Yr8PS6h4+vb7YTHbwojKMfN

uOcfpX6m+GPDVmNItzbwpGNmSNv3f0zXe6daw/Zk8tSSgxyOpFcx4u0Vb2OV5YAWERCjHT1/

pXgk/wAN0a5u1ltjHGwAyF4Zh0bip0+HitC6S20k4GdhIyWB9qwtZ+EXhvWLVtI1HSXjLNgl

VAyD/dPYivn74zfsiz6bHNrHgWcSPApaWAAAjjgketfNgn13wlqX9na7ps9vPA/zg8ED2Ndz

4d+J93ZSCJwQGAwcgZ969e8LfGPSJ2SK8tZJ228qJPl4x3HAruNM+MGk2t1KBa27oyncrNuK

+3PWt1PjQ2ox/wBlWVu+ZRtVYgAfrhen1ruPBuqDRYtz2Oo3FzOAyypau2/A6g46c8dOlaeo

+J9RSEXk9pqVnHMhUNLCzEYz94jpXPaLdRRW8cl6YmcsZFLtkjPJJ9O/Sut0fxNZRySRQWqS

ElmLMm0MAOo74/wqlceJ7W7v1a1MQi2Er+8HzZ79P84rk9c8RPFKZbVmDwfeYt296ybe4kNz

H5iE5XfK45Az2+proLy6nSwe1fTFvYQcLAP4A3GRnp1zXjvxF8P3/hfW9J8QLok1iJbmWF4V

wNqgAbzn7y7hkHpVSGykKvFPrk19c3qZmWNWUQ7sbRnHP8XPP1r274cW+l6V4bm02/swd7Zg

Kpgngdetc9bXYstS+yeS2wOeMj14zivSrHU7aK1iQzA4X+8BivjO+tvtEEIHJCAkD0x0rkNV

0YyuAASRwOelYk3huQbgF4HIrKuvDBaQ/IxGM5x0FYt1oE8YLFMD1FY0+lS/xKw545pBpTJ9

5GzjqKrSwSQt1bg1UFxNF8hY4H6VDLcvnYcj15qCW4wOCw9eaqmY4JzwOOtT2t1tdcsc1u2e

olF5cnOMe1WU1eTaAZSMUtvfEOTvP513ngvxEkUgEkxB4wOxNe+eEvF8QCFZ1IBwQTxXs3hf

xJHcRRjzs5HUuencivQNNaO4AIJCqN23PT2rci0eEru4Ixnbj9K2bTSEePA+UDjjt7VYOkkg

uzgqBkKVwSfrWbq1koVhFgsRjaUNeOfEDRo5/D11D82+3JmABzyOf6V4tqVrAYhFbSKUeJSW

Ixgkc/rXJf2LFY6klyCSjDaob7q/5xVbW9Ot5FypIVlzlP4T6YrktR07T5YQI1fzFAKDJ4/x

ri9TtXgdsps7Fhzmqcfh77QRtZwB94HrxRdaWsduWggx5Q5YjH4/pXOz2yyvtzkk8V9c/sQe

GvsL319P+7aS52pnHGE79+9foR4XlvLZoI2EcqbOG5J/Gu7sQWUbWRWIyQO1Y+tW4eUxeeVB

GGweSK4+eyjaf7MBiMrnaSSuM/zrUttLtnY2RCgOQcEdO/Ws7VNAiaMuqRNIrEhPUgdTmvMv

E8dtaXX70/aGA+bMhU59h/FivCfiX4A8B+PdOuIp4mfUTACsojIKsGx0/Gvm3xp+zj4o8Os1

zoWpRXkMbAbIm+fHJ4XuOma4y20bxRppMd9bmOI/JuYMu1ge5rufDPgTxPqNwEV/vJkzM7bV

TuT7cV9DfDP4f22gJHqbXjMIwdod8F+xI78k8V6Nc/EC1huX0uzlwYhtXypM7OnLN7AVz2s+

O5v7KvYbq5aKKO3K2SBzl2PQtznHJPvWZa+OxHK+k6pbyXUUkm2NZwOGA9ccDP8AKrj+IEl0

8XNqxhkhdQIyo4PTn0HP41JY65BcWs9rJMi3BTPmbsbj1OfesjVJ5I1MUE2WeQHkDnjqfxrX

0S4n1NLmdreGGeEoG3fdLY/hx35rq9QvPsvhe4WGZFupFKq5jBwfTnj/APXXkerT+KfF9xZ2

ev3jTxabAILeBYtgRQO3510mj+GV0+W2lngO4xDILZYY6DH0z+dehaFGkcQ+do2ZiEV/b+tc

6+nyx6/PG8jKucnfxXbWYsILdY5gjOPvHBr5jXRpWton2MVCL1HtVebw6MfMpPpxVL/hHVZz

8pwPaon8IxPndCfxHWs668Gw+WQIgPw5Fc1qXgeKMNgEYORhTXOXfhh0JTZx3rmtX0KW3G4x

MAeM44rlLy0ZNwGcVlvC6MX5Ug+lVZV46kn6VCEOSpJ49qFyvQtg1aikIbBZhnnOKnSZwwI3

Dt92pFuT0DHnhRWvpOotbyK4dhgjqa9I8M+Mfs8kf7w9R3r23wd4zeVYh5vPbJr33wV4oWWJ

EkmywUD73WvVdM1WGaNUjdME8g9zWxFqEakO8o3Z6c/5NXk1CGTcPMGTjbj+lZWqXUEjEJgk

HPynH0/WvPNfjVTIp2skud6tyGBHpXgnibSo9G1L7GqyeXwyg9Cpziuev9PkZRyyRbcKDwV/

ya5Z7ucGSzuFZ9rbV3jHOelYd3od5fTDyJFWQkdTyevFU/8AhEpYnddRJzH8zFh3HpWe+jyq

r3fmNGrcsx6kVxniKSS5JVFcKDnLdP8A61Q+FtJkv9ThSMZ5wcjqa+yv2dPCVms1lDe3U0Wb

gkRo4VGOOSR7AfpX3DocVvHAkgdHA+9Gh4H1/Kuxt5IUUCFRyKyNSn2lmZtu4dNv4Vz1xPEl

1BFCVDqucN3x3q5LvhgSSSQRyBxgA53Ae/X0rE1s3DuJyWbOW27yDyD0HcV554lnR5o45hEo

2nIOCCCemcep7V50+hwSagTDa26uZiiyAuCQF4BHQDPvWtD4HS7QQ3sNuJoxuYoN4IHPQqT1

9K838T/Ao6lNPdIFg3SFyiRlVYdRwGHTFcIfAPjTwq6pb2RaOYljvBiYgDgHjoR14pZta8Zw

u1pDqFqJdm4vGHYRAdRnA6e1RW8F5v8AtEmqTTTSSjb5YwCT69x3/KtXW49TSwtZxcNJdfaU

jWMqcIB69jj09qltbqyuES3aZI2LEFiCQD64HfntWRcX0kE8kMBcsUz5wyAR9KsWmtzx3MSp

OzQ5GcHPBroTJCJoZL2RhFI+QV69q6nRvKtwXg1FoQHUuz4OF7jPr0rtPPs7/TpIIAEnt1IK

OfvFvu849K5KHTbW08QcunyrlipO0HHr/Wtq0tY92XYyS53FnHAHqPWtqG7RTCqAnGSGVeCM

fSsrUfJN2ZCpGSCdw/StC3nZ4UZFIAHYda8ntNMRLSFQmSEA/Skn04IoLL8veqDWsW7GFGT6

U9bNTggA4745qvNYfLlUH5VlT6OCxzjgelYl54biEzPsBI54Xoa5bxB4ZjeJl8sE7vugV5Xr

nhS4jmJSM4Hsa5K/0eaPcrxMCB/drKnsyi7cYx/s1SeLaTkDBPpTQrYxyB3Ud6RI+OeMc1Mi

vj5l78U7GNoG4kDvVhFkhZM4O4ZG1wcfXB4PHQ1radJMkgOe/wBK9Y8EalPC8O5iAWHWvo34

f3rzFAg27QMZr3LRZJIUy02V9Tz2/St8XQaUsP4f9npVyK9BA3sG5GdwySKbJMTEV5P0rPvN

Ch1WINaQzSYbBzwM+3f86434u/DYWnhFtTht5mubRNwYIcsuc4x6da8KhnjubNGBPPr0BHHP

pXGeJdLaGbzllWMyOQQe/wBaXS5OSjeVkEcEcj361HrE1vDHJOwLSINokc8D6AVwut6yZ4mR

blGjc/OSOeM1wtxdpc3DBGLRRkk8cE5969G8AaDHYwi5mRgyjI+Xk5r6O+FyQC8t1Z2UxMMC

Pr078V9eeHblNPs41dfM81M7m/iJ/rXVW+qC2h2RypG5xtWSqFxrai+Fvcpk4PGOvH8qrsI/

tI5Co3O5uCQOuB6U++t2vYRaqZNgI+ZWwR9f/rVl3Wn/AGUtbQOHEahtrDLdOnrXDzw3ImzO

YLiCRlDKyA+Wvt6HPfNUofDQVlnsmKpJdsQrsSCduM5I6/X867TQtDt4CJbxEW4cDO2Ikkc5

wBx2HAq5deHbWwEtzPteNjwzqAQc8Dkce1Z+vadY3LtbSwQtGoYO/lk7gRtx8vTg+tYMPw/0

G2kLvp6MsCs/l/2fsEgzjsucd+tc5qngnw+kF0tnbW6RTyEsi2ahFHpjr6e9eY+MdHljigtd

P0tJ1tpt5AtlBTC9BzyOa8012C6tZJvLtTEZGLuQc7fcA9qzHuJ/O8qIhk2DY6sMkZ7+mKt2

0y2skIjgjR2JKyMN3P06EV6LcJbS2FnBHJEUiIYkLnJ6gDrjpz9K0rSS3jlYNHHFEHJZEQAE

nuSfp29a6G1YwyFZdioxyhUZPrjnr6ZqO5n8+5mgtoWMiJ5ixkY3KOpNWNNivDIfPC7FjAAw

MD2zVlGupH4YlIycYHXpwOKiuibz/l3JccEk5rX0+2gS1QSS4bHI215PFdIIoyZMYHcfeqjq

WpogIwSCOxrnptWQSdGwPerUGojbuJOB3zirEd4JBswVyMkZ5qxBGZMEAgj160l3pwlXC5Gc

c1z9/pBO4NC5Oee1ctqHhVbojMJHPbHPFctqfw9aUExxMT2Arlbz4ZSFifJdse1ZcnwwuiFY

QMMDjC8/y5qB/hhfbSfJYBsdqo3Hw61FGKm3P3f7oFZ7/D/VEbCxMQTjp1qS3+HesTH/AI9m

Ax2HStyy+FupbQTFIcjJ4q0Ph9e2kgLRFQuM16B4Q8Ntb+WZVIKnPavePBVjLb+VGhIBGe2D

09q9o0Ih4wrFw2Ryfz9K2XtURfMEgJV8D2qON54z0YlRSR38011DZQwkyTdQTgcf0969e0/Q

ZRp0eCqHAbdjofb0rJ1rSru+EtmEW9tyu2VJR8rAgg9q+EvFVjJ4f8SanoO2RTZXLBSeABni

sWQQTQhZ2GOu5wDg+tc/fpc2yyzxxEtGCSVYAiuD1vxDqEjSJJG5Az3yM1ydxcCS3aecOcHB

HTI+npVXR7ebVdSSO1TEa9scYr1zwzaSrfQoZA2ZMhc4IHt+le6/C2QW+uQ2k29WZucDjn1P

avobR9WvRJ5Ut27LECExwGOevNdlG960S3moXMMhIwgP31IqOFtYa++1RLtyCnnjoAeM4PtX

XWdi0UQnmxM0a5eUjJauM8R+IL2yM0yTN5MRCiPy+M9c5z/OvHdV+PkOlag5julkUEiVSdx6

+uKgtfjr4f1W/wBlnHLIZwquzrgRHvwPet7TPHlnqcNta2F8qySXRCkR4PAORyeDivTfDGtp

aqUuGkCAhcbwQ3Geff6ccV1MYupUeW0fdAwy26UjHHpjIGR196s3NsjxBfKt4ggPzMPvkj6V

GumQRIxgWSUSAN1GGPGCcDOK5nWLCeELNYWJS7djkjaNmAfmLKPmPTAPNea+L9LjubZEUJ9q

kJ+0XECYHzYH16DqTz+lfPGvLPf7oJ7d4biBiHBY7Gbbk/hXKwWLXQt5hLiULtZE4II4PX8M

VswaDqV3cx6fA7s+N0YTBbPGeo4rvNB0kjToImhlVIzjORlW75OfXpVm4W8F1GvmZ8s7ZlUY

Cj/HFbAaK2wLctuQdGHyqPU1t6PcRSSyzPGzPkQ+b5eS3Hb2q/HamBNyyBkGCAI+azdr2U0k

ZnmKP90lRn3/AArc03TUjjD+WXBHQ9PyrQWzilAkeJWz0IGeK+ZbjWxGm1jtwSMfQ1g6j4jR

sorZI9+9ULfUwZCSx68cVrW16JCqiTHvmt2wZWIyxJ6ZzXRWKjZlRjBzxRdMkeWXIA+vNZU9

xFgqxI+bj61BbW8cr7VGe1XR4eiuF3OMdj3zUR8Gxzvgx89DgVJH4DRhtEeMjLcfpSnwHF8y

+QSBxtxVKTwFCco8TdPu4Oe1RL8No5cMsOATyRxj/PFaGm/DOAsALdgf930raT4aRxodkJIH

X5fu1k6r8Po44xmHGfu4HBrnW0X+z5APKOE6DtXbeHb6KBV3nPlgY+bp0rv9O8SR265lbjIG

C2Sfz6VqweKY3PzH5c9GatHS9QXVr+O2to2Y9Dk4x+OOa3bHw/fJryT3DmOMAneo4HPYV7U5

t/7MDWfmS7htJAJxx3x0+tcrZa61vM2kzwusLHBcd/x618r/ALWnhaHTr+Hx94fgUQTy/Zrz

5cBiBw31PvXzg+p5kMfLIWzy2M9eDVG91S2ubhsSOIFPzKD97BrH1m4sJUQyQIqRDlwcZ+tc

jd2yX7mOOH5VP3vb/Cu38F+DHtlF1OQkJG5WVc+YemfXHWu80vTbK1H9oS5DKS4YnAUHGa7j

4YzImvQztbtO0pG0beGGa+tdD8K2us6JFdPZvG0cZ3OFyxOTgewFaPh22uYmGjz6aYhGq/v3

G5nIJx9Biu3sLHU7QNCHQ2s6/MpOSD7ccirOoWqQW4jVjEpYZZeleRfEK1sra1ubfyppDcTh

24xjg9Mcn6V4Zrvwdh1P7TqslhMi3ERMc0QYbCTwxUAkjg8V8wfEVPFHwm8SS3eh6jdKmflm

IZdw4zw4yD15qHwD8a7yG7tUvJlYxXDOdx5JIx1619T/AA++M+m3cEEGr31uqAcs+WKjPcAc

9+n6V7z4b8WJqJNrb3MGoWUJ3RXNurBWGehB5AA4716JDfQraR3liqPZKMOsQJMf4evtVa7N

+8Lm1m2owwF2hD6/dJwPx4rDM0yWuy5jljL8NBKymRxnAxtz16DJrjfEWlPaBL3R1SK3D4a1

6kr3BJO4/jXlXijwGbWZ5o4lgSQAxCIg4buT04HB9815VrOhHT7qCWQSiS5Gf3anBf09zgVd

03Tr5ntLlHZJAVb502/LnoT6130Rk+zhZ/IgQtmQB925ieOh47cVYvCsxKSkoh+UAnG8c847

cVS/tLSVX+zIN28oGR9hGMHJzn8Rz1xW8ov7Wyt8TOZZnwpCYA4OT71uWE0s1m1vI48zIO5g

RgVg390trqkMQLHnzGAPT05rp9Kaa9LSFtqgZwT7dhWnFZM0asjHaRxljx+Rr4p195/tE0eW

G2V84PTDGufcTR53Fvba1JCXV9wZ+CMDNbukzyEqCWBHvXX6bcjCnJBrq9PkUJ83OOgHem3o

cg7dp49Qe3NYNxkSBQ2OcUllcNG+CpYL7d/rXZaRcqyCNySJD0Lf57V2WnW0U0afe45APGO1

ah06OJclTtbnk9eKqzpbwHPyAYySw5xWNdtblmJKxNztUEcH15/nS2U9ln5pBg8ZJ/z7V0un

32nFeoYADHX8v51uwLYzqRuO5wCWBzn1rJ1vT7Zw0oiV/l2gq3b6dq8613R49zbRjHDZBBzX

HTteWM+2HcuDjP8An/PFWrPWLh9oeQ7l98dK2rK9mYqqtKSeOvX+leh/B+5L+Igt1vI3coHP

HFe967YiKKFrDTmIf70gbGwf17Vr6bq0lzb/AGWKAxRxKA+all0fT9ULtOMx7sgHAIGBwMdu

CefWvD/j34Hk1Lw7JaywN/ZoONsZPBxgMfpXwT4i0y50DV59Pud7NBKVXI++B0P0rn2vgiyJ

EXRi2eejdfeqht45yZpbhmweEXpn3xXaeEvC8UKQzTt5m5Nwwgx9PyrubZLO3gMNuqb4BtIU

jCn0qrqLQym3sIpNjSyCLhuRk9TXqPh7TpNMvLa50+4iAgZd2SfugYOMjg19M/Dbx1BfSf2S

bbBSImSYPxn0x9K7eC9sLolrYySQseTGcEEHvXT219BtHmsSVxtwvSmaym9Y4csTLyuFziuO

Hhtb/ViL6XzosEhXXv07/jXSjw9ZtDtEaFVjVEUrnAHGK+Tv24PhPCfh9d+JtF+Q2sJF3Ft4

YbgQenY1+aM0d7ZTiVI/KK4BAwB9a7nwR8SbvS5kEj5ZBgA8Cvoz4e/Ga78gC0vVt5iQxwB+

PGeR+FfUfgj4qQ6zAvnX0YEpVSpmVRER1bk57etdj/athBMtlZ+beLJnyvKmVlIwcgHkAVHq

d5FIQk9myMwIw0qlVI6knjkZxWPf2t/BCs1nfwSuoymyPkjP3RkHgetcnrF4Y5jdT280LKC3

lEKN2fu5yMbfy5rz7VobOdy81zvWFtw3dj/DjA5PJ/MUtpfRX1xaWs6fubRSuCceYc8ZI54/

pV/W9Ps9bsEEBWIRyh2ToDhvpxWRNHdfaZjKxaNlKiNSW3EnHGTwa37LQktYRMLP97IFOxmz

t9gR3Napuy6PBsVY4o8Km4b93r6cZ/Wl069SWFXZ51kCKp8wAZI/z0qnCIpdRkuosnado55X

8K7bT7G3gtlne4dQcZKHGKvQPY7PlWQjPGFzx+VfGetWDrqd8ipkrdSAA54+c1z9zYAOflbH

YYzio101lKsEADdCOcVpWtqIkWPacqBzitrT43yAQQR3rrdNdtuwDkdOKvi2d056ZHXFYmpW

Mq5ba3B7d6yFlaDG5mznniuk0G+/fKpZs9ME16ZoV7DsQbmx04HHrXRiZtgjWQkLgAjjIFY+

r7pomZBJ8o6sTz61wupTywuwLuVY5brWLLq72xyC+EIOc1rab4jeSPZIzAjkDJrptJ8TuG+a

Qhcg4UEZx/k10M+pW1zBwG9QB/nrxXNahsO4eSSQcZwDk9frXK3tpEz7SNxJ5qo2lBDuVQeQ

cdK3vAulQahrC280m1VJ3knr14r2DRY9G8IanFqUULLt+Vmbhf1NevReNfDeu2EdjBfxMTjc

AelXrO0g8vMGTCoOWxkVTnnmmlIhJitY257Fj7VheKdX03WbQ6E4bbIpyqj/AD3xXyl+0J8F

7ePTxqunzS/bS3ygoQHGOfavkxY0tr7dOsgKnBUjGOea0dMWF5cLDvkJyoH8QB//AFV6RpMr

w2ifuSY/LBBGMgYPT0/+vV17yGIJttmImYlWIAP44/zzVDw1GdV8e2cDKw8lS4jbsemf1r3K

bTXWxa5NtE8kbBDGpAGAMVu+E7/VoZGu7OAxMEwUX5vlB/n9a9i8LeK7S7jht7Myi4Iy6yOT

k47Cu20vTrq/u4r6+uXJiYmJFkK4+orsWigwBIzSlhxnvVJbWNdQLMDGo4HscVPNeWts4iZy

NxzkD8685+Mlnp/ibwLr3h6WNWN3pk8SqeSSUbGPcHFflndfDV1gc3A4EhRQQcZH4elcd4k+

G+paan2qC3ZCW+VfX8O1ZmieI7/SLwQzo8cwwAcHFe4eAfi7Hb7jfXZicgBXVQM/j1r33wX8

e4rSIWsVysRk5aVsrx1HrjkdvWvSfDPxCs/EEjn7YJTtJeaSMKQMHAJY8/Toa6Ow1GC4aS1h

Vvk+aNQmSoHAJC4/WqGreAJNQikXTdYJeSPaP3IIUt3GDnH/ANevOdY8JNpdu2mbbu/kUjNz

FEVU+nftj61g2Wkv9o8+VTbnhTMCRx3B75rq7K9WGK3sIrhQJMJcSN1YZ6nPTkVm3z2zNcC0

EsksfyK8LY4zyc4OCPWp9EiSNvOmuXlJTKybzkken4Us8RWdLqO58uNh8/y5Le2etaL3yLbo

sEDv5WOvJbitLTGijUSSWrqxbgFME/nW8ivctmUuq4A2MOgrQt2DR/ullYDjKgYr5w17RoE1

fUogjDbezdW/22rAudFiXLYOR7VlTWCpxkgfSkS3UKOxBzxV60QMwUcD27V1WjGPhCc4OMV1

ccMJz5gIG0FcHAHvWBrqRR7yGzhv73WvPdR1BIJDgkYPOKWw1xIpARLtx713nh/xXG4RVd9y

9ec/5Nd1aeJkMQQSDKDoT19ufpTW1COdWPzDc2QM1zus2QYOw+8V7Dr9K5G7sjE2GLEBsbce

tFnA8kjHLMerEtya6rTbGcFHyy9D2wP8muhiJt40M2WbPJBxnselVppo5iY856AnJ9Pr9ao3

FqCdzHO1uCozz71V8lApTGNvHoDSeGi9l4kgnuWaGAt1HGcf419D3ek6F4n8ORxyTrtIDBd4

/OoPD/wtsYIQ2lyyNJEDlt7bfoea3NO8U3Gl3q6Bf3EgjU4Mjjb09PWrfifWbe2tfNs1c4XI

VO/pXEw3KRQnWLy5ljbnG/mq+majF4pMja3JG1nCxCLIOo9s18uftKfC5TeTeLfC2nxpaWqk

XIh54/vnHavn/S7kxXCqfvHpgdfb6V7BpUlrcaUAHJMirGST2A5z+tOnuY7fNqIciIbcluhH

AxXH/D7W1X4hsRI+PsznluQQw4/nX1H4D11RdWWzyCLn/WI38R9CD04r2c+GdLIi1O3t0ZyC

sphcK2Dnp681Jo+gW3h3VDc2d/O0k2XbeoUxDHGDXfaZrdmjp+/jM5+U7f8AHvWzFrdln5rl

hJglVHY1TfXoCxbzGMit9w9elclrnji0trv5rzgDBCDO3HWvHvEvxZinuJbWK8ZncEKrsPl/

P615ZD4etL26zZqJLeUgSGQY2tjIyemCO9Ub3wTYTwvZSWsm5CVCttI6Z47/AKV5n4x+CFlq

MElykMkFwAWBxz+X1/lXh+teG/Evg65EN7FIIl+7JyQ3+Fb3hrxlf2jRRTTuUBzwfxxzXtfh

T4n3cNpbraIhkhy3ynbx0Pbk8969d8OfFK3mVZL2JXcKfKdd33unIBGcc+1ev6L4+0a80+KC

GSOZpDswGCAYOOpJPHPSrsr6NqcYhn2DYfu24xkc9/f+lYmpeE1YyxQ2SIz/ADQCJiN446jO

f89azrbw/HGolGlSG6X5JU3kKCOvBPA/WsIi2t5pFfTtrsTtjXLErju3b6GqdjHpz3zebJcx

JE2GiB6Htx3qxP8AZmjSbzQIYjkhx0/+vUEEMd7fQxrLIFiGT5Z+8Tjgkf55rq9OaKURxzq+

2NvUZOO9a5RnIEdtI2RwrE5b8PStS2gt4oEWa2y2OcNgD2r588WSJFr2qr0Iv5x/5EauVvb2

MRnc+MDAy2SawbrUEB27h+BxVYamgAQjd67ev51fsJmA6V0OlzJG4w2SeldPHq22EqcgZrB1

ebzAwHQnPWvOfETogYkkc+pzXILqUts4CyOR1PsK6jQfEgWNUEjk54rvNH1x3xuk4wBwa66K

9fZEY7lkVTk4w27jpnt+FJcaupJj5wDwQ3Oaw7m4ilk2q2B2HpWtoVmksm9grAcE16PpGipL

GshXGP4eRjj0rRfRYjCUfk7ehOMZ/WsS98LStIZYs7owAeOT7VXbRXhCrLvUYIPHA/z/AErJ

n0l7NBJcZEQOWIya2f8AhD7/AMTadJdaUNgiX5ABjJ4rX8AaLrtgx0/Vry5aUn91DjAX3zXZ

rreteFtTWx3TukrfvC54APpXVeK9OsNX0E3tuiG4WMlWVec4NeQeE/Ft/aarPb+IriSO3iPy

GVSOP611evLF4nmiXQ71HgUg/L90kVwvjLVfs8X/AAj2mQLJeSR7G28Be3QVNoSWui6FNpPi

G38z+0ImiuDN8ylWGCPYYNfG/wAUfAjeB/FM8ds5kspWMlnMvRkz+hFb3hqRptHg81yFOdwX

qcGm69dJbWsk6yATMpAQrnd27Hr/AIV5Homuw6L48066lnCxsxjZgOFDcV9NeFdZ8q9huGZh

jgAEncPX9a9s0P4pjTEiVHzH/EEk5LZ61q3fxd0m7dZJZSjxHazPnP5d6oWnjeXJMGrx3EMe

dgSQjYM9PrXT6b4xS6jDwzzMYEzt80k569PaqXi/4rWdnorraXK2t4q7CzMCc+uAc9K+Z/GX

xrvolk0nw5PLfX1w5M8nOIcn+L/Ct74Y6HJeXA1PxAlzdTygBmXaNpJBx14BzXsFnaaba3DW

dtZXCpEcPH5YY7RuI789/wAKu3unWrKk0tkke5DHtjwWb5uRjqP/AK1YQXStRE/mrFF5aAkM

AWK9V/T+ECuW8T+A9B8VWxtbiwnCmNlWOaNVY88fIudvXjPX2r568afADVPD8s1/oEcjxRnH

2c53gg4Yg4wRWb4W0+1ln8lZ3SVAVkRlLMCDXr/hv4e6ubOKSzd7gOBuRdw2n2ySM12eiWdx

pLNZazpIgUZQG5T747neBjP49q9O8I+LGOj/ANkQJFImRsJUbUHAyc4B9OvGa39JuAdzfY28

+NmVpJJ2zn8+e2PrW6dOv47hFPmSJcAOzxuP3fAz+efqa4fxXoNzpmswXEMMwhI2syPycHjj

PHXr7Vkf8I7/AMTaS4L/ACSHcpYHB49T3rM1uBbVZ9p3ZYdD0H4cEVneHb9Yi9zvZlc4UEcD

8K7DTDC6qDN5krthEAOcnpXS2fnRFkumw0b4IbcNvqD361Vv9SSC5MflF8Acgn/Gvlv4neL4

tO8VazHJKpxqdwuFfOMStXBTeNo5iACeB69KiXVWuyGyxU9OckVqWodArlCMH5cHpW3a3Cqo

AXGBzzzV+0vfKO7aeO4q4ms7jtyeOoqG/uy6cck+hrldRgMww2SDxjNctqOkS+YXRWUDrzUd

lZTRBdoOQcdcYrprG9ns4wrOVC4HJrqNN8SrwhfGOOtXJdeic/I3IHyg1Fbaks0+OQAevQmu

28P3XlGPBbg/r9K9V8PzZiSIOAeDyp/SuhjtVmAXafmz3xgVci0hhGQ53E4OT045/nQ3h0yl

mKHn1P3vp6VxXijS7b7T9kuSVReTjjJ9DWxonjjT/DOjpGdpUZC7egrjrjxjrk2trr0BuFTd

+7VU6j6V7Z4em0vxJoSyXkaGd4wWbupryu68Ua7o/jKPSWluotNyd7t0YfXtWx8QbXT/ABNo

a2vhy4h+1lQCVGSf/r15vo2v698HrN4PENuCrMfnDevT/IrZ8L6Tp/iUzeLpDJGZRv2lvvc8

/wA6zda1KbU5X88iO3iDbQ/BYfSvPfG+iXvjHT57CK22LBmW2JHcds+leY+GS9tbXGmyrtur

aTOxugP+Gay/E+pyRQiK6RCFJLyLgbvw614frxFxdK0ERQZyoVice/Net/Dr4g3x0kJfbmmt

/wB1uP8AGBjBrsLz4nxWyD596gfKmQN1Uj8UDcPHtkeNRwysc8eldFa/EyBQsH2lkR+Tghce

tacvxyltLA2tndEBV4ZDzn615Z4m+JOpeIrt9MsriRXmOJZc52e31r0L4deDLbTLeOWYB5Lg

YYsCWzj3r0/SLCKyurdysyliFiRT/rckKDkY2sMjn1ru4/E8P2wW11CyzMmBI0wDFuVcMDnG

Npwe+ela4urGHU2Z22s8SohYY818nPr29vWub1X+x57m4WB1nd4j50bOR5ZUt024C9OvOfSo

LW6u7K5vrjTJjaRZAYYAYex6n1PbqKt21jFqrQ6fFf2TxW6B7hJU2sRkk/Mx4XAyAOtZXjT4

Q6PdrNqOkaeyyo2FeCIjccHCsMY/yKxvAjanpmpLpN5pt1b3SJhopZQkirnqc8gfSvozQ/Dt

lq9nCl3bwXEJ6KR90nucde2M1Wl+HtzY/aPsOnRi0YkPDGAVXngYPOcdwavQaGJN73IcvHgh

A4baBnov496vXhk+wb7GMFywwxGSQOOmOD+VY+pafDdxTXdy4M8cvzJkDaBjgdxXH61HfrLF

HaiOKMP+8Tb2xx/n3riPFt1LYWwWO4USE/uwq5BBHrXOaXeXRjFtuaPcSeK7vw64h8uK8hEr

l/kJ65zXZS6paQWs8k4dp/UjOSfX/wCv615f4g8Wk6nJ5c4Vccc4z+tfJHxdvZI/H3ieM7/3

euXmOen7965HTbuWSXkuctjrXfaCY0VWKP8ANxzzXRGRtqykHAH5VNFd7c7ieD9B+tSNrcCj

aW6Y4zVNtfHn5TJXIHB6VYGvrtYEHI6Z7fhUY1VJyBhyE9O9NkmhlbcQdo688mqc9wEUhM/K

OtZNzqT2wMmAFHeqP/CSy2zCMzOQWyFz9O35Vr6Zqd3dsGQsegGa67SI5lXe55J54/z712Oi

3jI4zuPBAAFeoeF7+eSRFQsGOOc/d/8Ar/416doko2ZkQqxGK6BSqpzLgE4G31pDfQRKfMch

kODnjP515X4ynm1m/jstNmGTnfgjJ5rU0rwpFplkLrVoVUREbd3atTQRo+q3DmMI1tjb065r

lfFup6r4P1FIdDlnjglk3OSOBz0GK7mXUPD2o+GpVW8t21B4iVyBkMR6GvLNCh1/4eXtzreq

23nQSfOjY+UD2HaqOtappXxyvltLZXV4hhmXkLgd/wBK5bUtT1/4b3keiW00lzDH8rrnjAPc

1pz+JbDxNFDapzeSDACEY59qp69rbeB9Eke8uA0hH3SNvGK8WMWo3dxL4nktiLa+JQshwAOq

n9K4rxG4ZmjLyPl9iAj/AArh7rTmLrH5bdRltvX/AOtXovw90NIbDEsbjcQSCB0PI6/hVjxt

4Kjjxc6U7xMSC0RGVx6+1efXdlq2mGQXACqpxkNmqL6uw+U3BwOpBPNR3uvlbZoLFpg7D5pT

xtHsK0fC90WKSszFxyA3XOetfRXgzxAut6QulR71uETIPODxzzXYaXql/o2piK9tFiKkMGlB

IbPUD06Vb1G5tJNTW9snM0FztEjrypBOSATyCD61s2OuS2eohruC9aIHKbTz0zhT3JqbWNWs

YLBbyzljjvrjeWEgO8g4AJAxk4rl9Q8XW2mXktiLnybiVQ4jnw4IJHzc/ePB49q3/D/jPRby

GIw6pNE2DkvErNxn7u4Y75IzwOBXonhzxXoUEa2kVyZnum3yyCTDBgOTtUfTpx19Ky/iRomn

avpUPinR9UuJ7zTWLyeajDzYz97ryB6ZPYV3fwbvjNpqbZnIfh2Mp5HPTPevV7W305YLecQz

h0UMpeU7tx9AcViX4eQtbsnnkykuyx7dh6jJHWufa8k+0PbTyOsjKfLUsAmQOOvr/Sob++aT

TzNdWgM7AgYfar8dc8Z54rl9KWW+u7m5vLd4hbZAYYKuu3qPXFeF/GLxTHHq9ppNkfnj5GMY

H1x0rN0XUpW2uxJO0bznpXoOjat58fmJLIWi7SMc56mr/iDxkbTShGXAI6Bh/KvmXxh8QI/7

enHmPxgfe/8Ar1xPxot5V+I/iomQ4GvX2c9v371x+nSeUAMZwRyT0rudA1GNCuSBXQXusRR2

yjcp3DvxzXPy67I+cSbck1nvqtw7YDHA7ZqzHcSqv3jkdgaUXE0QGXJJxwDUn9ovEuNxGR1J

qOPXnZ8b8ZIHWpZtabZy4yBjGKyLjUlfMZZic5I3dKhtLZJpMgMCG5Oeldz4d011jRhn73Ht

+ddvaW7xxDZnaOMnvWzpxCnPmfdxgY5Pr/n3rt/Dt+bd0lIAweQc8/416TpfiCG3gRhLjJyd

p5qW58cRqpWKYFVb0xjj/GsPUfHEpjYwzHnv3ri9N8T6jourte3cBkWRuWPUjPOK7LxB45tf

FkNvp2nGZXddrjGAv+NRW+qr4btTaQCdJSc5TqzfWuy8GWsN9pT6j4lmjnd0BQSryM/XvXl2

s6P4ksvGCa5HbGbTYJd2yNjgAHPPrWt4y8d6P440uHwvbyyRXAwhWPCk+1c3F4O1v4TaYdSt

L0lZm3BCvYn0qv8A8JJp3i2B11aL7PKw5JABJ6HmuPfwrrHhK6l8T6cWa2Tnk8sRzXLeJfEe

q+NDHFf6fIPLbcd7ZyPT2rv/AIVeHtI8Uaa3hyYLGJIyp3HOzBOa8R+IPh278K+J77RtQTDx

XLICBxjJAP8An1rjLq0uILtdPiUsz5DsTXpfh+zS108SmIs3l44+b07fSn6hJNKn2oOjxc7u

Mng4yfyriPENmrOQm5lY5Bxgj2rhdU0pkLbUOxchW24JrFkgYY8zOcZBPerGn37Wc/7tmw3A

9q9a+HHiT+zVknjllimZQDITkKc46V6PNryX+mSzTTyzSJMDkMcDHGBn2IOfarmn6u89tDeR

zo32gMTHKMbjxx7cAH8KkGo6tPJG39prF5abvNYErtxnjPuAKhfUtWhAkuI1aXIVJckfoe3S

uU+Jl7JIlprvnYurIeX8vO4ZPOPpXH2HxFe3hGbi5wqkCPzDhc9scCu18O/GGxUFBKluV6OI

wzD36jJ46k16B4a+MGl3xazBupfPyjhiucH15xg16P4A8b/ZLxbaIrPEzKA5mK+S2R1AOT9M

c17t4d8VTX0BjdoPMkbHmK2WUjsecgf41Lea3qULNZ7AMyHZjJz65rHutRubbEeoiC4diBlo

+E9Me4zWDd38NtE8XmtcLJ+7ViuQM9eSPlqld6lDZWwktbh/IVcSNj5SPQYr4/8AFuvz6749

vNSuFZQJiqDPAA6V2Xhu8McYm34Jxx0/Guuh1q5jhcOwCHlWC8k+5rhPGvi6VLVxLdMFxgKv

Ga+cdV1R77UJpyZD82Mg16N8cICvxI8WKuRt1++HOf8Anu9eYiTy2K7cc9c9K0LLVWt1DKMY

PvV59akuRyxbHvVdJWkYAEnPpWvYWTsB8p2+1b1vo8nAaM47AU6bTnB/fHB6En6Vg6kzRKwW

NsDjr0rn5r1kk3qp2qeah/tCefMcaNgDPXnA6mkhn3sCwZv+BV02hf60MDgjt6V6foKRRxBg

pPPU9f1reWeNF5Gc8DGeP85qa11JEQBSDjtnrW1p+tL8oXjaR05zWk/iWSGIBHPHAOeo/pWV

deKZ3ZjvK8+tXfD919vzc3p/dq+cFvvYrttDj8O3V0qahGS7qQit2rC8RXUPg/UWMUyurj5d

pzgV0fhK0utekg1BLtmSMhn3dAPatzW9bu9Yuk8N6VGo8hwJJYzkkD0rb1/xNoPhrw3Jo0u+

OW6iKqWJbJI9fevJdH8Datosz+NLI74STln5Ixz1/GtC1+KFt4hb+ytZt/NMGf3h4A6//qri

dc8HXV/qgu/DkryL5u7ywSABz6da6/xHLqWi+HVTXLdGVYtyKOnT+dedeFNY0LxncppUSEzN

JsO3Py8962vFmi3nw0mluvD07M853KI8n3rzzx5qbeO9O/teZT/aEahHBXBOBwT+Rrj7uFvJ

s70WnzSqPMbBzkdSfxrpIbmS2AZoZSqgfcycg9RgcdTWXPrEMkUkaW3lvjlc4L8nr+fSsO/u

5po2P2Ztkh3nnOB/k1g3rRODA2BIoOVx0NYVzpciiQbeWAx8prDe1laTyTGVI5BrqfB8wjlM

Ek7RyZGwFuDXq2hXuiW1s7X2oeW0Q3gEjHTBHt2q6PHPhHSYmD6okhSMbIlHB9Rn6GuL1L40

aVHp/wBlgtd8iSfu23H5V5wP1/SqE3xr8U6yBaWGlTXU0hASR88Y7CtjT/hX8TfG0Am1/Uha

Qj94baM4ZvXJqyP2ZLnmE3E7y8HCuSfb+VSt+y3cqryRX91F8m8FQSoPoTz6GuYf4f8Ai/wb

qKRtfgoy5Xczbvw2nrxXa+FfHE+gxi3ll8wouVkLHdnP8xn2r3T4c/GiVniRklubguAWlZSQ

OnBIz7V79oPjI3MLzMMKQERCpypPqR1qxqVlFq8kEqTSKyjfycZz6gH61wuuK8fnwwGXywer

Mcj35Oc1yOv68mjeGria9P2pXjZWjLZG5uAenbNfPLRWk10zxoFy24k5BrqNCgmQLJJKjIeO

OP61oaxq720OGRkjBJXmvCPiD4lmuJpI0duvToa1Ph/8Mo9Z8NxapfxSGS4dmHB6cYrV+PC3

KfE/xpkoir4hv/l3DIxcPx1rx25P7zoTg9xUSGTfsjbIJ45xUiSybV56+lbGjxszAtnnH413

mnQRpt+Vj33VuecsCMxDZxzjBzWHqGooXO55B7Z6Vy2p30bkjBOOeK5e7ulz8zMeRgmqazKe

STnP3e5qxDdckAkHgYA612nhgGaRcgnjvXqOlxFYFCsQMdvwq3L86eWWI9f6VTknkg6SM4z2

NWrDVeAAWArQ/teP7m4ge56VT+0RXF0iJuwWx1Fd1pmh6ppunLfPbv5MgyOOAPxps9vrN2Q2

mzvuiALc8qP61h6lDquoTJFKknmM3V+/tXV6B47uvBqLpd9ZoUlxGAOxr1nRNL0ew0dvFMsb

QNPH5hXOc9+grgLUXnxE1xbq+uT5NpJ8qScbhn0/Cur1nxLDYINDuIS1uygbV7DHoMV5h4w8

MJcxtPoUhhkkX7inn6U7wrqOs+CtPiutWtXLhcZYHn3rL1L4p2/xF83w7FE0aySbC4HIB49a

ozfDn/hXssmsaGZTIQCdpzk9a2fBvik+JJRpmvyEXUanJkGcdcCpfGvwhGlWp1u1lzDdrvOO

xBz/ACrx+ezD6U9rEjZgkIPAHr15qrf6jDaWcavGx3D5hu+97fpXDXupMiuzb95fIXPOMHrW

rZNbG0ifzyx2Yc+vSqN/c6LbzCXzELMmHORz/wDXrkrzxTCJJVjjO3gL7e9R/wBv6e6li25s

cnIzmsy919GcG0whz/CaqDUtVvZPLjMzSOcDdnPNbumeCddvo1u9QLi2RysoLAMu0AnHrjIr

0Pwx8FlN1tm2SGN8BgR+8GSCMH/GvZ/h74E8NWsLWVzbwNhdsm8hWjIPB57jvivWbTRY9M08

WqSJdxgljKF3MQG+8cZ9+PpWrb6bpOqWKLNft57EhcNGAWAyc+nT1HSuo0vQrCWPyo4LgRY8

syLH8g79cnFcp40+FvhfxBp8gs7p4ZnZtuIB5ZOBgBSAfxzmvm7xr8CtYtC1xY3tu3l8NCFb

JbHT2ridMuPEnhvVFtb61nTymwVGCfw9a938HfFKEW0Ecl9KQg2iN3+Y49PSvYdA8W2dzD5k

dzJAsiKxPmD5cdeBUuu3ts8Lv9tG5FJUn7rj3yev+FeFfFDVpIZodCt5y8SDfLg8Mx5/rXnQ

mjVy0kbFgMZA/wA4q5Z+JUsV/wBbyuMD1ql4k8UQ3FsTJLlz05xivLBaf8JB4kgsSu7LfNjP

PP8A+qvsTwP4MFn4YsYFhYqsfy4BrwP9olWi+MfjmLJO3xPqA6f9PMleOzsVYsGbNViv90kj

Hf6U+M8gE4PvXQaZcrEyEvwvT0rtNLvUmUNk47gelLqWpkDYhOcdcVyuoXtyC37yQBuCM9fa

ucurp3dgocZPSqTnIBJbiq7ZU4DHJP4VPZDYeSSa7jw/Md0aq7dh6V6foWoB4lRySD2ziugS

JGjZgTkHoe5rJ1JIow0pk2nGASPrXLvqotpCTIy89z+tRXPiFEYbXYYHODXSfD9JdZ1K3vG3

GCJwAAMbjX2Dpmkaa3hdftUg3SQYjjbgA4614ZDqLeGvEs/2yGZYTJ0VMA1leKfiDpJ1mN4Y

93QKqkDHr0rrtE8J2HxFs7dokaKWLLl8Y/Wqeq+Jdc0HUV8IW1zJJbxv5TFjxx7969Uhs9M0

rw6x0ryJruRRuaMjOT/+uvPdSmmsI5Jr4O054Abt9eaztFknsbt9Vv18yPBZRn5R7iuQ8ZfE

7T/E2o/2DCzCXcEG0YwAKon4cv4TiXX9MmO4xhhnnJ9K6LwH4/TUWTRPEDgSAkN5gH6V1HiL

4cSRzxeMdKdNhkJKoMAAAcVL4a8eSfEK4m8EXeD9nkCcf3emPp9KzfjB8ILbwLfRX1nPvs7x

MOpH3XHQ/wBK+dfGyJbgpDG20rwynOK8k1XU71J2igbBHqM5qTTrLxTexskF3Ko2ZC8YqnPo

WteYUuXmDA9h1qidCuTJs+fOfTjFS2/hmaViGJHfgfWtK38ISb1jlDKqg8lcen+Nd1pfg/Tb

ecXRuEQCISEKQzDjHAPXkGvQtP0DTJruLUrO9/cSRqGidcFsqQ2RnuO1d7oU0fhuNP8AiXLM

kbAw3iAeZtOMo47DOORXXX3/AAjfisQ3WmNBZXsQCeemAzezqOvU88ngUaLqyxTHTJ1vobi1

yH2vztHJ6cFenWtlfEFnaQyTK0k1qxIl3S8rz1OOnpn3xWnpviS3BA0oxSgOCfMlXdtx90n0

9zWpaeJ2/wBRNpsKsQNg3pheDyMY54H+FY2p6FHf27efJNKVyyqVKtnI464Pf65rz3xB4Hsl

lN5Lp5aU/wADIeB6Z6cfnWDZeGo43Qi0jt/mIVs46f0re0+WbTHaCO+LjGevUU/xD40zOnlC

RhEvIJwH98V5hrV6L+/luru5be5+9nj8KxHuvs+//S+g+7iuS1DVsztK7EgNkAHpWM+tyElp

JC3HQ12/wc0GTWvEA1RlykbcHb6V9yeHZLOHR7aJmwUXGNv3a+PP2m7Yx/HT4hIC2R4p1Hqf

+nmSvG5rf1IyB1zVYQjaOxHvUIAUEEEfjWhYzHKplv0ru/D8IZAfmBPvxWnPpRnYN5bAdzms

LUtIjTdnPXkZrmbvTVQ5XII568ms2a1wPuEgYqu0AQCQoePWnW8R3cgkjmui0idUdd2Rj3rv

dK1IQIkqt0PQHtW2/iZFgwWwVOBlq5rWPFvyAMw/A9K4XUvEJMhCStx0+aqVvrM11MkCFiXY

DrX1F8EPCavp8EGJGcjeTnpya9QHiu8sGltL0vi1BSHLY/Guf1l7W7t2vZZElDZPTkH3NePy

aNaa74mWx+2Der7sJxxzxXqia1q/w20oXNvcl4h8uz1/xr0DwNpGl+P9OOt61FEJJRviUMAT

3/rXGa3/AMJB4b1eSeHzILIy8gkncP6cVasdYsfG8nkBOUG1n7jBrkPih4hHhS2bSNLnaSQj

aGHIOfevOtC8Ki3kGvyzI07nzGyfXnrXq3gzxMNUiOn6iUk8xgFzjC1N4r+F80xXxLprKDCw

IWMjGB6/nVrw38SLq9c+AZIwMoqbvT1rsb34Uj4bWkPi7TZgJpIxvI53E812XgG90v4oeHZI

fF8cchdDEokbBz+P1r4z+N/hV/BfirUNELGaNBmCTpvQk7a8g0rSIbq/MsyZJHAz713lvpEV

mkbfdQge2Kt3umQLCs5jLbzs59PWuZ1Kys4yd1tIkgHzc9sntWKb+KydokkcgLtwRk/56VTv

NfadnURsqkEc1VTXL0/I0hXsOa3PDHim4sriJCS2xiflxyK9O8K+LWvn8uWWVEkGfLL4Ufzr

u9Cu1t5hHFdJCCu3LMCGBx/Hjita/wBQkZ0WXMrRKVLRupKjHTnk/UVHG8csImdp1lZSoMeM

HJ6N0/XNavh3w/dXbvbC5k8qSPcU8sAdfvZDDGBmvRbHwjaWUQWXWrKfzvkdXBZvqp3cc8ZI

rft/D0GglGiuLp7edgtwwhDGMY5wxwRXP+KdPie33R+SLRdpz53z5zxkZrzHVJrMSyrLNKGQ

lYgD978a5XWNcksQLOyDPK5+ULg4+vpWSJVtYXa6nLTyA7uc446D2rjNX1CBGkUzFyOmTjiu

Rl1eS6lMePlB+9nNZuoXe1SGBGfQ8HFYESyX+owWseS8sgHXoK+svhJ4LOn6XaRpCAzZJOeT

X0BpFtc/YYzhvbOOK+ev2m/C8r/Gfx5cKh/eeJb5+PedzXg+o6JLBkGJqxZrFk+YoeDVCSPY

CpRiR2qWwlCSgFSR64r0Lw3MrKsYHyggAiuzjVPJywPA5XFc9q6x73cR52k4OK5G8QYO1CTW

DcY2nggL1zVAzDIUoeB61IbiNAAqYwAOnWr+mEM4KjAzwN3+eK6u1dkQHHA54qtqepusbR42

7Tnr+n6VxWratKRt2k4PJ6/1rn5LuQyg4PP5V2Pw/wDDOo+JtUSS2QhIn+ZifSvsr4eyX3g7

Qoluo1Qsu0Erz3pnii4XUSrQIRICNxzgH6Vj6uLi00WScwhowhJAOMECvMPBMF9Brba3Hak8

kZY5xXsnhmeDxtff2NfWh56v2GK6jxV4fvPB4ht/C4maNB1DfKvHfFUm8XWms2iaNq0YnuXb

C+x6ZrmfFPhqfwLpsmrWd0yBssExyK8x8OeIrnxj4hYa5Gogh43Sd+PStf4mSQW2mwWWixqx

J42t7U74WaZqN7EouY2jaNh8xOM17JJ4wfSVHhlYxJFKmzcTk56fj0FTt8J4NAtYPHVtIROA

WYsOcnnFdn8KPGz+PRLo/ieIeXasQnmYxnOB19q5P4o2mpeE9fhXwpFPHZxsGkMR+UZNc18c

/CGj+PfhmvimylY69oUAM6oM+bDnkH0IJzXyFpNq1prEckibowTxkjmu3d48LvUsqqCBn2p8

9356RNAV2KeB2rmNXklW5llAPTAzXIXQ3T7ymCeoxj1qnswu4rnZjqaryyxqcOmM+lSWtzHG

d3Q4xu6YrpNH8TfY9qmRiy4H3ugrvtH+IloY1jmu9gQjC4yMV39n4itbtT9lkR14OFP3eO2a

7LR44zZLeTLKfJO5gRjcOmAScGvQNF0x7m3W+h0KaNJSEM8cw69ABjOD6nHJrpPDXgLUZYst

d29rHO/ySIXaSPHOCCBjt35rs4rHWtMtnWKZJIYIXMhJ3vjvwODx9OvSvMvHfiu2WAxtbxwg

8ySKo3+2frXzjrmvwm/lEc8zfMeFbOPr2qlZTzRRM7uHkYg7yeTXP6zqUqeY8icEHgNXn2q6

g17KWjVlQdcVXhuordQ3lqzD3Oc1malem4XYVxjoBXT/AAg0JbzWBfyWxYQvhc89K+x/BmlL

JYQspaIg4Knrj1r2DQtHWXTYnSVtvbccVwXx/wDCAm+J/i24aPIl1id849XJrwjXPBKPuURO

ODjtXBap4KkgU5R8Z49q43VNDaNfKEWdrEkgc/QmsNLZ45WPzZ/nXT6FOtsRuJPPrXXQ6qPI

2Mp9M7/1FY2oX2cqrk59Gziuc1CdI1xubGPXvXLX16qOVDMdvfJ5rLlvu4Jzj1pkV0zuFBJ9

s1vaRPh8Bmz/AL1dRbzMIwobIXpz2rF1m7OfmduMk8+9cne3Adi24n8TRoei3Gu6jDY2asxL

gZB4FfX/AMCPAFh4ZEL6hAAol3Oz/wAR4r6Uh0Lw/wCLok2gxiNQFkRcYNeSfFXRZ/AUgmiu

fPO/Gz6c1wmpeMbO80kJdKyoQdwPA5FSeDLTRJtNcKZF+0udjZ69K7e08JDRLP8AtaynliaI

Z2gn5ue1bfh34gSG3Np4hjHlqAu5z8xrLuvB63jS+I9Ecxx2vzMS3X8a8l8T/FDUr3WT4ZdT

cKGwzE8Dmt6+8OaHZeHn1KCMG8K/8szivGtKuNYPiAXGqx3ItVfKKCSBz616GfiXp2ly28Wn

ZQu2wIv8Rr3X4W6JY+IrePWdVkMclu/mDeM5/WvTfD122ta7ceH7tY5rBX3AuAAq/n71zHxi

0NfCk/2jwfG8by8v5TdBW14M13Qda0FrPU7hGvZl3MzckfnXlni2U+BdZkuftCS2dySs8W4b

WQkg59uteAfETwZZ2Gqrr2hMG0W/bfBh8tEe6H2znFZlxZR/YUlgy2U5zxisuwMkNo7ThiQ+

V5P6Vk3t750hX5wAa525zNciJFdmHGB2qzpvhO81GX/S2aFAeNnLGuuT4O2sHky3QuJ0m27T

v6ZI7D1zXovhL4QeGIXQy6fCXTAIlHIycA5PGOle+fD34CeD7ryzqmj2kaRomWWFW75wevHB

yfpXbr+yx4NudTgE/hPT0tyGd99uC7jPOMcDgip5/wBkD4aRJ52kyX+mXLKwZIrpgIW6ghG4

ce3f1qKw+A914TmTV18SWNxaWrATR3FmUDZyAVAPQ7ua3ItCuNNvvtVjpzT2chIC20QUgjtk

EEAAHqAa6G8liSwluJ9TmgtnYGSOST7xx065Jz6djXFXms2loJE0yYFZIs3Mi3GC3bcVHr/h

Xz98bvGltZQlPtP72VBHGV43Y74zXhn9rq9r5MWd4GS2eW+tVV1aaG1Lm4PzcHn0rkdU16+u

5PL8xzHg5+brVIXbsixkD6dKqzTFV6k8cgVmsTcTCJFfJbpn1r6C+E3hz7JBG0ceDuzwK+nv

BFrEsMKzFiW4OOcc17HpNtatZJ8vTI6GpPjF4Tju/G2uTbAfMvGfJ9wK8Y17wiuCEiyApyMV

53rfhQFWBiG3PIxXnHiPwom1/LiAIP4V5xqfh5raZgEbKnHpWfHbNA/APBzg1pQ3XyFWAJPp

VK4uApO4gY64PWuX1i/X5lUEEnqDXK3t0WfKg5U9QaoCXk4HUdhU9sTkDufU9a6bSU3EEA5B

5rpo3SPKYGAcZBzWNrLD7wX8xmuZWzlurgQQQ7yx4wK+oP2cPhKIZUvb/T2ZpHU72TgCvpzx

PoOmwaVFDpVsIpsgFwe/eqVnHqfhPR4rpbskYOUzxgGsSLXB8Qrll1a0URW56sc5AwK8y+LO

i6Hp0kNppsyLHKfn284p3gLwnIbX7Ut8dtu2Yx7+gr0PTtcubMeVdgTgHaqHk/WqPibQrTxG

caY5FyedgOADXLeKfHureANKbSNTQsGUrtBwTxg8VzvhPwxpfieE67fWqxO7Egk4Jx04riPH

uo6xYau2l6U04gRgCSflxj0rptM1fQdP8OJFeMgnMIyZABzXn+h+FL7UtdttYT9/bW04YjOA

o3Zr6X8J6zfta/2PpkO7coON2BXojeLtL8PaD511GsV9JEUkwcfp+VQ/Df4leGNeS6XW7pHW

EFMswNcfZXun3HjWWS0voliBbaqnAA9MVc8Z6bp3iSN7e6uLcLJwCTyVHWuR8QfD7Rrfw48V

nfKwLfIueBycmvNNb8I3fh+CC+gKXunzceYhyU9iKzVVLmPy2iXnJCr91a5y/wBCknSQwxoq

x4DSAfKW78+wqTTPC9pbZm8p2fHzSsvrzgflWpYaSEw6oy7Dn8q7LRLC3hihE0I8tn3eY5z3

GM47V3GiyPFl4ILQ+TlmBYkOnQY/E9xXrHgbxla6dd2EtxeXIDRhAIWUBDk5DjqRnsK9gsfE

3hhIALl43SVcpMowY2/3mOAOn5VaTW7FIDfaSSTakuouW81w3cIUJJBwB9a1NQe0ubWa5v7G

2srqBVeFnO4SKc8MpwOAx79a4DV7y70BpIrS2SPzcDzN5YtnOD1+XByO/WsHxFcSmNNQ1HUz

gEeVGXAU4Hp15rzXxB4ktrZry7mvP9F8n5xt2iPaMnmvkjx74sPjPxRcX9tI/wBjjPl2qt/d

Hf8AHrVVFkjhV3wABtCgfrXO6rePuESEgL71itIvKFck9800ZiHK8j3qCWQhc4I46V0nw+8M

Nq+pLcz4EcZGMnrX0z4Q0yazuolt4Q0Z6g9MV9A+B9Jk8uIvGArfMOMY9q9f0/SEW0jEU2Bt

966/4i6IkviHUZWJHmShuv8AsivKPEWhwxKSuEIU/KRzXmOv6TBiQ5APfnivO9Y8PCXcdu0Z

yDmvOtd8NQo7HYNw6Yrg9S8O3xclYGC9sisK60bUYBjy2A6iub1OC/iJJjYj9a5G/wDtfzfK

wI7jtWTKrk/Mp4wOvNMSCUjAU5xjj61Zit2XaWGfTmt6wn2ldxxjGOelbcV2uTsGFI45rPv5

VZSRjPfLCuy+Cngo+I/FENxcxgW0fJLNx1A/xr7ssLrQvBmix2qW6ebNGQhXHXGM1mWmuXmo

yR3rS+YsXOCfzzWLeeNXutWfSruEyox2D5uBXR634c0fQvDbX2nRhriZc4STOWOa+YvGOl+K

rzUoZJ/MMIY8Z4Xnv616n4DsNVj0JpcHdEo2oo+8eK0LydrX55QyXJ9D0NW/D0z6Kk2pSgTO

ylvvZP5dq8t8Q6rp/wARPExtpbV2aNiC4PQk1m+OBceAtMjtdMvpmcYO1ec1ifDPV/7SuZdR

8TOrEnlX5/WqXxG06TxDqf2PQAgVeoifLY5rrPAmk67p1gmmLoxG778hbpx+te9/DHwHeafZ

S6xeAhYlDLg9e+K5jxB4R1Dxne3PlTsEUZ8sPya4/wAH/CjVrS7vFTUWiGSZEDdTk/rWd4c8

JeKbfXbt7a6KhyQys3IGTWjc6D4t+0T+UxIjOyMZP4kVU1nwl45/sQo12Rg7VCkjOT1NXLbw

T4js9FtjqVyJI/LwyDoBiuX1LSZ9LuWIdpLdlKqehXPY07TrG0YRQ3UCeTwdqng+x/GpLqKF

pR8oRF+YKed2P/11EYk2vFIkUiTYww/gNbWlan/ZNusGoTwyb18sHy8joefQVozaxaxyCW3k

jLhMBN4UfKc8jv1z+FX4vGNjeRSFEgM9vgOEwB+H612fhX4gxWV9FFFYMIlVQgT95ggckFu4

9a7tviLBcaalt4c1SQwlSjRkgTGXACqO+McHHTFYY8Xalq1jNo+t2EtpfI+UZbgoWHHG3Occ

8DFY974o1W22iWac7iEkZ5TtI5wceucA1R1nxW81otvdpDdEEMxRgCvHqPwrwP41fFDz4x4U

0e63JIn+myqeTn+D/GvFBdG3ZWjY4HNaqa3I1uEJyMcc1QuLsSxCMDBHGc81kFyGJxjn15NP

Erbc7hx2JohglvJ0t0X7xxxXqngy3bStkcYJAxuwa+kvh/pN/cXFuY2UxsRkH0r6H8JaUIyI

ndd6nOC3TIr0+ytoHt1ZzsPoOa77x3pZN/LdbCVmwR2GNoH9K8t1rSy+4qjZOcDPNcJq/h+P

5h5Y+X16n/P9K4rUvCNzeYSC0JjU8sT2/wA/zrnbn4VSO/mGA5PcjpWdcfCOXobV2471jX/w

fYbv9Ezjsw5Jrhde+EQO5RZHJ7Y6VwGqfBeRpCRavyfpXNXfwZniyfs7ccgVlXHwsnt2wLdx

g/hWVdeA7i3Zt0LKUyDWTLodxa4QxMoHHI61C0MsZwoY4PNQTwuwOcn1FfRv7OGh3uoqEjtZ

VWNMlwuc1694ltLjUb62TzpFW1YrjJBHPU111rp9r4c0WQSAst4vyHdyeP06VyUGhW2o3a3J

DxOuWDhs556f0rA1XxBq9vr6aTNPMbSN9pJ5A7cVt+KdX8NDRBtRDcBONwyc1h6B4nvba1WO

wtSioCWP9abpOvLruryWtwhZnbBZ+341S+KGrNomnpY6SzvK45MfIrC8H6db6NYyajJK6ySK

WZm45xXMXOq6t4r18WMEZuraJhukAwB9TXbD4UyatpEqaZbCKUcvIh6034T/AApbSPFVwuvX

BnbPybjwozXp/iC303TL0RKy/L83yt04qK0+IWqQ6Zc2NtlTj5JGbOMcVzng7W9XludQd5vL

MmQr8Y4//VSeEb/U2u9SYTkbzt8wt0wTWX4S/tSXxFfM0xlCHarZwF55ro7uTVoZ2WWcfJ1K

4OfarOrXOq/8I9Gq/u2B+bPVsk1Vvm1QaRErTkDy+VByc471yd5Z+aDGwJ3dc/xVyd9DPaXY

iw5idsKxOAv1qR5pvPdZuVk5Em7p/wDWqtfObWKKyS4dQowxxj6msW51trWEKH8xCfmZmxn+

orEk8Tai7KJJmbZwm5skD0B/ClsvFUtlPIsUL/vFBYiUgE+tdRZ+M72R4I/tjKsY3Htjiu00

TxpZ27Q/2jdicDlJYpdo54OQDW7feP7aaIyRzhhE3yu75IHTj/61Yd94msbm1muZcTXDOFVj

cMCRjpjpXlniv4mHTme10S5LXL5V2PPlj6nqa8qkleRjKzyOxOTubJao3+6EBOTTYmKNt6AE

5GegpW+cbQxPPrVdshtu0kg45NKkTOyxxIck4FegaD4QeytYryVN0koGMHkV6t4F8HT5Ms8Z

c56Zr6I8E2a6akOxSsLHoTyp+te0eHpI2jDZDoRgEnDGurivBAgj3EAfdy4HH5ivYfEl1bWu

oTWeqyuLadg0L4yIjtG5f0DD/gXqK888Q2U1leSWu0Bg3XqMeo9awYPD73rncu4Ajk5x9K1o

PAiyOCEACcY6ce9ObwLCjgrEMAcYFK/gO3YKyweW556VRuvh9Zr8gj5Hfb0/KuZ1H4ZwShtl

tz1yFOMf0/8Ar1x2qfCqAr/x7D5RnOMVyGp/C+H7ywnjrgZHtXIar8MkUOVt85GBgCuK1b4c

woW/cDI9RjGa868R/DxUYusRAGePcVwOpeD54cgRH1HHWs2x8IS3F/BE6OfNkAO457194fA3

w1pWjaFGttAseFwehJx/+qvMPHXiWeHxlP8AYoyIDcFGA4I54P611t7eHVNDt7GWZjMo425+

UZHXmsY6yNKspI5bhoyMhQ2Mk/1q74XsbXU7aTV9WEckZ4Rd3P1rzrX/AA5ea/rvl2zYhVyR

GhA710Np/ZWiWAtrgbZjwy5Oar6joVv5Mmr2zfZvLXOBxnj9a4XwpD4r8YeKFs3gJtVchJJf

lBOewr6J8Y/AZbPwXJfLc7isRLADjpXnfgjwTpOn6fcCdlT7OxOc8njNLoHi6PT9QmtIJcRN

kbc4z+Fcbd+PNQTxhcJBKIo5JCqgHkjmr0txrOq37kS7IwAoZj1zwa7Xw98P55NOlnuLwzFE

zt398E/hR4U8GSRpdbrlTgkqu4YBqTwl4RSV74/awXTJZAe/NZfw/wDDN/Nq10rXQCsxYoG9

+K6Wfw3epLIFcANIVXcw6D61T8T6DqkenRqLjfIZMcN0HNR6pot7Zafbm4uNxZQG+b0FY15b

W1rE0jtkAcevFcndGOZHjFoZEbg5Fcjcpd6M8vmeZNbyYB2tkoKwdT15Xk3wS5QcDJ5B/OuY

1e/Ezk+cQVHGMc1mGVrmMRuGKhi2FOefzpguIdgV9quccZ5706LUTC6vHI5xwcnkDmria3IB

vDkRxryB8uBTR4yeNEEcjSBDnaTnn61mal4r1G9PkNcukZz8oesJnGW3BmY8HJ6VFHIU24J2

9etSI+4gqDn0poYEsRkBATTFkBRRnkHjGaRnVT8vJHXmuk8DaJcavq0AWF9meTivpjTfDmmW

NrE9w0e6NAMt2rRtXhhnzBJhTyNpwK9D8J6qWeG1l3SIzce3tXt/hFomhQ/OgUZBIwCM89a7

mJITDH8q/d6Htz9a9a8UWCahfXkM8O5TgLz32DkVzkVtJqlsNO1E4vNNixCR1nhXofqvQ9+l

XtG063BSMLxnBOTmulstIxwEyMYIz1q02kRBAfLBx2xVZ9PXlREF4+UZrPk0o7tu0j361lXu

mbU3bWwRj0rm9R0iHaQYz+P8s1zV5oCFiywkYHJ/r9K57UPCivAwSD5mb5tvt3rk9Q8BmVmD

REZJ6+v1rgdf+HHVhCQCTkj17159qvw8WNt/2ccDcKp6H8I72+ukvLaxkl2SYGwdD6nt2r3/

AOHHwx8SaLYzS3G4K4IAZjlcfjzXj/xj0Kz07WIDbxGOdGLMCfvc5zXM+GtduDO01yoKwNjB

YVuahFFr4ijjVGbdghT1+tLr81x4Z0eOwa3y0mFXHbjnnvVHw5p8ljp8mpTxyNM3PJJwKoTx

QeItTWEy+WcAkDpkVzXj3X77wnA0cUvnxkhBGX5x/wDqq34U8Zx6XpUWtz2jrcHBVQOTVvxp

+1H4gvPD0ljaQypCIyhHPzE+ufxrzLwp4w8farZXBt7eY7nLmRicD2AzUvgrwl8RPEmuzXMn

nRRvuA7EY46Vr6f8NfEg8UPOzPIyOU+c8k+tdXH4X8S2szrGjyiJ8AAnGcV0Udl4/sNHuJGk

aJFBY7SeeDWL4etfHZ0y8kaRlUfM7gnOPeqXgrRPiJtv5pHYRyHzS+45xn9Kt+A9P8fGa7aK

JyJmBDE4KjnpWzPbeObhvNZZZMkpHgnAAqrrUPj1bKCOSFwwbaq7jz7025j8WxPD/aSSCMAc

E/drQGkT3J+0XpIVRkjdgCvPfG3xI8M+GGltYpBJKBwqnNeH6/8AFvVb28keyUxoD8oz2rk3

8XapM5bfhzy2O9bOkXJ1m3ZiVE0PbON3FVLzUp7KQKqnI/2+Ky5dZvJVz5KH5sc5PXNJb6ve

yOgdgFxyAuK9j8Gaho+saGdFu7WFPMBXeEAOSOpNch4v+H+p+HpXu7WNpLVhkMvOBXGmcZwy

kN0OfWnDHyjBHoc0KgyCAQVPc9afHvTIGF3cHPWpo7d5Y5XEbFFTJK8gH3/AGqgiwPu7ccY9

asaVp7XlxFCwwGavffh/YWemxRQi3wdud4wM+1djfXW+H7Lj5sZU5/yKbocW+4XbuIXggHFe

teD9HaWaFmOBnuehr27Qo2s7aOLrt5y319a3rWG+eLdmRsknhulfRGrJI2ozhV/iXn/gIrGu

dHuPMW8RG+0Wr+YgORnA5X6EZB+tbOlabbXEUV9ZxukUwJ2vwynoQfxzW9FCsa4UEfjTyoxV

eSJU5weTVOa3Xafvcd+tZl1ZNj5QeOvWsm601TnI6DIz+tZ0+lBgfkwcA5UVlz6KudvluOMc

cZ+tZF34fjVjIUYcYA54x2//AFVy2reGg2fLjZieigZrjdW8GK0cu6JgCOcdv8fxrb8CaHZ6

WEXUyIolYEE9Tnr+tdd4w8UadpdnG1i/AYEKpHAxn8ORXyb8VrWPV72XWdxjkgLnaHyGGc1x

OkfYZrTfFFl5xsA/u1No9rqGiai88lo7Rq2QdxwPpV5LqDxdq8VsTJvifnOflrpfE2nrpdlF

Z2Mrlih3kjtivItXvpvD5knhX96Bzhutc/Fq6eKJBBfWrSRF+WxkDHvWrruqWej6YkEFuuIF

AjAHPpXmmofbbnTDPFBJ5YX5jjjOe9eqfDKG7tfDBkaxYFNxZmznFdB4I8Yaha3F3PBYOuci

JvUetY2mfELWbzxleK2nyHyiwTaDy2eprpj421xJw7WrKsJxkD7xrRvviPrMfh+aQ2U5KITJ

uXJPGKxPCPxI1g+H7qZbCZXLNuyvy7fQVb8H/ErVl0u9cWEoeVjkEZXb7VZ+HnxK1Fo7uf8A

syUytL8qheAv9a3ZPiXq6z+ebAwqCNihM9zk0niT4pzH7LH/AGfIoLAbvLJPvx2qhqfjy41W

WC1urJo4YjkNt5rxr4y/Gd7OSTRNDby2GQzqcEcV83Xl5c31201zMzuTzubP/wCuq7YIxyMn

HSoABnjccc1r+GZZ7bUoWUEozYYA9RWl4lsPs17nY21ua59kQYbJAz60+GKMKu/crDB6nmu1

8C6gI7hbd8rlsDk9ele0adNDLZnTtSiM1vKMHOcCvP8Ax18ImVm1Pw8pkR2yYx/COa8wutI1

CwkaO7tpYip5yDioVPlrvIJUcHJp8TblBAct0wMnNanhzULay1i2luIzJEx2OmeueOR+NReJ

bWK08QzwRRvHCCSsTNyozwDXX+C/DcszpdSRhhuztHH4V7Poeh7LFBCjB1J6Gp57LUFuCGVj

HjB71v8AhTRnF2RtIBIPWvorwd4dVbVZWQblbfweK9E0uzCbkcksONvPArftre3SMZkxnn73

t7ivohoF85pNpJOM80GJT/DnjHWmxRR2QjijQLGzHPPQn/E/zqwBjjFGPamkdqiaPP8ADyKr

tBkYAbI96rGzA+UrnHPXpVSWxGDkE4OBhh09apSWIGVCDj0NUZ9H8wszJ7gEgY+nPasu60tB

lTECQCc56frXMajFbWdztKlSueCe/rmsjV9HC6PNcW6GSVeQAflQ47Vyng+ztNWka11mFl+c

/fbknPp2rgP2jvh7Mll9q0mEL8rBhG3UcY4r5n0i3l0uddKn3rIrBjhu30rtW8T6faaUbe5L

KejMz/1rk9F1ZNKurjUrG72o7Fs7sn/PFbdh8S49TV4pUQgnly3X9ayPEGl2/iBDDbL8jn5q

Zpvw+0+0ikeVGt+SxwcbvfrVa+j0GO1UXKh/sx5ZznNV473RRYpAlpG68bQoGK7Tw/4q02w8

OyQ3GmbXYHII5UYrn/C3xA0fzb3yoQRnYitjJHHPtUPhLxVoa+IL0raqDGS2So+Y5967N/FW

gF8R2CERsHJJ6nsKn1bxj4bl0Ka2mtIx5iktt9fTNUdG8TeF08Jz+ZYxgS7uAeQOxNS+FPFP

hU6BPm2UK/AwwztFbngDxR4OtNOuN1jHtkfapBHTH6Vsp4p8DvPHs05SkTbVZmGGPc0eIde8

CT6jbyiAPJF0UsNtcJ8TvFHhqXTHj0m2Ec6qdxD/AHTivinXbie9v5pZdzuxOcvWKYW37SSB

nu1J5ezhxkk/3qYsXYRnvwCa6Dwa9ok0wuE3HaCpLdK3taWPUYYmRSccferkrvT2t5R3APJJ

6VWRJEPDnBwPvGtrQpTZ38UuXGHB+8c9c19D+DxFq2nRjBYketbP9k3Fp9yMsueVZ6hv/D2g

a3EbXVdOQk8bscivOtZ+BMU8rHRL9doOAGbv9a5K/wDg14y092MWnrcofu+XJ1/wrnbvwb4j

s50afR7iIoPvLk++etaNt4WvVvrM3aTu1wgd3ck5J56n8a9Y0G3fQb20+0afK9pJjLL90e9f

Q/h7QNNvdMgltlUeYONhFburfDdhp63QgD4GSq9ao+F/Bdw+ohIoXG1wa+gvD3h57WKNpVAX

bj72K3p7OG3CKIwrMwyQ2cHHfn1rqNL8PQy2MU10TvkGQBIFwO2ea9lYcnimgc/SldBIpRxk

GlQkgqcll4JPelppHtTckdjTARnbzSEAHBBGKga2j3c7uTVWWAbiSOPSqcsYX5cNgjIGelUr

i1aTCqCSBjGcYryX4ro2l2Uup2s8imGMswJ4Nct4O+IUOoafFaXCSNLMCMdc9fWrV7pDNrIu

NNnkjEUe58HHP+TXNeI9QvdT0+ZJ3bEMZ5zmvlPxYktj4he8UBAQM46YrB1u2fxDZGCOQxlc

EH1NY/iPw9q+i6BEwnLKegUjjivObbV76O6ZWmkUk/MAeK9a8FeIJZY4Ipgx2t1Heui8XeJ2

j02RY2dGICqDzk1g22ix6jpkEl7K5dsNIqnANbFhpOmadp6XH2bKxyB8HnODnBzW3p+m6Xe6

FcztCwaRm5xXN+FfDuiQ3l0IrT/VcE+/rWh4Q8O6CNeuFa3YsrFmY8nr1/8ArV1tz4a0KJ4V

aNsSncQB2pNU8D6B/wAI9LLFE6eZkgjngdsdqj0TwRoM3hWdo42UtlQfocU7RPAvh8aBc/Z0

ZXXKg471f8HeAdDk025EfmLITsGTxmtWP4c+H3uY4ZLiVSnysADjP+SKj1X4X6J/bEEL3DpC

O2Oc4ptx8I/DUz3qyO8rBfkG3gD8a+H/AIjeGm8P+Kr3T4CxhDHYQR0rkHs3LD7xx9KbJA4A

zGTg4xkU1IXGPkJxjqRU1mkkM4ZYiO/UV1ekKbizkEgYEElTkcVn6vaySW+5UK4OOCOetYi2

zlcFW4HqKu6faytMpwxO4dxXuPwuuJ7WRLeRWKnOPmBr3O10yO8tdyx5+XPGKoXnhd4W3MpA

xyARXNz6TPaD9wx2jjhsYrPmvdTtjgNuPuf8+9Zd14jeJiJbXeFJ64rh5NejvdRaW5tmSMuF

4xlRmvoLwR4Ng1HQIorkrJBcjCZ69K7KPwFqnw/ltNYgujNYMx/d7gCp/PmvefByab4g0iKS

f5sICFAI/wDrVMfDVpplylzaKV3EnDc5FbVvOi+VE27afy+laNpE11cC4aMhFYrjIPNbst2w

fZbIyJGAu0kHHH4dsUD/2Q==

--------------697B57345597--

=========================================================================

Date:         Tue, 16 Sep 1997 08:29:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re[2]: knowing the lingo (was: A funny thing happened...)

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Goa is a region in India.  It was a very popular destination for

     hippies in the late 60s and early 70s and had a huge drug scene.  I've

     read one book on the subject, Goa Freaks, by a woman with the first

     name of Cleo but her last name escapes me now (scary, because I own

     the book)...just wondering if anyone on the list has ever been there.

     There's possibly some Beat tie in (Ginsberg?) but I don't want to tie

     the list up with too much discussion of it.

 

     love and lilies,

 

     matt h.

        mhannan@usoc.org

 

______________________________ Reply Separator _________________________________

Subject: Re: knowing the lingo (was: A funny thing happened...)

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    9/15/97 4:15 PM

 

 

At 04:57 PM 9/15/97 -0400, you wrote:

 

>     While I'm on the subject, did anyone on the list ever travel to Goa?

>     I'd like to chat with you backchannel if you did.

 

What is Goa?

=========================================================================

Date:         Mon, 15 Sep 1997 23:33:20 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: bardo

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Image, picture

> object, thing,

> death, travel

> 49 days, time

> buddist, seeing

> burning, energy tranferance

> neal which part didn't you understand,

> how should i elaborate, which direction

> 

>     ---------------------------------------------------------------Patricia,

 

My question is what does it symbolize or do?  Does it have something to

do with the journey of the soul?  And does this burning of possessions

give energy to the soul in its journey in whatever dimension it might be

in now after death?

DC

=========================================================================

Date:         Tue, 16 Sep 1997 08:26:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:36 PM 9/16/97 -0500, you wrote:

>On Mon, 15 Sep 1997, MARK NIGON wrote:

> 

>> Hi Derek,

>> 

>> Some of the interview is used in the documentary "What Happened to

>> Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in this

>> doumentary will answer the questions you've asked about though.  Sorry,

>> I can't help you with locating a transcript.

>> 

>> -mark nigon

>> 

>> mark_nigon@mail.campbell-mithun.com

>> 

>> ----------------------------------------------------------------------------

>> 

>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

>> 04:47pm >>>

>> does anyone out there have a copy (VHS) or a transcription (even better)

>> of kerouac's appearance on william f. buckley's "firing line"? i would

>> really appreciate any help you all might be able to provide. (curious

>> abt

>> kerouac's comments concerning links b/t beats and hippies as well as

>> his comments abt ginsberg and gays, etc - and ive heard A

>> LOT abt this particular interview and would like to check it out myself)

>> THANKS ya'll

>> yrs

>> derek

>> 

>Mark, Derek and others,

> 

>I am also interested in Kerouac's comments. Anyone could post some here?

>And your opinion?

> 

>Ciao

>Yan

> 

>We share the Moon.

> 

 

Yeah, happy moon festival, y'all.

 

I saw this movie a long time ago and I remember that this Buckly show was

the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot

Floogie with the Floy Floy.

=========================================================================

Date:         Tue, 16 Sep 1997 08:34:07 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: 36th anniversary on terra firma

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:13 AM 9/16/97 +0530, you wrote:

>Full Moon tonight

>and anniversary of my birth

>36 years

 

 

No way!!!!?????

 

 

It's my birthday too yeah.

 

Well my birthday's really in october but it the Chinese calender it's my

birthday.

 

Same rat year too.

 

Amazing.

 

I thought this made me the Moon King but maybe you are also the Moon King.

 

Happy Birthday David.

 

 

>give or take a century

>someone asks me

>"well, do you FEEEEEEEEEEEEL older?"

>tough question you know

>hear it

>every year

>every year someone's gonna ask

>do you you feeeeeel older and

>kind of like when asked

>how do you feeeeeel

>everyday

>on street corners from

>this person or that person

>that don't

>wait for the answer

>cuz they didn't even realize

>that they'd

>asked the question

>and so

>the answer is

>yes

>i feel a distinct

>impression

>that i'm about

>a day older

>give or take

>and wonder about the

>correspondence of

>birthday and full moon

>and

>certain wonderful Lunacy

>somewhere in

>the universe today.

> 

>[Soundtrack: two boomboxes one playing Pink Floyd the other playing

>George Clinton]

> 

>david rhaesa

>salina, Kansas

> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 08:42:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: MoonFestival

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

My daughter and I were looking at the Moon Sunday night, a couple days

early.  It was hard to do because all the clouds covering it.  She's three

and as long as she's been able to talk we've been looking at the moon.

Sunday you could see the glow of the full moon spreading out through the

clouds but not the moon, until if you looked long enough a hole in the

clouds would pass by and the moon in all it's near full glory and brightness

would pop through.  "There's the moon".

 

And when it went back behind the cloud, "Moon gao gao?",  that's local baby

talk/english for "moon went to sleep?"  No, today the Moon is awake but it's

under the covers.

 

Today I hope there are no clouds to block your view, and if so I hope the

clouds are moth eaten and swlirling.

 

Don't think of Un Chien Andalou, but I couldn't help it later.

 

 

 

At 10:16 PM 9/16/97 -0500, you wrote:

>Sitting by the Net, guys, have you just looked out of windows

>to take an eye on the Moon? It's round and round, right?

>Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.

>A special day, families are long for getting together,

>travelers'd be homesick. Folks take watching Moon

>as a great pleasure, wherever they are and however they are going on.

>A hope deep in hearts is that family is as round as today's Moon.

> 

>Thus the Moon you see now has received billions of lenient gaze

>last few hours. The road connecting Earth and Moon is so busy

>and is filled up with affection. You will never be refused

>if you wanta take a ride to Moon.

> 

>JK was getting his "the greatest ride in my life"

>from Gothenburg to Cheyenne

>under cold shining star

>he bought boys on the truck whisky

>"You can have a couple of shots!", boy

> 

>Now,in warm moonlight

>folks on the list

>would receive the old Chinese feeling

>and a piece of mooncake

>digitally

> 

>Ciao

> 

>Yan

>We share the Moon.

> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 17:06:36 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: bardo

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 8bit

 

Thanks Patricia for the great, intense photo of WSB and for your sharp,

direct poetry.

 

Ciao !

Francesco

 

----------

> Da: Patricia Elliott <pelliott@SUNFLOWER.COM>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: bardo

> Data: martedl 16 settembre 1997 16.24

> 

> Image, picture

> object, thing,

> death, travel

> 49 days, time

> buddist, seeing

> burning, energy tranferance

> neal which part didn't you understand,

> how should i elaborate, which direction

> 

=========================================================================

Date:         Tue, 16 Sep 1997 10:42:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      Re: kerouac and cliff's notes.

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Richard...

 

Isn't this true of any works, both literary and musical?  I certainly agree

that jazz needs a comprehensive ear to fully appreciate it, and I'm all for

reading all of JK, not condensed versions.  But, the point you make here is

no different for any other work of art.  So, in short, ban all Cliff

Notes... even though they have the "surgeon general's warning" at the

front!  What author WOULD approve of their work being condensed?  I also

agree with whoever posted the bit about using cliff notes in her past...

there are some other helps in those cliffs notes besides the summary.

 

---Wes

 

----------

> From: Richard Wallner <rwallner@CAPACCESS.ORG>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Re: kerouac and cliff's notes.

> Date: Monday, September 15, 1997 6:54 PM

> 

> > >

> > If otr is taught, it is certainly cliff-noted, isn't it.  The only

> > way it wouldn't be is if the Kerouac estate said no, or is that

> > true?  Don't really know myself.

> >

> > Mike Rice

> >

> There is no doubt, none, in my mind, that if Kerouac had known of Cliff

> Notes when he was alive, he would have written specific instructions to

> never give permission for any of his works, except  *maybe* Town and the

> City, to be cliff noted.

> 

> Kerouac saw himself as a poet, literary jazz musician, and in jazz you

> dont distill notes, or attempt to explain jazz in anything less than the

> full form.  You cant explain a Charlie Parker record by only listening to

> a few notes.  Some things cant be explained that simply.

> 

> RJW

=========================================================================

Date:         Tue, 16 Sep 1997 11:00:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MARK NIGON <Mark_Nigon@CAMPBELL-MITHUN.COM>

Subject:      Re: kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain

 

Hello all,

 

Well, what I remember is that Kerouac was drunk and seemed very bored or

irritated...Slumped in his chair...eyes closed while he

answered...smoking a cigar.  He said the Vietnam war was a conspiracy to

get jeeps into the country.  He explained that the Beat Generation

originally intended to be a movement of beatitude and piety but the

media used the words like "Beat Insurrection" and "Beat Mutiny" and the

movement was subsequently taken over by hoodlums.  He also said the

hippies were "good kids" who were following in the his (Kerouac's)

footsteps.  And your right Tim, Kerouac cracked himself up answereing a

Buckly question with the Slim Gaillard line.  That's what comes to mind

right off the bat.  I'll have to watch it again.

 

When I first saw it, I had read Kerouac and knew about the myth

surrounding his life, still, I couldn't help but see a man that had

given up long ago.  He seemed to be a shell of a man grasping for

answers but truly uninterested in everything.  Made me relook at Kerouac

the man.  That there is my opinion.

 

Good day.

 

mark

 

mark_nigon@mail.campbell-mithun.com

 

----------------------------------------------------------------------

 

>>> "Timothy K. Gallaher" <gallaher@HSC.USC.EDU> 09/16/97 10:26am >>>

At 01:36 PM 9/16/97 -0500, you wrote:

>On Mon, 15 Sep 1997, MARK NIGON wrote:

> 

>> Hi Derek,

>> 

>> Some of the interview is used in the documentary "What Happened to

>> Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in

this

>> doumentary will answer the questions you've asked about though.

Sorry,

>> I can't help you with locating a transcript.

>> 

>> -mark nigon

>> 

>> mark_nigon@mail.campbell-mithun.com

>> 

>> 

----------------------------------------------------------------------------

>> 

>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

>> 04:47pm >>>

>> does anyone out there have a copy (VHS) or a transcription (even

better)

>> of kerouac's appearance on william f. buckley's "firing line"? i

would

>> really appreciate any help you all might be able to provide. (curious

>> abt

>> kerouac's comments concerning links b/t beats and hippies as well as

>> his comments abt ginsberg and gays, etc - and ive heard A

>> LOT abt this particular interview and would like to check it out

myself)

>> THANKS ya'll

>> yrs

>> derek

>> 

>Mark, Derek and others,

> 

>I am also interested in Kerouac's comments. Anyone could post some

here?

>And your opinion?

> 

>Ciao

>Yan

> 

>We share the Moon.

> 

 

Yeah, happy moon festival, y'all.

 

I saw this movie a long time ago and I remember that this Buckly show

was

the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot

Floogie with the Floy Floy.

=========================================================================

Date:         Tue, 16 Sep 1997 12:00:54 EDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Mime format

 

As most of you on the list have noticed, mime format and photographs do

not travel well on Beat-l.  It might be better to mount such files on a

web page and provide listmembers with the url so t hat they can download

them to their hard drives and read them with their browers.

=========================================================================

Date:         Tue, 16 Sep 1997 10:55:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: bardo

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Diane Carter wrote:

> My question is what does it symbolize or do?  Does it have something to do

 with the journey of the soul?  And does this burning of possessions

> give energy to the soul in its journey in whatever dimension it might be

> in now after death?

> DC

 

more information at clip information from

http://dove.mtx.net.au/~jrowse/dead/tibdead.html

 

     The Bardo Thodol, or Tibetan Book of the Dead, is an ancient

     text that was first put into written form by the legendary Padma

     Sambhava in the 8th century A.D. Translated, Bardo Thodol

     means "liberation by hearing on the after death plane". The book

     acts as a guide for the dead during the state that intervenes

     death and the next rebirth. This intermediate state is called the

     Bardo and lasts for forty nine days.

p

=========================================================================

Date:         Tue, 16 Sep 1997 11:40:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: 36th anniversary on terra firma

In-Reply-To:  <341DE443.3B99@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Happy Birthday David.

 

Tell me, Do you feel any older? (choke)

 

I just rolled over # 67 on 09-01--Labor Day and it aint stopped since.

 

Morrow sent The Herbert Hunche Reader. I'd never read anything by him.

Started last night and felt close to him. I've got the basics on-line at

BookZen at:

 

http://www.bookzen.com/books/068815266Xb.html.

 

His stories, so casual and positive, but self deprecating seem touch so

much.... But I've just started.

 

Please feel free to share any thoughts about Huncke with me--and that goes

for anyone on the List. Just type HUNCKE on the subject line.

 

Couple of thought about birthdays:

 

I've always found it interesting that some families really get into

celebrating birthdays for young and old alike while some only do so for

young children.  Those who celebrate--equal treatment to all--with

elaborate cooking, baking, gifts, etc. seemed to be a more close-knit--a

tighter family unit. Happier.

 

Over the past 60 years I've watched the birthday celebrations in my

extended family almost disappear. I'm first generation, so growing up the

immediate and extended family surrounding and supporting Gramma, were very

close.

 

To my great surprise, many years later, while in prison in the 60s (and

uncle was so pissed i was sent to the Federal joint at Leavenworth as a

first offender in a population where the average prisoner had five previous

incarcertions)  I found that the prisoners, and they were a tough lot, went

to great lengths to celebrate brithdays. Small gifts, handmade items,

smoke, books, etc. were given. Cards would arrive from the families of

fellow prisoners who had tipped off wives, mothers, friends.

 

The first time it happened to me caught me by surprise. I'd observed it,

but being so green--a "fish" in the venacular--I avoided much socialising,

didn't ask questions, didn't get into the endless I-can-top-that story

telling. As it turned out it was respected behavior. It was, "doing your

own time."

 

So birthdays, in a harsh, repressive, "time" oriented environment that was

completely alien to free-world home and family, seemed to provide an

opportunity for prisoners to become, briefly,  a "family."

 

Again, Happy Birthday David...and do you feel any................Argh.

 

j grant

 

 

 

 

 

                         Authors can display their books F R E E !

                                      http://www.bookzen.com

                                  22,000 visitors since July 1,'96

=========================================================================

Date:         Tue, 16 Sep 1997 18:36:11 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@GPNET.IT>

Subject:      Re: 36th anniversary on terra firma

In-Reply-To:  <341DE443.3B99@midusa.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        =========================

        Happy birthday  to YOU!

        HAPPY   BIRTHDAY        DAVID!

 

 

 

        WISHING YOU ALL THE BEST.

 

        signers:

 

        Dr Ink

        in the name

        of

        REVERSE ENTROPY ENGINE Ltd.

 

        &

 

        Duracell

        in the name

        of

        THE TIME MACHINE Corporation

 

        &

 

        Rinaldo Rasa.

        ===========================

 

 

>Full Moon tonight

>and anniversary of my birth

>36 years

[...]

>david rhaesa

>salina, Kansas

=========================================================================

Date:         Tue, 16 Sep 1997 12:46:33 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Kerouac in Rocky Mount

 

i typed in the wrong address

correct address <A HREF="http://members.aol.com/KerouacNC/index.html">Kerouac'

s Rocky Mount, N.C.</A>

=========================================================================

Date:         Tue, 16 Sep 1997 11:57:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: 36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Rinaldo Rasa wrote:

> 

>         =========================

>         Happy birthday  to YOU!

>         HAPPY   BIRTHDAY        DAVID!

> 

>         WISHING YOU ALL THE BEST.

> 

>         signers:

> 

>         Dr Ink

>         in the name

>         of

>         REVERSE ENTROPY ENGINE Ltd.

> 

>         &

> 

>         Duracell

>         in the name

>         of

>         THE TIME MACHINE Corporation

> 

>         &

> 

>         Rinaldo Rasa.

>         ===========================

> 

> >Full Moon tonight

> >and anniversary of my birth

> >36 years

> [...]

> >david rhaesa

> >salina, Kansas

 

 

Virgos thrive

patricia 47  no 49 no 107  no 24  o forget, my dear one (BOB) and i

begun the same age, since we married sometime i am older sometimes he is

older, silly guy insists it stays the same.

9/8/48

=========================================================================

Date:         Tue, 16 Sep 1997 10:08:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: kerouac on william f. buckley? -Reply

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

A couple other things I remember.  He also said the Beat movement was taken

over by hoodlums, but he also added communists as I recall.

 

And he made a statement: "I got a ticket the other day".

 

Buckley played the perfect straightman.  "A ticket? For what?"

 

"For decay".

 

It got laughs.

 

At 11:00 AM 9/16/97 -0500, you wrote:

>Hello all,

> 

>Well, what I remember is that Kerouac was drunk and seemed very bored or

>irritated...Slumped in his chair...eyes closed while he

>answered...smoking a cigar.  He said the Vietnam war was a conspiracy to

>get jeeps into the country.  He explained that the Beat Generation

>originally intended to be a movement of beatitude and piety but the

>media used the words like "Beat Insurrection" and "Beat Mutiny" and the

>movement was subsequently taken over by hoodlums.  He also said the

>hippies were "good kids" who were following in the his (Kerouac's)

>footsteps.  And your right Tim, Kerouac cracked himself up answereing a

>Buckly question with the Slim Gaillard line.  That's what comes to mind

>right off the bat.  I'll have to watch it again.

> 

>When I first saw it, I had read Kerouac and knew about the myth

>surrounding his life, still, I couldn't help but see a man that had

>given up long ago.  He seemed to be a shell of a man grasping for

>answers but truly uninterested in everything.  Made me relook at Kerouac

>the man.  That there is my opinion.

> 

>Good day.

> 

>mark

> 

>mark_nigon@mail.campbell-mithun.com

> 

>----------------------------------------------------------------------

> 

>>>> "Timothy K. Gallaher" <gallaher@HSC.USC.EDU> 09/16/97 10:26am >>>

>At 01:36 PM 9/16/97 -0500, you wrote:

>>On Mon, 15 Sep 1997, MARK NIGON wrote:

>> 

>>> Hi Derek,

>>> 

>>> Some of the interview is used in the documentary "What Happened to

>>> Kerouc" by Lewis MacAdams and Richard Lerner.  The blurbs used in

>this

>>> doumentary will answer the questions you've asked about though.

>Sorry,

>>> I can't help you with locating a transcript.

>>> 

>>> -mark nigon

>>> 

>>> mark_nigon@mail.campbell-mithun.com

>>> 

>>> 

>----------------------------------------------------------------------------

>>> 

>>> >>> "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA> 09/15/97

>>> 04:47pm >>>

>>> does anyone out there have a copy (VHS) or a transcription (even

>better)

>>> of kerouac's appearance on william f. buckley's "firing line"? i

>would

>>> really appreciate any help you all might be able to provide. (curious

>>> abt

>>> kerouac's comments concerning links b/t beats and hippies as well as

>>> his comments abt ginsberg and gays, etc - and ive heard A

>>> LOT abt this particular interview and would like to check it out

>myself)

>>> THANKS ya'll

>>> yrs

>>> derek

>>> 

>>Mark, Derek and others,

>> 

>>I am also interested in Kerouac's comments. Anyone could post some

>here?

>>And your opinion?

>> 

>>Ciao

>>Yan

>> 

>>We share the Moon.

>> 

> 

>Yeah, happy moon festival, y'all.

> 

>I saw this movie a long time ago and I remember that this Buckly show

>was

>the one where Kerouac stood up and sang the Slim Gaillard line Flat Foot

>Floogie with the Floy Floy.

> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 19:13:43 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      R: 36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 8bit

 

Happy birthday David !!!

 

Ciao !

Francesco

 

----------

> Da: RACE --- <race@MIDUSA.NET>

> A: BEAT-L@CUNYVM.CUNY.EDU

> Oggetto: 36th anniversary on terra firma

> Data: martedl 16 settembre 1997 3.43

> 

> Full Moon tonight

> ...in

> the universe today.

> 

> [Soundtrack: two boomboxes one playing Pink Floyd the other playing

> George Clinton]

> 

> david rhaesa

> salina, Kansas

=========================================================================

Date:         Tue, 16 Sep 1997 14:28:47 -0400

Reply-To:     "William N. Gay" <wgay@zoo.uvm.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: R: 36th anniversary on terra firma

In-Reply-To:  <199709161819.TAA04263@ns.ulisse.it>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

     All this talk about birthdays and the moon is great. I woke up this

a.m. with the full moon shining in the window. There was a cool breeze

blowing in, and for a moment I thought I was in the backseat of this '66

Galaxie 500 I used to have years ago (and often slept in). I must have had

a similar experience awakening to the moon back in my early twenties, as

the experience was familiar and quite pleasant.

     Happy birthday, David, and all other Virgos on this list. Mine was

8/29, same as Bird's.

=========================================================================

Date:         Tue, 16 Sep 1997 20:42:15 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      Re: Hypertext notes (& re: kerouac and cliff's notes)

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: quoted-printable

 

----------

From:  Wes Lundburg [SMTP:lundburg@TCPNETS.COM]

Sent:  16. september 1997 17:43

To:  BEAT-L@CUNYVM.CUNY.EDU

Subject:  Hypertext notes (& re: kerouac and cliff's notes)

 

As a teacher I am supposed to be against Monarch, York, Coles Notes - =

and I am - but at the same time, if the reader would never otherwise =

have bothered to read the original, it can't be all bad. Now most of =

those of my students who don't read what they're supposed to might never =

get around to read the original if they passed the first chance by - but =

there's always a chance that the Notes edition might tempt them to go =

looking for the original - and that must be good !

As a student I was grateful for the "help" in the Notes, and well did I =

know that it wasn't the real thing.

And what about the notes offered in hypertext ? For instance the =

hypertext used for Dharma Bums in the CDROMnibus. I thought it was =

brilliant ! Reading a CD_ROM is never going to happen, it's too much of =

a strain on my eyes. I prefer the book version, and I always will. But =

studying the hypertext notes bit by bit every once in a while gave me =

tremendous enjoyment - and taught me something about things I had never =

given thought to before.

So much so, in fact, that I have started a project on hypertext using =

the Beats as a starting point. This project, which will be located at =

(http://www.systime.dk/fagbank/engelsk/beatgen/beatgen.htm) ,=20

is not online yet, but it should be in a couple of days time (it's out =

of my hands, unfortunately). I've probably been inspired by each and =

everyone who has contributed to BEAT-L since May when I joined the list, =

so if you feel like stopping by on "The Danish Pathway to the Beat =

Generation - An Educational Site" you'd be welcome - as will your =

comments, even if you should choose to crucify me for turning hypertext =

into the Monarch Notes of Cyberspace. Comments are welcomed at:

beat@systime.dk (which is the address of the site) or

jenskoch@post1.tele.dk=20

=========================================================================

Date:         Tue, 16 Sep 1997 21:25:06 +0200

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      I  HONESTLY DON'T KNOW WHAT HAPPENED!

Comments: To: "lundburg@tCPMET.COM" <lundburg@tCPMET.COM>

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: quoted-printable

 

I honestly don't know what happened when my post on hypertext etc. came =

to be posted as a letter from you, Wes. As this post was intended to =

invite people to go to our Danish site (in a couple of days time) this =

is quite ridiculous - if a little comical. I sincerely hope it doesn't =

bother you!=20

 

jenskoch@post1.tele.dk

=========================================================================

Date:         Tue, 16 Sep 1997 16:15:12 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: MoonFestival

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>Sitting by the Net, guys, have you just looked out of windows

>to take an eye on the Moon? It's round and round, right?

>Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.

>A special day, families are long for getting together,

>travelers'd be homesick. Folks take watching Moon

>as a great pleasure, wherever they are and however they are going on.

>A hope deep in hearts is that family is as round as today's Moon.

> 

>Thus the Moon you see now has received billions of lenient gaze

>last few hours. The road connecting Earth and Moon is so busy

>and is filled up with affection. You will never be refused

>if you wanta take a ride to Moon.

> 

>JK was getting his "the greatest ride in my life"

>from Gothenburg to Cheyenne

>under cold shining star

>he bought boys on the truck whisky

>"You can have a couple of shots!", boy

> 

>Now,in warm moonlight

>folks on the list

>would receive the old Chinese feeling

>and a piece of mooncake

>digitally

> 

>Ciao

> 

>Yan

>We share the Moon.

 

And just before reading this post I was saying that the moon is full

tonight and I will gather some wood for a fire as our friends come up to

gather in the next few hours. We look east across the distant ridge to

watch for the moon from this 2,000' hilltop in upstate New York. We will be

looking east from Wheeler Hill and I will think of you, Yan, as the moon

sends its first light over the ridge.

 

Michael

=========================================================================

Date:         Tue, 16 Sep 1997 14:12:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      romantic lit. / shelley&wollstonecraft listserv?

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

hey there?

i was wondering if anyone out there knows if there is a romantic lit or

mary shelly/mary wollstonecraft listserv in email land. my girlfreind is

doing her masters thesis on shelley/wollstonecraft & the figure of

prometheus & i was wondering if there is any any internet resources that

you folks would recommend.

(aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist

?? haha.)

thanks a HUGE bundle

yrs

derek

=========================================================================

Date:         Tue, 16 Sep 1997 17:56:14 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: MoonFestival

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

mike, when you have the time, please drop a line to me at country@sover.net

enjoy yr moon. i will be on a hilltop over our 'cold hollow' town of

montpelier. every night this week i have been walking in the clouds that

shroud the hills, up from the clarity of the hollow, feeling like i am walking

on clouds. tonight is clear. will think of you and your celebration.

mc

 

Michael Czarnecki wrote:

 

> >Sitting by the Net, guys, have you just looked out of windows

> >to take an eye on the Moon? It's round and round, right?

> >Tonight, Sep. 16, 1997, we are celebrating MoonFestival here.

> >A special day, families are long for getting together,

> >travelers'd be homesick. Folks take watching Moon

> >as a great pleasure, wherever they are and however they are going on.

> >A hope deep in hearts is that family is as round as today's Moon.

> >

> >Thus the Moon you see now has received billions of lenient gaze

> >last few hours. The road connecting Earth and Moon is so busy

> >and is filled up with affection. You will never be refused

> >if you wanta take a ride to Moon.

> >

> >JK was getting his "the greatest ride in my life"

> >from Gothenburg to Cheyenne

> >under cold shining star

> >he bought boys on the truck whisky

> >"You can have a couple of shots!", boy

> >

> >Now,in warm moonlight

> >folks on the list

> >would receive the old Chinese feeling

> >and a piece of mooncake

> >digitally

> >

> >Ciao

> >

> >Yan

> >We share the Moon.

> 

> And just before reading this post I was saying that the moon is full

> tonight and I will gather some wood for a fire as our friends come up to

> gather in the next few hours. We look east across the distant ridge to

> watch for the moon from this 2,000' hilltop in upstate New York. We will be

> looking east from Wheeler Hill and I will think of you, Yan, as the moon

> sends its first light over the ridge.

> 

> Michael

=========================================================================

Date:         Tue, 16 Sep 1997 15:18:04 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MATT HANNAN <MATT.HANNAN@USOC.ORG>

Subject:      Re: romantic lit. / shelley&wollstonecraft listserv?

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Sorry to post this to the list but I can't get return addresses from

     my program (plus it's good info to all):

 

     to find a particular listerv send the command

 

     list global XXXXXXXX   (Where XXXXXXX is a key word)

 

     to the address:

 

     listserv@listserv.net

 

        this won't give you every list in existence, but it'll come close

 

______________________________ Reply Separator _________________________________

Subject: romantic lit. / shelley&wollstonecraft listserv?

Author:  "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> at Internet

Date:    9/16/97 2:12 PM

 

 

hey there?

i was wondering if anyone out there knows if there is a romantic lit or

mary shelly/mary wollstonecraft listserv in email land. my girlfreind is

doing her masters thesis on shelley/wollstonecraft & the figure of

prometheus & i was wondering if there is any any internet resources that

you folks would recommend.

(aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist

?? haha.)

thanks a HUGE bundle

yrs

derek

=========================================================================

Date:         Tue, 16 Sep 1997 17:35:32 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: bardo

Comments: cc: "Beach@qconline.com" <Beach@qconline.com>

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Patricia Elliott wrote:

> 

> Diane Carter wrote:

> > My question is what does it symbolize or do?  Does it have something to do

>  with the journey of the soul?  And does this burning of possessions

> > give energy to the soul in its journey in whatever dimension it might be

> > in now after death?

> > DC

> 

> more information at clip information from

> http://dove.mtx.net.au/~jrowse/dead/tibdead.html

> 

>      The Bardo Thodol, or Tibetan Book of the Dead, is an ancient

>      text that was first put into written form by the legendary Padma

>      Sambhava in the 8th century A.D. Translated, Bardo Thodol

>      means "liberation by hearing on the after death plane". The book

>      acts as a guide for the dead during the state that intervenes

>      death and the next rebirth. This intermediate state is called the

>      Bardo and lasts for forty nine days.

> p

 

this is so funny.  guess we were just a bit ahead of schedule.  Rod came

down on surprise to visit me for pre-birthday weekend.  One of the many

things we did was play Timothy Leary's cd taking "Ralph" through the

Bardo chakras on one boom box while playing clips from many of William's

cds on another.  Highly recommend "But I'm dying, no you're not" during

the FreakOut section on the 4th Chakra.  Much of Breakthrough in the

GreyRoom "shift coordinate points" "mr. martin" "how random is random"

"you can only call the old doctor once" "brings down his blue hands to

quiet the Marks" fit along very well during the Descent into Heaven as

well.  Rod left me on loan with a bit of audio fun.  Right now i have

Junkie, Breakthrough in the Grey Room, Call Me Burroughs, Elvis of

Lettres, Dead City Radio, Priest They Called Him, Spare Ass Annie, and

Seven Souls zooming in and out of my boombox.  I might have another one

or two i forgot to mention!

 

have fun.

 

dbr

=========================================================================

Date:         Tue, 16 Sep 1997 15:43:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: bardo

In-Reply-To:  <341E760C.516F@midusa.net> from "RACE ---" at Sep 16,

              97 05:35:32 pm

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

Then there's always the quote from an early David Bowie song

(Quicksand from Hunky Dory):

 

   "If I don't explain what you want to know

    You can tell me all about it on the next bardo"

 

I always wanted to use that as a .sig quote, but I

figured I'd have to spend a lot of time explaining

what a bardo is if I did.

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Tue, 16 Sep 1997 19:11:19 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      something to SPIN...

 

SPIN magazine, October 1997, p. 76

The Priest, They Called Him:

William S. Burroughs, 1914-1997

 

Why was the death of William S. Burroughs such a curiously uneventful event?

Given the superficial resemblance to the recent passing of friend and fellow

beat Allen Ginsberg, for example, the two deaths couldn't feel more

different.  Like Burroughs, Ginsberg was a writer well past his prime and a

spotlight addict inclined to interlope on passing youth-culture movements in

order to extend his legend.  Nonetheless, Ginsberg remained a force to the

end, an artist with a sincere political and spiritual agenda who saw his fame

as a way to provoke cultural change.  His death came as a surprisingly

powerful blow, even to people who'd long since cringed at his poetry.

 

On the other hand, the 83-year-old Burroughs, who died of heart failure

August 2, was an active relic who had exploited the mystique around his early

work for so long that I suspect even he didn't know why he was famous

anymore.  While he continued to write, he was less an artist than a retiree

who dabbled in his former craft.  Despite the omnipresence of his name, he

had ceased to participate in our world decades ago.  He lived quietly in the

middle of nowhere, invisible, apart from the occasional cameo, attached to us

only by that famous visage and voice, and by the well-worn anecdotes and

crackpot theories he respun endlessly for any interviewer willing to make the

trek to Lawrence, Kansas.

 

Don't get me wrong: Burroughs was a profoundly important countercultural

figure.  Before heroin addiction stunted his talent, he wrote a handful of

brilliant, groundbreaking novels, including Naked Lunch (1959) and The Wild

Boys (1969).  He perfected (but did not invent) the cut-up technique, one of

the touchstones of postmodernism and an influence on innumerable writers,

artists, directors, and musicians, He popularized the idea of experimental

fiction, if more by dint of his persona than his craft.  Along with Jean

Genet, John Rechy, and Ginsberg, he helped make homosexuality seem cool and

highbrow, providing gay liberation with a delicious edge.  In his day,

Burroughs was arguably the most radical novelist that America had ever

produced.

 

But the rest of the Burroughs mystique -- the gun toting, the conspiracy

rantings, the heroin cheerleading -- was pure showbiz.  Not that he didn't

sit in Orgone Boxes daydreaming of enlightenment, or do drugs into his 80s.

 But the mythic status of those oddball personal habits had everything to do

with the contexts in which he was placed: To most of the rock bands,

moviemakers, and Gen X advertisers who dropped Burroughs's trademark exterior

into their product (notable exception: Gus Van Sant), he was a signifier of

their own daring and little else.  And in allowing this indiscriminate

dispersal of his image, Burroughs the complex artist became Burroughs the

simplistic icon.

 

In a way, Burroughs died in the late '70s, when he was resurrected from

relative obscurity and repackaged as a kind of outlaw comedian/philosopher.

 Victor Bockris's 1981 book, *With William Burroughs: A Report from the

Bunker,* a collection of transcribed dinner conversations and photos,

presents him as a cranky, befuddled living legend who, when not putting on

clownish displays of outre behavior, was propped up in front of a passing

array of worshipful rock stars.  It's a well-known secret that, beginning

with his 1981 "comeback" novel, Cities of the Red Night, Burroughs's prose

was a product of partial ghostwriting, and that his involvement in his books

steadily diminished.  Perhaps this is not a bad thing in and of itself;

everybody's got to pay the rent somehow.  But the result is that his death

feels abstract, only coldly fascinating.  The Burroughs whom most of us know

and love is an echo, which, thanks to the miracles of sampling, will continue

unimpeded as long as there are young rebels in need of a transgressive

figurehead.

--DENNIS COOPER

=========================================================================

Date:         Tue, 16 Sep 1997 16:15:37 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: something to SPIN...

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

I saw this as well.  Thnx for posting it.

 

What about it?  Not the opinion, but the claim that Burroughs books were

written by ghosts beginning with Cities of the Red Night?

 

True?

 

 

At 07:11 PM 9/16/97 -0400, you wrote:

>SPIN magazine, October 1997, p. 76

>The Priest, They Called Him:

>William S. Burroughs, 1914-1997

> 

>Why was the death of William S. Burroughs such a curiously uneventful event?

>Given the superficial resemblance to the recent passing of friend and fellow

>beat Allen Ginsberg, for example, the two deaths couldn't feel more

>different.  Like Burroughs, Ginsberg was a writer well past his prime and a

>spotlight addict inclined to interlope on passing youth-culture movements in

>order to extend his legend.  Nonetheless, Ginsberg remained a force to the

>end, an artist with a sincere political and spiritual agenda who saw his fame

>as a way to provoke cultural change.  His death came as a surprisingly

>powerful blow, even to people who'd long since cringed at his poetry.

> 

>On the other hand, the 83-year-old Burroughs, who died of heart failure

>August 2, was an active relic who had exploited the mystique around his early

>work for so long that I suspect even he didn't know why he was famous

>anymore.  While he continued to write, he was less an artist than a retiree

>who dabbled in his former craft.  Despite the omnipresence of his name, he

>had ceased to participate in our world decades ago.  He lived quietly in the

>middle of nowhere, invisible, apart from the occasional cameo, attached to us

>only by that famous visage and voice, and by the well-worn anecdotes and

>crackpot theories he respun endlessly for any interviewer willing to make the

>trek to Lawrence, Kansas.

> 

>Don't get me wrong: Burroughs was a profoundly important countercultural

>figure.  Before heroin addiction stunted his talent, he wrote a handful of

>brilliant, groundbreaking novels, including Naked Lunch (1959) and The Wild

>Boys (1969).  He perfected (but did not invent) the cut-up technique, one of

>the touchstones of postmodernism and an influence on innumerable writers,

>artists, directors, and musicians, He popularized the idea of experimental

>fiction, if more by dint of his persona than his craft.  Along with Jean

>Genet, John Rechy, and Ginsberg, he helped make homosexuality seem cool and

>highbrow, providing gay liberation with a delicious edge.  In his day,

>Burroughs was arguably the most radical novelist that America had ever

>produced.

> 

>But the rest of the Burroughs mystique -- the gun toting, the conspiracy

>rantings, the heroin cheerleading -- was pure showbiz.  Not that he didn't

>sit in Orgone Boxes daydreaming of enlightenment, or do drugs into his 80s.

> But the mythic status of those oddball personal habits had everything to do

>with the contexts in which he was placed: To most of the rock bands,

>moviemakers, and Gen X advertisers who dropped Burroughs's trademark exterior

>into their product (notable exception: Gus Van Sant), he was a signifier of

>their own daring and little else.  And in allowing this indiscriminate

>dispersal of his image, Burroughs the complex artist became Burroughs the

>simplistic icon.

> 

>In a way, Burroughs died in the late '70s, when he was resurrected from

>relative obscurity and repackaged as a kind of outlaw comedian/philosopher.

> Victor Bockris's 1981 book, *With William Burroughs: A Report from the

>Bunker,* a collection of transcribed dinner conversations and photos,

>presents him as a cranky, befuddled living legend who, when not putting on

>clownish displays of outre behavior, was propped up in front of a passing

>array of worshipful rock stars.  It's a well-known secret that, beginning

>with his 1981 "comeback" novel, Cities of the Red Night, Burroughs's prose

>was a product of partial ghostwriting, and that his involvement in his books

>steadily diminished.  Perhaps this is not a bad thing in and of itself;

>everybody's got to pay the rent somehow.  But the result is that his death

>feels abstract, only coldly fascinating.  The Burroughs whom most of us know

>and love is an echo, which, thanks to the miracles of sampling, will continue

>unimpeded as long as there are young rebels in need of a transgressive

>figurehead.

>--DENNIS COOPER

> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 19:24:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jonathan or Jennifer <jt712@NETPATH.NET>

Subject:      Re: A funny thing happened the other day..

In-Reply-To:  <Pine.A32.3.91.970916133714.32326C-100000@sun>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 01:38 PM 9/16/97 -0500, you wrote:

>On Mon, 15 Sep 1997, Jonathan or Jennifer wrote:

> 

>> I was in Barnes and Noble bookstore, browsing through

>> the Jack Kerouac section, when this lady in her 40's-50's

>> and her husband walked by. she pointed right at one

>> of Kerouac's books and said in a loud voice to her

>> husband: "Know that guy? He was a hippie-beatnik."

>> then she left. i almost burst out laughing. obviously,

>> this woman knows nothing about Kerouac. he was totally

>> against the hippies! Just thought i might share that

>> with everyone.

>> 

>> -Jennifer

>> -jt712@netpath.net

>> 

>What had Kerouac said against hippies?

> 

>Yan

>We share the Moon.

> 

now that i think about it, Kerouac wasn't against the

hippies, but i read somewhere that he opposed many of

the things they approved of.

 

-Jennifer

=========================================================================

Date:         Wed, 17 Sep 1997 08:48:45 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Re: bardo

In-Reply-To:  <341E2830.6A7F@together.net>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

>My question is what does it symbolize or do?

 

        Bardo--although I'm not familiar with the name, is a Buddist

practice which takes place during 49 days after the a person's death. In

Japan, where I live, some families hold "Shijukunichi" ("49 Days")

cermonies after a relative's death. Families will gather at the Buddhist

temple for prayer lead by the temple priest. Afterward, they will often

bury the ashes in the grave.

        Other families, depending on family tradition or branch of Buddism

will hold similar ceremonies 35 days after the death or 1 year after the

death.

        I've heard and read (Tibetan Book of the Dead) that at least in

Tigetan Buddism these 49 days are not spent idly waiting; the time is used

to prepare the departing soul for the transformation, hoping to help them

reincarnate at a more enlightened level, by reading them the Scripture from

the Book of the Dead (hence the title).

        This is my humble and incomplete understanding. I'm always learning

more, in fact, received my awaited copy of Some of the Dharma yesterday, so

there may be more to add to this message later.

>do with the journey of the soul?  And does this burning of possessions

>give energy to the soul in its journey in whatever dimension it might be

>in now after death?

>DC

 

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Tue, 16 Sep 1997 19:23:29 -0500

Reply-To:     Matthew S Sackmann <msackma@mailhost.tcs.tulane.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew S Sackmann <msackma@MAILHOST.TCS.TULANE.EDU>

Subject:      Re: something to SPIN...

In-Reply-To:  <970916190955_1123414625@emout19.mail.aol.com>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Yeah, i was about to post this too.  I was frankly dissapointed with it.

It just seems to me that the writer knew very little about William S.

Burroughs besides the cult, cliche knowledge of him.  And many parts of

the article seem downright rude.  (im paraphrasing) "Many people felt the

loss of Allen Ginsberg, even the ones who had spent years cringing at his

poetry."  and then "While he continued to write, he was less an artist

than a retiree

who dabbled in his former craft."  I dont agree with this at all, and i

think he just switched mediums.  He went beyond writing to painting and

collages.  It seemed like the article wasn't even really a

tribute to a great man who had just passed away.  It was saying something

like: "His artistic genius passed away long a go, so we need not mourn his

body."

 

I don't know, maybe im too harsh.  but i think it would have been better

to keep the article out as a tribute to WSB.  Now, on the other hand, i

liked the article in Rolling Stone.  THAT was a tribute.

 

-matt

=========================================================================

Date:         Tue, 16 Sep 1997 19:27:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: something to SPIN...

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

I wasn't going to say anything but wasn't there  a study on coopers that

they caused asthma. tim, your such a heavy hitter, right, william not

only couldn't right or think, after all he was old, uh, but elvis really

wrote and imagined the trilogy, they covered it up because they thought

william's name was bigger.  Then didn't he have a trust fund, i mean

cooper not elvis.

how many legs does dennis have?

p

spin sure spent the money on that.

p

=========================================================================

Date:         Wed, 17 Sep 1997 10:23:00 +0900

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Timothy Hoffman <timothy@GOL.COM>

Subject:      Re: something to SPIN...

In-Reply-To:  <970916190955_1123414625@emout19.mail.aol.com>

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

        I gotta say, I was disappointed with the tone of the SPIN article.

        If Cooper and SPIN had not felt the man deserving of a tribute, why

print anything at all? Why not just let him pass?

         Burroughs' death received a more respectful and humane treatment

in People, for God's sake. The People article, brief as it was, did at

least pay heed to Burroughs' choice of vocation as a way "to write himself

out of" the hellish situation he was in after the accidental shooting death

of his wife.

        Cooper seems to take offense to the fact that Burroughs had been

enjoying a period of resurgence in his popularity among the

counterculture/young/personalities of the music industry when the same can

be said about other Beat authors. The fact that Burroughs had "dabbled" in

media other than writing should only confirm the idea that he was an artist

to the end, sincere in his beliefs, as human as anyone else, and, because

of his obvious talents, in death, deserving a fair tribute.

 

 

:::===:::===:::===:::===:::===:::===:::===:::

Timothy Hoffman

Komaki English Teaching Center

timothy@gol.com

=========================================================================

Date:         Tue, 16 Sep 1997 21:03:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wes Lundburg <lundburg@TCPNETS.COM>

Subject:      Re: I  HONESTLY DON'T KNOW WHAT HAPPENED!

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Hi, Jens!  Bother me??? Heck no.  Those who know me know that precious

little bothers me!  But I was wondering the same thing.  I'll bet you hit

reply while reading my post.

 

I'll look forward to seeing that site.  Would you post it again when it

goes on line???

 

---Wes

 

----------

Jens Koch wrote:

 

 

I honestly don't know what happened when my post on hypertext etc. came to

be posted as a letter from you, Wes. As this post was intended to invite

people to go to our Danish site (in a couple of days time) this is quite

ridiculous - if a little comical. I sincerely hope it doesn't bother you!

=========================================================================

Date:         Tue, 16 Sep 1997 21:44:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Roy Murray Moore <unde0297@FRANK.MTSU.EDU>

Subject:      something to spin...

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

        if spin is going to condemn performers for living off the laurels

of past achievement, why then didn't they give jerry garcia the same going

over?

=========================================================================

Date:         Tue, 16 Sep 1997 19:36:46 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: 36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: base64

 

IEhhcHB5IGJpcnRoZGF5IERhdmlkISANCg0KQSBiaXQgbGF0ZSBhZ2FpbiwgIGFtb25nICBvdGhl

ciB0aGluZ3Mgd29yayBkb2VzIGlzIHlvdSBnZXQgYmVoaW5kICwgcnVubmluZyBiZWhpbmQgdGhl

IHRocmVhZHMgYXMgYXMgIFlhbiB3b3VsZCBzYXksIGJ1dCBpdCBpcyBhbGwgcmlnaHQgaW4gbWFu

eSBvdGhlciB3YXlzIGFuZCBJIGFtIG5vdCB0b28gbGF0ZSB5ZXQgdG8gd2lzaCB5b3UgYSBoYXBw

eSBiaXJ0aGRheSBvciB0byBzaGFyZSB0aGUgbW9vbiBjZWxlYnJhdGluZy4uLg0KDQpJIGFtIG5v

IGxvbmdlciBzaG9ja2VkIHRoYXQgeW91IGFyZSBvbmx5IHRoaXJ0eSBzaXgsICBJIGdvdCBvdmVy

IHRoYXQgYWZ0ZXIgc2VlaW5nIHlvdXIgcGljdXJlLiBJIGhhZCBwaWN0dXJlZCB5b3UgYXMgaGF2

aW5nIGJlY29tZSB3aXNlbmVkIHRocm91Z2ggdGhlIHllYXJzLCBidXQgSSBzYXcgdGhhdCB5b3Vy

IG1pbmQgd2FzIHdheSBhaGVhZCBvZiB5b3VyIHllYXJzIGJ5IHRoYXQgbXVjaCBhbmQgaXQgb2J2

aW91c2x5IGRpZG4ndCBodXJ0IHlvdSBub25lICBpbiB0aGUgYm9keSBlaXRoZXIuIA0KDQpTbyBu

b3cgSSBoYXZlIGFuIGFjY2VwdGFibGUgcmVhc29uIHRvIGNvbmdyYXR1bGF0ZSB5b3UsIGFuZCBz

aW5jZSB1cyBvbGR0aW1lcnMgYWluJ3QgZG9pbiBvdXIgam9iIGlmIHdlIGFpbid0IGdpdmluIG5v

IGFkdmljZSwgdGFrZSBpdCBmcm9tIG9uZSB3aG8gaXMgZ29pbmcgdG8gYmUgZG91YmxpbmcgeW91

ciB5ZWFycyBpbiBhIGNvdXBsZSBvZiB3ZWVrcywgWW91IGNhbiBwYXZlIHlvdXIgcm9hZCB3aXRo

IHJvc2UgcGV0YWxzIG5vIG1hdHRlciB3aGF0IGN1cnZlcyB0aGV5IHB1dCBpbiB5b3VyIHdheSEg

DQoNCkhhZCBJIG9ubHkgcmVhbGl6ZWQgaXQgd2FzICBnb2luZyB0byBnbyBvbiBiZWluZyB0aGF0

IGdvb2QgSSB3b3VsZCBoYXZlIHNhdmVkIG1lIHNvbWUgcHJldHR5IGhlYXAgb2Ygd2FzdGUgbG9v

a2luZyBmb3IgdGhlIHJhdmFnZXMgb2YgYWdlLiBjb21pbmcgYXQgbWUuIFN1cmUgY2FuIGJldCBv

biB0aGEudCBidXQgaXQgYWluJ3QgbmVhciBhcyBiYWQgYXMgeW91IG1pZ2h0IGltYWdpbmUuIFlv

dSBldmVuIGdldCB1c2VkIHRvIHRob3NlIHdyaW5rbGVzIGFuZCB0aGUgZ3JleSBoYWlycyBhbmQg

dGhlcmUgaXMgbW9yZSBmdW4gYXdhaXRpbmcgdGhhbiB5b3UgY2FuIHNoYWtlIGEgc3RpY2sgYXQu

IEFuZCBub3Qgb25seSB0aGF0LCB5b3UgZ2V0IHNtYXJ0ZXIgdG8gZGlnIGFsbCB0aG9zZSBnb29k

aWVzLiBIYSBIYSEgSGF2ZSBhIGdvb2Qgb25lIQ0KDQpPbmUgdGhpbmcgdGhvdWdoIC0gSXMgaXQg

YWxsIHRoYXQgZmlybT8gc29tZXRpbWVzIGl0IGZlZWxzIGEgbGl0dGxlIHNoYWt5IHRvIG1lLiBN

YXliZSB0aGF0J3MgbXkgYWdlIGNyZWVwaW5nIHVwIG9uIG1lLiBHb3QgbXkgc2FpbG9ycycgbGVn

cyBvbiB0aG91Z2gsIGl0IGFsbCBpcyBmdW4uDQoNCmxlb24gDQoNCi0tLS0tT3JpZ2luYWwgTWVz

c2FnZS0tLS0tDQpGcm9tOiBSQUNFIC0tLSA8cmFjZUBNSURVU0EuTkVUPg0KVG86IEJFQVQtTEBD

VU5ZVk0uQ1VOWS5FRFUgPEJFQVQtTEBDVU5ZVk0uQ1VOWS5FRFU+DQpEYXRlOiBUdWVzZGF5LCBT

ZXB0ZW1iZXIgMTYsIDE5OTcgNToxOCBBTQ0KU3ViamVjdDogMzZ0aCBhbm5pdmVyc2FyeSBvbiB0

ZXJyYSBmaXJtYQ0KDQoNCg0KPkZ1bGwgTW9vbiB0b25pZ2h0DQo+YW5kIGFubml2ZXJzYXJ5IG9m

IG15IGJpcnRoDQo+MzYgeWVhcnMNCj5naXZlIG9yIHRha2UgYSBjZW50dXJ5DQo+c29tZW9uZSBh

c2tzIG1lDQo+IndlbGwsIGRvIHlvdSBGRUVFRUVFRUVFRUVFTCBvbGRlcj8iDQo+dG91Z2ggcXVl

c3Rpb24geW91IGtub3cNCj5oZWFyIGl0DQo+ZXZlcnkgeWVhcg0KPmV2ZXJ5IHllYXIgc29tZW9u

ZSdzIGdvbm5hIGFzaw0KPmRvIHlvdSB5b3UgZmVlZWVlZWwgb2xkZXIgYW5kDQo+a2luZCBvZiBs

aWtlIHdoZW4gYXNrZWQNCj5ob3cgZG8geW91IGZlZWVlZWVsDQo+ZXZlcnlkYXkNCj5vbiBzdHJl

ZXQgY29ybmVycyBmcm9tDQo+dGhpcyBwZXJzb24gb3IgdGhhdCBwZXJzb24NCj50aGF0IGRvbid0

DQo+d2FpdCBmb3IgdGhlIGFuc3dlcg0KPmN1eiB0aGV5IGRpZG4ndCBldmVuIHJlYWxpemUNCj50

aGF0IHRoZXknZA0KPmFza2VkIHRoZSBxdWVzdGlvbg0KPmFuZCBzbw0KPnRoZSBhbnN3ZXIgaXMN

Cj55ZXMNCj5pIGZlZWwgYSBkaXN0aW5jdA0KPmltcHJlc3Npb24NCj50aGF0IGknbSBhYm91dA0K

PmEgZGF5IG9sZGVyDQo+Z2l2ZSBvciB0YWtlDQo+YW5kIHdvbmRlciBhYm91dCB0aGUNCj5jb3Jy

ZXNwb25kZW5jZSBvZg0KPmJpcnRoZGF5IGFuZCBmdWxsIG1vb24NCj5hbmQNCj5jZXJ0YWluIHdv

bmRlcmZ1bCBMdW5hY3kNCj5zb21ld2hlcmUgaW4NCj50aGUgdW5pdmVyc2UgdG9kYXkuDQo+DQo+

W1NvdW5kdHJhY2s6IHR3byBib29tYm94ZXMgb25lIHBsYXlpbmcgUGluayBGbG95ZCB0aGUgb3Ro

ZXIgcGxheWluZw0KPkdlb3JnZSBDbGludG9uXQ0KPg0KPmRhdmlkIHJoYWVzYQ0KPnNhbGluYSwg

S2Fuc2FzDQo+Li0NCj4NCg==

=========================================================================

Date:         Tue, 16 Sep 1997 21:43:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: Beat Trees

In-Reply-To:  <970916030733_928094125@emout09.mail.aol.com>

MIME-version: 1.0

Content-type: TEXT/PLAIN; charset=US-ASCII

 

On Tue, 16 Sep 1997, Attila Gyenis wrote:

 

> Headwaters Forest - the last remaining old growth forest, Redwood trees 500

> to 2,000 years old, that are privately owned. And owned by Mr. Hurwitz

> (Maxxam corporation/Pacific Lumber) who is tying to get ransom money for it

> from the government and taxpayers in the amount of $380 million dollars USA,

> otherwise the forest, nature, animals, rivers, all go. It's 10:00 pm. Do you

> know what the fuck your government is doing?

> 

> I don't know if Jack would have stood for it.   Are trees beat?

 

from Desolation Angels, ch32:

"As far as I can see and as I am concerned, this so-called Forest Service

is nothing but a front, on the one hand a vague Totalitarian governmental

effort to restrict the use of the forest to people, telling them they cant

camp here or piss there, it's illegal to do this and you're allowed to do

that, in the Immemorial Wilderness of Tao and the Golden Age and the

Milleniums of Man--secondly it's a front for the lumber interests, the net

result of the whole thing being, what with Scott Paper Tissue and such

companies logging out these woods year after year with the 'cooperation'

of the Forest Service which boasts so proudly of the number of board feet

in the whole Forest (as if I owned an inch of a board altho I cant piss

here nor camp there) result, net, is people all over the world are wiping

their ass with the beautiful trees--"

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

=========================================================================

Date:         Tue, 16 Sep 1997 21:18:52 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: something to spin...

In-Reply-To:  <Pine.HPP.3.96.970916214039.10951B-100000@frank.mtsu.edu> from

              "Roy Murray Moore" at Sep 16, 97 09:44:12 pm

MIME-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

>         if spin is going to condemn performers for living off the laurels

> of past achievement, why then didn't they give jerry garcia the same going

> over?

 

This is true -- I don't know what the hell got into Spin.  I've

sometimes critiqued Burroughs myself, but one thing you've got

to say is he aged pretty well, and always kept us guessing what

he was going to do next.  I'd rather go out that way than a lot

of other ways.

 

------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                   |

|                                                    |

|    Literary Kicks: http://www.charm.net/~brooklyn/ |

|     (3 years old and still running)                |

|                                                    |

|        "Coffeehouse: Writings from the Web"        |

|          (a real book, like on paper)              |

|             also at http://coffeehousebook.com     |

|                                                    |

|          *---*---*---*---*---*---*---*---*---*---* |

|                                                    |

|       we might never, never, never live in harmony |

------------------------------------------------------

=========================================================================

Date:         Tue, 16 Sep 1997 19:45:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: 36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: base64

 

IFlvdSB0b28gVGltISBMYXN0IGJ1dCBub3QgbGVhc3Qgb2YgdGhlIHRocnR5IHNpeGVycyEgR3Jl

ZXRpbmdzIGZyb20geW91ciBvbHMgc3RvbXBpbmcgZ3JvdW5kcyEgTm90IG9ubHkgYSBmdWxsIG1v

b24gYnV0IHRoZSBzdW5zZXRzIGZyb20gTmF0dXJhbCBCcmlkZ2VzIGFyZSBtb3JlIHN0dW5uaW5n

IHRoYW4gdGhleSBldmVyIHdlcmUuIEhhcHB5IHRyYWlscyBUaW0NCg0KbGVvbg0KDQotLS0tLU9y

aWdpbmFsIE1lc3NhZ2UtLS0tLQ0KRnJvbTogVGltb3RoeSBLLiBHYWxsYWhlciA8Z2FsbGFoZXJA

SFNDLlVTQy5FRFU+DQpUbzogQkVBVC1MQENVTllWTS5DVU5ZLkVEVSA8QkVBVC1MQENVTllWTS5D

VU5ZLkVEVT4NCkRhdGU6IFR1ZXNkYXksIFNlcHRlbWJlciAxNiwgMTk5NyA4OjQ0IEFNDQpTdWJq

ZWN0OiBSZTogMzZ0aCBhbm5pdmVyc2FyeSBvbiB0ZXJyYSBmaXJtYQ0KDQoNCg0KPkF0IDA3OjEz

IEFNIDkvMTYvOTcgKzA1MzAsIHlvdSB3cm90ZToNCj4+RnVsbCBNb29uIHRvbmlnaHQNCj4+YW5k

IGFubml2ZXJzYXJ5IG9mIG15IGJpcnRoDQo+PjM2IHllYXJzDQo+DQo+DQo+Tm8gd2F5ISEhIT8/

Pz8/DQo+DQo+DQo+SXQncyBteSBiaXJ0aGRheSB0b28geWVhaC4NCj4NCj5XZWxsIG15IGJpcnRo

ZGF5J3MgcmVhbGx5IGluIG9jdG9iZXIgYnV0IGl0IHRoZSBDaGluZXNlIGNhbGVuZGVyIGl0J3Mg

bXkNCj5iaXJ0aGRheS4NCj4NCj5TYW1lIHJhdCB5ZWFyIHRvby4NCj4NCj5BbWF6aW5nLg0KPg0K

PkkgdGhvdWdodCB0aGlzIG1hZGUgbWUgdGhlIE1vb24gS2luZyBidXQgbWF5YmUgeW91IGFyZSBh

bHNvIHRoZSBNb29uIEtpbmcuDQo+DQo+SGFwcHkgQmlydGhkYXkgRGF2aWQuDQo+DQo+DQo+Pmdp

dmUgb3IgdGFrZSBhIGNlbnR1cnkNCj4+c29tZW9uZSBhc2tzIG1lDQo+PiJ3ZWxsLCBkbyB5b3Ug

RkVFRUVFRUVFRUVFRUwgb2xkZXI/Ig0KPj50b3VnaCBxdWVzdGlvbiB5b3Uga25vdw0KPj5oZWFy

IGl0DQo+PmV2ZXJ5IHllYXINCj4+ZXZlcnkgeWVhciBzb21lb25lJ3MgZ29ubmEgYXNrDQo+PmRv

IHlvdSB5b3UgZmVlZWVlZWwgb2xkZXIgYW5kDQo+PmtpbmQgb2YgbGlrZSB3aGVuIGFza2VkDQo+

PmhvdyBkbyB5b3UgZmVlZWVlZWwNCj4+ZXZlcnlkYXkNCj4+b24gc3RyZWV0IGNvcm5lcnMgZnJv

bQ0KPj50aGlzIHBlcnNvbiBvciB0aGF0IHBlcnNvbg0KPj50aGF0IGRvbid0DQo+PndhaXQgZm9y

IHRoZSBhbnN3ZXINCj4+Y3V6IHRoZXkgZGlkbid0IGV2ZW4gcmVhbGl6ZQ0KPj50aGF0IHRoZXkn

ZA0KPj5hc2tlZCB0aGUgcXVlc3Rpb24NCj4+YW5kIHNvDQo+PnRoZSBhbnN3ZXIgaXMNCj4+eWVz

DQo+PmkgZmVlbCBhIGRpc3RpbmN0DQo+PmltcHJlc3Npb24NCj4+dGhhdCBpJ20gYWJvdXQNCj4+

YSBkYXkgb2xkZXINCj4+Z2l2ZSBvciB0YWtlDQo+PmFuZCB3b25kZXIgYWJvdXQgdGhlDQo+PmNv

cnJlc3BvbmRlbmNlIG9mDQo+PmJpcnRoZGF5IGFuZCBmdWxsIG1vb24NCj4+YW5kDQo+PmNlcnRh

aW4gd29uZGVyZnVsIEx1bmFjeQ0KPj5zb21ld2hlcmUgaW4NCj4+dGhlIHVuaXZlcnNlIHRvZGF5

Lg0KPj4NCj4+W1NvdW5kdHJhY2s6IHR3byBib29tYm94ZXMgb25lIHBsYXlpbmcgUGluayBGbG95

ZCB0aGUgb3RoZXIgcGxheWluZw0KPj5HZW9yZ2UgQ2xpbnRvbl0NCj4+DQo+PmRhdmlkIHJoYWVz

YQ0KPj5zYWxpbmEsIEthbnNhcw0KPj4NCj4+DQo+Li0NCj4NCg==

=========================================================================

Date:         Tue, 16 Sep 1997 21:17:56 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: MoonFestival

MIME-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: base64

 

IA0KDQotLS0tLU9yaWdpbmFsIE1lc3NhZ2UtLS0tLQ0KRnJvbTogRmVuZyBZYW4gPHhiY2hlbkBT

VU4uTkFOS0FJLkVEVS5DTj4NClRvOiBCRUFULUxAQ1VOWVZNLkNVTlkuRURVIDxCRUFULUxAQ1VO

WVZNLkNVTlkuRURVPg0KRGF0ZTogVHVlc2RheSwgU2VwdGVtYmVyIDE2LCAxOTk3IDc6MTYgQU0N

ClN1YmplY3Q6IE1vb25GZXN0aXZhbA0KDQoNCg0KPlNpdHRpbmcgYnkgdGhlIE5ldCwgZ3V5cywg

aGF2ZSB5b3UganVzdCBsb29rZWQgb3V0IG9mIHdpbmRvd3MNCj50byB0YWtlIGFuIGV5ZSBvbiB0

aGUgTW9vbj8gSXQncyByb3VuZCBhbmQgcm91bmQsIHJpZ2h0Pw0KDQpTYW50YSBDcnV6IG1vb24g

d2F0Y2ggY2hlY2tpbmcgaW4NCg0KPlRvbmlnaHQsIFNlcC4gMTYsIDE5OTcsIHdlIGFyZSBjZWxl

YnJhdGluZyBNb29uRmVzdGl2YWwgaGVyZS4NCj5BIHNwZWNpYWwgZGF5LCBmYW1pbGllcyBhcmUg

bG9uZyBmb3IgZ2V0dGluZyB0b2dldGhlciwNCj50cmF2ZWxlcnMnZCBiZSBob21lc2ljay4gRm9s

a3MgdGFrZSB3YXRjaGluZyBNb29uDQo+YXMgYSBncmVhdCBwbGVhc3VyZSwgd2hlcmV2ZXIgdGhl

eSBhcmUgYW5kIGhvd2V2ZXIgdGhleSBhcmUgZ29pbmcgb24uDQo+QSBob3BlIGRlZXAgaW4gaGVh

cnRzIGlzIHRoYXQgZmFtaWx5IGlzIGFzIHJvdW5kIGFzIHRvZGF5J3MgTW9vbi4NCj4NCj5UaHVz

IHRoZSBNb29uIHlvdSBzZWUgbm93IGhhcyByZWNlaXZlZCBiaWxsaW9ucyBvZiBsZW5pZW50IGdh

emUNCj5sYXN0IGZldyBob3Vycy4gVGhlIHJvYWQgY29ubmVjdGluZyBFYXJ0aCBhbmQgTW9vbiBp

cyBzbyBidXN5DQo+YW5kIGlzIGZpbGxlZCB1cCB3aXRoIGFmZmVjdGlvbi4gWW91IHdpbGwgbmV2

ZXIgYmUgcmVmdXNlZA0KPmlmIHlvdSB3YW50YSB0YWtlIGEgcmlkZSB0byBNb29uLg0KPg0KVGh1

bWJzIHVwLCBqb2luaW5nIGluLCB0aGFua3MgZm9yIHRoZSByaWRlIHRoYXQgaXMgc2FmZSBmb3Ig

YWxsIGhpdGNoaGlrZXJzIGxvb2tpbmcgdXAgZnJvbSBhbGwgYXJvdW5kDQoNCj5KSyB3YXMgZ2V0

dGluZyBoaXMgInRoZSBncmVhdGVzdCByaWRlIGluIG15IGxpZmUiDQo+ZnJvbSBHb3RoZW5idXJn

IHRvIENoZXllbm5lDQo+dW5kZXIgY29sZCBzaGluaW5nIHN0YXINCj5oZSBib3VnaHQgYm95cyBv

biB0aGUgdHJ1Y2sgd2hpc2t5DQo+IllvdSBjYW4gaGF2ZSBhIGNvdXBsZSBvZiBzaG90cyEiLCBi

b3kNCj4NCj5Ob3csaW4gd2FybSBtb29ubGlnaHQNCj5mb2xrcyBvbiB0aGUgbGlzdA0KPndvdWxk

IHJlY2VpdmUgdGhlIG9sZCBDaGluZXNlIGZlZWxpbmcNCj5hbmQgYSBwaWVjZSBvZiBtb29uY2Fr

ZQ0KPmRpZ2l0YWxseQ0KPiANClRhc3RlcyBnb29kLg0KDQo+Q2lhbw0KPg0KPllhbg0KPldlIHNo

YXJlIHRoZSBNb29uLg0KPi4tDQpJbiBkZWVkLg0KDQpIb3cgeW91IHNheSBjaWFvIGluIENoaW5l

c2UsIFlhbj8NCg0KSG93bGluZyBhdCB0aGUgbW9vbg0KDQpsZW9uDQo=

=========================================================================

Date:         Tue, 16 Sep 1997 23:33:35 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Re: 36th anniversary on terra firma

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Leon Tabory wrote:

> 

>  Happy birthday David!

> 

> A bit late again,  among  other things work does is you get behind , running

 behind the threads as as  Yan would say, but it is all right in many other ways

 and I am not too late yet to wish you a happy birthday or to share the moon

 celebrating...

> 

> I am no longer shocked that you are only thirty six,  I got over that after

 seeing your picure. I had pictured you as having become wisened through the

 years, but I saw that your mind was way ahead of your years by that much and it

 obviously didn't hurt you none  in the body either.

> 

> So now I have an acceptable reason to congratulate you, and since us oldtimers

 ain't doin our job if we ain't givin no advice, take it from one who is going

 to be doubling your years in a couple of weeks, You can pave your road with

 rose petals no matter what curves they put in your way!

> 

> Had I only realized it was  going to go on being that good I would have saved

 me some pretty heap of waste looking for the ravages of age. coming at me. Sure

 can bet on tha.t but it ain't near as bad as you might imagine. You even get

 used to those wrinkles and the grey hairs and there is more fun awaiting than

 you can shake a stick at. And not only that, you get smarter to dig all those

 goodies. Ha Ha! Have a good one!

> 

> One thing though - Is it all that firm? sometimes it feels a little shaky to

 me. Maybe that's my age creeping up on me. Got my sailors' legs on though, it

 all is fun.

> 

> leon

> 

> -----Original Message-----

> From: RACE --- <race@MIDUSA.NET>

> To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

> Date: Tuesday, September 16, 1997 5:18 AM

> Subject: 36th anniversary on terra firma

> 

> >Full Moon tonight

> >and anniversary of my birth

> >36 years

> >give or take a century

> >someone asks me

> >"well, do you FEEEEEEEEEEEEL older?"

> >tough question you know

> >hear it

> >every year

> >every year someone's gonna ask

> >do you you feeeeeel older and

> >kind of like when asked

> >how do you feeeeeel

> >everyday

> >on street corners from

> >this person or that person

> >that don't

> >wait for the answer

> >cuz they didn't even realize

> >that they'd

> >asked the question

> >and so

> >the answer is

> >yes

> >i feel a distinct

> >impression

> >that i'm about

> >a day older

> >give or take

> >and wonder about the

> >correspondence of

> >birthday and full moon

> >and

> >certain wonderful Lunacy

> >somewhere in

> >the universe today.

> >

> >[Soundtrack: two boomboxes one playing Pink Floyd the other playing

> >George Clinton]

> >

> >david rhaesa

> >salina, Kansas

> >.-

> >

thanks for the kind note.

of course it isn't always that firm.

many many methods for dealing with the anti-firm moments.  my most

successful is probably to count to 100 than count down to -500 and back

up to zero.

there is rarely something anti-firm with the patience to withstand this

procedure ... of course, i often fall asleep somewhere along the way...

 

still hoping to come out that way later this fall or in the spring.

this weekend taking my mother to denver to visit my sister and i'll play

with nephew nate and move up the road to evergreen to an old friend and

to Boulder to seek out the Disembodied Poets....always have wondered

exactly what that means...hope that they ain't so disembodied that they

are invisible.

 

i'm blocked off the computer right now so will send this in the morning.

thanks again.

words of advice to young folks are always in order!

 

shalom,

david

=========================================================================

Date:         Tue, 16 Sep 1997 21:41:59 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: 36th anniversary on terra firma

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 07:45 PM 9/16/97 -0700, you wrote:

> You too Tim! Last but not least of the thrty sixers! Greetings from your

ols stomping grounds! Not only a full moon but the sunsets from Natural

Bridges are more stunning than they ever were. Happy trails Tim

> 

>leon

 

Thanks Leon you make me nostalgic for the old town.

 

I bet the moon is great from a Lompico view through the redwoods

 

 

> 

>-----Original Message-----

>From: Timothy K. Gallaher <gallaher@HSC.USC.EDU>

>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

>Date: Tuesday, September 16, 1997 8:44 AM

>Subject: Re: 36th anniversary on terra firma

> 

> 

> 

>>At 07:13 AM 9/16/97 +0530, you wrote:

>>>Full Moon tonight

>>>and anniversary of my birth

>>>36 years

>> 

>> 

>>No way!!!!?????

>> 

>> 

>>It's my birthday too yeah.

>> 

>>Well my birthday's really in october but it the Chinese calender it's my

>>birthday.

>> 

>>Same rat year too.

>> 

>>Amazing.

>> 

>>I thought this made me the Moon King but maybe you are also the Moon King.

>> 

>>Happy Birthday David.

>> 

>> 

>>>give or take a century

>>>someone asks me

>>>"well, do you FEEEEEEEEEEEEL older?"

>>>tough question you know

>>>hear it

>>>every year

>>>every year someone's gonna ask

>>>do you you feeeeeel older and

>>>kind of like when asked

>>>how do you feeeeeel

>>>everyday

>>>on street corners from

>>>this person or that person

>>>that don't

>>>wait for the answer

>>>cuz they didn't even realize

>>>that they'd

>>>asked the question

>>>and so

>>>the answer is

>>>yes

>>>i feel a distinct

>>>impression

>>>that i'm about

>>>a day older

>>>give or take

>>>and wonder about the

>>>correspondence of

>>>birthday and full moon

>>>and

>>>certain wonderful Lunacy

>>>somewhere in

>>>the universe today.

>>> 

>>>[Soundtrack: two boomboxes one playing Pink Floyd the other playing

>>>George Clinton]

>>> 

>>>david rhaesa

>>>salina, Kansas

>>> 

>>> 

>>.-

>> 

> 

=========================================================================

Date:         Tue, 16 Sep 1997 23:19:51 -0700

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      PBS Ginsberg

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Just noticed that KQED in San Francisco is airing a show on AG--"The

Life and Times of Allan Ginsberg" Wednesday night (tomorrow) at 10pm.

Public TV viewers in other markets might want to check their schedules.

I don't know who is producing this one.  (I saw the ad as I was on the

phone with the sound off on TV).

 

J. Stauffer

=========================================================================

Date:         Sat, 26 Apr 1997 15:16:50 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Richard D Raymond <madhatter20@JUNO.COM>

Subject:      kerouac quarterly?

 

  My name is Ricky Raymond, and I am a relative neophyte to the beat

writers and the world of bickering they left in their wake. I was going

through some old messages from the list, and found a particularly biting

response from you to nicosia in which you mentioned a Kerouac Quarterly.

Could you send me subscription info? thanks.

=========================================================================

Date:         Wed, 17 Sep 1997 08:41:47 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mike Rice <mrice@CENTURYINTER.NET>

Subject:      Re: 36th anniversary on terra firma

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

We got old timers and prospectors on this hyar hookup!

 

Mike Rice

 

At 07:36 PM 9/16/97 -0700, you wrote:

> Happy birthday David!

> 

>A bit late again,  among  other things work does is you get behind ,

running behind the threads as as  Yan would say, but it is all right in many

other ways and I am not too late yet to wish you a happy birthday or to

share the moon celebrating...

> 

>I am no longer shocked that you are only thirty six,  I got over that after

seeing your picure. I had pictured you as having become wisened through the

years, but I saw that your mind was way ahead of your years by that much and

it obviously didn't hurt you none  in the body either.

> 

>So now I have an acceptable reason to congratulate you, and since us

oldtimers ain't doin our job if we ain't givin no advice, take it from one

who is going to be doubling your years in a couple of weeks, You can pave

your road with rose petals no matter what curves they put in your way!

> 

>Had I only realized it was  going to go on being that good I would have

saved me some pretty heap of waste looking for the ravages of age. coming at

me. Sure can bet on tha.t but it ain't near as bad as you might imagine. You

even get used to those wrinkles and the grey hairs and there is more fun

awaiting than you can shake a stick at. And not only that, you get smarter

to dig all those goodies. Ha Ha! Have a good one!

> 

>One thing though - Is it all that firm? sometimes it feels a little shaky

to me. Maybe that's my age creeping up on me. Got my sailors' legs on

though, it all is fun.

> 

>leon

> 

>-----Original Message-----

>From: RACE --- <race@MIDUSA.NET>

>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

>Date: Tuesday, September 16, 1997 5:18 AM

>Subject: 36th anniversary on terra firma

> 

> 

> 

>>Full Moon tonight

>>and anniversary of my birth

>>36 years

>>give or take a century

>>someone asks me

>>"well, do you FEEEEEEEEEEEEL older?"

>>tough question you know

>>hear it

>>every year

>>every year someone's gonna ask

>>do you you feeeeeel older and

>>kind of like when asked

>>how do you feeeeeel

>>everyday

>>on street corners from

>>this person or that person

>>that don't

>>wait for the answer

>>cuz they didn't even realize

>>that they'd

>>asked the question

>>and so

>>the answer is

>>yes

>>i feel a distinct

>>impression

>>that i'm about

>>a day older

>>give or take

>>and wonder about the

>>correspondence of

>>birthday and full moon

>>and

>>certain wonderful Lunacy

>>somewhere in

>>the universe today.

>> 

>>[Soundtrack: two boomboxes one playing Pink Floyd the other playing

>>George Clinton]

>> 

>>david rhaesa

>>salina, Kansas

>>.-

>> 

> 

=========================================================================

Date:         Wed, 17 Sep 1997 08:53:21 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: something to spin...

 

SPIN is just very uneven.  They are not as predictable as Rolling Stone,

which can be refreshing.  But SPIN lets a lot of silly stuff into print -

poorly written, poorly researched, poorly edited if at all, and the Burroughs

piece was an example of all of the above, more like what you would expect

from a college newspaper, just one guy musing about his poorly formed

impressions rather than anything resembeling journalism.

 

SPIN's list of the 40 most important musicians about six months ago was just

hysterical.  Warhol was wrong, at places like SPIN fame comes and goes in way

under 15 minutes.  SPIN has trouble dealing with the fact that sometimes

there are a few folks that actually are famous and "in" for a little more

than a few hours.  Like him or not, William S. Burroughs was one of that

breed.  Its not surprising that some have trouble dealing with that.

 

Howard Park

=========================================================================

Date:         Wed, 17 Sep 1997 10:02:51 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: kerouac quarterly?

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

At 03:16 PM 4/26/97 EST, you wrote:

>  My name is Ricky Raymond, and I am a relative neophyte to the beat

>writers and the world of bickering they left in their wake. I was going

>through some old messages from the list, and found a particularly biting

>response from you to nicosia in which you mentioned a Kerouac Quarterly.

>Could you send me subscription info? thanks.

> 

 Hi...the info can be found at The Kerouac Quarterly web site at:

 

http://www.freeyellow.com/members/upstartcrow/page1.html

=========================================================================

Date:         Wed, 17 Sep 1997 15:22:26 BST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Harberd <T.E.Harberd@UEA.AC.UK>

Subject:      Re: something to SPIN...

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; CHARSET=US-ASCII

 

On Tue, 16 Sep 1997 16:15:37 -0700 Timothy K. Gallaher

wrote:

 

[snip]

 

> >Don't get me wrong: Burroughs was a profoundly important

countercultural

> >figure.  Before heroin addiction stunted his talent, he

wrote a handful of

> >brilliant, groundbreaking novels, including Naked Lunch

(1959) and The Wild

> >Boys (1969).

 

Pardon me if I'm wrong here, but wasn't Burroughs so much on

smack whilst writing Naked Lunch that he claimed in the

introduction that he could not remember writing bits of it

(a claim that was taken up by Kronenberg in his film of the

book when Ginsberg and Kerouac visit him in Interzone with

his "book" and he says that he knows nothing about it.)?

 

 In his day,

> >Burroughs was arguably the most radical novelist that

America had ever

> >produced.

 

As far as I'm concerned, he's still the most radical

novelist that America has ever produced.  Who else tackled

the theoretical premises that had been taken as being as

natural as breathing to novelists both before and after, and

did his best, if not to destroy them, then to subvert them

by showing that great literature can be created without the

traditionally accepted guidelines.  His un-systematic

destruction of the narrative structure was (I think I'm

right in saying) the first of its kind, if not only the

first to push the boundaries as far as they could go.

Cut-up was important not just as a new method (and Burroughs

was arguably the first to bring it into widely-seen word

collages) but also because it shows us what had been taken

for granted up to then, and what could be done by breaking

the rules.  Kerouac is often seen to be a more important

literary figure, but his theories of spontaneous poetics

were mainly distilled from Joyce and others.  Personally I

find most stream-of-conciousness-type-stuff completely

unreadable, but it's important for the same reasons.

 

> >But the rest of the Burroughs mystique -- the gun toting,

the conspiracy

> >rantings, the heroin cheerleading -- was pure showbiz.

 

I'm sure that his wife would not be happy to learn that.

And I think it's a little unfair.

All great figures of the sixties (and, yeah, before and

after) were eventually taken over by their own myths, being

consumed by the legend and eventually disappearing up their

own arseholes.  I think Burroughs fought this better than

most, and I think his memory deserves better.

 

 It's a well-known secret that, beginning

> >with his 1981 "comeback" novel, Cities of the Red Night,

Burroughs's prose

> >was a product of partial ghostwriting, and that his

involvement in his books

> >steadily diminished.

 

And yet, inmo, The Western Lands was Burrough's second best

book (first being the sublime Ghost of Chance).  It drew all

the threads together and illuminated many dark corners of

his mind and thoughts that would have otherwise remained

vague impressions only.

 

Burroughs is the most undervalued writer of the century.

 

Tom. H.

http://www.uea.ac.uk/~w9624759

"To know, and be not knowing."

=========================================================================

Date:         Wed, 17 Sep 1997 10:53:58 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane De Rooy <Ddrooy@AOL.COM>

Subject:      Re: something to SPIN...

 

To Tom Harberd--

 

Tim Gallaher is not the author of that Burroughs stuff, but just one of the

respondents to it. The author is Dennis Cooper, and the article appears in

this month's issue of SPIN magazine.

 

I posted the article to the list for comment. All those who disagree with

Cooper's assessment should also consider writing to SPIN to register their

complaints formally.

 

These are addresses for the editorial offices of SPIN. Take your pick.

Spin Magazine 6 W 18th St, New York, NY 10011-4608

Phone: (212)633-8200 Fax: (212)633-2668

 

Spin Magazine 11950 San Vicente Blvd, Los Angeles, CA 90049-5013

Phone: (310)820-8183

 

Spin Magazine 447 Battery St, San Francisco, CA 94111-3202

Phone: (415)981-7746

 

Also, they have a website titled "Spin Online," apparently, but I haven't

been able to divine its whereabouts. If anyone knows the URL, please send it

to me.

 

Thanks.

 

diane

 

P.S. I haven't had any use for SPIN magazine since its 1995 article on

celebrity "male bimbos," whom they referred to as "himbos," which was so

baldly sexist and offensive I couldn't believe they didn't get their asses

sued off.

 

Always, consider the source. Never trust a magazine to present facts. They

are all in the entertainment biz today.

=========================================================================

Date:         Wed, 17 Sep 1997 10:46:16 +0530

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RACE --- <race@MIDUSA.NET>

Subject:      Saturday in Boulder

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Since i won't be able to be in Lawrence on the 20th i was going to take

my little Pocket Tibetan Book of the Dead in pocket and head up from

Aurora to Boulder.  Have my only little Bardo moments there.

 

Wondering about directions?  I've heard that Arapahoe and Pearl are

streets to wander along.  Are there others?  Any doors i should knock on

unannounced????

 

david rhaesa

salina, Kansas

=========================================================================

Date:         Wed, 17 Sep 1997 12:14:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: romantic lit. / shelley&wollstonecraft listserv?

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

              x-mac-creator="4D4F5353"

Content-Transfer-Encoding: 7bit

 

derek: i'd try asking the bohos as well. they are more eclectic crowd. also

i think your needs would best be served not on a web site but on a specific

lit list. i don't have the info, but i hope someone here can give you a more

detailed response. btw: have you ever seen 'frankenstein unbound'? it's a

great scifi/time travel/literary adventure-but not helpful in a scholarly

way.

mc

 

Derek A. Beaulieu wrote:

 

> hey there?

> i was wondering if anyone out there knows if there is a romantic lit or

> mary shelly/mary wollstonecraft listserv in email land. my girlfreind is

> doing her masters thesis on shelley/wollstonecraft & the figure of

> prometheus & i was wondering if there is any any internet resources that

> you folks would recommend.

> (aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist

> ?? haha.)

> thanks a HUGE bundle

> yrs

> derek

=========================================================================

Date:         Wed, 17 Sep 1997 10:39:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Young <syoung@DSW.COM>

Subject:      Re[2]: something to spin...

Mime-Version: 1.0

Content-Type: text/plain; charset=US-ASCII

Content-Transfer-Encoding: 7bit

 

     Ed Sanders has a word for this sort of "Spin".

     He calls it a "Poe job". It's the same old establishment

     bashing the artist while they're alive and after

     they're dead. Edgar still gets this once in a while.

     The sad part is that WSB has been on SPIN's list of

     contributing editors and WSB gives praise to Dennis

     Cooper in a blurb on one of Cooper's books. Dennis owes

     a lot to Burroughs. Cooper doesn't even have his facts

     together.

     Burroughs deserves better. It's magazines like SPIN that

     capitalized on Burroughs name. It is the media that has

     treated Burroughs like an icon.

     Burroughs has always been 100% himself.

     His work will stand up.

 

     Sean D. Young

     -------------------------------------------------

     -----

=========================================================================

Date:         Wed, 17 Sep 1997 11:10:26 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Free-Net

Subject:      Re: romantic lit. / shelley&wollstonecraft listserv?

In-Reply-To:  <199709171631.MAA11562@pike.sover.net>

Mime-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

mc

done a serach (listserv@listserv.net) for romantic, shelley,

wollstonecraft, romanticist, byron, 18 th century literature with no dice

so far. no help from boho's either. theres gott abe something on all them

listservs out there. gotta be something of use, no?

thanks for all the help ive received so far - i really appreciate it.

yrs

derek

 

On Wed, 17 Sep 1997, Marie Countryman wrote:

 

> 

> derek: i'd try asking the bohos as well. they are more eclectic crowd. also

> i think your needs would best be served not on a web site but on a specific

> lit list. i don't have the info, but i hope someone here can give you a more

> detailed response. btw: have you ever seen 'frankenstein unbound'? it's a

> great scifi/time travel/literary adventure-but not helpful in a scholarly

> way.

> mc

> 

> Derek A. Beaulieu wrote:

> 

> > hey there?

> > i was wondering if anyone out there knows if there is a romantic lit or

> > mary shelly/mary wollstonecraft listserv in email land. my girlfreind is

> > doing her masters thesis on shelley/wollstonecraft & the figure of

> > prometheus & i was wondering if there is any any internet resources that

> > you folks would recommend.

> > (aint that strange - a beat "scholar/enthusiast" and a 19th C romanticist

> > ?? haha.)

> > thanks a HUGE bundle

> > yrs

> > derek

>